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For over 100 years, this man's music has resonated in the national consciousness like no other. | 0:00:02 | 0:00:06 | |
But which county was he born in? | 0:00:06 | 0:00:08 | |
Find out in just a moment. | 0:00:08 | 0:00:10 | |
On today's show I'm hoping to find a home for a couple and their horse. | 0:00:28 | 0:00:32 | |
But one of our properties falls at the first hurdle. | 0:00:32 | 0:00:36 | |
It looks a little small. | 0:00:36 | 0:00:37 | |
But then we find a real thoroughbred. | 0:00:37 | 0:00:40 | |
Oh, my word! | 0:00:40 | 0:00:43 | |
That is extraordinary. | 0:00:43 | 0:00:46 | |
Today we're in Worcestershire and this is the village | 0:00:47 | 0:00:50 | |
of Lower Broadheath, and it was in this cottage in 1857 | 0:00:50 | 0:00:53 | |
that the great British composer Edward Elgar was born. | 0:00:53 | 0:00:57 | |
He was the son of a piano tuner and it was following his dad to work | 0:00:57 | 0:01:00 | |
that he was able to show off his musical abilities | 0:01:00 | 0:01:03 | |
to local grandees in their homes. | 0:01:03 | 0:01:06 | |
If you're looking for a classical English landscape, | 0:01:06 | 0:01:09 | |
then look no further than the countryside around the Malvern Hills. | 0:01:09 | 0:01:14 | |
Worcestershire is situated in the heart of the West Midlands | 0:01:15 | 0:01:18 | |
region and its neighbours include Herefordshire to the west | 0:01:18 | 0:01:21 | |
and Gloucestershire to the south. | 0:01:21 | 0:01:24 | |
Despite its proximity to Birmingham, Worcestershire is primarily rural | 0:01:24 | 0:01:28 | |
and the landscape is formed of undulating hills and farmland, | 0:01:28 | 0:01:32 | |
stretching on either side of the River Severn, | 0:01:32 | 0:01:35 | |
which weaves its way through the centre of the county. | 0:01:35 | 0:01:37 | |
Rising up majestically from the Severn Valley, | 0:01:37 | 0:01:40 | |
the Malvern Hills are one of the county's gems. | 0:01:40 | 0:01:44 | |
Known for their natural springs, the Hills' summit | 0:01:44 | 0:01:47 | |
offers some of the best panoramic views anywhere in the country. | 0:01:47 | 0:01:51 | |
At the foot of the hills lies the town of Great Malvern, | 0:01:51 | 0:01:55 | |
which developed as a spa resort in the 19th century, | 0:01:55 | 0:01:58 | |
playing on the healing properties of the local spring water. | 0:01:58 | 0:02:02 | |
Away from the tourist hot spots, | 0:02:02 | 0:02:04 | |
Hanbury Woods is an ancient pasture where livestock once grazed | 0:02:04 | 0:02:08 | |
and is home to some of the oldest trees in Britain. | 0:02:08 | 0:02:11 | |
It's this rural scenery, coupled with delightful towns and villages, | 0:02:13 | 0:02:16 | |
that makes Worcestershire and the Malverns | 0:02:16 | 0:02:19 | |
a popular place to escape to. | 0:02:19 | 0:02:21 | |
The average price for a detached house in Worcestershire | 0:02:25 | 0:02:28 | |
is £261,000, | 0:02:28 | 0:02:31 | |
which is pretty much on a par with the national figure. | 0:02:31 | 0:02:33 | |
There are, of course, regional variations. If you want to live | 0:02:33 | 0:02:36 | |
near the classic market towns of Tenbury Wells, or Bewdley, | 0:02:36 | 0:02:39 | |
then you're going to have to add 20% on top of that average figure. | 0:02:39 | 0:02:43 | |
Generally speaking, the further west you go, the more rural to the | 0:02:43 | 0:02:47 | |
borders of Herefordshire and Shropshire, | 0:02:47 | 0:02:49 | |
then you get more for your money. | 0:02:49 | 0:02:51 | |
Let's find out which of these areas is going to appeal to our buyers today. | 0:02:51 | 0:02:55 | |
For the past 12 years IT consultant Nigel | 0:02:55 | 0:02:58 | |
and Maddy, who's an insurance broker, have lived in this | 0:02:58 | 0:03:01 | |
four-bedroom new build on the outskirts of Southampton. | 0:03:01 | 0:03:05 | |
But with their two children now finished at school | 0:03:05 | 0:03:08 | |
they feel it's time to begin a new chapter in their lives. | 0:03:08 | 0:03:11 | |
It has been a great place to live and raise children, | 0:03:11 | 0:03:14 | |
with good schools and good facilities, | 0:03:14 | 0:03:18 | |
but you feel boxed in because it is an estate at the end of the day. | 0:03:18 | 0:03:22 | |
-It is a very nice estate but it is an estate. -We love this place. | 0:03:22 | 0:03:26 | |
We've lived here for a long time. | 0:03:26 | 0:03:28 | |
It's something we want to move slightly further away from, | 0:03:28 | 0:03:31 | |
from the hustle and bustle. | 0:03:31 | 0:03:32 | |
Maddy, who grew up in the States, works from home for half the week | 0:03:34 | 0:03:37 | |
and Nigel travels around the UK for his job. | 0:03:37 | 0:03:39 | |
They've chosen Worcestershire due to its mix of countryside | 0:03:39 | 0:03:42 | |
and transport connections to the rest of the country | 0:03:42 | 0:03:45 | |
and they're looking for place that's big enough for the whole family. | 0:03:45 | 0:03:48 | |
We've got two boys. Thomas is our youngest | 0:03:50 | 0:03:54 | |
and Alex is our eldest and he's 21. | 0:03:54 | 0:03:57 | |
It could be a possibility that they will be living with us | 0:03:57 | 0:03:59 | |
for the next couple of years, so we need to accommodate for them. | 0:03:59 | 0:04:02 | |
But the boys aren't the only ones we need to think about during our house search. | 0:04:02 | 0:04:07 | |
We'll need to accommodate Busby, too. | 0:04:07 | 0:04:10 | |
Busby is a 17-hand French Percheron horse. | 0:04:10 | 0:04:14 | |
He was definitely a mad purchase of mine. | 0:04:14 | 0:04:18 | |
I used to ride when I lived in America, | 0:04:18 | 0:04:20 | |
when I was a teenager, but I really hadn't ridden any horses, | 0:04:20 | 0:04:24 | |
or kept up the riding for many, many years. | 0:04:24 | 0:04:26 | |
Just by chance last summer I got the opportunity to go to France | 0:04:26 | 0:04:30 | |
and got to go horseback riding as a one-off | 0:04:30 | 0:04:33 | |
and it all came flooding back. | 0:04:33 | 0:04:35 | |
Why have I not done this? | 0:04:35 | 0:04:37 | |
I came back to England and did a bit of research and said, | 0:04:37 | 0:04:40 | |
"Nigel, I'm going to buy a horse". | 0:04:40 | 0:04:42 | |
That's what I did! | 0:04:42 | 0:04:43 | |
SHE LAUGHS | 0:04:43 | 0:04:45 | |
At the moment Busby is about 25 minutes away | 0:04:46 | 0:04:50 | |
and I work from home. I can't go up to see him at lunchtime | 0:04:50 | 0:04:54 | |
because it's too far of a drive to go up there, come back. | 0:04:54 | 0:04:57 | |
I'm hoping the place that we find I might be able to | 0:04:57 | 0:05:00 | |
ride during the lunchtime occasionally. | 0:05:00 | 0:05:03 | |
Whilst Maddy's busy with Busby, | 0:05:03 | 0:05:05 | |
Nigel will be spending time with their other four-legged friends. | 0:05:05 | 0:05:08 | |
We have two dogs. At the moment I take them out at the weekends. | 0:05:08 | 0:05:12 | |
I have to drive them down to Hamble where there's lovely | 0:05:12 | 0:05:15 | |
walking areas and big parks. | 0:05:15 | 0:05:17 | |
So, in an ideal world, I could do with something similar or a lovely | 0:05:17 | 0:05:22 | |
walk in the countryside to take them out just close to the house. | 0:05:22 | 0:05:26 | |
And when they're not with their animals, the couple are down at the | 0:05:27 | 0:05:30 | |
local tennis club, which serves their passion for sport and socialising. | 0:05:30 | 0:05:34 | |
You tend to play against the same couples quite often | 0:05:37 | 0:05:40 | |
and you become good friends. | 0:05:40 | 0:05:41 | |
Some of the people we've even gone on holiday with, | 0:05:41 | 0:05:43 | |
we have become that good friends with them. | 0:05:43 | 0:05:45 | |
Hopefully, we will still have the ideal home in the country | 0:05:45 | 0:05:49 | |
but still not be too far away to have a social life, as well. | 0:05:49 | 0:05:53 | |
Or maybe even build a tennis court in Busby's paddock. | 0:05:53 | 0:05:57 | |
No. | 0:05:57 | 0:05:59 | |
All that's left to find out is how much we've got to play with | 0:05:59 | 0:06:03 | |
for this move to the Worcestershire countryside. | 0:06:03 | 0:06:06 | |
The budget for the move will be £550,000. | 0:06:06 | 0:06:10 | |
Nigel needs to be close to motorway connections for his work | 0:06:15 | 0:06:18 | |
and Maddy's head office is in Bristol | 0:06:18 | 0:06:21 | |
but they would also like to be close to the Malvern Hills | 0:06:21 | 0:06:23 | |
so we're concentrating our property search with that in mind. | 0:06:23 | 0:06:27 | |
-Welcome to the Malverns. -Thank you. -Very nice to see you here. | 0:06:28 | 0:06:32 | |
You don't really know this area very well, do you? | 0:06:32 | 0:06:35 | |
No, it's the first time we've visited here, to be honest. | 0:06:35 | 0:06:37 | |
Why this area? It's strange that you trust us this much. | 0:06:37 | 0:06:41 | |
-Yeah. -It's looking for a property of the right price | 0:06:41 | 0:06:46 | |
in an area that's still close enough to where we work, | 0:06:46 | 0:06:48 | |
where we need to commute. | 0:06:48 | 0:06:51 | |
I've still got family around Bristol and Bath which I'd like to be able to commute to. | 0:06:51 | 0:06:55 | |
You've got the M5 and the M4 corridor, obviously, | 0:06:55 | 0:06:58 | |
an area I can work in and Maddy can work in. | 0:06:58 | 0:07:00 | |
That's the driver for this. | 0:07:00 | 0:07:02 | |
What's your budget? | 0:07:02 | 0:07:04 | |
Right, well, it's £550,000. | 0:07:04 | 0:07:07 | |
There is a lot of ask for that, really, for what we want | 0:07:07 | 0:07:11 | |
because, obviously, land is important to us. | 0:07:11 | 0:07:13 | |
In terms of house, we are a little bit more flexible on that. | 0:07:13 | 0:07:18 | |
-Converted barn. -Yeah. -That's what I'd like. | 0:07:18 | 0:07:20 | |
That doesn't sound very flexible at all! | 0:07:20 | 0:07:22 | |
-You definitely want a converted barn. -That's been my dream. | 0:07:22 | 0:07:25 | |
It's not the be-all and end-all but it's that kind of open plan... | 0:07:25 | 0:07:28 | |
-Open-plan space, yeah. -..which I quite like the idea of. | 0:07:28 | 0:07:32 | |
You know, yeah, that is our dream | 0:07:32 | 0:07:34 | |
but we're willing to be flexible on that. | 0:07:34 | 0:07:37 | |
-You've got a horse, Busby. -Yeah. | 0:07:37 | 0:07:39 | |
How much land..it's an acre a horse, isn't it? | 0:07:39 | 0:07:42 | |
It is, exactly. But they don't like to live by themselves. | 0:07:42 | 0:07:47 | |
-So... -Nigel's face is like that. | 0:07:47 | 0:07:50 | |
-"Another one!" -Yeah, an acre upwards would be ideal. | 0:07:50 | 0:07:53 | |
-But more than an acre, ideally. -More than an acre, ideally. | 0:07:53 | 0:07:56 | |
So you'd like Busby on your land? | 0:07:56 | 0:07:58 | |
Absolutely, that would be a dream for us. | 0:07:58 | 0:08:01 | |
You've got two boys, are they living at home or have they flown the nest? | 0:08:01 | 0:08:04 | |
They're getting closer to flying the nest. | 0:08:04 | 0:08:07 | |
We've got a 21- and a 19-year-old. | 0:08:07 | 0:08:09 | |
Both of them do currently live at home. | 0:08:09 | 0:08:11 | |
What I'm getting at is how many bedrooms do you need? | 0:08:11 | 0:08:14 | |
OK, a minimum of three bedrooms just in case they do come along with us. | 0:08:14 | 0:08:18 | |
So, yeah... | 0:08:18 | 0:08:19 | |
We have some lovely houses lined up. | 0:08:19 | 0:08:21 | |
-I hope that you like them. -Yeah. | 0:08:21 | 0:08:23 | |
-OK, great. -Follow me. -Thank you. | 0:08:23 | 0:08:25 | |
For a budget of £550,000 Nigel and Maddy would love a barn | 0:08:28 | 0:08:31 | |
conversion or, alternatively, a house that's open plan | 0:08:31 | 0:08:34 | |
and light inside. | 0:08:34 | 0:08:37 | |
They'd like a minimum of three bedrooms in case | 0:08:37 | 0:08:39 | |
the boys move with them. | 0:08:39 | 0:08:41 | |
For Maddy, it's less about the house and more about the horse. | 0:08:41 | 0:08:44 | |
She would like a property with at least one acre of land. | 0:08:44 | 0:08:48 | |
We've lined up three properties currently on the market | 0:08:50 | 0:08:52 | |
for Nigel and Maddy to view | 0:08:52 | 0:08:54 | |
and at each one I'll be quizzing them on the cost. | 0:08:54 | 0:08:57 | |
Our last house, the mystery property, | 0:08:58 | 0:09:00 | |
could please one of our buyers but at the expense of the other. | 0:09:00 | 0:09:03 | |
So, Maddy, how long have you been away from America? | 0:09:08 | 0:09:11 | |
Because you've got this wonderful West Country, | 0:09:11 | 0:09:14 | |
sort of, American accent. | 0:09:14 | 0:09:17 | |
Yeah, I came over as a university exchange student in 1989, | 0:09:17 | 0:09:21 | |
actually to Bath College. | 0:09:21 | 0:09:24 | |
I met Nigel, erm, | 0:09:24 | 0:09:28 | |
-and graduated and stayed. I've been here since 1989. -Oh, right. | 0:09:28 | 0:09:32 | |
-Quite some time. -Time enough to get the accent. | 0:09:32 | 0:09:36 | |
It's a bit diluted now. | 0:09:36 | 0:09:38 | |
We are seeing just one property today | 0:09:45 | 0:09:47 | |
and that's located in the small village of Birtsmorton, | 0:09:47 | 0:09:50 | |
not far from the borders with Herefordshire and Gloucestershire. | 0:09:50 | 0:09:53 | |
The nearby village of Longdon has a large range of amenities including | 0:09:53 | 0:09:57 | |
a parish church, primary school and plenty of space to walk the dogs. | 0:09:57 | 0:10:02 | |
It's a ten-minute drive from our first house. | 0:10:02 | 0:10:05 | |
-Nice. -Cute. Yeah. -Very nice. | 0:10:06 | 0:10:10 | |
This is a house that is quite unassuming from the outside. | 0:10:10 | 0:10:14 | |
I actually think you're going to love the inside | 0:10:14 | 0:10:16 | |
-but what are your impressions of the exterior? -Nice. | 0:10:16 | 0:10:19 | |
It's cute. It looks a little small. | 0:10:19 | 0:10:21 | |
-You should hold your judgment until you go inside. -It looks nice on the outside. | 0:10:21 | 0:10:24 | |
-Let's look. -OK. | 0:10:24 | 0:10:26 | |
Maddy doesn't need to worry. | 0:10:26 | 0:10:28 | |
I'm confident the inside, | 0:10:28 | 0:10:30 | |
which has been considerably extended and renovated, will impress. | 0:10:30 | 0:10:34 | |
Come on in. | 0:10:36 | 0:10:38 | |
-This is your sitting room. -That's cosy. | 0:10:38 | 0:10:40 | |
Crumbs, it's nice. It's quite large, actually, isn't it? | 0:10:40 | 0:10:43 | |
-It is large, do you see what I mean? -Yeah. | 0:10:43 | 0:10:45 | |
-That's a wood-burning stove? -Yeah, a wood-burning stove. | 0:10:45 | 0:10:48 | |
And you'll see later on that you have your own source of fuel, | 0:10:48 | 0:10:52 | |
-so that won't be a problem. -OK. -I guessed that from the outside. | 0:10:52 | 0:10:55 | |
Basically, this would have been a farm worker's bungalow | 0:10:55 | 0:10:58 | |
but it was extended this way and at the back | 0:10:58 | 0:11:02 | |
-so it's almost quadrupled in size. -OK. | 0:11:02 | 0:11:06 | |
I'm very surprised, looking at the outside, | 0:11:06 | 0:11:10 | |
doesn't feel like the inside. | 0:11:10 | 0:11:12 | |
Let's look at the kitchen. | 0:11:12 | 0:11:14 | |
-This, I think, is a really lovely space. -Wow! | 0:11:16 | 0:11:19 | |
Oh, crumbs, yeah. | 0:11:19 | 0:11:21 | |
-That's beautiful. -I like the kitchen, the kitchen's very nice. | 0:11:21 | 0:11:24 | |
Very nice, yes. Very spacious. | 0:11:24 | 0:11:27 | |
So what do you think about the sunroom? | 0:11:27 | 0:11:29 | |
It's nice. It's nice how it flows out from the kitchen. | 0:11:29 | 0:11:32 | |
It's almost like a dining room, isn't it? | 0:11:32 | 0:11:34 | |
Yeah, open plan. | 0:11:34 | 0:11:37 | |
Yeah, open living, which is nice. | 0:11:37 | 0:11:39 | |
You can have guests sat there and be cooking. | 0:11:39 | 0:11:41 | |
It's very nice, it's all windows. | 0:11:41 | 0:11:44 | |
Yeah, it's very light. | 0:11:44 | 0:11:46 | |
Yeah, it brings a lot of light into the kitchen. | 0:11:46 | 0:11:48 | |
Also, underfloor heating throughout. | 0:11:48 | 0:11:50 | |
All these parts have underfloor heating. | 0:11:50 | 0:11:53 | |
These are the living quarters. Let's go through to the sleeping quarters. | 0:11:53 | 0:11:56 | |
Sounds good. | 0:11:56 | 0:11:57 | |
Whilst it may not be a barn conversion, | 0:11:57 | 0:12:00 | |
the light open-plan nature of our first property | 0:12:00 | 0:12:02 | |
is drawing our buyers in. | 0:12:02 | 0:12:04 | |
As well as the kitchen and sunroom, | 0:12:04 | 0:12:07 | |
there's also a utility room with space for the white goods | 0:12:07 | 0:12:10 | |
and a further living room at this end of the property. | 0:12:10 | 0:12:13 | |
All the accommodation is arranged across one level | 0:12:13 | 0:12:17 | |
and the three bedrooms are just down the hall. | 0:12:17 | 0:12:19 | |
They're all doubles and all of them have en suite bathrooms. | 0:12:19 | 0:12:23 | |
There's also a spacious study which could be turned | 0:12:23 | 0:12:27 | |
into a fourth bedroom | 0:12:27 | 0:12:29 | |
and a rather stylish family bathroom, | 0:12:29 | 0:12:31 | |
which just leaves the master. | 0:12:31 | 0:12:33 | |
You've got three big bedrooms | 0:12:34 | 0:12:36 | |
and this is used as the master bedroom, it has an en suite. | 0:12:36 | 0:12:39 | |
This is the master? Yeah. | 0:12:39 | 0:12:41 | |
It's a little bit tiny... | 0:12:43 | 0:12:45 | |
I'm surprised because the proportions are so big for the kitchen | 0:12:45 | 0:12:48 | |
-and then... -This is quite small. | 0:12:48 | 0:12:50 | |
A little bit boxy and not a huge amount of storage, | 0:12:50 | 0:12:54 | |
although they have some. | 0:12:54 | 0:12:56 | |
There are also two, three other rooms equally the same size, really, | 0:12:56 | 0:13:00 | |
-but you could perhaps take your pick. -Yeah, yeah. | 0:13:00 | 0:13:03 | |
But they all have en suites so you've got three bedrooms | 0:13:03 | 0:13:06 | |
all with en suites and a family bathroom and a toilet. | 0:13:06 | 0:13:10 | |
-I know the interiors are your bag. -Absolutely. | 0:13:10 | 0:13:13 | |
-But the exteriors are very important to you? -Absolutely. | 0:13:13 | 0:13:16 | |
-I think you're going to like the outside. -I look forward to that. | 0:13:16 | 0:13:19 | |
And I think Busby will feel at home here too | 0:13:19 | 0:13:22 | |
because as well as a large wraparound garden | 0:13:22 | 0:13:24 | |
with decked and lawn areas, | 0:13:24 | 0:13:26 | |
a wooden bridge leads you to a coppice | 0:13:26 | 0:13:28 | |
and beyond that two enclosed paddocks. | 0:13:28 | 0:13:31 | |
All in all, there's three acres of land here | 0:13:31 | 0:13:34 | |
but it might involve a bit of work to turn it into a home for the horse. | 0:13:34 | 0:13:38 | |
-So you have your own woodland. -I know. -Very nice. | 0:13:39 | 0:13:42 | |
It's quite nice. | 0:13:42 | 0:13:43 | |
-What's particularly nice about it is it supplies all your wood for the log burner. -Yeah. | 0:13:43 | 0:13:47 | |
-Then you have this very nice vegetable garden. -Yeah. | 0:13:47 | 0:13:49 | |
And some outbuildings, | 0:13:49 | 0:13:51 | |
but this is where we need to talk about the access, | 0:13:51 | 0:13:53 | |
because this is not an equestrian property | 0:13:53 | 0:13:55 | |
and for you to make it an equestrian property you're going to have to lose that greenhouse, | 0:13:55 | 0:13:59 | |
probably lose the other side of this tack room | 0:13:59 | 0:14:02 | |
and build a driveway that comes down the side of the garage all | 0:14:02 | 0:14:06 | |
-the way along this property over the two brooks into the field. -Right. | 0:14:06 | 0:14:11 | |
It's worth considering, yeah. | 0:14:11 | 0:14:13 | |
-We also have to think about the budget. -Yes. | 0:14:13 | 0:14:16 | |
How much do you think this is going to cost you? | 0:14:16 | 0:14:18 | |
I'm going to say it's on the top of the budget, really. | 0:14:20 | 0:14:23 | |
I was going to say 550. | 0:14:23 | 0:14:25 | |
I'm going to go a little bit lower, I'm going to say 525. | 0:14:25 | 0:14:28 | |
OK, this is on the market for 575. | 0:14:28 | 0:14:32 | |
But the owners are quite open to negotiation | 0:14:32 | 0:14:35 | |
-so I think you could definitely get it in your budget. -Really? -OK. | 0:14:35 | 0:14:38 | |
I'm going to let you explore inside because we haven't looked at all the bedrooms. | 0:14:38 | 0:14:42 | |
-You might find one that's more suitable to your master bedroom needs. -Absolutely. | 0:14:42 | 0:14:45 | |
Also I'd like you to have a look around this side | 0:14:45 | 0:14:47 | |
and see what you might do there. | 0:14:47 | 0:14:50 | |
-See you later. -Cheers. | 0:14:50 | 0:14:51 | |
Priced at £575,000, our first house is just slightly over budget. | 0:14:54 | 0:14:59 | |
It's a much extended, detached country home | 0:14:59 | 0:15:02 | |
situated in a beautiful rural setting. | 0:15:02 | 0:15:05 | |
The accommodation is spacious | 0:15:05 | 0:15:06 | |
and open plan with a light kitchen diner and adjoining sunroom. | 0:15:06 | 0:15:11 | |
There are three bedrooms, all with bathrooms en suite. | 0:15:11 | 0:15:14 | |
The outside space includes a large garden and two paddocks | 0:15:14 | 0:15:17 | |
offering plenty of room for Busby and another horse, | 0:15:17 | 0:15:20 | |
should they want one. | 0:15:20 | 0:15:22 | |
Wow! It's spacious. Let's have a look at this bedroom. | 0:15:24 | 0:15:27 | |
-Another en suite, Nige, look. -Yeah. | 0:15:27 | 0:15:30 | |
-A shower. -Nice shower, nice decorating, really nice. -Yeah. | 0:15:30 | 0:15:33 | |
This looked so small on the outside, | 0:15:33 | 0:15:36 | |
it was amazingly, deceptively big on the inside. | 0:15:36 | 0:15:39 | |
I really like the decor, I like the way the house flows. | 0:15:39 | 0:15:42 | |
I like the openness plan. | 0:15:42 | 0:15:45 | |
I'm quite amazed at, for the money, what you can get in Worcestershire. | 0:15:45 | 0:15:50 | |
I love the interior. | 0:15:50 | 0:15:51 | |
It's a really stunning house. | 0:15:51 | 0:15:53 | |
Outside has obviously got a lot of land, so ideal for the horses. | 0:15:53 | 0:15:57 | |
Yeah, absolutely stunning. | 0:15:57 | 0:15:59 | |
I really was impressed with this house, all round. | 0:15:59 | 0:16:02 | |
How's the weather? | 0:16:04 | 0:16:05 | |
Well, it's not raining. | 0:16:05 | 0:16:07 | |
-Typically English. -Oh. | 0:16:07 | 0:16:09 | |
-Well, a sunny response to house number one? -Absolutely. | 0:16:09 | 0:16:12 | |
Super, absolutely loved it. | 0:16:12 | 0:16:13 | |
That's what we like to hear. | 0:16:13 | 0:16:15 | |
On the banks of the River Severn is one of Worcestershire's | 0:16:23 | 0:16:25 | |
most historic and scenic towns. | 0:16:25 | 0:16:29 | |
Bewdley has long been an important river crossing | 0:16:29 | 0:16:32 | |
and by the 18th century it had become a thriving inland port | 0:16:32 | 0:16:35 | |
with goods arriving from all over the world. | 0:16:35 | 0:16:38 | |
The town's prosperity at that time is reflected in its impressive | 0:16:38 | 0:16:42 | |
Georgian architecture today. | 0:16:42 | 0:16:44 | |
Nigel and Maddy enjoy socialising and are real foodies, | 0:16:44 | 0:16:47 | |
so we're offering them the chance to step back in time | 0:16:47 | 0:16:50 | |
and experience a taste of the past. | 0:16:50 | 0:16:53 | |
Nigel, Maddy, good morning. Welcome to the Copper Pot. | 0:16:55 | 0:16:59 | |
They're meeting the owner of an 18th-century food shop | 0:16:59 | 0:17:02 | |
in Bewdley Museum, Nick Trustram-Eve. | 0:17:02 | 0:17:05 | |
I really like engaging with people on bringing history alive | 0:17:05 | 0:17:08 | |
through the food. | 0:17:08 | 0:17:10 | |
It's really nice to get people to actually taste | 0:17:10 | 0:17:13 | |
what the past was like. | 0:17:13 | 0:17:14 | |
How do you source the local... those old ingredients? | 0:17:14 | 0:17:18 | |
They are still available, we just don't use them | 0:17:18 | 0:17:20 | |
in British cooking generally today. | 0:17:20 | 0:17:23 | |
How do you know they used these ingredients in the olden days? | 0:17:23 | 0:17:26 | |
We have surviving cookbooks. | 0:17:26 | 0:17:28 | |
For example, one of the ones I use is Hannah Glasse. | 0:17:28 | 0:17:31 | |
This is a facsimile copy of it. | 0:17:31 | 0:17:33 | |
-We're working from the original recipes. -OK. | 0:17:33 | 0:17:36 | |
In the 18th century these books were produced for the expanding | 0:17:36 | 0:17:40 | |
-middle classes, what we call the middling. -OK. | 0:17:40 | 0:17:44 | |
We see from this what is available and what they're eating. | 0:17:44 | 0:17:48 | |
One of those recipes is a salad called Salmagundi | 0:17:48 | 0:17:51 | |
which contains herbs that aren't readily available today, | 0:17:51 | 0:17:55 | |
but the museum has its own garden | 0:17:55 | 0:17:57 | |
where these old-fashioned varieties are grown. | 0:17:57 | 0:18:00 | |
One of the first ones we've got is this, salad burnet. | 0:18:00 | 0:18:04 | |
It's been used in this country since the 16th century. | 0:18:04 | 0:18:07 | |
It was used for medicinal purposes | 0:18:07 | 0:18:10 | |
and also it was used to induce perspiration, | 0:18:10 | 0:18:13 | |
a bit like a curry in Indian cooking. | 0:18:13 | 0:18:15 | |
You can have a taste of that. | 0:18:15 | 0:18:18 | |
If you have a chew of that, after a few seconds, | 0:18:18 | 0:18:21 | |
you will find you suddenly get a clean cucumbery taste. | 0:18:21 | 0:18:25 | |
-Mmm. -How about that? -Mm. | 0:18:25 | 0:18:28 | |
You suddenly get that sort of crunchiness and it's cucumber. | 0:18:28 | 0:18:32 | |
That'll go in our salad. | 0:18:32 | 0:18:33 | |
The other one we're going to use from here is winter savoury. | 0:18:33 | 0:18:38 | |
It's quite a hot taste. Have a chew of that. | 0:18:38 | 0:18:41 | |
-It's very peppery. -Mm, definitely. | 0:18:41 | 0:18:44 | |
So use that very sparingly on the Salmagundi. | 0:18:44 | 0:18:48 | |
The herbs are then added to the main ingredients, chopped chicken, | 0:18:49 | 0:18:53 | |
pickled anchovies, eggs and onions arranged on a bed of lettuce. | 0:18:53 | 0:18:57 | |
The salad is being served with other foods from the Georgian era, | 0:18:58 | 0:19:02 | |
onion pie, salmon en croute and a beetroot pancake. | 0:19:02 | 0:19:06 | |
When you're eating in the Georgian period you get a real mix. | 0:19:08 | 0:19:10 | |
We would have had all of these on the table for the same course. | 0:19:10 | 0:19:14 | |
It doesn't matter whether it's sweet, or savoury. | 0:19:14 | 0:19:16 | |
It's so colourful, as well. | 0:19:16 | 0:19:18 | |
What's the origin of the name of that salad? | 0:19:18 | 0:19:20 | |
Because it seems quite an unusual name. | 0:19:20 | 0:19:22 | |
Salmagundi, it's worth making just for the name. | 0:19:22 | 0:19:25 | |
Hey, guys, come and have a Salmagundi. | 0:19:25 | 0:19:27 | |
It may come as a sort of changing of names from the French, | 0:19:27 | 0:19:31 | |
from an Italian, literally for pickled meats. | 0:19:31 | 0:19:34 | |
We have pickled anchovies in there | 0:19:34 | 0:19:38 | |
and you may well have had more pickled meats, pickled vegetables. | 0:19:38 | 0:19:41 | |
There is another nice story for Salmagundi | 0:19:41 | 0:19:44 | |
that they were eaten in the Caribbean. | 0:19:44 | 0:19:47 | |
So it's associated, perhaps, as being a pirate food. | 0:19:47 | 0:19:51 | |
I love this idea of rufty-tufty pirates, | 0:19:51 | 0:19:53 | |
"Oh, let's have a fresh salad!" | 0:19:53 | 0:19:57 | |
With Nigel and Maddy's taste buds tingling, | 0:19:57 | 0:19:59 | |
it's time to tuck into the delicious bounty of Georgian food. | 0:19:59 | 0:20:03 | |
Nice. | 0:20:05 | 0:20:07 | |
Mm, very nice. | 0:20:07 | 0:20:09 | |
Now that our buyers have sampled England's historic culinary | 0:20:09 | 0:20:11 | |
delights, let's hope the final two properties also whet their appetite. | 0:20:11 | 0:20:16 | |
But that's all to come tomorrow. | 0:20:16 | 0:20:19 | |
It's day two of our property search in Worcestershire | 0:20:30 | 0:20:33 | |
and our mission is to help Southampton-based husband and wife | 0:20:33 | 0:20:36 | |
Nigel and Maddy find an equine retreat close to the Malvern Hills. | 0:20:36 | 0:20:40 | |
Still to come, we have two properties to unveil, | 0:20:40 | 0:20:42 | |
including the mystery house which could be the dark horse! | 0:20:42 | 0:20:46 | |
-It's massive! -Wow! | 0:20:46 | 0:20:48 | |
It's glorious summer weather for our second day of property shopping | 0:20:50 | 0:20:54 | |
and we have widened the net somewhat | 0:20:54 | 0:20:56 | |
in order to get that balance of all that lovely horsey | 0:20:56 | 0:20:58 | |
land for Maddy and a big, nice house for Nigel. | 0:20:58 | 0:21:01 | |
We're seeing two properties today, rather unusually. | 0:21:01 | 0:21:04 | |
The first one gives lots of land, the mystery house... | 0:21:04 | 0:21:08 | |
I think it's going to be a challenge for Maddy. | 0:21:08 | 0:21:10 | |
We're beginning the day by heading south-west over the border, | 0:21:11 | 0:21:14 | |
into Gloucestershire and to the hamlet of Kilcot. | 0:21:14 | 0:21:18 | |
The closest village for services is Aston Ingham, | 0:21:18 | 0:21:20 | |
which has a Victorian church, a rather attractive village hall | 0:21:20 | 0:21:24 | |
and a tennis club. | 0:21:24 | 0:21:26 | |
And our second property is just a five-minute drive away. | 0:21:26 | 0:21:29 | |
-House number two. -Oh, my word. | 0:21:31 | 0:21:34 | |
-That is very pretty. -It is a pretty house. | 0:21:35 | 0:21:39 | |
I notice they have solar power on the roof. | 0:21:39 | 0:21:41 | |
These are actually hot water pipes, so these heat the water. | 0:21:41 | 0:21:45 | |
So, on a hot day like today you don't need to turn the immersion on. | 0:21:45 | 0:21:47 | |
-OK. -It's a handsome stone property. | 0:21:47 | 0:21:50 | |
You can see it's been extended at the end there, about 30 years ago. | 0:21:50 | 0:21:53 | |
-Yeah. -You can see the different stone. | 0:21:53 | 0:21:55 | |
One thing about this house is that it's not an equestrian property. | 0:21:55 | 0:21:59 | |
-Mm-hm... -No need for a long face - hah! | 0:21:59 | 0:22:03 | |
Because...it could so easily be one. | 0:22:03 | 0:22:06 | |
Much more easily than yesterday, because look at this. | 0:22:06 | 0:22:09 | |
-Two loose boxes. -OK. | 0:22:10 | 0:22:13 | |
Actually all opened up inside. | 0:22:13 | 0:22:16 | |
Wow, OK, that's a good size, yeah. | 0:22:16 | 0:22:18 | |
And then, follow me. | 0:22:18 | 0:22:20 | |
OK, so...this is all yours. | 0:22:23 | 0:22:28 | |
Really? Oh, my gosh! | 0:22:28 | 0:22:29 | |
That is such a pretty paddock. How many acres? | 0:22:29 | 0:22:33 | |
The whole plot is about 3.2 acres. | 0:22:33 | 0:22:36 | |
-Is it all fenced off? -It's all fenced off. -Oh, it's...unbelievable. | 0:22:36 | 0:22:41 | |
-It's a huge plot. We'll explore a bit later on. -Yes, please. | 0:22:41 | 0:22:44 | |
-OK, so we've won over Maddy. -Yeah. -Just got to convince Nigel. | 0:22:44 | 0:22:47 | |
-Yeah, let's wait and see. -Let's look inside. | 0:22:47 | 0:22:49 | |
'Good reactions to our second property | 0:22:51 | 0:22:53 | |
'but we've got a lot to do to beat the first house. | 0:22:53 | 0:22:57 | |
'We're heading to the newer part of the house via a dining hall | 0:22:57 | 0:23:00 | |
'and study room.' | 0:23:00 | 0:23:02 | |
I'm going to whizz you through those rooms into this big, lovely room. | 0:23:02 | 0:23:06 | |
-This is the extension. -OK. | 0:23:06 | 0:23:08 | |
-So, this was put on about 30 years ago. -Yeah. | 0:23:08 | 0:23:11 | |
But it gives you the big volume. | 0:23:11 | 0:23:13 | |
It's a good space, there's no question, | 0:23:13 | 0:23:15 | |
and it's got good aspect windows and it's light | 0:23:15 | 0:23:17 | |
and you can see out to the garden, so we've got some positives. | 0:23:17 | 0:23:20 | |
It's just you've spoiled me with the first house. | 0:23:20 | 0:23:23 | |
I'm sorry, that's just the way I am. Just showering blessing on you both. | 0:23:23 | 0:23:26 | |
-You have to choose. -Yeah. -But there are lots of lovely features. | 0:23:26 | 0:23:29 | |
I mean, you've got to think about the space here, | 0:23:29 | 0:23:32 | |
because you've got a lovely south-west-facing sort of room. | 0:23:32 | 0:23:34 | |
-Yeah. -Very nice, big log burner. -Light and airy. -Yeah, it's nice. | 0:23:34 | 0:23:38 | |
-It is a nice room. -And you've got to think long term. | 0:23:38 | 0:23:41 | |
-You're not going to have any costs to heat it. -Yeah. | 0:23:41 | 0:23:44 | |
The other house had underfloor heating, which is quite expensive. | 0:23:44 | 0:23:47 | |
Is it, yeah? Let's see the rest of the house. | 0:23:47 | 0:23:49 | |
So bossy. | 0:23:52 | 0:23:54 | |
'As well as the living room, there's also a dining room and separate | 0:23:54 | 0:23:58 | |
'dining hall with wood-burning stove at the older end of the house.' | 0:23:58 | 0:24:03 | |
You come through this smallish snug, | 0:24:03 | 0:24:06 | |
down some steps into a smallish kitchen. | 0:24:06 | 0:24:10 | |
-OK. Oh, yeah. -Pretty small kitchen. | 0:24:10 | 0:24:12 | |
And then through here you've got another small dining room, | 0:24:12 | 0:24:15 | |
so my thought is that you might want to remodel this in some way. | 0:24:15 | 0:24:19 | |
Cos through here you've got a huge utility room. | 0:24:19 | 0:24:23 | |
So, it feels to me there's lots of small bits | 0:24:23 | 0:24:26 | |
-that could add up into bigger rooms. -Yeah. | 0:24:26 | 0:24:29 | |
It's going to take some thinking on how we could make it | 0:24:29 | 0:24:32 | |
-to how we like it and... -Absolutely. | 0:24:32 | 0:24:36 | |
Depends what the price is! | 0:24:36 | 0:24:37 | |
But also you've got to remember this is a beautiful plot. | 0:24:37 | 0:24:41 | |
Absolutely stunning. | 0:24:41 | 0:24:43 | |
And the location you can't change, the house you can change | 0:24:43 | 0:24:46 | |
cos it's not listed, so you could build out, build a sunroom... | 0:24:46 | 0:24:49 | |
That's true. | 0:24:49 | 0:24:51 | |
'Upstairs, this property has four bedrooms - three of those are | 0:24:51 | 0:24:55 | |
'doubles and there's a smaller, single bedroom and family bathroom.' | 0:24:55 | 0:24:59 | |
Unlike the last house there are lots of steps up and down. | 0:24:59 | 0:25:03 | |
There are indeed. | 0:25:03 | 0:25:05 | |
-But this is a much bigger master. -This is huge, isn't it? | 0:25:05 | 0:25:08 | |
Yeah, it's a good size. | 0:25:08 | 0:25:09 | |
It's lovely, it looks out the fields and the paddock and the garden. | 0:25:09 | 0:25:13 | |
-This is a lovely room. -Yeah. | 0:25:13 | 0:25:15 | |
Through here you've got a very nice en suite. | 0:25:15 | 0:25:18 | |
No, it's beautiful. | 0:25:18 | 0:25:20 | |
-Mm. -Beautiful. | 0:25:20 | 0:25:22 | |
-The B word. Very good. -Beautiful, but needs redecorating. | 0:25:22 | 0:25:26 | |
It's whether you're the sort of people that like to do | 0:25:26 | 0:25:28 | |
that sort of thing, whether you like to get architects in, | 0:25:28 | 0:25:30 | |
-knock down walls... -Yeah, yeah. | 0:25:30 | 0:25:32 | |
-We're not DIY people, are we? -Certainly not. -So... | 0:25:32 | 0:25:35 | |
-Well, these are not the sort of things you'd do yourself. -No, no. | 0:25:35 | 0:25:38 | |
-It's whether there's money in the budget. -Exactly. | 0:25:38 | 0:25:41 | |
-That's the key question. -Yeah, that'll be the big question. | 0:25:41 | 0:25:44 | |
Luckily it's the question I'm going to ask you very shortly. Follow me. | 0:25:44 | 0:25:48 | |
'Along with the paddock and outbuildings, | 0:25:48 | 0:25:50 | |
'the garden, to the side and rear of the property, | 0:25:50 | 0:25:52 | |
'is made up of patio areas with steps leading to a large lawn | 0:25:52 | 0:25:56 | |
'and great views of the surrounding countryside.' | 0:25:56 | 0:26:00 | |
I get the impression the outside is a winner, | 0:26:00 | 0:26:02 | |
the inside has a few question marks. | 0:26:02 | 0:26:04 | |
I want to like the inside, I really do | 0:26:04 | 0:26:06 | |
-because the outside is just so gorgeous. -There's a lot of work. | 0:26:06 | 0:26:10 | |
Huge amount of decoration. As you say, probably a lot of remodelling. | 0:26:10 | 0:26:13 | |
So, how much do you think it's on the market for? | 0:26:13 | 0:26:16 | |
I say it's on the top of the budget - 550? | 0:26:16 | 0:26:19 | |
I'm going to go lower cos I think they realise it's a lot of work | 0:26:19 | 0:26:22 | |
to do to the house, so I'm going to go for... | 0:26:22 | 0:26:25 | |
500. | 0:26:25 | 0:26:27 | |
Well, if you split the difference it's on the market for 530. | 0:26:27 | 0:26:30 | |
-OK. -OK. -So, you'd have £20,000 to remodel. -Yeah, yeah. | 0:26:30 | 0:26:34 | |
Which is a considerable budget for what needs to be done in the house | 0:26:34 | 0:26:38 | |
-cos it's not insurmountable. -No. | 0:26:38 | 0:26:40 | |
Why don't you two go inside and have a look around, maybe try and put on | 0:26:40 | 0:26:43 | |
your imagination goggles and see through the decor | 0:26:43 | 0:26:46 | |
-and see if you could make it work for yourself? -Sounds good, let's go. | 0:26:46 | 0:26:49 | |
Let's have a look. | 0:26:49 | 0:26:50 | |
'On the market for £530,000, our second property | 0:26:51 | 0:26:55 | |
'is under Nigel and Maddy's budget. | 0:26:55 | 0:26:58 | |
'It's a detached, stone-built former cottage, | 0:26:58 | 0:27:01 | |
'sitting in three acres of land. | 0:27:01 | 0:27:03 | |
'The accommodation includes a large living room, | 0:27:03 | 0:27:06 | |
'various reception rooms and four bedrooms. | 0:27:06 | 0:27:09 | |
'Outside there's a paddock and stone outbuilding for Busby, the horse.' | 0:27:09 | 0:27:13 | |
The paddock, you can see my horse in there. | 0:27:15 | 0:27:18 | |
I can just see him grazing away happily. | 0:27:18 | 0:27:20 | |
From the house you could see the horse. | 0:27:20 | 0:27:23 | |
The outside space had so much going for it. | 0:27:23 | 0:27:25 | |
Inside, it's a lovely, lovely house. It's just postcard perfect. | 0:27:25 | 0:27:30 | |
So, I just want to like it but I don't! | 0:27:30 | 0:27:33 | |
Outside is absolutely stunning. It's like having your own rolling hills | 0:27:33 | 0:27:37 | |
and your garden is just beautiful. | 0:27:37 | 0:27:39 | |
Unfortunately, the inside doesn't do it for me at all. | 0:27:39 | 0:27:43 | |
Downstairs - total remodelling. | 0:27:43 | 0:27:45 | |
Upstairs - totally redecorating. | 0:27:45 | 0:27:47 | |
Not a contender for me. | 0:27:47 | 0:27:49 | |
-All done inside? -Yeah. | 0:27:49 | 0:27:51 | |
Done with your head scratching about the interiors? | 0:27:51 | 0:27:54 | |
-Yeah. -A lot of head scratching, yeah. -It's a challenging property. | 0:27:54 | 0:27:57 | |
It very much is, yeah. | 0:27:57 | 0:27:59 | |
-But we do have the mystery house to come. -Yes. Looking forward to that. | 0:27:59 | 0:28:03 | |
Go for it. | 0:28:03 | 0:28:05 | |
'We've got one last property to show Nigel and Maddy today. | 0:28:08 | 0:28:11 | |
'And as it's the mystery house, we're going the extra mile. | 0:28:11 | 0:28:14 | |
'We're heading further away from the Malvern Hills | 0:28:14 | 0:28:17 | |
'and into Herefordshire and to the hamlet of Weston. | 0:28:17 | 0:28:20 | |
'The closest village is Pembridge, | 0:28:20 | 0:28:23 | |
'with its pretty black and white architecture | 0:28:23 | 0:28:25 | |
'and a church with, unusually, a separate bell tower. | 0:28:25 | 0:28:30 | |
'Many of the timber-frame buildings in the village | 0:28:30 | 0:28:32 | |
'are over 500 years old.' | 0:28:32 | 0:28:34 | |
What do you think the mystery house might involve? | 0:28:36 | 0:28:39 | |
-I've no idea. -No idea at all. | 0:28:39 | 0:28:41 | |
I have a little bit of trepidation. | 0:28:41 | 0:28:44 | |
What are your trepidatious thoughts? | 0:28:44 | 0:28:46 | |
I think the worst could be a plot of land that, again, | 0:28:46 | 0:28:50 | |
we have to envision, you know, building it from scratch. | 0:28:50 | 0:28:54 | |
Ideally, it would be great if we have the space and the houses together. | 0:28:54 | 0:28:59 | |
What about you, Nigel? What do you think we might be showing you? | 0:28:59 | 0:29:02 | |
-What do you HOPE we might be showing you? -No idea. | 0:29:02 | 0:29:05 | |
You want a converted barn, say it. | 0:29:05 | 0:29:06 | |
Yes, I'd like a converted barn. That's my ideal house. | 0:29:06 | 0:29:09 | |
'With the mystery house we're giving Nigel what he wants. | 0:29:14 | 0:29:17 | |
'But Maddy may have to compromise. | 0:29:17 | 0:29:19 | |
'And I'm keen to see how she'll react.' | 0:29:19 | 0:29:23 | |
-Ha-ha. -It's the barn! | 0:29:23 | 0:29:25 | |
Nigel... | 0:29:25 | 0:29:27 | |
this is your big moment. | 0:29:27 | 0:29:30 | |
-It's a converted barn. -The converted barn. Looks lovely. | 0:29:30 | 0:29:33 | |
-It looks really nice. -It's a huge house. | 0:29:33 | 0:29:36 | |
It's not a lot of land. | 0:29:36 | 0:29:38 | |
-Oh. -That's the mystery. | 0:29:38 | 0:29:41 | |
THEY LAUGH | 0:29:41 | 0:29:43 | |
But there is so much land around here and the owners assure us | 0:29:43 | 0:29:48 | |
that you could rent acres and acres of land within walking distance. OK? | 0:29:48 | 0:29:54 | |
-OK. -But I think you're "Oohs" and "Aahs" might come | 0:29:54 | 0:29:57 | |
-when we get inside. -Yeah? -OK. | 0:29:57 | 0:29:59 | |
-I don't want to prejudge but... Let's have a look. -So far so good. | 0:29:59 | 0:30:04 | |
'So, our third house is a converted L-shaped barn. | 0:30:04 | 0:30:08 | |
'One wing is double-storey but the other takes advantage | 0:30:08 | 0:30:11 | |
'of the ceiling space to create a fantastic reception room.' | 0:30:11 | 0:30:15 | |
-I'm going to take you straight into the "kapow" moment. -Oh, my word! | 0:30:17 | 0:30:23 | |
-It's massive. -Wow. | 0:30:23 | 0:30:25 | |
Yeah, that is a converted barn. It's beautiful. | 0:30:25 | 0:30:28 | |
That's formal dining. | 0:30:28 | 0:30:31 | |
This is formal dining. | 0:30:31 | 0:30:32 | |
-That is extraordinary. -Yeah. | 0:30:32 | 0:30:35 | |
High, high ceilings, skylights, | 0:30:35 | 0:30:37 | |
which is kind of unusual in a barn conversion. | 0:30:37 | 0:30:39 | |
OK. Get more light, yeah. | 0:30:39 | 0:30:42 | |
-And obviously this mezzanine area up there. -Yes. | 0:30:42 | 0:30:45 | |
It's almost worrying, it's so big. | 0:30:45 | 0:30:46 | |
But they have a lot of stuff and it still...feels spacious. | 0:30:46 | 0:30:51 | |
But I'm sure we could fill it. | 0:30:51 | 0:30:53 | |
I'm sure we could fill it. | 0:30:53 | 0:30:55 | |
You've got a study at the end there, which is sort of, you know, | 0:30:55 | 0:30:58 | |
doors that you can shut. And also this potential, | 0:30:58 | 0:31:00 | |
you could have another bedroom or another second study at the top. | 0:31:00 | 0:31:03 | |
-Yeah. -Spectacular. -The beauty continues. | 0:31:03 | 0:31:07 | |
Coming into the kitchen, after that room, it feels a little poky. | 0:31:07 | 0:31:11 | |
Just a little. | 0:31:11 | 0:31:13 | |
-But for most of it it's massive. -Nice Shaker-style kitchen. | 0:31:13 | 0:31:17 | |
It's a pretty substantial size. There's no doubt about that. | 0:31:17 | 0:31:20 | |
So, this would be, I guess, your lunch and breakfast room. | 0:31:20 | 0:31:24 | |
Yeah, every day. | 0:31:24 | 0:31:26 | |
-As opposed to formal dining. -Yeah. | 0:31:26 | 0:31:28 | |
Can you imagine coming down in the morning, | 0:31:28 | 0:31:30 | |
-making yourself a cup of tea, padding around? -Yeah, I can. | 0:31:30 | 0:31:33 | |
-Yeah? -Definitely. -I think we'd need more animals! | 0:31:33 | 0:31:37 | |
To fill the barn. | 0:31:37 | 0:31:39 | |
-It keeps on going. -OK. -So, follow me. | 0:31:39 | 0:31:41 | |
'As well as the double-height dining hall and the kitchen, | 0:31:44 | 0:31:47 | |
'the ground floor also features a large sitting room | 0:31:47 | 0:31:50 | |
'with wood-burning stove and, beyond that, a large office, | 0:31:50 | 0:31:54 | |
'a generous utility room and a ground-floor shower room. | 0:31:54 | 0:31:58 | |
'Upstairs there are three bedrooms in this property | 0:31:58 | 0:32:01 | |
'and they're all doubles, built into the eaves and with exposed timbers. | 0:32:01 | 0:32:05 | |
'Two of the bedrooms have en suite bathrooms. | 0:32:05 | 0:32:08 | |
'One of those has a his-and-hers sink and roll-top bath. | 0:32:08 | 0:32:12 | |
'And it's part of the impressive master suite.' | 0:32:12 | 0:32:14 | |
You have three bedrooms upstairs. | 0:32:16 | 0:32:19 | |
-This is yours. -Oh, my God - look at that closet! | 0:32:19 | 0:32:23 | |
Yes. | 0:32:23 | 0:32:25 | |
-So, it's not really a closet, it's actually a dressing room. -It is! | 0:32:25 | 0:32:29 | |
-Oh, my word! -It's pretty substantial, isn't it? -Yeah. -Again! | 0:32:29 | 0:32:33 | |
I like to have a sofa in my bedroom. | 0:32:33 | 0:32:36 | |
So I can just think about getting into bed. | 0:32:36 | 0:32:40 | |
-I'll let you explore cos there's a lot more to see. -Yes, please. | 0:32:40 | 0:32:42 | |
But I just want to pop outside so we can talk about Busby | 0:32:42 | 0:32:46 | |
-and think about budget. -Yes. -OK. | 0:32:46 | 0:32:50 | |
The B word. | 0:32:50 | 0:32:51 | |
'Although not large enough to accommodate the horse, | 0:32:51 | 0:32:54 | |
'the garden is made up of a spacious lawn with raised vegetable beds | 0:32:54 | 0:32:58 | |
'and there's also a sheltered patio area, | 0:32:58 | 0:33:01 | |
'as well as a gravel driveway and single garage.' | 0:33:01 | 0:33:04 | |
It is actually a lovely garden. | 0:33:04 | 0:33:06 | |
-It's not a paddock. -No. It's not a paddock. | 0:33:06 | 0:33:10 | |
-But it is beautiful. -What do you think it's on the market for? | 0:33:10 | 0:33:14 | |
I get it wrong all the time but I'm going to say it's | 0:33:14 | 0:33:17 | |
the top of the budget - 550 - because it's a stunning, stunning barn. | 0:33:17 | 0:33:24 | |
I'm going above that, actually, again. 575. | 0:33:24 | 0:33:28 | |
-You say yes? -Yeah, it's probably pushing the ceiling. I'd say 575. | 0:33:28 | 0:33:34 | |
Well, you shouldn't cos you were right the first time. | 0:33:34 | 0:33:36 | |
-It's on the market for 550. -Really? On the mark. -So, in your budget. | 0:33:36 | 0:33:41 | |
-Your dream barn could be yours, Nigel. -It's big. It's huge. -It is. | 0:33:41 | 0:33:46 | |
-It's almost too big. -It's overwhelming! | 0:33:46 | 0:33:49 | |
Never say too big. | 0:33:49 | 0:33:51 | |
I mean, the thing that worries me is that room there. | 0:33:51 | 0:33:55 | |
I can't visualise it yet, it's just so vast - what you put in there | 0:33:55 | 0:33:58 | |
and what you do with it. | 0:33:58 | 0:33:59 | |
Why don't you head back in and explore a bit further? | 0:33:59 | 0:34:02 | |
-And then I'll meet you in your palatial garden. -OK. | 0:34:02 | 0:34:05 | |
Sounds good, let's go. | 0:34:05 | 0:34:06 | |
That is very interesting | 0:34:09 | 0:34:10 | |
because I thought it was going to be a complete deal breaker, | 0:34:10 | 0:34:13 | |
not having the land for Busby, but Busby lost out. | 0:34:13 | 0:34:16 | |
'Priced at £550,000, | 0:34:18 | 0:34:20 | |
'our mystery house is right at the top of Nigel and Maddy's budget. | 0:34:20 | 0:34:24 | |
'It's a spacious converted barn - which is what Nigel asked for - | 0:34:24 | 0:34:28 | |
'but there's no room at the inn for the horse. | 0:34:28 | 0:34:31 | |
'The accommodation includes a magnificent dining hall | 0:34:31 | 0:34:34 | |
'with high ceiling and an equally impressive master bedroom. | 0:34:34 | 0:34:37 | |
'There are three bedrooms in total | 0:34:37 | 0:34:39 | |
'and the possibility to create more if needed. | 0:34:39 | 0:34:42 | |
'The garden is largely laid to lawn | 0:34:42 | 0:34:44 | |
'and there are options nearby to rent land for a paddock.' | 0:34:44 | 0:34:48 | |
Oh, my word - another room! Another one. | 0:34:48 | 0:34:51 | |
-It's like a rabbit -warren. We could turn this into a bedroom, easy. | 0:34:51 | 0:34:54 | |
-Yeah. I mean, you could easily get a double bed in here. -Yeah. | 0:34:54 | 0:34:58 | |
The mystery house is absolutely stunning, amazing. | 0:34:58 | 0:35:02 | |
I was a little bit disappointed | 0:35:02 | 0:35:04 | |
when I found out there wasn't enough land for Busby. | 0:35:04 | 0:35:07 | |
I'm in a little bit of a conundrum. | 0:35:07 | 0:35:09 | |
There's a few things I need to look into with regards to the | 0:35:09 | 0:35:13 | |
location of the house and getting to Bristol and where I need to be. | 0:35:13 | 0:35:17 | |
And Busby, you know, finding a livery. | 0:35:17 | 0:35:20 | |
But on the other hand, it is absolutely stunning. | 0:35:20 | 0:35:23 | |
I don't want to miss an opportunity. | 0:35:23 | 0:35:25 | |
This house is absolutely magnificent. | 0:35:25 | 0:35:27 | |
It is a barn conversion, the barn conversion I was asking for. | 0:35:27 | 0:35:31 | |
It's got everything. It's so large, actually. | 0:35:31 | 0:35:34 | |
Some of the rooms I can't even picture what to do with at the moment. | 0:35:34 | 0:35:37 | |
All in all it's pretty spectacular. | 0:35:37 | 0:35:39 | |
Going to have to drag you two away from your dream barn, I'm afraid. | 0:35:41 | 0:35:44 | |
Yeah, it's pretty special. | 0:35:44 | 0:35:46 | |
'Worcestershire is home to one of the most historically | 0:35:54 | 0:35:57 | |
'important country estates in the West Midlands - Croome Court. | 0:35:57 | 0:36:00 | |
'The former home of the Earls of Coventry, | 0:36:00 | 0:36:03 | |
'it was remodelled in the 18th century by the landscape artist | 0:36:03 | 0:36:07 | |
'"Capability" Brown, | 0:36:07 | 0:36:08 | |
'with the palatial interiors designed by Robert Adam, | 0:36:08 | 0:36:11 | |
'both trailblazers in the world of architecture at the time. | 0:36:11 | 0:36:14 | |
'But decades of neglect under private ownership saw | 0:36:14 | 0:36:18 | |
'the building fall into disrepair | 0:36:18 | 0:36:20 | |
'and the worst hit was the Grade I listed Red Wing. | 0:36:20 | 0:36:23 | |
'Today it's part of a £5 million repair project involving | 0:36:23 | 0:36:26 | |
'the entire house, which is being managed by the National Trust. | 0:36:26 | 0:36:30 | |
'I've come to meet the building's project manager, Sean Wilkes.' | 0:36:30 | 0:36:34 | |
So, tell me about the Red Wing. | 0:36:34 | 0:36:36 | |
It was a service wing to ensure the smooth running of the courts. | 0:36:36 | 0:36:39 | |
-So, this is where the servants, all the undesirables...? -Exactly. | 0:36:39 | 0:36:44 | |
Of course, yes. | 0:36:44 | 0:36:45 | |
On the upper floors you would have had servants' accommodation | 0:36:45 | 0:36:49 | |
and on the lower floors you would have had kitchens. | 0:36:49 | 0:36:51 | |
And when the Trust got involved, | 0:36:51 | 0:36:52 | |
what sort of state of repair was it in? | 0:36:52 | 0:36:55 | |
It was in a terrible state of repair. It was about to collapse. | 0:36:55 | 0:36:57 | |
It had already suffered partial collapse, some of the internal floors | 0:36:57 | 0:37:00 | |
had collapsed and we got here just in time. | 0:37:00 | 0:37:02 | |
We're standing on a fairly significant scaffolding, | 0:37:02 | 0:37:05 | |
which was the first thing that was erected, along with a temporary roof. | 0:37:05 | 0:37:08 | |
And I think the building wouldn't have stood another winter. | 0:37:08 | 0:37:11 | |
We have saved quite a lot of the original building. | 0:37:11 | 0:37:14 | |
-Here you can see that's a new bit of oak. -Yeah. | 0:37:14 | 0:37:18 | |
-And this is presumably an old bit? -Exactly. | 0:37:18 | 0:37:20 | |
The bottom section was rotten | 0:37:20 | 0:37:22 | |
but there was enough left of the original timber to warrant saving. | 0:37:22 | 0:37:26 | |
'As well as repair work to the inside of the Red Wing, craftsmen | 0:37:26 | 0:37:29 | |
'are making good the damage to the exterior brickwork of the building, | 0:37:29 | 0:37:32 | |
'again by mixing the old with the new. | 0:37:32 | 0:37:36 | |
'Each brick costs £80 and has been specially made | 0:37:36 | 0:37:39 | |
'so they can be cut more easily. | 0:37:39 | 0:37:42 | |
'I'm meeting bricklayer Tony Cunningham to see | 0:37:42 | 0:37:44 | |
'if I can lend a hand.' | 0:37:44 | 0:37:46 | |
This bit that you're doing here is obviously a bit specialised. | 0:37:46 | 0:37:49 | |
Yes, there's a lot of damage on them. | 0:37:49 | 0:37:52 | |
And we're replacing them with new bricks. | 0:37:52 | 0:37:54 | |
-So, you need gloves cos of the lime. -Yeah. So, it's lime...? | 0:37:54 | 0:37:58 | |
It's lime mortars, yeah. Lime putty on it. | 0:37:58 | 0:38:01 | |
'Lime mortar is more flexible than cement, | 0:38:02 | 0:38:05 | |
'allowing the building to breathe and move, | 0:38:05 | 0:38:07 | |
'making it much better suited to an historic structure.' | 0:38:07 | 0:38:10 | |
Hold it firmly in place. | 0:38:11 | 0:38:13 | |
Hey, presto. | 0:38:15 | 0:38:17 | |
OK. | 0:38:17 | 0:38:18 | |
-Can I do the one above? -And then we go on the one above. -That one? -Yeah. | 0:38:18 | 0:38:22 | |
'There are many ancient examples of the use of lime mortar | 0:38:23 | 0:38:26 | |
'as a building material, from the Pyramids to the walls at Pompeii. | 0:38:26 | 0:38:31 | |
'But because of its alkaline content, it can burn the skin, | 0:38:31 | 0:38:33 | |
'so extra care has to be taken.' | 0:38:33 | 0:38:36 | |
Just make sure the whole brick's covered in the lime. | 0:38:36 | 0:38:40 | |
'You also need to work quite quickly before the lime dries out, | 0:38:40 | 0:38:43 | |
'and I'm keen to see if my bricklaying skills are up to scratch.' | 0:38:43 | 0:38:46 | |
Doesn't feel very secure. | 0:38:49 | 0:38:51 | |
-No, we've moved it a few times. -Oh, no! | 0:38:51 | 0:38:53 | |
-I took too long. -Possibly, yeah. | 0:38:54 | 0:38:57 | |
He's being very polite. I know that as soon as my back's turned | 0:38:57 | 0:39:00 | |
-you're going to whip that out and do it properly. -More or less. | 0:39:00 | 0:39:03 | |
-Never mind. -You can see the care that the craftsmen have to take. | 0:39:03 | 0:39:07 | |
Especially if I've been around! | 0:39:07 | 0:39:09 | |
'Once the work is finished on the Red Wing the builders will move on | 0:39:11 | 0:39:14 | |
'to the rest of Croome Court | 0:39:14 | 0:39:16 | |
'and the makeover should be completed in the next few years, | 0:39:16 | 0:39:19 | |
'when the whole house will be open to the public | 0:39:19 | 0:39:21 | |
'for the first time in its history. | 0:39:21 | 0:39:24 | |
'And talking of houses, it's time to find out what Nigel and Maddy | 0:39:24 | 0:39:27 | |
'feel about what they've seen this week. | 0:39:27 | 0:39:29 | |
'And I think there's a clear favourite. ' | 0:39:29 | 0:39:32 | |
Amazing. From being the absolute motive for this move, | 0:39:37 | 0:39:41 | |
poor old Busby the horse has now been parked off in a nearby field. | 0:39:41 | 0:39:44 | |
Because, once again, the beautiful house has won the day. | 0:39:44 | 0:39:48 | |
My money, it's on the mystery property. | 0:39:48 | 0:39:51 | |
I've done quite a number of these shows and I feel that | 0:39:54 | 0:39:56 | |
I have the gift of guessing which house people like the best. | 0:39:56 | 0:39:59 | |
I think you like the mystery house best. Am I right? | 0:39:59 | 0:40:03 | |
-Absolutely. -Yeah. | 0:40:03 | 0:40:05 | |
The mystery house certainly has a lot to offer in terms of value | 0:40:05 | 0:40:10 | |
for money, you know, incredible. | 0:40:10 | 0:40:13 | |
I feel I don't need to ask you, Nigel, but do you agree? | 0:40:13 | 0:40:16 | |
Absolutely 100%. It's done it for me. There's no doubt about that. | 0:40:16 | 0:40:20 | |
-What happens next? -I think we're going to move fast on this one. | 0:40:20 | 0:40:24 | |
I think if we don't grab the opportunity, | 0:40:24 | 0:40:26 | |
someone else certainly will. | 0:40:26 | 0:40:28 | |
So, I think the next step, really, is...you know, | 0:40:28 | 0:40:32 | |
speak to the financial advisor and sell our property. | 0:40:32 | 0:40:37 | |
So, it's still on the market, so... | 0:40:37 | 0:40:39 | |
-And make an offer. -Yeah. | 0:40:39 | 0:40:41 | |
And what's the situation with your property? How likely are you to...? | 0:40:41 | 0:40:44 | |
Do you smell a sale in the air? | 0:40:44 | 0:40:47 | |
We had a cheeky offer a couple of weeks ago, | 0:40:47 | 0:40:50 | |
so we might reconsider that cheeky offer to get on to this one quicker. | 0:40:50 | 0:40:56 | |
But I think we need to speak to the estate agent so see | 0:40:56 | 0:40:59 | |
if that's a possibility. | 0:40:59 | 0:41:01 | |
And take it from there and do our research, quick. | 0:41:01 | 0:41:05 | |
And in terms of your sons, do they factor in? | 0:41:05 | 0:41:07 | |
Obviously, Busby's off in a field somewhere. | 0:41:07 | 0:41:10 | |
Do they have a say in it or...? | 0:41:10 | 0:41:12 | |
-Er... -We'll definitely get their input. | 0:41:12 | 0:41:16 | |
Yeah. It might encourage them to get on their way sooner than later, | 0:41:16 | 0:41:21 | |
I don't know. I mean, obviously the space is not a problem | 0:41:21 | 0:41:25 | |
with the mystery house because it is accommodating for them | 0:41:25 | 0:41:28 | |
and probably a lot more people as well. | 0:41:28 | 0:41:31 | |
-But, no, we will have a family chat. -Yeah, we'll have to talk to them. | 0:41:31 | 0:41:35 | |
The mystery house was wonderful because it was beautifully quiet. | 0:41:35 | 0:41:38 | |
-We were there all day and there was not a car that went past. -No. | 0:41:38 | 0:41:42 | |
But the flip side of that is it's quite a long way from the motorways. | 0:41:42 | 0:41:46 | |
Nigel, is that daunting for you, the commute? | 0:41:46 | 0:41:48 | |
It changes where I work cos at the moment a lot, by luck, | 0:41:48 | 0:41:52 | |
I guess, a lot of the jobs I've had have been commutable, so it would | 0:41:52 | 0:41:57 | |
-mean probably staying away from home more often during the week. -Yeah. | 0:41:57 | 0:42:00 | |
But that's part and parcel of the work I do. | 0:42:00 | 0:42:03 | |
And finally, do you think that the mystery house could be | 0:42:03 | 0:42:07 | |
a sort of, "This is where I'm going to lay down my bits and bobs"? | 0:42:07 | 0:42:11 | |
I can see us definitely there for ten or 15 years, if not more. | 0:42:11 | 0:42:15 | |
Yes! That's what I wanted to hear. | 0:42:15 | 0:42:17 | |
Wonderful. That's a great conclusion. I hope it all goes well. | 0:42:17 | 0:42:20 | |
I hope you sell your house, I hope you put an offer in, | 0:42:20 | 0:42:22 | |
-I hope it gets accepted. -Thank you very much. -Thank you. | 0:42:22 | 0:42:25 | |
I really do hope that Maddy and Nigel move | 0:42:28 | 0:42:30 | |
to this part of the world, although, interestingly, | 0:42:30 | 0:42:33 | |
it seemed that Nigel was getting cold feet about the size | 0:42:33 | 0:42:35 | |
of his barn conversion, | 0:42:35 | 0:42:37 | |
whereas Maddy was very enthusiastic, | 0:42:37 | 0:42:39 | |
despite there being no space for her horse. | 0:42:39 | 0:42:41 | |
I do hope that they move here and I hope that you join us | 0:42:41 | 0:42:44 | |
next time for more Escape To The Country. | 0:42:44 | 0:42:47 | |
And if you'd like to escape to the country | 0:42:47 | 0:42:49 | |
in Scotland, Wales, Northern Ireland, England, | 0:42:49 | 0:42:52 | |
or maybe even further afield to the Continent, and would like our help, | 0:42:52 | 0:42:55 | |
please apply online at... | 0:42:55 | 0:42:57 |