Browse content similar to Yorkshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm standing on top of the largest Gothic cathedral in Northern Europe, which took 250 years to build. | 0:00:02 | 0:00:07 | |
But which county is home to this magnificent structure? | 0:00:07 | 0:00:10 | |
Find out in just a moment. | 0:00:10 | 0:00:13 | |
On today's show, I'm seeking a family home in the country | 0:00:43 | 0:00:46 | |
for a self-confessed picky and particular young couple. | 0:00:46 | 0:00:50 | |
Along our house-hunting journey, we have silent reactions | 0:00:50 | 0:00:53 | |
which have totally different meanings. | 0:00:53 | 0:00:55 | |
You're worryingly quiet. | 0:00:55 | 0:00:57 | |
It's a bad sign, I've come to appreciate. | 0:00:57 | 0:01:00 | |
-You learn quick. -Yes! | 0:01:00 | 0:01:02 | |
-It's wowee, isn't it? -Definitely. -I am actually speechless. | 0:01:02 | 0:01:06 | |
Wow! That's wowee! | 0:01:06 | 0:01:08 | |
But later, it's time for some straight talking. | 0:01:08 | 0:01:11 | |
I'm imagining but I'm not excited. | 0:01:11 | 0:01:14 | |
I can see that! | 0:01:14 | 0:01:16 | |
Today we're in Yorkshire. This is, of course, York Minster - | 0:01:20 | 0:01:23 | |
158 metres long and the central tower, 60 metres high. | 0:01:23 | 0:01:27 | |
But underneath all this scaffolding is the Great East Window, | 0:01:27 | 0:01:30 | |
a masterpiece of medieval stained-glass and masonry, | 0:01:30 | 0:01:33 | |
which is under repair and will be revealed to the world in 2016, | 0:01:33 | 0:01:37 | |
so another four years to go. | 0:01:37 | 0:01:39 | |
Later in the show, I'll be looking at the painstaking work of its conservation. | 0:01:39 | 0:01:43 | |
But first, let's look at some of the other things that make Yorkshire 'God's Own County'. | 0:01:43 | 0:01:48 | |
The largest of England's counties, | 0:01:48 | 0:01:50 | |
it was once divided into three regions called ridings, | 0:01:50 | 0:01:53 | |
which correspond roughly to the modern divisions of North, East and West Yorkshire. | 0:01:53 | 0:01:58 | |
North Yorkshire, with the City of York at its centre, | 0:01:58 | 0:02:02 | |
has more than its fair share of spectacular landscape | 0:02:02 | 0:02:04 | |
as it's home to two of the country's most famous national parks, | 0:02:04 | 0:02:09 | |
the Yorkshire Dales and the North York Moors. | 0:02:09 | 0:02:12 | |
The Dales is an expansive area of hill country | 0:02:12 | 0:02:16 | |
which reaches heights of around 2,300 feet | 0:02:16 | 0:02:19 | |
in the famed Three Peaks of Whernside, Ingleborough and Pen-y-ghent. | 0:02:19 | 0:02:24 | |
Heading eastwards, the North York Moors has held onto its active farming heritage | 0:02:24 | 0:02:29 | |
for over 1,000 years. | 0:02:29 | 0:02:32 | |
Moving south to the Howardian Hills, you find Castle Howard, | 0:02:32 | 0:02:35 | |
a 17th-century architectural masterpiece, | 0:02:35 | 0:02:38 | |
sitting resplendently in this Area of Outstanding Natural Beauty. | 0:02:38 | 0:02:43 | |
Nowadays, this rural landscape continues to draw in aspiring escapees, | 0:02:43 | 0:02:48 | |
in search of their own country retreat. | 0:02:48 | 0:02:51 | |
Considering it's England's largest county, | 0:02:51 | 0:02:53 | |
you won't be surprised to know there's a big spread of prices here. | 0:02:53 | 0:02:57 | |
The average detached house here costs £265,000, | 0:02:57 | 0:03:01 | |
which is £8,000 more than the national figure. | 0:03:01 | 0:03:04 | |
However, if you go to one of the desirable areas like the national parks, the Moors or the Dales, | 0:03:04 | 0:03:09 | |
you're going to add another five percent | 0:03:09 | 0:03:11 | |
if you choose to live in a village like, for example, Ampleforth. | 0:03:11 | 0:03:15 | |
Generally speaking, | 0:03:15 | 0:03:17 | |
if you head south, around towns like Selby, | 0:03:17 | 0:03:19 | |
you get more for your money. | 0:03:19 | 0:03:21 | |
However, wherever you go, there's beautiful architecture. | 0:03:21 | 0:03:25 | |
Yorkstone, the sandstone quarried in Yorkshire since medieval times, | 0:03:25 | 0:03:30 | |
underpins the county's building heritage, | 0:03:30 | 0:03:33 | |
as well as being the traditional stone of choice for London's pavements. | 0:03:33 | 0:03:37 | |
As farming has been a mainstay of the county's economy, | 0:03:37 | 0:03:40 | |
you'll see a great range of farm workers' cottages here, | 0:03:40 | 0:03:42 | |
not least in the Howardian Hills village of Welburn, | 0:03:42 | 0:03:46 | |
where this restored and extended three-bedroom sandstone cottage | 0:03:46 | 0:03:50 | |
is on the market for just under £400,000. | 0:03:50 | 0:03:53 | |
At the end of the 18th century, | 0:03:53 | 0:03:55 | |
the small West Yorkshire town of Holmfirth flourished, thanks to the wool trade. | 0:03:55 | 0:04:00 | |
Mill workers lived in cottages in the surrounding areas. | 0:04:00 | 0:04:04 | |
This newly renovated two-bedroom property in Honley | 0:04:04 | 0:04:07 | |
is priced at £169,000. | 0:04:07 | 0:04:11 | |
Local materials, local styles, | 0:04:11 | 0:04:13 | |
but is it enough to tempt our buyers to become locals here in Yorkshire? | 0:04:13 | 0:04:17 | |
Let's find out. | 0:04:17 | 0:04:18 | |
Andy and Tina met ten years ago and have been married for two years. | 0:04:18 | 0:04:23 | |
They live in a three-bedroom terraced home in Middlesbrough | 0:04:23 | 0:04:27 | |
and have been considering a move to the country since 2008, | 0:04:27 | 0:04:32 | |
a decision that has become top priority | 0:04:32 | 0:04:34 | |
since the arrival of their son Jacob. | 0:04:34 | 0:04:37 | |
I'm really looking forward to having some garden for Jacob. | 0:04:37 | 0:04:40 | |
Where we have, it's all concrete, patio area. | 0:04:40 | 0:04:44 | |
Just to be able to have somewhere where we've got some land where he can roam around, | 0:04:44 | 0:04:49 | |
and after an absolutely manic week at work, | 0:04:49 | 0:04:51 | |
we can just sit and go, "Ahhh..." | 0:04:51 | 0:04:54 | |
For human resources manager Tina, a good work-life balance is an important issue | 0:04:54 | 0:04:59 | |
and so her commute will be a driving factor | 0:04:59 | 0:05:02 | |
in where they choose to move to. | 0:05:02 | 0:05:04 | |
I've changed jobs and I spend a lot of time on the East Coast Mainline, | 0:05:04 | 0:05:08 | |
travelling between London and Newcastle, | 0:05:08 | 0:05:11 | |
so I'd like somewhere that is better from a train perspective. | 0:05:11 | 0:05:16 | |
Andy, who works as a supermarket bakery manager, | 0:05:16 | 0:05:19 | |
is looking for a new challenge when they make their escape. | 0:05:19 | 0:05:22 | |
A big plus for me for this move | 0:05:22 | 0:05:25 | |
will be the opportunity to change my current work life. | 0:05:25 | 0:05:29 | |
A big dream of mine would be to have my own business and work for myself. | 0:05:29 | 0:05:34 | |
Anywhere that I can find... | 0:05:34 | 0:05:36 | |
..a little bakery for me to work in would be fine by me. | 0:05:36 | 0:05:39 | |
As they've already put down roots in the North East, | 0:05:39 | 0:05:42 | |
they've decided they don't want to stray too far | 0:05:42 | 0:05:45 | |
and that North Yorkshire would be the county that suits them best. | 0:05:45 | 0:05:49 | |
Exploring the countryside as a family is high on the agenda. | 0:05:49 | 0:05:53 | |
Currently, when we go out for a walk, | 0:05:53 | 0:05:56 | |
we have a nice wooded cemetery over the road | 0:05:56 | 0:05:59 | |
and we walk through there on the way to Albert Park, which is great for what it is, | 0:05:59 | 0:06:04 | |
but I think we're after something more. | 0:06:04 | 0:06:07 | |
That elusive "something more" is what's been missing in their house search so far. | 0:06:07 | 0:06:12 | |
I think the reason why we haven't found our ideal home already is, er, | 0:06:12 | 0:06:16 | |
I think we're quite particular. | 0:06:16 | 0:06:20 | |
We want the kitchen to be right, | 0:06:20 | 0:06:22 | |
we want the right amount of rooms, the right-sized rooms. | 0:06:22 | 0:06:27 | |
I guess the other thing that I would really like, | 0:06:27 | 0:06:31 | |
and I'm quite picky about, is schools. | 0:06:31 | 0:06:34 | |
Jacob's at an outstanding nursery at the moment | 0:06:34 | 0:06:36 | |
and as he continues to grow up I want that to continue, | 0:06:36 | 0:06:40 | |
so really good schools is really important. | 0:06:40 | 0:06:43 | |
Picky and particular they may be, | 0:06:43 | 0:06:45 | |
but it seems when it comes to personality, they balance each other out. | 0:06:45 | 0:06:49 | |
Tina's very driven | 0:06:49 | 0:06:51 | |
-and I'm relaxed to the point of... -Horizontal. -..horizontal. | 0:06:51 | 0:06:55 | |
We are complete polar opposites when it comes to... | 0:06:55 | 0:06:59 | |
..life in general, actually. We're very different! | 0:06:59 | 0:07:01 | |
It seems to work OK. | 0:07:01 | 0:07:04 | |
And they have a very workable amount of money to spend. | 0:07:04 | 0:07:07 | |
The maximum budget for our property is £350,000. | 0:07:07 | 0:07:11 | |
We're going to confine our search to within a 40-minute drive from York | 0:07:17 | 0:07:21 | |
because of its good rail links for Tina's job, | 0:07:21 | 0:07:24 | |
which involves travel to Newcastle and London. | 0:07:24 | 0:07:27 | |
But I need to learn a bit more about what they'd like from their new rural home. | 0:07:27 | 0:07:31 | |
-Welcome to Yorkshire. -BOTH: Morning. | 0:07:31 | 0:07:33 | |
-Middlesbrough is just over the border, is that right? -It is. | 0:07:33 | 0:07:37 | |
-So you've come into the heart of the county. -Yes. Excited. | 0:07:37 | 0:07:41 | |
Now, we know a little bit about your situation with Jacob, | 0:07:41 | 0:07:44 | |
but I'm keen to know about the house that you want to buy. | 0:07:44 | 0:07:47 | |
Run me through some of the features you'd like to see in the house. | 0:07:47 | 0:07:51 | |
OK, ideally, a four-bedroom house. | 0:07:51 | 0:07:54 | |
ideally detached, | 0:07:54 | 0:07:56 | |
but happy to compromise! | 0:07:56 | 0:07:58 | |
A nervous smile there because you know it's quite expensive round here! | 0:07:58 | 0:08:02 | |
A nice garden is essential | 0:08:02 | 0:08:05 | |
and a beautiful country kitchen would be fabulous, if at all possible. | 0:08:05 | 0:08:10 | |
A kitchen with a lot of space to work would be ideal | 0:08:10 | 0:08:13 | |
because the kitchen we have at the moment is quite small. | 0:08:13 | 0:08:16 | |
What about the style of the house? Is the period important? | 0:08:16 | 0:08:19 | |
-Absolutely, yes. -Very definite. Go on, then, tell me what it is! | 0:08:19 | 0:08:23 | |
We're not too keen on new builds. They're all the same, no character. | 0:08:23 | 0:08:27 | |
So, ideally, an older house | 0:08:27 | 0:08:29 | |
with a bit more of that character feel about it. | 0:08:29 | 0:08:32 | |
-An open fire would be lush! -Nice. | 0:08:32 | 0:08:35 | |
You know, not essential, but something with a bit more feel. | 0:08:35 | 0:08:38 | |
We've found three lovely properties, I think, for your budget, round your budget, | 0:08:38 | 0:08:43 | |
and, er, we hope that you like them, too! | 0:08:43 | 0:08:46 | |
-So let's go and see them. -Yes. -OK. -Come with me. | 0:08:46 | 0:08:50 | |
For their budget of £350,000, | 0:08:52 | 0:08:54 | |
Andy and Tina would like a detached period house with plenty of character | 0:08:54 | 0:08:59 | |
that gives them a kitchen with lots of workspace for Andy, | 0:08:59 | 0:09:02 | |
four bedrooms and a generous garden for their son to play in. | 0:09:02 | 0:09:07 | |
We found three beautiful properties, which we hope will impress them. | 0:09:07 | 0:09:11 | |
At each one, I'll be asking them to guess the price before I reveal it. | 0:09:11 | 0:09:16 | |
The last of these is, of course, the mystery house, | 0:09:16 | 0:09:18 | |
which challenges them to rethink their criteria on character. | 0:09:18 | 0:09:23 | |
Our property shopping starts 13 miles north of York | 0:09:26 | 0:09:30 | |
in the village of Sheriff Hutton. | 0:09:30 | 0:09:32 | |
Its amenities include a post office and a florists | 0:09:32 | 0:09:34 | |
but, luckily for Andy, no bakery. | 0:09:34 | 0:09:38 | |
What's more, there's also a local primary school. | 0:09:38 | 0:09:41 | |
A striking feature here | 0:09:41 | 0:09:43 | |
are the ruins of a 14th-century castle that was once home to Richard III. | 0:09:43 | 0:09:48 | |
Since 1940, it's been owned by the family of Doctor Richard Haworth. | 0:09:48 | 0:09:53 | |
We met up with him and his wife on the way to our first house. | 0:09:53 | 0:09:57 | |
First, I want to ask about the castle, | 0:09:57 | 0:10:00 | |
because who has a castle in their back garden, | 0:10:00 | 0:10:02 | |
and how much upkeep do you have to do to keep it standing? | 0:10:02 | 0:10:06 | |
-It varies. -We're not responsible for repairing it, | 0:10:06 | 0:10:10 | |
but we're responsible for ensuring that nobody damages it. | 0:10:10 | 0:10:13 | |
-Do you have visitors? -A tremendous number. | 0:10:13 | 0:10:16 | |
A lot of visitors, yes, but only by invitation. | 0:10:16 | 0:10:19 | |
What's the best part about living in the village? | 0:10:19 | 0:10:22 | |
It has a fantastic community spirit. Really marvellous. | 0:10:22 | 0:10:26 | |
I'm quite interested in starting a bakery in the community I come to. | 0:10:26 | 0:10:30 | |
Do you think that would be something that would go down well in a village like this? | 0:10:30 | 0:10:34 | |
I do. I think that's something for the future, | 0:10:34 | 0:10:38 | |
for everywhere actually - skills like that being used again, and I think it would be used. | 0:10:38 | 0:10:43 | |
-An artisan bakery? -Yes. -Yes. | 0:10:43 | 0:10:45 | |
Thank you so much. I know you're busy in the community. | 0:10:45 | 0:10:48 | |
-Thank you. -Good luck to you. -Thanks very much. | 0:10:48 | 0:10:53 | |
Now they've seen what a lovely village they'd be buying into, | 0:10:53 | 0:10:56 | |
it's time to view our first property. | 0:10:56 | 0:11:00 | |
-Here we have it, house number one. -BOTH: OK. | 0:11:00 | 0:11:04 | |
-First impressions? -It's a bungalow. | 0:11:04 | 0:11:07 | |
-It was a bungalow. -It was. OK. | 0:11:07 | 0:11:10 | |
It looks small. | 0:11:10 | 0:11:12 | |
-Well, it's a four-bedroom house. -OK. | 0:11:12 | 0:11:15 | |
It's what you asked for. It's detached. | 0:11:15 | 0:11:18 | |
It's not wowing me. It's OK. | 0:11:18 | 0:11:20 | |
I'm reserving judgement! | 0:11:20 | 0:11:23 | |
-Andy? -Yes, it definitely doesn't have the wow factor for me, either. | 0:11:23 | 0:11:27 | |
-Let's have a look inside. -OK. Let's go. | 0:11:27 | 0:11:30 | |
So it's a big tick for the location but a muted first response to our house. | 0:11:31 | 0:11:35 | |
Let's see if inside will measure up. | 0:11:35 | 0:11:38 | |
-Come on in... -Thank you. | 0:11:38 | 0:11:41 | |
..into the front room. | 0:11:41 | 0:11:43 | |
OK. | 0:11:46 | 0:11:47 | |
It's a nice room. It's, er, quite tight, isn't it? | 0:11:47 | 0:11:52 | |
-It's small. -Small. | 0:11:52 | 0:11:54 | |
-It's smaller than what we have. -OK. | 0:11:54 | 0:11:57 | |
Because this is actually a fair-sized room. It's not palatial but... | 0:11:57 | 0:12:01 | |
-It's too small. -Too small for you. -Mm-hm. | 0:12:01 | 0:12:04 | |
-This is one of two reception rooms. -OK. -There are two in the house. | 0:12:04 | 0:12:09 | |
-OK. -And I think... You're asking for quite a lot in your budget. -OK. | 0:12:09 | 0:12:14 | |
No, it's absolutely fine. It's your dream home and you want it to be exactly as it is. | 0:12:14 | 0:12:19 | |
But just bear in mind that you wanted a big kitchen-diner, that was your big thing, | 0:12:19 | 0:12:23 | |
-so to have a big reception room wasn't on your list. -Big everything is not happening, no?! | 0:12:23 | 0:12:29 | |
Plus all the other things... But it's very good to dream. | 0:12:29 | 0:12:32 | |
-Yes. -I like a dreamer. | 0:12:32 | 0:12:34 | |
-Let me show you the kitchen and see if that lives up to your dreams. -OK. | 0:12:34 | 0:12:38 | |
'Although this property hasn't yet hit the mark, | 0:12:38 | 0:12:40 | |
'I think the next room should make the grade for Andy.' | 0:12:40 | 0:12:44 | |
-Here you go. -I do quite like this, however! | 0:12:44 | 0:12:46 | |
Yes, this is definitely, er, | 0:12:46 | 0:12:49 | |
definitely more on the, er, | 0:12:49 | 0:12:52 | |
the sort of thing we're looking for in a kitchen. | 0:12:52 | 0:12:55 | |
-You can see why we brought you here. -Uh-huh. No, I do like the kitchen. | 0:12:55 | 0:12:59 | |
I love the floor. We've got more workspace here. Yes, really like this. | 0:12:59 | 0:13:03 | |
The beams, as well. I'm now getting a feel for this house. | 0:13:03 | 0:13:06 | |
Through here, you've got a bathroom and shower, bathtub and toilet | 0:13:06 | 0:13:11 | |
and also, a utility room through there. | 0:13:11 | 0:13:14 | |
You can explore there later on, but let's go upstairs. | 0:13:14 | 0:13:18 | |
'We turned up the heat in the kitchen. | 0:13:18 | 0:13:20 | |
'This leads into a second reception area, | 0:13:20 | 0:13:23 | |
'currently used as a study. | 0:13:23 | 0:13:25 | |
'One of the four bedrooms on offer is also on the ground floor, off the utility room. | 0:13:25 | 0:13:30 | |
'But we'll head upstairs to check out the other three on the converted first floor. | 0:13:30 | 0:13:35 | |
'One has a skylight and space for a sofa, | 0:13:35 | 0:13:38 | |
'while the other might work as a playroom for their son. | 0:13:38 | 0:13:41 | |
'But let's see if Andy and Tina can envisage the largest one as theirs.' | 0:13:41 | 0:13:47 | |
This is actually the last part that the owner developed, up into the eaves. | 0:13:47 | 0:13:52 | |
-OK. -They left the master bedroom till last. | 0:13:52 | 0:13:56 | |
What do you think? | 0:13:57 | 0:13:59 | |
I feel enclosed, | 0:13:59 | 0:14:01 | |
and I think I knew I was going to because we're in the roof now | 0:14:01 | 0:14:05 | |
and the roof sort of starts to enclose in on you. | 0:14:05 | 0:14:10 | |
-The floor space is quite good. -Mm. | 0:14:10 | 0:14:12 | |
Erm, but it does feel quite enclosed. | 0:14:12 | 0:14:16 | |
You've got an ensuite. | 0:14:16 | 0:14:17 | |
-A good size... -Oh, yes. That's a nice-sized room. | 0:14:18 | 0:14:22 | |
That's very nice. | 0:14:24 | 0:14:25 | |
Tina, you're worryingly quiet. It's a bad sign, I've come to appreciate! | 0:14:25 | 0:14:31 | |
-You learn quick. -Yes! | 0:14:31 | 0:14:32 | |
-It's a really pleasant home, but I'm not sure it's my home. -Right. | 0:14:32 | 0:14:37 | |
Let's have a look in the garden, see if that swings it for you. | 0:14:37 | 0:14:41 | |
'It's a shame that Tina and Andy don't seem to see this as a family home | 0:14:43 | 0:14:47 | |
'as outside the garden is enclosed and child-friendly, | 0:14:47 | 0:14:50 | |
'with well-established fruit trees.' | 0:14:50 | 0:14:53 | |
The garden's a sort of wraparound. | 0:14:53 | 0:14:55 | |
How much do you think this little slice of North Yorkshire costs? | 0:14:55 | 0:14:59 | |
-£330,000. -I was going to say 325, but I'll go with 330, as well. | 0:14:59 | 0:15:04 | |
-It's on the market for 350. -I thought you might say that. | 0:15:04 | 0:15:07 | |
It's only been on about eight weeks. | 0:15:07 | 0:15:09 | |
The area's going to push it up. I appreciate that. | 0:15:09 | 0:15:12 | |
Have a quick peek round | 0:15:12 | 0:15:14 | |
-and I'll see you round the front. -OK. -Head off that way. -BOTH: Thank you. | 0:15:14 | 0:15:18 | |
It's hard because you have an image in your head of a dream house | 0:15:20 | 0:15:23 | |
and it's difficult when you have to make compromises. | 0:15:23 | 0:15:27 | |
But it's only house number one. | 0:15:27 | 0:15:29 | |
Hopefully, things will shape up this afternoon. | 0:15:29 | 0:15:33 | |
Bang on budget at £350,000, | 0:15:34 | 0:15:37 | |
our first property might help our couple rethink their expectations. | 0:15:37 | 0:15:42 | |
It delivers in many respects, giving them a large kitchen-diner with a spacious utility area | 0:15:42 | 0:15:47 | |
which Andy could expand for his baking, | 0:15:47 | 0:15:50 | |
along with two reception rooms, | 0:15:50 | 0:15:52 | |
the four bedrooms they wanted and a child-friendly garden. | 0:15:52 | 0:15:56 | |
When I first saw the property, I wasn't wowed. It looked quite ordinary. | 0:15:56 | 0:16:00 | |
It's become a realisation that if we want a house in a specific location, | 0:16:00 | 0:16:06 | |
certain sacrifices might have it be made. | 0:16:06 | 0:16:09 | |
With regards to the area, I love the village feel. | 0:16:09 | 0:16:12 | |
It's really sweet. It doesn't have a bakery, which is fantastic for Andy. | 0:16:12 | 0:16:16 | |
There's huge potential. So location-wise, it's fantastic. | 0:16:16 | 0:16:20 | |
Maybe this house will grow on me, who knows? | 0:16:20 | 0:16:23 | |
It's a good family home. I'm not sure it will have won them over. | 0:16:24 | 0:16:27 | |
Any miracles happening in there? | 0:16:27 | 0:16:29 | |
-No. -No, I don't think so. -OK! | 0:16:29 | 0:16:32 | |
We'll say farewell to this property. | 0:16:32 | 0:16:34 | |
-We've got another one to see. -OK. -Follow me. | 0:16:34 | 0:16:38 | |
Yorkshire's expansive moorlands and valleys | 0:16:48 | 0:16:50 | |
are home to a rich agricultural and industrial heritage | 0:16:50 | 0:16:54 | |
that for centuries has underpinned its closely-knit communities. | 0:16:54 | 0:16:58 | |
In West Yorkshire's Colne Valley, in towns such as Slaithwaite, | 0:16:58 | 0:17:02 | |
wool manufacturing and a thriving textile industry prevailed during the 1800s. | 0:17:02 | 0:17:07 | |
These industries may now have dwindled, | 0:17:07 | 0:17:09 | |
but a sense of rural enterprise is still strong. | 0:17:09 | 0:17:13 | |
Mindful of Andy's desire to open his own bakery in the future, | 0:17:13 | 0:17:17 | |
we sent him and Tina to meet Matt Betts, | 0:17:17 | 0:17:20 | |
of one of Britain's most unusual bakeries. | 0:17:20 | 0:17:23 | |
Since 2009, The Handmade Bakery | 0:17:23 | 0:17:25 | |
has been a not-for-profit workers' co-operative, | 0:17:25 | 0:17:29 | |
with around eight members and 15 employees. | 0:17:29 | 0:17:33 | |
It was the originator of the first subscription bread service in Britain. | 0:17:33 | 0:17:37 | |
-How many loaves do you make on average a day? -It tends to fluctuate, | 0:17:37 | 0:17:42 | |
but our busiest day, probably on a Friday or Saturday, | 0:17:42 | 0:17:45 | |
it's nearly 500 loaves a day. | 0:17:45 | 0:17:48 | |
The business is not for profit | 0:17:48 | 0:17:50 | |
so, whilst we want it to be a successful business, | 0:17:50 | 0:17:55 | |
we're trying to develop it in an ethical way. | 0:17:55 | 0:17:58 | |
Our whole ethics is to try and keep the whole operation as local as possible. | 0:17:58 | 0:18:03 | |
When we started out, we had a subscriber service, which we still have now, | 0:18:03 | 0:18:08 | |
and so we were supported by local people | 0:18:08 | 0:18:11 | |
who pledged to buy a loaf up front and gave us money each month, | 0:18:11 | 0:18:15 | |
which meant we knew what orders were going to come in. | 0:18:15 | 0:18:18 | |
We supply them with a loaf each week and they say what they want. | 0:18:18 | 0:18:23 | |
We've got about 40 of those subscribing members. | 0:18:23 | 0:18:27 | |
As artisan bakers, all the loaves produced here | 0:18:27 | 0:18:30 | |
are folded, shaped, scored and loaded into the ovens by hand. | 0:18:30 | 0:18:35 | |
Once Tina and Andy had donned their aprons, | 0:18:35 | 0:18:37 | |
Matt shows them one of the organic specials, known as the "wild white". | 0:18:37 | 0:18:42 | |
This particular dough here has no yeast in it | 0:18:42 | 0:18:45 | |
so it's made with a leaven, a wild leaven. | 0:18:45 | 0:18:49 | |
That's mixed initially at five o'clock, when we first come in, | 0:18:49 | 0:18:55 | |
and that's allowed to froth up and get some energy to it. | 0:18:55 | 0:18:59 | |
It's added to the wild white dry mix, | 0:18:59 | 0:19:03 | |
which is just wheat flour and salt and water, | 0:19:03 | 0:19:06 | |
mixed and then continuously folded for half an hour, over a period of three hours. | 0:19:06 | 0:19:11 | |
That really gets a great open crumb to it. | 0:19:11 | 0:19:14 | |
While bread made by more industrial methods typically takes 90 minutes | 0:19:14 | 0:19:19 | |
from first mixed to baking, | 0:19:19 | 0:19:21 | |
these loaves are produced over a 16 to 24-hour period, | 0:19:21 | 0:19:25 | |
which deepens the flavour. | 0:19:25 | 0:19:27 | |
Overnight fermentation, known as the sponge method, | 0:19:27 | 0:19:30 | |
makes the yeast work extra hard, | 0:19:30 | 0:19:32 | |
so only a small amount is needed. | 0:19:32 | 0:19:35 | |
You can see how stretchy that is, | 0:19:35 | 0:19:38 | |
so we need to shape and cut this. You can do that, Andy. | 0:19:38 | 0:19:44 | |
If you'd like to have a go with these scales, see how you get on with these. | 0:19:44 | 0:19:49 | |
OK. What we do at this stage is give them what we call a pre-shape. | 0:19:51 | 0:19:56 | |
It's a case of move your hands, giving it a nice kind of... | 0:19:56 | 0:20:02 | |
My colleagues will be watching to make sure I do this properly. | 0:20:02 | 0:20:05 | |
OK, marks out of ten, everybody. OK, Andy, have a go. | 0:20:05 | 0:20:09 | |
So that's how the professionals do it. | 0:20:11 | 0:20:15 | |
-Tina, would you like to have a go? -This is going to be awful! | 0:20:15 | 0:20:18 | |
You made it look really easy. | 0:20:18 | 0:20:20 | |
Use the table and it gives it a bit of friction and... | 0:20:20 | 0:20:23 | |
That's good. | 0:20:23 | 0:20:25 | |
Slaithwaite's bakery has been such a model of co-operative success | 0:20:25 | 0:20:29 | |
that similar community-supported bakeries have since opened in Birmingham and Suffolk. | 0:20:29 | 0:20:34 | |
Now that Andy and Tina have had first-hand experience | 0:20:34 | 0:20:37 | |
of what one enterprising village community has achieved, | 0:20:37 | 0:20:40 | |
let's see if we rise to the occasion and find them their dream home, | 0:20:40 | 0:20:44 | |
as our property search continues. | 0:20:44 | 0:20:47 | |
We've made the journey to the village of Wistow, | 0:20:51 | 0:20:53 | |
giving Tina a half-hour drive to York. | 0:20:53 | 0:20:56 | |
Amenities include a village hall, | 0:20:56 | 0:20:58 | |
a fish and chip shop, a traditional pub | 0:20:58 | 0:21:01 | |
and a well regarded primary school for their son. | 0:21:01 | 0:21:04 | |
Our second property, while it may have a modern aspect, | 0:21:04 | 0:21:07 | |
is actually a period farmhouse dating back to the 1750s, | 0:21:07 | 0:21:11 | |
which has been extended. | 0:21:11 | 0:21:14 | |
Here it is, house number two. | 0:21:14 | 0:21:16 | |
-I'm getting a really nice feel about this one. -I feel better already. | 0:21:16 | 0:21:21 | |
It's a characterful property. | 0:21:21 | 0:21:23 | |
We've got the apple tree, which wasn't on the wish list, | 0:21:23 | 0:21:26 | |
-but it's become nice to have after the first one. -Well spotted. | 0:21:26 | 0:21:30 | |
One reservation as we walked up, | 0:21:30 | 0:21:32 | |
I noticed the back garden might be quite overlooked. | 0:21:32 | 0:21:36 | |
-You are eagle-eyed! -She doesn't miss a trick. | 0:21:36 | 0:21:39 | |
-You know, we'll see! I'm optimistic. -Good! | 0:21:39 | 0:21:44 | |
Let's have a look inside! | 0:21:44 | 0:21:46 | |
'I think Tina will have every reason to be pleased with this property | 0:21:46 | 0:21:50 | |
'as the inside has been renovated to a very high standard, | 0:21:50 | 0:21:53 | |
'as she and Andy will see from the outset.' | 0:21:53 | 0:21:57 | |
Come on in. | 0:21:58 | 0:21:59 | |
-Ahh! -Oh, wow! What a lovely room. | 0:21:59 | 0:22:03 | |
-I like the fireplace. -Love the fireplace. | 0:22:03 | 0:22:05 | |
-Is this the main sitting-room area? -There's a bit more round the corner. | 0:22:05 | 0:22:09 | |
Very nice. Very comfortable room. | 0:22:09 | 0:22:12 | |
I could see myself relaxing in here. | 0:22:12 | 0:22:15 | |
I like it. It's got a nice warm feel to it and a lot of character. | 0:22:15 | 0:22:19 | |
They've kept a lot of the features but they've gone right back to the bones | 0:22:19 | 0:22:23 | |
and sort of really made it very modern. | 0:22:23 | 0:22:26 | |
-It feels like a modern house. -Perfect. Very nice. | 0:22:26 | 0:22:29 | |
From there, you go round into this... | 0:22:29 | 0:22:33 | |
-Oh, wow. -OK. | 0:22:33 | 0:22:35 | |
-Very cosy. -Yes. I can fit the furniture in. | 0:22:35 | 0:22:38 | |
-Ahh! -Which is great. And I love the fact that it goes out into the garden. | 0:22:38 | 0:22:43 | |
-It's space that we could happily utilise, don't you think? -Yes. | 0:22:43 | 0:22:47 | |
-So living space - tick? -Definitely. -Tick. | 0:22:47 | 0:22:49 | |
Kitchen... | 0:22:49 | 0:22:52 | |
'I think the modern, yet homely feel of this one | 0:22:52 | 0:22:54 | |
'will win their approval.' | 0:22:54 | 0:22:57 | |
Come on, then, give me your thoughts on the kitchen. | 0:22:57 | 0:23:00 | |
OK. This is nice. This is, erm... | 0:23:00 | 0:23:03 | |
Big smiles and "nice" and...! | 0:23:03 | 0:23:06 | |
I think I like this kitchen better than the last property. | 0:23:06 | 0:23:09 | |
-It's smaller... -It is smaller. | 0:23:09 | 0:23:12 | |
..but really nicely finished and it's got a lot of character | 0:23:12 | 0:23:15 | |
with the beams across the ceiling and the beams across the cooker. | 0:23:15 | 0:23:20 | |
You've got the utility through there and a door out into the back garden. | 0:23:20 | 0:23:23 | |
-The good feeling is continuing. -Mm-hm. | 0:23:23 | 0:23:27 | |
I'm feeling a warm feeling inside! | 0:23:27 | 0:23:30 | |
Let's hope it continues upstairs. | 0:23:30 | 0:23:32 | |
'This property also has a downstairs cloakroom off the entrance hall. | 0:23:32 | 0:23:36 | |
'But we're heading upstairs to where there are four bedrooms in total. | 0:23:36 | 0:23:41 | |
'There are two good-sized rooms, either of which could be suitable for their son, | 0:23:41 | 0:23:45 | |
'and there's a spacious master suite which comes with its own bathroom, | 0:23:45 | 0:23:49 | |
'as well as a walk-in wardrobe with plenty of shoe space. | 0:23:49 | 0:23:52 | |
'But I want to show them the guest bedroom, | 0:23:52 | 0:23:54 | |
'which is something of a modern masterpiece.' | 0:23:54 | 0:23:57 | |
Oh! Ooh! | 0:23:57 | 0:23:59 | |
-Oooh! -Oh, yes! | 0:23:59 | 0:24:01 | |
-It's an "ooh" room, isn't it? -Yes. This is really different! This is amazing. | 0:24:01 | 0:24:05 | |
-It's wasted on the guests, isn't it? -A little bit, yes! | 0:24:05 | 0:24:08 | |
But this is the last thing they've done. | 0:24:08 | 0:24:10 | |
They've gone right up to the top of the barn, skimmed the roof | 0:24:10 | 0:24:13 | |
and put in these two daylight windows. | 0:24:13 | 0:24:17 | |
And if you peek round, there's a really nice shower room. | 0:24:17 | 0:24:21 | |
-Oh, wow! -That is a very, very nice shower room. | 0:24:21 | 0:24:24 | |
Five-star accommodation at the Reid household, huh? | 0:24:24 | 0:24:27 | |
-It's wowee, isn't it? -Definitely. -I am actually speechless, | 0:24:27 | 0:24:31 | |
-which... -That's wowee! -THEY LAUGH | 0:24:31 | 0:24:35 | |
See this? | 0:24:35 | 0:24:36 | |
Press that. Do you see this? | 0:24:36 | 0:24:39 | |
Watch. | 0:24:39 | 0:24:42 | |
-Whoo! -Oh, wow! | 0:24:42 | 0:24:45 | |
How could you resist? I'd be up all night! | 0:24:45 | 0:24:47 | |
THEY LAUGH | 0:24:47 | 0:24:51 | |
Anyway... Enough of that! | 0:24:51 | 0:24:53 | |
Excuse me! Follow me. | 0:24:53 | 0:24:55 | |
'There's no doubt that they've warmed up to our high-spec farmhouse, | 0:24:56 | 0:25:00 | |
'but let's see if Tina's view on the garden has changed.' | 0:25:00 | 0:25:04 | |
Here we are, | 0:25:05 | 0:25:07 | |
-the final piece of the puzzle. -This is really nice. | 0:25:07 | 0:25:10 | |
I think the one minus point, | 0:25:10 | 0:25:13 | |
-if I dare say one about this house... -Dare you?! | 0:25:13 | 0:25:15 | |
..is something we've always said we don't particularly like, | 0:25:15 | 0:25:19 | |
is if it's quite overlooked, which this is, | 0:25:19 | 0:25:22 | |
but I don't feel that it's that much of a negative. | 0:25:22 | 0:25:27 | |
It's a word called compromise, darling. We may have to do it. | 0:25:27 | 0:25:31 | |
You spotted it before we'd even entered the house! | 0:25:31 | 0:25:35 | |
I think, in some respects, I might just put up with the fact that it's overlooked. | 0:25:35 | 0:25:39 | |
-You'll just have to make friends with the neighbours. -Mm-hm. It's a nice patio area. | 0:25:39 | 0:25:44 | |
-Is there a bakery in the village? -There isn't. A fish and chip shop. -Right. | 0:25:44 | 0:25:48 | |
-But no bakery. -No bakery. -Brilliant. -OK. We're still smiling. | 0:25:48 | 0:25:52 | |
Well, we still don't know the price. | 0:25:52 | 0:25:55 | |
-What are your thoughts about that? -I think we both think it's over-budget. | 0:25:55 | 0:25:59 | |
-Yes. 375? -OK. | 0:25:59 | 0:26:01 | |
I'm going to go with an optimistic 370. | 0:26:01 | 0:26:04 | |
370. | 0:26:04 | 0:26:06 | |
Well, not optimistic enough. It's actually on at 365. | 0:26:06 | 0:26:10 | |
-Wow. -OK. | 0:26:10 | 0:26:12 | |
It's not beyond the realms of the possible, financially. | 0:26:12 | 0:26:17 | |
-Have another look around and I'll see you out the front. -Sounds good. | 0:26:17 | 0:26:20 | |
In you go. | 0:26:20 | 0:26:22 | |
On the market at £365,000, | 0:26:24 | 0:26:27 | |
this renovated farmhouse nudges them over their budget | 0:26:27 | 0:26:30 | |
but they could see where a sensible offer might lead them. | 0:26:30 | 0:26:33 | |
It provides them with an ample kitchen-diner, | 0:26:33 | 0:26:35 | |
a large family living area, | 0:26:35 | 0:26:38 | |
four bedrooms, an enclosed garden | 0:26:38 | 0:26:41 | |
and there's a good primary school on their doorstep. | 0:26:41 | 0:26:44 | |
Walking through the house, Tina and I got the impression that it would be above our budget. | 0:26:44 | 0:26:50 | |
When we found out that it was 365, which wasn't quite as much as we expected, | 0:26:50 | 0:26:54 | |
I think that's quite encouraging and gives us a bit of room for manoeuvre. | 0:26:54 | 0:26:58 | |
Perhaps the vendors will accept an offer. | 0:26:58 | 0:27:01 | |
It's got that older, more solid feel, | 0:27:01 | 0:27:05 | |
but it's still done really well, to a really high spec inside. | 0:27:05 | 0:27:08 | |
It feels quite modern, so style-wise, no complaints from me. | 0:27:08 | 0:27:12 | |
-Hello. -Hello. -Hi. -This is rather a nice seat! | 0:27:14 | 0:27:17 | |
Someone finally provided me a seat to wait for you! | 0:27:17 | 0:27:21 | |
-Are you happy? -BOTH: Yes. | 0:27:21 | 0:27:24 | |
-Things to think about? -Mm, certainly. -Definitely. | 0:27:24 | 0:27:26 | |
-Then, let's have a rest and we'll reconvene tomorrow. -OK. | 0:27:26 | 0:27:30 | |
As the sun sets over the spectacular Yorkshire landscape, | 0:27:44 | 0:27:48 | |
it marks the end of the first day of our property search. | 0:27:48 | 0:27:52 | |
Bakery manager Andy and his wife Tina, who works in HR, | 0:27:59 | 0:28:03 | |
are looking to escape from Middlesbrough to the North Yorkshire countryside with their son. | 0:28:03 | 0:28:08 | |
Andy hopes to start his own bakery business once they get there. | 0:28:08 | 0:28:12 | |
The two properties they've seen so far have tried to balance the equation | 0:28:12 | 0:28:16 | |
of giving them a character home in the right location. | 0:28:16 | 0:28:19 | |
So, does the mystery house have the solution? | 0:28:19 | 0:28:22 | |
-It's a nice kitchen. It's not a great kitchen. -Yes. | 0:28:22 | 0:28:25 | |
And I get a behind-the-scenes look | 0:28:25 | 0:28:28 | |
at a huge restoration project at York Minster. | 0:28:28 | 0:28:31 | |
It's day two of our property search in North Yorkshire. It's damper. | 0:28:33 | 0:28:37 | |
It's going to be quite tough to follow on property two | 0:28:37 | 0:28:40 | |
because Andy and Tina loved just about everything about it, | 0:28:40 | 0:28:43 | |
and as you've probably guessed by now, | 0:28:43 | 0:28:45 | |
Tina is not an easy woman to please when it comes to property. | 0:28:45 | 0:28:49 | |
But the mystery house... It's a gamble, to be honest, | 0:28:49 | 0:28:53 | |
because it's way out in the countryside and it's modern, | 0:28:53 | 0:28:57 | |
but it's not modern as we usually imagine it. | 0:28:57 | 0:28:59 | |
What do you think we're going to show you? | 0:29:02 | 0:29:04 | |
I think it's going to be in the middle of nowhere. | 0:29:04 | 0:29:08 | |
And I'm thinking it's going to be something that, er, | 0:29:08 | 0:29:11 | |
either has everything that we want and it'll be over budget | 0:29:11 | 0:29:15 | |
or it will need a lot of work doing to it | 0:29:15 | 0:29:17 | |
but it'll have potential. | 0:29:17 | 0:29:20 | |
Good. That's a whole range of opportunities. | 0:29:20 | 0:29:22 | |
We've covered all the bases there, I think! | 0:29:22 | 0:29:25 | |
For our mystery house, we're going out of range | 0:29:26 | 0:29:28 | |
to near the market town of Kirkbymoorside, | 0:29:28 | 0:29:31 | |
from where Tina would have around a 50-minute drive to York. | 0:29:31 | 0:29:34 | |
However, Kirkbymoorside is charming and has a good primary school for their son, | 0:29:34 | 0:29:39 | |
along with all the amenities you might expect on the high street | 0:29:39 | 0:29:43 | |
and a selection of pubs. | 0:29:43 | 0:29:45 | |
Our mystery house lies four miles out of town | 0:29:45 | 0:29:47 | |
in the quiet village of Normanby. | 0:29:47 | 0:29:50 | |
We've taken a bit of a risk | 0:29:50 | 0:29:52 | |
because as well as giving Tina the longest commute of the three, | 0:29:52 | 0:29:56 | |
we've also gone for a brand-new build. | 0:29:56 | 0:29:58 | |
The twist is, it's been constructed in the traditional style | 0:29:58 | 0:30:02 | |
from local sandstone. | 0:30:02 | 0:30:05 | |
-Is it new? It looks like a new build. -It's double-fronted. | 0:30:05 | 0:30:09 | |
-It's what you've been looking for. -It's double-fronted. | 0:30:09 | 0:30:12 | |
-You two don't miss a trick, do you? -No. Not when presented with the facts! | 0:30:12 | 0:30:17 | |
It is indeed a new build. | 0:30:17 | 0:30:19 | |
It was finished a year ago. It is a bit of a punt. | 0:30:19 | 0:30:22 | |
We were worried about showing it to you because it's brand new | 0:30:22 | 0:30:25 | |
and you did say that you didn't really like new builds. | 0:30:25 | 0:30:27 | |
Because, generally, they don't have any character, | 0:30:27 | 0:30:30 | |
but this looks like it might be an exception. | 0:30:30 | 0:30:33 | |
Good feeling from the outside. | 0:30:33 | 0:30:35 | |
-Shall we have a look inside? -BOTH: Yes. | 0:30:35 | 0:30:37 | |
-Let's do that. -Let's go. | 0:30:37 | 0:30:39 | |
'Happily, the external character of our mystery house is holding their interest, | 0:30:40 | 0:30:45 | |
'however, inside is unfurnished. | 0:30:45 | 0:30:48 | |
'Let's see how imaginative they can be.' | 0:30:48 | 0:30:51 | |
Come on in. As you can see, it really is a new build. | 0:30:53 | 0:30:58 | |
-It's completely bare. -Wow. -It's big. | 0:30:58 | 0:31:00 | |
-There's no criticising the decor in this house. -Exactly. | 0:31:00 | 0:31:03 | |
You can't complain about the furniture. | 0:31:03 | 0:31:05 | |
-How solid are the walls? -That's a lovely fireplace. | 0:31:05 | 0:31:09 | |
-But it's got these enormous doors at the bottom. -That's really nice. | 0:31:09 | 0:31:13 | |
-And there's light coming in on all three sides. -Yes. | 0:31:13 | 0:31:16 | |
And not overlooked at all. | 0:31:16 | 0:31:19 | |
-Uh-huh. It's a nice, spacious room. -It's a good room. | 0:31:19 | 0:31:22 | |
What might you do? In your fantasy home, how did you have it? | 0:31:22 | 0:31:26 | |
I guess it's hard to tell without looking at the other rooms. | 0:31:26 | 0:31:30 | |
Would this have to be the living room and dining room? | 0:31:30 | 0:31:32 | |
Is there another area for a dining room? | 0:31:32 | 0:31:35 | |
It's a fairly simple layout. You can see through there there's a smaller room, | 0:31:35 | 0:31:39 | |
which might be good as a sitting room or playroom. | 0:31:39 | 0:31:42 | |
This is, I would suggest, going to be your dining and living area, as one. | 0:31:42 | 0:31:48 | |
Through here is the kitchen. | 0:31:48 | 0:31:50 | |
'Although the kitchen doesn't have space for a table, | 0:31:50 | 0:31:52 | |
'it is bright and modern | 0:31:52 | 0:31:54 | |
'so I'm hoping they'll give it a fair viewing.' | 0:31:54 | 0:31:57 | |
-Mm... -It's not wowing me, the kitchen. | 0:31:57 | 0:32:01 | |
I think the reason why is, it's quite narrow. | 0:32:01 | 0:32:05 | |
Coming from quite a narrow kitchen, it's one of the things we wanted to get away from. | 0:32:05 | 0:32:10 | |
It's a nice kitchen. | 0:32:10 | 0:32:12 | |
As Andy says, it's narrow and it's not the right style for us. | 0:32:12 | 0:32:17 | |
It's really nice, | 0:32:17 | 0:32:19 | |
it's just not the country cottage-type feel that I'd personally be after. | 0:32:19 | 0:32:23 | |
-Right. -It's just a gut reaction. -Yes. | 0:32:23 | 0:32:26 | |
-It's a nice kitchen. It's not a great kitchen. -Yes. | 0:32:26 | 0:32:30 | |
'The kitchen may not have fired their enthusiasm, | 0:32:30 | 0:32:33 | |
'but the layout has the right sort of flow for a great family home. | 0:32:33 | 0:32:38 | |
'Time to make our way upstairs to the bedrooms, | 0:32:38 | 0:32:40 | |
'which sit alongside this modern family bathroom. | 0:32:40 | 0:32:44 | |
'Our mystery house has the four bedrooms they asked for, | 0:32:44 | 0:32:47 | |
'two of them with views to the front of the house | 0:32:47 | 0:32:50 | |
'and the others looking out onto the rear garden and the neighbouring church. | 0:32:50 | 0:32:54 | |
'But will theirs measure up?' | 0:32:54 | 0:32:56 | |
Here's the master. | 0:32:56 | 0:32:58 | |
Although, it could be any one of the four bedrooms up here if you wanted, | 0:32:58 | 0:33:02 | |
-but this one has the ensuite. -Right. -OK. | 0:33:02 | 0:33:06 | |
Smaller rooms than house number two, | 0:33:07 | 0:33:11 | |
but a decent-size room. | 0:33:11 | 0:33:13 | |
Wardrobes...? Where would you...? I suppose you'd stick it behind this. | 0:33:13 | 0:33:17 | |
-Behind the doors. -Exactly. | 0:33:17 | 0:33:20 | |
You can configure these rooms as you like because they're empty. | 0:33:20 | 0:33:24 | |
I'm imagining but I'm not excited. | 0:33:24 | 0:33:26 | |
-I can see that. I'm picking that vibe up. -Are you?! | 0:33:26 | 0:33:32 | |
It's always a risk taking people to empty houses | 0:33:32 | 0:33:34 | |
because they never feel as warm and enticing as one that's been finished. | 0:33:34 | 0:33:39 | |
-But it is an option. -I will try harder. | 0:33:39 | 0:33:41 | |
'I'm pleased they're giving it thought, | 0:33:41 | 0:33:43 | |
'even though they're finding it a challenge to conjure up that sense of character. | 0:33:43 | 0:33:49 | |
'Outside provides a quiet, secluded place for their son to play.' | 0:33:49 | 0:33:52 | |
Mind the step. | 0:33:52 | 0:33:54 | |
As so often with these new builds, | 0:33:54 | 0:33:56 | |
the garden is, again, a green blank canvas this time. | 0:33:56 | 0:34:00 | |
-Uh-huh. -You can do whatever you like with it. | 0:34:00 | 0:34:03 | |
-This is low maintenance. I like this. -It certainly is at the moment! | 0:34:03 | 0:34:07 | |
And it's not really overlooked by anybody | 0:34:07 | 0:34:09 | |
-who would give us any bother. -TINA & ALISTAIR LAUGH | 0:34:09 | 0:34:13 | |
-What do you think it costs? -Oh, yes... | 0:34:13 | 0:34:17 | |
-TINA SIGHS -Shall I go first this time? -OK. | 0:34:17 | 0:34:20 | |
I think this is on the market for £340,000. | 0:34:20 | 0:34:25 | |
Mm... | 0:34:25 | 0:34:27 | |
330. | 0:34:27 | 0:34:29 | |
This time, again, you were both a bit unoptimistic | 0:34:29 | 0:34:32 | |
because it's actually on the market for 325, | 0:34:32 | 0:34:34 | |
which would give you 25 grand to put in a new kitchen, | 0:34:34 | 0:34:37 | |
put down wooden floors. | 0:34:37 | 0:34:40 | |
-OK. -Mm. OK. | 0:34:40 | 0:34:41 | |
Maybe I should go back in and try harder with the imagination! | 0:34:41 | 0:34:45 | |
-Why don't you do exactly that? -BOTH: OK. | 0:34:45 | 0:34:48 | |
I always knew this was going to be a tough sell. | 0:34:50 | 0:34:53 | |
It's difficult to sell things to Tina! | 0:34:53 | 0:34:56 | |
But it's a great mystery house | 0:34:56 | 0:34:58 | |
because it really is everything that they asked for in terms of the property, | 0:34:58 | 0:35:02 | |
it just requires them to use their imagination | 0:35:02 | 0:35:05 | |
and fill it up with things they like. | 0:35:05 | 0:35:08 | |
Well under budget at £325,000, | 0:35:09 | 0:35:13 | |
our modern mystery property is built from traditional stone | 0:35:13 | 0:35:17 | |
and has a great layout for family living. | 0:35:17 | 0:35:20 | |
It includes two bright reception rooms, | 0:35:20 | 0:35:22 | |
an adaptable kitchen, | 0:35:22 | 0:35:24 | |
four bedrooms, one with an ensuite, | 0:35:24 | 0:35:26 | |
and outside, along with a stone-built garage, | 0:35:26 | 0:35:29 | |
there's a garden, which is laid out to be child friendly. | 0:35:29 | 0:35:33 | |
When we walked up and saw the front of the house, I think we got a pleasant surprise. | 0:35:33 | 0:35:38 | |
Even though it was quite obviously a newish build, | 0:35:38 | 0:35:43 | |
they'd done it to quite a characterful style. | 0:35:43 | 0:35:45 | |
I am feeling a little confused at the moment, | 0:35:45 | 0:35:49 | |
just because I felt quite strongly when I initially walked in the house | 0:35:49 | 0:35:52 | |
and as I continued walking through, that this really wasn't for us. | 0:35:52 | 0:35:56 | |
When I found out the price, I started thinking, | 0:35:56 | 0:35:59 | |
"We might have money to play with. Maybe I should be a bit more positive." | 0:35:59 | 0:36:04 | |
So now I'm caught between house number two | 0:36:04 | 0:36:07 | |
and trying harder with house number three, | 0:36:07 | 0:36:09 | |
because it could have potential. | 0:36:09 | 0:36:11 | |
Nice church. | 0:36:11 | 0:36:14 | |
It's your namesake, the church, St Andrews. | 0:36:14 | 0:36:16 | |
-Ah, right, the patron saint of Scotland. -Indeed. | 0:36:16 | 0:36:19 | |
-How are you doing? -Good. | 0:36:19 | 0:36:21 | |
We've been trying to imagine what we might do to it. | 0:36:21 | 0:36:26 | |
-And I'm left very confused. -Aww! Confused? -Mm-hm. | 0:36:26 | 0:36:30 | |
Let's go and find somewhere warm and with some hot beverages | 0:36:30 | 0:36:33 | |
-and we can unconfuse you. -Sounds good. -OK. | 0:36:33 | 0:36:36 | |
North Yorkshire's prominence in history | 0:36:45 | 0:36:48 | |
can be charted through its rich architectural legacy. | 0:36:48 | 0:36:51 | |
Standing at the heart of England's religious life for centuries, | 0:36:51 | 0:36:55 | |
York Minster continues to be one of the country's landmark buildings. | 0:36:55 | 0:37:00 | |
This Gothic masterpiece contains some of the finest stained glass windows in Britain, | 0:37:00 | 0:37:05 | |
one of them being the Great East Window, | 0:37:05 | 0:37:07 | |
which has been under wraps for four years while restoration work is carried out. | 0:37:07 | 0:37:12 | |
Known as the Sistine Chapel of the stained glass world, | 0:37:12 | 0:37:15 | |
the window was created at the start of the 15th century | 0:37:15 | 0:37:19 | |
by the leading stained glass designer of the times, John Thornton. | 0:37:19 | 0:37:24 | |
I've come to meet senior conservator Nick Teed | 0:37:24 | 0:37:26 | |
to learn about the scale of the work the York Glaziers' Trust are undertaking | 0:37:26 | 0:37:31 | |
to return it to its former glory. | 0:37:31 | 0:37:33 | |
I see you've got a picture here. That's a lot of work. | 0:37:33 | 0:37:37 | |
This window is certainly the largest medieval window in this country | 0:37:37 | 0:37:43 | |
and possibly the largest medieval window anywhere. | 0:37:43 | 0:37:47 | |
There are 144 panels just in the main section, | 0:37:47 | 0:37:53 | |
-and there are 167 panels in the tracery. -Wow. | 0:37:53 | 0:37:57 | |
It's a gigantic window. | 0:37:57 | 0:37:59 | |
The amazing fact is that we know that John Thornton made the window, | 0:37:59 | 0:38:04 | |
probably with a smallish team, | 0:38:04 | 0:38:07 | |
between 1405 and 1408. | 0:38:07 | 0:38:09 | |
-In three years?! -Only three years. | 0:38:09 | 0:38:12 | |
We now have around about nine years to conserve the window. | 0:38:12 | 0:38:17 | |
-It'll take that long to do it. -And that's just to conserve it? | 0:38:17 | 0:38:20 | |
So it's remarkable to even conceive of making it in three. | 0:38:20 | 0:38:25 | |
Depending on how complex the panels are, | 0:38:25 | 0:38:28 | |
each individual panel of this size can take anything between | 0:38:28 | 0:38:33 | |
about 500 hours through to about seven or 800 hours of work. | 0:38:33 | 0:38:38 | |
It's an awful lot of work. | 0:38:38 | 0:38:41 | |
Along with the work on the 23-metre-high window itself, | 0:38:41 | 0:38:44 | |
which has been in progress for the last four years, | 0:38:44 | 0:38:47 | |
the masons are restoring the tracery stonework that surrounds it. | 0:38:47 | 0:38:52 | |
It's one of the biggest conservation projects of its kind in the UK. | 0:38:52 | 0:38:57 | |
Head Banker Mason Dave Lamb | 0:38:57 | 0:38:59 | |
is taking me up to where the window will eventually be put back in, | 0:38:59 | 0:39:02 | |
around 60 metres off the ground. | 0:39:02 | 0:39:05 | |
So, this is what we were seeing downstairs in situ? | 0:39:05 | 0:39:09 | |
-Well, a different bit. -Yes, this is a different bit, but it's the same kind of principle. | 0:39:09 | 0:39:14 | |
We've got the new tracery stone in here. | 0:39:14 | 0:39:16 | |
In order for them to fit that, | 0:39:16 | 0:39:18 | |
they've had to support and prop the stones above. | 0:39:18 | 0:39:22 | |
They've cut out the old stone, they've fitted the new one into the correct position. | 0:39:22 | 0:39:27 | |
They've put the clay round it and that's going to be lead-grouted. | 0:39:27 | 0:39:31 | |
-And through those, the inside of the cathedral. -Yes. | 0:39:31 | 0:39:34 | |
It's kind of weird. It's quite a thin wall. You'd think it'd be more substantial. | 0:39:34 | 0:39:38 | |
So actually how wide is the window? | 0:39:38 | 0:39:42 | |
How much space are we talking about? | 0:39:42 | 0:39:44 | |
Well, I believe the glass will cover two tennis courts. | 0:39:44 | 0:39:48 | |
-Really? -Yes. -That's amazing. | 0:39:48 | 0:39:51 | |
Thanks for taking time out. | 0:39:51 | 0:39:53 | |
Obviously you have to be patient. You're not in a rush. | 0:39:53 | 0:39:56 | |
Well, we are and we aren't! | 0:39:56 | 0:39:58 | |
-A very slow rush! -That's it. -Brilliant. | 0:39:58 | 0:40:02 | |
'The scaffolding is due to come down at the Minster in March 2016. | 0:40:02 | 0:40:06 | |
'We'll have to wait a bit longer to see all that medieval glass back in place, | 0:40:06 | 0:40:10 | |
'thanks to this truly staggering project.' | 0:40:10 | 0:40:14 | |
It's amazing, all that mass of painstaking detail up there, | 0:40:16 | 0:40:18 | |
and from down here you can barely see it. | 0:40:18 | 0:40:21 | |
OK, time now to go and see whether Tina and Andy | 0:40:21 | 0:40:24 | |
have made any decisions. | 0:40:24 | 0:40:27 | |
Before I ask you which house you liked best, | 0:40:32 | 0:40:35 | |
maybe we could spin back and consider them one by one. | 0:40:35 | 0:40:38 | |
-The first house, if you can spin that far back... -Mm-hm. | 0:40:38 | 0:40:42 | |
-.."Too small!" you said. -Too small, yes. | 0:40:42 | 0:40:46 | |
-What are your thoughts about it now? -It's not on the list. | 0:40:46 | 0:40:50 | |
I loved the location, the people were really warm and friendly, | 0:40:50 | 0:40:54 | |
I think there's good potential for a bakery, | 0:40:54 | 0:40:56 | |
so location-wise it was great, but that house isn't for us. | 0:40:56 | 0:41:00 | |
The upstairs rooms and the eaves closing in on you | 0:41:00 | 0:41:03 | |
were definitely the minus points for me. | 0:41:03 | 0:41:06 | |
It was a lovely home but it's not for me. | 0:41:06 | 0:41:10 | |
And the second house, this seemed to get a good positive response. | 0:41:10 | 0:41:14 | |
-Still smiling. -Suddenly a smile comes back on your face! | 0:41:14 | 0:41:17 | |
I think it gave us a warm feeling when we both stepped up to it. | 0:41:17 | 0:41:21 | |
All the upstairs rooms were a great size. | 0:41:21 | 0:41:24 | |
The reception rooms were quite a good size. | 0:41:24 | 0:41:26 | |
We'd have to do some creative thinking in how we'd use them best. | 0:41:26 | 0:41:30 | |
The overall feel was really good. | 0:41:30 | 0:41:31 | |
I think I'd like to do more research on the second home, | 0:41:31 | 0:41:35 | |
just in terms of the location. | 0:41:35 | 0:41:38 | |
But the thought of being five minutes away from work for me, | 0:41:38 | 0:41:42 | |
fall out of bed, onto the train and straight down to London, is a bit of a dream. | 0:41:42 | 0:41:46 | |
I think it's certainly got potential. | 0:41:46 | 0:41:48 | |
-And the mystery house? -Well, it's interesting, | 0:41:48 | 0:41:51 | |
before we embarked upon this search, | 0:41:51 | 0:41:54 | |
my mother said, "Don't look at the decor, just see the bare bones" | 0:41:54 | 0:41:57 | |
and you deliver us a house that was bare bones! | 0:41:57 | 0:42:00 | |
-Your mother was right. -Yes. | 0:42:00 | 0:42:01 | |
With a bit of extra time to think about it, I can see some potential for the house. | 0:42:01 | 0:42:06 | |
It comes well under our budget, | 0:42:06 | 0:42:09 | |
which means there could be leeway to spend some more money on it. | 0:42:09 | 0:42:13 | |
It's just sort of, "Do we want to spend that time?" | 0:42:13 | 0:42:15 | |
Actually, I think the house could be a really good house, | 0:42:15 | 0:42:18 | |
but I gain nothing in terms of location, so I think that counts it out. | 0:42:18 | 0:42:23 | |
As much as I'd love to say "The mystery house is awesome!" | 0:42:23 | 0:42:27 | |
I think it's going to be too hard. | 0:42:27 | 0:42:30 | |
It seems there's a favourite. Would you consider moving? | 0:42:30 | 0:42:33 | |
I think we'd want to explore the area a bit deeper, | 0:42:33 | 0:42:36 | |
but I think we would seriously consider a move on that house. | 0:42:36 | 0:42:39 | |
Well, I have to say, if you, Tina, move on one of our properties, | 0:42:39 | 0:42:44 | |
I will consider it a personal triumph! | 0:42:44 | 0:42:47 | |
I'm really hoping that you do. | 0:42:47 | 0:42:50 | |
-You're a lovely couple and it would be great if you find somewhere. -BOTH: Thank you. | 0:42:50 | 0:42:54 | |
What a great couple. I do hope they find a place to live here. | 0:42:57 | 0:43:02 | |
I think Tina will have to rein in her perfectionism | 0:43:02 | 0:43:04 | |
because the longer they spend looking at the pros and cons of the area, | 0:43:04 | 0:43:09 | |
the sooner they will lose that house. | 0:43:09 | 0:43:12 | |
I hope you've enjoyed our stroll through the housing market of North Yorkshire. | 0:43:12 | 0:43:16 | |
Do join us next time for more of the same on Escape to the Country. | 0:43:16 | 0:43:21 | |
If you'd like to Escape to the Country in Scotland, Wales, | 0:43:22 | 0:43:25 | |
Northern Ireland or England, and need our help, | 0:43:25 | 0:43:28 | |
please apply online at... | 0:43:28 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:33 | 0:43:36 |