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One night, nearly 100 years ago, | 0:00:02 | 0:00:04 | |
the residents of this now-deserted fishing village | 0:00:04 | 0:00:07 | |
were forced to flee their homes | 0:00:07 | 0:00:08 | |
as their houses quite literally collapsed into the sea. | 0:00:08 | 0:00:12 | |
Find out why, and where I am, in just a moment. | 0:00:12 | 0:00:14 | |
Today I am helping a couple searching for the quiet life | 0:00:33 | 0:00:37 | |
find their perfect countryside residence. | 0:00:37 | 0:00:39 | |
The house hunt requires total concentration. | 0:00:39 | 0:00:43 | |
-I can see you're taking it in. -Yes, we are. -Very much so. -Yeah? | 0:00:43 | 0:00:46 | |
It's about the only time I'm quiet. | 0:00:46 | 0:00:49 | |
And one property takes them by surprise. Were you expecting this? | 0:00:49 | 0:00:53 | |
-No. -Not at all. -Not in the slightest. | 0:00:53 | 0:00:55 | |
That's stunning. | 0:00:55 | 0:00:57 | |
Today, I'm in Devon, and this is all that remains from Hallsands village. | 0:00:59 | 0:01:03 | |
Now, early in the 20th century, | 0:01:03 | 0:01:05 | |
half a million tonnes of shingle were taken from this beach | 0:01:05 | 0:01:09 | |
to help construct the naval boatyard in nearby Plymouth. | 0:01:09 | 0:01:13 | |
As a result, the sea wall became unstable | 0:01:13 | 0:01:16 | |
and during a particularly ferocious storm in January 1917, | 0:01:16 | 0:01:20 | |
most of the village collapsed straight into the sea. | 0:01:20 | 0:01:24 | |
It must have been a truly terrifying ordeal for the residents, | 0:01:24 | 0:01:28 | |
as they had to clamber up the cliff to safety. | 0:01:28 | 0:01:31 | |
But these ruins do have a somewhat dramatic beauty | 0:01:31 | 0:01:34 | |
that you can see throughout this wonderful county. | 0:01:34 | 0:01:37 | |
Devon sits in the very heart of southwest England. | 0:01:43 | 0:01:46 | |
With Cornwall to the west, Somerset and a slice of Dorset to the east. | 0:01:46 | 0:01:51 | |
The county is the only one in England | 0:01:53 | 0:01:55 | |
to boast two separate coastlines. | 0:01:55 | 0:01:57 | |
The Bristol and English Channels flow above and below it, | 0:01:57 | 0:02:01 | |
with craggy cliffs and sandy shorelines found on both. | 0:02:01 | 0:02:04 | |
In 1951, the UK declared Dartmoor its fourth national park. | 0:02:05 | 0:02:10 | |
Its 368 square miles are a haven for wildlife | 0:02:10 | 0:02:13 | |
and an additional draw for both dedicated and weekend walkers | 0:02:13 | 0:02:18 | |
who come to enjoy the park's changing seasonal colours. | 0:02:18 | 0:02:22 | |
Agriculture and tourism are the county's staple incomes. | 0:02:23 | 0:02:26 | |
Countless herds of dairy cattle provide some of the raw ingredients | 0:02:26 | 0:02:31 | |
for delicious Devonshire cream teas, | 0:02:31 | 0:02:33 | |
many of which are eagerly consumed | 0:02:33 | 0:02:35 | |
by the 5.5 million annual visitors to the county. | 0:02:35 | 0:02:38 | |
It won't come as a surprise to learn the annual price tag of £286,000 | 0:02:44 | 0:02:50 | |
for a detached home here in Devon is above the national figure. | 0:02:50 | 0:02:55 | |
That's 30,000 above, to be precise. | 0:02:55 | 0:02:57 | |
But those official stats, well, they don't reflect the true story. | 0:02:57 | 0:03:01 | |
Along the county's southern coastline, | 0:03:01 | 0:03:04 | |
well, it's home to some of the most expensive seaside real estate | 0:03:04 | 0:03:07 | |
in the whole of the UK, | 0:03:07 | 0:03:08 | |
which obviously pushes up that average figure. My advice? | 0:03:08 | 0:03:13 | |
Head inland to the market towns like Tavistock or Hatherleigh | 0:03:13 | 0:03:17 | |
and you'll find you'll get more for your money | 0:03:17 | 0:03:19 | |
and that's exactly what today's buyers want to do. | 0:03:19 | 0:03:23 | |
For the past 12 years, company director John and teacher Lynn | 0:03:23 | 0:03:26 | |
have lived in the town of Bromsgrove in the West Midlands. | 0:03:26 | 0:03:30 | |
Their busy careers have led to a work/life imbalance, | 0:03:32 | 0:03:35 | |
but with changes on the horizon, they've decided it's time | 0:03:35 | 0:03:38 | |
to head off to the countryside for a quieter lifestyle. | 0:03:38 | 0:03:41 | |
I've just hit the magic age of 63. | 0:03:42 | 0:03:45 | |
Lynn got offered the chance to retire slightly early. | 0:03:45 | 0:03:49 | |
We've been planning the move to the country for...ten years. | 0:03:49 | 0:03:54 | |
One of the principal things we're really looking forward to | 0:03:54 | 0:03:57 | |
is spending more time together. | 0:03:57 | 0:03:59 | |
Over the last five months, since Lynn started winding down, | 0:03:59 | 0:04:04 | |
and I'm desperately trying to wind down what I'm doing. | 0:04:04 | 0:04:08 | |
Knowing I've done 39 years and 122 days, | 0:04:08 | 0:04:10 | |
I feel it's time for me to have some "me" time | 0:04:10 | 0:04:14 | |
and share some time with my husband! | 0:04:14 | 0:04:16 | |
As a teacher, you do have to compromise | 0:04:16 | 0:04:18 | |
over time you have together, | 0:04:18 | 0:04:20 | |
so this is our time now and that's what we're going to do. | 0:04:20 | 0:04:24 | |
And their choice of Devon is due to a family connection. | 0:04:24 | 0:04:28 | |
One of the things we've always said we would do | 0:04:28 | 0:04:30 | |
is go down to where our son is, towards Plymouth. | 0:04:30 | 0:04:33 | |
Our son got married in February to a lovely girl from Tavistock. | 0:04:33 | 0:04:37 | |
We're quite happy to be near him but not exactly on his doorstep. | 0:04:37 | 0:04:40 | |
A spontaneous couple, the move will give them | 0:04:40 | 0:04:43 | |
more options for exploring the glorious Devon countryside. | 0:04:43 | 0:04:47 | |
I want to get another dog. | 0:04:47 | 0:04:48 | |
I just want to get out there, I just want to enjoy it. | 0:04:48 | 0:04:51 | |
The idea of just sort of loading a dog into the car, | 0:04:51 | 0:04:54 | |
loading a picnic hamper and say, "OK, where are we going?" | 0:04:54 | 0:04:57 | |
Yeah, and that's it. That says it, really. | 0:04:57 | 0:05:00 | |
We've got the picnic hampers ready. | 0:05:00 | 0:05:03 | |
They're hoping this change of pace | 0:05:03 | 0:05:05 | |
will have a knock-on effect elsewhere. | 0:05:05 | 0:05:08 | |
One of the things that's been neglected | 0:05:08 | 0:05:10 | |
over the last five or six years is my gardening. | 0:05:10 | 0:05:13 | |
I tend to be in the assisting gardener role, | 0:05:13 | 0:05:16 | |
I get told what to do and where to go and what to lift and move. | 0:05:16 | 0:05:21 | |
But my passion is growing plants | 0:05:21 | 0:05:23 | |
and I've never had the time over the last few years to go and do it. | 0:05:23 | 0:05:27 | |
And their list of requirements for the new home is very short. | 0:05:27 | 0:05:31 | |
We don't really want an attached house. | 0:05:31 | 0:05:34 | |
Apart from that... | 0:05:34 | 0:05:36 | |
-We're open-minded. -We're pretty open-minded. | 0:05:36 | 0:05:39 | |
I like gardening, but I want to do it on a compact style. | 0:05:39 | 0:05:42 | |
I don't want two acres or five acres of ground | 0:05:42 | 0:05:44 | |
that we can mess around in. | 0:05:44 | 0:05:46 | |
But what we want to do is just go down and explore | 0:05:46 | 0:05:49 | |
and be close to our family. | 0:05:49 | 0:05:50 | |
So how much are they putting into their Devon move? | 0:05:50 | 0:05:54 | |
The budget for the move is £350,000-£400,000. | 0:05:54 | 0:05:58 | |
But we've packed up, ready to go. | 0:05:58 | 0:05:59 | |
We just need somebody to come and buy the house. Small detail! | 0:05:59 | 0:06:04 | |
I can't wait, I just want to go. | 0:06:04 | 0:06:07 | |
John and Lynn have asked us | 0:06:12 | 0:06:13 | |
to focus our search in the west of the county, | 0:06:13 | 0:06:16 | |
to be within reasonable distance from their son in Plymouth. | 0:06:16 | 0:06:19 | |
I met up with them in Devon | 0:06:19 | 0:06:21 | |
to find out more about their proposed relocation. | 0:06:21 | 0:06:24 | |
Well, John and Lynn, welcome to Devon. | 0:06:24 | 0:06:27 | |
You looking forward to the next few days? | 0:06:27 | 0:06:29 | |
-Yes, we are. -Yes, we are. | 0:06:29 | 0:06:30 | |
So what are we looking for in this next house? | 0:06:30 | 0:06:33 | |
Because you have given us quite a blank canvas, which is unusual. | 0:06:33 | 0:06:37 | |
-Very flexible, are you? -As long as it's airy. | 0:06:37 | 0:06:40 | |
Airy. OK, got to be airy. What else? | 0:06:40 | 0:06:42 | |
-Big bedrooms. -How many bedrooms ideally? | 0:06:42 | 0:06:45 | |
-Three minimum. -Yeah. | 0:06:45 | 0:06:46 | |
-There's only the two of us, plus... -But we now have visitors. | 0:06:46 | 0:06:49 | |
Obviously going to get inundated with people once we move down here. | 0:06:49 | 0:06:52 | |
Apart from that, we bought our last house in four minutes, so... | 0:06:52 | 0:06:57 | |
-I can feel the pressure. -No! None at all. | 0:06:57 | 0:07:00 | |
If it feels right, it will be right. | 0:07:00 | 0:07:03 | |
But that's good, if you know your minds, that's good. | 0:07:03 | 0:07:05 | |
It's the atmosphere when you approach and walk into the building. | 0:07:05 | 0:07:08 | |
What about a project? Interested in a project? | 0:07:08 | 0:07:10 | |
No, thank you. | 0:07:10 | 0:07:12 | |
I think those faces said it all, didn't it? | 0:07:12 | 0:07:13 | |
"No thank you, Nicki. No projects. | 0:07:13 | 0:07:15 | |
"We just want a lovely house we can move into." | 0:07:15 | 0:07:17 | |
We're hoping to be busy doing things outside the house, | 0:07:17 | 0:07:19 | |
not necessarily a project with the house. | 0:07:19 | 0:07:21 | |
-If it needs painting, fine, that's OK. -We can organise that. | 0:07:21 | 0:07:23 | |
-Yeah. Purely cosmetic. -Yes. -Great. | 0:07:23 | 0:07:26 | |
Well, we have got the three, one of which is our mystery house, | 0:07:26 | 0:07:29 | |
-so shall we get started? -Yes, please. -Look forward to it. | 0:07:29 | 0:07:32 | |
Armed with a top budget of £400,000 | 0:07:34 | 0:07:37 | |
John and Lynn are looking for a bright and airy detached property | 0:07:37 | 0:07:41 | |
with a minimum of three bedrooms, | 0:07:41 | 0:07:43 | |
a manageable garden for John's plant-growing aspirations, | 0:07:43 | 0:07:47 | |
reasonable distance from their son in Plymouth, | 0:07:47 | 0:07:50 | |
and with glorious views of the West Devon countryside. | 0:07:50 | 0:07:54 | |
Our three properties are very different | 0:07:55 | 0:07:57 | |
and will give them a lot to think about. | 0:07:57 | 0:07:59 | |
The third of which is the mystery house, | 0:07:59 | 0:08:01 | |
guaranteed to test even the most visionary of house-hunters. | 0:08:01 | 0:08:05 | |
But before all that, first on the agenda is house number one. | 0:08:05 | 0:08:09 | |
So, do you think you two are going to be quite compatible | 0:08:10 | 0:08:14 | |
when you're looking at properties, or will your opinions differ? | 0:08:14 | 0:08:17 | |
When we bought the house we're in at the moment, | 0:08:17 | 0:08:19 | |
we walked into this house, it was empty, | 0:08:19 | 0:08:22 | |
it was a three-storey house and we got to the top floor, | 0:08:22 | 0:08:26 | |
looked at each other and nodded. | 0:08:26 | 0:08:28 | |
And I said to the sales agent, "OK, what do we do now?" | 0:08:28 | 0:08:31 | |
And he said, "What you mean?" And I said, "Well, we'll buy it." | 0:08:31 | 0:08:34 | |
And he said, "What do you mean you'll buy it? | 0:08:34 | 0:08:36 | |
"You haven't even discussed it." I said, "Yes, we have. | 0:08:36 | 0:08:38 | |
"We looked at each other and nodded. That was enough." | 0:08:38 | 0:08:40 | |
You're both ready, I can tell. You're like coiled springs. | 0:08:40 | 0:08:43 | |
Ready to make the move to Devon. | 0:08:43 | 0:08:45 | |
My husband has his case packed. | 0:08:45 | 0:08:47 | |
THEY LAUGH | 0:08:47 | 0:08:49 | |
We begin our search in the village of Bratton Clovelly, | 0:08:50 | 0:08:54 | |
a rural community not far from the Cornwall border | 0:08:54 | 0:08:57 | |
around an hour away from their son in Plymouth on the south coast. | 0:08:57 | 0:09:02 | |
Bratton Clovelly is a pretty village of traditional thatched cob cottages | 0:09:02 | 0:09:06 | |
made from a clay, straw and stone mix. | 0:09:06 | 0:09:10 | |
Focal points of the village | 0:09:10 | 0:09:11 | |
are its Norman church and an authentic Devon inn | 0:09:11 | 0:09:15 | |
dating back to the 18th century. | 0:09:15 | 0:09:17 | |
On the fringes of the village is our first property, | 0:09:17 | 0:09:20 | |
a period detached cottage full of character features. | 0:09:20 | 0:09:23 | |
So, welcome to your first property. | 0:09:25 | 0:09:28 | |
It's a rather large cottage. | 0:09:29 | 0:09:31 | |
-That's really nice. -It looks very nice. | 0:09:31 | 0:09:35 | |
Now, originally when it was built, around 1820, it was three cottages. | 0:09:35 | 0:09:40 | |
So three families lived in here, | 0:09:40 | 0:09:42 | |
but you'll be pleased to know it is just one now. | 0:09:42 | 0:09:44 | |
-First impressions good? -Yes. -Very. | 0:09:44 | 0:09:46 | |
-Yes, definitely. -Very good. | 0:09:46 | 0:09:48 | |
You said you'd know pretty instantly, so, so far so good? | 0:09:48 | 0:09:50 | |
-Oh, very much so. -Yeah. | 0:09:50 | 0:09:52 | |
It does have that very cottagey country vibe, doesn't it? | 0:09:52 | 0:09:55 | |
-Yes, it does, yes. Very much so. -Yeah? | 0:09:55 | 0:09:57 | |
-Are you keen to get inside? -Very much so. -Good to go. | 0:09:57 | 0:10:00 | |
A great first impression, which is all-important | 0:10:00 | 0:10:03 | |
for John and Lynn who act on instinct. | 0:10:03 | 0:10:06 | |
Let's hope the interior keeps the wow factor going | 0:10:06 | 0:10:09 | |
with space enough for their visiting friends and family. | 0:10:09 | 0:10:12 | |
So, welcome to our first property. | 0:10:14 | 0:10:16 | |
As you step through the porch, you come straight in to... | 0:10:16 | 0:10:19 | |
Well, at the moment, the way it's been set up, it's a dining room, | 0:10:19 | 0:10:22 | |
but I would call it the first reception room. | 0:10:22 | 0:10:24 | |
I like the fireplace. | 0:10:24 | 0:10:26 | |
Well, the one thing you wanted was light and airy. | 0:10:26 | 0:10:29 | |
Cottages normally aren't light and airy, | 0:10:29 | 0:10:32 | |
although this one, it's pretty open, isn't it? | 0:10:32 | 0:10:35 | |
-Yes, it is. -Yes. -Very much so. | 0:10:35 | 0:10:37 | |
-I can see you're taking it in. -Yes, we are. | 0:10:37 | 0:10:40 | |
-Very much so. -Yeah? | 0:10:40 | 0:10:42 | |
It's about the only time I'm quiet, is when I'm taking something in. | 0:10:42 | 0:10:45 | |
You've got a large study area next door to us here | 0:10:45 | 0:10:47 | |
and then through here another reception room. | 0:10:47 | 0:10:51 | |
This is the second reception room. | 0:10:51 | 0:10:53 | |
I like the fact you go down some stairs. | 0:10:53 | 0:10:56 | |
-I like the room, actually. -Yeah? -Yeah. -Oh, yeah. | 0:10:56 | 0:10:58 | |
-This is an ideal-type living room. -Cosy? | 0:10:58 | 0:11:02 | |
-Mmm. -Mmm. | 0:11:02 | 0:11:04 | |
-And can you see yourselves in this room? -I can. | 0:11:04 | 0:11:08 | |
-It is very big, considering it was three cottages. -Three cottages, yeah. | 0:11:08 | 0:11:12 | |
-Amazing. -And they've actually blended into one quite well. -Yes. | 0:11:12 | 0:11:16 | |
You don't tell, you can't tell it's three. | 0:11:16 | 0:11:18 | |
So, back up the stairs, we turn through to the kitchen. | 0:11:18 | 0:11:22 | |
So you've got a downstairs cloakroom there | 0:11:26 | 0:11:30 | |
and then I would say a real... | 0:11:30 | 0:11:31 | |
Well, I would say a cottagey kitchen, but would you? | 0:11:31 | 0:11:34 | |
-Yes. -Yes, I would. Yes, definitely. Cottagey kitchen. | 0:11:34 | 0:11:37 | |
Nice work surfaces over there. Got this area here. | 0:11:37 | 0:11:41 | |
-Now, what did you use to teach? -Home economics. | 0:11:41 | 0:11:45 | |
-I think you've come alive in here, haven't you? -Yes. | 0:11:45 | 0:11:48 | |
-Yes. -Lovely range over there. | 0:11:48 | 0:11:50 | |
It's good space for a table. That's important. | 0:11:50 | 0:11:54 | |
The good news is we can open the patio doors | 0:11:54 | 0:11:56 | |
-and you can tend to the garden, John. -Yes. | 0:11:56 | 0:11:59 | |
It's difficult to do when you're cooking. | 0:11:59 | 0:12:01 | |
-Do you do the cooking? Do you? -A lot of it, yes. | 0:12:01 | 0:12:03 | |
How did you feel about this part of the cottage so far? The downstairs? | 0:12:03 | 0:12:08 | |
-It's good. -We can live here. -It's got potential. -Yes? | 0:12:08 | 0:12:11 | |
-So it's a good start so far. -Very much so, yeah. | 0:12:11 | 0:12:13 | |
Super, OK. I'll take you and show you the bedrooms. | 0:12:13 | 0:12:16 | |
So the downstairs gets the thumbs-up, | 0:12:19 | 0:12:21 | |
which is all very encouraging. | 0:12:21 | 0:12:22 | |
Hopefully we can continue the feel-good factor upstairs | 0:12:22 | 0:12:26 | |
as we head for the bedrooms, | 0:12:26 | 0:12:27 | |
all served by a traditional family bathroom. | 0:12:27 | 0:12:30 | |
-Oh, look at this. I like this. -Yes, I like that landing. | 0:12:30 | 0:12:34 | |
I'm hearing very positive comments about, | 0:12:35 | 0:12:37 | |
"I'm liking this, I'm liking this landing." | 0:12:37 | 0:12:39 | |
I haven't even shown you the master bedroom. What do you think? | 0:12:39 | 0:12:43 | |
-Oh, this is nice and big, isn't it? -Yeah. | 0:12:43 | 0:12:45 | |
-How many bedrooms did we want? -Three minimum, four probably. | 0:12:45 | 0:12:49 | |
Don't care if it's got more. | 0:12:49 | 0:12:51 | |
Four. | 0:12:51 | 0:12:52 | |
-That's all right. -Four bedrooms, all actually of a good size. | 0:12:52 | 0:12:55 | |
-And a family bathroom. -This is a lovely size, isn't it? | 0:12:55 | 0:12:58 | |
All in all, this is a very nice, airy, good-sized room. | 0:12:58 | 0:13:02 | |
And having that extra bedroom, having the fourth, | 0:13:02 | 0:13:05 | |
does give you options, doesn't it? | 0:13:05 | 0:13:07 | |
-If you want... -More catering, more people visiting. | 0:13:07 | 0:13:10 | |
-Not disappointed at all. -That is a strong first start then, isn't it? | 0:13:10 | 0:13:12 | |
Oh, very much so. Yeah. | 0:13:12 | 0:13:14 | |
So we're going to head downstairs. | 0:13:14 | 0:13:16 | |
We're going to take a look at the garden, what else is around, | 0:13:16 | 0:13:18 | |
and also, I want you to start thinking about price. | 0:13:18 | 0:13:21 | |
-So, John, you lead the way. -OK. -We'll head outside. | 0:13:21 | 0:13:24 | |
Including the footprint of the house, | 0:13:27 | 0:13:29 | |
the secluded lawned grounds bordered by trees and woodland | 0:13:29 | 0:13:32 | |
total around an acre, including an apple and cherry orchard | 0:13:32 | 0:13:35 | |
and its own stream. | 0:13:35 | 0:13:37 | |
Well, you tell me. I'm not going to say what I think about this garden, | 0:13:39 | 0:13:41 | |
but just walking up here, it's all terraced. | 0:13:41 | 0:13:43 | |
What do you think? | 0:13:43 | 0:13:45 | |
Beautifully cared for, thought-out, where the planting is. | 0:13:45 | 0:13:48 | |
It's stunning. It must look beautiful through the seasons. | 0:13:48 | 0:13:51 | |
Very nice. | 0:13:51 | 0:13:53 | |
You've got that huge glasshouse there, | 0:13:53 | 0:13:55 | |
is that going to be right for your ferns and all your potted plants? | 0:13:55 | 0:13:58 | |
Alpines, woodland plants thrive. | 0:13:58 | 0:14:01 | |
Alpines in there, woodland plants, any of the shady spots. | 0:14:01 | 0:14:04 | |
You did say you don't mind | 0:14:04 | 0:14:05 | |
if it doesn't have a lot of garden, just pots. | 0:14:05 | 0:14:08 | |
But now I've showed you this... | 0:14:08 | 0:14:09 | |
What can you say? It's a stunning environment. | 0:14:11 | 0:14:13 | |
-Yeah, you'll feel at home here? -Yep. | 0:14:13 | 0:14:15 | |
-Let's see if the price is ideal. -Yeah, that's a tricky one. | 0:14:15 | 0:14:19 | |
I'm going to go to the top end | 0:14:19 | 0:14:21 | |
and say £390,000-£395,000 maybe even just over £400,000. | 0:14:21 | 0:14:26 | |
-So call it £405,000. -£405,000. OK, John. Lynn? | 0:14:26 | 0:14:29 | |
I'm going to go £385,000. | 0:14:29 | 0:14:31 | |
The current asking price... | 0:14:31 | 0:14:33 | |
is £399,950. | 0:14:33 | 0:14:37 | |
-Yeah, I can understand that. -So £50 change of your top budget. | 0:14:37 | 0:14:41 | |
-Can't wait to see the other two now. -Yeah, this is only house number one. | 0:14:41 | 0:14:45 | |
No, I can't wait to see the other two now. | 0:14:45 | 0:14:47 | |
Why don't you go and have a tour of your own in private? | 0:14:47 | 0:14:50 | |
Don't forget to check out the orchard - | 0:14:50 | 0:14:52 | |
not often I can say that when I'm showing someone a property. | 0:14:52 | 0:14:54 | |
Take your time and I'll find you when you're done. | 0:14:54 | 0:14:57 | |
-Thanks very much. -Thank you. -Thank you. | 0:14:57 | 0:14:59 | |
Coming in £50 short of their top budget at £399,950 | 0:15:02 | 0:15:08 | |
this period detached cottage | 0:15:08 | 0:15:10 | |
gives them the bright and airy feel they're after, | 0:15:10 | 0:15:13 | |
along with four good-sized bedrooms, a kitchen/breakfast room, | 0:15:13 | 0:15:17 | |
extensive gardens, ideal for John's plant growing, | 0:15:17 | 0:15:20 | |
set in an attractive village location | 0:15:20 | 0:15:23 | |
and all within reasonable distance to their son in Plymouth. | 0:15:23 | 0:15:27 | |
The wow factor for me would be the kitchen. | 0:15:29 | 0:15:31 | |
I like the space in there so breakfast in there would be lovely, | 0:15:31 | 0:15:33 | |
but the actual real icing on the cake for me | 0:15:33 | 0:15:36 | |
would be the garden. | 0:15:36 | 0:15:38 | |
I think it's a beautiful space. | 0:15:38 | 0:15:40 | |
When I first saw the property, what I really liked | 0:15:40 | 0:15:42 | |
was the cottagey look from the outside. | 0:15:42 | 0:15:44 | |
And taking the overall impact of the house and the gardens into account, | 0:15:44 | 0:15:48 | |
I would say this is a very serious contender for us to buy. | 0:15:48 | 0:15:53 | |
Good living room, excellent kitchen, excellent size. Dining room was OK. | 0:15:53 | 0:15:58 | |
Sounding rather positive, all this feedback. | 0:15:58 | 0:16:00 | |
I like it when I leave you two on your own talking about our house. | 0:16:00 | 0:16:03 | |
-We don't tend to be negative people. -That's good. | 0:16:03 | 0:16:06 | |
-This is only number one. -Oh, I know. I can't wait! -So you ready? | 0:16:06 | 0:16:09 | |
-Shall we hit the road? -I can't wait. -Going to drag you away. -Yeah, good. | 0:16:09 | 0:16:12 | |
Thank you. | 0:16:12 | 0:16:13 | |
Sitting on the banks of the River Tavy | 0:16:23 | 0:16:25 | |
in the southwest of Devon is the market town of Tavistock. | 0:16:25 | 0:16:28 | |
The town boasts a raft of independent high-street shops | 0:16:28 | 0:16:32 | |
and a vibrant marketplace | 0:16:32 | 0:16:34 | |
encouraging enterprise from local food producers. | 0:16:34 | 0:16:37 | |
This ethos of growing local is no more evident | 0:16:37 | 0:16:39 | |
than at the walled gardens of Maristow. | 0:16:39 | 0:16:42 | |
Once a market garden for an 18th-century country house, | 0:16:42 | 0:16:46 | |
it fell into disrepair. | 0:16:46 | 0:16:47 | |
However, the site's fortunes have been turned around | 0:16:47 | 0:16:51 | |
thanks to garden designer and tenant Jenny Tunley Price. | 0:16:51 | 0:16:55 | |
And as Lynn and John have a horticultural passion, | 0:16:55 | 0:16:58 | |
we sent them to meet Jenny to find out how the local community | 0:16:58 | 0:17:02 | |
plays a role in breathing new life into this garden. | 0:17:02 | 0:17:05 | |
OK, and what are you planning to do here? | 0:17:05 | 0:17:07 | |
Well, I'm aiming to restore the garden to back to full productivity, | 0:17:07 | 0:17:10 | |
but to use the restoration process as a vehicle | 0:17:10 | 0:17:13 | |
for a number of community project. | 0:17:13 | 0:17:15 | |
So we've been working with long-term unemployed young people, | 0:17:15 | 0:17:17 | |
that project came to an end last year. | 0:17:17 | 0:17:19 | |
We're now working with groups of offenders | 0:17:19 | 0:17:22 | |
doing what they used to call community service. | 0:17:22 | 0:17:24 | |
We're working with a charity | 0:17:24 | 0:17:26 | |
helping people with post-traumatic stress disorder | 0:17:26 | 0:17:28 | |
and we're about to start working with school groups as well. | 0:17:28 | 0:17:31 | |
I can't let you leave without coming to get stuck in with us, | 0:17:31 | 0:17:34 | |
so if you'd like to follow me, | 0:17:34 | 0:17:35 | |
I'll take you down and you can give me a hand | 0:17:35 | 0:17:37 | |
-doing a bit of weeding. -Certainly. Well done. | 0:17:37 | 0:17:38 | |
-Come on, then. -Love to. | 0:17:38 | 0:17:40 | |
Jenny leases the gardens from the owners, | 0:17:42 | 0:17:44 | |
the Maristow Charitable Trust. | 0:17:44 | 0:17:47 | |
Once totally overgrown, the gardens are now clear of undergrowth | 0:17:47 | 0:17:51 | |
and Jenny hopes to restore many of its old Victorian features, | 0:17:51 | 0:17:54 | |
including the vine house. | 0:17:54 | 0:17:57 | |
OK, what are you actually going to grow in this patch? | 0:17:57 | 0:17:59 | |
This patch will... | 0:17:59 | 0:18:01 | |
I haven't quite decided, to be honest, but probably herbs. | 0:18:01 | 0:18:04 | |
But the general rule of thumb that I'm using | 0:18:04 | 0:18:06 | |
is that it's whatever you can't get in the supermarkets. | 0:18:06 | 0:18:09 | |
-Good idea. -So, whilst yes, we are doing potatoes | 0:18:09 | 0:18:11 | |
and yes, we're doing French beans, | 0:18:11 | 0:18:13 | |
we are doing purple French beans, yellow ones, | 0:18:13 | 0:18:15 | |
borlotti beans, cannellini beans. You know, those sorts of things. | 0:18:15 | 0:18:20 | |
What are you going to do with all these vegetables | 0:18:20 | 0:18:22 | |
when you've grown them? | 0:18:22 | 0:18:24 | |
Some of them I'll sell here in a shop | 0:18:24 | 0:18:26 | |
and there's a couple of local pubs who want to take what we've got. | 0:18:26 | 0:18:29 | |
But most of it will go through Tamar Grow Local, | 0:18:29 | 0:18:31 | |
which is a social enterprise that I'm involved with | 0:18:31 | 0:18:35 | |
which does a number of things. | 0:18:35 | 0:18:37 | |
It helps set up community growing projects, | 0:18:37 | 0:18:40 | |
but it also acts as an honest broker for small producers like me. | 0:18:40 | 0:18:44 | |
Tamar Grow Local is a non-profit organisation | 0:18:44 | 0:18:47 | |
that supports local food-producers like Jenny | 0:18:47 | 0:18:49 | |
with outlets for the produce. | 0:18:49 | 0:18:51 | |
Jenny also plans for local students to learn about nutrition | 0:18:51 | 0:18:56 | |
and for the produce to supply local schools. | 0:18:56 | 0:18:59 | |
But a key element of this project are volunteers | 0:18:59 | 0:19:02 | |
involved in helping it to grow into a community hub. | 0:19:02 | 0:19:05 | |
So what do you think the volunteers get from this? | 0:19:05 | 0:19:07 | |
There's a wide age range of volunteers | 0:19:07 | 0:19:09 | |
and I think they each get something slightly different. | 0:19:09 | 0:19:12 | |
So those who are, say, students at the university | 0:19:12 | 0:19:15 | |
tend to be quite involved with green issues | 0:19:15 | 0:19:17 | |
-and sustainability agendas and so on. -And the more mature ones? | 0:19:17 | 0:19:20 | |
The more mature ones, I think for them it's more the social aspect | 0:19:20 | 0:19:23 | |
and the feeling of giving something back to the community. | 0:19:23 | 0:19:25 | |
That seems to be the thing that they really enjoy most of all. | 0:19:25 | 0:19:28 | |
Making a difference in your own backyard | 0:19:28 | 0:19:30 | |
seems to be something that really appeals to people. | 0:19:30 | 0:19:33 | |
With the seed of inspiration sewn into our couple's minds, | 0:19:34 | 0:19:37 | |
it's back to our hunt for the perfect property | 0:19:37 | 0:19:40 | |
as our house search continues. | 0:19:40 | 0:19:42 | |
For house number two we head south to the village of Chillaton, | 0:19:49 | 0:19:52 | |
about a 40-minute drive from their son in Plymouth. | 0:19:52 | 0:19:56 | |
Set in a valley to the west of Dartmoor National Park, | 0:19:56 | 0:19:59 | |
Chillaton is surrounded by the stunning Devonshire landscape. | 0:19:59 | 0:20:03 | |
Although mainly a mix of 19th-century stone cottages | 0:20:03 | 0:20:06 | |
and more modern residences, | 0:20:06 | 0:20:07 | |
there have been dwellings here since the 11th century, | 0:20:07 | 0:20:11 | |
with some of its cottages boasting a mention in the Domesday Book. | 0:20:11 | 0:20:15 | |
In the heart of the village is house number two - | 0:20:15 | 0:20:18 | |
a converted property full of character, built in 1866. | 0:20:18 | 0:20:22 | |
So this time I've brought you to the village of Chillaton - | 0:20:25 | 0:20:28 | |
West Devon, Tavistock is about six miles away - | 0:20:28 | 0:20:32 | |
to show you our second house. | 0:20:32 | 0:20:34 | |
-What do you think? -It's different. | 0:20:34 | 0:20:36 | |
Strangely, I can't wait to have a look inside it. | 0:20:36 | 0:20:39 | |
Do you like the stone? The local stone? | 0:20:39 | 0:20:41 | |
Yes, I like the stone. | 0:20:41 | 0:20:42 | |
You were both raring to go with the first property to get inside, | 0:20:42 | 0:20:45 | |
-how do you feel about this one? -The same. Raring to go! | 0:20:45 | 0:20:48 | |
-Do you? -Yes. | 0:20:48 | 0:20:49 | |
-Let's get inside it. -Right. | 0:20:49 | 0:20:50 | |
The period charm of house number two | 0:20:50 | 0:20:53 | |
has certainly aroused their interest. | 0:20:53 | 0:20:55 | |
And as they are looking for a home with a spacious, open feel, | 0:20:55 | 0:20:58 | |
I am hoping to cover that base as we walk through the front door. | 0:20:58 | 0:21:01 | |
-So do come on in... -Wow. | 0:21:03 | 0:21:06 | |
-..to a very small kitchen. -SHE LAUGHS | 0:21:06 | 0:21:08 | |
Wow. | 0:21:09 | 0:21:11 | |
-I just said, "Wow." -Were you expecting this? | 0:21:11 | 0:21:13 | |
-No. -Not at all. | 0:21:13 | 0:21:14 | |
-Not in the slightest. -That's stunning. | 0:21:14 | 0:21:17 | |
-Look at that gallery. -It's fabulous, isn't it? | 0:21:17 | 0:21:20 | |
It's amazing. | 0:21:20 | 0:21:21 | |
That's the last thing I expected when we stood outside. | 0:21:21 | 0:21:24 | |
And it's fabulous that they've kept it so open, | 0:21:24 | 0:21:26 | |
with the mezzanine floor | 0:21:26 | 0:21:28 | |
looking out over the garden and the fields beyond, | 0:21:28 | 0:21:30 | |
-which we'll see a little bit later. -The flooring is nice as well. | 0:21:30 | 0:21:34 | |
Now, the range provides the hot water for this side of the property, | 0:21:34 | 0:21:39 | |
-because this side can be used as a holiday let. -Oh, OK. | 0:21:39 | 0:21:44 | |
You can look that door and use one side of the property. | 0:21:44 | 0:21:47 | |
This side you can rent out - in the high season £600 to £700 a week. | 0:21:47 | 0:21:52 | |
So if you wanted to, and I know you had asked for that, | 0:21:52 | 0:21:54 | |
but with this property you do have that opportunity. | 0:21:54 | 0:21:57 | |
-Bonus. -Yes. | 0:21:57 | 0:21:58 | |
The open-plan living room/kitchen area has hit the spot, | 0:21:58 | 0:22:02 | |
with a gallery study, | 0:22:02 | 0:22:04 | |
it certainly gives them that bright and airy feel they're after. | 0:22:04 | 0:22:07 | |
From here, we head to the two downstairs bedrooms and bathrooms. | 0:22:07 | 0:22:11 | |
So, you have got a large double bedroom there | 0:22:11 | 0:22:13 | |
and a shower and toilet. | 0:22:13 | 0:22:15 | |
And then, in a way, you've got an en suite here | 0:22:15 | 0:22:17 | |
with a freestanding bath, | 0:22:17 | 0:22:18 | |
because I like to think of this as the master bedroom. | 0:22:18 | 0:22:21 | |
It's on the ground floor, but just check out that view. | 0:22:21 | 0:22:25 | |
That's lovely. | 0:22:25 | 0:22:27 | |
We're not getting excited about it, though, are we? | 0:22:27 | 0:22:29 | |
I don't tend to get excited over bedrooms, | 0:22:31 | 0:22:33 | |
because they're either big enough or they're not. | 0:22:33 | 0:22:35 | |
-Is it big enough? -Yeah. | 0:22:35 | 0:22:37 | |
Great, because I have only shown you one half of the house. | 0:22:37 | 0:22:40 | |
Let's go back through that huge kitchen/dining area. | 0:22:40 | 0:22:43 | |
Let me show you the other half and see how it's laid out | 0:22:43 | 0:22:46 | |
and then you can decide which bedroom might be right for you two. | 0:22:46 | 0:22:49 | |
-Yes. -OK. | 0:22:49 | 0:22:50 | |
So far we are getting a mixed reaction to the downstairs. | 0:22:53 | 0:22:56 | |
And even though it's designed to have a holiday-let option, | 0:22:56 | 0:22:59 | |
I hope they can also visualise this as one whole house. | 0:22:59 | 0:23:03 | |
So, bring you to the other side of the house, | 0:23:03 | 0:23:06 | |
where the family live when they are letting out that side. | 0:23:06 | 0:23:10 | |
You've got your sitting room here, | 0:23:10 | 0:23:11 | |
but you've got a second kitchen through there, which they use. | 0:23:11 | 0:23:15 | |
-Ah. -Could make a fantastic utility room because it's huge, | 0:23:15 | 0:23:18 | |
it's got the original flagstones, and that leads out onto the garden. | 0:23:18 | 0:23:22 | |
Above us, you've got a further two bedrooms and a family shower room. | 0:23:22 | 0:23:26 | |
-So you've got four in total. -Yes, we have. | 0:23:26 | 0:23:29 | |
-My inclination is to keep it as one... -Yes. | 0:23:29 | 0:23:33 | |
..having seen that big "wow" kitchen. | 0:23:33 | 0:23:35 | |
-You wouldn't want to give that up, would you? -No. | 0:23:35 | 0:23:37 | |
-No. -No. | 0:23:37 | 0:23:39 | |
I'm not convinced the property IS totally wowing them, | 0:23:39 | 0:23:43 | |
but maybe the garden can add that extra dimension. | 0:23:43 | 0:23:46 | |
So, with our second property, | 0:23:47 | 0:23:49 | |
very different second garden, really. | 0:23:49 | 0:23:51 | |
What do you think? | 0:23:53 | 0:23:54 | |
-This one's a bit like my back garden. -SHE CHUCKLES | 0:23:54 | 0:23:56 | |
I like this garden. I like the way it has been set out. | 0:23:56 | 0:24:00 | |
You've got the wild area here. | 0:24:00 | 0:24:02 | |
Obviously, it's been laid to lawn | 0:24:02 | 0:24:04 | |
and you've got the raised vegetable patches, | 0:24:04 | 0:24:06 | |
but what I particularly like, if you look over the stone wall, | 0:24:06 | 0:24:09 | |
you've got cows in the back. | 0:24:09 | 0:24:11 | |
-Yes. -Beautiful view. You've got the local church up on the hill. | 0:24:11 | 0:24:14 | |
So, we need to get on to money, don't we? | 0:24:14 | 0:24:18 | |
Hmm. I'm going to go 390. | 0:24:18 | 0:24:21 | |
I'm going to say 450. | 0:24:21 | 0:24:23 | |
-John is closest. -SHE LAUGHS | 0:24:25 | 0:24:29 | |
It's actually on the market for £425,000. | 0:24:29 | 0:24:32 | |
Had a feeling it might be. | 0:24:32 | 0:24:34 | |
The owner is aware of your budget | 0:24:34 | 0:24:37 | |
and is happy to negotiate on a sensible offer. | 0:24:37 | 0:24:40 | |
Mm-hm. | 0:24:40 | 0:24:41 | |
Has that changed your opinion? Because I'm not quite sure. | 0:24:41 | 0:24:44 | |
There's elements of this property that you love | 0:24:44 | 0:24:47 | |
and then there's other parts that... | 0:24:47 | 0:24:48 | |
-It's not quite working, is it? -Undecided. No. | 0:24:48 | 0:24:51 | |
I think you two need to have another look around on your own | 0:24:51 | 0:24:53 | |
with that price tag in your mind. | 0:24:53 | 0:24:55 | |
-What do you think? -I think you're right. | 0:24:55 | 0:24:57 | |
-Aw! Go on, then. Enjoy. -Yeah. | 0:24:57 | 0:24:59 | |
This converted 19th-century stone house comes in over budget, | 0:25:01 | 0:25:05 | |
on the market for £425,000, | 0:25:05 | 0:25:08 | |
and gives them four bedrooms, | 0:25:08 | 0:25:11 | |
a huge open-plan living room/kitchen area, | 0:25:11 | 0:25:14 | |
a good-sized garden, an abundance of character, | 0:25:14 | 0:25:17 | |
set in a pretty village location | 0:25:17 | 0:25:19 | |
on the edge of the Dartmoor National Park. | 0:25:19 | 0:25:22 | |
I liked the outside of the property. I thought it looked interesting. | 0:25:23 | 0:25:27 | |
When you walked in, the kitchen, | 0:25:27 | 0:25:29 | |
that definitely had the wow factor for me. | 0:25:29 | 0:25:31 | |
As you go through the property, I think in some degrees | 0:25:31 | 0:25:34 | |
it wasn't as exciting as I found the initial kitchen. | 0:25:34 | 0:25:38 | |
I think this house is quite deceiving. | 0:25:38 | 0:25:41 | |
When I walked in I was stunned by the kitchen | 0:25:41 | 0:25:44 | |
and the general living area and the mezzanine of that area. | 0:25:44 | 0:25:49 | |
Going through to the rest of the property | 0:25:49 | 0:25:51 | |
didn't quite live up to the initial start. | 0:25:51 | 0:25:53 | |
I felt that the first property we saw | 0:25:53 | 0:25:56 | |
was a chocolate-box cottage in a lovely location, | 0:25:56 | 0:25:59 | |
this one didn't quite live up to the same high expectations | 0:25:59 | 0:26:03 | |
I think we got after seeing the first one. | 0:26:03 | 0:26:05 | |
-You could live with that view. -I could live with that view. | 0:26:05 | 0:26:08 | |
-You two have picked the best spot, haven't you? -Yes, we have. | 0:26:08 | 0:26:11 | |
We like class. It's a classy view. | 0:26:11 | 0:26:13 | |
It's fabulous, but that's it for today. Take you back now. | 0:26:13 | 0:26:16 | |
You've got a lot to think about, haven't you? A lot to mull over. | 0:26:16 | 0:26:19 | |
-OK. -Come on. | 0:26:19 | 0:26:20 | |
It's day two of our property search in Devon | 0:26:32 | 0:26:34 | |
with John and Lynn from Bromsgrove, | 0:26:34 | 0:26:36 | |
who have £400,000 to spend on a new country residence. | 0:26:36 | 0:26:40 | |
Coming up, the mystery house leaves John lost for words. | 0:26:40 | 0:26:44 | |
-He's never speechless! -I don't know what. | 0:26:44 | 0:26:47 | |
We've achieved it today with the mystery house. | 0:26:47 | 0:26:49 | |
I just don't know what to say. | 0:26:49 | 0:26:50 | |
And I learn the delicate art of shoemaking. | 0:26:50 | 0:26:54 | |
-So if you've had a bad day... -Exactly. This is very good. | 0:26:54 | 0:26:57 | |
-This is therapeutic. -It's very therapeutic. | 0:26:57 | 0:27:00 | |
Well, I don't know about you, but I thought yesterday went rather well. | 0:27:03 | 0:27:06 | |
John and Lynn were particularly taken with our first property | 0:27:06 | 0:27:10 | |
with that enchanting garden. | 0:27:10 | 0:27:12 | |
So let's see if we can go one better today. | 0:27:12 | 0:27:14 | |
Now, remember, they said we could show them anything | 0:27:14 | 0:27:18 | |
as long as it's detached. | 0:27:18 | 0:27:19 | |
Well, mystery house, bring it on. | 0:27:19 | 0:27:22 | |
For the mystery, we're heading south, | 0:27:27 | 0:27:29 | |
but leaving Devon, stepping over the border into Cornwall | 0:27:29 | 0:27:33 | |
to the village of Harrowbarrow. | 0:27:33 | 0:27:35 | |
Set in the glorious Tamar Valley, | 0:27:35 | 0:27:37 | |
it's around half an hour from Plymouth. | 0:27:37 | 0:27:39 | |
Before we reach the mystery house, I'm taking John and Lynn | 0:27:39 | 0:27:42 | |
for a stroll around the village. | 0:27:42 | 0:27:44 | |
So, we are nearly at the mystery house, | 0:27:46 | 0:27:48 | |
but I wanted to stop off here. | 0:27:48 | 0:27:50 | |
We have crossed the border into Cornwall | 0:27:50 | 0:27:53 | |
-but I think you two guessed that already, didn't you? -Yep. | 0:27:53 | 0:27:56 | |
But the reason we chose | 0:27:56 | 0:27:57 | |
not just the house but the village to show you | 0:27:57 | 0:28:00 | |
was because of the community here. | 0:28:00 | 0:28:02 | |
It used to be a mining village. | 0:28:02 | 0:28:04 | |
I think the 1800s were the boom years, tin and copper. | 0:28:04 | 0:28:07 | |
Obviously, it's changed over the years, | 0:28:07 | 0:28:09 | |
but the locals have put a lot of effort in to keeping that spirit. | 0:28:09 | 0:28:12 | |
We've got a post office, there's a shop, | 0:28:12 | 0:28:14 | |
there's a school, garden centre. | 0:28:14 | 0:28:15 | |
There's even a community orchard. | 0:28:15 | 0:28:17 | |
I think that's the first time I've ever heard of that. | 0:28:17 | 0:28:20 | |
So far, we're getting a thumbs-up, aren't we, | 0:28:20 | 0:28:21 | |
for the location of the mystery house. | 0:28:21 | 0:28:23 | |
-Yes, yes. Two thumbs. -Big time. | 0:28:23 | 0:28:25 | |
-Let's see what you think of the property itself. -OK. | 0:28:25 | 0:28:27 | |
The mystery house will stretch their ability to keep an open mind | 0:28:29 | 0:28:32 | |
to see through its cosmetic quirkiness. | 0:28:32 | 0:28:35 | |
A converted Victorian property, it once was the hub of this community. | 0:28:35 | 0:28:40 | |
So, you have seen the village, now here is your mystery house. | 0:28:40 | 0:28:44 | |
-Wow. Look at that. -Very nice. | 0:28:44 | 0:28:48 | |
That looks very unusual. It's quirky enough for us as well. | 0:28:48 | 0:28:51 | |
-SHE LAUGHS -It's definitely quirky. On a scale of one to ten. | 0:28:51 | 0:28:54 | |
-Definitely a 10! -We like quirky. -Do you? | 0:28:54 | 0:28:56 | |
-Yeah, we do. -Oh, we love quirky. | 0:28:56 | 0:28:58 | |
If you love quirky, you are going to love this property. | 0:28:58 | 0:29:00 | |
It's like stepping into another world. | 0:29:00 | 0:29:02 | |
-Really? -Is it? -It's so is. | 0:29:02 | 0:29:04 | |
It was a Methodist Church originally, | 0:29:04 | 0:29:06 | |
when it was built around 1842, | 0:29:06 | 0:29:08 | |
converted in the 1990s into a home. | 0:29:08 | 0:29:12 | |
Unique is the word. | 0:29:12 | 0:29:14 | |
-So, I know it was an open book with us... -Very much so. | 0:29:14 | 0:29:17 | |
..you didn't mind what you saw as long as it was detached - | 0:29:17 | 0:29:19 | |
with stunning views... | 0:29:19 | 0:29:21 | |
This is detached with stunning views. | 0:29:21 | 0:29:24 | |
-I know, excited now. -You're smirking! | 0:29:24 | 0:29:27 | |
-Should we start the official tour? -Go on. -Yes, please. | 0:29:27 | 0:29:30 | |
A great reaction to the pink palace | 0:29:32 | 0:29:34 | |
and I can't wait to see their faces when we get inside. | 0:29:34 | 0:29:37 | |
The main building was the chapel | 0:29:37 | 0:29:39 | |
and attached on the right was the old Sunday school. | 0:29:39 | 0:29:42 | |
-Oh. -I have to say, welcome to your mystery house! | 0:29:43 | 0:29:49 | |
SHE LAUGHS | 0:29:49 | 0:29:51 | |
Now this is different. Wow! | 0:29:51 | 0:29:54 | |
Yes, it is like it's a scene out of a book. | 0:29:54 | 0:29:57 | |
That's where the altar originally was. | 0:29:57 | 0:29:59 | |
Obviously, it's been converted into the most amazing house. | 0:29:59 | 0:30:03 | |
-Erm...I don't know what to say! -SHE LAUGHS | 0:30:03 | 0:30:07 | |
-He's never speechless! -I don't know what... | 0:30:07 | 0:30:09 | |
We've achieved it today with the mystery house. | 0:30:09 | 0:30:11 | |
I just don't know what to say. | 0:30:11 | 0:30:14 | |
It has huge possibilities with a very good imagination. | 0:30:14 | 0:30:19 | |
I'm just blown away. | 0:30:19 | 0:30:21 | |
-We like him speechless. -Yes. | 0:30:22 | 0:30:24 | |
We left him speechless. Let me show you the kitchen. | 0:30:24 | 0:30:27 | |
An amazing start and the mystery has left John lost for words. | 0:30:28 | 0:30:33 | |
I'm hoping that's a good sign. | 0:30:33 | 0:30:35 | |
So, I'm going to call this the doll's-house kitchen. | 0:30:35 | 0:30:39 | |
-Mm-hm. -And it definitely is. | 0:30:39 | 0:30:42 | |
-It would be a great place for little kids. -Yes. | 0:30:42 | 0:30:44 | |
Once you get past what they've done with the house | 0:30:44 | 0:30:47 | |
and why they have done the house, | 0:30:47 | 0:30:48 | |
-you can see why it would give you a great space for a kitchen. -Yes. | 0:30:48 | 0:30:51 | |
Give you everything you'd want. | 0:30:51 | 0:30:52 | |
Through that door you've also got a utility room | 0:30:52 | 0:30:55 | |
and a downstairs toilet. | 0:30:55 | 0:30:57 | |
-Wow. -This is a big space. | 0:30:57 | 0:30:58 | |
-Yeah. -The whole downstairs is a big space. | 0:30:58 | 0:31:01 | |
You've come back to me now. | 0:31:01 | 0:31:03 | |
I'm getting a bit more chat now, aren't I. | 0:31:03 | 0:31:05 | |
-You were speechless at first, John. -Shocked. -Shocked, yeah. | 0:31:05 | 0:31:07 | |
-But shocked in a good way? -Oh, yeah. -Excellent, excellent! | 0:31:07 | 0:31:10 | |
Nothing negative there. | 0:31:10 | 0:31:11 | |
The downstairs is completed a study | 0:31:14 | 0:31:17 | |
and the old Sunday-school room, which we'll tackle shortly. | 0:31:17 | 0:31:20 | |
But first, we head to the bedrooms, | 0:31:20 | 0:31:23 | |
accessed via the raised dining-area staircase, | 0:31:23 | 0:31:25 | |
leading onto a stunning galleried landing. | 0:31:25 | 0:31:28 | |
With the owners having moved out, the house is only partly furnished, | 0:31:28 | 0:31:33 | |
really putting their imagination to the test. | 0:31:33 | 0:31:35 | |
As you can see, the upstairs doesn't disappoint either. | 0:31:35 | 0:31:40 | |
No. | 0:31:40 | 0:31:41 | |
-No! -Colourful. -Very. Yes, very. | 0:31:42 | 0:31:45 | |
There's a theme going on through this house. | 0:31:45 | 0:31:47 | |
So, this would be the master bedroom, | 0:31:47 | 0:31:49 | |
although you've got four in total. | 0:31:49 | 0:31:51 | |
And two bathrooms. | 0:31:51 | 0:31:53 | |
So, four bedrooms. That's quite a lot. You asked for three. | 0:31:53 | 0:31:56 | |
-Yes. -Yes. -You've got the option. | 0:31:56 | 0:31:57 | |
And, obviously, you've got the fantastic view through the window. | 0:31:57 | 0:32:00 | |
It is. I was just looking at that. Beautiful view. | 0:32:00 | 0:32:03 | |
It's a bit of a decorative project. | 0:32:03 | 0:32:05 | |
-Which is OK. I'm happy with that. -Which is nothing, really, is it? | 0:32:06 | 0:32:09 | |
-I've still got more to show you. -Have you really? -Yes. -Let's go then. | 0:32:09 | 0:32:13 | |
The landing leads us to another galleried staircase | 0:32:14 | 0:32:17 | |
at the opposite end of the property, | 0:32:17 | 0:32:19 | |
leading us back down to the adjoining Sunday-school room. | 0:32:19 | 0:32:22 | |
Going through into the Sunday school. | 0:32:23 | 0:32:28 | |
So when we looked at the chapel, | 0:32:28 | 0:32:29 | |
the building to the right that was attached - this is it. | 0:32:29 | 0:32:32 | |
-Oh, yes. -This is where the lessons would have been on a Sunday. | 0:32:32 | 0:32:35 | |
-It's a big room as well, isn't it? -Yes. | 0:32:35 | 0:32:38 | |
I feel like I'm on a film set. | 0:32:38 | 0:32:39 | |
My brain is on a maelstrom at the moment, | 0:32:39 | 0:32:42 | |
with thoughts about this one. | 0:32:42 | 0:32:44 | |
How do you put a price on something like this though? | 0:32:44 | 0:32:47 | |
Unfortunately, that's the question I'm going to be asking you | 0:32:47 | 0:32:51 | |
in just a little while. | 0:32:51 | 0:32:52 | |
-You can start thinking about that now, can't you? -Yes. | 0:32:52 | 0:32:55 | |
I've thought of nothing else since we walked through the front door! | 0:32:55 | 0:32:58 | |
-Come out to the Mediterranean area. -Oh, right. | 0:32:58 | 0:33:00 | |
John and Lynn are blown away by the mystery house. | 0:33:00 | 0:33:05 | |
But it remains to be seen if the work involved | 0:33:05 | 0:33:07 | |
is more than just cosmetic. | 0:33:07 | 0:33:09 | |
So how is this? | 0:33:09 | 0:33:10 | |
-Beautiful. -Beautiful. -Absolutely stunning. | 0:33:10 | 0:33:13 | |
You have a sun trap. An absolute sun trap. | 0:33:13 | 0:33:15 | |
And you're going to get the sun all afternoon into the evening. | 0:33:15 | 0:33:19 | |
-Just look at the Tamar Valley. -Beautiful. It's stunning actually. | 0:33:19 | 0:33:23 | |
This is why we want to move to this part of the world. | 0:33:23 | 0:33:25 | |
You don't have really a conventional garden, but I can give you a view. | 0:33:25 | 0:33:30 | |
-And somebody else can mow that. -Absolutely. | 0:33:30 | 0:33:33 | |
-But plenty of room for pots and plants. -Very true. | 0:33:33 | 0:33:35 | |
-Perfect? -Perfect. -Yes. | 0:33:35 | 0:33:37 | |
Perfect. Well, can you put a price on this property? | 0:33:37 | 0:33:40 | |
That's a tough one. How do you value this? | 0:33:40 | 0:33:43 | |
-Who wants to go first? -I'll go first. | 0:33:43 | 0:33:45 | |
I'm going to put you on the spot. Give me a price, John. | 0:33:45 | 0:33:48 | |
Probably 425. | 0:33:48 | 0:33:50 | |
I'm going to go for 405. | 0:33:50 | 0:33:53 | |
-Ooh, sneaky! -And Lynn is closest. | 0:33:53 | 0:33:56 | |
-Ah! -395. -OK. | 0:33:56 | 0:33:59 | |
-£395,000. -It's probably worth every penny of it actually. | 0:33:59 | 0:34:04 | |
-Have we given you something to think about with our mystery? -Big time. | 0:34:05 | 0:34:08 | |
-Do you want to have another look around? -Ooh, yeah. | 0:34:08 | 0:34:10 | |
-Yes, we would love to. Thank you. -How long do you need? | 0:34:10 | 0:34:13 | |
-You'll probably need quite a few hours, won't you? -Go and have lunch! | 0:34:13 | 0:34:16 | |
In all seriousness, go on your own, have a look around, | 0:34:16 | 0:34:18 | |
have a really good think and look at it through your eyes, | 0:34:18 | 0:34:22 | |
-what you would do to it if you lived here. -OK. | 0:34:22 | 0:34:24 | |
-Yep. -We will do that. Thank you. -Thank you very much. | 0:34:24 | 0:34:26 | |
Our quirky, mystery Victorian chapel | 0:34:28 | 0:34:32 | |
comes in just under budget at £395,000 | 0:34:32 | 0:34:35 | |
and gives them four bedrooms, | 0:34:35 | 0:34:37 | |
a massive open-plan living and dining space, | 0:34:37 | 0:34:41 | |
a large kitchen/breakfast room, bags of unique character features, | 0:34:41 | 0:34:45 | |
a delightful community village location, | 0:34:45 | 0:34:48 | |
with stunning views | 0:34:48 | 0:34:49 | |
of the glorious Tamar Valley. | 0:34:49 | 0:34:52 | |
-Just look at that view. Would you ever tire of that? -No, never. | 0:34:52 | 0:34:55 | |
What about the lack of a garden, because there is none? | 0:34:55 | 0:34:58 | |
No, but you'd get all your pots in | 0:34:58 | 0:34:59 | |
and you could grow some bigger plants because of the sun, | 0:34:59 | 0:35:02 | |
the heat from the stone. | 0:35:02 | 0:35:03 | |
Oh, certainly could. | 0:35:03 | 0:35:05 | |
This property wouldn't have been one that we'd have considered at all. | 0:35:05 | 0:35:08 | |
But having been brought here, | 0:35:08 | 0:35:10 | |
it opened our eyes to other possibilities | 0:35:10 | 0:35:12 | |
and all the time we walked round, it just makes you smile. | 0:35:12 | 0:35:15 | |
At this moment in time | 0:35:15 | 0:35:17 | |
I'm feeling a sense of wonderment of this mystery house | 0:35:17 | 0:35:20 | |
that really started the moment we walked in the door. | 0:35:20 | 0:35:23 | |
So what was the altar at the far end, it just got bigger and bolder. | 0:35:23 | 0:35:29 | |
The mystery house to me has been absolutely superb. | 0:35:29 | 0:35:33 | |
It's been brilliant. | 0:35:33 | 0:35:34 | |
So, that's the tour of the mystery house over. | 0:35:38 | 0:35:41 | |
-You've got some thinking to do, haven't you? -We have, yes. | 0:35:41 | 0:35:44 | |
-certainly have. -Do you want to go and have a chat | 0:35:44 | 0:35:46 | |
and I'll catch up with you in a little while? | 0:35:46 | 0:35:47 | |
-That's a good idea. -Thank you. -See you in a minute. | 0:35:47 | 0:35:50 | |
We've shown John and Lynn our three properties, | 0:35:51 | 0:35:54 | |
but if you are looking in this beautiful part of the country, | 0:35:54 | 0:35:57 | |
there's still plenty of other houses worth taking a look at. | 0:35:57 | 0:36:01 | |
For the average budget, how about this Grade 2-listed | 0:36:02 | 0:36:05 | |
semidetached two-bedroom cottage in East Ogwell? | 0:36:05 | 0:36:09 | |
Thought to date back several hundred years, | 0:36:09 | 0:36:12 | |
this cottage is full of period character | 0:36:12 | 0:36:14 | |
and is on the market for £256,950. | 0:36:14 | 0:36:18 | |
If your finances can go a little further | 0:36:18 | 0:36:22 | |
than this four-bedroom barn conversion in East Allington | 0:36:22 | 0:36:25 | |
might fit the bill. | 0:36:25 | 0:36:27 | |
With vaulted ceilings, featured beams, | 0:36:27 | 0:36:30 | |
and an open-plan kitchen/dining area, | 0:36:30 | 0:36:33 | |
it's on sale for £350,000. | 0:36:33 | 0:36:35 | |
And should you hanker after single-level living | 0:36:35 | 0:36:38 | |
then his three-bedroom 1930s bungalow in the village of Hunston | 0:36:38 | 0:36:42 | |
is a lovely example. | 0:36:42 | 0:36:44 | |
Complete with its own pond | 0:36:44 | 0:36:45 | |
and stunning views of the Dartmoor National Park, | 0:36:45 | 0:36:47 | |
it has a price tag of £539,950. | 0:36:47 | 0:36:53 | |
Devon has a reputation for its thriving cottage industries. | 0:37:00 | 0:37:03 | |
Designers, jewellery-makers, wood and metal workers | 0:37:03 | 0:37:06 | |
have formed a strong creative communities in the county. | 0:37:06 | 0:37:10 | |
Today I have come to Moretonhampstead | 0:37:10 | 0:37:13 | |
to meet Alison Hastie, who for over 30 years | 0:37:13 | 0:37:16 | |
has used traditional methods to make leather footwear and fashion items. | 0:37:16 | 0:37:20 | |
Must admit - handmade shoes, quite unusual, quite unique. | 0:37:23 | 0:37:27 | |
Indeed, yes. I think there's only about | 0:37:27 | 0:37:29 | |
four or five different companies in the country | 0:37:29 | 0:37:32 | |
that make handmade shoes like this. | 0:37:32 | 0:37:33 | |
-Is that all? -Yes, yes. | 0:37:33 | 0:37:35 | |
Alison, is it possible to see the whole process, | 0:37:35 | 0:37:37 | |
how you make a pair of boots, from start to finish? | 0:37:37 | 0:37:40 | |
Absolutely, Nicki. | 0:37:40 | 0:37:41 | |
You're going to help us and we're going to make you a pair. | 0:37:41 | 0:37:44 | |
-For me? -Yeah, absolutely. -Fantastic. | 0:37:44 | 0:37:46 | |
It takes between four to six hours to make a pair of shoes, | 0:37:46 | 0:37:49 | |
so we'd better get cracking. | 0:37:49 | 0:37:52 | |
Now you've got to choose what colour you want. | 0:37:52 | 0:37:54 | |
I'm a women, that's going to be difficult. | 0:37:54 | 0:37:57 | |
Some factory-made shoes | 0:37:57 | 0:37:58 | |
are comprised of hundreds of small pieces, | 0:37:58 | 0:38:01 | |
but I only need five per shoe. | 0:38:01 | 0:38:03 | |
Using a clicking knife, I score around the pattern, | 0:38:03 | 0:38:06 | |
starting with the vamp at the front of the shoe. | 0:38:06 | 0:38:09 | |
Once I have the ten leather sections, | 0:38:09 | 0:38:11 | |
those are glued onto a sheet of pigskin lining and cut out. | 0:38:11 | 0:38:15 | |
Right, now we are starting to stitch the shoe together. | 0:38:16 | 0:38:20 | |
This is the back strap and the two quarters for the side of the shoe. | 0:38:20 | 0:38:24 | |
-Yes. -We're going to use this fearsome machine. | 0:38:24 | 0:38:27 | |
shoemaking techniques have changed little | 0:38:29 | 0:38:32 | |
since the Industrial Revolution, | 0:38:32 | 0:38:34 | |
with one person making a pair from start to finish. | 0:38:34 | 0:38:37 | |
Because years ago Devon was renowned, wasn't it, | 0:38:38 | 0:38:41 | |
for its leather and for its shoemaking, | 0:38:41 | 0:38:43 | |
but that's all changed in recent years, hasn't it? | 0:38:43 | 0:38:46 | |
Yes, I suppose linked to the farming, | 0:38:46 | 0:38:48 | |
you'd have a lot of leather. | 0:38:48 | 0:38:49 | |
And there is one amazing tannery left in Colyton. | 0:38:49 | 0:38:55 | |
But yes, every town of any size would have had a tannery | 0:38:55 | 0:38:58 | |
and many shoemakers. | 0:38:58 | 0:39:00 | |
Now to stick the uppers to the insole and sew them into place. | 0:39:02 | 0:39:05 | |
The soles are cut from a sheet | 0:39:06 | 0:39:08 | |
and attached with a rubber-solution glue. | 0:39:08 | 0:39:11 | |
So, it goes one on top of the other. | 0:39:13 | 0:39:15 | |
And this is the really technical bit. | 0:39:18 | 0:39:20 | |
So if you have had a bad day... | 0:39:26 | 0:39:27 | |
Exactly. This is very good. | 0:39:27 | 0:39:29 | |
..this is therapeutic. | 0:39:29 | 0:39:31 | |
It's very therapeutic. | 0:39:31 | 0:39:32 | |
The sole is then trimmed and we are almost there. | 0:39:34 | 0:39:38 | |
I'm thrilled. My first pair of handmade shoes, | 0:39:38 | 0:39:41 | |
and may they serve me for many, many miles in comfort. | 0:39:41 | 0:39:44 | |
I think they are going to make all the difference. | 0:39:44 | 0:39:46 | |
-Thank you so much. -It's a pleasure. Thank you. | 0:39:46 | 0:39:48 | |
It's amazing to see a centuries-old craft in action | 0:39:50 | 0:39:53 | |
and I hope Alison continues to preserve this skill | 0:39:53 | 0:39:57 | |
for years to come. | 0:39:57 | 0:39:58 | |
I am delighted with my new footwear, but it's time to hit the road | 0:39:58 | 0:40:02 | |
and see if our couple have come to a decision. | 0:40:02 | 0:40:04 | |
Well, that's it for our house search with John and Lynn, | 0:40:07 | 0:40:10 | |
and I think we have two possible contenders - | 0:40:10 | 0:40:13 | |
the cottage, which they were very taken with, | 0:40:13 | 0:40:16 | |
and then of course our mystery house, the chapel. | 0:40:16 | 0:40:19 | |
So, I'm really excited to hear what they've got to say. | 0:40:19 | 0:40:22 | |
Well, John and Lynn, you gave us quite an open brief. | 0:40:27 | 0:40:31 | |
Did we surprise you? | 0:40:31 | 0:40:32 | |
Yes, especially with the house number three. | 0:40:32 | 0:40:35 | |
Let's start with house number three. | 0:40:35 | 0:40:38 | |
Impactful, I think, is the term for the chapel. | 0:40:38 | 0:40:41 | |
But did we get close? Because we walked around, | 0:40:41 | 0:40:44 | |
got some fantastic responses from you, | 0:40:44 | 0:40:46 | |
but I wasn't sure at the end whether it's a contender or not. | 0:40:46 | 0:40:49 | |
So you tell me. | 0:40:49 | 0:40:51 | |
Very much a contender. | 0:40:51 | 0:40:52 | |
I don't think I've ever been in anything | 0:40:52 | 0:40:54 | |
as remotely quirky as that in my life. | 0:40:54 | 0:40:57 | |
Downstairs was certainly unique. | 0:40:57 | 0:41:00 | |
The pink kitchen was a bit different. | 0:41:00 | 0:41:03 | |
-I thought that caught your eye, John. -Oh, it did. | 0:41:03 | 0:41:06 | |
The lack of a garden was compensated for | 0:41:06 | 0:41:09 | |
by the Mediterranean sun terrace, which is just so multipurpose. | 0:41:09 | 0:41:15 | |
And when you've got the whole of the Tamar Valley to look at, | 0:41:15 | 0:41:18 | |
who needs a big garden? | 0:41:18 | 0:41:19 | |
So, a big thumbs-up for the mystery house, which is fabulous news. | 0:41:19 | 0:41:23 | |
-Second property, we discounted that one? -Yep. | 0:41:23 | 0:41:27 | |
OK. But I have to ask you about the cottage, | 0:41:27 | 0:41:29 | |
because we started off very well, and then the garden - | 0:41:29 | 0:41:33 | |
I think we were all enchanted by that garden, weren't we? | 0:41:33 | 0:41:35 | |
One thing we loved about that garden | 0:41:35 | 0:41:37 | |
is the tiered effect the garden was put in. | 0:41:37 | 0:41:39 | |
And no matter which aspect of the garden you looked at, | 0:41:39 | 0:41:42 | |
there was always something more interesting to see | 0:41:42 | 0:41:44 | |
in the other corner. | 0:41:44 | 0:41:45 | |
And inside for me I found that the house itself | 0:41:45 | 0:41:47 | |
was surprisingly large inside. | 0:41:47 | 0:41:49 | |
With the dual-aspect windows, brought a lot of light into each room. | 0:41:49 | 0:41:53 | |
Upstairs I thought was good but the kitchen for me, | 0:41:53 | 0:41:56 | |
like a kitchen/dining room, was very, very nice. | 0:41:56 | 0:41:59 | |
So where do we go next? | 0:41:59 | 0:42:00 | |
We're probably going to have another look at the first one again. | 0:42:00 | 0:42:04 | |
We'll probably have a look at the pink palace again. | 0:42:04 | 0:42:08 | |
So we've got two to play with. Two second viewings on both. | 0:42:08 | 0:42:12 | |
I wonder which one you might go with. | 0:42:12 | 0:42:13 | |
-We'll let you know. -Please do. | 0:42:13 | 0:42:15 | |
-Thank you both so much. -No, thank you. | 0:42:15 | 0:42:18 | |
I've really enjoyed showing John and Lynn our three properties. | 0:42:23 | 0:42:27 | |
Especially as their brief was to find them homes | 0:42:27 | 0:42:30 | |
they wouldn't have dreamt of looking at themselves. | 0:42:30 | 0:42:33 | |
The good news is, they are considering two out of the three, | 0:42:33 | 0:42:37 | |
and, on a day like today, | 0:42:37 | 0:42:38 | |
well, life doesn't get much better than this. | 0:42:38 | 0:42:41 | |
See you next time. | 0:42:41 | 0:42:42 | |
John and Lynn have since been back for a second viewing | 0:42:43 | 0:42:46 | |
on house number one and the mystery house. | 0:42:46 | 0:42:49 | |
They like both properties | 0:42:49 | 0:42:51 | |
but are waiting until their house is sold | 0:42:51 | 0:42:53 | |
before they proceed any further. | 0:42:53 | 0:42:55 | |
If you'd like to escape to the country | 0:42:55 | 0:42:57 | |
in Scotland, Wales, Northern Ireland or England, | 0:42:57 | 0:43:00 | |
or maybe even further afield to the continent, and need our help, | 0:43:00 | 0:43:04 | |
please apply online at: | 0:43:04 | 0:43:05 |