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I'm stood in front of a Martello tower, one of 103 circular fortresses | 0:00:02 | 0:00:05 | |
built to defend our country in the early 19th century. | 0:00:05 | 0:00:08 | |
But in which county was this one built? Find out in just a moment. | 0:00:08 | 0:00:12 | |
'On today's show, I'll be helping a young couple escape the big smoke to find | 0:00:41 | 0:00:46 | |
'a breath of country air for themselves and their two young daughters. | 0:00:46 | 0:00:50 | |
'And our house hunt provides plenty of pitfalls.' | 0:00:50 | 0:00:52 | |
-There's one thing though, isn't there? -What? -Doink! | 0:00:52 | 0:00:56 | |
-'Lots of tension...' -This would be the living room, basically. -Hmmm. | 0:00:56 | 0:01:00 | |
-We're going to disagree on camera. -Well, look, you know... | 0:01:00 | 0:01:04 | |
Wait till you buy the place to have a real argument. | 0:01:04 | 0:01:07 | |
'And a great deal of anticipation.' | 0:01:07 | 0:01:09 | |
-Blimey! -What is it? | 0:01:09 | 0:01:12 | |
Today I'm in Essex, | 0:01:15 | 0:01:16 | |
where 11 of these Martello towers were built in the early 1800s. | 0:01:16 | 0:01:20 | |
The name is derived from tour de Mortella, a circular fortress | 0:01:20 | 0:01:23 | |
in Corsica that withstood an English attack for several days | 0:01:23 | 0:01:27 | |
and so impressed its attackers, | 0:01:27 | 0:01:28 | |
they decided to copy its design for use back here in England. | 0:01:28 | 0:01:32 | |
Now, in 1812, all of these towers in Essex were completed | 0:01:32 | 0:01:35 | |
and housed around 25 soldiers, all poised for action, | 0:01:35 | 0:01:39 | |
should Napoleon launch an invasion of England. | 0:01:39 | 0:01:41 | |
But of course, the invasion never came | 0:01:41 | 0:01:44 | |
and these towers remained unused | 0:01:44 | 0:01:46 | |
and eventually unmanned. | 0:01:46 | 0:01:47 | |
But, as you're about to see, there's plenty more to this wonderful county | 0:01:47 | 0:01:51 | |
than just this snapshot of naval history. | 0:01:51 | 0:01:54 | |
The county of Essex is bordered by Suffolk to the north, | 0:01:55 | 0:01:58 | |
meets the fringes of Greater London in the south-west | 0:01:58 | 0:02:01 | |
and extends as far east as the North Sea. | 0:02:01 | 0:02:05 | |
In fact, its deeply indented coastline stretches out | 0:02:05 | 0:02:08 | |
across some 350 miles, making it the longest of any English county. | 0:02:08 | 0:02:14 | |
And it's the strength of the sea breeze over this largely flat | 0:02:14 | 0:02:17 | |
terrain that was once harnessed to power the vast number | 0:02:17 | 0:02:20 | |
of windmills found throughout the region. | 0:02:20 | 0:02:23 | |
Over 70% of the county's landscape is rural, | 0:02:23 | 0:02:26 | |
with many small villages and hamlets nestled into rolling farmland | 0:02:26 | 0:02:30 | |
and ancient woodland. | 0:02:30 | 0:02:32 | |
It's this unspoiled, tranquil beauty that proved | 0:02:32 | 0:02:35 | |
so inspirational to the 19th-century painter John Constable. | 0:02:35 | 0:02:40 | |
And it's easy to see why this attractive countryside, | 0:02:40 | 0:02:43 | |
coupled with the close proximity to the city, | 0:02:43 | 0:02:45 | |
makes Essex such a prime location to set up home. | 0:02:45 | 0:02:49 | |
The average price for a detached house here in Essex | 0:02:49 | 0:02:53 | |
is just shy of £300,000. | 0:02:53 | 0:02:55 | |
That's around £50,000 more than the national figure. Why? | 0:02:55 | 0:03:00 | |
Well, one reason might be that there are over 14,000 listed homes here - | 0:03:00 | 0:03:04 | |
that's more than the neighbouring counties of Suffolk and Norfolk. | 0:03:04 | 0:03:07 | |
But on top of that, Essex is a highly accessible county. | 0:03:07 | 0:03:10 | |
Fast trains from Colchester | 0:03:10 | 0:03:12 | |
and Chelmsford can get you into London in around 45 minutes. | 0:03:12 | 0:03:16 | |
But you can expect to pay a premium of around 15% in villages around these towns. | 0:03:16 | 0:03:21 | |
But no matter where you look, I think it's fair to say that there | 0:03:21 | 0:03:24 | |
are plenty of architectural styles to greet the eye. | 0:03:24 | 0:03:28 | |
Windmilling in Britain is believed to date back to the 12th century | 0:03:28 | 0:03:32 | |
and reached a peak in Essex around the early 1800s. | 0:03:32 | 0:03:35 | |
At that time, around 285 of these grain-grinding iconic structures | 0:03:35 | 0:03:40 | |
could be found in the county. | 0:03:40 | 0:03:42 | |
Today, there are still a number of restored windmills creating | 0:03:42 | 0:03:45 | |
a striking feature across the region. | 0:03:45 | 0:03:48 | |
As for traditional residential properties, | 0:03:48 | 0:03:50 | |
there's a wealth of homes to choose from, | 0:03:50 | 0:03:53 | |
including picture postcard thatched cottages, a prime example | 0:03:53 | 0:03:57 | |
being this utterly charming two-bedroom home in Little Hadham. | 0:03:57 | 0:04:00 | |
It's on the market for just shy of £280,000. | 0:04:00 | 0:04:05 | |
Or you can take your pick | 0:04:05 | 0:04:06 | |
from a choice range of medieval timber-framed homes, | 0:04:06 | 0:04:09 | |
such as this handsome five-bedroom house in Stansted. | 0:04:09 | 0:04:12 | |
With an asking price of £600,000, | 0:04:12 | 0:04:15 | |
it dates all the way back to the 16th century. | 0:04:15 | 0:04:18 | |
A great range of architectural styles there, | 0:04:20 | 0:04:23 | |
but what kind of property are today's buyers after? | 0:04:23 | 0:04:25 | |
Time to meet them and find out. | 0:04:25 | 0:04:28 | |
Young professionals Stuart and Bryony met overseas and have spent | 0:04:28 | 0:04:31 | |
the past 2½ years living the City dream as a married couple in London. | 0:04:31 | 0:04:36 | |
But after the arrival of their twin daughters Amelia and Olivia, | 0:04:36 | 0:04:39 | |
18 months ago, they've decided to trade in their urban lives | 0:04:39 | 0:04:42 | |
for a more family-focused rural existence. | 0:04:42 | 0:04:46 | |
They're getting to the age where they want to run around, they need | 0:04:46 | 0:04:49 | |
a bit more space and we just feel that now the time is right to go. | 0:04:49 | 0:04:53 | |
At the moment, in our garden, we don't have any grass, | 0:04:53 | 0:04:56 | |
so just simple things like that, that you take for granted, | 0:04:56 | 0:05:01 | |
they'll be discovering, so, you know, it should be fantastic. | 0:05:01 | 0:05:05 | |
When it comes to the preferred location, | 0:05:05 | 0:05:07 | |
they have a very specific criteria. | 0:05:07 | 0:05:10 | |
We've been focusing on the area where the three counties meet - | 0:05:10 | 0:05:13 | |
Hertfordshire, Cambridgeshire and Essex. | 0:05:13 | 0:05:17 | |
And really, the main factors dictating that are the commute | 0:05:17 | 0:05:23 | |
to work - I need to get into Oxford Circus - | 0:05:23 | 0:05:25 | |
and the availability of good schools, as well, for the kids. | 0:05:25 | 0:05:30 | |
That's also equally key for us, isn't it? | 0:05:30 | 0:05:33 | |
Yes, my ideal location would be in a village. | 0:05:33 | 0:05:36 | |
As it's our first move out of a big town, I don't want to be | 0:05:36 | 0:05:39 | |
completely stranded on our own in the middle of nowhere. | 0:05:39 | 0:05:43 | |
Since the twins were born, | 0:05:43 | 0:05:45 | |
they've been living in this rented Victorian terrace in south London | 0:05:45 | 0:05:48 | |
and working out exactly what they want from their new home. | 0:05:48 | 0:05:52 | |
For me, I'd love a minimum of four bedrooms, a detached house and a | 0:05:52 | 0:05:57 | |
really big eat-in kitchen, something that will be the heart of the house. | 0:05:57 | 0:06:02 | |
I'd also love a separate sitting room to the playroom, | 0:06:02 | 0:06:06 | |
so we can get all the kids' toys out of view. | 0:06:06 | 0:06:09 | |
We would consider doing works and reconfiguring space, | 0:06:09 | 0:06:12 | |
knocking down walls and so on. | 0:06:12 | 0:06:14 | |
Bryony does really like her period properties | 0:06:14 | 0:06:17 | |
and it probably is the quirkier the better, isn't it?! | 0:06:17 | 0:06:20 | |
I just like a bit of character! | 0:06:20 | 0:06:22 | |
So, a traditional home is certainly on their wish list, | 0:06:24 | 0:06:27 | |
but they also want somewhere to explore their passions. | 0:06:27 | 0:06:30 | |
I really want to get into my cooking | 0:06:31 | 0:06:34 | |
and I'd love to have the space to do that. | 0:06:34 | 0:06:37 | |
I'd also like to maybe do something with my garden, | 0:06:37 | 0:06:41 | |
maybe grow my own veggies, see if I could do it. | 0:06:41 | 0:06:44 | |
Out in the countryside, I plan to see myself doing more cycling, | 0:06:44 | 0:06:48 | |
obviously with the family. And I love tennis, as well, | 0:06:48 | 0:06:52 | |
so hopefully there will be some facilities nearby to be able | 0:06:52 | 0:06:55 | |
to play tennis and spend a bit more time doing that. | 0:06:55 | 0:06:58 | |
Stuart and Bryony have each sold properties to fund this move, | 0:06:58 | 0:07:02 | |
so their finances are all ready to buy their first home together. | 0:07:02 | 0:07:06 | |
The budget is between 700 and £750,000. | 0:07:06 | 0:07:11 | |
Both Stuart and Bryony need to commute into London for work, | 0:07:14 | 0:07:17 | |
so they want to concentrate their search in the villages | 0:07:17 | 0:07:20 | |
around Saffron Walden, near to where the three | 0:07:20 | 0:07:22 | |
counties of Essex, Hertfordshire and Cambridgeshire meet. | 0:07:22 | 0:07:26 | |
So, with the location sorted, I'm meeting up with them | 0:07:26 | 0:07:29 | |
on Essex turf to clarify the details of their move. | 0:07:29 | 0:07:32 | |
So, here we are in Essex. | 0:07:32 | 0:07:34 | |
Why have you chosen this particular part of the world? | 0:07:34 | 0:07:37 | |
It's still easy to commute into London | 0:07:37 | 0:07:39 | |
and we think we can get a bit more space than we have at the moment. | 0:07:39 | 0:07:42 | |
What sort of commute time are you looking at? | 0:07:42 | 0:07:44 | |
I think probably about an hour and a quarter, max. Door-to-door. | 0:07:44 | 0:07:48 | |
Door-to-door? That's amazing, isn't it? | 0:07:48 | 0:07:51 | |
You can come out to the countryside and be in central London in | 0:07:51 | 0:07:54 | |
an hour and a quarter, but obviously | 0:07:54 | 0:07:57 | |
that's reflected in property prices. | 0:07:57 | 0:08:00 | |
-Yes. -How much more are you hoping to get for your money out here? | 0:08:00 | 0:08:04 | |
Um, size wise, not that much for the actual house, | 0:08:04 | 0:08:07 | |
-but outside space is very important. -How much garden do you want? | 0:08:07 | 0:08:11 | |
Acres, or just something for your children to run around in? | 0:08:11 | 0:08:14 | |
About a third of an acre. | 0:08:14 | 0:08:15 | |
Yes. From our research so far, about a third of an acre. | 0:08:15 | 0:08:18 | |
So you've both got some clear criteria, | 0:08:18 | 0:08:21 | |
which makes it easier to find a property, I think. | 0:08:21 | 0:08:23 | |
-So how many bedrooms? -Four. We want to be able to extend. | 0:08:23 | 0:08:27 | |
If there's only four, I want to be able to extend it to get five. | 0:08:27 | 0:08:30 | |
Sounds like you want to extend your family! | 0:08:30 | 0:08:31 | |
You've got twins at the moment, four to five bedrooms - | 0:08:31 | 0:08:34 | |
are you moving out hoping to have guests coming to stay, | 0:08:34 | 0:08:37 | |
or do you just want a huge family home? | 0:08:37 | 0:08:39 | |
You've got to go for the son and heir! We've got two girls at the moment! | 0:08:39 | 0:08:42 | |
Right, OK, got you! All right. | 0:08:42 | 0:08:44 | |
-Might as well start? -Yes. -Let's get cracking. | 0:08:44 | 0:08:46 | |
For their maximum budget of £750,000, Stuart | 0:08:50 | 0:08:54 | |
and Bryony are after a sizeable and characterful detached | 0:08:54 | 0:08:57 | |
family home with potential | 0:08:57 | 0:08:59 | |
as they're quite willing to take on a project. | 0:08:59 | 0:09:02 | |
They need a minimum of four bedrooms, | 0:09:02 | 0:09:04 | |
a large kitchen/diner | 0:09:04 | 0:09:06 | |
and two separate reception rooms. | 0:09:06 | 0:09:08 | |
And essential to their checklist are good transport links | 0:09:08 | 0:09:11 | |
into central London and access to excellent local primary schools. | 0:09:11 | 0:09:15 | |
We'll be taking Stuart and Bryony to view some of the best traditional | 0:09:16 | 0:09:19 | |
and unconventional family homes on the market, but as always, | 0:09:19 | 0:09:23 | |
I won't be revealing the price tags until they've had a guess first. | 0:09:23 | 0:09:27 | |
As ever, our final choice is the mystery house - | 0:09:27 | 0:09:30 | |
but will it provide a happy landing or just be a flight of fancy? | 0:09:30 | 0:09:34 | |
Our first property is situated in the village of Quendon, | 0:09:38 | 0:09:41 | |
which has a local primary school rated good by Ofsted and a nearby | 0:09:41 | 0:09:45 | |
train station offering a direct 45-minute connection into London. | 0:09:45 | 0:09:50 | |
Quendon lies side-by-side with the idyllic-looking village | 0:09:50 | 0:09:53 | |
of Rickling, characterised by a large, lush green | 0:09:53 | 0:09:57 | |
and framed by picturesque houses as well as a popular country pub. | 0:09:57 | 0:10:01 | |
The house we're viewing is a period home dating back to the 1800s | 0:10:01 | 0:10:04 | |
and has good road links right on the doorstep. | 0:10:04 | 0:10:07 | |
So here is Essex's first offering. | 0:10:10 | 0:10:13 | |
It's a nice-looking house. | 0:10:13 | 0:10:16 | |
Two garages. Well appointed. | 0:10:16 | 0:10:19 | |
Very nice. | 0:10:19 | 0:10:20 | |
It's fully enclosed, this property. | 0:10:20 | 0:10:23 | |
But...there is the road. | 0:10:23 | 0:10:26 | |
-Yes. -How much of a problem? | 0:10:26 | 0:10:27 | |
-I think it might be a problem. -A big problem. | 0:10:27 | 0:10:30 | |
We've brought you here because of the accommodation | 0:10:30 | 0:10:33 | |
and because there's plenty of character here and plenty of space. | 0:10:33 | 0:10:36 | |
It does look like a great house. | 0:10:36 | 0:10:38 | |
OK, let's see what you think of it, anyway. | 0:10:38 | 0:10:41 | |
'Despite the proximity to the road, they both seem | 0:10:41 | 0:10:44 | |
'to like the appearance of this timber-framed house. | 0:10:44 | 0:10:47 | |
'And I'm hoping the bounty of traditional features inside | 0:10:47 | 0:10:50 | |
'will more than make up for any potential traffic noise.' | 0:10:50 | 0:10:53 | |
OK... So... Living room. | 0:10:56 | 0:11:01 | |
-I'll say now, one of your living rooms. -Ah... -It's a decent size. | 0:11:01 | 0:11:04 | |
If that puts a different slant on it. | 0:11:04 | 0:11:07 | |
-Good feature fireplace. -Yes, nice fireplace. | 0:11:07 | 0:11:09 | |
-There is one thing though, isn't there? -Yeah! -Doink! -Ah, yes! | 0:11:09 | 0:11:13 | |
Well, again, that's what you get with character. | 0:11:13 | 0:11:16 | |
-It feels cosy, though. -Yes, it feels like a nice room. | 0:11:16 | 0:11:19 | |
I think this room would potentially be maybe more of a summer room, | 0:11:19 | 0:11:24 | |
cos it spills out into the garden, | 0:11:24 | 0:11:26 | |
maybe more of a "best" room, | 0:11:26 | 0:11:27 | |
more formal, because the sitting room | 0:11:27 | 0:11:30 | |
I'm about to show you is next door to the kitchen. | 0:11:30 | 0:11:33 | |
-I think you'd get a lot more use out of that. -OK. | 0:11:33 | 0:11:35 | |
Right, then. Bit more of a flow to this room. | 0:11:38 | 0:11:42 | |
-It's a good room. -Yeah? -Well... L-shaped. | 0:11:43 | 0:11:46 | |
And this is the older part of the property again. | 0:11:46 | 0:11:48 | |
It feels that, doesn't it? | 0:11:48 | 0:11:50 | |
-It just has a bit more character to it, doesn't it? -Yeah. | 0:11:50 | 0:11:53 | |
It's obviously period, I quite like it, actually. It's got a good feel to it. | 0:11:53 | 0:11:57 | |
I think everything we've seen so far | 0:11:57 | 0:11:59 | |
I definitely think could work for us. | 0:11:59 | 0:12:01 | |
The fact we have a formal area and then more of a snug, playroom | 0:12:01 | 0:12:06 | |
-type area, where you can have the kids making a mess. -Yes. | 0:12:06 | 0:12:12 | |
Let's go straight through to the kitchen, | 0:12:12 | 0:12:14 | |
-because I think it's all quite integral, really. -Yeah. -So... | 0:12:14 | 0:12:17 | |
-Here it is. -Again, full of character. -Yes, it is, isn't it? | 0:12:17 | 0:12:21 | |
It is. | 0:12:21 | 0:12:23 | |
I think it's a really good kitchen. | 0:12:23 | 0:12:26 | |
It's light, it's spacious. | 0:12:26 | 0:12:29 | |
A mean, these old beams and stuff - that's great. Really characterful. | 0:12:29 | 0:12:33 | |
It's great you've got your kitchen area and your eating area. | 0:12:33 | 0:12:36 | |
-But at the same time, it's completely open. -That's good. | 0:12:36 | 0:12:41 | |
So, at the moment, this marries up to | 0:12:41 | 0:12:44 | |
-the sort of style that you're after for your new countryside house? -Yes. -Yes. | 0:12:44 | 0:12:48 | |
'The kitchen sits at the back of the property, | 0:12:49 | 0:12:51 | |
'right next to a huge utility room with a downstairs cloakroom. | 0:12:51 | 0:12:55 | |
'In the front hallway are the stairs up to the sleeping quarters, | 0:12:55 | 0:12:59 | |
'and there are five bedrooms in total, all of which are doubles. | 0:12:59 | 0:13:03 | |
'The three smallest rooms are grouped together in the centre | 0:13:03 | 0:13:06 | |
'of the house and all share a large five-piece family bathroom. | 0:13:06 | 0:13:10 | |
'Then, there's a huge bedroom, currently being used | 0:13:10 | 0:13:13 | |
'as a games room, which also benefits from an en-suite bathroom. | 0:13:13 | 0:13:16 | |
'That just leaves the largest bedroom...' | 0:13:17 | 0:13:19 | |
This is very much the master. | 0:13:19 | 0:13:22 | |
This is a BIG room. | 0:13:22 | 0:13:24 | |
-Good room. -Isn't it? -Yes, very good. -And there's a walk-in wardrobe... | 0:13:26 | 0:13:30 | |
Oh, that's my dream! | 0:13:30 | 0:13:32 | |
The depth of that en suite goes halfway behind the bed | 0:13:32 | 0:13:36 | |
-and then the other half is walk-in wardrobe. -Wow. | 0:13:36 | 0:13:38 | |
-It wasn't a prerequisite, but that is a big tick in a box. -Yes. | 0:13:38 | 0:13:43 | |
'After the initial road reservations, both Stuart | 0:13:43 | 0:13:46 | |
'and Bryony appear to be keeping positive about this property | 0:13:46 | 0:13:49 | |
'and it's no wonder - there's a lot of house here. | 0:13:49 | 0:13:52 | |
'And the garden is also a substantial size, | 0:13:52 | 0:13:55 | |
'with a total plot that covers a third of an acre, featuring a large, | 0:13:55 | 0:13:59 | |
'paved patio and a level lawned area ideal for their two young children.' | 0:13:59 | 0:14:04 | |
So how much is this house on the market for? | 0:14:04 | 0:14:06 | |
-I'm going to let Stu go first! -Very good of you! -OK. | 0:14:06 | 0:14:10 | |
I think around 700. | 0:14:10 | 0:14:13 | |
-OK. Bryony? -695. | 0:14:13 | 0:14:16 | |
JONNIE INHALES SHARPLY | 0:14:16 | 0:14:17 | |
Naughty bid that, five grand under. But you're closer... | 0:14:17 | 0:14:21 | |
It's on... | 0:14:21 | 0:14:22 | |
Yeah! It's on the market for offers around £650,000. | 0:14:22 | 0:14:27 | |
-Oh, so the road has a bigger impact than I thought. -Yes. | 0:14:27 | 0:14:30 | |
If you picked this up and put it in a village, | 0:14:30 | 0:14:32 | |
I think you could add another 150,000, easily. | 0:14:32 | 0:14:35 | |
-You'd struggle to afford it, absolutely. -OK. | 0:14:35 | 0:14:38 | |
Why don't you go back into the house, then, have a good scoot | 0:14:38 | 0:14:40 | |
around and I'll meet you outside at the front in a few moments. | 0:14:40 | 0:14:43 | |
-Perfect, thank you. -Thanks a lot. | 0:14:43 | 0:14:45 | |
This spacious 19th-century period property is £100,000 | 0:14:48 | 0:14:52 | |
under Stuart and Bryony's top budget, | 0:14:52 | 0:14:55 | |
but comes with all of their specified criteria. | 0:14:55 | 0:14:59 | |
There are two separate reception rooms, a large kitchen/diner | 0:14:59 | 0:15:02 | |
and five bedrooms, | 0:15:02 | 0:15:04 | |
as well as a good-sized garden | 0:15:04 | 0:15:05 | |
and it's located within their preferred commute time. | 0:15:05 | 0:15:09 | |
So, on the face of it, this property is a perfect match, | 0:15:09 | 0:15:12 | |
but it remains to be seen | 0:15:12 | 0:15:14 | |
whether the roadside location will bypass its benefits. | 0:15:14 | 0:15:17 | |
-Another big room. -The games room! -Or, OR a guest bedroom. | 0:15:19 | 0:15:24 | |
This is a good-sized room. | 0:15:25 | 0:15:26 | |
Yes, this has the other en suite. It's another good-sized bathroom. | 0:15:26 | 0:15:30 | |
This is a really lovely guest bedroom. | 0:15:30 | 0:15:33 | |
I thought the house itself inside was great - | 0:15:33 | 0:15:36 | |
loads of period features, which was fantastic, beams, but not too many, | 0:15:36 | 0:15:40 | |
which makes it not that dark, which was also a plus point. | 0:15:40 | 0:15:45 | |
Feature fireplaces, great eat-in kitchen, | 0:15:45 | 0:15:48 | |
so on the whole, the style of house was definitely to our liking. | 0:15:48 | 0:15:51 | |
Five bedrooms was a real bonus. | 0:15:51 | 0:15:54 | |
I really like the period nature of the property. | 0:15:54 | 0:15:57 | |
I think the styles are very eclectic, very intriguing. | 0:15:57 | 0:16:02 | |
Full of character and the house itself I think we really like, actually. | 0:16:02 | 0:16:08 | |
-All done inside? -Yes, thank you. -All good. -Plenty of bedrooms. -Lots. | 0:16:10 | 0:16:14 | |
-Yes, lots of space. -OK, let's go on. | 0:16:14 | 0:16:17 | |
Much of the pastoral landscape | 0:16:27 | 0:16:29 | |
where northern Essex meets the Suffolk borders | 0:16:29 | 0:16:32 | |
epitomises the traditional English farmed countryside. | 0:16:32 | 0:16:35 | |
It's a setting that was to become world-famous when captured on | 0:16:35 | 0:16:38 | |
canvas by the Romantic painter John Constable in the early 19th century. | 0:16:38 | 0:16:44 | |
Constable was born and raised in the Dedham Vale and Stour Valley, | 0:16:44 | 0:16:47 | |
which are now preserved as areas of outstanding natural beauty. | 0:16:47 | 0:16:51 | |
And an ideal way to explore this iconic scenery is by bike. | 0:16:51 | 0:16:56 | |
So during the week, we sent keen cyclists Stuart | 0:16:56 | 0:16:59 | |
and Bryony to meet Paul Armstrong for a guided tour | 0:16:59 | 0:17:02 | |
through countryside that inspired some of Constable's greatest works. | 0:17:02 | 0:17:06 | |
They've started with a beautiful panorama that he painted in 1802. | 0:17:06 | 0:17:10 | |
OK, we just arrived here at the lip of Dedham Vale, | 0:17:10 | 0:17:13 | |
looking down over the Stour Valley. | 0:17:13 | 0:17:16 | |
This is actually very close to a famous scene of a famous | 0:17:16 | 0:17:20 | |
Constable picture... | 0:17:20 | 0:17:22 | |
which he actually painted from the top of the church tower behind us, | 0:17:22 | 0:17:27 | |
looking out across the valley. | 0:17:27 | 0:17:29 | |
Unfortunately, it doesn't look quite the same these days, | 0:17:29 | 0:17:33 | |
-because the trees have grown a bit. -What a view, hey? | 0:17:33 | 0:17:36 | |
Apart from the bigger trees, | 0:17:36 | 0:17:38 | |
I think you'll agree that the actual scenery - | 0:17:38 | 0:17:40 | |
this was painted 200 years ago - | 0:17:40 | 0:17:43 | |
has barely changed in the time since then. | 0:17:43 | 0:17:46 | |
So where is the famous Hay Wain in relation to this? | 0:17:46 | 0:17:51 | |
Oh, we've still got two or three miles to go to reach that. | 0:17:51 | 0:17:54 | |
The route runs along country lanes, past lowland meadows | 0:17:56 | 0:17:59 | |
and through medieval villages, down to Flatford Mill, | 0:17:59 | 0:18:02 | |
which was once owned by Constable's father | 0:18:02 | 0:18:04 | |
and is the location featured in the classic painting the Hay Wain. | 0:18:04 | 0:18:09 | |
Here we are to finish off at the scene of Constable's... | 0:18:09 | 0:18:13 | |
Probably his most famous work, about 1820, but now of course is | 0:18:13 | 0:18:18 | |
renowned as one of the most famous landscape pictures that we have. | 0:18:18 | 0:18:24 | |
Willy Lott's cottage looks pretty much the same. | 0:18:24 | 0:18:27 | |
It's very impressive. What a fantastic setting, as well. | 0:18:27 | 0:18:31 | |
It's beautiful. | 0:18:31 | 0:18:33 | |
Life may have changed greatly since Constable's day, | 0:18:35 | 0:18:37 | |
but it's comforting to see that many of the scenes | 0:18:37 | 0:18:40 | |
he painted have retained their natural timeless quality. | 0:18:40 | 0:18:43 | |
For now though, it's time to get back to the house hunt and find | 0:18:43 | 0:18:46 | |
an unspoiled pocket of Essex that our buyers can call home. | 0:18:46 | 0:18:49 | |
For our second property, we're stepping out of Essex | 0:18:55 | 0:18:57 | |
and into Hertfordshire. | 0:18:57 | 0:18:59 | |
We're heading for Little Hadham, | 0:18:59 | 0:19:01 | |
only a couple of miles from Bishop's Stortford, | 0:19:01 | 0:19:04 | |
with its mainline train service to London, | 0:19:04 | 0:19:06 | |
which takes around 45 minutes. | 0:19:06 | 0:19:08 | |
There's also a local primary school, | 0:19:08 | 0:19:10 | |
again with an Ofsted rating of good. | 0:19:10 | 0:19:13 | |
Little Hadham is a pretty hamlet surrounded by fields and full of | 0:19:13 | 0:19:16 | |
whitewashed timber-framed farmhouses and immaculate thatched homes. | 0:19:16 | 0:19:21 | |
These line the quiet, winding streets and narrow lanes | 0:19:21 | 0:19:24 | |
that take us straight to the outside of our second house. | 0:19:24 | 0:19:28 | |
So now, from the first property, | 0:19:28 | 0:19:30 | |
hopefully a vast improvement on the road. | 0:19:30 | 0:19:32 | |
-This is the road connecting the property. -A bit quieter. | 0:19:32 | 0:19:34 | |
-Yes! -A great improvement. -And that is the house. | 0:19:34 | 0:19:39 | |
It looks big from here. Very long. | 0:19:39 | 0:19:42 | |
Yes, it's an old worker's cottage, | 0:19:42 | 0:19:45 | |
a labourer's cottage for a big, old farm that was up the road. | 0:19:45 | 0:19:48 | |
But it has been extended, right through that gable end. | 0:19:48 | 0:19:50 | |
So it's a whole lot more property than it was initially built as. | 0:19:50 | 0:19:55 | |
-When was it built? -1660. -OK. | 0:19:55 | 0:19:58 | |
So, location wise? | 0:19:58 | 0:20:00 | |
-The right sort of area, isn't it? -Yes. -Good. | 0:20:00 | 0:20:02 | |
-Let's see what you think of the inside. -Perfect. -Let's go and have a look. | 0:20:02 | 0:20:07 | |
'And in true country tradition, we're skipping the front door in | 0:20:07 | 0:20:10 | |
'favour of the back entrance, which takes us straight into the kitchen.' | 0:20:10 | 0:20:14 | |
Come right in, because I know it needs a bit of work - | 0:20:17 | 0:20:20 | |
-I want you to get up close and personal with it. -Seems quite dated! | 0:20:20 | 0:20:25 | |
Yes. | 0:20:25 | 0:20:26 | |
Now, the estate agents have told the owner, | 0:20:26 | 0:20:30 | |
and quite rightly in my opinion, not to put a new kitchen in, | 0:20:30 | 0:20:33 | |
because to spend all that money on a new kitchen, it still | 0:20:33 | 0:20:36 | |
might not be the taste of the incoming purchaser... | 0:20:36 | 0:20:39 | |
Is there any way that you could increase the size of the kitchen? | 0:20:39 | 0:20:42 | |
Yes, it's going to involve steels, but you've got a ground-floor | 0:20:42 | 0:20:48 | |
loo and shower room on the left as you came in, a utility that way. | 0:20:48 | 0:20:53 | |
-So you can go out that way, quite easily. -OK. | 0:20:53 | 0:20:56 | |
-Increasing the size of this kitchen by...probably 50%. -OK. | 0:20:58 | 0:21:03 | |
I think what we'd like to do is just see it in the context, | 0:21:03 | 0:21:06 | |
if we could create a bigger kitchen here and just see it in the context of the rest of the house. | 0:21:06 | 0:21:10 | |
-Absolutely. -And how it fits in with that. | 0:21:10 | 0:21:13 | |
Subject to the correct planning permission of course, | 0:21:13 | 0:21:15 | |
knocking through could be the perfect solution to create | 0:21:15 | 0:21:18 | |
the large kitchen/diner they so desire. | 0:21:18 | 0:21:20 | |
But as it stands, there's still plenty of reception space, starting | 0:21:20 | 0:21:25 | |
with the cosy drawing room that has an enormous inglenook fireplace. | 0:21:25 | 0:21:29 | |
This room flows into the second reception area, | 0:21:29 | 0:21:32 | |
which is laid out as a dining room and is next to the compact office. | 0:21:32 | 0:21:36 | |
'After that is the sitting room.' | 0:21:36 | 0:21:39 | |
They've used... | 0:21:39 | 0:21:40 | |
They found old timbers when they did this. I think it's a gorgeous room. | 0:21:40 | 0:21:44 | |
Yes, it is. | 0:21:44 | 0:21:46 | |
It's great, and it spills out onto the patio area, as well. | 0:21:46 | 0:21:49 | |
The house is very long and quite thin, I think. | 0:21:49 | 0:21:52 | |
Yes, because I would see this as a formal drawing room. | 0:21:53 | 0:21:56 | |
I see this as the room where you'd spend... | 0:21:57 | 0:22:00 | |
-This would be the living room, basically. -Hmmm. | 0:22:00 | 0:22:03 | |
We're going to disagree on camera. | 0:22:03 | 0:22:05 | |
Well, look, I think, you know, | 0:22:05 | 0:22:07 | |
wait until you buy the place to have a real argument! | 0:22:07 | 0:22:10 | |
No, I'm only joking! | 0:22:10 | 0:22:11 | |
It's the first time you've seen it and you've lots of thoughts | 0:22:11 | 0:22:14 | |
going through your mind, which is great. | 0:22:14 | 0:22:16 | |
This house is always going to challenge someone, | 0:22:16 | 0:22:18 | |
because it's old, it's... It's not conventional. | 0:22:18 | 0:22:22 | |
But there's so much in it that I thought you would like. | 0:22:22 | 0:22:25 | |
-The character, essentially, I suppose. -Yes, I agree. | 0:22:25 | 0:22:28 | |
There's a really warming mood to this house tour which shows | 0:22:30 | 0:22:33 | |
it may be working for them. | 0:22:33 | 0:22:35 | |
Upstairs, the master bedroom has an element of interconnection, too, | 0:22:35 | 0:22:39 | |
as it can be accessed via a private staircase | 0:22:39 | 0:22:42 | |
from the kitchen or from the landing, through the second bedroom. | 0:22:42 | 0:22:45 | |
Right... Not massive. | 0:22:53 | 0:22:55 | |
-But so much character. Look at these floorboards. -I know. | 0:23:01 | 0:23:05 | |
Cor, you feel like the whole room is on a gradient. | 0:23:05 | 0:23:08 | |
It's like being in a ship, isn't it? | 0:23:08 | 0:23:11 | |
-It's amazing. I love all the wobbly floors. -What about the dimensions? | 0:23:11 | 0:23:15 | |
-Could you live in smaller-bedroomed accommodation? -I could. | 0:23:15 | 0:23:20 | |
I think my issue would be | 0:23:20 | 0:23:21 | |
-not being able to get in on both sides of the bed. -Good point. | 0:23:21 | 0:23:25 | |
That's the big thing that shouts out to me in this room. | 0:23:25 | 0:23:29 | |
But other than that, I think it's quite a nice little quirky room. | 0:23:29 | 0:23:33 | |
There are four bedrooms in total | 0:23:33 | 0:23:34 | |
and the last two are off the main landing next to the family bathroom. | 0:23:34 | 0:23:38 | |
Outside, the mature gardens cover half an acre, | 0:23:39 | 0:23:42 | |
with a wide expanse of lawn and a veggie plot. | 0:23:42 | 0:23:46 | |
In addition, there is also a three-acre paddock, | 0:23:46 | 0:23:49 | |
so more than enough space for their children to run around. | 0:23:49 | 0:23:52 | |
Land, gardens... Beautiful old 17th-century house... | 0:23:53 | 0:23:58 | |
-What would you price it at? -I think 725,000. -OK. | 0:23:59 | 0:24:04 | |
OK, I'm going to go upper end, actually - 745. | 0:24:06 | 0:24:09 | |
-Good guess. £750,000. -Oh! | 0:24:12 | 0:24:15 | |
-Yes! -No! -No, that's more money we've got to pay. -Yes. That's my point. | 0:24:17 | 0:24:23 | |
It's more, but whether or not you could negotiate this property | 0:24:23 | 0:24:27 | |
to a price that would allow you to make changes... | 0:24:27 | 0:24:31 | |
would remain to be seen. | 0:24:31 | 0:24:32 | |
But hopefully it's given you something to think about. | 0:24:32 | 0:24:36 | |
-Definitely. -OK. | 0:24:36 | 0:24:37 | |
Look, you haven't looked in the garage, | 0:24:37 | 0:24:39 | |
you haven't looked at the other bedrooms. Now is your chance. | 0:24:39 | 0:24:42 | |
Last thing we're doing today - | 0:24:42 | 0:24:43 | |
I shall be relaxing somewhere in this lovely garden. | 0:24:43 | 0:24:47 | |
-See you in a moment. -Have fun. -Bye. | 0:24:47 | 0:24:49 | |
Bang on budget at £750,000, | 0:24:51 | 0:24:54 | |
the second property is a fascinating | 0:24:54 | 0:24:56 | |
detached 17th-century period cottage | 0:24:56 | 0:24:59 | |
set in a quiet hamlet. | 0:24:59 | 0:25:01 | |
It's also close to great transport links and good schools. | 0:25:01 | 0:25:05 | |
It comes with a kitchen/ breakfast room, | 0:25:05 | 0:25:07 | |
no less than three reception rooms and four bedrooms. | 0:25:07 | 0:25:11 | |
All in all, it's an absolute beautiful setting, | 0:25:11 | 0:25:13 | |
with over three acres of grounds. | 0:25:13 | 0:25:15 | |
I thought it looked lovely, slightly set back from the road, | 0:25:18 | 0:25:22 | |
really quiet country lane. | 0:25:22 | 0:25:24 | |
First impressions going into the kitchen were that it would need | 0:25:24 | 0:25:28 | |
a lot of work and it would want to be much bigger. | 0:25:28 | 0:25:31 | |
We're looking for a big kitchen/diner, | 0:25:31 | 0:25:34 | |
but on the whole, a lot of space on the ground floor. | 0:25:34 | 0:25:37 | |
Three big reception rooms and it seems great - loads of character. | 0:25:38 | 0:25:43 | |
The price means there is no flexibility for us to do anything. | 0:25:43 | 0:25:47 | |
I think in terms of the configuration of the house, and particularly with | 0:25:47 | 0:25:51 | |
the ceilings in the upstairs, it's going to be a real compromise for us. | 0:25:51 | 0:25:56 | |
-What's your favourite veg? -Potato! -There you go. What about you? | 0:25:57 | 0:26:02 | |
-Carrots! -Ah, I don't think there's any carrots there yet. | 0:26:02 | 0:26:05 | |
I don't know if I'd know even if there were! | 0:26:05 | 0:26:06 | |
-Anyway, seen enough inside? -Yes, thank you. -Good. | 0:26:06 | 0:26:10 | |
It's been a great day. I've learnt lots about your search. | 0:26:10 | 0:26:12 | |
Hopefully you've had something to get your noggin ticking with tonight. | 0:26:12 | 0:26:16 | |
-No, it's been good. -Let's make our way. | 0:26:16 | 0:26:18 | |
As the evening draws in, | 0:26:28 | 0:26:30 | |
the first day of our house hunt comes to an end. | 0:26:30 | 0:26:33 | |
With a budget of £750,000, London-based Stuart and Bryony | 0:26:40 | 0:26:44 | |
are looking for a family home in the Essex countryside. | 0:26:44 | 0:26:48 | |
And so far they've seen two very characterful period properties, | 0:26:48 | 0:26:51 | |
the second of which had them swaying with joy. | 0:26:51 | 0:26:54 | |
You feel like the whole room is on a gradient. | 0:26:54 | 0:26:57 | |
Like being in a ship, isn't it? | 0:26:57 | 0:26:59 | |
But still to come, | 0:27:00 | 0:27:02 | |
there is almost unimaginable individuality in the mystery house. | 0:27:02 | 0:27:05 | |
-It's very different to any house I've ever seen before. -Me too. -Yeah. | 0:27:05 | 0:27:10 | |
And I should like to be beside the seaside, beside the sea. | 0:27:10 | 0:27:15 | |
Yesterday, Bryony and Stuart saw two great properties, | 0:27:19 | 0:27:22 | |
both had character, good access to London and schools, | 0:27:22 | 0:27:26 | |
but also both did have an element of compromise. | 0:27:26 | 0:27:30 | |
Today, we're off to see the mystery house - hopefully, | 0:27:30 | 0:27:32 | |
the sun will break through those clouds later. | 0:27:32 | 0:27:35 | |
Now, I reckon I've shown my fair share of quirky properties to buyers | 0:27:35 | 0:27:39 | |
in the past, but I reckon this one pretty much takes the biscuit. | 0:27:39 | 0:27:44 | |
So... Two properties down. | 0:27:49 | 0:27:51 | |
Off to see the mystery house. | 0:27:51 | 0:27:53 | |
-You guess it, I'll buy you lunch. -Ooh. -Pub conversion. | 0:27:53 | 0:27:57 | |
You're going for pub conversion. | 0:27:57 | 0:28:00 | |
Do I have to do a specific type? | 0:28:01 | 0:28:04 | |
I'll go barn conversion, then. | 0:28:04 | 0:28:05 | |
OK. Enjoy the ride. All will be revealed soon. | 0:28:05 | 0:28:10 | |
Well, lunch won't be on me. | 0:28:11 | 0:28:13 | |
Our final destination is in the rural outskirts of Hadstock, | 0:28:13 | 0:28:16 | |
tucked right up against the Cambridgeshire county border. | 0:28:16 | 0:28:20 | |
The nearest train station has a line into the City, | 0:28:20 | 0:28:22 | |
which takes just over an hour | 0:28:22 | 0:28:24 | |
and the nearest primary school is again rated good by Ofsted. | 0:28:24 | 0:28:28 | |
Hadstock is just four miles from the town of Saffron Walden. | 0:28:28 | 0:28:32 | |
Here, our buyers can purchase items from a whole host of shops | 0:28:32 | 0:28:35 | |
housed within attractive Tudor and Georgian architecture and | 0:28:35 | 0:28:39 | |
they can use the twice-weekly market that dates right back to 1141. | 0:28:39 | 0:28:44 | |
Saffron Walden's prosperity blossomed through | 0:28:44 | 0:28:47 | |
the growth of the saffron crocus in the 16th century | 0:28:47 | 0:28:50 | |
and it's not just the town's name that references the flower. | 0:28:50 | 0:28:54 | |
Much of the local architecture features the saffron buds too. | 0:28:54 | 0:28:58 | |
Time to check out our mystery property | 0:28:58 | 0:29:00 | |
and it's safe to say it's a truly remarkable house. | 0:29:00 | 0:29:03 | |
SHE LAUGHS | 0:29:06 | 0:29:08 | |
-Are we looking yet? -I'm looking! -Have a look! | 0:29:08 | 0:29:12 | |
-Blimey! -What is it? | 0:29:12 | 0:29:14 | |
-This is... a World War II... -Yes? | 0:29:14 | 0:29:19 | |
..aircraft control tower. | 0:29:19 | 0:29:21 | |
-Of course it is! Why wouldn't it be? -As... As... Yeah! | 0:29:21 | 0:29:24 | |
I don't think I've ever seen one of those before! | 0:29:24 | 0:29:27 | |
-I don't think I have. -This is unexpected, to say the least. -That WAS unexpected. | 0:29:27 | 0:29:31 | |
It's pretty much the quirkiest property I've shown someone. | 0:29:31 | 0:29:34 | |
Now inside, you said you wanted character. | 0:29:34 | 0:29:37 | |
Not necessarily old, but first good news, | 0:29:37 | 0:29:40 | |
you're not going to be banging your head. | 0:29:40 | 0:29:43 | |
-Excellent. -Let's have a look. -Fantastic. | 0:29:43 | 0:29:46 | |
Set amid fields of rapeseed on the remains of the WWII airfield, | 0:29:49 | 0:29:53 | |
this Grade II-listed control tower | 0:29:53 | 0:29:55 | |
is a unique home with an upside-down layout, | 0:29:55 | 0:29:58 | |
as all the reception and living areas are on the first floor. | 0:29:58 | 0:30:02 | |
-OK, then. Get a load of this. -Wow. | 0:30:04 | 0:30:08 | |
-Yeah! Look at that. Surrounded by yellow. -This is unbelievable. | 0:30:09 | 0:30:13 | |
I think the yellow gives it that extra wow factor when you come in. | 0:30:13 | 0:30:16 | |
Yes. | 0:30:16 | 0:30:18 | |
This is the biggest kitchen we've seen so far, even though | 0:30:18 | 0:30:21 | |
it's open-plan beyond. It's totally, totally bespoke. | 0:30:21 | 0:30:25 | |
This is Bry's favourite type of kitchen. Open plan... | 0:30:25 | 0:30:29 | |
-It's very different to any house I've ever seen before. -Me too. | 0:30:29 | 0:30:33 | |
So let's look in the living area... | 0:30:33 | 0:30:37 | |
How brave are you? | 0:30:37 | 0:30:39 | |
-No, I can do that! Quickly! -Waaaay! | 0:30:40 | 0:30:43 | |
-Do you like this style? -Yes. I think it works. | 0:30:46 | 0:30:50 | |
Where we're stood at the moment was the control room. | 0:30:50 | 0:30:53 | |
Built in 1943, | 0:30:53 | 0:30:56 | |
so this has had a major input into our history, really. | 0:30:56 | 0:31:00 | |
The building was commissioned and built in the early 1940s | 0:31:00 | 0:31:03 | |
and used by both the Royal Air Force and the US Army Air Force. | 0:31:03 | 0:31:08 | |
It was converted into a home ten years ago, | 0:31:08 | 0:31:10 | |
to a highly contemporary design. | 0:31:10 | 0:31:13 | |
Also on this first floor is the master bedroom | 0:31:13 | 0:31:16 | |
where the sleek finish continues. | 0:31:16 | 0:31:18 | |
Right then, your master. | 0:31:21 | 0:31:24 | |
-It's very light. -Yes. | 0:31:24 | 0:31:26 | |
It's a good size. | 0:31:27 | 0:31:29 | |
OK, so that protrudes into the kitchen, that bit there? | 0:31:29 | 0:31:31 | |
-Behind that walk-in wardrobe... -Another tick! | 0:31:31 | 0:31:36 | |
Is that rosewood cupboard. | 0:31:36 | 0:31:38 | |
And then round the other side is an en-suite shower and loo. | 0:31:38 | 0:31:43 | |
-It's quite cleverly done. -It's good, isn't it? | 0:31:43 | 0:31:45 | |
The remaining four bedrooms are all back down on the ground floor, | 0:31:47 | 0:31:50 | |
alongside a huge family bathroom. | 0:31:50 | 0:31:53 | |
There is a large, light double with a door out to the garden | 0:31:53 | 0:31:56 | |
next to another double with Mondrian-inspired built-in storage. | 0:31:56 | 0:32:01 | |
And the last two are also a similar size. | 0:32:01 | 0:32:04 | |
Well, that wraps up the accommodation, | 0:32:04 | 0:32:06 | |
and it's time to survey the land. | 0:32:06 | 0:32:08 | |
Where better to take it all in than up on the roof? | 0:32:08 | 0:32:11 | |
So let me explain what we've got here. | 0:32:11 | 0:32:14 | |
You've got...just under an acre. Not easy to price. | 0:32:15 | 0:32:20 | |
Not easy. | 0:32:20 | 0:32:21 | |
But have a go at it. | 0:32:21 | 0:32:23 | |
-I would estimate in excess of 700, probably about 725. -OK. | 0:32:23 | 0:32:29 | |
I'm just going to go in with a value of 700,000. | 0:32:30 | 0:32:34 | |
Very good guess. | 0:32:34 | 0:32:35 | |
It's on the market for offers around £695,000. | 0:32:37 | 0:32:40 | |
It's a really interesting proposition. | 0:32:40 | 0:32:44 | |
Tell you what, go downstairs, I'll meet you out the front. | 0:32:44 | 0:32:47 | |
Where is the front? I forget! | 0:32:47 | 0:32:48 | |
-I'll meet you at the bottom, whenever you're ready. -OK. | 0:32:48 | 0:32:52 | |
-See you there. -Enjoy it. -Bye. | 0:32:52 | 0:32:55 | |
Well, that's just it - I want them to enjoy this house. | 0:32:55 | 0:32:58 | |
It's SO different. It's been fun looking around this place. | 0:32:58 | 0:33:01 | |
But also, as quirky as it may seem, | 0:33:01 | 0:33:04 | |
it actually gives them everything they asked for. This could be their new family home. | 0:33:04 | 0:33:09 | |
On the market for offers around £695,000, | 0:33:11 | 0:33:15 | |
the mystery property is an historic and unique Grade II-listed home, | 0:33:15 | 0:33:19 | |
converted from a former aircraft control tower. | 0:33:19 | 0:33:22 | |
It comes with a modern kitchen and living area, five bedrooms | 0:33:24 | 0:33:27 | |
and that enormous roof terrace, | 0:33:27 | 0:33:29 | |
which features commanding views as far as the eye can see. | 0:33:29 | 0:33:33 | |
This proposition presents a rare opportunity for our two | 0:33:33 | 0:33:36 | |
London-based buyers to get a slice of contemporary City style living | 0:33:36 | 0:33:40 | |
in the heart of the countryside. | 0:33:40 | 0:33:42 | |
Um, for us, I think we're quite traditional in the sense that | 0:33:43 | 0:33:47 | |
we like to go upstairs to bed, but obviously this property is unusual. | 0:33:47 | 0:33:52 | |
A fantastic setting, and you've got to make the most of that. | 0:33:52 | 0:33:55 | |
It's something that we need to go and think about in terms | 0:33:55 | 0:33:58 | |
of the logistics of it and how it would work. | 0:33:58 | 0:34:01 | |
Um... Yes, TBC. To be continued. | 0:34:01 | 0:34:07 | |
It is very much an entertaining house and Stu and I, | 0:34:07 | 0:34:10 | |
especially with the move to the country, want to be able to | 0:34:10 | 0:34:12 | |
entertain people, so from that side, it's a definite tick. | 0:34:12 | 0:34:16 | |
So I think we just need to work through it, | 0:34:17 | 0:34:19 | |
see how we could play with the space and see if it would work for us. | 0:34:19 | 0:34:24 | |
Well, it's very pleasant out here, I tell you. | 0:34:26 | 0:34:28 | |
Jonnie, you make this property look good! | 0:34:28 | 0:34:30 | |
No, it's the furniture, not me! Have you seen enough in there? | 0:34:30 | 0:34:34 | |
-Yes, thank you. -Good. | 0:34:34 | 0:34:35 | |
-Let's find somewhere for you to have a bit of a catch-up and talk things through. -Great. | 0:34:35 | 0:34:39 | |
Britain's love affair with the seaside dates back | 0:34:49 | 0:34:51 | |
some 300 years and in the Victorian heyday, | 0:34:51 | 0:34:55 | |
sea bathing was therapeutic, fun and fashionable. | 0:34:55 | 0:34:58 | |
With the early 20th century | 0:34:58 | 0:35:00 | |
came the ultimate in private changing-room facilities | 0:35:00 | 0:35:03 | |
in the form of beach huts, which still make | 0:35:03 | 0:35:05 | |
a colourful splash across many a British seafront promenade. | 0:35:05 | 0:35:10 | |
Today there are over 20,000 bathing boxes decorating the UK's | 0:35:10 | 0:35:13 | |
coastline and over the past decade, they've become the iconic des res. | 0:35:13 | 0:35:19 | |
I've come to Frinton-on-Sea to meet local resident Giles Watling, | 0:35:19 | 0:35:22 | |
whose family have owned a beach hut on the parade here since 1957. | 0:35:22 | 0:35:27 | |
These are called the Whalings. | 0:35:27 | 0:35:29 | |
There are 100 huts here and of all the 3,000 or so huts | 0:35:29 | 0:35:33 | |
we've got on the Tendring Peninsula around here, around the Frinton | 0:35:33 | 0:35:36 | |
area, these are the only ones that stand up like this over the sea. | 0:35:36 | 0:35:40 | |
The tide will come right in here and all the way up and under the huts. | 0:35:40 | 0:35:43 | |
If the water comes right up to the huts, | 0:35:43 | 0:35:46 | |
they must look like floating structures at one point? | 0:35:46 | 0:35:49 | |
It's like being on a boat, really. | 0:35:49 | 0:35:51 | |
You've got the sound of the sea underneath you, | 0:35:51 | 0:35:53 | |
sitting there with a gin and tonic and a book in your hand. | 0:35:53 | 0:35:56 | |
Were these an extension of the residents' here or were these | 0:35:56 | 0:36:00 | |
-for the people who couldn't afford a holiday home? -No, an extension of the residents'. | 0:36:00 | 0:36:03 | |
There was a rule until a few years ago where you couldn't have a | 0:36:03 | 0:36:06 | |
beach hut down here unless you lived in the Tendring Peninsula. | 0:36:06 | 0:36:10 | |
That rule was taken away, which had two effects - one, | 0:36:10 | 0:36:12 | |
it increased the value, | 0:36:12 | 0:36:14 | |
but it also meant that we have a lot of absentee landlords, if you like, | 0:36:14 | 0:36:18 | |
who are in London and they only get down here so often. | 0:36:18 | 0:36:22 | |
The majority of beach huts are privately owned | 0:36:22 | 0:36:24 | |
and they come with a very long waiting list. | 0:36:24 | 0:36:27 | |
On this part of the coast, huts typically cost between five | 0:36:27 | 0:36:30 | |
and £30,000, but one that recently sold in Dorset is thought to be | 0:36:30 | 0:36:34 | |
the most expensive beach hut in the UK, | 0:36:34 | 0:36:37 | |
selling for a whopping £170,000. | 0:36:37 | 0:36:41 | |
I must admit, Giles, I've never seen a beach hut with its own back garden before. | 0:36:42 | 0:36:47 | |
This is rather exclusive, isn't it? | 0:36:47 | 0:36:48 | |
They are quite unique with this veranda. | 0:36:48 | 0:36:50 | |
-Can you show me inside? -Yes, let's go and have a look. Come inside. | 0:36:50 | 0:36:54 | |
This feels like a lovely sort of boat cabin, doesn't it? | 0:36:56 | 0:36:59 | |
I use it as an office. | 0:36:59 | 0:37:01 | |
For inspiration, you'd struggle to find any better... | 0:37:01 | 0:37:03 | |
Well, it is stunning. Look at that sea, sparkling away. | 0:37:03 | 0:37:06 | |
-May I have a look? -Go ahead, | 0:37:06 | 0:37:08 | |
-stick your head out of the window. -It's wonderful. | 0:37:08 | 0:37:10 | |
-I suppose the water pretty much comes up here, does it? -Under here. | 0:37:10 | 0:37:15 | |
You can drop out a bucket | 0:37:15 | 0:37:16 | |
and pick up some water to scrub down the decks. | 0:37:16 | 0:37:20 | |
I'm sure you're probably loath to go home sometimes. | 0:37:20 | 0:37:22 | |
I don't want to go home. This is paradise. | 0:37:22 | 0:37:25 | |
And who needs a holiday, frankly, in Spain or wherever, | 0:37:25 | 0:37:28 | |
when you've got this? Look at it. | 0:37:28 | 0:37:30 | |
Ongoing maintenance is crucial to protect huts from the harsh | 0:37:31 | 0:37:34 | |
coastal weather and corrosive salt air, | 0:37:34 | 0:37:37 | |
but there are passionate experts who will help get the job done. | 0:37:37 | 0:37:40 | |
John Robertson is one of them. | 0:37:40 | 0:37:42 | |
Now, John, you're involved in what, the upkeep of these beach huts? | 0:37:43 | 0:37:48 | |
Yes, basically it starts out some people come along | 0:37:48 | 0:37:51 | |
and want a door repaired or something very simple. | 0:37:51 | 0:37:55 | |
Then somebody else comes along and wants a new kitchen fitted. | 0:37:55 | 0:37:58 | |
Some are so luxurious, some have a full sink, a gas fridge, | 0:37:58 | 0:38:01 | |
I mean, they've got to have their beer and wine cold! | 0:38:01 | 0:38:04 | |
So the uses have changed over the past 100 years or so, | 0:38:04 | 0:38:07 | |
but essentially, they're here to enjoy the beach | 0:38:07 | 0:38:10 | |
-and the weather we have here. -Yeah, that's it. | 0:38:10 | 0:38:14 | |
Over 100 years since they first graced our promenades, | 0:38:14 | 0:38:17 | |
these modest candy-coloured landmarks are still a defining | 0:38:17 | 0:38:21 | |
and treasured reflection of life and leisure at the British seaside. | 0:38:21 | 0:38:25 | |
Well, that's real estate with a guaranteed sea view at least. | 0:38:26 | 0:38:30 | |
Maybe a mystery property for the future. | 0:38:30 | 0:38:32 | |
Time now to catch up with today's buyers and see | 0:38:32 | 0:38:34 | |
if this beautiful county of Essex has worked its charms. | 0:38:34 | 0:38:38 | |
All right, let's start at the beginning. First property... | 0:38:44 | 0:38:47 | |
I don't think, if we're really honest with each other, | 0:38:48 | 0:38:51 | |
-we never got over that road, did we? -No, we didn't. | 0:38:51 | 0:38:54 | |
It was a fantastic house, a lot of space. | 0:38:54 | 0:38:58 | |
But we just couldn't live on that road. | 0:38:58 | 0:39:01 | |
No, but I learned quite a bit from you guys about what you like. | 0:39:01 | 0:39:05 | |
I mean, internally, you both... | 0:39:05 | 0:39:07 | |
-got on quite well with that house, didn't you? -We did. | 0:39:07 | 0:39:10 | |
It was pretty much... It pretty much ticked all the boxes. | 0:39:10 | 0:39:14 | |
It was just the road that was the issue. | 0:39:14 | 0:39:16 | |
OK, because you reacted so well to the garden in the first house, | 0:39:16 | 0:39:20 | |
I was really looking forward to the afternoon, | 0:39:20 | 0:39:23 | |
where I took you to that beautiful 17th-century cottage. | 0:39:23 | 0:39:26 | |
Built back in 1660, however, | 0:39:26 | 0:39:29 | |
we started looking at the proportions which came into play. | 0:39:29 | 0:39:32 | |
The ceilings came into play, big-time. But that was... | 0:39:32 | 0:39:35 | |
That was a quieter setting, | 0:39:35 | 0:39:38 | |
very chocolate box-y, | 0:39:38 | 0:39:40 | |
I think was how we described it. | 0:39:40 | 0:39:42 | |
As you say, the garden was great. | 0:39:42 | 0:39:44 | |
The house was full of character and that was all good news. | 0:39:44 | 0:39:48 | |
I think the configuration of the bedrooms on the top floor | 0:39:48 | 0:39:51 | |
was difficult. | 0:39:51 | 0:39:52 | |
There probably wasn't enough space there for us | 0:39:52 | 0:39:56 | |
and our family and future family, | 0:39:56 | 0:39:58 | |
but also, it was Grade II-listed, so I think the potential | 0:39:58 | 0:40:01 | |
for expansion and extension there was limited as well. | 0:40:01 | 0:40:05 | |
Well, there were some changes to be made and it was, as you say, | 0:40:05 | 0:40:08 | |
Grade II-listed, so maybe a bit of a challenge. | 0:40:08 | 0:40:11 | |
But outside, fantastic garden, wasn't it? | 0:40:11 | 0:40:14 | |
That three acres was obviously a large plot of land | 0:40:14 | 0:40:17 | |
and it just gives you that extra potential. | 0:40:17 | 0:40:21 | |
Well, hopefully, we ended on a bit more of a high, | 0:40:21 | 0:40:23 | |
something to think about overnight. | 0:40:23 | 0:40:25 | |
And I say this with a wry smile, I was very much looking forward to | 0:40:25 | 0:40:28 | |
showing you the mystery property today. | 0:40:28 | 0:40:30 | |
What were your thoughts when you looked up | 0:40:30 | 0:40:34 | |
and saw a converted aircraft control tower? | 0:40:34 | 0:40:38 | |
I wasn't sure what to think, to be honest. | 0:40:38 | 0:40:40 | |
It's not something that you'd ever imagine going to see, so... | 0:40:40 | 0:40:45 | |
-No. -I was a bit shocked. | 0:40:45 | 0:40:47 | |
But you seem to be embracing it, both of you. | 0:40:47 | 0:40:50 | |
-Definitely. -I thought it was exciting, actually. | 0:40:50 | 0:40:53 | |
It looked like the sort of property | 0:40:53 | 0:40:54 | |
where you could get some decent dimensions internally. | 0:40:54 | 0:40:57 | |
Obviously, the roof terrace was fantastic. | 0:40:57 | 0:41:01 | |
-Miami meets Saffron Walden! -Yeah! | 0:41:01 | 0:41:03 | |
But fantastically quirky and fantastic space, | 0:41:05 | 0:41:09 | |
both inside and out. | 0:41:09 | 0:41:11 | |
So of the three properties, | 0:41:11 | 0:41:13 | |
that's the one that we would go away and think about. | 0:41:13 | 0:41:15 | |
Is that what you're going to do, or is that just a favourite? | 0:41:15 | 0:41:18 | |
That's definitely our favourite one out of the three and we'll take it away, | 0:41:18 | 0:41:21 | |
we'll consider how it will work for us and the kids | 0:41:21 | 0:41:24 | |
and so on with the upstairs downstairs. | 0:41:24 | 0:41:27 | |
And, um... | 0:41:27 | 0:41:28 | |
We'll see what we think, have a good old think about it. | 0:41:28 | 0:41:32 | |
That doesn't surprise me that you say that, | 0:41:32 | 0:41:34 | |
because it's just so different, isn't it? | 0:41:34 | 0:41:36 | |
-Are you cool enough to live in that place? -That's my worry! | 0:41:36 | 0:41:40 | |
I don't know anybody that cool! | 0:41:40 | 0:41:43 | |
I think, by purchasing that place, you would BECOME very cool! | 0:41:43 | 0:41:46 | |
I know. It's a bit of a statement. | 0:41:46 | 0:41:48 | |
-I think you'd have to get new friends. -And new furniture! | 0:41:48 | 0:41:51 | |
Definitely new furniture! Well, best of luck with your decision. | 0:41:51 | 0:41:56 | |
No matter where you go, I know you've chosen to relocate | 0:41:56 | 0:41:59 | |
to a wonderful part of the world, but whatever you do, do let us know. | 0:41:59 | 0:42:02 | |
It's been a really enlightening experience, thank you. | 0:42:02 | 0:42:04 | |
It's been fun, so thank you, too. | 0:42:04 | 0:42:06 | |
Well, it's been a great few days here in Essex, | 0:42:13 | 0:42:15 | |
but certainly the highlight for me was showing two rather | 0:42:15 | 0:42:18 | |
discerning house-buyers a converted aircraft control tower. | 0:42:18 | 0:42:23 | |
Now, they've told me they want to go away, consider this carefully | 0:42:23 | 0:42:26 | |
and I think it's a really good idea, because, well, | 0:42:26 | 0:42:29 | |
they had great reactions first of all, but on reflection, | 0:42:29 | 0:42:33 | |
yes, of course it's unconventional, | 0:42:33 | 0:42:35 | |
but it's actually quite practical. | 0:42:35 | 0:42:37 | |
Internally, well, Stuart wouldn't be banging his head, | 0:42:37 | 0:42:40 | |
but externally, you've got the land, you've got access to great schools | 0:42:40 | 0:42:43 | |
in Saffron Walden, but most importantly, the commute time - | 0:42:43 | 0:42:47 | |
within an hour and a quarter of London, | 0:42:47 | 0:42:49 | |
so Stuart should be fairly happy there, too. | 0:42:49 | 0:42:52 | |
So, maybe, just maybe, | 0:42:52 | 0:42:54 | |
that very quirky mystery property may have found two new buyers. | 0:42:54 | 0:42:59 | |
Who knows? See you next time. | 0:42:59 | 0:43:01 | |
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