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Today, I'm in the county which is the birthplace of these iconic military machines. | 0:00:02 | 0:00:05 | |
Where am I? Find out as we escape to the country. | 0:00:05 | 0:00:09 | |
On today's show, we'll be helping a couple escape the city limits | 0:00:40 | 0:00:43 | |
for a bit of calm in the countryside and we get off to a tearful introduction. | 0:00:43 | 0:00:48 | |
-I'm getting quite emotional. -And lavender! -Such a lovely house. | 0:00:48 | 0:00:52 | |
-It is beautiful. -Don't make me cry! -Cos then I'll go! | 0:00:52 | 0:00:57 | |
And then words fail them in a modern property masterpiece. | 0:00:57 | 0:01:01 | |
-Wow! -OMG! | 0:01:01 | 0:01:03 | |
I'm in Dorset, in Bovington, the home of the British tank. | 0:01:09 | 0:01:13 | |
Back in 1916, after two years of fighting on the continent, | 0:01:13 | 0:01:16 | |
trench warfare was at a stalemate. | 0:01:16 | 0:01:19 | |
What was needed was an armoured vehicle to penetrate enemy lines. | 0:01:19 | 0:01:23 | |
So the British Government, in secret, set about testing tanks here in Dorset. | 0:01:23 | 0:01:27 | |
Later on, I get to go in one. Yes! | 0:01:27 | 0:01:30 | |
But in the meantime, they're not the only giants to inhabit this beautiful corner of England. | 0:01:30 | 0:01:35 | |
Dorset shares its borders with the counties of Devon, Somerset, | 0:01:36 | 0:01:40 | |
Wiltshire and Hampshire and also boasts some of the most fascinating coastline in southern England, | 0:01:40 | 0:01:45 | |
which were once the stomping ground of the largest creatures that ever existed. | 0:01:45 | 0:01:49 | |
Dorset's 95 miles of heritage coast | 0:01:49 | 0:01:52 | |
have unearthed some rare and complete dinosaur fossils. | 0:01:52 | 0:01:56 | |
And the rocks here reveal a unique cross-section of geology | 0:01:56 | 0:01:59 | |
that spans the Triassic, Jurassic and Cretaceous periods, | 0:01:59 | 0:02:02 | |
over 100 million years in the making. | 0:02:02 | 0:02:05 | |
This county also exhibits another mammoth landmark, | 0:02:05 | 0:02:08 | |
in the form of a 54-metre chalk man, carved on the hillside at Cerne Abbas, | 0:02:08 | 0:02:13 | |
whose age and origin is unknown, | 0:02:13 | 0:02:16 | |
but has come to symbolise an important part of Dorset's heritage. | 0:02:16 | 0:02:19 | |
The county is satisfyingly remote, without any cities or motorways, | 0:02:19 | 0:02:23 | |
just a bounty of historic market towns and countless county hamlets, | 0:02:23 | 0:02:28 | |
chock-full of idyllic homes that present a perfect picture of rural English charm. | 0:02:28 | 0:02:33 | |
If you are thinking of moving here, then you should pray for pennies from heaven, | 0:02:37 | 0:02:41 | |
because an average detached house will set you back £312,000. | 0:02:41 | 0:02:45 | |
That's a staggering £54,000 above the national figure. | 0:02:45 | 0:02:49 | |
If you want to live near the sea, then you should have very deep pockets indeed, | 0:02:49 | 0:02:52 | |
because this county has the most expensive coastal properties in the entire UK, | 0:02:52 | 0:02:57 | |
situated just behind me in Sandbanks, near Poole. | 0:02:57 | 0:03:00 | |
But if you head inland towards Somerset, you can shave around 10% | 0:03:00 | 0:03:04 | |
off the county's national price. | 0:03:04 | 0:03:06 | |
But whatever your finances, there are a whole host of period properties to choose from here. | 0:03:06 | 0:03:11 | |
The market town of Bridport has some great examples of Georgian architecture | 0:03:13 | 0:03:17 | |
from the 18th and 19th centuries, | 0:03:17 | 0:03:19 | |
built on the wealth of its 750-year-old rope-making industry. | 0:03:19 | 0:03:23 | |
However, their proximity to the coast makes them pricey. | 0:03:23 | 0:03:27 | |
For character and countryside, Dorset is awash with a great range of thatched cottages, | 0:03:27 | 0:03:32 | |
such as this traditional longhouse in a rural hamlet just south of Blanford Forum. | 0:03:32 | 0:03:37 | |
It offers five bedrooms and is on the market for just shy of £770,000. | 0:03:37 | 0:03:42 | |
Dorset's locally quarried limestone from the Isle of Portland | 0:03:42 | 0:03:46 | |
also paints a pretty property picture, giving the region a very distinctive and delightful style. | 0:03:46 | 0:03:51 | |
This five-bedroom home has an asking price of £395,000 | 0:03:51 | 0:03:56 | |
and the use of natural stone in its construction belies the fact | 0:03:56 | 0:03:59 | |
that it was built just two years ago. | 0:03:59 | 0:04:02 | |
As you can see, your spoilt for choice here, but what are our buyers looking for? | 0:04:04 | 0:04:08 | |
Let's meet them and find out. | 0:04:08 | 0:04:11 | |
Legal secretary Chrissie and her husband, John, | 0:04:12 | 0:04:15 | |
have spent the past 15 years living in a desirable West London suburb, | 0:04:15 | 0:04:19 | |
but a recent career change has made them re-evaluate their priorities. | 0:04:19 | 0:04:23 | |
I went to sea shortly after leaving school | 0:04:23 | 0:04:27 | |
and travelled the world for some 30-odd years in the merchant navy. | 0:04:27 | 0:04:31 | |
A year ago, I had the opportunity to take early redundancy | 0:04:31 | 0:04:35 | |
and retire, which I decided to do. | 0:04:35 | 0:04:38 | |
The thinking behind it would enable me to spend more time with Chrissie. | 0:04:38 | 0:04:43 | |
And they've chosen to drop anchor back in Dorset, | 0:04:43 | 0:04:46 | |
where they first found love. | 0:04:46 | 0:04:48 | |
Me and Chrissie met 20 years ago when my ship was in Portland harbour. | 0:04:48 | 0:04:52 | |
-We hit it off straight away. -Yes, we were introduced by a friend. -We were introduced by a friend. | 0:04:52 | 0:04:58 | |
Well, I'd quite like to move back to Dorset. | 0:04:58 | 0:05:00 | |
It's where I met John. It holds many memories for me. | 0:05:00 | 0:05:04 | |
And just carry on, really, where I left off all those years ago. | 0:05:04 | 0:05:09 | |
After a few years of married life there, | 0:05:09 | 0:05:11 | |
they relocated back to Chrissie's large childhood home in Chiswick, | 0:05:11 | 0:05:15 | |
that's been in her family for some 60 years. | 0:05:15 | 0:05:18 | |
But the time has come to swap the city for the country once and for all. | 0:05:18 | 0:05:22 | |
London's got a lot going for it, it really has, | 0:05:22 | 0:05:25 | |
but I think we really do hanker for the countryside now. | 0:05:25 | 0:05:29 | |
We've done London. By selling this house, releasing the funds, | 0:05:29 | 0:05:33 | |
-downsizing, it will enable us to do that. -Yes. It will help us pursue our dream. | 0:05:33 | 0:05:39 | |
And there's another member of the family who will complete that dream. | 0:05:39 | 0:05:43 | |
I've always liked cats. Lou-Lou now, that I have, is my second cat. | 0:05:43 | 0:05:48 | |
And we got her from a rescue centre. | 0:05:48 | 0:05:51 | |
I'm very interested in rescue centres. | 0:05:51 | 0:05:54 | |
If we had one in the village where we eventually move to, | 0:05:54 | 0:05:58 | |
it's something I'd like to get involved in. | 0:05:58 | 0:06:01 | |
As well as volunteering, socialising is high on the agenda, too. | 0:06:01 | 0:06:04 | |
-It would be nice to mix with the local community. -Meet some new people. | 0:06:04 | 0:06:09 | |
As we're not really drivers at the moment, even though we have passed our tests... | 0:06:09 | 0:06:12 | |
-We do need some amenities within walking distance. -And public transport. | 0:06:12 | 0:06:17 | |
Both John and Chrissie are united about their preferred location, | 0:06:17 | 0:06:20 | |
but when it comes to the property itself, they're not quite so unanimous. | 0:06:20 | 0:06:24 | |
My ideal house would ideally be something contemporary. | 0:06:24 | 0:06:28 | |
Chrissie does prefer some features. | 0:06:28 | 0:06:30 | |
-I like a few features, like a wood-burning stove. -Yeah. But I'm willing to compromise. -Yes. | 0:06:30 | 0:06:35 | |
Something that gives us a bit of country feel, but something also that's modern. | 0:06:35 | 0:06:40 | |
They will be selling the family house in London to fund the move, | 0:06:40 | 0:06:43 | |
and have a good idea of what they're prepared to spend on their new Dorset home. | 0:06:43 | 0:06:47 | |
Our budget for the move is £600,000. | 0:06:47 | 0:06:51 | |
But, for the right property, we'd be willing to extend it to £700,000. | 0:06:51 | 0:06:54 | |
John and Chrissie are looking for a country home west of Poole, | 0:06:56 | 0:07:00 | |
and east of Dorchester, so we'll be exploring that portion of the county | 0:07:00 | 0:07:04 | |
to try to satisfy both their rural and coastal aspirations. | 0:07:04 | 0:07:07 | |
Time for me to meet up with our house hunters | 0:07:07 | 0:07:10 | |
on Dorset's stunning shores, to finalise the finer details of their prospective move. | 0:07:10 | 0:07:15 | |
-Hiya. -Hello. -Welcome to Dorset. -Thank you. -I should say "welcome back"! | 0:07:15 | 0:07:18 | |
So why decide on Dorset for this big move then? | 0:07:18 | 0:07:21 | |
Well, look at the view. It's wonderful living in a place | 0:07:21 | 0:07:24 | |
with a wonderful sea view like that. | 0:07:24 | 0:07:27 | |
And, you know, Dorset has a lot of memories for us. | 0:07:27 | 0:07:30 | |
We were married in Dorset. I met John in Dorset, you know. | 0:07:30 | 0:07:34 | |
I love the fact that you talk about the view and your face is just going, "Aaw!" | 0:07:34 | 0:07:38 | |
Yeah. For me, a sea view in a property is not a priority. | 0:07:38 | 0:07:41 | |
I'm used to the sea. I can give it a miss. | 0:07:41 | 0:07:44 | |
So you want the rural view and you want the sea view? | 0:07:44 | 0:07:47 | |
Well, just to make John happy, you know. | 0:07:47 | 0:07:50 | |
-I'd like a sea view in the front and he could have the rural view in the back. -I'm willing to compromise. | 0:07:50 | 0:07:55 | |
Thank goodness you said that. I was going to say, "Good luck with your search, see you later!" | 0:07:55 | 0:07:59 | |
-So what are you after in a house? -Detached. -Right. | 0:07:59 | 0:08:01 | |
Three to four bedrooms. A nice-sized garden for Chrissie, cos she loves her gardening. | 0:08:01 | 0:08:07 | |
-I do like gardening, yes. -Fairly contemporary. -Yes. | 0:08:07 | 0:08:09 | |
-Open-plan kitchen. -Yeah, open-plan kitchen. | 0:08:09 | 0:08:13 | |
-Conservatory, if you can manage. -Right. | 0:08:13 | 0:08:15 | |
That can always be added on if we don't find one. | 0:08:15 | 0:08:18 | |
I was going to say, the list is getting longer and longer! | 0:08:18 | 0:08:20 | |
How much money have we got for this? Cos it's quite an expensive county. | 0:08:20 | 0:08:23 | |
-Yes. We thought 600,000. -But at a stretch seven, | 0:08:23 | 0:08:27 | |
-for the property that hits the spot. -OK. -700. | 0:08:27 | 0:08:31 | |
I've got three lovely houses to show you - I think they're lovely! Shall we get going? | 0:08:31 | 0:08:35 | |
-Oh, yes! Please, yes. -Come on then! | 0:08:35 | 0:08:38 | |
For a maximum budget of £700,000, John and Chrissie are after... | 0:08:40 | 0:08:44 | |
John has a preference for contemporary interiors, | 0:08:51 | 0:08:53 | |
but Chrissie is hankering after a few traditional features. | 0:08:53 | 0:08:57 | |
The jury's out on whether the location is surrounded by fields of green or acres of blue. | 0:09:03 | 0:09:09 | |
All-in-all, it's a tall order, | 0:09:09 | 0:09:11 | |
but we do have a fantastic selection of very engaging Dorset properties | 0:09:11 | 0:09:15 | |
that we hope will more than meet the mark. | 0:09:15 | 0:09:17 | |
As ever, I won't be revealing the price until the end of each tour. | 0:09:17 | 0:09:21 | |
Last but by no means least, is the mystery house, | 0:09:21 | 0:09:24 | |
which promises to be a real cliffhanger. | 0:09:24 | 0:09:27 | |
Our first destination is the village of Farnham in north Dorset. | 0:09:31 | 0:09:35 | |
Farnham is a sought-after location within the Cranborne Chase, | 0:09:35 | 0:09:39 | |
where it feels as though time has stood still. | 0:09:39 | 0:09:41 | |
Perfectly preserved, white-washed, thatched cottages | 0:09:41 | 0:09:44 | |
line the quiet, narrow lanes and completely epitomise a true rural idyll. | 0:09:44 | 0:09:49 | |
There isn't a shop within the village, but there is a bus service | 0:09:49 | 0:09:53 | |
that passes through a couple of times a day | 0:09:53 | 0:09:55 | |
and an inviting 17th-century pub with some very friendly locals. | 0:09:55 | 0:09:59 | |
There's a man after my own heart. | 0:09:59 | 0:10:02 | |
-You're living the village dream. -Yes. Well, trying to, certainly. | 0:10:02 | 0:10:05 | |
-How long have you been here? -Oh! 16 years, I think. | 0:10:05 | 0:10:09 | |
-Something like that. -And originally you're from...? -From London. -Ah, right! So... | 0:10:09 | 0:10:13 | |
-We're from London. -Right. -Very similar. | 0:10:13 | 0:10:16 | |
-Originally, a cockney, believe it nor not. -Is it too quiet here? | 0:10:16 | 0:10:19 | |
Ooh! That depends what you want out of life, doesn't it? No, I don't think so. | 0:10:19 | 0:10:23 | |
And what about community spirit? Cos there's no shop. | 0:10:23 | 0:10:26 | |
There isn't, but there is one just over one field. | 0:10:26 | 0:10:30 | |
And there are things like events in our local pub - | 0:10:30 | 0:10:33 | |
quizzes and rallies and all sorts of things. | 0:10:33 | 0:10:37 | |
-This is called The Museum. There's a story behind that, isn't there? -Yes. | 0:10:37 | 0:10:42 | |
It's named after the Pitt Rivers Museum, | 0:10:42 | 0:10:45 | |
which is just up the top of the hill. | 0:10:45 | 0:10:48 | |
And that was a major collection of, well, artefacts really from all over the world. | 0:10:48 | 0:10:54 | |
But a lot of them from this part of the world. | 0:10:54 | 0:10:56 | |
Listen, we won't keep you. You enjoy your pint. | 0:10:56 | 0:10:59 | |
-Unfortunately, we can't go to the pub... -Oh! -I've got a house to show you. -Oh, right! | 0:10:59 | 0:11:03 | |
-Maybe later! -Yeah, maybe later. I'll hold you to that. | 0:11:03 | 0:11:05 | |
-Well, enjoy the house. -Cheers. Thank you very much. -My pleasure. | 0:11:05 | 0:11:08 | |
-Right. It's back up this way. -Thank you. -All right. Bye-bye! | 0:11:08 | 0:11:12 | |
This desirable village certainly gets a high recommendation. | 0:11:12 | 0:11:17 | |
So time to see if our first house will get our buyers' seal of approval. | 0:11:17 | 0:11:20 | |
It's just a stumbling distance away from the pub. | 0:11:20 | 0:11:24 | |
-Ooh! -Ooh, indeed! | 0:11:30 | 0:11:32 | |
-Ooh! What can you say? -What a beautiful house! -Yeah. | 0:11:32 | 0:11:36 | |
-I'm getting quite emotional. -And lavender! -It's just such a lovely house. -Yeah. | 0:11:36 | 0:11:39 | |
-John! -I am, it's beautiful. -Oh! It is beautiful. | 0:11:39 | 0:11:42 | |
-John, don't make me cry! -Cos then I'll go! | 0:11:42 | 0:11:45 | |
LAUGHTER | 0:11:45 | 0:11:47 | |
-Pretty, isn't it? -It looks very well-maintained, Aled. -And it fits in with the rest of the village, | 0:11:47 | 0:11:52 | |
which is, I think, 99% thatched! | 0:11:52 | 0:11:55 | |
-I love the door. The door's... It really invites you in. -It does, doesn't it? | 0:11:55 | 0:11:58 | |
It's got character, but it's not over the top. | 0:11:58 | 0:12:01 | |
-You know that inviting door? -Yes. | 0:12:01 | 0:12:03 | |
-It's inviting us in. Come on. Let's go. -I'm going! | 0:12:03 | 0:12:06 | |
This very pretty thatched cottage has all the hallmarks of a period property, | 0:12:07 | 0:12:11 | |
but was actually built some 14 years ago and manages to combine character features with all the mod cons. | 0:12:11 | 0:12:17 | |
Time to see if it's a combination that appeals to Chrissie and John. | 0:12:17 | 0:12:21 | |
Oh, this is nice... This looks really cosy. | 0:12:23 | 0:12:26 | |
-Isn't it? -Yeah! No, I like the size of this room, it's lovely. | 0:12:26 | 0:12:30 | |
-It's well done. -It's got a nice outlook to the garden. | 0:12:30 | 0:12:33 | |
You could put a conservatory out there as well. Just planning permission, of course. | 0:12:33 | 0:12:38 | |
-So you like it? -Yeah. -Er, first impressions, yes, I do. | 0:12:38 | 0:12:41 | |
-It does feel a little bit, a little bit claustrophobic... -Really? | 0:12:41 | 0:12:45 | |
OK, cos I'm thinking we're really lucky to have the size, you know, | 0:12:45 | 0:12:50 | |
-of ceiling here, the height that you've got. -Definitely, yeah. | 0:12:50 | 0:12:53 | |
And we are downsizing, so I need to adjust to the size of the house. | 0:12:53 | 0:12:58 | |
But it is big enough for two people. | 0:12:58 | 0:13:00 | |
'Though they may feel rather snug in the sitting room, | 0:13:00 | 0:13:03 | |
'I'm very confident they won't be cramped in the next area.' | 0:13:03 | 0:13:06 | |
-Come on in. -Oh! | 0:13:06 | 0:13:08 | |
-Oh, my word! -Oh! This is lovely! | 0:13:08 | 0:13:12 | |
-Isn't it just? -It is. | 0:13:12 | 0:13:15 | |
-It's just the right size kitchen. -Beautiful ceiling. Kind of a vaulted ceiling. | 0:13:15 | 0:13:19 | |
-Plenty of space. -Yeah. -Kitchen-diner, yeah? | 0:13:19 | 0:13:21 | |
Travertine floor. Under-floor heating. | 0:13:21 | 0:13:24 | |
-Yep. -Oh! -You've got this lovely little breakfast bar as well. -That's beautiful. | 0:13:24 | 0:13:28 | |
And then you've got this enormous table in here for dining. | 0:13:28 | 0:13:33 | |
-I think this is where you'd spend most of your time. Well, YOU would, anyway! -Yeah! | 0:13:33 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:38 | |
-I'd be waiting in there, by the cosy fire. -Lovely! | 0:13:38 | 0:13:42 | |
-Oh, you would, would you? -I think if the sun's out, this room would be fantastic. | 0:13:42 | 0:13:46 | |
-Yeah. -It really would. So you like it? -Mm! | 0:13:46 | 0:13:49 | |
-So far, so good, as they say. -Quite nice, yeah. -Quite nice?! -Yeah! | 0:13:49 | 0:13:53 | |
Let's go upstairs. | 0:13:53 | 0:13:56 | |
'This house is actually laid out over three storeys, | 0:13:56 | 0:13:58 | |
'with the top floor completely given over to a long and large double bedroom. | 0:13:58 | 0:14:02 | |
'Back down a level on the first floor are the three remaining bedrooms, | 0:14:02 | 0:14:06 | |
'that include two light and roomy doubles, | 0:14:06 | 0:14:09 | |
'one of which is currently being used as a study. | 0:14:09 | 0:14:11 | |
'This sits right next to the family bathroom, but I'm showing them the room which could be theirs.' | 0:14:11 | 0:14:16 | |
And this is the master. Come on in. | 0:14:16 | 0:14:19 | |
-Oh, this is a nice-sized room, yeah. -Good size, yeah. -Yeah. | 0:14:19 | 0:14:23 | |
-Very nice size. En suite as well. -Very modern en suite. | 0:14:23 | 0:14:26 | |
-Can we have a look? -Yeah. Pop your head round. | 0:14:26 | 0:14:29 | |
Oh, yes. Oh, nice shower for John. | 0:14:29 | 0:14:32 | |
-That's a good size, yeah. -Bright enough, isn't it? -It is, yeah. | 0:14:32 | 0:14:37 | |
-It's a nice size. -Have you got a lot of clothes? -Yes. I need a walk-in wardrobe. -That's handy. | 0:14:37 | 0:14:42 | |
Have we got room for one? Oh, magnificent! | 0:14:42 | 0:14:46 | |
-This is my room then! -Yeah, yeah. I don't know where I'm sleeping. | 0:14:46 | 0:14:51 | |
Before poor John gets turfed out altogether, | 0:14:51 | 0:14:54 | |
let's turn our attention to the garden. | 0:14:54 | 0:14:56 | |
It's mainly laid to lawn, wrapping itself all around the property. | 0:14:56 | 0:14:59 | |
This house also benefits from a barn-style double garage. | 0:14:59 | 0:15:04 | |
-So...? -Mmm. -Nice garden, isn't it? | 0:15:06 | 0:15:09 | |
-It is. Very nice. -Beautiful wraparound garden. -It's a big house, you know. | 0:15:09 | 0:15:12 | |
-I know you're coming from a big house. -Yes. | 0:15:12 | 0:15:15 | |
But, for both of you, I would say, you wouldn't want anything bigger. | 0:15:15 | 0:15:18 | |
-No. -No, you are right. -So what do you reckon it's on the market for? | 0:15:18 | 0:15:22 | |
I would say... | 0:15:22 | 0:15:24 | |
675. | 0:15:24 | 0:15:25 | |
-£675,000? -Yes. -OK. | 0:15:25 | 0:15:28 | |
-How about you? -I think I'm going to go in lower. -Right. | 0:15:28 | 0:15:31 | |
I'm going to say 635. | 0:15:31 | 0:15:34 | |
-It's currently on the market for £565,000. -Really? -Oh! | 0:15:34 | 0:15:38 | |
-That's surprising. -It's well worth that. | 0:15:38 | 0:15:40 | |
Well, go back in and have a look around. | 0:15:40 | 0:15:43 | |
-And I'll be by the front. -OK. -Smelling the lavender. | 0:15:43 | 0:15:47 | |
-And the roses. -And the roses. I always smell of roses. | 0:15:47 | 0:15:50 | |
LAUGHTER | 0:15:50 | 0:15:51 | |
-Go on, off you go! -OK, then. -Take your time, yeah? -Thank you. | 0:15:51 | 0:15:55 | |
Comfortably under budget at £565,000, this charming, recently built thatched cottage | 0:15:57 | 0:16:03 | |
has the visual appeal of a more historic property. | 0:16:03 | 0:16:06 | |
First impressions of the house as we walked up through the gate from outside, | 0:16:22 | 0:16:27 | |
it quite took my breath away. Made me quite emotional, because it is a beautiful looking house. | 0:16:27 | 0:16:33 | |
-What do you think of this room? -It's a strange space. | 0:16:33 | 0:16:37 | |
-And you just banged your head on there as well. -Yeah. | 0:16:37 | 0:16:40 | |
I don't know. I can see it being more of a storage area. | 0:16:40 | 0:16:45 | |
When I came through the gate, I saw the front of the house with its lovely porch | 0:16:45 | 0:16:50 | |
and roses and I thought, "Oh, this is lovely!" | 0:16:50 | 0:16:52 | |
Just what you would imagine - a chocolate box house. | 0:16:52 | 0:16:55 | |
But some of the rooms could have been a bit bigger, especially upstairs. | 0:16:55 | 0:16:59 | |
-And you're still smiling! -Hello! | 0:17:04 | 0:17:06 | |
-Seen enough? -Yes, yes. -The lavender smells gorgeous, and the roses. | 0:17:06 | 0:17:10 | |
-Beautiful. Jump in the car? -Yes, please, yeah. -Come on. | 0:17:10 | 0:17:13 | |
Set amongst the rolling hills behind Dorset's Chesil Beach | 0:17:22 | 0:17:25 | |
is the beautiful village of Abbotsbury, home to the remains of Abbotsbury Abbey, | 0:17:25 | 0:17:29 | |
whose Benedictine monks established a swannery here back in the 11th century. | 0:17:29 | 0:17:34 | |
As Chrissie is keen to get involved with animal welfare, | 0:17:34 | 0:17:37 | |
during the week we arranged for our buyers to meet the swannery's general manager, John Huston, | 0:17:37 | 0:17:42 | |
to discover more about this ancient natural habitat of nesting mute swans. | 0:17:42 | 0:17:47 | |
The swannery, we think, started around the 1040s, | 0:17:47 | 0:17:51 | |
when the Benedictine monks established a monastery | 0:17:51 | 0:17:54 | |
on the hill at Abbotsbury village, just behind us. | 0:17:54 | 0:17:57 | |
The swans were already here, so the monks were really taking advantage | 0:17:57 | 0:18:02 | |
of a wonderful source of free food. | 0:18:02 | 0:18:05 | |
Does anybody actually eat swan in this day and age? | 0:18:05 | 0:18:08 | |
No. The swans are protected. Most swans are owned by the Queen. | 0:18:08 | 0:18:14 | |
Except, uniquely, here at Abbotsbury, | 0:18:14 | 0:18:17 | |
the swans are owned by the Ilchester Estates, | 0:18:17 | 0:18:20 | |
who purchased Abbotsbury off Henry VIII in 1541. | 0:18:20 | 0:18:25 | |
The feathers from our Abbotsbury swans are used by Lloyd's of London | 0:18:25 | 0:18:30 | |
to record sunken ships in their Book of Doom. | 0:18:30 | 0:18:33 | |
And they've assured me that they would have used an Abbotsbury quill | 0:18:33 | 0:18:36 | |
-to record the sinking of the Titanic. -Oh, a lot of history. -It's amazing, isn't it? | 0:18:36 | 0:18:41 | |
At any given time, at least 1,000 swans feed and shelter in the lagoon. | 0:18:42 | 0:18:46 | |
And the hatching of the first cygnet traditionally signifies the start of summer. | 0:18:46 | 0:18:51 | |
This is the only colony of mute swans you can visit anywhere in the world. | 0:18:51 | 0:18:56 | |
And they're drawn here by the perfect, five-star swan conditions. | 0:18:56 | 0:19:00 | |
The eel grass in the water is one of their favourite foods. | 0:19:00 | 0:19:03 | |
The freshwater streams are ideal for cygnets in their early stages, | 0:19:03 | 0:19:07 | |
because they can't tolerate seawater. | 0:19:07 | 0:19:10 | |
-John, do swans make good parents? -On the whole, yes. | 0:19:10 | 0:19:15 | |
But, occasionally, for odd reasons, | 0:19:15 | 0:19:17 | |
we get abandoned cygnets and it might be a bad parent, | 0:19:17 | 0:19:21 | |
or perhaps the parents have been attacked by a predator, like a fox. | 0:19:21 | 0:19:25 | |
In those sad circumstances, we have our adoption parents to look after the cygnets who have been abandoned. | 0:19:25 | 0:19:30 | |
-Would you like to see them? -We'd love to. -Ooh, yes! -It's over this way. | 0:19:30 | 0:19:34 | |
There are five of these pens at the swannery, | 0:19:36 | 0:19:39 | |
which provide sanctuary to neglected cygnets before they can, hopefully, return to their natural environment. | 0:19:39 | 0:19:44 | |
Abandoned cygnets get put in here with a good family. | 0:19:44 | 0:19:49 | |
And if it's done in the early stages, | 0:19:49 | 0:19:52 | |
they will immediately bond, the sound of the cygnet will be recognised by the parent. | 0:19:52 | 0:19:58 | |
They imprint and they accept them as their own. | 0:19:58 | 0:20:00 | |
-And how old are these cygnets? -They're probably only a week, two weeks old. | 0:20:00 | 0:20:04 | |
-Two weeks old? -They're quite big for two weeks, aren't they? | 0:20:04 | 0:20:07 | |
It's the role of a swan herd to look after the welfare of the birds, | 0:20:08 | 0:20:13 | |
which includes feeding twice a day and conducting an annual census. | 0:20:13 | 0:20:17 | |
Swan herds have been keeping records of cygnets born at the colony here since the late 14th century. | 0:20:17 | 0:20:23 | |
HE CHUCKLES | 0:20:23 | 0:20:25 | |
But that's enough swanning about for now, | 0:20:25 | 0:20:27 | |
as it's time to get back to the property hunt, | 0:20:27 | 0:20:29 | |
to try and find John and Chrissie the perfect place to spread THEIR wings. | 0:20:29 | 0:20:34 | |
For our second property, we're travelling around 12 miles south of our first location, | 0:20:36 | 0:20:41 | |
to the town of Wimborne. | 0:20:41 | 0:20:43 | |
Officially titled Wimborne Minister, due to the presence of a huge, 1,300-year-old, limestone church, | 0:20:43 | 0:20:49 | |
this market town has a much busier and livelier environment than our previous house. | 0:20:49 | 0:20:54 | |
There are plenty of shops, restaurants and conveniences, | 0:20:54 | 0:20:58 | |
housed in attractive, historic buildings, some of which date back to the 16th century. | 0:20:58 | 0:21:02 | |
And they're all within walking distance from our second property, | 0:21:02 | 0:21:05 | |
which provides a very modern contrast to the ancient architecture of the town centre. | 0:21:05 | 0:21:11 | |
-Oh, lavender again! -Yes, lavender again. | 0:21:11 | 0:21:15 | |
But a rather...more unusual house. | 0:21:15 | 0:21:18 | |
-Built in 2005. It actually won East Dorset House of the Year... -Oh! | 0:21:18 | 0:21:23 | |
..In 2005, the year it was built. | 0:21:23 | 0:21:25 | |
-I can certainly say, I've never seen nothing like it. -The street aspect! | 0:21:25 | 0:21:28 | |
-Is that a good thing or is that a bad thing? -I don't know. | 0:21:28 | 0:21:31 | |
-I really don't know. -I get a bit worried when she's lost for words! | 0:21:31 | 0:21:35 | |
I suspect there's something on the other side. | 0:21:35 | 0:21:37 | |
-Let's go and find out if you're right. Come on. -Oh, yes! | 0:21:37 | 0:21:41 | |
This property is part-clad in weathered oak, | 0:21:41 | 0:21:44 | |
behind which is hidden a very unique house, designed by the current owners, | 0:21:44 | 0:21:48 | |
who are well-renowned architects. | 0:21:48 | 0:21:50 | |
John, in particular, wants something contemporary. That's exactly what we're giving him here. | 0:21:50 | 0:21:55 | |
Wow! Wow! | 0:21:55 | 0:21:57 | |
SHE LAUGHS | 0:21:57 | 0:21:58 | |
-Yeah. -Wow! | 0:21:58 | 0:22:00 | |
OMG! | 0:22:00 | 0:22:01 | |
HE LAUGHS | 0:22:01 | 0:22:03 | |
-Well, it's not what you expect. -It's what you said though. -Yes. | 0:22:03 | 0:22:08 | |
-I like. -Yeah? -I like. | 0:22:08 | 0:22:11 | |
I like. | 0:22:11 | 0:22:13 | |
-I love the glass! -Yeah, the glass is lovely. | 0:22:13 | 0:22:16 | |
-This is unusual. -It's like a treehouse. -It is, isn't it? | 0:22:16 | 0:22:20 | |
It's almost like having a conservatory and then the open space, your garden, there. | 0:22:20 | 0:22:24 | |
-The outside is actually coming into the inside. -Yeah. | 0:22:24 | 0:22:27 | |
First impressions, I like it. It's modern, which I like. | 0:22:27 | 0:22:31 | |
It's highly contemporary, which I like. I do like. | 0:22:31 | 0:22:35 | |
It's like something out of a magazine, isn't it? | 0:22:35 | 0:22:38 | |
-Mm. It appeals to me. -Yeah? -Yeah, I like. | 0:22:38 | 0:22:41 | |
-What about you? -First impressions. -Mm. I need to see some more. | 0:22:41 | 0:22:44 | |
OK. Well, come on then. Let's go. | 0:22:44 | 0:22:48 | |
-And the open-plan theme continues. -Yeah, it flows. | 0:22:51 | 0:22:54 | |
-Yes. -Flows nice. Flows nicely. -I do like that at the back. | 0:22:54 | 0:22:58 | |
-Great place to have a dinner party. -Yes, it's really nice there. | 0:22:58 | 0:23:01 | |
And, to me, this is the hub of the house. This is the entertaining area where you would sit | 0:23:01 | 0:23:06 | |
-and have your food and cook, chat while you're doing it. -Looking out on to that aspect. | 0:23:06 | 0:23:11 | |
-I think it might be too modern for me. -Right. -Somehow. I don't know. | 0:23:11 | 0:23:15 | |
'Open-plan and modern is one thing in theory, but the reality does seem to be scaring Chrissie. | 0:23:15 | 0:23:22 | |
'But there's no doubt John is ready to seal the deal and I don't blame him. | 0:23:22 | 0:23:26 | |
'For this is a truly remarkable house. | 0:23:26 | 0:23:29 | |
'Off the dining area, there's a compact study. | 0:23:29 | 0:23:31 | |
'That takes us full circle back to the front hallway. | 0:23:31 | 0:23:34 | |
'This property features an upside-down layout | 0:23:34 | 0:23:37 | |
'and the oak staircase leads down to the bedroom quarters on the lower ground floor, | 0:23:37 | 0:23:42 | |
'where there's also a utility room, as well as a luxurious, fully tiled bathroom. | 0:23:42 | 0:23:47 | |
'In total, there are four bedrooms and the windows in each one | 0:23:47 | 0:23:50 | |
'frame the natural habitat outside. It almost feels like a painted canvas. | 0:23:50 | 0:23:55 | |
'There's a beautifully appointed twin room and two similar-sized double bedrooms, | 0:23:55 | 0:23:59 | |
'which just leaves the largest bedroom, with direct access out to a private courtyard.' | 0:23:59 | 0:24:04 | |
-This is the master. -The bedroom's nice. Like the wardrobes. | 0:24:04 | 0:24:09 | |
-Lots of wardrobe space. -Lots of storage. -Love the window. | 0:24:09 | 0:24:12 | |
-You've also got en suite. -En suite. -Whirlpool bath. Have a look. Very modern. | 0:24:12 | 0:24:18 | |
-Oh, the bathroom's lovely. -That's beautiful. Good size, yeah. | 0:24:18 | 0:24:22 | |
-Really nice. -Love it, yeah. | 0:24:22 | 0:24:24 | |
So the idea is, you see, if you're lying in your bath, | 0:24:24 | 0:24:27 | |
-you're looking out on to water as well. -Yeah. -Oh, yes. | 0:24:27 | 0:24:30 | |
-That's called a vision pool, apparently. -Oh! | 0:24:30 | 0:24:33 | |
And the little door leading out on to the garden. | 0:24:33 | 0:24:36 | |
-No diving in, OK? -Oh, the pool area. | 0:24:38 | 0:24:41 | |
-Right. Come on out. -Oh, right. | 0:24:43 | 0:24:46 | |
-Big run up. Are you ready? -Oh, dear! | 0:24:46 | 0:24:49 | |
-Chrissie, can you imagine doing this when you're 70 years old? -No! | 0:24:49 | 0:24:53 | |
-This is no good, Aled? -No? -No! -Why not? -A steep bank like that. | 0:24:53 | 0:24:57 | |
-Don't you just want to roll down it? -No. Maybe children will. | 0:24:57 | 0:25:00 | |
Cats might like running up and down it, but can you imagine me gardening here? | 0:25:00 | 0:25:04 | |
I'm not sure. You've got your garden coming round from the front of the house. | 0:25:04 | 0:25:09 | |
This part they've just let overgrow. Well, OK. Let's talk money. | 0:25:09 | 0:25:12 | |
Money, ah! Let's say 699. | 0:25:12 | 0:25:15 | |
Wow! OK, £699,000. | 0:25:15 | 0:25:17 | |
Top of the budget. I think it's above budget. | 0:25:17 | 0:25:21 | |
720 maybe. | 0:25:21 | 0:25:23 | |
-It's on the market for top of the budget. 700... -Exactly? | 0:25:23 | 0:25:27 | |
-£700,000. -Really? Is it? OK. | 0:25:27 | 0:25:29 | |
-So I was the nearest. -You were. -699. -Such great joy in it! -Yes! | 0:25:29 | 0:25:33 | |
-That was a good guess, Chrissie. -Yeah. It's, erm... | 0:25:33 | 0:25:36 | |
It's quite a high price to pay for something that I wouldn't really be happy with. | 0:25:36 | 0:25:42 | |
OK. That's fair enough. | 0:25:42 | 0:25:44 | |
-Do you want to have another look around? -All right then. See you later. | 0:25:44 | 0:25:49 | |
THEY LAUGH | 0:25:49 | 0:25:50 | |
Woah! Woah! | 0:25:50 | 0:25:52 | |
Right at the top of their budget, at £700,000, | 0:25:54 | 0:25:57 | |
this property meets much of our buyers' criteria. | 0:25:57 | 0:26:00 | |
Wrapped up in an outstanding contemporary finish. | 0:26:00 | 0:26:03 | |
But will the garden here make it too much of an uphill struggle? | 0:26:18 | 0:26:23 | |
This is a nice room. This must be like a second bedroom. | 0:26:23 | 0:26:28 | |
-It looks nice and airy. -Good size, again, Chrissie. | 0:26:28 | 0:26:31 | |
When I first saw house number two, | 0:26:31 | 0:26:34 | |
I was very surprised, cos I'd never seen anything like it in my life, I can truly say. | 0:26:34 | 0:26:39 | |
It was very, very modern and, in fact, it was too modern for me. | 0:26:39 | 0:26:44 | |
And, for me, the house hasn't got the garden I would want. | 0:26:44 | 0:26:48 | |
It's actually got a wild look at the back, which is a bit like a forest. | 0:26:48 | 0:26:52 | |
When I walked into the house, I was surprised, pleasantly surprised, | 0:26:52 | 0:26:56 | |
because this type of house is the kind of thing I like - | 0:26:56 | 0:27:00 | |
modern, plenty of glass, | 0:27:00 | 0:27:03 | |
open-plan... | 0:27:03 | 0:27:05 | |
And it really hit the spot for me, it really did. | 0:27:05 | 0:27:08 | |
The lounge is the best space in the house. | 0:27:08 | 0:27:12 | |
It's got sliding doors out on to the decking, veranda, | 0:27:12 | 0:27:16 | |
which is a really nice feature of the house. | 0:27:16 | 0:27:18 | |
I don't feel enclosed in here. It doesn't feel small and it flows lovely. | 0:27:18 | 0:27:22 | |
They've been in there long enough, I tell you. Oh! | 0:27:24 | 0:27:27 | |
-Hello! -Ah, you took your time. | 0:27:27 | 0:27:29 | |
-Well, John liked it so much. -I didn't want to leave. -Oh! | 0:27:29 | 0:27:33 | |
-You're going to have to leave, cos it's not your house yet. -No. -Don't tell me if it is going to be. | 0:27:33 | 0:27:37 | |
Two very different houses today, so I think we'll go back and regroup. | 0:27:37 | 0:27:40 | |
-Start again tomorrow. -Yes! -Come on then. -Look forward to it. | 0:27:40 | 0:27:44 | |
As the sun sets across the Dorset countryside, | 0:27:54 | 0:27:57 | |
we leave John and Chrissie to reflect on the two properties they've seen so far. | 0:27:57 | 0:28:02 | |
With a budget of £700,000, London-based John and Chrissie | 0:28:08 | 0:28:12 | |
have decided to quit the city for a rural home in Dorset, where they first met. | 0:28:12 | 0:28:16 | |
So far, they've had a taster of traditional and a cut of contemporary, | 0:28:16 | 0:28:20 | |
but, coming up, the origins are rather confusing in the mystery property. | 0:28:20 | 0:28:24 | |
-It's not a joke house, is it? -No, no. This is all for real. -No! | 0:28:24 | 0:28:29 | |
-It's not a museum, is it? -It could be, I suppose! | 0:28:29 | 0:28:32 | |
And, as for me, well, I'll be making tracks! | 0:28:33 | 0:28:36 | |
It's the start of day two and yesterday went rather well. | 0:28:41 | 0:28:44 | |
We found John his dream property in the second house. | 0:28:44 | 0:28:47 | |
The only problem was that Chrissie didn't like the garden or the trees. | 0:28:47 | 0:28:50 | |
I think we best "leaf" that one alone. Bring on the mystery house. | 0:28:50 | 0:28:53 | |
Trees aren't a problem. It's even got a sea view. Lack of transport might be though. | 0:28:53 | 0:28:57 | |
Will their ship come in? It's time to find out. | 0:28:57 | 0:29:01 | |
And to get to the mystery house, we're most definitely going off the beaten track. | 0:29:01 | 0:29:06 | |
-You are going to take up the driving again? -Yes. | 0:29:06 | 0:29:10 | |
-Yeah, definitely. -We need to. To live in Dorset, we're going to have to drive. | 0:29:10 | 0:29:14 | |
-Yes. -It's a good road, don't you think? -No! -This road is atrocious, Aled. | 0:29:14 | 0:29:18 | |
-If I... -You need a horse and cart. | 0:29:18 | 0:29:21 | |
If I had to walk down here... We won't be getting a car. | 0:29:21 | 0:29:25 | |
We'll be getting a donkey or a horse and cart. | 0:29:25 | 0:29:28 | |
-A good horse and cart along here would be fun. -Yes, I think so. | 0:29:28 | 0:29:31 | |
For our third and final stop of this property tour, | 0:29:34 | 0:29:37 | |
we're heading south-west towards the coastal wilds of Holworth. | 0:29:37 | 0:29:41 | |
In fact, we'll be as close to the sea as you could possibly be, | 0:29:41 | 0:29:44 | |
without getting caught by a wave. | 0:29:44 | 0:29:46 | |
The mystery property towers 200 metres above the former fishing hamlet of Ringstead | 0:29:46 | 0:29:51 | |
and has a real feeling of seclusion. | 0:29:51 | 0:29:54 | |
But the location is still close enough to civilisation if needed, | 0:29:54 | 0:29:57 | |
being less than ten miles from the seaside town of Weymouth, | 0:29:57 | 0:30:00 | |
which offers all the essential amenities. | 0:30:00 | 0:30:02 | |
The gamble with this house is there's no public transport connections near to the property, | 0:30:02 | 0:30:07 | |
just a beautiful coastal landscape with commanding sea views. | 0:30:07 | 0:30:11 | |
And just before the road tumbles down to the shore, we arrive. | 0:30:11 | 0:30:15 | |
SHE LAUGHS | 0:30:15 | 0:30:18 | |
-Wow! -So... | 0:30:18 | 0:30:19 | |
-Well, I don't know what this is. -It's the mystery property, that's what it is. | 0:30:19 | 0:30:24 | |
It looks like an old school house. | 0:30:24 | 0:30:27 | |
-It's actually an old coastguard house. -Oh, is it? | 0:30:27 | 0:30:30 | |
This was the boss's house. And there are six other houses attached to it. | 0:30:30 | 0:30:35 | |
Basically, we've brought you here because if you look that way... | 0:30:35 | 0:30:38 | |
-What do you see? -The sea! | 0:30:38 | 0:30:41 | |
-If you look that way, what do you see? -Rolling hills. | 0:30:41 | 0:30:45 | |
-There you go! -And over there. Oh, it's beautiful. | 0:30:45 | 0:30:47 | |
-Oh, beautiful views. -Yes. -Well, shall we get in? | 0:30:47 | 0:30:50 | |
-Oh, yes. Yes. -Come on! -I might have to get a donkey! | 0:30:50 | 0:30:54 | |
Cutting an imposing figure high on the chalk headland, | 0:30:55 | 0:30:58 | |
the mystery property was built back in the early 20th century to deter and catch smugglers. | 0:30:58 | 0:31:03 | |
So let's step inside for a little time travel. | 0:31:03 | 0:31:07 | |
-Two entrances to the property. This is the back one. -Oh, right. | 0:31:07 | 0:31:11 | |
-Through to a utility room. Also a downstairs loo there. -Yeah. | 0:31:11 | 0:31:14 | |
-Follow me through to the kitchen. -Oh, it's very quirky! | 0:31:14 | 0:31:17 | |
-Isn't it? -Isn't it just? -Yes. | 0:31:17 | 0:31:20 | |
Yes. Oh, this is... Oh, it's lovely this kitchen, yes. | 0:31:20 | 0:31:24 | |
-Yeah. -A nice feel to it. -It is. | 0:31:24 | 0:31:27 | |
It's old fashioned but it's been loved. You can see it's in good condition. I can see that. | 0:31:27 | 0:31:33 | |
I love the kitchen. It's very country kitchen, isn't it? | 0:31:33 | 0:31:36 | |
-So you've got the gas lamps. -No! | 0:31:36 | 0:31:38 | |
-Really? -No! -They don't still work, surely? -Yeah. -No! | 0:31:38 | 0:31:41 | |
-Gor! -No! -Beautiful, isn't it? I love it! | 0:31:41 | 0:31:45 | |
-JOHN LAUGHS -It's really... It's... | 0:31:45 | 0:31:48 | |
-It's not a joke house, is it? -No, no, this is all for real. -No! | 0:31:48 | 0:31:52 | |
-It's not a museum, is it? -It could be, couldn't it? | 0:31:52 | 0:31:55 | |
But just lovely little features everywhere you look. Do you like it? | 0:31:55 | 0:32:00 | |
In today's modern world, I don't know. It's not modern enough for me. | 0:32:00 | 0:32:05 | |
-I'd find it quite hard to get used to this. -We might change your mind. Let's look at the living room. -OK. | 0:32:05 | 0:32:10 | |
Come on, follow me. | 0:32:10 | 0:32:12 | |
Oh, this is another quirky room! | 0:32:18 | 0:32:21 | |
-Cosy little room, isn't it? -Yeah, it's very cosy. -Again, great fire. | 0:32:21 | 0:32:24 | |
-I know the fires are wonderful. -Beauty that, an absolute beauty! -Even nicer than the one in there. | 0:32:24 | 0:32:30 | |
-I just want to sit down and curl to sleep now. -Yes. | 0:32:30 | 0:32:32 | |
-You could be sitting here with your cat on your lap. -Yeah. | 0:32:32 | 0:32:35 | |
Next door you also have a study, music room, | 0:32:35 | 0:32:38 | |
which you could have as a little snug, a his-and-hers TV room. | 0:32:38 | 0:32:42 | |
-But John didn't want lots of little rooms. -No, not particularly, no. | 0:32:42 | 0:32:46 | |
The mystery house is set out over three levels | 0:32:46 | 0:32:49 | |
and, up on the top floor, lie two bright and homely double guest rooms. | 0:32:49 | 0:32:53 | |
Originally, the house offered a total of four bedrooms. | 0:32:53 | 0:32:58 | |
As well as the two up in the eaves on the second floor, | 0:32:58 | 0:33:01 | |
there were also two on the first floor. | 0:33:01 | 0:33:03 | |
They've now been divided with folding wooden doors, | 0:33:03 | 0:33:06 | |
which, when opened, create a rather grand master, | 0:33:06 | 0:33:09 | |
enjoying both rural views to the back and coastal views to the front. | 0:33:09 | 0:33:13 | |
And that's where we're heading next. | 0:33:13 | 0:33:15 | |
Nice family bathroom with a rolltop bath. Come through to the master bedroom. | 0:33:15 | 0:33:20 | |
-Oh, quite spacious up here. -This is quite nice. -Oh, surprised! | 0:33:20 | 0:33:25 | |
-Really surprised. -So you've got your own dressing area here. | 0:33:25 | 0:33:27 | |
Look at the view as well. | 0:33:27 | 0:33:30 | |
-Dressing area for you. -Yeah. -Sea views. Rolling hills. | 0:33:30 | 0:33:33 | |
-I know some of the rooms downstairs are small. -Yeah, yeah, it's better up here. | 0:33:33 | 0:33:38 | |
-I could see this house as a weekend retreat. -OK. | 0:33:38 | 0:33:42 | |
You know, not somewhere that I could live in every single day. | 0:33:42 | 0:33:45 | |
But if I wanted to escape for a weekend retreat, it would be some place like this. | 0:33:45 | 0:33:50 | |
This mystery house isn't for the faint-hearted. | 0:33:51 | 0:33:54 | |
Sadly, it appears to be too remote for our city slickers. | 0:33:54 | 0:33:58 | |
But we can't leave without checking out the pretty garden, | 0:33:58 | 0:34:01 | |
and soaking up those incredible and inspiring views. | 0:34:01 | 0:34:05 | |
And it's little surprise that this property also comes with an artist's studio. | 0:34:05 | 0:34:10 | |
-Might as well take a seat. -Yes, this is wonderful. -It is, yes. It is nice. | 0:34:13 | 0:34:17 | |
-It's definitely stunning. -It is. -It's the only word for it. -It's a lovely location. | 0:34:17 | 0:34:21 | |
-Let's talk money, cos you never know, that might change something. -This is a hard one. | 0:34:21 | 0:34:26 | |
I'm going for 450. | 0:34:26 | 0:34:29 | |
-Wow! All right. OK. 450,000? -Yeah. -OK. | 0:34:29 | 0:34:32 | |
I'm going to go up into the fives. I'm going to say something like 525. | 0:34:32 | 0:34:37 | |
-£525,000? -Yeah. -OK. -Yeah. | 0:34:37 | 0:34:41 | |
-It's definitely not 450. -Isn't it? -No. -No. -Nowhere near. -No. | 0:34:41 | 0:34:45 | |
-Well, I always go by the old-fashioned prices. -OK! | 0:34:45 | 0:34:48 | |
LAUGHTER | 0:34:48 | 0:34:50 | |
It's actually on the market for £575,000. | 0:34:50 | 0:34:52 | |
575? Yeah. OK. | 0:34:52 | 0:34:54 | |
Listen, go and have a look around. I'll be up here waiting for you. | 0:34:54 | 0:34:58 | |
-OK. -Yeah. -We'll do that. -Come along, Chrissie. | 0:34:58 | 0:35:01 | |
Again, under budget with an asking price of £575,000. | 0:35:04 | 0:35:08 | |
The mystery property is a Victorian, three-storey, semi-detached... | 0:35:08 | 0:35:12 | |
A rare opportunity to buy a part of Dorset's coastal heritage. | 0:35:13 | 0:35:17 | |
But it's the dramatic and inspirational setting | 0:35:26 | 0:35:29 | |
that makes it so very special. | 0:35:29 | 0:35:32 | |
The house is charming. | 0:35:32 | 0:35:35 | |
When you come into the kitchen, it is actually a lovely, cosy farmhouse kitchen. | 0:35:35 | 0:35:41 | |
And it is very appealing. | 0:35:41 | 0:35:43 | |
Although it's got that charm, it's too rustic, in a way. | 0:35:43 | 0:35:47 | |
It's in very good condition, | 0:35:47 | 0:35:50 | |
but it is like stepping back in time. | 0:35:50 | 0:35:53 | |
I think I would, sympathetically, update it, | 0:35:53 | 0:35:57 | |
keeping some of the traditional character of the property. | 0:35:57 | 0:36:00 | |
And you've got the benefit of the outhouse, as well. | 0:36:00 | 0:36:03 | |
The outhouse was a nice space, if you wanted to do any hobbies, any painting, or something like that. | 0:36:03 | 0:36:08 | |
-Hello. -I thought you were prolonging the journey back, you were dreading it. | 0:36:12 | 0:36:16 | |
-Seen enough? -Yes. -Yes. -I think so, yeah. | 0:36:16 | 0:36:19 | |
-We've shown you three very different properties. -Yeah. | 0:36:19 | 0:36:22 | |
-Certainly have. -Definitely. All different. | 0:36:22 | 0:36:24 | |
-Shall we go and find somewhere where we can have a chat about them? -Yes. -Come on. | 0:36:24 | 0:36:28 | |
It's safe to say that Dorset's winning combination of breath-taking coastline | 0:36:40 | 0:36:44 | |
and vintage countryside makes an ideal retreat for a spot of R and R. | 0:36:44 | 0:36:48 | |
Ah, there's nothing like the British countryside. | 0:36:48 | 0:36:51 | |
And where better than Dorset in the summer? Peace and tranquillity. | 0:36:51 | 0:36:55 | |
And tanks! | 0:36:55 | 0:36:57 | |
Oh, yes. | 0:36:57 | 0:36:59 | |
During the Great War, the British military were desperately trying | 0:36:59 | 0:37:02 | |
to find alternative ways of overcoming the stalemate in the trenches. | 0:37:02 | 0:37:06 | |
One mechanical solution was the secret development of so-called "land ships" | 0:37:06 | 0:37:11 | |
at Camp Bovington in the rural moorlands on Dorset's south coast. | 0:37:11 | 0:37:15 | |
This location was ideal because tanks could easily be transported | 0:37:15 | 0:37:19 | |
to the frontline just across the water in France. | 0:37:19 | 0:37:22 | |
And today, the camp is still home to the Armour Centre for the British Army, | 0:37:22 | 0:37:27 | |
part of which is open to the public. | 0:37:27 | 0:37:29 | |
I met up with museum curator David Willey | 0:37:29 | 0:37:31 | |
to find out more about the early deployments of these remarkable trench-crossing machines. | 0:37:31 | 0:37:36 | |
So I never knew that the German trenches were a little bit nicer than ours. | 0:37:36 | 0:37:41 | |
Well, the Germans, like this one... This is a recreation of a German trench we've got here. | 0:37:41 | 0:37:46 | |
They were there to stay. That's the whole point. They occupied the ground. We've got the problem. | 0:37:46 | 0:37:51 | |
How are we going to get them out? How are we going to push them back out of France and Belgium? | 0:37:51 | 0:37:56 | |
And that's why the British come up with this thing, the tank. | 0:37:56 | 0:37:59 | |
This new armoured vehicle was designed to cope with all types of ground conditions, | 0:37:59 | 0:38:04 | |
break through layers of barbed wire and provide protection from artillery and machine-gun fire. | 0:38:04 | 0:38:10 | |
Little Willie was the first basic tank prototype, | 0:38:10 | 0:38:12 | |
developed by British engineers, who drew their inspiration | 0:38:12 | 0:38:16 | |
from the caterpillar-tracked equipment used on farms in the USA. | 0:38:16 | 0:38:19 | |
Although not an instant success, Willie paved the way for the Mark I tank, | 0:38:19 | 0:38:24 | |
which was the first ever to be used in combat at the Battle of the Somme in September 1916. | 0:38:24 | 0:38:30 | |
-Is it a complicated bit of machinery? -For the day, they are cutting-edge technology. | 0:38:30 | 0:38:35 | |
-Why don't we have a look at one and you can see for yourself? -Brilliant. Come on. | 0:38:35 | 0:38:38 | |
Conditions inside the early tanks were cramped and appalling. | 0:38:38 | 0:38:42 | |
Apart from the enemy, the crew of up to eight men had to contend with deafening noise, | 0:38:42 | 0:38:47 | |
suffocating fumes and intense heat. | 0:38:47 | 0:38:50 | |
-So here we are. We're in what's called a Mark IV tank. -Right. | 0:38:50 | 0:38:53 | |
And this is the one they made the most of in the First World War. They made about 1,000 of these. | 0:38:53 | 0:38:58 | |
This particular one is what they call a male tank. | 0:38:58 | 0:39:01 | |
This one, being a male, has the bigger guns on the side, what they call six-pounder guns. | 0:39:01 | 0:39:05 | |
Female tanks just have two machine guns. | 0:39:05 | 0:39:08 | |
-Why are all the tanks here then? -This is where all the tanks came back after the First World War | 0:39:08 | 0:39:13 | |
to be chopped up for scrap metal and the story goes that Rudyard Kipling, the author and poet, | 0:39:13 | 0:39:19 | |
came down here in about 1923 on a visit and said, "You ought to save some of those. | 0:39:19 | 0:39:24 | |
"They were very important in the First World War." And that was the start of the museum. | 0:39:24 | 0:39:27 | |
Modern tanks have now evolved beyond all recognition. | 0:39:27 | 0:39:30 | |
And they're actually allowing me to have a go. Talk about big boys' toys! | 0:39:30 | 0:39:35 | |
-I'm in. -Right, now I'm going to pass you some ear protection. | 0:39:37 | 0:39:40 | |
-Fantastic. -Yeah, comfy? -Can't hear a word you're saying, so it's obviously working. | 0:39:40 | 0:39:44 | |
Copied and developed by countries all over the world, | 0:39:48 | 0:39:50 | |
this original British invention has become a key weapon for the military | 0:39:50 | 0:39:54 | |
and even today, constitutes an essential asset in land combat operations. | 0:39:54 | 0:39:59 | |
And talking of assets, in the battle of the houses, | 0:39:59 | 0:40:03 | |
which one of our selection, if any, will win? | 0:40:03 | 0:40:05 | |
Let's find out. | 0:40:05 | 0:40:07 | |
Well, thanks for finding a nice secluded spot for us to have a chat. | 0:40:10 | 0:40:13 | |
-But windy, isn't it? -Escape To The Country! -It is, yeah. | 0:40:13 | 0:40:17 | |
-We're the only ones brave enough to... -We are. Mad as hatters, aren't we? | 0:40:17 | 0:40:21 | |
Yeah! Well, hope you've enjoyed it. | 0:40:21 | 0:40:24 | |
-It's been great. -It's been marvellous. A good adventure and a good experience. -A lovely few days! | 0:40:24 | 0:40:28 | |
-Three really different houses. -Yeah. -Very different, yes. | 0:40:28 | 0:40:31 | |
How did you feel when you walked up to that first one and saw that thatched roof? | 0:40:31 | 0:40:34 | |
It really brought a tear to my eye. I actually got quite emotional. | 0:40:34 | 0:40:38 | |
-I really did. -It looked lovely. It's what you would imagine | 0:40:38 | 0:40:41 | |
-when you come up to a house. -And it was absolutely immaculate inside. | 0:40:41 | 0:40:44 | |
-Yeah. -Yes, it was a lovely house. | 0:40:44 | 0:40:48 | |
There was only one drawback. It was really rural. | 0:40:48 | 0:40:51 | |
There was nothing there. | 0:40:51 | 0:40:54 | |
-It had neighbours. -It had neighbours and a village pub. -Yeah. | 0:40:54 | 0:40:58 | |
And the people were very friendly, but there was no shop. | 0:40:58 | 0:41:01 | |
You couldn't even buy a newspaper there. | 0:41:01 | 0:41:04 | |
You need a car to live there. | 0:41:04 | 0:41:06 | |
-I think you're going to need a car wherever you live in the country. -I think we've discovered that. | 0:41:06 | 0:41:11 | |
In the last few days, we've found out that you do really need a car. | 0:41:11 | 0:41:15 | |
Let's talk about the second one. It just wasn't modern enough! | 0:41:15 | 0:41:19 | |
-Must we? -Yeah, sorry! Hold her back! | 0:41:19 | 0:41:21 | |
-You loved it. -I loved it. | 0:41:21 | 0:41:24 | |
-And I think you said you didn't like it. -I didn't like it at all. | 0:41:24 | 0:41:27 | |
I hoped that it would be modern and when we went inside, by golly it was modern. | 0:41:27 | 0:41:32 | |
-I really liked it. -It was modern, yes. -I loved it. | 0:41:32 | 0:41:34 | |
-That was the type of house I like. -And then we showed you remote, with the third one. | 0:41:34 | 0:41:39 | |
It was rural, but it gave you the sea, | 0:41:39 | 0:41:42 | |
which I was willing to compromise on, and it also gave you the rural aspect, | 0:41:42 | 0:41:46 | |
-so it didn't feel totally rural. -You didn't feel you were cut off in property three, | 0:41:46 | 0:41:50 | |
because you could see Weymouth, Portland, you could see a town | 0:41:50 | 0:41:56 | |
in the distance, more or less, you know. | 0:41:56 | 0:41:58 | |
You loved the drive up, didn't you? | 0:41:58 | 0:42:00 | |
Oh, the drive up was... Well, what can I say? | 0:42:00 | 0:42:03 | |
-You definitely need a four-by-four car there. -You would. | 0:42:03 | 0:42:07 | |
-Yes. -Definitely. -Yeah. -It was an amazing house though. -Unbelievable. | 0:42:07 | 0:42:10 | |
If you want to get away from it, escape from the world, that's the house, really. | 0:42:10 | 0:42:16 | |
-Be a bit of a hardship to live there. -Do you think? -I think so, yes. -I think so, too. | 0:42:16 | 0:42:22 | |
So the second property was too modern? | 0:42:22 | 0:42:25 | |
-And the third property was too old-fashioned for you? -Too old-fashioned. | 0:42:25 | 0:42:28 | |
-Which means the first property's perfect. -The first property was my favourite out of the three. | 0:42:28 | 0:42:33 | |
Right. So do you think you'll see any of them again? | 0:42:33 | 0:42:37 | |
-Not... -Realistically? -Not those ones. -Not out of the three, no. -No. -No. -Not even the first one then? | 0:42:37 | 0:42:42 | |
We'd rather get something where we can walk around. | 0:42:42 | 0:42:45 | |
-Well, I wish you luck. -Thank you! | 0:42:45 | 0:42:47 | |
And I hope you do find that house with the sea view and rural views that's not too isolated. | 0:42:47 | 0:42:52 | |
-We'll try our best. -It's been great meeting you and lovely spending time with you. | 0:42:52 | 0:42:55 | |
Well, I think it's fair to say that we showed Chrissie and John | 0:42:59 | 0:43:02 | |
three very different properties here in Dorset. | 0:43:02 | 0:43:05 | |
And all of them, on paper, had elements of what they're looking for in their dream house. | 0:43:05 | 0:43:08 | |
But one thing is for certain, if they are going to make the move here, | 0:43:08 | 0:43:11 | |
I fear they're going to have to jump back in that car. | 0:43:11 | 0:43:14 | |
I wish them well. It's bye from me. | 0:43:14 | 0:43:17 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:17 | 0:43:20 | |
Northern Ireland or England and need our help, | 0:43:20 | 0:43:22 | |
please apply online at: | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 |