Browse content similar to Norfolk. Check below for episodes and series from the same categories and more!
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This statue of a wolf symbolises a king who died a martyr to his faith | 0:00:02 | 0:00:05 | |
and was the first patron saint of England. | 0:00:05 | 0:00:07 | |
Find out who that was, who he is, | 0:00:07 | 0:00:09 | |
and where we both are in just a moment. | 0:00:09 | 0:00:11 | |
One of the key property requirements for today's couple | 0:00:30 | 0:00:33 | |
is space to accommodate their horses. | 0:00:33 | 0:00:35 | |
But it soon becomes evident | 0:00:35 | 0:00:37 | |
there's something that's quite high on their priority list. | 0:00:37 | 0:00:39 | |
-Look at the sink. -Oh, Belfast sink! -Your dream! | 0:00:39 | 0:00:43 | |
-I've always said to you about a Belfast sink, haven't I? -Yeah. | 0:00:43 | 0:00:45 | |
Luckily, our properties deliver on that front. | 0:00:45 | 0:00:49 | |
-Got your sink again. -Yes! Wow. | 0:00:49 | 0:00:51 | |
Do you do all the washing up? | 0:00:51 | 0:00:52 | |
-Because you are obsessed by sinks. -Belfast sinks. | 0:00:52 | 0:00:55 | |
I'm in the seaside resort of Hunstanton in Norfolk | 0:00:57 | 0:01:00 | |
and it's believed that this coastline behind me | 0:01:00 | 0:01:03 | |
is where St Edmund landed back in 855AD | 0:01:03 | 0:01:06 | |
to claim the throne of East Anglia. | 0:01:06 | 0:01:08 | |
After a relatively peaceful reign, | 0:01:08 | 0:01:10 | |
Edmund was forced to defend his kingdom from Vikings. | 0:01:10 | 0:01:14 | |
He was defeated in battle and later executed | 0:01:14 | 0:01:17 | |
for refusing to denounce his faith. | 0:01:17 | 0:01:20 | |
Now, as legend has it, his remains were later found guarded by a wolf, | 0:01:20 | 0:01:24 | |
and his followers were then able to honour their devout king | 0:01:24 | 0:01:27 | |
and give him a sacred Christian burial. | 0:01:27 | 0:01:30 | |
Now to commemorate the legacy of St Edmund, | 0:01:30 | 0:01:33 | |
the town have created a walking trail | 0:01:33 | 0:01:35 | |
depicting scenes from his life. | 0:01:35 | 0:01:37 | |
This carved statue of the wolf here, marks the end of the trail | 0:01:37 | 0:01:41 | |
and stands as a timely reminder of a captivating story | 0:01:41 | 0:01:45 | |
deeply rooted in this historic county. | 0:01:45 | 0:01:48 | |
In the East of England, jutting out into the North Sea, | 0:01:51 | 0:01:54 | |
Norfolk is bordered by Lincolnshire, Cambridge and Suffolk, | 0:01:54 | 0:01:59 | |
with wide atmospheric skies | 0:01:59 | 0:02:01 | |
and unbroken horizons, | 0:02:01 | 0:02:03 | |
the county is defined by some uniquely beautiful landscapes, | 0:02:03 | 0:02:06 | |
including the Fens, | 0:02:06 | 0:02:08 | |
which before systematic drainage began in the 17th century, | 0:02:08 | 0:02:11 | |
were an impenetrable boggy wilderness, | 0:02:11 | 0:02:13 | |
but now represent close to half | 0:02:13 | 0:02:16 | |
of the most fertile agricultural land in England. | 0:02:16 | 0:02:19 | |
Gateway to the Fens is age-old Downham Market, | 0:02:19 | 0:02:22 | |
renowned during the Middle Ages for its butter market, | 0:02:22 | 0:02:24 | |
and today known affectionately as the gingerbread town, | 0:02:24 | 0:02:27 | |
thanks to the local ochre-hued sandstone used to construct | 0:02:27 | 0:02:30 | |
many of its fine buildings. | 0:02:30 | 0:02:32 | |
Not far from here is the unassuming village of Burnham Thorpe, | 0:02:34 | 0:02:38 | |
birthplace of Norfolk's most famous son, Lord Horatio Nelson. | 0:02:38 | 0:02:42 | |
Home of heroes, | 0:02:42 | 0:02:43 | |
ancient settlements | 0:02:43 | 0:02:45 | |
and gorgeous vistas | 0:02:45 | 0:02:47 | |
Norfolk is an understandably desirable county to escape to. | 0:02:47 | 0:02:51 | |
The beautiful open countryside of Norfolk | 0:02:53 | 0:02:55 | |
certainly rates above the average, | 0:02:55 | 0:02:57 | |
and that is balanced by its property prices, | 0:02:57 | 0:03:00 | |
which are currently some £40,000 below the national average figure, | 0:03:00 | 0:03:04 | |
coming in at around £222,000 for a detached house here. | 0:03:04 | 0:03:09 | |
And regionally the county scores too, being the less expensive | 0:03:09 | 0:03:13 | |
option out of neighbouring Cambridgeshire and Suffolk. | 0:03:13 | 0:03:15 | |
So, an undiscovered gem? | 0:03:15 | 0:03:17 | |
Well, today's buyers certainly seem to think so. | 0:03:17 | 0:03:19 | |
Let's find out why in particular they want to move | 0:03:19 | 0:03:22 | |
to this part of the county. | 0:03:22 | 0:03:23 | |
14 years ago, IT specialist Mark | 0:03:25 | 0:03:27 | |
and wife Sara, who's a marketing manager, | 0:03:27 | 0:03:30 | |
bought this four-bedroom house in Milton Keynes. | 0:03:30 | 0:03:33 | |
They've raised nine-year-old daughter Jessica here, | 0:03:33 | 0:03:35 | |
but have always dreamt of a rural lifestyle. | 0:03:35 | 0:03:37 | |
So, before Jessica gets to high-school age, | 0:03:37 | 0:03:40 | |
they're keen to make the move. | 0:03:40 | 0:03:42 | |
-Milton Keynes has been very good for us. -A town of convenience. | 0:03:42 | 0:03:45 | |
Great for a young family. | 0:03:45 | 0:03:47 | |
I'm not sure I'd want to spend the rest of my life here. | 0:03:47 | 0:03:49 | |
Making the rural escape along with them | 0:03:49 | 0:03:52 | |
will be their two dogs Roxy and Otis, | 0:03:52 | 0:03:54 | |
their cat Kizzy, and Sara's beloved horses, Turtle and Jamie, | 0:03:54 | 0:03:58 | |
who are currently kept in stables eight miles away, | 0:03:58 | 0:04:00 | |
and are a major motivating factor for the move. | 0:04:00 | 0:04:03 | |
It's my dream to have the horses just there outside the back door. | 0:04:03 | 0:04:09 | |
Every day I get in the car and I drive, you know, ten minutes there | 0:04:09 | 0:04:13 | |
and I do them, and I spend so much time at the horses. | 0:04:13 | 0:04:16 | |
It's something I share with Sara as well, a dream for that... | 0:04:19 | 0:04:23 | |
every man dreams of his castle. | 0:04:23 | 0:04:24 | |
Both Mark and Sara work from home, | 0:04:24 | 0:04:27 | |
but Sara will still need to return to her office in Milton Keynes | 0:04:27 | 0:04:30 | |
every one or two weeks, which is part of the reason | 0:04:30 | 0:04:32 | |
why they've chosen Norfolk. | 0:04:32 | 0:04:34 | |
It's close to some major routes, | 0:04:34 | 0:04:36 | |
and it's that lovely village, rural community. | 0:04:36 | 0:04:39 | |
You've got the beach nearby... | 0:04:39 | 0:04:41 | |
Jessica's very excited about having the beach. | 0:04:41 | 0:04:43 | |
And within an affordable price range. | 0:04:43 | 0:04:45 | |
Realistically, what we're looking at. | 0:04:45 | 0:04:47 | |
Because we're not just looking for a house in the country, | 0:04:47 | 0:04:50 | |
we need land for Sara's horses. | 0:04:50 | 0:04:52 | |
While Mark and Sara are more than ready to leave urban life behind, | 0:04:54 | 0:04:57 | |
they have natural parental concern about how their daughter | 0:04:57 | 0:05:00 | |
will respond to the change. | 0:05:00 | 0:05:03 | |
I think she's very split between excited | 0:05:03 | 0:05:06 | |
and nervous. | 0:05:06 | 0:05:08 | |
She's lived here all her life. | 0:05:08 | 0:05:10 | |
It will be a change. | 0:05:10 | 0:05:11 | |
But there are things that she's really excited about - | 0:05:11 | 0:05:14 | |
like having swings in the garden and having chickens. | 0:05:14 | 0:05:18 | |
Sara and Mark might have quite different careers and interests, | 0:05:19 | 0:05:22 | |
but for both of them, family is very much at the heart | 0:05:22 | 0:05:25 | |
of their decision to move. | 0:05:25 | 0:05:28 | |
The thing that excites me most about the move | 0:05:28 | 0:05:30 | |
is having our whole family together, and that includes the horses. | 0:05:30 | 0:05:33 | |
To me they are sort of hairy children. | 0:05:33 | 0:05:37 | |
So that it's easy for Sara to travel back to her office in Milton Keynes when she needs to, | 0:05:40 | 0:05:45 | |
we're keeping our search within two hours of the town. | 0:05:45 | 0:05:48 | |
I'm catching up with them to learn some more about their move. | 0:05:48 | 0:05:52 | |
So, welcome both of you to Sunny Norfolk. | 0:05:52 | 0:05:55 | |
Why are we stood here? | 0:05:55 | 0:05:57 | |
I was born near London, so I have experienced living in the city, | 0:05:57 | 0:06:01 | |
but I think my heart has always been more living in the countryside. | 0:06:01 | 0:06:04 | |
This outdoorsy life's not just about you two, but about family, as well. | 0:06:04 | 0:06:08 | |
For a better family environment for your daughter? | 0:06:08 | 0:06:11 | |
Yes. Jessica wants swings. | 0:06:11 | 0:06:13 | |
Our garden isn't big enough. | 0:06:13 | 0:06:16 | |
Now, how much land are we talking about? | 0:06:16 | 0:06:18 | |
-Minimum two acres. -Minimum two acres. | 0:06:18 | 0:06:21 | |
Let's talk about the house. | 0:06:21 | 0:06:23 | |
It would be lovely to have sort of a Georgian property, | 0:06:23 | 0:06:26 | |
or something along those lines. | 0:06:26 | 0:06:27 | |
I think my thoughts are for a character type of property. | 0:06:27 | 0:06:31 | |
I guess because with such a big change, | 0:06:31 | 0:06:34 | |
why not go the full hog? | 0:06:34 | 0:06:35 | |
What about a project? | 0:06:35 | 0:06:37 | |
As long as there's money in the pot, and we can see the potential. | 0:06:37 | 0:06:40 | |
OK. Now, the size of the house? | 0:06:40 | 0:06:43 | |
We're looking for minimum three-bed with a study. | 0:06:43 | 0:06:46 | |
-Or four bed. -But, ideally, two working spaces for myself and Sara. | 0:06:46 | 0:06:50 | |
I guess it's even possible to build something, | 0:06:50 | 0:06:52 | |
if you've got enough land. I'm open to that. | 0:06:52 | 0:06:54 | |
How soon can you make this move? Are you ready to go? | 0:06:54 | 0:06:57 | |
We are, really. | 0:06:57 | 0:06:58 | |
-We've got an offer on our house. -Brilliant. | 0:06:58 | 0:07:01 | |
Remind me how much you're looking to spend. | 0:07:01 | 0:07:03 | |
500,000, and a little left over for some improvements. | 0:07:03 | 0:07:07 | |
Do you agree changes you'd want to make? Do you have different tastes on things with the house or land? | 0:07:07 | 0:07:11 | |
Mark usually comes round to my way of thinking. | 0:07:11 | 0:07:15 | |
In the end. | 0:07:15 | 0:07:16 | |
I have a barrier, initially, and Sara has to break down. | 0:07:16 | 0:07:20 | |
No pressure. Well, we've got three fantastic properties lined up. | 0:07:20 | 0:07:23 | |
Let's make our way to first one. | 0:07:23 | 0:07:25 | |
-OK. -Thank you. -This way. | 0:07:25 | 0:07:27 | |
With a budget of £500,000, | 0:07:27 | 0:07:30 | |
Mark and Sara are looking for a characterful home for themselves, | 0:07:30 | 0:07:33 | |
their daughter and Sara's much-cherished horses. | 0:07:33 | 0:07:37 | |
They would like minimum of three bedrooms, | 0:07:37 | 0:07:39 | |
plus a room that could be used as a home office. | 0:07:39 | 0:07:41 | |
Outside they're hoping for a garden | 0:07:41 | 0:07:43 | |
that could fit those swings Jessica is angling for, | 0:07:43 | 0:07:46 | |
and to accommodate the horses they'll need at least two acres. | 0:07:46 | 0:07:49 | |
And stables would be a bonus. | 0:07:49 | 0:07:51 | |
Finally, for Sara's work | 0:07:51 | 0:07:53 | |
they'll need to be within reasonable driving distance of Milton Keynes. | 0:07:53 | 0:07:57 | |
We've lined up three excellent properties for them to look at, | 0:07:58 | 0:08:01 | |
and after each house tour | 0:08:01 | 0:08:02 | |
I'll be asking them to guess the price before I reveal it. | 0:08:02 | 0:08:06 | |
One will be the mystery house, with everything they asked for, | 0:08:06 | 0:08:09 | |
and much, much more, | 0:08:09 | 0:08:11 | |
but will that be too much for them? | 0:08:11 | 0:08:13 | |
We're starting our search in the little village of Necton, | 0:08:19 | 0:08:22 | |
which is just under a two-hour drive | 0:08:22 | 0:08:23 | |
from Sara's work base in Milton Keynes. | 0:08:23 | 0:08:25 | |
The nearest town, six miles away, is Swaffham, | 0:08:27 | 0:08:29 | |
which has all the amenities the family will need. | 0:08:29 | 0:08:32 | |
I like it. I like barn-y type conversions. | 0:08:32 | 0:08:36 | |
-Yeah. -And I notice there's some land. | 0:08:36 | 0:08:39 | |
A big garden for Jessica. Even chickens! | 0:08:39 | 0:08:40 | |
Tick, tick, tick, tick, tick. | 0:08:40 | 0:08:43 | |
The house is a little smaller than I was expecting, | 0:08:43 | 0:08:45 | |
but I like how it's presented. | 0:08:45 | 0:08:46 | |
-It's got some character from the outside. -Let's look inside. | 0:08:46 | 0:08:50 | |
The house was originally a cow shed, | 0:08:50 | 0:08:52 | |
but the current owners who used to live in the nearby farmhouse, | 0:08:52 | 0:08:56 | |
stored their tractor in it. | 0:08:56 | 0:08:57 | |
12 years ago when they were looking to downsize, | 0:08:57 | 0:08:59 | |
they sold the farmhouse, converted the tractor shed, and moved in. | 0:08:59 | 0:09:03 | |
So, the owners use this entrance | 0:09:03 | 0:09:06 | |
pretty much on a daily basis. | 0:09:06 | 0:09:08 | |
It's larger than our lounge in Milton Keynes. | 0:09:08 | 0:09:10 | |
I think this is perfectly acceptable. | 0:09:10 | 0:09:12 | |
Just through that door, you've got a downstairs bedroom. | 0:09:12 | 0:09:15 | |
-OK. -All right? Which I think would make an ideal office. | 0:09:15 | 0:09:18 | |
-Let's take a look in the kitchen, next. -OK. | 0:09:18 | 0:09:21 | |
A big space here to play around with. | 0:09:21 | 0:09:24 | |
Oh, wow. Look at this. | 0:09:24 | 0:09:25 | |
Yeah. And look at the sink. | 0:09:25 | 0:09:28 | |
-Oh, a Belfast sink. -Your dream! | 0:09:28 | 0:09:30 | |
-I've always said to you about Belfast sinks, haven't I? -Yeah. | 0:09:30 | 0:09:32 | |
Is this what you had in mind? | 0:09:32 | 0:09:33 | |
I actually quite like it. | 0:09:33 | 0:09:35 | |
-I'm more of a kitchen/breakfast and then dining room person. -Ooh. | 0:09:35 | 0:09:38 | |
But, it does work. | 0:09:38 | 0:09:40 | |
This feels nice and open. | 0:09:40 | 0:09:42 | |
-Yeah. -Very sociable. | 0:09:42 | 0:09:44 | |
Upstairs we do get a bit smaller, | 0:09:44 | 0:09:45 | |
-so let me show you that now. -OK. | 0:09:45 | 0:09:47 | |
The ground floor has just over 1,000 square foot of, I think, | 0:09:49 | 0:09:53 | |
quite flexible space to play with. | 0:09:53 | 0:09:55 | |
Which hopefully makes up for the slightly more limited | 0:09:55 | 0:09:57 | |
bedroom space on the next floor. | 0:09:57 | 0:09:59 | |
So, just the two bedrooms on this floor, | 0:09:59 | 0:10:02 | |
both of which are en suite. | 0:10:02 | 0:10:03 | |
Now, this is the master. | 0:10:03 | 0:10:05 | |
You've got a slightly bigger en suite, with a bath in it. | 0:10:05 | 0:10:08 | |
OK. | 0:10:08 | 0:10:09 | |
-The bedroom, I think, is a slightly more interesting shape, certainly. -Yeah. | 0:10:09 | 0:10:12 | |
I was just thinking if there was any other position | 0:10:12 | 0:10:14 | |
the bed could occupy within the room. | 0:10:14 | 0:10:16 | |
You normally expect a bed to be | 0:10:16 | 0:10:18 | |
the dominant piece of furniture within a room | 0:10:18 | 0:10:20 | |
whereas here it's almost tucked away around the corner. | 0:10:20 | 0:10:23 | |
But, to be fair, it's what, in hindsight, | 0:10:23 | 0:10:25 | |
when we did the build we would have done. | 0:10:25 | 0:10:27 | |
-And that we've discussed we would have done. -Would we now? -Yes. | 0:10:27 | 0:10:31 | |
-Oh-ho-ho. Slight difference of opinions. -Yeah. | 0:10:31 | 0:10:33 | |
Mark, bearing in mind that Sara said that in time you normally | 0:10:33 | 0:10:36 | |
-come round to her way of thinking... -Yes, there is some truth to that. | 0:10:36 | 0:10:40 | |
And Sara's liking what she sees... | 0:10:40 | 0:10:42 | |
I couldn't agree more with Sara! | 0:10:42 | 0:10:45 | |
There's three bedrooms in this house. | 0:10:45 | 0:10:47 | |
At present, that means we have to think | 0:10:47 | 0:10:49 | |
of other locations for the offices. | 0:10:49 | 0:10:51 | |
That's when the project starts, and it will go... | 0:10:51 | 0:10:54 | |
Well, the building would need to be done outside, I think. | 0:10:54 | 0:10:57 | |
-Let me show you. -OK. | 0:10:57 | 0:10:58 | |
A bit of a tricky situation here with Mark and Sara's | 0:11:00 | 0:11:03 | |
quite different reactions to this place. | 0:11:03 | 0:11:05 | |
But maybe the space outside will help to unite them. | 0:11:05 | 0:11:08 | |
There's a good amount of land not actually dedicated | 0:11:08 | 0:11:10 | |
to the horses at the moment. | 0:11:10 | 0:11:12 | |
You've 3½ acres here, my friend. | 0:11:12 | 0:11:14 | |
Now, you have got a lovely building there. | 0:11:14 | 0:11:17 | |
That's sweet, isn't it? | 0:11:17 | 0:11:19 | |
Which would be excellent for a home office? | 0:11:19 | 0:11:21 | |
How much do you think this whole property as a package is on the market for? | 0:11:21 | 0:11:24 | |
I'm going to say... | 0:11:24 | 0:11:26 | |
470. | 0:11:26 | 0:11:27 | |
I would maybe go for 480. | 0:11:27 | 0:11:29 | |
Well, I've got some good news for you both, then. | 0:11:31 | 0:11:34 | |
This place is on the market for offers around £425,000. | 0:11:34 | 0:11:37 | |
That's a lot of room to make improvements. | 0:11:39 | 0:11:42 | |
Yes. | 0:11:42 | 0:11:43 | |
This charming converted farm building | 0:11:43 | 0:11:47 | |
is a significant £75,000 below | 0:11:47 | 0:11:49 | |
Mark and Sara's maximum budget. | 0:11:49 | 0:11:51 | |
It has plenty of living space | 0:11:51 | 0:11:53 | |
and the three bedrooms they want. | 0:11:53 | 0:11:54 | |
It doesn't have an office | 0:11:54 | 0:11:56 | |
but they could easily create one | 0:11:56 | 0:11:58 | |
in a characterful outbuilding. | 0:11:58 | 0:12:00 | |
1.5 acres MORE than they hoped for. | 0:12:03 | 0:12:05 | |
So, for someone who was pretty positive | 0:12:09 | 0:12:11 | |
all the way round that property, Sara, have you talked him round? | 0:12:11 | 0:12:15 | |
I think he's changing his mind a little. | 0:12:15 | 0:12:17 | |
I'm certainly beginning to see the benefits. | 0:12:17 | 0:12:20 | |
I think potential for me's the keyword for this property. | 0:12:20 | 0:12:23 | |
I think you're right, actually. | 0:12:23 | 0:12:24 | |
OK, well, that's one down. | 0:12:24 | 0:12:26 | |
-Two more to go. Let's go. -Great. | 0:12:26 | 0:12:28 | |
Since the days of the Spanish Armada in 1588 | 0:12:36 | 0:12:39 | |
through to the First and Second World Wars, | 0:12:39 | 0:12:41 | |
large stretches of Norfolk's coastline | 0:12:41 | 0:12:43 | |
have been seen as vulnerable to invasion. | 0:12:43 | 0:12:46 | |
One of the most determinedly defended locations | 0:12:47 | 0:12:49 | |
was Weybourne Hope to the north of the county, | 0:12:49 | 0:12:51 | |
where a military camp was set up | 0:12:51 | 0:12:53 | |
training as many as 300,000 personnel | 0:12:53 | 0:12:56 | |
over the course of four decades. | 0:12:56 | 0:12:59 | |
The camp was finally closed in 1959, | 0:12:59 | 0:13:02 | |
but in 1988, the site was bought and is now home | 0:13:02 | 0:13:04 | |
to the largest private military collection in the UK | 0:13:04 | 0:13:08 | |
and the man behind it all is Michael Savory. | 0:13:08 | 0:13:11 | |
To build a collection of tanks and militaria such as you've got here, | 0:13:14 | 0:13:18 | |
you have to be English and you have to be eccentric | 0:13:18 | 0:13:21 | |
and I'm a combination of both of them. | 0:13:21 | 0:13:23 | |
This began really at the Boer War years, | 0:13:23 | 0:13:28 | |
so you're looking at the turn of the century, 1900, | 0:13:28 | 0:13:31 | |
for infantry training. | 0:13:31 | 0:13:32 | |
The land was acquired from the local farmers by the War Office, | 0:13:32 | 0:13:36 | |
as it was then called, | 0:13:36 | 0:13:37 | |
and it gradually developed to becoming a residential camp | 0:13:37 | 0:13:41 | |
and one of the reasons why this bit of the coast was heavily defended | 0:13:41 | 0:13:45 | |
was that we have very deep water here. | 0:13:45 | 0:13:47 | |
Deep water allowed the ships to come straight up to the shingle bank | 0:13:47 | 0:13:50 | |
and unload troops. | 0:13:50 | 0:13:52 | |
Michael's collection includes 150 military vehicles, | 0:13:53 | 0:13:57 | |
25 of which are tanks, | 0:13:57 | 0:13:58 | |
but he also has a huge number of other military-related exhibits, | 0:13:58 | 0:14:01 | |
which are sourced from all over the world | 0:14:01 | 0:14:04 | |
and are painstakingly restored before going on display. | 0:14:04 | 0:14:08 | |
You are standing amongst a collection of Second World War tanks, | 0:14:08 | 0:14:12 | |
ranging from the Soviet T-34 to the American Sherman. | 0:14:12 | 0:14:16 | |
Surrounded also by a lot of light tanks. | 0:14:16 | 0:14:18 | |
It's a collection which is unusual to the extent that everything works. | 0:14:18 | 0:14:23 | |
As well as the regular military display days held here, | 0:14:23 | 0:14:26 | |
the public are offered the rare opportunity to get hands on | 0:14:26 | 0:14:29 | |
and actually drive a tank themselves. | 0:14:29 | 0:14:31 | |
Today, Michael's very kindly given me the chance | 0:14:31 | 0:14:34 | |
to experience that for myself. | 0:14:34 | 0:14:36 | |
-Do I shut this behind me? -Yes, please. | 0:14:36 | 0:14:38 | |
Appropriately attired, I'm ready for basic training. | 0:14:38 | 0:14:43 | |
Pull the two levers forward, no thumbs on the top. | 0:14:43 | 0:14:46 | |
We're in business. | 0:14:46 | 0:14:47 | |
The vehicle I'm driving is a British Army Fighting Vehicle 432, | 0:14:50 | 0:14:53 | |
which is an armoured personnel carrier. | 0:14:53 | 0:14:55 | |
They were first introduced in the 1960s | 0:14:55 | 0:14:58 | |
for transporting infantry on the battlefield. | 0:14:58 | 0:15:01 | |
This particular one was used in the Middle East | 0:15:01 | 0:15:03 | |
during the first Gulf War, | 0:15:03 | 0:15:05 | |
and it would have carried nine to ten troops, a commander, | 0:15:05 | 0:15:08 | |
a driver and all of their weapons, | 0:15:08 | 0:15:10 | |
which would have made for a very claustrophobic journey. | 0:15:10 | 0:15:13 | |
I feel firmly in control. It's finger-touch accurate, isn't it? | 0:15:14 | 0:15:20 | |
Tanks aren't generally built for speed. | 0:15:21 | 0:15:23 | |
Their top acceleration doesn't usually go beyond 35mph, | 0:15:23 | 0:15:27 | |
but what they do have is power - between 500 and 800bhp. | 0:15:27 | 0:15:33 | |
Yeah, go on right. | 0:15:34 | 0:15:36 | |
It's been a real privilege getting to drive this formidable vehicle, | 0:15:40 | 0:15:44 | |
especially when you think of the troops it once carried | 0:15:44 | 0:15:46 | |
and all that they must have endured. | 0:15:46 | 0:15:48 | |
And to experience it in such a beautiful, historic part | 0:15:48 | 0:15:51 | |
of the county has made it all the more memorable. | 0:15:51 | 0:15:54 | |
Continuing on our search, | 0:16:00 | 0:16:01 | |
we journey 25 miles west to the village of Wigenhall St Germans, | 0:16:01 | 0:16:05 | |
an hour-and-three-quarter drive from Milton Keynes. | 0:16:05 | 0:16:08 | |
This appealing settlement is nestled in the fertile farmland of the Fens, | 0:16:08 | 0:16:13 | |
along the banks of the Great Ouse, | 0:16:13 | 0:16:14 | |
which was once a major navigation route through East Anglia. | 0:16:14 | 0:16:17 | |
There's an excellent general store here, a cosy pub | 0:16:17 | 0:16:20 | |
and an impressive 14th-century church. | 0:16:20 | 0:16:23 | |
Just over a mile from the village | 0:16:23 | 0:16:25 | |
is our second house, another converted farm building - | 0:16:25 | 0:16:28 | |
this time a barn. | 0:16:28 | 0:16:29 | |
Now then, best place to take it all in is from here. | 0:16:31 | 0:16:34 | |
And what you see, is what you get. | 0:16:34 | 0:16:38 | |
Could you live somewhere like this? | 0:16:38 | 0:16:40 | |
Yes. | 0:16:40 | 0:16:41 | |
-This feels more homely to me. -Let's go inside. | 0:16:41 | 0:16:43 | |
The barn was converted by the current owners a few years ago, | 0:16:44 | 0:16:48 | |
and it already seems to have got the seal of approval | 0:16:48 | 0:16:50 | |
from both Sara and Mark. | 0:16:50 | 0:16:52 | |
Let's see if they share the same feelings about the interior. | 0:16:52 | 0:16:55 | |
So, you've got a big kitchen... | 0:16:55 | 0:16:58 | |
Oh, yeah. | 0:16:58 | 0:17:00 | |
-This is cracking. Your sink again. -Yeah. | 0:17:01 | 0:17:03 | |
That's an even bigger Belfast sink. | 0:17:03 | 0:17:06 | |
-Do you do all the washing up? -No! | 0:17:06 | 0:17:08 | |
I flipping hope so, because you are obsessed by sinks. | 0:17:08 | 0:17:11 | |
BELFAST sinks. | 0:17:11 | 0:17:12 | |
-Yes. -No, it's right. -All right? | 0:17:12 | 0:17:14 | |
The whole style of the kitchen has got a very country feel to it. | 0:17:14 | 0:17:16 | |
A lot of it's new. It's been put in retrospectively, but it works. | 0:17:16 | 0:17:19 | |
-These beautiful wide boards. -I love the floorboards. | 0:17:19 | 0:17:21 | |
Now, you don't have to dine here, | 0:17:21 | 0:17:23 | |
because we've got loads of receptions. Let me show you. | 0:17:23 | 0:17:25 | |
Now, this is where the house really opens up. | 0:17:27 | 0:17:29 | |
Dining, and after supper maybe... | 0:17:29 | 0:17:32 | |
a game of billiards? | 0:17:32 | 0:17:33 | |
Wow, that's great. | 0:17:33 | 0:17:35 | |
Now, another big room. | 0:17:36 | 0:17:38 | |
My word. This is... Yeah. This is big. | 0:17:38 | 0:17:41 | |
Need more furniture. | 0:17:42 | 0:17:44 | |
And the fireplace, as well. | 0:17:44 | 0:17:45 | |
I like this, Jonnie. This is nice. | 0:17:45 | 0:17:48 | |
The character. Just... We're moving in. | 0:17:48 | 0:17:50 | |
-Are you? -Yeah. | 0:17:50 | 0:17:51 | |
-So let's go upstairs and have a look at the bedrooms, OK? -OK. -OK. | 0:17:51 | 0:17:54 | |
Also on the ground floor, just off the kitchen, | 0:17:54 | 0:17:57 | |
there's a fully set up study. | 0:17:57 | 0:17:59 | |
But there are more home office possibilities for Sara and Mark | 0:17:59 | 0:18:02 | |
in another part of the house which I'll talk more about later. | 0:18:02 | 0:18:06 | |
Upstairs, there's a family bathroom | 0:18:06 | 0:18:07 | |
and three double bedrooms. | 0:18:07 | 0:18:09 | |
All of which have that wonderful stripped wooden flooring | 0:18:09 | 0:18:12 | |
we admired downstairs in the kitchen. | 0:18:12 | 0:18:15 | |
Now, the master bedroom. | 0:18:16 | 0:18:19 | |
Yeah, that's nice. | 0:18:19 | 0:18:20 | |
-Yeah. -It's got an en suite. | 0:18:20 | 0:18:22 | |
-It's lovely. -Waking up to those views. | 0:18:22 | 0:18:25 | |
Now, there is some other accommodation to this. | 0:18:25 | 0:18:27 | |
As we walked in? That long single-storey extension? | 0:18:27 | 0:18:31 | |
-Yeah. -Now, that is a self-contained unit. | 0:18:31 | 0:18:35 | |
-Wow. -Bedroom, bathroom, kitchenette, living area. | 0:18:35 | 0:18:39 | |
Or it could be just office space for you guys. | 0:18:39 | 0:18:42 | |
But that gives you so much room to grow into in this house. | 0:18:42 | 0:18:45 | |
-Yeah. -It does. | 0:18:45 | 0:18:46 | |
-Let's go out the back, and look at the land, OK? -OK. | 0:18:46 | 0:18:49 | |
I'll just squeeze past you, there. | 0:18:49 | 0:18:51 | |
Well, I'm delighted that this house | 0:18:51 | 0:18:53 | |
seems to have these two singing from the same hymn sheet. | 0:18:53 | 0:18:56 | |
But I'm hoping this sweet harmony, isn't set off balance | 0:18:56 | 0:18:58 | |
by what's on offer outside, | 0:18:58 | 0:19:00 | |
because there is less land here than the first property we showed them. | 0:19:00 | 0:19:04 | |
There's a total of 1.5 acres, | 0:19:04 | 0:19:06 | |
including the formal garden | 0:19:06 | 0:19:07 | |
which I'm sure Jessica would agree, | 0:19:07 | 0:19:09 | |
has more than enough room for her swings. | 0:19:09 | 0:19:12 | |
-Now, outside space you wanted, didn't you? -I did. | 0:19:12 | 0:19:14 | |
So, you've got an acre there... | 0:19:14 | 0:19:16 | |
-OK. -OK. | 0:19:16 | 0:19:18 | |
-..and then this land here. -OK. -OK. -So it's smaller than your ideal requirement. | 0:19:18 | 0:19:21 | |
Any opportunity to get a bit more? | 0:19:21 | 0:19:24 | |
-Yes. -Ah! | 0:19:24 | 0:19:25 | |
This land - all that land - | 0:19:25 | 0:19:27 | |
is for sale. | 0:19:27 | 0:19:28 | |
So, how much do you think this place is? | 0:19:28 | 0:19:31 | |
I think... | 0:19:31 | 0:19:33 | |
probably 490. | 0:19:33 | 0:19:35 | |
485, would be my estimate. | 0:19:35 | 0:19:38 | |
Good guesses! Pretty impressed. | 0:19:39 | 0:19:41 | |
This place is on the market with a guide price | 0:19:41 | 0:19:43 | |
of £495,000. | 0:19:43 | 0:19:45 | |
OK. | 0:19:45 | 0:19:46 | |
This superbly renovated barn conversion | 0:19:47 | 0:19:51 | |
is £5,000 below maximum budget. | 0:19:51 | 0:19:54 | |
The interior offers the space they hoped for and more. | 0:19:54 | 0:19:58 | |
There's that large country kitchen, | 0:19:58 | 0:19:59 | |
a separate formal dining room, | 0:19:59 | 0:20:01 | |
and even a billiard room. | 0:20:01 | 0:20:04 | |
The annexe would easily accommodate a home office for each of them. | 0:20:04 | 0:20:08 | |
Outside, there isn't quite the two acres they wanted | 0:20:08 | 0:20:10 | |
but there is neighbouring land available for purchase. | 0:20:10 | 0:20:13 | |
Well, that seems to be an end to a very successful day. | 0:20:15 | 0:20:18 | |
-What do you think? -Yeah. | 0:20:18 | 0:20:19 | |
-Enjoy walking round here? -Yeah. | 0:20:19 | 0:20:21 | |
Very pleased. It's been a good day. | 0:20:21 | 0:20:24 | |
You look quietly confident about this place. | 0:20:24 | 0:20:26 | |
Now, something to think about tonight. Let's take you back. | 0:20:26 | 0:20:29 | |
OK. | 0:20:29 | 0:20:30 | |
Today, we're off to the mystery house, | 0:20:35 | 0:20:37 | |
and as there's usually a compromise, | 0:20:37 | 0:20:39 | |
let's start with that. | 0:20:39 | 0:20:40 | |
This property doesn't have the pre-requisite amount of land | 0:20:40 | 0:20:43 | |
for Sara's horses, although not far off it. | 0:20:43 | 0:20:46 | |
And the property requires quite a lot of work from Mark, | 0:20:46 | 0:20:48 | |
and that's because there's quite a lot of house. | 0:20:48 | 0:20:52 | |
And it has the sort of character | 0:20:52 | 0:20:54 | |
they could fall head over heels for. | 0:20:54 | 0:20:56 | |
Continuing our trajectory west, | 0:20:59 | 0:21:01 | |
we reach the village of West Walton, | 0:21:01 | 0:21:03 | |
an hour-and-a-half's drive from Milton Keynes | 0:21:03 | 0:21:06 | |
and the final stop on our search. | 0:21:06 | 0:21:08 | |
Established by the time of the Norman conquest, | 0:21:08 | 0:21:10 | |
this quiet settlement doesn't offer many amenities, | 0:21:10 | 0:21:13 | |
but it does have a decent pub | 0:21:13 | 0:21:16 | |
and a unique 13th-century church | 0:21:16 | 0:21:17 | |
with an unusual detached and delicately carved bell tower | 0:21:17 | 0:21:20 | |
that can be seen for miles around. | 0:21:20 | 0:21:22 | |
And half a mile down the road, | 0:21:22 | 0:21:24 | |
there is another towering landmark, | 0:21:24 | 0:21:26 | |
which happens to stand in the grounds of our mystery house. | 0:21:26 | 0:21:29 | |
Now, Mark, I think you like Georgian properties, | 0:21:30 | 0:21:33 | |
so you should appreciate this specimen. | 0:21:33 | 0:21:35 | |
I am a big fan of that design and style, yes. | 0:21:35 | 0:21:38 | |
And this is the real deal, isn't it? | 0:21:38 | 0:21:40 | |
It's a genuine Georgian farmhouse. | 0:21:40 | 0:21:42 | |
It was actually attached to the remains of that old mill tower. | 0:21:42 | 0:21:45 | |
It's huge! | 0:21:45 | 0:21:46 | |
-Fantastic. -Yeah? Big is good, isn't it? | 0:21:46 | 0:21:49 | |
I don't know. | 0:21:49 | 0:21:50 | |
-I suppose big means more work, and maintenance, doesn't it? -Yeah. | 0:21:50 | 0:21:53 | |
Land-wise, it comes with that field. | 0:21:53 | 0:21:56 | |
-Oh, OK. -The owner reckons there's just under two acres there, | 0:21:56 | 0:21:59 | |
although I think he's being a bit modest. | 0:21:59 | 0:22:01 | |
Sounds like all the basics are there. | 0:22:01 | 0:22:03 | |
Yeah... Basics is maybe a good word to use. | 0:22:03 | 0:22:06 | |
Let's take a look inside. | 0:22:06 | 0:22:08 | |
The three-storey mill house and the mill, | 0:22:10 | 0:22:13 | |
were built in 1822. | 0:22:13 | 0:22:15 | |
During the Second World War, the sails of the windmill were removed | 0:22:15 | 0:22:18 | |
because it was thought to be too much of a prominent landmark, | 0:22:18 | 0:22:20 | |
but after electrical grinding equipment was fitted, | 0:22:20 | 0:22:24 | |
the mill continued to produce flour until the mid-1960s. | 0:22:24 | 0:22:27 | |
The last miller still lives in the village. | 0:22:27 | 0:22:30 | |
Well, Sara, I think you like to have a separate dining area, | 0:22:30 | 0:22:32 | |
so you've got that here. | 0:22:32 | 0:22:34 | |
Then, mind the step up to the kitchen... What do you think? | 0:22:34 | 0:22:37 | |
Yes, it's a nice kitchen, actually. | 0:22:37 | 0:22:38 | |
It's got a very homely feel to it. Yeah, I like it. | 0:22:38 | 0:22:41 | |
Nice floor. It's more than adequate for us, | 0:22:41 | 0:22:44 | |
and it's got some really nice features. | 0:22:44 | 0:22:46 | |
Just through there, you've got another double reception room, | 0:22:46 | 0:22:49 | |
which you could use | 0:22:49 | 0:22:50 | |
for formal dining, if you like. | 0:22:50 | 0:22:52 | |
Then this way you've got other reception areas - let me show you. | 0:22:52 | 0:22:56 | |
Right, then. | 0:22:59 | 0:23:01 | |
This is when it starts to feel a little more boho, if you like. | 0:23:01 | 0:23:03 | |
I think there's some plastering work that needs done, but that can probably be fixed. | 0:23:03 | 0:23:06 | |
Mark, this place is your new hobby. | 0:23:06 | 0:23:08 | |
-You're right. -So, look, you've got loads of space | 0:23:08 | 0:23:11 | |
on the ground floor. | 0:23:11 | 0:23:12 | |
-We've got two more floors to have a look at. -Two more floors. | 0:23:12 | 0:23:15 | |
-Let's go and take a peek at one of them. -OK. | 0:23:15 | 0:23:17 | |
At the other end of the ground floor, | 0:23:19 | 0:23:20 | |
there's yet another reception room, | 0:23:20 | 0:23:22 | |
and there's plenty more space upstairs. | 0:23:22 | 0:23:24 | |
On the next floor there's a family bathroom, | 0:23:24 | 0:23:27 | |
and five double bedrooms, | 0:23:27 | 0:23:29 | |
one of which looks pretty much ready for Jessica to move into. | 0:23:29 | 0:23:32 | |
But we're going to carry on up to the second floor | 0:23:32 | 0:23:35 | |
which pretty much mirrors this one, | 0:23:35 | 0:23:37 | |
because it also has five bedrooms. | 0:23:37 | 0:23:39 | |
Personally, I absolutely love this room. | 0:23:41 | 0:23:43 | |
Look at the views out here. | 0:23:43 | 0:23:45 | |
-It is nice. -That's really, really good. | 0:23:45 | 0:23:47 | |
But, who says it has to be bedrooms? | 0:23:47 | 0:23:50 | |
Why can't this be an amazing office? | 0:23:50 | 0:23:53 | |
Yeah. It's a massive house | 0:23:53 | 0:23:55 | |
and I just think about the maintenance costs. | 0:23:55 | 0:23:57 | |
I suppose it does come down to price. | 0:23:57 | 0:23:59 | |
But, Mark, you kind of love the character of this place? | 0:23:59 | 0:24:01 | |
I'd be fully up for DIY decorating. | 0:24:01 | 0:24:04 | |
Look, let's go outside and talk about the outbuildings, OK? | 0:24:04 | 0:24:07 | |
So, between this floor and the one below | 0:24:11 | 0:24:12 | |
there's a grand total of ten bedrooms, | 0:24:12 | 0:24:15 | |
but aside from the room we've just seen, | 0:24:15 | 0:24:17 | |
this top floor is the part of the house | 0:24:17 | 0:24:19 | |
that requires the most decorative work. | 0:24:19 | 0:24:22 | |
Outside, apart from the paddock over the road, | 0:24:22 | 0:24:24 | |
there is an attractive garden | 0:24:24 | 0:24:26 | |
which leads to a large enclosed yard | 0:24:26 | 0:24:28 | |
where there's an array of outbuildings | 0:24:28 | 0:24:29 | |
including a two-storey farm shed, | 0:24:29 | 0:24:31 | |
which could convert into nice stables, | 0:24:31 | 0:24:34 | |
and another dwelling which is known as the old bakery. | 0:24:34 | 0:24:36 | |
Last, but by no means least, | 0:24:36 | 0:24:38 | |
there is the magnificent | 0:24:38 | 0:24:40 | |
Grade II listed seven-storey mill, | 0:24:40 | 0:24:42 | |
which at the moment is pretty much derelict, | 0:24:42 | 0:24:44 | |
but with planning permission | 0:24:44 | 0:24:46 | |
could be restored to create a very unique holiday let. | 0:24:46 | 0:24:49 | |
So, do we think we could make this into some sort of stable yard? | 0:24:50 | 0:24:55 | |
Look at the outbuildings there? | 0:24:55 | 0:24:57 | |
-I think a whole community could live here. -Yeah! | 0:24:57 | 0:24:59 | |
-So, excited? -Yeah, very excited, actually. | 0:24:59 | 0:25:02 | |
It wasn't what I was expecting, at all. | 0:25:02 | 0:25:04 | |
So, who wants to have a go at guessing the price? | 0:25:04 | 0:25:07 | |
More to the higher end of our budget - so 480,000. | 0:25:07 | 0:25:10 | |
There's so much work to be done, | 0:25:10 | 0:25:12 | |
so I'm going to say 410. | 0:25:12 | 0:25:13 | |
This place is on the market with that land | 0:25:13 | 0:25:16 | |
for around £475,000. | 0:25:16 | 0:25:20 | |
Good guess. | 0:25:20 | 0:25:21 | |
£25,000 under their maximum budget, | 0:25:21 | 0:25:24 | |
this extraordinary property offers Mark and Sara an awful lot. | 0:25:24 | 0:25:29 | |
There are five reception rooms and ten bedrooms, | 0:25:29 | 0:25:31 | |
which more than takes care of their request for three bedrooms | 0:25:31 | 0:25:35 | |
plus an office space. | 0:25:35 | 0:25:36 | |
Outside, there's a paddock for Sara's horses | 0:25:36 | 0:25:38 | |
and with a range of outbuildings, | 0:25:38 | 0:25:40 | |
there's plenty of scope for stabling them. | 0:25:40 | 0:25:42 | |
There's also the mill itself, which at the very least | 0:25:42 | 0:25:45 | |
offers an intriguing focal point to the property, | 0:25:45 | 0:25:47 | |
but could also be converted into yet more accommodation. | 0:25:47 | 0:25:51 | |
Have we warmed any more to this wonderful property? | 0:25:52 | 0:25:55 | |
-Well, I'm now seeing it as a business opportunity. -Oh! | 0:25:55 | 0:25:58 | |
Sounds like you've got a lot to talk about yourselves, | 0:25:58 | 0:26:00 | |
-so let's find you somewhere to have a chit-chat. After you. -Thank you. | 0:26:00 | 0:26:03 | |
Do either of you have a favourite? | 0:26:08 | 0:26:10 | |
The only property where my heart and my head agree with one other | 0:26:10 | 0:26:15 | |
is number two. | 0:26:15 | 0:26:16 | |
Number two is probably my strongest pull, | 0:26:16 | 0:26:20 | |
-but number one I see a lot of financial sense in... -Yeah. | 0:26:20 | 0:26:24 | |
..and the mystery house, from my point of view, | 0:26:24 | 0:26:27 | |
I would see it as B&B, holiday let. | 0:26:27 | 0:26:28 | |
We'd have to get a business loan to do that | 0:26:28 | 0:26:31 | |
and then, would we recoup that money? | 0:26:31 | 0:26:33 | |
I don't think the mystery house works for us financially. | 0:26:33 | 0:26:36 | |
What is your next step? | 0:26:36 | 0:26:37 | |
We're definitely going to go back to house number two. | 0:26:37 | 0:26:40 | |
I think I'm going to drag Mark kicking and screaming | 0:26:40 | 0:26:43 | |
back to house number one, | 0:26:43 | 0:26:44 | |
because I see a lot of potential there and even with the work, | 0:26:44 | 0:26:48 | |
there's still room in our budget. | 0:26:48 | 0:26:50 | |
It's a been a really interesting process. With just three houses, | 0:26:50 | 0:26:54 | |
you've seen how your differences in taste and challenges have come out. | 0:26:54 | 0:26:58 | |
Look, you're going to come back here for a second viewing. | 0:26:58 | 0:27:00 | |
Please, please let us know what you decide. I can't wait to find out. | 0:27:00 | 0:27:04 | |
-Good luck! -Thank you. -Thank you. | 0:27:04 | 0:27:06 | |
I'm pleased to hear Sara and Mark are agreed on one thing | 0:27:09 | 0:27:12 | |
and that's that they both want to go back to house number two. | 0:27:12 | 0:27:15 | |
Let's face it, they really enjoyed looking around that place. | 0:27:15 | 0:27:18 | |
I'm also interested to hear that Sara also wants to go back | 0:27:18 | 0:27:22 | |
to property number one, taking Mark kicking and screaming if needs be. | 0:27:22 | 0:27:26 | |
I think they've both realised | 0:27:26 | 0:27:28 | |
that it's not just about the house or the land, | 0:27:28 | 0:27:30 | |
it's the whole package, | 0:27:30 | 0:27:32 | |
so second viewings of both houses and their areas is what's needed | 0:27:32 | 0:27:36 | |
in order for them to decide which way they need to go as a family. | 0:27:36 | 0:27:40 | |
So I'm sure, just like me, you wish them both the very best of luck. | 0:27:40 | 0:27:44 | |
I'll see you next time. | 0:27:44 | 0:27:47 | |
Mark and Sara returned to view our second house | 0:27:47 | 0:27:49 | |
and they loved it just as much the second time round. | 0:27:49 | 0:27:52 | |
They were keen to put in an offer, | 0:27:52 | 0:27:54 | |
but after investigating the price of the additional land, | 0:27:54 | 0:27:56 | |
they felt it pushed their budget too far beyond | 0:27:56 | 0:27:58 | |
what they were comfortable with, | 0:27:58 | 0:28:00 | |
so their search continues. | 0:28:00 | 0:28:01 | |
If you'd like to escape to the country | 0:28:01 | 0:28:03 | |
in Wales, Scotland, Northern Ireland, England | 0:28:03 | 0:28:06 | |
or perhaps even further afield to the continent | 0:28:06 | 0:28:08 | |
and would like our help, you can apply online at... | 0:28:08 | 0:28:11 |