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Here I am 1,000 feet above sea level in front of this extraordinary | 0:00:02 | 0:00:05 | |
Rapunzel tower, from the top of which, on a clear day, | 0:00:05 | 0:00:08 | |
it is said you can see 13 English counties. | 0:00:08 | 0:00:11 | |
Find out where I am in just a moment. | 0:00:11 | 0:00:13 | |
Today we'll be helping a dynamic couple keen to buy | 0:00:43 | 0:00:46 | |
their first house together in the country, | 0:00:46 | 0:00:48 | |
and they have some very playful opinions about one of our homes. | 0:00:48 | 0:00:53 | |
It's a traditional house that you draw as a child. | 0:00:53 | 0:00:56 | |
With the door in the middle of the house. | 0:00:56 | 0:00:58 | |
And we showed them a mystery house | 0:00:58 | 0:01:00 | |
with more space than they could have ever imagined. | 0:01:00 | 0:01:03 | |
You could run around with about 2,000 dogs here. | 0:01:03 | 0:01:06 | |
Today we're in Worcestershire. | 0:01:09 | 0:01:11 | |
And this is the Broadway Tower, built in 1789 | 0:01:11 | 0:01:15 | |
by the renowned architect James Wyatt | 0:01:15 | 0:01:18 | |
for the sixth Earl of Coventry. | 0:01:18 | 0:01:20 | |
And in the 1880s it was the weekend retreat, very glamorous, | 0:01:20 | 0:01:24 | |
for William Morris of Arts and Craft fame. | 0:01:24 | 0:01:27 | |
And it said that this building inspired him to set up | 0:01:27 | 0:01:30 | |
the Society For The Protection Of Ancient Buildings, or SPAB. | 0:01:30 | 0:01:34 | |
And indeed many thousands of buildings across the UK | 0:01:34 | 0:01:36 | |
over their continued existence to SPAB, | 0:01:36 | 0:01:40 | |
and in some way to this delightful folly, | 0:01:40 | 0:01:42 | |
but there's lots more to Worcestershire than just follies. | 0:01:42 | 0:01:45 | |
Landlocked Worcestershire is bordered by Herefordshire | 0:01:49 | 0:01:52 | |
to the West, Gloucestershire to the south, and Warwickshire to the east. | 0:01:52 | 0:01:56 | |
The county is home to the Malvern Hills, | 0:01:56 | 0:01:59 | |
which have been described as a mountain range in miniature. | 0:01:59 | 0:02:02 | |
Stretching for eight miles, | 0:02:02 | 0:02:04 | |
they contain some of the oldest rock formations in Britain. | 0:02:04 | 0:02:08 | |
The east of Worcestershire falls within the Cotswolds | 0:02:08 | 0:02:10 | |
area of outstanding natural beauty. | 0:02:10 | 0:02:13 | |
It boasts villages like Broadway, which characterise | 0:02:13 | 0:02:17 | |
the stunning architecture often seen across the region. | 0:02:17 | 0:02:20 | |
The county was also home to Geoffrey Bazeley, creator of The Archers. | 0:02:20 | 0:02:25 | |
And his watering hole, The Old Bull in Inkberrow, still remains today. | 0:02:25 | 0:02:30 | |
So, for fantastic scenery, with real rural charm, | 0:02:30 | 0:02:34 | |
Worcestershire provides an attractive option | 0:02:34 | 0:02:37 | |
for aspiring escapees. | 0:02:37 | 0:02:38 | |
When you consider it's such a handy commute into Britain's second city, | 0:02:41 | 0:02:44 | |
Birmingham, and lovely rural countryside, | 0:02:44 | 0:02:47 | |
Worcestershire is a great buy for property hunters, | 0:02:47 | 0:02:49 | |
particularly when you think about prices. | 0:02:49 | 0:02:51 | |
According to the Land Registry figures, | 0:02:51 | 0:02:53 | |
an average detached house here will set you back £262,000, | 0:02:53 | 0:02:57 | |
which is just £6,000 above the national average. | 0:02:57 | 0:03:02 | |
That's particularly good when you think about nearby Gloucestershire, | 0:03:02 | 0:03:05 | |
where you'd have to pay 10 percent more for the same sort of property. | 0:03:05 | 0:03:08 | |
So, let's take a look at what's on the market in this lovely county. | 0:03:08 | 0:03:12 | |
For just under £350,000, | 0:03:12 | 0:03:15 | |
there's this two-bedroom converted barn in Holt Heath. | 0:03:15 | 0:03:19 | |
It has an open plan sitting room with a feature glass balustrade, | 0:03:19 | 0:03:23 | |
and a high spec kitchen with wooden flooring. | 0:03:23 | 0:03:26 | |
Outside, there is a walled garden, with a patio and lawn. | 0:03:26 | 0:03:30 | |
Also on the market is this timber framed four-bedroom | 0:03:30 | 0:03:34 | |
thatched house in Whickham, priced at £555,000. | 0:03:34 | 0:03:38 | |
Behind the historic facade, there are exposed beams | 0:03:38 | 0:03:41 | |
in the sitting room, | 0:03:41 | 0:03:42 | |
and a stunning contemporary kitchen with a range. | 0:03:42 | 0:03:45 | |
Outside boasts half an acre of extensive landscaped gardens. | 0:03:45 | 0:03:49 | |
For larger budgets, this six-bedroom house | 0:03:51 | 0:03:54 | |
in Clifton-on-Teme is up for sale at £850,000. | 0:03:54 | 0:03:57 | |
The huge kitchen has bespoke units, and underfloor heating. | 0:03:57 | 0:04:02 | |
The bedrooms feature sash windows with exposed timbers, | 0:04:02 | 0:04:06 | |
and outside there is a third of an acre of private | 0:04:06 | 0:04:08 | |
landscaped garden with mature shrubs and trees. | 0:04:08 | 0:04:11 | |
Some beautiful properties on the market here in Worcestershire. | 0:04:13 | 0:04:16 | |
Let's meet the couple who we're hoping are going to buy one. | 0:04:16 | 0:04:18 | |
Lynette and her partner Ned have been together for three years, | 0:04:20 | 0:04:24 | |
but have yet to buy their first property together. | 0:04:24 | 0:04:27 | |
Dividing their time between their respective homes in Halesowen | 0:04:27 | 0:04:30 | |
and Stourbridge in the West Midlands. | 0:04:30 | 0:04:32 | |
Lynette works for England Athletics, and owns a horse called Mickey, | 0:04:33 | 0:04:36 | |
who she keeps an hour away from her house. | 0:04:36 | 0:04:39 | |
And it seems being closer to him | 0:04:39 | 0:04:41 | |
is a key motivator for the move to the country. | 0:04:41 | 0:04:44 | |
I spend all my free time that I'm not at home down the stables with him. | 0:04:44 | 0:04:49 | |
So, for me, getting a house in the country, | 0:04:49 | 0:04:51 | |
and having some land, and having him right on my doorstep | 0:04:51 | 0:04:54 | |
would be absolutely wonderful. | 0:04:54 | 0:04:56 | |
Motorbike fanatic Ned, on the other hand, | 0:04:56 | 0:04:59 | |
is lucky enough to combine one of his passions with his job. | 0:04:59 | 0:05:02 | |
Heading up the West Midlands Police Force's driving school. | 0:05:03 | 0:05:06 | |
But, unfortunately, | 0:05:06 | 0:05:08 | |
Ned's wealth of motorbikes is threatening to overrun his home, | 0:05:08 | 0:05:11 | |
so more space is essential. | 0:05:11 | 0:05:14 | |
Four bikes and a very small garage really don't mix, | 0:05:14 | 0:05:17 | |
and something needs to give. | 0:05:17 | 0:05:19 | |
I've got no plans at all to get rid of any of my bikes, | 0:05:19 | 0:05:21 | |
I'm only ever going to get some more. | 0:05:21 | 0:05:22 | |
So, the prospect of moving to the country with more room | 0:05:22 | 0:05:25 | |
and some land to ride the bikes is a very tempting idea. | 0:05:25 | 0:05:28 | |
Both our buyers work in Birmingham, | 0:05:28 | 0:05:31 | |
and need to be within an hour's commute of the city. | 0:05:31 | 0:05:33 | |
And after much consideration, they are convinced they have found | 0:05:33 | 0:05:36 | |
the perfect location to start the next chapter of their lives. | 0:05:36 | 0:05:40 | |
My horses are based at Dodford in Worcestershire, | 0:05:40 | 0:05:43 | |
so anywhere around the North Worcestershire countryside, | 0:05:43 | 0:05:46 | |
we thought would be ideal. | 0:05:46 | 0:05:48 | |
We spent quite a lot of time there, and every time we find we want to stay there just a little bit longer. | 0:05:48 | 0:05:52 | |
And they have a very clear vision for the wish list. | 0:05:52 | 0:05:56 | |
I wouldn't particularly like to live somewhere which is too close to, perhaps all the neighbours around, | 0:05:56 | 0:06:01 | |
or perhaps is a little bit overlooked. | 0:06:01 | 0:06:03 | |
The new house, for me, is something that has around about three bedrooms. | 0:06:03 | 0:06:07 | |
And, for me, bedroom with an en suite. | 0:06:07 | 0:06:10 | |
It's got to have some land, open fire, wood burner, | 0:06:12 | 0:06:17 | |
large kitchen, just lots of open space around us, I think. | 0:06:17 | 0:06:22 | |
-That would be great. -And development potential. | 0:06:22 | 0:06:25 | |
Certainly, that we can put our own mark on it. | 0:06:25 | 0:06:27 | |
And enough space that we can perhaps chase a dog around the garden. | 0:06:27 | 0:06:30 | |
The only remaining factor is, of course, | 0:06:30 | 0:06:33 | |
how much money they had to spend. | 0:06:33 | 0:06:36 | |
Our ideal budget would be around £450,000, but if we do come across | 0:06:36 | 0:06:40 | |
something that really captures our heart, | 0:06:40 | 0:06:42 | |
we can perhaps extend this to, maybe, 500,000. | 0:06:42 | 0:06:46 | |
This is a big, romantic move together for Ned and Lynette, | 0:06:50 | 0:06:54 | |
but it could be quite a headache for us, | 0:06:54 | 0:06:56 | |
because they are Birmingham commuters, | 0:06:56 | 0:06:59 | |
and Worcestershire is Birmingham commuter-belt, in all effects. | 0:06:59 | 0:07:03 | |
And it means to find a beautiful house with two acres of land | 0:07:03 | 0:07:06 | |
might be a bit of a squeeze, even with half a million pounds. | 0:07:06 | 0:07:10 | |
Particularly if we're insisting that we need to be near Dodford, | 0:07:10 | 0:07:13 | |
where the horses are stabled now. | 0:07:13 | 0:07:14 | |
So, we might suggest, just very gently, that the horses could move. | 0:07:14 | 0:07:19 | |
Ned and Lynette want to move to North Worcestershire, | 0:07:25 | 0:07:28 | |
ideally around Dodford, where Lynette's horses are stabled. | 0:07:28 | 0:07:31 | |
So, we'll bear that in mind as we take them | 0:07:31 | 0:07:33 | |
on a gentle canter around the countryside. | 0:07:33 | 0:07:36 | |
I'll be showing them three fantastic properties, | 0:07:36 | 0:07:39 | |
but I won't reveal the price until they've had a guess first. | 0:07:39 | 0:07:43 | |
Our final option will be, of course, | 0:07:43 | 0:07:45 | |
the mystery house, which provides more land than they could dream of. | 0:07:45 | 0:07:49 | |
Welcome to Worcestershire, | 0:07:52 | 0:07:53 | |
although it's not so far away from where you live. | 0:07:53 | 0:07:56 | |
-No, not at all. -No, about 40 minutes, something like that. | 0:07:56 | 0:08:00 | |
You're very keen around the area of Dodford, | 0:08:00 | 0:08:02 | |
where your horses, but there are only around | 0:08:02 | 0:08:04 | |
20 houses in Dodford, so we couldn't find anything in the village. | 0:08:04 | 0:08:07 | |
-No! -And it's probably a good idea to widen your net a little. -Yes. | 0:08:07 | 0:08:11 | |
How many properties have you seen? | 0:08:11 | 0:08:14 | |
Probably about half a dozen in the last three or four months. | 0:08:14 | 0:08:17 | |
What was wrong with them? What were the things that put you off? | 0:08:17 | 0:08:20 | |
Well, so far we've found some great locations, | 0:08:20 | 0:08:23 | |
but houses without the features that we want. | 0:08:23 | 0:08:25 | |
Or, alternatively, the great features, | 0:08:25 | 0:08:28 | |
-but not really where we need to be. -Yes. | 0:08:28 | 0:08:31 | |
And how big an issue is land, | 0:08:31 | 0:08:32 | |
because I know you're not going to have the horses on your property? | 0:08:32 | 0:08:35 | |
So, how much land do you actually need, or want? | 0:08:35 | 0:08:39 | |
Well, a large garden would be nice. Or a small paddock, one to two acres. | 0:08:39 | 0:08:44 | |
It's not a necessity to move the horses, | 0:08:44 | 0:08:46 | |
but if we had the opportunity to, that would be great as well. | 0:08:46 | 0:08:49 | |
Now, you are in quite a desirable area, | 0:08:49 | 0:08:52 | |
-you know, there are commuters into Birmingham. -Yes. | 0:08:52 | 0:08:55 | |
Prices are quite steep, | 0:08:55 | 0:08:58 | |
and to get one to two acres might be a bit of a stretch. | 0:08:58 | 0:09:02 | |
Is there something that can give? What would you compromise on? | 0:09:02 | 0:09:04 | |
Because you want a big kitchen, you want to land, position? | 0:09:04 | 0:09:09 | |
I know, I want it all for the budget. | 0:09:09 | 0:09:11 | |
And I know I've got to compromise. | 0:09:11 | 0:09:13 | |
Maybe the space would be more important, should I say. | 0:09:13 | 0:09:18 | |
Because there would always be an opportunity, hopefully, | 0:09:18 | 0:09:20 | |
to extend the living space at some point, would be a way to look at it. | 0:09:20 | 0:09:25 | |
-And what is your budget? -Well, we're looking towards £500,000. -Excellent. | 0:09:25 | 0:09:30 | |
Well, there are some beautiful properties out there, | 0:09:30 | 0:09:32 | |
-so let's get on the road and see them. -Thank you. | 0:09:32 | 0:09:35 | |
Ned and Lynette have a maximum budget of £500,000 | 0:09:37 | 0:09:41 | |
to spend on a detached country house. | 0:09:41 | 0:09:45 | |
On the wish list is a large kitchen diner that could be | 0:09:45 | 0:09:47 | |
the hub of the home. Three bedrooms. | 0:09:47 | 0:09:51 | |
A garage to house Ned's bike collection, | 0:09:51 | 0:09:53 | |
and up to 2 acres of land. | 0:09:53 | 0:09:56 | |
We're kicking off our property search in Sinton Green, | 0:10:06 | 0:10:09 | |
on the edge of Hallow, which is around an hour south of Birmingham. | 0:10:09 | 0:10:14 | |
In the 1680s the village was home to the soldier, William Careless, | 0:10:14 | 0:10:17 | |
who saved King Charles II, after he fled the Battle of Worcester, | 0:10:17 | 0:10:22 | |
by hiding him in an oak tree. | 0:10:22 | 0:10:24 | |
The first property I am showing them | 0:10:24 | 0:10:26 | |
is a rather characterful redbrick cottage. | 0:10:26 | 0:10:28 | |
Come onto the lawn to get a good view of house number one. | 0:10:29 | 0:10:33 | |
-Here we have it. -Oh, that's lovely. | 0:10:34 | 0:10:36 | |
It's the traditional house that you draw as a child, | 0:10:36 | 0:10:39 | |
-with the door in the middle of the house. -It really is, isn't it? | 0:10:39 | 0:10:42 | |
-So, what are your first impressions? -It's lovely. | 0:10:42 | 0:10:45 | |
-Beautiful looking house, isn't it? -Yeah. -It's fantastic. | 0:10:45 | 0:10:48 | |
The house is interesting, it's actually from the 1700s. | 0:10:48 | 0:10:50 | |
It doesn't look it, it looks more Victorian, | 0:10:50 | 0:10:52 | |
but as people had a bit of wealth | 0:10:52 | 0:10:54 | |
they put bricks on the front of their houses, | 0:10:54 | 0:10:57 | |
because at the time, that was the sign of wealth. | 0:10:57 | 0:10:59 | |
So, actually, this facade is probably later, probably Victorian, | 0:10:59 | 0:11:02 | |
you can see there's been a bit of work done around the windows. | 0:11:02 | 0:11:07 | |
Yes. | 0:11:07 | 0:11:08 | |
We haven't really talked about the period, | 0:11:08 | 0:11:10 | |
or the style of the house that you want. What does this do for you? | 0:11:10 | 0:11:13 | |
It appeals to me. I have to say. | 0:11:14 | 0:11:17 | |
I like the style, it's got character. | 0:11:17 | 0:11:18 | |
It certainly has inside. Let's look inside. | 0:11:18 | 0:11:20 | |
So, good first impressions, and behind that Victorian facade | 0:11:22 | 0:11:25 | |
there are some lovely historic treats. | 0:11:25 | 0:11:29 | |
Here we go. Straight in to the front room. | 0:11:30 | 0:11:35 | |
-Well, I'm loving the fireplace. -Yeah. -I'm loving the fireplace, too. | 0:11:35 | 0:11:38 | |
-Certainly big enough. -Yeah. | 0:11:38 | 0:11:40 | |
-That is what they call a proper inglenook. -Yes it is. | 0:11:40 | 0:11:45 | |
And you've got these lovely beams, | 0:11:45 | 0:11:47 | |
you can see the age of the building | 0:11:47 | 0:11:48 | |
is much older than the Victorian frontage. | 0:11:48 | 0:11:50 | |
These would have come from the 1700s when it was built. | 0:11:50 | 0:11:53 | |
Well, you've got a separate room on the other side, | 0:11:53 | 0:11:56 | |
which is very much the mirror image, a little bit smaller. | 0:11:56 | 0:11:59 | |
But, the room where very excited to show you is the kitchen. So, follow me. | 0:11:59 | 0:12:03 | |
Lynette is after a kitchen that could be the hub of her home, | 0:12:03 | 0:12:07 | |
and I think this one really delivers. | 0:12:07 | 0:12:09 | |
-Here we go. -Goodness me. That's a huge size, isn't it? -OK. | 0:12:09 | 0:12:14 | |
That's a great size kitchen, isn't it? | 0:12:14 | 0:12:16 | |
You could entertain in here, I think. | 0:12:16 | 0:12:18 | |
I think this is a magical kitchen diner. | 0:12:18 | 0:12:19 | |
Yeah, that's great. We could do a lot in here, | 0:12:19 | 0:12:22 | |
couldn't we? | 0:12:22 | 0:12:23 | |
Yeah, I like it. It has a nice feel to it. Nice, light and airy. | 0:12:23 | 0:12:27 | |
The feeling of space around you. | 0:12:27 | 0:12:29 | |
It's a proper place that you'd congregate, wouldn't you? | 0:12:29 | 0:12:32 | |
-Yes, I think so. -Very nice. -Good. | 0:12:32 | 0:12:34 | |
There's also a bit that goes out into this rather nice sunroom. | 0:12:34 | 0:12:41 | |
So, this is, essentially a utility room, but a conservatory. | 0:12:41 | 0:12:46 | |
Very practical. Very nice to have the end | 0:12:46 | 0:12:48 | |
of your kitchen diner as well, isn't it? | 0:12:48 | 0:12:50 | |
Yeah, I think we'd sit in here with a glass of wine. | 0:12:50 | 0:12:53 | |
That would be very nice. | 0:12:53 | 0:12:54 | |
I know you're itching to look into the outside, | 0:12:54 | 0:12:56 | |
-but let's look upstairs at the bedrooms first. -OK. | 0:12:56 | 0:13:00 | |
On the first floor there's a good-sized family bathroom. | 0:13:03 | 0:13:06 | |
And the two double bedrooms both have delightful period features, | 0:13:06 | 0:13:09 | |
with exposed trussed beams, and wonderfully wonky doors. | 0:13:09 | 0:13:15 | |
But I'm taking them to the room that could be theirs. | 0:13:15 | 0:13:18 | |
OK, so mind the steps. | 0:13:18 | 0:13:19 | |
So, this takes us up into what is the master bedroom, | 0:13:19 | 0:13:23 | |
that's built over the kitchen. | 0:13:23 | 0:13:25 | |
This is unusual, coming up the stairs, and then down more stairs. | 0:13:25 | 0:13:28 | |
-That's to an en suite, so you have an en suite shower in there. -Oh, right. | 0:13:28 | 0:13:32 | |
It's nice, because there's windows all around the room. | 0:13:32 | 0:13:35 | |
So, like you say, from each aspect you've got some nice views. | 0:13:35 | 0:13:39 | |
Certainly. | 0:13:39 | 0:13:41 | |
And that view, that would be something nice to wake up and look out the window. | 0:13:41 | 0:13:45 | |
In the end, that's why you wanted to move, to open the door, windows, and have... | 0:13:45 | 0:13:49 | |
Well, I know that land is important, | 0:13:49 | 0:13:50 | |
-it's always been a big issue, so let's go outside. -OK. | 0:13:50 | 0:13:54 | |
Out here there is a large garage and workshop, | 0:13:54 | 0:13:56 | |
which could house Ned's motorbikes. | 0:13:56 | 0:13:58 | |
There's also a secluded garden which backs onto open fields. | 0:13:58 | 0:14:03 | |
Land, land, land. Now, | 0:14:03 | 0:14:06 | |
-as it stands this is your garden. -OK. | 0:14:06 | 0:14:11 | |
-OK, yeah not a bad side. -Not a bad size. -Not a bad size. | 0:14:11 | 0:14:14 | |
But, there is the possibility, | 0:14:14 | 0:14:15 | |
you can see next door has already done it, of purchasing | 0:14:15 | 0:14:19 | |
-the land up to the beginning of the field from the farmer. -Oh, right, yes. | 0:14:19 | 0:14:23 | |
That's not, I hasten to add, in the purchase price. | 0:14:23 | 0:14:26 | |
That there is a precedent next door, | 0:14:26 | 0:14:28 | |
-there's been signs that the farmer is perfectly willing to do that. -OK. | 0:14:28 | 0:14:31 | |
Well, let's talk about price. | 0:14:31 | 0:14:33 | |
What do you think this is on the market for? | 0:14:33 | 0:14:36 | |
-I think, I'm going to go low, and say 425. -No, I think a little bit more. | 0:14:36 | 0:14:41 | |
I say 440. | 0:14:41 | 0:14:44 | |
OK, so this is going to be a bit of a shock, | 0:14:44 | 0:14:45 | |
because this is on the market at just a dot under £500,000. | 0:14:45 | 0:14:48 | |
-OK. We got that wrong then. -Yeah, a little bit. | 0:14:50 | 0:14:53 | |
So that's the figure, unfortunately, | 0:14:53 | 0:14:55 | |
you have to carry around in your head, as you do a little tour, | 0:14:55 | 0:14:58 | |
-and I'll meet you out the front when you're done. -OK. Thank you. -Thank you. | 0:14:58 | 0:15:01 | |
On the market for just under £500,000, | 0:15:03 | 0:15:06 | |
this quaint period house has a massive kitchen diner, | 0:15:06 | 0:15:10 | |
and two reception rooms, | 0:15:10 | 0:15:11 | |
which could certainly meet our buyers' entertaining requirements. | 0:15:11 | 0:15:15 | |
Upstairs there are four double bedrooms, and outside | 0:15:15 | 0:15:19 | |
a good-sized mature garden, with the potential to buy more land. | 0:15:19 | 0:15:23 | |
So, you think you'd be all right with the allotment? | 0:15:23 | 0:15:25 | |
I think that will be your speciality, | 0:15:25 | 0:15:27 | |
I'm not sure if it's our ideal property, | 0:15:27 | 0:15:31 | |
but it's certainly got some definite promising features | 0:15:31 | 0:15:34 | |
that I think we need to go away and think about. | 0:15:34 | 0:15:37 | |
It's very nice. The location is fine, | 0:15:37 | 0:15:39 | |
the house I'm not so sure, and the price, | 0:15:39 | 0:15:41 | |
perhaps more than I would like to pay for a property of that type. | 0:15:41 | 0:15:45 | |
-Hello. -Hi. | 0:15:45 | 0:15:46 | |
All done, I'm going to have to move you on to the next property. | 0:15:46 | 0:15:49 | |
-Right, OK, thank you. -Shut the door behind you. | 0:15:49 | 0:15:51 | |
Lying on the banks of the River Severn is the historic | 0:16:01 | 0:16:05 | |
Worcestershire town of Bewdley, linked together | 0:16:05 | 0:16:08 | |
by the Bewdley Bridge, designed by Thomas Telford, and built in 1798. | 0:16:08 | 0:16:13 | |
The town is also one of the six stops on the ever popular | 0:16:13 | 0:16:16 | |
Severn Valley Heritage Railway Line. | 0:16:16 | 0:16:20 | |
Built between 1858 and 1862, | 0:16:20 | 0:16:23 | |
it regularly carries steam trains along a route | 0:16:23 | 0:16:26 | |
between Bridgnorth in Shropshire, and Kidderminster in Worcestershire. | 0:16:26 | 0:16:30 | |
A few miles away is the Elizabethan manor house of Harvington Hall. | 0:16:31 | 0:16:35 | |
From the late 1500s it became a secret haven for Catholic priests, | 0:16:35 | 0:16:40 | |
driven into hiding during the English Reformation. | 0:16:40 | 0:16:44 | |
A period of religious unrest which began with Henry VIII | 0:16:44 | 0:16:47 | |
and stretched beyond the reign of Elizabeth I. | 0:16:47 | 0:16:50 | |
Earlier in the week, | 0:16:50 | 0:16:52 | |
we sent Ned and Lynette off to meet local tour guide | 0:16:52 | 0:16:55 | |
Ian Fletcher, to find out more. | 0:16:55 | 0:16:57 | |
It's a very unusual house, and it's got a lot of unusual features. | 0:16:57 | 0:17:01 | |
And if you'd like to follow me, | 0:17:01 | 0:17:02 | |
-perhaps we'll have a look at a few of them. -Great, thank you. | 0:17:02 | 0:17:05 | |
The hall has one of the most striking | 0:17:08 | 0:17:10 | |
collections of priest holes anywhere in the country. | 0:17:10 | 0:17:12 | |
They date back to a time when any Catholic priest being caught | 0:17:12 | 0:17:15 | |
would have faced the penalty of high treason, punishable by death. | 0:17:15 | 0:17:20 | |
If I push on the top and pull on the bottom. | 0:17:20 | 0:17:25 | |
Oh, clever. | 0:17:25 | 0:17:27 | |
So, that once the priest has gone in you can actually close it | 0:17:27 | 0:17:30 | |
and he can bolt it from the inside. | 0:17:30 | 0:17:33 | |
Would you like to go in? | 0:17:33 | 0:17:35 | |
When Elizabeth I, who was a Protestant, came to the throne, | 0:17:36 | 0:17:39 | |
she remained tolerant towards Catholics | 0:17:39 | 0:17:42 | |
worshipping in private houses. | 0:17:42 | 0:17:44 | |
But after an attempt by the Spanish Catholics | 0:17:44 | 0:17:48 | |
to overthrow her rule in 1588, the tide turned | 0:17:48 | 0:17:51 | |
and Catholicism was driven underground, leading to a network | 0:17:51 | 0:17:55 | |
of houses such as Harvington, where priests could hide away safely. | 0:17:55 | 0:17:59 | |
Well, I was hoping for something slightly bigger! | 0:17:59 | 0:18:03 | |
There are four of the secret hideouts in total. | 0:18:03 | 0:18:08 | |
Aha. OK. | 0:18:08 | 0:18:11 | |
-Oh, excellent. -Looks like we have found the jewels as well! | 0:18:13 | 0:18:16 | |
You see where the priest is? | 0:18:16 | 0:18:17 | |
You see a square of light, that would have been a complete panel across there, | 0:18:17 | 0:18:21 | |
you wouldn't be able to see the priest. | 0:18:21 | 0:18:23 | |
Just imagine that I'm one of the searchers, | 0:18:23 | 0:18:26 | |
and I got to here, I've lifted this up, | 0:18:26 | 0:18:29 | |
and there's some small valuables there. | 0:18:29 | 0:18:32 | |
So, pick it up, "wow, like that." | 0:18:32 | 0:18:34 | |
So, I'll put that in my pouch, and then I close this up again, | 0:18:34 | 0:18:37 | |
and then I'm going to go back to the person in charge, | 0:18:37 | 0:18:40 | |
and I'm going to say, no, I haven't found anything." | 0:18:40 | 0:18:43 | |
Because I'm not going to admit to stealing. | 0:18:43 | 0:18:45 | |
Harvington Hall stands as a continuing | 0:18:45 | 0:18:48 | |
reminder of the extraordinary lengths | 0:18:48 | 0:18:50 | |
members of the Catholic Church went to in order to pursue their faith. | 0:18:50 | 0:18:54 | |
But, for now, it's time to turn our buyers' focus back | 0:18:54 | 0:18:58 | |
to our property search, | 0:18:58 | 0:18:59 | |
and see if we can find a rural hideaway of their own. | 0:18:59 | 0:19:04 | |
For our second property I'm taking them to Old Hills, | 0:19:08 | 0:19:11 | |
which is just outside the village of Callow End, | 0:19:11 | 0:19:14 | |
around 40 minutes south of Birmingham. | 0:19:14 | 0:19:16 | |
Situated on land between the stunning Malvern Hills and | 0:19:16 | 0:19:19 | |
the River Severn, this quite village has a mix of more recent houses, | 0:19:19 | 0:19:24 | |
and period homes. | 0:19:24 | 0:19:26 | |
The house I'm showing them is a thatched cottage, | 0:19:26 | 0:19:28 | |
set in idyllic gardens. | 0:19:28 | 0:19:30 | |
Once again, let's get onto the lawn to get a full eyeful of this | 0:19:32 | 0:19:37 | |
beautiful thing. | 0:19:37 | 0:19:39 | |
That's lovely looking, isn't it? | 0:19:39 | 0:19:41 | |
That's beautiful, absolutely beautiful. | 0:19:41 | 0:19:43 | |
It is a really spectacularly well-kept | 0:19:43 | 0:19:47 | |
-thatched cottage. -Yes. | 0:19:47 | 0:19:49 | |
What do you think about thatched? Not everyone's mad on thatch. | 0:19:49 | 0:19:52 | |
They always are eye-catching, yes, but yes, I hadn't considered | 0:19:52 | 0:19:57 | |
a thatched property, I've got to say, so, yeah, that's really nice to see. | 0:19:57 | 0:20:00 | |
Yeah, it's looking good. | 0:20:00 | 0:20:01 | |
-Shall we look inside? -Absolutely, yes. | 0:20:02 | 0:20:05 | |
'The interior of this property is full of charm, | 0:20:05 | 0:20:08 | |
'with a contemporary feel. | 0:20:08 | 0:20:09 | |
'And I think it will really appeal to them.' | 0:20:09 | 0:20:12 | |
Here, you can see. | 0:20:15 | 0:20:16 | |
Wow. | 0:20:16 | 0:20:18 | |
Quite a different take on the period cottage. | 0:20:18 | 0:20:21 | |
I like the fireplace though, again. | 0:20:21 | 0:20:24 | |
I like the mix of it, actually, just from walking into here. | 0:20:24 | 0:20:28 | |
Yeah, I think so, the painted brickwork, the stone floors, | 0:20:28 | 0:20:31 | |
the beams, it's of a time, isn't it? | 0:20:31 | 0:20:32 | |
It's so nicely maintained that it just draws you to it. | 0:20:32 | 0:20:37 | |
I'd like to see some more, I think. | 0:20:37 | 0:20:39 | |
Is it yours sort of time? Does it feel comfortable? | 0:20:39 | 0:20:43 | |
Yes, it does. | 0:20:43 | 0:20:44 | |
-I've got a nice feeling for the house, have you? -Yeah, I think so. | 0:20:44 | 0:20:48 | |
Good, well, this is the sitting room, | 0:20:48 | 0:20:50 | |
let's go through into the kitchen. | 0:20:50 | 0:20:52 | |
Here, so, again, a very different offering. | 0:20:54 | 0:20:57 | |
I like the range, as well. | 0:20:57 | 0:20:59 | |
Yes, it's nice in that feature, um... | 0:20:59 | 0:21:02 | |
It's an inglenook range. | 0:21:02 | 0:21:03 | |
Yes, it is. It is. | 0:21:03 | 0:21:05 | |
It's a nice-sized kitchen, though. | 0:21:05 | 0:21:09 | |
But it's beautifully finished, again, you know, | 0:21:09 | 0:21:11 | |
this very nice, red and black and white theme throughout. | 0:21:11 | 0:21:16 | |
What do you think, Ned, do you think this is more your speed? | 0:21:16 | 0:21:19 | |
Yeah, I think so, | 0:21:19 | 0:21:20 | |
particularly the finish, it just jumps out to me, | 0:21:20 | 0:21:22 | |
it's been so well maintained, it's very nice. | 0:21:22 | 0:21:25 | |
It's very airy. | 0:21:25 | 0:21:26 | |
Yeah, there seems to be some quite large gardens out there as well. | 0:21:26 | 0:21:29 | |
Just keep your eyes to yourself, we haven't finished inside yet. | 0:21:29 | 0:21:33 | |
'I'd say that's a thumbs up for the kitchen, | 0:21:34 | 0:21:36 | |
'and the beautiful finish of this house continues in the drawing room.' | 0:21:36 | 0:21:40 | |
As with the other property, this is an extension | 0:21:42 | 0:21:44 | |
that was put on the back of the original cottage, in the 60s. | 0:21:44 | 0:21:49 | |
We might use this as your lounge area, rather than the other room. | 0:21:49 | 0:21:53 | |
Yeah, we'd get some use out of this room, I think. | 0:21:53 | 0:21:55 | |
And there's an open fire again. | 0:21:55 | 0:21:58 | |
So, this is all of your space downstairs. | 0:21:58 | 0:22:00 | |
There is quite a nice, big utility room which we haven't seen yet. | 0:22:00 | 0:22:04 | |
-Let's have a peek up stairs, shall we? -OK. | 0:22:04 | 0:22:07 | |
Downstairs is a the mix of modern period features, | 0:22:10 | 0:22:12 | |
however, as we're about to discover, | 0:22:12 | 0:22:14 | |
the rooms on the first floor are much more in keeping | 0:22:14 | 0:22:17 | |
with the property's heritage. | 0:22:17 | 0:22:19 | |
Upstairs. | 0:22:21 | 0:22:22 | |
Oh, this is nice, isn't it? | 0:22:24 | 0:22:26 | |
Oh, yeah. | 0:22:28 | 0:22:29 | |
So, nice, high ceilings as we've gone right up into the roof. | 0:22:29 | 0:22:33 | |
And you can see these lovely, little feature windows, | 0:22:33 | 0:22:35 | |
tucked into the thatch. | 0:22:35 | 0:22:37 | |
So, essentially, you've got four bedrooms again, | 0:22:37 | 0:22:40 | |
but they are interlinked, as they would have been in an old cottage. | 0:22:40 | 0:22:43 | |
This one goes into that one, and then there's another one, | 0:22:43 | 0:22:45 | |
over what was the extension, and then a fourth one through here. | 0:22:45 | 0:22:48 | |
OK. | 0:22:48 | 0:22:50 | |
The interesting thing about this house, a feature, shall we call it? | 0:22:50 | 0:22:55 | |
Is that there is no bathroom upstairs, | 0:22:55 | 0:22:58 | |
there's a very nice modern bathroom at the bottom of the stairs. | 0:22:58 | 0:23:01 | |
OK. | 0:23:01 | 0:23:02 | |
But, we were thinking, since it's just the two of you, | 0:23:02 | 0:23:05 | |
one of these rooms, ie. this room | 0:23:05 | 0:23:07 | |
which is linked, as you can see, just by stepping into the next room, | 0:23:07 | 0:23:11 | |
would make a gorgeous, big en suite bathroom. | 0:23:11 | 0:23:13 | |
It's crying out for it, isn't it? | 0:23:13 | 0:23:15 | |
And it's right above the kitchen, | 0:23:15 | 0:23:17 | |
so it can't be that difficult to run the plumbing up. | 0:23:17 | 0:23:19 | |
-No, that's a good idea. -We're not averse to building work, are we? | 0:23:19 | 0:23:22 | |
-No, no, a project for you. -Thank you. | 0:23:22 | 0:23:26 | |
-Are you handy at DIY? -Absolutely, yes, I can build. | 0:23:26 | 0:23:28 | |
-Really? -Yeah, no problem. -I can't tell whether you're joking. | 0:23:28 | 0:23:31 | |
-No, I can build, I do a little bit. -No, he really can. | 0:23:31 | 0:23:35 | |
So, you've got a very high standard to match here. | 0:23:35 | 0:23:38 | |
We can't have any botched jobs. | 0:23:38 | 0:23:39 | |
Well, that's a challenge for you, Alistair. | 0:23:39 | 0:23:41 | |
I should comeback in a years time and check? | 0:23:41 | 0:23:44 | |
I know it's difficult when you haven't seen all the rooms to clock the layout, | 0:23:44 | 0:23:49 | |
but I'll give you plenty of time to explore later on, | 0:23:49 | 0:23:51 | |
but I want to get you out in the garden, | 0:23:51 | 0:23:53 | |
because I know that's where you want to go. | 0:23:53 | 0:23:55 | |
'Although they'll have to sacrifice a bedroom | 0:23:56 | 0:23:59 | |
'to get that en suite Lynette wants, | 0:23:59 | 0:24:00 | |
'I'm hoping they'll be wowed by the outside of this property. | 0:24:00 | 0:24:03 | |
'Which comes with just under half an acre of land. | 0:24:03 | 0:24:06 | |
'It includes a secluded lawned garden, | 0:24:08 | 0:24:10 | |
'with spectacular views of the countryside.' | 0:24:10 | 0:24:13 | |
So, incredible views over towards Cheltenham there, | 0:24:13 | 0:24:18 | |
through the hedges. | 0:24:18 | 0:24:19 | |
And you can see, this is a much more substantial garden. | 0:24:19 | 0:24:22 | |
Yes. | 0:24:22 | 0:24:23 | |
-It's a gorgeous plot. -It's very pretty, isn't it? | 0:24:23 | 0:24:25 | |
When you look back at the property now, | 0:24:25 | 0:24:28 | |
from inside the grounds here and it's lovely, really nice. | 0:24:28 | 0:24:32 | |
And very quiet. | 0:24:32 | 0:24:34 | |
Mmm. | 0:24:34 | 0:24:35 | |
What do think of this garden? | 0:24:35 | 0:24:37 | |
Yeah, I think you'll be very busy here, don't you? | 0:24:37 | 0:24:40 | |
THEY LAUGH | 0:24:40 | 0:24:43 | |
It is fantastic, you know, it's had so much work done to it, | 0:24:43 | 0:24:47 | |
by the looks of it, and as with the house, it's immaculate. | 0:24:47 | 0:24:50 | |
Good. | 0:24:50 | 0:24:51 | |
I think you've all got poker faces on, | 0:24:51 | 0:24:53 | |
I can't quite tell whether you're loving it, or you're just... | 0:24:53 | 0:24:57 | |
Anyway, this is house number two, you don't know the price yet, | 0:24:57 | 0:25:00 | |
what do you think the price of the property is? | 0:25:00 | 0:25:03 | |
I think you spent our budget, | 0:25:03 | 0:25:05 | |
and I would say just under 500,000, | 0:25:05 | 0:25:08 | |
maybe 499, 490. | 0:25:08 | 0:25:11 | |
Well, it's certainly the top end, but I can't agree with you, | 0:25:11 | 0:25:14 | |
so, let's say 480, maybe. | 0:25:14 | 0:25:17 | |
480, the moral of the story is you should always agree with Lynette, | 0:25:17 | 0:25:21 | |
because she is dot on the money, | 0:25:21 | 0:25:23 | |
it is exactly the same price the last one, just a dot under £500,000. | 0:25:23 | 0:25:27 | |
Right. OK. | 0:25:27 | 0:25:29 | |
So, why don't you have a look around the grounds, | 0:25:29 | 0:25:31 | |
-and I'll see you at the front. -Thank you, will do. | 0:25:31 | 0:25:33 | |
At £495,000, this characterful cottage has plenty of appeal. | 0:25:38 | 0:25:43 | |
It has a good-sized kitchen diner, two reception rooms, | 0:25:43 | 0:25:47 | |
four bedrooms, | 0:25:47 | 0:25:48 | |
and a relaxing, secluded garden, with stunning views. | 0:25:48 | 0:25:52 | |
Well, there's my garage. | 0:25:52 | 0:25:53 | |
-It's big enough for your bikes, isn't it? -It's a workshop as well. | 0:25:53 | 0:25:56 | |
Your second home. | 0:25:56 | 0:25:57 | |
I think so, you know, I could live in it, I really could. | 0:25:57 | 0:26:00 | |
It is what it is, it's a very old cottage, | 0:26:00 | 0:26:03 | |
and there's only so many things you can do with the layout. | 0:26:03 | 0:26:05 | |
It's certainly been very sensitively arranged, | 0:26:05 | 0:26:07 | |
and I think it's something we could certainly live with. | 0:26:07 | 0:26:10 | |
I do think it has got a bit of a wow factor for me, | 0:26:10 | 0:26:12 | |
I really like it, it's very, very pretty, | 0:26:12 | 0:26:15 | |
and yes, I probably could see myself living in it. | 0:26:15 | 0:26:18 | |
Ah, beautiful thatch work. That's a cracking house, huh? | 0:26:21 | 0:26:25 | |
It's lovely, really nice. | 0:26:25 | 0:26:27 | |
Well, that's your lot for today, time to retire and regroup. | 0:26:27 | 0:26:31 | |
As the sun sets over the Worcestershire countryside, | 0:26:46 | 0:26:49 | |
our first day of house-hunting draws to a close. | 0:26:49 | 0:26:52 | |
Armed with their £500,000 budget, | 0:27:00 | 0:27:03 | |
Ned and Lynette are making two huge leaps in their lives. | 0:27:03 | 0:27:07 | |
Buying their first home together, | 0:27:07 | 0:27:09 | |
and starting a new life in rural Worcestershire. | 0:27:09 | 0:27:12 | |
Out of the two properties we've shown them so far, | 0:27:12 | 0:27:14 | |
the thatched cottage seems to have won them over. | 0:27:14 | 0:27:17 | |
-I've got a nice feeling for the house, have you? -Yeah. | 0:27:17 | 0:27:20 | |
It's picture perfect from here, isn't it? | 0:27:20 | 0:27:22 | |
Looking at the house, it's ideal. | 0:27:22 | 0:27:23 | |
'But coming up, we've got a mystery house | 0:27:23 | 0:27:26 | |
'that stretches their horizons to the limit.' | 0:27:26 | 0:27:29 | |
It's absolutely huge, yeah. | 0:27:29 | 0:27:31 | |
It's huge. | 0:27:31 | 0:27:32 | |
'And I join some industrious babes in the wood.' | 0:27:32 | 0:27:36 | |
So, they're like, kind of, biological ground clearers? | 0:27:36 | 0:27:40 | |
Yeah. | 0:27:40 | 0:27:41 | |
It's an absolutely beautiful autumnal morning | 0:27:44 | 0:27:47 | |
here in Worcestershire, | 0:27:47 | 0:27:48 | |
and we've got the mystery house lined up for Lynette and Ned. | 0:27:48 | 0:27:52 | |
After the first day's properties | 0:27:52 | 0:27:54 | |
I wasn't quite sure whether we were hitting the nail. | 0:27:54 | 0:27:57 | |
They were being very polite, making nice noises, | 0:27:57 | 0:27:59 | |
but maybe the houses are a little too period, | 0:27:59 | 0:28:02 | |
little too old, too beam-y. | 0:28:02 | 0:28:04 | |
So, for the mystery house, we've gone grand, | 0:28:04 | 0:28:08 | |
and we've gone lots of land. | 0:28:08 | 0:28:11 | |
Day two, and we're off to the mystery house, | 0:28:14 | 0:28:17 | |
what do you think the mystery house might be? | 0:28:17 | 0:28:19 | |
Do you know, I haven't got a clue, | 0:28:19 | 0:28:21 | |
I think you threw us yesterday with the thatched cottage | 0:28:21 | 0:28:24 | |
so, who knows what this could be. | 0:28:24 | 0:28:26 | |
Maybe a converted barn? | 0:28:26 | 0:28:29 | |
Converted one end for the horses, and the other end for us. | 0:28:29 | 0:28:32 | |
Who knows. | 0:28:32 | 0:28:33 | |
Ah, a live-in stable? | 0:28:33 | 0:28:36 | |
Yes, a stable in the middle of a field. | 0:28:36 | 0:28:39 | |
Who knows. | 0:28:39 | 0:28:41 | |
'For our mystery house, we're heading further south to Croome, | 0:28:49 | 0:28:52 | |
'which is situated around four miles from the market town of Pershore. | 0:28:52 | 0:28:56 | |
'This unspoiled, Georgian town is surrounded by beautiful countryside, | 0:28:56 | 0:29:00 | |
'and is particularly renowned for its wealth of independent shops. | 0:29:00 | 0:29:06 | |
'In contrast to the chocolate box charm of property two, | 0:29:06 | 0:29:09 | |
'I can safely say that our mystery offering | 0:29:09 | 0:29:12 | |
'is right at the other end of the scale.' | 0:29:12 | 0:29:14 | |
Now, you wanted some land. | 0:29:15 | 0:29:18 | |
Goodness me, and some. | 0:29:18 | 0:29:20 | |
There is some land, OK. | 0:29:20 | 0:29:21 | |
Here is land aplenty, | 0:29:21 | 0:29:23 | |
you've got the Malvern Hills in the background, framing your garden, | 0:29:23 | 0:29:26 | |
and then 200 acres of Capability Brown-designed stately home garden. | 0:29:26 | 0:29:31 | |
However, your house is in these Robert Adam-designed stable block. | 0:29:31 | 0:29:36 | |
What are your thoughts? | 0:29:36 | 0:29:39 | |
Well, it's certainly unexpected, | 0:29:39 | 0:29:41 | |
I never in a million years dreamt of a property on a National Trust, | 0:29:41 | 0:29:47 | |
or ex-stately home, park, at all, did you? | 0:29:47 | 0:29:50 | |
No, not at all, it's not something we'd considered, | 0:29:50 | 0:29:53 | |
-but we have to have a look, it's fantastic. -Let's have a look. | 0:29:53 | 0:29:56 | |
'I love throwing our mystery home into the mix, | 0:29:59 | 0:30:01 | |
'especially as this house offers our buyers | 0:30:01 | 0:30:04 | |
'a slice of very elegant living.' | 0:30:04 | 0:30:06 | |
Come in. | 0:30:06 | 0:30:08 | |
It's amazing to think this was just built for the horses, | 0:30:08 | 0:30:11 | |
you know, back in the 1700s, this was all for stables, | 0:30:11 | 0:30:14 | |
the carriage houses, the coach houses, amazing, hm? | 0:30:14 | 0:30:20 | |
It would have been. | 0:30:20 | 0:30:21 | |
Yeah, yeah, it is now, as it's all been converted. | 0:30:21 | 0:30:24 | |
It's pretty impressive, isn't it, to look at? | 0:30:24 | 0:30:26 | |
And you've now got seven dwellings in this block. | 0:30:26 | 0:30:30 | |
As you can see, it's a C shape, | 0:30:31 | 0:30:33 | |
and the one that I want to show you is this one, | 0:30:33 | 0:30:36 | |
-which was the coach house. -OK. | 0:30:36 | 0:30:38 | |
What are your thoughts about living in this shared courtyard-y type? | 0:30:38 | 0:30:42 | |
We were, perhaps, hoping to have a bit of privacy, | 0:30:42 | 0:30:44 | |
and perhaps live a little more on our own, | 0:30:44 | 0:30:47 | |
but when you have views like this, you have to reconsider things. | 0:30:47 | 0:30:50 | |
And the facilities too, having all of those grounds on your doorstep, | 0:30:50 | 0:30:55 | |
again, it's something else to consider, really. | 0:30:55 | 0:30:57 | |
I'm not closed to the idea. | 0:30:57 | 0:31:00 | |
Let's take a look inside. | 0:31:00 | 0:31:01 | |
'Let's see how they feel once they've had a peek at the interior.' | 0:31:04 | 0:31:08 | |
Come on in. | 0:31:09 | 0:31:11 | |
Oh, it is lovely, isn't it? | 0:31:12 | 0:31:13 | |
Gosh, that's a reception. | 0:31:13 | 0:31:16 | |
Isn't it just? | 0:31:16 | 0:31:17 | |
What we've got is, essentially, this would have been all open space | 0:31:17 | 0:31:20 | |
for the carriages to come in, | 0:31:20 | 0:31:21 | |
and it's been converted in to three stories. | 0:31:21 | 0:31:24 | |
Oh, really? | 0:31:24 | 0:31:25 | |
Of very well proportioned, high ceilinged rooms. | 0:31:25 | 0:31:29 | |
Well, it's lovely, | 0:31:29 | 0:31:30 | |
because you wanted the kitchen to, kind of, flow open, | 0:31:30 | 0:31:33 | |
so, if you open these doors, | 0:31:33 | 0:31:35 | |
ta-da! | 0:31:35 | 0:31:36 | |
Oh, gosh. | 0:31:38 | 0:31:40 | |
That is lovely, isn't it? | 0:31:40 | 0:31:42 | |
I mean, it's a great-sized kitchen. | 0:31:42 | 0:31:44 | |
-It seems to offer everything we asked for. -Yeah, yeah. | 0:31:44 | 0:31:47 | |
And the ceilings are amazing, they're just so high. | 0:31:47 | 0:31:50 | |
That's good. | 0:31:50 | 0:31:51 | |
Just need to see some more now, I think. | 0:31:51 | 0:31:53 | |
Well, let's open up another big door. | 0:31:53 | 0:31:55 | |
Ah, I could really get used to opening all those doors like that, | 0:31:59 | 0:32:02 | |
bam! | 0:32:02 | 0:32:04 | |
Another massive room. | 0:32:04 | 0:32:06 | |
With such high ceilings again. | 0:32:06 | 0:32:07 | |
It's huge. Light, spacious, airy. | 0:32:07 | 0:32:11 | |
Very dramatic with the front windows there, don't you think? Very nice. | 0:32:11 | 0:32:14 | |
What's nice about it is that it feels like a very grand house, | 0:32:14 | 0:32:18 | |
well, it is a very grand house, | 0:32:18 | 0:32:19 | |
but it's just an unusual property in many ways. | 0:32:19 | 0:32:23 | |
It's unusual in the fact that when you're in here, | 0:32:23 | 0:32:26 | |
you don't feel as though you're a part of a block, | 0:32:26 | 0:32:28 | |
which is, essentially, what you are. | 0:32:28 | 0:32:30 | |
And it's good that it gives you that feeling of being separate, I think. | 0:32:30 | 0:32:36 | |
That's what I was trying to say, but you said it much better. Thank you. | 0:32:36 | 0:32:40 | |
Well, that is the total ground floor, | 0:32:40 | 0:32:44 | |
I mean, it's about 3,000 square feet, the whole house. | 0:32:44 | 0:32:48 | |
So, the rooms are very big, | 0:32:48 | 0:32:50 | |
but you do have four bedrooms upstairs, | 0:32:50 | 0:32:54 | |
all of them, all of them, with en suites. | 0:32:54 | 0:32:58 | |
Goodness me. | 0:32:58 | 0:32:59 | |
I'm just saying. | 0:32:59 | 0:33:00 | |
'I certainly think we've hit the jackpot with this property, | 0:33:02 | 0:33:05 | |
'and there are highlights around every corner.' | 0:33:05 | 0:33:08 | |
Two flights of quite steep stairs. | 0:33:12 | 0:33:14 | |
They are, aren't they? | 0:33:14 | 0:33:15 | |
Take you to this really lovely mezzanine level. | 0:33:15 | 0:33:19 | |
Gosh, that's unexpected, isn't it? | 0:33:20 | 0:33:22 | |
It's great, isn't it? | 0:33:22 | 0:33:24 | |
It's a little settee area, half way up your stairs. | 0:33:24 | 0:33:26 | |
What a feature. | 0:33:26 | 0:33:28 | |
As I mentioned, there are four bedrooms, another floor, | 0:33:28 | 0:33:31 | |
so the attic space has got another two bedrooms. | 0:33:31 | 0:33:34 | |
And two huge rooms, so you can take your pick. | 0:33:34 | 0:33:38 | |
We'll find a use for that, I'm sure. | 0:33:38 | 0:33:40 | |
Always can. | 0:33:40 | 0:33:42 | |
Both the bedrooms are, sort of, identical. | 0:33:44 | 0:33:46 | |
This is being used as the master, but the other one is of equal size. | 0:33:46 | 0:33:50 | |
-It's a huge room. -It is huge, it's lovely. | 0:33:52 | 0:33:54 | |
With a nice, big en suite there, and lots and lots of wardrobe space. | 0:33:54 | 0:33:58 | |
You can never have enough wardrobe space. | 0:33:58 | 0:34:00 | |
Again, ideal. | 0:34:00 | 0:34:01 | |
It's really, really tastefully done. | 0:34:01 | 0:34:04 | |
Yeah. There's no work to do here, it's all about relaxing time, isn't it? | 0:34:04 | 0:34:08 | |
That sounds good. | 0:34:08 | 0:34:09 | |
Well, this is going to be a very hard one to price. | 0:34:10 | 0:34:13 | |
So, let's go outside and do that. | 0:34:13 | 0:34:15 | |
'This residence, | 0:34:17 | 0:34:18 | |
'offering a share of a stately home within private parkland | 0:34:18 | 0:34:22 | |
'is truly unique. | 0:34:22 | 0:34:23 | |
'But I'm not sure it's enough to convince Ned and Lynette | 0:34:23 | 0:34:26 | |
'that this would be their ideal property. | 0:34:26 | 0:34:29 | |
'Time to find out.' | 0:34:29 | 0:34:30 | |
Now, apart from the 200 acres, which is quite a lot of garden, | 0:34:31 | 0:34:36 | |
you do have this communal private garden at the side, | 0:34:36 | 0:34:38 | |
which is just for, just for reading the papers in, I suppose. | 0:34:38 | 0:34:41 | |
Yes. | 0:34:41 | 0:34:43 | |
But clearly, you do share this courtyard with seven other neighbours, | 0:34:43 | 0:34:49 | |
and then the land beyond, | 0:34:49 | 0:34:50 | |
which you pay a, sort of, nominal maintenance fee | 0:34:50 | 0:34:53 | |
-to the National Trust to look after. -OK. | 0:34:53 | 0:34:56 | |
-There is a garage as well. -OK. | 0:34:56 | 0:34:58 | |
Just to give you all the factors | 0:34:58 | 0:34:59 | |
so you can work out how much it's going to cost. | 0:34:59 | 0:35:02 | |
How much do you think for this rather unusual, unquantifiable property? | 0:35:02 | 0:35:08 | |
You can go first, Ned. | 0:35:08 | 0:35:10 | |
Oh, thank you. | 0:35:10 | 0:35:11 | |
Well, it's a fantastic property, isn't it? | 0:35:11 | 0:35:13 | |
There's no doubt about that. | 0:35:13 | 0:35:15 | |
I think with our budget of 500,000, | 0:35:15 | 0:35:17 | |
it's going to be at the top end, so I'll say that, 500,000. | 0:35:17 | 0:35:20 | |
Well, I think all go little bit lower, but not too much, | 0:35:20 | 0:35:23 | |
um, 480 I think. | 0:35:23 | 0:35:26 | |
I feel like a bit of a broken record, | 0:35:26 | 0:35:28 | |
because this too is just a shade under £500,000. | 0:35:28 | 0:35:31 | |
-It's not surprising at all. -That makes complete sense, doesn't it, it is beautiful. | 0:35:31 | 0:35:35 | |
Well, it's a difficult one to price, because it's so unique. | 0:35:35 | 0:35:38 | |
Yes, indeed. | 0:35:38 | 0:35:39 | |
Why don't you go inside and look upstairs, cos we didn't look at that top floor, | 0:35:39 | 0:35:43 | |
and also wander around your 200-acre garden, | 0:35:43 | 0:35:45 | |
although not too far, or I'll never find you again. | 0:35:45 | 0:35:47 | |
-OK, thank you. -We'll do that. | 0:35:47 | 0:35:49 | |
'On the market for a shade under £500,000, | 0:35:52 | 0:35:55 | |
'this grade 2 listed converted coach house is a fantastic home | 0:35:55 | 0:36:00 | |
'in a spectacular setting. | 0:36:00 | 0:36:02 | |
'It has an elegant kitchen diner, | 0:36:02 | 0:36:04 | |
'a large reception room, | 0:36:04 | 0:36:06 | |
'four double bedrooms, all with en suite, | 0:36:06 | 0:36:09 | |
'a garage for Ned's bikes, | 0:36:09 | 0:36:11 | |
'and glorious views towards the Malvern Hills.' | 0:36:11 | 0:36:14 | |
This is such an unusual feature of the house, | 0:36:14 | 0:36:16 | |
and to be able to sit here | 0:36:16 | 0:36:18 | |
and look out towards the Malvern Hills is really lovely. | 0:36:18 | 0:36:22 | |
I'm not still 100% on the courtyard living, | 0:36:22 | 0:36:24 | |
but the property is so lovely, | 0:36:24 | 0:36:27 | |
it's also pulling me another way | 0:36:27 | 0:36:29 | |
into saying that it would really, really be a nice place to live. | 0:36:29 | 0:36:33 | |
I'm not sure it's going to give us the privacy that we particularly want, | 0:36:33 | 0:36:36 | |
or the opportunity to ride the horses, | 0:36:36 | 0:36:38 | |
ride the motorbikes and things in the grounds, | 0:36:38 | 0:36:40 | |
I'm really not too sure just at the moment. | 0:36:40 | 0:36:43 | |
Ah, there you are, taking in the view? | 0:36:43 | 0:36:45 | |
We are. | 0:36:45 | 0:36:46 | |
Gorgeous, isn't it? | 0:36:46 | 0:36:48 | |
Just beautiful. | 0:36:48 | 0:36:49 | |
I am glad you weren't in a folly 200 acres away. | 0:36:49 | 0:36:52 | |
We were very tempted. | 0:36:52 | 0:36:54 | |
Let's go find a place to discuss. | 0:36:54 | 0:36:56 | |
'Spread across more than 6,000 acres, | 0:37:08 | 0:37:10 | |
'the Wyre forest in Worcestershire | 0:37:10 | 0:37:12 | |
'is one of the largest remaining ancient woodlands in the country. | 0:37:12 | 0:37:16 | |
'And like all forests, it's an ever-changing environment, | 0:37:16 | 0:37:19 | |
'in need of constant regeneration. | 0:37:19 | 0:37:22 | |
'But in these woods, help is at hand, | 0:37:22 | 0:37:24 | |
'in the shape of a rather unusual ally, pigs. | 0:37:24 | 0:37:28 | |
'I've come to meet local farmer, John Ayles, to find out more.' | 0:37:28 | 0:37:32 | |
So, where do the pigs come into it? | 0:37:32 | 0:37:33 | |
What they're doing is breaking up the ground, and eating the bramble, | 0:37:33 | 0:37:38 | |
and the bracken here, | 0:37:38 | 0:37:39 | |
so that the oak acorns when they fall to the ground, | 0:37:39 | 0:37:43 | |
are going to germinate, and replace all these lovely oak trees. | 0:37:43 | 0:37:46 | |
So, they are, kind of, like biological ground clearers? | 0:37:46 | 0:37:49 | |
Yeah, here they come. Come on, pigs! | 0:37:49 | 0:37:52 | |
-Ah! -Come on, pigs! | 0:37:52 | 0:37:53 | |
Oh, they're beautiful. | 0:37:53 | 0:37:56 | |
These are Tamworth pigs, | 0:37:56 | 0:37:57 | |
and, as you can see, they've got a lovely, long snouts, | 0:37:57 | 0:38:00 | |
which means that they're really good at digging. | 0:38:00 | 0:38:02 | |
They actually eat the bracken and bramble, | 0:38:02 | 0:38:04 | |
which nothing else will eat? | 0:38:04 | 0:38:06 | |
Yeah, they go particularly for the roots. | 0:38:06 | 0:38:07 | |
These Tamworth pigs are believed to be the closest descendants | 0:38:07 | 0:38:11 | |
of the indigenous English forest pig. | 0:38:11 | 0:38:14 | |
Here in the Wyre Forest, | 0:38:14 | 0:38:16 | |
the pigs are being used as a means of naturally protecting | 0:38:16 | 0:38:19 | |
the local environment. | 0:38:19 | 0:38:21 | |
Helping to clear areas of woodland, | 0:38:21 | 0:38:22 | |
to allow young tree seedlings to grow. | 0:38:22 | 0:38:25 | |
The alternative to using pigs is either mechanical means, | 0:38:25 | 0:38:30 | |
which would just destroy everything. | 0:38:30 | 0:38:32 | |
Or chemicals, and for herbicides, | 0:38:32 | 0:38:35 | |
we don't really know what the lasting damage is that they do. | 0:38:35 | 0:38:38 | |
The pigs are in here, three or four months, and they're gone. | 0:38:38 | 0:38:41 | |
Well, I can't really see what they're doing. | 0:38:41 | 0:38:43 | |
Is there a bit where they've been? | 0:38:43 | 0:38:45 | |
If we walk up here, Alistair, we'll see what they've been up to. | 0:38:45 | 0:38:49 | |
Ah, now, I can see they've been much more industrious here. | 0:38:49 | 0:38:52 | |
Yeah, you can see they've really pushed back the bramble | 0:38:52 | 0:38:55 | |
and the bracken around us here, | 0:38:55 | 0:38:57 | |
and, in fact, the bracken has got way back. | 0:38:57 | 0:39:00 | |
You've got these little birch saplings coming through, | 0:39:00 | 0:39:03 | |
there's a wee oak seedling here. | 0:39:03 | 0:39:06 | |
Here, some holly. | 0:39:07 | 0:39:08 | |
So, the woodland species that we want to encourage | 0:39:08 | 0:39:11 | |
are starting to come through, | 0:39:11 | 0:39:13 | |
and the pigs are leaving them, | 0:39:13 | 0:39:14 | |
and they're going for the bramble and the bracken. | 0:39:14 | 0:39:18 | |
'The young trees that grow are felled and recycled, | 0:39:18 | 0:39:21 | |
'providing woodchips, fuel, and fencing.' | 0:39:21 | 0:39:25 | |
What about the pigs, what happens to the pigs? | 0:39:25 | 0:39:27 | |
At the end of their time here, which will probably be early November, | 0:39:27 | 0:39:31 | |
they go and they're made into sausages. | 0:39:31 | 0:39:33 | |
And because we use the whole pig in the sausages, | 0:39:33 | 0:39:36 | |
you're getting all the best cuts, | 0:39:36 | 0:39:38 | |
so, the sausages taste absolutely delicious. | 0:39:38 | 0:39:41 | |
'It's amazing to see these animals in action in their natural habitat, | 0:39:41 | 0:39:45 | |
'helping to manage such a delicate and important environment | 0:39:45 | 0:39:48 | |
'for future generations. | 0:39:48 | 0:39:50 | |
'But now, it's time to catch up with our buyers, | 0:39:50 | 0:39:53 | |
'and see if they're smitten by any of our three properties.' | 0:39:53 | 0:39:57 | |
That mystery house was a bit risky. | 0:39:57 | 0:39:59 | |
I think Lynette, for example, | 0:39:59 | 0:40:00 | |
didn't really like it as she was approaching, | 0:40:00 | 0:40:02 | |
but once they both got through the door, completely different picture. | 0:40:02 | 0:40:06 | |
So, I'll be interested to see whether it affected their decision. | 0:40:06 | 0:40:10 | |
Let's find out. | 0:40:10 | 0:40:11 | |
Has it been fun, exploring Worcestershire? | 0:40:16 | 0:40:18 | |
Yeah, I think so, | 0:40:18 | 0:40:19 | |
I think we've seen one or two sites that we'd never been to before, | 0:40:19 | 0:40:23 | |
so, yeah, it's been a real adventure. | 0:40:23 | 0:40:25 | |
Yeah, it's been really good, and as you've just said, | 0:40:25 | 0:40:27 | |
there's still parts of Worcestershire that, even though it's on our doorstep, | 0:40:27 | 0:40:31 | |
we really, really haven't explored, | 0:40:31 | 0:40:34 | |
and I think it's proved to us now | 0:40:34 | 0:40:35 | |
that we need to go and explore more, maybe. | 0:40:35 | 0:40:38 | |
Tell me about the first house, because that was a period property, | 0:40:38 | 0:40:41 | |
but it seemed to raise questions for the two of you. | 0:40:41 | 0:40:43 | |
Perhaps the question for myself | 0:40:43 | 0:40:45 | |
was the fact that it had had quite a bit of refurbishment, | 0:40:45 | 0:40:48 | |
and perhaps a little bit more or to do, | 0:40:48 | 0:40:50 | |
and at the very top end of our budget, | 0:40:50 | 0:40:52 | |
I'm not sure that was exactly what we're looking for. | 0:40:52 | 0:40:55 | |
I thought the garden area was lovely, | 0:40:55 | 0:40:58 | |
but I have to say, I would want to look at that option | 0:40:58 | 0:41:02 | |
of having the additional land at the back, | 0:41:02 | 0:41:04 | |
just to make it a little bit more open, a little bit more space. | 0:41:04 | 0:41:07 | |
What about the second house, because this did have a bit more land. | 0:41:07 | 0:41:10 | |
Well, the second house really had the wow factor, didn't it? | 0:41:10 | 0:41:14 | |
It was beautiful. | 0:41:14 | 0:41:15 | |
Yeah, you could just move into that, they had refurbished it beautifully, | 0:41:15 | 0:41:19 | |
and it's one I could actually see myself living in there, maybe, maybe. | 0:41:19 | 0:41:24 | |
Well, we dealt you a real wild card with the mystery house, | 0:41:24 | 0:41:27 | |
because it wasn't anything that you'd asked for, | 0:41:27 | 0:41:29 | |
but it was a very striking property. | 0:41:29 | 0:41:31 | |
Yeah, the mystery house, for me, if I'd had looked at it on paper | 0:41:31 | 0:41:35 | |
I would never, ever, in a month of Sundays had gone to look at it. | 0:41:35 | 0:41:39 | |
And then when we walked into the property | 0:41:39 | 0:41:42 | |
it completely changed my view, considerably. | 0:41:42 | 0:41:45 | |
So, that certainly gave us food for thought. | 0:41:45 | 0:41:48 | |
Well, I think if there were a draw back | 0:41:48 | 0:41:51 | |
it's the fact that it's such a stylish and grand building, | 0:41:51 | 0:41:54 | |
I'm not sure it would be in keeping with me | 0:41:54 | 0:41:56 | |
and six or seven motorcycles in the grounds. | 0:41:56 | 0:41:58 | |
I'm not too sure they'd go down well with the neighbours. | 0:41:58 | 0:42:02 | |
In terms of the three properties now, looking at them, | 0:42:02 | 0:42:04 | |
are there any of them that you would proceed on, | 0:42:04 | 0:42:06 | |
maybe take another look at? | 0:42:06 | 0:42:08 | |
What are your thoughts at the end of the process? | 0:42:08 | 0:42:10 | |
I think the one that, perhaps, stood out for us would be property two, | 0:42:11 | 0:42:15 | |
the thatched cottage. | 0:42:15 | 0:42:17 | |
That's certainly a very, very nice place to live. | 0:42:17 | 0:42:20 | |
Mmm-hmm. | 0:42:20 | 0:42:21 | |
I think what we need to do now is to just have a look at the area, | 0:42:21 | 0:42:23 | |
get an idea of how long it may take to travel to work, | 0:42:23 | 0:42:26 | |
and just get a feel for that particular part of the world. | 0:42:26 | 0:42:28 | |
Excellent, well, I hope to see you galloping your horse, | 0:42:28 | 0:42:31 | |
or riding your bikes across the Worcestershire hills very soon. | 0:42:31 | 0:42:34 | |
We hope so too. | 0:42:34 | 0:42:36 | |
Thanks very much. | 0:42:36 | 0:42:37 | |
Thank you. | 0:42:37 | 0:42:38 | |
I do hope our week in the countryside here in Worcestershire | 0:42:42 | 0:42:45 | |
has helped Ned and Lynette loosen up their search criteria a little, | 0:42:45 | 0:42:49 | |
because that, in turn, is going to help them find, | 0:42:49 | 0:42:52 | |
and move in to, their love nest in the countryside more quickly. | 0:42:52 | 0:42:56 | |
So, if you've enjoyed our rambling | 0:42:56 | 0:42:58 | |
in this beautiful bit of the countryside, | 0:42:58 | 0:43:00 | |
make sure you tune in next time for more of the same, | 0:43:00 | 0:43:04 | |
on Escape to the Country. | 0:43:04 | 0:43:05 | |
And if you'd like to escape to the country in Scotland, Wales, | 0:43:05 | 0:43:09 | |
Northern Ireland, or England, | 0:43:09 | 0:43:11 | |
and need our help, please apply online, at bbc.co.uk/beonashow | 0:43:11 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:28 |