Browse content similar to Nottinghamshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In this stretch of caves behind me, 200 years ago, native rhinoceros and hippopotamus bones were discovered. | 0:00:02 | 0:00:08 | |
Find out when and where these exotic animals roamed in a few moments. | 0:00:08 | 0:00:13 | |
'On today's show, I'm attempting to help a couple of ex-pats to escape the bush down under | 0:00:29 | 0:00:35 | |
'and relocate back to home soil. They take a trip down memory lane...' | 0:00:35 | 0:00:40 | |
-That's great. -It is nice. -Fantastic. -When did you last have one of those? -20 years ago. | 0:00:40 | 0:00:46 | |
-'And send a shiver down my spine.' -How will YOU get out of that bath?! -I don't want to know. | 0:00:46 | 0:00:52 | |
Today I'm in Nottinghamshire at Creswell Crags | 0:00:54 | 0:00:58 | |
where an excavation proved that the narrow-nosed rhinoceros, a species now extinct, | 0:00:58 | 0:01:04 | |
lived 120,000 years ago. | 0:01:04 | 0:01:06 | |
This network of limestone caves was also the most northerly based camp site in the world | 0:01:06 | 0:01:12 | |
of our Ice Age ancestors. And it's the home of the only known cave art from that period in Britain. | 0:01:12 | 0:01:19 | |
There seems to be an underground history embedded into this county. | 0:01:19 | 0:01:24 | |
I'll look deeper into that later. | 0:01:24 | 0:01:27 | |
But first let's not ignore the human history that's played its part in this varied county. | 0:01:27 | 0:01:33 | |
Forming part of the East Midlands, landlocked Nottinghamshire is bordered by four counties, | 0:01:35 | 0:01:41 | |
including Derbyshire and Lincolnshire. | 0:01:41 | 0:01:46 | |
The River Trent has shaped this landscape. It runs through the market town of Newark-on-Trent | 0:01:47 | 0:01:54 | |
making its way to Nottingham. | 0:01:54 | 0:01:56 | |
Nottingham will forever be linked with its literary past. | 0:01:56 | 0:02:00 | |
Taking inspiration from the natural outlook is Newstead Abbey, ancestral home of Lord Byron. | 0:02:00 | 0:02:08 | |
With such diverse history and countryside, | 0:02:08 | 0:02:12 | |
small wonder aspiring escapees are drawn to this county. | 0:02:12 | 0:02:16 | |
Let's find out why today's house buyers want to come here. | 0:02:16 | 0:02:21 | |
For 20 years, Karen and David have lived abroad, spending the last 18 years in Australia. | 0:02:21 | 0:02:28 | |
Having sold their house near Perth, they feel now is the time to rediscover their roots. | 0:02:28 | 0:02:34 | |
We've known each other 22 years and been married for 20. We've never had a life in the UK. | 0:02:34 | 0:02:40 | |
We're moving from Beeliar, which is a suburb of Perth. | 0:02:42 | 0:02:47 | |
We had some good neighbours, but it was like a housing estate. Everybody was too close together. | 0:02:47 | 0:02:53 | |
-And family ties are pulling them back home to Nottinghamshire. -We've got two grandchildren now. | 0:02:53 | 0:02:59 | |
Once a year wasn't doing it for us. | 0:02:59 | 0:03:02 | |
Whilst they search for a new home, they're staying with Karen's sister Lorraine in Worksop. | 0:03:02 | 0:03:07 | |
When I told my sister that we'd decided to come home, she said her wish had come true. | 0:03:07 | 0:03:13 | |
That's the only thing she'd wanted. It makes me cry thinking about it! | 0:03:13 | 0:03:19 | |
Now to discover the financial details for the new home. | 0:03:19 | 0:03:23 | |
Our budget for this move is £350,000. We've just had our 20-year holiday. | 0:03:23 | 0:03:29 | |
-Now it's time to come home. -Yeah, that's right. | 0:03:29 | 0:03:33 | |
David and Karen have asked us to concentrate our search in the north of the county, | 0:03:36 | 0:03:40 | |
to be within reasonable distance of their family in Worksop. | 0:03:40 | 0:03:44 | |
I met up with them to find out more about this radical move. | 0:03:44 | 0:03:48 | |
Good morning. Welcome, both of you, back to the UK and Nottinghamshire. Good to be here? | 0:03:48 | 0:03:54 | |
Yes, it's marvellous to be back. | 0:03:54 | 0:03:56 | |
Talk me through your ideal house here in the UK. | 0:03:56 | 0:03:59 | |
-I would like a detached. -Mm-hm. -I'd like three or four bedrooms. | 0:03:59 | 0:04:03 | |
I'd like an en-suite, I'd like a large kitchen/diner, | 0:04:03 | 0:04:07 | |
two reception rooms, utility room, | 0:04:07 | 0:04:10 | |
a sun room... and a nice big garden. | 0:04:10 | 0:04:14 | |
-Private garden. -OK. | 0:04:14 | 0:04:17 | |
I was thinking you might not have made your mind up on that plane journey. Sounds like you have! | 0:04:17 | 0:04:23 | |
-Your Australian house is quite modern. -Very modern, yeah. -So can the house be modern? -Yes. | 0:04:23 | 0:04:27 | |
-It can be old on the outside. -Right. -But the inside, we must have it modern. | 0:04:27 | 0:04:33 | |
-What are no-nos? What don't you want? -No beams. -Right, OK. | 0:04:33 | 0:04:38 | |
-No low ceilings. -OK. -No dark rooms. -Right. | 0:04:38 | 0:04:43 | |
The exciting thing from my point of view is you've already made this move over here. | 0:04:43 | 0:04:49 | |
-Your furniture is in transit. -Yes. -So you've sold? -Sold. | 0:04:49 | 0:04:53 | |
-If we find you a property, you can go for it. -We need to move in quick. | 0:04:53 | 0:04:58 | |
So we shouldn't be wasting any more time here. Let's get on with it. | 0:04:58 | 0:05:02 | |
'For a budget of £350,000, David and Karen are looking for a detached country retreat | 0:05:02 | 0:05:09 | |
'with 3-4 bedrooms, a large family kitchen/diner, two reception rooms, | 0:05:09 | 0:05:14 | |
'a large private garden and not too far away from their family in Worksop. | 0:05:14 | 0:05:20 | |
'We've got three first-rate houses to show them and I'll be asking them to guess the price. | 0:05:20 | 0:05:27 | |
'Our final property is the mystery house, which will really pose them a few questions. | 0:05:27 | 0:05:32 | |
'But with their furniture arriving in a couple of months, it's time to head for the first house.' | 0:05:32 | 0:05:39 | |
Although we begin our search in the eastern side of the county in the village of Wigsley, | 0:05:41 | 0:05:47 | |
we're still only around 40 minutes from their family in Worksop. | 0:05:47 | 0:05:50 | |
The nearby village of Eagle with its leafy lanes is just over the border into Lincolnshire. | 0:05:50 | 0:05:56 | |
House number one, an extended Victorian cottage, can be found in a secluded spot in Wigsley. | 0:05:56 | 0:06:04 | |
-What are we thinking? -It's gorgeous. Absolutely beautiful. | 0:06:08 | 0:06:12 | |
-Fantastic. -Excellent first house. Excellent first house. | 0:06:12 | 0:06:16 | |
-It's looking real good. -It really is. -Let's go inside. | 0:06:16 | 0:06:21 | |
'Fantastic first impressions to house number one, but that's just the exterior. | 0:06:21 | 0:06:27 | |
'Bearing in mind they're used to large, open-plan houses in Australia, | 0:06:27 | 0:06:31 | |
'are their expectations realistic? | 0:06:31 | 0:06:34 | |
Now, Karen, you were very prescriptive about what you're after in a kitchen. Let's start in here. | 0:06:34 | 0:06:41 | |
This kitchen is beautiful. | 0:06:41 | 0:06:43 | |
It's gorgeous. It's just what I imagined a country kitchen to be like. | 0:06:43 | 0:06:47 | |
I do like this. It's bright, it's cheerful. | 0:06:47 | 0:06:52 | |
You've got a nice family room. I think that is really nice. What do you think? | 0:06:52 | 0:06:57 | |
I like how it leads onto the garden, but just not 100% sure about the kitchen. | 0:06:57 | 0:07:03 | |
-I like it. -Why is that? -It's not got that modern...feel. | 0:07:03 | 0:07:10 | |
-It might have. I might not be seeing it properly. -I think that's a fair comment. | 0:07:10 | 0:07:14 | |
It is, as Karen described it, a country kitchen. | 0:07:14 | 0:07:18 | |
-But it's not an old one. -No. -Bespoke units, but it's done in that country style. | 0:07:18 | 0:07:23 | |
Now living room, you'll need to use your imagination, I think. OK? Follow me. | 0:07:23 | 0:07:29 | |
Oh, yeah. | 0:07:35 | 0:07:36 | |
Now I'm going to ask you first, David. I know what you'll say. | 0:07:38 | 0:07:43 | |
Em... | 0:07:43 | 0:07:46 | |
-Go on. -It's not for me. Not the darkness of it. | 0:07:46 | 0:07:50 | |
Whether or not it could be different if we painted them white. | 0:07:50 | 0:07:54 | |
One thing you could do is if you plasterboarded over these, you could put downlighters inside. | 0:07:54 | 0:08:01 | |
-One thing that you wouldn't want in Australia is some open fires. -Yeah, that's great. | 0:08:01 | 0:08:07 | |
-It is nice. -Fantastic. -When's the last time you had one of those? -20 years ago. | 0:08:07 | 0:08:12 | |
There's another reception area on the other side of the kitchen and a small office area there. | 0:08:12 | 0:08:19 | |
Let's take a look at the master bedroom. I think you'll like that. | 0:08:19 | 0:08:23 | |
'The downstairs is completed by a utility room including a shower and WC | 0:08:23 | 0:08:28 | |
'and the fourth bedroom. So, divided opinions as we head upstairs. | 0:08:28 | 0:08:33 | |
'There is a study or possible single guest room and two double bedrooms, | 0:08:33 | 0:08:38 | |
'all served by a modern, stylish family bathroom, including a steam and shower cubicle. | 0:08:38 | 0:08:44 | |
'But first, the master.' | 0:08:44 | 0:08:46 | |
Now, three double bedrooms on this floor. | 0:08:46 | 0:08:50 | |
Nice size. | 0:08:50 | 0:08:52 | |
-Nice size. Nice en suite. -A bath and separate shower in there. | 0:08:52 | 0:08:57 | |
-Oh, wow! This is nice. -I love the balcony. | 0:08:57 | 0:09:00 | |
-It's cracking, isn't it? -It's like an extension to the bedroom. | 0:09:00 | 0:09:04 | |
-You get the morning sun as well. -Awesome. Very nice. | 0:09:04 | 0:09:08 | |
Awesome is a word I love to hear. Let's go look at the garden. | 0:09:08 | 0:09:12 | |
Start trying to get your head around how much | 0:09:12 | 0:09:15 | |
this house might be. All right? | 0:09:15 | 0:09:16 | |
'The secluded lawned garden is at the front of the property | 0:09:20 | 0:09:24 | |
'and includes a summer house, ornamental pond and a patio area.' | 0:09:24 | 0:09:28 | |
So.. how much do you think this house is on the market for? | 0:09:28 | 0:09:32 | |
-You go first, Karen. -I'd say this house is 335. | 0:09:32 | 0:09:37 | |
-Thousand. -OK. | 0:09:37 | 0:09:40 | |
-I'd say 300. -300? -300. | 0:09:40 | 0:09:43 | |
Well, it's on the market for offers around £329,950. | 0:09:43 | 0:09:50 | |
See how close? | 0:09:50 | 0:09:51 | |
Coming in well under budget | 0:09:54 | 0:09:56 | |
this extended Victorian cottage has the privacy they're looking for | 0:09:56 | 0:10:00 | |
along with four bedrooms, the master with en suite, a large kitchen/diner, | 0:10:00 | 0:10:04 | |
a lounge/reception room, all set in a quiet village in the Nottinghamshire countryside. | 0:10:04 | 0:10:09 | |
-Had a good look around? -Yes. Fantastic. -All right. On to the next one. -Thank you. | 0:10:09 | 0:10:16 | |
The city of Nottingham is built on a sandstone outcrop | 0:10:22 | 0:10:26 | |
and this gives it quite a unique architectural heritage below ground. | 0:10:26 | 0:10:32 | |
Underground caves were recorded here as far back as the 13th century | 0:10:32 | 0:10:37 | |
and today I'm meeting Dr David Strange-Walker from the Nottingham Cave Survey, | 0:10:37 | 0:10:43 | |
who is mapping some of the 500 man-made caves to encourage the city to appreciate their importance. | 0:10:43 | 0:10:50 | |
David, here we are, right in the heart of Nottingham city centre. | 0:10:50 | 0:10:55 | |
-Hustle and bustle everywhere, then this huge sandstone rock. -Sandstone rock, that's right. | 0:10:55 | 0:11:00 | |
We're looking at three or four of Nottingham's 543 caves that we know about. There's probably more. | 0:11:00 | 0:11:06 | |
-I notice you have a map. -Yes. -What's this? | 0:11:06 | 0:11:10 | |
This is all the caves that we know about on a map of Nottingham. They spread far out of the city. | 0:11:10 | 0:11:16 | |
In the city centre, you can see we've got this tremendous density of caves. | 0:11:16 | 0:11:21 | |
Nearly every property has one under it. 500 caves plus. | 0:11:21 | 0:11:25 | |
-With so many caves littering the city centre, can you access these? -We can. We can see some of them. | 0:11:25 | 0:11:32 | |
-I'll take you next to Peel Street, just up here. Shall we go? -Yes, please. | 0:11:32 | 0:11:37 | |
'Many of the caves have been used for commercial purposes or visitor attractions. | 0:11:37 | 0:11:42 | |
'This one at Peel Street, once a sandstone mine and air raid shelter, is not yet open to the public.' | 0:11:42 | 0:11:49 | |
-So these caves being dry and safe from the weather, they became living places. -Some did. | 0:11:49 | 0:11:56 | |
Yeah, at the start of the 19th century Nottingham started to industrialise in a massive way. | 0:11:56 | 0:12:02 | |
Unlike a lot of cities, it didn't expand outwards. There were ownership issues with the fields around. | 0:12:02 | 0:12:06 | |
So it expanded inwards. | 0:12:06 | 0:12:09 | |
So a lot of the cellar caves that existed from the medieval period started to be used as dwellings | 0:12:09 | 0:12:14 | |
by families, slum landlords really. | 0:12:14 | 0:12:17 | |
-It's one of the grimmest bits of Nottingham's history. -So you've got a project on the go of mapping them. | 0:12:17 | 0:12:24 | |
That's right, yes. | 0:12:24 | 0:12:25 | |
'By mapping the caves using 3D technology, they aim to record, archive and promote them. | 0:12:25 | 0:12:32 | |
'We're off to the Salutation Inn, a 13th-century building, to map the medieval caves that lay below.' | 0:12:32 | 0:12:41 | |
-This is our laser scanner. -Can we see it in action? -We can. | 0:12:41 | 0:12:45 | |
-Right, if you're happy. -Yeah. -Let's press go. | 0:12:47 | 0:12:51 | |
Look at it survey. It's taking beams of laser light | 0:12:51 | 0:12:55 | |
and then it rotates all the way round so we get a full 360-degree survey. | 0:12:55 | 0:13:01 | |
-There we are. Done. -So what do you do with this information that's now collected? -Right. | 0:13:01 | 0:13:07 | |
We download it onto the computer, do a bit of processing and what we end up with is on the laptop. | 0:13:07 | 0:13:14 | |
This whole process of going into a cave, mapping it all out, | 0:13:14 | 0:13:20 | |
-you can then start to understand more about what they were used for? -That's right, yes. | 0:13:20 | 0:13:25 | |
We learn a lot more about spatial relationships. | 0:13:25 | 0:13:27 | |
You've got a lot of important and fascinating work to do. I won't delay you any longer. | 0:13:27 | 0:13:33 | |
It's been a pleasure. Thank you. | 0:13:33 | 0:13:36 | |
'It's fascinating to experience these caves and we wish David and his team success | 0:13:36 | 0:13:42 | |
'in opening up Nottinghamshire's underground heritage for all to see. | 0:13:42 | 0:13:46 | |
For house number two, we travel north-west to Treswell, | 0:13:51 | 0:13:55 | |
a little closer to their family, about half an hour from Worksop. | 0:13:55 | 0:14:00 | |
Close by is the village of Rampton, largely a rural farming community with a 15th-century church | 0:14:00 | 0:14:06 | |
and a country pub. | 0:14:06 | 0:14:08 | |
House number two is found on the fringes of Treswell | 0:14:08 | 0:14:12 | |
and is a period country property recently renovated with a mix of contemporary and character features. | 0:14:12 | 0:14:18 | |
So a converted barn that was finished about 18 months ago. | 0:14:18 | 0:14:23 | |
-I'm not that keen. -Not keen on barn conversions? -Not keen on looking at it. | 0:14:23 | 0:14:30 | |
-It don't look what I like. -Right. These are very different reactions to the first property. | 0:14:30 | 0:14:35 | |
-Yeah! -Which is fine. What about you, David? | 0:14:35 | 0:14:39 | |
-I don't mind it! -In a minute, we'll find something you agree on(!) | 0:14:39 | 0:14:43 | |
Well, let's go inside and see if it grows on you. Come on. | 0:14:43 | 0:14:48 | |
'Not the reaction I was hoping for, but this is all about managing expectations. | 0:14:48 | 0:14:53 | |
'A modern interior featured high on their agenda, so is there something to catch their eye inside?' | 0:14:53 | 0:15:00 | |
-So... -Oh. | 0:15:02 | 0:15:05 | |
This is different. | 0:15:05 | 0:15:07 | |
This is more my taste. It's very bright, airy, clean, modern. | 0:15:07 | 0:15:13 | |
-Lots of nice lighting. -This is a cook's paradise. | 0:15:13 | 0:15:17 | |
You've got a double fan-assisted oven, induction hob. | 0:15:17 | 0:15:20 | |
-Do you do much cooking? -No. -Good! -I like it to look like this. | 0:15:20 | 0:15:25 | |
-So you want all this stuff, you're just not going to use it?! -Takeaways! | 0:15:25 | 0:15:30 | |
-At the moment it's set up as a bit of a day room. Would you keep it the same? -I would. | 0:15:30 | 0:15:36 | |
I probably wouldn't. I'd make it a kitchen/diner. | 0:15:36 | 0:15:40 | |
-Would you? -Kitchen/diner, yeah. -Well, we'll see. | 0:15:40 | 0:15:44 | |
Well, why don't you make your mind up what you'd use this room for after you've seen the living room? | 0:15:44 | 0:15:47 | |
OK. | 0:15:47 | 0:15:48 | |
Oh. Oh, this is nice. There's the dining room table. | 0:15:55 | 0:15:59 | |
-Oh. -That could be your dining room. -OK, that's changed things. | 0:15:59 | 0:16:05 | |
-This would be our end of day. I'd keep a couch in that room. -A night-time room, this one. | 0:16:05 | 0:16:11 | |
Yeah. I like it. I could work with it. | 0:16:11 | 0:16:15 | |
It is nice. | 0:16:15 | 0:16:16 | |
You said the last place was awesome. | 0:16:16 | 0:16:19 | |
I get the feeling that this is... OK for you, but not brilliant. | 0:16:19 | 0:16:24 | |
-This is OK for us, but not brilliant. -Well, let's go and see if the bedroom is "nice", shall we? | 0:16:24 | 0:16:30 | |
'A utility room and toilet make up the downstairs. So far, we're getting mixed reactions. | 0:16:31 | 0:16:38 | |
'Upstairs, bedrooms two and three have a modern Jack and Jill bathroom with a stylish double-ended bath. | 0:16:38 | 0:16:45 | |
'But now it's the master.' | 0:16:46 | 0:16:49 | |
So the master bedroom. | 0:16:49 | 0:16:52 | |
-Nice, innit? -It is nice. | 0:16:53 | 0:16:56 | |
-It's OK. I think the ceiling's a bit low. -Oh. | 0:16:56 | 0:17:00 | |
-Yeah. -I thought you'd like this. -Did you? -Yeah, because it was quite light and modern. | 0:17:00 | 0:17:07 | |
-It is light and modern, but there's no feel in it. -What do you think about it? | 0:17:07 | 0:17:12 | |
You've got a lovely en suite. Have a quick look, actually. | 0:17:12 | 0:17:17 | |
-Oh, this is fabulous. -I was going to say the great thing is the walk-in wardrobe here. | 0:17:17 | 0:17:24 | |
It could also be a home office. | 0:17:24 | 0:17:27 | |
-No. -You see that? She's got an en-suite and not even a walk-in wardrobe can woo this lady! | 0:17:27 | 0:17:34 | |
I don't like the ceiling. I feel as though I'm being crushed. | 0:17:34 | 0:17:37 | |
-Claustrophobic. -Yeah. -You use big words. I prefer crushed. | 0:17:37 | 0:17:41 | |
I could work with this bathroom. | 0:17:43 | 0:17:46 | |
-You sit in the bath. -How are you going to get out of that bath? | 0:17:46 | 0:17:51 | |
I don't want to know! Let's go outside and guess the price. | 0:17:51 | 0:17:55 | |
Yeah. | 0:17:55 | 0:17:57 | |
'David almost seems willing to compromise, but Karen remains unconvinced. | 0:17:58 | 0:18:03 | |
'As we head out to the lawn and patio area, compromise is the key word, as they wanted privacy.' | 0:18:03 | 0:18:11 | |
So the garden. | 0:18:12 | 0:18:15 | |
-Mm. -Modestly proportioned. | 0:18:15 | 0:18:18 | |
-Small. -Yeah. -There's no character. | 0:18:18 | 0:18:21 | |
-At all. -There's no privacy at all. -No, it's not what I expected. | 0:18:21 | 0:18:27 | |
Well, the gamble was to show you the barn conversion, this was the compromise. | 0:18:27 | 0:18:33 | |
-But the barn conversion hasn't paid off, has it? -Not really. -No. | 0:18:33 | 0:18:37 | |
-And the garden is definitely no good for us. -The garden's put the nail in the coffin for me. -Really? | 0:18:37 | 0:18:44 | |
-Yep. -Let's look at this house. Let's have a talk about price. | 0:18:44 | 0:18:49 | |
How much do you think this barn conversion is on the market for? | 0:18:49 | 0:18:54 | |
299. | 0:18:54 | 0:18:56 | |
-Straight in there. David? -290. | 0:18:56 | 0:18:59 | |
Right. | 0:18:59 | 0:19:01 | |
Well, it's on the market for offers around £335,000. | 0:19:01 | 0:19:06 | |
This stylish barn conversion is under budge. | 0:19:06 | 0:19:09 | |
It gives them three double bedrooms, including master with en suite, | 0:19:09 | 0:19:14 | |
a modern kitchen with family area, | 0:19:14 | 0:19:16 | |
a very large lounge and dining room, a contemporary bathroom | 0:19:16 | 0:19:21 | |
and an edge of village setting with glorious countryside views. | 0:19:21 | 0:19:25 | |
Now then... | 0:19:27 | 0:19:29 | |
-Seen enough? -Seen enough. -Bit of an up and down day. | 0:19:29 | 0:19:33 | |
-I'm glad you've seen that. Something to compare the first house with. -Yes, absolutely. | 0:19:33 | 0:19:38 | |
-It were different. -Good. That's all we're doing today. Let's go back. -OK. | 0:19:38 | 0:19:44 | |
It's fairly clear David and Karen are keen on retaining their privacy, so we'll run with that theme. | 0:19:48 | 0:19:54 | |
Looking back on yesterday afternoon, in that second house Karen thought the modern interiors were bland, | 0:19:54 | 0:20:01 | |
which surprised me because I thought that was exactly what she was after. Modern, clean lines. | 0:20:01 | 0:20:06 | |
So today at the mystery house, it's here to challenge expectations, | 0:20:06 | 0:20:11 | |
and I'm going to show them something completely the opposite of property number two. | 0:20:11 | 0:20:17 | |
Something with bags of character and history that maybe they won't have seen when living in Australia. | 0:20:17 | 0:20:23 | |
I reckon it will evoke one of two responses. They'll love it or they'll loathe it. | 0:20:23 | 0:20:29 | |
Certainly, they won't be thinking it's "nice". | 0:20:29 | 0:20:33 | |
For the mystery house, we head south to Normanton on Trent, still around half an hour from Worksop. | 0:20:34 | 0:20:40 | |
The village offers heritage in the shape of a Grade 2-listed church dating back to the 13th century. | 0:20:41 | 0:20:48 | |
The mystery house is a charming renovated property full of character overlooking the church. | 0:20:48 | 0:20:54 | |
-Look at this. -Not bad, eh? -Nice. | 0:20:54 | 0:21:00 | |
Nice private garden. Very beautiful. | 0:21:00 | 0:21:04 | |
-Old. -Very old. The original part is from the start of the 1700s. | 0:21:04 | 0:21:08 | |
The modern extension is 19th-century. So it's period and period. | 0:21:08 | 0:21:14 | |
-First impressions of outside. Karen? -Beautiful. Pretty. | 0:21:14 | 0:21:18 | |
Welcoming. | 0:21:18 | 0:21:20 | |
Very nice garden. | 0:21:20 | 0:21:22 | |
It is. I'm glad you like it. But it's still private. | 0:21:22 | 0:21:26 | |
I didn't know what to expect, but it's an excellent start for us. | 0:21:26 | 0:21:30 | |
Good. All right. Let's see what you make of the inside. | 0:21:30 | 0:21:35 | |
'A cracking start to the mystery house. A thumbs up all round, | 0:21:35 | 0:21:39 | |
'but - and here's the but - let's see if they will compromise as we head for the kitchen.' | 0:21:39 | 0:21:46 | |
Now then, straight into the kitchen. What are your first impressions? | 0:21:47 | 0:21:54 | |
Beams, low ceiling, but a really pretty kitchen. | 0:21:54 | 0:21:58 | |
It's quite modern. Nice tops. | 0:21:58 | 0:22:01 | |
Love the windows. | 0:22:01 | 0:22:04 | |
It's very workable. It's got a nice family feel. | 0:22:04 | 0:22:09 | |
-I'm going to kill myself -on that beam, I think! | 0:22:09 | 0:22:13 | |
-I'll reserve judgment. If everything else was good, I could work with that. -OK. | 0:22:13 | 0:22:18 | |
'Heading for the lounge, we pass through the dining room with more beams and an inglenook fireplace.' | 0:22:18 | 0:22:25 | |
So here's your main reception room. | 0:22:25 | 0:22:28 | |
This is pretty. | 0:22:28 | 0:22:30 | |
This is cute. | 0:22:30 | 0:22:32 | |
I say cute, but it's a really nice size, isn't it? | 0:22:32 | 0:22:37 | |
-This is OK. I can handle one beam no problem. -I didn't notice that! | 0:22:37 | 0:22:42 | |
It's high enough. | 0:22:42 | 0:22:44 | |
I do like the beam, actually. | 0:22:44 | 0:22:47 | |
Paint it white. | 0:22:47 | 0:22:49 | |
-I am...I am, actually, taking to it, this house. -Are you? | 0:22:49 | 0:22:54 | |
-Yes, I am. -Let's go and take a quick sneak peek at what I think could be the master bedroom. | 0:22:54 | 0:23:01 | |
'Apart from the obvious issue with the beams, I'd say it's so far, so good. | 0:23:02 | 0:23:07 | |
'Bearing the question of ceiling height in mind, I'm heading for a roomier option for the master.' | 0:23:07 | 0:23:13 | |
So this is one of the four bedrooms. | 0:23:13 | 0:23:16 | |
Beautiful size. | 0:23:16 | 0:23:19 | |
-Very bright, quite large. -Not the master, though? | 0:23:19 | 0:23:24 | |
I wanted to show you this room because it was the tallest. | 0:23:24 | 0:23:28 | |
This is in the 19th-century part, right above the living room. | 0:23:28 | 0:23:33 | |
You've got lots of natural light, but at the other end of the building, | 0:23:33 | 0:23:38 | |
you've got a similar-sized room. Slightly smaller, but with an en-suite. | 0:23:38 | 0:23:43 | |
It could be the master, but that has lower ceilings. Let's have a quick look at it | 0:23:43 | 0:23:49 | |
and I'll show you what I mean. | 0:23:49 | 0:23:51 | |
-So I don't have to duck. -No, I don't. | 0:23:53 | 0:23:57 | |
I have to duck. I don't walk like a soldier every day. | 0:23:57 | 0:24:02 | |
So on this floor you've got two good-sized doubles, which you've seen, | 0:24:02 | 0:24:06 | |
a small single, | 0:24:06 | 0:24:09 | |
but then on the second floor there's a really lovely double with storage on either side. | 0:24:09 | 0:24:15 | |
-Oh, OK. -Let's go back out to the garden and let's start thinking about price. -OK. -After you. | 0:24:15 | 0:24:22 | |
'The upstairs is completed by a modern family bathroom with double-ended bath. | 0:24:26 | 0:24:32 | |
'As we head outside, I feel if it was down to Karen, we'd have a sale, | 0:24:32 | 0:24:36 | |
'but David seems yet to be convinced.' | 0:24:36 | 0:24:39 | |
This is a good spot, really, to have another peek at the house, | 0:24:41 | 0:24:45 | |
but also see the garden from another angle. So what do you think? | 0:24:45 | 0:24:49 | |
I think the house is very pretty, | 0:24:49 | 0:24:52 | |
very homely. It's got a lovely feel about it. | 0:24:52 | 0:24:55 | |
It's pretty awesome, actually. | 0:24:55 | 0:24:57 | |
I am a little bit colder towards it. There's so much wood. | 0:24:57 | 0:25:02 | |
With all this in mind, how much do you think it's on the market for? | 0:25:02 | 0:25:05 | |
-I think it's on our budget. 350. -I'd say it's 330. | 0:25:05 | 0:25:09 | |
-You've always gone in low. -He's tight. | 0:25:09 | 0:25:13 | |
-Do I win one this time? -You're spot on, Karen. 350. | 0:25:13 | 0:25:16 | |
The mystery house is bang on budget and comes with bags of period features, | 0:25:19 | 0:25:24 | |
giving them four bedrooms, one with en suite, a kitchen/breakfast room, | 0:25:24 | 0:25:29 | |
a characterful dining room, a large lounge, a beautiful private garden, | 0:25:29 | 0:25:34 | |
all in a pretty rural village. | 0:25:34 | 0:25:37 | |
-Well, all done in there? -Yes. | 0:25:39 | 0:25:41 | |
-Did you bang your head? -No! | 0:25:41 | 0:25:43 | |
Well, that's it then. Let's buy it! | 0:25:43 | 0:25:45 | |
Right, all done, let's go and have a chat. | 0:25:45 | 0:25:49 | |
It's been a cracking couple of days, but I'm here to find out what your favourite property is. | 0:25:56 | 0:26:03 | |
-I did like the mystery house. -Why? -It had a nice feel. | 0:26:03 | 0:26:07 | |
It had got a large living room, the bedrooms were nice. | 0:26:07 | 0:26:12 | |
The kitchen needed some looking at. It were a bit small for David. | 0:26:12 | 0:26:17 | |
The low ceilings and beams did it for me. | 0:26:17 | 0:26:19 | |
How much of a compromise is it for you to have house number one, then? | 0:26:19 | 0:26:22 | |
You must have seen our faces when we walked on to property one. | 0:26:22 | 0:26:27 | |
It was just brilliant from the outside. It were perfect. | 0:26:27 | 0:26:30 | |
And then when we sort of got inside, we started compromising a bit. | 0:26:30 | 0:26:36 | |
I think at the end we just hit one or two compromises too many. | 0:26:36 | 0:26:40 | |
-Your next step is...? -To investigate the areas you've shown us already. | 0:26:40 | 0:26:46 | |
And then see what else is on the market. | 0:26:46 | 0:26:48 | |
I wish you both the very best of luck. You're running out of time! | 0:26:48 | 0:26:52 | |
-How long have you got? -9-10 weeks. | 0:26:52 | 0:26:54 | |
-10 weeks to find somewhere, do a deal and move in. Think you'll do it? -Yeah. -Really? -Yeah. | 0:26:54 | 0:27:00 | |
-No matter what happens, please let us know where you end up. -We definitely will. -Good luck. | 0:27:00 | 0:27:06 | |
Thanks. | 0:27:06 | 0:27:07 | |
David and Karen have been nothing but candid throughout this. | 0:27:11 | 0:27:14 | |
It's funny. In just three viewings Karen's gone from looking for open-plan modern interiors | 0:27:14 | 0:27:20 | |
to falling in love with a cottage that's centuries old. | 0:27:20 | 0:27:24 | |
I'm not sure David's quite got there yet, but he'll need to and soon! | 0:27:24 | 0:27:30 | |
Let's face it, in a couple of months all of their furniture arrives, so they're up against it. | 0:27:30 | 0:27:35 | |
But when David says he'll do it, I actually believe him. I wish them both the best of luck. | 0:27:35 | 0:27:41 | |
See you next time. | 0:27:41 | 0:27:44 | |
Whilst David and Karen loved some aspects of house number one and the mystery house, | 0:27:44 | 0:27:48 | |
the overall package wasn't there, but they've been back and had an offer accepted on a property, | 0:27:48 | 0:27:56 | |
moving in just in time. | 0:27:56 | 0:27:59 | |
If you'd like to escape to the country in Scotland, Wales, Northern Ireland or England, | 0:27:59 | 0:28:05 | |
or maybe even to the continent, | 0:28:05 | 0:28:07 | |
and need our help, please apply online: | 0:28:07 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:28 | 0:28:31 |