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Welcome to Escape to the Country. | 0:00:06 | 0:00:06 | |
I may be in the smallest city in England... | 0:00:06 | 0:00:09 | |
..but it has a very impressive cathedral organ. | 0:00:13 | 0:00:16 | |
Find out where I am in just a moment. | 0:00:16 | 0:00:18 | |
On today's show, I'm helping a couple relocate from | 0:00:52 | 0:00:56 | |
a town house by the sea, to a rural village, | 0:00:56 | 0:00:58 | |
just like the one they grew up in. | 0:00:58 | 0:01:01 | |
-We'll be showing them some real country gems. -Oh, this is beautiful. | 0:01:01 | 0:01:06 | |
But, will our mystery house hit the spot? | 0:01:06 | 0:01:09 | |
It adds a whole new meaning to a home from home. I like it. I like it. | 0:01:09 | 0:01:13 | |
Today we're in Wells in Somerset and the cathedral here has had | 0:01:17 | 0:01:21 | |
an organ since 1310, this one though is a relative baby. | 0:01:21 | 0:01:25 | |
It was built by Mr Henry Willis in 1857. | 0:01:25 | 0:01:28 | |
Later in the show, I'm going to come back and have a lesson on it. | 0:01:28 | 0:01:32 | |
I can't wait. | 0:01:32 | 0:01:33 | |
The county of Somerset has many strong ties to the church | 0:01:34 | 0:01:38 | |
and religion. | 0:01:38 | 0:01:39 | |
Indeed, William Blake's poem, Jerusalem, | 0:01:39 | 0:01:41 | |
source of the famous hymn, is inspired by the story | 0:01:41 | 0:01:44 | |
that Jesus accompanied his uncle, Joseph of Arimatheia, | 0:01:44 | 0:01:48 | |
on a trip to the tin mines of the region during the 1st Century AD. | 0:01:48 | 0:01:52 | |
Legend has it that Joseph of Arimatheia went on to build a chapel in Glastonbury. | 0:01:52 | 0:01:57 | |
Glastonbury itself is an area steeped in mystical associations. | 0:01:57 | 0:02:01 | |
It's believed by some to be the site of the Isle of Avalon, | 0:02:01 | 0:02:04 | |
the final resting place of the legendary King Arthur and his Queen Guinevere, | 0:02:04 | 0:02:10 | |
but this county has much more to offer than just stories of its past. Somerset is the setting | 0:02:10 | 0:02:15 | |
for one of the most beautiful cathedrals in the country. | 0:02:15 | 0:02:19 | |
Wells has been a place of formal worship since Roman times. | 0:02:19 | 0:02:23 | |
There's been a church on the site since the 8th Century. | 0:02:23 | 0:02:27 | |
Somerset is situated along the edge of the Bristol channel | 0:02:27 | 0:02:30 | |
and shares borders with Devon, Dorset and Wiltshire. | 0:02:30 | 0:02:33 | |
It has a wealth of pretty villages, breath-taking countryside | 0:02:33 | 0:02:37 | |
and spectacular historic sites. | 0:02:37 | 0:02:39 | |
Predominantly agricultural land, the limestone hills of the Mendips | 0:02:39 | 0:02:43 | |
sprawl in a line below Bristol, while their sister range, | 0:02:43 | 0:02:46 | |
the Quantocks, stretch just east of Exmoor which spans the border with Devon. | 0:02:46 | 0:02:52 | |
Now, if you're looking for beautiful and traditional countryside living, | 0:02:52 | 0:02:56 | |
then Somerset is a good bet because it has 1,610 square miles of countryside | 0:02:56 | 0:03:02 | |
and some charming villages filled in turn with beautiful property. | 0:03:02 | 0:03:05 | |
As for prices, | 0:03:05 | 0:03:07 | |
well, it's a little bit more expensive than the national average. | 0:03:07 | 0:03:11 | |
A regular detached house here will cost £45,000 less than | 0:03:11 | 0:03:15 | |
the same thing over the border in neighbouring Dorset. | 0:03:15 | 0:03:19 | |
So, go on, treat yourself, take a look at what's on the market. | 0:03:19 | 0:03:22 | |
If you're after a traditional property to match this county's rural allure, | 0:03:24 | 0:03:29 | |
this three bed barn conversion in the heart of the market town of Crewkerne is full of character. | 0:03:29 | 0:03:34 | |
It offers a number of original features, mixing the old with the new, | 0:03:34 | 0:03:39 | |
and would set you back just under £240,000. | 0:03:39 | 0:03:43 | |
Or what about this handsome house in the coastal town of Minehead | 0:03:44 | 0:03:48 | |
which was built in the 20s for a member of the gentry? | 0:03:48 | 0:03:51 | |
For £585,000 you could lord it up. | 0:03:51 | 0:03:55 | |
With five bedrooms, an Edwardian plant room | 0:03:55 | 0:03:58 | |
and light and airy reception rooms. | 0:03:58 | 0:04:01 | |
If your budget can stretch to it, this gorgeous five bed | 0:04:03 | 0:04:06 | |
converted barn in Cutcombe is believed to date back to the early 19th Century | 0:04:06 | 0:04:11 | |
and it's set in 22 acres with views over Exmoor National Park. | 0:04:11 | 0:04:14 | |
At £795,000, it has an enviable galleried living room | 0:04:14 | 0:04:18 | |
with vaulted ceiling, French doors, leading out to a terrace, | 0:04:18 | 0:04:24 | |
and a variety of paddocks and outbuildings to play with. | 0:04:24 | 0:04:28 | |
Are you tempted by Somerset's property treasures? | 0:04:28 | 0:04:31 | |
Hopefully, our buyers will be today, although they haven't come very far to go property shopping. | 0:04:31 | 0:04:35 | |
Let's meet them. | 0:04:35 | 0:04:37 | |
Meet Robert and Wendy. | 0:04:38 | 0:04:40 | |
They actually went to school together in Wales. | 0:04:40 | 0:04:43 | |
It was many years later that they met up again and married. | 0:04:43 | 0:04:45 | |
They have three sons and four grandchildren between them | 0:04:45 | 0:04:48 | |
and now they've added to their family further | 0:04:48 | 0:04:51 | |
with a dog and two cats. So, the property they're looking for will need to have room | 0:04:51 | 0:04:55 | |
for both guests and pets. | 0:04:55 | 0:04:58 | |
Our buyers aren't quite ready to retire just yet, but they have begun to plan ahead. | 0:04:58 | 0:05:03 | |
They feel now is the right time for them | 0:05:03 | 0:05:05 | |
to sell their four bed Victorian townhouse in Portishead | 0:05:05 | 0:05:08 | |
and move to a more rural location where they can be part of the community. | 0:05:08 | 0:05:13 | |
My perfect property would be towards the centre of a village. | 0:05:13 | 0:05:17 | |
Possibly with even like a village green in front of it and a pub. | 0:05:17 | 0:05:20 | |
I'd like to be able to go out and know the people that I pass the road. | 0:05:20 | 0:05:24 | |
Although they want to swap their sea views in Portishead for rolling hills and fields, | 0:05:24 | 0:05:29 | |
they still want to stay in the same county. | 0:05:29 | 0:05:31 | |
We've got family close. We don't want to be too far away from them, | 0:05:31 | 0:05:35 | |
but we want it make that transition into the country proper. | 0:05:35 | 0:05:39 | |
They have future plans for more leisure time | 0:05:39 | 0:05:42 | |
and a home that will see them through their autumn years. | 0:05:42 | 0:05:45 | |
We want to find our final house together really. Our forever house. | 0:05:45 | 0:05:50 | |
We want this to be the big move. | 0:05:50 | 0:05:52 | |
Paul still has a good few years' work in him yet | 0:05:52 | 0:05:56 | |
and the move has to accommodate his professional needs. | 0:05:56 | 0:05:59 | |
I travel a great deal in my job. | 0:05:59 | 0:06:01 | |
In that we hope to move long before I retire, | 0:06:01 | 0:06:04 | |
I still need access to communications, the motorways | 0:06:04 | 0:06:07 | |
and particularly the railway station to get to Heathrow. | 0:06:07 | 0:06:10 | |
The house they're looking for is one that is a similar size to their current home, | 0:06:10 | 0:06:15 | |
but with less than the three floors they have now. | 0:06:15 | 0:06:18 | |
We need a good kitchen. | 0:06:18 | 0:06:20 | |
A large and open lounge, which could be combined with a dining room. | 0:06:20 | 0:06:25 | |
At least three bedrooms, one for ourselves | 0:06:25 | 0:06:27 | |
and two good guest bedrooms. | 0:06:27 | 0:06:29 | |
A fourth bedroom, which would probably become a study. | 0:06:29 | 0:06:32 | |
A barn conversion is definitely on the cards. | 0:06:32 | 0:06:35 | |
The sort of place that I quite like is the conversion | 0:06:35 | 0:06:39 | |
that might have been farm outbuildings or whatever. | 0:06:39 | 0:06:42 | |
Again, provided that they've been done well, | 0:06:42 | 0:06:44 | |
and relatively recently, then you've got a period property, | 0:06:44 | 0:06:48 | |
but you've actually got a completely modern renovated interior. | 0:06:48 | 0:06:52 | |
One thing they don't want is a property that needs too much work. | 0:06:52 | 0:06:56 | |
My biggest no-no for our new house | 0:06:56 | 0:06:59 | |
is going to be a renovation project of any sort. | 0:06:59 | 0:07:03 | |
Also, anything church-like. Ecclesiastical, converted chapel. | 0:07:03 | 0:07:09 | |
No, thank you, it's too creepy. | 0:07:09 | 0:07:11 | |
With their property search about to become a reality, as always, the money does the talking. | 0:07:11 | 0:07:18 | |
The budget for the new property is £400,000. | 0:07:18 | 0:07:21 | |
Wonderful. It's a classic Escape assignment. | 0:07:24 | 0:07:27 | |
A beautiful village, with cricket on the green and ducks on the pond | 0:07:27 | 0:07:32 | |
and a lovely community, and in gorgeous Somerset - | 0:07:32 | 0:07:34 | |
what more could we want? | 0:07:34 | 0:07:36 | |
No converted chapels or creepy churches. | 0:07:36 | 0:07:39 | |
Mha-ha-ha! | 0:07:39 | 0:07:40 | |
Well, not unless they misbehave. | 0:07:40 | 0:07:43 | |
Robert and Wendy have asked us to find them a house | 0:07:43 | 0:07:46 | |
in the thriving village in the centre of the county, that's close enough to a station | 0:07:46 | 0:07:50 | |
so he can hop on the train to Heathrow for work. | 0:07:50 | 0:07:53 | |
So we'll be concentrating our search around Wells and Glastonbury. | 0:07:53 | 0:07:57 | |
We've cherry picked some prime properties in the area. As usual, our buyers will need to | 0:07:57 | 0:08:01 | |
guess the price before I reveal it to them. | 0:08:01 | 0:08:04 | |
Then, of course, there's the mystery house which might just inspire them to embrace new ideas. | 0:08:04 | 0:08:10 | |
-Morning, guys. -Hello. -Morning. | 0:08:10 | 0:08:13 | |
Usually at this stage I would say, | 0:08:13 | 0:08:14 | |
-welcome to Somerset, but you're actually from Somerset. -We are. | 0:08:14 | 0:08:18 | |
Do you know this area? Is there a reason to move to this bit of Somerset? | 0:08:18 | 0:08:22 | |
No, we just like Somerset. We don't really know this area at all, do we? | 0:08:22 | 0:08:25 | |
Basically, we've still got family back in Portishead. | 0:08:25 | 0:08:28 | |
We don't want to divorce ourselves | 0:08:28 | 0:08:30 | |
and move right out into the wilds. We need some home comforts, | 0:08:30 | 0:08:34 | |
but we need a different set of home comforts. | 0:08:34 | 0:08:36 | |
So is this a, sort of, final footprint? | 0:08:36 | 0:08:39 | |
-Yeah, this is it. -This is the plan. -This is going to be the one for us. | 0:08:39 | 0:08:44 | |
-Tell me your budget again? -£400,000. -£400,000. | 0:08:44 | 0:08:47 | |
-I've got all of your list of desired qualities. -OK. -Let's go and look. They're all waiting for you. | 0:08:47 | 0:08:53 | |
-Let's go for it. -Thank you. | 0:08:53 | 0:08:55 | |
Robert and Wendy are prepared to pay £400,000 | 0:08:56 | 0:09:00 | |
on a light and airy house with a minimum of three bedrooms. | 0:09:00 | 0:09:04 | |
They want a big kitchen and are happy to combine | 0:09:04 | 0:09:06 | |
their new sitting room and dining room in an open-plan space. | 0:09:06 | 0:09:10 | |
They'd like a manageable sized garden | 0:09:10 | 0:09:12 | |
and a property that's in a village with a lively community. | 0:09:12 | 0:09:15 | |
Definitely not on the list is a project. | 0:09:15 | 0:09:18 | |
This couple want a house they can move into straight away. | 0:09:18 | 0:09:22 | |
We're starting our property hunt in the village of Walton, | 0:09:24 | 0:09:28 | |
on the doorstep of the vibrant town of Street | 0:09:28 | 0:09:30 | |
and two miles from historic Glastonbury. | 0:09:30 | 0:09:34 | |
Walton is a popular village tucked away on the edge of the Polden Hills. | 0:09:34 | 0:09:39 | |
It's a lively community with a couple of pubs and a farm shop. | 0:09:39 | 0:09:42 | |
The local church, the Church of the Holy Trinity, | 0:09:42 | 0:09:45 | |
is a Grade II listed building. | 0:09:45 | 0:09:47 | |
Situated on the A39, | 0:09:47 | 0:09:50 | |
the front of our first house has been reversed. | 0:09:50 | 0:09:53 | |
The garages face the road, | 0:09:53 | 0:09:55 | |
while the entrance to the property is accessed via the back garden. | 0:09:55 | 0:09:58 | |
-Now, this is very unorthodox to show you the house from the back. -Right. | 0:10:03 | 0:10:07 | |
But you won't have overlooked the fact that there is | 0:10:07 | 0:10:10 | |
the road at the front. | 0:10:10 | 0:10:11 | |
In many ways, this house offers you everything that you want on paper. | 0:10:11 | 0:10:15 | |
-Good. -We wanted to show it to you despite the fact that the road is not ideal. | 0:10:15 | 0:10:20 | |
Tell me about the location? Tell me about the road? | 0:10:20 | 0:10:23 | |
Tell me about the building? Tell me what you think? | 0:10:23 | 0:10:26 | |
The building looks lovely. | 0:10:26 | 0:10:27 | |
The garden, from what I can see so far, is stunning. Lovely. | 0:10:27 | 0:10:31 | |
I love the way that it backs onto a field. That's really nice. | 0:10:31 | 0:10:36 | |
It does the old adage of making a first impression. | 0:10:36 | 0:10:39 | |
You've got to give this one just that little bit extra because, | 0:10:39 | 0:10:43 | |
as you walk away from the road, it just adds and adds and adds. | 0:10:43 | 0:10:46 | |
It creates a terrific impression, it really does. | 0:10:46 | 0:10:48 | |
-Shall we have a look inside? -Love to. Yes, please. -It adds and adds, I like that. | 0:10:48 | 0:10:54 | |
A very positive first reaction for house number one. | 0:10:54 | 0:10:56 | |
So this is the front side door. | 0:10:56 | 0:11:00 | |
And there's plenty more for them to get excited about inside. | 0:11:00 | 0:11:04 | |
-Now, it brings us straight into the dining room. -It's lovely. | 0:11:08 | 0:11:13 | |
I like this. It's just us really, isn't it? I like this. | 0:11:13 | 0:11:17 | |
I like the floor. | 0:11:17 | 0:11:18 | |
Because of the aspect of the house, you've got the double light. | 0:11:18 | 0:11:22 | |
The light on both sides. That really does help it a great deal. | 0:11:22 | 0:11:25 | |
A little bit of the history. This was all agricultural outbuildings. | 0:11:25 | 0:11:29 | |
They had various functions. | 0:11:29 | 0:11:30 | |
You can see these, sort of, cross beams that go across. | 0:11:30 | 0:11:34 | |
That was where the hay was dropped down | 0:11:34 | 0:11:37 | |
and underneath was the, sort of, manger on that side. | 0:11:37 | 0:11:41 | |
Actually, underneath these tiles there's the original cobbles. | 0:11:41 | 0:11:46 | |
I like the easy access from the kitchen. I don't like doors. | 0:11:46 | 0:11:49 | |
-Lots of houses take the doors away. This really works well. -Good. | 0:11:49 | 0:11:52 | |
We'll come back to the kitchen later. | 0:11:52 | 0:11:54 | |
Let's look at the main event, which is this wonderful living room. | 0:11:54 | 0:12:01 | |
Oh, this is beautiful. | 0:12:01 | 0:12:02 | |
That is just lovely, isn't it? | 0:12:02 | 0:12:06 | |
It's probably a bit too early to be talking about wow factors. | 0:12:06 | 0:12:10 | |
-Ah, never too early to talk about wow factors. -It's just beautiful. | 0:12:10 | 0:12:14 | |
It's so light. | 0:12:14 | 0:12:16 | |
-The one thing we really wanted. -The one thing I like about a conversion type building is, | 0:12:16 | 0:12:19 | |
for the sort of money that we've got, which isn't excessive, | 0:12:19 | 0:12:23 | |
it's the only opportunity that you get for this size of living room. | 0:12:23 | 0:12:27 | |
Actually, this was the shearing shed. You can see there are hooks where they hung the shears. | 0:12:27 | 0:12:30 | |
So all the sheep from the estate would come in here. | 0:12:30 | 0:12:34 | |
This side of it was completely open. | 0:12:34 | 0:12:36 | |
These were open to the elements, there was no wall here. | 0:12:36 | 0:12:39 | |
The architect put these, sort of, curved cylindrical... | 0:12:39 | 0:12:43 | |
-this is a feature. -Yes, very cleverly done. | 0:12:43 | 0:12:45 | |
Now, the house is in, sort of, two halves. | 0:12:45 | 0:12:47 | |
There's an upstairs at this end. | 0:12:47 | 0:12:49 | |
Again, it was all built really to be away from the road. | 0:12:49 | 0:12:52 | |
Can you hear the road? Is it bothering you inside? | 0:12:52 | 0:12:54 | |
-Not inside at all, no. -No, not at all. | 0:12:54 | 0:12:57 | |
A lot of the living quarters are on this side. | 0:12:57 | 0:12:59 | |
There is actually another, sort of, staircase on the other end going up to some other rooms. | 0:12:59 | 0:13:04 | |
Let's have a little peak up at the master bedroom/family bathroom. | 0:13:04 | 0:13:09 | |
So on this side, we have a family bathroom here | 0:13:10 | 0:13:14 | |
and a little room which could be a study or a dressing room. | 0:13:14 | 0:13:18 | |
-Through here is the master bedroom. -Yeah... It's nice. | 0:13:18 | 0:13:23 | |
It's not huge, but it does everything you need a bedroom to do, doesn't it? | 0:13:23 | 0:13:28 | |
-Room to walk round the bed. -The storage space makes a big difference. -Yeah. | 0:13:28 | 0:13:32 | |
It compensates for what appears to be a small room. | 0:13:32 | 0:13:36 | |
So the master gets the thumbs up. | 0:13:36 | 0:13:38 | |
Let's see if we can build on this momentum as we head to the kitchen. | 0:13:38 | 0:13:43 | |
Here it is. | 0:13:46 | 0:13:47 | |
Oh, right. | 0:13:47 | 0:13:49 | |
-It's compact. -Yes. -Compact. Is it too small? | 0:13:49 | 0:13:53 | |
The important thing is the work surface. | 0:13:53 | 0:13:55 | |
There's lots of work surface there | 0:13:55 | 0:13:56 | |
and storage space within the cupboards anyway. | 0:13:56 | 0:13:59 | |
-No, I like that. -You could cook in here. -I could cook in there. | 0:13:59 | 0:14:02 | |
-Are you the cook? -He's the cook. | 0:14:02 | 0:14:06 | |
Right, next to the kitchen you've got this fabulous utility room which really is a boost. | 0:14:06 | 0:14:11 | |
Ah, that is good. Yes. That's a great advantage. | 0:14:11 | 0:14:15 | |
-It's a second kitchen, in effect. -It is, yes. | 0:14:15 | 0:14:17 | |
It's a bit like the tardis, it just gets bigger, actually. | 0:14:17 | 0:14:21 | |
Meeting our buyer's requirements for guest space, | 0:14:21 | 0:14:24 | |
there are two further good sized bedrooms, both with skylights, | 0:14:24 | 0:14:28 | |
up the second set of stairs. | 0:14:28 | 0:14:29 | |
There's also an additional family bathroom. | 0:14:29 | 0:14:32 | |
At one third of an acre, this superb expansive garden might be | 0:14:32 | 0:14:36 | |
bigger than Robert and Wendy were looking for, but it does include an apple orchard, | 0:14:36 | 0:14:41 | |
a vegetable patch and views over neighbouring fields. | 0:14:41 | 0:14:44 | |
-Lovely viewing weather. -Yes, isn't it just? -Absolutely. | 0:14:44 | 0:14:47 | |
They always say if you see a house you like in the rain, | 0:14:47 | 0:14:49 | |
then you're going to love it in the sunshine. | 0:14:49 | 0:14:52 | |
Yeah. Yeah. We like what we've seen in the rain. | 0:14:52 | 0:14:55 | |
Yes, indeed. | 0:14:55 | 0:14:57 | |
I mean, you couldn't get worse conditions | 0:14:57 | 0:14:59 | |
to make a first impression and it's still a good impression. | 0:14:59 | 0:15:02 | |
How much do you think it's on the market for? | 0:15:02 | 0:15:05 | |
I would go pretty near £400,000. What about you? | 0:15:05 | 0:15:08 | |
I think the quality is such that it will push it towards £395,000. | 0:15:08 | 0:15:13 | |
Your instincts are all correct. | 0:15:13 | 0:15:16 | |
-Really? -It's £50 short. | 0:15:16 | 0:15:19 | |
It's just a smidgen under £400,000. | 0:15:19 | 0:15:23 | |
-I'm not surprised because the quality is there. -That's right. | 0:15:23 | 0:15:28 | |
I'm going to send you back in to have a little root around, | 0:15:28 | 0:15:31 | |
maybe look at the upstairs at the back, rooms you haven't seen, | 0:15:31 | 0:15:34 | |
then we'll meet out the front and move on to the next. | 0:15:34 | 0:15:38 | |
-Fantastic. Thank you. -Let's go. -On you go. | 0:15:38 | 0:15:42 | |
Within budget at just shy of £400,000, | 0:15:42 | 0:15:45 | |
this converted detached barn provides a strong opener | 0:15:45 | 0:15:49 | |
for Robert and Wendy. | 0:15:49 | 0:15:51 | |
It's got four good-sized bedrooms, | 0:15:51 | 0:15:53 | |
a fantastic open plan living space | 0:15:53 | 0:15:55 | |
featuring exposed roof timbers | 0:15:55 | 0:15:57 | |
and natural stone, | 0:15:57 | 0:15:58 | |
and a good-sized kitchen. | 0:15:58 | 0:16:00 | |
It is on an A road, rather than a quiet country lane, | 0:16:00 | 0:16:03 | |
but will this be a dealbreaker? | 0:16:03 | 0:16:06 | |
I was really impressed by the standard of the property. | 0:16:06 | 0:16:09 | |
One thing I didn't really want to have, | 0:16:09 | 0:16:12 | |
was any work to do to a house when we move in. | 0:16:12 | 0:16:16 | |
I think the downstairs space is better than the upstairs space. | 0:16:16 | 0:16:19 | |
To be frank, for the money, I didn't expect to find so much space. | 0:16:19 | 0:16:22 | |
looking at the house, | 0:16:22 | 0:16:24 | |
I would say that this is a house we could live in. | 0:16:24 | 0:16:26 | |
Not absolutely sure about the location. | 0:16:26 | 0:16:29 | |
We'd have to take one step backwards and look at it objectively. | 0:16:29 | 0:16:33 | |
It's the first house you've shown us, | 0:16:33 | 0:16:35 | |
and you'd like to think it could only get better, | 0:16:35 | 0:16:38 | |
but it can't. It's a super house! | 0:16:38 | 0:16:42 | |
-You gathered up all your bits and pieces? -Yes, thank you. | 0:16:43 | 0:16:46 | |
We are done in Walton. Let's proceed. | 0:16:46 | 0:16:49 | |
Robert and Wendy are no strangers to Somerset, having spent | 0:16:56 | 0:16:59 | |
the last five years in the coastal town of Portishead in the northwest. | 0:16:59 | 0:17:03 | |
Much of the rest of the county is still unchartered territory | 0:17:03 | 0:17:06 | |
for them, so earlier, we took them to the cathedral city of Wells, | 0:17:06 | 0:17:10 | |
the smallest city in England | 0:17:10 | 0:17:12 | |
and the centre of our house search. | 0:17:12 | 0:17:15 | |
Taking its name from the springs that supply the moats | 0:17:15 | 0:17:18 | |
surrounding the Bishop's Palace, Wells retains a wealth of mediaeval buildings. | 0:17:18 | 0:17:24 | |
The Vicar's Close is a cobbled street of uniform houses dating back to the 14th century. | 0:17:24 | 0:17:29 | |
It's thought to be the oldest, complete mediaeval street in Europe, | 0:17:29 | 0:17:32 | |
remaining unchanged for almost 700 years. | 0:17:32 | 0:17:36 | |
The street still houses choir members | 0:17:36 | 0:17:39 | |
of the impressive Wells Cathedral, built in the 12th century. | 0:17:39 | 0:17:44 | |
Just outside Wells, lies another building of historical importance | 0:17:44 | 0:17:49 | |
and one that Robert, who enjoys cooking, might find appealing. | 0:17:49 | 0:17:53 | |
Located in the village of Wookey, Burcott Mill dates back | 0:17:53 | 0:17:57 | |
over a millennium and is one of the only two fully working | 0:17:57 | 0:18:01 | |
waterpowered flourmills left in Somerset. | 0:18:01 | 0:18:03 | |
We arranged for Robert and Wendy to see the historic process. | 0:18:03 | 0:18:08 | |
-Hello, Steve! How are you? -Hello, welcome to Burcott Mill. | 0:18:08 | 0:18:11 | |
-Thank you. -This is where it all happens. | 0:18:11 | 0:18:14 | |
-Would you like to have a look? -Absolutely. -Follow me. -Let's go. | 0:18:14 | 0:18:18 | |
The flour at Burcott Mill is produced | 0:18:18 | 0:18:21 | |
using the same methods and machinery that were employed 150 years ago. | 0:18:21 | 0:18:25 | |
The flour is ground between two millstones, | 0:18:25 | 0:18:28 | |
each of which weigh about three quarters of a ton. | 0:18:28 | 0:18:31 | |
Powered by water drawn in from the River Axe, | 0:18:31 | 0:18:35 | |
these twin stones can produce 50 kilos of flour every hour. | 0:18:35 | 0:18:40 | |
An example of this process can be seen using a quern and hand stone. | 0:18:40 | 0:18:44 | |
-Shall I show you how it works? -Yes please. | 0:18:44 | 0:18:46 | |
Take a bit of grain, drop in the middle of the top stone, the runner stone. | 0:18:46 | 0:18:51 | |
Then, using a bit of hand power... | 0:18:51 | 0:18:54 | |
..it makes the flour. | 0:18:57 | 0:19:00 | |
-Wow! -Would you like a go? -Wendy, I think! | 0:19:00 | 0:19:02 | |
Take some grain. I wouldn't put too much grain in, | 0:19:02 | 0:19:06 | |
otherwise it'll be really hard to turn and you'll look quite weak! | 0:19:06 | 0:19:09 | |
So, you wouldn't want that! | 0:19:09 | 0:19:11 | |
This method had been used in Britain for generations, | 0:19:11 | 0:19:14 | |
until the Romans introduced watermills. | 0:19:14 | 0:19:17 | |
There you go! I can see some flour. | 0:19:17 | 0:19:19 | |
I wouldn't like to spend all day doing that! | 0:19:19 | 0:19:23 | |
The mill produces 20 tons of flour a year, supplying hotels, restaurants | 0:19:23 | 0:19:27 | |
and bakeries across the county, and also has its own teahouse, | 0:19:27 | 0:19:30 | |
serving bread made in the mill. | 0:19:30 | 0:19:32 | |
The bread's delicious, thank you. Lovely! Thank you. | 0:19:32 | 0:19:35 | |
We continue our search on the edge of the village of North Wooton. | 0:19:39 | 0:19:43 | |
The name Wooton means, "The settlement in or by a wood." | 0:19:43 | 0:19:47 | |
Located three miles south of Wells, the village is dominated | 0:19:47 | 0:19:50 | |
by the heights of Twin Hills Wood and Launchley Hill. | 0:19:50 | 0:19:55 | |
Our second house is another barn conversion, this time set | 0:19:55 | 0:19:58 | |
in delightful open countryside, well away from any main roads. | 0:19:58 | 0:20:02 | |
Do you spot the difference? | 0:20:02 | 0:20:04 | |
-Peace, quiet... -Peace, quiet, we're on the road... | 0:20:04 | 0:20:09 | |
-A marked contrast to the A road we were on earlier. -Yeah, very much so. | 0:20:09 | 0:20:14 | |
The house I want to show you is this one, here. | 0:20:14 | 0:20:16 | |
It is joined to...this used to be a pub or a cider house. | 0:20:16 | 0:20:20 | |
This was the barn, again it's a barn conversion, | 0:20:20 | 0:20:23 | |
and it was converted back in the '80s. | 0:20:23 | 0:20:26 | |
-Looks very promising. -Looks inviting. | 0:20:26 | 0:20:28 | |
Can't wait to go in. | 0:20:28 | 0:20:32 | |
-Shall we look inside? -Yes, please. -Absolutely. | 0:20:32 | 0:20:35 | |
As it's tucked away from any traffic noise, the initial | 0:20:35 | 0:20:38 | |
reactions to this house makes me think we may have hit the jackpot. | 0:20:38 | 0:20:42 | |
Come on in. | 0:20:42 | 0:20:45 | |
Straight through into the kitchen diner. | 0:20:49 | 0:20:53 | |
-It's empty at the moment. -It's empty. | 0:20:53 | 0:20:56 | |
-A different proposition here. -BOTH: Yes. | 0:20:56 | 0:20:59 | |
The thing about this property is that we've got all the location | 0:20:59 | 0:21:03 | |
and potential, but the house, I think, needs a bit of you in it. | 0:21:03 | 0:21:06 | |
It doesn't strike me as needing that much to it, | 0:21:06 | 0:21:10 | |
on first impression, certainly. | 0:21:10 | 0:21:12 | |
The house is empty, so you don't have the... | 0:21:12 | 0:21:16 | |
-Well...! -"Well", says Wendy with a question mark! What would you do? | 0:21:16 | 0:21:20 | |
It's the units and floor, for a start. | 0:21:20 | 0:21:23 | |
Yes, this floor could probably do with a little sparkle. | 0:21:23 | 0:21:26 | |
So, unlike the last property, this is a smaller house. | 0:21:26 | 0:21:30 | |
It's quite a simple layout. | 0:21:30 | 0:21:32 | |
This is really the heart of the property, the kitchen diner, | 0:21:32 | 0:21:35 | |
and then you've got, through here... | 0:21:35 | 0:21:37 | |
..this is the sitting room. | 0:21:40 | 0:21:43 | |
Oh, this is pleasant. It's quite light. | 0:21:43 | 0:21:46 | |
It's airy, it's light, | 0:21:46 | 0:21:48 | |
it's got super access out to the garden and lawn, there. | 0:21:48 | 0:21:51 | |
And the garden is spectacular, when we look at it. | 0:21:51 | 0:21:54 | |
It does cry out for a conservatory or extension, in that respect. | 0:21:54 | 0:21:58 | |
And if that was in your budget, | 0:21:58 | 0:22:01 | |
then that would be a really good addition to the property. | 0:22:01 | 0:22:04 | |
'Well, that's a turnaround. | 0:22:04 | 0:22:07 | |
'Having said they weren't keen on a project, | 0:22:07 | 0:22:09 | |
'our buyers are suggesting changes they could make. | 0:22:09 | 0:22:12 | |
'Perhaps they might consider some renovation? | 0:22:12 | 0:22:15 | |
'Let's see if we can build on their ideas upstairs.' | 0:22:15 | 0:22:17 | |
This is the biggest room, would be, maybe, the master bedroom. | 0:22:22 | 0:22:26 | |
It's nice and light. First impression is airy. | 0:22:26 | 0:22:30 | |
-I think I'd be inclined to take that away. -The vanity. | 0:22:30 | 0:22:34 | |
I was thinking there are other options. There's only three bedrooms here. | 0:22:34 | 0:22:38 | |
So you could have this as the master, or I was thinking, | 0:22:38 | 0:22:41 | |
if we look down the landing... | 0:22:41 | 0:22:44 | |
..there's a little room, there... | 0:22:46 | 0:22:49 | |
..and this is the other big room at the front of the house. | 0:22:51 | 0:22:56 | |
And the reason I thought maybe you could make this your bedroom | 0:22:56 | 0:22:59 | |
is because you are next to the bathroom. | 0:22:59 | 0:23:02 | |
So if you're going to take that vanity unit, I don't know why, | 0:23:02 | 0:23:06 | |
-I thought this nice to sleep in. -This is a bit more confining. | 0:23:06 | 0:23:10 | |
To get a study out of this, and accommodate grandchildren, | 0:23:10 | 0:23:13 | |
or indeed anybody else, is going to be imaginative. | 0:23:13 | 0:23:17 | |
'Although the bedrooms are small, one significant extra this property does have, | 0:23:17 | 0:23:21 | |
'is a large garage which could be used as additional living space, | 0:23:21 | 0:23:25 | |
'with some clever renovation work. | 0:23:25 | 0:23:27 | |
And the garden with its mature trees and shrubs, | 0:23:27 | 0:23:30 | |
'does have a unique selling point.' | 0:23:30 | 0:23:32 | |
Personally, I think you should buy this house | 0:23:32 | 0:23:35 | |
-because of that tree. -Pretty spectacular. -It's stunning. | 0:23:35 | 0:23:40 | |
Wellingtonia - not many of them in the country. | 0:23:40 | 0:23:43 | |
Quite a rarity to find it here in the middle of Somerset. | 0:23:43 | 0:23:45 | |
Beautiful. Maybe 200 years old? | 0:23:45 | 0:23:48 | |
And looking back at the house itself, | 0:23:48 | 0:23:50 | |
can you see anything that you'd like to do? | 0:23:50 | 0:23:53 | |
It needs to be made an awful lot bigger. | 0:23:53 | 0:23:56 | |
It needs more space upstairs and downstairs, really. | 0:23:56 | 0:24:00 | |
So it needs an extension, or a conservatory, | 0:24:00 | 0:24:04 | |
or something to make it bigger. | 0:24:04 | 0:24:06 | |
There's perfect room for it, but it's going to cost money. | 0:24:06 | 0:24:09 | |
-What do you think the asking price is? -I would go for... | 0:24:09 | 0:24:13 | |
365. | 0:24:13 | 0:24:14 | |
I would've gone less, | 0:24:16 | 0:24:18 | |
-I would've gone for 340. -340. | 0:24:18 | 0:24:23 | |
So you're going to be shocked to find out that actually this is only | 0:24:23 | 0:24:29 | |
£500 less than your asking price! | 0:24:29 | 0:24:33 | |
-Really? Gosh! -On the market | 0:24:33 | 0:24:35 | |
-for just a shade under £400,000. -Gosh! | 0:24:35 | 0:24:40 | |
-That's a lot of money. -It's a lot of money, largely because of the location. | 0:24:40 | 0:24:44 | |
Yes, indeed. It has got a lot going for it, it really has, | 0:24:44 | 0:24:48 | |
not quite in our direction, I don't think. | 0:24:48 | 0:24:51 | |
Certainly very clearly not in your direction! | 0:24:51 | 0:24:54 | |
Good, well, have a look around inside, | 0:24:55 | 0:24:58 | |
and then we can continue thinking, afterwards. | 0:24:58 | 0:25:01 | |
-OK. -Let's have a look. | 0:25:01 | 0:25:04 | |
'Coming in just under their budget of £400,000, | 0:25:04 | 0:25:07 | |
'our second house does need some work, | 0:25:07 | 0:25:11 | |
'so Robert and Wendy would have to factor that in. | 0:25:11 | 0:25:13 | |
'But it does have three bedrooms, | 0:25:13 | 0:25:16 | |
'a sitting room with an exposed stone fireplace, | 0:25:16 | 0:25:19 | |
'a fantastic rural location | 0:25:19 | 0:25:21 | |
'and it also has a garage that could be refurbished | 0:25:21 | 0:25:24 | |
'to add additional living space.' | 0:25:24 | 0:25:26 | |
It would have had to be a lot cheaper, | 0:25:26 | 0:25:30 | |
to make me want to do stuff to it, | 0:25:30 | 0:25:33 | |
because, the price it is, | 0:25:33 | 0:25:35 | |
we wouldn't have any surplus money to do anything with it, really. | 0:25:35 | 0:25:40 | |
You might find we have to restructure what we think | 0:25:40 | 0:25:44 | |
we're going to get for our money. | 0:25:44 | 0:25:46 | |
Yes, we're looking for a village rural community | 0:25:46 | 0:25:49 | |
and to be part of the community, but, the house | 0:25:49 | 0:25:52 | |
and the fact we're going to live in it for the rest of our years, | 0:25:52 | 0:25:56 | |
has to come first. | 0:25:56 | 0:25:58 | |
I think a 90 foot Wellingtonia's not going to sway them to buy(!) | 0:25:58 | 0:26:02 | |
-Hello! All done? -Yes. -Yes indeed. | 0:26:02 | 0:26:05 | |
So, pull the door and we shall go home and reflect. | 0:26:05 | 0:26:09 | |
As the sun dips over the Mendip Hills, our buyers have plenty to think about. | 0:26:12 | 0:26:17 | |
We've had mixed reactions to the properties we've seen so far. | 0:26:17 | 0:26:20 | |
What surprises will the mystery house have in store tomorrow? | 0:26:20 | 0:26:25 | |
With a budget of £400,000, | 0:26:33 | 0:26:36 | |
Robert and Wendy want to say goodbye to the sea views | 0:26:36 | 0:26:39 | |
offered by the town of Portishead in North Somerset and move | 0:26:39 | 0:26:42 | |
further south to a village where they can become part of the community. | 0:26:42 | 0:26:46 | |
So far, they've had contrasting reactions to the two properties we've shown them. | 0:26:46 | 0:26:50 | |
It's just beautiful, it's so light. | 0:26:50 | 0:26:54 | |
So it needs an extension, conservatory... | 0:26:54 | 0:26:56 | |
With one more property to go, will our mystery house | 0:26:56 | 0:26:59 | |
whet their appetite? | 0:26:59 | 0:27:02 | |
-Gosh, isn't that fantastic! -It is, actually. | 0:27:02 | 0:27:04 | |
And later in the programme, | 0:27:04 | 0:27:06 | |
I'll be working on creating my own harmonious atmosphere. | 0:27:06 | 0:27:09 | |
MUSIC: "Toccata and Fugue D Minor" by Bach | 0:27:09 | 0:27:14 | |
Wendy and Robert are on the horns of, for the show, | 0:27:17 | 0:27:21 | |
a very familiar dilemma. | 0:27:21 | 0:27:23 | |
House or location? | 0:27:23 | 0:27:25 | |
Yesterday, we showed them that beautiful property on a noisy road. Wasn't ideal. | 0:27:25 | 0:27:29 | |
Then a lovely location with a house they weren't so crazy about. | 0:27:29 | 0:27:33 | |
However, one thing has shifted. | 0:27:33 | 0:27:36 | |
At the beginning, they were adamant, adamant, | 0:27:36 | 0:27:39 | |
that they didn't want a project. | 0:27:39 | 0:27:41 | |
And yet, the second house yesterday, they were, | 0:27:41 | 0:27:44 | |
"Yes, we could put a sunroom here, an extension there", | 0:27:44 | 0:27:47 | |
and that gives me a glimmer of hope, because our mystery house, | 0:27:47 | 0:27:51 | |
if they are prepared to soften their attitude towards renovation, | 0:27:51 | 0:27:55 | |
could be their forever home. | 0:27:55 | 0:27:58 | |
The mystery house. | 0:28:00 | 0:28:01 | |
What do you think we might be showing you? | 0:28:01 | 0:28:04 | |
Well, I know you can be very sneaky on the mystery house! | 0:28:04 | 0:28:08 | |
Sneaky! | 0:28:08 | 0:28:09 | |
But I really, really don't have that much of an idea. | 0:28:09 | 0:28:12 | |
Is there anything you're definitely hoping it's not? | 0:28:12 | 0:28:15 | |
I have said that the thing I would not like is something like a church. | 0:28:15 | 0:28:21 | |
Graves would really worry me! | 0:28:21 | 0:28:23 | |
-No open graves for flower beds? -No, no, absolutely not! | 0:28:23 | 0:28:28 | |
So onto our mystery house in the village of Chilcompton, | 0:28:28 | 0:28:32 | |
slightly further north, in the Mendip Hills, | 0:28:32 | 0:28:35 | |
and about 20 minutes from Wells. | 0:28:35 | 0:28:37 | |
Chilcompton is a thriving village, with three churches, a shop, | 0:28:37 | 0:28:41 | |
a post office and two good country pubs. | 0:28:41 | 0:28:43 | |
Right in the heart of the community, our mystery house has got | 0:28:43 | 0:28:47 | |
the central location Robert and Wendy are after, | 0:28:47 | 0:28:50 | |
and it's also a conversion, | 0:28:50 | 0:28:52 | |
but perhaps not the kind they had in mind. | 0:28:52 | 0:28:55 | |
Because you were both so well-behaved and such lovely housebuyers, | 0:28:55 | 0:28:59 | |
I didn't take you to a converted church. | 0:28:59 | 0:29:02 | |
-Oh, thank you! -But I did take you to a converted pub! | 0:29:02 | 0:29:05 | |
Indeed! The place I've always wanted to live in! | 0:29:05 | 0:29:10 | |
It adds a whole new meaning to home-from-home. | 0:29:10 | 0:29:14 | |
-So you approve of a converted pub? -Yes. -Yes indeed, absolutely. | 0:29:14 | 0:29:18 | |
-Shall we go and have a look inside? -Let's do it. | 0:29:18 | 0:29:22 | |
This former pub used to be a cider house for the miners who | 0:29:22 | 0:29:26 | |
worked in the local colliery, but will our buyers | 0:29:26 | 0:29:29 | |
chisel out their own changes to put their stamp on it? | 0:29:29 | 0:29:33 | |
Going to start at the back of the house, | 0:29:33 | 0:29:36 | |
because I can make more sense of the history this way. | 0:29:36 | 0:29:39 | |
Right. Oh! | 0:29:39 | 0:29:41 | |
-I didn't expect to see such an open space, really. -Exactly. | 0:29:41 | 0:29:45 | |
The owner was telling me, this is probably the oldest part of the house. | 0:29:45 | 0:29:49 | |
It was probably a long farmhouse, so it's got these fantastic | 0:29:49 | 0:29:53 | |
flagstones and that's the, sort of, historic base. | 0:29:53 | 0:29:56 | |
The pub actually came later, in the 1880s. | 0:29:56 | 0:30:00 | |
Here, you see this light pointing in that alcove. | 0:30:00 | 0:30:02 | |
-That's where the dartboard was! -THEY LAUGH | 0:30:02 | 0:30:05 | |
So, it has been... They sort of moved it around. | 0:30:05 | 0:30:09 | |
This wall, it's just a stud wall. This would have been one long room. | 0:30:09 | 0:30:14 | |
-And you might want to reinstall that. -Yeah, it is really surprising. | 0:30:14 | 0:30:20 | |
When you come in through the front door, you don't expect to see this amount of space. | 0:30:20 | 0:30:24 | |
I would take the wall away, just to have the space and more light. | 0:30:24 | 0:30:28 | |
But that's a small job. | 0:30:28 | 0:30:29 | |
Although opening up the ground floor would mean losing the existing | 0:30:29 | 0:30:33 | |
study, there is still space | 0:30:33 | 0:30:35 | |
for a small reading room in what used to be the old snug bar. | 0:30:35 | 0:30:39 | |
The kitchen, however, is a space they wouldn't need to work on. | 0:30:39 | 0:30:43 | |
This is an area that they have really finished off to a high spec. | 0:30:43 | 0:30:49 | |
-Indeed! This is nice. -You know, the lovely sink, The granite work surfaces. | 0:30:49 | 0:30:53 | |
-They found this when they were renovating. -That's lovely, isn't it? | 0:30:53 | 0:31:00 | |
From some point in the house's history. | 0:31:00 | 0:31:02 | |
-Yeah. -It's been restored. | 0:31:02 | 0:31:04 | |
So this was a Victorian addition. This was the utility room. | 0:31:04 | 0:31:07 | |
The kitchen was there. | 0:31:07 | 0:31:08 | |
So they have knocked through to make it a much more liveable space. | 0:31:08 | 0:31:12 | |
Yeah, I think you have got the kitchen-diner, haven't you? | 0:31:12 | 0:31:16 | |
It's all one. | 0:31:16 | 0:31:17 | |
I like that. I like open plan living, I think that's really nice. | 0:31:17 | 0:31:22 | |
'And there are other original features our buyers | 0:31:22 | 0:31:24 | |
'might like too.' | 0:31:24 | 0:31:25 | |
This is a really interesting feature from the old pub. | 0:31:27 | 0:31:30 | |
You know, where they turned off all the pub lights in one go. | 0:31:30 | 0:31:33 | |
This is the central control board for all the lights downstairs, other than the kitchen. | 0:31:33 | 0:31:39 | |
Which is slightly annoying. | 0:31:39 | 0:31:41 | |
Because you can't turn them off in the rooms. | 0:31:41 | 0:31:43 | |
-Oh, really? -But, you know, it could be part of the project. -Indeed. | 0:31:43 | 0:31:48 | |
'It seems that Robert and Wendy might be coming around to the idea of a project after all. | 0:31:48 | 0:31:53 | |
'And I am hoping the three upstairs bedrooms will meet their expectations. | 0:31:53 | 0:31:57 | |
'We could be onto a winner.' | 0:31:57 | 0:31:59 | |
We don't often show people bathrooms on the show, | 0:31:59 | 0:32:02 | |
but this is a rather big one. | 0:32:02 | 0:32:05 | |
-Gosh! Isn't that fantastic? -It is, actually. | 0:32:05 | 0:32:08 | |
-Yes. -It's the sort of bathroom we'd hoped to see, but never do. | 0:32:08 | 0:32:12 | |
-Across the landing into the master bedrooms. -Right! Yeah, this is nice. | 0:32:14 | 0:32:20 | |
-My eye is taken by the black. -Mesmerised by the black feathers. | 0:32:21 | 0:32:25 | |
Absolutely. Yes, but if you ignore the black | 0:32:25 | 0:32:28 | |
and have a look at the size of the room, you might think... | 0:32:28 | 0:32:32 | |
-It's a good-sized room. -It is nice. -Presumably storage over there. | 0:32:32 | 0:32:36 | |
-There is a surprise around the corner. -Ah! | 0:32:36 | 0:32:38 | |
Unbelievably, through this little door... | 0:32:38 | 0:32:42 | |
is space for an ensuite. | 0:32:42 | 0:32:45 | |
-Oh, lovely. -Not completed, but all the plumbing is there. | 0:32:45 | 0:32:50 | |
It certainly would be very handy to have that. | 0:32:50 | 0:32:52 | |
-I like having an ensuite. -Yeah. -That's great. Yeah. | 0:32:52 | 0:32:55 | |
So there is potential for an extra bathroom | 0:32:55 | 0:32:59 | |
and also three really good-sized bedrooms for all the grandchildren when they come to stay. | 0:32:59 | 0:33:04 | |
And once here, the whole family can enjoy the ample sized garden | 0:33:04 | 0:33:08 | |
which, unlike some other parts of the house, doesn't need any work at all | 0:33:08 | 0:33:13 | |
and is easy to maintain. | 0:33:13 | 0:33:16 | |
This is your garden. Not the biggest that I have shown you but I think rather charming. | 0:33:16 | 0:33:20 | |
-Indeed. -It's about the size that I'd want a garden to be. | 0:33:20 | 0:33:23 | |
-Not too big. Yeah. -What do you think of the property overall? | 0:33:23 | 0:33:27 | |
It's a very interesting. | 0:33:29 | 0:33:31 | |
It's got huge potential. | 0:33:31 | 0:33:34 | |
It appears to be cosmetically sound | 0:33:34 | 0:33:37 | |
but then you think, there might be some heavy make-up needed here rather than just cosmetic. | 0:33:37 | 0:33:42 | |
So I think there might be more to it in terms of what you'd really like to do with it. | 0:33:42 | 0:33:46 | |
-Heavy make-up being something like Botox? -Exactly. Absolutely. | 0:33:46 | 0:33:51 | |
How much do think it is on the market for? | 0:33:51 | 0:33:54 | |
-That's a challenge. -Yes. | 0:33:55 | 0:33:58 | |
I would guess, personally, at... | 0:33:58 | 0:34:01 | |
385. | 0:34:01 | 0:34:04 | |
Going on yesterday's experience, I'd say it is still pretty close to 400,000. | 0:34:06 | 0:34:11 | |
You are correct. It is actually the most expensive property. | 0:34:11 | 0:34:14 | |
It is 400,000 on the nose. | 0:34:14 | 0:34:15 | |
And it's actually dropped 50,000. | 0:34:15 | 0:34:18 | |
It has been on the market for a while. | 0:34:18 | 0:34:20 | |
It has been on the market for 12 months. | 0:34:20 | 0:34:22 | |
So it's dropped 50,000 already. | 0:34:22 | 0:34:25 | |
But that's the salient fact that you need to take with you as you walk around the house. | 0:34:25 | 0:34:30 | |
And think whether that deep surgery - | 0:34:30 | 0:34:32 | |
that cosmetic surgery on the house - is going to cost too much. | 0:34:32 | 0:34:35 | |
-OK. -All right, let's go and look. -Thank you, see you in a bit. | 0:34:35 | 0:34:38 | |
Coming in at £400,000, this property, | 0:34:38 | 0:34:41 | |
formerly a public house, | 0:34:41 | 0:34:43 | |
has many of the features Robert and Wendy are after. | 0:34:43 | 0:34:47 | |
It has four bedrooms, | 0:34:47 | 0:34:48 | |
and it's in the centre of a lively village community. | 0:34:48 | 0:34:51 | |
But it does need some updating. | 0:34:51 | 0:34:54 | |
So is renovation something they'd consider | 0:34:54 | 0:34:57 | |
or will they be calling last orders on the old inn? | 0:34:57 | 0:35:00 | |
I think there is an awful lot of space downstairs. | 0:35:00 | 0:35:03 | |
Keeping the front room on the left as a study, | 0:35:03 | 0:35:07 | |
but the rest of you could actually make | 0:35:07 | 0:35:11 | |
one large, very, very cosy but spacious living room. | 0:35:11 | 0:35:16 | |
I would have to be in the house for about a year | 0:35:16 | 0:35:18 | |
before it would feel like it was our house. | 0:35:18 | 0:35:21 | |
When we started the process, we didn't want to have to be doing anything to the house. | 0:35:21 | 0:35:26 | |
Everybody wants to walk into something that's perfect. | 0:35:26 | 0:35:29 | |
Life isn't like that. There's always got to be a compromise. | 0:35:29 | 0:35:33 | |
Definitely getting a bit brighter. | 0:35:33 | 0:35:35 | |
-The sun may well come out. -It might. | 0:35:35 | 0:35:37 | |
-In that case you have to buy the house. -OK, if you say so. | 0:35:37 | 0:35:41 | |
-Absolutely. -No, let's go and think about it. -OK. | 0:35:41 | 0:35:43 | |
CHURCH ORGAN PLAYS | 0:35:48 | 0:35:51 | |
'Now, as you may remember, | 0:35:51 | 0:35:53 | |
'I've got a project of my own to get stuck into. | 0:35:53 | 0:35:55 | |
'I am back at Wells Cathedral to learn about the organ here. | 0:35:55 | 0:36:00 | |
'Head Organist, Matthew Owens is going to show me how to play it.' | 0:36:00 | 0:36:04 | |
-Morning, Matthew. -Good morning. Welcome to Wells Cathedral. | 0:36:04 | 0:36:08 | |
It's so beautiful! What an amazing sight for the eyes. | 0:36:08 | 0:36:11 | |
-And the organ - what a fantastic beast. -It is absolutely stunning. | 0:36:11 | 0:36:15 | |
You're in the Queen of English cathedrals, as it's known. | 0:36:15 | 0:36:19 | |
This is the heart of the cathedral, the quire, | 0:36:19 | 0:36:21 | |
which we spell Q-U-I-R-E. | 0:36:21 | 0:36:25 | |
And this is where the cathedral choir sings services every day. | 0:36:25 | 0:36:30 | |
No, I'm a terrible old hack on the piano, | 0:36:30 | 0:36:32 | |
but my visit here is to take a lesson from you. | 0:36:32 | 0:36:34 | |
-So, can we go up into the organ loft? -Absolutely, let's go. | 0:36:34 | 0:36:38 | |
'Every organ is unique, with different sounds | 0:36:39 | 0:36:41 | |
'and different means of operating. | 0:36:41 | 0:36:43 | |
'There won't be another one like this anywhere else in the world.' | 0:36:43 | 0:36:48 | |
-Ah, it's a real beast. -It certainly is. | 0:36:48 | 0:36:50 | |
This is the nerve centre of the organ. | 0:36:50 | 0:36:51 | |
-So, four "manuals", they're called? -Four manuals and pedals down below. | 0:36:51 | 0:36:56 | |
These manuals all correspond to the stops here. | 0:36:56 | 0:36:59 | |
So we have the choir organ, which is here, the lowest manual. | 0:36:59 | 0:37:03 | |
This division here is called the swell because, literally, | 0:37:03 | 0:37:07 | |
the sound swells. | 0:37:07 | 0:37:10 | |
There is a system of almost Venetian blinds which open and shut as you'll hear now. | 0:37:10 | 0:37:15 | |
ORGAN NOTES SWELL | 0:37:15 | 0:37:18 | |
-Ah, it is like a crescendo. -Yeah. | 0:37:18 | 0:37:20 | |
And, of course, it has got very soft sounds, as well. | 0:37:20 | 0:37:23 | |
ORGAN PLAYS SOFTLY | 0:37:23 | 0:37:27 | |
Wonderful. | 0:37:27 | 0:37:29 | |
OK, so in terms of you teaching me something, | 0:37:29 | 0:37:32 | |
the basics of playing maybe, but also this piece. | 0:37:32 | 0:37:37 | |
Why don't start on this one. You want lots of noise, don't you? Yes. | 0:37:37 | 0:37:42 | |
All right, here you we go. | 0:37:42 | 0:37:43 | |
PLAYS DRAMATIC OPENING NOTES | 0:37:47 | 0:37:49 | |
Then go up here. | 0:37:50 | 0:37:54 | |
REPEATS NOTES IN LOWER KEY | 0:37:54 | 0:37:56 | |
And then here. | 0:37:58 | 0:38:00 | |
REPEATS NOTES IN DIFFERENT KEY | 0:38:02 | 0:38:04 | |
Now what? Ah, a pedal. | 0:38:07 | 0:38:09 | |
Excellent, 10 out of 10. That's it. | 0:38:09 | 0:38:12 | |
-Excellent. You are a natural. -Two bars in and I'm exhausted. | 0:38:29 | 0:38:32 | |
So can you do the difficult bit? | 0:38:32 | 0:38:35 | |
'Organs need constant maintenance, just like any complex machine. | 0:38:41 | 0:38:45 | |
'And this one was substantially rebuilt in 1973. | 0:38:45 | 0:38:50 | |
'Upkeep includes repairs to features like the electrical components and the leather parts | 0:38:50 | 0:38:54 | |
'and it can cost up to £1 million. | 0:38:54 | 0:38:56 | |
'But of course it is cheaper than buying a new one. | 0:38:57 | 0:39:01 | |
'At the top end, a brand-new cathedral organ would set you back | 0:39:01 | 0:39:04 | |
'anywhere between £2 million and £4 million. | 0:39:04 | 0:39:07 | |
Oh! Bravo, maestro. It's wonderful. Thank you so much. | 0:39:13 | 0:39:17 | |
-It was a great joy. -Lovely to meet you. -What a beast. | 0:39:17 | 0:39:21 | |
I'm not so sure the converted pub was really Robert and Wendy's cup of tea, or pint of cider. | 0:39:28 | 0:39:34 | |
But it did raise some interesting issues | 0:39:34 | 0:39:36 | |
about how much work they're prepared to do to get their forever home. | 0:39:36 | 0:39:39 | |
So let's find out which one was the best contender. | 0:39:39 | 0:39:43 | |
Tell me about the houses we visited. | 0:39:48 | 0:39:50 | |
It's useful to run through them to find out what you thought about them. | 0:39:50 | 0:39:54 | |
-What about the first house? -Absolutely love house number one. | 0:39:54 | 0:39:57 | |
-Really? -Really, really. -Terrific house. | 0:39:57 | 0:40:00 | |
It just had everything that I would want in a house. | 0:40:00 | 0:40:04 | |
And it had such a lovely feel about it, a homely feel. | 0:40:04 | 0:40:07 | |
You went in and it was just really perfect. | 0:40:07 | 0:40:11 | |
With one drawback and it was a fairly large drawback - the road. | 0:40:11 | 0:40:16 | |
-Robert, are you quite as dewy-eyed about it? -Indeed. | 0:40:16 | 0:40:19 | |
I really did like the house. | 0:40:19 | 0:40:21 | |
I've heard, again, doing a bit of digging | 0:40:21 | 0:40:23 | |
that there might have been a possibility of a bypass that might have been stopped | 0:40:23 | 0:40:28 | |
because of the current economic situation. | 0:40:28 | 0:40:30 | |
-Can you pull strings, Robert? -I wish, I wish. -That would be good! | 0:40:30 | 0:40:34 | |
But it was the prospect of that, | 0:40:34 | 0:40:36 | |
-then...now might be time to buy that house. Very much so. -Very good. | 0:40:36 | 0:40:41 | |
-Where did you snuffle that piece of information out? -Well, I have my sources. | 0:40:41 | 0:40:46 | |
-What about house number two? There you didn't have any worry about traffic noise. -No. | 0:40:46 | 0:40:51 | |
The situation for house number two, perfect. Lovely. | 0:40:51 | 0:40:54 | |
But the house itself just didn't do it. The layout was wrong. | 0:40:54 | 0:40:59 | |
It was too small. | 0:40:59 | 0:41:01 | |
It had the feel of a sort of 10 or 20-year-old three-bedroom semi. | 0:41:01 | 0:41:05 | |
Now the mystery house, this was interesting because at the second house, | 0:41:05 | 0:41:09 | |
you had been saying, "Oh, we could put an extension. We could put a sunroom." | 0:41:09 | 0:41:13 | |
Even though you said you didn't want to do any projects. | 0:41:13 | 0:41:16 | |
So, with the mystery house, it needed some work doing. | 0:41:16 | 0:41:19 | |
What are your thoughts about that now? | 0:41:19 | 0:41:22 | |
I think it did require work but you could see your way through it. | 0:41:22 | 0:41:27 | |
You could see what needed to be done to make it how you would like it to be. | 0:41:27 | 0:41:31 | |
So it did have possibilities. | 0:41:31 | 0:41:33 | |
Overall, I was afraid that we didn't really get you | 0:41:33 | 0:41:37 | |
your forever home, ready, packaged in the right location, | 0:41:37 | 0:41:41 | |
ready to move into, on budget. | 0:41:41 | 0:41:44 | |
What have been your reflections on budget and area since then? | 0:41:44 | 0:41:49 | |
Maybe we need to rethink or at least think about | 0:41:49 | 0:41:53 | |
the compromises we are prepared to make, to have what we wanted. | 0:41:53 | 0:41:57 | |
But you really did nearly hit the jackpot with the first house. | 0:41:57 | 0:42:01 | |
You really did. And in some respects that spoilt us for the rest of it. | 0:42:01 | 0:42:06 | |
-And what will happen next? -We're thinking of going back | 0:42:06 | 0:42:10 | |
-and having a look at it another time. -Yep, certainly. | 0:42:10 | 0:42:13 | |
And checking it out and checking out the bypass. | 0:42:13 | 0:42:17 | |
-Things like that. -Well, I wish you all the best. | 0:42:17 | 0:42:20 | |
I hope that Somerset opens its heart to you, again | 0:42:20 | 0:42:23 | |
-and that you find your forever home. -Thank you very much. | 0:42:23 | 0:42:27 | |
It's been brilliant. We've really enjoyed it. Thank you. | 0:42:27 | 0:42:30 | |
We were a bit overwhelmed by the concept of finding | 0:42:32 | 0:42:35 | |
Wendy and Robert's dream home | 0:42:35 | 0:42:37 | |
and then having to deal with all the mess of roads and budgets and compromise, | 0:42:37 | 0:42:41 | |
but I have been thinking about it and in a way, dream homes, forever homes, they're a slow business. | 0:42:41 | 0:42:48 | |
You move in with your family and your friends and you make it the warm place | 0:42:48 | 0:42:51 | |
that you want to spend the rest of your life in. | 0:42:51 | 0:42:54 | |
And I'm pretty confident that Wendy and Robert will find that place. | 0:42:54 | 0:42:57 | |
And if you've enjoyed our adventures here in Somerset, | 0:42:57 | 0:43:00 | |
then join us next time some in the UK | 0:43:00 | 0:43:03 | |
for another Escape To The Country. | 0:43:03 | 0:43:05 | |
Although property number one was Robert and Wendy's favourite, the proposed bypass | 0:43:06 | 0:43:11 | |
is still many years off, too long for them to wait. | 0:43:11 | 0:43:13 | |
But the rural Somerset still holds the key to their future plans. | 0:43:13 | 0:43:18 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:18 | 0:43:21 | |
Northern Ireland or England, and need help, please apply online at: | 0:43:21 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:51 | |
Email [email protected] | 0:43:51 | 0:43:53 |