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These picture-perfect surroundings look much as they did 200 years ago, | 0:00:02 | 0:00:05 | |
when England's great landscape artist | 0:00:05 | 0:00:07 | |
immortalised the area in his paintings. | 0:00:07 | 0:00:09 | |
But which artist am I talking about and what county am I in? | 0:00:09 | 0:00:14 | |
Find out in just a moment. | 0:00:14 | 0:00:15 | |
On today's show, we'll be helping a retired couple | 0:00:32 | 0:00:35 | |
who want to exchange their lifelong town lives | 0:00:35 | 0:00:37 | |
for a completely new experience in the country. | 0:00:37 | 0:00:40 | |
And we'll be giving them houses that really touch their hearts. | 0:00:40 | 0:00:44 | |
-That stirs me, that does. -Does it? | 0:00:44 | 0:00:48 | |
Love it! Absolutely love it! | 0:00:48 | 0:00:51 | |
I'm in Suffolk and behind me is Flatford Bridge Cottage, | 0:00:52 | 0:00:56 | |
just one of many spots along the banks of the River Stour | 0:00:56 | 0:00:59 | |
that inspired 19th-century artist John Constable | 0:00:59 | 0:01:02 | |
to produce some of the most iconic English landscape paintings. | 0:01:02 | 0:01:05 | |
Born in 1776, Constable was educated locally | 0:01:05 | 0:01:10 | |
before heading off to London to pursue his artistic career. | 0:01:10 | 0:01:14 | |
However, he never forgot the wonderful light | 0:01:14 | 0:01:16 | |
and beautiful scenery he enjoyed here in his native Suffolk | 0:01:16 | 0:01:19 | |
and went on to produce such works at the Hay Wain, | 0:01:19 | 0:01:22 | |
which now holds pride of place in London's National Gallery. | 0:01:22 | 0:01:25 | |
Indeed, there's much of Suffolk's heritage that's worth highlighting. | 0:01:25 | 0:01:29 | |
Tucked into the far-eastern corner of the country | 0:01:30 | 0:01:33 | |
and bordered by the three counties | 0:01:33 | 0:01:35 | |
of Norfolk, Cambridgeshire and Essex, | 0:01:35 | 0:01:37 | |
Suffolk is also fringed by over 40 miles of heritage coastline | 0:01:37 | 0:01:40 | |
looking out across the North Sea. | 0:01:40 | 0:01:43 | |
The low-lying terrain is home to huge, far-reaching vistas | 0:01:44 | 0:01:48 | |
and with parts of the county less than 100 feet above sea level, | 0:01:48 | 0:01:52 | |
Suffolk's coastline constantly fights | 0:01:52 | 0:01:54 | |
from falling victim to the sea. | 0:01:54 | 0:01:55 | |
A battle lost by the once-prosperous 13th-century port of Dunwich, | 0:01:55 | 0:02:00 | |
which disappeared beneath the waves after a catastrophic storm | 0:02:00 | 0:02:03 | |
raged for three days and three nights. | 0:02:03 | 0:02:06 | |
Where the former fishing community of Dunwich lost out, | 0:02:07 | 0:02:10 | |
Southwold definitely gained. | 0:02:10 | 0:02:13 | |
And by the 16th century, | 0:02:13 | 0:02:14 | |
it was the most affluent fishing port in the local area. | 0:02:14 | 0:02:17 | |
Today, it's confined to a small herring and cod fleet, | 0:02:19 | 0:02:22 | |
but remains popular as a genteel coastal resort | 0:02:22 | 0:02:25 | |
with a kaleidoscope of beach huts | 0:02:25 | 0:02:27 | |
that capture the spirit of the English seaside at its prettiest. | 0:02:27 | 0:02:31 | |
It's Suffolk's perceived remoteness | 0:02:38 | 0:02:40 | |
that plays into the hands of buyers looking for a rural home here. | 0:02:40 | 0:02:43 | |
The average price of a detached house in the county | 0:02:43 | 0:02:46 | |
is just shy of £242,000. | 0:02:46 | 0:02:49 | |
That's around £13,000 below the national figure. | 0:02:49 | 0:02:53 | |
That said, coastal properties | 0:02:53 | 0:02:55 | |
and historic towns like Aldeburgh and Woodbridge | 0:02:55 | 0:02:57 | |
can command a premium of up to 15%. | 0:02:57 | 0:03:00 | |
And southern-based walled towns like Sudbury are often expensive | 0:03:00 | 0:03:04 | |
due to their decent road links and attractive architecture. | 0:03:04 | 0:03:07 | |
But if you head inland towards more central locations | 0:03:07 | 0:03:10 | |
like Stowmarket and Needham Market, | 0:03:10 | 0:03:12 | |
your budget will stretch that little bit further. | 0:03:12 | 0:03:15 | |
But whereabouts in the county are today's buyers looking? | 0:03:15 | 0:03:18 | |
Well, let's meet them and find out. | 0:03:18 | 0:03:20 | |
For nearly 40 years, the large coastal town of South Shields | 0:03:22 | 0:03:25 | |
has been home to retired deputy head Marion and her husband David, | 0:03:25 | 0:03:29 | |
who spent a long and adventurous career as a master mariner. | 0:03:29 | 0:03:32 | |
But now their grown-up sons have left home, they, too, | 0:03:32 | 0:03:35 | |
have decided it's anchors aweigh from urban life in Tyne and Wear. | 0:03:35 | 0:03:39 | |
We have always encouraged our two boys to fly the nest | 0:03:41 | 0:03:46 | |
and to look further than this area. | 0:03:46 | 0:03:49 | |
And our two sons have done exactly that. | 0:03:49 | 0:03:52 | |
One being in London and one being in Beijing. | 0:03:52 | 0:03:54 | |
And if they can fly the north-east, maybe we can fly the north-east. | 0:03:54 | 0:03:59 | |
And they've chosen to land in the South East, | 0:03:59 | 0:04:03 | |
where they can benefit from the best of coast and countryside. | 0:04:03 | 0:04:06 | |
Having the freedom to move anywhere, one only has to have a look at a map | 0:04:06 | 0:04:11 | |
to see why I've chosen Suffolk, or why we've chosen Suffolk. | 0:04:11 | 0:04:14 | |
Because if you look at a map, | 0:04:14 | 0:04:16 | |
you'll see there's so few main roads passing through there. | 0:04:16 | 0:04:20 | |
It's so very rural. | 0:04:20 | 0:04:21 | |
And that sort of environment really appeals to us. | 0:04:21 | 0:04:24 | |
And we're very passionate about wildlife, | 0:04:24 | 0:04:28 | |
birds and looking at trees even. | 0:04:28 | 0:04:31 | |
I mean, they're fascinating. | 0:04:31 | 0:04:33 | |
I love trees. I love giving trees bear hugs. | 0:04:33 | 0:04:36 | |
I'm a tree hugger. I can't help it. | 0:04:36 | 0:04:39 | |
They both desire a location with a lot more tranquillity | 0:04:41 | 0:04:44 | |
and are long overdue a change | 0:04:44 | 0:04:45 | |
after some four decades in their five-bed suburban semi. | 0:04:45 | 0:04:49 | |
What I dream of is to live in the country, | 0:04:49 | 0:04:53 | |
where the next neighbour is quite a distance away from me | 0:04:53 | 0:04:58 | |
and the only sounds we hear are natural sounds. | 0:04:58 | 0:05:01 | |
And, um...Marion definitely wants a utility room, | 0:05:01 | 0:05:05 | |
which is one thing we're lacking in this present house. | 0:05:05 | 0:05:09 | |
And what they're also short on is space for David's research. | 0:05:09 | 0:05:14 | |
My hobby at the moment is that I'm a local historian. | 0:05:14 | 0:05:18 | |
I say at the moment, I've been doing it for a lot of years | 0:05:18 | 0:05:20 | |
and I've written several books about this area. | 0:05:20 | 0:05:23 | |
And I would like to make a fresh start in a fresh area. | 0:05:23 | 0:05:29 | |
As for myself, I'm quite a keen gardener. | 0:05:29 | 0:05:32 | |
And I would like, you know, quite a large garden. | 0:05:32 | 0:05:38 | |
Because we have dreams of being a bit self-sufficient | 0:05:38 | 0:05:42 | |
with vegetables and particularly soft fruit. | 0:05:42 | 0:05:45 | |
My other hobby is calligraphy. | 0:05:45 | 0:05:47 | |
And I would hope to join a class. | 0:05:47 | 0:05:50 | |
And in that way, down in Suffolk, you know, | 0:05:50 | 0:05:53 | |
be part of a group down there. | 0:05:53 | 0:05:56 | |
Sounds like this couple have plenty to keep them occupied | 0:05:56 | 0:05:59 | |
when they make this southern move to Suffolk. | 0:05:59 | 0:06:02 | |
And all that's left is to find out their finances. | 0:06:02 | 0:06:05 | |
The budget for our move is between £400,000 and £500,000. | 0:06:05 | 0:06:11 | |
David and Marion are hoping this move will help them | 0:06:15 | 0:06:17 | |
to stay better connected to their son in London. | 0:06:17 | 0:06:20 | |
So we'll concentrate our house search closest to the capital | 0:06:20 | 0:06:23 | |
in the beautiful villages surrounding Bury St Edmunds | 0:06:23 | 0:06:26 | |
in the western portion of the county. | 0:06:26 | 0:06:28 | |
We're all meeting up in Suffolk to finalise the specifics of this move. | 0:06:28 | 0:06:32 | |
Well, welcome, both of you, to Suffolk. | 0:06:35 | 0:06:37 | |
Tell me, why the big move down here from the north-east? | 0:06:37 | 0:06:40 | |
Well, it's very rural and we've been brought up | 0:06:40 | 0:06:44 | |
and lived most of our lives in a suburban conurbation and, er... | 0:06:44 | 0:06:49 | |
We thought it's time for a change | 0:06:49 | 0:06:52 | |
and this is a beautiful part of the world. | 0:06:52 | 0:06:55 | |
I'm a bit of a local historian. | 0:06:55 | 0:06:56 | |
I've written several books about Tyneside and whatever | 0:06:56 | 0:07:00 | |
and I've more or less exhausted the subject matter from my point of view, | 0:07:00 | 0:07:04 | |
so maybe when I move here, it'll give me a new impetus in that way. | 0:07:04 | 0:07:10 | |
Discovering what Suffolk's all about. | 0:07:10 | 0:07:12 | |
There's plenty to find out about. | 0:07:12 | 0:07:14 | |
Absolutely. Yes. | 0:07:14 | 0:07:15 | |
Now, does your love of history transfer into maybe | 0:07:15 | 0:07:18 | |
your desires for a new house here? | 0:07:18 | 0:07:20 | |
I mean, does it need to be an old house? | 0:07:20 | 0:07:22 | |
Well, we really would like a traditional house. | 0:07:22 | 0:07:24 | |
It's got to be detached. | 0:07:24 | 0:07:26 | |
-I would like to have land all around the house. -OK. | 0:07:26 | 0:07:31 | |
-We didn't really want a thatch. -Why is that? | 0:07:31 | 0:07:34 | |
Well, we just think it's like having another child. | 0:07:34 | 0:07:37 | |
-That's what we've heard. -LAUGHTER | 0:07:37 | 0:07:39 | |
Now, do you have any differences of opinions as regards to location? | 0:07:39 | 0:07:43 | |
-Can I show you something in the middle of nowhere? -No. -No. -No. | 0:07:43 | 0:07:47 | |
We don't want to be in the middle of nowhere. | 0:07:47 | 0:07:49 | |
-My idea is the outskirts of a village. -Right. | 0:07:49 | 0:07:52 | |
The village must have a pub, by the way. | 0:07:52 | 0:07:54 | |
It's not a village otherwise, is it? Not in my opinion. | 0:07:54 | 0:07:56 | |
Let's start with property number one, then we'll go from there. | 0:07:56 | 0:08:00 | |
-All right? -That's great. -Just this way. -Right. | 0:08:00 | 0:08:02 | |
For a maximum budget of £500,000, | 0:08:04 | 0:08:07 | |
our buyers are looking for a detached character property | 0:08:07 | 0:08:10 | |
that can accommodate visiting family as well as their varied hobbies. | 0:08:10 | 0:08:14 | |
Marion particularly desires a utility room | 0:08:14 | 0:08:17 | |
and for David, it's a large study. | 0:08:17 | 0:08:19 | |
But they both want a big, wraparound garden | 0:08:19 | 0:08:22 | |
in a location on the edge of a village | 0:08:22 | 0:08:24 | |
but within easy reach of a local pub. | 0:08:24 | 0:08:26 | |
And we have a superb variety of Suffolk homes to serve up. | 0:08:28 | 0:08:31 | |
But I'll be keeping the price a guessing game | 0:08:31 | 0:08:33 | |
until we've had a good look around first. | 0:08:33 | 0:08:36 | |
Then, to finish off our property tour, | 0:08:36 | 0:08:38 | |
we've got one foot on the pulse and the other in the past | 0:08:38 | 0:08:41 | |
with our mystery house. | 0:08:41 | 0:08:42 | |
-So, how many miles is it from where you currently live? -Ooo! | 0:08:50 | 0:08:53 | |
Well over 200, I know that. | 0:08:53 | 0:08:55 | |
Well, it's a five-and-a-half hour drive to get here. | 0:08:55 | 0:08:58 | |
-It's a huge move, isn't it? -It is, it is, yes. | 0:08:58 | 0:09:02 | |
But I think that's what we want. | 0:09:02 | 0:09:04 | |
If we're going to move, we want it to be a big move. | 0:09:04 | 0:09:06 | |
We're starting our search in Hundon, southwest of Bury St Edmunds. | 0:09:12 | 0:09:15 | |
A pleasant village with a pub and village shop, | 0:09:15 | 0:09:18 | |
Hundon is a peaceful place to set up home. | 0:09:18 | 0:09:21 | |
And on the outskirts of the village, we find property number one. | 0:09:21 | 0:09:24 | |
-Oh! -Right. Very nice! Yes. | 0:09:29 | 0:09:31 | |
Very different. | 0:09:31 | 0:09:33 | |
-To anything we imagined, yes. -Is it? | 0:09:33 | 0:09:35 | |
Very, very different to anything we imagined, yes. | 0:09:35 | 0:09:38 | |
I think we were thinking in terms of stone, brick. | 0:09:38 | 0:09:41 | |
That's called clapboard, is it, I believe? | 0:09:41 | 0:09:44 | |
Clapboard, weatherboarding. | 0:09:44 | 0:09:47 | |
And this is lovely, this, er...garden here. | 0:09:47 | 0:09:49 | |
-I like it. -And it's private. | 0:09:49 | 0:09:51 | |
You said you wanted a mature garden. I think that's it, isn't it? | 0:09:51 | 0:09:54 | |
Which is important, yes. | 0:09:54 | 0:09:55 | |
So, all in all, first impressions? | 0:09:55 | 0:09:59 | |
-Yeah, it's possible. -Good. -Possible. | 0:09:59 | 0:10:01 | |
But we haven't seen the inside. | 0:10:01 | 0:10:03 | |
-Oh, you want to look inside, do you? -I think so. | 0:10:03 | 0:10:05 | |
Oh, that's awkward. OK. Let's give it a go. | 0:10:05 | 0:10:07 | |
With a pedigree spanning two centuries, | 0:10:09 | 0:10:11 | |
this old barn was converted into a family home about 20 years ago | 0:10:11 | 0:10:15 | |
and so I'm hoping it will give Marion David | 0:10:15 | 0:10:18 | |
the very best of vintage and modern. | 0:10:18 | 0:10:20 | |
Wow. It's really nice. | 0:10:21 | 0:10:24 | |
It's lovely. | 0:10:24 | 0:10:26 | |
It really is. I think this is fantastic. | 0:10:26 | 0:10:29 | |
We love wood and there's a lot of interesting wood here. | 0:10:29 | 0:10:33 | |
It has got a lovely feel and a nice atmosphere. | 0:10:33 | 0:10:37 | |
-Great start. Let's go into the kitchen. -Right. | 0:10:37 | 0:10:40 | |
Just mind your step on the way down. | 0:10:43 | 0:10:46 | |
So... | 0:10:46 | 0:10:47 | |
Love it. Absolutely love it. | 0:10:47 | 0:10:50 | |
Fabulous. | 0:10:51 | 0:10:52 | |
-Very light, isn't it? -I think we could spend a lot of time in here. | 0:10:52 | 0:10:56 | |
I love this eating area here and sitting area. | 0:10:56 | 0:11:00 | |
Absolutely lovely. | 0:11:00 | 0:11:02 | |
-We do have a separate living room. -Yes. | 0:11:02 | 0:11:04 | |
-Let's go and have a look at that. Come on. -Right. -Mind your step. | 0:11:04 | 0:11:08 | |
I'm predicting that you'll like this room as well. | 0:11:11 | 0:11:14 | |
Certainly. Its floors, it's the same style throughout. | 0:11:14 | 0:11:19 | |
-It's square. -It's square. | 0:11:19 | 0:11:22 | |
-Now that was one of the things we hadn't said to you. -Oh. | 0:11:22 | 0:11:25 | |
That was another demand... | 0:11:25 | 0:11:27 | |
that we really wanted a square sitting area, and this is it. | 0:11:27 | 0:11:30 | |
That window looks out onto the garden, is that correct? | 0:11:30 | 0:11:34 | |
-Next-door neighbour's garden. -Right. | 0:11:34 | 0:11:36 | |
OK. That's a bit of a...negative, I'm afraid, | 0:11:36 | 0:11:38 | |
especially from the next-door neighbour's point of view, too. | 0:11:38 | 0:11:43 | |
Yeah. That's fair enough. | 0:11:43 | 0:11:46 | |
These are the compromises that we're going to have to field, | 0:11:46 | 0:11:49 | |
-then decide whether or not you can overcome them or not. -Yes. | 0:11:49 | 0:11:52 | |
It was all going so well, | 0:11:54 | 0:11:56 | |
but we've hit a potential hurdle with the living room outlook. | 0:11:56 | 0:11:59 | |
So, let's go onwards, and definitely upwards, to the first floor, | 0:11:59 | 0:12:02 | |
where a mezzanine landing leads to four bedrooms served by | 0:12:02 | 0:12:06 | |
two family bathrooms - ideal for when family or friends come to stay. | 0:12:06 | 0:12:11 | |
Two of the bedrooms are good-sized doubles with exposed timbers, | 0:12:11 | 0:12:14 | |
and the smallest one is being used as a study, | 0:12:14 | 0:12:16 | |
but we're going to check out the master bedroom. | 0:12:16 | 0:12:20 | |
Right. | 0:12:20 | 0:12:21 | |
It's a good-sized room. | 0:12:22 | 0:12:24 | |
So you've got four bedrooms, which means we've got hobby rooms, | 0:12:25 | 0:12:29 | |
we've got offices. | 0:12:29 | 0:12:31 | |
-You've got options. -Right. Yes. | 0:12:31 | 0:12:34 | |
I like the size of this room actually. | 0:12:34 | 0:12:36 | |
It is definitely, very definitely a double bedroom. | 0:12:36 | 0:12:40 | |
Let's go outside now, have another look at the garden, | 0:12:40 | 0:12:42 | |
but also start to think about | 0:12:42 | 0:12:44 | |
-how much this house might be on the market for. -Right. -All right? | 0:12:44 | 0:12:48 | |
Outside there's a matching black weatherboarded double carport | 0:12:52 | 0:12:55 | |
adjoining a workshop, and the garden has been beautifully maintained, | 0:12:55 | 0:12:59 | |
which lies to the front of the property, | 0:12:59 | 0:13:01 | |
with the added benefit of facing south. | 0:13:01 | 0:13:04 | |
Well, you had a first glimpse of the garden when we arrived, didn't you? | 0:13:04 | 0:13:08 | |
-Yes. -Yes, we did. | 0:13:08 | 0:13:09 | |
Now you know that this is... This is all that you get. | 0:13:09 | 0:13:11 | |
All in all, apparently the plot size is about a quarter of an acre. | 0:13:11 | 0:13:14 | |
-I like this garden very much. -Well... | 0:13:14 | 0:13:18 | |
-you've seen it isn't wrapped around with its own land. -Yes. | 0:13:18 | 0:13:20 | |
You've seen that it's in a lovely little village with a pub | 0:13:20 | 0:13:23 | |
-just down the road. -Yeah. | 0:13:23 | 0:13:25 | |
How much do you think this place is on the market for? | 0:13:25 | 0:13:28 | |
-I'm guessing about £450,000. -OK. | 0:13:28 | 0:13:33 | |
Well...I think I might go a little bit lower than that. | 0:13:33 | 0:13:37 | |
How about £440,000? | 0:13:37 | 0:13:40 | |
Well, this place has just recently come on the market. | 0:13:40 | 0:13:43 | |
Offers around £499,950. | 0:13:43 | 0:13:46 | |
So, that's top end of our budget. | 0:13:46 | 0:13:49 | |
It is a very nice house. We really did like the house. | 0:13:49 | 0:13:52 | |
Well, I think what's best to do now then is to go back inside the house, | 0:13:52 | 0:13:56 | |
have a look at the other bedrooms, | 0:13:56 | 0:13:57 | |
see how the current owners have it all set up. | 0:13:57 | 0:13:59 | |
But also...go and have a look at the outbuildings. | 0:13:59 | 0:14:02 | |
Go and have a good look around this garden, | 0:14:02 | 0:14:04 | |
and, whenever you're finished, then we'll go onto the next place. | 0:14:04 | 0:14:07 | |
-All right? -Thank you. -Catch you in a mo'. -All right. | 0:14:07 | 0:14:09 | |
Just £50 under the top budget at £499,950, | 0:14:12 | 0:14:17 | |
our first home is a detached barn conversion | 0:14:17 | 0:14:20 | |
with spacious accommodation | 0:14:20 | 0:14:21 | |
that lends itself to a kitchen/breakfast room, | 0:14:21 | 0:14:24 | |
a large square drawing room, four bedrooms | 0:14:24 | 0:14:27 | |
and a mature private garden. | 0:14:27 | 0:14:29 | |
Loved the atmosphere of the house. | 0:14:29 | 0:14:31 | |
The house itself really would work for us, | 0:14:31 | 0:14:34 | |
but I wanted to have a house surrounded by its own grounds, | 0:14:34 | 0:14:39 | |
so... | 0:14:39 | 0:14:40 | |
Really, all we've got here is a front garden. | 0:14:40 | 0:14:43 | |
And, basically, I'm afraid that's a big no-no for me, a big negative. | 0:14:43 | 0:14:48 | |
When we came in...to the property, I just thought it was wonderful. | 0:14:48 | 0:14:53 | |
I really did like it. | 0:14:53 | 0:14:54 | |
And we were particularly impressed with the kitchen, | 0:14:54 | 0:14:57 | |
you know, the lifestyle that that would make available to us. | 0:14:57 | 0:15:02 | |
And I am not so negative about the land as David. | 0:15:02 | 0:15:07 | |
On the whole, I think this is a very good start and a lot to think about. | 0:15:07 | 0:15:12 | |
Now then... | 0:15:12 | 0:15:14 | |
-enjoy that? -Very much, yes. | 0:15:14 | 0:15:16 | |
Yes, very interesting. | 0:15:16 | 0:15:17 | |
-OK. Well, that's one down. -Right. | 0:15:17 | 0:15:20 | |
-Let's go and have a look at another one. -OK. | 0:15:20 | 0:15:22 | |
With David and Marion's respective interests in history and the arts, | 0:15:26 | 0:15:30 | |
a move to Suffolk should give them plenty of inspiration. | 0:15:30 | 0:15:33 | |
A good starting point is the market down of Bury St Edmunds, | 0:15:33 | 0:15:36 | |
named after the martyred King Edmund, | 0:15:36 | 0:15:38 | |
who once ruled the realm of East Anglia | 0:15:38 | 0:15:41 | |
and was believed to have been buried in the abbey here around 900AD. | 0:15:41 | 0:15:45 | |
For centuries, pilgrimage to this shrine | 0:15:45 | 0:15:47 | |
proved very lucrative for the church | 0:15:47 | 0:15:49 | |
and by the Middle Ages, Bury St Edmonds had one of the most powerful | 0:15:49 | 0:15:53 | |
and wealthiest Benedictine monasteries in all of England. | 0:15:53 | 0:15:56 | |
Today, the town's religious buildings are still developing, | 0:15:56 | 0:15:59 | |
a prime example being St Edmundsbury Cathedral, | 0:15:59 | 0:16:02 | |
where our buyers met expert Sarah Friswell for an insight | 0:16:02 | 0:16:05 | |
into the building's fascinating heritage. | 0:16:05 | 0:16:07 | |
-Welcome to St Edmundsbury Cathedral. -Thank you. | 0:16:08 | 0:16:11 | |
You're visiting an ancient building, but a modern one as well | 0:16:11 | 0:16:14 | |
because we've got an interesting story here. | 0:16:14 | 0:16:17 | |
We founded as a parish church 1,000 years ago, | 0:16:17 | 0:16:20 | |
then it has lots of alterations done to it by the Tudors, | 0:16:20 | 0:16:23 | |
in the Victorian period by a very famous architects - Gilbert Scott - | 0:16:23 | 0:16:27 | |
and then finally we became a cathedral in 1914. | 0:16:27 | 0:16:30 | |
Over the years, many renowned figures have been associated | 0:16:32 | 0:16:34 | |
with the development of the cathedral. And in the 1940s, | 0:16:34 | 0:16:38 | |
it was Stephen Dykes Bower who was appointed architect, | 0:16:38 | 0:16:41 | |
though due to a lack of funds, his vision for the church wasn't | 0:16:41 | 0:16:44 | |
completed until after he died. | 0:16:44 | 0:16:47 | |
But with money from his estate, as well as grants and local | 0:16:47 | 0:16:51 | |
fundraising, the latest works have seen the addition of a new tower, | 0:16:51 | 0:16:54 | |
cloisters and the final piece of the jigsaw - a beautiful painted | 0:16:54 | 0:16:58 | |
and gilded vaulted ceiling, completed in 2010. | 0:16:58 | 0:17:02 | |
So, what was the inspiration | 0:17:05 | 0:17:07 | |
behind the design of this ceiling, do you know? | 0:17:07 | 0:17:10 | |
Stephen Dykes Bower saw this place where we're standing now | 0:17:10 | 0:17:13 | |
as the focal point of the church, | 0:17:13 | 0:17:15 | |
and so he wanted everyone's attention, eyesight, | 0:17:15 | 0:17:18 | |
to be drawn towards the centre point here. | 0:17:18 | 0:17:20 | |
And, of course, church towers have always been there to lift our hearts | 0:17:20 | 0:17:24 | |
and our souls up towards heaven, | 0:17:24 | 0:17:26 | |
so to have this here as the focal point is really important. | 0:17:26 | 0:17:30 | |
Despite the seamless modern additions to the building, | 0:17:30 | 0:17:33 | |
the cathedral also houses | 0:17:33 | 0:17:35 | |
the oldest parish church library in the country, | 0:17:35 | 0:17:37 | |
and assistant librarian Stephen Dart has agreed to let our buyers | 0:17:37 | 0:17:41 | |
leaf through some of the ancient books. | 0:17:41 | 0:17:44 | |
There's been a library here since 1595 | 0:17:44 | 0:17:46 | |
and this is one of the first books. | 0:17:46 | 0:17:48 | |
And if you look inside, you can | 0:17:48 | 0:17:49 | |
see the name of the man who gave the book - he's Miles Moss. | 0:17:49 | 0:17:52 | |
He was the preacher and he was here from the 1580s through to the 1590s. | 0:17:52 | 0:17:55 | |
He thought that it was a good idea to have a library | 0:17:55 | 0:17:58 | |
so that everybody could have a reference book. | 0:17:58 | 0:18:01 | |
I've got a book here, which I think you might be interested in. | 0:18:01 | 0:18:04 | |
It's one of the oldest books in the library. | 0:18:04 | 0:18:07 | |
It was printed in 1499, and it was printed in Paris, | 0:18:07 | 0:18:11 | |
and it's a book by a man called Balbus. | 0:18:11 | 0:18:14 | |
At the back, there's something quite surprising. | 0:18:14 | 0:18:17 | |
Of interest to a calligrapher, I think. | 0:18:20 | 0:18:23 | |
I like particularly these signs here, | 0:18:23 | 0:18:25 | |
which are the scribbler's marks, a sort of seal, | 0:18:25 | 0:18:27 | |
and he's deciding which one to have. | 0:18:27 | 0:18:29 | |
So, he's practising his calligraphy. | 0:18:29 | 0:18:31 | |
He's practising, deciding what style he's going to use. | 0:18:31 | 0:18:35 | |
Having whetted David and Marion's scholarly appetites | 0:18:36 | 0:18:39 | |
at the cathedral, | 0:18:39 | 0:18:40 | |
it's back to the house hunt | 0:18:40 | 0:18:41 | |
to see if we can find them their very own slice of Suffolk history. | 0:18:41 | 0:18:45 | |
For our next stop we're heading further north into the county, | 0:18:51 | 0:18:54 | |
where we're destined for the village of Redgrave. | 0:18:54 | 0:18:57 | |
Essential amenities can be picked up | 0:18:57 | 0:18:59 | |
just over a mile away in Bottersdale, | 0:18:59 | 0:19:01 | |
which has a good selection of shops and pubs. | 0:19:01 | 0:19:04 | |
And at the end of a quiet country lane back in Redgrave, | 0:19:04 | 0:19:07 | |
we've chosen our delightful-looking second property | 0:19:07 | 0:19:10 | |
for its generous proportions both inside and out, | 0:19:10 | 0:19:12 | |
but we're taking a bit of a gamble with the roof. | 0:19:12 | 0:19:15 | |
This is what we're going to have a look around, just here. | 0:19:17 | 0:19:21 | |
-Right. -A thatch, eh? | 0:19:21 | 0:19:23 | |
-We knew you'd chosen that. -Did you? -Yeah. | 0:19:23 | 0:19:27 | |
I'm not being mean to you. I know you said | 0:19:27 | 0:19:29 | |
you might have a question mark over looking at a thatch. | 0:19:29 | 0:19:32 | |
-A lot of it is fear of the unknown. -It is. | 0:19:32 | 0:19:34 | |
It looks a beautiful house actually. | 0:19:34 | 0:19:36 | |
It's quite substantial. | 0:19:36 | 0:19:38 | |
I like the colour of it. | 0:19:38 | 0:19:40 | |
-So, should we go inside? -Yes, please. Let's go. | 0:19:40 | 0:19:43 | |
This second options presents a grade two listed Suffolk pink property. | 0:19:45 | 0:19:49 | |
Originally believed to have started life as a 16th century cottage, | 0:19:49 | 0:19:53 | |
it's been considerably extended over the years | 0:19:53 | 0:19:55 | |
and now covers some 3,000 square feet. | 0:19:55 | 0:19:59 | |
We're starting in the modern wing, | 0:19:59 | 0:20:01 | |
through a substantial hallway and into an impressive dining | 0:20:01 | 0:20:04 | |
and kitchen family room. | 0:20:04 | 0:20:05 | |
Now then... | 0:20:06 | 0:20:07 | |
This is big. | 0:20:07 | 0:20:09 | |
This is big, yeah. | 0:20:09 | 0:20:11 | |
It's very different, yes. | 0:20:11 | 0:20:13 | |
Do you not think...? | 0:20:13 | 0:20:14 | |
It's not the space and light you'd expect from looking | 0:20:14 | 0:20:17 | |
at a thatched cottage from the outside, is it? | 0:20:17 | 0:20:19 | |
No, it isn't. You're right. | 0:20:19 | 0:20:20 | |
It's got a lot more... | 0:20:20 | 0:20:23 | |
light coming in here than I would ever have expected | 0:20:23 | 0:20:26 | |
looking at the exterior. | 0:20:26 | 0:20:28 | |
Well, look, this is 1986. | 0:20:28 | 0:20:30 | |
-Let's go back a couple of centuries. -All right. | 0:20:30 | 0:20:34 | |
Just off the kitchen, there's a pantry | 0:20:34 | 0:20:36 | |
and separate utility room with a downstairs loo. | 0:20:36 | 0:20:39 | |
The reception areas all lie in the original part of the property. | 0:20:39 | 0:20:42 | |
Now... | 0:20:46 | 0:20:48 | |
Right. | 0:20:48 | 0:20:49 | |
Well, now this is very much to my tastes, this huge fireplace. | 0:20:49 | 0:20:54 | |
-That stirs me, that does. -Does it? -Yeah, it does. | 0:20:54 | 0:20:58 | |
It does indeed. | 0:20:58 | 0:20:59 | |
It's got light both sides as well. | 0:20:59 | 0:21:01 | |
Well, the one right at the end is even brighter. | 0:21:01 | 0:21:04 | |
So, this could be your... | 0:21:04 | 0:21:06 | |
You could have one as a snug, or one maybe as a hobby room. | 0:21:06 | 0:21:09 | |
You've got options here, of course you have. | 0:21:09 | 0:21:11 | |
Now, you might have noticed a couple of sets of stairs here. | 0:21:11 | 0:21:15 | |
Right. Yes, we did. | 0:21:15 | 0:21:17 | |
Now, those stairs go up to the first floor, obviously, | 0:21:17 | 0:21:20 | |
and there you have two bedrooms and a bathroom. | 0:21:20 | 0:21:24 | |
You, however, get the master suite this way. | 0:21:24 | 0:21:27 | |
Let's go and take a look, shall we? | 0:21:27 | 0:21:29 | |
At the top of these stairs, above the hallway, | 0:21:29 | 0:21:31 | |
there's the fourth bedroom that's being used as a study. | 0:21:31 | 0:21:34 | |
And then, above the kitchen, is the master suite. | 0:21:34 | 0:21:37 | |
Now, we're back in the 1980s part of the house, but... | 0:21:37 | 0:21:42 | |
Dear me. | 0:21:42 | 0:21:43 | |
Look at that. What a wonderful view out of the bedroom window, isn't it? | 0:21:43 | 0:21:47 | |
Yes, that's...magnificent. | 0:21:47 | 0:21:49 | |
And it's a really nice size, isn't it? | 0:21:49 | 0:21:52 | |
You've got a couple of...almost walk-in wardrobes. | 0:21:52 | 0:21:55 | |
You've got your very own beautifully-fitted bathroom | 0:21:55 | 0:21:58 | |
and another room that could be a bedroom, | 0:21:58 | 0:22:00 | |
but the owners are currently using | 0:22:00 | 0:22:02 | |
it as a walk-in wardrobe/dressing room. | 0:22:02 | 0:22:04 | |
-Right. -And you've got a lovely little balcony out there. | 0:22:04 | 0:22:08 | |
That's... That's a real added bonus. | 0:22:08 | 0:22:11 | |
I can see me sitting out on that balcony in the evening. | 0:22:11 | 0:22:15 | |
-Well, up to now, we're blown away with it. -Are you? | 0:22:15 | 0:22:19 | |
It's so...big as well. | 0:22:19 | 0:22:22 | |
-So big. -It just goes on and on and on. | 0:22:22 | 0:22:25 | |
Well, I've got two more cards up my sleeve with this house | 0:22:25 | 0:22:28 | |
-and I think you're going to love both of them. -Right. | 0:22:28 | 0:22:31 | |
Let's go and have a look. | 0:22:31 | 0:22:33 | |
There's no doubt the space here is winning over our couple, | 0:22:35 | 0:22:38 | |
but that's not the lot for this property, | 0:22:38 | 0:22:40 | |
as we're about to discover, outside in the back garden, | 0:22:40 | 0:22:43 | |
behind the double garage. | 0:22:43 | 0:22:44 | |
-So... -SHE LAUGHS | 0:22:46 | 0:22:49 | |
And this comes with the house, too? | 0:22:49 | 0:22:52 | |
-This studio? -Yeah. | 0:22:52 | 0:22:53 | |
Well, now this would be a great asset to either of us, wouldn't it? | 0:22:54 | 0:22:59 | |
Now, look, there's plenty of space inside the house | 0:22:59 | 0:23:02 | |
for libraries, for hobby rooms. | 0:23:02 | 0:23:03 | |
We've seen a lot of property. There's more for you to see later. | 0:23:03 | 0:23:06 | |
But, Marion, I'm dying to show you the garden, | 0:23:06 | 0:23:08 | |
-so come with me now. -Right. OK. | 0:23:08 | 0:23:10 | |
Dying to see it. | 0:23:10 | 0:23:12 | |
If the large stunning house and the studio weren't enough, | 0:23:13 | 0:23:17 | |
this property also comes with about a third of an acre | 0:23:17 | 0:23:19 | |
and a landscaped rear garden, | 0:23:19 | 0:23:21 | |
it's a green-fingered paradise for any serious gardener. | 0:23:21 | 0:23:24 | |
So, you've got the main...garden just at the back of the house, | 0:23:26 | 0:23:29 | |
then it's split into three rooms if you like. | 0:23:29 | 0:23:32 | |
-I can see, yes. -What a good idea. | 0:23:32 | 0:23:35 | |
So, this is the soft fruit for the jam making, vegetable plot, | 0:23:35 | 0:23:40 | |
the ornamental fountain... | 0:23:40 | 0:23:43 | |
and through here, a very special sculpture | 0:23:43 | 0:23:47 | |
and a summer seat through there, I've noticed. | 0:23:47 | 0:23:50 | |
Are you selling this to me or to you? | 0:23:50 | 0:23:51 | |
I'm falling in love with this place, the way you describe it. | 0:23:51 | 0:23:54 | |
You see, the biggest worry is can this possibly be within our budget? | 0:23:54 | 0:23:58 | |
Well, let's find out. You've got to try and price this now. | 0:23:58 | 0:24:02 | |
I think, you know, it must be beyond our budget. £550,000. | 0:24:02 | 0:24:08 | |
All right. David? | 0:24:08 | 0:24:09 | |
I would guess 520-to-515,000, that's my estimate. | 0:24:09 | 0:24:15 | |
Well, this house, | 0:24:15 | 0:24:17 | |
it's been on the market for approaching four weeks now, | 0:24:17 | 0:24:20 | |
is up for sale for offers around £495,000. | 0:24:20 | 0:24:24 | |
-Right. So, it's exactly on our budget. -Yes. | 0:24:24 | 0:24:28 | |
Right. Well, I'll have to give a lot of thought to that. | 0:24:28 | 0:24:31 | |
So, go back into the house then, have a good look around. | 0:24:31 | 0:24:33 | |
Look at the areas you haven't yet seen, | 0:24:33 | 0:24:35 | |
such as the upstairs accommodation for the guests, | 0:24:35 | 0:24:38 | |
and I'll meet you whenever you're finished. | 0:24:38 | 0:24:40 | |
-Thanks, Johnny. -Enjoy it. -Thank you. | 0:24:40 | 0:24:42 | |
Well, for a couple that were a bit worried | 0:24:46 | 0:24:48 | |
about looking at a thatched house, | 0:24:48 | 0:24:49 | |
they seem rather excited to be going back inside | 0:24:49 | 0:24:52 | |
and that's because it gives them everything they're after, | 0:24:52 | 0:24:56 | |
but actually this thatch, | 0:24:56 | 0:24:57 | |
I think it might have tipped them over the edge. | 0:24:57 | 0:25:00 | |
On the market for £495,000, the second property is | 0:25:02 | 0:25:06 | |
an exceptional period home bursting with character and space. | 0:25:06 | 0:25:10 | |
It has an enormous kitchen/diner and family room, | 0:25:10 | 0:25:14 | |
two further reception rooms as well as the potential for five bedrooms, | 0:25:14 | 0:25:18 | |
and the superb landscaped gardens cover a third of an acre, | 0:25:18 | 0:25:22 | |
where there's a separate studio that Marion or David could | 0:25:22 | 0:25:25 | |
dedicate to their favourite pastimes. | 0:25:25 | 0:25:28 | |
We walked into this room, and it's so light and it's big as well. | 0:25:28 | 0:25:34 | |
I did imagine David and I rattling around in it a bit, you know. | 0:25:34 | 0:25:38 | |
It is very big, but it's beautiful. | 0:25:38 | 0:25:40 | |
This room is beautiful. | 0:25:40 | 0:25:41 | |
It's got all three aspects - cooking, eating and relaxing. | 0:25:41 | 0:25:46 | |
The stairs would be an issue, | 0:25:46 | 0:25:49 | |
we'd have to get something done about them... | 0:25:49 | 0:25:51 | |
but the bedrooms were a good size and beautiful. | 0:25:51 | 0:25:56 | |
Bathrooms very, very nice. | 0:25:56 | 0:25:58 | |
Very full of character. | 0:25:58 | 0:26:01 | |
Well, apart from the thatch, | 0:26:01 | 0:26:02 | |
this house gives me everything I could have possibly wanted | 0:26:02 | 0:26:06 | |
and I'm really impressed. | 0:26:06 | 0:26:08 | |
I'm actually amazed that it falls within our budget. | 0:26:08 | 0:26:12 | |
I could most certainly see myself living in this house. | 0:26:12 | 0:26:16 | |
It's really got my name written all over it as far as I'm concerned. | 0:26:16 | 0:26:20 | |
I love the house and I love the garden. | 0:26:20 | 0:26:23 | |
Now then, all done inside? | 0:26:25 | 0:26:27 | |
-Yes. -Thank you very much. | 0:26:27 | 0:26:28 | |
-Did you enjoy it? -Yes. -It was wonderful. | 0:26:28 | 0:26:30 | |
-It's a great house, it is. -It is indeed. | 0:26:30 | 0:26:33 | |
-Well, that's all we're going to do today, so let's go back. -OK. | 0:26:33 | 0:26:36 | |
The second day of our house search is under way | 0:26:47 | 0:26:50 | |
and, with a top budget of £500,000, | 0:26:50 | 0:26:53 | |
town-based Marion and David have set their sights on leaving | 0:26:53 | 0:26:56 | |
Tyne and Wear and moving down south to Suffolk. | 0:26:56 | 0:26:59 | |
They've seen two properties so far, | 0:26:59 | 0:27:01 | |
but still to come, history is right overhead in the mystery house. | 0:27:01 | 0:27:05 | |
I've never seen a bedroom like this before in my life. | 0:27:06 | 0:27:10 | |
-It's... -Unique? | 0:27:10 | 0:27:12 | |
And I'll be meeting a Suffolk resident who's keeping | 0:27:12 | 0:27:14 | |
British aviation in flight. | 0:27:14 | 0:27:17 | |
Well, so far I've noted a slight difference on occasions | 0:27:20 | 0:27:23 | |
between David and Marion. | 0:27:23 | 0:27:25 | |
We might see a bit of more of that in today's mystery house. | 0:27:25 | 0:27:28 | |
The property itself is right in the heart of a lovely little town, | 0:27:28 | 0:27:31 | |
and David should certainly be impressed with all | 0:27:31 | 0:27:34 | |
the history attached to the house. | 0:27:34 | 0:27:36 | |
But, of course, David might have to put up with a few neighbours | 0:27:36 | 0:27:40 | |
in fairly close proximity. Let's see how we go. | 0:27:40 | 0:27:43 | |
So, Marion, two properties down... | 0:27:45 | 0:27:47 | |
What would be a no-no for the mystery property? | 0:27:47 | 0:27:51 | |
I don't think I would like it to be any bigger | 0:27:51 | 0:27:54 | |
than the second house that we saw. | 0:27:54 | 0:27:56 | |
What you've shown us so far is spot on. | 0:27:56 | 0:27:59 | |
Well, you said you didn't want a thatch. | 0:27:59 | 0:28:01 | |
And we said we didn't want a thatch, that's true. | 0:28:01 | 0:28:03 | |
And now you're starting to persuade us into thinking, "Actually, | 0:28:03 | 0:28:07 | |
"maybe it's not a no-no after all." | 0:28:07 | 0:28:09 | |
Well, maybe I should just be showing you stuff | 0:28:09 | 0:28:12 | |
that you said you didn't want to see. | 0:28:12 | 0:28:13 | |
ALL LAUGH | 0:28:13 | 0:28:15 | |
And that, of course, is the name of the game at the mystery, | 0:28:16 | 0:28:19 | |
and to get there we're travelling back down south to Clare, | 0:28:19 | 0:28:22 | |
about 14 miles from Bury St Edmunds. | 0:28:22 | 0:28:24 | |
An old wool town, Clare boasts many well-preserved traditional | 0:28:27 | 0:28:31 | |
buildings that once had associations with the cloth industry, | 0:28:31 | 0:28:34 | |
and today house antique shops, restaurants | 0:28:34 | 0:28:36 | |
and a wide range of other businesses. | 0:28:36 | 0:28:39 | |
Clare is such a small and attractive town that, in recent years, it was | 0:28:39 | 0:28:43 | |
awarded the prestigious title of Suffolk Village of the Year, | 0:28:43 | 0:28:46 | |
and its long and fascinating history is the principle reason | 0:28:46 | 0:28:49 | |
why we've chosen this location for our mystery property. | 0:28:49 | 0:28:53 | |
It's right in the heart of town, just 50 yards from the nearest pub. | 0:28:53 | 0:28:57 | |
Now then... | 0:29:02 | 0:29:03 | |
I think the best view is right from this spot here, | 0:29:03 | 0:29:06 | |
so if you come back... | 0:29:06 | 0:29:07 | |
Take a look at the mystery house from here. | 0:29:09 | 0:29:12 | |
SHE LAUGHS | 0:29:12 | 0:29:13 | |
That's a really ancient timbered house, isn't it? | 0:29:13 | 0:29:16 | |
Dates back, apparently, to around 1450, maybe even earlier. | 0:29:16 | 0:29:21 | |
I can believe it, yes. | 0:29:21 | 0:29:23 | |
-So, let's see how we get on inside, shall we? -Right. | 0:29:23 | 0:29:25 | |
Set over three floors, the walls of this grade two listed property | 0:29:28 | 0:29:31 | |
conceal over five centuries of stories, | 0:29:31 | 0:29:34 | |
and the earliest accounts of the house suggest it was once | 0:29:34 | 0:29:37 | |
used as a brewery. | 0:29:37 | 0:29:39 | |
But now it's an enchanting family home with a few characterful quirks, | 0:29:39 | 0:29:43 | |
and set off by a roomy entrance hall. | 0:29:43 | 0:29:45 | |
So, a nice little vestibule area, if you like, | 0:29:49 | 0:29:52 | |
and then into this amazing room. | 0:29:52 | 0:29:54 | |
Amazing is the word. It is really lovely. | 0:29:54 | 0:29:57 | |
-I really like this, yes. -Nice square room. | 0:29:57 | 0:30:00 | |
Plenty of space here. | 0:30:01 | 0:30:04 | |
-Lovely fireplace. -That's a real open fire as well, isn't it? | 0:30:04 | 0:30:08 | |
-Working as well. -It's lovely. | 0:30:08 | 0:30:11 | |
Yes, I'm impressed. | 0:30:11 | 0:30:12 | |
I thought you'd like this. I mean, what's not to...? | 0:30:12 | 0:30:15 | |
What's not to like about this? | 0:30:15 | 0:30:17 | |
-Knowing us as you do now. -Quite. | 0:30:17 | 0:30:19 | |
But... | 0:30:19 | 0:30:20 | |
with this come maybe potential compromises in other areas. | 0:30:20 | 0:30:23 | |
You're about to see the smallest kitchen out of the three properties, | 0:30:23 | 0:30:26 | |
-so mind this step here. -Right. | 0:30:26 | 0:30:28 | |
Yes. | 0:30:30 | 0:30:32 | |
Small kitchen. | 0:30:32 | 0:30:33 | |
Very small kitchen. | 0:30:33 | 0:30:35 | |
Hmm-hmm. But I like it. | 0:30:35 | 0:30:37 | |
I like the kitchen. I like the units, I like the tiles... | 0:30:37 | 0:30:43 | |
I like the feel of it. | 0:30:43 | 0:30:45 | |
-David? -It's a...very nice compact kitchen. | 0:30:45 | 0:30:49 | |
Let's keep looking round the rest of the house. | 0:30:49 | 0:30:51 | |
-Upwards to the master bedroom. -Right. | 0:30:51 | 0:30:54 | |
Up on the first floor, there's a bathroom as well as a compact | 0:30:56 | 0:30:59 | |
second bedroom that could be ideal as a hobby room or study, | 0:30:59 | 0:31:02 | |
right opposite the largest bedroom. | 0:31:02 | 0:31:04 | |
-Now then, this is your master bedroom. -Oh, right. | 0:31:05 | 0:31:10 | |
This is a fine room, isn't it? | 0:31:10 | 0:31:13 | |
Very much in keeping with downstairs. | 0:31:13 | 0:31:16 | |
There's some intriguing little features here of... | 0:31:16 | 0:31:20 | |
Where that might have been a door. | 0:31:20 | 0:31:23 | |
-It might have been a window, in fact. -A window. Oh, right. -Hmm. | 0:31:23 | 0:31:26 | |
You could imagine this house | 0:31:26 | 0:31:29 | |
being a very important part of the town actually. | 0:31:29 | 0:31:33 | |
Yeah. Well, let's look at it. | 0:31:33 | 0:31:35 | |
Over the years, it's been maltings, it's been... | 0:31:35 | 0:31:38 | |
Parish council used to meet here. | 0:31:38 | 0:31:40 | |
It's been a library. It's had a big role in the local area, hasn't it? | 0:31:40 | 0:31:47 | |
This is... This is a really good-sized bedroom. | 0:31:47 | 0:31:51 | |
-Good. -And very atmospheric and... | 0:31:51 | 0:31:55 | |
I think I could sleep well here. | 0:31:55 | 0:31:57 | |
Let's go upstairs and see... | 0:31:57 | 0:31:59 | |
Well, you tell me what you'd like to use it for. All right? | 0:31:59 | 0:32:02 | |
Altogether there's a sum of three bedrooms here | 0:32:04 | 0:32:06 | |
and the last one is in the second floor, up in the eves. | 0:32:06 | 0:32:10 | |
They've got an amazing en suite bathroom through there. | 0:32:12 | 0:32:16 | |
SHE LAUGHS | 0:32:16 | 0:32:18 | |
It's not often I have to duck, so I'm quite enjoying this actually. | 0:32:18 | 0:32:21 | |
Mind your heads. | 0:32:21 | 0:32:22 | |
-This is your guest suite. -Right. | 0:32:24 | 0:32:26 | |
Well, I have got some very small friends... | 0:32:26 | 0:32:29 | |
-I like the fact that you're ducking. -THEY LAUGH | 0:32:29 | 0:32:32 | |
Well, I've never seen a bedroom like this before in my life. | 0:32:32 | 0:32:36 | |
-It's... -Unique? -It is unique. | 0:32:36 | 0:32:39 | |
-Could it be a hobby room? -It could... | 0:32:39 | 0:32:41 | |
I think it's more possible as a hobby room than, say, a library. | 0:32:41 | 0:32:46 | |
Let's go back down the stairs, | 0:32:46 | 0:32:48 | |
and the other stairs, into the garden and maybe start | 0:32:48 | 0:32:50 | |
-thinking about how much this house is on the market for. -Right. | 0:32:50 | 0:32:54 | |
Lead the way. | 0:32:54 | 0:32:56 | |
David's going to go first. | 0:32:56 | 0:32:57 | |
The mystery house is the surviving wing of a former larger property | 0:32:59 | 0:33:02 | |
and it attached across the back, | 0:33:02 | 0:33:04 | |
so the grounds all lie to the front and are enclosed by hedges | 0:33:04 | 0:33:08 | |
that gives the garden a very private feel | 0:33:08 | 0:33:11 | |
despite the property's central location. | 0:33:11 | 0:33:13 | |
So...the front garden is the only garden with the mystery house. | 0:33:13 | 0:33:18 | |
Right. Rather small, isn't it? And... | 0:33:18 | 0:33:22 | |
I'm afraid it hasn't got a great deal of character, | 0:33:22 | 0:33:25 | |
but I suppose that's up to you to introduce some. | 0:33:25 | 0:33:28 | |
I mean, what I would do... | 0:33:28 | 0:33:29 | |
I'm not one for cutting trees down, but that tree would go, | 0:33:29 | 0:33:33 | |
and I think it could be enhanced. | 0:33:33 | 0:33:36 | |
So, how much do you think the mystery house is on the market for? | 0:33:36 | 0:33:39 | |
£475,000. | 0:33:39 | 0:33:41 | |
OK. David? | 0:33:41 | 0:33:43 | |
I think it might be 520, something of that nature. | 0:33:43 | 0:33:47 | |
You might be surprised to hear that this house | 0:33:47 | 0:33:50 | |
-is on the market for offers in the region of £395,000. -Hmm. | 0:33:50 | 0:33:55 | |
-That is surprising. -Go back into the house, | 0:33:55 | 0:33:57 | |
enjoy the last few rooms that you haven't yet seen, | 0:33:57 | 0:33:59 | |
and I'll meet you whenever you're finished, all right? | 0:33:59 | 0:34:02 | |
-Thank you. -See you in a mo'. | 0:34:02 | 0:34:03 | |
For offers in the region of £395,000, | 0:34:09 | 0:34:13 | |
the mystery house is a real vintage gem that date back to 1450 | 0:34:13 | 0:34:18 | |
and is awash with period features. | 0:34:18 | 0:34:20 | |
Laid out over three floors, it has a large drawing room, three bedrooms | 0:34:20 | 0:34:25 | |
and a private enclosed garden in the heart of a very desirable town. | 0:34:25 | 0:34:29 | |
It's a very historical building, | 0:34:30 | 0:34:33 | |
and it has a very unique and imposing exterior. | 0:34:33 | 0:34:37 | |
I'm a little bit worried about the maintenance | 0:34:37 | 0:34:39 | |
and the responsibility of having such a building. | 0:34:39 | 0:34:42 | |
My heart tells me that this is a great property, | 0:34:42 | 0:34:47 | |
but my head tells me it's too small for our living purposes. | 0:34:47 | 0:34:53 | |
Basically, the property is two biggish rooms, one downstairs, | 0:34:53 | 0:34:58 | |
a lovely, lovely lounge and dining area. | 0:34:58 | 0:35:02 | |
And upstairs this bedroom, | 0:35:02 | 0:35:04 | |
which reflects the size of the room downstairs, | 0:35:04 | 0:35:07 | |
both wonderful rooms, but the rest of the property is quite limited. | 0:35:07 | 0:35:12 | |
-Now then, that was fun, wasn't it? -Yes. | 0:35:14 | 0:35:17 | |
Well, that's the end of the property search for you guys, | 0:35:17 | 0:35:20 | |
so why don't you go off somewhere and have a bit of a think, | 0:35:20 | 0:35:23 | |
-and I'll catch up with you later on? All right? -OK. -Good luck. -Bye-bye. | 0:35:23 | 0:35:27 | |
So, no more houses for David and Marion to look at, | 0:35:29 | 0:35:32 | |
but here's a selection of other properties on the market | 0:35:32 | 0:35:35 | |
throughout the county. | 0:35:35 | 0:35:37 | |
A guide price of £172,000 is the price ticket for this | 0:35:39 | 0:35:43 | |
whitewashed mid-terraced home in Glemsford. | 0:35:43 | 0:35:46 | |
The original woodwork is a feature throughout the cosy accommodation | 0:35:46 | 0:35:50 | |
that covers three floors and has two bedrooms. | 0:35:50 | 0:35:52 | |
Staying with exposed timbers, £375,000 could buy this listed | 0:35:54 | 0:35:59 | |
thatch cottage in Cavendish that comes with a kitchen/breakfast room, | 0:35:59 | 0:36:02 | |
open plan reception rooms and four bedrooms. | 0:36:02 | 0:36:06 | |
Finally, if you fancy an injection of colour | 0:36:06 | 0:36:09 | |
and have £625,000 to burn, | 0:36:09 | 0:36:12 | |
this four-bedroom detached Suffolk pink house in Bournemouth | 0:36:12 | 0:36:16 | |
is currently on the market, just waiting to be snapped up. | 0:36:16 | 0:36:19 | |
Suffolk's relatively level terrain and easterly coastal location | 0:36:23 | 0:36:27 | |
has ensured a long and distinguished role in Britain's aviation history. | 0:36:27 | 0:36:31 | |
And in a rural spot to the south of the county, | 0:36:31 | 0:36:33 | |
a small team of expert aeronautical enthusiasts are keeping | 0:36:33 | 0:36:37 | |
an important part of that legacy alive. | 0:36:37 | 0:36:40 | |
The Hawker Hurricane is a British single-seater fighter aircraft | 0:36:40 | 0:36:43 | |
that played a vital role in the 1940 Battle of Britain, | 0:36:43 | 0:36:46 | |
and I've come to meet Tony Ditheridge, who's spent the | 0:36:46 | 0:36:49 | |
last 20 years restoring these iconic aircraft to their former glory. | 0:36:49 | 0:36:54 | |
-Tony, good morning. -Hi. | 0:36:56 | 0:36:58 | |
Here we are in the middle of... | 0:36:58 | 0:37:00 | |
Well, beautiful Suffolk. | 0:37:00 | 0:37:02 | |
..and we're looking at aviation history right here. | 0:37:02 | 0:37:05 | |
My grandfather was in the RAF. | 0:37:05 | 0:37:06 | |
He always used to say that | 0:37:06 | 0:37:08 | |
they were the most important plane in the Battle of Britain. Why so? | 0:37:08 | 0:37:12 | |
Well, the reason being that the Spitfire, obviously, was the slightly | 0:37:12 | 0:37:16 | |
superior plane. | 0:37:16 | 0:37:17 | |
But at the particular time in the Battle of Britain | 0:37:17 | 0:37:20 | |
when it was required, | 0:37:20 | 0:37:21 | |
the Hurricane shot down 65-66% of all of the enemy aircraft. | 0:37:21 | 0:37:26 | |
So, what was it about the Hurricane that made it so special? | 0:37:26 | 0:37:30 | |
Well, it had much more forgiving flying characteristics. | 0:37:30 | 0:37:34 | |
It had a thicker wing section. | 0:37:34 | 0:37:35 | |
It could fly slower and therefore it could turn quicker. | 0:37:35 | 0:37:40 | |
So, how many Hurricanes were used or flown throughout the war? | 0:37:40 | 0:37:44 | |
There was about 13,000 Hurricanes made. | 0:37:44 | 0:37:46 | |
So, there must be quite a few still around, right? | 0:37:46 | 0:37:49 | |
There are three Hurricanes in this hangar. | 0:37:49 | 0:37:51 | |
When they're finished, there will be 14 flying. | 0:37:51 | 0:37:53 | |
Goodness me. Why so few then? | 0:37:53 | 0:37:55 | |
They're quite complex aeroplanes. | 0:37:55 | 0:37:57 | |
There's approximately twice as much work in doing | 0:37:57 | 0:37:59 | |
a Hurricane as there is a Spitfire. | 0:37:59 | 0:38:01 | |
Designed by Sir Sidney Camm using a Rolls-Royce Merlin engine, | 0:38:03 | 0:38:06 | |
the Hawker Hurricane was introduced in 1937 | 0:38:06 | 0:38:09 | |
and became the first RAF fighter monoplane | 0:38:09 | 0:38:12 | |
capable of exceeding 300 miles per hour in level flight. | 0:38:12 | 0:38:16 | |
In the Battle of Britain, Hurricanes scored the highest number | 0:38:18 | 0:38:20 | |
of RAF victories, far in excess of all other British fighters combined. | 0:38:20 | 0:38:25 | |
The only Victoria Cross ever awarded to a fighter command pilot | 0:38:25 | 0:38:29 | |
was won by Flight Lieutenant James Nicolson, a Hawker Hurricane pilot. | 0:38:29 | 0:38:33 | |
This particular aeroplane was shot down over Dunkirk beach | 0:38:34 | 0:38:40 | |
and the pilot survived. The bullet went through the windscreen, | 0:38:40 | 0:38:43 | |
went through his shoulder, | 0:38:43 | 0:38:44 | |
continued through the aeroplane, | 0:38:44 | 0:38:46 | |
and when we broke the aeroplane down we found the bullet... | 0:38:46 | 0:38:50 | |
just there. | 0:38:50 | 0:38:52 | |
Look at that. | 0:38:52 | 0:38:53 | |
That's amazing. Goodness me. | 0:38:53 | 0:38:55 | |
Well, Tony, we're stood in front of these amazing machines. | 0:38:55 | 0:38:58 | |
Is there any chance I can have a sit in the cockpit? | 0:38:58 | 0:39:02 | |
-I guess so. -Brilliant. | 0:39:02 | 0:39:03 | |
Tony's team use a reverse engineering approach | 0:39:05 | 0:39:08 | |
to restoring the aircraft. | 0:39:08 | 0:39:09 | |
An assortment of parts from a variety of hurricanes | 0:39:09 | 0:39:12 | |
are collected in various states of repair, | 0:39:12 | 0:39:14 | |
and they work backward to figure out | 0:39:14 | 0:39:16 | |
how they were constructed before building them again. | 0:39:16 | 0:39:19 | |
It's a real labour of love, | 0:39:19 | 0:39:20 | |
with each one taking a couple of years to complete. | 0:39:20 | 0:39:24 | |
I feel extremely privileged to sit in the same seat | 0:39:24 | 0:39:26 | |
from where our forefathers bravely battled for our freedom. | 0:39:26 | 0:39:29 | |
-If you would like to pull that all the way back... -Right. | 0:39:31 | 0:39:35 | |
-And the pilot would be doing this to make the aircraft...? -Yes, he would. | 0:39:35 | 0:39:39 | |
So, if you want to bank to the left, you would do that. | 0:39:39 | 0:39:41 | |
If you want to bank to the left and climb, you would do that, | 0:39:41 | 0:39:44 | |
so now you'd be going... | 0:39:44 | 0:39:45 | |
-It's very intuitive, this way of flying, isn't it? -Hmm, yeah. | 0:39:45 | 0:39:50 | |
Well, Tony, it's... | 0:39:50 | 0:39:51 | |
It's been absolutely fascinating to not only meet you | 0:39:51 | 0:39:54 | |
and talk through these planes, | 0:39:54 | 0:39:55 | |
but also to get a real sense and feel of these beautiful aircraft. | 0:39:55 | 0:39:59 | |
-Thank you very, very much. -You're more than welcome. | 0:39:59 | 0:40:01 | |
Well, that's certainly one of my boyhood fantasies come true, | 0:40:03 | 0:40:05 | |
but it's time to find out if we've found the right house to turn | 0:40:05 | 0:40:08 | |
the Suffolk country dream into a reality for our buyers. | 0:40:08 | 0:40:11 | |
Well, there seems to be a clear favourite of the three properties | 0:40:14 | 0:40:17 | |
we've shown David and Marion. | 0:40:17 | 0:40:18 | |
What I'm keen on finding out now though | 0:40:18 | 0:40:20 | |
is what they plan to do about it. | 0:40:20 | 0:40:22 | |
So, I've got a fair idea what your favourite property might be... | 0:40:29 | 0:40:34 | |
..but I can never be 100% sure. | 0:40:35 | 0:40:37 | |
So...what is the favourite? | 0:40:37 | 0:40:40 | |
Well, our favourite property definitely was property number two. | 0:40:40 | 0:40:45 | |
How close a second, I take it, was property number one? | 0:40:45 | 0:40:49 | |
Well, that would have been the second choice, but pretty far behind | 0:40:49 | 0:40:54 | |
because there wasn't enough of a garden there at all. | 0:40:54 | 0:40:57 | |
But the inside of the house was really nice. | 0:40:57 | 0:41:00 | |
The couple had really put a lot of love and care into it. | 0:41:00 | 0:41:03 | |
Why was property number two your favourite? | 0:41:03 | 0:41:05 | |
The garden was absolutely perfect. | 0:41:05 | 0:41:08 | |
The garden was the ideal size. | 0:41:08 | 0:41:10 | |
It had a wonderful studio there, | 0:41:11 | 0:41:15 | |
which could be used by either of us for our hobbies. | 0:41:15 | 0:41:18 | |
The house was very historical. | 0:41:18 | 0:41:21 | |
And, at the same time, quite modern | 0:41:23 | 0:41:26 | |
with one section being modern | 0:41:26 | 0:41:28 | |
and the other section being very traditional 16th century | 0:41:28 | 0:41:31 | |
with a very historical atmosphere. | 0:41:31 | 0:41:34 | |
Are you both agreed on the second property then? | 0:41:35 | 0:41:38 | |
We are. We're both agreed on the second property. | 0:41:38 | 0:41:41 | |
-No reservations? -No reservations actually. | 0:41:41 | 0:41:43 | |
It sounds like it's... It's quite an interesting option to you. | 0:41:43 | 0:41:46 | |
What's the next step? | 0:41:46 | 0:41:48 | |
Well, the next step is that we'll probably have another look at it.. | 0:41:48 | 0:41:52 | |
and then we'll go away and give it very serious consideration. | 0:41:52 | 0:41:57 | |
And then who knows? | 0:41:57 | 0:41:59 | |
You may well be living in Suffolk in a partly thatched house. | 0:41:59 | 0:42:03 | |
-How does that sound? -It sounds great. -Marvellous. | 0:42:03 | 0:42:06 | |
Thank you very much, Jonny. | 0:42:06 | 0:42:07 | |
At the start of this, David and Marion said | 0:42:14 | 0:42:16 | |
they would be open-minded, didn't they? | 0:42:16 | 0:42:18 | |
And they're as good as their word. | 0:42:18 | 0:42:19 | |
Let's face it, their favourite property had a thatched roof, | 0:42:19 | 0:42:22 | |
something they said they weren't particularly keen on. | 0:42:22 | 0:42:25 | |
Now they do need to have that second viewing, but I think David's right. | 0:42:25 | 0:42:28 | |
What's needed now is a fact-finding mission. | 0:42:28 | 0:42:31 | |
What's it really like to own a thatched property? | 0:42:31 | 0:42:33 | |
And then, if all the research goes well, | 0:42:33 | 0:42:36 | |
then hopefully soon they'll be making their very own | 0:42:36 | 0:42:38 | |
escape to the country all the way down here to Suffolk. | 0:42:38 | 0:42:43 | |
I hope so. See you next time. | 0:42:43 | 0:42:44 | |
David and Marion did go back to the part-thatched | 0:42:46 | 0:42:49 | |
for a second viewing and are still very keen, | 0:42:49 | 0:42:52 | |
so we hope everything falls into place and they can make a new | 0:42:52 | 0:42:55 | |
life there in the beautiful Suffolk countryside very soon. | 0:42:55 | 0:43:00 | |
If you'd like to escape to the | 0:43:00 | 0:43:02 | |
country in Northern Ireland, Scotland, Wales, England, | 0:43:02 | 0:43:04 | |
or even further afield to the continent and need our help, | 0:43:04 | 0:43:08 | |
please apply online at... | 0:43:08 | 0:43:09 |