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There are 47 working pleasure piers in the United Kingdom. This was built in 1901 at a cost of £18,800. | 0:00:02 | 0:00:09 | |
That's about £1 million in today's money. | 0:00:09 | 0:00:12 | |
Which one is it and where am I? Find out in just a moment. | 0:00:12 | 0:00:16 | |
'On today's show, we're helping two workaholics | 0:00:35 | 0:00:38 | |
'to swap the hubbub of metropolitan life | 0:00:38 | 0:00:40 | |
'for the soothing tones of the coast. | 0:00:40 | 0:00:43 | |
-'They try to be positive...' -We have a light airy kitchen. | 0:00:43 | 0:00:46 | |
That's where the family tends to congregate. It's functional. | 0:00:46 | 0:00:50 | |
'..and take an unexpected turn.' | 0:00:50 | 0:00:54 | |
-It might surprise you, but I'd be tempted to leave it as it is. -Really? -Yeah. | 0:00:54 | 0:00:59 | |
I'm in north Norfolk and this is Cromer pier. | 0:01:01 | 0:01:05 | |
There's been a pier or a jetty here for the last 600 years. | 0:01:05 | 0:01:08 | |
The previous one, which was half its length, was made of wood. | 0:01:08 | 0:01:12 | |
It had an interesting bye-law that stated that gentlemen | 0:01:12 | 0:01:15 | |
were not allowed to smoke until after 9 o'clock in the evening, | 0:01:15 | 0:01:18 | |
when it was assumed that all ladies had gone to bed. | 0:01:18 | 0:01:22 | |
This modern structure is 500 feet long and includes a lifeboat station | 0:01:22 | 0:01:27 | |
and the Pavilion Theatre which hosts summer spectacles and Christmas shows. | 0:01:27 | 0:01:31 | |
I'll be walking along the length of the pier | 0:01:31 | 0:01:34 | |
and exploring its heritage later on in the show. | 0:01:34 | 0:01:38 | |
'The low-lying eastern county of Norfolk, | 0:01:41 | 0:01:44 | |
'bordered by Cambridgeshire to the west and Suffolk to the south, | 0:01:44 | 0:01:48 | |
'was once, according to the Domesday Book, | 0:01:48 | 0:01:50 | |
'the most densely populated county in the land. | 0:01:50 | 0:01:53 | |
'Nearly 1,000 years later and Norfolk is now the sixth lowest populated county in England. | 0:01:53 | 0:02:00 | |
'It's estimated there are over 150 deserted Norfolk villages, | 0:02:00 | 0:02:04 | |
'more than almost any other English county. | 0:02:04 | 0:02:08 | |
'The peace and stillness of Norfolk's wide-open spaces | 0:02:08 | 0:02:11 | |
'attracts many of the 31 million visitors to the county every year, | 0:02:11 | 0:02:15 | |
'enjoying nearly 100 miles of glorious coastline, | 0:02:15 | 0:02:19 | |
'1,200 miles of gentle walking trails | 0:02:19 | 0:02:21 | |
'and, of course, the renowned Norfolk Broads | 0:02:21 | 0:02:24 | |
'which, since 1878, | 0:02:24 | 0:02:26 | |
'has been one of the world's most popular boating destinations. | 0:02:26 | 0:02:31 | |
'Horatio Nelson, historically one of our greatest Britons, | 0:02:31 | 0:02:34 | |
'once said of his home county, "I am a Norfolk man and I glory in being so."' | 0:02:34 | 0:02:40 | |
There's some glorious property here in Norfolk. | 0:02:42 | 0:02:45 | |
As a whole, the county compares very favourably with England and Wales. | 0:02:45 | 0:02:48 | |
The average price for a detached house here | 0:02:48 | 0:02:51 | |
is £46,000 less than the national figure. | 0:02:51 | 0:02:55 | |
That said, it is a very big county and it has its property hot-spots. | 0:02:55 | 0:03:00 | |
They tend to be on the northern coast, | 0:03:00 | 0:03:02 | |
in beautiful little Georgian towns and villages like Blakeney, Holt, Burnham Overy. | 0:03:02 | 0:03:08 | |
In fact, Blakeney is the most expensive square footage in the whole county. | 0:03:08 | 0:03:13 | |
We've got three lovely properties lined up for our buyers, so let's meet them. | 0:03:13 | 0:03:17 | |
'David and Marie have lived in Wychbold, Worcestershire, for 12 years, | 0:03:19 | 0:03:24 | |
'but feel the time is right to swap the bustle of everyday commuting | 0:03:24 | 0:03:28 | |
'with the peace and quiet of the Norfolk coast.' | 0:03:28 | 0:03:31 | |
We live very close to the M5 and the A38, which you do get used to, | 0:03:31 | 0:03:35 | |
but it can be quite noisy. It's really a commuter town. | 0:03:35 | 0:03:38 | |
There's not so much of a community feel that there would have been some time ago. | 0:03:38 | 0:03:43 | |
'They'd always planned to move to the countryside, | 0:03:43 | 0:03:47 | |
'but David suffered a life-threatening fall which forced them to re-evaluate.' | 0:03:47 | 0:03:51 | |
It all came to a head last June, when David had an accident. | 0:03:51 | 0:03:56 | |
That meant four months in hospital with quite a serious brain injury. | 0:03:56 | 0:04:01 | |
The accident kind of brought it home to me that I want more out of life. | 0:04:01 | 0:04:05 | |
I want some of the things that I've always wanted to achieve, | 0:04:05 | 0:04:10 | |
like living by the sea, like having dogs. | 0:04:10 | 0:04:13 | |
Here was the opportunity and to keep putting it off | 0:04:13 | 0:04:17 | |
no longer made any sense. | 0:04:17 | 0:04:19 | |
During the last month in hospital, David agreed with his company to take redundancy. | 0:04:19 | 0:04:25 | |
That was my trigger, really, to say, | 0:04:25 | 0:04:29 | |
"Maybe it's time for me to resign and for us to head off to the sea." | 0:04:29 | 0:04:33 | |
'With the children having flown the family home, it was time to think about themselves. | 0:04:33 | 0:04:38 | |
'It wasn't hard to decide on the location for their escape.' | 0:04:38 | 0:04:41 | |
We love a village called Mundesley, which is just outside of Cromer. | 0:04:41 | 0:04:46 | |
It's very peaceful, and to add to the rural feel that it has, | 0:04:46 | 0:04:50 | |
there's also a beach and the seaside on its doorstep. | 0:04:50 | 0:04:54 | |
'The Norfolk coast will enable David to indulge in his love of sailing.' | 0:04:54 | 0:04:59 | |
I've always loved that sense of freedom. | 0:04:59 | 0:05:02 | |
I want to buy a boat once I get to wherever we get to. | 0:05:02 | 0:05:06 | |
Sun shining, nice day, bit of wind. | 0:05:06 | 0:05:09 | |
"Let's get in the boat and let's go out for the day." | 0:05:09 | 0:05:13 | |
Fantastic! | 0:05:13 | 0:05:15 | |
'Moving to the country would allow another lifestyle change they're keen to explore.' | 0:05:15 | 0:05:20 | |
I was brought up with border collies, | 0:05:20 | 0:05:23 | |
but I've never had one whilst I've been working. | 0:05:23 | 0:05:26 | |
Now that situation's changed, | 0:05:26 | 0:05:28 | |
I can achieve my original ambition, which is to get a couple of dogs. | 0:05:28 | 0:05:32 | |
'They have a good idea of what they're searching for.' | 0:05:32 | 0:05:36 | |
I think our ideal property has a number of key components. | 0:05:36 | 0:05:41 | |
Very much close to the sea. | 0:05:41 | 0:05:44 | |
Probably a minimum of three bedrooms, but we'd like a reasonable garden. | 0:05:44 | 0:05:49 | |
We've got a nice central point to the house where we live - | 0:05:49 | 0:05:53 | |
the kitchen and the family room being together. | 0:05:53 | 0:05:56 | |
It's important for us to feel, as it'll probably be our last move, that it's the right house. | 0:05:56 | 0:06:01 | |
'So all that remains to be discovered are the finances for their coastal relocation.' | 0:06:01 | 0:06:07 | |
The budget for the move is £325,000, | 0:06:07 | 0:06:11 | |
but we are prepared to push higher if we get the perfect property. | 0:06:11 | 0:06:17 | |
'Marie and David would like us to concentrate on the north coast, | 0:06:22 | 0:06:27 | |
'near to their favourite holiday destination. | 0:06:27 | 0:06:30 | |
'I met up with them on local soil to discover more about what they're looking for in their new property.' | 0:06:30 | 0:06:36 | |
-Welcome to Norfolk. -Thank you. -Where it's actually snowing. | 0:06:36 | 0:06:39 | |
-Are you prepared for snow? -We recognise that this weather is quite common, yes. | 0:06:39 | 0:06:44 | |
We know about the three bedrooms and a garden for the dogs, | 0:06:44 | 0:06:48 | |
but I wanted to ask you about some of the things that'll be happening as we look. | 0:06:48 | 0:06:53 | |
You haven't said a lot about the style of properties that you like. | 0:06:53 | 0:06:58 | |
We like both old and new, but I guess we like the inside to be quite modern. | 0:06:58 | 0:07:04 | |
-OK. Is that shared, David? Do you feel the same way? -Yes. Airy. | 0:07:04 | 0:07:08 | |
A sense of space and light in the house. | 0:07:08 | 0:07:10 | |
I prefer a single storey, but that doesn't mean that we're wedded to a single storey. | 0:07:10 | 0:07:16 | |
What are you willing to pay, if we find a house that's perfect for you? | 0:07:16 | 0:07:20 | |
We're still looking up to 350. | 0:07:20 | 0:07:23 | |
We'd also be happy to look at something under 300, but we'd have to spend some money on improving | 0:07:23 | 0:07:31 | |
and making the house that we want. | 0:07:31 | 0:07:33 | |
As we walk round, please feel free to knock down walls in your head! | 0:07:33 | 0:07:37 | |
-We've got some lovely properties. -Great. -Let's go and see them. | 0:07:37 | 0:07:42 | |
Thank you. | 0:07:42 | 0:07:44 | |
'For a top budget of £350,000, Marie and David would ideally like... | 0:07:48 | 0:07:53 | |
'..We found three fantastic properties to show them. | 0:08:06 | 0:08:10 | |
'At each one, I'll be asking them both to guess the price. | 0:08:10 | 0:08:14 | |
'The last will be a mystery house, | 0:08:14 | 0:08:16 | |
'a home they may not have considered on paper, | 0:08:16 | 0:08:19 | |
'but which we think might take their search to another level. | 0:08:19 | 0:08:22 | |
'Time to get our property hunt under way.' | 0:08:22 | 0:08:25 | |
You are moving from one side of the country to the other. | 0:08:25 | 0:08:28 | |
You've got children, mainly on the west side, is that right? | 0:08:28 | 0:08:32 | |
We have one in Surrey, one currently in Lancaster | 0:08:32 | 0:08:35 | |
but moving to Birmingham in the summer, | 0:08:35 | 0:08:38 | |
and we have one in Falmouth, in Cornwall. | 0:08:38 | 0:08:41 | |
So they're spread fairly well apart. | 0:08:41 | 0:08:44 | |
What's happened to David, it's time to make the choice for us now. | 0:08:44 | 0:08:49 | |
We've seen the children through education and university. | 0:08:49 | 0:08:53 | |
They've all got their futures mapped, so it's about us. | 0:08:53 | 0:08:58 | |
We've talked to them all and made the decision it's Norfolk. | 0:08:58 | 0:09:02 | |
'We start our house search in the north of the county, | 0:09:05 | 0:09:08 | |
'in the village of Baconsthorpe, four miles from Holt | 0:09:08 | 0:09:12 | |
'and 20 minutes away from Mundesley on the coast. | 0:09:12 | 0:09:15 | |
'To the north of the village lies the ruins of Baconsthorpe Castle, | 0:09:15 | 0:09:19 | |
'a moated and fortified 15th-century manor house. | 0:09:19 | 0:09:23 | |
'All the essentials can be found in the nearby Georgian town of Holt, | 0:09:23 | 0:09:28 | |
'as well as an array of curio and antique shops and galleries. | 0:09:28 | 0:09:32 | |
'Our property is a four-bedroom brick and flint period cottage | 0:09:32 | 0:09:36 | |
'surrounded by the unspoiled Norfolk countryside.' | 0:09:36 | 0:09:39 | |
Let's pop ourselves here. We get a good view of the house. | 0:09:41 | 0:09:46 | |
-It's a splendid Norfolk cottage! -Mm-hm. | 0:09:46 | 0:09:50 | |
And quite old. | 0:09:50 | 0:09:52 | |
It pre-dates 1780. It's in this very typical flint and brick... | 0:09:52 | 0:09:57 | |
-Very typical. -I like this style in Norfolk. | 0:09:57 | 0:10:01 | |
-Yeah. -I'd obviously like to see a bit more of it. | 0:10:01 | 0:10:05 | |
It has a very solid feel to it. | 0:10:05 | 0:10:08 | |
-An outhouse here is also habitable. -OK. | 0:10:08 | 0:10:11 | |
A sort of muted, cards-to-the-chest response, but generally positive? | 0:10:11 | 0:10:15 | |
-Yeah, positive. -Yes. -Nice village. -Let's have a look inside. | 0:10:15 | 0:10:19 | |
'After a somewhat 50-50 reaction to the exterior, | 0:10:21 | 0:10:24 | |
'I'm taking the bull by the horns, heading straight to a room | 0:10:24 | 0:10:27 | |
'that needs to play a central role in their new home.' | 0:10:27 | 0:10:31 | |
We're coming into the back of the house into the kitchen. | 0:10:31 | 0:10:34 | |
This is probably a bit small for what you were hoping. | 0:10:34 | 0:10:38 | |
It is small. GIGGLES | 0:10:38 | 0:10:40 | |
-It's quite low. -Yeah. -The ceiling. And quite small. | 0:10:40 | 0:10:44 | |
We have a light, airy kitchen, where the family tends to congregate. | 0:10:44 | 0:10:49 | |
It's got everything in it. It's functional. | 0:10:49 | 0:10:51 | |
I've just seen, next door have extended out their kitchen. | 0:10:51 | 0:10:55 | |
-Oh, OK. -So, there's a precedent, in terms of planning. | 0:10:55 | 0:10:58 | |
-OK. -So you could, actually, have a gorgeous big kitchen. -Yeah. | 0:10:58 | 0:11:02 | |
-Going out that way. -Nice central kitchen, yes. | 0:11:02 | 0:11:05 | |
Would they call that a Belfast sink? | 0:11:05 | 0:11:08 | |
-You'd feel right at home! -Yeah! -LAUGHTER | 0:11:08 | 0:11:13 | |
I like the floor as well. | 0:11:13 | 0:11:16 | |
If we go next door, if you lead the way, the quarry tiles continue. | 0:11:16 | 0:11:20 | |
These are lovely quarry tiles here. | 0:11:22 | 0:11:25 | |
-All the way through. -This would have been the downstairs of the cottage. | 0:11:25 | 0:11:29 | |
What do you think of this in terms of a dining room? | 0:11:29 | 0:11:33 | |
It's probably as big as our dining room at home, | 0:11:33 | 0:11:35 | |
so our furniture would fit in here. | 0:11:35 | 0:11:38 | |
The beams are quite low, but I didn't notice you hit your head. | 0:11:38 | 0:11:43 | |
-Giving a little test here. -Give it a test, David. | 0:11:43 | 0:11:47 | |
Oh, maybe you would! No! | 0:11:47 | 0:11:49 | |
Then you're confident, you see! | 0:11:49 | 0:11:53 | |
-It's not low for me. LAUGHING: -You're fine! | 0:11:53 | 0:11:57 | |
Then you've got a quite nice big sitting room. | 0:11:57 | 0:12:01 | |
So come into the corner. | 0:12:01 | 0:12:04 | |
They would have sunken the floor here so the ceiling feels higher. | 0:12:04 | 0:12:08 | |
What are your thoughts about this? | 0:12:08 | 0:12:10 | |
This is all your downstairs, these three rooms. | 0:12:10 | 0:12:13 | |
It's a lot lighter than I thought it would be, coming in from the other rooms. | 0:12:13 | 0:12:19 | |
Yeah, I like it. It's a room that works. I think it's a nice room. | 0:12:19 | 0:12:23 | |
There are four bedrooms. I'm going to show you the master. | 0:12:23 | 0:12:27 | |
'They're still not dancing on the ceiling but, even so, | 0:12:29 | 0:12:32 | |
'a more positive note to take us upstairs.' | 0:12:32 | 0:12:36 | |
They're using this as the master. | 0:12:36 | 0:12:38 | |
There's two doubles and two singles. | 0:12:38 | 0:12:41 | |
This is in the middle of the house and is the most heavily beamed. | 0:12:41 | 0:12:45 | |
For me, this is the biggest change from where we are now. | 0:12:45 | 0:12:49 | |
We have quite a large master bedroom with the en suite. | 0:12:49 | 0:12:53 | |
This, at this moment in time, I just walk in and it feels quite small. | 0:12:53 | 0:12:58 | |
'The first floor is completed by a double and two single bedrooms, | 0:12:58 | 0:13:03 | |
'all served by the family bathroom.' | 0:13:03 | 0:13:06 | |
It is a historic home and, by that token, the rooms are more separated. | 0:13:06 | 0:13:12 | |
Let's have a look outside then I can let you explore in your own time. | 0:13:12 | 0:13:18 | |
'We've had a mixed response to the interior. | 0:13:19 | 0:13:22 | |
'Can the grounds deliver the required space?' | 0:13:22 | 0:13:25 | |
It's quite a long garden. What's lovely is it goes out into open fields. | 0:13:25 | 0:13:30 | |
-Yeah. Not overlooked at all. -No. | 0:13:30 | 0:13:33 | |
You've got raised vegetable beds, | 0:13:33 | 0:13:35 | |
-a tool shed and compost heap at the back. -Yeah. -Yeah. | 0:13:35 | 0:13:39 | |
How important is the garden going to be? | 0:13:39 | 0:13:41 | |
It's important, certainly to me. | 0:13:41 | 0:13:44 | |
Space for the dog and space for growing vegetables. | 0:13:44 | 0:13:49 | |
So, how much do you think this is on the market for? | 0:13:49 | 0:13:51 | |
I guess it's hope more than knowledge, but I would say maybe... | 0:13:51 | 0:13:57 | |
around the 300,000 mark. | 0:13:57 | 0:13:59 | |
-Mm-hm. What about you? -I'd have said about 280. | 0:13:59 | 0:14:02 | |
OK. So this is where both of you are going to have to sort of, er... | 0:14:02 | 0:14:07 | |
-MARIE GIGGLING -..really kind of wake up to the prices round here. | 0:14:07 | 0:14:10 | |
-This is on the market at 349,950. -Wow! | 0:14:10 | 0:14:13 | |
-Right. -So this is £50 short of your very top budget. -Yeah. | 0:14:13 | 0:14:18 | |
-LAUGHING: -So, armed with that unfortunate fact... | 0:14:18 | 0:14:21 | |
It's always disappointing. ..have a look round. | 0:14:21 | 0:14:24 | |
-Explore upstairs cos we didn't have chance to look upstairs. -OK. | 0:14:24 | 0:14:27 | |
-So I'll meet you out the front. -Lovely. Thanks a lot. | 0:14:27 | 0:14:31 | |
'Just creeping in under their upper budget limit, | 0:14:33 | 0:14:38 | |
'this flint and brick 18th-century cottage has...' | 0:14:38 | 0:14:43 | |
I was a bit dubious, really. | 0:14:52 | 0:14:55 | |
I hadn't really thought of a cottage | 0:14:55 | 0:14:58 | |
but I've actually quite taken to the house, now that I've been inside it. | 0:14:58 | 0:15:02 | |
Then the garden looks to me like it's not quite as big as what I was hoping for. | 0:15:02 | 0:15:08 | |
When I came in, I didn't get the feeling that the house was for me. | 0:15:08 | 0:15:12 | |
As we've spent some time here, I'm thinking about how we could put our stamp on it. | 0:15:12 | 0:15:17 | |
My head is telling me that, potentially, we can make this work. | 0:15:17 | 0:15:20 | |
My heart is saying, "But will it be ours?" | 0:15:20 | 0:15:23 | |
OK, time to leave. Before we leave, I wanted to tell you about this. | 0:15:24 | 0:15:29 | |
-See these stones, these knapped flint stones? -Yeah. | 0:15:29 | 0:15:32 | |
These are remarkably similar to the ones in Baconsthorpe Castle. | 0:15:32 | 0:15:37 | |
-It was very expensive to have this finished flint. -Oh, right! | 0:15:37 | 0:15:41 | |
You'd have a little bit of castle - were you to buy this property! | 0:15:41 | 0:15:45 | |
-Let's press on. More to do. -Thank you. | 0:15:45 | 0:15:49 | |
'The beautiful Norfolk countryside, with its sweeping vistas, | 0:15:56 | 0:15:59 | |
'pine forests and pastures, | 0:15:59 | 0:16:02 | |
'benefits from a 1,200-mile network of trail traversing the county. | 0:16:02 | 0:16:06 | |
'Given all this walking potential | 0:16:06 | 0:16:08 | |
'and Marie and David's desire to acquire a lively set of dogs, | 0:16:08 | 0:16:12 | |
'we sent them to meet Michaela Smith of Beachside Agility | 0:16:12 | 0:16:15 | |
'and her two border collies, Harvey and Howdy, | 0:16:15 | 0:16:18 | |
'to find out about the UK's most popular canine sport, dog agility.' | 0:16:18 | 0:16:23 | |
Nice to meet you both. | 0:16:26 | 0:16:28 | |
-We brought you to Great Yarmouth on the Breydon Water to have a go at agility. -Should be great fun. | 0:16:28 | 0:16:34 | |
How long have you been doing agility training? | 0:16:34 | 0:16:36 | |
I've been doing it for seven, eight years. | 0:16:36 | 0:16:39 | |
I also do obedience as well. | 0:16:39 | 0:16:42 | |
I do both sports and I really enjoy it. It's addictive. | 0:16:42 | 0:16:46 | |
What kind of age do you start agility training with them? | 0:16:46 | 0:16:49 | |
There's a recommendation that you don't start till they're a year old. | 0:16:49 | 0:16:54 | |
You can't enter competitions until they're 18 months old, | 0:16:54 | 0:16:58 | |
that's the minimum age they have to be to be able to compete. | 0:16:58 | 0:17:01 | |
-We've got a course set out. Would you like a go? -Absolutely. | 0:17:01 | 0:17:05 | |
This way, then. | 0:17:05 | 0:17:07 | |
'Helen Anderson, dog agility winner at Crufts 2013, | 0:17:09 | 0:17:14 | |
'is here to show Marie and David how to direct your dog | 0:17:14 | 0:17:17 | |
'as fast as possible around the course. | 0:17:17 | 0:17:21 | |
'The border collie was originally bred to herd livestock. | 0:17:21 | 0:17:24 | |
'With top speeds of up to 30 miles an hour | 0:17:24 | 0:17:27 | |
'and motivation to work in partnership with their owners, | 0:17:27 | 0:17:31 | |
'it's no surprise it's is the most popular breed in dog agility, | 0:17:31 | 0:17:35 | |
'with two of the last Crufts agility winners being collies.' | 0:17:35 | 0:17:39 | |
That's really clever, the way she slaloms round those poles. | 0:17:39 | 0:17:43 | |
-That's called the weave obstacle. -Right. | 0:17:43 | 0:17:46 | |
The pace of the dog's just about synchronised with the gap it's trying to get through. | 0:17:46 | 0:17:53 | |
SHOUTING COMMANDS | 0:17:53 | 0:17:56 | |
'Now it's time for Marie and David to discover if they're natural dog handlers.' | 0:18:01 | 0:18:06 | |
Go! Come on! | 0:18:06 | 0:18:08 | |
BARKING | 0:18:08 | 0:18:11 | |
'Agility was first introduced to the UK in 1978 at Crufts, | 0:18:14 | 0:18:18 | |
'when a committee member was tasked to find a way of entertaining the audience. | 0:18:18 | 0:18:23 | |
'It was a largely jumping style course resembling an equestrian show | 0:18:23 | 0:18:27 | |
'designed to demonstrate dogs' natural speed and agility.' | 0:18:27 | 0:18:31 | |
There were some nice bits in there! | 0:18:31 | 0:18:33 | |
'Its popularity has significantly increased since, | 0:18:35 | 0:18:38 | |
'with around 400 dog agility competitions per year | 0:18:38 | 0:18:42 | |
'and over 600 agility clubs across the UK.' | 0:18:42 | 0:18:45 | |
Good boy! | 0:18:48 | 0:18:50 | |
-So, have you enjoyed it? -Brilliant! It's been really good! | 0:18:53 | 0:18:57 | |
Thank you ever so much for your time. | 0:18:57 | 0:18:59 | |
You questioned about getting fit. | 0:18:59 | 0:19:02 | |
-What's your thoughts on that? -It's harder than it looks. | 0:19:02 | 0:19:06 | |
'Marie and David seem to have been inspired by the idea of keeping active with border collies. | 0:19:06 | 0:19:11 | |
'Let's hope we can get them equally excited by our properties, | 0:19:11 | 0:19:15 | |
'as their house hunt continues. | 0:19:15 | 0:19:17 | |
'We're heading to the pretty coastal village of Mundesley, | 0:19:26 | 0:19:30 | |
'around eight miles along the coast south from Cromer. | 0:19:30 | 0:19:34 | |
'Before I reveal property number two, | 0:19:34 | 0:19:36 | |
'I'm taking David and Marie for a stroll along the front | 0:19:36 | 0:19:39 | |
'to find out why this is the number one destination on their wish list.' | 0:19:39 | 0:19:44 | |
You were getting quite excited as we pulled into Mundesley. | 0:19:44 | 0:19:47 | |
-This is a village you know well. -It is. It was like coming home. | 0:19:47 | 0:19:51 | |
-What is it that you like about it? -It's a lovely sized village. | 0:19:51 | 0:19:55 | |
Lots of local shops. You don't need to go to a big supermarket. | 0:19:55 | 0:19:59 | |
It's got a lovely park, a lovely community feel | 0:19:59 | 0:20:02 | |
and the beach is fantastic for walking the dogs. | 0:20:02 | 0:20:05 | |
-Your house is not far from here. -Excellent. -Not right on the coast. | 0:20:05 | 0:20:09 | |
We couldn't magic that up for you, but it's definitely in Mundesley. | 0:20:09 | 0:20:13 | |
-Brilliant. -Lovely. -Let's look. -Yes, please. | 0:20:13 | 0:20:16 | |
'A short walk from the village centre lies house number two, | 0:20:17 | 0:20:21 | |
'a detached four-bedroom property with bags of period features.' | 0:20:21 | 0:20:24 | |
-We can still hear the sea. -We can hear the sea. | 0:20:24 | 0:20:27 | |
-This is property number two. -OK. | 0:20:27 | 0:20:30 | |
Actually, a fact you may not know about Mundesley | 0:20:30 | 0:20:34 | |
is that it was the Norfolk home of the poet William Cowper. | 0:20:34 | 0:20:38 | |
-All right. -It's written Cowper, and this is Cowper Barn. | 0:20:38 | 0:20:44 | |
-OK. -So it has history. | 0:20:44 | 0:20:46 | |
It's actually a 1930s construct on the foundations of the barn. | 0:20:46 | 0:20:51 | |
It looks really nice, really unusual. | 0:20:51 | 0:20:53 | |
I like it. I think it's really interesting. | 0:20:53 | 0:20:56 | |
-Interesting style of those pillars by the door. -Mm. | 0:20:56 | 0:21:00 | |
-But the style of the house is nice. -Yeah. | 0:21:00 | 0:21:03 | |
-Shall we look inside? -Yes, please. -That'd be lovely. | 0:21:03 | 0:21:06 | |
'Its situation in Mundesley means we're already off to a flying start, | 0:21:08 | 0:21:12 | |
'but I'm keeping my fingers crossed with the interior, | 0:21:12 | 0:21:15 | |
'as this is a property which offers potential | 0:21:15 | 0:21:18 | |
'rather than the finished article.' | 0:21:18 | 0:21:20 | |
This is a good room to start in. | 0:21:20 | 0:21:23 | |
You can see the 1930s feel to it with these eight-fold windows, | 0:21:23 | 0:21:31 | |
the eight-pane glass windows. | 0:21:31 | 0:21:33 | |
-You've got a log burner. -Mm-hm. | 0:21:33 | 0:21:36 | |
-This is much more open-plan than the last one. -It's really nice. | 0:21:36 | 0:21:40 | |
I like the dual aspect. You've got light coming in from both sides. | 0:21:40 | 0:21:43 | |
This little alcove, when it was a barn, this is where the farmers | 0:21:43 | 0:21:48 | |
would have put their candles so they could see the animals at night. | 0:21:48 | 0:21:53 | |
It's nice. I like the thick walls, which mean it'll be a warm house. | 0:21:53 | 0:21:59 | |
Let's take a look at the other mirror room. | 0:21:59 | 0:22:02 | |
The other side is the dining space. | 0:22:03 | 0:22:06 | |
-You have this lovely 1930s fireplace. -It's really nice. | 0:22:06 | 0:22:10 | |
It's unusual. It's nice. | 0:22:10 | 0:22:13 | |
-Is it a working fire? -Yes. -Excellent. | 0:22:13 | 0:22:16 | |
-It would certainly fit our furniture. -Get people in here easily. | 0:22:16 | 0:22:21 | |
Again, a feeling of air and space in the room. | 0:22:21 | 0:22:25 | |
-Let's look at the kitchen, cos that is important for you. -OK. | 0:22:25 | 0:22:29 | |
Thank you. | 0:22:29 | 0:22:31 | |
Well, the kitchen, once again, could be...an issue. | 0:22:33 | 0:22:37 | |
-Yes. It's very small. -It's smaller than the last one. | 0:22:37 | 0:22:41 | |
But there are options for extension. | 0:22:41 | 0:22:44 | |
'The kitchen is mirrored by a utility area, | 0:22:45 | 0:22:48 | |
'and a toilet divides the spaces. | 0:22:48 | 0:22:51 | |
'With the help of an architect, | 0:22:51 | 0:22:53 | |
'Marie and David could open up the whole area.' | 0:22:53 | 0:22:57 | |
-It's whether you could live with this as a temporary... -We could live with anything. | 0:22:57 | 0:23:02 | |
We were always prepared to look at projects, so long as we could live in the house. | 0:23:02 | 0:23:07 | |
There's nothing that's not functional. | 0:23:07 | 0:23:09 | |
It's just that we would tend to gather in the kitchen at home. | 0:23:09 | 0:23:14 | |
But you've got a large living space outside | 0:23:14 | 0:23:17 | |
that combines the dining area with the lounge. | 0:23:17 | 0:23:20 | |
-Let's look upstairs. -After you. | 0:23:20 | 0:23:22 | |
'David and Marie are seeing the possibilities | 0:23:26 | 0:23:28 | |
'and we're getting a better reaction than in the first house. | 0:23:28 | 0:23:32 | |
'I'm hoping that continues as we head upstairs.' | 0:23:32 | 0:23:35 | |
This is what's being used as the master bedroom. | 0:23:36 | 0:23:39 | |
I think upstairs is something you definitely want to put your mark on. | 0:23:39 | 0:23:43 | |
-Yeah. -Because there are four bedrooms up here. | 0:23:43 | 0:23:46 | |
Another four-bedroom house. This has got an en suite attached. | 0:23:46 | 0:23:51 | |
And then there's a family bathroom. | 0:23:51 | 0:23:53 | |
Whether or not you need four bedrooms, | 0:23:53 | 0:23:56 | |
or whether you'd like to convert one of those into a bigger room. | 0:23:56 | 0:24:00 | |
Lots of possibilities of new configurations. | 0:24:00 | 0:24:04 | |
If you were getting an architect to look at the kitchen downstairs, | 0:24:04 | 0:24:08 | |
you may as well get them to look at other parts of the house. | 0:24:08 | 0:24:12 | |
So a simple, plain, straightforward layout like this works for us. | 0:24:12 | 0:24:17 | |
-You seem quite positive. -Yeah. -Yeah. It's nice. | 0:24:18 | 0:24:21 | |
I'll let you explore, but let's go out into the garden and talk price. | 0:24:21 | 0:24:26 | |
'It may be lacking a wow factor, but the house continues to deliver positive reactions | 0:24:28 | 0:24:33 | |
'as a potential project for David and Marie to consider.' | 0:24:33 | 0:24:37 | |
Back from where we started. | 0:24:37 | 0:24:41 | |
So, now that we've seen inside, how does the property shape up? | 0:24:41 | 0:24:44 | |
It's really nice. | 0:24:44 | 0:24:46 | |
I think it's got a lot of potential. | 0:24:46 | 0:24:49 | |
We haven't talked about the garden, David. I know that's your department. | 0:24:49 | 0:24:53 | |
-It is noticeably smaller than the last one. -Yes, it is. | 0:24:53 | 0:24:56 | |
Alistair, I think there's plenty of potential for tidying it up | 0:24:56 | 0:25:01 | |
and putting our own personalities onto the garden itself. | 0:25:01 | 0:25:06 | |
What about price? It's in the heart of the village that you love, a minute from the sea. | 0:25:06 | 0:25:11 | |
I guess my starting point | 0:25:11 | 0:25:13 | |
would be more where the finishing point was on the last one. | 0:25:13 | 0:25:17 | |
I'd say 340 to 350... 347. | 0:25:17 | 0:25:20 | |
I'm going to go cheaper again. | 0:25:20 | 0:25:22 | |
I think more like 320 or 330. | 0:25:22 | 0:25:26 | |
Well, in this instance, | 0:25:27 | 0:25:29 | |
David, your gut instinct is correct. | 0:25:29 | 0:25:32 | |
-This is on the market for 330. -That's fine! -Oh, that's OK. | 0:25:32 | 0:25:35 | |
-Split the difference. -That kind of price would allow us | 0:25:35 | 0:25:40 | |
to start the improvements that we've been thinking of. | 0:25:40 | 0:25:44 | |
I suggest that you go upstairs cos we really whizzed around upstairs, | 0:25:44 | 0:25:48 | |
and maybe have a little scratch around downstairs | 0:25:48 | 0:25:51 | |
-to see if you can reconfigure that space. -OK. | 0:25:51 | 0:25:54 | |
-And I'll see you out the front. -Thank you. | 0:25:54 | 0:25:57 | |
'On the market for £330,000, this 1930s property falls within budget | 0:26:01 | 0:26:06 | |
'and comes with...' | 0:26:06 | 0:26:08 | |
I do like it. I think it's got character, it's a bit different. | 0:26:19 | 0:26:24 | |
I like it a lot. I can see myself living here. | 0:26:24 | 0:26:27 | |
I think we'd both be very happy here. | 0:26:27 | 0:26:31 | |
Frankly, what's not to love about this house? | 0:26:31 | 0:26:33 | |
Coming inside, it isn't exactly what we would have looked for, | 0:26:33 | 0:26:38 | |
but I can see what we can do to make it ours. | 0:26:38 | 0:26:41 | |
There's some work to be done. We can do that, rather than move into something that's finished. | 0:26:41 | 0:26:46 | |
I love the hanging tiles. | 0:26:48 | 0:26:50 | |
I'm not sure it's terribly 1930s, but whatever it is, it's a success. | 0:26:50 | 0:26:54 | |
I was admiring the porch. It's a very handsome piece of architecture. | 0:26:54 | 0:26:57 | |
It is. Yeah. Very nice. | 0:26:57 | 0:27:00 | |
-Imagine on a nice sunny day, hot. -Having afternoon tea out here. -Yes. | 0:27:00 | 0:27:05 | |
That's a sign you've moved in when you're planning where to have tea. | 0:27:05 | 0:27:09 | |
We can exit through the door onto the high street. | 0:27:09 | 0:27:12 | |
'It's the second day of our house hunt in north Norfolk | 0:27:22 | 0:27:26 | |
'with Marie and David from the Droitwich area in Worcestershire, | 0:27:26 | 0:27:29 | |
'who have £350,000 to spend on their coastal relocation. | 0:27:29 | 0:27:33 | |
'Coming up, we get the perfect reaction.' | 0:27:33 | 0:27:36 | |
You could almost say it felt like home when we came in. | 0:27:36 | 0:27:39 | |
-Yeah. It did. -That's what we like to hear. | 0:27:39 | 0:27:41 | |
'And I brave the elements to discover an old seaside favourite.' | 0:27:41 | 0:27:46 | |
Yesterday in Mundesley, one thing jumped out at me | 0:27:48 | 0:27:51 | |
as being more important than they had let on, | 0:27:51 | 0:27:54 | |
and that's proximity to this, the sea. | 0:27:54 | 0:27:56 | |
Even though that house was lovely, it was smaller, | 0:27:56 | 0:28:00 | |
had a smaller garden, but the thing they loved was the location. | 0:28:00 | 0:28:04 | |
It was sold before they even entered the garden. | 0:28:04 | 0:28:07 | |
So, we're going to be testing them with our mystery house | 0:28:07 | 0:28:11 | |
'by dragging them away from the coast in order to offer them space, | 0:28:11 | 0:28:15 | |
'along with access to the countryside they desire. | 0:28:15 | 0:28:19 | |
'We're heading five miles inland from Mundesley, | 0:28:21 | 0:28:25 | |
'close to the market town of North Walsham. | 0:28:25 | 0:28:29 | |
'Once at the heart of the 14th-century weaving industry, | 0:28:29 | 0:28:32 | |
'the town is centred on the market cross, | 0:28:32 | 0:28:35 | |
'where people once sold their produce, livestock, wool and cloths. | 0:28:35 | 0:28:40 | |
'Many of the narrower shops still occupy their ancient plots | 0:28:40 | 0:28:44 | |
'huddled tightly against the churchyard. | 0:28:44 | 0:28:47 | |
'Our mystery house is a three-bedroom barn conversion | 0:28:47 | 0:28:50 | |
'sitting just over a mile outside of the town, | 0:28:50 | 0:28:53 | |
'surrounded by stunning Norfolk countryside.' | 0:28:53 | 0:28:56 | |
Here's the mystery house. | 0:28:56 | 0:28:58 | |
-OK. -What do you think? -Yeah, it looks really nice. | 0:29:00 | 0:29:03 | |
Really, really like the setting. | 0:29:03 | 0:29:06 | |
-The sea's not here, but what a fantastic setting. -Yeah. | 0:29:06 | 0:29:09 | |
You're four miles from Mundesley, so that's your nearest spot of seaside. | 0:29:09 | 0:29:15 | |
It's a single-level dwelling. | 0:29:15 | 0:29:17 | |
It's a converted stable, part of a series of farm buildings. | 0:29:17 | 0:29:21 | |
The conversion was done in the early '90s. | 0:29:21 | 0:29:24 | |
This little wing here and that wing here are new additions. | 0:29:24 | 0:29:28 | |
The old part is the bit in the centre. | 0:29:28 | 0:29:31 | |
How do you feel about a conversion of a farm building? | 0:29:31 | 0:29:34 | |
From the outside, it looks really nicely done. | 0:29:34 | 0:29:37 | |
It looks in good condition and fits well with the area. | 0:29:37 | 0:29:41 | |
-Yeah. -Yeah, I like it. -Good. | 0:29:41 | 0:29:45 | |
-Positive? -Yes. -A really good feel. -No drawbacks? -Not at the moment. | 0:29:45 | 0:29:48 | |
Let's have a look inside. | 0:29:48 | 0:29:50 | |
'A very promising start and although set on one level, | 0:29:50 | 0:29:54 | |
'I'm hoping that this stylish conversion can deliver the space they're looking for.' | 0:29:54 | 0:29:59 | |
Come on through. This is the main room. | 0:30:00 | 0:30:03 | |
You get a taste of the whole layout, really. | 0:30:03 | 0:30:06 | |
-It's cosy. It's nice. -Yeah, it is nice. | 0:30:07 | 0:30:09 | |
-So much light as well. -This is a triple-aspect room. | 0:30:09 | 0:30:13 | |
-Quadruple, if you count this window. -Yeah, very nice. | 0:30:13 | 0:30:18 | |
You've got a conservatory through there, which is south facing, | 0:30:18 | 0:30:23 | |
so it gets lots of lovely sun. | 0:30:23 | 0:30:25 | |
It does bring the outside in, having that flow of the windows. | 0:30:25 | 0:30:29 | |
-That's really nice, isn't it? -Yeah. -I really like it. | 0:30:29 | 0:30:32 | |
-This is a very different offering. It's not a period property. -No. | 0:30:32 | 0:30:36 | |
-Well, not by look. And it's all on one level. -Yeah. | 0:30:36 | 0:30:40 | |
How do you feel about that single-level concept? | 0:30:40 | 0:30:44 | |
Personally, I'm very happy with single level. | 0:30:44 | 0:30:47 | |
We wouldn't plan to move again so I'll let my knees grow old here. | 0:30:47 | 0:30:51 | |
-LAUGHTER -So it's a good vibe you're getting? | 0:30:51 | 0:30:54 | |
-Yeah. I like this. -Let's look at the kitchen. | 0:30:54 | 0:30:57 | |
It's been a bone of contention in the other houses. See if it is here. | 0:30:57 | 0:31:01 | |
It's, um... It's small, probably not much bigger than the others. | 0:31:01 | 0:31:05 | |
But the light and the view actually make it feel OK. | 0:31:05 | 0:31:09 | |
I feel fine and I can see the conservatory out there. | 0:31:09 | 0:31:13 | |
There's a potential to have a small family table there for breakfast. | 0:31:13 | 0:31:18 | |
Right next door, there is a dining room. | 0:31:18 | 0:31:21 | |
It's not huge, and all of these walls are stud walls. | 0:31:21 | 0:31:24 | |
So you could take that wall down so that's all just one big space, | 0:31:24 | 0:31:30 | |
kitchen-sitting room. | 0:31:30 | 0:31:32 | |
Or take this down and have it as a kitchen-diner | 0:31:32 | 0:31:35 | |
on this east side of the house. | 0:31:35 | 0:31:38 | |
-It might surprise you, in this house, I'd be tempted to leave it as it is. -Oh! Really? -Yeah. | 0:31:38 | 0:31:44 | |
-So this is positive as it is, without any knocking down? -Yeah. | 0:31:44 | 0:31:49 | |
Hm. Good. I wasn't expecting that. | 0:31:49 | 0:31:51 | |
I thought you were going to go, "We need a project!" | 0:31:51 | 0:31:54 | |
Let's look at the sleeping accommodation, obviously all on one layer. I'll show you the master. | 0:31:54 | 0:32:00 | |
'That's a shock. Even though the kitchen didn't match up size-wise, they're seeing the potential. | 0:32:00 | 0:32:06 | |
'Let's hope that continues.' | 0:32:06 | 0:32:08 | |
This is by far the biggest bedroom we've shown you. | 0:32:08 | 0:32:11 | |
-Very nice and light again here. -Dual aspect, is it? -Dual aspect. | 0:32:11 | 0:32:16 | |
-A light-well here brings in light from outside. -Right, yeah! | 0:32:16 | 0:32:21 | |
-The present owners have to block it up on a full moon cos it's too bright! -Oh, right. | 0:32:21 | 0:32:27 | |
And it's got an en suite, just a shower and a toilet. | 0:32:27 | 0:32:30 | |
It's a lovely bedroom. I like the shape and the size. | 0:32:30 | 0:32:36 | |
Yes, I like it. It's almost big enough to give it two uses. | 0:32:36 | 0:32:41 | |
You could have a kind of office area there, quite easily. | 0:32:41 | 0:32:46 | |
Yes, cos you've got two bedrooms. | 0:32:46 | 0:32:49 | |
There's a comfortable double and then there's a small single, | 0:32:49 | 0:32:53 | |
which is being used as a study. | 0:32:53 | 0:32:56 | |
So, less bedrooms than the other properties. | 0:32:56 | 0:32:59 | |
So if you put your desk here you could liberate the study as a bedroom. | 0:32:59 | 0:33:04 | |
Anything you don't like so far? | 0:33:04 | 0:33:06 | |
-No. -We're looking forward to seeing the outside. | 0:33:06 | 0:33:09 | |
We could get a feel for it but we haven't seen it. | 0:33:09 | 0:33:13 | |
-You could almost say it felt like home when we came in. -Yeah. It did. | 0:33:13 | 0:33:17 | |
It's what we like to hear. Talking of the garden, let's go look at it. | 0:33:17 | 0:33:21 | |
'I don't want to speak too soon, but if outside meets with approval, | 0:33:24 | 0:33:28 | |
'we may have cracked it with the mystery house.' | 0:33:28 | 0:33:31 | |
-What a lovely day it's turned out to be! -Sun's coming out. -Beautiful. | 0:33:31 | 0:33:35 | |
-It's a sign! -It is! | 0:33:35 | 0:33:37 | |
-An omen! -Have to buy it now. -ALL CHUCKLE | 0:33:37 | 0:33:40 | |
One more thing to point out is this beautiful landscape behind. | 0:33:40 | 0:33:45 | |
A hill that goes up into a bluebell wood, which is protected. | 0:33:45 | 0:33:48 | |
-That's a forever view, then? -Gorgeous for the dogs. -Exactly. | 0:33:48 | 0:33:53 | |
-You've got a path that takes you up there. -Excellent. | 0:33:53 | 0:33:56 | |
How much do you think it's on the market for? | 0:33:56 | 0:33:58 | |
It's smaller than some of the things we've looked at. | 0:33:58 | 0:34:02 | |
-This is me wishful thinking. Maybe 325? -Mm-hm. | 0:34:02 | 0:34:06 | |
-I think I'd put it on at 340. -Very good. It's so interesting... | 0:34:06 | 0:34:12 | |
-LAUGHING: -Whether you like the property or not reflects in how much you think it's worth! | 0:34:12 | 0:34:17 | |
This property is on the market for... | 0:34:17 | 0:34:20 | |
just a shade under 320. | 0:34:20 | 0:34:23 | |
-Yeah, excellent. -That would give us room for manoeuvre, if we wanted. | 0:34:23 | 0:34:27 | |
-Why don't you have a look around and I'll see you out the front? -OK. | 0:34:27 | 0:34:31 | |
-Thank you. -Lovely, thank you. | 0:34:31 | 0:34:33 | |
'On the market for £319,950, | 0:34:36 | 0:34:40 | |
'our mystery house has set the pulses racing with...' | 0:34:40 | 0:34:43 | |
I feel at home here. I think the property's nice. | 0:34:55 | 0:34:58 | |
I know it's smaller than the other properties we looked at, | 0:34:58 | 0:35:02 | |
but I think it suits the kind of lifestyle that we're moving towards. | 0:35:02 | 0:35:07 | |
We asked you to find our "forever house", | 0:35:07 | 0:35:10 | |
if I can describe it that way, and this could be it. | 0:35:10 | 0:35:13 | |
I've moved in here already. | 0:35:13 | 0:35:15 | |
It's very different to the house I've got and to what I thought I was looking for, | 0:35:15 | 0:35:20 | |
but as soon as I walked through the door it felt like home. | 0:35:20 | 0:35:23 | |
Once I knew where my Christmas tree goes is when I'd moved in for real. | 0:35:23 | 0:35:28 | |
I can see where the Christmas decorations go | 0:35:28 | 0:35:31 | |
and I can see the family around. | 0:35:31 | 0:35:33 | |
-The view's wonderful... -Hello, guys. | 0:35:33 | 0:35:36 | |
-Hello, Alistair. -Are you taking in the bluebell woods? | 0:35:36 | 0:35:39 | |
-BOTH: Yes. -I have to drag you away, I'm afraid. | 0:35:39 | 0:35:43 | |
We have one more station to go, and that's decision time. | 0:35:43 | 0:35:46 | |
-All right. -That'll be lovely. | 0:35:46 | 0:35:48 | |
'We've served up three delightful properties for Marie and David, | 0:36:00 | 0:36:03 | |
'but this easterly county has much more on offer, if the Norfolk coast is where your heart lies. | 0:36:03 | 0:36:10 | |
'The ever-popular towns of Cromer and Sheringham are at a premium. | 0:36:10 | 0:36:14 | |
'For the more modest budget try Trimingham, | 0:36:14 | 0:36:16 | |
'where this three-bedroom semi-detached cottage | 0:36:16 | 0:36:19 | |
'with period features is on sale for £190,000. | 0:36:19 | 0:36:24 | |
'If your finances can stretch to a thatched roof, | 0:36:24 | 0:36:27 | |
'then head a mere five miles inland to Thorpe Market | 0:36:27 | 0:36:31 | |
'for this six-bedroom Grade II listed flint cottage. | 0:36:31 | 0:36:34 | |
'With bags of character features, | 0:36:34 | 0:36:36 | |
'it has a guide price of £375,000. | 0:36:36 | 0:36:41 | |
'If you need a quiet rural location within a stone's throw of the sea, | 0:36:41 | 0:36:46 | |
'this five-bedroom period farmhouse in West Runton may be the answer, | 0:36:46 | 0:36:50 | |
'starting at £625,000. | 0:36:50 | 0:36:53 | |
'The glorious countryside along the Norfolk shoreline | 0:36:57 | 0:37:00 | |
'has been a tourist attraction for centuries. | 0:37:00 | 0:37:03 | |
'But no coastal county is truly complete | 0:37:03 | 0:37:05 | |
'without that other traditional seaside attraction, | 0:37:05 | 0:37:09 | |
'the pleasure pier, | 0:37:09 | 0:37:11 | |
'and Britain offers more piers than any other country. | 0:37:11 | 0:37:14 | |
'In the early 1900s, almost 100 piers stood around Britain. | 0:37:14 | 0:37:18 | |
'Sadly, a little more than half remain. | 0:37:18 | 0:37:22 | |
'Many stand as a testament | 0:37:22 | 0:37:24 | |
'to the achievements of Victorian engineering. | 0:37:24 | 0:37:27 | |
'I am back at Cromer pier, | 0:37:27 | 0:37:29 | |
'opened at the beginning of the 20th century, | 0:37:29 | 0:37:31 | |
'and now owned and maintained by North Norfolk District Council. | 0:37:31 | 0:37:35 | |
'I'm meeting expert Peter Stibbens to discover more.' | 0:37:35 | 0:37:39 | |
Morning to you. Welcome to a windy Cromer! | 0:37:39 | 0:37:42 | |
Peter, it's a little breezy here on the pier. | 0:37:49 | 0:37:52 | |
I should think it's blowing a good eight, maybe a bit more. | 0:37:52 | 0:37:55 | |
Just describe what the pier would have looked like. | 0:37:55 | 0:37:59 | |
Like it looks now, or how would it have looked? | 0:37:59 | 0:38:01 | |
It was certainly very open. | 0:38:01 | 0:38:04 | |
There was no intention to have slot machines. | 0:38:04 | 0:38:07 | |
It was a promenading and walking pier. | 0:38:07 | 0:38:10 | |
-It was a pleasure pier? There was no function to it? -Absolutely. | 0:38:10 | 0:38:14 | |
The tradition previously on the jetties that were here | 0:38:14 | 0:38:18 | |
was that you went for a walk on the east cliff in the morning, | 0:38:18 | 0:38:21 | |
on the west cliff in the afternoon | 0:38:21 | 0:38:23 | |
and that you came for your walk on the pier in the evening. | 0:38:23 | 0:38:27 | |
'In Edwardian times, tourists generally came from upper classes. | 0:38:27 | 0:38:31 | |
'They would arrive by train, bringing their servants with them - | 0:38:31 | 0:38:35 | |
'although THEY weren't allowed on the promenade. | 0:38:35 | 0:38:38 | |
'Pier owners began to stage amusements and concerts, | 0:38:38 | 0:38:41 | |
'but charged expensive entrance fees to keep the working class away. | 0:38:41 | 0:38:45 | |
'The introduction of bank holidays and affordable train travel | 0:38:45 | 0:38:49 | |
'meant piers became popular attractions for everyone to enjoy.' | 0:38:49 | 0:38:53 | |
The pier was reserved for townsfolk on Sundays, | 0:38:53 | 0:38:56 | |
but the rest of the week it was your visitors you were after. | 0:38:56 | 0:39:00 | |
Of course, we're delighted to have visitors here. | 0:39:00 | 0:39:03 | |
'The pier's original bandstand was roofed in 1907 and a new floor laid | 0:39:03 | 0:39:09 | |
'to accommodate the new craze of roller-skating! | 0:39:09 | 0:39:12 | |
'Over the next 20 years, the building was transformed into a fully fledged theatre | 0:39:12 | 0:39:17 | |
'where, in 1922, a group called the Rolling Stones performed. | 0:39:17 | 0:39:23 | |
'That's the 1920s variety troupe, not the rock band.' | 0:39:23 | 0:39:27 | |
The bandstand stood roughly in front of us here | 0:39:27 | 0:39:31 | |
and you just had that wind break around. | 0:39:31 | 0:39:34 | |
They had eight years of going, "Oh, it's freezing!" | 0:39:34 | 0:39:37 | |
About four years, | 0:39:37 | 0:39:39 | |
and I should think it was hard to keep your music in place! | 0:39:39 | 0:39:43 | |
It's a peculiarity of England that we build these metal structures out into the sea. | 0:39:43 | 0:39:49 | |
-Very odd thing to do. -Was it ever on the circuit for the real stars? | 0:39:49 | 0:39:53 | |
-Or was it always...? -We had one very funny favourite comedian of mine came on last year and said, | 0:39:53 | 0:40:00 | |
"You play Cromer twice. Once on the way up, once on the way down. | 0:40:00 | 0:40:04 | |
"I enjoyed myself the last time I was here." | 0:40:04 | 0:40:07 | |
I love what you were saying about this quirky English habit | 0:40:07 | 0:40:11 | |
of building a rickety old iron structure over the sea | 0:40:11 | 0:40:14 | |
and having some entertainment. | 0:40:14 | 0:40:16 | |
Long may it continue! It's a great British tradition. | 0:40:16 | 0:40:19 | |
The sun is finally shining in Norfolk. Spring is in the air. | 0:40:25 | 0:40:28 | |
I think we did pretty well with the house hunt. | 0:40:28 | 0:40:31 | |
It seems clear that the mystery house was the favourite for David and Marie. | 0:40:31 | 0:40:35 | |
The big question is what happens next? | 0:40:35 | 0:40:38 | |
Let's find out. | 0:40:38 | 0:40:40 | |
Marie and David, I need to check whether I'm right. | 0:40:45 | 0:40:47 | |
-Is the mystery house your favourite? -It is, yes. -It certainly is. | 0:40:47 | 0:40:51 | |
That's interesting, because in many ways, the mystery house offered less than the other houses. | 0:40:51 | 0:40:56 | |
The first house had four substantial bedrooms. | 0:40:56 | 0:41:00 | |
Y-yeah, well, size isn't everything as they say. | 0:41:00 | 0:41:03 | |
I think it's really about the feel of the house and it felt right. | 0:41:03 | 0:41:09 | |
-It felt like us, didn't it? -Yeah, and the setting of the last house was really good. | 0:41:09 | 0:41:14 | |
Those views up the hill! | 0:41:14 | 0:41:16 | |
I can just see ourselves sitting outside having a cup of tea. | 0:41:16 | 0:41:20 | |
The whole peace and tranquillity of the setting was brilliant. | 0:41:20 | 0:41:26 | |
For me, when I went in, my heart was in there already. | 0:41:26 | 0:41:30 | |
It felt like it was somewhere where we belonged. | 0:41:30 | 0:41:34 | |
In the second house, although the sea was there and that lit us up, | 0:41:34 | 0:41:40 | |
the house didn't give me quite the same feel. | 0:41:40 | 0:41:43 | |
You said the mystery house felt like home. | 0:41:43 | 0:41:46 | |
Do you want it to become your home? | 0:41:46 | 0:41:49 | |
At this moment in time, yes. We'd certainly like to see it again. | 0:41:49 | 0:41:53 | |
It does feel like it's something we'd make an offer on. | 0:41:53 | 0:41:57 | |
We did like all three properties, in fairness, but our favourite by far is the mystery house. | 0:41:57 | 0:42:03 | |
Fingers crossed that your house sells | 0:42:03 | 0:42:05 | |
and that we see you in the mystery house and on the high seas soon. | 0:42:05 | 0:42:10 | |
I'll wave at you as you go past. | 0:42:10 | 0:42:13 | |
Thank you. | 0:42:13 | 0:42:14 | |
Not only does Escape To The Country always bring out the sunshine in every county, | 0:42:20 | 0:42:24 | |
but we do sell people houses. | 0:42:24 | 0:42:26 | |
This move did mean a lot to David and Marie and I think that we found them the perfect solution. | 0:42:26 | 0:42:32 | |
Just the right budget, just the right location, | 0:42:32 | 0:42:35 | |
just the right style. | 0:42:35 | 0:42:37 | |
Join us next time for more escape. I'll leave you with some...Norfolk. | 0:42:37 | 0:42:41 | |
'The good news is Marie and David have accepted an offer on their home | 0:42:43 | 0:42:48 | |
'and are returning for a second look at our mystery barn conversion. | 0:42:48 | 0:42:52 | |
'If you want to escape to the country in Northern Ireland, Wales, Scotland or England | 0:42:52 | 0:42:56 | |
'and need our help, please apply online at:' | 0:42:56 | 0:43:01 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:11 | |
E-mail [email protected] | 0:43:11 | 0:43:15 |