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Welcome to a special Escape To The Country, | 0:00:02 | 0:00:03 | |
where we'll be unearthing some property treasures | 0:00:03 | 0:00:06 | |
in one region with two sets of buyers. | 0:00:06 | 0:00:08 | |
And because we're focusing on one county, we're going to be | 0:00:08 | 0:00:10 | |
scattering our tips and hints about moving to and buying in that area. | 0:00:10 | 0:00:15 | |
Today, we'll be centring on the home | 0:00:15 | 0:00:17 | |
of the world's first ever skyscraper. | 0:00:17 | 0:00:20 | |
Find out where that is in just a moment. | 0:00:20 | 0:00:23 | |
Today, we're looking back on two property searches. | 0:00:40 | 0:00:43 | |
My house-hunting pair were in search of a new rural home | 0:00:43 | 0:00:47 | |
and a new venture to keep them busy in retirement. | 0:00:47 | 0:00:50 | |
You've gone off with the fairies, Martin. | 0:00:50 | 0:00:53 | |
You dreaming about waking up here, or are you worried about woodworm? | 0:00:53 | 0:00:56 | |
-No, no. -Woodworm! | 0:00:56 | 0:00:58 | |
While my house-hunter recruited her sister to help her find a new | 0:00:59 | 0:01:03 | |
home in an area she chose rather impulsively. | 0:01:03 | 0:01:07 | |
And there were plenty of surprises along the way. | 0:01:07 | 0:01:10 | |
Oh, my goodness, I didn't even realise that was there. | 0:01:10 | 0:01:13 | |
Oh, this is a fantastic room. What a wonderful space. | 0:01:13 | 0:01:16 | |
Today, we're focusing on Shropshire, | 0:01:18 | 0:01:20 | |
which is home to the Ditherington Flax Mill, | 0:01:20 | 0:01:23 | |
the first multistorey iron-frame building in the world. | 0:01:23 | 0:01:26 | |
It sounds so impressive, but what is it about Shropshire, Alistair, | 0:01:26 | 0:01:29 | |
that you particularly love? | 0:01:29 | 0:01:31 | |
Well, I do have a personal link there. | 0:01:31 | 0:01:33 | |
I've got friends who live there and I've had some fantastic wintry | 0:01:33 | 0:01:36 | |
weekends striding out along with the Long Mynd. | 0:01:36 | 0:01:38 | |
And it's so rural that it's really easy to forget that it was | 0:01:38 | 0:01:41 | |
the birthplace of the Industrial Revolution. | 0:01:41 | 0:01:43 | |
It does feel untouched, doesn't it? Preserved. | 0:01:43 | 0:01:45 | |
For me, my vivid image of Shropshire would be the River Severn, | 0:01:45 | 0:01:49 | |
obviously. That goes without saying, doesn't it? | 0:01:49 | 0:01:52 | |
Ironbridge Gorge, which is truly stunning. | 0:01:52 | 0:01:55 | |
And those black and white timber-framed houses, | 0:01:55 | 0:01:58 | |
which you see dotted all around the countryside. Stunning. | 0:01:58 | 0:02:01 | |
So, Shropshire may be famous as the birthplace for industry, | 0:02:01 | 0:02:04 | |
but for those seeking a rural life, it offers much more. | 0:02:04 | 0:02:08 | |
Shropshire is located in the West Midlands area of England | 0:02:10 | 0:02:13 | |
and is bordered by Wales to the west, plus the counties | 0:02:13 | 0:02:16 | |
of Cheshire, Staffordshire, Worcestershire and Herefordshire. | 0:02:16 | 0:02:20 | |
One of England's most rural and sparsely populated regions, | 0:02:21 | 0:02:25 | |
it has Britain's longest river, the River Severn, | 0:02:25 | 0:02:27 | |
running through its crop-filled landscape. | 0:02:27 | 0:02:30 | |
The striking Shropshire hills to the south of the county have been | 0:02:30 | 0:02:34 | |
designated an Area of Outstanding Natural Beauty, | 0:02:34 | 0:02:38 | |
with their rocky hills forming gentle peaks and troughs of beige and green. | 0:02:38 | 0:02:42 | |
The medieval market town of Ludlow in the south of the county, | 0:02:43 | 0:02:46 | |
described by poet John Betjeman as England's finest town, | 0:02:46 | 0:02:51 | |
has beautiful whitewashed buildings lining its narrow, winding streets. | 0:02:51 | 0:02:56 | |
With its convenient central location, beautiful scenery | 0:02:56 | 0:02:59 | |
and historic towns and villages, | 0:02:59 | 0:03:01 | |
Shropshire is a region that really does have it all on a plate. | 0:03:01 | 0:03:05 | |
I had such a lovely afternoon filming on the Ironbridge Gorge. | 0:03:07 | 0:03:11 | |
We'd knocked on this lady's door to see if we could film from her garden, | 0:03:11 | 0:03:15 | |
cos it had the perfect view. You've got the 18th century bridge | 0:03:15 | 0:03:17 | |
that way and then if you spun the camera around, | 0:03:17 | 0:03:20 | |
you see these enormous 1970s cooling towers. | 0:03:20 | 0:03:23 | |
But they had painted them terracotta | 0:03:23 | 0:03:25 | |
to match the sort of history of the area. | 0:03:25 | 0:03:28 | |
Wow. Well, I was really lucky because I got to explore | 0:03:28 | 0:03:30 | |
the whole county because my buyer didn't express a preference. | 0:03:30 | 0:03:34 | |
-But that opens things up. -It does. | 0:03:34 | 0:03:36 | |
Mine wanted to be near Shrewsbury in the centre, | 0:03:36 | 0:03:39 | |
but that actually is quite good, because in terms of property price, | 0:03:39 | 0:03:42 | |
that steers us away from the hotspot, which is your favourite, Ludlow. | 0:03:42 | 0:03:45 | |
Yes, I do love Ludlow. | 0:03:45 | 0:03:46 | |
But as a rule, the county offers really good value for money, | 0:03:46 | 0:03:49 | |
doesn't it? | 0:03:49 | 0:03:50 | |
The average price is around £33,000 less than the national average. | 0:03:50 | 0:03:54 | |
As is so often the case, it's a county of two halves. | 0:03:54 | 0:03:56 | |
Because we often go down into the southern part with | 0:03:56 | 0:03:59 | |
the beautiful Shropshire hills. | 0:03:59 | 0:04:00 | |
But you actually get much more for your money | 0:04:00 | 0:04:02 | |
if you had up north towards the Welsh border. | 0:04:02 | 0:04:04 | |
But there is so much countryside, isn't there? | 0:04:04 | 0:04:06 | |
It's one of the least densely populated counties in the whole | 0:04:06 | 0:04:09 | |
of the UK, so if you are after peace and quiet, it's fantastic news. | 0:04:09 | 0:04:14 | |
Which is exactly what my buyers were after. | 0:04:14 | 0:04:17 | |
Retired planning manager Martin and his curtain-maker wife, | 0:04:18 | 0:04:21 | |
Jacqueline, live in this four-bedroom detached house | 0:04:21 | 0:04:24 | |
in Rufford, West Lancashire, and have been married for 26 years. | 0:04:24 | 0:04:28 | |
But last year, 57-year-old Martin swapped the daily grind | 0:04:28 | 0:04:32 | |
for a more relaxed pace of life. | 0:04:32 | 0:04:34 | |
It's coming up to 16 months now I've been retired. | 0:04:34 | 0:04:38 | |
I must admit, I have found it difficult adjusting to not working. | 0:04:38 | 0:04:42 | |
I want to fill my time a bit more and I think a project would | 0:04:42 | 0:04:46 | |
give me something to really get my teeth stuck into. | 0:04:46 | 0:04:49 | |
We're looking at a new adventure together, really. | 0:04:49 | 0:04:51 | |
Possibly looking at running a bed and breakfast. | 0:04:51 | 0:04:53 | |
And they've got their eye on central England for their country escape. | 0:04:53 | 0:04:57 | |
We're looking to move to Shropshire because we visited it several times, | 0:04:57 | 0:05:02 | |
we love the location. It's very quiet compared to where we live now. | 0:05:02 | 0:05:08 | |
And with their house on the market, the time has come to find | 0:05:08 | 0:05:11 | |
a new home that can double up as an exciting new business. | 0:05:11 | 0:05:14 | |
Jacqueline's hoping to offer sewing lessons to the guests and Martin | 0:05:14 | 0:05:18 | |
is sure he has also got the skills to make the B&B a roaring success. | 0:05:18 | 0:05:21 | |
I've always been told I can do a very good poached egg. | 0:05:21 | 0:05:26 | |
Jacqueline and Martin don't want to be too far away from their son | 0:05:33 | 0:05:36 | |
in Leeds, friends in Lancashire and family in South Wales, | 0:05:36 | 0:05:39 | |
so have decided to move somewhere around the Shrewsbury area, | 0:05:39 | 0:05:44 | |
but will consider moving further afield if the house is right. | 0:05:44 | 0:05:47 | |
'And before we kick off our search for a dual-purpose property, | 0:05:47 | 0:05:50 | |
'I'm meeting them in the county to make sure | 0:05:50 | 0:05:53 | |
'I know exactly what it is they're looking for.' | 0:05:53 | 0:05:55 | |
Welcome to Shropshire, you two. Thanks for bringing me here. | 0:05:55 | 0:05:58 | |
It's a lovely county. Tell me exactly your dream home. | 0:05:58 | 0:06:00 | |
Well, we're looking for a detached house and we're | 0:06:00 | 0:06:04 | |
looking for a property with potential for a bed and breakfast. | 0:06:04 | 0:06:07 | |
-Ah! -So, about four to five rooms. | 0:06:07 | 0:06:10 | |
And we're also looking for a room for me | 0:06:10 | 0:06:13 | |
-to carry on my sewing business. -Yeah. | 0:06:13 | 0:06:14 | |
What about you, Martin? In terms of the outside, are you a gardener? | 0:06:14 | 0:06:17 | |
I'm becoming more of a gardener now I have more time on my hands, | 0:06:17 | 0:06:20 | |
Alistair. Nothing too large. I don't want it too daunting. | 0:06:20 | 0:06:23 | |
Maybe up to three quarters of an acre. | 0:06:23 | 0:06:25 | |
In terms of the bed and breakfast, are you looking for sort of a... | 0:06:25 | 0:06:28 | |
one of these ones where it is all separate or are you wanting them | 0:06:28 | 0:06:31 | |
to kind of eat with you and live with you? | 0:06:31 | 0:06:34 | |
We are really open on that. | 0:06:34 | 0:06:36 | |
Ideally, it would be nice if it's separate, but if it is | 0:06:36 | 0:06:39 | |
integrated in some way, we're quite happy to work around that, yeah. | 0:06:39 | 0:06:43 | |
Remind me of your budget. How much have we got to play with? | 0:06:43 | 0:06:45 | |
Our budget is £500,000 and we don't mind doing some work, as well, | 0:06:45 | 0:06:49 | |
-within that budget. -Hopefully, we won't disappoint. | 0:06:49 | 0:06:51 | |
Let's go and look, cos the houses are ready and waiting. | 0:06:51 | 0:06:54 | |
-Follow me. -Thank you. | 0:06:54 | 0:06:56 | |
Jacqueline and Martin's budget may be pretty generous for this | 0:06:56 | 0:06:59 | |
part of England, but they are looking for a two-in-one, | 0:06:59 | 0:07:02 | |
which presents a bit more of a challenge. | 0:07:02 | 0:07:05 | |
They want a detached property with four to five bedrooms | 0:07:05 | 0:07:07 | |
so two or three can be part of a new bed and breakfast business. | 0:07:07 | 0:07:11 | |
Jacqueline would also like a room to hold sewing classes | 0:07:11 | 0:07:14 | |
and Martin would love to get stuck into a good-sized garden. | 0:07:14 | 0:07:18 | |
And they'd like to be within | 0:07:18 | 0:07:19 | |
arm's reach of local facilities. | 0:07:19 | 0:07:21 | |
To get Jacqueline and Martin one step closer to realising | 0:07:21 | 0:07:25 | |
their dream, we will be taking them to see three contrasting properties. | 0:07:25 | 0:07:29 | |
And once they've toured each one, we'll let them know its cost. | 0:07:29 | 0:07:33 | |
Their final tour will be around the mystery house, | 0:07:33 | 0:07:35 | |
a property whose exterior hides what lies within and, | 0:07:35 | 0:07:38 | |
after more than 25 years of marriage, | 0:07:38 | 0:07:40 | |
could see our duo taking another trip down the aisle. | 0:07:40 | 0:07:43 | |
Our first property is located near the village of Maesbrook, | 0:07:48 | 0:07:52 | |
just outside the larger village of Knockin. | 0:07:52 | 0:07:55 | |
It's 12 miles north-west of Shrewsbury | 0:07:55 | 0:07:57 | |
and five miles from the Welsh border. | 0:07:57 | 0:07:59 | |
Knockin is a pretty village, much of which was once | 0:07:59 | 0:08:02 | |
owned by the Earl of Bradford, whose family name is still evident. | 0:08:02 | 0:08:06 | |
There are many handsome and historic buildings, | 0:08:06 | 0:08:09 | |
plus the essential amenities to hand, | 0:08:09 | 0:08:11 | |
situated in a striking rural setting. | 0:08:11 | 0:08:14 | |
Just under two miles away, back on the outskirts of Maesbrook, | 0:08:14 | 0:08:17 | |
is our first property. | 0:08:17 | 0:08:19 | |
Come to the lawn and you can see the full splendour of house number one. | 0:08:19 | 0:08:23 | |
-Wow! -Ta-da! | 0:08:24 | 0:08:25 | |
-Fabulous. Looks lovely. -Certainly characterful. | 0:08:25 | 0:08:28 | |
-Isn't it just? -Yes. | 0:08:28 | 0:08:29 | |
-This goes back to 1485. -Oh, my God! | 0:08:29 | 0:08:31 | |
A lot of extensions in the 17th century | 0:08:31 | 0:08:34 | |
and in the 20th century again, and then in 2008, completely modernised. | 0:08:34 | 0:08:38 | |
-What do you think? -Beautiful. | 0:08:38 | 0:08:39 | |
-Really nice. -Yes, it's got a hell of a history, hasn't it? | 0:08:39 | 0:08:43 | |
We're heading to the back door, which would be the guest entrance | 0:08:45 | 0:08:48 | |
if this property became a B&B. | 0:08:48 | 0:08:50 | |
We're starting off in the large open-plan kitchen/diner. | 0:08:50 | 0:08:54 | |
-Come on inside. Now you get an idea of the inside space. -Wow, beautiful. | 0:08:54 | 0:09:00 | |
Very light and airy. | 0:09:00 | 0:09:01 | |
You've got the kitchen, open-plan kitchen. Light on both sides. | 0:09:01 | 0:09:05 | |
And you've got a little breakfast niche here, | 0:09:05 | 0:09:07 | |
and then round there, you've got the dining room. | 0:09:07 | 0:09:10 | |
It is a great area for a bed and breakfast, I think, as well. | 0:09:10 | 0:09:13 | |
I just love the open-plan, | 0:09:13 | 0:09:15 | |
the fact that you've got the dining area in the same place. | 0:09:15 | 0:09:18 | |
And also the sitting area, with the wood-burner. It feels homely. | 0:09:18 | 0:09:23 | |
'Moving through a dining room in the middle of the house, | 0:09:23 | 0:09:25 | |
'we find ourselves in a large sitting room.' | 0:09:25 | 0:09:28 | |
-More beams. -A really good size as well. -It is, isn't it? | 0:09:29 | 0:09:32 | |
And this would be also perhaps quite nice as a sort of guest room, | 0:09:32 | 0:09:35 | |
-if you wanted to have a separate room for your B&B guests. -That's right. | 0:09:35 | 0:09:40 | |
Through here, there's a little study room | 0:09:40 | 0:09:42 | |
which has another door out into the garden. | 0:09:42 | 0:09:44 | |
We thought that could be a sewing room. You can explore that later on. | 0:09:44 | 0:09:47 | |
But I want to show you upstairs | 0:09:47 | 0:09:48 | |
cos that's where you'd be putting your guests and yourself. | 0:09:48 | 0:09:53 | |
'On the first floor, there are three double bedrooms... | 0:09:53 | 0:09:57 | |
'a single... | 0:09:57 | 0:09:59 | |
'a family bathroom... | 0:09:59 | 0:10:01 | |
'a shower room... | 0:10:01 | 0:10:02 | |
'and at the front of the house, above the kitchen, | 0:10:02 | 0:10:04 | |
'is the largest of the five bedrooms.' | 0:10:04 | 0:10:07 | |
-This is the master bedroom. -Beautiful. Mm. | 0:10:07 | 0:10:11 | |
-And it has got an en-suite. -It's got -an en-suite. Which is good. | 0:10:11 | 0:10:14 | |
And it's nice having the double windows either side. | 0:10:14 | 0:10:17 | |
Plenty of light coming in. | 0:10:17 | 0:10:18 | |
What's interesting here is you can see this is the crook construction. | 0:10:18 | 0:10:21 | |
-You see this big curved beam. -Yeah. -This is what makes the house | 0:10:21 | 0:10:24 | |
historically interesting, because it is actually a fork crook. So, crooks | 0:10:24 | 0:10:28 | |
are when you have the bent oaken sort of beams that meet in the middle. | 0:10:28 | 0:10:31 | |
-So, quite unusual. -Very good. | 0:10:31 | 0:10:34 | |
You've gone off with the fairies, Martin. | 0:10:35 | 0:10:37 | |
Are you dreaming about waking up here or are you worried about woodworm? | 0:10:37 | 0:10:40 | |
-No, no! -Woodworm! | 0:10:40 | 0:10:42 | |
It's just so peaceful. I think that's what I'm finding. | 0:10:43 | 0:10:46 | |
-It's just so quiet. -You wanted something nice, light and airy. | 0:10:46 | 0:10:49 | |
You can't beat anything more than this, can you? | 0:10:49 | 0:10:52 | |
'This centuries-old house seems to have taken Jacqueline | 0:10:52 | 0:10:56 | |
'and Martin's breath away and it has real B&B potential. | 0:10:56 | 0:10:59 | |
'Martin is determined to keep busy during his early retirement | 0:10:59 | 0:11:03 | |
'and, if running a guesthouse isn't enough, I think the extensive | 0:11:03 | 0:11:07 | |
'gardens, with mature shrubs and two orchards, would do just that.' | 0:11:07 | 0:11:11 | |
-Beautiful views all over the Shropshire hills. -Fabulous. | 0:11:12 | 0:11:16 | |
So the garden is a good size. They say three quarters of an acre. | 0:11:16 | 0:11:19 | |
-Right. -Got a big veggie patch over there, lovely kind of... | 0:11:19 | 0:11:22 | |
Oh, look forward to seeing that. | 0:11:22 | 0:11:24 | |
-Double garages here, which could be your sewing studio. -OK. | 0:11:24 | 0:11:27 | |
And then the other side here, | 0:11:27 | 0:11:29 | |
-you've got a separate garden which you could have for your guests. -Mm. | 0:11:29 | 0:11:32 | |
What do you think this is on the market for? That's the key issue. | 0:11:32 | 0:11:35 | |
-I'd say 495. -Mm-hm. Martin? | 0:11:35 | 0:11:38 | |
-I'd possibly go 475. -475. | 0:11:38 | 0:11:42 | |
In this instance, Martin, you should listen to your wife | 0:11:42 | 0:11:45 | |
-cos she is EXACTLY on the money. -Is she? -Really? | 0:11:45 | 0:11:47 | |
-It's on the market for 495. -Oh, really? There you go. | 0:11:47 | 0:11:50 | |
This detached house is full of character | 0:11:51 | 0:11:53 | |
and is on the market just under Jacqueline and Martin's budget. | 0:11:53 | 0:11:57 | |
It would give them £5,000 change. | 0:11:57 | 0:11:59 | |
It's got exactly the number | 0:12:00 | 0:12:02 | |
of bedrooms they're after | 0:12:02 | 0:12:03 | |
for themselves and guests, plus | 0:12:03 | 0:12:05 | |
a study and a garage with a workshop, | 0:12:05 | 0:12:07 | |
either of which would be perfect | 0:12:07 | 0:12:09 | |
as a sewing room for Jacqueline. | 0:12:09 | 0:12:11 | |
The beautiful gardens would be | 0:12:11 | 0:12:12 | |
a pleasure to look after | 0:12:12 | 0:12:14 | |
and the property's location is rural | 0:12:14 | 0:12:16 | |
but still close to amenities. | 0:12:16 | 0:12:18 | |
I love the house. It is picture-postcard perfect. | 0:12:18 | 0:12:22 | |
The negative points, really, for us, would be the upstairs, | 0:12:22 | 0:12:25 | |
from the bed and breakfast point of view. | 0:12:25 | 0:12:28 | |
The rooms are quite small, and I don't see an awful lot | 0:12:28 | 0:12:30 | |
of scope to make them bigger or to put en suites in. | 0:12:30 | 0:12:35 | |
-OK, guys. Are you all done? -Yes. | 0:12:35 | 0:12:39 | |
Well, even if you're not all done, | 0:12:39 | 0:12:41 | |
you'll have to leave, cos that's our time over here | 0:12:41 | 0:12:43 | |
-and we've got another house to visit. -OK. -Great. -Follow me. | 0:12:43 | 0:12:46 | |
'Jacqueline and Martin are attracted to Shropshire's gorgeous | 0:12:54 | 0:12:57 | |
'countryside, but the county is also proud of its industrial | 0:12:57 | 0:13:01 | |
'and cultural background. | 0:13:01 | 0:13:02 | |
'There are historical sites all over the region | 0:13:02 | 0:13:05 | |
'and, over a century ago, it was known for its production of ceramics, | 0:13:05 | 0:13:09 | |
'due to its proximity to clay deposits. | 0:13:09 | 0:13:11 | |
'In 1872, the Craven Dunnill Jackfield works | 0:13:12 | 0:13:16 | |
'were founded in the Ironbridge Gorge, a World Heritage Site | 0:13:16 | 0:13:20 | |
'and home to the world's first arched iron bridge. | 0:13:20 | 0:13:24 | |
'The factory produced ceramic wall and floor tiles, | 0:13:24 | 0:13:26 | |
'which are still made here today. | 0:13:26 | 0:13:28 | |
'The site is the oldest surviving purpose-built tile factory | 0:13:28 | 0:13:31 | |
'in the world and it is now also a museum. | 0:13:31 | 0:13:34 | |
'I've come to meet curator Matt Thompson to find out a bit | 0:13:34 | 0:13:37 | |
'more about its colourful history.' | 0:13:37 | 0:13:39 | |
I don't think I've ever been to a tile museum before. | 0:13:39 | 0:13:42 | |
There's not many of them around, to be fair. | 0:13:42 | 0:13:45 | |
But what you've got here is a preserved example | 0:13:45 | 0:13:47 | |
of a real model factory. | 0:13:47 | 0:13:48 | |
The classic phrase they used was "from dust to dispatch". | 0:13:48 | 0:13:51 | |
They made a lot of the tiles out of dust, they pressed them | 0:13:51 | 0:13:54 | |
under hydraulic pressure, brought them in at one end of the factory, | 0:13:54 | 0:13:57 | |
went through all the different processes | 0:13:57 | 0:14:00 | |
and finally get to the saleroom just here at this side. | 0:14:00 | 0:14:02 | |
-Would you like to have a look inside? -Of course. | 0:14:02 | 0:14:05 | |
'Currently there are 25 members of staff here | 0:14:05 | 0:14:08 | |
'working in tile production, | 0:14:08 | 0:14:09 | |
'and they produce around 1,000 tiles a day. | 0:14:09 | 0:14:12 | |
'Jennifer Keller has been with the factory for 13 years, | 0:14:12 | 0:14:15 | |
'and is going to show me how it's done.' | 0:14:15 | 0:14:18 | |
This is the dust bit, is it? | 0:14:19 | 0:14:20 | |
Absolutely, this has been dust pressed | 0:14:20 | 0:14:22 | |
-on the original Victorian machines. -Amazing. | 0:14:22 | 0:14:24 | |
And you can see here the pattern that's been put on, | 0:14:24 | 0:14:27 | |
which shows the back stamp where the tile was made. | 0:14:27 | 0:14:29 | |
So the smooth side, when they've been fired, | 0:14:29 | 0:14:31 | |
is brought into this area and we're going to decorate it. | 0:14:31 | 0:14:34 | |
'After the tile is made, an image is transferred onto it using charcoal.' | 0:14:35 | 0:14:39 | |
-It's like dot to dot. -It is like a little dot to dot design, | 0:14:39 | 0:14:42 | |
and then the idea is that | 0:14:42 | 0:14:43 | |
we're going to follow those lines with the clay slip. | 0:14:43 | 0:14:47 | |
'The slip is liquid clay, which provides an outer wall | 0:14:47 | 0:14:50 | |
'for the design to stop colours running together.' | 0:14:50 | 0:14:53 | |
The idea is that you don't touch the tile, keep it lifted up in the air, | 0:14:53 | 0:14:58 | |
guide with one hand, squeeze with the other hand. | 0:14:58 | 0:15:01 | |
'It's not the easiest thing I've ever witnessed, | 0:15:01 | 0:15:04 | |
'but I'm a willing apprentice and I'm going to give it a go.' | 0:15:04 | 0:15:07 | |
I've got to join up? | 0:15:07 | 0:15:08 | |
Absolutely, try not to leave any gaps, and squeeze much harder. | 0:15:08 | 0:15:12 | |
-Harder, my gosh. -That's it, no, you're fine, you're fine. | 0:15:12 | 0:15:14 | |
-That's not bad. That's great. -You sound so surprised, Jennifer. | 0:15:14 | 0:15:17 | |
-I'm going to let you finish it off. -OK, that's fine. | 0:15:17 | 0:15:21 | |
-You did really well. -Thank you very much. | 0:15:21 | 0:15:24 | |
The speed is incredible at which you do this. | 0:15:24 | 0:15:26 | |
'Once the outline of the design has dried, the colours are applied. | 0:15:26 | 0:15:30 | |
'They look very different to the finished product. | 0:15:30 | 0:15:33 | |
'The liquid glaze is made from powdered glass mixed with | 0:15:33 | 0:15:35 | |
'metal oxides which give the colour, which are suspended in water. | 0:15:35 | 0:15:40 | |
'Copper oxide will turn green, | 0:15:40 | 0:15:42 | |
'and red iron oxide, or yellow ochre oxide, yellow. | 0:15:42 | 0:15:46 | |
'When the design is complete, the tile is fired in the kiln | 0:15:46 | 0:15:49 | |
'for two days at a temperature of 1,040 degrees. | 0:15:49 | 0:15:53 | |
'This melts the powdered glass and creates a chemical reaction with | 0:15:53 | 0:15:57 | |
'the metals in the dyes, | 0:15:57 | 0:15:59 | |
'and the dull hues transform into vibrant shades.' | 0:15:59 | 0:16:02 | |
Oh, look how much prettier they look! | 0:16:02 | 0:16:04 | |
These are some of the Art Nouveau designs, | 0:16:04 | 0:16:06 | |
and as you can see this one here is very similar... | 0:16:06 | 0:16:09 | |
-It's like magic. -Absolutely, all the colours are exactly the same. | 0:16:09 | 0:16:13 | |
And this one here, as you can see, is going to become that one there. | 0:16:13 | 0:16:19 | |
Wow. Comes out looking very professional. | 0:16:19 | 0:16:21 | |
Absolutely, the kiln does marvellous things. | 0:16:21 | 0:16:23 | |
Mm-hm, I'm not sure mine will look quite so beautiful. | 0:16:23 | 0:16:26 | |
Well, I'm sure you'll be pleased with it when you get it. | 0:16:26 | 0:16:28 | |
Thank you so much! It's amazing, it's a real pleasure, | 0:16:28 | 0:16:30 | |
and I'm sure I'll be spotting tiles everywhere I look | 0:16:30 | 0:16:33 | |
-for the next few days. -Oh, I hope so. | 0:16:33 | 0:16:35 | |
Travelling just over 35 miles south takes us to our second property, | 0:16:42 | 0:16:46 | |
in the village of Clunton. | 0:16:46 | 0:16:48 | |
It's almost 28 miles south-west of Shrewsbury | 0:16:48 | 0:16:50 | |
and about a mile east of the town of Clun. | 0:16:50 | 0:16:54 | |
Situated in the Shropshire Hills Area of Outstanding Natural Beauty, | 0:16:54 | 0:16:57 | |
it boasts stunning vistas, | 0:16:57 | 0:16:59 | |
especially from the ruins of the Norman Clun Castle. | 0:16:59 | 0:17:02 | |
And it has a pretty town centre with an attractive mix of houses | 0:17:02 | 0:17:06 | |
and there's a traditional pub. | 0:17:06 | 0:17:09 | |
A three-minute drive and we're in Clunton, | 0:17:09 | 0:17:11 | |
at our second property, | 0:17:11 | 0:17:12 | |
which stands in the Arvon Centre - | 0:17:12 | 0:17:15 | |
26 acres of woodland once home to the late playwright John Osborne | 0:17:15 | 0:17:19 | |
and now a retreat for writers. | 0:17:19 | 0:17:22 | |
Down a long, windy road, or rather up a long, windy road | 0:17:22 | 0:17:25 | |
-into the hills and the forest to this. -Wow, OK! | 0:17:25 | 0:17:29 | |
-Very different offering. -Mind-blowing! | 0:17:31 | 0:17:33 | |
-It is totally different. -It is. | 0:17:33 | 0:17:35 | |
It was an old coach house. | 0:17:35 | 0:17:36 | |
You can see the arches where they would drive the coaches in | 0:17:36 | 0:17:38 | |
-and also the stable. -Yeah. | 0:17:38 | 0:17:39 | |
So it's been converted by the present owners. | 0:17:39 | 0:17:42 | |
And unlike the one this morning, this is being run as a B&B. | 0:17:42 | 0:17:45 | |
-Is it? -Oh, right. That's interesting. | 0:17:45 | 0:17:47 | |
So from the aspect, | 0:17:47 | 0:17:48 | |
-do you think it's somewhere you could imagine living? -Yeah, | 0:17:48 | 0:17:51 | |
I can imagine it would make a great bed and breakfast. | 0:17:51 | 0:17:55 | |
'We're starting off our tour in the rather large sitting room, | 0:17:55 | 0:17:58 | |
'with its fantastic views across the valley.' | 0:17:58 | 0:18:00 | |
What is your vibe as you walk in? | 0:18:00 | 0:18:03 | |
Great size. | 0:18:03 | 0:18:04 | |
-Just the sort of thing we're looking for in a lounge. -It's cosy. | 0:18:04 | 0:18:07 | |
And unlike the other property, | 0:18:07 | 0:18:09 | |
this has a separate sitting room for your guests. | 0:18:09 | 0:18:11 | |
-Right. -So this would be your family space. -OK, OK. | 0:18:11 | 0:18:15 | |
'Just behind the sitting room, in the main body of the house, | 0:18:16 | 0:18:19 | |
'is the kitchen.' | 0:18:19 | 0:18:21 | |
So, a smaller offering than the last. | 0:18:21 | 0:18:23 | |
-Yes, it is a bit. -It's very dark and small. | 0:18:23 | 0:18:28 | |
Small. | 0:18:28 | 0:18:29 | |
-It feels a bit more oppressive in here, doesn't it? -It does. | 0:18:29 | 0:18:32 | |
That's the only feeling. | 0:18:32 | 0:18:33 | |
It's more, sort of, segregated | 0:18:33 | 0:18:34 | |
in the sense that this would be your kitchen, where you cook, | 0:18:34 | 0:18:37 | |
-and your guests would be at the other end of the house. -OK, | 0:18:37 | 0:18:39 | |
-that's a positive thing. -Yeah, yeah. | 0:18:39 | 0:18:42 | |
But part of the reason we want to bring you here is to show you | 0:18:42 | 0:18:45 | |
-the B&B set-up upstairs... -Yes. OK. | 0:18:45 | 0:18:47 | |
-..which I think is more what you're looking for. -All right. | 0:18:47 | 0:18:50 | |
'On one side of the kitchen there's a utility room | 0:18:52 | 0:18:54 | |
'and on the other, the guest dining room. | 0:18:54 | 0:18:57 | |
'I can see Jacqueline and Martin taking it all in. | 0:18:57 | 0:19:00 | |
'Maybe upstairs will help them see things more clearly. | 0:19:00 | 0:19:04 | |
'There's a family bathroom, | 0:19:04 | 0:19:06 | |
'a double bedroom which is used by the owner as the master, | 0:19:06 | 0:19:09 | |
'two smaller rooms, | 0:19:09 | 0:19:12 | |
'and the next room along is a guest sitting room, | 0:19:12 | 0:19:15 | |
'with a rather attractive arched window.' | 0:19:15 | 0:19:17 | |
-Fabulous, yeah. I like that! -All right. | 0:19:17 | 0:19:19 | |
-This is a lovely, sunny aspect. -Yes, I love it. Very nice. | 0:19:19 | 0:19:24 | |
This is currently what they use for the guests | 0:19:24 | 0:19:26 | |
and then through here is one of the guest rooms. | 0:19:26 | 0:19:30 | |
So there's a child's bedroom there | 0:19:30 | 0:19:33 | |
-and then this is -the en-suite... OK. -..top-dollar guest room. -OK. | 0:19:33 | 0:19:39 | |
-Lovely view. -Yeah, it is. -Yeah, terrific views again. | 0:19:39 | 0:19:42 | |
You've got two windows. | 0:19:42 | 0:19:43 | |
It shows great self-sacrifice on the present owners' part | 0:19:43 | 0:19:45 | |
-to give this to the guests! -Yes! | 0:19:45 | 0:19:47 | |
-Well, let's go and have a look at the outside space... -OK. -Yeah. | 0:19:47 | 0:19:51 | |
..find out the price | 0:19:51 | 0:19:52 | |
-and then you can balance it all up. -All right. | 0:19:52 | 0:19:54 | |
'Well, there's no doubting the fact | 0:19:56 | 0:19:58 | |
'that this property is set up perfectly as a B&B. | 0:19:58 | 0:20:00 | |
'Let's see how the outside space fares. | 0:20:00 | 0:20:03 | |
'The double garage is currently being used as a games room | 0:20:03 | 0:20:06 | |
'but there's scope to develop it into more guest rooms | 0:20:06 | 0:20:09 | |
'or a sewing room. | 0:20:09 | 0:20:11 | |
'We're going to the patio garden at the rear of the house.' | 0:20:11 | 0:20:15 | |
-Oh, it's such a lovely spot! -Yes. -Very tranquil. | 0:20:15 | 0:20:18 | |
It's not a huge garden. | 0:20:18 | 0:20:20 | |
It's actually just up to this wall | 0:20:20 | 0:20:21 | |
so it's really a small terraced garden, | 0:20:21 | 0:20:23 | |
and the land out the front, there, | 0:20:23 | 0:20:26 | |
-slopes down to the view over the valley. -Yeah. -OK. | 0:20:26 | 0:20:28 | |
-So very manageable. -Very easy to maintain. | 0:20:28 | 0:20:31 | |
It's like a wooded valley, isn't it? | 0:20:31 | 0:20:33 | |
It's like you're surrounded by... | 0:20:33 | 0:20:36 | |
forest, really. | 0:20:36 | 0:20:37 | |
Looking at the outside, I think it would be a possibility | 0:20:37 | 0:20:40 | |
that you could put an extension on | 0:20:40 | 0:20:42 | |
-which would totally transform it. -Absolutely. | 0:20:42 | 0:20:45 | |
In that case, we need to talk about budget. | 0:20:45 | 0:20:47 | |
Would you have the money to do that? | 0:20:47 | 0:20:49 | |
How much do you think this property is on the market for? | 0:20:49 | 0:20:51 | |
I would say 460. | 0:20:51 | 0:20:53 | |
I'd say...435. | 0:20:53 | 0:20:56 | |
-Well, in this instance you're both wrong. -OK! | 0:20:56 | 0:20:58 | |
-It is actually on at 470. -Oh, OK. Oh, right. -Really? | 0:20:58 | 0:21:01 | |
-So a little bit over what you thought. -Yes. -Mm. | 0:21:01 | 0:21:03 | |
This Grade II listed coach house | 0:21:05 | 0:21:07 | |
is on the market at £30,000 under Jacqueline and Martin's budget | 0:21:07 | 0:21:11 | |
and it's all set up and ready to go as a B&B. | 0:21:11 | 0:21:14 | |
There are three guest bedrooms, and the layout downstairs | 0:21:14 | 0:21:17 | |
means privacy for the owners when welcoming guests. | 0:21:17 | 0:21:20 | |
And although the garden isn't as big as they'd like, | 0:21:20 | 0:21:23 | |
the house is set in a stunning estate with fabulous views. | 0:21:23 | 0:21:27 | |
I think we... | 0:21:27 | 0:21:28 | |
If we took a property like this, | 0:21:28 | 0:21:30 | |
we'd want to adjust quite a few things on it. | 0:21:30 | 0:21:32 | |
I think it would work very well as a bed and breakfast | 0:21:32 | 0:21:35 | |
but I don't think that it's a good home for us. | 0:21:35 | 0:21:39 | |
Just taking in the tranquillity of the place. | 0:21:39 | 0:21:41 | |
-It's gorgeous. -Beautiful. -Very peaceful. | 0:21:41 | 0:21:43 | |
-Have you seen everything you need to see? -Think we have, yeah. | 0:21:43 | 0:21:45 | |
-Yes. -It's been a long day. Let's find a place to relax | 0:21:45 | 0:21:48 | |
-and mull over what you've seen. -OK. -Why not? | 0:21:48 | 0:21:50 | |
-So, the first house seemed to go down better, I'd say. -It did. | 0:21:57 | 0:22:00 | |
I think they were really surprised | 0:22:00 | 0:22:02 | |
at how light and bright it was inside the property. | 0:22:02 | 0:22:04 | |
I think that's largely to do with the crooks, the full crook frame, | 0:22:04 | 0:22:08 | |
or crucks as they're sometimes called. | 0:22:08 | 0:22:10 | |
So a cruck frame goes from the very top of the property | 0:22:10 | 0:22:12 | |
down to the floor and it's multiple A-frames? | 0:22:12 | 0:22:15 | |
Cruck frames were used in big buildings in the medieval period, | 0:22:15 | 0:22:18 | |
so sort of substantial barns and things like that, | 0:22:18 | 0:22:21 | |
and they were a sign of prosperity. | 0:22:21 | 0:22:22 | |
Later on, they were replaced by simple box-frame structures | 0:22:22 | 0:22:26 | |
which were cheaper because they used less timber. | 0:22:26 | 0:22:28 | |
So it's quite a rarity to find a cruck-framed building | 0:22:28 | 0:22:31 | |
so if you come across one they are a big draw. | 0:22:31 | 0:22:33 | |
Well, unfortunately I didn't have a cruck frame up my sleeve but that's | 0:22:33 | 0:22:36 | |
not to say that my buyers weren't impressed with what I'd shown them. | 0:22:36 | 0:22:40 | |
Time to meet them again. | 0:22:40 | 0:22:41 | |
Music composer Pam has decided to leave the four-bedroom | 0:22:43 | 0:22:46 | |
detached chalet bungalow on the banks of the Wey Navigation Canal | 0:22:46 | 0:22:50 | |
in Addlestone, Surrey, | 0:22:50 | 0:22:51 | |
and has enlisted one of her four sisters, Jin, | 0:22:51 | 0:22:54 | |
to help her choose her next home. | 0:22:54 | 0:22:56 | |
Pam has a very busy life and makes the most of where she lives, | 0:22:56 | 0:23:00 | |
but in recent years she's seen a lot of changes. | 0:23:00 | 0:23:03 | |
The area is very frenetic, it's very busy. | 0:23:04 | 0:23:07 | |
The roads are very busy. | 0:23:07 | 0:23:08 | |
It's quite polluted as well, and I would like to be | 0:23:08 | 0:23:11 | |
somewhere where the air is a bit clearer and cleaner and just nicer. | 0:23:11 | 0:23:15 | |
But that's not the only reason for Pam's move. | 0:23:15 | 0:23:18 | |
Her two grown-up sons left home a long time ago, but the younger, | 0:23:18 | 0:23:22 | |
Sam, who lived just two miles away, has just emigrated | 0:23:22 | 0:23:25 | |
with his wife and two young children. | 0:23:25 | 0:23:28 | |
Because my son and his family have gone off to Australia, | 0:23:28 | 0:23:31 | |
that was one of the significant moments. | 0:23:31 | 0:23:34 | |
I've been thinking about moving for quite a few years, and I was just | 0:23:34 | 0:23:37 | |
waiting for the right moment, and I think the right moment's come. | 0:23:37 | 0:23:41 | |
And Pam decided on the location of her new home | 0:23:41 | 0:23:44 | |
in a rather unusual manner. | 0:23:44 | 0:23:46 | |
My daughter-in-law, she brought a magazine back from Shropshire, | 0:23:48 | 0:23:51 | |
cos her parents live in Shropshire, | 0:23:51 | 0:23:53 | |
and in the magazine were all these lovely houses you can buy | 0:23:53 | 0:23:56 | |
for something that I could afford to buy, | 0:23:56 | 0:23:59 | |
and I thought, "Wow, that looks pretty good," | 0:23:59 | 0:24:01 | |
so I started to investigate. | 0:24:01 | 0:24:03 | |
And then I thought, "Well, let's have a go at moving to Shropshire." | 0:24:03 | 0:24:06 | |
It's an interesting and exciting time really, now, for us, | 0:24:06 | 0:24:09 | |
to see where she'll be next. | 0:24:09 | 0:24:10 | |
And she's looking forward to making the most of her new surroundings. | 0:24:10 | 0:24:14 | |
I want lovely scenery and beautiful rolling fields, so I can look | 0:24:14 | 0:24:17 | |
out the window and get inspiration, cos that's really important. | 0:24:17 | 0:24:21 | |
So, with her house on the market, her son gone and a head full | 0:24:21 | 0:24:25 | |
of plans, there's nothing stopping Pam moving on to the next | 0:24:25 | 0:24:28 | |
chapter in her active life. | 0:24:28 | 0:24:30 | |
I think I'm most excited about the move because it's the unknown, | 0:24:31 | 0:24:35 | |
and I love unknown. | 0:24:35 | 0:24:38 | |
I think it will be really good, for just inspiration | 0:24:38 | 0:24:41 | |
and starting just new things. | 0:24:41 | 0:24:43 | |
I don't think she's finished yet with new ideas. | 0:24:43 | 0:24:45 | |
-Oh, I'm not. No. -No! | 0:24:45 | 0:24:47 | |
PAM LAUGHS | 0:24:47 | 0:24:48 | |
Pam's open to considering anywhere in Shropshire, | 0:24:54 | 0:24:56 | |
so the county is our oyster. | 0:24:56 | 0:24:59 | |
And before we start the search for Pam's new pad, I'm meeting | 0:24:59 | 0:25:02 | |
her and Jin in Shropshire to recap on exactly what it is that's | 0:25:02 | 0:25:06 | |
on her property wish-list. | 0:25:06 | 0:25:09 | |
Tell us a little bit more about the property that you're after. | 0:25:09 | 0:25:13 | |
Well, I'm after somewhere where I can | 0:25:13 | 0:25:15 | |
create an artistic environment for the community, inasmuch I would like | 0:25:15 | 0:25:18 | |
-to make a mini concert hall somewhere. -Delightful. | 0:25:18 | 0:25:22 | |
-How many in the audience? -Between 30 and 50. -I thought you said small. | 0:25:22 | 0:25:27 | |
I shall be selling tickets at the gate. | 0:25:27 | 0:25:29 | |
OK, so we need a building for that. | 0:25:29 | 0:25:31 | |
I'm presuming an outbuilding or likewise? | 0:25:31 | 0:25:33 | |
It can be anywhere on the property, it doesn't have to be attached, | 0:25:33 | 0:25:36 | |
it can be a separate building altogether, but something which will | 0:25:36 | 0:25:39 | |
-adapt itself to what I want. -Right. | 0:25:39 | 0:25:41 | |
-And you're happy to do a little bit of work, are you? -Yeah. | 0:25:41 | 0:25:44 | |
Now, what about the house itself? | 0:25:44 | 0:25:46 | |
Well, there are two rooms that are the most important rooms. | 0:25:46 | 0:25:48 | |
One would be the kitchen, because my family are very gregarious. | 0:25:48 | 0:25:53 | |
When we all get together, it's hilarity. | 0:25:53 | 0:25:56 | |
-And it's noisy. -Yeah, it's noisy. | 0:25:56 | 0:25:57 | |
And we need space. And the second one is, I need a | 0:25:57 | 0:26:00 | |
dedicated room for my baby, which is my grand piano. | 0:26:00 | 0:26:03 | |
How many bedrooms? | 0:26:03 | 0:26:05 | |
Well, I'd like four, four or five, | 0:26:05 | 0:26:07 | |
one of which will be on the downstairs, | 0:26:07 | 0:26:10 | |
cos my mum, hopefully, will come and stay for periods of time. | 0:26:10 | 0:26:13 | |
-And how old is Mummy? -She's 92. -Ah! -And she's amazing. | 0:26:13 | 0:26:16 | |
And I'd like to have a really nice garden, | 0:26:16 | 0:26:19 | |
cos I love gardening, and I'm going to get a new dog when I move, | 0:26:19 | 0:26:22 | |
so there has to be space for the dog to run around. | 0:26:22 | 0:26:24 | |
And remind me of the budget we're working to. | 0:26:24 | 0:26:26 | |
Well, I've got £450,000 to spend. | 0:26:26 | 0:26:30 | |
We've got three splendid properties lined up, | 0:26:30 | 0:26:33 | |
ready to show you, so I think we should just get started. | 0:26:33 | 0:26:36 | |
-Yeah, let's do that. -Let's get on with it. -Yep. Come on, then. | 0:26:36 | 0:26:39 | |
Pam has a pretty generous budget for the area, | 0:26:41 | 0:26:44 | |
but her desires are lengthy. | 0:26:44 | 0:26:47 | |
She'd like a quirky property, something like a barn conversion, | 0:26:47 | 0:26:51 | |
with four or five bedrooms, with one downstairs | 0:26:51 | 0:26:53 | |
for when her mum comes to stay, and there needs to be a space big | 0:26:53 | 0:26:57 | |
enough to give a new home to her pride and joy, her grand piano. | 0:26:57 | 0:27:01 | |
She'd love a large kitchen-diner to accommodate her extended | 0:27:01 | 0:27:04 | |
family at gatherings, and is hoping for a room, annexe or | 0:27:04 | 0:27:08 | |
outbuilding, which could be used as a concert hall, to share her | 0:27:08 | 0:27:12 | |
love of music with friends, family and the community. | 0:27:12 | 0:27:15 | |
And when Pam moves, she's planning to get a four-legged friend, | 0:27:15 | 0:27:19 | |
so she'd like a good sized garden they can both enjoy. | 0:27:19 | 0:27:22 | |
We're beginning our journey round Shropshire | 0:27:28 | 0:27:30 | |
in the south-east of the county, in the hamlet of Underton, | 0:27:30 | 0:27:33 | |
around three miles from the historic market town of Bridgenorth. | 0:27:33 | 0:27:38 | |
Split into the high town and the low town by the River Severn, | 0:27:38 | 0:27:41 | |
Bridgenorth's pretty streets are lined with a good selection | 0:27:41 | 0:27:44 | |
of local business and eateries. | 0:27:44 | 0:27:46 | |
An eight-minute drive and we're back in rural Underton | 0:27:47 | 0:27:50 | |
at our first house. | 0:27:50 | 0:27:53 | |
Well, it looks really interesting. | 0:27:53 | 0:27:55 | |
You can see there are a collection of properties here. | 0:27:55 | 0:27:57 | |
Although we're out in the countryside, you're not on your own. | 0:27:57 | 0:28:00 | |
Yeah, that's perfect for me, because I don't want to be | 0:28:00 | 0:28:02 | |
stuck in the middle of nowhere with nobody to talk to. | 0:28:02 | 0:28:05 | |
-Shall we step inside? -Oh, let's. -Let's do it. -Fantastic. | 0:28:05 | 0:28:09 | |
This former barn is the only detached conversion in this | 0:28:09 | 0:28:12 | |
group of three homes, | 0:28:12 | 0:28:13 | |
something I'm sure the neighbours will be pleased of | 0:28:13 | 0:28:16 | |
if Pam moves here. She's planning to make quite a noise, | 0:28:16 | 0:28:19 | |
albeit a tuneful one. | 0:28:19 | 0:28:21 | |
So, as you come through the front door, | 0:28:21 | 0:28:23 | |
it's a bit drier in here, thank goodness. | 0:28:23 | 0:28:26 | |
-You've got this wonderful living space. -I like it. | 0:28:26 | 0:28:31 | |
Very high ceilings, leading to this beautiful fitted kitchen. | 0:28:31 | 0:28:35 | |
Oh, this is a good kitchen | 0:28:35 | 0:28:37 | |
cos you can have a nice sitting area over there, | 0:28:37 | 0:28:39 | |
and you can talk to your friends as you're cooking. I mean... | 0:28:39 | 0:28:42 | |
-The whole of the house, really, for you? -It is for me, yeah. | 0:28:42 | 0:28:45 | |
And everybody congregating in the kitchen, rather than anywhere else. | 0:28:45 | 0:28:48 | |
And there is somebody else in the family | 0:28:48 | 0:28:50 | |
we've got to think of and consider. | 0:28:50 | 0:28:52 | |
Next door... | 0:28:52 | 0:28:54 | |
Let's see if you think she might like this. | 0:28:54 | 0:28:56 | |
-I'm talking about Mummy. -Ooh. -Yeah. | 0:28:56 | 0:28:58 | |
'This beautiful home has the five bedrooms Pam's hoping for, | 0:28:58 | 0:29:02 | |
'and there's one with an en-suite on the ground floor.' | 0:29:02 | 0:29:05 | |
So the good news is this barn has downstairs... | 0:29:05 | 0:29:08 | |
Oh, it's perfect for Mum. It's a real Mum room, this. | 0:29:08 | 0:29:11 | |
But is there a toilet attached? | 0:29:11 | 0:29:14 | |
Can actually do a little bit better than that. We can give you | 0:29:14 | 0:29:16 | |
-your own en suite. -Really? -Cor, wasn't expecting that here. | 0:29:16 | 0:29:20 | |
'Well, that's Pam's mum sorted, but there's another very important | 0:29:20 | 0:29:24 | |
'family member to accommodate, too.' | 0:29:24 | 0:29:26 | |
So, as you can see, you've got a dining area here, | 0:29:26 | 0:29:29 | |
but it's upstairs I want to show you. | 0:29:29 | 0:29:31 | |
Ooh. Exciting. | 0:29:31 | 0:29:32 | |
'I'm taking Pam and Jin to the top of the house. | 0:29:34 | 0:29:37 | |
'Most of the second floor is currently used as a living | 0:29:37 | 0:29:39 | |
'area, and there's a bedroom-cum-study at the other end.' | 0:29:39 | 0:29:43 | |
Oh, this is a fantastic room! | 0:29:43 | 0:29:46 | |
-Ooh! Yeah. Gosh! -Wow. | 0:29:46 | 0:29:49 | |
What a wonderful space. | 0:29:49 | 0:29:50 | |
It is! Amazing area. | 0:29:50 | 0:29:52 | |
I'm thinking piano's up here. | 0:29:52 | 0:29:54 | |
-Well, it's possible. I'm just a bit worried about the stairs. -Yeah. | 0:29:54 | 0:29:57 | |
Well, luckily, if you just look to the side, there is | 0:29:57 | 0:29:59 | |
a stable door, so you could take the... | 0:29:59 | 0:30:02 | |
You could take, you could manage it, if you... | 0:30:02 | 0:30:04 | |
-You could get it here, could you? -You could. | 0:30:04 | 0:30:06 | |
So I don't know if I could quite get the 50 people that you wanted | 0:30:06 | 0:30:10 | |
to up here. However, you could have a lovely soiree, couldn't you? | 0:30:10 | 0:30:14 | |
You could. | 0:30:14 | 0:30:16 | |
On the first floor is a family bathroom, two bedrooms, both | 0:30:16 | 0:30:20 | |
at the front of the house, and lastly there's the master, | 0:30:20 | 0:30:23 | |
which also has access to the bathroom. | 0:30:23 | 0:30:26 | |
Oh! NICKI LAUGHS | 0:30:27 | 0:30:30 | |
-I like showing you houses! -It's nice. It's really nice. | 0:30:30 | 0:30:34 | |
-This is a cosy room. -It is, yeah. Really lovely. -I like it. -Yeah. | 0:30:34 | 0:30:37 | |
I like the whole house, so far we've seen. | 0:30:37 | 0:30:39 | |
I know. I was hoping we might see something we didn't like, actually. | 0:30:39 | 0:30:43 | |
It just has such a nice... It does have a nice feel about it. | 0:30:43 | 0:30:45 | |
Have we surprised you with our first property so far? | 0:30:45 | 0:30:48 | |
Yeah, you have. Yeah. | 0:30:48 | 0:30:50 | |
It's just house one of three, and we've already got two happy | 0:30:50 | 0:30:53 | |
customers. Let's see what they make of the garden, somewhere Pam's | 0:30:53 | 0:30:57 | |
planning on spending plenty of time. | 0:30:57 | 0:30:59 | |
It's a lovely little space, isn't it? | 0:30:59 | 0:31:01 | |
I mean, you've got lots of lovely beds. | 0:31:01 | 0:31:03 | |
-You've even got a pond behind us as well. -A pond? -Pond! -Got a pond, yes. | 0:31:03 | 0:31:07 | |
So, manageable size garden. | 0:31:07 | 0:31:09 | |
Yeah, this is perfect, really. Enough for the dog to run around in. | 0:31:09 | 0:31:11 | |
There must be something not quite right with this house. | 0:31:11 | 0:31:14 | |
It's almost too good to be true. | 0:31:14 | 0:31:16 | |
-Well, is it going to be the price? -Oh, wow. | 0:31:16 | 0:31:19 | |
Well, this is the big question. | 0:31:19 | 0:31:21 | |
What do you think this barn is on the market for? | 0:31:21 | 0:31:24 | |
I would say it's over my budget. I would say... | 0:31:24 | 0:31:27 | |
-465. -Just over your budget. -Yeah. | 0:31:27 | 0:31:31 | |
Well, I think it's over budget too, but I was thinking more in the area | 0:31:31 | 0:31:34 | |
-of maybe 460. -It's actually | 0:31:34 | 0:31:37 | |
-under that. -Oh! -Never! | 0:31:37 | 0:31:39 | |
-445,000. -Oh, my goodness! -Wow. | 0:31:39 | 0:31:43 | |
This fabulous detached barn is on the market just £5,000 | 0:31:43 | 0:31:46 | |
under Pam's top budget, | 0:31:46 | 0:31:49 | |
and has the number of bedrooms she'd like, including | 0:31:49 | 0:31:52 | |
one downstairs with an en-suite, | 0:31:52 | 0:31:54 | |
ideal for when her mother visits. | 0:31:54 | 0:31:57 | |
It's also got a spacious kitchen-diner, big enough to | 0:31:57 | 0:32:00 | |
accommodate Pam's large family, | 0:32:00 | 0:32:02 | |
and most importantly, there are | 0:32:02 | 0:32:03 | |
options to give a home | 0:32:03 | 0:32:05 | |
to her beloved grand piano. | 0:32:05 | 0:32:07 | |
The great space on the second floor | 0:32:07 | 0:32:09 | |
would be perfect for a recital | 0:32:09 | 0:32:11 | |
or two, and the pretty garden has | 0:32:11 | 0:32:13 | |
enough scope for Pam to plant | 0:32:13 | 0:32:15 | |
to her heart's content. | 0:32:15 | 0:32:17 | |
Close to Shrewsbury and sitting in 4,000 acres of parkland | 0:32:25 | 0:32:29 | |
is Attingham Park, | 0:32:29 | 0:32:30 | |
a splendid Neo-Palladian mansion, | 0:32:30 | 0:32:33 | |
built almost 230 years ago | 0:32:33 | 0:32:35 | |
and owned by just one family for more than 160 years, | 0:32:35 | 0:32:40 | |
before being bequeathed to the National Trust in 1947. | 0:32:40 | 0:32:44 | |
Currently eight years into a conservation project, | 0:32:44 | 0:32:47 | |
the estate is managed by Mark Agnew. | 0:32:47 | 0:32:50 | |
Now this is one imposing building, isn't it? | 0:32:50 | 0:32:53 | |
What's the history of this house? | 0:32:53 | 0:32:55 | |
There used to be a house here called Tern Hall, | 0:32:55 | 0:32:58 | |
and the first Lord Berwick decided that wasn't good enough for him, | 0:32:58 | 0:33:02 | |
now that he was very successful and had been ennobled, | 0:33:02 | 0:33:05 | |
and he built Attingham wrapped around the original Tern Hall. | 0:33:05 | 0:33:10 | |
'This fine house greets around 370,000 visitors a year, | 0:33:10 | 0:33:15 | |
'which helps fund the ongoing conservation project on site.' | 0:33:15 | 0:33:18 | |
What are you concentrating on now? | 0:33:18 | 0:33:21 | |
Our big focus at the moment is repairing the roof, | 0:33:21 | 0:33:24 | |
replacing and putting a new roof in on the picture gallery. | 0:33:24 | 0:33:28 | |
Can I take a look today? | 0:33:28 | 0:33:29 | |
-Of course. Come inside and have a look. -Thank you. | 0:33:29 | 0:33:31 | |
This stunning property has over 80 rooms, and it's a lengthy, | 0:33:31 | 0:33:35 | |
and costly, process to keep them in their splendour. | 0:33:35 | 0:33:39 | |
The price tag is a cool £1.2 million a year, | 0:33:39 | 0:33:42 | |
just for the house and estate to be able to open its doors. | 0:33:42 | 0:33:47 | |
And one of the most resplendent rooms here is the imposing | 0:33:47 | 0:33:50 | |
picture gallery, with its glazed roof. | 0:33:50 | 0:33:52 | |
-Welcome to the picture gallery ceiling. -My goodness! | 0:33:52 | 0:33:55 | |
'But it's hard to see its beauty right now.' | 0:33:55 | 0:33:59 | |
Now, this is remarkable. | 0:33:59 | 0:34:02 | |
So all of this is glass? | 0:34:03 | 0:34:05 | |
Yep, it's individual panes of glass. | 0:34:05 | 0:34:09 | |
When it was first built over 200 years ago, | 0:34:09 | 0:34:11 | |
this roof may have looked spectacular, but it had | 0:34:11 | 0:34:14 | |
design flaws, due to its curved structure, meaning plenty of leaks. | 0:34:14 | 0:34:19 | |
Mark's hoping that the problems will be ironed out once and for all | 0:34:19 | 0:34:22 | |
with a new glass roof covering the existing one. | 0:34:22 | 0:34:26 | |
The joined panes of glass will be supported by steel beams, | 0:34:26 | 0:34:29 | |
floating above the existing roof and acting as a canopy to protect it. | 0:34:29 | 0:34:34 | |
The new roof will keep the water out, the old roof will | 0:34:34 | 0:34:38 | |
carry on being the wow factor when you walk into our picture gallery. | 0:34:38 | 0:34:41 | |
-Great. OK. One more floor, up we come. -Up we go, yeah. | 0:34:41 | 0:34:45 | |
Above us there are up to 20 skilled workers at any one time, | 0:34:45 | 0:34:48 | |
painstakingly restoring this roof, not only to its former glory, | 0:34:48 | 0:34:53 | |
but with a shiny new addition, | 0:34:53 | 0:34:56 | |
weighing in at a hefty 20 tonnes. | 0:34:56 | 0:34:59 | |
How long, Mark, do you think this new roof will last for? | 0:34:59 | 0:35:02 | |
Well, we expect it will last about 100 to 200 years, but with | 0:35:02 | 0:35:06 | |
regular maintenance we expect we can make it last a lot longer than that. | 0:35:06 | 0:35:10 | |
It's finally going to be waterproof. | 0:35:10 | 0:35:13 | |
That's what we're hoping. | 0:35:13 | 0:35:14 | |
-Exciting times. Thank you so much. -Thank you very much. | 0:35:14 | 0:35:17 | |
For our second property, we're travelling just under 29 miles | 0:35:25 | 0:35:28 | |
north-west, past Shrewsbury, to the small village of Kinton, | 0:35:28 | 0:35:32 | |
which is less than two miles from the larger village of Nesscliffe. | 0:35:32 | 0:35:36 | |
Nesscliffe is dotted with houses built from smart red brick | 0:35:36 | 0:35:40 | |
and sandstone, and there's a post office here, plus a family-run pub, | 0:35:40 | 0:35:44 | |
serving locally-sourced food, where Pam could get to know the locals. | 0:35:44 | 0:35:48 | |
A three-minute drive takes us away from Nesscliffe to Kinton. | 0:35:48 | 0:35:51 | |
Our second property is this handsome detached barn conversion. | 0:35:51 | 0:35:56 | |
-In front of us you've got the barn, which is about 250 years old. -Wow. | 0:35:56 | 0:36:00 | |
To our right, you can see the extended buildings, | 0:36:00 | 0:36:03 | |
-still part of the barn. They've been converted. -Right. | 0:36:03 | 0:36:06 | |
If that wasn't enough, just behind us, | 0:36:06 | 0:36:09 | |
over our shoulder there, is another barn. | 0:36:09 | 0:36:12 | |
-Yep. -And then, cos I like to give you just that little bit more, we have, | 0:36:12 | 0:36:16 | |
well, I would say it was a barn, but it seems to have lost | 0:36:16 | 0:36:19 | |
its roof over the years, but ripe for a little bit of love and care. | 0:36:19 | 0:36:22 | |
Yeah, it's a good space, isn't it? That's a good space... | 0:36:22 | 0:36:25 | |
-And some outbuildings. -Wow. You've done well. | 0:36:25 | 0:36:28 | |
So let's step inside and I'll explain more as we go round. | 0:36:28 | 0:36:31 | |
Okey doke. | 0:36:31 | 0:36:32 | |
We're starting our tour in a large, open-plan area. | 0:36:34 | 0:36:37 | |
There's the kitchen, which was a sheep-shearing storage area | 0:36:37 | 0:36:40 | |
in its day, and a dining room leading to a living room, | 0:36:40 | 0:36:43 | |
which has no clue to the bull who once lived here. | 0:36:43 | 0:36:47 | |
Is it a bit small? | 0:36:47 | 0:36:48 | |
Well. | 0:36:50 | 0:36:52 | |
It's only the lay out that makes it look small. | 0:36:52 | 0:36:54 | |
It's a bit like a railway station. | 0:36:54 | 0:36:55 | |
-There's a platform, and another platform. -Yeah. Yeah. | 0:36:55 | 0:36:57 | |
Are we on the train? I'm not sure we are, are we? | 0:36:57 | 0:37:00 | |
-We haven't boarded, have we? -No. -We'll see where the journey ends. | 0:37:00 | 0:37:03 | |
-I'm not mad keen on the layout. -No, but let's not be daunted with it. | 0:37:03 | 0:37:07 | |
No, let's just get the full view first. | 0:37:07 | 0:37:09 | |
-Full view. Overview. -Yeah. -Yeah. | 0:37:09 | 0:37:11 | |
So we haven't got off to a great start on our trip round this | 0:37:11 | 0:37:14 | |
barn, with its colourful history, but I'm not feeling defeated just | 0:37:14 | 0:37:18 | |
yet, as I've got a rather special room to show Pam and Jin. | 0:37:18 | 0:37:22 | |
A spectacular, semi-circular sitting room, with a fabulous vaulted | 0:37:22 | 0:37:26 | |
ceiling, which was once home to a mill and working horses. | 0:37:26 | 0:37:30 | |
-Gosh, this is a huge room. -Isn't it just? | 0:37:30 | 0:37:32 | |
-What a nice shape. -Dramatic is what it is. | 0:37:32 | 0:37:35 | |
You're not expecting this when you come out of the... | 0:37:35 | 0:37:37 | |
Not at all. | 0:37:37 | 0:37:38 | |
And you could fit your grand piano in, absolutely. | 0:37:38 | 0:37:41 | |
It could go anywhere, it could go in any place. | 0:37:41 | 0:37:43 | |
The acoustic is really good, yeah. | 0:37:43 | 0:37:45 | |
-Ooh, things are looking up. -Really something. -Yeah? -Absolutely. | 0:37:45 | 0:37:49 | |
Also on the ground floor are two bedrooms, both with doors to | 0:37:49 | 0:37:52 | |
the outside. | 0:37:52 | 0:37:54 | |
There's no en suite for Pam's mother, but there is scope to | 0:37:54 | 0:37:57 | |
put one in. | 0:37:57 | 0:37:59 | |
Then moving upstairs, there's a family bathroom and three | 0:37:59 | 0:38:03 | |
further bedrooms, | 0:38:03 | 0:38:05 | |
including two doubles, both in the eaves, | 0:38:05 | 0:38:08 | |
and one with a skylight letting in plenty of light. | 0:38:08 | 0:38:11 | |
This part is the master en suite. | 0:38:11 | 0:38:14 | |
There's your en-suite shower room, bath. | 0:38:14 | 0:38:17 | |
-Beautifully done. -Yep. | 0:38:17 | 0:38:20 | |
Here is the master bedroom. Down a couple of steps. | 0:38:20 | 0:38:23 | |
Oh, this is a nice room, isn't it? Yeah, lovely. | 0:38:23 | 0:38:26 | |
-So you've got your own wing, in a way. -Yes. | 0:38:26 | 0:38:29 | |
It's quite nice. | 0:38:29 | 0:38:30 | |
-Well, it's looking promising. -Yeah? | 0:38:30 | 0:38:33 | |
Yeah. More promising than when we were in the kitchen. | 0:38:33 | 0:38:35 | |
THEY LAUGH | 0:38:35 | 0:38:37 | |
Well, this lovely home seems to have won back favour with both Pam | 0:38:37 | 0:38:40 | |
and Jin, so although the weather has changed, I'm glad that spirits | 0:38:40 | 0:38:45 | |
are still high, and I've got plenty more to show them. | 0:38:45 | 0:38:48 | |
So, you've seen this splendid property, | 0:38:48 | 0:38:51 | |
but when we walked in, I pointed out a barn on our right. | 0:38:51 | 0:38:55 | |
That barn has had planning permission already granted. | 0:38:55 | 0:38:58 | |
Now it has expired, but it was given to make it | 0:38:58 | 0:39:00 | |
-a three-bedroom dwelling. -Wow. | 0:39:00 | 0:39:03 | |
Crikey, that's quite an asset on the end of your house. | 0:39:03 | 0:39:06 | |
That puts something else into the mix. | 0:39:06 | 0:39:08 | |
-That's really confused me now. -And then behind me, | 0:39:08 | 0:39:10 | |
you also have this building, | 0:39:10 | 0:39:11 | |
so there's electricity and power in there, there's light. | 0:39:11 | 0:39:14 | |
It could be a music studio even. There's all sorts of possibilities. | 0:39:14 | 0:39:17 | |
-There is, isn't there? -Yeah. -All sorts. | 0:39:17 | 0:39:19 | |
So how about the garden space? | 0:39:19 | 0:39:22 | |
Well, the garden space is not as big as I would have wanted, | 0:39:22 | 0:39:26 | |
but it's big enough for a dog to wander around in. | 0:39:26 | 0:39:29 | |
We've got to put a price on this barn. | 0:39:29 | 0:39:31 | |
How much do you think it's on the market for? | 0:39:31 | 0:39:33 | |
Probably 4... 460. | 0:39:33 | 0:39:35 | |
I'm going to say 455. Still over budget, I think. | 0:39:35 | 0:39:39 | |
in actual fact, this barn is, | 0:39:39 | 0:39:42 | |
again, under budget. | 0:39:42 | 0:39:44 | |
Asking price is £439,000. | 0:39:44 | 0:39:48 | |
-Gosh, that does really surprise me. -Really? | 0:39:48 | 0:39:52 | |
This historic barn conversion, with its assortment of outbuildings, | 0:39:52 | 0:39:56 | |
is on the market at £11,000 under Pam's budget. | 0:39:56 | 0:39:59 | |
The kitchen may not be the large entertaining space that's so | 0:39:59 | 0:40:02 | |
important to her, but the home does give her the number of bedrooms | 0:40:02 | 0:40:06 | |
she would like, including one on the ground floor for her mother. | 0:40:06 | 0:40:10 | |
There's a wonderful space to house Pam's precious grand piano | 0:40:10 | 0:40:14 | |
and hold concerts, plus the various additional rooms and buildings | 0:40:14 | 0:40:17 | |
mean that, with a little work, there are plenty of options to | 0:40:17 | 0:40:21 | |
transform this property into more than a home. | 0:40:21 | 0:40:24 | |
Well, this house is really something very different, and it's got | 0:40:24 | 0:40:27 | |
so many possibilities, I'm actually a bit blown away by it all. | 0:40:27 | 0:40:31 | |
I feel a mixture of emotions really. | 0:40:31 | 0:40:33 | |
I feel quite daunted with the whole thing. | 0:40:33 | 0:40:36 | |
I also feel very excited with the whole thing. | 0:40:36 | 0:40:38 | |
A successful day? | 0:40:38 | 0:40:40 | |
-Really successful. Very interesting. -Yeah, very. -Good. | 0:40:40 | 0:40:42 | |
-Very successful and interesting. -And more to show you tomorrow. | 0:40:42 | 0:40:45 | |
Oh, well... SHE CHUCKLES | 0:40:45 | 0:40:47 | |
Well, that is all going rather well. | 0:40:52 | 0:40:54 | |
-Were you feeling rather smug by this point, Nicki? -Smug, what a good word. | 0:40:54 | 0:40:57 | |
I was, actually, because that barn was beautiful, even though | 0:40:57 | 0:41:02 | |
the planning permission had expired. | 0:41:02 | 0:41:04 | |
Because, of course, if you do apply, | 0:41:04 | 0:41:06 | |
you have about three years to do the work from the time it is granted. | 0:41:06 | 0:41:09 | |
If you haven't started the work, you've got to reapply again. | 0:41:09 | 0:41:12 | |
So, in Pam's case, she'd have to reapply | 0:41:12 | 0:41:14 | |
-but it would be OK because she had precedent. -I would have said so, yes. | 0:41:14 | 0:41:17 | |
Right, back to my house hunt with Martin and Jacqueline, | 0:41:17 | 0:41:21 | |
with their half-a-million-pound budget. | 0:41:21 | 0:41:23 | |
I have to say I was crossing my fingers here | 0:41:23 | 0:41:25 | |
because the mystery house was a bit of a leap of faith. | 0:41:25 | 0:41:28 | |
Our final visit takes us 44 miles north-east to the town of Newport, | 0:41:31 | 0:41:36 | |
a 40-minute drive from Shrewsbury | 0:41:36 | 0:41:38 | |
and close to the Staffordshire border. | 0:41:38 | 0:41:40 | |
'Newport is a Britain In Bloom finalist | 0:41:41 | 0:41:44 | |
'and its centre offers locals a good selection of shops and eateries. | 0:41:44 | 0:41:48 | |
'Just on the outskirts of town and down a tree-lined drive | 0:41:48 | 0:41:52 | |
'is our third and final house. | 0:41:52 | 0:41:54 | |
'The mystery is revealed at first sight.' | 0:41:54 | 0:41:57 | |
Well... | 0:41:57 | 0:41:59 | |
-The mystery house is a church. -It is. | 0:41:59 | 0:42:01 | |
This, next door, is the old church, | 0:42:01 | 0:42:03 | |
-which was knocked down to build this one. -Oh, right, looks very pretty. | 0:42:03 | 0:42:06 | |
Character, isn't it? | 0:42:06 | 0:42:08 | |
That's what screams at you when you first see it. | 0:42:08 | 0:42:10 | |
And I can see it on the front of your flyers for your B&B. | 0:42:10 | 0:42:13 | |
-It's certainly an unusual... -It will certainly attract people. | 0:42:13 | 0:42:16 | |
-Let's look inside. -OK. | 0:42:16 | 0:42:18 | |
'This striking Grade II listed church dates back to 1800 | 0:42:20 | 0:42:25 | |
'and was converted from a derelict shell, | 0:42:25 | 0:42:27 | |
'making use of many reclaimed materials. | 0:42:27 | 0:42:31 | |
'The ground floor is laid out in a rectangle, with an octagonal | 0:42:31 | 0:42:34 | |
'room at the back and a tower at the front, which is where we are | 0:42:34 | 0:42:37 | |
'entering the building and heading straight for the kitchen-diner.' | 0:42:37 | 0:42:40 | |
-It looks a labour of love, doesn't it? -I like it. | 0:42:43 | 0:42:46 | |
It is very nice, very unusual. | 0:42:46 | 0:42:48 | |
There's some scope to make more use of the space, I think. | 0:42:48 | 0:42:52 | |
And there is a utility room and larder and pantry through there. | 0:42:52 | 0:42:56 | |
So more storage, all your white goods. | 0:42:56 | 0:42:58 | |
-Let's head towards the altar. -OK. | 0:42:58 | 0:43:00 | |
'Moving on from the kitchen of this beautiful church, there is | 0:43:02 | 0:43:05 | |
'a small bedroom-cum-study and a shower room on the opposite | 0:43:05 | 0:43:08 | |
'side of the house and we are entering the open-plan living area, | 0:43:08 | 0:43:12 | |
'which takes up the rest of the ground floor.' | 0:43:12 | 0:43:14 | |
-I love this room. -Oh, wow. -Oh! | 0:43:14 | 0:43:16 | |
This is the centrepiece of the house, you can guess. | 0:43:17 | 0:43:20 | |
-It is absolutely stunning. -So this would have been the altar. | 0:43:20 | 0:43:24 | |
When you sit in a church, the windows are high, | 0:43:24 | 0:43:27 | |
so you can't see out of them, so the problem with that, of course, | 0:43:27 | 0:43:31 | |
if you're living here, you don't get any views. So they stepped it up. | 0:43:31 | 0:43:34 | |
You can look out of these beautiful vaulted windows. | 0:43:34 | 0:43:37 | |
Making the most of the view. | 0:43:37 | 0:43:40 | |
Wow, it's just really impressive. | 0:43:40 | 0:43:42 | |
-Absolutely stunning. -It's just so different. But homely as well. | 0:43:42 | 0:43:48 | |
-So the decision you have to make is how to make it work as a B&B. -Yes. | 0:43:48 | 0:43:54 | |
'This beautiful conversion gives Jacqueline | 0:43:54 | 0:43:57 | |
'and Martin the freedom to decide how they want to divide it as a B&B. | 0:43:57 | 0:44:01 | |
'The first floor is smaller than the ground, as it's square. | 0:44:01 | 0:44:05 | |
'There is a family bathroom with a feature window | 0:44:05 | 0:44:08 | |
'and a further three bedrooms - one single, | 0:44:08 | 0:44:11 | |
'and an en-suite double. | 0:44:11 | 0:44:13 | |
'And at the front of the house is the master bedroom.' | 0:44:13 | 0:44:16 | |
-It's lovely. Beautiful. -Big and spacious. -It is, yeah. | 0:44:18 | 0:44:23 | |
Window, fabulous. | 0:44:23 | 0:44:25 | |
-South-facing window and it has an en-suite which is in the tower. -Oh. | 0:44:25 | 0:44:29 | |
-Lovely feel. -It's wonderfully done. | 0:44:29 | 0:44:32 | |
'I think it would be hard not to be wowed by this property | 0:44:32 | 0:44:35 | |
'and I'm sure it would hold great appeal for guests. | 0:44:35 | 0:44:38 | |
'Outside, the landscaped gardens are a striking contrast to the | 0:44:38 | 0:44:41 | |
'imposing red sandstone of the church.' | 0:44:41 | 0:44:44 | |
-What do you think? -Very nice layout, it's very tasteful. | 0:44:45 | 0:44:49 | |
-It's beautifully kept. -Beautifully kept. | 0:44:49 | 0:44:52 | |
There's also this very big garage space here, which is huge | 0:44:52 | 0:44:56 | |
and it could easily be turned into a workroom for you, or even converted. | 0:44:56 | 0:45:01 | |
-OK. -So, a good vibe? -It's lovely. -A very good vibe. | 0:45:01 | 0:45:05 | |
I'm just a bit lost for words. Staggered. | 0:45:05 | 0:45:08 | |
Can I drag a few more words about the price out of you? | 0:45:08 | 0:45:11 | |
-I'm going to go for 495, Alistair. -A little bit below at 485. | 0:45:11 | 0:45:17 | |
Well, it is actually right at the top of your budget, 499,995. | 0:45:17 | 0:45:22 | |
-OK. -So there's obviously space for a bit of negotiation. | 0:45:22 | 0:45:25 | |
I think that sounds reasonable. | 0:45:25 | 0:45:27 | |
-For a B&B, there's plenty to market, isn't there? -It's so unique. | 0:45:27 | 0:45:32 | |
This listed converted church is only £5 under Jacqueline | 0:45:32 | 0:45:36 | |
and Martin's budget, but there's always room for negotiation and it | 0:45:36 | 0:45:39 | |
would make a great marketing tool to attract guests if it became a B&B. | 0:45:39 | 0:45:43 | |
It has just enough bedrooms for them and guests | 0:45:44 | 0:45:46 | |
and a garage that would be the perfect space | 0:45:46 | 0:45:49 | |
for Jacqueline's sewing room. | 0:45:49 | 0:45:51 | |
And the gardens may not be extensive, | 0:45:51 | 0:45:53 | |
but they are striking and easy to look after. | 0:45:53 | 0:45:56 | |
It is very different to everything we've seen so far. | 0:45:56 | 0:45:59 | |
I think it would make a great bed and breakfast, very unusual inside. | 0:45:59 | 0:46:04 | |
I just think it's such a unique opportunity to move outside | 0:46:04 | 0:46:10 | |
the box, it's just unbelievable. | 0:46:10 | 0:46:12 | |
OK, so that's the mystery house done. | 0:46:12 | 0:46:13 | |
-All three properties seen. -OK. | 0:46:13 | 0:46:16 | |
So let's go and find a place to have a cup of tea | 0:46:16 | 0:46:18 | |
and then we can pick your brains about how it's been for you. | 0:46:18 | 0:46:20 | |
-Sounds great. -Plenty of food for thought. | 0:46:20 | 0:46:23 | |
Let's cut to the chase. | 0:46:28 | 0:46:29 | |
I want to know which of the houses is a contender. | 0:46:29 | 0:46:32 | |
Well, every house was such a contrast. | 0:46:33 | 0:46:36 | |
I think the last one is the most impressionable. For me, anyway. | 0:46:36 | 0:46:40 | |
Yes, it was the mystery house. Definitely. | 0:46:40 | 0:46:42 | |
Ah. What was it that finally swayed you on that? | 0:46:42 | 0:46:45 | |
I was overwhelmed by, obviously, such the uniqueness of it, | 0:46:45 | 0:46:49 | |
and I just feel what a unique opportunity to live in such a... | 0:46:49 | 0:46:53 | |
stunning environment, really. | 0:46:53 | 0:46:55 | |
I think it'll be great for a bed and breakfast. | 0:46:55 | 0:46:58 | |
That's music to our ears. | 0:46:58 | 0:46:59 | |
Have you found the whole experience has sort of geed you up? | 0:46:59 | 0:47:02 | |
-Definitely. -Very much so. | 0:47:02 | 0:47:04 | |
I mean, I'm fired up now to start planning | 0:47:04 | 0:47:06 | |
what I would do, potentially, if we did put a bid in for that property, | 0:47:06 | 0:47:11 | |
what rooms we could do and what we could utilise the space for. | 0:47:11 | 0:47:15 | |
So it's given me a feeling like I'm excited that way to start a project. | 0:47:15 | 0:47:19 | |
Well, I really hope that Shropshire provides pastures fresh for you. | 0:47:19 | 0:47:24 | |
-I hope so as well. -And great if it was the mystery house, | 0:47:24 | 0:47:26 | |
but do keep us in the loop. | 0:47:26 | 0:47:28 | |
We will. We really enjoyed it. It's been a really good experience. | 0:47:28 | 0:47:31 | |
-Likewise. -Yes. -Good luck. -OK, thank you very much. -Thank you. | 0:47:31 | 0:47:35 | |
So the mystery house made the biggest impression, then. | 0:47:41 | 0:47:45 | |
Church conversions, they are an interesting position | 0:47:45 | 0:47:47 | |
-and there are certainly lots of them about. -There are, | 0:47:47 | 0:47:49 | |
thanks to the Victorians, who seemed to build | 0:47:49 | 0:47:51 | |
so many in the 19th century. | 0:47:51 | 0:47:53 | |
Although this is an interesting fact - legally you are not | 0:47:53 | 0:47:56 | |
-allowed to convert any church before 1969, when the law changed. -Really? | 0:47:56 | 0:48:00 | |
-Now there are hundreds, thousands probably. -There are. | 0:48:00 | 0:48:03 | |
But if you do see a disused church and you want to convert it | 0:48:03 | 0:48:06 | |
into a family home, you've obviously got to get | 0:48:06 | 0:48:08 | |
the local authority planning permission is sorted | 0:48:08 | 0:48:11 | |
but also you've got to look at the church organisation as well because | 0:48:11 | 0:48:14 | |
some of them have to give you permission before you can proceed. | 0:48:14 | 0:48:18 | |
We'll find out what Jacqueline and Martin thought | 0:48:18 | 0:48:20 | |
about the mystery house in just a moment. | 0:48:20 | 0:48:22 | |
But let's get back to my search with the wonderful Pam. | 0:48:22 | 0:48:26 | |
She was after the perfect rural retreat for £450,000. | 0:48:26 | 0:48:32 | |
For our third and final visit, we're journeying 34.5 miles | 0:48:32 | 0:48:36 | |
south-west, deep into the heart of | 0:48:36 | 0:48:38 | |
the Shropshire Hills Area of Outstanding Natural Beauty, | 0:48:38 | 0:48:41 | |
to the rural hamlet of Whitcott Keysett, | 0:48:41 | 0:48:44 | |
which is just under two and a half miles from the small town of Clun. | 0:48:44 | 0:48:48 | |
Clun, which gets its name from the river that runs through it, | 0:48:48 | 0:48:51 | |
was once described by the poet | 0:48:51 | 0:48:53 | |
AE Housman as the quietest place under the sun. | 0:48:53 | 0:48:58 | |
A six-minute drive takes us to the sleepy hamlet of Whitcott Keysett | 0:48:58 | 0:49:02 | |
and our mystery house, a recently converted 18th century cow shed. | 0:49:02 | 0:49:07 | |
Oh, what a lovely place. | 0:49:07 | 0:49:09 | |
NICKI LAUGHS | 0:49:09 | 0:49:10 | |
It's a little bit special, isn't it? | 0:49:10 | 0:49:12 | |
It is a bit special, it's a lot special. | 0:49:12 | 0:49:13 | |
And this is our mystery house. | 0:49:13 | 0:49:16 | |
-Mysterious. -It is. -Very. | 0:49:16 | 0:49:19 | |
Any idea why this is the mystery house? | 0:49:19 | 0:49:22 | |
Well, I'm thinking about this behind. | 0:49:22 | 0:49:24 | |
Could this have something to do with it? | 0:49:24 | 0:49:27 | |
Oh, my goodness, I didn't even realise that was there. | 0:49:27 | 0:49:30 | |
-A rather large barn behind us. -Yeah. | 0:49:30 | 0:49:33 | |
Because with our mystery house, not only do you have a splendid | 0:49:33 | 0:49:37 | |
home, but there is also scope... | 0:49:37 | 0:49:40 | |
-Yeah. -..to have that little something extra... -Wow. | 0:49:40 | 0:49:44 | |
-..right on your doorstep. -Absolutely right. Crikey. | 0:49:44 | 0:49:48 | |
This unusual home is built from stone | 0:49:48 | 0:49:50 | |
with wood cladding covering the majority of its exterior. | 0:49:50 | 0:49:54 | |
So, like the owners, come through the back door. | 0:49:54 | 0:49:57 | |
-Right, OK. Bright and cheerful. -And it leads straight into | 0:49:57 | 0:50:01 | |
this, I think, rather large kitchen. | 0:50:01 | 0:50:04 | |
Mmm. Large-ish. OK. | 0:50:04 | 0:50:06 | |
-I might be wrong. -THEY LAUGH | 0:50:07 | 0:50:09 | |
I might be wrong, but I'm not feeling quite love. | 0:50:09 | 0:50:12 | |
-Just needed to be a little bit bigger, maybe. -Really? | 0:50:12 | 0:50:15 | |
I'm just thinking about where we would eat. | 0:50:15 | 0:50:17 | |
You could take that away, | 0:50:17 | 0:50:19 | |
-because I've got something else to show you next door. -OK. | 0:50:19 | 0:50:22 | |
Oh, this is a lovely room, isn't it? | 0:50:25 | 0:50:27 | |
-I like this one. -It's big, big space. | 0:50:27 | 0:50:29 | |
Pretty impressive, and what do big spaces need? | 0:50:29 | 0:50:33 | |
-Furniture. -And? | 0:50:33 | 0:50:35 | |
-Pianos. -Pianos. -Yeah. Really nice. -Could work. -Yeah. | 0:50:35 | 0:50:39 | |
My slight concern would be where are your guests going to sit? | 0:50:39 | 0:50:43 | |
-Because this is the main sitting room. -Oh. | 0:50:43 | 0:50:45 | |
Well, is there anything else they can sit in, further along? | 0:50:47 | 0:50:50 | |
-THEY LAUGH -You want this as your music room. | 0:50:50 | 0:50:53 | |
Well, it would be a nice music room, but if there are other options, | 0:50:53 | 0:50:56 | |
we could have the music room somewhere else. | 0:50:56 | 0:50:58 | |
-Well, it would be an amazing... -Like over there. | 0:50:58 | 0:51:00 | |
-That's what we're thinking. -Maybe. | 0:51:00 | 0:51:03 | |
And also on the ground floor is a bedroom with an adjacent | 0:51:03 | 0:51:06 | |
shower room, suitable for Pam's mother. | 0:51:06 | 0:51:09 | |
So up a couple of stairs... you've one bedroom up here. | 0:51:09 | 0:51:14 | |
Lots of natural light, and then another bedroom just here. | 0:51:14 | 0:51:17 | |
They're not the widest of bedrooms. They call them cattle bays | 0:51:17 | 0:51:21 | |
because that's exactly what they were. | 0:51:21 | 0:51:23 | |
'And up a few more stairs...' | 0:51:23 | 0:51:25 | |
You've got a study/dressing room on that side. | 0:51:25 | 0:51:29 | |
Family bathroom on this side, which leads | 0:51:29 | 0:51:31 | |
-into the master bedroom. -OK. | 0:51:31 | 0:51:35 | |
Oh, it's a nice, cosy room. | 0:51:35 | 0:51:37 | |
I think it would be fair to say with this property, | 0:51:37 | 0:51:40 | |
-the bedrooms are more functioning. -Yeah. | 0:51:40 | 0:51:42 | |
You know, the space has actually gone into the kitchen | 0:51:42 | 0:51:46 | |
and also that wonderful huge sort of sitting room. | 0:51:46 | 0:51:48 | |
Yeah, that's true, it's true. | 0:51:48 | 0:51:50 | |
The kitchen and bedrooms in this house might not be the size | 0:51:50 | 0:51:53 | |
Pam was hoping for, but this is the mystery house and, unlike the | 0:51:53 | 0:51:57 | |
previous two homes, the house is not the star here. | 0:51:57 | 0:52:01 | |
It's the cavernous stone barn outside. | 0:52:01 | 0:52:04 | |
It may require rather more work than Pam was hoping for, but it's | 0:52:04 | 0:52:08 | |
a blank canvas just waiting for her to bring her visions to life. | 0:52:08 | 0:52:12 | |
-Mind your head! -Oh, look at this! | 0:52:12 | 0:52:15 | |
Wow! It is quite something. Just look at the roof. | 0:52:15 | 0:52:18 | |
I mean, just look at these struts and all these beams. | 0:52:18 | 0:52:21 | |
You could do something with this. | 0:52:21 | 0:52:23 | |
-It would make a very nice, small theatre, wouldn't it? -It would. | 0:52:23 | 0:52:27 | |
-It's exactly what I had in mind... -It is. -..to actually convert | 0:52:27 | 0:52:31 | |
into my mini concert hall. | 0:52:31 | 0:52:34 | |
The house and barn sit in a beautiful country garden, | 0:52:34 | 0:52:38 | |
with bursts of colour provided by flowers and a variety of | 0:52:38 | 0:52:41 | |
fruit and vegetables growing here, too, | 0:52:41 | 0:52:43 | |
all with a spectacular outlook. | 0:52:43 | 0:52:46 | |
-Beautiful, isn't it? -Isn't it gorgeous? -Yeah. -Wow. -Really is nice. | 0:52:46 | 0:52:49 | |
-Enough land for you? -Yeah. About right, this is. | 0:52:49 | 0:52:52 | |
So what do we think it's currently on the market for? | 0:52:52 | 0:52:56 | |
I think it's probably on for about 399. | 0:52:56 | 0:52:59 | |
That's interesting. Jin? | 0:52:59 | 0:53:01 | |
I think it's more likely to be about 430. | 0:53:01 | 0:53:04 | |
I'm hoping you're going to be pleasantly surprised, | 0:53:04 | 0:53:07 | |
because the asking price is | 0:53:07 | 0:53:09 | |
£369,500. | 0:53:09 | 0:53:12 | |
-PAM CHUCKLES -Just not very good at guessing. | 0:53:12 | 0:53:14 | |
This property may have begun its days as a lowly cow shed, but it's | 0:53:15 | 0:53:19 | |
grown into somewhere I hope that Pam | 0:53:19 | 0:53:21 | |
could well imagine calling home. | 0:53:21 | 0:53:24 | |
And although in our mystery house | 0:53:24 | 0:53:25 | |
the stone barn is the main focus, | 0:53:25 | 0:53:27 | |
and it might need a bit more work | 0:53:27 | 0:53:29 | |
than she was planning | 0:53:29 | 0:53:30 | |
to transform it into a concert hall, | 0:53:30 | 0:53:32 | |
at a staggering £80,500 under budget, | 0:53:32 | 0:53:35 | |
there's plenty of cash to play with. | 0:53:35 | 0:53:38 | |
The kitchen may not be huge, but the large room next door is perfect | 0:53:38 | 0:53:42 | |
for entertaining Pam's extended family. | 0:53:42 | 0:53:45 | |
There are four bedrooms, including | 0:53:45 | 0:53:46 | |
a ground floor room for her mum, | 0:53:46 | 0:53:48 | |
with a shower room next door. | 0:53:48 | 0:53:50 | |
And the garden, with its far-reaching views, | 0:53:50 | 0:53:52 | |
would allow Pam to make the most of | 0:53:52 | 0:53:54 | |
the stunning Shropshire countryside. | 0:53:54 | 0:53:57 | |
-Oh, this is a nice room. -I like this. | 0:53:57 | 0:54:00 | |
You could get two grandchildren in here without too much of a do. | 0:54:00 | 0:54:03 | |
Oh, they'd love it. Kids would love this space. | 0:54:03 | 0:54:05 | |
Well, I'm a bit confused about this property. | 0:54:05 | 0:54:07 | |
The barn is definitely the one I think is going to be fantastic, | 0:54:07 | 0:54:11 | |
but I'm not so...100% on the house. | 0:54:11 | 0:54:15 | |
-How are we, ladies? -Oh, excited. | 0:54:15 | 0:54:18 | |
Have we confused you? | 0:54:18 | 0:54:19 | |
Totally. | 0:54:19 | 0:54:21 | |
Never thought you'd find three properties with all | 0:54:21 | 0:54:24 | |
the things on my wish list. Extraordinary. | 0:54:24 | 0:54:27 | |
-So we've now got quite a lot to discuss, haven't we? -Yes. | 0:54:27 | 0:54:29 | |
Made it harder now, cos you've really done the business. | 0:54:29 | 0:54:32 | |
-NICKI LAUGHS -Let's go and have a chat. Come on. | 0:54:32 | 0:54:35 | |
It's been an interesting few days, hasn't it? | 0:54:40 | 0:54:44 | |
I'm not really sure which way you're going to go. | 0:54:44 | 0:54:46 | |
Well, property number one, that was an absolutely stunning property. | 0:54:46 | 0:54:50 | |
And that, to me, summed up all the things that I want in my home. | 0:54:50 | 0:54:55 | |
Property number two was a difficult property, | 0:54:55 | 0:54:58 | |
-in that there was so much of it. -Yes. -And property three - | 0:54:58 | 0:55:01 | |
the barn, fantastic. House, not so wonderful. | 0:55:01 | 0:55:05 | |
So out of everything we showed you, it sounds like our first property | 0:55:05 | 0:55:09 | |
suited you the best, but could you see yourself living there? | 0:55:09 | 0:55:13 | |
I could see myself living in that house. I just have to do a little bit | 0:55:13 | 0:55:16 | |
-more researching about the area. It's quite daunting, actually. -Yes. | 0:55:16 | 0:55:21 | |
This move is a huge leap of faith, | 0:55:21 | 0:55:23 | |
-it is diving into the unknown. -What was going through my mind was, | 0:55:23 | 0:55:27 | |
at the beginning Pam was so absolutely sure that this was the | 0:55:27 | 0:55:30 | |
right place, and she was full of enthusiasm and she was going to go | 0:55:30 | 0:55:34 | |
100% to it, and I was just thinking, "Whoa a minute." | 0:55:34 | 0:55:37 | |
-I think it is time for a bit of a reality check. -Yeah. | 0:55:37 | 0:55:40 | |
It's cos I'm not really sure, | 0:55:40 | 0:55:42 | |
I'm not sure in my head, in my heart, whether that is... | 0:55:42 | 0:55:46 | |
-whether Shropshire is the right place for me. -Right. | 0:55:46 | 0:55:49 | |
If I'm completely, brutally honest about the whole thing. | 0:55:49 | 0:55:51 | |
-And I think you have to be. -Yeah. -Well, whatever happens, | 0:55:51 | 0:55:55 | |
-you're going to be happy, I know you are. -Oh, I will be. -Wherever you | 0:55:55 | 0:55:57 | |
decide to go. Jin, thank you so much for all your support, | 0:55:57 | 0:56:01 | |
invaluable support. It's been a delight, ladies. | 0:56:01 | 0:56:04 | |
-Thank you so much. -And we've loved being with you too. | 0:56:04 | 0:56:06 | |
-It's been a pleasure. A real pleasure. -All the best for | 0:56:06 | 0:56:09 | |
-the future to both of you. -Thank you very much. -Thank you. | 0:56:09 | 0:56:12 | |
-Well, that was an unexpected conclusion. -I know. | 0:56:17 | 0:56:20 | |
And that's what this whole process is all about, isn't it? | 0:56:20 | 0:56:22 | |
Sometimes it's finding people the perfect property, | 0:56:22 | 0:56:25 | |
sometimes it's showing them the search area they should be | 0:56:25 | 0:56:28 | |
looking at, or perhaps it's questioning why they want to move. | 0:56:28 | 0:56:31 | |
I think with Pam, she was really surprised by the outcome as well. | 0:56:31 | 0:56:35 | |
It didn't dawn on her until we'd finished the whole process. | 0:56:35 | 0:56:38 | |
She's decided to stay in Surrey for now | 0:56:38 | 0:56:40 | |
and she's put relocation on hold for the time being. | 0:56:40 | 0:56:43 | |
Well, good luck to her. | 0:56:43 | 0:56:44 | |
And actually Martin and Jacqueline didn't go back | 0:56:44 | 0:56:47 | |
and look at the mystery house. | 0:56:47 | 0:56:48 | |
They did continue looking in Shropshire, though, | 0:56:48 | 0:56:50 | |
and then, after all that, they decided they'd fallen in love | 0:56:50 | 0:56:54 | |
with a property just a quarter of a mile | 0:56:54 | 0:56:56 | |
-from where they already live. -No! | 0:56:56 | 0:56:57 | |
They are now the proud owners of a B&B in Lancashire | 0:56:57 | 0:57:00 | |
and they're going to be opening their doors this year. | 0:57:00 | 0:57:03 | |
Exciting times for them. | 0:57:03 | 0:57:05 | |
Well, I hope you've enjoyed our focus in Shropshire, | 0:57:05 | 0:57:07 | |
and join us again for some more country escapes. | 0:57:07 | 0:57:12 | |
If you'd like to escape to the country, | 0:57:12 | 0:57:14 | |
in England, Wales, Scotland or Northern Ireland, | 0:57:14 | 0:57:16 | |
and would like our help, please apply online at... | 0:57:16 | 0:57:19 |