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This deserted manor house used to be in the centre of one of Britain's thriving weaving communities | 0:00:00 | 0:00:05 | |
till a local invention which kick-started the Industrial Revolution | 0:00:05 | 0:00:09 | |
turned it into a ghost town. | 0:00:09 | 0:00:11 | |
Find out where I am in just a moment. | 0:00:11 | 0:00:13 | |
On today's show, I'm seeking out a property | 0:00:42 | 0:00:45 | |
for a buyer who's after a romantic cottage with roses around the door. | 0:00:45 | 0:00:49 | |
And her dad's come along to offer practical advice. | 0:00:49 | 0:00:53 | |
Along the way, we really come up trumps at one house. | 0:00:53 | 0:00:56 | |
I'm moving in now. Tomorrow! | 0:00:56 | 0:00:59 | |
And then our mystery house delivers some real surprises. | 0:00:59 | 0:01:03 | |
Having your own turret. I've never had one of those before! | 0:01:03 | 0:01:07 | |
Today we're in Lancashire, a county that has strong ties to the weaving industry. | 0:01:12 | 0:01:16 | |
But back in the mid-18th century, | 0:01:16 | 0:01:18 | |
it all took place on a cottage level. | 0:01:18 | 0:01:20 | |
It was in the homes of weavers in little rural villages like this one, Wycoller. | 0:01:20 | 0:01:24 | |
That is until the invention of a local man, James Hargreaves, | 0:01:24 | 0:01:28 | |
who came up with the Spinning Jenny, | 0:01:28 | 0:01:30 | |
a machine that took multiple threads from one wheel. | 0:01:30 | 0:01:33 | |
That changed everything, and all the homeworkers had to abandon their villages | 0:01:33 | 0:01:37 | |
and go and work in the power looms of the mills. | 0:01:37 | 0:01:40 | |
I'll be exploring Lancashire's textile history later in the show. | 0:01:40 | 0:01:44 | |
But take a look at some of the other things that make this county's fabric great. | 0:01:44 | 0:01:50 | |
Lancashire lies in the north-west of England | 0:01:51 | 0:01:53 | |
and borders five other counties, | 0:01:53 | 0:01:55 | |
including North and West Yorkshire to the east | 0:01:55 | 0:01:57 | |
and Cumbria to the north. | 0:01:57 | 0:01:59 | |
Agriculture represents the main land use here | 0:02:00 | 0:02:03 | |
with sheep and beef farming dominating through the uplands | 0:02:03 | 0:02:06 | |
while dairy farming is a key feature of the lowlands, | 0:02:06 | 0:02:09 | |
as well as in the Ribble and Lune Valleys. | 0:02:09 | 0:02:12 | |
However, the county is home to a variety of natural landscapes. | 0:02:12 | 0:02:16 | |
On the coast, Morecambe Bay is fed by five rivers | 0:02:16 | 0:02:20 | |
and over 120 square miles of sand are revealed when the tide goes out. | 0:02:20 | 0:02:25 | |
Further inland, the Forest of Bowland was declared an Area of Outstanding Natural Beauty | 0:02:25 | 0:02:31 | |
in 1964. | 0:02:31 | 0:02:33 | |
On the property price front, Lancashire is good news. | 0:02:35 | 0:02:39 | |
The average price of a detached house here is £207,000, | 0:02:39 | 0:02:43 | |
which is £48,000 less than the national average. | 0:02:43 | 0:02:47 | |
It gets more pricey if you go south of here to the beautiful Ribble Valley, | 0:02:47 | 0:02:51 | |
which I believe is where the Queen has said she would happily retire, | 0:02:51 | 0:02:54 | |
though she and I will have to pay more for the privilege. | 0:02:54 | 0:02:57 | |
It's 50% above the average down there. | 0:02:57 | 0:02:59 | |
If the royal pound is to be stretched a little further, | 0:02:59 | 0:03:03 | |
then Her Majesty will have to move into the countryside around Preston and Blackpool. | 0:03:03 | 0:03:07 | |
But wherever she moves, | 0:03:07 | 0:03:09 | |
she or I, royalty or commoner alike, | 0:03:09 | 0:03:12 | |
Lancashire has a rich pot-pourri of different architectural styles. | 0:03:12 | 0:03:16 | |
It's not surprise that Lancashire's farming roots have had an influence on properties round here. | 0:03:17 | 0:03:22 | |
From stone-built houses to farmworkers' cottages, | 0:03:22 | 0:03:25 | |
there's something for every budget. | 0:03:25 | 0:03:27 | |
This three-bed limestone barn conversion in Halton | 0:03:27 | 0:03:30 | |
is on the market for just under £450,000. | 0:03:30 | 0:03:34 | |
A reminder of Lancashire's industrial past | 0:03:35 | 0:03:37 | |
can be found in villages such as Wycoller. | 0:03:37 | 0:03:39 | |
The restored weavers' cottages here are a symbol of the prolific textile industry | 0:03:39 | 0:03:45 | |
that thrived in these areas. | 0:03:45 | 0:03:47 | |
This four-bed house is on the market for £495,000. | 0:03:47 | 0:03:52 | |
Evidence of this industrial era | 0:03:53 | 0:03:55 | |
is dotted all over the county. | 0:03:55 | 0:03:57 | |
For example here in Helmshore where mill owner William Turner | 0:03:57 | 0:04:01 | |
had homes built for the mill workers. | 0:04:01 | 0:04:03 | |
This three-bed cottage in the village is priced at £200,000. | 0:04:03 | 0:04:07 | |
As you can see, Lancashire wears its industrial heritage on its sleeve. | 0:04:09 | 0:04:13 | |
But is it going to be to the taste of our homebuyer today? Let's meet her. | 0:04:13 | 0:04:17 | |
School bursar Angela has lived in her flat in Edinburgh | 0:04:17 | 0:04:22 | |
for the past seven years. | 0:04:22 | 0:04:24 | |
Now that she's been offered a job in Casterton on the Lancashire borders, | 0:04:24 | 0:04:28 | |
she's ready for a new life in the country. | 0:04:28 | 0:04:30 | |
And one that will allow her to get closer to family. | 0:04:30 | 0:04:33 | |
Edinburgh's a lovely city and I've really enjoyed being here. | 0:04:35 | 0:04:38 | |
There's always lots to do, lots of culture. | 0:04:38 | 0:04:40 | |
But I crave my own front door. I live in a tenement block. | 0:04:40 | 0:04:45 | |
Community living, noisy streets, police sirens in the night, | 0:04:45 | 0:04:49 | |
peace and quiet in the country would be lovely. | 0:04:49 | 0:04:51 | |
-Mum and Dad are not getting any younger, are you? -No. | 0:04:51 | 0:04:55 | |
It would be nicer to be nearer to them. | 0:04:55 | 0:04:57 | |
My son Anthony's at university now, | 0:04:57 | 0:04:59 | |
so he's basically flown the nest. | 0:04:59 | 0:05:01 | |
Angela's father Norman, who lives in West Yorkshire, | 0:05:02 | 0:05:05 | |
is acting as companion and adviser on her property search. | 0:05:05 | 0:05:08 | |
My role in looking at these houses | 0:05:09 | 0:05:11 | |
is to spot any possible flaws. | 0:05:11 | 0:05:13 | |
Four eyes are better than two. | 0:05:13 | 0:05:15 | |
I've got a romantic notion and I'll fall in love with somewhere | 0:05:16 | 0:05:20 | |
and Dad will probably see that the back of the house is falling down | 0:05:20 | 0:05:23 | |
or something I probably wouldn't see! | 0:05:23 | 0:05:25 | |
As well as doing the house hunt together, | 0:05:27 | 0:05:29 | |
father and daughter both share a passion for all things culinary. | 0:05:29 | 0:05:33 | |
I'm a very keen cook, as is Dad. | 0:05:34 | 0:05:37 | |
We've travelled all over the place doing different cookery courses. | 0:05:37 | 0:05:40 | |
We try and get away once a year and try something new. | 0:05:40 | 0:05:43 | |
So somewhere to practise her recipes will be top of Angela's wish list | 0:05:44 | 0:05:47 | |
for her new rural home. | 0:05:47 | 0:05:49 | |
When Angela moves to Lancashire, it'll be a bit of a shock to start with. | 0:05:49 | 0:05:53 | |
Especially the quiet country life. | 0:05:53 | 0:05:56 | |
I'm looking forward to it, though. | 0:05:56 | 0:05:58 | |
I think I'm a country girl at heart, really. | 0:05:58 | 0:06:00 | |
My ideal property would be a traditional cottage type of property. | 0:06:00 | 0:06:05 | |
Lots of character. Beams, open fireplace. | 0:06:05 | 0:06:09 | |
Roses round the door! | 0:06:09 | 0:06:11 | |
With that idyllic dream home in mind, | 0:06:11 | 0:06:14 | |
let's talk money. | 0:06:14 | 0:06:15 | |
The budget for the move is £250,000. | 0:06:15 | 0:06:18 | |
Angela needs to be within 20 minutes' drive of Casterton | 0:06:21 | 0:06:24 | |
for her new job | 0:06:24 | 0:06:25 | |
and preferably a couple of hours from her parents' in Yorkshire. | 0:06:25 | 0:06:28 | |
So we'll be house-hunting in the north of the county | 0:06:28 | 0:06:32 | |
close to the border with Cumbria. | 0:06:32 | 0:06:34 | |
I met her and dad Norman in Lancashire to find out more | 0:06:34 | 0:06:37 | |
about what she'd like from her new country home. | 0:06:37 | 0:06:40 | |
Welcome to Lancashire. This is what's ahead of you, Angela. | 0:06:40 | 0:06:43 | |
-I can't wait! -You must know it, Norman. It's not far from you. | 0:06:43 | 0:06:47 | |
-No, it's not. -Which is part of the reason we want to get you down here. | 0:06:47 | 0:06:51 | |
In terms of the house that you're looking for, | 0:06:52 | 0:06:54 | |
tell me about your spec. Your dream property, what would it look like? | 0:06:54 | 0:06:58 | |
My dream property would have lots of character. | 0:06:58 | 0:07:02 | |
Not necessarily old, but as long as there's plenty of character. | 0:07:02 | 0:07:05 | |
Two bedrooms minimum. Parking. It's a nightmare in Edinburgh, | 0:07:05 | 0:07:09 | |
so to be able to pull up outside my own house would be nice! | 0:07:09 | 0:07:14 | |
And in terms of the... You say two bedrooms. What else? | 0:07:14 | 0:07:17 | |
A nice kitchen. I'm a keen cook, so the kitchen's important. | 0:07:17 | 0:07:21 | |
An open fire would be icing on the cake. | 0:07:21 | 0:07:25 | |
-What about garden? Are you a gardener? -A small garden. | 0:07:25 | 0:07:28 | |
-I'm not a keen gardener. -Not green-fingered. -No. I'd like to be! | 0:07:28 | 0:07:33 | |
-Do you think that sounds do-able? -I would think so. | 0:07:33 | 0:07:36 | |
And you're here to... What's your role in the house search? | 0:07:36 | 0:07:40 | |
I'm here because of my acute hearing, to listen for the death watch beetle! | 0:07:40 | 0:07:43 | |
We wouldn't take you to a house that had death watch beetles! | 0:07:43 | 0:07:46 | |
And in terms of location. Obviously you want to be... We're up in the borders, really. | 0:07:46 | 0:07:51 | |
We're close to Cumbria, close to Yorkshire, close to Lancashire. | 0:07:51 | 0:07:54 | |
Do you have a strong feeling for any of those? | 0:07:54 | 0:07:56 | |
The whole area around Casterton is beautiful. | 0:07:56 | 0:08:00 | |
A nice village location would be nice. | 0:08:00 | 0:08:03 | |
-What's your budget? -It's £250,000. | 0:08:03 | 0:08:07 | |
But you're only looking for two bedrooms, so that's do-able. | 0:08:07 | 0:08:09 | |
We've found three very nice properties. Shall we go and look? | 0:08:09 | 0:08:12 | |
-Yes, definitely. -Follow me. | 0:08:12 | 0:08:14 | |
We've found three fantastic properties | 0:08:32 | 0:08:35 | |
which we think will really inspire her. | 0:08:35 | 0:08:36 | |
At each one, I'll be asking them both to guess the price before I reveal it. | 0:08:36 | 0:08:41 | |
And one, of course, will be our mystery house | 0:08:41 | 0:08:43 | |
which we hope will be a towering success! | 0:08:43 | 0:08:46 | |
So, time to get our property search underway. | 0:08:47 | 0:08:49 | |
With location top of the agenda, | 0:08:52 | 0:08:54 | |
we're heading to the village of Whittington in the Lune Valley. | 0:08:54 | 0:08:57 | |
Angela would only have a ten-minute drive to Casterton | 0:08:57 | 0:09:01 | |
and it's around 70 miles from Norman's house in Yorkshire. | 0:09:01 | 0:09:04 | |
While the amenities here are limited to a local pub, | 0:09:04 | 0:09:07 | |
we're just a couple of miles from the Cumbrian town of Kirby Lonsdale | 0:09:07 | 0:09:11 | |
which has had a market charter since 1227 | 0:09:11 | 0:09:15 | |
and is a thriving centre for local produce. | 0:09:15 | 0:09:18 | |
We popped into John Natlacen's specialist cheese shop | 0:09:18 | 0:09:21 | |
to find out more about the importance of food to the area. | 0:09:21 | 0:09:24 | |
-John, hello. -Hi, Alastair. | 0:09:26 | 0:09:28 | |
-Hard at work. -Nice to see you. -Here's Angela and her dad, Norman. | 0:09:28 | 0:09:30 | |
-Hi. -Hi. -Angela may be moving into the neighbourhood. | 0:09:30 | 0:09:34 | |
-That's nice to hear. It's a wonderful place to live. -And it's beautiful. | 0:09:34 | 0:09:38 | |
And the foody capital. I had no idea that Kirby was such a foody heaven! | 0:09:38 | 0:09:41 | |
It is. It's a mecca for food enthusiasts | 0:09:41 | 0:09:44 | |
from the local producers to the local shops | 0:09:44 | 0:09:48 | |
to all of the bars and restaurants that are within walking distance of Kirby Lonsdale. | 0:09:48 | 0:09:52 | |
That's the great thing. You don't have to walk out or get a taxi. | 0:09:52 | 0:09:58 | |
Everything is in the centre of town within easy walking distance. | 0:09:58 | 0:10:02 | |
What other suppliers are there? You do cheese. | 0:10:02 | 0:10:05 | |
There's a butcher's next door. | 0:10:05 | 0:10:07 | |
A fantastic butcher's next door. Regularly wins awards. | 0:10:07 | 0:10:10 | |
And every Thursday there's a market in the square | 0:10:10 | 0:10:13 | |
with the emphasis there being on fine food. | 0:10:13 | 0:10:17 | |
Thank you very much for your time. It's a wonderful shop. | 0:10:17 | 0:10:20 | |
I have to persuade her to buy the next house! | 0:10:20 | 0:10:22 | |
-Excellent. Good luck! -Thank you. -Thank you. | 0:10:22 | 0:10:25 | |
'Just two miles down the road is Whittington, | 0:10:25 | 0:10:29 | |
'where we find our first property, | 0:10:29 | 0:10:31 | |
'a stone-built Victorian terraced house dating back to 1895.' | 0:10:31 | 0:10:36 | |
So, here is house number one. | 0:10:36 | 0:10:40 | |
It's pretty, yes. Yes, looks nice. | 0:10:41 | 0:10:44 | |
Bay window. I like bay windows. | 0:10:44 | 0:10:46 | |
-Norman, what are your thought? -It looks nice. | 0:10:46 | 0:10:48 | |
It's like something that I live in at the moment. | 0:10:48 | 0:10:50 | |
-It's got roses round the door. They're the bits I look at! -Right! | 0:10:50 | 0:10:55 | |
-One of your requirements! -Well done, us, for finding that. | 0:10:55 | 0:10:58 | |
-Shall we go in? -Yes. | 0:10:58 | 0:10:59 | |
'Angela appears happy with this pretty terraced house from the outside, | 0:11:01 | 0:11:05 | |
'thanks to the roses and the windows! | 0:11:05 | 0:11:07 | |
'Now let's see what she and Norman think of the interior.' | 0:11:07 | 0:11:10 | |
Straight in to the front room. | 0:11:13 | 0:11:15 | |
-These big high windows looking out onto the fields. -It's a lovely view. | 0:11:15 | 0:11:20 | |
-A good view out of the window. -The view is lovely. | 0:11:20 | 0:11:24 | |
-What about the room? -The room feels quite spacious. | 0:11:24 | 0:11:28 | |
Nice high ceilings. Yes, it's OK. It's a reasonable size. | 0:11:28 | 0:11:31 | |
Well, this is not the only reception room. There's another. | 0:11:31 | 0:11:36 | |
'Angela's reaction to the living room was quietly polite! | 0:11:36 | 0:11:40 | |
'But I think she'll be struck by what the dining room delivers.' | 0:11:40 | 0:11:43 | |
-Another room at the back. -Oh! Now we're talking! | 0:11:43 | 0:11:47 | |
-This is more to your liking? -Look at that! -Lovely, isn't it? | 0:11:47 | 0:11:50 | |
-You're not short-changed on the fire. -No. This is perfect. | 0:11:50 | 0:11:54 | |
I quite like this as well. | 0:11:54 | 0:11:55 | |
And this is a bonus. I don't have a dining room in my flat, | 0:11:55 | 0:11:59 | |
so this is plus points. I love the fireplace! Gorgeous. | 0:11:59 | 0:12:05 | |
'I'm glad Angela is warming to the charms of this property. | 0:12:06 | 0:12:10 | |
'Let's hope the kitchen measures up.' | 0:12:10 | 0:12:12 | |
Is the good mood continuing? | 0:12:12 | 0:12:14 | |
Compact! | 0:12:14 | 0:12:16 | |
Quite well designed, I think. Not a lot of work space, is there? | 0:12:16 | 0:12:20 | |
That's a thing about Victorian houses. Kitchens were for servants. | 0:12:20 | 0:12:23 | |
So they weren't really luxurious. | 0:12:23 | 0:12:26 | |
I don't mind the galley style, because that's very practical | 0:12:26 | 0:12:29 | |
in terms of movements and everything. | 0:12:29 | 0:12:31 | |
I can see myself here. But trying to plate food up, and pans, where do you put everything? | 0:12:31 | 0:12:37 | |
Mr Practical, what are your thoughts about the kitchen? | 0:12:37 | 0:12:41 | |
-If it was me, I'd like a bigger kitchen. -Right. | 0:12:41 | 0:12:43 | |
But this is obviously quite practical. | 0:12:43 | 0:12:45 | |
Let's go upstairs. | 0:12:45 | 0:12:47 | |
'Well, practical is good, so maybe Angela could live with a smaller kitchen than she'd hoped for. | 0:12:49 | 0:12:54 | |
'As we head upstairs, there's more space than they might expect | 0:12:54 | 0:12:58 | |
'with three bedrooms, | 0:12:58 | 0:13:00 | |
'one of which could be used as a study and comes with a lovely cast-iron fireplace, | 0:13:00 | 0:13:04 | |
'and another which could be ideal for her son when he comes to stay. | 0:13:04 | 0:13:08 | |
'These share a very generously-sized bathroom with wood flooring. | 0:13:08 | 0:13:12 | |
'But we're heading for what could be Angela's sleeping domain.' | 0:13:12 | 0:13:16 | |
This is the biggest room. | 0:13:17 | 0:13:19 | |
-They use it as the master bedroom. -This is quite a size. | 0:13:19 | 0:13:22 | |
-It is. -Oh, a fireplace! | 0:13:22 | 0:13:25 | |
A beautiful Victorian cast-iron fireplace | 0:13:25 | 0:13:28 | |
-with the original ceramic tiles. -It's lovely. | 0:13:28 | 0:13:30 | |
-I like the dual windows. -Yes. Right. | 0:13:30 | 0:13:34 | |
Beautiful view over the freshly-mown field | 0:13:34 | 0:13:38 | |
-and the church. -Lovely. | 0:13:38 | 0:13:40 | |
That view, every morning, you wouldn't need to close the curtains. | 0:13:40 | 0:13:44 | |
Just lovely. | 0:13:44 | 0:13:45 | |
'So a very good reaction upstairs. | 0:13:46 | 0:13:49 | |
'Outside, the space is sub-divided into a communal parking area | 0:13:49 | 0:13:53 | |
'which gives Angela room for two cars. | 0:13:53 | 0:13:55 | |
'And this leads to her lawn and patio | 0:13:55 | 0:13:59 | |
'with views of the Lune Valley.' | 0:13:59 | 0:14:01 | |
So this area is a bit more private. | 0:14:01 | 0:14:04 | |
-Hmm. -But up front, it's definitely more open plan. | 0:14:04 | 0:14:09 | |
It's different. It's not ideal. | 0:14:09 | 0:14:11 | |
I could probably live with it. | 0:14:11 | 0:14:14 | |
If the house is right, then you never get everything, do you? | 0:14:14 | 0:14:19 | |
You don't ever get perfection. | 0:14:19 | 0:14:22 | |
There has to be some compromise somewhere. | 0:14:22 | 0:14:24 | |
So how much do you think the house costs? | 0:14:24 | 0:14:26 | |
I think it's at the top end of the budget. | 0:14:26 | 0:14:28 | |
I think - let's go for 245. | 0:14:28 | 0:14:30 | |
-Norman? -I think about 210. | 0:14:30 | 0:14:33 | |
Well, you're not quite there. It's actually right at the top of your budget. | 0:14:33 | 0:14:37 | |
-It's £5 short of £250,000. -I thought it would be near the top. | 0:14:37 | 0:14:42 | |
With the number of rooms, really. | 0:14:42 | 0:14:45 | |
I'm going to send you back in. Have a look round and I'll see you at the front. | 0:14:45 | 0:14:48 | |
-And we'll go from there. -OK. -Thank you. | 0:14:48 | 0:14:50 | |
Just within budget at a shade under £250,000, | 0:14:51 | 0:14:55 | |
this characterful Victorian terrace | 0:14:55 | 0:14:58 | |
is very conveniently located for Angela's commute. | 0:14:58 | 0:15:01 | |
The bits I love about the house, I love this room. | 0:15:13 | 0:15:15 | |
I love the fireplace. I love the large bathroom. | 0:15:15 | 0:15:19 | |
When I first went into the kitchen, I was concerned about the worktop. | 0:15:19 | 0:15:23 | |
It could be redesigned in some way to have more work space. | 0:15:23 | 0:15:27 | |
The big plusses are the three bedrooms. | 0:15:27 | 0:15:29 | |
The disappointment for me was that the kitchen was a little small. | 0:15:29 | 0:15:32 | |
Angela loves cooking. She tends to spread everything all over the place | 0:15:32 | 0:15:37 | |
when she's making some of her more intricate recipes. | 0:15:37 | 0:15:40 | |
They really are friendly in Lancashire. | 0:15:40 | 0:15:41 | |
Shared front gardens, shared back gardens, | 0:15:41 | 0:15:44 | |
you have to like your neighbours! | 0:15:44 | 0:15:46 | |
-Door knocker. -Hello. -Hi. -You've spotted... -That's an omen. | 0:15:46 | 0:15:50 | |
-There's a highland piper on the door! -That means you have to buy the house, Angela! | 0:15:50 | 0:15:55 | |
But not before you've seen the others. Let's see house number two. | 0:15:55 | 0:15:58 | |
Lancashire possesses a rich and varied rural landscape | 0:16:12 | 0:16:15 | |
including the rivers and woodland of the Ribble Valley | 0:16:15 | 0:16:17 | |
which fall within the protected area of the Forest of Bowland. | 0:16:17 | 0:16:21 | |
At its heart lies the historic market town of Clitheroe | 0:16:21 | 0:16:25 | |
whose Norman castle is said to be the smallest in England from that era. | 0:16:25 | 0:16:28 | |
Because of its long-standing market tradition and the array of independent food retailers here, | 0:16:30 | 0:16:36 | |
Clitheroe should prove an ideal destination for avid cook Angela | 0:16:36 | 0:16:39 | |
to source ingredients once she makes her move here. | 0:16:39 | 0:16:42 | |
The countryside is well suited to producing one of Lancashire's renowned edible commodities, cheese. | 0:16:44 | 0:16:49 | |
At Beesley Farm, they've been making cheese to a family recipe | 0:16:49 | 0:16:53 | |
for 30 years, using milk from their own dairy herd. | 0:16:53 | 0:16:57 | |
We arranged for Angela and Norman to meet third-generation cheesemaker Graham Kirkham | 0:16:57 | 0:17:03 | |
to find out more about this traditional process. | 0:17:03 | 0:17:05 | |
What type of cattle do you have here? What breed? | 0:17:05 | 0:17:09 | |
We have Holstein Friesians, but more on the Friesian, really. | 0:17:09 | 0:17:14 | |
They're quite a big heavy cow. | 0:17:14 | 0:17:16 | |
The reason for that is the style of milk we want. | 0:17:16 | 0:17:19 | |
We want high-protein, high-fat milk. | 0:17:19 | 0:17:23 | |
What we need to make the style of cheese that we make. | 0:17:23 | 0:17:27 | |
We'll get some wellies and some whites on | 0:17:27 | 0:17:29 | |
and you can come into the dairy and make some fabulous Lancashire cheese. | 0:17:29 | 0:17:33 | |
-Great. -Come on. -Thank you. | 0:17:33 | 0:17:34 | |
Lancashire cheese-making can be traced back to the 12th century, | 0:17:36 | 0:17:40 | |
when King John granted Preston a royal charter to host an annual cheese fair. | 0:17:40 | 0:17:45 | |
So having gone through the process of taking the milk, | 0:17:45 | 0:17:48 | |
starter cultures, or good bacteria, are added, followed by rennet, | 0:17:48 | 0:17:52 | |
an enzyme that coagulates the milk. | 0:17:52 | 0:17:55 | |
The resulting mass is then cut into pieces | 0:17:55 | 0:17:57 | |
to begin the separation of the liquid, or whey, | 0:17:57 | 0:18:00 | |
from the milk solids, or curds. | 0:18:00 | 0:18:02 | |
These are then heated before being drained. | 0:18:02 | 0:18:05 | |
And it highlights the hand-made element of the process. | 0:18:06 | 0:18:09 | |
So is your cheese really crumbly? | 0:18:12 | 0:18:14 | |
What we make isn't a crumbly cheese | 0:18:14 | 0:18:16 | |
and I think, and I know, the true traditional Lancashire will be sort of really flaky and buttery. | 0:18:16 | 0:18:23 | |
It will crumble, but it'll be really soft and delicate. | 0:18:23 | 0:18:27 | |
Creamy but not heavy. | 0:18:27 | 0:18:29 | |
After draining, the cheese then goes through a peg mill | 0:18:30 | 0:18:33 | |
to be ground up into small pieces. | 0:18:33 | 0:18:35 | |
Salt is then added for taste and as a preservative | 0:18:35 | 0:18:39 | |
before the cheese goes back into the mill again. | 0:18:39 | 0:18:42 | |
Then the next stage, putting it into a mould, or "cheese pot". | 0:18:42 | 0:18:45 | |
It takes a gallon to produce a pound of cheese. | 0:18:47 | 0:18:51 | |
A gallon of milk, a pound of cheese. | 0:18:51 | 0:18:53 | |
So these old farms, they'd only have a few pints, a few gallons, | 0:18:53 | 0:18:57 | |
they'd no refrigeration, they couldn't keep milk. | 0:18:57 | 0:18:59 | |
But they can keep this. They can keep curd. Curd lasts for a few days. | 0:18:59 | 0:19:03 | |
After pressing, the cheese is left to mature for up to 24 months. | 0:19:06 | 0:19:11 | |
After which, the time is definitely ripe to sample some. | 0:19:11 | 0:19:15 | |
That should be really quite creamy, that. | 0:19:15 | 0:19:18 | |
Mmm. | 0:19:18 | 0:19:20 | |
It's not too heavy. It's still broken and fluffy. | 0:19:21 | 0:19:24 | |
Exactly what I'm looking for, that. | 0:19:24 | 0:19:26 | |
-Yeah. -Really nice. -What do you think? -Gorgeous! | 0:19:28 | 0:19:31 | |
Having been given a taste of Lancashire's dairy farming heritage, | 0:19:31 | 0:19:35 | |
the search for Angela's creme-de-la-creme country house | 0:19:35 | 0:19:39 | |
continues. | 0:19:39 | 0:19:40 | |
For our second property, we've hopped over the border into Cumbria | 0:19:47 | 0:19:50 | |
to the hamlet of Old Hutton. | 0:19:50 | 0:19:53 | |
We're 20 minutes from Angela's job in Casterton | 0:19:53 | 0:19:56 | |
and within two hours' drive of her parents in West Yorkshire. | 0:19:56 | 0:20:00 | |
This peaceful community has a public hall and a church that dates back to the 1870s. | 0:20:01 | 0:20:08 | |
Our second house is a stone and slate cottage built in the 1900s | 0:20:09 | 0:20:13 | |
which has stunning views over towards the Lake District. | 0:20:13 | 0:20:17 | |
I am looking forward to showing you this one. | 0:20:19 | 0:20:22 | |
House number two. | 0:20:23 | 0:20:25 | |
Come right up to the gate so you get the full glory of it. | 0:20:25 | 0:20:27 | |
-Oh, wow! -That's nice. -That is gorgeous! | 0:20:27 | 0:20:31 | |
-Where's my cheque book? -Ah! That's what we like! | 0:20:31 | 0:20:34 | |
Reminds me of my grandmother's place back in Ireland. | 0:20:34 | 0:20:36 | |
Aw! I think we've done well, then! | 0:20:36 | 0:20:38 | |
-Done very well, yes! -Very good. | 0:20:38 | 0:20:40 | |
It's just stunning. It's just... Can we go in? | 0:20:40 | 0:20:45 | |
No. It's not for sale. It's that pre-fab over there! | 0:20:45 | 0:20:48 | |
Yes, let's go in! | 0:20:48 | 0:20:50 | |
This gem of a property seems to have Angela's heart soaring before we've even gone through the front door. | 0:20:50 | 0:20:57 | |
But I think she'll be even more impressed by what she finds inside. | 0:20:57 | 0:21:01 | |
Come in. | 0:21:04 | 0:21:05 | |
-Oh! -What do you think? -Bingo! | 0:21:08 | 0:21:11 | |
Bingo! That's what we wanted. | 0:21:11 | 0:21:13 | |
Yes, very nice indeed. | 0:21:13 | 0:21:15 | |
It's so attractive. It's so... | 0:21:15 | 0:21:18 | |
I love it. | 0:21:18 | 0:21:19 | |
They've done a lovely job of completely remodelling the cottage. | 0:21:19 | 0:21:24 | |
But keeping the original features. | 0:21:24 | 0:21:26 | |
A lovely oak floor, and a skimmed effect on the ceilings and walls. | 0:21:26 | 0:21:31 | |
Great, thick walls and also beautiful views. | 0:21:31 | 0:21:34 | |
Could you imagine moving straight in? | 0:21:34 | 0:21:36 | |
-Yes. -Really? -My bags are packed! | 0:21:36 | 0:21:39 | |
Wow! She's decided to move in already | 0:21:40 | 0:21:42 | |
and I think she'll find the kitchen is a cook's paradise. | 0:21:42 | 0:21:46 | |
Pa-dah! | 0:21:48 | 0:21:49 | |
It just gets better! Just gets better! | 0:21:49 | 0:21:53 | |
Incredible. | 0:21:53 | 0:21:54 | |
-I'm speechless. Absolutely speechless. -Plenty of work surface. | 0:21:54 | 0:21:58 | |
No problem with work surface here! They've done it so well! | 0:21:58 | 0:22:01 | |
Everything's to my taste. I am...speechless! | 0:22:01 | 0:22:06 | |
I'll fill in a few details. A lovely big range, there. | 0:22:06 | 0:22:11 | |
Super for cooking. | 0:22:11 | 0:22:12 | |
And lovely solid wood surfaces throughout. | 0:22:12 | 0:22:15 | |
And these lovely drawers, the ones that go... | 0:22:15 | 0:22:19 | |
This is a dream kitchen. A dream kitchen. | 0:22:21 | 0:22:23 | |
-It is. And look at that view! -I know. | 0:22:23 | 0:22:25 | |
-Magical. -Oh! | 0:22:25 | 0:22:28 | |
-What's it making you think? -It's making me want to be here now. | 0:22:28 | 0:22:32 | |
-That's what we like! -Moving in now. Tomorrow! | 0:22:32 | 0:22:35 | |
Angela's love affair with this house continues. | 0:22:35 | 0:22:39 | |
To seal the deal, I'm going to show her a bedroom | 0:22:39 | 0:22:42 | |
which could take sleeping to a whole new level. | 0:22:42 | 0:22:45 | |
Oh! That's a surprise. I wasn't expecting this. | 0:22:48 | 0:22:52 | |
-Look up there. -An office upstairs. -Yeah. | 0:22:52 | 0:22:55 | |
-I wonder why they haven't put the bed up there? -Ah, you're one ahead of me. | 0:22:55 | 0:23:00 | |
I was thinking, cos there's only two bedrooms in this property. | 0:23:00 | 0:23:03 | |
I was thinking of this as the second one. | 0:23:03 | 0:23:06 | |
But I was thinking, when Anthony comes down to visit - up to visit - | 0:23:06 | 0:23:10 | |
you could have a bed up there all made up | 0:23:10 | 0:23:12 | |
and then have this as your study. What do you think, Norman? | 0:23:12 | 0:23:16 | |
Yes, very good. I'd put the bed upstairs. | 0:23:16 | 0:23:18 | |
Beautiful views again. | 0:23:18 | 0:23:20 | |
And, behind that door, is a lovely little en-suite shower room. | 0:23:20 | 0:23:26 | |
-Tick? -Yes, tick! | 0:23:26 | 0:23:27 | |
-So that's downstairs. -OK. -Let's go upstairs. | 0:23:27 | 0:23:31 | |
'The positivity continues. | 0:23:33 | 0:23:35 | |
'We make our way upstairs through a latched door in the sitting room | 0:23:35 | 0:23:39 | |
'and get Angela's take on the main bedroom.' | 0:23:39 | 0:23:42 | |
This is your bedroom. And what a bedroom it is! | 0:23:45 | 0:23:48 | |
-Great! Oh! -Oh, that's nice. | 0:23:48 | 0:23:52 | |
That is lovely. | 0:23:52 | 0:23:54 | |
More than nice, Norman, it's magnificent! | 0:23:54 | 0:23:56 | |
It's more than nice. Lovely views as well. | 0:23:56 | 0:23:59 | |
-Look at that view! -On a clear day, you can see Scarfell Pike. -Yes. | 0:23:59 | 0:24:02 | |
I'm there. My bed's there. | 0:24:02 | 0:24:04 | |
I've got some old-fashioned furniture which would be in keeping with the style. | 0:24:04 | 0:24:10 | |
There's a lovely bathroom here as well. | 0:24:10 | 0:24:12 | |
It's effectively your en-suite. | 0:24:12 | 0:24:14 | |
That's nice because it's like a completely private area. | 0:24:15 | 0:24:19 | |
I don't think I'd change anything. | 0:24:19 | 0:24:20 | |
'This cottage has passed the test with flying colours. | 0:24:20 | 0:24:24 | |
'Now, while the garden is a small one, | 0:24:24 | 0:24:27 | |
'it makes up for its size with those incredible views.' | 0:24:27 | 0:24:30 | |
Here's your lovely little bijou garden | 0:24:34 | 0:24:36 | |
which is largely just a viewing post for that. | 0:24:36 | 0:24:41 | |
-Yes. -Stunning. -Stunning. | 0:24:41 | 0:24:43 | |
That's the beginning of the Lake District. | 0:24:43 | 0:24:46 | |
Is it a shared garden, because there's a gate through to next door. | 0:24:46 | 0:24:51 | |
That's the Pennine Way that goes through your... | 0:24:51 | 0:24:53 | |
-That takes you to your car port, where you park your car. -Right! | 0:24:53 | 0:24:56 | |
This is your garden. This is the house. What's the price? | 0:24:56 | 0:25:00 | |
This has got to be over budget, I think. | 0:25:00 | 0:25:03 | |
Let's go 262. | 0:25:03 | 0:25:05 | |
-Norman? -I think because it's got two bedrooms, rather than three, | 0:25:06 | 0:25:10 | |
I would think 240. | 0:25:10 | 0:25:12 | |
240. | 0:25:12 | 0:25:14 | |
This property, in its current state, | 0:25:14 | 0:25:17 | |
is on the market for... | 0:25:17 | 0:25:19 | |
249,950. | 0:25:19 | 0:25:22 | |
-Where's my cheque book? -I was nearest! | 0:25:22 | 0:25:24 | |
You were nearest. You win. But you don't win the property. You have to buy it. | 0:25:24 | 0:25:28 | |
-That's good. -But you're in a position to buy it. -Yes. | 0:25:28 | 0:25:31 | |
-That's good. Great! -Why don't you go in and explore. | 0:25:31 | 0:25:34 | |
Decide where you're going to put things! | 0:25:34 | 0:25:37 | |
-I'll see you out the front. -Great! Thank you! | 0:25:37 | 0:25:39 | |
(Yes!) | 0:25:41 | 0:25:43 | |
That is great. | 0:25:43 | 0:25:44 | |
It's a beautiful house. I think she should move straight in. | 0:25:44 | 0:25:47 | |
Although we do still have the mystery house to go. | 0:25:47 | 0:25:50 | |
Priced within Angela's budget of £250,000, | 0:25:53 | 0:25:56 | |
this traditional cottage is a tasteful mix of old and new | 0:25:56 | 0:26:00 | |
and seems to fit the vision she has of her dream home. | 0:26:00 | 0:26:04 | |
When I decided I was moving to the countryside, | 0:26:16 | 0:26:18 | |
I had sort of a picture and this is nearly it. This is as near as it gets, I think! | 0:26:18 | 0:26:25 | |
The only thing missing is a rose round the door, | 0:26:25 | 0:26:28 | |
but that can soon be planted! | 0:26:28 | 0:26:30 | |
I loved the living room. I loved the kitchen. | 0:26:30 | 0:26:32 | |
And the bathroom. | 0:26:32 | 0:26:35 | |
Really good. It's very homely. | 0:26:35 | 0:26:37 | |
I would think this matches Angela's requirements quite well. | 0:26:37 | 0:26:40 | |
It's a beautiful spot here. Very peaceful. | 0:26:40 | 0:26:43 | |
I love this spot. | 0:26:43 | 0:26:45 | |
-I think you'll be very happy here. -I think I would as well. | 0:26:45 | 0:26:48 | |
But we've got one more house tomorrow. | 0:26:48 | 0:26:50 | |
So let's rest up and get ready for the mystery house. | 0:26:50 | 0:26:52 | |
As the sun sets over the beautiful countryside of the Lancashire borders, | 0:27:03 | 0:27:06 | |
our first day of house-hunting ends on a very positive note. | 0:27:06 | 0:27:10 | |
School bursar Angela has a new job in Casterton | 0:27:17 | 0:27:21 | |
and has £250,000 to make the move from the city of Edinburgh | 0:27:21 | 0:27:25 | |
to the Lancashire countryside. | 0:27:25 | 0:27:27 | |
She's brought along dad Norman to give some practical guidance. | 0:27:27 | 0:27:31 | |
So far, they've been impressed by the charms of a Victorian terraced house | 0:27:31 | 0:27:36 | |
then bowled over by our beautiful stone cottage. | 0:27:36 | 0:27:39 | |
But coming up, the mystery house is like something from a fairytale! | 0:27:39 | 0:27:44 | |
It really is Rapunzel-like, isn't it? | 0:27:44 | 0:27:47 | |
And I experience life as a worker in a Victorian cotton mill. | 0:27:47 | 0:27:51 | |
I think we may have painted ourselves into a corner of property excellence yesterday, | 0:27:56 | 0:28:00 | |
with that house, because house number two seemed to really hit the mark | 0:28:00 | 0:28:05 | |
for Angela and for Norman. | 0:28:05 | 0:28:06 | |
She loved it. She was practically getting her cheque book out. | 0:28:06 | 0:28:09 | |
So the mystery house provides us with a bit of a challenge. | 0:28:09 | 0:28:12 | |
We need to do something a bit different, so we thought we'd risk it | 0:28:12 | 0:28:15 | |
and take Angela to a property that is far out in the countryside. | 0:28:15 | 0:28:19 | |
Nice and rural, but not on the edge of a village, as she requested. | 0:28:19 | 0:28:23 | |
Also it's filled with period charm. | 0:28:23 | 0:28:26 | |
Because the one thing that puzzled me about house number two | 0:28:26 | 0:28:28 | |
was how was Angela, who has a good eye for colour and style | 0:28:28 | 0:28:32 | |
going to put her mark on something that was so perfect? | 0:28:32 | 0:28:35 | |
It's a risk, but we like risks on this show! | 0:28:35 | 0:28:38 | |
For our mystery property, we're still in south Cumbria. | 0:28:41 | 0:28:44 | |
But we've travelled further west, close to the village of Milnthorpe. | 0:28:44 | 0:28:48 | |
We're just outside Angela's commute time to Casterton, | 0:28:48 | 0:28:52 | |
which is 21 minutes away. | 0:28:52 | 0:28:54 | |
It's around 107 miles from her parents' home in Yorkshire. | 0:28:54 | 0:28:58 | |
Milnthorpe has several old hostelries to choose from, | 0:28:58 | 0:29:01 | |
and hosts a market in the square every Friday. | 0:29:01 | 0:29:04 | |
It's home to a variety of local shops, including a butcher and a baker. | 0:29:05 | 0:29:09 | |
Our mystery property is 2.5 miles to the south | 0:29:09 | 0:29:13 | |
in the hamlet of Hale. | 0:29:13 | 0:29:14 | |
While Angela was hoping for a detached property, | 0:29:14 | 0:29:18 | |
we don't think she'll mind having neighbours here when she sees what we have in store for her. | 0:29:18 | 0:29:23 | |
A converted cow shed, or shippen, | 0:29:23 | 0:29:26 | |
which dates back to the 1700s in a farmstead development of six houses. | 0:29:26 | 0:29:30 | |
Oh, wow! | 0:29:31 | 0:29:33 | |
So, in from the lane, | 0:29:34 | 0:29:36 | |
you come into this lovely cobbled courtyard. | 0:29:36 | 0:29:39 | |
The property I want to show you is this one | 0:29:39 | 0:29:41 | |
with the castellated turret. | 0:29:41 | 0:29:44 | |
You've got your private car space there, | 0:29:44 | 0:29:46 | |
and three communal spaces you can share when people come to visit. | 0:29:46 | 0:29:49 | |
What are your first impressions? | 0:29:50 | 0:29:52 | |
-It's fantastic. -Very interesting. Very attractive. -Yeah. | 0:29:52 | 0:29:56 | |
-Very attractive. -I won't say nice. It's better than nice! | 0:29:56 | 0:29:58 | |
Better than nice! | 0:29:58 | 0:30:00 | |
But I can't wait to see the inside of the rooms. | 0:30:00 | 0:30:02 | |
Having your own turret! Never had one of those before! | 0:30:02 | 0:30:06 | |
-Queen of the castle! -Yeah! | 0:30:06 | 0:30:07 | |
'Angela seems intrigued and excited by the distinctive exterior of our mystery house. | 0:30:08 | 0:30:13 | |
'And I think when she sees the period features inside, | 0:30:13 | 0:30:16 | |
'she may be even more bowled over.' | 0:30:16 | 0:30:18 | |
Past the turret, straight in to the kitchen. | 0:30:19 | 0:30:23 | |
Oh, that was a surprise! | 0:30:23 | 0:30:25 | |
-What do you think? -It's big enough. | 0:30:25 | 0:30:27 | |
Yes, plenty big enough. Plenty of work space. | 0:30:27 | 0:30:30 | |
Lots of character. It's got beams. | 0:30:30 | 0:30:32 | |
It has got beams, yes. | 0:30:32 | 0:30:34 | |
Bay window, enough room for a table. That's good. | 0:30:34 | 0:30:37 | |
But compared to yesterday. That was a real zowie kitchen. | 0:30:37 | 0:30:42 | |
That was lovely. That was very modern. | 0:30:42 | 0:30:44 | |
And very new. But I think I prefer the character of this | 0:30:44 | 0:30:47 | |
and the style of the building. It's very different. | 0:30:47 | 0:30:50 | |
-Does it feel like the sort of house where you'd want to live? -It feels lovely. | 0:30:50 | 0:30:53 | |
Shall we go and look upstairs? | 0:30:53 | 0:30:55 | |
'So, our mystery house may be nudging ahead of house number two. | 0:30:56 | 0:31:00 | |
'However, it does have an unusual layout. | 0:31:00 | 0:31:02 | |
'On the ground floor is the guest bedroom | 0:31:02 | 0:31:04 | |
which comes with its own en-suite. | 0:31:04 | 0:31:06 | |
While upstairs is where we find the sitting room.' | 0:31:06 | 0:31:10 | |
Up the turret, into the main living space. | 0:31:10 | 0:31:14 | |
-Beams. -Beams. -Small windows. Lots of character. | 0:31:19 | 0:31:23 | |
That's wonderful, isn't it? | 0:31:23 | 0:31:25 | |
And look. For the first time a proper functioning open fire. | 0:31:25 | 0:31:30 | |
Great! | 0:31:30 | 0:31:31 | |
And there's a door there. | 0:31:31 | 0:31:33 | |
A door with a lovely balcony. So you could sit out there in the summer. | 0:31:33 | 0:31:36 | |
-Really is Rapunzel-like! -Mm! Norman? | 0:31:37 | 0:31:40 | |
Plenty of room. Take out some of the bigger furniture. | 0:31:40 | 0:31:43 | |
I'm surprised there's an open fire in the building upstairs. | 0:31:43 | 0:31:46 | |
Again, historical. Shippens, people lived above the animals. | 0:31:46 | 0:31:49 | |
The animals below, and they'd live up here. | 0:31:49 | 0:31:51 | |
-So they needed the fire. -Oh. | 0:31:51 | 0:31:53 | |
That's great. | 0:31:53 | 0:31:55 | |
Then you would sleep right next door. | 0:31:55 | 0:31:59 | |
'The period charm of this place is continuing to cast its spell over Angela and Norman. | 0:32:00 | 0:32:05 | |
'And there's more to be found in the master bedroom.' | 0:32:05 | 0:32:07 | |
So an en-suite there and you come into a good sized bedroom. | 0:32:07 | 0:32:12 | |
It is a good size, isn't it? | 0:32:12 | 0:32:14 | |
You could have a king size bed in here, no problem. | 0:32:14 | 0:32:17 | |
-Yes, absolutely. Norman, what do you think? -Yes, I love it. | 0:32:17 | 0:32:20 | |
-Plenty of room. -What's nice is there's real historical bones to the property. | 0:32:20 | 0:32:25 | |
And just behind the unit there, | 0:32:25 | 0:32:28 | |
there's a horse shoe stuck into the beam, | 0:32:28 | 0:32:31 | |
which they used to do in agricultural buildings to bring good luck. | 0:32:31 | 0:32:34 | |
Great. Everything helps! | 0:32:34 | 0:32:37 | |
-Yeah. -I like this room. | 0:32:37 | 0:32:39 | |
-Definitely. -Yes, I like it as well. | 0:32:39 | 0:32:42 | |
-I think the whole property has a very nice feel to it. -It's great. | 0:32:42 | 0:32:45 | |
'Could it be that this property has won Angela's heart? | 0:32:45 | 0:32:48 | |
'We've just got the outside to see. | 0:32:48 | 0:32:50 | |
'This conversion has a really pretty private rear garden and patio. | 0:32:50 | 0:32:54 | |
'And among the communal areas, there's a field which is shared with the other properties.' | 0:32:54 | 0:32:59 | |
I have to say this is probably the crowning glory of this property for me. | 0:33:00 | 0:33:06 | |
-Because it's by far the nicest garden I've shown you. -It is. | 0:33:06 | 0:33:10 | |
-It's the biggest as well. -The biggest, the most enclosed. | 0:33:10 | 0:33:13 | |
-Still manageable. -Easy maintenance. | 0:33:13 | 0:33:17 | |
Easy maintenance. Then here in the quite large triangle of land, | 0:33:17 | 0:33:21 | |
there's a kind of communal orchard. | 0:33:21 | 0:33:23 | |
It's a bit overgrown, so you might want to elect yourself the orchard keeper! | 0:33:23 | 0:33:27 | |
Buy a goat to eat the grass! | 0:33:27 | 0:33:30 | |
-Yes. He is practical, isn't he? -Yes, he is. | 0:33:30 | 0:33:33 | |
Well, that's the package. What's the price? | 0:33:33 | 0:33:36 | |
This is a difficult one, because it's still only two bedrooms. | 0:33:36 | 0:33:40 | |
But it's got the turret, it's got the lovely courtyard. | 0:33:40 | 0:33:44 | |
An overhang for parking. | 0:33:44 | 0:33:46 | |
I will be going... Oooh. | 0:33:46 | 0:33:50 | |
260? | 0:33:50 | 0:33:51 | |
-Norman? -I'll go with, because of the same reasons, 250. Full budget. | 0:33:51 | 0:33:57 | |
Well, this property is actually on the market for exactly the same price as the last one. | 0:33:57 | 0:34:03 | |
249,950. | 0:34:03 | 0:34:05 | |
I win! | 0:34:06 | 0:34:07 | |
-You win again! -So why don't you go in, have a look around. | 0:34:07 | 0:34:11 | |
You can check out the downstairs bedroom and the communal field. | 0:34:11 | 0:34:14 | |
If you go out and around, you'll find it. | 0:34:14 | 0:34:16 | |
-OK. -OK. -See you later. | 0:34:16 | 0:34:18 | |
Well, look'ee there! | 0:34:21 | 0:34:22 | |
Mystery house a contender, too. | 0:34:22 | 0:34:25 | |
Cat among pigeons. | 0:34:25 | 0:34:27 | |
The mystery house was certainly a mystery. Who else has got a turret? | 0:34:47 | 0:34:50 | |
It's cosy, it's very cute. | 0:34:50 | 0:34:53 | |
The contrast between house number two, which was very modern, | 0:34:53 | 0:34:55 | |
and this house which is very cottagey, | 0:34:55 | 0:34:58 | |
I've got a tough decision to make, whether to go for the modern or the cottagey character. | 0:34:58 | 0:35:03 | |
It's going to be hard. | 0:35:03 | 0:35:05 | |
I thought it was out of this world. | 0:35:05 | 0:35:07 | |
It's been very well modernised, | 0:35:07 | 0:35:09 | |
probably from its original boring origins. | 0:35:09 | 0:35:12 | |
They've done a fantastic job. | 0:35:12 | 0:35:14 | |
Wow, they have swallows here in this courtyard. Beautiful. | 0:35:14 | 0:35:17 | |
-You've got swallows in your courtyard. -Really? | 0:35:17 | 0:35:20 | |
-I'm saying "your" courtyard. You haven't bought it yet! -It is my courtyard! | 0:35:20 | 0:35:23 | |
That's a good sign. It means there's going to be a summer because there's more than one. | 0:35:23 | 0:35:28 | |
Right. Let's go somewhere and have some peace and quiet | 0:35:29 | 0:35:31 | |
so you can digest all the properties you've seen. | 0:35:31 | 0:35:34 | |
And then we can make some decisions. | 0:35:34 | 0:35:36 | |
-OK. -Come with me. | 0:35:36 | 0:35:38 | |
From Cumbria, we're now firmly back in the county of Lancashire, | 0:35:46 | 0:35:49 | |
which quickly came to dominate the cotton trade | 0:35:49 | 0:35:52 | |
with the onset of factory mass production in the 1760s. | 0:35:52 | 0:35:56 | |
One cotton mill with one steam engine | 0:35:56 | 0:35:59 | |
could power 50,000 spindles, | 0:35:59 | 0:36:01 | |
the equivalent output of 200,000 people spinning by hand. | 0:36:01 | 0:36:05 | |
And of the 35 steam-driven engines | 0:36:05 | 0:36:08 | |
in 18th-century British cotton mills, | 0:36:08 | 0:36:10 | |
29 could be found in Lancashire. | 0:36:10 | 0:36:13 | |
The golden era of the mills lay firmly in the Victorian period. | 0:36:13 | 0:36:17 | |
So I visited Queen Street Textile Museum in Burnley | 0:36:17 | 0:36:21 | |
to see the world's only operational 19th-century steam-powered weaving mill. | 0:36:21 | 0:36:26 | |
I started by finding out more about the intricacies involved in weaving | 0:36:26 | 0:36:30 | |
from Graham Myers. | 0:36:30 | 0:36:32 | |
-Graham. -Yes. | 0:36:32 | 0:36:34 | |
That hall through there is amazing. | 0:36:34 | 0:36:37 | |
Deafening and amazing. | 0:36:37 | 0:36:39 | |
So what's going on here? | 0:36:39 | 0:36:41 | |
-You're pulling the threads... -Each individual warp thread | 0:36:41 | 0:36:44 | |
-has to be pulled through. -You've got the warp and the weft. I remember that from school. | 0:36:44 | 0:36:48 | |
You remember, weft is left, right. Left, weft. | 0:36:48 | 0:36:52 | |
-Very good. -Warp is front to back. | 0:36:52 | 0:36:55 | |
On here, we've got each individual warp thread | 0:36:55 | 0:36:59 | |
has to be pulled through. | 0:36:59 | 0:37:01 | |
Once it's been pulled through the correct eye, | 0:37:01 | 0:37:03 | |
it has to be pulled through the dent in the reed. | 0:37:03 | 0:37:06 | |
The dent is the gap in-between. It's basically like a metal comb. | 0:37:06 | 0:37:10 | |
-You have to do that by hand for every single thread? -By hand. | 0:37:10 | 0:37:13 | |
-How many are there? -And it has to be in the correct order. | 0:37:13 | 0:37:15 | |
On this particular one, there's 1,330. | 0:37:15 | 0:37:20 | |
-And one man did that? -Yes. | 0:37:20 | 0:37:22 | |
Now, mostly, in the weaving shed, this is actually wool. | 0:37:22 | 0:37:26 | |
It's for another loom that we've got. | 0:37:26 | 0:37:29 | |
The calico that we do in the weaving is 2,600 warp threads. | 0:37:29 | 0:37:36 | |
The Queen Street mill specialised in producing cotton calico, | 0:37:38 | 0:37:41 | |
known as grey cloth. | 0:37:41 | 0:37:43 | |
Steam would enter the 500 horsepower steam engine from the boiler room below | 0:37:43 | 0:37:48 | |
and build to a pressure of around 150lbs per square inch. | 0:37:48 | 0:37:52 | |
Two pistons would drive the flywheel | 0:37:52 | 0:37:55 | |
which in turn would spin the shafts to power the looms. | 0:37:55 | 0:37:57 | |
This engine was built in the nearby town of Nelson | 0:37:58 | 0:38:01 | |
and was in operation until the day the factory closed in 1982. | 0:38:01 | 0:38:06 | |
And if I thought weaving was hard, | 0:38:06 | 0:38:08 | |
I hadn't reckoned on engineer Terry Hutton | 0:38:08 | 0:38:11 | |
putting me to work in the boiler room! | 0:38:11 | 0:38:13 | |
Small whip back. Open the door. | 0:38:13 | 0:38:16 | |
-That's hot! -It certainly is. | 0:38:17 | 0:38:20 | |
And it's basically a swing. | 0:38:20 | 0:38:21 | |
That's amazing. | 0:38:21 | 0:38:24 | |
That is an incredible inferno! | 0:38:24 | 0:38:26 | |
-Would it be just one man feeding it? -Just one man all day. | 0:38:26 | 0:38:30 | |
He'd have been down here from six in the morning | 0:38:30 | 0:38:33 | |
right through until six o'clock at night including Saturdays. | 0:38:33 | 0:38:36 | |
It was imperative they had the steam. | 0:38:36 | 0:38:38 | |
He had to get the steam to start that engine in the morning. | 0:38:38 | 0:38:41 | |
Amazing that it closed down in 1982. | 0:38:41 | 0:38:44 | |
They were still using this machinery? | 0:38:44 | 0:38:46 | |
They were using everything that you'll see today. | 0:38:46 | 0:38:48 | |
It's exactly what was put in in the beginning | 0:38:48 | 0:38:51 | |
from 1894. | 0:38:51 | 0:38:53 | |
The mill started production in 1895. | 0:38:53 | 0:38:56 | |
The big corporate people weren't interested in buying a mill like this | 0:38:56 | 0:39:02 | |
cos the investment needed to fetch it up to the 20th century | 0:39:02 | 0:39:05 | |
would have been enormous. | 0:39:05 | 0:39:07 | |
So it just plodded along. And because it was in a village probably it were just forgot. | 0:39:07 | 0:39:12 | |
The way I look at it, all I am is just the custodian for the next generation. | 0:39:12 | 0:39:15 | |
If I don't do the job properly, | 0:39:15 | 0:39:17 | |
then it goes. | 0:39:17 | 0:39:20 | |
The mill cost £20,000 to build, | 0:39:20 | 0:39:23 | |
which was raised by selling off 4,000 five pound shares. | 0:39:23 | 0:39:27 | |
Many workers were shareholders | 0:39:27 | 0:39:29 | |
and passed them down through the generations of their families. | 0:39:29 | 0:39:32 | |
In fact, when the mill closed in 1982, | 0:39:33 | 0:39:35 | |
many of its employees were related to those original mill workers. | 0:39:35 | 0:39:40 | |
And this is the mill lodge or reservoir that holds the water | 0:39:42 | 0:39:45 | |
that feeds the engine that makes the steam that turns those wheels | 0:39:45 | 0:39:48 | |
that gave me a headache because they were very, very loud! | 0:39:48 | 0:39:51 | |
But it is an amazing slice of Lancashire heritage. | 0:39:51 | 0:39:54 | |
I need to go and find Angela to find out about those houses. | 0:39:54 | 0:39:58 | |
Well, here we are, in Cumbria. | 0:40:03 | 0:40:06 | |
This is Arnside. We've been dotting back and forth across the border, Cumbria and Lancashire. | 0:40:06 | 0:40:11 | |
But I wanted to gather your thoughts about the houses as we've seen them. | 0:40:11 | 0:40:15 | |
The first house, seems like a long time ago, | 0:40:15 | 0:40:17 | |
but it was that Victorian terraced house that we saw, very close to work. | 0:40:17 | 0:40:22 | |
Lovely location. Nice village. | 0:40:22 | 0:40:24 | |
It had the lovely woodburning stove in the central room. | 0:40:24 | 0:40:27 | |
-You loved that room. -I did. But I'm not sure you should buy a house based on one room! | 0:40:27 | 0:40:31 | |
Although you could! | 0:40:31 | 0:40:33 | |
What about house number two. That had a wow factor from the two of you. | 0:40:33 | 0:40:38 | |
House two was a stunning house from the outside and the inside. | 0:40:38 | 0:40:41 | |
It had been renovated to a very high specification. | 0:40:41 | 0:40:45 | |
A beautiful big kitchen and the use of space in the back room | 0:40:45 | 0:40:49 | |
with the loft area. | 0:40:49 | 0:40:52 | |
The location wasn't ideal for that property. | 0:40:52 | 0:40:54 | |
It was sort of out of the town, out of the village. | 0:40:54 | 0:40:57 | |
There were a couple of neighbours nearby, | 0:40:57 | 0:40:59 | |
but nothing really you could walk to. | 0:40:59 | 0:41:02 | |
I like house two, with the big thick walls. | 0:41:02 | 0:41:05 | |
I like the decor. It was beautiful. | 0:41:05 | 0:41:08 | |
But for the amount of stuff Angela's got, I don't think there was enough storage space. | 0:41:08 | 0:41:12 | |
What are your thoughts on the mystery house? | 0:41:12 | 0:41:14 | |
The mystery house was just... That had the wow factor. | 0:41:14 | 0:41:18 | |
It had the turret, the courtyard, a lovely community. | 0:41:18 | 0:41:21 | |
-And the house itself? -That had the wow factor as well. | 0:41:21 | 0:41:24 | |
It had the little balcony, the door from the lounge upstairs. | 0:41:24 | 0:41:27 | |
And the door from the bedroom downstairs outside. | 0:41:27 | 0:41:30 | |
And it had the best garden by far. | 0:41:30 | 0:41:32 | |
But the little courtyard with the houses round it was just lovely. | 0:41:32 | 0:41:36 | |
Norman, did you notice any negatives. Any practical things to worry about? | 0:41:36 | 0:41:40 | |
No. None at all. It's surprising. Normally I find something, | 0:41:40 | 0:41:43 | |
but I couldn't fault it. | 0:41:43 | 0:41:45 | |
In terms of what happens next, what are your thoughts? | 0:41:45 | 0:41:47 | |
I'm going to go back to the house with the turret, | 0:41:47 | 0:41:52 | |
with my son. He's up next week. | 0:41:52 | 0:41:54 | |
So I'll take him along. I wouldn't like to buy somewhere without his seeing it. | 0:41:54 | 0:41:59 | |
Although I'm very tempted to phone them tomorrow and put an offer in! | 0:41:59 | 0:42:03 | |
You're in a unique situation. You've sold your flat in Edinburgh. | 0:42:03 | 0:42:06 | |
-You've got the money in the bank. -You've done an amazing job. | 0:42:06 | 0:42:09 | |
Any of the three houses would have been a good choice. | 0:42:09 | 0:42:13 | |
But the mystery house, you certainly pulled it out of the bag with that one! | 0:42:13 | 0:42:17 | |
-I'm pleased. -We've had a great time. | 0:42:17 | 0:42:19 | |
Yes, it was excellent. I loved it. | 0:42:19 | 0:42:22 | |
That was like a lightning bolt falling out of a clear blue sky. | 0:42:26 | 0:42:30 | |
We were all convinced that Angela was signed and sealed on property two, | 0:42:30 | 0:42:34 | |
and then, clear as a bell, she went for the mystery house. | 0:42:34 | 0:42:36 | |
That's what makes this show so appealing. | 0:42:36 | 0:42:39 | |
That and coming to amazing bits of the countryside like here. | 0:42:39 | 0:42:43 | |
We don't often come to the Lancashire borders | 0:42:43 | 0:42:46 | |
and I think we should come more often. | 0:42:46 | 0:42:48 | |
So join us next time for more Escape to the Country. | 0:42:48 | 0:42:52 | |
Angela is clearly a woman of her word | 0:42:54 | 0:42:56 | |
as she made an offer on the mystery house which was accepted. | 0:42:56 | 0:43:00 | |
So we wish her well as she settles in to her new home. | 0:43:00 | 0:43:04 | |
If you'd like to escape to the country in Scotland, Wales, Northern Ireland or England, | 0:43:04 | 0:43:08 | |
and need our help, please apply online. | 0:43:08 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:37 | 0:43:40 |