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It's said this lovely country cottage is home | 0:00:02 | 0:00:04 | |
to the oldest Englishman that ever lived. | 0:00:04 | 0:00:07 | |
It's also claimed that he reached the ripe old age of 152. | 0:00:07 | 0:00:10 | |
Who was he, and which county did he hail from? Find out in just a moment. | 0:00:10 | 0:00:14 | |
Today, I am helping a technically minded couple | 0:00:33 | 0:00:35 | |
to abandon the hurly-burly of the commuter belt, | 0:00:35 | 0:00:38 | |
and take a logical approach to house-hunting... | 0:00:38 | 0:00:40 | |
-How are we doing on the spreadsheet? -It's got to be a 20. -Kerching. | 0:00:40 | 0:00:45 | |
..with a very specific wish-list. | 0:00:45 | 0:00:48 | |
Quite a lot of land, but is it going to be enough for you? | 0:00:48 | 0:00:50 | |
-Yes. -Good! -Of course it is! -Jackpot! | 0:00:50 | 0:00:53 | |
This is the home of Shropshire agricultural worker Thomas Parr, | 0:00:56 | 0:01:00 | |
who came to fame in the reign of Charles I | 0:01:00 | 0:01:02 | |
because of his excessively long life. | 0:01:02 | 0:01:06 | |
The legend has it that he lived through the reign of 10 monarchs | 0:01:06 | 0:01:09 | |
and he got married twice - once at the age of 80, | 0:01:09 | 0:01:11 | |
and then again at the venerable age of 122. | 0:01:11 | 0:01:14 | |
But it was aged 152 that the king invited him down to London, | 0:01:14 | 0:01:19 | |
and that's what did it for poor Thomas. | 0:01:19 | 0:01:22 | |
It's said in 1635, he died of the pollution of the city | 0:01:22 | 0:01:27 | |
and the lavish London lifestyle. | 0:01:27 | 0:01:29 | |
But the king had his body buried in Westminster Abbey, | 0:01:29 | 0:01:32 | |
where it remains to this day, | 0:01:32 | 0:01:34 | |
but I'm sure that his heart remains here in Shropshire. | 0:01:34 | 0:01:37 | |
Landlocked Shropshire is sandwiched between Wales to the west | 0:01:40 | 0:01:43 | |
and Staffordshire to the east. | 0:01:43 | 0:01:46 | |
The Shropshire Hills have been a designated area of natural beauty since 1958, | 0:01:46 | 0:01:51 | |
covering a quarter of the county. | 0:01:51 | 0:01:53 | |
The ancient Long Mynd alone has 500 acres of moorland | 0:01:53 | 0:01:57 | |
with 30 miles of footpaths | 0:01:57 | 0:01:59 | |
from which to enjoy this natural splendour. | 0:01:59 | 0:02:02 | |
The borderlands of England and Wales, | 0:02:02 | 0:02:05 | |
an area known as the Welsh Marches, is where you'll find | 0:02:05 | 0:02:08 | |
one of the largest concentrations of castles in the UK, | 0:02:08 | 0:02:12 | |
typified by strongholds such as Clun and Ludlow. | 0:02:12 | 0:02:15 | |
As well as a castle, Ludlow in the south of the county | 0:02:15 | 0:02:18 | |
also boasts some of the finest historical architecture | 0:02:18 | 0:02:22 | |
of any town in England - with over 400 listed buildings. | 0:02:22 | 0:02:26 | |
With such a rich architectural and cultural heritage, | 0:02:26 | 0:02:30 | |
it's easy to see what makes Shropshire so appealing. | 0:02:30 | 0:02:33 | |
Let's talk about property prices in Shropshire. | 0:02:35 | 0:02:38 | |
The average price for a detached house here is £237,000, | 0:02:38 | 0:02:42 | |
which is good news, because it's £17,000 less | 0:02:42 | 0:02:45 | |
than the national figure. | 0:02:45 | 0:02:47 | |
But there is a bit of a north-south divide going on in the county. | 0:02:47 | 0:02:49 | |
Down on the south around historic Ludlow | 0:02:49 | 0:02:52 | |
and the well-connected but rural areas around Much Wenlock, | 0:02:52 | 0:02:56 | |
there's a premium on property. | 0:02:56 | 0:02:58 | |
In the north, | 0:02:58 | 0:02:59 | |
in the countryside residences around Shrewsbury and Oswestry | 0:02:59 | 0:03:02 | |
you get much more for your money. | 0:03:02 | 0:03:05 | |
But it's the beautiful rural countryside across the county | 0:03:05 | 0:03:09 | |
that is drawing our buyers today, so let's meet them. | 0:03:09 | 0:03:13 | |
For 15 years, John and Pauline | 0:03:13 | 0:03:15 | |
have lived on a housing estate in Charvil | 0:03:15 | 0:03:18 | |
on the outskirts of Reading, Berkshire, | 0:03:18 | 0:03:20 | |
but feel that now is the time to address their life-work imbalance | 0:03:20 | 0:03:23 | |
and swap the redbrick views | 0:03:23 | 0:03:26 | |
for the rolling Shropshire countryside. | 0:03:26 | 0:03:30 | |
At the moment, as you can see, we look out on houses. | 0:03:30 | 0:03:34 | |
And I'd really like to look out on hills and fields. | 0:03:34 | 0:03:39 | |
Now's a good time for us to move to the country, | 0:03:39 | 0:03:41 | |
because Pauline is semi-retired, | 0:03:41 | 0:03:44 | |
so she doesn't have to be based in this area any more. | 0:03:44 | 0:03:47 | |
And my work allows me to really work wherever I want...in England. | 0:03:47 | 0:03:53 | |
Despite being semi-retired, | 0:03:53 | 0:03:55 | |
Pauline has one eye on a brand-new venture | 0:03:55 | 0:03:58 | |
that coincides with their move. | 0:03:58 | 0:04:00 | |
So, now, what I'd like to do, | 0:04:00 | 0:04:02 | |
is to set up a chocolate-making business. | 0:04:02 | 0:04:05 | |
This move would enable me to have the space | 0:04:05 | 0:04:08 | |
to be able to make larger batches. | 0:04:08 | 0:04:10 | |
Although my kitchen has got a huge island in the middle of it, | 0:04:10 | 0:04:13 | |
and it's lovely, | 0:04:13 | 0:04:15 | |
there is not enough room to make those quantities of chocolate. | 0:04:15 | 0:04:21 | |
So where is the perfect location for Pauline's chocolate factory? | 0:04:21 | 0:04:25 | |
Erm, probably south of Shrewsbury, | 0:04:25 | 0:04:27 | |
taking in Ludlow and some of those other lovely little market towns, | 0:04:27 | 0:04:32 | |
like Church Stretton, Much Wenlock. | 0:04:32 | 0:04:33 | |
The countryside is so beautiful - | 0:04:36 | 0:04:39 | |
lovely, green, rolling hills. | 0:04:39 | 0:04:43 | |
A vital element to achieving a better work-life balance | 0:04:43 | 0:04:46 | |
is space in the new house to accommodate healthier pursuits. | 0:04:46 | 0:04:50 | |
Our new house ideally will have a separate room | 0:04:50 | 0:04:54 | |
where I can have a gym. | 0:04:54 | 0:04:55 | |
Although we do yoga together at home, it's very cramped. | 0:04:55 | 0:05:00 | |
There isn't enough space. | 0:05:00 | 0:05:02 | |
-We keep bumping into each other, don't we? -Yes! | 0:05:02 | 0:05:05 | |
All that's left to discover is the finances | 0:05:05 | 0:05:08 | |
for their Shropshire sanctuary. | 0:05:08 | 0:05:10 | |
Our budget for the move is £700,000. | 0:05:10 | 0:05:14 | |
That's absolute maximum - | 0:05:14 | 0:05:16 | |
and that would have to include the setting up of our chocolate business | 0:05:16 | 0:05:20 | |
and the outbuilding required, the renovation of that. | 0:05:20 | 0:05:24 | |
John and Pauline would like us to concentrate our house search | 0:05:28 | 0:05:31 | |
in the south of the county around the market town of Ludlow. | 0:05:31 | 0:05:34 | |
I met up with them to discover more about what they're looking for, | 0:05:34 | 0:05:37 | |
and to learn how a spreadsheet is helping them choose | 0:05:37 | 0:05:41 | |
their ideal property. | 0:05:41 | 0:05:42 | |
Welcome to Shropshire, you two. | 0:05:43 | 0:05:45 | |
So we've got lots of lovely houses lined up for you, | 0:05:45 | 0:05:47 | |
but I want to talk a bit about what sort of property you want. | 0:05:47 | 0:05:50 | |
I know you want a big kitchen, but you also want a sort of chocolate factory. | 0:05:50 | 0:05:54 | |
I want to have a separate building to make chocolate, yes. | 0:05:54 | 0:05:58 | |
To create a chocolate business. | 0:05:58 | 0:06:01 | |
-What about you, John? Do you have requirements? -Yeah. | 0:06:01 | 0:06:04 | |
Our house at the moment, we've really just got one main room downstairs, | 0:06:04 | 0:06:08 | |
which has got the television in, and my hi-fi. | 0:06:08 | 0:06:11 | |
And, ideally, what I'd like, | 0:06:11 | 0:06:13 | |
is a separate room that I could put the hi-fi in. | 0:06:13 | 0:06:16 | |
It seems the land is quite important, | 0:06:16 | 0:06:19 | |
-in terms of getting an outbuilding. -And growing. | 0:06:19 | 0:06:22 | |
I grow all of my food, and fruit. | 0:06:22 | 0:06:24 | |
And I want to incorporate those into the chocolate fillings. | 0:06:24 | 0:06:27 | |
Well, you have your trusty tablet. | 0:06:27 | 0:06:29 | |
-Is the spreadsheet on this little thing? -It is. Yes. | 0:06:29 | 0:06:32 | |
I've created a score for each really important factor in the house. | 0:06:32 | 0:06:37 | |
-I'm an accountant, so... -Ah-ha! I see! | 0:06:37 | 0:06:39 | |
-So I can allocate points to money. -Right. | 0:06:39 | 0:06:42 | |
So, we're going to do Escape To The Country | 0:06:42 | 0:06:44 | |
-in a scientifically thorough manner. -Sort of. | 0:06:44 | 0:06:47 | |
But it might come down to gut feeling at the end. Who knows? | 0:06:47 | 0:06:49 | |
-So, the heart might win out over the spreadsheet? -Yes! | 0:06:49 | 0:06:52 | |
Good. We've got three lovely houses. | 0:06:52 | 0:06:53 | |
They are quite spread out, because, as I said, | 0:06:53 | 0:06:56 | |
because of the land we've gone a bit further afield. | 0:06:56 | 0:06:59 | |
There are some where you wanted, and some further afield. | 0:06:59 | 0:07:02 | |
So we're going to do a bit of driving, so come with me to the car. | 0:07:02 | 0:07:05 | |
For a budget of £700,000, | 0:07:07 | 0:07:09 | |
John and Pauline are looking for four bedrooms, a large kitchen, | 0:07:09 | 0:07:13 | |
a room to use as a gym, | 0:07:13 | 0:07:16 | |
an outbuilding or annexe for Pauline to set up a chocolate factory, | 0:07:16 | 0:07:21 | |
land to accommodate an orchard and vegetable garden, | 0:07:21 | 0:07:24 | |
all ideally located near to the foodie's paradise of Ludlow | 0:07:24 | 0:07:28 | |
in south Shropshire. | 0:07:28 | 0:07:30 | |
We have a variety of properties to serve up, | 0:07:30 | 0:07:33 | |
and at each one I'll be asking them to guess the price | 0:07:33 | 0:07:35 | |
before I reveal it. | 0:07:35 | 0:07:37 | |
One of course is the Mystery House, | 0:07:37 | 0:07:39 | |
that might not be right for them on paper, | 0:07:39 | 0:07:41 | |
but might just set their pulses racing nonetheless. | 0:07:41 | 0:07:44 | |
But before all that, first on the list, is house number one. | 0:07:44 | 0:07:47 | |
How did you get into the chocolate-making business? | 0:07:49 | 0:07:52 | |
I used to make chocolate every Christmas for my team, | 0:07:52 | 0:07:56 | |
and then other people wanted them, so I started making them for all the people in my offices. | 0:07:56 | 0:08:01 | |
I'd end up making 500 batches of 500 chocolate at a time. | 0:08:01 | 0:08:05 | |
-And people in my offices! -And people in John's offices, for his team... | 0:08:05 | 0:08:09 | |
It wasn't always just free... | 0:08:09 | 0:08:11 | |
No, it's all been free. I've never sold them. | 0:08:11 | 0:08:13 | |
No, I've always given them away as presents. | 0:08:13 | 0:08:16 | |
But it's since you've retired that you're thinking of making it | 0:08:16 | 0:08:19 | |
-into a business, isn't it? -Absolutely, yes. | 0:08:19 | 0:08:22 | |
-So this is a really big change for you? -It is, yes. | 0:08:22 | 0:08:25 | |
We start our property search in the hamlet of Seifton, | 0:08:29 | 0:08:32 | |
a short distance from the market town of Ludlow. | 0:08:32 | 0:08:35 | |
Described as the gastronomic heart of Shropshire, | 0:08:35 | 0:08:38 | |
historic 11th-century Ludlow is renowned | 0:08:38 | 0:08:40 | |
for its locally produced food and drink, | 0:08:40 | 0:08:43 | |
with bakers, delicatessens, cheese shops and butchers | 0:08:43 | 0:08:47 | |
amongst the varied array of independent food stores, | 0:08:47 | 0:08:50 | |
as well as its traditional open-air market. | 0:08:50 | 0:08:52 | |
Our first house is 15 minutes north of the town, | 0:08:52 | 0:08:56 | |
a four-bedroomed modern conversion, | 0:08:56 | 0:08:58 | |
set in just under an acre of land, | 0:08:58 | 0:09:00 | |
that retains bags of period features. | 0:09:00 | 0:09:03 | |
Here we are - house number one! | 0:09:03 | 0:09:06 | |
-What do you think? -I like it! Yeah. | 0:09:06 | 0:09:09 | |
-Big smiles as we come up the drive. -BOTH: -Yes! | 0:09:09 | 0:09:12 | |
You can see there is a whole sequence of houses here. | 0:09:12 | 0:09:14 | |
They're all part of a larger estate that was from the 16th century, | 0:09:14 | 0:09:17 | |
but actually it was completely rebuilt in 1999. | 0:09:17 | 0:09:21 | |
But the great thing about this, | 0:09:21 | 0:09:23 | |
and really the reason we brought you, | 0:09:23 | 0:09:25 | |
is that we're just six miles from Ludlow. | 0:09:25 | 0:09:27 | |
Yes, very close. | 0:09:27 | 0:09:29 | |
No, it's a beautiful area, so it's a fantastic location. | 0:09:29 | 0:09:32 | |
-Another reason we brought you here is because of this. -Yes. | 0:09:32 | 0:09:35 | |
This is the outbuilding. | 0:09:35 | 0:09:37 | |
I wanted us to have a little peek in here | 0:09:37 | 0:09:39 | |
before we look in the main house. | 0:09:39 | 0:09:41 | |
-Just to see if we're on the right tracks. -OK. | 0:09:41 | 0:09:43 | |
Come with me. | 0:09:43 | 0:09:45 | |
'We're bang on with the location, | 0:09:45 | 0:09:46 | |
'but it's the outbuilding that needs to deliver the required space | 0:09:46 | 0:09:50 | |
'if the house is to be a contender.' | 0:09:50 | 0:09:52 | |
So, this is a big double garage. | 0:09:52 | 0:09:56 | |
-Yes. -With electricity and water. | 0:09:56 | 0:09:58 | |
-Yes. -Very good. -Excellent. -And it is all boarded upstairs. | 0:09:58 | 0:10:02 | |
But is this going to be big enough for your chocolate factory? | 0:10:02 | 0:10:06 | |
Absolutely. Yes. Yes, I think so. | 0:10:06 | 0:10:09 | |
It's a lot more space than you've got at the moment! | 0:10:09 | 0:10:11 | |
Yes, this is bigger than my kitchen. | 0:10:11 | 0:10:12 | |
Slightly bigger than my kitchen, but it's squarer. | 0:10:12 | 0:10:15 | |
So how are we doing on your spreadsheet? | 0:10:15 | 0:10:17 | |
Oh, well, I'll fill that in. | 0:10:17 | 0:10:18 | |
-Location has got to be good. -Oh, yes. | 0:10:18 | 0:10:20 | |
-What do we score on location? -Let's see. | 0:10:20 | 0:10:21 | |
Because it's so close to Ludlow, it's got to be 20. | 0:10:21 | 0:10:25 | |
And views, um... | 0:10:25 | 0:10:28 | |
-Oh, I'd hang on for the views. -Oh, right. OK. | 0:10:28 | 0:10:30 | |
-You haven't seen all the views. -All right. | 0:10:30 | 0:10:32 | |
Let's continue the house tour. | 0:10:32 | 0:10:34 | |
That's two major factors satisfied. | 0:10:37 | 0:10:39 | |
Let's hope it continues, as we head inside. | 0:10:39 | 0:10:42 | |
Into the kitchen... | 0:10:43 | 0:10:46 | |
Because this is obviously the heart of the home. | 0:10:46 | 0:10:50 | |
Oh, my word. | 0:10:50 | 0:10:52 | |
-This is lovely. -It is. -Yeah, it's good. | 0:10:52 | 0:10:55 | |
It's a nice big size, isn't it? | 0:10:55 | 0:10:57 | |
How does it compare on your kitchen scale? | 0:10:57 | 0:11:00 | |
We were looking for a big kitchen, nicely done out, | 0:11:00 | 0:11:02 | |
and that is absolutely this kitchen, isn't it? It works really well. | 0:11:02 | 0:11:06 | |
You've got a nice boot room there, for when you come in from walks. | 0:11:06 | 0:11:08 | |
-And through here is a utility space. -Oh, fabulous. -All your white goods. | 0:11:08 | 0:11:13 | |
-OK. Yeah. -Good. | 0:11:13 | 0:11:14 | |
I don't think you'd be spending much time in your kitchen, because... | 0:11:14 | 0:11:18 | |
you've got this room. | 0:11:18 | 0:11:19 | |
In terms of living space, I am confident the next room | 0:11:21 | 0:11:24 | |
will knock their socks off! | 0:11:24 | 0:11:26 | |
-This is the room. -Oh, wow. | 0:11:27 | 0:11:30 | |
-It's brilliant, isn't it? -What a view! | 0:11:32 | 0:11:34 | |
This is an amazing green oak orangery | 0:11:34 | 0:11:37 | |
that they put on just a few years ago. | 0:11:37 | 0:11:39 | |
Couple of years ago. What do you think? | 0:11:39 | 0:11:42 | |
I think it's absolutely amazing. | 0:11:42 | 0:11:44 | |
-I think it's stunning. It brings the garden into the house. -Yeah. | 0:11:44 | 0:11:49 | |
And a very beautiful sitting-room here, and a little study, you can explore later on. | 0:11:49 | 0:11:55 | |
I don't have a category for this! | 0:11:55 | 0:11:57 | |
You didn't do a category on your spreadsheet for orangery! | 0:11:57 | 0:12:01 | |
I didn't, no. Or conservatory, or anything. | 0:12:01 | 0:12:05 | |
-But does it get 20 out of 20? -Oh, yeah. Yeah. | 0:12:05 | 0:12:09 | |
-Yeah, I can't see how you can give it less than 20. -No. | 0:12:09 | 0:12:13 | |
-So, top marks for downstairs? -Yes. | 0:12:13 | 0:12:15 | |
More than top marks - if that's possible - but let's look upstairs. | 0:12:15 | 0:12:20 | |
OK. | 0:12:20 | 0:12:21 | |
'A dining room completes the downstairs, | 0:12:24 | 0:12:26 | |
'and it's all going swimmingly well.' | 0:12:26 | 0:12:28 | |
'So fingers crossed the bedrooms meet the spreadsheet's approval.' | 0:12:28 | 0:12:32 | |
There are two staircases, and two sets of bedrooms in this house. | 0:12:32 | 0:12:38 | |
-This is a master bedroom. -Right. | 0:12:38 | 0:12:40 | |
Yeah. | 0:12:40 | 0:12:42 | |
-And a very nice wet room en suite. -That's lovely, isn't it? | 0:12:42 | 0:12:48 | |
That's very nicely done. | 0:12:48 | 0:12:49 | |
Because you've virtually got a big modern bathroom next door, | 0:12:49 | 0:12:53 | |
which is sort of a family bathroom, but could also be...bath tub. | 0:12:53 | 0:12:57 | |
What do you think to the aspect of the bedroom? | 0:12:57 | 0:12:59 | |
It's a lot smaller than our current bedroom. | 0:13:01 | 0:13:03 | |
I mean, it is a smaller room. | 0:13:03 | 0:13:05 | |
But it's a nice room, and it feels light and airy. | 0:13:05 | 0:13:08 | |
So I'll let you explore all around - | 0:13:08 | 0:13:10 | |
-there's actually lots of rooms we haven't seen. -Thank you. | 0:13:10 | 0:13:13 | |
But let's go into the garden and guess the price. | 0:13:13 | 0:13:16 | |
There are three more bedrooms - one also with an en suite - | 0:13:18 | 0:13:22 | |
all complete with character beams. | 0:13:22 | 0:13:24 | |
It seems the house has delivered more positives than negatives, | 0:13:24 | 0:13:29 | |
but it remains to be seen if less than an acre of land | 0:13:29 | 0:13:32 | |
is enough for Pauline's allotment. | 0:13:32 | 0:13:34 | |
As I mentioned, close to Ludlow, | 0:13:34 | 0:13:35 | |
it's difficult to get a property with all the land you wanted. | 0:13:35 | 0:13:38 | |
You wanted one to two acres, which is a lot of land. | 0:13:38 | 0:13:41 | |
It's a lot of land but I wanted to create an orchard | 0:13:41 | 0:13:46 | |
and have more fruit for the fillings for my chocolates. | 0:13:46 | 0:13:49 | |
So I think it would be a bit of a stretch with the size of the land. | 0:13:49 | 0:13:54 | |
-Have you filled in all the things yet? -I have. | 0:13:54 | 0:13:56 | |
So what does the figure come out at? | 0:13:56 | 0:13:58 | |
Because it also tells you how much it is going to be worth, no? | 0:13:58 | 0:14:01 | |
Yes, my estimate of it. | 0:14:01 | 0:14:03 | |
So, here we go - what is your estimate of the property price? | 0:14:03 | 0:14:06 | |
Um, it thinks 695,000. | 0:14:06 | 0:14:09 | |
John, do you agree with that statistically balanced figure? | 0:14:09 | 0:14:13 | |
Speaking with my heart, rather than my head, | 0:14:13 | 0:14:17 | |
I think it has got to be at the top end of the budget - | 0:14:17 | 0:14:20 | |
maybe 710, or something like that? | 0:14:20 | 0:14:23 | |
So the heart says 710, and the head with the spreadsheet says 695. | 0:14:23 | 0:14:27 | |
We might need to do some recalibration, | 0:14:29 | 0:14:32 | |
because this is on the market for... | 0:14:32 | 0:14:33 | |
£565,000. | 0:14:33 | 0:14:35 | |
-No! -Wow... Really?! | 0:14:35 | 0:14:37 | |
-Yeah. -Wow! | 0:14:37 | 0:14:38 | |
That's unbelievable. | 0:14:38 | 0:14:40 | |
-That's amazing. -That's fantastic news. -Yeah. | 0:14:40 | 0:14:43 | |
So why don't you go back in and have a wander around, | 0:14:43 | 0:14:45 | |
and I'll meet you out the front | 0:14:45 | 0:14:47 | |
and get you packing off to house number two. | 0:14:47 | 0:14:49 | |
-OK. -OK. -Good. | 0:14:49 | 0:14:50 | |
Well within their budget at £565,000, | 0:14:54 | 0:14:58 | |
this characterful renovation is perfectly located, | 0:14:58 | 0:15:01 | |
and includes four bedrooms - two with en suite - | 0:15:01 | 0:15:05 | |
a kitchen/breakfast room, separate dining room, | 0:15:05 | 0:15:09 | |
a stunning orangery, | 0:15:09 | 0:15:10 | |
a double garage - a possible venue for the chocolate factory - | 0:15:10 | 0:15:14 | |
along with wonderful views of the glorious Shropshire countryside. | 0:15:14 | 0:15:17 | |
The extension that they've put on is wonderful. | 0:15:20 | 0:15:23 | |
It would just be a really lovely room to relax in. | 0:15:23 | 0:15:27 | |
An absolutely fantastic house, | 0:15:27 | 0:15:29 | |
and one I could certainly envisage myself living in. | 0:15:29 | 0:15:33 | |
The outbuilding is brilliant. | 0:15:33 | 0:15:36 | |
It's a lovely size for the chocolate-making kitchen. | 0:15:36 | 0:15:41 | |
I think this could work for us because it's at 86%. | 0:15:41 | 0:15:45 | |
So I think anything under 80% you would have to question | 0:15:45 | 0:15:48 | |
whether it's the right property for you. | 0:15:48 | 0:15:51 | |
-Hello. -Hello. -You all done? -Yes. -You've got your tablet? -Yes! | 0:15:51 | 0:15:56 | |
-Ready for house number two? -Yes. -On we go. | 0:15:56 | 0:15:59 | |
Shropshire is famous for its range of quality local produce, | 0:16:10 | 0:16:14 | |
numerous food markets, and more Michelin-starred restaurants | 0:16:14 | 0:16:17 | |
than anywhere outside London. | 0:16:17 | 0:16:20 | |
The twice-monthly Ludlow market | 0:16:20 | 0:16:22 | |
that draws in hordes of local producers and buyers, | 0:16:22 | 0:16:25 | |
is the epitome of this. | 0:16:25 | 0:16:27 | |
With Pauline and John so keen to grow their own produce, | 0:16:27 | 0:16:29 | |
and set up a cottage business, | 0:16:29 | 0:16:31 | |
we sent them to meet Sarah Jane Brough | 0:16:31 | 0:16:33 | |
whose jam and preserve business is one of many taking advantage | 0:16:33 | 0:16:37 | |
of the burgeoning interest in locally made products. | 0:16:37 | 0:16:40 | |
So we're very interested. What gave you the idea to start your business? | 0:16:41 | 0:16:46 | |
It really started off as a hobby. | 0:16:46 | 0:16:48 | |
I naturally started making preserves in my early 20s. | 0:16:48 | 0:16:51 | |
My parents had orchards and they were keen on vegetable growing, | 0:16:51 | 0:16:55 | |
and we also moved to an area with lots of natural old hedgerows. | 0:16:55 | 0:16:59 | |
And I just sort of caught the preserving bug really. | 0:16:59 | 0:17:02 | |
So it started off as a hobby, and then moved into a business? | 0:17:02 | 0:17:05 | |
Very much. And still feels like a hobby, as well. | 0:17:05 | 0:17:07 | |
I grow as much of the fruit as I can from my parents' house. | 0:17:07 | 0:17:10 | |
So you've actually got some rhubarb you've picked today, I believe? | 0:17:10 | 0:17:13 | |
I have. It's the forced variety, so if you want to come in the warm, | 0:17:13 | 0:17:16 | |
I'll show you what we can do with it. | 0:17:16 | 0:17:18 | |
-I'd love to come in the warm. -All right! OK. | 0:17:18 | 0:17:20 | |
Sarah Jane's ethos is to reintroduce long-forgotten recipes | 0:17:21 | 0:17:25 | |
using heritage orchard fruits and the bounty from the hedgerows | 0:17:25 | 0:17:29 | |
and her pesticide-free kitchen garden. | 0:17:29 | 0:17:32 | |
What we're going to make today is a rhubarb curd. | 0:17:32 | 0:17:35 | |
Rhubarb at this time of year can make really pretty jam, | 0:17:35 | 0:17:37 | |
but I thought it might be interesting to show you | 0:17:37 | 0:17:40 | |
a different product that you can make. | 0:17:40 | 0:17:42 | |
One maybe you could use for your fillings | 0:17:42 | 0:17:45 | |
in your chocolates, as well. | 0:17:45 | 0:17:46 | |
So, first things first. We need to chop the rhubarb. | 0:17:46 | 0:17:50 | |
-Shall I do that? -Yeah. | 0:17:50 | 0:17:53 | |
Once the rhubarb is cut into slices, | 0:17:56 | 0:17:58 | |
it goes into a pan to stew | 0:17:58 | 0:17:59 | |
along with butter, sugar and vanilla extract. | 0:17:59 | 0:18:03 | |
Next, it's time to separate the eggs - courtesy of Sarah Jane's own Rhode Island Red chickens. | 0:18:04 | 0:18:10 | |
I've given John all the difficult stuff. | 0:18:11 | 0:18:14 | |
-Yes, the messy bits, as well. -The things that might go wrong! | 0:18:14 | 0:18:17 | |
Presumably, you've got some of your recipes | 0:18:22 | 0:18:26 | |
from old books and things. | 0:18:26 | 0:18:28 | |
Where have you got them from? | 0:18:28 | 0:18:30 | |
Actually, my great-grandmother's been quite an influence. | 0:18:30 | 0:18:33 | |
She was a cook who used to cook at New Cross Hospital in Wolverhampton, | 0:18:33 | 0:18:38 | |
and was a wartime cook. | 0:18:38 | 0:18:39 | |
So my nan has often talked about marrow and ginger jam, | 0:18:39 | 0:18:43 | |
and carrot and cardamom. | 0:18:43 | 0:18:45 | |
All those things they would have made in the war as, sort of, mock jams. | 0:18:45 | 0:18:49 | |
And then you've got the Victorian era, | 0:18:49 | 0:18:51 | |
when sugar became cheaper and glass was more commercially made, | 0:18:51 | 0:18:55 | |
so housewives had a great interest in filling their cupboards in preserves, | 0:18:55 | 0:19:00 | |
and they took pride in it. | 0:19:00 | 0:19:01 | |
And we, sort of, have lost a bit of that tradition. | 0:19:01 | 0:19:03 | |
So I think the fashion now has come back | 0:19:03 | 0:19:05 | |
to finding more in the old ways. | 0:19:05 | 0:19:08 | |
Two whole eggs are mixed with two yolks until totally blended, | 0:19:08 | 0:19:11 | |
then whisked into the rhubarb mix over a bain-marie. | 0:19:11 | 0:19:15 | |
Once thick and creamy, | 0:19:15 | 0:19:17 | |
it's into the jars, and off to market. | 0:19:17 | 0:19:19 | |
Since the recession, there's been a resurgence | 0:19:21 | 0:19:23 | |
in people using their own allotments and making their own produce, | 0:19:23 | 0:19:26 | |
with consumers lapping up these hand-made products. | 0:19:26 | 0:19:30 | |
John and Pauline seem quite at home at the markets. | 0:19:30 | 0:19:33 | |
But first we need to find them their dream home, | 0:19:33 | 0:19:35 | |
so it's time to continue our property search. | 0:19:35 | 0:19:38 | |
For our second property, we're going further afield, | 0:19:42 | 0:19:45 | |
travelling east to the very edge of the county, | 0:19:45 | 0:19:48 | |
close to the city of Albrighton - | 0:19:48 | 0:19:50 | |
around an hour away from their desired location of Ludlow. | 0:19:50 | 0:19:53 | |
The charming village of Albrighton, | 0:19:55 | 0:19:57 | |
with a sprinkling of half-timbered inns and Georgian facades, | 0:19:57 | 0:20:00 | |
serves the community with its independent stores, | 0:20:00 | 0:20:03 | |
catering for basic everyday needs. | 0:20:03 | 0:20:06 | |
House number two is a very spacious five-bedroom farmhouse conversion, | 0:20:06 | 0:20:10 | |
sitting three miles out of the village in the east Shropshire countryside. | 0:20:10 | 0:20:14 | |
House number two! | 0:20:15 | 0:20:16 | |
Quite a different offering for you. | 0:20:16 | 0:20:18 | |
And I've brought you into the back because it is easier to see | 0:20:18 | 0:20:21 | |
the layout of property. | 0:20:21 | 0:20:23 | |
Because we're in part of the Patshull estate. | 0:20:23 | 0:20:26 | |
Actually, this is where the woodworker lived, | 0:20:26 | 0:20:28 | |
and it was all converted back in the late '90s. | 0:20:28 | 0:20:31 | |
What are your first impressions, though? | 0:20:31 | 0:20:33 | |
-It is very different from the last property. -Oh, it is. | 0:20:33 | 0:20:36 | |
It's very different. | 0:20:36 | 0:20:37 | |
I'd be very interested to see what it is like inside. | 0:20:37 | 0:20:40 | |
So how does it rate on your system in terms of location? | 0:20:40 | 0:20:44 | |
I'd say, on balance, location | 0:20:44 | 0:20:47 | |
probably not as good as the first house. | 0:20:47 | 0:20:50 | |
Well, the layout of the house is quite unusual, | 0:20:50 | 0:20:52 | |
as you can see it's all in a sort of horseshoe. | 0:20:52 | 0:20:54 | |
I think you'll surprised - there's a lot more space. | 0:20:54 | 0:20:58 | |
As anticipated, the location doesn't score well, | 0:20:58 | 0:21:02 | |
as we are quite a way from Ludlow. | 0:21:02 | 0:21:04 | |
But this property does have a lot of plus points, | 0:21:04 | 0:21:06 | |
that should rate highly on the spreadsheet. | 0:21:06 | 0:21:09 | |
Straight into the kitchen. | 0:21:11 | 0:21:13 | |
-It's a tall kitchen, isn't it? -It is tall. | 0:21:15 | 0:21:17 | |
You've the whole height of the building, right up to the rafters. | 0:21:17 | 0:21:22 | |
How do you rate it? | 0:21:22 | 0:21:24 | |
Size. It's maximum for size, isn't it? | 0:21:24 | 0:21:27 | |
Yeah, I mean, I think this is a lovely kitchen. | 0:21:27 | 0:21:30 | |
-I was going to say eight. -Yeah, yeah. -Seven or eight, something like that. | 0:21:32 | 0:21:35 | |
'Accessed via the kitchen, | 0:21:35 | 0:21:38 | |
'is extra living space, courtesy of a glass conservatory extension.' | 0:21:38 | 0:21:42 | |
Come on through into the sitting room. | 0:21:42 | 0:21:46 | |
-And another spectacularly large room. -Huge! | 0:21:46 | 0:21:49 | |
-And this gigantic fireplace. -It's lovely. -A proper inglenook. | 0:21:49 | 0:21:55 | |
It's a lovely room. But, perhaps not quite so much my style, I'd say. | 0:21:55 | 0:22:00 | |
But you may feel different? | 0:22:00 | 0:22:02 | |
Yeah, I actually like the size more than the other one. | 0:22:02 | 0:22:07 | |
-So how do you work that in the scoring system? -I don't know! | 0:22:07 | 0:22:09 | |
-Do you have to split the difference? -I don't know. | 0:22:09 | 0:22:11 | |
We'll have to come to a compromise. | 0:22:11 | 0:22:13 | |
I think we'll just go with what Pauline wants. | 0:22:13 | 0:22:16 | |
-Don't say that! -It's my recipe for a happy marriage. -Aw...! | 0:22:16 | 0:22:19 | |
Adjacent to the sitting room lies the dining room, | 0:22:19 | 0:22:22 | |
above which is a galleried study area | 0:22:22 | 0:22:25 | |
and an additional bedroom with shower room. | 0:22:25 | 0:22:28 | |
Onwards to the master bedroom, | 0:22:28 | 0:22:30 | |
and I am confident they won't be quibbling over size here. | 0:22:30 | 0:22:34 | |
Now... | 0:22:36 | 0:22:38 | |
Wow! | 0:22:38 | 0:22:39 | |
Here we have a master bedroom that hopefully will fit the bill. | 0:22:41 | 0:22:44 | |
-Absolutely. -This is more of... | 0:22:44 | 0:22:46 | |
This is a Master bedroom, isn't it? | 0:22:46 | 0:22:48 | |
It's a MASTER bedroom! | 0:22:48 | 0:22:49 | |
A power bedroom. | 0:22:49 | 0:22:51 | |
It's nice because you have these halfmoon, semi-lune, windows | 0:22:52 | 0:22:57 | |
and then the amazing high ceilings. | 0:22:57 | 0:22:59 | |
And a very nice shower en suite. | 0:22:59 | 0:23:01 | |
Different to the other one, but...it's fine. | 0:23:01 | 0:23:04 | |
-But again, big, isn't it? -Yeah. | 0:23:04 | 0:23:06 | |
But one of the things that really brought us here, for you, | 0:23:07 | 0:23:11 | |
is on the other side of the house. Come with me. | 0:23:11 | 0:23:15 | |
There are two further bedrooms on the ground floor | 0:23:16 | 0:23:18 | |
served by a well-equipped family bathroom, | 0:23:18 | 0:23:21 | |
including a double-ended bath. | 0:23:21 | 0:23:23 | |
Through the kitchen is an annexe | 0:23:23 | 0:23:25 | |
which will hopefully satisfy two of their major requirements. | 0:23:25 | 0:23:28 | |
So, a gigantic games room. | 0:23:28 | 0:23:31 | |
-We thought this could also be your chocolate factory. -Yeah. | 0:23:31 | 0:23:36 | |
Because upstairs there's the same sort of size | 0:23:36 | 0:23:40 | |
-with a shower and bathroom at the end. -So it could be a gym? | 0:23:40 | 0:23:44 | |
So that could be a gym/yoga room. | 0:23:44 | 0:23:45 | |
But, essentially, this is the same as the garage, | 0:23:45 | 0:23:48 | |
-but it's all finished and three times as big. -Hm! | 0:23:48 | 0:23:52 | |
Or we could to forget the chocolate-making | 0:23:52 | 0:23:54 | |
and just have it as a pool room and cinema, and stuff like that, | 0:23:54 | 0:23:57 | |
and we'll just relax for the next few years. | 0:23:57 | 0:24:00 | |
-Yeah. Perhaps. -"Perhaps"? | 0:24:00 | 0:24:02 | |
I think that perhaps, actually, in brackets, means no, close brackets. | 0:24:02 | 0:24:05 | |
Yes. I know what "perhaps" means when Pauline says "perhaps" to me. | 0:24:05 | 0:24:11 | |
The games room-cum-chocolate factory gets a massive plus point. | 0:24:11 | 0:24:15 | |
But I'm not convinced they're totally sold on this property yet. | 0:24:15 | 0:24:18 | |
The outside space comprises part-walled garden with paved terrace and lawn, | 0:24:18 | 0:24:23 | |
however the drawback is there is no additional land for Pauline's market garden. | 0:24:23 | 0:24:28 | |
How much do you think it's on the market for? | 0:24:28 | 0:24:30 | |
Or, how much does the computer think it's on the market for? | 0:24:30 | 0:24:33 | |
So, the computer says 550,000. | 0:24:33 | 0:24:36 | |
OK, so are you not agreeing with the computer? | 0:24:36 | 0:24:40 | |
Well, that's a valuation. | 0:24:40 | 0:24:42 | |
But in terms of usefulness to us, | 0:24:42 | 0:24:45 | |
-I'm sticking with my 550,000. -Oh, OK. | 0:24:45 | 0:24:49 | |
I think I'm going to go higher than that. | 0:24:49 | 0:24:51 | |
I'll go to 625. | 0:24:51 | 0:24:53 | |
625. Well, maybe it needs a bit more calibration, | 0:24:53 | 0:24:56 | |
because in this instance it's wrong again, | 0:24:56 | 0:24:59 | |
but in the other direction. | 0:24:59 | 0:25:01 | |
This property is actually on the market for - brace yourself - 695. | 0:25:01 | 0:25:06 | |
Oh, right! Right at the top of our budget. | 0:25:06 | 0:25:10 | |
In value, it didn't score highly because it didn't have... | 0:25:10 | 0:25:12 | |
We weren't buying land. | 0:25:12 | 0:25:14 | |
Why don't you have a look round, | 0:25:14 | 0:25:16 | |
because there's actually a lot more of the house you haven't seen. | 0:25:16 | 0:25:19 | |
And then we will come and convene and take a break for the day. | 0:25:19 | 0:25:23 | |
Because we've seen two big houses and there's lots to think about. | 0:25:23 | 0:25:26 | |
-Yeah. -So head back in and have a peek around upstairs. | 0:25:26 | 0:25:29 | |
Oh! So confusing! | 0:25:31 | 0:25:33 | |
I mean, the spreadsheet's quite confusing, | 0:25:33 | 0:25:35 | |
but these are two very different properties, | 0:25:35 | 0:25:37 | |
different parts of Shropshire, offering very different things, | 0:25:37 | 0:25:40 | |
and some things they don't offer, like no land here. | 0:25:40 | 0:25:43 | |
So, there is quite a lot to think about. | 0:25:43 | 0:25:45 | |
And I'm wondering what they're thinking process is. | 0:25:45 | 0:25:48 | |
The former woodcutter's residence just creeps in under budget | 0:25:52 | 0:25:57 | |
at £695,000, and certainly offers a lot of what they are after | 0:25:57 | 0:26:00 | |
with five bedrooms, | 0:26:00 | 0:26:01 | |
including a huge master bedroom, | 0:26:01 | 0:26:04 | |
a large kitchen/diner, | 0:26:04 | 0:26:06 | |
a spacious sitting room, | 0:26:06 | 0:26:08 | |
an annexe as a possible venue for the chocolate factory, | 0:26:08 | 0:26:12 | |
and the option to utilise one of the five bedrooms as a gym. | 0:26:12 | 0:26:15 | |
There are some things that I prefer in the other house to this one, | 0:26:15 | 0:26:19 | |
like the kitchen. | 0:26:19 | 0:26:20 | |
But in this one, I prefer the living room. | 0:26:20 | 0:26:23 | |
I really like the high ceilings, and it's very open. | 0:26:23 | 0:26:28 | |
There's so much to it. | 0:26:28 | 0:26:29 | |
But I'd characterise it as a sort of internally focused house. | 0:26:29 | 0:26:33 | |
And in one sense that's not a problem, | 0:26:33 | 0:26:37 | |
but I do, in this house, miss the views. | 0:26:37 | 0:26:40 | |
And that's the one thing it doesn't have which, for me, is a shame. | 0:26:40 | 0:26:44 | |
OK, so two houses down - how are you feeling? | 0:26:45 | 0:26:48 | |
I'm still excited. But, yes, it's quite interesting. | 0:26:48 | 0:26:52 | |
-It's been a great day. -Yeah. | 0:26:52 | 0:26:54 | |
We're continuing our house search in Shropshire with John and Pauline | 0:27:04 | 0:27:07 | |
from the Reading area, who have £700,000 to spend on a rural home. | 0:27:07 | 0:27:12 | |
Coming up, our Mystery House hits the spot. | 0:27:12 | 0:27:14 | |
-Oh, wow! -Kaboom! | 0:27:14 | 0:27:17 | |
It's like kitchen wars, and this one wins! | 0:27:19 | 0:27:21 | |
Because it's the biggest. | 0:27:21 | 0:27:23 | |
And I pay a visit to a film set. | 0:27:23 | 0:27:26 | |
Day two, and I don't know about you, | 0:27:28 | 0:27:30 | |
but I am loving Pauline's spreadsheet, | 0:27:30 | 0:27:32 | |
which on the one hand is a vaguely scientific way | 0:27:32 | 0:27:35 | |
of getting John to agree with her, and on the other hand, | 0:27:35 | 0:27:39 | |
is quite an accurate reflection of what they're looking for. | 0:27:39 | 0:27:42 | |
And what has become clear is that they are looking for land. | 0:27:42 | 0:27:45 | |
And in order to give them land, | 0:27:45 | 0:27:47 | |
we are going to go up to the top of Shropshire. | 0:27:47 | 0:27:50 | |
What do you think we'll show you | 0:27:57 | 0:27:59 | |
for the Mystery House, the third house? | 0:27:59 | 0:28:01 | |
Maybe, given it's the Mystery House, you're going to show us | 0:28:01 | 0:28:04 | |
something that needs a bit more work? | 0:28:04 | 0:28:06 | |
-It could just be the foundations. -Oh! | 0:28:06 | 0:28:08 | |
-That would be an idea, wouldn't it? -No! | 0:28:08 | 0:28:10 | |
For our Mystery House we are heading north, | 0:28:14 | 0:28:16 | |
close to the Wales-England border, | 0:28:16 | 0:28:18 | |
to the hamlet of Coton, | 0:28:18 | 0:28:19 | |
a short distance from the market town of Whitchurch. | 0:28:19 | 0:28:23 | |
Dating back to the Roman era, Whitchurch is one of the oldest | 0:28:23 | 0:28:26 | |
communities in Shropshire, and home to Joyce's clockmakers, | 0:28:26 | 0:28:30 | |
whose iconic large clocks still adorn railway stations | 0:28:30 | 0:28:34 | |
across the land. | 0:28:34 | 0:28:35 | |
The Mystery House is a five-bedroomed cottage, | 0:28:35 | 0:28:37 | |
approximately four miles south of the town in Coton, | 0:28:37 | 0:28:40 | |
surrounded by the stunning north Shropshire scenery. | 0:28:40 | 0:28:44 | |
Oh. | 0:28:44 | 0:28:46 | |
I hear that! | 0:28:46 | 0:28:48 | |
Ohs and ahs! | 0:28:48 | 0:28:50 | |
The Mystery House! | 0:28:50 | 0:28:53 | |
Sort of, probably a Victorian workers' cottage | 0:28:53 | 0:28:56 | |
-extended every which way, as you can see. -Yes. | 0:28:56 | 0:28:59 | |
The present owners put on this conservatory and the games room, | 0:28:59 | 0:29:02 | |
and the owner before that put on a kitchen extension. | 0:29:02 | 0:29:05 | |
-Any thoughts about the location? -I really like the location. | 0:29:05 | 0:29:08 | |
-I mean, just driving up here, the countryside's great. -I like it. | 0:29:08 | 0:29:12 | |
Yes. It's lovely. | 0:29:12 | 0:29:14 | |
And you'll notice that there is quite a parcel of land | 0:29:14 | 0:29:17 | |
-with this property. -Alistair, why is this the Mystery House? | 0:29:17 | 0:29:21 | |
Is it still in Shropshire? | 0:29:21 | 0:29:23 | |
It is still in Shropshire, but... | 0:29:23 | 0:29:25 | |
in order to get you all this lovely land at a price you could afford, | 0:29:25 | 0:29:28 | |
we don't have your chocolate factory yet. | 0:29:28 | 0:29:31 | |
Oh, right! | 0:29:31 | 0:29:32 | |
-This could be something you could build. -Yes. | 0:29:32 | 0:29:35 | |
-Sympathetically. -Exactly. -Yes. | 0:29:35 | 0:29:38 | |
Well done. You're right on the ball. | 0:29:38 | 0:29:40 | |
Let's go and look inside. | 0:29:40 | 0:29:42 | |
With a big thumbs up for the exterior, it is onwards inside | 0:29:44 | 0:29:47 | |
to check out a room high on John's agenda. | 0:29:47 | 0:29:50 | |
I just wanted to show you this room. | 0:29:50 | 0:29:52 | |
-This is the newest room in the house. -Oh. | 0:29:52 | 0:29:54 | |
I thought of you, John. Your desire for a little music room. | 0:29:54 | 0:29:58 | |
-This could definitely be a music room, couldn't it? -Absolutely. | 0:29:58 | 0:30:01 | |
-Yeah, brilliant. -It's a nice big size, isn't it? | 0:30:01 | 0:30:05 | |
Well, this was a little detour on the way to the main room, | 0:30:05 | 0:30:08 | |
which, of course, is the kitchen. | 0:30:08 | 0:30:10 | |
The kitchen is also high on the list, | 0:30:11 | 0:30:14 | |
so this needs to deliver a big score to beat the previous two. | 0:30:14 | 0:30:18 | |
So the dining room here... | 0:30:18 | 0:30:20 | |
But this is the room I wanted to show you. | 0:30:20 | 0:30:22 | |
-Oh, wow! -Kaboom! | 0:30:22 | 0:30:26 | |
It's like kitchen wars, and this one wins, because it's the biggest. | 0:30:28 | 0:30:31 | |
-No, it's not. It's not because it's the biggest. -Oh, OK. | 0:30:31 | 0:30:35 | |
-It's because it's got the island. -It's because it's got the island. | 0:30:35 | 0:30:37 | |
Ahhh! That's where we've been going wrong. Not giving you your island. | 0:30:37 | 0:30:41 | |
No, I wanted to talk to you a bit about the chocolate factory. | 0:30:41 | 0:30:45 | |
Because this house does not have outbuildings, as it stands now. | 0:30:45 | 0:30:50 | |
There was a shippen. You know, a shippen? | 0:30:50 | 0:30:52 | |
A cow barn with a hay loft on top? | 0:30:52 | 0:30:54 | |
Now the footings for that are still there, | 0:30:54 | 0:30:56 | |
-so you could build something just outside. -That's fine. | 0:30:56 | 0:30:59 | |
So I could have the kitchen and you could be in your factory. | 0:30:59 | 0:31:03 | |
I could be in the other kitchen! | 0:31:03 | 0:31:05 | |
-So, how many do you and your magic thing... -Well, kitchen... | 0:31:05 | 0:31:09 | |
20 out of 20? | 0:31:09 | 0:31:10 | |
20 out of 20! Can't possibly be... | 0:31:10 | 0:31:13 | |
Can't possibly be any less than that. | 0:31:13 | 0:31:15 | |
Well, I'd be interested to see what the living space gives you. | 0:31:15 | 0:31:19 | |
Follow me. | 0:31:19 | 0:31:20 | |
-And our third and final sitting room. -It's lovely. | 0:31:24 | 0:31:29 | |
-Obviously got beams! -It has got beams. | 0:31:29 | 0:31:31 | |
They're quite high up, aren't they? So not oppressive. | 0:31:31 | 0:31:35 | |
I like this room. | 0:31:35 | 0:31:37 | |
It's actually quite cosy, isn't it? | 0:31:37 | 0:31:39 | |
-Hm. -Yeah. | 0:31:39 | 0:31:41 | |
-And a lovely people wood burner, giving some nice warm heat. -Yes. | 0:31:41 | 0:31:44 | |
Yes. Brilliant. | 0:31:44 | 0:31:46 | |
And sweeping through into the conservatory. | 0:31:46 | 0:31:49 | |
And, of course, this would be the view over your...domain. | 0:31:49 | 0:31:54 | |
Yeah, I could certainly see us having breakfast and lunch in here. | 0:31:54 | 0:31:59 | |
Completing the ground floor is a study, | 0:31:59 | 0:32:01 | |
a utility area | 0:32:01 | 0:32:03 | |
and a second conservatory that can double as a gym. | 0:32:03 | 0:32:07 | |
The downstairs is scoring highly, | 0:32:07 | 0:32:08 | |
so let's hope this continues upstairs. | 0:32:08 | 0:32:11 | |
This is the master bedroom, | 0:32:11 | 0:32:12 | |
and there are five bedrooms in this property, | 0:32:12 | 0:32:14 | |
and actually two of them have en suites, | 0:32:14 | 0:32:16 | |
so you could swap them around. | 0:32:16 | 0:32:18 | |
-But this is, I think, the biggest and the lightest. -Mm-hm. | 0:32:18 | 0:32:21 | |
Yes, it's lovely. | 0:32:21 | 0:32:22 | |
Nice big square room. | 0:32:22 | 0:32:24 | |
So what do you think about the upstairs? How is that scoring? | 0:32:24 | 0:32:27 | |
-I think it's scoring very well indeed. -That's good. -Absolutely. | 0:32:27 | 0:32:32 | |
Obviously, the reason we brought you here is because it's got lots of land. | 0:32:32 | 0:32:36 | |
So let's go and look at that, and think about the price. | 0:32:36 | 0:32:39 | |
Of the four remaining bedrooms, one also has an en suite. | 0:32:40 | 0:32:44 | |
The others are served by a modern family bathroom. | 0:32:46 | 0:32:49 | |
We could be onto a winner, | 0:32:49 | 0:32:50 | |
as the upstairs seems to have hit the mark too. | 0:32:50 | 0:32:53 | |
And with the house standing in nearly three acres of land, | 0:32:53 | 0:32:55 | |
let's hope that that's enough for Pauline's market garden. | 0:32:55 | 0:32:59 | |
-Quite a lot of land. Is it going to be enough for you? -Yes. | 0:32:59 | 0:33:02 | |
-Good. -Of course it is! -Jackpot! | 0:33:02 | 0:33:04 | |
We've struggled a bit with the pricing, according to your system. | 0:33:04 | 0:33:09 | |
How does it score percentage-wise, | 0:33:09 | 0:33:11 | |
with your total points that you allocate to a property? | 0:33:11 | 0:33:13 | |
How is this one scoring? | 0:33:13 | 0:33:15 | |
This one scores the highest of all of the percentage points. | 0:33:15 | 0:33:19 | |
How much does it score? | 0:33:19 | 0:33:21 | |
Percentage-wise? | 0:33:21 | 0:33:23 | |
-It scores 90%. -Wow! | 0:33:23 | 0:33:25 | |
So I am wondering what your system thinks about the price of this house? | 0:33:25 | 0:33:30 | |
My estimate is that it would be about 690. | 0:33:30 | 0:33:33 | |
-690? -In terms of my estimate, I would say 675. | 0:33:33 | 0:33:39 | |
Well, it's getting better, but not quite right. | 0:33:39 | 0:33:41 | |
Because this property is on the market for 649. | 0:33:41 | 0:33:45 | |
Hurray! | 0:33:45 | 0:33:46 | |
Oh, yes. But you liked the other one. | 0:33:46 | 0:33:49 | |
We're getting closer. | 0:33:49 | 0:33:50 | |
You are getting much, much closer, much more accurate, | 0:33:50 | 0:33:54 | |
and still over-estimating, which is good. | 0:33:54 | 0:33:56 | |
All I'd like you to do is go behind the house, | 0:33:56 | 0:33:58 | |
and you can sort of walk out the space for the chocolate factory, | 0:33:58 | 0:34:01 | |
-and then have a wander upstairs, as well, because there are some other places to go. -OK. -OK. | 0:34:01 | 0:34:05 | |
Our Mystery House racks up a whopping 90% on Pauline's tablet. | 0:34:10 | 0:34:15 | |
And it is way within budget at £649,000. | 0:34:15 | 0:34:17 | |
Offering them almost everything they are looking for, | 0:34:19 | 0:34:22 | |
including five bedrooms, | 0:34:22 | 0:34:24 | |
two with en suite, | 0:34:24 | 0:34:25 | |
a huge kitchen/diner, | 0:34:25 | 0:34:26 | |
a music room to house John's hi-fi, | 0:34:26 | 0:34:30 | |
an area to build the chocolate factory, | 0:34:30 | 0:34:33 | |
all standing in nearly three acres of land, | 0:34:33 | 0:34:35 | |
ideal for Pauline's fruit and veg garden. | 0:34:35 | 0:34:39 | |
I do spend a lot of my time in the kitchen, | 0:34:39 | 0:34:42 | |
and this is everything you could possibly want for a kitchen. | 0:34:42 | 0:34:46 | |
Overall, I am very, very happy with the house, with the land, | 0:34:46 | 0:34:50 | |
and with the potential for the chocolate factory. | 0:34:50 | 0:34:52 | |
Very happy. | 0:34:52 | 0:34:53 | |
Finally, I got my land at the Mystery House, | 0:34:53 | 0:34:56 | |
I think the only drawback is that John had said | 0:34:56 | 0:34:59 | |
that the first house was his preference. | 0:34:59 | 0:35:03 | |
So, obviously, we need to talk about that. | 0:35:03 | 0:35:06 | |
Ah, here you are. Are you planning your orchard? | 0:35:06 | 0:35:09 | |
-Yes! -Yes, we are. | 0:35:09 | 0:35:11 | |
Well, I'm afraid I have to tear you away, | 0:35:11 | 0:35:12 | |
because it's time for some decision-making. | 0:35:12 | 0:35:15 | |
Come with me. | 0:35:15 | 0:35:16 | |
We served up three delightful properties for John and Pauline, | 0:35:26 | 0:35:29 | |
spread out across the county, | 0:35:29 | 0:35:30 | |
but there is so much more to see if Shropshire is your ideal rural retreat. | 0:35:30 | 0:35:36 | |
For a modest budget, you can still achieve the ideal countryside location, | 0:35:36 | 0:35:39 | |
with two-bedroom newer builds like this one in Church Stretton, | 0:35:39 | 0:35:43 | |
that come with plenty of character, oak features outside and in | 0:35:43 | 0:35:47 | |
on the market for £219,500. | 0:35:47 | 0:35:50 | |
If you have a little more to spend | 0:35:51 | 0:35:53 | |
and hanker after the total rural retreat, | 0:35:53 | 0:35:55 | |
then how about this three-bedroom detached cottage | 0:35:55 | 0:35:58 | |
in the hamlet of Abdon. | 0:35:58 | 0:36:00 | |
With equestrian facilities and bags of charming features, | 0:36:00 | 0:36:03 | |
it's on sale for £400,000. | 0:36:03 | 0:36:05 | |
And should the lure of the gorgeous Shropshire countryside | 0:36:05 | 0:36:08 | |
stretch your funds further, | 0:36:08 | 0:36:10 | |
head for conservation areas like the hamlet of Norbury | 0:36:10 | 0:36:13 | |
where you'll find this larger seven-bedroom detached property | 0:36:13 | 0:36:17 | |
on the market for £599,950 | 0:36:17 | 0:36:20 | |
To the south of the county, in the rolling hills of Shropshire, | 0:36:25 | 0:36:28 | |
lies an incredible family home that is a renovation project | 0:36:28 | 0:36:32 | |
that would stretch even the biggest budget. | 0:36:32 | 0:36:35 | |
The magnificent Victorian mansion of Stokesay Court, | 0:36:35 | 0:36:39 | |
with its imposing Jacobean-style facade, | 0:36:39 | 0:36:41 | |
hit the big screen as the location for a cinema smash hit. | 0:36:41 | 0:36:45 | |
And I am meeting the current owner, Caroline Magnus, | 0:36:45 | 0:36:48 | |
who inherited the house that has been in her family since 1889, | 0:36:48 | 0:36:53 | |
to find out more. | 0:36:53 | 0:36:55 | |
Caroline, I am fascinated - | 0:36:55 | 0:36:56 | |
I mean, the house is absolutely staggering - | 0:36:56 | 0:36:58 | |
but I'm fascinated by this moment | 0:36:58 | 0:37:01 | |
when the brown envelope hits your mat, | 0:37:01 | 0:37:03 | |
and you realise you've inherited an incredible stately home. | 0:37:03 | 0:37:07 | |
It contained a copy of a will and a compliments slip, | 0:37:07 | 0:37:11 | |
but with no letter of explanation at all. | 0:37:11 | 0:37:14 | |
So, I had to read it about three times. | 0:37:14 | 0:37:17 | |
I probably could have been said to have been in shock for about a week, | 0:37:17 | 0:37:22 | |
before I actually finally understood what was going on. | 0:37:22 | 0:37:25 | |
But it took me at least six months, if not longer, to adjust. | 0:37:25 | 0:37:29 | |
Built in 1889 by John Derby Allcroft | 0:37:29 | 0:37:32 | |
a wealthy Victorian glove merchant, | 0:37:32 | 0:37:35 | |
the house found its way to Caroline | 0:37:35 | 0:37:38 | |
after her aunt, Darby Allcroft's granddaughter, sadly died. | 0:37:38 | 0:37:41 | |
I was absolutely ready to do something new. | 0:37:41 | 0:37:44 | |
It just seemed the right time to make a move. | 0:37:44 | 0:37:47 | |
And I also thought, if I don't try it, | 0:37:47 | 0:37:49 | |
I will spend the rest of my life regretting it | 0:37:49 | 0:37:52 | |
and wondering if I could have managed to do it. | 0:37:52 | 0:37:55 | |
I'm wondering how much work have you actually done here? | 0:37:55 | 0:37:58 | |
Was it a ruin when you moved in, or...? | 0:37:58 | 0:38:01 | |
The roof was completely rotten. | 0:38:01 | 0:38:03 | |
We had to literally recover the entire structure. | 0:38:03 | 0:38:06 | |
I wonder if you'd like to come and see the rest of the house? | 0:38:06 | 0:38:10 | |
Absolutely. | 0:38:10 | 0:38:11 | |
Caroline expected her planned restorations to take decades, | 0:38:11 | 0:38:15 | |
but fortuitously the house was hired as a location | 0:38:15 | 0:38:19 | |
for the Oscar and BAFTA-winning film Atonement, | 0:38:19 | 0:38:22 | |
starring Kiera Knightley, which gave the restoration | 0:38:22 | 0:38:25 | |
a quick nudge in the right direction. | 0:38:25 | 0:38:27 | |
Was the film a big turning point? | 0:38:27 | 0:38:29 | |
Yes, it really was. | 0:38:29 | 0:38:32 | |
Before Atonement, this house was completely obscure. | 0:38:32 | 0:38:36 | |
Nobody had ever heard of it, really. | 0:38:36 | 0:38:38 | |
The house appeared on the big screen | 0:38:38 | 0:38:41 | |
and suddenly there was a huge amount of interest. | 0:38:41 | 0:38:44 | |
And it's made it possible to open it | 0:38:44 | 0:38:47 | |
and to share it with other people. | 0:38:47 | 0:38:50 | |
That must've been a huge injection of lifeblood into the house. | 0:38:50 | 0:38:53 | |
Oh, it was absolutely brilliant. | 0:38:53 | 0:38:55 | |
Rooms will be decorated to fit the film's period. | 0:38:55 | 0:38:58 | |
And part of the set still remains, | 0:38:58 | 0:39:00 | |
as an attraction for the visiting public, | 0:39:00 | 0:39:02 | |
with Keira Knightley's bedroom being a favourite. | 0:39:02 | 0:39:05 | |
Having spent almost 20 years renovating the house, | 0:39:05 | 0:39:08 | |
Caroline still has more work to do. | 0:39:08 | 0:39:11 | |
But she isn't deterred. | 0:39:11 | 0:39:13 | |
Oh, wow! Which room was this? | 0:39:13 | 0:39:14 | |
Well, these are the old kitchens. | 0:39:14 | 0:39:17 | |
But in terms of the future of the hall, | 0:39:17 | 0:39:21 | |
what would you do with this room, for example? | 0:39:21 | 0:39:24 | |
This, could make a wonderful tea room for the house, I think. | 0:39:24 | 0:39:29 | |
For the events that happen in the house, | 0:39:29 | 0:39:32 | |
or when we have visitors coming. | 0:39:32 | 0:39:34 | |
So you just keep things ticking over until... | 0:39:34 | 0:39:36 | |
Until things either improve, | 0:39:36 | 0:39:38 | |
or until I can see another way forward. | 0:39:38 | 0:39:41 | |
-Or, maybe, if I'm very lucky, have another film! -Ah, yes! | 0:39:41 | 0:39:45 | |
Anyway, thank you so much. | 0:39:45 | 0:39:46 | |
I know you've got lots to do, but it's been a real joy looking around. | 0:39:46 | 0:39:50 | |
And lovely, as well, not just to see the extraordinary house, | 0:39:50 | 0:39:53 | |
but to hear your story. | 0:39:53 | 0:39:54 | |
Well, thank you. It's been a pleasure showing you round. | 0:39:54 | 0:39:57 | |
I hope Caroline is successful with the renovations at this beautiful house | 0:39:57 | 0:40:01 | |
for more people to enjoy, and we wish her all the best. | 0:40:01 | 0:40:05 | |
Time now to find out if John and Pauline have come to a decision. | 0:40:05 | 0:40:10 | |
I have to say that until this afternoon, | 0:40:10 | 0:40:12 | |
I thought property one was a dead cert. | 0:40:12 | 0:40:16 | |
But it looks like the Mystery House may have stolen Pauline's heart, | 0:40:16 | 0:40:20 | |
even though John, I think, is still very keen on the first house | 0:40:20 | 0:40:22 | |
we showed them down in Ludlow. | 0:40:22 | 0:40:24 | |
It will be interesting to see if she where she's using her spreadsheet | 0:40:24 | 0:40:29 | |
to persuade him of the error of his ways. | 0:40:29 | 0:40:31 | |
Now, correct me if I'm wrong, | 0:40:36 | 0:40:38 | |
but it seems like property number two isn't really in the running. | 0:40:38 | 0:40:42 | |
So it comes down to property number one, which you seemed to like, | 0:40:42 | 0:40:45 | |
and property number three, the Mystery House | 0:40:45 | 0:40:47 | |
which you suddenly seemed to find your favourite. | 0:40:47 | 0:40:50 | |
I think you're right in saying that property two is out of the running. | 0:40:50 | 0:40:54 | |
I think the Mystery House, when we discussed it, | 0:40:54 | 0:40:56 | |
we thought it had everything as a house. | 0:40:56 | 0:40:59 | |
And it would be lovely to be able to lift the Mystery House | 0:40:59 | 0:41:04 | |
up with its garden and its land | 0:41:04 | 0:41:07 | |
and drop it into where the first house was. | 0:41:07 | 0:41:12 | |
If we can find some land | 0:41:12 | 0:41:14 | |
that we could rent or buy | 0:41:14 | 0:41:17 | |
next to property one, | 0:41:17 | 0:41:20 | |
then that would give us everything that we required. | 0:41:20 | 0:41:25 | |
Clearly, there's a qualified preference for house number one, | 0:41:25 | 0:41:30 | |
a sort of wistful look back north to house number three. | 0:41:30 | 0:41:34 | |
But, so, what is going to happen next? | 0:41:34 | 0:41:37 | |
We're certainly going to go back and look at property one again, | 0:41:37 | 0:41:42 | |
because we do really like it, and I think the key thing there | 0:41:42 | 0:41:45 | |
is just to see whether we can get in touch with | 0:41:45 | 0:41:48 | |
whoever owns the land around there | 0:41:48 | 0:41:51 | |
and whether they would be willing to either rent us or sell us | 0:41:51 | 0:41:54 | |
a small piece of land. | 0:41:54 | 0:41:55 | |
So if you couldn't get land for property one, | 0:41:55 | 0:41:58 | |
property three might become a contender again? | 0:41:58 | 0:42:01 | |
It might be, yeah. | 0:42:01 | 0:42:03 | |
Well it's been a great joy showing you around. | 0:42:03 | 0:42:05 | |
And I hope we've shown you a bit of Shropshire | 0:42:05 | 0:42:07 | |
that you hadn't considered before. | 0:42:07 | 0:42:09 | |
And whichever house you choose, that you're very happy. | 0:42:09 | 0:42:11 | |
-Thank you. -Thank you very much. | 0:42:11 | 0:42:14 | |
I have to say I was surprised. | 0:42:18 | 0:42:19 | |
I thought Pauline was going to twist John's arm and make him | 0:42:19 | 0:42:23 | |
love house number three. | 0:42:23 | 0:42:24 | |
But, in the end, to be fair, | 0:42:24 | 0:42:26 | |
she let her head rule her heart | 0:42:26 | 0:42:29 | |
and they went for house number one. | 0:42:29 | 0:42:30 | |
Although it was good to see they discovered the joys of north Shropshire, | 0:42:30 | 0:42:34 | |
and when you look at how beautiful the county is, | 0:42:34 | 0:42:36 | |
you can understand why. | 0:42:36 | 0:42:37 | |
So that's us done for the day, | 0:42:37 | 0:42:39 | |
but do join us next time for more Escape To The Country. | 0:42:39 | 0:42:42 | |
John and Pauline looked into the possibility of land | 0:42:42 | 0:42:45 | |
around the first house near Ludlow, | 0:42:45 | 0:42:48 | |
but unfortunately the house went under offer to another buyer, | 0:42:48 | 0:42:51 | |
so sadly their Shropshire search continues. | 0:42:51 | 0:42:54 | |
It just goes to show that sometimes you have to be quick | 0:42:54 | 0:42:57 | |
to clinch that textbook rural escape. | 0:42:57 | 0:43:00 | |
If you want to escape to the country in Northern Ireland, Wales, | 0:43:00 | 0:43:02 | |
Scotland or England, and need our help, | 0:43:02 | 0:43:05 | |
please apply online... | 0:43:05 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:14 |