Browse content similar to Norfolk. Check below for episodes and series from the same categories and more!
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This statue of a wolf symbolises a king who died a martyr to his faith | 0:00:02 | 0:00:05 | |
and was the first patron saint of England. | 0:00:05 | 0:00:07 | |
Find out who that was, who he is, | 0:00:07 | 0:00:09 | |
and where we both are in just a moment. | 0:00:09 | 0:00:11 | |
One of the key property requirements for today's couple | 0:00:30 | 0:00:33 | |
is space to accommodate their horses. | 0:00:33 | 0:00:35 | |
But it soon becomes evident | 0:00:35 | 0:00:37 | |
there's something that's quite high on their priority list. | 0:00:37 | 0:00:39 | |
-Look at the sink. -Oh, Belfast sink! -Your dream! | 0:00:39 | 0:00:43 | |
-I've always said to you about a Belfast sink, haven't I? -Yeah. | 0:00:43 | 0:00:45 | |
Luckily, our properties deliver on that front. | 0:00:45 | 0:00:49 | |
-Got your sink again. -Yes! Wow. | 0:00:49 | 0:00:51 | |
Do you do all the washing up? | 0:00:51 | 0:00:52 | |
-Because you are obsessed by sinks. -Belfast sinks. | 0:00:52 | 0:00:55 | |
I'm in the seaside resort of Hunstanton in Norfolk | 0:00:57 | 0:01:00 | |
and it's believed that this coastline behind me | 0:01:00 | 0:01:03 | |
is where St Edmund landed back in 855AD | 0:01:03 | 0:01:06 | |
to claim the throne of East Anglia. | 0:01:06 | 0:01:08 | |
After a relatively peaceful reign, | 0:01:08 | 0:01:10 | |
Edmund was forced to defend his kingdom from Vikings. | 0:01:10 | 0:01:14 | |
He was defeated in battle and later executed | 0:01:14 | 0:01:17 | |
for refusing to denounce his faith. | 0:01:17 | 0:01:20 | |
Now, as legend has it, his remains were later found guarded by a wolf, | 0:01:20 | 0:01:24 | |
and his followers were then able to honour their devout king | 0:01:24 | 0:01:27 | |
and give him a sacred Christian burial. | 0:01:27 | 0:01:30 | |
Now to commemorate the legacy of St Edmund, | 0:01:30 | 0:01:33 | |
the town have created a walking trail | 0:01:33 | 0:01:35 | |
depicting scenes from his life. | 0:01:35 | 0:01:37 | |
This carved statue of the wolf here, marks the end of the trail | 0:01:37 | 0:01:41 | |
and stands as a timely reminder of a captivating story | 0:01:41 | 0:01:45 | |
deeply rooted in this historic county. | 0:01:45 | 0:01:48 | |
In the East of England, jutting out into the North Sea, | 0:01:51 | 0:01:54 | |
Norfolk is bordered by Lincolnshire, Cambridge and Suffolk, | 0:01:54 | 0:01:59 | |
with wide atmospheric skies | 0:01:59 | 0:02:01 | |
and unbroken horizons, | 0:02:01 | 0:02:03 | |
the county is defined by some uniquely beautiful landscapes, | 0:02:03 | 0:02:06 | |
including the Fens, | 0:02:06 | 0:02:08 | |
which before systematic drainage began in the 17th century, | 0:02:08 | 0:02:11 | |
were an impenetrable boggy wilderness, | 0:02:11 | 0:02:13 | |
but now represent close to half | 0:02:13 | 0:02:16 | |
of the most fertile agricultural land in England. | 0:02:16 | 0:02:19 | |
Gateway to the Fens is age-old Downham Market, | 0:02:19 | 0:02:22 | |
renowned during the Middle Ages for its butter market, | 0:02:22 | 0:02:24 | |
and today known affectionately as the gingerbread town, | 0:02:24 | 0:02:27 | |
thanks to the local ochre-hued sandstone used to construct | 0:02:27 | 0:02:30 | |
many of its fine buildings. | 0:02:30 | 0:02:32 | |
Not far from here is the unassuming village of Burnham Thorpe, | 0:02:34 | 0:02:38 | |
birthplace of Norfolk's most famous son Lord Horatio Nelson. | 0:02:38 | 0:02:42 | |
His father was the rector of the church here | 0:02:42 | 0:02:45 | |
and in 1793 before returning to sea, | 0:02:45 | 0:02:47 | |
Nelson held a farewell dinner for locals at the village pub | 0:02:47 | 0:02:49 | |
which is still open for business today. | 0:02:49 | 0:02:52 | |
Home of heroes, | 0:02:52 | 0:02:53 | |
ancient settlements | 0:02:53 | 0:02:56 | |
and gorgeous vistas | 0:02:56 | 0:02:57 | |
Norfolk is understandably desirable county to escape to. | 0:02:57 | 0:03:01 | |
The beautiful open countryside of Norfolk | 0:03:04 | 0:03:07 | |
certainly rates above the average, | 0:03:07 | 0:03:09 | |
and that is balanced by its property prices, | 0:03:09 | 0:03:11 | |
which are currently some £40,000 below the national average figure, | 0:03:11 | 0:03:15 | |
coming at around £222,000 for a detached house here. | 0:03:15 | 0:03:20 | |
And regionally the county scores too, being the less expensive | 0:03:20 | 0:03:24 | |
option out of neighbouring Cambridgeshire and Suffolk. | 0:03:24 | 0:03:27 | |
So, an undiscovered gem? | 0:03:27 | 0:03:29 | |
Well, today's buyers certainly seem to think so. | 0:03:29 | 0:03:31 | |
Let's find out why they in particular want to move | 0:03:31 | 0:03:33 | |
to this part of the county. | 0:03:33 | 0:03:35 | |
14 years ago, IT specialist Mark | 0:03:36 | 0:03:38 | |
and wife Sara who's a marketing manager, | 0:03:38 | 0:03:41 | |
bought this four-bedroom house in Milton Keynes. | 0:03:41 | 0:03:44 | |
They've raised nine-year-old daughter Jessica here, | 0:03:44 | 0:03:46 | |
but have always dreamt of a rural lifestyle. | 0:03:46 | 0:03:48 | |
So, before Jessica gets to high-school age, | 0:03:48 | 0:03:51 | |
they're keen to make the move. | 0:03:51 | 0:03:53 | |
-Milton Keynes has been very good for us. -A town of convenience. -It is. | 0:03:53 | 0:03:57 | |
Very modern. Very fast. | 0:03:57 | 0:03:59 | |
It's got a lot of facilities here, | 0:03:59 | 0:04:02 | |
and it's close to London. | 0:04:02 | 0:04:04 | |
Great for a young family. | 0:04:04 | 0:04:05 | |
I'm not sure I'd want to spend the rest of my life here. | 0:04:05 | 0:04:08 | |
Making the rural escape along with them | 0:04:08 | 0:04:10 | |
will be their two dogs Roxy and Otis, | 0:04:10 | 0:04:13 | |
their cat Kizzy, and Sara's beloved horses Turtle and Jamie | 0:04:13 | 0:04:16 | |
who are currently kept in stables eight miles away, | 0:04:16 | 0:04:19 | |
and are a major motivating factor for the move. | 0:04:19 | 0:04:22 | |
It's my dream to have the horses just there outside the back door. | 0:04:22 | 0:04:28 | |
Every day I get in the car and I drive, you know, ten minutes there | 0:04:28 | 0:04:32 | |
and I do them, and I spend so much time at the horses. | 0:04:32 | 0:04:35 | |
It's just been my dream for ever to just have them there. | 0:04:36 | 0:04:41 | |
And have everything as part of your family, really. | 0:04:41 | 0:04:44 | |
Same as the dogs and the cats... | 0:04:44 | 0:04:47 | |
It's something I share with Sara as well, a dream for that... | 0:04:47 | 0:04:51 | |
every man dreams of his castle. | 0:04:51 | 0:04:53 | |
-And your astronomy. -Oh, yes. -You can do astronomy! | 0:04:53 | 0:04:55 | |
That's very good point, yes. | 0:04:55 | 0:04:57 | |
Both Mark and Sara work from home, | 0:04:57 | 0:05:00 | |
but Sara will still need to return to her office in Milton Keynes | 0:05:00 | 0:05:03 | |
every one or two weeks, which is part of the reason | 0:05:03 | 0:05:05 | |
why they've chosen Norfolk. | 0:05:05 | 0:05:07 | |
It's close to some major routes, | 0:05:07 | 0:05:09 | |
and it's that lovely village, rural community. | 0:05:09 | 0:05:12 | |
You've got the beach nearby... | 0:05:12 | 0:05:14 | |
Jessica's very excited about having the beach. | 0:05:14 | 0:05:16 | |
And within an affordable price range. | 0:05:16 | 0:05:18 | |
Realistically, what we're looking at. | 0:05:18 | 0:05:20 | |
Because we're not just looking for a house in the country, | 0:05:20 | 0:05:23 | |
we need land for Sara's horses. | 0:05:23 | 0:05:25 | |
While Mark and Sara are more than ready to leave urban life behind, | 0:05:27 | 0:05:30 | |
they have natural parental concern about how their daughter | 0:05:30 | 0:05:33 | |
will respond to the change. | 0:05:33 | 0:05:35 | |
I think she's very split between excited | 0:05:35 | 0:05:39 | |
and nervous. | 0:05:39 | 0:05:40 | |
She's lived here all her life. | 0:05:40 | 0:05:42 | |
It will be a change. | 0:05:42 | 0:05:44 | |
But there are things that she's really excited about - | 0:05:44 | 0:05:47 | |
like having swings in the garden and having chickens. | 0:05:47 | 0:05:50 | |
She's even talking about another dog. Did I mention that? Er... | 0:05:50 | 0:05:54 | |
Sara and Mark might have quite different careers and interests, | 0:05:56 | 0:05:59 | |
but for both of them, family is very much at the heart | 0:05:59 | 0:06:01 | |
of their decision to move. | 0:06:01 | 0:06:04 | |
I think a move to the country will increase our family strength. | 0:06:04 | 0:06:08 | |
I think the change could really... really do us well. | 0:06:08 | 0:06:11 | |
The thing that excites me most about the move | 0:06:11 | 0:06:13 | |
is having our whole family together, and that includes the horses. | 0:06:13 | 0:06:17 | |
To me they are sort of hairy children. | 0:06:17 | 0:06:20 | |
So that it's easy for Sara to travel back to her office in Milton Keynes when she needs to, | 0:06:25 | 0:06:29 | |
we're keeping our search within two hours of the town. | 0:06:29 | 0:06:33 | |
I'm catching up with them to learn some more about their move. | 0:06:33 | 0:06:37 | |
So, welcome both of you to Sunny Norfolk. | 0:06:37 | 0:06:40 | |
Why are we stood here? | 0:06:40 | 0:06:42 | |
I was born near London, so I have experienced living in the city, | 0:06:42 | 0:06:45 | |
but I think my heart has always been more than living in the countryside. | 0:06:45 | 0:06:49 | |
This outdoorsy life's not just about you two, but about family, as well. | 0:06:49 | 0:06:53 | |
For a better family environment for your daughter? | 0:06:53 | 0:06:55 | |
Yes. Jessica wants swings. | 0:06:55 | 0:06:58 | |
Our garden isn't big enough. | 0:06:58 | 0:07:00 | |
Outside space to play in. | 0:07:00 | 0:07:02 | |
Preferably a theme park! | 0:07:02 | 0:07:04 | |
There's a fair nearby. | 0:07:04 | 0:07:06 | |
Now, how much land are we talking about? | 0:07:06 | 0:07:08 | |
-Minimum two acres. -Minimum two acres. | 0:07:08 | 0:07:12 | |
Let's talk about the house. | 0:07:12 | 0:07:13 | |
It would be lovely to have sort of a Georgian property, | 0:07:13 | 0:07:16 | |
or something along those lines. | 0:07:16 | 0:07:17 | |
I think my thoughts are for a character type of property. | 0:07:17 | 0:07:21 | |
I guess because with such a big change, | 0:07:21 | 0:07:24 | |
why not go the full hog? | 0:07:24 | 0:07:25 | |
What about a project? | 0:07:25 | 0:07:27 | |
As long as there's money in the pot, and we can see the potential. | 0:07:27 | 0:07:30 | |
-All right. -It's almost certain that we'll have to do some work, | 0:07:30 | 0:07:33 | |
with regards to the horses, as well. | 0:07:33 | 0:07:36 | |
-Like fencing and posts, perhaps even stables. -OK. | 0:07:36 | 0:07:40 | |
Now, the size of the house? | 0:07:40 | 0:07:43 | |
We're looking for minimum three-bed with a study. | 0:07:43 | 0:07:46 | |
-Or four bed. -But, ideally, two working spaces for myself and Sara. | 0:07:46 | 0:07:50 | |
I guess it's even possible to build something, | 0:07:50 | 0:07:52 | |
if you've got enough land to do that. | 0:07:52 | 0:07:54 | |
How soon can you make this move? Are you ready to go? | 0:07:54 | 0:07:57 | |
We are, really. | 0:07:57 | 0:07:58 | |
-We've got an offer on a house. -Brilliant. | 0:07:58 | 0:08:00 | |
Sounds like you've a lovely little package in mind | 0:08:00 | 0:08:03 | |
for your escape here - | 0:08:03 | 0:08:04 | |
remind me how much you're looking to spend. | 0:08:04 | 0:08:06 | |
-500,000. -£500,000. | 0:08:06 | 0:08:08 | |
500,000, and a little left over for some improvements. | 0:08:08 | 0:08:13 | |
You mentioned improvements - do you agree changes you'd want to make? | 0:08:13 | 0:08:16 | |
Do you have different tastes on things to do with the house or land? | 0:08:16 | 0:08:19 | |
Mark usually comes round to my way of thinking. | 0:08:19 | 0:08:23 | |
In the end. | 0:08:23 | 0:08:24 | |
I have a barrier, initially, and Sara has to break down. | 0:08:24 | 0:08:28 | |
No pressure. Well, we've got three fantastic properties lined up. | 0:08:28 | 0:08:31 | |
Let's make away to first one. | 0:08:31 | 0:08:33 | |
-OK. -Thank you. -This way. | 0:08:33 | 0:08:35 | |
With a budget of £500,000, | 0:08:35 | 0:08:38 | |
Mark and Sara are looking for a characterful home for themselves, | 0:08:38 | 0:08:41 | |
their daughter and Sara's much-cherished horses. | 0:08:41 | 0:08:45 | |
They would like minimum of three bedrooms, | 0:08:45 | 0:08:47 | |
plus a room that could be used as a home office. | 0:08:47 | 0:08:49 | |
Outside they're hoping for a garden | 0:08:49 | 0:08:51 | |
that could fit those swings Jessica is angling for, | 0:08:51 | 0:08:54 | |
and to accommodate the horses they'll need at least two acres. | 0:08:54 | 0:08:57 | |
And stables would be a bonus. | 0:08:57 | 0:08:59 | |
Finally, for Sara's work | 0:08:59 | 0:09:01 | |
they'll need to be within reasonable driving distance of Milton Keynes. | 0:09:01 | 0:09:05 | |
We've lined up three excellent properties for them to look at, | 0:09:06 | 0:09:09 | |
and after each house tour | 0:09:09 | 0:09:10 | |
I'll be asking them to guess the price before I reveal it. | 0:09:10 | 0:09:14 | |
One will be the mystery house, with everything they asked for, | 0:09:14 | 0:09:17 | |
and much, much more, | 0:09:17 | 0:09:19 | |
but will that be too much for them? | 0:09:19 | 0:09:21 | |
Now, Sara, are you going to try and drag poor old Mark | 0:09:26 | 0:09:29 | |
into the world of horses? | 0:09:29 | 0:09:31 | |
Well, he may need to get more involved. | 0:09:31 | 0:09:34 | |
There's no real excuse, if they're just there outside the back door. | 0:09:34 | 0:09:38 | |
"No real excuse"?! | 0:09:38 | 0:09:40 | |
You're basically giving poor old Mark some groom duties, aren't you? | 0:09:40 | 0:09:44 | |
-Well, maybe. -That's what it sounds like to me. | 0:09:44 | 0:09:47 | |
Tell Johnny what you want to do about the astronomy? | 0:09:47 | 0:09:49 | |
Ah, yes. I've always thought about building an observatory. | 0:09:49 | 0:09:53 | |
Right. | 0:09:53 | 0:09:55 | |
Where would you build your telescope. Your observatory? | 0:09:55 | 0:09:57 | |
As far away from the muck heap as possible! | 0:09:57 | 0:10:00 | |
We're starting our search in the little village of Necton, | 0:10:01 | 0:10:04 | |
which is just under a two-hour drive | 0:10:04 | 0:10:06 | |
from Sara's work base in Milton Keynes. | 0:10:06 | 0:10:08 | |
The nearest town, six miles away, is Swaffham, | 0:10:09 | 0:10:12 | |
which has all the amenities the family will need. | 0:10:12 | 0:10:15 | |
During the 14th and 15th centuries the town grew prosperous | 0:10:15 | 0:10:18 | |
thanks to a flourishing sheep and wool trade. | 0:10:18 | 0:10:20 | |
And that wealth is reflected in the fine detail and grand dimensions | 0:10:20 | 0:10:23 | |
of its impressive late medieval church. | 0:10:23 | 0:10:27 | |
A ten-minute car journey from the town | 0:10:27 | 0:10:29 | |
at the end of a long driveway is our first house - | 0:10:29 | 0:10:33 | |
which started life as a farm building. | 0:10:33 | 0:10:35 | |
I like it. I like barn-y type conversions. | 0:10:35 | 0:10:38 | |
-Yeah. -And I notice there's some land. | 0:10:38 | 0:10:40 | |
A big garden for Jessica. Even chickens! | 0:10:40 | 0:10:42 | |
Tick, tick, tick, tick, tick. | 0:10:42 | 0:10:44 | |
The house is a little smaller than I was expecting, | 0:10:44 | 0:10:47 | |
but I like how it's presented. | 0:10:47 | 0:10:48 | |
-It's got some character from the outside. -Let's look inside. | 0:10:48 | 0:10:52 | |
The house was originally a cow shed, | 0:10:52 | 0:10:54 | |
but the current owners who used to live in the nearby farmhouse, | 0:10:54 | 0:10:57 | |
stored their tractor in it. | 0:10:57 | 0:10:59 | |
12 years ago when they were looking to downsize, | 0:10:59 | 0:11:01 | |
they sold the farmhouse, converted the tractor shed, and moved in. | 0:11:01 | 0:11:05 | |
So, the owners use this entrance | 0:11:05 | 0:11:07 | |
pretty much on a daily basis. | 0:11:07 | 0:11:09 | |
It's larger than our lounge in Milton Keynes. | 0:11:09 | 0:11:12 | |
I think this is perfectly acceptable. | 0:11:12 | 0:11:13 | |
I am more than happy with this room. | 0:11:13 | 0:11:16 | |
Just through that door, you've got a downstairs bedroom. | 0:11:16 | 0:11:18 | |
-OK. -All right? Which I think would make an ideal office. | 0:11:18 | 0:11:22 | |
-Let's take a look in the kitchen, next. -OK. | 0:11:22 | 0:11:25 | |
A big space here to play around with. | 0:11:25 | 0:11:28 | |
Oh, wow. Look at this. | 0:11:28 | 0:11:29 | |
Yeah. And look at the sink. | 0:11:29 | 0:11:31 | |
-Oh, a Belfast sink. -Your dream! | 0:11:31 | 0:11:34 | |
-I've always said to you about Belfast sinks, haven't I? -Yeah. | 0:11:34 | 0:11:36 | |
That we hadn't got room for in Milton Keynes. | 0:11:36 | 0:11:38 | |
Well, even the utility room, has its own Belfast sink, as well! | 0:11:38 | 0:11:43 | |
OK, well...spoilt, then. | 0:11:43 | 0:11:45 | |
Is this what you had in mind? | 0:11:45 | 0:11:47 | |
I actually quite like it. | 0:11:47 | 0:11:48 | |
-I'm more of a kitchen/breakfast and then dining room person. -Ooh. | 0:11:48 | 0:11:51 | |
But, it does work. | 0:11:51 | 0:11:53 | |
This feels nice and open. | 0:11:53 | 0:11:55 | |
-Yeah. -Very sociable. | 0:11:55 | 0:11:57 | |
Personally, I would perhaps have a bar area here. | 0:11:57 | 0:12:00 | |
As part of the kitchen. But then you've got room here to do that. | 0:12:00 | 0:12:03 | |
Upstairs we do get a bit smaller, | 0:12:03 | 0:12:05 | |
-so let me show you that now. -OK. | 0:12:05 | 0:12:07 | |
The ground floor has just over 1,000 square foot of, I think, | 0:12:09 | 0:12:12 | |
quite flexible space to play with. | 0:12:12 | 0:12:14 | |
Which hopefully makes up for the slightly more limited | 0:12:14 | 0:12:17 | |
bedroom space on the next floor. | 0:12:17 | 0:12:19 | |
So, just the two bedrooms on this floor, | 0:12:19 | 0:12:21 | |
both of which are en suite. | 0:12:21 | 0:12:23 | |
-Oh, lovely. -Lucky Jessica. -Yeah. | 0:12:23 | 0:12:25 | |
Now, this is the master. | 0:12:25 | 0:12:27 | |
You've got a slightly bigger en suite, with a bath in it. | 0:12:27 | 0:12:30 | |
OK. | 0:12:30 | 0:12:31 | |
-The bedroom, I think, is a slightly more interesting shape, certainly. -Yeah. | 0:12:31 | 0:12:34 | |
I was just thinking if there was any other position | 0:12:34 | 0:12:36 | |
the bed could occupy within the room. | 0:12:36 | 0:12:38 | |
You normally expect a bed to be | 0:12:38 | 0:12:40 | |
the dominant piece of furniture within a room | 0:12:40 | 0:12:42 | |
whereas here it's almost tucked away around the corner. | 0:12:42 | 0:12:44 | |
But, to be fair, it's what, in hindsight, | 0:12:44 | 0:12:48 | |
when we did the build we would have done. | 0:12:48 | 0:12:49 | |
-And that we've discussed we would have done. -Would we now? -Yes. | 0:12:49 | 0:12:53 | |
-Oh-ho-ho. Slight difference of opinions. -Yeah. | 0:12:53 | 0:12:55 | |
Because I think this gives us the floor space, | 0:12:55 | 0:12:58 | |
and actually works really nicely. | 0:12:58 | 0:12:59 | |
Mark, bearing in mind that Sara said that in time you normally | 0:12:59 | 0:13:03 | |
-come round to her way of thinking... -Yes, there is some truth to that. | 0:13:03 | 0:13:07 | |
And Sara's liking what she sees... | 0:13:07 | 0:13:09 | |
I couldn't agree more with Sara! | 0:13:09 | 0:13:12 | |
There's three bedrooms in this house. | 0:13:12 | 0:13:14 | |
At present, that means we have to think | 0:13:14 | 0:13:16 | |
of other locations for the offices. | 0:13:16 | 0:13:18 | |
That's when the project starts, and it will go... | 0:13:18 | 0:13:21 | |
Well, the building would need to be done outside, I think. | 0:13:21 | 0:13:23 | |
-Let me show you. -OK. | 0:13:23 | 0:13:25 | |
A bit of a tricky situation here with Mark and Sara's | 0:13:27 | 0:13:29 | |
quite different reactions to this place. | 0:13:29 | 0:13:32 | |
But maybe the space outside will help to reunite them | 0:13:32 | 0:13:34 | |
because there's plenty of land for Sara's horses | 0:13:34 | 0:13:38 | |
and for Mark's stargazing ambitions. | 0:13:38 | 0:13:40 | |
So, chickens. | 0:13:40 | 0:13:41 | |
Yep. We like the chickens. | 0:13:41 | 0:13:43 | |
There's a good amount of land not actually dedicated | 0:13:43 | 0:13:45 | |
to the horses at the moment. | 0:13:45 | 0:13:46 | |
-You've 3½ acres here, my friend. -3½ acres? | 0:13:46 | 0:13:49 | |
Now, you have got a lovely building there. | 0:13:49 | 0:13:52 | |
That's sweet, isn't it? | 0:13:52 | 0:13:53 | |
Which would be excellent for a home office, wouldn't it? | 0:13:53 | 0:13:56 | |
That might have to be our guest suite. | 0:13:56 | 0:13:58 | |
How much do you think this whole property as a package is on the market for? | 0:13:58 | 0:14:02 | |
I'm going to say... | 0:14:02 | 0:14:03 | |
470. | 0:14:03 | 0:14:05 | |
I would maybe go for 480. | 0:14:05 | 0:14:06 | |
Well, I've got some good news for you both, then. | 0:14:08 | 0:14:11 | |
This place is on the market for offers around £425,000. | 0:14:11 | 0:14:15 | |
That's a lot of room to make improvements. | 0:14:17 | 0:14:20 | |
Yes. | 0:14:20 | 0:14:21 | |
OK, go back inside to have a look around, | 0:14:21 | 0:14:25 | |
-and meet me by the front door. -OK. -Thank you. | 0:14:25 | 0:14:28 | |
This charming converted farm building | 0:14:28 | 0:14:32 | |
is a significant £75,000 below | 0:14:32 | 0:14:34 | |
Mark and Sara's maximum budget. | 0:14:34 | 0:14:36 | |
It has plenty of living space | 0:14:36 | 0:14:38 | |
and the three bedrooms they want. | 0:14:38 | 0:14:39 | |
It doesn't have an office | 0:14:39 | 0:14:41 | |
but they could easily create one | 0:14:41 | 0:14:43 | |
in a characterful outbuilding. | 0:14:43 | 0:14:45 | |
1.5 acres MORE than they hoped for. | 0:14:48 | 0:14:50 | |
Wow, this is a really good size for an office, isn't it? | 0:14:54 | 0:14:57 | |
-Yeah. -What about guest bedroom? | 0:14:57 | 0:14:59 | |
I know. That's what I'm thinking. | 0:14:59 | 0:15:01 | |
At the moment the property doesn't offer | 0:15:01 | 0:15:03 | |
exactly what we're looking for, | 0:15:03 | 0:15:04 | |
but a lot of the key features we asked for are here, | 0:15:04 | 0:15:07 | |
and there is plenty of potential for development that intrigues me. | 0:15:07 | 0:15:12 | |
What do you think Jessica would make of it? | 0:15:12 | 0:15:15 | |
Well, you've got plenty of room. | 0:15:15 | 0:15:17 | |
Oh, this is nice. | 0:15:17 | 0:15:18 | |
It's big, as well. | 0:15:18 | 0:15:20 | |
There is a door there. Do you want to...see where that leads? | 0:15:20 | 0:15:23 | |
-This is like the play space, or the... -Storage. -Or your office. | 0:15:25 | 0:15:28 | |
My office?! | 0:15:28 | 0:15:29 | |
You're smaller. | 0:15:29 | 0:15:31 | |
I really like this property. | 0:15:31 | 0:15:34 | |
The outside space is fantastic. | 0:15:34 | 0:15:36 | |
3½ acres is brilliant. | 0:15:36 | 0:15:38 | |
Sara and myself have a slightly different view. | 0:15:38 | 0:15:41 | |
For me, I think the property requires further extension and work. | 0:15:41 | 0:15:45 | |
It feels to me like a project that is still in progress in some way - | 0:15:45 | 0:15:49 | |
that the original owners completed the first phase, | 0:15:49 | 0:15:51 | |
but there's still some more work to be done. | 0:15:51 | 0:15:53 | |
It needs stables, it needs a menage, | 0:15:53 | 0:15:55 | |
but I've got certainly plenty of room to do that. | 0:15:55 | 0:15:59 | |
So, I'm quite excited about that. | 0:15:59 | 0:16:01 | |
So, for someone who was pretty positive | 0:16:03 | 0:16:05 | |
all the way round that property, Sara, have you talked him round? | 0:16:05 | 0:16:09 | |
I think he's changing his mind to little. | 0:16:09 | 0:16:12 | |
I'm certainly beginning to see the benefits. | 0:16:12 | 0:16:14 | |
I think potential for me's the keyword for this property. | 0:16:14 | 0:16:17 | |
I think you're right, actually. | 0:16:17 | 0:16:18 | |
OK, well that's one down. | 0:16:18 | 0:16:20 | |
-Two more to go. Let's go. -Great. | 0:16:20 | 0:16:22 | |
For centuries, East Anglia has had a strong association with horses. | 0:16:28 | 0:16:31 | |
The Suffolk Punch, one of the oldest-known working horses | 0:16:31 | 0:16:34 | |
has its origins here, and the abundance of level terrain | 0:16:34 | 0:16:37 | |
has helped make the region a world-famous centre for horse racing. | 0:16:37 | 0:16:41 | |
Seven years ago, a brand-new equine sport emerged here | 0:16:41 | 0:16:44 | |
called for horse-boarding. | 0:16:44 | 0:16:46 | |
It was dreamt up by Norfolk local and professional stuntman | 0:16:46 | 0:16:49 | |
Daniel Fowler-Prime, | 0:16:49 | 0:16:51 | |
who honed his technique at a very special place | 0:16:51 | 0:16:53 | |
known as World Horse Welfare, | 0:16:53 | 0:16:55 | |
the largest horse rescue and re-homing charity in Britain, | 0:16:55 | 0:16:58 | |
where one of the top horses he competes with | 0:16:58 | 0:17:00 | |
used to be a resident. | 0:17:00 | 0:17:01 | |
Sara, a keen rider from the age of nine, and husband Mark, | 0:17:01 | 0:17:04 | |
are joining the charity's deputy chief executive Tony Tyler. | 0:17:04 | 0:17:09 | |
The charity was founded in 1927 | 0:17:09 | 0:17:11 | |
by an amazing lady called Ada Cole. | 0:17:11 | 0:17:14 | |
It was set up originally to deal with the issue of horses | 0:17:14 | 0:17:17 | |
being transported live for meat. | 0:17:17 | 0:17:19 | |
She saw horses suffering on the docks | 0:17:19 | 0:17:22 | |
in Antwerp and decided to do something about it. | 0:17:22 | 0:17:25 | |
Since then we've expanded into the charity we are now, | 0:17:25 | 0:17:28 | |
and we actually have four centres across the UK. | 0:17:28 | 0:17:31 | |
Hall Farm is the largest of those four centres. | 0:17:31 | 0:17:34 | |
The charity doesn't operate as a sanctuary, | 0:17:35 | 0:17:37 | |
the aim here is to return horses to full health | 0:17:37 | 0:17:39 | |
and rehabilitate them until they can be matched | 0:17:39 | 0:17:41 | |
with new responsible owners | 0:17:41 | 0:17:44 | |
which, on average, takes around six months. | 0:17:44 | 0:17:47 | |
Overseeing the rehabilitation process is centre manager | 0:17:47 | 0:17:50 | |
Sue Hodgkins. | 0:17:50 | 0:17:51 | |
Our team of specialists - which includes the vet, | 0:17:52 | 0:17:55 | |
the farrier, the physiotherapist and the equine dentist - | 0:17:55 | 0:17:58 | |
carry out a full assessment | 0:17:58 | 0:18:00 | |
and from that assessment we're able to put together an individual | 0:18:00 | 0:18:03 | |
rehabilitation programme for each of the horses. | 0:18:03 | 0:18:06 | |
We'll then allocate a member of staff to the horse | 0:18:06 | 0:18:09 | |
and that person is responsible for the horses treatment | 0:18:09 | 0:18:12 | |
on a daily basis. | 0:18:12 | 0:18:13 | |
So where do the horses go onto from here? | 0:18:13 | 0:18:16 | |
Throughout the rehabilitation programme | 0:18:16 | 0:18:18 | |
we're continually assessing what future job | 0:18:18 | 0:18:20 | |
that horse may be able to do, once it is ready to re-home. | 0:18:20 | 0:18:24 | |
So we've got Candy here. | 0:18:24 | 0:18:26 | |
Candy came into us in 2008. | 0:18:26 | 0:18:28 | |
She went through an extensive rehabilitation programme with us. | 0:18:28 | 0:18:31 | |
Candy arrived at the centre as a frightened and neglected foal, | 0:18:31 | 0:18:35 | |
but after receiving a huge amount of care | 0:18:35 | 0:18:38 | |
she made a full recovery and now, with new owner Rachel, | 0:18:38 | 0:18:41 | |
and horse-boarding inventor Daniel | 0:18:41 | 0:18:43 | |
she's formed a winning partnership, | 0:18:43 | 0:18:45 | |
successfully competing in this unique new adrenaline sport. | 0:18:45 | 0:18:49 | |
This is your board. | 0:18:49 | 0:18:50 | |
Hoping to tempt a new recruit, | 0:18:50 | 0:18:52 | |
Daniel is giving Mark brief, gentle taster, | 0:18:52 | 0:18:55 | |
replacing horse power with more manageable human power. | 0:18:55 | 0:18:58 | |
Off we go. | 0:18:58 | 0:19:00 | |
Ramping up the action, it's Candy, Rachel and Daniel's turn | 0:19:03 | 0:19:06 | |
to take up the reins and show how it's done. | 0:19:06 | 0:19:10 | |
It's good. It's good. Drop in, drop in, drop in... | 0:19:10 | 0:19:13 | |
To control speed, which can reach 35mph, | 0:19:13 | 0:19:16 | |
this exhilarating team sport | 0:19:16 | 0:19:18 | |
relies on it clear communication between the rider, the boarder and the horse. | 0:19:18 | 0:19:22 | |
It's a bit faster, isn't it? | 0:19:22 | 0:19:24 | |
OK, good, good, good, good, good... | 0:19:24 | 0:19:26 | |
The sport is steadily gaining thrill-seeking devotees, | 0:19:26 | 0:19:29 | |
and recently in the second-ever UK Horse Boarding Championships, | 0:19:29 | 0:19:32 | |
20 teams competed. | 0:19:32 | 0:19:34 | |
That was exactly right! | 0:19:34 | 0:19:36 | |
After this inspiring display, maybe Mark will have found a way | 0:19:36 | 0:19:38 | |
to join Sara in her equestrian pursuits, | 0:19:38 | 0:19:41 | |
and when they moved to the area the two of them | 0:19:41 | 0:19:43 | |
will form a horse boarding team of their own. | 0:19:43 | 0:19:46 | |
Continuing on our search, | 0:19:50 | 0:19:51 | |
we journey 25 miles west of the village of Wiganhall St Germans | 0:19:51 | 0:19:55 | |
an hour and three quarter drive from Milton Keynes. | 0:19:55 | 0:19:58 | |
This appealing settlement is nestled in the fertile farmland of the Fens, | 0:19:58 | 0:20:03 | |
along banks of the Great Ouse | 0:20:03 | 0:20:04 | |
which was once a major navigation route through East Anglia. | 0:20:04 | 0:20:07 | |
There's an excellent general store here, a cosy pub | 0:20:07 | 0:20:10 | |
and an impressive 14th century church. | 0:20:10 | 0:20:13 | |
Just over a mile from the village | 0:20:13 | 0:20:15 | |
is our second house, another converted farm building - | 0:20:15 | 0:20:18 | |
this time a barn. | 0:20:18 | 0:20:19 | |
Now then, best placed to take it all in is from here. | 0:20:21 | 0:20:24 | |
And what you see, is what you get. | 0:20:24 | 0:20:28 | |
-Yeah. -That's quite a scene, actually. | 0:20:28 | 0:20:30 | |
-Mm. -Almost a Mediterranean-like feel to it, with the tiles. | 0:20:30 | 0:20:33 | |
Yeah, I get that. | 0:20:33 | 0:20:35 | |
Would you live somewhere like this? | 0:20:35 | 0:20:37 | |
Yes. | 0:20:37 | 0:20:38 | |
-This feels more homely to me. -Let's go inside. | 0:20:38 | 0:20:40 | |
The barn was converted by the current owners a few years ago, | 0:20:41 | 0:20:44 | |
and it already seems to have got the seal of approval | 0:20:44 | 0:20:47 | |
from both Sara and Mark. | 0:20:47 | 0:20:49 | |
Let's see if they share the same feelings about the interior. | 0:20:49 | 0:20:52 | |
So, you've got a big kitchen... | 0:20:52 | 0:20:55 | |
Oh, yeah. | 0:20:55 | 0:20:57 | |
-This is cracking. Your sink again. -Yeah. | 0:20:58 | 0:21:00 | |
That's an even bigger Belfast sink. | 0:21:00 | 0:21:02 | |
-Do you do all the washing up? -No! | 0:21:02 | 0:21:04 | |
I flipping hope so, because you are obsessed by sinks. | 0:21:04 | 0:21:07 | |
BELFAST sinks. | 0:21:07 | 0:21:09 | |
-Yes. -No, it's right. -All right? | 0:21:09 | 0:21:10 | |
The whole style of the kitchen has got a very real country feel to it. | 0:21:10 | 0:21:14 | |
Yeah, it's a proper country kitchen. | 0:21:14 | 0:21:16 | |
A lot of it's new. | 0:21:16 | 0:21:18 | |
It's been put in retrospectively, but it works, doesn't it? | 0:21:18 | 0:21:21 | |
Little touches like this. | 0:21:21 | 0:21:23 | |
It feels like an old post that was in a barn with the hinges on... | 0:21:23 | 0:21:26 | |
-These beautiful wide boards. -I love the floorboards. | 0:21:26 | 0:21:29 | |
Who's the cook here? | 0:21:29 | 0:21:30 | |
-Now, Mark! Really? -Yes. | 0:21:31 | 0:21:34 | |
Your domain, look cooking on gas here, as well. | 0:21:34 | 0:21:37 | |
So much surface to leave rubbish on, as well. | 0:21:37 | 0:21:39 | |
Sounds like a bloke, yeah. | 0:21:39 | 0:21:41 | |
Now, you don't have to dine here, | 0:21:41 | 0:21:43 | |
because we've got loads of receptions. Let me show you. | 0:21:43 | 0:21:45 | |
Now, this is where the house really opens up. | 0:21:47 | 0:21:49 | |
Dining, and after supper maybe... | 0:21:49 | 0:21:52 | |
a game of billiards? | 0:21:52 | 0:21:53 | |
Wow, that's great. | 0:21:53 | 0:21:55 | |
Now, another big room. | 0:21:56 | 0:21:58 | |
My word. This is... Yeah. This is big. | 0:21:58 | 0:22:01 | |
Need more furniture. | 0:22:02 | 0:22:04 | |
And the fireplace, as well. | 0:22:04 | 0:22:05 | |
I like this, Johnny. This is nice. | 0:22:05 | 0:22:08 | |
The character. Just... We're moving in. | 0:22:08 | 0:22:11 | |
-Are you? -Yeah. | 0:22:11 | 0:22:13 | |
-It's got a good feel about it. -Good. | 0:22:13 | 0:22:15 | |
-It feels right. -Yeah. | 0:22:15 | 0:22:17 | |
-So let's go upstairs and have a look at the bedrooms, OK? -OK. -OK. | 0:22:17 | 0:22:20 | |
Also on the ground floor, just off the kitchen, | 0:22:21 | 0:22:23 | |
there's a fully set up study. | 0:22:23 | 0:22:25 | |
But there are more home office possibilities for Sara and Mark | 0:22:25 | 0:22:28 | |
in another part of the house which I'll talk more about later. | 0:22:28 | 0:22:31 | |
Upstairs, there's a family bathroom | 0:22:31 | 0:22:33 | |
and three double bedrooms. | 0:22:33 | 0:22:35 | |
All of which have that wonderful stripped wooden flooring | 0:22:35 | 0:22:38 | |
we admired downstairs in the kitchen. | 0:22:38 | 0:22:41 | |
Now, the master bedroom. | 0:22:42 | 0:22:44 | |
Yeah, that's nice. | 0:22:44 | 0:22:46 | |
-Yeah. -It's got an en suite. | 0:22:46 | 0:22:48 | |
-It's lovely. -I'm glad you like it. | 0:22:48 | 0:22:50 | |
I mean, look... Waking up to those views. | 0:22:50 | 0:22:53 | |
Now, there is some other accommodation to this. | 0:22:54 | 0:22:57 | |
As we walked in? That long single-storey extension? | 0:22:57 | 0:22:59 | |
-Yeah. -Now that is a self-contained unit. | 0:22:59 | 0:23:04 | |
-Wow. -Bedroom, bathroom, kitchenette, living area. | 0:23:04 | 0:23:07 | |
Or it could be just office space for you guys. | 0:23:07 | 0:23:11 | |
Or Jessica's personal space as she gets older, perhaps. | 0:23:11 | 0:23:14 | |
She'll never move out, if you show her that, I tell you! | 0:23:14 | 0:23:16 | |
But that gives you so much room to grow into in this house. | 0:23:16 | 0:23:20 | |
-Yeah. -It does. | 0:23:20 | 0:23:21 | |
There's so much you can do with this. | 0:23:21 | 0:23:23 | |
-Let's go out the back, and look at the land, OK? -OK. | 0:23:23 | 0:23:25 | |
I'll just squeeze past you, there. | 0:23:25 | 0:23:28 | |
Well, I'm delighted that this house | 0:23:28 | 0:23:30 | |
seems to have these two singing from the same hymn sheet. | 0:23:30 | 0:23:32 | |
But I'm hoping this sweet harmony, isn't a set of balance | 0:23:32 | 0:23:35 | |
by what's on offer outside, | 0:23:35 | 0:23:37 | |
because there is less land here than the first property we showed them. | 0:23:37 | 0:23:41 | |
There's a total of 1.5 acres, | 0:23:41 | 0:23:42 | |
including the formal garden | 0:23:42 | 0:23:44 | |
which I'm sure Jessica would agree, | 0:23:44 | 0:23:46 | |
has more than enough room for her swings. | 0:23:46 | 0:23:48 | |
-Now, outside space you wanted, didn't you? -I did. | 0:23:48 | 0:23:51 | |
So, you've got an acre there... | 0:23:51 | 0:23:53 | |
-OK. -OK. | 0:23:53 | 0:23:54 | |
-..and then this land here. -OK. -OK. | 0:23:54 | 0:23:56 | |
So it's smaller than your ideal requirement. | 0:23:56 | 0:24:00 | |
OK. | 0:24:00 | 0:24:01 | |
Any opportunity to get a bit more? | 0:24:01 | 0:24:03 | |
-Yes. -Ah! | 0:24:03 | 0:24:05 | |
This land - all that land - | 0:24:05 | 0:24:06 | |
is for sale. | 0:24:06 | 0:24:08 | |
So, how much do you think this place is? | 0:24:08 | 0:24:11 | |
I think... | 0:24:11 | 0:24:13 | |
probably 490. | 0:24:13 | 0:24:15 | |
And I'm going to say slightly less | 0:24:15 | 0:24:17 | |
because the land is less than what we've seen. | 0:24:17 | 0:24:19 | |
485, would be my estimate. | 0:24:19 | 0:24:21 | |
Good guesses! Pretty impressed. | 0:24:23 | 0:24:24 | |
This place is on the market with a guide price | 0:24:24 | 0:24:27 | |
of £495,000. | 0:24:27 | 0:24:28 | |
OK. | 0:24:28 | 0:24:29 | |
Now, there's lots of this house you haven't yet seen. | 0:24:31 | 0:24:33 | |
You haven't seen the annexe yet, | 0:24:33 | 0:24:35 | |
but hopefully that will help you fall in love with this place. | 0:24:35 | 0:24:37 | |
But take as much time as you want, | 0:24:37 | 0:24:39 | |
-and I'll see you out front when you're ready. -OK. | 0:24:39 | 0:24:42 | |
See you in a mo. | 0:24:42 | 0:24:43 | |
Look, this is a different proposition for them. | 0:24:44 | 0:24:46 | |
It's a big move coming to the countryside, | 0:24:46 | 0:24:48 | |
and they've got to think about maybe negotiating | 0:24:48 | 0:24:50 | |
with another landowner to get hold of that parcel there. | 0:24:50 | 0:24:53 | |
But if they did that, | 0:24:54 | 0:24:56 | |
they've got everything they asked for, and more. | 0:24:56 | 0:24:59 | |
Not a bad shout, is it? | 0:24:59 | 0:25:01 | |
Superbly renovated barn conversion. | 0:25:01 | 0:25:04 | |
£5,000 below maximum budget. | 0:25:04 | 0:25:09 | |
Interior offers space they hoped for | 0:25:09 | 0:25:11 | |
and more. | 0:25:11 | 0:25:13 | |
Large country kitchen, | 0:25:13 | 0:25:14 | |
separate formal dining room, | 0:25:14 | 0:25:16 | |
and even a billiard room. | 0:25:16 | 0:25:17 | |
The annexe would accommodate | 0:25:17 | 0:25:20 | |
a home office for each of them. | 0:25:20 | 0:25:22 | |
Not the two acres they wanted | 0:25:22 | 0:25:24 | |
but there is neighbouring land | 0:25:24 | 0:25:26 | |
available for purchase. | 0:25:26 | 0:25:28 | |
The interior of the house was, I think, close to ideal. | 0:25:28 | 0:25:31 | |
Exactly what I had in mind. | 0:25:31 | 0:25:33 | |
Then there's the whole annexe, as well. | 0:25:33 | 0:25:35 | |
This is great for an annexe kitchen. | 0:25:35 | 0:25:37 | |
I mean, this is quite substantial, isn't it? | 0:25:37 | 0:25:40 | |
This is really good. | 0:25:40 | 0:25:42 | |
Crikey, I'm struggling to find fault with it. | 0:25:42 | 0:25:44 | |
It is just a fabulous house. | 0:25:47 | 0:25:48 | |
-Perfect man-cave. What do you think? -What, this? | 0:25:50 | 0:25:52 | |
You're not getting the annexe! | 0:25:52 | 0:25:54 | |
I knew this house would seduce Mark. | 0:25:55 | 0:25:58 | |
He does love it, and it's really important | 0:25:58 | 0:26:01 | |
that he buys into it, because obviously, he doesn't do the horses. | 0:26:01 | 0:26:05 | |
The horses... | 0:26:05 | 0:26:06 | |
It's slightly more of a challenge. | 0:26:06 | 0:26:08 | |
The fact we'd have to buy more land | 0:26:08 | 0:26:10 | |
is more of a concern to us, | 0:26:10 | 0:26:12 | |
because we'd have to negotiate with somebody else, | 0:26:12 | 0:26:14 | |
and try and get the right package and the right price. | 0:26:14 | 0:26:17 | |
But, to be fair, the house may well be worth it. | 0:26:17 | 0:26:22 | |
Well, that seems to be an end to a very successful day. | 0:26:23 | 0:26:26 | |
-What do you think? -Yeah. | 0:26:26 | 0:26:28 | |
-Enjoy walking round here? -Yeah. | 0:26:28 | 0:26:30 | |
Very pleased. It's been a good day. | 0:26:30 | 0:26:32 | |
You look quietly confident about this place. | 0:26:32 | 0:26:34 | |
Now, something to think about tonight. Let's take you back. | 0:26:34 | 0:26:37 | |
OK. | 0:26:37 | 0:26:38 | |
It's the second day of our house-hunt in Norfolk, | 0:26:47 | 0:26:50 | |
and with a budget of £500,000, | 0:26:50 | 0:26:52 | |
Sara and Mark are looking to leave a busy life in Milton Keynes | 0:26:52 | 0:26:55 | |
for a rural home that suits them, their nine-year-old daughter | 0:26:55 | 0:26:58 | |
and their horses. | 0:26:58 | 0:27:00 | |
Coming up, the mystery house offers | 0:27:00 | 0:27:02 | |
a little more than they were bargaining for. | 0:27:02 | 0:27:05 | |
I think a whole community could live here! | 0:27:05 | 0:27:07 | |
Yeah, yeah. | 0:27:07 | 0:27:08 | |
It's ginormous! | 0:27:08 | 0:27:10 | |
And I get to take control of some serious heavy machinery | 0:27:10 | 0:27:13 | |
at the UK's largest privately owned military collection. | 0:27:13 | 0:27:17 | |
It's a lot better off-road than my car! | 0:27:17 | 0:27:19 | |
Well, I'm pretty happy with yesterday | 0:27:22 | 0:27:24 | |
we had good reactions from both properties. | 0:27:24 | 0:27:26 | |
Today we're off to the mystery house, | 0:27:26 | 0:27:28 | |
and as there's usually a compromise, | 0:27:28 | 0:27:30 | |
let's start with that. | 0:27:30 | 0:27:31 | |
This property doesn't have the pre-requisite amount of land | 0:27:31 | 0:27:34 | |
for Sara's horses, although not far off it. | 0:27:34 | 0:27:36 | |
And the property requires quite a lot of work from Mark, | 0:27:36 | 0:27:39 | |
and that's because there's quite a lot of house. | 0:27:39 | 0:27:42 | |
And it has the sort of character | 0:27:42 | 0:27:44 | |
they could fall head over heels for. | 0:27:44 | 0:27:47 | |
How did you go through things last night? | 0:27:48 | 0:27:51 | |
Well, last night Mark went to the spa... | 0:27:51 | 0:27:54 | |
and I ended up with pen and paper | 0:27:54 | 0:27:56 | |
and started doing lists. | 0:27:56 | 0:27:58 | |
Pros and cons for both houses. | 0:27:58 | 0:28:00 | |
That's a really good idea. Pros and cons. | 0:28:00 | 0:28:03 | |
It's sort of how I work with things. | 0:28:03 | 0:28:05 | |
I try and take a step back and look at it, realistically. | 0:28:05 | 0:28:08 | |
-And Mark takes a massive step back and goes for a swim. -Yeah. | 0:28:08 | 0:28:11 | |
Continuing our trajectory west, | 0:28:13 | 0:28:15 | |
we reach the village of West Walton, | 0:28:15 | 0:28:16 | |
an hour and a half's drive from Milton Keynes | 0:28:16 | 0:28:19 | |
and the final stop on our search. | 0:28:19 | 0:28:21 | |
Established by the time of the Norman conquest, | 0:28:21 | 0:28:24 | |
this quiet settlement doesn't offer many amenities, | 0:28:24 | 0:28:27 | |
but it does have a decent pub | 0:28:27 | 0:28:29 | |
and a unique 13th century church | 0:28:29 | 0:28:31 | |
with an unusual detached and delicately carved belltower | 0:28:31 | 0:28:33 | |
that can be seen for miles around. | 0:28:33 | 0:28:36 | |
And half a mile down the road, | 0:28:36 | 0:28:37 | |
there is another towering landmark, | 0:28:37 | 0:28:40 | |
which happens to stand in the grounds of our mystery house. | 0:28:40 | 0:28:42 | |
Now, Mark, I think you like Georgian properties, | 0:28:44 | 0:28:46 | |
so you should appreciate this specimen. | 0:28:46 | 0:28:48 | |
I am a big fan of that design and style, yes. | 0:28:48 | 0:28:51 | |
And this is the real deal, isn't it? | 0:28:51 | 0:28:53 | |
It's a genuine Georgian farmhouse. | 0:28:53 | 0:28:55 | |
It was actually attached to the remains of that old mill tower. | 0:28:55 | 0:28:58 | |
It's huge! | 0:28:58 | 0:28:59 | |
It is big. | 0:28:59 | 0:29:02 | |
-Fantastic. -Yeah? Big is good, isn't it? | 0:29:02 | 0:29:04 | |
I don't know. | 0:29:04 | 0:29:06 | |
-I suppose big means more work, and maintenance, doesn't it? -Yeah. | 0:29:06 | 0:29:09 | |
I'm looking at a wobbly chimney and the ivy and... | 0:29:09 | 0:29:11 | |
I don't know. | 0:29:11 | 0:29:13 | |
But, being a true mystery house, | 0:29:13 | 0:29:14 | |
it gives you a lot of what you're after, and then some. | 0:29:14 | 0:29:17 | |
Land-wise, it comes with that field. | 0:29:17 | 0:29:19 | |
-Oh, OK. -The owner reckons there's just under two acres there, | 0:29:19 | 0:29:22 | |
although I think he's being a bit modest. | 0:29:22 | 0:29:24 | |
Sounds like all the basics are there. | 0:29:24 | 0:29:27 | |
All the basics are here. | 0:29:27 | 0:29:28 | |
-And some! -Yeah. Basics is maybe a good word to use. | 0:29:28 | 0:29:31 | |
Let's take a look inside. | 0:29:31 | 0:29:33 | |
The three-storey mill house and the mill, | 0:29:36 | 0:29:39 | |
were built in 1822. | 0:29:39 | 0:29:41 | |
During the Second World War, the sails of the windmill were removed | 0:29:41 | 0:29:44 | |
because it was thought to be too much of a prominent landmark, | 0:29:44 | 0:29:47 | |
but after electrical grinding equipment was fitted, | 0:29:47 | 0:29:50 | |
the mill continued to produce flour until the mid-1960s. | 0:29:50 | 0:29:53 | |
The last miller still lives in the village. | 0:29:53 | 0:29:56 | |
Well, Sara, I think you like to have a separate dining area, | 0:29:56 | 0:29:59 | |
so you've got that here. | 0:29:59 | 0:30:00 | |
Then, mind the step up to the kitchen... | 0:30:00 | 0:30:03 | |
which I rather like, actually. What do you think? | 0:30:03 | 0:30:05 | |
Yes, it's a nice kitchen, actually. | 0:30:05 | 0:30:07 | |
It's got a very homely feel to it. Yeah, I like it. I like it a lot. | 0:30:07 | 0:30:09 | |
Nice floor. It's more than adequate for us, | 0:30:09 | 0:30:12 | |
and it's got some really nice features. | 0:30:12 | 0:30:14 | |
I think it's a good country kitchen, yeah. | 0:30:14 | 0:30:17 | |
Just through there, you've got another double reception room, | 0:30:17 | 0:30:19 | |
which you could use | 0:30:19 | 0:30:21 | |
for formal dining, if you like. | 0:30:21 | 0:30:23 | |
Then this way you've got other reception areas - let me show you. | 0:30:23 | 0:30:26 | |
Right, then. | 0:30:30 | 0:30:31 | |
This is when it starts to feel a little more boho, if you like. | 0:30:31 | 0:30:34 | |
Yeah, its reality is kicking in a bit now. | 0:30:34 | 0:30:36 | |
The decoration, in particular. | 0:30:36 | 0:30:37 | |
I think there's some plastering work that needs done, | 0:30:37 | 0:30:40 | |
but that can probably be fixed. | 0:30:40 | 0:30:41 | |
Mark, this place is your new hobby. | 0:30:41 | 0:30:43 | |
-You're right. -So, look, you've got loads of space | 0:30:43 | 0:30:46 | |
on the ground floor. | 0:30:46 | 0:30:47 | |
-We've got two more floors to have a look at. -Two more floors. | 0:30:47 | 0:30:50 | |
-Let's go and take a peek at one of them. -OK. | 0:30:50 | 0:30:52 | |
At the other end of the ground floor, | 0:30:53 | 0:30:55 | |
there's yet another reception room, | 0:30:55 | 0:30:57 | |
and there's plenty more space upstairs. | 0:30:57 | 0:30:59 | |
On the next floor there's a family bathroom, | 0:30:59 | 0:31:02 | |
and five double bedrooms, | 0:31:02 | 0:31:03 | |
one of which looks pretty much ready for Jessica to move into. | 0:31:03 | 0:31:07 | |
All the rooms have basins in them, | 0:31:07 | 0:31:09 | |
because before the current owners bought the property 18 years ago, | 0:31:09 | 0:31:12 | |
it was being used as a B&B. | 0:31:12 | 0:31:14 | |
But we're going to carry on up to the second floor | 0:31:14 | 0:31:17 | |
which pretty much mirrors this one, | 0:31:17 | 0:31:19 | |
because it also has five bedrooms. | 0:31:19 | 0:31:21 | |
Personally, I absolutely love this room. | 0:31:23 | 0:31:25 | |
Look at the views out here. | 0:31:25 | 0:31:27 | |
-It is nice. -That's really, really good. | 0:31:27 | 0:31:29 | |
But, who says it has to be bedrooms? | 0:31:29 | 0:31:32 | |
Why can't this be an amazing office? | 0:31:32 | 0:31:35 | |
-Yeah. -You wouldn't mind coming to work with these views, would you? | 0:31:35 | 0:31:38 | |
-This is a room that you could write a book in, I think. -Yeah. | 0:31:38 | 0:31:41 | |
Yeah. It's a massive house | 0:31:41 | 0:31:43 | |
and I just think about the maintenance costs, | 0:31:43 | 0:31:45 | |
and just day-to-day... | 0:31:45 | 0:31:47 | |
I suppose it does come down to price. | 0:31:47 | 0:31:50 | |
There's aspects of it I really like, | 0:31:50 | 0:31:52 | |
but I am still twitchy about it. | 0:31:52 | 0:31:54 | |
But, Mark, you kind of love the character of this place? | 0:31:54 | 0:31:56 | |
Love the character of this property. | 0:31:56 | 0:31:58 | |
I'd be fully up for DIY decorating | 0:31:58 | 0:32:01 | |
within the limits of my experience and skills. | 0:32:01 | 0:32:05 | |
Look, let's go outside and talk about the out buildings, OK? | 0:32:05 | 0:32:07 | |
-See if you're still twitchy. -Yeah. | 0:32:07 | 0:32:10 | |
So between this floor and the one below | 0:32:12 | 0:32:14 | |
there's a grand total of ten bedrooms, | 0:32:14 | 0:32:17 | |
but aside from the room we've just seen, | 0:32:17 | 0:32:19 | |
this top floor is the part of the house | 0:32:19 | 0:32:21 | |
that requires the most decorative work. | 0:32:21 | 0:32:24 | |
Outside, apart from the paddock over the road, | 0:32:24 | 0:32:26 | |
there is an attractive garden | 0:32:26 | 0:32:28 | |
which leads to a large enclosed yard | 0:32:28 | 0:32:29 | |
where there's an array of outbuildings | 0:32:29 | 0:32:31 | |
including a two-storey farm shed, | 0:32:31 | 0:32:33 | |
which could convert into nice stables, | 0:32:33 | 0:32:35 | |
and another dwelling which is known as the old bakery. | 0:32:35 | 0:32:38 | |
Last, but by no means least, | 0:32:38 | 0:32:40 | |
there is the magnificent | 0:32:40 | 0:32:42 | |
Grade II listed seven-storey mill, | 0:32:42 | 0:32:44 | |
which at the moment is pretty much derelict, | 0:32:44 | 0:32:46 | |
but with planning permission | 0:32:46 | 0:32:48 | |
could be restored to create a very unique holiday let. | 0:32:48 | 0:32:51 | |
So, do we think we could make this into some sort of stable yard? | 0:32:52 | 0:32:57 | |
Look at the outbuildings there? | 0:32:57 | 0:32:59 | |
-I think a whole community could live here. -Yeah! | 0:32:59 | 0:33:02 | |
It's ginormous! | 0:33:02 | 0:33:03 | |
-Is this the start of your new Norfolk commune? -Yeah! | 0:33:03 | 0:33:06 | |
I think so. | 0:33:06 | 0:33:07 | |
It's fantastic. | 0:33:07 | 0:33:09 | |
So, excited about this place, Mark? | 0:33:09 | 0:33:11 | |
Yeah, very excited, actually. | 0:33:11 | 0:33:13 | |
It wasn't what I was expecting, at all. | 0:33:13 | 0:33:15 | |
So, who wants to have a go at guessing the price | 0:33:15 | 0:33:17 | |
of this house along with the land? | 0:33:17 | 0:33:19 | |
After you. | 0:33:19 | 0:33:21 | |
It's difficult to value a property such as this. | 0:33:21 | 0:33:24 | |
More to the higher end of the budget - so 480,000. | 0:33:24 | 0:33:28 | |
All right. Sara? | 0:33:28 | 0:33:29 | |
I know it's huge, there's so much work to be done, | 0:33:29 | 0:33:32 | |
and I know our budget, | 0:33:32 | 0:33:34 | |
so I'm going to say 410. | 0:33:34 | 0:33:36 | |
This place is on the market with that land | 0:33:36 | 0:33:39 | |
for around £475,000. | 0:33:39 | 0:33:41 | |
Good guess. | 0:33:42 | 0:33:43 | |
Look, you've so much property to have a look at. | 0:33:43 | 0:33:46 | |
But enjoy it. Go and have a good look around the place. | 0:33:46 | 0:33:49 | |
-Try those buildings first. -Thank you. -Thank you. | 0:33:49 | 0:33:52 | |
Well, just like any mystery property | 0:33:52 | 0:33:53 | |
it was a gamble bringing them both here, | 0:33:53 | 0:33:56 | |
but what a splendid property! | 0:33:56 | 0:33:58 | |
And it does have that land over the road. | 0:33:58 | 0:34:01 | |
It also has a lot of work to be done, doesn't it? | 0:34:02 | 0:34:05 | |
£25,000 under their maximum budget, | 0:34:06 | 0:34:09 | |
this extraordinary property offers Mark and Sara an awful lot. | 0:34:09 | 0:34:14 | |
There are five reception rooms and ten bedrooms, | 0:34:14 | 0:34:16 | |
which more than takes care of their request for three bedrooms | 0:34:16 | 0:34:20 | |
plus an office space. | 0:34:20 | 0:34:21 | |
Outside, there's a paddock for Sara's horses | 0:34:21 | 0:34:23 | |
and with a range of outbuildings, | 0:34:23 | 0:34:24 | |
there's plenty of scope for stabling them. | 0:34:24 | 0:34:27 | |
There's also the mill itself, which at the very least | 0:34:27 | 0:34:29 | |
offers an intriguing focal point to the property, | 0:34:29 | 0:34:32 | |
but could also be converted into yet more accommodation. | 0:34:32 | 0:34:36 | |
It's a beautiful property and I think it's a fascinating property. | 0:34:36 | 0:34:40 | |
You know, classic Georgian features. | 0:34:40 | 0:34:42 | |
This is the real deal - so much character and history here. | 0:34:42 | 0:34:45 | |
The inside space is more than meets our needs. | 0:34:45 | 0:34:48 | |
It's almost too large and I'm wondering whether, | 0:34:48 | 0:34:51 | |
like a kid looking at a big cream cake, | 0:34:51 | 0:34:54 | |
my eyes are bigger than my appetite. | 0:34:54 | 0:34:56 | |
-This is your office. -Big. | 0:34:58 | 0:35:01 | |
Really big. I'm now thinking business. | 0:35:01 | 0:35:04 | |
Business? | 0:35:04 | 0:35:06 | |
Yeah, I'm thinking this is accommodation waiting to happen. | 0:35:06 | 0:35:09 | |
It's a great place, isn't it? | 0:35:09 | 0:35:10 | |
It's a good idea. | 0:35:10 | 0:35:12 | |
I'm the type of person that's always looking at business possibilities, | 0:35:12 | 0:35:17 | |
but we couldn't afford to take on this project | 0:35:17 | 0:35:21 | |
without some business capital behind it. | 0:35:21 | 0:35:24 | |
I think, if I had the capital, | 0:35:24 | 0:35:26 | |
I'd be right up for the challenge. | 0:35:26 | 0:35:29 | |
But that's the balance I have to really get to grips with. | 0:35:29 | 0:35:32 | |
Have we warmed any more to this wonderful property? | 0:35:33 | 0:35:37 | |
-Well, I'm now seeing it as a business opportunity. -Oh! | 0:35:37 | 0:35:40 | |
OK, well, that's got to be music to your ears, hasn't it? | 0:35:40 | 0:35:42 | |
I'm more of a private person myself, but I'm taking a look at it now | 0:35:42 | 0:35:45 | |
and just wondering how to get up there and maybe bring my telescope. | 0:35:45 | 0:35:49 | |
Of course, telescope! Wow. | 0:35:49 | 0:35:51 | |
Maybe this is something to think about. | 0:35:51 | 0:35:53 | |
Sounds like you've got a lot to talk about yourselves, | 0:35:53 | 0:35:55 | |
so let's find you somewhere to have a chit-chat. | 0:35:55 | 0:35:57 | |
-We'll catch up later on. After you. -Thank you. | 0:35:57 | 0:35:59 | |
Since the days of the Spanish Armada in 1588 | 0:36:07 | 0:36:09 | |
through to the First and Second World Wars, | 0:36:09 | 0:36:12 | |
large stretches of Norfolk's coastline | 0:36:12 | 0:36:14 | |
have been seen as vulnerable to invasion. | 0:36:14 | 0:36:16 | |
One of the most determinedly defended locations | 0:36:17 | 0:36:20 | |
was Weybourne Hope to the north of the county, | 0:36:20 | 0:36:22 | |
where a military camp was set up | 0:36:22 | 0:36:24 | |
training as many as 300,000 personnel | 0:36:24 | 0:36:26 | |
over the course of four decades. | 0:36:26 | 0:36:29 | |
The camp was finally closed in 1959, | 0:36:29 | 0:36:32 | |
but in 1988, the site was bought and is now home | 0:36:32 | 0:36:35 | |
to the largest private military collection in the UK | 0:36:35 | 0:36:38 | |
and the man behind it all is Michael Savory. | 0:36:38 | 0:36:41 | |
To build a collection of tanks and militaria such as you've got here, | 0:36:43 | 0:36:46 | |
you have to be English and you have to be eccentric | 0:36:46 | 0:36:50 | |
and I'm a combination of both of them. | 0:36:50 | 0:36:51 | |
I'm starting to get you qualify there. | 0:36:51 | 0:36:54 | |
This began really at the Boer War years, | 0:36:54 | 0:36:58 | |
so you're looking at the turn of the century, 1900, | 0:36:58 | 0:37:01 | |
for infantry training. | 0:37:01 | 0:37:03 | |
The land was acquired from the local farmers by the War Office, | 0:37:03 | 0:37:07 | |
as it was then called, | 0:37:07 | 0:37:08 | |
and it gradually developed to becoming a residential camp | 0:37:08 | 0:37:12 | |
and one of the reasons why this bit of the coast was heavily defended | 0:37:12 | 0:37:16 | |
was that we have very deep water here. | 0:37:16 | 0:37:18 | |
Deep water allowed the ships to come straight up to the shingle bank | 0:37:18 | 0:37:21 | |
and unload troops. | 0:37:21 | 0:37:23 | |
There is a 16th century English saying | 0:37:23 | 0:37:26 | |
which is, "If ye, old England, wish to win, | 0:37:26 | 0:37:29 | |
"first at Weybourne Hope begin," | 0:37:29 | 0:37:31 | |
and this is Weybourne Hope. | 0:37:31 | 0:37:32 | |
Michael's collection includes 150 military vehicles, | 0:37:34 | 0:37:37 | |
25 of which are tanks, | 0:37:37 | 0:37:39 | |
but he also has a huge number of other military-related exhibits, | 0:37:39 | 0:37:42 | |
which are sourced from all over the world | 0:37:42 | 0:37:44 | |
and are painstakingly restored before going on display. | 0:37:44 | 0:37:48 | |
You are standing amongst a collection of Second World War tanks, | 0:37:48 | 0:37:52 | |
ranging from the Soviet T-34 to the American Sherman. | 0:37:52 | 0:37:56 | |
Surrounded also by a lot of light tanks. | 0:37:56 | 0:37:59 | |
It's a collection which is unusual to the extent that everything works. | 0:37:59 | 0:38:03 | |
Often, when you go into museums, | 0:38:03 | 0:38:05 | |
they're just illustrations of a vehicle, | 0:38:05 | 0:38:07 | |
-but all of these we keep in running order. -Wow! | 0:38:07 | 0:38:09 | |
As well as the regular military display days held here, | 0:38:11 | 0:38:13 | |
the public are offered the rare opportunity to get hands on | 0:38:13 | 0:38:16 | |
and actually drive a tank themselves. | 0:38:16 | 0:38:19 | |
Today, Michael's very kindly given me the chance | 0:38:19 | 0:38:21 | |
to experience that for myself. | 0:38:21 | 0:38:23 | |
-Do I shut this behind me? -Yes, please. | 0:38:23 | 0:38:26 | |
Appropriately attired, I'm ready for basic training. | 0:38:26 | 0:38:30 | |
Pull the two levers forward, no thumbs on the top, | 0:38:30 | 0:38:33 | |
till the buttons click up. | 0:38:33 | 0:38:34 | |
Meantime, with your left hand, | 0:38:34 | 0:38:36 | |
you put it into the first notch, first gear. | 0:38:36 | 0:38:38 | |
We're in business. | 0:38:38 | 0:38:40 | |
The vehicle I'm driving is a British Army Fighting Vehicle 432, | 0:38:42 | 0:38:46 | |
which is an armoured personnel carrier. | 0:38:46 | 0:38:48 | |
They were first introduced in the 1960s | 0:38:48 | 0:38:50 | |
for transporting infantry on the battlefield. | 0:38:50 | 0:38:53 | |
This particular one was used in the Middle East | 0:38:53 | 0:38:56 | |
during the first Gulf War, | 0:38:56 | 0:38:57 | |
and it would have carried nine to ten troops, a commander, | 0:38:57 | 0:39:00 | |
a driver and all of their weapons, | 0:39:00 | 0:39:02 | |
which would have made for a very claustrophobic journey. | 0:39:02 | 0:39:05 | |
I feel firmly in control. It's finger-touch accurate, isn't it? | 0:39:07 | 0:39:12 | |
Tanks aren't generally built for speed. | 0:39:14 | 0:39:16 | |
Their top acceleration doesn't usually go beyond 35mph, | 0:39:16 | 0:39:20 | |
but what they do have is power - between 500 and 800bhp. | 0:39:20 | 0:39:25 | |
Yeah, go on right. | 0:39:26 | 0:39:28 | |
It's been a real privilege getting to drive this formidable vehicle, | 0:39:32 | 0:39:35 | |
especially when you think of the troops it once carried | 0:39:35 | 0:39:38 | |
and all that they must have endured. | 0:39:38 | 0:39:40 | |
And to experience it in such a beautiful, historic part | 0:39:40 | 0:39:43 | |
of the county has made it all the more memorable. | 0:39:43 | 0:39:45 | |
Well, we looked at three fantastic properties, | 0:39:48 | 0:39:51 | |
culminating in, of course, the mystery house, | 0:39:51 | 0:39:54 | |
which I think even Sara warmed to towards the end. | 0:39:54 | 0:39:57 | |
Let's catch up with them and find out their thoughts. | 0:39:57 | 0:39:59 | |
-Is this all to do with all the houses we've seen? -Yep. | 0:40:03 | 0:40:06 | |
-Do you mind if I have a quick look? -You can do if you want. | 0:40:06 | 0:40:09 | |
-These are comprehensive. -Are they? | 0:40:09 | 0:40:11 | |
Has this helped you make your mind up? | 0:40:11 | 0:40:13 | |
It's focusing me. | 0:40:13 | 0:40:15 | |
-OK. -It's proved very useful, | 0:40:15 | 0:40:17 | |
I think particularly with property number three. | 0:40:17 | 0:40:19 | |
My heart still is attached to that, | 0:40:19 | 0:40:22 | |
but when you actually see it written down, | 0:40:22 | 0:40:24 | |
some of the needs and the work that is necessary, | 0:40:24 | 0:40:27 | |
it brings you back to reality a little bit. | 0:40:27 | 0:40:29 | |
Do either of you have a favourite? | 0:40:29 | 0:40:32 | |
The only property where my heart and my head agree with one other | 0:40:32 | 0:40:36 | |
is number two. | 0:40:36 | 0:40:37 | |
Number two is probably my strongest pull, | 0:40:37 | 0:40:41 | |
-but number one I see a lot of financial sense in... -Yeah. | 0:40:41 | 0:40:45 | |
..and the mystery house, from my point of view, | 0:40:45 | 0:40:48 | |
I would see it as a business. | 0:40:48 | 0:40:49 | |
I would see it as B&B, holiday let, do up the external buildings. | 0:40:49 | 0:40:54 | |
We'd have to get a business loan to do that | 0:40:54 | 0:40:56 | |
and then, would we recoup that money? | 0:40:56 | 0:40:59 | |
I'm just trying to balance my view. I think, fundamentally, | 0:40:59 | 0:41:03 | |
I don't think the mystery house works for us financially. | 0:41:03 | 0:41:06 | |
What is your next step? | 0:41:06 | 0:41:08 | |
We're definitely going to go back to house number two. | 0:41:08 | 0:41:11 | |
I think I'm going to drag Mark kicking and screaming | 0:41:11 | 0:41:14 | |
back to house number one, | 0:41:14 | 0:41:16 | |
because I see a lot of potential there and even with the work, | 0:41:16 | 0:41:20 | |
-there's still room in our budget. -Yeah. | 0:41:20 | 0:41:22 | |
It's a been a really interesting process. With just three houses, | 0:41:22 | 0:41:27 | |
you've seen how your differences in taste and challenges have come out. | 0:41:27 | 0:41:31 | |
Of course, you're horsey, | 0:41:31 | 0:41:33 | |
you really care about the land. | 0:41:33 | 0:41:35 | |
Of course, you love the idea of a character property. | 0:41:35 | 0:41:39 | |
It's just finding a house that gives you both. | 0:41:39 | 0:41:41 | |
-Maybe that's house number two, maybe not. -Maybe. | 0:41:41 | 0:41:44 | |
Look, you're going to come back here for a second viewing. | 0:41:44 | 0:41:47 | |
Please, please let us know what you decide. I can't wait to find out. | 0:41:47 | 0:41:51 | |
-Good luck! -Thank you. -Thank you. | 0:41:51 | 0:41:52 | |
I'm pleased to hear Sara and Mark are agreed on one thing | 0:41:56 | 0:41:59 | |
and that's that they both want to go back to house number two. | 0:41:59 | 0:42:02 | |
Let's face it, they really enjoyed looking around that place. | 0:42:02 | 0:42:05 | |
I'm also interested to hear that Sara also wants to go back | 0:42:05 | 0:42:09 | |
to property number one, taking Mark kicking and screaming if needs be. | 0:42:09 | 0:42:13 | |
I think they've both realised | 0:42:13 | 0:42:15 | |
that it's not just about the house or the land, | 0:42:15 | 0:42:17 | |
it's the whole package, | 0:42:17 | 0:42:19 | |
so second viewings of both houses and their areas is what's needed | 0:42:19 | 0:42:23 | |
in order for them to decide which way they need to go as a family. | 0:42:23 | 0:42:28 | |
So I'm sure, just like me, you wish them both the very best of luck. | 0:42:28 | 0:42:32 | |
I'll see you next time. | 0:42:32 | 0:42:33 | |
Mark and Sara returned to view our second house | 0:42:35 | 0:42:37 | |
and they loved it just as much the second time round. | 0:42:37 | 0:42:40 | |
They were keen to put in an offer, | 0:42:40 | 0:42:41 | |
but after investigating the price of the additional land, | 0:42:41 | 0:42:44 | |
they felt it pushed their budget too far beyond | 0:42:44 | 0:42:46 | |
what they were comfortable with, | 0:42:46 | 0:42:48 | |
so their search continues. | 0:42:48 | 0:42:50 | |
If you're planning to escape to the country | 0:42:50 | 0:42:52 | |
in Wales, Scotland, Northern Ireland or England and would like our help, | 0:42:52 | 0:42:56 | |
you can apply online at... | 0:42:56 | 0:42:58 |