Browse content similar to Somerset. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Escape To The Country. | 0:00:02 | 0:00:03 | |
According to the nursery rhyme, | 0:00:03 | 0:00:05 | |
Little Jack Horner sat in a corner somewhere around here. | 0:00:05 | 0:00:08 | |
But where are we and who was Jack Horner? | 0:00:08 | 0:00:11 | |
Well, join me in just a few moments and I'll tell you. | 0:00:11 | 0:00:13 | |
On today's show, I'll be helping a couple who want to swap the Swiss Alps | 0:00:43 | 0:00:47 | |
for a bit of glorious countryside back home in the UK. | 0:00:47 | 0:00:51 | |
And as our house hunt gathers pace, so do their reactions. | 0:00:51 | 0:00:55 | |
-Fascinating. -Ooh! -Yes. -I think things have gone up a gear. | 0:00:55 | 0:00:58 | |
So much so, it all seems too good to be true. | 0:00:58 | 0:01:02 | |
-Where to next? -Where to next? -We can only go downhill from here. | 0:01:02 | 0:01:05 | |
No, we can't, no, we can't. | 0:01:05 | 0:01:07 | |
Today, we're in Somerset in the village of Mells, | 0:01:10 | 0:01:13 | |
the place, it's thought, that inspired the nursery rhyme Little Jack Horner. | 0:01:13 | 0:01:17 | |
Now, the story goes that Little Jack was one Jack Horner, | 0:01:17 | 0:01:21 | |
an emissary from the abbot of Glastonbury, | 0:01:21 | 0:01:23 | |
who was entrusted with taking a pie to the table of Henry VIII | 0:01:23 | 0:01:26 | |
in the crust of which were the deeds to this manor. | 0:01:26 | 0:01:29 | |
The implication is that he pinched this place | 0:01:29 | 0:01:32 | |
but in reality, well, the story is very different. | 0:01:32 | 0:01:34 | |
Jack Horner actually bought it from the crown | 0:01:34 | 0:01:37 | |
at the time when the monasteries were being dissolved. | 0:01:37 | 0:01:40 | |
His descendants still live here | 0:01:40 | 0:01:41 | |
and more to the point they've got the receipt of sale to prove it. | 0:01:41 | 0:01:44 | |
So if you ask me, | 0:01:44 | 0:01:45 | |
it was a fairly plum bit of 16th-century property speculation. | 0:01:45 | 0:01:49 | |
Seen by many as the gateway to the Southwest, | 0:01:51 | 0:01:54 | |
Somerset boasts beautiful countryside | 0:01:54 | 0:01:56 | |
and stunning coastline, | 0:01:56 | 0:01:58 | |
looking out over the Bristol Channel. | 0:01:58 | 0:02:00 | |
Towards the north of the county, the range of limestone hills known as the Mendips | 0:02:00 | 0:02:04 | |
conceal an extensive network of caves, underground rivers and gorges, | 0:02:04 | 0:02:09 | |
the most famous of which is undoubtedly the dramatic precipice at Cheddar. | 0:02:09 | 0:02:13 | |
The county is not just home to nursery rhymes. | 0:02:14 | 0:02:17 | |
It's thought that Somerset's north coast inspired Coleridge | 0:02:17 | 0:02:20 | |
to write his epic poem The Rime Of The Ancient Mariner | 0:02:20 | 0:02:24 | |
and a seven-foot high effigy of the Mariner stands in the poet's memory | 0:02:24 | 0:02:27 | |
on the harbour in the town of Watchet. | 0:02:27 | 0:02:30 | |
Covering more than 1,500 square miles | 0:02:30 | 0:02:32 | |
Somerset's varied landscape epitomises the timeless beauty of the rural West Country, | 0:02:32 | 0:02:38 | |
painting itself perfectly in just about every shade of green. | 0:02:38 | 0:02:41 | |
Now, at £265,000, the average house price in Somerset | 0:02:47 | 0:02:51 | |
would appear to offer fairly good value for money, | 0:02:51 | 0:02:54 | |
being just 3% above the national average | 0:02:54 | 0:02:57 | |
and there are some rich pickings to be had | 0:02:57 | 0:02:59 | |
around Shepton Mallet and Cheddar. | 0:02:59 | 0:03:00 | |
But head towards Bath and things go up. | 0:03:00 | 0:03:03 | |
In villages around there you could add a £50,000 premium | 0:03:03 | 0:03:06 | |
to the property that you're looking at. | 0:03:06 | 0:03:08 | |
But as you can tell, there is one thing this county is not short of | 0:03:08 | 0:03:11 | |
and that's beautiful architecture. | 0:03:11 | 0:03:13 | |
Somerset has an extremely diverse geology | 0:03:13 | 0:03:16 | |
and quarrying for building stone has occurred since Roman times. | 0:03:16 | 0:03:20 | |
The robust red sandstone from the Quantock and Brendon hills | 0:03:20 | 0:03:24 | |
are most commonly used in the west of the county. | 0:03:24 | 0:03:26 | |
Further north, around the city of Bath, | 0:03:26 | 0:03:29 | |
the villages owe their distinctive style to the local Bath stone. | 0:03:29 | 0:03:32 | |
This warm, mellow stone has been used extensively | 0:03:32 | 0:03:36 | |
in the handsome 18th-century houses in Bathampton | 0:03:36 | 0:03:39 | |
and this detached, two-bedroom former coach house, | 0:03:39 | 0:03:41 | |
dating back to the early 1800s, is a prime example, | 0:03:41 | 0:03:45 | |
that's currently for sale at £435,000. | 0:03:45 | 0:03:49 | |
Thatched roofs are common in the West Country | 0:03:49 | 0:03:52 | |
and here the style is typically combed wheat reed or water reed, | 0:03:52 | 0:03:56 | |
featuring a shallow pitch. | 0:03:56 | 0:03:58 | |
This delightful four-bedroom thatched cottage in Mells | 0:03:58 | 0:04:01 | |
is on the market for £850,000 | 0:04:01 | 0:04:04 | |
and is awash with character from its 16th-century origins. | 0:04:04 | 0:04:07 | |
So as you can see, there is plenty to tempt anybody | 0:04:10 | 0:04:13 | |
who wants to escape to the country, | 0:04:13 | 0:04:15 | |
which is just as well because today's buyers | 0:04:15 | 0:04:17 | |
aren't just escaping, they're moving from one country to another. | 0:04:17 | 0:04:21 | |
Close to celebrating their ruby anniversary, | 0:04:21 | 0:04:25 | |
Graham and Sandra are both on the cusp of retirement. | 0:04:25 | 0:04:28 | |
Sandra is a teacher and Graham's role as a group vice president for a Swiss service company | 0:04:28 | 0:04:33 | |
has taken them all around the world. | 0:04:33 | 0:04:35 | |
Residents of Switzerland for the past three decades, | 0:04:35 | 0:04:38 | |
their busy lives have included raising three sons. | 0:04:38 | 0:04:41 | |
But they can't ignore the call of the English countryside, | 0:04:41 | 0:04:45 | |
so they've sold their house in Geneva | 0:04:45 | 0:04:47 | |
and are now temporarily staying in a hotel in Britain | 0:04:47 | 0:04:50 | |
with the hope of finding their new dream home. | 0:04:50 | 0:04:53 | |
The international life in Geneva has its positives, strong positives - | 0:04:53 | 0:04:57 | |
the bistro, cafe mentality in the summer, | 0:04:57 | 0:05:01 | |
the skiing in the winter - | 0:05:01 | 0:05:02 | |
but there are a lot of things about the UK that we miss, | 0:05:02 | 0:05:05 | |
not only the weather but also going down to the pub in the evening, | 0:05:05 | 0:05:09 | |
something you can't do in Geneva. | 0:05:09 | 0:05:11 | |
So the time is right for them to settle back on home turf. | 0:05:11 | 0:05:15 | |
Coming back to the UK, it's like an old shoe. | 0:05:15 | 0:05:17 | |
It's a bit uncomfortable when you put it on | 0:05:17 | 0:05:19 | |
but you take a few steps and it's yours | 0:05:19 | 0:05:21 | |
and your foot fits and it's easy to walk. | 0:05:21 | 0:05:26 | |
It will be a whole new life, | 0:05:26 | 0:05:28 | |
away from work and everything that we've known in the past | 0:05:28 | 0:05:31 | |
to something new, which is quite exciting. | 0:05:31 | 0:05:34 | |
Graham is originally from Swindon | 0:05:34 | 0:05:37 | |
and they're both familiar with the Southwest, | 0:05:37 | 0:05:39 | |
so they've settled on Somerset as their county of choice. | 0:05:39 | 0:05:41 | |
And as for the property itself, well, they're pretty flexible. | 0:05:41 | 0:05:45 | |
I think we're looking for a house with character, | 0:05:45 | 0:05:49 | |
an individual house. | 0:05:49 | 0:05:51 | |
It could possibly be a barn conversion | 0:05:51 | 0:05:54 | |
simply because of the opportunity there is to have an open space. | 0:05:54 | 0:05:59 | |
I'm interested in a spacious house | 0:05:59 | 0:06:05 | |
but the garden - that is the thing that really interests me. | 0:06:05 | 0:06:09 | |
And I would actually quite like a pond in the garden. | 0:06:09 | 0:06:14 | |
Leaving Sandra to the horticulture, | 0:06:14 | 0:06:16 | |
you'll probably find Graham in the garage, | 0:06:16 | 0:06:18 | |
busy with a pastime he takes very seriously. | 0:06:18 | 0:06:21 | |
I get offended when people talk about my "train set". | 0:06:21 | 0:06:23 | |
My sons say, "Are you going out to play with your trains, Dad?" | 0:06:23 | 0:06:27 | |
I prefer to think of it as model engineering. | 0:06:27 | 0:06:30 | |
The existing layout occupies almost the entirety of a double garage. | 0:06:30 | 0:06:35 | |
-Maybe we need a triple garage. -Maybe we need a triple garage, yeah. | 0:06:37 | 0:06:40 | |
There's a thought. | 0:06:41 | 0:06:42 | |
All that remains is to find out what their euros convert to in pounds sterling. | 0:06:42 | 0:06:48 | |
The budget for our house would be a maximum of £900,000. | 0:06:48 | 0:06:53 | |
Good transport links are essential for our buyers | 0:06:58 | 0:07:01 | |
as they need to access the M4 to stay connected to Graham's mother in Swindon | 0:07:01 | 0:07:05 | |
and also for airport runs when their three sons fly in to visit from abroad. | 0:07:05 | 0:07:09 | |
Our house search will focus on the villages to the north of the county, | 0:07:10 | 0:07:13 | |
around the city of Bath. | 0:07:13 | 0:07:15 | |
Time now for me to catch up with Graham and Sandra, | 0:07:15 | 0:07:18 | |
to discover more about the details of their move. | 0:07:18 | 0:07:21 | |
-Hello, there. -Hello. -Nice to see you. -Good morning. | 0:07:21 | 0:07:24 | |
Well, Sandra and Graham, the lure of the English countryside | 0:07:24 | 0:07:27 | |
has brought you all the way back from Switzerland to Somerset. | 0:07:27 | 0:07:31 | |
-35 years abroad. -Yes. -How well do you know the UK now? | 0:07:31 | 0:07:35 | |
Not very well at all, so it's a voyage of discovery for us. | 0:07:35 | 0:07:39 | |
Give us an idea, Sandra, of the sort of property | 0:07:39 | 0:07:42 | |
that you envisage living in. | 0:07:42 | 0:07:44 | |
A reasonably sized home. | 0:07:44 | 0:07:47 | |
Four bedrooms, maybe five | 0:07:47 | 0:07:49 | |
if there's a downstairs bedroom with an en suite | 0:07:49 | 0:07:53 | |
that would suit for when Graham's mother comes to visit. | 0:07:53 | 0:07:55 | |
-Now, the garden is very important, isn't it? -Yes. | 0:07:55 | 0:07:58 | |
How keen a gardener are you, on a scale of one to ten? | 0:07:58 | 0:08:01 | |
Ooh, nine. | 0:08:01 | 0:08:02 | |
Nine, yeah? | 0:08:02 | 0:08:05 | |
So you've both got your areas of influence - | 0:08:05 | 0:08:07 | |
-the model railway and the garden. -Yes. | 0:08:07 | 0:08:09 | |
-You need a house to contain all that, somewhere for Mum if she comes to stay... -Exactly. | 0:08:09 | 0:08:14 | |
..but with a slice of English character, I suspect, | 0:08:14 | 0:08:17 | |
-to give you that feel that you have come home. -Yes, yes. -Indeed. | 0:08:17 | 0:08:20 | |
The most important thing is that we've got you three wonderful properties to look at, | 0:08:20 | 0:08:24 | |
including the mystery house. | 0:08:24 | 0:08:26 | |
Come on and follow me. | 0:08:26 | 0:08:28 | |
For a top budget of £900,000, | 0:08:29 | 0:08:31 | |
Graham and Sandra have requested a house with character | 0:08:31 | 0:08:34 | |
and plenty of space. | 0:08:34 | 0:08:36 | |
They need five bedrooms, including one on the ground floor, | 0:08:36 | 0:08:39 | |
a large garden for green-fingered Sandra, | 0:08:39 | 0:08:42 | |
and for Graham it's a room for his extensive model railway network. | 0:08:42 | 0:08:46 | |
We've cherry-picked three fantastic properties | 0:08:46 | 0:08:49 | |
that will hopefully conjure up the English country dream | 0:08:49 | 0:08:51 | |
for our returning ex-pats. | 0:08:51 | 0:08:53 | |
Among them is the mystery house, which should open up their eyes | 0:08:53 | 0:08:57 | |
to somewhere entirely different. | 0:08:57 | 0:09:00 | |
Seeing as Graham and Sandra are living in a hotel, | 0:09:00 | 0:09:03 | |
time is of the essence, | 0:09:03 | 0:09:04 | |
to find them a home as soon as possible, | 0:09:04 | 0:09:06 | |
so let's get started. | 0:09:06 | 0:09:08 | |
Our first house is the Mendip village of Buckland Dinham, | 0:09:08 | 0:09:11 | |
towards the north of the county. | 0:09:11 | 0:09:13 | |
Around three miles away from the house is the neighbouring village of Mells, | 0:09:13 | 0:09:17 | |
which has a fantastic community-run shop, post office and cafe. | 0:09:17 | 0:09:21 | |
We're making a quick detour here | 0:09:21 | 0:09:23 | |
to whet Graham and Sandra's appetite with some English community spirit. | 0:09:23 | 0:09:27 | |
-Here we are. Good morning. -Morning. -How are you? -Fine, thank you. | 0:09:27 | 0:09:31 | |
And look who've I've brought . to visit the Mells shop. | 0:09:31 | 0:09:34 | |
-These two have lived out of the country for 35 years. -Oh, my goodness. | 0:09:34 | 0:09:38 | |
We're trying to reintroduce them to the best that England has to offer. | 0:09:38 | 0:09:42 | |
-Yes. -And I don't think this is a bad start. | 0:09:42 | 0:09:44 | |
I think you've come to the right place, definitely. | 0:09:44 | 0:09:47 | |
This is a shop with a difference. It's not just the village cafe. | 0:09:47 | 0:09:51 | |
No, it's a community shop, | 0:09:51 | 0:09:53 | |
it's a post office and a wonderful cafe all rolled into one. | 0:09:53 | 0:09:58 | |
June, how did the shop come about? | 0:09:58 | 0:10:00 | |
Well, in 2008, a group of interested villagers got together around a kitchen table | 0:10:00 | 0:10:05 | |
and from there, we offered membership to anybody in the community. | 0:10:05 | 0:10:09 | |
As a result of that we got £20,000, | 0:10:09 | 0:10:11 | |
which demonstrated the interest in the community | 0:10:11 | 0:10:15 | |
-and we go from strength to strength. -I think you've done it really well. | 0:10:15 | 0:10:18 | |
So presumably a brilliant place | 0:10:18 | 0:10:20 | |
to get to know not just the area and people | 0:10:20 | 0:10:22 | |
but also the sense of community? | 0:10:22 | 0:10:24 | |
Oh, absolutely. It's really brought the community together. | 0:10:24 | 0:10:27 | |
-I really recommend it for newcomers. It's ideal. -There you go. | 0:10:27 | 0:10:30 | |
And though the cakes look mighty tempting, | 0:10:30 | 0:10:34 | |
we've got to get going to our first house, | 0:10:34 | 0:10:35 | |
which is just a ten-minute drive away | 0:10:35 | 0:10:37 | |
in the small village of Buckland Dinham. | 0:10:37 | 0:10:39 | |
Set back from the main road is our rather appropriate first property. | 0:10:39 | 0:10:44 | |
-How about that, then? -Was it a school? -It was a school. | 0:10:46 | 0:10:49 | |
-Well spotted. We thought this was quite fitting for you. -Yeah. OK. | 0:10:49 | 0:10:53 | |
-The old school. -Lovely old schoolhouse. 1853. | 0:10:53 | 0:10:56 | |
-You also, however, get that orchard behind us. -Ah! | 0:10:56 | 0:10:59 | |
Very, very good soil. All organic, I'm told. | 0:10:59 | 0:11:02 | |
-OK. -Nice apple trees, as you can see, nice and mature, | 0:11:02 | 0:11:05 | |
-so plenty of space for the gardening to develop. -Yes. | 0:11:05 | 0:11:08 | |
-Yeah, good. -In whichever way you want it to. -Yes. | 0:11:08 | 0:11:11 | |
-Looks fascinating. -I think this is a nice one to start with, I really do. | 0:11:11 | 0:11:15 | |
If offers a very interesting part of the history of this village | 0:11:15 | 0:11:18 | |
and you could get to call it home. | 0:11:18 | 0:11:21 | |
-We could. -Indeed. | 0:11:21 | 0:11:23 | |
-Let's find out. Come and follow me. -Thank you. | 0:11:23 | 0:11:25 | |
Graham and Sandra have expressed a preference for conversions | 0:11:28 | 0:11:31 | |
and this one is a particularly fine example. | 0:11:31 | 0:11:34 | |
Comprising a former Victorian schoolhouse and cottage, | 0:11:34 | 0:11:37 | |
it has a light and modern feel | 0:11:37 | 0:11:38 | |
wrapped up in an historic mid-19th-century shell. | 0:11:38 | 0:11:42 | |
-What do you think, Graham? -I like the beams. I do like the beams. | 0:11:42 | 0:11:46 | |
-And I also like the two spiral staircases. -Yes. | 0:11:46 | 0:11:50 | |
It's amazing. It's not at all what it looks like from the outside, is it? | 0:11:50 | 0:11:53 | |
It's amazing. That's the word I was hoping to hear. | 0:11:53 | 0:11:56 | |
In a way, you've got two kind of distinct zones in this huge room. | 0:11:56 | 0:12:01 | |
You've got a lovely, very modern multifuel stove there... | 0:12:01 | 0:12:04 | |
-Yes. -That's what the wood is for. -Yeah. | 0:12:04 | 0:12:06 | |
And you've got this lovely open fireplace, | 0:12:06 | 0:12:08 | |
which is original to the build of the school. | 0:12:08 | 0:12:10 | |
-My guess is you'd probably want to sort of zone it. -Fascinating. | 0:12:10 | 0:12:15 | |
-Ooh. I think things have gone up a gear from outside. -They have, they have. | 0:12:15 | 0:12:19 | |
We've come to there. The question is, can we go to there? | 0:12:19 | 0:12:22 | |
-Let's go to the kitchen and find out. -OK. | 0:12:22 | 0:12:24 | |
There we are. Again, as you can see, | 0:12:27 | 0:12:30 | |
-just drifts off of the main living area itself. -Yes. | 0:12:30 | 0:12:34 | |
-It's a good-sized kitchen. -Yeah? -Yeah. | 0:12:34 | 0:12:38 | |
How does it compare to what you've got already? | 0:12:38 | 0:12:40 | |
-This kitchen is probably bigger. -And it's more open to the outside. | 0:12:40 | 0:12:45 | |
Mm. There's also a very generous utility area through there, | 0:12:45 | 0:12:49 | |
a downstairs loo and another door out to the garden. | 0:12:49 | 0:12:52 | |
-It's more spacious than I expected it to be from the outside. -Yeah. | 0:12:52 | 0:12:56 | |
Because it goes that way as well. | 0:12:56 | 0:12:58 | |
The key thing, Sandra, is that we haven't let you down. | 0:12:58 | 0:13:01 | |
-Absolutely not. -Oh, no, no, no. -Follow me across here. | 0:13:01 | 0:13:04 | |
It's all going to plan so far, | 0:13:06 | 0:13:08 | |
so let's see if we'll get equally positive reactions | 0:13:08 | 0:13:10 | |
to the other wing on the ground floor. | 0:13:10 | 0:13:13 | |
Now, this is interesting. | 0:13:13 | 0:13:14 | |
Across that huge space, we've got another, smaller living room, | 0:13:14 | 0:13:19 | |
something of a snug, if you will, with another lovely woodburner. | 0:13:19 | 0:13:22 | |
What's interesting, though, is that leading off it | 0:13:22 | 0:13:25 | |
is a lovely conservatory | 0:13:25 | 0:13:26 | |
-and through there, bedroom. -Ah! -Bedroom. That's a surprise. | 0:13:26 | 0:13:32 | |
-That, if you kept it as a bedroom, would be bedroom number four. -OK. | 0:13:32 | 0:13:36 | |
-It's a good size. -Isn't it? -It is a good size. | 0:13:36 | 0:13:38 | |
Now, in fairness, it doesn't have an en suite | 0:13:38 | 0:13:40 | |
but just next door is a very fabulous family bathroom, | 0:13:40 | 0:13:44 | |
so it's all on the same level. | 0:13:44 | 0:13:46 | |
-So I'm thinking Mum. -Yeah. -Yeah. -Indeed. | 0:13:46 | 0:13:50 | |
So the big open living space, that's one thing | 0:13:50 | 0:13:52 | |
but somewhere a bit cosy, perhaps if you're here on your own | 0:13:52 | 0:13:55 | |
-or just relaxing, reading a book. -It's ideal. | 0:13:55 | 0:13:59 | |
I can close the door and turn up the stereo. | 0:13:59 | 0:14:01 | |
And while Graham pumps up the music, | 0:14:02 | 0:14:04 | |
there's plenty more space for Sandra to escape to upstairs. | 0:14:04 | 0:14:07 | |
Directly above the annexe wing is a galleried landing, | 0:14:09 | 0:14:11 | |
transformed into useful office space, | 0:14:11 | 0:14:14 | |
off which sits a bright and modern family bathroom | 0:14:14 | 0:14:17 | |
that serves two double bedrooms. | 0:14:17 | 0:14:19 | |
The larger of the two is a dazzlingly light room | 0:14:19 | 0:14:22 | |
that sits right next to the smaller one, set up as a study. | 0:14:22 | 0:14:25 | |
Then the last of the four bedrooms is the master suite, | 0:14:25 | 0:14:28 | |
which is accessed from the other spiral staircase on the opposite side of the property. | 0:14:28 | 0:14:34 | |
And this is your own kind of wing, as it were. | 0:14:34 | 0:14:39 | |
-Ah! -A little palace. -Come on in. Come on in. | 0:14:39 | 0:14:43 | |
-How about it? -I rather like that semi-circular window. | 0:14:43 | 0:14:46 | |
Yes! You're going to love the en suite, which is through there. | 0:14:46 | 0:14:49 | |
-Rather special. -It is. -Isn't it? -It is, yes. -I'll say. | 0:14:49 | 0:14:53 | |
-Yeah! -It doesn't have a school feel at all. | 0:14:53 | 0:14:55 | |
-Good, good. -No, no, no. -Good. | 0:14:55 | 0:14:58 | |
Well, so far, Sandra seems to be awarding us high marks, | 0:14:58 | 0:15:02 | |
so let's wind our way back down the stairs and into the garden | 0:15:02 | 0:15:05 | |
to find out if that also makes the grade. | 0:15:05 | 0:15:08 | |
Well, the back tells a slightly different story to the front. | 0:15:09 | 0:15:14 | |
Gone is the symmetry and here, there's this lovely amalgam. | 0:15:14 | 0:15:16 | |
In terms of garden space, you remember we saw the orchard - | 0:15:16 | 0:15:20 | |
-that's pretty big. -Yes. | 0:15:20 | 0:15:21 | |
-It would make a fabulous vegetable patch. -It would. | 0:15:21 | 0:15:24 | |
But you've also got this area here and it extends off round the corner. | 0:15:24 | 0:15:27 | |
Again, a few more fruit trees and so on and so forth. | 0:15:27 | 0:15:31 | |
-And a pond, Sandra. -Wonderful. -Happy? -Yes. | 0:15:31 | 0:15:34 | |
Yeah! Well, I know that ponds are of interest to you. | 0:15:34 | 0:15:37 | |
-Now, then, the railway. -Yes, indeed. | 0:15:37 | 0:15:40 | |
There is this garage space behind us | 0:15:40 | 0:15:43 | |
that also contain the oil tank for the boiler, | 0:15:43 | 0:15:46 | |
but if renovated, it might do the job, I'm hoping. | 0:15:46 | 0:15:51 | |
-You can have a proper look at that a little bit later on. -Fine. | 0:15:51 | 0:15:55 | |
But I think we've certainly got space to accommodate it, | 0:15:55 | 0:15:58 | |
-even if you went to build yourself something bespoke. -Yeah. | 0:15:58 | 0:16:01 | |
-Well, let's see if we can tempt you with its price. -Right. | 0:16:01 | 0:16:04 | |
-Your £900,000... -Yes. -..is ready to go. | 0:16:04 | 0:16:08 | |
How much of it do you think you're going to have to part with | 0:16:08 | 0:16:11 | |
to get property number one, madam? | 0:16:11 | 0:16:13 | |
800, maybe a bit more. | 0:16:13 | 0:16:16 | |
Maybe a bit more than 800? You could be right, there, yeah. | 0:16:16 | 0:16:19 | |
-Graham? -I would have said about the same. | 0:16:19 | 0:16:21 | |
OK, well, this would cost you £850,000. | 0:16:21 | 0:16:27 | |
-This could grow on me. -It could? That's the spirit. | 0:16:27 | 0:16:29 | |
-I'll catch up with you later. -All right, thank you. | 0:16:29 | 0:16:32 | |
At £50,000 under budget, | 0:16:39 | 0:16:41 | |
this schoolhouse, thought to date back to 1853, | 0:16:41 | 0:16:45 | |
has been sympathetically converted and has got us off to a sound start. | 0:16:45 | 0:16:49 | |
The flexible reception areas lend themselves | 0:16:49 | 0:16:52 | |
to an impressive open-plan drawing room | 0:16:52 | 0:16:54 | |
with exposed pine timbers, | 0:16:54 | 0:16:56 | |
a kitchen-breakfast room | 0:16:56 | 0:16:57 | |
and included in the four bedrooms | 0:16:57 | 0:16:59 | |
is the potential for a ground-floor annexe suite. | 0:16:59 | 0:17:03 | |
Outside, the grounds extend to just under half an acre, | 0:17:03 | 0:17:05 | |
with an orchard and pond for Sandra | 0:17:05 | 0:17:07 | |
and also options for Graham's miniature railway. | 0:17:07 | 0:17:10 | |
When we entered the house I was really quite surprised. | 0:17:10 | 0:17:13 | |
The open space, the vaulted ceilings, | 0:17:13 | 0:17:16 | |
the way they've used the original architecture of the school building, | 0:17:16 | 0:17:20 | |
really opened up quite a few possibilities for me | 0:17:20 | 0:17:23 | |
as to what we could do with this space. | 0:17:23 | 0:17:25 | |
I love the garden because there are so many facets to it. | 0:17:25 | 0:17:28 | |
It has so many areas that you could work with. | 0:17:28 | 0:17:31 | |
It has a wonderful pond that I would really enjoy working with, | 0:17:31 | 0:17:35 | |
as I haven't had one for a lot of years. | 0:17:35 | 0:17:38 | |
The whole garden, I really like it. | 0:17:38 | 0:17:40 | |
-I would have the time to work on it. -Yeah. -So that's not an issue. -OK. | 0:17:40 | 0:17:44 | |
I'm delighted that the trains have made way | 0:17:44 | 0:17:47 | |
for a conversation about the garden, Sandra's garden. | 0:17:47 | 0:17:51 | |
-Come on. -Let's go. -I'm going to take you off to property number two. | 0:17:51 | 0:17:55 | |
Throughout Somerset's rural landscape, | 0:18:05 | 0:18:07 | |
there are many waterways cutting their way through the countryside. | 0:18:07 | 0:18:11 | |
Towards the west edge of the Mendips, | 0:18:11 | 0:18:13 | |
the River Sheppey rushes through the historic market town of Shepton Mallet, | 0:18:13 | 0:18:17 | |
and was once used to power as many as 30 mills for the local textile industry | 0:18:17 | 0:18:21 | |
during the 1600s and 1700s. | 0:18:21 | 0:18:23 | |
By the 19th century, | 0:18:24 | 0:18:26 | |
the arrival of the railway changed the area's fortunes again | 0:18:26 | 0:18:29 | |
and, indeed, its scenery. | 0:18:29 | 0:18:31 | |
There were once two networks that crossed the town | 0:18:31 | 0:18:34 | |
and although both lines have long since closed, | 0:18:34 | 0:18:36 | |
the imposing Charlton viaduct creates a dramatic reminder | 0:18:36 | 0:18:40 | |
on the skyline. | 0:18:40 | 0:18:41 | |
However, just a few miles from Shepton Mallet, | 0:18:41 | 0:18:43 | |
part of the rail network has been resurrected. | 0:18:43 | 0:18:46 | |
Earlier in the week, we sent locomotive loving Graham and Sandra | 0:18:46 | 0:18:50 | |
to this preserved railway at Cranmore, | 0:18:50 | 0:18:52 | |
where they met up with chairman Dick Masters. | 0:18:52 | 0:18:55 | |
You must be a railway enthusiast to come here on this rather dull day. | 0:18:55 | 0:18:58 | |
You're right, I am, for many, many years. | 0:18:59 | 0:19:02 | |
Was this once a fully operational station? | 0:19:02 | 0:19:05 | |
It opened in 1858 when the original East Somerset Railway opened | 0:19:05 | 0:19:09 | |
from Witham Junction right the way through to Yatton on the Bristol to Taunton line. | 0:19:09 | 0:19:14 | |
Passenger and freight trains ran along here. | 0:19:14 | 0:19:16 | |
In particular the line was used, as some of it still is today, | 0:19:16 | 0:19:20 | |
to transport stone from the local Mendip quarries. | 0:19:20 | 0:19:23 | |
But the line closed just before the Beeching era in fact | 0:19:23 | 0:19:26 | |
because, like many small country branch lines, | 0:19:26 | 0:19:29 | |
there weren't really enough passengers to make it pay its way. | 0:19:29 | 0:19:31 | |
So the line closed for passengers but it stayed open until about 1985 | 0:19:31 | 0:19:36 | |
and we took over the station here | 0:19:36 | 0:19:37 | |
after British Rail finally stopped their tar freight business. | 0:19:37 | 0:19:41 | |
The current heritage railway here was founded in 1971 | 0:19:41 | 0:19:45 | |
by celebrated artist and conservationist David Shepherd. | 0:19:45 | 0:19:49 | |
He purchased the derelict site | 0:19:49 | 0:19:51 | |
and with the help of many committed volunteers, | 0:19:51 | 0:19:53 | |
it was reopened as a charity two years later. | 0:19:53 | 0:19:56 | |
How many volunteers do you have working here? | 0:19:56 | 0:19:58 | |
We have about anything up to 100. | 0:19:58 | 0:20:00 | |
Without them, we could not run the railway. | 0:20:00 | 0:20:03 | |
So it's something that both of us could contribute to. | 0:20:03 | 0:20:06 | |
Oh, definitely, yes, yes. | 0:20:06 | 0:20:07 | |
-Let's go and have a look and I can introduce you to some of the things the volunteers do. -Let's go. | 0:20:07 | 0:20:12 | |
The line now runs for two and a half miles | 0:20:12 | 0:20:14 | |
between the restored stations of Cranmore and Mendip Vale | 0:20:14 | 0:20:18 | |
and duties include staffing the ticket office, | 0:20:18 | 0:20:20 | |
maintaining the tracks and, of course, driving the engines. | 0:20:20 | 0:20:24 | |
That's the brake there. Push it all the way round to your right. | 0:20:24 | 0:20:27 | |
Push that forward. | 0:20:31 | 0:20:33 | |
HOOTING | 0:20:33 | 0:20:34 | |
In its heyday, the number 45 diesel engine was used by the Liverpool docks | 0:20:34 | 0:20:38 | |
and ended its working life as a bitumen train in Plymouth, | 0:20:38 | 0:20:41 | |
after which it was donated for preservation. | 0:20:41 | 0:20:45 | |
You can release the brake a little bit, Graham. | 0:20:46 | 0:20:48 | |
-Are you sure? -Yeah. | 0:20:48 | 0:20:50 | |
Well, it may be nearing the end of the line for this journey | 0:20:50 | 0:20:53 | |
but we need to get back on track as we continue our house hunt. | 0:20:53 | 0:20:57 | |
HOOTER BLARES | 0:20:58 | 0:21:00 | |
The destination of our second property | 0:21:02 | 0:21:04 | |
is near to the village of Oakhill within the Mendip Hills. | 0:21:04 | 0:21:07 | |
Just about a mile away in Stoke St Michael | 0:21:07 | 0:21:10 | |
is the nearest village pub and convenience store. | 0:21:10 | 0:21:14 | |
Our second house is an enormous single-storey barn conversion | 0:21:14 | 0:21:18 | |
that started life as a milking parlour | 0:21:18 | 0:21:20 | |
but was then transformed into a fabulous family home | 0:21:20 | 0:21:23 | |
around eight years ago. | 0:21:23 | 0:21:24 | |
So what do we think of property number two? | 0:21:25 | 0:21:28 | |
-It has the wow factor. -Does it? -It does. -It's impressive. | 0:21:29 | 0:21:33 | |
-I do know that barn conversions are of interest to you. -That's correct. | 0:21:33 | 0:21:37 | |
And this is just that. It's a great, big, bruising barn conversion. | 0:21:37 | 0:21:42 | |
Your initial thoughts, Sandra? | 0:21:42 | 0:21:44 | |
I would like to get in there. | 0:21:44 | 0:21:46 | |
-Let's take your advice and get inside. -Let's go. | 0:21:46 | 0:21:48 | |
With enthusiasm like that, we can't keep them waiting any longer, | 0:21:48 | 0:21:53 | |
so let's find out if what's revealed inside lives up to expectations. | 0:21:53 | 0:21:59 | |
Now, please don't tell me this isn't big enough. | 0:21:59 | 0:22:03 | |
-It's more than big enough. -Is it? -Yeah. -Yes. | 0:22:03 | 0:22:06 | |
-Not bad, eh? -It is a superb space. Ideal space for a kitchen-diner. | 0:22:06 | 0:22:11 | |
I can see our furniture in here. I love the stone floors. | 0:22:11 | 0:22:14 | |
-It's amazing. It's a really good family space. -Yeah. | 0:22:14 | 0:22:17 | |
I could really see myself in here. | 0:22:17 | 0:22:21 | |
-Well, if you like this, you're going to love the living room. -OK. | 0:22:21 | 0:22:24 | |
-Straight off the kitchen. -Oh! -Another amazing room. | 0:22:27 | 0:22:30 | |
Come on in, come on in, don't be shy. | 0:22:30 | 0:22:33 | |
So what do we think of this, then, Sandra? | 0:22:33 | 0:22:36 | |
-I love it. -Really? -Yes, I do. | 0:22:36 | 0:22:38 | |
-This house is bowling you over a bit. -It is rather. | 0:22:38 | 0:22:42 | |
-Plenty more to see. -OK. -Follow me. | 0:22:42 | 0:22:44 | |
The huge eating, dining and living areas occupy | 0:22:48 | 0:22:50 | |
the central portion of this sprawling barn conversion, | 0:22:50 | 0:22:53 | |
formerly the old dairy parlour. | 0:22:53 | 0:22:56 | |
In the wing to the far side of the hallway | 0:22:56 | 0:22:59 | |
are three of the five en-suite bedrooms | 0:22:59 | 0:23:01 | |
that feature in this property, | 0:23:01 | 0:23:03 | |
so plenty of options to accommodate Graham's mother. | 0:23:03 | 0:23:05 | |
Immediately off the hallway there's a utility room and handy WC. | 0:23:07 | 0:23:12 | |
Then there's a large comfortable double bedroom | 0:23:12 | 0:23:15 | |
with an en-suite shower. | 0:23:15 | 0:23:18 | |
This is next to a bright and simple twin room | 0:23:18 | 0:23:20 | |
with a sleek modern shower room. | 0:23:20 | 0:23:22 | |
And a third bedroom is another double, | 0:23:23 | 0:23:25 | |
this time with an en-suite bathroom. | 0:23:25 | 0:23:27 | |
The last two remaining bedrooms are across in the other wing | 0:23:30 | 0:23:33 | |
and include the one currently used as an office | 0:23:33 | 0:23:36 | |
and the one we've earmarked for Graham and Sandra. | 0:23:36 | 0:23:40 | |
Now, as if you didn't have enough bedrooms to choose from... | 0:23:40 | 0:23:43 | |
-Ooh! -..this one is currently the master. | 0:23:43 | 0:23:47 | |
There's the en suite in there. Have a look, Graham, yeah. | 0:23:48 | 0:23:52 | |
Oh! Rather good. | 0:23:53 | 0:23:55 | |
There's a quiet confidence about you. | 0:23:55 | 0:23:56 | |
Yes, well, I haven't seen anything I don't like, so...! | 0:23:56 | 0:24:01 | |
If only everybody said that about all the houses we took them to, | 0:24:01 | 0:24:04 | |
my job would be so much easier. | 0:24:04 | 0:24:07 | |
Brilliant. I'm delighted. | 0:24:07 | 0:24:08 | |
-Where to next? -Where to next? -We can only go downhill from here. | 0:24:08 | 0:24:11 | |
No, we can't, no, we can't. | 0:24:11 | 0:24:13 | |
I think Graham needs to keep the faith | 0:24:13 | 0:24:15 | |
because what we've got coming up next | 0:24:15 | 0:24:17 | |
should be just the ticket. | 0:24:17 | 0:24:19 | |
-Now... -Crikey. -Come on in. -Oh! | 0:24:21 | 0:24:24 | |
-Now, I'm thinking railways. -So am I. | 0:24:24 | 0:24:27 | |
-It works. -Doesn't it? -Yes. -It does work indeed, yes. | 0:24:27 | 0:24:30 | |
-I'd imagine this being square really helps. -It does. | 0:24:30 | 0:24:34 | |
It's an absolutely perfect shape. I can see that now. | 0:24:34 | 0:24:38 | |
-And of course you can access it from the house. -From the house, yes. | 0:24:38 | 0:24:41 | |
Super. | 0:24:41 | 0:24:42 | |
OK, so, we've sorted you with a property, | 0:24:42 | 0:24:45 | |
-we've sorted you with somewhere for our railway. -Yeah. | 0:24:45 | 0:24:47 | |
-Let's sort you out with a garden. Out that way. -Thank you. | 0:24:47 | 0:24:51 | |
Brilliant. Happy days. | 0:24:51 | 0:24:53 | |
This property just keeps on giving. | 0:24:53 | 0:24:57 | |
Outside is no exception and it's bound to make a splash. | 0:24:57 | 0:25:01 | |
-It's not raining any more. -Great. -Hurrah! -Super. | 0:25:02 | 0:25:06 | |
Now, then, look over your shoulder. | 0:25:06 | 0:25:09 | |
-Yes! -As ponds go, it's pretty good. -It's not bad at all. -Not bad. | 0:25:09 | 0:25:16 | |
And of course we've got the full extent, at long last, | 0:25:16 | 0:25:19 | |
of our lovely property number two - it's huge. | 0:25:19 | 0:25:21 | |
So in terms of garden space for what you might want to do... | 0:25:21 | 0:25:26 | |
-enough? -Yes, more than enough. -More than enough. | 0:25:27 | 0:25:30 | |
-There's a series of raised vegetable beds as well. -Yeah. | 0:25:30 | 0:25:33 | |
-But it also is for sale with six acres... -Ah. | 0:25:33 | 0:25:37 | |
-..which goes that way down to that tree line behind us. -OK. | 0:25:37 | 0:25:42 | |
So the question is what's it worth to you, sir? | 0:25:42 | 0:25:45 | |
This has got to be close if not on the £900,000 | 0:25:45 | 0:25:49 | |
-that we've said we're willing to pay. -Mm-hm. | 0:25:49 | 0:25:51 | |
£900,000. Sandra? | 0:25:51 | 0:25:53 | |
Yes, I would say the same. | 0:25:53 | 0:25:56 | |
The good news is that it has just been reduced to £895,000. | 0:25:56 | 0:26:03 | |
-OK. -Well, that's a good price. -That's a fair price. -Yes. | 0:26:03 | 0:26:07 | |
-There's no need to do anything in the house. -No. | 0:26:07 | 0:26:09 | |
We could move in today and leave everything the way it is. | 0:26:09 | 0:26:12 | |
-Brilliant. -It's perfect. | 0:26:12 | 0:26:14 | |
Well, go and explore, go and enjoy. There's plenty of it. | 0:26:14 | 0:26:17 | |
On the market for £895,000, | 0:26:19 | 0:26:22 | |
our second house is a stone-built single-storey barn conversion | 0:26:22 | 0:26:26 | |
that seems to perfectly match all of our buyers' requirements. | 0:26:26 | 0:26:30 | |
Highlights include an enormous kitchen, family and dining room, | 0:26:30 | 0:26:34 | |
a spacious living room | 0:26:34 | 0:26:35 | |
and no less than five bedrooms, | 0:26:35 | 0:26:37 | |
every one of which has its own en suite. | 0:26:37 | 0:26:40 | |
The attached double garage could make the ideal getaway | 0:26:40 | 0:26:43 | |
for Graham to indulge in his model engineering | 0:26:43 | 0:26:46 | |
and the six acres of grounds come complete with a wildlife pond | 0:26:46 | 0:26:50 | |
and open views over the surrounding countryside. | 0:26:50 | 0:26:53 | |
My first impressions were, "Interesting." | 0:26:53 | 0:26:55 | |
I didn't fall in love with it at the point we walked through the door. | 0:26:55 | 0:26:59 | |
When we went into the kitchen-lounge area, | 0:26:59 | 0:27:02 | |
that was the point at which we said, "A-ha! This is something interesting." | 0:27:02 | 0:27:06 | |
Can I accommodate my trains? Yes, I can. | 0:27:06 | 0:27:08 | |
That question's already answered. | 0:27:08 | 0:27:10 | |
It's got a wonderful kitchen. | 0:27:10 | 0:27:12 | |
It's got a great dining area and it's got a sitting area. | 0:27:12 | 0:27:16 | |
I liked the house so much once I was in, | 0:27:16 | 0:27:19 | |
that the outside space would have worked as well. | 0:27:19 | 0:27:22 | |
I think I love this house. | 0:27:22 | 0:27:24 | |
I think I would be very happy here. | 0:27:24 | 0:27:26 | |
-Hey! All done? -All done. | 0:27:26 | 0:27:29 | |
-It's great. -Great. Yeah! | 0:27:29 | 0:27:32 | |
I think this is transforming your perspective on Somerset, somewhat. | 0:27:32 | 0:27:36 | |
Er, it didn't need transforming much but, yes, you're right. | 0:27:36 | 0:27:39 | |
Good. Well, I suspect you could write a cheque right here | 0:27:39 | 0:27:44 | |
-and right now. -Yes. | 0:27:44 | 0:27:46 | |
-But there is one more property to come, of course. -There is. | 0:27:46 | 0:27:48 | |
-Sleep on it. Come on. -Right. | 0:27:48 | 0:27:50 | |
As dusk falls over rural Somerset, the first day of our house hunt draws to a close. | 0:28:03 | 0:28:08 | |
With a budget of £900,000, | 0:28:14 | 0:28:16 | |
returning ex-pats Graham and Sandra | 0:28:16 | 0:28:18 | |
have decided to close the door on 35 years in Switzerland | 0:28:18 | 0:28:22 | |
and start afresh in the magnificent Somerset countryside. | 0:28:22 | 0:28:25 | |
So far they've seen two wonderful properties | 0:28:25 | 0:28:28 | |
and although they were quite ready to seal the deal on the second one | 0:28:28 | 0:28:31 | |
it's never a done deal until we've seen the mystery house. | 0:28:31 | 0:28:35 | |
You'd never get me out of here. | 0:28:35 | 0:28:37 | |
And I'll be taking a nostalgic trip to the flicks. | 0:28:37 | 0:28:40 | |
Well, yesterday certainly finished on a high | 0:28:43 | 0:28:46 | |
and the good weather that heralded the end of day one | 0:28:46 | 0:28:48 | |
thankfully looks as if it's going to be with us for the start of day two. | 0:28:48 | 0:28:52 | |
Graham and Sandra's reaction to our second property left me feeling | 0:28:52 | 0:28:56 | |
that perhaps my work here in Somerset was done | 0:28:56 | 0:28:59 | |
but of course it's never over until it's over. | 0:28:59 | 0:29:02 | |
One more property to come. It is mystery house time. | 0:29:02 | 0:29:04 | |
Time to get our buyers to think not just outside of the box | 0:29:04 | 0:29:07 | |
but in this case, outside of the county. | 0:29:07 | 0:29:10 | |
Our mystery property is ahead of us | 0:29:17 | 0:29:19 | |
but it's got a lot of work to do, I suspect, | 0:29:19 | 0:29:21 | |
to compete with property number two, hasn't it? | 0:29:21 | 0:29:24 | |
-We're ready to be surprised. -We stay open-minded. -Yeah. | 0:29:24 | 0:29:28 | |
That's the spirit, Sandra! | 0:29:30 | 0:29:31 | |
To get to our mystery house we're travelling further north | 0:29:31 | 0:29:34 | |
and hopping over the county border into south Gloucestershire | 0:29:34 | 0:29:37 | |
where we're headed for a hamlet near the village of Wick | 0:29:37 | 0:29:41 | |
and just ten minutes' drive from the centre of Bath. | 0:29:41 | 0:29:44 | |
Wick has several shops and pubs | 0:29:44 | 0:29:46 | |
and though we haven't got majestic snow-capped mountains, | 0:29:46 | 0:29:49 | |
the mystery house takes full advantage | 0:29:49 | 0:29:52 | |
of some outstanding panoramic views over the Severn estuary. | 0:29:52 | 0:29:55 | |
So at last, the suspense is over. | 0:29:58 | 0:30:01 | |
This is our mystery house. | 0:30:01 | 0:30:03 | |
It was worth waiting for. | 0:30:03 | 0:30:05 | |
And this one is a very interesting, a very clever rearrangement | 0:30:05 | 0:30:09 | |
-of this particular property. -Yes. | 0:30:09 | 0:30:11 | |
Let's see what you think of it. | 0:30:11 | 0:30:12 | |
The mystery house started life 200 years ago | 0:30:14 | 0:30:17 | |
as a smaller traditional cottage | 0:30:17 | 0:30:19 | |
but has been considerably extended in the past decade | 0:30:19 | 0:30:21 | |
and now spreads itself over many levels | 0:30:21 | 0:30:24 | |
that flow off a rather impressive hallway. | 0:30:24 | 0:30:26 | |
Let's see if it will work for Graham and Sandra. | 0:30:26 | 0:30:28 | |
How about this, then? | 0:30:28 | 0:30:30 | |
There! | 0:30:32 | 0:30:33 | |
-Quite a nice kitchen diner. -Yes. -Yeah? | 0:30:33 | 0:30:37 | |
That's a huge difference. | 0:30:37 | 0:30:40 | |
-This is great. -Yes, it is. -Lots of space. -Excellent. | 0:30:40 | 0:30:44 | |
Well, the kitchen itself is absolutely lovely, as you can see. | 0:30:44 | 0:30:47 | |
-The kind of arrangement that suits you? -Yes, it would. It would. | 0:30:47 | 0:30:52 | |
It's a good-sized kitchen. It's got everything you need. | 0:30:52 | 0:30:54 | |
-You can always put the chairs this way if you want to look at the view. -Turn them round! | 0:30:54 | 0:30:59 | |
There's plenty of places to enjoy the view from. | 0:30:59 | 0:31:01 | |
There's a utility room through there and a back door out, | 0:31:01 | 0:31:05 | |
-so all your white goods and stuff are in there. -Yes. | 0:31:05 | 0:31:08 | |
But it is the views, of course, that have really determined | 0:31:08 | 0:31:11 | |
how this layout has come together. | 0:31:11 | 0:31:13 | |
It gives you this lovely family space, | 0:31:13 | 0:31:15 | |
which I think you'd use quite a lot. | 0:31:15 | 0:31:17 | |
-We would. -Yeah? -Absolutely. Yes. | 0:31:17 | 0:31:19 | |
-So far, so good. -So far, so good. -Right, follow me. | 0:31:19 | 0:31:22 | |
Although the kitchen and family room would probably become their main socialising space, | 0:31:22 | 0:31:27 | |
the house has been designed to offer the best of both worlds, | 0:31:27 | 0:31:31 | |
with a more intimate formal area, too. | 0:31:31 | 0:31:33 | |
-Now, this, I think, is really nice. -Ooh! -Come on in. | 0:31:33 | 0:31:37 | |
-You weren't expecting this one, were you? -No. | 0:31:37 | 0:31:40 | |
-It is a well-proportioned room. -Yeah. -Nice fireplace. | 0:31:40 | 0:31:42 | |
-This has really brought a smile to your face, hasn't it? -Yes. | 0:31:42 | 0:31:46 | |
-Can you see yourself relaxing in here? It's very comfortable. -Yes. | 0:31:46 | 0:31:49 | |
-Absolutely. -Good. | 0:31:49 | 0:31:51 | |
There's a bit of confusion written all over your faces, isn't there? | 0:31:51 | 0:31:55 | |
I sense we may have found some competition for the second property | 0:31:57 | 0:32:00 | |
with this mystery house | 0:32:00 | 0:32:01 | |
and there's much more here to increase the odds. | 0:32:01 | 0:32:04 | |
A large conservatory provides the link | 0:32:04 | 0:32:06 | |
to an adjoining bedroom suite, currently set up as a study, | 0:32:06 | 0:32:09 | |
with patio doors onto the garden. | 0:32:09 | 0:32:11 | |
This could easily become a potential fifth bedroom for Graham's mother | 0:32:11 | 0:32:15 | |
as it's on the ground floor. | 0:32:15 | 0:32:17 | |
The other four bedrooms are all upstairs. | 0:32:17 | 0:32:20 | |
A family bathroom serves three of them, all doubles, | 0:32:20 | 0:32:23 | |
including one that's dual aspect, | 0:32:23 | 0:32:26 | |
another smaller one that's currently used as a single, | 0:32:26 | 0:32:28 | |
and a third, which is attractively decorated | 0:32:28 | 0:32:32 | |
but we'll take a look at the master. | 0:32:32 | 0:32:33 | |
So last but by no means least, your bit. | 0:32:33 | 0:32:37 | |
-Ah! -What do you think? -It's a good space. -Yeah? | 0:32:37 | 0:32:40 | |
-Lovely. -It's got views. -You have got views. -Yeah. | 0:32:40 | 0:32:44 | |
You've got that cosy feel. | 0:32:44 | 0:32:46 | |
Combined with all the other bedrooms that this place offers you, | 0:32:46 | 0:32:49 | |
hopefully it's beginning to kind of complete the picture. | 0:32:49 | 0:32:52 | |
-Yes, this is definitely the master bedroom. -Yes. | 0:32:52 | 0:32:55 | |
Good. And you've got that. Have a look in there. | 0:32:55 | 0:32:59 | |
-Have a look. It's like a spa. -Ah! | 0:32:59 | 0:33:02 | |
-How about that? -That's wonderful. -Isn't it? | 0:33:02 | 0:33:04 | |
-Proper wet room for you. -Indeed. You'd never get me out of here. | 0:33:04 | 0:33:09 | |
Well, I am going to get you out. Come on! | 0:33:09 | 0:33:11 | |
You've got plenty more to see. | 0:33:11 | 0:33:12 | |
Bit by bit our buyers are appreciating the way the character of this house unfolds | 0:33:12 | 0:33:18 | |
and the garden is no exception, | 0:33:18 | 0:33:20 | |
with a lovely mixture of paved terraces, lawned areas | 0:33:20 | 0:33:24 | |
and there's even a pond hidden away as well. | 0:33:24 | 0:33:26 | |
This is the perfect spot to get a sense of the geography | 0:33:26 | 0:33:29 | |
of what's on offer in terms of the outside space. | 0:33:29 | 0:33:32 | |
It's about three quarters of an acre in total, Sandra, | 0:33:32 | 0:33:36 | |
most of it running up behind us, there, | 0:33:36 | 0:33:37 | |
to some mixed woodland at the top. | 0:33:37 | 0:33:40 | |
I want you, Graham, to look at that shed down there. | 0:33:40 | 0:33:43 | |
-I'm not saying it's big enough for a railway at the moment... -No! | 0:33:43 | 0:33:46 | |
..but would there be space there, do you think, to put in a new shed | 0:33:46 | 0:33:51 | |
and maybe treble its size? | 0:33:51 | 0:33:52 | |
On the footprint of that patio area down there, certainly. | 0:33:52 | 0:33:56 | |
-Would it be big enough? -Yes. -It would? Brilliant. | 0:33:56 | 0:33:59 | |
-This is our last guess. You can go first. -Last guess. | 0:33:59 | 0:34:02 | |
-875. -£875,000. Graham? | 0:34:02 | 0:34:06 | |
Erm, we've not colluded but the same figure was in my mind. | 0:34:06 | 0:34:10 | |
-Would you like to agree? -We agree on 875. | 0:34:10 | 0:34:12 | |
You agree on £875,000. | 0:34:12 | 0:34:15 | |
Well, it's not a bad guess, guys, to be honest. | 0:34:15 | 0:34:17 | |
This offers a direct financial comparison | 0:34:17 | 0:34:19 | |
to property number two | 0:34:19 | 0:34:21 | |
because it is also on the market for £895,000. | 0:34:21 | 0:34:25 | |
It's a good price. A fair price. | 0:34:25 | 0:34:27 | |
-It's got great views. -It's got wonderful views. | 0:34:27 | 0:34:30 | |
-It challenges us. -Good. Well, may the challenge continue. -Yes. | 0:34:30 | 0:34:34 | |
Off you go! | 0:34:34 | 0:34:36 | |
£5,000 under budget, the mystery property is a wonderful detached house | 0:34:38 | 0:34:42 | |
with yet another unconventional layout. | 0:34:42 | 0:34:45 | |
It's beautifully presented with a superb open plan family kitchen, | 0:34:45 | 0:34:50 | |
a more formal living room | 0:34:50 | 0:34:51 | |
and five bedrooms, one of which is on the ground floor. | 0:34:51 | 0:34:54 | |
And it's all set in grounds that cover some three quarters of an acre, | 0:34:54 | 0:34:58 | |
with spectacular views. | 0:34:58 | 0:35:01 | |
When I first saw the mystery house from the outside, | 0:35:01 | 0:35:04 | |
I think it was something, yet again, that was different, | 0:35:04 | 0:35:07 | |
so I just wanted to get in. | 0:35:07 | 0:35:10 | |
The views are a real plus to the house. | 0:35:10 | 0:35:12 | |
I was particularly struck by the sort of mezzanine level | 0:35:12 | 0:35:17 | |
that you have in the kitchen-dining area, | 0:35:17 | 0:35:19 | |
at a slightly different level to the entrance to the bedrooms above them. | 0:35:19 | 0:35:23 | |
That's a very distinctive feature. | 0:35:23 | 0:35:25 | |
In terms of the choice between the three properties that we've viewed, | 0:35:25 | 0:35:29 | |
certainly it's going to be a very tight choice between two of them. | 0:35:29 | 0:35:33 | |
It's a pretty spectacular view all round. | 0:35:33 | 0:35:37 | |
It's like looking at a map. | 0:35:37 | 0:35:40 | |
You can pick out different features in the landscape as you look at it. | 0:35:40 | 0:35:43 | |
I thought I'd find you here. | 0:35:43 | 0:35:45 | |
-Pretty captivating, isn't it? -It is. | 0:35:46 | 0:35:48 | |
So what happens next? | 0:35:48 | 0:35:50 | |
I think we need to get you somewhere | 0:35:50 | 0:35:51 | |
where you can think about our three properties | 0:35:51 | 0:35:54 | |
-and mull it all over. -Yes, indeed. -Shall we? -Yes. -Let's go. | 0:35:54 | 0:35:59 | |
The coastal town of Clevedon became a popular holiday destination | 0:36:09 | 0:36:13 | |
in the Victorian era | 0:36:13 | 0:36:15 | |
and many fine examples of architecture from the period | 0:36:15 | 0:36:17 | |
include its restored Grade I listed pier that dates back to 1869 | 0:36:17 | 0:36:22 | |
and its Grade II listed picture house | 0:36:22 | 0:36:25 | |
which has entertained Clevedon for a century. | 0:36:25 | 0:36:28 | |
During the week I took a trip to the cinema, | 0:36:28 | 0:36:30 | |
which is now celebrating its centenary year, | 0:36:30 | 0:36:33 | |
thanks entirely to a passionate group of community champions. | 0:36:33 | 0:36:37 | |
Margaret Keel and Jeanette Maycock are two devoted volunteers | 0:36:37 | 0:36:40 | |
at the front of house. | 0:36:40 | 0:36:42 | |
Hello, ladies! Nice to see you. | 0:36:42 | 0:36:44 | |
How long have you been working here now? | 0:36:44 | 0:36:46 | |
Erm, 27 and a half years. | 0:36:46 | 0:36:48 | |
-What was it like when you first came? -Pretty dilapidated building, actually. | 0:36:48 | 0:36:52 | |
Its future was obviously hanging in the balance somewhat, Margaret. | 0:36:52 | 0:36:56 | |
What happened to turn its fortunes around? | 0:36:56 | 0:36:59 | |
I think it was Jon Webber that turned it around. | 0:36:59 | 0:37:02 | |
One Saturday morning he opened up the cinema | 0:37:02 | 0:37:04 | |
and told everyone to come in and bring £1. | 0:37:04 | 0:37:07 | |
Everyone came with £1 and you've never seen so many people in your life. | 0:37:07 | 0:37:10 | |
-So the thought of losing their cinema galvanised Clevedon's population? -Yes. | 0:37:10 | 0:37:15 | |
I'm going to go up have a look around, if I may. | 0:37:15 | 0:37:17 | |
-Do I need a ticket? -Oh, definitely. | 0:37:17 | 0:37:19 | |
-Look at that! -One ticket, sir. -Thank you very much. -Thank you. | 0:37:21 | 0:37:24 | |
The cinema was the brainchild of local sculptor and stonemason Victor Cox | 0:37:25 | 0:37:29 | |
and first opened its doors to the public in April 1912, | 0:37:29 | 0:37:33 | |
just days after the sinking of the Titanic. | 0:37:33 | 0:37:35 | |
The first screening raised funds for the survivors and victims' relatives. | 0:37:35 | 0:37:40 | |
The cinema proved so popular, within ten years they'd enlarged it | 0:37:40 | 0:37:45 | |
but building works didn't interrupt a single performance. | 0:37:45 | 0:37:48 | |
Projectionist Maurice Thornton has worked here | 0:37:48 | 0:37:51 | |
for an incredible 69 years. | 0:37:51 | 0:37:53 | |
-Maurice! -Yes. -Hello, sir. | 0:37:54 | 0:37:57 | |
What are you putting into the projector now? | 0:37:57 | 0:37:59 | |
We've got a film here. It's about Clevedon as it was in 1903. | 0:37:59 | 0:38:05 | |
-Right, are we ready to run? -Oh, yeah. | 0:38:05 | 0:38:07 | |
PROJECTOR WHIRRS | 0:38:07 | 0:38:10 | |
Talkie films weren't introduced here until 1930, | 0:38:10 | 0:38:13 | |
so before then the musical background to silent performances | 0:38:13 | 0:38:16 | |
was provided by pianists playing an organ, | 0:38:16 | 0:38:18 | |
a role which is now in the hands of Bernie Brown. | 0:38:18 | 0:38:22 | |
ORGAN PLAYS CADENCE | 0:38:22 | 0:38:25 | |
-Bernie, this is an absolute beauty, isn't it? -Isn't it just? | 0:38:26 | 0:38:29 | |
-How old is this particular organ? -This one's 1931. -1931. | 0:38:29 | 0:38:33 | |
It's about 80-odd years old. | 0:38:33 | 0:38:34 | |
Where do all the sounds come from? | 0:38:34 | 0:38:36 | |
Well, they come from up there in the side of the cinema. | 0:38:36 | 0:38:40 | |
So you've got a room full of bells and whistles and drums and...? | 0:38:40 | 0:38:44 | |
All of those things are up there, yes. | 0:38:44 | 0:38:47 | |
XYLOPHONE PLAYS | 0:38:47 | 0:38:49 | |
Wonderful. You get a real sense, just hearing that, | 0:38:51 | 0:38:54 | |
how useful these would be, how essential they would be | 0:38:54 | 0:38:58 | |
in accompanying the early silent movies, | 0:38:58 | 0:39:00 | |
to give you that tension and drama. | 0:39:00 | 0:39:02 | |
The effects are wonderful. Have you ever accompanied a silent film? | 0:39:02 | 0:39:05 | |
Oh, yes. We frequently run silent films here and do an accompaniment. | 0:39:05 | 0:39:09 | |
It's a part of cinema history and quite an important part | 0:39:09 | 0:39:12 | |
and I think it needs to be kept alive. | 0:39:12 | 0:39:15 | |
Bernie, an absolute treat. Thank you very much. | 0:39:15 | 0:39:18 | |
Give us a nice seaside theme to end on. | 0:39:18 | 0:39:21 | |
ORGAN PLAYS JAUNTY TUNE | 0:39:21 | 0:39:25 | |
Well, for me that little cinema in Clevedon is just one example | 0:39:34 | 0:39:37 | |
of how community makes Somerset a wonderful county in which to live. | 0:39:37 | 0:39:41 | |
So let's see if we have managed to find Graham and Sandra | 0:39:41 | 0:39:44 | |
the perfect place in which to do it. | 0:39:44 | 0:39:46 | |
Let's go and ask them. | 0:39:46 | 0:39:48 | |
-So, how are we doing, then? -Pretty good, pretty good. | 0:39:53 | 0:39:57 | |
-Difficult time, though. -Difficult decisions to be made. | 0:39:57 | 0:40:00 | |
Trying to make a decision is always difficult. | 0:40:00 | 0:40:02 | |
Well, that sense of confusion is often a good thing | 0:40:02 | 0:40:07 | |
but have we managed to find you the home of the future? | 0:40:07 | 0:40:11 | |
Let's just remind ourselves of our properties. | 0:40:11 | 0:40:15 | |
Property number one, the old schoolhouse. | 0:40:15 | 0:40:17 | |
Very dramatic, in many respects. | 0:40:17 | 0:40:19 | |
The inside of the house was really, really well done. | 0:40:19 | 0:40:23 | |
I really liked the inside. I also liked the garden. | 0:40:23 | 0:40:27 | |
I think the difficulty I had with it was the beams, absolutely wonderful, | 0:40:27 | 0:40:31 | |
but it was very difficult to envisage | 0:40:31 | 0:40:33 | |
how we'd position furniture within that space. | 0:40:33 | 0:40:36 | |
Then we took you to an altogether different proposition. | 0:40:36 | 0:40:39 | |
House number two. | 0:40:39 | 0:40:41 | |
There was a great entrance into the property. | 0:40:41 | 0:40:43 | |
You saw a lot of the garden when you were going in | 0:40:43 | 0:40:45 | |
and it was a lovely garden. | 0:40:45 | 0:40:47 | |
It was just a good property to look at. | 0:40:47 | 0:40:50 | |
It had a really good feel about it. | 0:40:50 | 0:40:53 | |
The idea of the entrance hall being a welcoming space, | 0:40:53 | 0:40:55 | |
with the bedrooms on one side and the living space on the other, | 0:40:55 | 0:40:59 | |
that worked very well for us. | 0:40:59 | 0:41:00 | |
-And that kitchen, Graham? -Wonderful, wonderful. | 0:41:00 | 0:41:03 | |
Perfect living space. | 0:41:03 | 0:41:05 | |
It probably represented the best that we could even think of. | 0:41:05 | 0:41:09 | |
And we also finished up with a lovely great big pond for you. | 0:41:09 | 0:41:12 | |
Yes. Yes, you did. The pond of my dreams. | 0:41:12 | 0:41:17 | |
-It was the pond what swung it. -It was the pond, definitely. | 0:41:17 | 0:41:20 | |
But we had one more property to show you, our mystery house, | 0:41:20 | 0:41:24 | |
and I'm delighted to say that that also piqued your interest. | 0:41:24 | 0:41:27 | |
The views from the property are stunning. | 0:41:27 | 0:41:31 | |
The inside of the property is so light and spacious | 0:41:31 | 0:41:35 | |
that, yes - a lot of serious consideration, there. | 0:41:35 | 0:41:41 | |
It certainly was an intriguing property. | 0:41:41 | 0:41:43 | |
Well, we've seen them all and talked about them all. | 0:41:43 | 0:41:46 | |
So what happens next? | 0:41:46 | 0:41:48 | |
For me, we're at the nine and a half to ten for the second property, | 0:41:48 | 0:41:53 | |
the third property probably nine. | 0:41:53 | 0:41:56 | |
Do you agree with that? | 0:41:56 | 0:41:59 | |
Yes, although I love the mystery house, | 0:41:59 | 0:42:02 | |
probably the second property had more that we were looking for | 0:42:02 | 0:42:07 | |
in terms of friends, relatives. | 0:42:07 | 0:42:10 | |
Are you going to go and have another look at the second property? | 0:42:10 | 0:42:12 | |
We certainly are. I think there's a strong probability | 0:42:12 | 0:42:15 | |
-that we'll put in an offer. -Brilliant. | 0:42:15 | 0:42:17 | |
Well, as ever, let us know how you get on. | 0:42:17 | 0:42:19 | |
-We will. -I'm delighted that you came to us to help you make this move, | 0:42:19 | 0:42:24 | |
back from Switzerland to the old country, as it were. | 0:42:24 | 0:42:27 | |
It's a wonderful property, number two. | 0:42:27 | 0:42:30 | |
If you are able to get it, I'm sure you'll be very, very happy there. | 0:42:30 | 0:42:33 | |
-Thank you. -Thank you for your help. | 0:42:33 | 0:42:35 | |
It's been a really warm welcome back to this country. | 0:42:35 | 0:42:40 | |
Good. Well, that is our pleasure. Best of luck. | 0:42:40 | 0:42:42 | |
I count myself extremely lucky to spend most of my life | 0:42:46 | 0:42:49 | |
out here in the countryside | 0:42:49 | 0:42:51 | |
and whilst I hope I'll never, ever take it for granted, | 0:42:51 | 0:42:54 | |
it is of course familiar, | 0:42:54 | 0:42:56 | |
so it's been interesting watching a couple like Graham and Sandra | 0:42:56 | 0:42:59 | |
embark on a journey of rediscovery. | 0:42:59 | 0:43:01 | |
The exciting thing is that they're right at the beginning | 0:43:01 | 0:43:04 | |
of that process. | 0:43:04 | 0:43:05 | |
But I'd like to think that for a couple who've spent so many years in Switzerland | 0:43:05 | 0:43:09 | |
and developed a passion for model railways, | 0:43:09 | 0:43:12 | |
when eventually they do make the move, it'll run like clockwork. | 0:43:12 | 0:43:15 | |
I'll see you next time. | 0:43:15 | 0:43:17 | |
If you'd like to escape to the country in Scotland, Wales, Northern Ireland or England | 0:43:18 | 0:43:22 | |
and would like our help, then please apply on-line at: | 0:43:22 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:32 |