Browse content similar to Monmouthshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we are in a county where, in the 12th and 13th century, | 0:00:02 | 0:00:04 | |
a huge number of these massive castles, 50 at the last count, | 0:00:04 | 0:00:08 | |
were built by English lords | 0:00:08 | 0:00:09 | |
trying to shore up their defences against local chieftains. | 0:00:09 | 0:00:13 | |
Find out where we are, in just a moment, on Escape To The Country. | 0:00:13 | 0:00:17 | |
Today, I'm searching for a rural home for a couple, | 0:00:46 | 0:00:49 | |
who want to swap their urban living for a taste of the good life in the countryside, | 0:00:49 | 0:00:53 | |
and we serve up some elegant properties. | 0:00:53 | 0:00:56 | |
This is modern enough, with the period detail in it as well. | 0:00:56 | 0:01:00 | |
This is really, really nice. This is the sort of kitchen we want. | 0:01:00 | 0:01:02 | |
Then there's our mystery house, | 0:01:02 | 0:01:04 | |
a property that offers much more than they bargained for. | 0:01:04 | 0:01:08 | |
-Is that good for you? -Excellent, I like that. This is stunning, this is stunning. | 0:01:08 | 0:01:12 | |
Today, we are in Monmouthshire, a Welsh county that borders England, | 0:01:15 | 0:01:18 | |
which probably explains all those castles, | 0:01:18 | 0:01:21 | |
and this one behind me, Abergavenny Castle, | 0:01:21 | 0:01:24 | |
was the site of a very bloody massacre in 1175, | 0:01:24 | 0:01:27 | |
when the English Lord, William de Braose, | 0:01:27 | 0:01:29 | |
invited his Welsh enemies in for a reconciliatory Christmas dinner. | 0:01:29 | 0:01:34 | |
When they entered the castle and put down all their weapons | 0:01:34 | 0:01:37 | |
they were hacked to death, | 0:01:37 | 0:01:38 | |
earning William the title The Ogre Of Abergavenny. | 0:01:38 | 0:01:42 | |
Now, Monmouthshire has passed, like a hot potato, from England to Wales, | 0:01:42 | 0:01:45 | |
England to Wales, finally landing on the Welsh side in 1974. | 0:01:45 | 0:01:50 | |
It's not hard to understand why you would fight over this spectacular county, | 0:01:52 | 0:01:55 | |
which is bordered by Herefordshire | 0:01:55 | 0:01:58 | |
and Gloucestershire on the English side, | 0:01:58 | 0:02:00 | |
and Powys on the Welsh side. | 0:02:00 | 0:02:02 | |
The Wye Valley, which is an area of outstanding natural beauty, | 0:02:02 | 0:02:06 | |
stretches for 16 miles through the south of the county | 0:02:06 | 0:02:10 | |
and it's home to one of the great monastic ruins of Wales, | 0:02:10 | 0:02:13 | |
Tintern Abbey. | 0:02:13 | 0:02:15 | |
The county town of Monmouth is steeped in history | 0:02:16 | 0:02:19 | |
and features some great architectural examples, | 0:02:19 | 0:02:22 | |
such as the celebrated Monnow Bridge, | 0:02:22 | 0:02:24 | |
which is the only mediaeval fortified river bridge in Britain, | 0:02:24 | 0:02:27 | |
with the gate tower standing on top of it. | 0:02:27 | 0:02:31 | |
And Agincourt Square, | 0:02:31 | 0:02:32 | |
which has one of the finest Georgian shire halls in Wales. | 0:02:32 | 0:02:36 | |
It's the wonderful mix of unspoilt countryside | 0:02:36 | 0:02:40 | |
and splendid towns that make Monmouthshire an attractive proposition for tourists | 0:02:40 | 0:02:44 | |
and homebuyers alike. | 0:02:44 | 0:02:46 | |
Let's talk brass tacks. | 0:02:49 | 0:02:51 | |
The average price tag on a detached house in Monmouthshire is £242,000, | 0:02:51 | 0:02:54 | |
that's £15,000 less than the national average, | 0:02:54 | 0:02:59 | |
but value for money is not the only thing that brings people here. | 0:02:59 | 0:03:02 | |
It's an incredibly beautiful county and very rural, | 0:03:02 | 0:03:05 | |
there are no cities in Monmouthshire and yet, Bristol and Cardiff | 0:03:05 | 0:03:10 | |
are both easily commutable, which makes it a very attractive buy. | 0:03:10 | 0:03:13 | |
So let's take a look at what sort of properties are on the market. | 0:03:13 | 0:03:17 | |
For just under £380,000 there's | 0:03:17 | 0:03:20 | |
this three-bedroom stone farmhouse | 0:03:20 | 0:03:23 | |
outside Abergavenny. | 0:03:23 | 0:03:24 | |
The sitting room has a lovely woodburner, to keep you warm, | 0:03:24 | 0:03:28 | |
and the bedrooms benefit from period features like the exposed beams. | 0:03:28 | 0:03:32 | |
Outside there are stunning views of Blorenge Mountain. | 0:03:32 | 0:03:37 | |
Or this four-bedroom converted barn in Llangeview might be worth a look. | 0:03:37 | 0:03:40 | |
Priced at just under £600,000, there is a range cooker in the kitchen | 0:03:40 | 0:03:45 | |
and an elegant stone fireplace in the sitting room. | 0:03:45 | 0:03:48 | |
Finally, the beautiful lawned garden | 0:03:48 | 0:03:51 | |
is enclosed with hedges and mature borders. | 0:03:51 | 0:03:54 | |
And, if you have a bigger budget, | 0:03:54 | 0:03:56 | |
this five-bedroom converted barn near Usk could be just right. | 0:03:56 | 0:04:00 | |
Priced at a little under £800,000, | 0:04:00 | 0:04:03 | |
the stylish kitchen has beautiful granite finishes | 0:04:03 | 0:04:06 | |
and a vaulted ceiling with exposed beams. | 0:04:06 | 0:04:09 | |
The dining room is fit for a banquet | 0:04:09 | 0:04:12 | |
and there are stunning views over majestic countryside. | 0:04:12 | 0:04:16 | |
So many beautiful properties in amongst these beautiful hills. | 0:04:16 | 0:04:19 | |
Let's meet the lucky couple who are planning to move here. | 0:04:19 | 0:04:22 | |
Self-employed business analyst Keith | 0:04:24 | 0:04:27 | |
and trainee driving instructor Kevin are set to become civil partners in a few months' time. | 0:04:27 | 0:04:31 | |
They are keen to move away from suburban Milton Keynes | 0:04:31 | 0:04:35 | |
so they can enjoy a more peaceful, rural existence. | 0:04:35 | 0:04:38 | |
We'd like to move to the country to, obviously, start again together | 0:04:38 | 0:04:44 | |
and we'd like to be able to be self-sufficient, | 0:04:44 | 0:04:47 | |
grow our own stuff and settle down that way. | 0:04:47 | 0:04:50 | |
I think my dream lifestyle would be very much along the lines of waking up, | 0:04:51 | 0:04:56 | |
throwing open the curtains in the morning and | 0:04:56 | 0:04:58 | |
actually seeing the countryside, seeing nature and living with nature. | 0:04:58 | 0:05:03 | |
One of the key things we want to do, when we move to the country, | 0:05:03 | 0:05:06 | |
is grow lots of organic vegetables and become self-sufficient. | 0:05:06 | 0:05:08 | |
So the chance to grow their own is a major factor for the move | 0:05:08 | 0:05:12 | |
and they've already pinpointed the perfect location to achieve this rural dream. | 0:05:12 | 0:05:18 | |
The area I'd like to move to is Monmouthshire. | 0:05:18 | 0:05:21 | |
Absolutely, there are some very nice places over there | 0:05:21 | 0:05:24 | |
but the main thing about the area is you get good quality housing, | 0:05:24 | 0:05:26 | |
good value housing and you get some decent land. | 0:05:26 | 0:05:30 | |
We've been looking to move, I guess, for about the last six to eight months. | 0:05:30 | 0:05:33 | |
Keith is also a DJ | 0:05:33 | 0:05:36 | |
but the noise of his music has proved difficult to manage | 0:05:36 | 0:05:38 | |
in the close confines of their Milton Keynes estate. | 0:05:38 | 0:05:42 | |
He's hoping the move to a more remote setting will allow him | 0:05:42 | 0:05:45 | |
to enjoy his passion much more. | 0:05:45 | 0:05:47 | |
I like to create lots of noise, I like to create my own mixes | 0:05:47 | 0:05:50 | |
so I need lots of space | 0:05:50 | 0:05:52 | |
and lots of room to create as much noise as I like. | 0:05:52 | 0:05:55 | |
As well as space and room there's plenty of other requirements on their wish list. | 0:05:55 | 0:05:59 | |
What we want from a property, at least three bedrooms, | 0:05:59 | 0:06:03 | |
two reception rooms downstairs, must have a study, | 0:06:03 | 0:06:05 | |
ensuite bathroom would be nice, | 0:06:05 | 0:06:09 | |
big kitchen so we can actually have a table in the middle. | 0:06:09 | 0:06:13 | |
It has to be detached, I wouldn't consider a semi-detached | 0:06:13 | 0:06:16 | |
or a terraced house at all. | 0:06:16 | 0:06:19 | |
The outside, we want about half an acre to an acre of land. | 0:06:19 | 0:06:22 | |
Buying their first home together is a big change and it seems | 0:06:24 | 0:06:28 | |
they may not always sing from the same hymn sheet. | 0:06:28 | 0:06:31 | |
I think that the property that I will fall in love with | 0:06:31 | 0:06:34 | |
is probably slightly different to the property Kevin will fall in love with. | 0:06:34 | 0:06:39 | |
And I think I'm the decision-maker in the relationship, however | 0:06:39 | 0:06:43 | |
Kevin normally gets his own way. | 0:06:43 | 0:06:46 | |
Keith and Kevin are ready for the next chapter of their lives to begin | 0:06:46 | 0:06:50 | |
and they've nailed down the finances for their move. | 0:06:50 | 0:06:53 | |
The budget for the new property is £350,000. | 0:06:55 | 0:06:59 | |
If we found the most spectacular property in the world, we would push that. | 0:06:59 | 0:07:04 | |
With an upcoming wedding on the horizon | 0:07:09 | 0:07:11 | |
it's going to be a big move for Keith and Kevin. | 0:07:11 | 0:07:14 | |
They are going to try and start anew with the good life in the Welsh countryside, | 0:07:14 | 0:07:18 | |
and there's plenty of countryside to offer them, | 0:07:18 | 0:07:21 | |
but I'm a little worried that their requirements for a whole acre | 0:07:21 | 0:07:23 | |
is going to stretch their budget somewhat. | 0:07:23 | 0:07:26 | |
Still, I am very interested to see their reactions | 0:07:26 | 0:07:29 | |
to this beautiful part of the world, even though | 0:07:29 | 0:07:31 | |
Kevin's never actually been here. | 0:07:31 | 0:07:33 | |
Let's go and meet them. | 0:07:33 | 0:07:36 | |
Our buyers have asked us to search the countryside | 0:07:40 | 0:07:42 | |
around the central and southern areas of Monmouthshire. | 0:07:42 | 0:07:46 | |
We've got three fantastic Welsh homes for them to peruse | 0:07:46 | 0:07:49 | |
but I won't be revealing how much they cost until they've had a guess first. | 0:07:49 | 0:07:54 | |
As ever, our last property is the mystery house | 0:07:54 | 0:07:57 | |
and we've got a home that really has to be seen to be believed. | 0:07:57 | 0:08:01 | |
-Kevin and Keith, welcome to Monmouthshire. -Thank you. -Thank you. | 0:08:04 | 0:08:07 | |
-First impressions? -Nice. Yeah. -That's good. -So far so good. | 0:08:07 | 0:08:11 | |
It would be terrible if you came here and you hated it. | 0:08:11 | 0:08:14 | |
In terms of, I know that you want some land for your garden. | 0:08:14 | 0:08:17 | |
Now, you want an acre. What's your budget? | 0:08:17 | 0:08:21 | |
350,000. | 0:08:21 | 0:08:23 | |
The Wye Valley, particularly, is a desirable place, although you can get great value for money, | 0:08:23 | 0:08:28 | |
but you want an acre and that might be a bit of a stretch. | 0:08:28 | 0:08:32 | |
-OK. -Are you prepared to compromise on certain things, | 0:08:32 | 0:08:35 | |
-because you need space for your deejaying as well? -I do, yes. | 0:08:35 | 0:08:37 | |
It depends on what we have to compromise | 0:08:37 | 0:08:40 | |
-but compromise and buying a property, the two things go together really. -Sure. | 0:08:40 | 0:08:43 | |
You never get exactly what you want. | 0:08:43 | 0:08:45 | |
Because I know you quite like modern, | 0:08:45 | 0:08:47 | |
and you're more period, or you kind of like traditional as well? | 0:08:47 | 0:08:50 | |
I like traditional buildings but I do like them to be modern inside. | 0:08:50 | 0:08:54 | |
-0K. -I'm not the greatest DIY person in the world. -Right. | 0:08:54 | 0:08:57 | |
Do you have a problem with a bit of a period feel? | 0:08:57 | 0:09:00 | |
-No, but I do prefer modern. -Right. -Over older types. | 0:09:02 | 0:09:05 | |
-So you would go for a new build? -Yes. | 0:09:05 | 0:09:07 | |
It's a great place to be property shopping. | 0:09:07 | 0:09:09 | |
-I'm looking forward to what we are going to show you. -Lovely. -Let's go. | 0:09:09 | 0:09:12 | |
Keith and Kevin have £350,000 to spend on finding a new home, | 0:09:14 | 0:09:18 | |
although they may be prepared to push their budget a little further for something spectacular. | 0:09:18 | 0:09:25 | |
They want: | 0:09:25 | 0:09:26 | |
We begin our house hunt | 0:09:47 | 0:09:48 | |
in the pretty village of Redbrook | 0:09:48 | 0:09:50 | |
which is split right down the middle | 0:09:50 | 0:09:52 | |
by the border between Gloucestershire and Monmouthshire. | 0:09:52 | 0:09:55 | |
Redbrook is in the Wye Valley and has an old railway bridge | 0:09:55 | 0:09:58 | |
which connects Wales on one side and England on the other. | 0:09:58 | 0:10:02 | |
The village has a small community of pretty terraced houses | 0:10:02 | 0:10:05 | |
and is serviced by two pubs, a post office and a local store. | 0:10:05 | 0:10:10 | |
My first property is a detached cottage, | 0:10:10 | 0:10:12 | |
dating back to the 19th century. | 0:10:12 | 0:10:14 | |
So slightly unusual approach to the first house, | 0:10:17 | 0:10:20 | |
coming up the side steps, | 0:10:20 | 0:10:22 | |
but here we get a really good view of it. | 0:10:22 | 0:10:24 | |
Your first property to view. | 0:10:24 | 0:10:27 | |
-Wow. -What do you think? -I like this. | 0:10:27 | 0:10:29 | |
It's a nice view. | 0:10:31 | 0:10:33 | |
It's from the 1800s originally, it was a wheelwright's workshop | 0:10:33 | 0:10:36 | |
but it also includes this coach house. | 0:10:36 | 0:10:38 | |
Oh, that could be useful. | 0:10:38 | 0:10:40 | |
Yes, I'm hearing DJ music coming from there. | 0:10:40 | 0:10:43 | |
What do think of the style, Kevin, because it's not new build? | 0:10:43 | 0:10:47 | |
It's not new but I do like this bit up here, actually. | 0:10:47 | 0:10:51 | |
There's lots of little bits and pieces. It's a jigsaw of a property. | 0:10:52 | 0:10:55 | |
Let's have a look inside. | 0:10:55 | 0:10:57 | |
Come in. | 0:11:05 | 0:11:06 | |
So, as you see, we come in through this door into the kitchen. | 0:11:07 | 0:11:10 | |
It's a slightly upside down house | 0:11:10 | 0:11:12 | |
with all the living space up top. | 0:11:12 | 0:11:14 | |
-OK. -Thoughts? | 0:11:14 | 0:11:16 | |
I think, personally, | 0:11:16 | 0:11:17 | |
I'd like my kitchen to look more like a kitchen, it's very country. | 0:11:17 | 0:11:21 | |
I like modern clean but I also like some of the traditional features. | 0:11:21 | 0:11:26 | |
-I like Belfast sinks, for example. -Sure. | 0:11:26 | 0:11:29 | |
Who does the cooking, do you both cook? | 0:11:29 | 0:11:31 | |
That's mainly my job. | 0:11:31 | 0:11:33 | |
And what's your taste in kitchens, the same? | 0:11:35 | 0:11:38 | |
Yeah, kind of clean lines. | 0:11:38 | 0:11:41 | |
-So you'd probably just make it a bit more smart and modern? -Yeah. | 0:11:41 | 0:11:44 | |
It's a very light property. | 0:11:44 | 0:11:47 | |
Good, so this is the kitchen, let's go straight through into the sitting-room. | 0:11:47 | 0:11:52 | |
Oh, wow, this is quite nice. | 0:11:54 | 0:11:57 | |
-Nice high ceiling. -Yeah. | 0:11:57 | 0:11:59 | |
This was, as I say, | 0:11:59 | 0:12:01 | |
it was originally a wheelwright's workshop downstairs, | 0:12:01 | 0:12:04 | |
and then he made a bit of money and built this stone and brick clad | 0:12:04 | 0:12:08 | |
sort of building on top with these rather ornate Georgian arched windows. | 0:12:08 | 0:12:13 | |
I like them windows. | 0:12:13 | 0:12:14 | |
This is actually a mezzanine space, there's a lovely sort of hidey-hole there. | 0:12:14 | 0:12:18 | |
You could have guests sleep in or you can turn it into reading room, or something. | 0:12:18 | 0:12:22 | |
-You can explore that later on. -OK. | 0:12:22 | 0:12:24 | |
This is the main kind of living space, | 0:12:24 | 0:12:27 | |
is it big enough for you, guys? | 0:12:27 | 0:12:28 | |
-Yeah, I think so. -Yeah. -Yeah, it's a nice space. | 0:12:28 | 0:12:32 | |
Kevin, what do you think about this space, | 0:12:32 | 0:12:34 | |
you've got a sort of twinkle in your eyes? | 0:12:34 | 0:12:36 | |
I quite like it, actually. | 0:12:36 | 0:12:38 | |
I think the staircase thing in the middle is little bit different | 0:12:38 | 0:12:42 | |
but, yeah, I quite like it. | 0:12:42 | 0:12:45 | |
I quite like the head height and I like the windows | 0:12:45 | 0:12:48 | |
but there's just something that's not getting me at the moment | 0:12:48 | 0:12:53 | |
and I'm not sure what it is. | 0:12:53 | 0:12:54 | |
OK, well, maybe we can put our finger on it as we go around. | 0:12:54 | 0:12:57 | |
As I say, it is upside down, so your bedroom, at the moment, is up here. | 0:12:57 | 0:13:00 | |
Because the house is upside down, | 0:13:00 | 0:13:03 | |
on the lower floor there are two double bedrooms and a tiled wet room. | 0:13:03 | 0:13:06 | |
But I'm taking them to the main bedroom. | 0:13:06 | 0:13:09 | |
Of course, it's your choice, but they are using this as their master bedroom at the moment. | 0:13:09 | 0:13:13 | |
-OK. -It's an extension, as well, a new part of the house. | 0:13:13 | 0:13:17 | |
-OK. Is there a bathroom up here? -There is indeed. It's through here. | 0:13:17 | 0:13:22 | |
OK. | 0:13:22 | 0:13:24 | |
Not any old bathroom, quite a lovely bathroom. | 0:13:27 | 0:13:30 | |
-Oh, wow, this is a big size, isn't it? -This is nice. | 0:13:30 | 0:13:33 | |
-I like the roof above, as well. -Yeah. | 0:13:33 | 0:13:35 | |
It is very unusual to have a bathroom that's so drenched in daylight. | 0:13:35 | 0:13:39 | |
So, in terms of the two of you, is that sort of layout at the top all right? | 0:13:39 | 0:13:45 | |
Most of the time there is only the two of us going to be here | 0:13:45 | 0:13:48 | |
so having this up here would actually work quite well. | 0:13:48 | 0:13:52 | |
There's lots of space because those two rooms downstairs are a good size. | 0:13:52 | 0:13:55 | |
But you've also got this coach house I want to show you outside. | 0:13:55 | 0:13:59 | |
Keith wanted a room where he could work and make a lot of noise | 0:13:59 | 0:14:03 | |
and I think I've got the perfect spot for him in the coach house, | 0:14:03 | 0:14:05 | |
just across the courtyard. | 0:14:05 | 0:14:08 | |
This, I think, is a real opportunity for you guys | 0:14:11 | 0:14:14 | |
because it's the old coach house. | 0:14:14 | 0:14:16 | |
Got a log burner to keep you warm in the winter. | 0:14:16 | 0:14:19 | |
This can be your space. | 0:14:19 | 0:14:21 | |
Yes, I could set up my office and my DJ equipment up here. | 0:14:21 | 0:14:24 | |
Yes, quite. | 0:14:24 | 0:14:27 | |
The garden is the most important part for you guys, | 0:14:27 | 0:14:29 | |
so let's take a look at that. | 0:14:29 | 0:14:31 | |
Let's see if there's enough space | 0:14:32 | 0:14:34 | |
for Kevin to indulge his passion for self-sufficiency? | 0:14:34 | 0:14:38 | |
Quite a few steps but here we are, | 0:14:38 | 0:14:41 | |
overlooking your whole domain which is not huge. | 0:14:41 | 0:14:43 | |
No. | 0:14:43 | 0:14:45 | |
This is the end of your property as it stands at the moment. | 0:14:47 | 0:14:52 | |
So you've got this terraced area and then this terraced garden | 0:14:52 | 0:14:54 | |
and there's a little vegetable plot at the front of the house. | 0:14:54 | 0:14:59 | |
I think, for what we are looking for, | 0:14:59 | 0:15:01 | |
this is probably just a little bit too small. | 0:15:01 | 0:15:04 | |
-Kevin, what are your thoughts about the land? -The same as Keith, really. | 0:15:04 | 0:15:07 | |
I was probably hoping for a little bit more, bigger garden, | 0:15:07 | 0:15:10 | |
not 100% sure it's what we are after. | 0:15:10 | 0:15:13 | |
-No. -Right. | 0:15:13 | 0:15:14 | |
It is an unusual property, in the sense that it is quite sort of higgledy-piggledy, | 0:15:14 | 0:15:18 | |
but a beautiful location. | 0:15:18 | 0:15:20 | |
What do you think it is on the market for? | 0:15:20 | 0:15:23 | |
I'd say around 335. | 0:15:23 | 0:15:26 | |
I'd probably say a bit higher 340, 345? | 0:15:26 | 0:15:29 | |
-Well, you're spot on, it's actually on the market at 340. -Excellent. | 0:15:29 | 0:15:33 | |
It's been on for about three months | 0:15:33 | 0:15:35 | |
-and the owners don't have a chain so they are keen to move. -0K. | 0:15:35 | 0:15:40 | |
Have an explore, go and have a look at the rooms downstairs, | 0:15:40 | 0:15:42 | |
see if you can work your way around the layout and I'll see you at the front. | 0:15:42 | 0:15:47 | |
-OK. -Lovely. | 0:15:47 | 0:15:49 | |
-Oh, this is a nice room. -This is nice, isn't it? | 0:16:14 | 0:16:16 | |
This is probably better than the master bedroom. | 0:16:16 | 0:16:18 | |
The overall place, I think we'd move the master bedroom downstairs | 0:16:18 | 0:16:22 | |
and the outhouse is obviously a good place for Keith to have his office and DJ room. | 0:16:22 | 0:16:29 | |
It's an interesting property from the outside. | 0:16:29 | 0:16:33 | |
You can't see the house itself until you actually go up, very quirky. | 0:16:33 | 0:16:36 | |
I think it's something to consider | 0:16:36 | 0:16:38 | |
but let's wait and see what the other two houses are. | 0:16:38 | 0:16:40 | |
This is a real sun trap here, with a beautiful view over England. | 0:16:40 | 0:16:44 | |
-Don't get to say that very often. Hi, guys. -Hi. -All done? -Yes, thank you. | 0:16:44 | 0:16:48 | |
Just pull the door to and we'll head off to the next house. | 0:16:48 | 0:16:51 | |
When Keith and Kevin make the move to Monmouthshire, | 0:17:02 | 0:17:05 | |
Chepstow, set on the River Wye, | 0:17:05 | 0:17:07 | |
will be an important place for them to know. | 0:17:07 | 0:17:09 | |
So, earlier in the week, we sent them to explore the town. | 0:17:09 | 0:17:14 | |
It sits on the border between Wales and England | 0:17:14 | 0:17:17 | |
and Chepstow's Norman castle is a testament to its strategic importance. | 0:17:17 | 0:17:23 | |
The mediaeval town gate, and much of the walls, still remain intact. | 0:17:23 | 0:17:26 | |
A few miles outside the town is Dewstow Gardens | 0:17:26 | 0:17:30 | |
which should really appeal to green-fingered Kevin. | 0:17:30 | 0:17:33 | |
The garden was commissioned by the owner of Dewstow House, Henry Oakley, | 0:17:33 | 0:17:36 | |
whose hobby was cultivating tropical flowers, ferns and plants. | 0:17:36 | 0:17:42 | |
Alongside this horticulture sits a magical array of ponds, | 0:17:42 | 0:17:46 | |
underground grottoes and tunnels. | 0:17:46 | 0:17:48 | |
It hasn't always been like this. | 0:17:50 | 0:17:53 | |
After the Second World War, | 0:17:53 | 0:17:54 | |
the garden was partly filled in and turned over to agriculture. | 0:17:54 | 0:17:58 | |
And in the 1960s, rubble from the M4 motorway construction | 0:17:58 | 0:18:01 | |
was also dumped here. | 0:18:01 | 0:18:04 | |
But, happily, the story doesn't end there | 0:18:04 | 0:18:06 | |
and today the gardens have been restored to their original state. | 0:18:06 | 0:18:10 | |
Head gardener Peter Lane is showing our househunters around. | 0:18:10 | 0:18:15 | |
Well, the pond can see behind me here | 0:18:15 | 0:18:17 | |
is one of the several ponds at Dewstow Gardens | 0:18:17 | 0:18:19 | |
that lay hidden for over 50 years. | 0:18:19 | 0:18:22 | |
How did you find the gardens again? | 0:18:22 | 0:18:25 | |
There was a step found up in the rock garden, obviously it led somewhere | 0:18:25 | 0:18:29 | |
and they just really started digging from that point, found a pond, | 0:18:29 | 0:18:34 | |
and just really, basically, carried on digging and finding more and more ponds | 0:18:34 | 0:18:38 | |
until, there's about 33 ponds on the site of all various sizes and shapes. | 0:18:38 | 0:18:44 | |
The labyrinth of grottoes, tunnels and sunken ferneries dotted around Dewstow | 0:18:45 | 0:18:49 | |
were created by the renowned Victorian landscapers James Pulham and Son, | 0:18:49 | 0:18:53 | |
who are also famous for their work on the gardens at Buckingham Palace. | 0:18:53 | 0:18:57 | |
This is one of the main grottoes at Dewstow. | 0:18:59 | 0:19:01 | |
This was discovered with the roof actually collapsed in. | 0:19:01 | 0:19:06 | |
Obviously it was excavated out | 0:19:06 | 0:19:09 | |
and it was in a real dire state of repair. | 0:19:09 | 0:19:11 | |
The grottoes here look incredibly natural | 0:19:12 | 0:19:14 | |
even though they are actually made from an artificial rock work, known as Pulhamite. | 0:19:14 | 0:19:19 | |
This is the lion grotto, so unusual, different to any other grotto. | 0:19:19 | 0:19:24 | |
You can imagination the amazement when we found this in 2000, 2001. | 0:19:24 | 0:19:29 | |
How did it feel coming across this? | 0:19:29 | 0:19:31 | |
Well, disbelief really because of the state of repair it was in, | 0:19:31 | 0:19:34 | |
all covered with brambles, filled in, the glass roof smashed in. | 0:19:34 | 0:19:38 | |
A real big project. | 0:19:38 | 0:19:39 | |
Well, now it's time to see if I can unearth a hidden gem for Keith and Kevin | 0:19:42 | 0:19:46 | |
as we get back to their house hunt. | 0:19:46 | 0:19:48 | |
Our second property is in the village of Grosmont, | 0:19:54 | 0:19:58 | |
which is nine miles north of Abergavenny. | 0:19:58 | 0:20:01 | |
It's been described, by one travel writer, | 0:20:01 | 0:20:03 | |
as the prettiest village in Wales. | 0:20:03 | 0:20:06 | |
An important medieval township, | 0:20:06 | 0:20:07 | |
the ruins of the 12th-century Grosmont Castle still stand in the village. | 0:20:07 | 0:20:13 | |
The house I am showing them is another 19th century cottage | 0:20:13 | 0:20:16 | |
but this one has been extended to provide very spacious accommodation. | 0:20:16 | 0:20:21 | |
It wouldn't be Monmouthshire without some slope and steps. | 0:20:21 | 0:20:25 | |
-But these are a bit more dog friendly, I should imagine. -Yeah. | 0:20:25 | 0:20:28 | |
This is the house, you get all of it. | 0:20:28 | 0:20:30 | |
-It's both houses? -Both houses. -OK. | 0:20:30 | 0:20:33 | |
Again, extended quite substantially | 0:20:33 | 0:20:36 | |
but this a much more modern feeling property. | 0:20:36 | 0:20:38 | |
-Good. -This is quite a big portion of garden as well. | 0:20:38 | 0:20:41 | |
They haven't done much with it, they've just made it terrace, | 0:20:41 | 0:20:44 | |
but you could actually lawn it and make it really lovely. | 0:20:44 | 0:20:46 | |
Then, we could have the top half for chickens and vegetables, | 0:20:46 | 0:20:51 | |
anything could go at the top half. | 0:20:51 | 0:20:53 | |
It's a question whether you can see yourself living inside? Let's go. | 0:20:53 | 0:20:57 | |
-OK. -OK. | 0:20:57 | 0:21:00 | |
So I've done well with the exterior and I don't think the interior will disappoint either. | 0:21:00 | 0:21:05 | |
Straight into the living room. | 0:21:06 | 0:21:10 | |
-Do you see what I mean, it's a much more square...? -Yeah. | 0:21:11 | 0:21:14 | |
..simpler layout. | 0:21:14 | 0:21:16 | |
I like the fireplace, that's quite nice, quite nice focal. | 0:21:16 | 0:21:20 | |
And wooden floors throughout. Engineered oak. | 0:21:20 | 0:21:23 | |
Yes, it's a nice room, this. | 0:21:23 | 0:21:24 | |
It's probably about the right size for our stuff as well. | 0:21:24 | 0:21:27 | |
Yeah, it is. And it's actually not too dark, as well. | 0:21:27 | 0:21:30 | |
Being cottagey, some cottages are quite dark but there's quite a lot of light in here. | 0:21:30 | 0:21:33 | |
A good vibe? Kevin, can you imagine kicking back in here? | 0:21:33 | 0:21:35 | |
-Yeah. -Yeah. | 0:21:35 | 0:21:37 | |
Yeah, I like this. I think the fireplace sets it off nicely. | 0:21:37 | 0:21:42 | |
I can see us in here with the fire on, roaring away. | 0:21:42 | 0:21:45 | |
Excellent, and unlike the other property this has a separate dining room. | 0:21:45 | 0:21:49 | |
I got the impression, from the last house, | 0:21:51 | 0:21:53 | |
that you'd like the idea of a separate dining area. | 0:21:53 | 0:21:55 | |
-Yeah. -Yes. -It's got a low beam but once you're inside it's OK. | 0:21:55 | 0:21:58 | |
-That's quite a big dining room, as well. -That's a nice room, that. | 0:21:58 | 0:22:01 | |
It's a sort of snuggly one, isn't it? | 0:22:01 | 0:22:03 | |
Yeah, you can see yourself sitting down at Christmas dinner | 0:22:03 | 0:22:05 | |
with the tree in the corner. | 0:22:05 | 0:22:08 | |
-Yeah. -Yeah. | 0:22:08 | 0:22:10 | |
It's amazing how many people decide on a house on the process of | 0:22:10 | 0:22:13 | |
how they're going to have their Christmas there. | 0:22:13 | 0:22:15 | |
Again, lots of light in this lean-to | 0:22:15 | 0:22:17 | |
and it leads you down into the kitchen. | 0:22:17 | 0:22:19 | |
-It's a brand new kitchen. -Wow. | 0:22:22 | 0:22:24 | |
This is an extension | 0:22:24 | 0:22:25 | |
that has been put onto the original cottage. | 0:22:25 | 0:22:28 | |
-Wow, I like this. -Is this more your style? | 0:22:28 | 0:22:31 | |
Yes, this is modern enough with the period detail in it, as well. | 0:22:31 | 0:22:36 | |
This is really, really nice. This is the sort of kitchen we like. I like the kitchen seat, as well. | 0:22:36 | 0:22:40 | |
Yeah, it's very charming because you can see who's coming up the road. | 0:22:40 | 0:22:44 | |
And I can sit there and read my paper while he cooks dinner. | 0:22:44 | 0:22:48 | |
I like that. | 0:22:48 | 0:22:49 | |
-You've got a nice double gas range. -Yeah. -Very nice. | 0:22:50 | 0:22:54 | |
The house has got two staircases, as often happened in cottages, | 0:22:54 | 0:22:58 | |
the one that we saw in the first room. | 0:22:58 | 0:23:00 | |
Let's have a look upstairs. | 0:23:00 | 0:23:03 | |
The kitchen has really put a smile on their faces, which is great news. | 0:23:03 | 0:23:06 | |
Let's see we can keep up the momentum on the first floor? | 0:23:06 | 0:23:09 | |
Here there are three bedrooms, one a potential guest room | 0:23:09 | 0:23:12 | |
and the other good sized single. | 0:23:12 | 0:23:14 | |
There's also a family bathroom. | 0:23:14 | 0:23:17 | |
Then, up a small flight of stairs, we come to the master bedroom. | 0:23:17 | 0:23:19 | |
Again, some very clever architectural work here | 0:23:19 | 0:23:23 | |
because this staircase takes you up to what, I guess, | 0:23:23 | 0:23:26 | |
would have been the hayloft or something. | 0:23:26 | 0:23:28 | |
It's been sort of reconditioned to the original floorboards | 0:23:28 | 0:23:32 | |
but it gives you an access point up to what's now your bedroom | 0:23:32 | 0:23:36 | |
and there's a nice little ensuite through there. | 0:23:36 | 0:23:39 | |
You could, of course, there are another two bedrooms at the other end, up that staircase. | 0:23:39 | 0:23:42 | |
So you could have this as an office maybe, or whatever, | 0:23:42 | 0:23:46 | |
but it makes sense that you have one end of the house which is yours | 0:23:46 | 0:23:49 | |
-and if you have guests they are at their end. -Yeah. | 0:23:49 | 0:23:52 | |
I think we would put the guests down this end. | 0:23:52 | 0:23:54 | |
Well, I can let you sort out your sleeping arrangements later. | 0:23:54 | 0:23:58 | |
If you have a look at the other guest wing, | 0:23:58 | 0:24:00 | |
or maybe the master suite. | 0:24:00 | 0:24:02 | |
-But first, let's go outside and talk about the price. -OK. | 0:24:02 | 0:24:05 | |
Let's take a look | 0:24:06 | 0:24:08 | |
and see if the space is big enough for their self-sufficiency ambitions? | 0:24:08 | 0:24:12 | |
I'm getting a good vibe from this house, | 0:24:13 | 0:24:16 | |
well, from you about this house. | 0:24:16 | 0:24:17 | |
-It's got potential. -Yeah, it's nice. | 0:24:17 | 0:24:20 | |
The land's not too disappointing? | 0:24:20 | 0:24:22 | |
Not for me, no. | 0:24:22 | 0:24:24 | |
I think we can do everything that we want to do as far as growing goes, up there. | 0:24:24 | 0:24:27 | |
And it's got this bit down here which isn't grass, | 0:24:27 | 0:24:30 | |
so we can always do something with that if we wanted to. | 0:24:30 | 0:24:33 | |
The property seemed to really get ticks? | 0:24:33 | 0:24:35 | |
-It's got a lot of plus points, yes. -Excellent. | 0:24:35 | 0:24:38 | |
Now, is the price going to be a plus point? | 0:24:38 | 0:24:39 | |
How much do you think it's on the market for? | 0:24:39 | 0:24:42 | |
I actually think this is less than the other one, I think it's about it 325, 330. | 0:24:42 | 0:24:46 | |
I will say about 347. | 0:24:47 | 0:24:50 | |
Up towards the top money? | 0:24:50 | 0:24:53 | |
Well, this property is actually on the market for 375. | 0:24:53 | 0:24:58 | |
Wow. | 0:24:58 | 0:25:00 | |
It has, however, been on the market for quite some time without a price reduction and, | 0:25:00 | 0:25:04 | |
of course, as you know, it's a sort of buyer's market at the moment. | 0:25:04 | 0:25:07 | |
But that is the price it's on for. | 0:25:07 | 0:25:10 | |
Well, as I say, | 0:25:10 | 0:25:11 | |
getting everything you wanted is probably a stretch, with the budget, | 0:25:11 | 0:25:15 | |
but why don't you have a look around because there is this outhouse, | 0:25:15 | 0:25:18 | |
which you could maybe think about converting. | 0:25:18 | 0:25:21 | |
There's a couple of rooms that we haven't looked at. | 0:25:21 | 0:25:23 | |
Have a look around the rest of the property. | 0:25:23 | 0:25:25 | |
I will see you at the front, we can proceed from there. | 0:25:25 | 0:25:27 | |
-OK. -OK. -Thank you. | 0:25:27 | 0:25:29 | |
Much more positive response, we like that. | 0:25:31 | 0:25:34 | |
In a way, this seems to offer them a lot more of the things | 0:25:34 | 0:25:37 | |
they are actually looking for. | 0:25:37 | 0:25:38 | |
And it's very, very beautiful, the spot. | 0:25:38 | 0:25:42 | |
Hopefully, if they can swallow the price | 0:25:42 | 0:25:44 | |
and think realistically about that, we'll be on to a winner. | 0:25:44 | 0:25:47 | |
This is nice. | 0:26:06 | 0:26:10 | |
Yes, this is a good size. Built-in cupboards, as well. | 0:26:10 | 0:26:13 | |
Make a good guest room. | 0:26:13 | 0:26:14 | |
It's got the modern look to it, | 0:26:14 | 0:26:16 | |
well, a bit more modern than the other property. | 0:26:16 | 0:26:20 | |
Yeah, overall, looks outside, as well as inside, is pretty good. Yeah. | 0:26:20 | 0:26:25 | |
The decoration and how it has been refitted out is really, really nice. | 0:26:25 | 0:26:28 | |
Very much to my taste, | 0:26:28 | 0:26:30 | |
this is how I would actually do a place out myself. | 0:26:30 | 0:26:33 | |
It's a stunning house, in a stunning location. | 0:26:33 | 0:26:36 | |
Come on, I have to drag you out of this one, that's a good sign. | 0:26:36 | 0:26:41 | |
So two houses down. | 0:26:41 | 0:26:43 | |
Let's rest and collect our thoughts. | 0:26:43 | 0:26:45 | |
As the evening draws in over Monmouthshire, | 0:26:58 | 0:27:00 | |
it marks the end of our first day's property search. | 0:27:00 | 0:27:04 | |
Business analyst Keith and trainee driving instructor Kevin | 0:27:14 | 0:27:18 | |
want to leave suburban Milton Keynes to find a rural home in Monmouthshire. | 0:27:18 | 0:27:22 | |
They've got a budget of £350,000 to buy a house that has an office | 0:27:22 | 0:27:27 | |
and a bit of land. | 0:27:27 | 0:27:29 | |
We've shown them two properties so far, | 0:27:29 | 0:27:30 | |
one of which certainly had them inspired. | 0:27:30 | 0:27:33 | |
I can see us in here with the fire on, roaring away. | 0:27:33 | 0:27:36 | |
Wow, I like this. | 0:27:36 | 0:27:38 | |
But, coming up, | 0:27:38 | 0:27:39 | |
we've got a mystery house which they definitely won't be expecting. | 0:27:39 | 0:27:43 | |
-Wow. -Very nice, yeah. | 0:27:43 | 0:27:45 | |
-Wow. -Wow. | 0:27:45 | 0:27:48 | |
And I get hijacked by a group of Morris dancers, | 0:27:48 | 0:27:52 | |
with attitude. | 0:27:52 | 0:27:54 | |
He's staying with us, we're not letting him go home, he's one of us now. | 0:27:54 | 0:27:58 | |
Swelteringly hot second day here in Monmouthshire | 0:27:59 | 0:28:03 | |
and I'm a little worried still about the land issue | 0:28:03 | 0:28:06 | |
because I'm not sure we can get an acre of land for their budget. | 0:28:06 | 0:28:11 | |
Although, interestingly, Kevin and Keith were happy | 0:28:11 | 0:28:14 | |
with the rather modest garden in the second property. | 0:28:14 | 0:28:16 | |
For the mystery house, we're going to take land out of the equation, | 0:28:16 | 0:28:19 | |
because it doesn't really have much, | 0:28:19 | 0:28:21 | |
and we're going to give them a lot of another thing that they like, | 0:28:21 | 0:28:24 | |
contemporary interiors. | 0:28:24 | 0:28:26 | |
Day two of our property search, | 0:28:30 | 0:28:32 | |
what do you think the mystery house is going to involve? | 0:28:32 | 0:28:36 | |
I don't know, we were talking about this yesterday, | 0:28:36 | 0:28:39 | |
and I think half of me thinks it might be a derelict barn | 0:28:39 | 0:28:42 | |
and the other half thinks it might be a converted church. | 0:28:42 | 0:28:45 | |
So I'm not entirely sure. | 0:28:45 | 0:28:47 | |
Those are pretty classic options, | 0:28:47 | 0:28:50 | |
can't you think more left-field than that, Kevin? | 0:28:50 | 0:28:53 | |
No, I don't really know what to expect, to be perfectly honest. | 0:28:53 | 0:28:55 | |
Well, it's certainly quirky. | 0:28:56 | 0:28:59 | |
For our mystery property we are heading south, over the border, | 0:29:06 | 0:29:09 | |
to the village of Christchurch, just outside Newport. | 0:29:09 | 0:29:13 | |
The village has many of the amenities Keith and Kevin are looking for, | 0:29:13 | 0:29:17 | |
including a pub. | 0:29:17 | 0:29:18 | |
Our mystery proposition is a very unusual house | 0:29:18 | 0:29:22 | |
that offers them a real slice of uber-modern living. | 0:29:22 | 0:29:26 | |
I'm going to love what you think about this. | 0:29:27 | 0:29:30 | |
Oh, wow. | 0:29:30 | 0:29:32 | |
-That's nice. -Wow. | 0:29:34 | 0:29:36 | |
-It's zowie, uh? -Mm. | 0:29:36 | 0:29:38 | |
And this is a very modern property. | 0:29:38 | 0:29:40 | |
-It doesn't give you everything you want. -OK. | 0:29:40 | 0:29:44 | |
Largely, it doesn't give you much land, but it does give you | 0:29:44 | 0:29:48 | |
a lot of something you seem to like, which is contemporary interiors. | 0:29:48 | 0:29:52 | |
-OK. -It's a very striking property. | 0:29:52 | 0:29:54 | |
Believe it or not, this was a two-bedroom cottage from the 1900s. | 0:29:54 | 0:30:00 | |
Very nice. | 0:30:00 | 0:30:03 | |
-Like? -Mm. Very much. | 0:30:03 | 0:30:05 | |
You're either struck dumb or like horrified. | 0:30:05 | 0:30:08 | |
Let's look inside. | 0:30:08 | 0:30:10 | |
Well, if they are dumbstruck by the outside, | 0:30:12 | 0:30:15 | |
I can't wait till they get a glimpse of the interior. | 0:30:15 | 0:30:18 | |
This house makes me chuckle because it's so extreme. | 0:30:20 | 0:30:24 | |
Here we are, in this wonderful modernist space. | 0:30:24 | 0:30:29 | |
Lots of amazing features. | 0:30:29 | 0:30:31 | |
This very stylish diagonal maple wood parquet throughout | 0:30:31 | 0:30:34 | |
and there's the alcoves around the fire. | 0:30:34 | 0:30:37 | |
And then all this sort of hidden storage, this suede effect wall, | 0:30:37 | 0:30:42 | |
that's all cupboards. | 0:30:42 | 0:30:43 | |
-Thoughts, come on, unpack your thoughts. -This is very nice. | 0:30:43 | 0:30:46 | |
This is stunning. This is stunning. | 0:30:46 | 0:30:49 | |
-You could imagine hanging out here? -Yeah. | 0:30:49 | 0:30:52 | |
It's a very unusual property, very unusual, but super stylish. | 0:30:52 | 0:30:58 | |
Lovely light as well because this is essentially a walk-through, | 0:30:58 | 0:31:01 | |
it's like a conservatory. | 0:31:01 | 0:31:04 | |
-There's a disco ball. -Yes. -Here's your disco. | 0:31:04 | 0:31:07 | |
Put a spotlight on that and it will be perfect. | 0:31:07 | 0:31:09 | |
The attention to detail in this property is astonishing. | 0:31:09 | 0:31:12 | |
Take a look in here. | 0:31:12 | 0:31:15 | |
-Wow. -Wow. | 0:31:15 | 0:31:17 | |
Now, you wanted a uniform fitted kitchen, | 0:31:17 | 0:31:20 | |
this is a uniform fitted kitchen. | 0:31:20 | 0:31:22 | |
Not sure what to say about that, that's nice. | 0:31:22 | 0:31:24 | |
The mirror just gives it so much more depth, as well, | 0:31:24 | 0:31:27 | |
it's a very, very good design. | 0:31:27 | 0:31:28 | |
It's great, isn't it? When I came in I thought it's a huge kitchen. | 0:31:28 | 0:31:31 | |
It's not, it's actually quite small kitchen, isn't it? | 0:31:31 | 0:31:33 | |
It's just mirrored. | 0:31:33 | 0:31:35 | |
The quality of the finish is very good, slate floor and this Maplewood floor throughout | 0:31:35 | 0:31:38 | |
and then you've got this very striking architectural feature of the breakfast bar | 0:31:38 | 0:31:44 | |
in the sort of hexagonal alcove. | 0:31:44 | 0:31:49 | |
-I could sit there and eat breakfast in the morning. -Yeah. | 0:31:49 | 0:31:51 | |
-Are there thoughts about this? -Wow. | 0:31:51 | 0:31:53 | |
Wow. We like wow. | 0:31:53 | 0:31:55 | |
It's a stunning kitchen. | 0:31:57 | 0:31:59 | |
Well, it goes on. Come through here. | 0:31:59 | 0:32:02 | |
It's quite a complicated space because it's sort of perforated | 0:32:02 | 0:32:06 | |
in lots of directions. | 0:32:06 | 0:32:07 | |
I mean there's light and windows and staircases | 0:32:07 | 0:32:10 | |
and ups and downs, every which way. | 0:32:10 | 0:32:13 | |
This is the sort of nerve centre of the house. | 0:32:13 | 0:32:15 | |
You've got a basement room downstairs, which you can explore later, | 0:32:15 | 0:32:18 | |
maybe for your music. | 0:32:18 | 0:32:19 | |
Here's a dining area | 0:32:19 | 0:32:21 | |
and round here is the rather fabulous workspace. | 0:32:21 | 0:32:25 | |
That's work sorted. Excellent. | 0:32:25 | 0:32:27 | |
-Is that good for you? -That's excellent, I like that. | 0:32:27 | 0:32:30 | |
And lovely views because you've got windows, again, that look out over the gardens. | 0:32:30 | 0:32:33 | |
The windows in here and the light coming in is fantastic. | 0:32:33 | 0:32:36 | |
It is a bit quirky, the layout, it's not to everyone's taste. | 0:32:36 | 0:32:40 | |
-I can live with that. -Yeah. | 0:32:40 | 0:32:41 | |
I want to show you one quirky feature of the bathroom here, wonderful. | 0:32:41 | 0:32:46 | |
I can guarantee this bathroom is a real showstopper. | 0:32:46 | 0:32:50 | |
I love this bathroom. It's very unusual. | 0:32:52 | 0:32:56 | |
Then, you've got a shower here. | 0:32:56 | 0:32:58 | |
-It's really nice. -It is, isn't it? | 0:32:58 | 0:33:00 | |
-Very contemporary. -Lots of clever things in this house. | 0:33:00 | 0:33:03 | |
Let's look upstairs. | 0:33:03 | 0:33:05 | |
On the first floor, the beautiful contemporary features continue | 0:33:05 | 0:33:10 | |
and this is the master. | 0:33:10 | 0:33:12 | |
It's a nice size. | 0:33:14 | 0:33:17 | |
Again with a rather splendid architectural feature there. | 0:33:17 | 0:33:20 | |
-Nice view. -It's a spectacular view, isn't it? | 0:33:20 | 0:33:24 | |
And you've got a kind of quirky, sort of, ensuite wet room-cum-toilet. | 0:33:24 | 0:33:31 | |
-Oh, wow, a little quirky. -Very different, isn't it? | 0:33:31 | 0:33:34 | |
So lots to look at, quite a lot to take in. | 0:33:34 | 0:33:37 | |
You can have a chance to look around. | 0:33:37 | 0:33:40 | |
Let's go outside and talk about price. | 0:33:40 | 0:33:43 | |
On this floor there is another attractively decorated double bedroom | 0:33:45 | 0:33:49 | |
and a single room, perfect for those guests that might be coming to stay. | 0:33:49 | 0:33:54 | |
In keeping with the rest of the property, | 0:33:54 | 0:33:56 | |
it's quite a quirky garden because you've got a little stone circle here | 0:33:56 | 0:34:00 | |
and then through there, there's another patch of lawn | 0:34:00 | 0:34:02 | |
and that, unbelievably, is on top of the double garage. | 0:34:02 | 0:34:06 | |
-Oh, wow. -OK. -So it's soundproofed on top. | 0:34:06 | 0:34:09 | |
You could definitely spin some discs down there if you wanted to. | 0:34:09 | 0:34:13 | |
OK, so it's quirky. | 0:34:13 | 0:34:16 | |
-Certainly very different. -Very, yeah. | 0:34:17 | 0:34:20 | |
-But it might be your kind of quirky? -It's a very nice house. | 0:34:20 | 0:34:23 | |
What do you think the price is? | 0:34:23 | 0:34:25 | |
It's got to be nearer 400,000. | 0:34:25 | 0:34:28 | |
Over budget, 405. | 0:34:28 | 0:34:31 | |
-405? -Yeah. -0K. | 0:34:31 | 0:34:34 | |
So this is on the market for 375. | 0:34:34 | 0:34:39 | |
It's over budget but not as over budget as you thought. | 0:34:39 | 0:34:42 | |
It's been on the market for quite a while, it's a unique property | 0:34:42 | 0:34:45 | |
so not everybody is going to want it but you seem to like it. | 0:34:45 | 0:34:48 | |
I'm sure you could talk to the vendor about getting it to your budget | 0:34:48 | 0:34:53 | |
or, if you thought it was worth it, putting in the asking price. | 0:34:53 | 0:34:56 | |
We always like that too. | 0:34:56 | 0:34:57 | |
It's a big complicated property and we haven't seen the room downstairs. | 0:34:57 | 0:35:00 | |
Go in and have a look, particularly down there, and see what you might do with that | 0:35:00 | 0:35:03 | |
-and I will see you at the front. -Excellent. -Thank you. | 0:35:03 | 0:35:06 | |
Now, with lots of other people this mystery house would be a huge gamble | 0:35:08 | 0:35:12 | |
but I think with these two it was a huge success. | 0:35:12 | 0:35:17 | |
-This is a nice room. I think we've made this the master bedroom. -Yeah. | 0:35:34 | 0:35:40 | |
It's got built-in wardrobes as well. | 0:35:40 | 0:35:42 | |
The whole thing just flows perfectly. | 0:35:42 | 0:35:44 | |
I don't really like open plan but this house just works. | 0:35:44 | 0:35:47 | |
I quite like the up and down and different like hiding places and stuff. | 0:35:47 | 0:35:52 | |
It was nice, it's different, different layout | 0:35:52 | 0:35:55 | |
and quite modern and contemporary which is what we like. | 0:35:55 | 0:35:57 | |
Good thing about this house is, it's got so many windows | 0:35:57 | 0:36:00 | |
I can see the walking through with big smiles on their faces. | 0:36:00 | 0:36:03 | |
-Hello. -Hello. -Nice and beaming, that's good. | 0:36:03 | 0:36:06 | |
Positive reviews? | 0:36:06 | 0:36:08 | |
-Let's go and regroup and then we can share our thoughts. -Excellent. | 0:36:08 | 0:36:12 | |
Along this border territory, between Wales and England, | 0:36:21 | 0:36:24 | |
there's a unique dancing tradition | 0:36:24 | 0:36:26 | |
that is rooted in the life of the area's agricultural workers. | 0:36:26 | 0:36:31 | |
Border Morris is typified by a rowdy style of dancing that was first recorded in 1609 | 0:36:31 | 0:36:37 | |
when a group, or side as they're known, | 0:36:37 | 0:36:39 | |
performed at the Hereford races. | 0:36:39 | 0:36:42 | |
Earlier in the week I met up with The Widders, from Chepstow, | 0:36:46 | 0:36:49 | |
who are keeping this traditional dance alive. | 0:36:49 | 0:36:52 | |
Border Morris is boisterous | 0:36:54 | 0:36:55 | |
and often involves the beating of sticks in the routine. | 0:36:55 | 0:36:58 | |
Early records show that the dancers often appeared in court | 0:36:58 | 0:37:02 | |
for non-payment of bills, or for being drunk and disorderly. | 0:37:02 | 0:37:06 | |
ALL CHEER | 0:37:10 | 0:37:14 | |
It's so anarchic. | 0:37:14 | 0:37:16 | |
It's like the dark side of Cotswolds' Morris. | 0:37:19 | 0:37:23 | |
Traditionally, the dance is performed in the winter both for fun | 0:37:28 | 0:37:31 | |
but also as a way of earning money. | 0:37:31 | 0:37:33 | |
Taking a break from the festivities is Mick Lewis, to tell us more. | 0:37:33 | 0:37:37 | |
Mick, it's awesome. | 0:37:40 | 0:37:42 | |
I was lucky enough to dance with a Morris side from the Cotswolds, | 0:37:43 | 0:37:48 | |
which is like hankies and light and love and you're sort of like, grrr. | 0:37:48 | 0:37:54 | |
-Punk rockers of the Morris world. -Punk rockers, yeah. | 0:37:54 | 0:37:58 | |
Why the black face, for a start? | 0:37:58 | 0:37:59 | |
The originators of this type of dancing, they were poor people that lived off the land, | 0:37:59 | 0:38:04 | |
and this is a begging tradition, really. | 0:38:04 | 0:38:07 | |
Because they lived in small communities, they felt embarrassed about begging money | 0:38:07 | 0:38:12 | |
and so they used to black their faces up. | 0:38:12 | 0:38:15 | |
-It's a disguise? -It's a disguise, yes. -Right. | 0:38:15 | 0:38:17 | |
So the Mari Lwyd is very special, she's beautiful, isn't she? | 0:38:17 | 0:38:22 | |
A bit skinny.> | 0:38:22 | 0:38:23 | |
# Railwayman he works hard | 0:38:23 | 0:38:25 | |
# Shunting on a Bristol yard | 0:38:25 | 0:38:28 | |
# Cos the Severn Tunnel never, never fails | 0:38:28 | 0:38:32 | |
# Keeps the engine on the rails. # | 0:38:32 | 0:38:34 | |
The Mari Lwyd is a Welsh custom of first footing, | 0:38:36 | 0:38:40 | |
where a group, carrying a horse skull, | 0:38:40 | 0:38:42 | |
go from house to house to bring people good luck for the new year. | 0:38:42 | 0:38:45 | |
The dancers wear tattered clothes, a symbol of times past | 0:38:45 | 0:38:49 | |
when they wouldn't have been able to afford new outfits. | 0:38:49 | 0:38:52 | |
The Widders name itself comes from a rather unusual source. | 0:38:52 | 0:38:57 | |
Why Widders, is that to do with the spiders? | 0:38:57 | 0:38:59 | |
-It's to do with the spiders, yes. -Black widows. | 0:38:59 | 0:39:02 | |
It's the black widows, yeah. | 0:39:02 | 0:39:03 | |
We like to be colourful, you know, we sort of evolved this style of our own | 0:39:03 | 0:39:07 | |
which is the Chepstow style, or the Wye Valley style. | 0:39:07 | 0:39:10 | |
I am, of course, itching to have a go. | 0:39:10 | 0:39:12 | |
In about a week, you'll be all right. | 0:39:12 | 0:39:15 | |
I've got to work tomorrow. | 0:39:15 | 0:39:17 | |
The dances are always about the area's events, or people, | 0:39:17 | 0:39:21 | |
and I'm performing a dance known as the Severn Tunnel Junction, | 0:39:21 | 0:39:24 | |
a place where many locals were employed on the Great Western Railway. | 0:39:24 | 0:39:29 | |
It's done in bars of eight. | 0:39:29 | 0:39:31 | |
The hazel sticks represent the shunting poles the railway workers used | 0:39:31 | 0:39:35 | |
to link the wagons together. | 0:39:35 | 0:39:37 | |
Humpah. | 0:39:37 | 0:39:39 | |
One, two, three, hurray. | 0:39:40 | 0:39:43 | |
Hey, he's staying with us. | 0:39:47 | 0:39:49 | |
I really enjoyed that but now it's time to wipe off the make up | 0:39:49 | 0:39:53 | |
and get back to the job in hand. | 0:39:53 | 0:39:55 | |
With all the madness of the Border Morris, I'd almost forgotten the matter at hand, | 0:39:58 | 0:40:02 | |
Kevin and Keith's move to the countryside and, if you remember, | 0:40:02 | 0:40:06 | |
we were on tenterhooks because the mystery house seemed | 0:40:06 | 0:40:08 | |
to have blown the whole project of land and gardens out of the water. | 0:40:08 | 0:40:13 | |
So let's go and find out what they've decided. | 0:40:13 | 0:40:16 | |
How was your first time in Monmouthshire? | 0:40:21 | 0:40:24 | |
It's been good, yeah, it's a nice place and Keith was right, | 0:40:24 | 0:40:27 | |
it's a nice part of the world. | 0:40:27 | 0:40:29 | |
It's a good neighbourhood, isn't it? It's a really beautiful landscape. | 0:40:29 | 0:40:33 | |
I hope that we showed you some houses that at least provoked some thoughts. | 0:40:33 | 0:40:36 | |
-Yes. -Yeah. | 0:40:36 | 0:40:37 | |
The first house, what are your thoughts about it, in retrospect? | 0:40:37 | 0:40:42 | |
Nice house, a couple of things I did like about it. | 0:40:42 | 0:40:45 | |
I liked the living room's vaulted ceiling | 0:40:45 | 0:40:48 | |
and I liked the coach house. | 0:40:48 | 0:40:49 | |
It was a nice property and the garden is a nice garden | 0:40:49 | 0:40:53 | |
but I just don't think it's kind of practical for what we want, really. | 0:40:53 | 0:40:58 | |
The second house, that seemed to really chime with you, Kevin? | 0:40:58 | 0:41:01 | |
Yeah, the kitchen was an amazing kitchen | 0:41:01 | 0:41:05 | |
and that was, overall, the better one out of the two. | 0:41:05 | 0:41:09 | |
-Yeah, for me anyway. -I liked house number two. It was very picturesque. | 0:41:09 | 0:41:13 | |
I think the only thing that really let it down for me | 0:41:13 | 0:41:16 | |
was the upstairs space. | 0:41:16 | 0:41:18 | |
I don't think there was enough room for us. | 0:41:18 | 0:41:21 | |
Tell me what your thinking is about the mystery house? | 0:41:21 | 0:41:23 | |
I thought it was an amazing property, | 0:41:25 | 0:41:28 | |
I liked the up and down of the stairs and the different levels. | 0:41:28 | 0:41:32 | |
All right, it didn't have the land that we were looking for, but the property was spectacular. | 0:41:32 | 0:41:38 | |
Lots of plus points. The living room was brilliant, I loved the fireplace. | 0:41:38 | 0:41:42 | |
Kitchen was nice. The office space worked well. | 0:41:42 | 0:41:45 | |
I think changing the master bedroom downstairs would work. | 0:41:45 | 0:41:48 | |
But, no, overall, lovely place. | 0:41:48 | 0:41:51 | |
What happens next? Are you thinking of revisiting any of the properties or...? | 0:41:51 | 0:41:55 | |
We need to go back and look at all of the options that we have. | 0:41:55 | 0:41:58 | |
We also want to look around the area as well. | 0:41:58 | 0:42:00 | |
-You're talking about the mystery house? -Yes. | 0:42:00 | 0:42:02 | |
Does that mean you are going to take further steps | 0:42:02 | 0:42:05 | |
and look seriously at the mystery house? | 0:42:05 | 0:42:07 | |
I think what we're going to do is we're going to go back, | 0:42:07 | 0:42:10 | |
have a think about all of the things, maybe come back and visit it again. | 0:42:10 | 0:42:13 | |
And I think what we need to do is get the wedding out of the way | 0:42:13 | 0:42:17 | |
and then seriously come back and, if it's still available, it might be a serious contender. | 0:42:17 | 0:42:21 | |
It's been on the market for a while, it might well be. | 0:42:21 | 0:42:24 | |
Well, best of luck, good luck with the wedding. | 0:42:24 | 0:42:27 | |
Hope that all goes well and I hope you get to spend your honeymoon in Monmouthshire. | 0:42:27 | 0:42:31 | |
-Thank you. -Thank you. | 0:42:31 | 0:42:32 | |
It's been great showing Kevin and Keith around Monmouthshire | 0:42:37 | 0:42:39 | |
and I think, particularly because the mystery house | 0:42:39 | 0:42:42 | |
gave them the confidence to go for what they really want, | 0:42:42 | 0:42:45 | |
rather than what they thought they should have, | 0:42:45 | 0:42:47 | |
because I don't think they were all that keen on being gentlemen farmers, ploughing the soil. | 0:42:47 | 0:42:50 | |
I think they wanted a nice comfortable, contemporary home, | 0:42:50 | 0:42:53 | |
with a rural twist, and I think we might have given it to them. | 0:42:53 | 0:42:57 | |
So if you've enjoyed our adventures in rural Britain | 0:42:57 | 0:42:59 | |
then do tune in next time for more Escape To The Country. | 0:42:59 | 0:43:03 | |
If you would like to Escape To The Country in Wales, Scotland, | 0:43:03 | 0:43:07 | |
Northern Ireland or England and need our help, please apply on line at: | 0:43:07 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:32 |