Browse content similar to Dorset. Check below for episodes and series from the same categories and more!
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"I found brick and left marble" - so said the playboy heir responsible | 0:00:02 | 0:00:05 | |
for giving this magnificent building the makeover of all makeovers. | 0:00:05 | 0:00:09 | |
Back in 1835, the same fella commissioned the eminent architect | 0:00:09 | 0:00:13 | |
best known for rebuilding the Houses of Parliament | 0:00:13 | 0:00:16 | |
to redesign this place into a Venetian Renaissance palazzo. | 0:00:16 | 0:00:20 | |
Who was the playboy and in what county did he live? Find out in a while. | 0:00:20 | 0:00:24 | |
'On today's show, I'm helping a soon-to-be retired couple | 0:00:52 | 0:00:56 | |
'seek out a country retreat within easy reach of the coast,' | 0:00:56 | 0:01:00 | |
and they're simply blown away by one of our properties. | 0:01:00 | 0:01:03 | |
-Wow. That's priceless, isn't it? -It is stunning. | 0:01:03 | 0:01:06 | |
But then the mystery house causes a stir. | 0:01:06 | 0:01:09 | |
-Wow. I think I'm moving in. -Ooh! | 0:01:09 | 0:01:12 | |
Today, I'm in Dorset, and behind me is the Kingston Lacy. | 0:01:15 | 0:01:19 | |
It was built by the Bankes family back in 1663. | 0:01:19 | 0:01:22 | |
Now, the original house was a simple | 0:01:22 | 0:01:24 | |
rectangular brick affair, neither fussy nor grand. | 0:01:24 | 0:01:27 | |
But that wasn't to the taste of one illustrious family member and playboy, William John Bankes. | 0:01:27 | 0:01:32 | |
Artistic, adventurous, charming, William John was a close friend | 0:01:32 | 0:01:36 | |
of Lord Byron, who summed Bankes up as "the father of all mischief". | 0:01:36 | 0:01:40 | |
That's something, coming from Byron. | 0:01:40 | 0:01:42 | |
He was a pioneering explorer, and I'm sure that his extensive travels | 0:01:42 | 0:01:46 | |
really did help redesign the family home. | 0:01:46 | 0:01:49 | |
Rather like what he did with the place. | 0:01:49 | 0:01:52 | |
Located in the south-west of England, | 0:01:52 | 0:01:55 | |
Dorset's southern border sits on the English Channel, | 0:01:55 | 0:01:58 | |
while inland, it's surrounded by four counties including Hampshire, Wiltshire and Somerset. | 0:01:58 | 0:02:04 | |
The county's 95-mile coastline has many attractions. | 0:02:04 | 0:02:07 | |
There's the picturesque harbour at Weymouth, | 0:02:07 | 0:02:10 | |
the 18-mile stretch of shingle and stone beach at Chesil, | 0:02:10 | 0:02:15 | |
and amazing monoliths like the limestone arch of Durdle Door near Lulworth. | 0:02:15 | 0:02:20 | |
Dorset is also a county that has captured the imagination | 0:02:20 | 0:02:24 | |
of some of Britain's most famous authors. | 0:02:24 | 0:02:27 | |
The county town of Dorchester on the banks of the River Frome was | 0:02:27 | 0:02:30 | |
the inspiration for Thomas Hardy's fictional town of Casterbridge, | 0:02:30 | 0:02:33 | |
whilst the Blackmore Vale, a large expanse of lush, | 0:02:33 | 0:02:36 | |
low-lying land predominantly used for dairy farming, | 0:02:36 | 0:02:40 | |
is the opening backdrop for his novel Tess Of The d'Urbervilles. | 0:02:40 | 0:02:45 | |
Dorset is one of the few counties in England that doesn't have a single motorway. | 0:02:45 | 0:02:49 | |
Now, usually, I'd be telling you that the lack of good road links equates to cheaper housing stock, | 0:02:49 | 0:02:54 | |
but, you know, to every rule there is an exception, | 0:02:54 | 0:02:57 | |
and in this case the exception is Dorset. | 0:02:57 | 0:02:59 | |
Despite or because of the lack of motorways, | 0:02:59 | 0:03:02 | |
I can tell you that an average detached property here | 0:03:02 | 0:03:04 | |
costs you just over £314,000. | 0:03:04 | 0:03:08 | |
That's almost 25% above national average in England and Wales. | 0:03:08 | 0:03:13 | |
But if you ask those who choose to live here, | 0:03:13 | 0:03:15 | |
surrounded by these gorgeous views and lovely properties, | 0:03:15 | 0:03:18 | |
they'll tell you it's priceless. | 0:03:18 | 0:03:20 | |
Here's what's currently on the market in and around the area. | 0:03:20 | 0:03:25 | |
This three-bedroom rendered and thatched cottage in Milton Abbas | 0:03:25 | 0:03:29 | |
could be yours for £330,000. | 0:03:29 | 0:03:32 | |
With traditional features such as a brick fireplace | 0:03:32 | 0:03:35 | |
and exposed timbers in the sitting room, | 0:03:35 | 0:03:38 | |
it also has a smart modern kitchen and a secluded terrace garden. | 0:03:38 | 0:03:43 | |
For just a shade under £460,000, | 0:03:44 | 0:03:48 | |
there is this three-bedroom 16th century thatched cottage in Whitechurch. | 0:03:48 | 0:03:53 | |
Full of charm and character, it has a wealth of exposed beams | 0:03:53 | 0:03:56 | |
and an inglenook fireplace in the sitting room. | 0:03:56 | 0:04:00 | |
And if you can stretch to the heights of almost £900,000, | 0:04:00 | 0:04:04 | |
you could buy this five-bedroom house in Cosmore. | 0:04:04 | 0:04:07 | |
Dating back to the 19th century and originally two cottages, | 0:04:07 | 0:04:10 | |
it comes with five acres of land and stunning countryside views. | 0:04:10 | 0:04:16 | |
Time to meet today's buyers, who are eager to make the move here to Dorset. | 0:04:16 | 0:04:21 | |
Sales manager Pete and office manager Maz met on a blind date | 0:04:21 | 0:04:26 | |
and got married in New York just over four years ago. | 0:04:26 | 0:04:29 | |
They currently live in a four-bedroom house in the busy Buckinghamshire town of Amersham, | 0:04:29 | 0:04:34 | |
but yearn for the quiet life in the countryside. | 0:04:34 | 0:04:37 | |
We've been considering moving for a couple of years now. | 0:04:37 | 0:04:40 | |
We think it would be great, really, now, to get out into the countryside. | 0:04:40 | 0:04:43 | |
We're looking towards the next phase of our lives, | 0:04:43 | 0:04:46 | |
looking at retirement, and it'd be nice to plan ahead. | 0:04:46 | 0:04:48 | |
I work from home, so I can work anywhere in the UK. | 0:04:48 | 0:04:52 | |
So, it doesn't have to be so close to London, | 0:04:52 | 0:04:54 | |
doesn't have to be so close to the motorway network, so it's a good time for us both. | 0:04:54 | 0:04:59 | |
Pete and Maz have a definite idea about where they'd like to spend their leisure years. | 0:04:59 | 0:05:04 | |
They've decided to head for the south-west coast. | 0:05:04 | 0:05:06 | |
The location we're looking for is based on our beach hut down in Mudeford in Dorset. | 0:05:06 | 0:05:10 | |
At the moment, we're two-and-a-half hours away and it takes forever to get there, | 0:05:10 | 0:05:14 | |
so it'd be lovely to be a lot closer. | 0:05:14 | 0:05:15 | |
And they have plenty of plans on how to make use | 0:05:15 | 0:05:18 | |
of all the extra time they'll have on their hands. | 0:05:18 | 0:05:21 | |
We love fishing when we're down at the hut. | 0:05:21 | 0:05:23 | |
We both enjoy that, we go out, we're quite competitive about it as well. | 0:05:23 | 0:05:27 | |
We are, yes, we have a competition all through the summer. | 0:05:27 | 0:05:29 | |
We have to see who can catch the most sea bass | 0:05:29 | 0:05:32 | |
and the loser has to take the other one out to a nice fish restaurant. | 0:05:32 | 0:05:35 | |
And we barbecue them fresh on the beach. | 0:05:35 | 0:05:38 | |
I fancy getting a slightly bigger boat, | 0:05:38 | 0:05:40 | |
a small yacht, and getting into deep-sea fishing. That's the plan. | 0:05:40 | 0:05:43 | |
We're keen on golf, that's one of our hobbies, so we're looking for somewhere | 0:05:43 | 0:05:47 | |
that's got reasonable access to a good golf course. | 0:05:47 | 0:05:49 | |
I'd like to go back to learning the piano, | 0:05:49 | 0:05:53 | |
and also start to grow vegetables in the garden. That would be great. | 0:05:53 | 0:05:58 | |
Well, that's the hobbies taken care of, | 0:05:58 | 0:06:01 | |
but of course the real prize is picking the right type of property. | 0:06:01 | 0:06:05 | |
We're looking for a house, three-four bedrooms, detached house, | 0:06:05 | 0:06:08 | |
open-plan living downstairs, ensuite bathroom or two, | 0:06:08 | 0:06:13 | |
decent-size garden... | 0:06:13 | 0:06:16 | |
I would like a large cooker, not necessarily a range, | 0:06:16 | 0:06:20 | |
as long as it's, you know, quite a big cooker. | 0:06:20 | 0:06:23 | |
-Cos cooking's one of your hobbies... -It is. I love cooking. | 0:06:23 | 0:06:26 | |
That's why we want a nice kitchen, open-plan, so that you can indulge. | 0:06:26 | 0:06:29 | |
-More sociable. -And eating is one of my hobbies, so... -Perfect pair, aren't we? | 0:06:29 | 0:06:34 | |
Sounds like Pete is a man after my own heart. | 0:06:34 | 0:06:37 | |
Only one thing left - that's the finances. | 0:06:37 | 0:06:40 | |
I think our top end for the next property is in the region of £550,000. | 0:06:40 | 0:06:45 | |
Pete and Maz would like to be within 45 minutes of their beach hut | 0:06:53 | 0:06:57 | |
at Mudeford, situated at the entrance to Christchurch Harbour. | 0:06:57 | 0:07:01 | |
We've got a superb selection of properties to show them, | 0:07:01 | 0:07:04 | |
but I won't reveal the price of each until they've had a guess first. | 0:07:04 | 0:07:08 | |
And then of course, there's our mystery house, | 0:07:08 | 0:07:10 | |
which will force them to consider sharing their future with more than just each other. | 0:07:10 | 0:07:15 | |
-Pete, how are you? Nice to see you. -Delighted you to meet you. -Maz. -Hello, nice to meet you. | 0:07:15 | 0:07:20 | |
I feel a bit odd saying welcome to Dorset, cos you're here all the time, aren't you? | 0:07:20 | 0:07:24 | |
-Yes, pretty much. -Yeah, we come here a lot. | 0:07:24 | 0:07:26 | |
We've got a beach hut and we're here every other weekend in the summer. | 0:07:26 | 0:07:29 | |
So the beach hut is the focus of our search? | 0:07:29 | 0:07:31 | |
It's quite important. We want to be much nearer to the hut. | 0:07:31 | 0:07:34 | |
How close to the hut do you want to be? | 0:07:34 | 0:07:36 | |
Well, ideally, about half-an-hour to 45 minutes away. | 0:07:36 | 0:07:41 | |
Let's have a top budget. What's it going to be? | 0:07:41 | 0:07:44 | |
For the right property, we could go a bit higher, we might stretch as far as £600,000. | 0:07:44 | 0:07:48 | |
-So Maz persuaded you, then? -Yes. -For the right property, dig a bit deeper. | 0:07:48 | 0:07:52 | |
If it ticks all the boxes, then we would go to our maximum. | 0:07:52 | 0:07:55 | |
Well, as is the norm, we've got two houses to show you | 0:07:55 | 0:07:57 | |
and then the mystery house, which, who knows what will happen! | 0:07:57 | 0:08:00 | |
Come on, follow me. Let's go. | 0:08:00 | 0:08:02 | |
So, Pete and Maz's budget has gone up to a maximum of £600,000 for their ideal house. | 0:08:04 | 0:08:11 | |
For that, they'd like... | 0:08:11 | 0:08:12 | |
..office space for Pete to work from home, room for Maz's piano, | 0:08:19 | 0:08:23 | |
and a big garden to grow veg and store a boat. | 0:08:23 | 0:08:26 | |
We've travelled 10 miles north to Poole Harbour, | 0:08:31 | 0:08:33 | |
which is close to the market town of Wimborne Minster, | 0:08:33 | 0:08:36 | |
the nearest place for amenities such as pubs and supermarkets. | 0:08:36 | 0:08:40 | |
It's also home to a Norman church from which the town gets its name. | 0:08:40 | 0:08:44 | |
Our first property is situated in the hamlet of Ashington, | 0:08:44 | 0:08:48 | |
around a 14-mile drive from Pete and Maz's beach hut in Mudeford. | 0:08:48 | 0:08:52 | |
This was basically built in 1938. | 0:08:52 | 0:08:55 | |
Lots of space, it was extended in the '80s, and again in the '90s. | 0:08:55 | 0:08:59 | |
-It's lovely. Really beautiful. -It looks lovely from the outside. | 0:08:59 | 0:09:02 | |
-It does. -Lovely part of the world. -Really like it. -Beautiful road outside, nice quiet road. | 0:09:02 | 0:09:06 | |
-So it's not too rural? -No, it's perfect. -Beautiful. | 0:09:06 | 0:09:08 | |
So, we've hit the mark with their first impressions of this property. | 0:09:08 | 0:09:12 | |
Time to go inside and see if we can keep up the momentum. | 0:09:12 | 0:09:16 | |
You get two doors for the price of one. Come on in, close the door. | 0:09:16 | 0:09:21 | |
So this is your hallway. You've got oak floor throughout, downstairs. | 0:09:21 | 0:09:25 | |
-Really lovely. -You'll love that. -I do. -You love your wooden floors. -I do, yeah. | 0:09:25 | 0:09:28 | |
-Why are your eyes drawn to that room? -There's a piano. | 0:09:28 | 0:09:31 | |
-There is a piano. It's a music room! Already. -I know. | 0:09:31 | 0:09:33 | |
They've got a baby grand in there, drums, so, you know, plenty of room for your instruments. | 0:09:33 | 0:09:37 | |
-Great. -I like that a lot. -Fantastic. | 0:09:37 | 0:09:39 | |
Let's go to the living room. You probably spend more time there. You can't hold her back! | 0:09:39 | 0:09:43 | |
-Oh, this is nice. -Very bright. -It is, isn't it? -It's a good size. | 0:09:44 | 0:09:49 | |
-I really like it. -Again, the floors, lovely. -Fantastic. | 0:09:49 | 0:09:51 | |
-I like the fireplace. Is that a real fire? -It is, working fireplace. | 0:09:51 | 0:09:54 | |
-Yeah, we like a real fire, that's good. -That's good. -Lovely views onto the garden. | 0:09:54 | 0:09:58 | |
-It's great. -I like that a lot, yes. -Fantastic. | 0:09:58 | 0:10:00 | |
Well, they seem happy with this room, | 0:10:00 | 0:10:02 | |
but Maz's priority is having a sociable kitchen-diner, | 0:10:02 | 0:10:05 | |
so we'll head that way now to see what this house has to offer. | 0:10:05 | 0:10:09 | |
-I like the continuation of the floor, don't you? -It's lovely. | 0:10:09 | 0:10:12 | |
Dining room they've got here, at the moment. Leading to the kitchen. | 0:10:12 | 0:10:16 | |
-I like. -Do you? -It's a nice size. | 0:10:18 | 0:10:20 | |
-You were panicked about the kitchen, weren't you? -I was, I was. | 0:10:20 | 0:10:23 | |
-No, that is a good size, isn't it? -It is. -I like the units. | 0:10:23 | 0:10:25 | |
It all follows through beautifully. | 0:10:25 | 0:10:27 | |
-And if you want to pop your head in there. -OK. | 0:10:27 | 0:10:30 | |
Just pull it. | 0:10:30 | 0:10:31 | |
-Oh, wow. -PETE LAUGHS | 0:10:33 | 0:10:35 | |
Yes, you like that, don't you? | 0:10:35 | 0:10:36 | |
You always talked about having something like that. | 0:10:36 | 0:10:38 | |
-That's brilliant. -Isn't it just? -Really fantastic. | 0:10:38 | 0:10:41 | |
So, guys, you've seen downstairs, more or less. What do you reckon? | 0:10:41 | 0:10:44 | |
-Yeah, I like it. -Can you imagine yourself living here? -Hmm. | 0:10:44 | 0:10:46 | |
I always think you get an impression very quickly with a house | 0:10:46 | 0:10:49 | |
and it feels quite good, it feels quite warm. | 0:10:49 | 0:10:51 | |
'Great responses so far, but can the upstairs impress as much? | 0:10:51 | 0:10:56 | |
'Well, let's see. Off the light landing area | 0:10:56 | 0:10:59 | |
'there are three very good-sized double bedrooms, | 0:10:59 | 0:11:01 | |
'one with more of that lovely wooden flooring. | 0:11:01 | 0:11:04 | |
'There's also a wonderfully bright and spacious family bathroom, | 0:11:04 | 0:11:07 | |
'but we're heading for the fourth and largest of the bedrooms.' | 0:11:07 | 0:11:11 | |
And this is the master currently. | 0:11:11 | 0:11:14 | |
-This is a good size. -Good size, nice, light windows. | 0:11:14 | 0:11:17 | |
-Is it big enough for you? -Yeah, I think it could be. -Um... | 0:11:17 | 0:11:20 | |
"Um"! That "um" was... | 0:11:20 | 0:11:23 | |
I'm not seeing an ensuite. | 0:11:23 | 0:11:24 | |
Oh, no, you're not. You wanted an ensuite. | 0:11:25 | 0:11:28 | |
Well, you've got loads of storage. Come with me. | 0:11:28 | 0:11:30 | |
You've got, you know, big storage here, | 0:11:30 | 0:11:32 | |
-and then you've got this interesting storage here. -Oh, wow. | 0:11:32 | 0:11:35 | |
-Oh, that's fantastic. -You wanted an ensuite, we give you an ensuite. | 0:11:35 | 0:11:37 | |
That's good. That's well-hidden, isn't it? | 0:11:37 | 0:11:40 | |
-I must admit, you had me fooled, there. -That's good, isn't it? -Yeah. | 0:11:40 | 0:11:43 | |
-It is good. -Well, come on out. | 0:11:43 | 0:11:46 | |
That's made me happy. | 0:11:46 | 0:11:48 | |
That's made you happy? I like that, Maz. | 0:11:48 | 0:11:51 | |
Would I not like it if you're not happy? | 0:11:51 | 0:11:53 | |
Mm, probably not. So, that works. | 0:11:53 | 0:11:56 | |
That works, yeah. | 0:11:56 | 0:11:58 | |
And talking of work, we haven't forgotten | 0:11:58 | 0:12:01 | |
that Pete was after a study. | 0:12:01 | 0:12:02 | |
Up on the second floor there's a dual-aspect office room | 0:12:02 | 0:12:05 | |
that should suit him, along with another bedroom, | 0:12:05 | 0:12:08 | |
making five in total. | 0:12:08 | 0:12:10 | |
Outside, there's enough parking space for a boat or two, | 0:12:10 | 0:12:13 | |
and if they prefer to use that upstairs office space | 0:12:13 | 0:12:16 | |
for additional guests, | 0:12:16 | 0:12:18 | |
there's an alternative study area in the garage. | 0:12:18 | 0:12:20 | |
Garden-wise, there's an expansive, beautifully maintained lawn, | 0:12:22 | 0:12:24 | |
a greenhouse and a large, | 0:12:24 | 0:12:26 | |
timber-built and fully insulated summerhouse. | 0:12:26 | 0:12:29 | |
All in all, it's a huge amount of space for work and play. | 0:12:29 | 0:12:33 | |
You get the basic layout now, don't you? | 0:12:33 | 0:12:35 | |
Those were the doors that opened into your living room and kitchen. | 0:12:35 | 0:12:39 | |
Yeah. This lawn looks good enough to pass on as well. | 0:12:39 | 0:12:41 | |
That's well looked-after. A little sun house, yeah. | 0:12:41 | 0:12:44 | |
We love to dine outside | 0:12:44 | 0:12:46 | |
and so this garden faces exactly the right way, and that's beautiful. | 0:12:46 | 0:12:49 | |
-It's good for that. -You get the sun, probably, | 0:12:49 | 0:12:51 | |
-through the trees there. -And the greenhouse as well | 0:12:51 | 0:12:53 | |
if you wanted to grow your own veg or whatever. | 0:12:53 | 0:12:55 | |
-That's one of your targets, isn't it? -Yes, yes, vegetable plot. | 0:12:55 | 0:12:58 | |
Not quite sure where I'd put that, but I'm sure there's enough space. | 0:12:58 | 0:13:01 | |
OK, all this comes at a price, of course. | 0:13:01 | 0:13:04 | |
-So, shall we talk money? -OK. I think this is about... | 0:13:04 | 0:13:09 | |
525,000. | 0:13:09 | 0:13:12 | |
£525,000, OK. How about you? | 0:13:12 | 0:13:16 | |
-I'd go a bit higher, I must admit. I'd go 550, 560, I think. -OK. | 0:13:16 | 0:13:20 | |
560,000. You're closer. | 0:13:20 | 0:13:22 | |
-Ah. -It's the top end of your budget. | 0:13:22 | 0:13:25 | |
-This is 595 - £595,000. -Wow. | 0:13:25 | 0:13:29 | |
But, you know, you're in a great area. | 0:13:29 | 0:13:30 | |
-You're getting a lot. -It is a lovely area. -It's basically five bedrooms | 0:13:30 | 0:13:34 | |
-with an office outside as well and some outbuildings. -That's true. | 0:13:34 | 0:13:37 | |
Well, go and have a look round. | 0:13:37 | 0:13:38 | |
Have a look at the outhouses and I'll be in the music room. | 0:13:38 | 0:13:41 | |
-OK. We'll see you there. -Yeah, what a cliche. | 0:13:41 | 0:13:44 | |
That went well, didn't it? | 0:13:46 | 0:13:47 | |
They seems to be saying all the right things. | 0:13:47 | 0:13:49 | |
As they said, it's ticking, well, all of their boxes. | 0:13:49 | 0:13:52 | |
Have they moved in already? | 0:13:52 | 0:13:53 | |
Have the couple who met on a blind date | 0:13:53 | 0:13:55 | |
just had their eyes opened to this lovely little gem? | 0:13:55 | 0:13:58 | |
We'll find out. | 0:13:58 | 0:14:00 | |
So, near their maximum budget at £595,000, | 0:14:00 | 0:14:04 | |
this property more than delivers on the list of demands. | 0:14:04 | 0:14:08 | |
It has five bedrooms, one with a discreet little ensuite bathroom, | 0:14:08 | 0:14:12 | |
a choice of office space for Pete, a kitchen-diner with range cooker, | 0:14:12 | 0:14:17 | |
a music room for Maz's piano and outside there's room to park a boat | 0:14:17 | 0:14:21 | |
and there's a garden with potential for a vegetable plot. | 0:14:21 | 0:14:24 | |
When I first arrived at this house, I thought the outside looked lovely, | 0:14:24 | 0:14:30 | |
and inside the kitchen is very nice | 0:14:30 | 0:14:33 | |
and the open plan into the dining area works well, | 0:14:33 | 0:14:37 | |
and the biggest surprise was the ensuite bathroom | 0:14:37 | 0:14:40 | |
to the master bedroom. | 0:14:40 | 0:14:42 | |
I really wasn't expecting that - I didn't think there was one, | 0:14:42 | 0:14:45 | |
so that's great. I think it's a contender. | 0:14:45 | 0:14:48 | |
I really do like this house, it's got a lovely feel about it. | 0:14:48 | 0:14:51 | |
We have a list of criteria we're looking for | 0:14:51 | 0:14:54 | |
and this house fulfils an awful lot of those criteria. | 0:14:54 | 0:14:57 | |
We wanted enough bedrooms for all our family to come and stay, | 0:14:57 | 0:15:00 | |
it has that. We wanted somewhere where I could work from home, | 0:15:00 | 0:15:03 | |
it certainly has that. | 0:15:03 | 0:15:04 | |
We wanted ample parking and perhaps somewhere to keep a boat or two, | 0:15:04 | 0:15:08 | |
and it certainly has that, so, yes, there's an awful lot going for it. | 0:15:08 | 0:15:11 | |
On the Dorset coast, sandwiched between the River Avon | 0:15:20 | 0:15:24 | |
and the River Stour sits the town of Christchurch, | 0:15:24 | 0:15:27 | |
just two miles from Mudeford and our buyers' beach hut. | 0:15:27 | 0:15:31 | |
It's packed with more than 200 listed buildings, | 0:15:31 | 0:15:34 | |
including the grade one-listed Christchurch Priory | 0:15:34 | 0:15:37 | |
and the ruins of Christchurch Castle, | 0:15:37 | 0:15:40 | |
which include the stone-built constable's house. | 0:15:40 | 0:15:43 | |
On the outskirts of the town sits another grade one-listed building - | 0:15:43 | 0:15:46 | |
Highcliffe Castle, built in Gothic revival style | 0:15:46 | 0:15:49 | |
in the 19th century for the Stuart family. | 0:15:49 | 0:15:52 | |
The design by William Donthorne, | 0:15:52 | 0:15:54 | |
a founder member of the Royal Institute of British Architects, | 0:15:54 | 0:15:58 | |
incorporates large quantities of carved, medieval stonework | 0:15:58 | 0:16:01 | |
salvaged from a Norman Benedictine abbey in northern France. | 0:16:01 | 0:16:05 | |
Pete and Maz are here to meet Ian Stevenson, | 0:16:05 | 0:16:08 | |
a local historian, to find out more. | 0:16:08 | 0:16:11 | |
-Hello, Maz. -Hello. -Hello, Pete. -Hello. | 0:16:11 | 0:16:14 | |
I'm Ian Stevenson, I'm the volunteer historian at the castle, | 0:16:14 | 0:16:17 | |
and welcome to this amazing place, which I hope might be | 0:16:17 | 0:16:21 | |
somewhere that you'll come again if you move into our area. | 0:16:21 | 0:16:25 | |
What you're looking at here - | 0:16:25 | 0:16:27 | |
and this is a wonderful model of it - | 0:16:27 | 0:16:29 | |
is probably the most important surviving example | 0:16:29 | 0:16:33 | |
of the Renaissance picturesque style of architecture. | 0:16:33 | 0:16:37 | |
The castle looks very old, but in fact it was built in 1835. | 0:16:37 | 0:16:42 | |
The man who built it, Lord Stuart de Rothesay, | 0:16:42 | 0:16:45 | |
had been ambassador in Paris. | 0:16:45 | 0:16:48 | |
Now, the reason he built here was that his grandfather, | 0:16:48 | 0:16:51 | |
the Earl of Bute, | 0:16:51 | 0:16:53 | |
who'd been Prime Minister under George III very briefly, | 0:16:53 | 0:16:55 | |
had had a house here, and that, eventually, was demolished | 0:16:55 | 0:17:01 | |
and he'd determined as a young boy | 0:17:01 | 0:17:03 | |
that one day he'd build on the cliff top like his grandfather, | 0:17:03 | 0:17:07 | |
and that's indeed what he did. | 0:17:07 | 0:17:09 | |
The castle stayed in the Stuart family until 1950 | 0:17:09 | 0:17:13 | |
before going through the hands of a number of owners. | 0:17:13 | 0:17:16 | |
In the '60s, disaster struck when it was ravaged by two fires, | 0:17:16 | 0:17:20 | |
but in 1977, pressure from local campaigners | 0:17:20 | 0:17:24 | |
helped turn its fortunes around | 0:17:24 | 0:17:26 | |
and the castle was eventually bought by Christchurch Council. | 0:17:26 | 0:17:29 | |
Since then, with some much-needed support from English Heritage | 0:17:29 | 0:17:33 | |
and the lottery fund, it's been restored to its former glory. | 0:17:33 | 0:17:37 | |
One of the attractions that actually survived the fire | 0:17:37 | 0:17:40 | |
is this 30ft-high window in the great hall. | 0:17:40 | 0:17:43 | |
Fortuitously, it had been taken away | 0:17:43 | 0:17:45 | |
by stained-glass specialists for repair. | 0:17:45 | 0:17:48 | |
With the assistance of tour guide Joan Stones, | 0:17:48 | 0:17:50 | |
Pete and Maz are about to take a look | 0:17:50 | 0:17:53 | |
at what was once the hub of the house - the Victorian kitchen. | 0:17:53 | 0:17:56 | |
-Here we are. -Oh, wow. | 0:17:56 | 0:17:59 | |
This kitchen was a double-height room, | 0:17:59 | 0:18:02 | |
so the ceiling was up there where those girders are | 0:18:02 | 0:18:06 | |
and there would have been bedrooms above that. | 0:18:06 | 0:18:08 | |
One famous visitor that came here was the Kaiser - Kaiser Wilhelm - | 0:18:08 | 0:18:12 | |
and he didn't like the food that the local cook was cooking for him | 0:18:12 | 0:18:15 | |
and he wouldn't eat it, | 0:18:15 | 0:18:17 | |
so his cousin, Edward VII, promised that he would send | 0:18:17 | 0:18:21 | |
one of his favourite chefs down from London. | 0:18:21 | 0:18:25 | |
Her name was Rosa Lewis. | 0:18:25 | 0:18:27 | |
When she was here, it was suggested to her | 0:18:27 | 0:18:29 | |
that she was not only one of the king's favourite chefs, | 0:18:29 | 0:18:34 | |
she was also one of his mistresses | 0:18:34 | 0:18:37 | |
and she never denied this, so we can presume that she probably was. | 0:18:37 | 0:18:42 | |
The appearance of the castle is testimony to the remarkable skills | 0:18:42 | 0:18:45 | |
of craftsmen and women who have carried out | 0:18:45 | 0:18:48 | |
a huge repair and conservation programme, | 0:18:48 | 0:18:51 | |
turning it into a top local tourist attraction | 0:18:51 | 0:18:54 | |
as well as Dorset's most popular wedding venue, | 0:18:54 | 0:18:57 | |
but for now, we are returning back to our house hunt to see if we find | 0:18:57 | 0:19:00 | |
a slightly smaller, but equally glorious home for our buyers. | 0:19:00 | 0:19:04 | |
We've travelled 28 miles from Mudeford, | 0:19:09 | 0:19:12 | |
close to the picturesque village of Corfe. | 0:19:12 | 0:19:14 | |
With the majority of its buildings | 0:19:14 | 0:19:17 | |
constructed from the local Purbeck limestone, | 0:19:17 | 0:19:19 | |
it's best known for its 11th-century castle. | 0:19:19 | 0:19:22 | |
Around a mile south of here is our second property, | 0:19:22 | 0:19:25 | |
which is in the small village of Kingston. | 0:19:25 | 0:19:27 | |
It's one of two adjoining buildings on this plot, | 0:19:27 | 0:19:30 | |
the other being a chapel conversion. | 0:19:30 | 0:19:33 | |
Basically, the chapel bit's 19th century, | 0:19:33 | 0:19:35 | |
but the bit that you would own would be 16th century. | 0:19:35 | 0:19:38 | |
It blends so well, you wouldn't know they were 300 years apart. | 0:19:38 | 0:19:41 | |
You wouldn't, would you? | 0:19:41 | 0:19:42 | |
Everything inside is done absolutely beautifully as well. | 0:19:42 | 0:19:45 | |
How do you feel about being semi-detached? | 0:19:45 | 0:19:48 | |
It wasn't part of our ideal, I must admit, | 0:19:48 | 0:19:51 | |
but it's not TOO semi-detached really, is it? | 0:19:51 | 0:19:53 | |
Really just linked together. | 0:19:53 | 0:19:55 | |
Well, the current owners, basically, they're moving...here, next door. | 0:19:55 | 0:19:59 | |
At the moment it's a holiday let, but that finishes in November, | 0:19:59 | 0:20:02 | |
so if you didn't want to be semi-detached, | 0:20:02 | 0:20:04 | |
this little porch bit you've got in between there - | 0:20:04 | 0:20:07 | |
they'd just knock it down, so you would be detached. | 0:20:07 | 0:20:09 | |
-OK. -That's better. I'm very keen to go inside. -Come on, let's go. | 0:20:09 | 0:20:14 | |
So, with that semi-detached potential stumbling block | 0:20:14 | 0:20:18 | |
out of the way, I'm hoping they'll be impressed | 0:20:18 | 0:20:20 | |
by the wonderful period features | 0:20:20 | 0:20:22 | |
and open-plan living inside this property. | 0:20:22 | 0:20:25 | |
Come on in. Don't be shy. | 0:20:25 | 0:20:27 | |
-Ooh. This is lovely. -"Ooh, this is lovely?" OK. | 0:20:27 | 0:20:31 | |
-It's very cosy. -It is. | 0:20:31 | 0:20:33 | |
I can imagine both of these rooms in the winter. | 0:20:33 | 0:20:36 | |
-I bet they are lovely. -Look at that fireplace. | 0:20:36 | 0:20:38 | |
-That's magnificent, isn't it? -I know. | 0:20:38 | 0:20:40 | |
That's a log burner and you've got a multi-fuel burner as well. | 0:20:40 | 0:20:42 | |
-Wow. -A fire each. -You wanted open-plan as well. | 0:20:42 | 0:20:46 | |
It certainly is open-plan, I'll give you that. | 0:20:46 | 0:20:48 | |
I think it's done beautifully, | 0:20:48 | 0:20:49 | |
and one thing that hits you straightaway is the floor - | 0:20:49 | 0:20:53 | |
-there's wood everywhere. -Yes. | 0:20:53 | 0:20:54 | |
It's all oak and the local craftsman has done it. | 0:20:54 | 0:20:58 | |
It's a really lovely. It's gorgeous, so far. | 0:20:58 | 0:21:01 | |
Gorgeous is a massive word. | 0:21:01 | 0:21:03 | |
-Yes, it is. -I don't think you used gorgeous in the first property. | 0:21:03 | 0:21:06 | |
No, I don't think I did. | 0:21:06 | 0:21:08 | |
This has got a lot more "wow" factor. | 0:21:08 | 0:21:10 | |
The living space is working wonders on Pete and Maz. | 0:21:10 | 0:21:14 | |
Time to check out the very characterful kitchen | 0:21:14 | 0:21:17 | |
and see if that holds the same appeal. | 0:21:17 | 0:21:20 | |
Local flagstone flooring again. | 0:21:20 | 0:21:22 | |
-Oh, lovely floor, isn't it? -Very nice. | 0:21:22 | 0:21:24 | |
It almost looks like a very old-fashioned type of kitchen, | 0:21:24 | 0:21:26 | |
yet modern conveniences are there. | 0:21:26 | 0:21:28 | |
-I love the slate. -Yes, that's nice. -And, again, you've got the oak. | 0:21:28 | 0:21:32 | |
-A lot of character. -It's very nice. It is. | 0:21:32 | 0:21:34 | |
But, as you say, it's also that modern twist again. | 0:21:34 | 0:21:36 | |
So is this a kitchen that you could, sort of, work in? | 0:21:36 | 0:21:39 | |
I think so, but I'm not sure | 0:21:39 | 0:21:42 | |
if it's open-plan enough with the lounge area. | 0:21:42 | 0:21:45 | |
I mean, I like it so much | 0:21:45 | 0:21:48 | |
from what I've seen of the house so far | 0:21:48 | 0:21:50 | |
-and I think I'm wanting it to work. -Right. | 0:21:50 | 0:21:53 | |
While it's not the absolute ideal setup for Maz, | 0:21:53 | 0:21:56 | |
at least she's thinking about how this property might work as a home. | 0:21:56 | 0:22:00 | |
A bit of compromise could be all it takes, | 0:22:00 | 0:22:02 | |
but she'll have to remember that as we head upstairs. | 0:22:02 | 0:22:05 | |
So you can go left and right. We'll go this way. | 0:22:05 | 0:22:08 | |
Come in here. | 0:22:09 | 0:22:11 | |
Basically, you've got two doubles and a single upstairs | 0:22:11 | 0:22:14 | |
and a family bathroom and I'll tell you now, there isn't an ensuite. | 0:22:14 | 0:22:17 | |
-OK. -But this is currently the master, | 0:22:17 | 0:22:20 | |
and a blank canvas, really. | 0:22:20 | 0:22:22 | |
-It certainly is. -It is, yeah. | 0:22:22 | 0:22:25 | |
-What do you think? -Um... -Quirky. | 0:22:25 | 0:22:28 | |
Yes, and the fact that it doesn't have an ensuite | 0:22:28 | 0:22:31 | |
is a bit disappointing. | 0:22:31 | 0:22:35 | |
We really do want that. | 0:22:35 | 0:22:36 | |
You got a lovely family bathroom, again, beautifully done, | 0:22:36 | 0:22:40 | |
and another bedroom a similar size to this - | 0:22:40 | 0:22:42 | |
not as quirky, more of a square - and then you've got a single room, | 0:22:42 | 0:22:47 | |
again, a good-sized single. | 0:22:47 | 0:22:49 | |
And they're all bright, all with great views. | 0:22:49 | 0:22:52 | |
-So, shall we head outside, then? -Yes, please. | 0:22:52 | 0:22:54 | |
And I'll show you the garden. I think you'll like the garden. | 0:22:54 | 0:22:57 | |
-Good. -It hasn't got an ensuite though. | 0:22:57 | 0:22:59 | |
-SHE LAUGHS -No? Oh, dear. -It's got a few bushes. | 0:22:59 | 0:23:02 | |
I'm hoping the lack of an ensuite isn't a deal-breaker for Maz, | 0:23:02 | 0:23:06 | |
as this house has lots going for it. | 0:23:06 | 0:23:08 | |
Outside, there's more than enough garden space for entertaining | 0:23:08 | 0:23:11 | |
along with two outbuildings for storage and logs. | 0:23:11 | 0:23:13 | |
I almost forgot - we've thrown in some spectacular scenery as well. | 0:23:13 | 0:23:18 | |
Oh, fantastic view. | 0:23:18 | 0:23:21 | |
-Isn't it just? -Gorgeous. | 0:23:21 | 0:23:23 | |
If you like eating out, or even just sitting out looking at that view. | 0:23:23 | 0:23:27 | |
-That's lovely. -And, as you can see, | 0:23:27 | 0:23:28 | |
they've got a few tomatoes growing there - | 0:23:28 | 0:23:30 | |
I know you wanted to grow your vegetables. | 0:23:30 | 0:23:32 | |
But if you're thinking that's not big enough, come with me. | 0:23:32 | 0:23:37 | |
Oh, right. | 0:23:37 | 0:23:39 | |
For all Maz's vegetable-growing requirements, | 0:23:40 | 0:23:43 | |
there's a whole separate patch of garden for her to get stuck into | 0:23:43 | 0:23:46 | |
and it comes with yet more fantastic views | 0:23:46 | 0:23:49 | |
of the surrounding countryside. | 0:23:49 | 0:23:50 | |
-Oh, that's stunning. -That's magnificent. | 0:23:52 | 0:23:54 | |
-Isn't it just? -It is. -What a view. | 0:23:54 | 0:23:56 | |
See, this is the vegetable plot that's already there. | 0:23:56 | 0:23:58 | |
-Yes, very nice. -You've come alive in the garden. | 0:23:58 | 0:24:01 | |
I like the garden. I do. Well, look at that. How can you not like that? | 0:24:01 | 0:24:06 | |
-That's priceless, isn't it? -Well, actually it costs some money | 0:24:06 | 0:24:09 | |
so we should talk about money, shouldn't we, really? | 0:24:09 | 0:24:11 | |
-I think it's the top of our budget. -I would agree with you. | 0:24:11 | 0:24:14 | |
It's quite a special house. | 0:24:14 | 0:24:16 | |
It certainly is, yes, I would imagine it's the top end. I would say 575. | 0:24:16 | 0:24:20 | |
-I'd say 599. -Well, actually it costs £595,000. | 0:24:20 | 0:24:25 | |
-I'm not surprised. -I'm not surprised. -It's a unique property. | 0:24:25 | 0:24:27 | |
The million-dollar question is do you reckon it could be yours? | 0:24:27 | 0:24:32 | |
-There's one... -One or two. | 0:24:32 | 0:24:34 | |
One or two areas that are not quite right for us. | 0:24:34 | 0:24:36 | |
Yeah, I think you're right. | 0:24:36 | 0:24:38 | |
What you need to do, maybe - go back in, evaluate the positives | 0:24:38 | 0:24:41 | |
against the negatives and see which one comes out on top, I suppose. | 0:24:41 | 0:24:44 | |
-OK. -OK, good, yeah. -I'll be out front. | 0:24:44 | 0:24:46 | |
So, also costing £595,000, it's a fraction under their top budget, | 0:24:49 | 0:24:54 | |
and for that they get three bedrooms, | 0:24:54 | 0:24:57 | |
open-plan living downstairs | 0:24:57 | 0:24:59 | |
and a large garden with a vegetable plot. | 0:24:59 | 0:25:02 | |
When we arrived at this house, | 0:25:02 | 0:25:05 | |
the outside was absolutely beautiful and when we got inside | 0:25:05 | 0:25:09 | |
the open-plan living is really lovely on the downstairs, | 0:25:09 | 0:25:14 | |
but the kitchen area - I think I would have preferred it | 0:25:14 | 0:25:17 | |
had it been a little more integral with the living area as well, | 0:25:17 | 0:25:22 | |
but it could work for us. It could work. | 0:25:22 | 0:25:25 | |
The house itself is absolutely amazing. | 0:25:25 | 0:25:28 | |
For a 16th-century house, I never thought that you'd have | 0:25:28 | 0:25:31 | |
so much height in the rooms, so much light in the rooms, | 0:25:31 | 0:25:34 | |
and it looks so modern, it looks so clean. | 0:25:34 | 0:25:36 | |
It's a beautiful property and - my goodness - | 0:25:36 | 0:25:39 | |
the views from outside are priceless. | 0:25:39 | 0:25:42 | |
-Hey. You took your time. -I know. -You seen enough? | 0:25:43 | 0:25:47 | |
-Yes, thank you. -You still like it? -It's very nice. It's lovely. | 0:25:47 | 0:25:50 | |
Well, listen - you've seen two very different properties, | 0:25:50 | 0:25:52 | |
so the plan is we retire and we start afresh tomorrow morning | 0:25:52 | 0:25:57 | |
and you can spend the whole night talking about properties. | 0:25:57 | 0:25:59 | |
-Oh, and I'm sure we will do. -Really? -I'm sure we will. -Don't keep me up. | 0:25:59 | 0:26:03 | |
Come on, let's get into the car. | 0:26:03 | 0:26:05 | |
So, as evening falls over Dorset's stunning countryside, | 0:26:11 | 0:26:16 | |
it marks the end of the first day of our property search. | 0:26:16 | 0:26:19 | |
'Pete and Maz are looking forward to a life of leisure | 0:26:23 | 0:26:26 | |
'and are seeking a rural hideaway | 0:26:26 | 0:26:28 | |
'to complement their seaside hut in Dorset. | 0:26:28 | 0:26:31 | |
'So far, we've seen two properties that have come close to the mark, but coming up, | 0:26:31 | 0:26:35 | |
'our mystery house is verging on perfection...' | 0:26:35 | 0:26:37 | |
-So far, Pete, Marks out of 10? -Yeah, I'd say...getting on 9/10. | 0:26:37 | 0:26:43 | |
Not quite a 10, but it's getting there. | 0:26:43 | 0:26:45 | |
'..and I get hot under the collar | 0:26:45 | 0:26:47 | |
'as I discover the craft of becoming a blacksmith.' | 0:26:47 | 0:26:50 | |
Just hammer away. | 0:26:50 | 0:26:51 | |
Day two in Dorset. | 0:26:54 | 0:26:55 | |
I'm with Maz and Pete looking for their ideal country residence. | 0:26:55 | 0:26:59 | |
I'm wondering whether anything | 0:26:59 | 0:27:00 | |
we showed them yesterday really hit the mark. | 0:27:00 | 0:27:03 | |
They were positive about aspects of both properties, | 0:27:03 | 0:27:05 | |
but with all this talk of "open-plan", | 0:27:05 | 0:27:07 | |
I get the impression that it's space they're after, | 0:27:07 | 0:27:10 | |
so bring on the mystery property. | 0:27:10 | 0:27:12 | |
It may not be exactly what they want, | 0:27:12 | 0:27:14 | |
but it's got loads of internal space - maybe even too much. | 0:27:14 | 0:27:18 | |
I wonder what they'll think of it? | 0:27:18 | 0:27:20 | |
We're travelling across the border into Hampshire | 0:27:20 | 0:27:23 | |
to find our mystery property. We're close to the new Forest | 0:27:23 | 0:27:26 | |
and the historic market town of Ringwood, | 0:27:26 | 0:27:28 | |
which is the nearest place for pubs and shopping, | 0:27:28 | 0:27:31 | |
and although we've moved counties, we're still only a 30-minute drive | 0:27:31 | 0:27:35 | |
from Pete and Maz's beach hut in Mudeford. | 0:27:35 | 0:27:37 | |
The mystery house is just outside the village of Alderholt | 0:27:37 | 0:27:41 | |
and is a Grade II-listed barn conversion dating back to 1760. | 0:27:41 | 0:27:45 | |
But there is a twist, as it's one of nine properties | 0:27:45 | 0:27:49 | |
in a shared, freehold development. | 0:27:49 | 0:27:51 | |
So I forgot to ask you earlier on if you had a good night's sleep, | 0:27:51 | 0:27:53 | |
because you're going to have to be on form today. | 0:27:53 | 0:27:56 | |
There is so much to take in - don't go any further, this is it. | 0:27:56 | 0:27:59 | |
-Oh, wow. -Oh, wow. -That's... That's amazing. | 0:27:59 | 0:28:03 | |
Basically, it's up to half that white door - this part is yours. | 0:28:03 | 0:28:07 | |
Also the garage and the little office through there as well. | 0:28:07 | 0:28:11 | |
Again, half of this communal area | 0:28:11 | 0:28:13 | |
is shared with the other half of the barn. | 0:28:13 | 0:28:15 | |
-What do you reckon? -It's very different. | 0:28:15 | 0:28:18 | |
You've pulled the stops out for the mystery house. | 0:28:18 | 0:28:20 | |
-It doesn't look like a barn, though, does it? -No. No, it doesn't at all. | 0:28:20 | 0:28:24 | |
-Shall we get in? -Please. -Come on, let's go. Loads to see. | 0:28:24 | 0:28:28 | |
So, first impressions are very favourable indeed, | 0:28:28 | 0:28:32 | |
and I know that as soon as they've stepped through the door, | 0:28:32 | 0:28:34 | |
they're going to be completely blown away by this property. | 0:28:34 | 0:28:37 | |
So you're straight through to the kitchen. | 0:28:37 | 0:28:39 | |
Oh! That's amazing. | 0:28:39 | 0:28:43 | |
-You like it? -Incredible. Absolutely amazing. | 0:28:43 | 0:28:46 | |
-And this was a barn, you say? -Well, I think I'm moving in. | 0:28:46 | 0:28:50 | |
Oh, really? Cor, blimey! It's not open-plan though. | 0:28:50 | 0:28:53 | |
No, that's... This is fine. This is absolutely gorgeous. | 0:28:53 | 0:28:57 | |
-You've got a little utility through there. -Good. | 0:28:57 | 0:29:00 | |
And I think even if you were cooking on one of your ovens - there's two - | 0:29:00 | 0:29:03 | |
I think everyone would be with you anyway, wouldn't they? | 0:29:03 | 0:29:06 | |
I think they would. Why would you not want to be in here? | 0:29:06 | 0:29:08 | |
-It's so lovely. I can't wait to see the rest. -OK. | 0:29:08 | 0:29:11 | |
You're saying all the right things. Come on then. Follow me. | 0:29:11 | 0:29:14 | |
'Despite the lack of open-plan living, | 0:29:14 | 0:29:17 | |
'it seems that Maz has fallen for this house already.' | 0:29:17 | 0:29:20 | |
So this would be your dining room, I suppose. | 0:29:20 | 0:29:22 | |
Oh, this is lovely. | 0:29:22 | 0:29:23 | |
-Oh, it's a good-sized room, isn't it? -Really lovely. | 0:29:23 | 0:29:25 | |
-Look at that ceiling. -Brilliant. | 0:29:25 | 0:29:27 | |
The space, the light - it's brilliant, isn't it? | 0:29:27 | 0:29:29 | |
You really like it, don't you? I do. I love it. | 0:29:29 | 0:29:32 | |
-And it's not that far to the kitchen, is it, really? -No, no. | 0:29:32 | 0:29:35 | |
-OK. -It's absolutely lovely. | 0:29:35 | 0:29:37 | |
Well, if you like this room - I'm not a betting man, | 0:29:37 | 0:29:39 | |
but if I was I'd probably put a lot of money on the fact | 0:29:39 | 0:29:41 | |
-that you'd like the next one. Come on. -OK. | 0:29:41 | 0:29:43 | |
-Oh. -Good room to lounge around in. | 0:29:46 | 0:29:48 | |
-It is. It's a good size. -Absolutely lovely. | 0:29:48 | 0:29:51 | |
You love rooms that are big enough | 0:29:51 | 0:29:53 | |
not to have furniture pushed against the walls. | 0:29:53 | 0:29:56 | |
-Great room. -And the little doors opening out to your private garden. | 0:29:56 | 0:30:00 | |
There's not much that makes me speechless, but so far... | 0:30:00 | 0:30:04 | |
So far, Pete, marks out of ten? | 0:30:04 | 0:30:06 | |
Yeah, I'd say...getting on 9/10. | 0:30:06 | 0:30:10 | |
It's not quite a ten, but it's getting there. | 0:30:10 | 0:30:12 | |
-What about you? -Oh, off the scale, but I'll say nine | 0:30:12 | 0:30:15 | |
-because we have to see the rest of the house. -Absolutely. | 0:30:15 | 0:30:18 | |
Well, can the sleeping quarters in this home | 0:30:18 | 0:30:21 | |
bring that nine up to a ten? | 0:30:21 | 0:30:23 | |
Off the hallway there are two very generously sized double bedrooms | 0:30:23 | 0:30:27 | |
for their guests, one of which has an ensuite | 0:30:27 | 0:30:30 | |
and the other adjoins the family bathroom, so no sharing here. | 0:30:30 | 0:30:33 | |
But we're having a look at the exceptionally large third bedroom, | 0:30:33 | 0:30:38 | |
which Pete and Maz could be calling their own. | 0:30:38 | 0:30:41 | |
-This is the master. -Oh, this is lovely. | 0:30:42 | 0:30:45 | |
-With ensuite as well. -Good. | 0:30:45 | 0:30:47 | |
-Just to keep madam happy. -Thank you. | 0:30:47 | 0:30:49 | |
-The other room was good, but this one is even better. -Yeah, this is lovely. | 0:30:49 | 0:30:53 | |
-Nice and bright. -Yes. | 0:30:53 | 0:30:54 | |
It's a lovely room. | 0:30:54 | 0:30:57 | |
So you've seen, more or less, the inside of the house. | 0:30:57 | 0:30:59 | |
Is it still a nine? | 0:30:59 | 0:31:01 | |
Yeah, still pretty good. | 0:31:01 | 0:31:03 | |
Certainly not fallen away at all, that's for sure. | 0:31:03 | 0:31:06 | |
-No, no. Nine and three quarters. -Whoa! | 0:31:06 | 0:31:09 | |
'We're nearly at full marks | 0:31:09 | 0:31:11 | |
'and I've got something up my sleeve that they really won't be expecting. | 0:31:11 | 0:31:14 | |
'I'm about to show them the most spectacular of outbuildings.' | 0:31:14 | 0:31:18 | |
It's amazing. | 0:31:18 | 0:31:20 | |
So if you've got a few gardening tools, you know... | 0:31:20 | 0:31:22 | |
Your very own barn. Literally. | 0:31:22 | 0:31:24 | |
Yeah, um...half of it. This belongs to next door. | 0:31:24 | 0:31:28 | |
-OK. -And this is yours. This was originally a hay-loft | 0:31:28 | 0:31:31 | |
but, interestingly, you also notice what next door has done. | 0:31:31 | 0:31:34 | |
-Cos you can't touch the walls. -No. -So he's actually got | 0:31:34 | 0:31:36 | |
this wooden structure which is going to be | 0:31:36 | 0:31:38 | |
another bedroom, ensuite, an office and also some storage down there. | 0:31:38 | 0:31:42 | |
So you could do whatever you wanted with this part. | 0:31:42 | 0:31:44 | |
Wow, I see what you mean. | 0:31:44 | 0:31:46 | |
And right at the end, there's the door to your utility room, you see. | 0:31:46 | 0:31:50 | |
Oh, it's a real bonus, this bit. | 0:31:50 | 0:31:52 | |
This massive barn area isn't the only outside space. | 0:31:52 | 0:31:55 | |
There is also a private garden with a patio for entertaining, | 0:31:55 | 0:31:59 | |
and this property comes complete with space | 0:31:59 | 0:32:01 | |
for a couple of raised beds or even a greenhouse. | 0:32:01 | 0:32:04 | |
However, it doesn't end there. | 0:32:04 | 0:32:06 | |
Pete and Maz could also enjoy the communal garden area, | 0:32:06 | 0:32:09 | |
which is shared with the other eight properties. | 0:32:09 | 0:32:12 | |
-And this is your very own sunken garden. -Oh, dear. | 0:32:12 | 0:32:17 | |
While we wanted a bit bigger garden, possibly, I think this is... | 0:32:17 | 0:32:20 | |
-It's huge, isn't it? -It is. It's lovely. | 0:32:20 | 0:32:23 | |
-Shall we talk money? -Yes. -OK. | 0:32:23 | 0:32:25 | |
-What do you reckon it's currently on the market for? -Oh, dear. -PETE LAUGHS | 0:32:25 | 0:32:28 | |
-Why are you laughing? -That's impossible. Impossible to say. | 0:32:28 | 0:32:31 | |
It's got to be top end of our budget. | 0:32:31 | 0:32:33 | |
The fact that you're showing us makes you think, you know, | 0:32:33 | 0:32:36 | |
it's in our price range, but I would go with Maz - | 0:32:36 | 0:32:38 | |
right at the top end. I'd say something like 580, 590. | 0:32:38 | 0:32:43 | |
I think, probably, 610,000. | 0:32:43 | 0:32:46 | |
610,000, right. | 0:32:46 | 0:32:48 | |
It's currently on the market for £635,000, | 0:32:48 | 0:32:51 | |
but we've been reliably informed | 0:32:51 | 0:32:54 | |
-that the owner will take offers of £600,000. -Right. | 0:32:54 | 0:32:57 | |
I assumed it would be. I mean, you get an awful lot for your money. | 0:32:57 | 0:33:01 | |
There is a lot of options. | 0:33:01 | 0:33:02 | |
We've had you up to nine and three quarters, haven't we? | 0:33:02 | 0:33:04 | |
-What is it now? -About 15. | 0:33:04 | 0:33:06 | |
THEY LAUGH | 0:33:06 | 0:33:08 | |
-You're in trouble, Pete. -I know. I know. Where do we unpack? | 0:33:08 | 0:33:11 | |
Go and have a look around. OK. | 0:33:11 | 0:33:12 | |
Take it all in and I'll catch up with you in a bit. | 0:33:12 | 0:33:16 | |
So priced at £635,000, | 0:33:18 | 0:33:22 | |
but with offers accepted at the top end of their budget of £600,000, | 0:33:22 | 0:33:26 | |
this stunning property has a great deal to offer. | 0:33:26 | 0:33:29 | |
There's three large bedrooms with two ensuites, | 0:33:29 | 0:33:32 | |
the kitchen of Maz's dreams, loads of entertaining space, | 0:33:32 | 0:33:36 | |
an office for Pete, private and communal gardens | 0:33:36 | 0:33:40 | |
and a massive outbuilding for storage or conversion. | 0:33:40 | 0:33:44 | |
Ooh, this is a good area. | 0:33:44 | 0:33:46 | |
PETE LAUGHS | 0:33:46 | 0:33:48 | |
Did we have a hay-loft on our list of priorities? | 0:33:48 | 0:33:50 | |
-Not really, but why not? It's huge. -That's amazing. | 0:33:50 | 0:33:53 | |
When we arrived at the mystery house, | 0:33:53 | 0:33:55 | |
the approach was very impressive. | 0:33:55 | 0:33:57 | |
The entrance goes into the kitchen, which is absolutely incredible. | 0:33:57 | 0:34:02 | |
The kitchen is just my dream kitchen, | 0:34:02 | 0:34:05 | |
even though it doesn't lead in to the living area - | 0:34:05 | 0:34:09 | |
which was something I really wanted, | 0:34:09 | 0:34:11 | |
but I think it's something that I could live with in this house. | 0:34:11 | 0:34:16 | |
Well, I think you've excelled yourself as the mystery house | 0:34:16 | 0:34:18 | |
is a strong contender. | 0:34:18 | 0:34:20 | |
It's a wonderful location on the edge of a forest, | 0:34:20 | 0:34:22 | |
it's a beautiful property, it's really quirky. | 0:34:22 | 0:34:25 | |
There are communal gardens, which is fine, | 0:34:25 | 0:34:27 | |
but the area at the front of the house is communal as well | 0:34:27 | 0:34:30 | |
and I just need to understand that a little bit more, | 0:34:30 | 0:34:32 | |
as well as that barn - I mean, that barn was a fantastic bonus, | 0:34:32 | 0:34:36 | |
but, again it's a shared barn and I just need to find out | 0:34:36 | 0:34:38 | |
a little bit more about how that works. | 0:34:38 | 0:34:40 | |
They've had enough time. | 0:34:40 | 0:34:41 | |
BELL CHIMES | 0:34:41 | 0:34:43 | |
Quite satisfying. Come on, you two. | 0:34:43 | 0:34:46 | |
-You rang? -Yes. My Lord. -THEY LAUGH | 0:34:47 | 0:34:50 | |
I'm not even going to ask if you've seen enough - you have, OK? | 0:34:50 | 0:34:53 | |
Three very different properties, | 0:34:53 | 0:34:54 | |
I think I know which one you'd prefer, | 0:34:54 | 0:34:56 | |
but let's go have a chat about all of them. | 0:34:56 | 0:34:58 | |
-OK. -Yeah? -Great. -OK, yeah. | 0:34:58 | 0:35:00 | |
In the 19th century, farming was central to the economy of Dorset. | 0:35:07 | 0:35:11 | |
In 1832, the county saw the birth of the trade union movement | 0:35:11 | 0:35:14 | |
when the Tolpuddle Martyrs | 0:35:14 | 0:35:17 | |
formed the Friendly Society Of Agricultural Labourers | 0:35:17 | 0:35:20 | |
in protest at the lowering of wages due to mechanisation. | 0:35:20 | 0:35:24 | |
Today, just outside the market town of Wimborne Minster, | 0:35:24 | 0:35:28 | |
a craft that has successfully fought the advent of machinery | 0:35:28 | 0:35:32 | |
remains alive and well and it comes in the shape | 0:35:32 | 0:35:34 | |
of this 170-year-old Dorset forge. | 0:35:34 | 0:35:37 | |
Prior to the Industrial Revolution, | 0:35:37 | 0:35:39 | |
a smithy was a staple of every town and village, mending carts | 0:35:39 | 0:35:43 | |
and making everything from metal tyres to armour. | 0:35:43 | 0:35:46 | |
But by the end of the 19th century, factories were producing metalwork | 0:35:46 | 0:35:50 | |
in a larger quantities and more economically than local blacksmiths. | 0:35:50 | 0:35:54 | |
However, in the 1960s, there was a revival in the art of blacksmithing | 0:35:54 | 0:35:58 | |
with an increased demand for artistic ironwork | 0:35:58 | 0:36:01 | |
and today it's estimated that there are some 250 working in Britain. | 0:36:01 | 0:36:05 | |
Giles Stuart is the man who's brought the tradition back | 0:36:05 | 0:36:09 | |
to this corner of Dorset and I've come to the forge to find out more | 0:36:09 | 0:36:12 | |
about the 21st-century use of this venerable craft. | 0:36:12 | 0:36:16 | |
-Tell us what a blacksmith does. -Basically, I do ornamental ironwork. | 0:36:16 | 0:36:20 | |
I've got a set of gates which I'm working on, | 0:36:20 | 0:36:23 | |
which are outside the forge, and various other bits and pieces. | 0:36:23 | 0:36:26 | |
Lots of pokers, curtain poles... | 0:36:26 | 0:36:30 | |
-I've got about 20 jobs on my board at the moment. -Wow. | 0:36:30 | 0:36:34 | |
I can hear the crackle of a fire in the, so can we go in? | 0:36:34 | 0:36:37 | |
Yes, let's go on. I'll show you in. | 0:36:37 | 0:36:39 | |
Giles has been working the forge since 1997. | 0:36:39 | 0:36:42 | |
He still uses traditional tools and techniques | 0:36:42 | 0:36:44 | |
that haven't changed in generations. | 0:36:44 | 0:36:46 | |
Wow. This is amazing. It reminds me so much of North Wales, | 0:36:47 | 0:36:50 | |
where I lived, you used to drive up the hill | 0:36:50 | 0:36:53 | |
and at the top there used to be this old forge, | 0:36:53 | 0:36:55 | |
and this is some of your work, then? | 0:36:55 | 0:36:56 | |
Yes, some of my smaller work, which I take to shows and things, | 0:36:56 | 0:36:59 | |
but it really, sort of, demonstrates the different techniques | 0:36:59 | 0:37:02 | |
in blacksmithing skills, using traditional methods. | 0:37:02 | 0:37:05 | |
-That's amazing - you've even got a Welsh dragon. -Yes, yes. | 0:37:05 | 0:37:08 | |
How long would it take you to do something like that? | 0:37:08 | 0:37:11 | |
Something like a dragon would take about a week, | 0:37:11 | 0:37:13 | |
depending on how big it is and how much detail is involved. | 0:37:13 | 0:37:17 | |
And what about something like a poker? | 0:37:17 | 0:37:19 | |
A poker can take an hour, maybe slightly less, it depends, again, | 0:37:19 | 0:37:22 | |
on the amount of detail involved. | 0:37:22 | 0:37:24 | |
-Any chance I could have a go? You CAN have a go, yes. -Oh, really? | 0:37:24 | 0:37:27 | |
Yes, the fire's all running ready to go, so let's go for it. | 0:37:27 | 0:37:30 | |
Blacksmithing in some form dates back to the Iron Age. | 0:37:31 | 0:37:34 | |
The term "smith" originates from the word "smite" which means to hit, | 0:37:34 | 0:37:37 | |
while "black" refers to the colour that iron turns when it's heated. | 0:37:37 | 0:37:42 | |
A blacksmith's fire is obviously very hot, | 0:37:42 | 0:37:45 | |
but if there are bellows blowing air through the fire, | 0:37:45 | 0:37:47 | |
it can actually reach temperatures of around 3,000 degrees Fahrenheit. | 0:37:47 | 0:37:52 | |
Basically, I'm making a dragon poker, | 0:37:52 | 0:37:54 | |
but I'd like you to, sort of, finish it off | 0:37:54 | 0:37:56 | |
and put the point on it for me and then a couple of twists. | 0:37:56 | 0:37:59 | |
So the first job is to heat the metal up in the fire | 0:37:59 | 0:38:01 | |
and get it up to a nice yellow temperature, | 0:38:01 | 0:38:04 | |
which basically softens the metal. | 0:38:04 | 0:38:06 | |
How long does it take to heat up? | 0:38:06 | 0:38:08 | |
-This will probably take about a minute. -Is that all? | 0:38:08 | 0:38:10 | |
-Sometimes less than that. -OK. | 0:38:10 | 0:38:13 | |
I should think we're nearly at temperature there - it's pretty good. | 0:38:13 | 0:38:16 | |
-I'll get my hammer ready. -Right, so you're ready to go for this? | 0:38:16 | 0:38:18 | |
There we go, that's a nice temperature. | 0:38:18 | 0:38:21 | |
You've got a bit of time to work on this. There you go. | 0:38:21 | 0:38:24 | |
So hold it in that hand and then just hammer away. | 0:38:24 | 0:38:28 | |
A bit harder than that. | 0:38:28 | 0:38:29 | |
-Turn it over, that's right. -It's hard work, isn't it? | 0:38:29 | 0:38:33 | |
You can feel the anvil is, sort of, actually working with you. | 0:38:33 | 0:38:36 | |
It's causing the hammer to bounce back. | 0:38:36 | 0:38:40 | |
I'm very impressed. For someone who's never done it before, | 0:38:40 | 0:38:43 | |
you're drawing it down very well. | 0:38:43 | 0:38:45 | |
Right, let's heat it up again. | 0:38:46 | 0:38:48 | |
-It really is a labour of love, isn't it? -It is, yes. | 0:38:51 | 0:38:53 | |
Then we're going to, basically, | 0:38:53 | 0:38:55 | |
put a twist in and were going to go round a couple of turns that way | 0:38:55 | 0:38:59 | |
and then twist it back round, two turns the other way. | 0:38:59 | 0:39:03 | |
With Giles's help getting the poker into the vice, | 0:39:05 | 0:39:08 | |
I'm going to have a stab at adding my own unique twist | 0:39:08 | 0:39:11 | |
to this piece of ironwork. | 0:39:11 | 0:39:13 | |
Good, keep going round. | 0:39:13 | 0:39:15 | |
Two. That's it. Lovely. | 0:39:18 | 0:39:21 | |
And then you brush it off? | 0:39:21 | 0:39:24 | |
Might brush it off a little bit, there you go, that's brilliant. | 0:39:24 | 0:39:27 | |
-That looks very good. -It looks nice, actually, doesn't it? -Yeah. | 0:39:27 | 0:39:30 | |
-I'm rather proud. -Good. | 0:39:30 | 0:39:32 | |
-Those twists are so effective, aren't they? -They are. | 0:39:33 | 0:39:36 | |
Those are excellent, the two twists you put in there. | 0:39:36 | 0:39:38 | |
-I've really enjoyed it. -Good. | 0:39:38 | 0:39:39 | |
And, you know, good on you for keeping this tradition alive. | 0:39:39 | 0:39:42 | |
-It's fantastic seeing what you're doing here. -Thank you. | 0:39:42 | 0:39:45 | |
There. I've realised another ambition in my life. | 0:39:50 | 0:39:53 | |
Jones The Blacksmith. Sounds good, doesn't it? | 0:39:53 | 0:39:57 | |
I'll stick to the day job. Have Maz and Pete fallen in love | 0:39:57 | 0:39:59 | |
with any of the properties that we've shown them? | 0:39:59 | 0:40:01 | |
Let's go and do some "poking" around to find out. | 0:40:01 | 0:40:05 | |
Oh, I don't know about you but this is a welcome coffee. I'm tired. | 0:40:09 | 0:40:12 | |
-It certainly is. -We've done a lot of walking. -We have. | 0:40:12 | 0:40:14 | |
There was a lot of standing around as well. | 0:40:14 | 0:40:16 | |
But let's talk about everything is seen. | 0:40:16 | 0:40:18 | |
-The first property - you really liked it. -I did, yes. | 0:40:18 | 0:40:20 | |
It's very pretty from the outside. | 0:40:20 | 0:40:22 | |
It ticked a lot of boxes, that first place, | 0:40:22 | 0:40:24 | |
and there was just the issue | 0:40:24 | 0:40:26 | |
with the lack of a through kitchen/living area. | 0:40:26 | 0:40:29 | |
It was the open-plan living that didn't work. | 0:40:29 | 0:40:31 | |
But other than that, that place was nice. | 0:40:31 | 0:40:33 | |
And if that was at the end of our search, | 0:40:33 | 0:40:36 | |
then I think it could be a possibility, | 0:40:36 | 0:40:38 | |
but we're still holding out for the open plan, I think. | 0:40:38 | 0:40:41 | |
OK. Let's talk about the second property. | 0:40:41 | 0:40:43 | |
That was a very special property. | 0:40:43 | 0:40:46 | |
The garden was lovely, the views were fantastic. | 0:40:46 | 0:40:48 | |
I mean the garden - the garden was the best bit for me. | 0:40:48 | 0:40:51 | |
-It was gorgeous. -It'll make someone a wonderful home, | 0:40:51 | 0:40:54 | |
-but not for us, I don't think. -Why not? | 0:40:54 | 0:40:55 | |
It didn't have a study, it didn't have an ensuite, | 0:40:55 | 0:40:58 | |
it didn't have the through living area that we were looking for either. | 0:40:58 | 0:41:01 | |
The location wasn't... | 0:41:01 | 0:41:02 | |
I mean, beautiful location, but not right for us. | 0:41:02 | 0:41:05 | |
Maybe we need to relocate the beach hut. | 0:41:05 | 0:41:07 | |
Yes, that's the problem, clearly. | 0:41:07 | 0:41:09 | |
Let's talk about the mystery property. | 0:41:09 | 0:41:12 | |
There's a lot going for that place. An awful lot going for it. | 0:41:12 | 0:41:15 | |
I reckon you like it more than you like it. | 0:41:15 | 0:41:18 | |
I think you're probably right. | 0:41:18 | 0:41:19 | |
I mean, Maz was ready to start measuring for curtains. | 0:41:19 | 0:41:22 | |
Yeah, I caught her doing a little bit of that. | 0:41:22 | 0:41:24 | |
She was also asking the neighbour, | 0:41:25 | 0:41:27 | |
you know, if you could park your boat in certain places as well. | 0:41:27 | 0:41:30 | |
I was, I was. | 0:41:30 | 0:41:31 | |
Well, I'd just need to find out more, but it ticks so many boxes. | 0:41:31 | 0:41:35 | |
-Yes. -The rooms are fantastic. | 0:41:35 | 0:41:37 | |
And even though the kitchen, again, wasn't part of the living area, | 0:41:37 | 0:41:43 | |
I think the house flowed beautifully from the kitchen to the dining room | 0:41:43 | 0:41:47 | |
to the lounge to the sitting room area. | 0:41:47 | 0:41:50 | |
-And, OK, it's the top of your budget, but it's doable. -Yes. | 0:41:50 | 0:41:54 | |
-It is. -We always said for the right property, | 0:41:54 | 0:41:56 | |
that could be reachable and so we're not discounting it, | 0:41:56 | 0:41:59 | |
we're going to go and have another look on the way home. | 0:41:59 | 0:42:02 | |
-Yeah, we need to see it again. -How much do you want to live there? | 0:42:02 | 0:42:06 | |
I'm very excited about the house. | 0:42:06 | 0:42:08 | |
Marks out of ten on the possibility of you | 0:42:08 | 0:42:10 | |
living in the mystery property any time soon. | 0:42:10 | 0:42:14 | |
Knowing Pete's reservations, I would say an eight. | 0:42:14 | 0:42:17 | |
I was more of a six. | 0:42:17 | 0:42:19 | |
-But more than halfway, right? -Yes, more than halfway. | 0:42:19 | 0:42:22 | |
Because I think Maz can be persuasive, so... | 0:42:22 | 0:42:24 | |
You'll have to be persuasive, I think. | 0:42:24 | 0:42:26 | |
I can be a great negotiator, if need be. | 0:42:26 | 0:42:27 | |
I think you should go back and have a look at it | 0:42:27 | 0:42:30 | |
and I really hope you do get it, | 0:42:30 | 0:42:31 | |
because I think you'd both be really happy there. | 0:42:31 | 0:42:33 | |
And it's been fantastic meeting you, you've been really brilliant. | 0:42:33 | 0:42:36 | |
-You've been really positive as well. -Thank you so much. | 0:42:36 | 0:42:39 | |
So, Maz and Pete are off viewing the mystery property | 0:42:44 | 0:42:47 | |
for a second time - that's what we like to see. | 0:42:47 | 0:42:49 | |
Will it be their dream home here in Dorset? | 0:42:49 | 0:42:52 | |
Well, if it was down to Maz, yes, most definitely, | 0:42:52 | 0:42:54 | |
but I fear Pete may take a little bit of convincing. | 0:42:54 | 0:42:58 | |
But I could be wrong. Even as I speak, | 0:42:58 | 0:43:00 | |
he could be enjoying the communal areas of the old farm, | 0:43:00 | 0:43:03 | |
and if not, well, I know a lovely open-plan beach hut | 0:43:03 | 0:43:06 | |
that's got them written all over it. | 0:43:06 | 0:43:08 | |
I wish them well, and I'll see you next time | 0:43:08 | 0:43:10 | |
on Escape From The Country. | 0:43:10 | 0:43:12 | |
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