Browse content similar to Devon. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It is thought this impressive pile of granite rocks | 0:00:02 | 0:00:04 | |
was the inspiration behind an infamous fictional detective novel. | 0:00:04 | 0:00:08 | |
But whose book was it and where am I? | 0:00:08 | 0:00:11 | |
Find out in just a moment. | 0:00:11 | 0:00:12 | |
On today's show, | 0:00:29 | 0:00:30 | |
our buyer has enlisted a friend | 0:00:30 | 0:00:32 | |
to help her find a home with unconventional living space | 0:00:32 | 0:00:35 | |
that will inspire her creative nature. | 0:00:35 | 0:00:37 | |
I think it's fantastic, it's ready to move into. | 0:00:37 | 0:00:40 | |
OK, I'll help you pack! | 0:00:40 | 0:00:41 | |
And at times, it proves to be quite a moving experience. | 0:00:41 | 0:00:45 | |
It feels great, yeah. Really nice. | 0:00:45 | 0:00:47 | |
Oh, I can hear the emotion! | 0:00:47 | 0:00:49 | |
Today, I'm in Devon, in the heart of the Dartmoor National Park. | 0:00:51 | 0:00:55 | |
And this spectacular stone outcrop is called Hound Tor. | 0:00:55 | 0:00:59 | |
Now, Dartmoor is a place that's rich in myth and mystery | 0:00:59 | 0:01:03 | |
and legend has it that these rocks | 0:01:03 | 0:01:06 | |
were named after dogs that had been turned to stone by witches. | 0:01:06 | 0:01:10 | |
In fact, many people in this area believe this place is still haunted | 0:01:10 | 0:01:16 | |
and they go out of their way to avoid it. | 0:01:16 | 0:01:19 | |
And, no doubt adding fuel to the fire, | 0:01:19 | 0:01:21 | |
this is the spot that is believed to have inspired | 0:01:21 | 0:01:24 | |
Sir Arthur Conan Doyle's most famous Sherlock Holmes adventure, | 0:01:24 | 0:01:27 | |
The Hound of the Baskervilles. | 0:01:27 | 0:01:30 | |
But, putting eerie tales aside for a moment, | 0:01:30 | 0:01:33 | |
there are still plenty of inspiring views to be had in this county. | 0:01:33 | 0:01:37 | |
Situated in the south-west of England, | 0:01:41 | 0:01:43 | |
Devon is bordered by Somerset, Cornwall and Dorset. | 0:01:43 | 0:01:47 | |
A huge part of the county's allure is its exceptional coastline, | 0:01:47 | 0:01:50 | |
which encompasses some of England's first natural World Heritage site, | 0:01:50 | 0:01:54 | |
the Jurassic Coast. | 0:01:54 | 0:01:56 | |
A charming gateway to these towering 200 million-year-old cliffs | 0:01:56 | 0:02:00 | |
is Seaton, which during Victorian times developed into | 0:02:00 | 0:02:04 | |
one of Devon's most popular holiday resorts. | 0:02:04 | 0:02:07 | |
A big attraction here today | 0:02:07 | 0:02:08 | |
is its fleet of half scale heritage trams. | 0:02:08 | 0:02:11 | |
Inland is the sombre beauty of Dartmoor, | 0:02:12 | 0:02:15 | |
a protected National Park since 1951 | 0:02:15 | 0:02:18 | |
and one of the largest, | 0:02:18 | 0:02:19 | |
most unspoiled areas of wilderness in England. | 0:02:19 | 0:02:22 | |
Within the park's borders are some appealing settlements, | 0:02:22 | 0:02:25 | |
including Moretonhampstead, | 0:02:25 | 0:02:27 | |
whose creative community makes colourful banners | 0:02:27 | 0:02:29 | |
for an annual flag festival that brightens the town each winter. | 0:02:29 | 0:02:34 | |
Genteel villages, moody moors and stunning beaches, | 0:02:34 | 0:02:38 | |
it's this rich variety that gives the county such an enduring appeal. | 0:02:38 | 0:02:42 | |
Devon's stunning coastline brings with it | 0:02:44 | 0:02:47 | |
one of the warmest maritime climates of all the UK's coastal regions, | 0:02:47 | 0:02:51 | |
which could be a contributing factor | 0:02:51 | 0:02:54 | |
to the price of a detached home here, | 0:02:54 | 0:02:56 | |
which comes in at just over £26,000 above the national average. | 0:02:56 | 0:03:02 | |
But, of course, there's also highly desirable pockets | 0:03:02 | 0:03:06 | |
that are going to cost you just that little bit more. | 0:03:06 | 0:03:08 | |
If you go to the most southerly point of the region, | 0:03:08 | 0:03:11 | |
which boasts beautiful beaches, charming villages | 0:03:11 | 0:03:15 | |
and part of the Dartmoor National Park, | 0:03:15 | 0:03:18 | |
you can expect to pay 35% more than the rest of the county. | 0:03:18 | 0:03:22 | |
So let's find out which part of Devon | 0:03:22 | 0:03:25 | |
today's buyer wants to move to. | 0:03:25 | 0:03:26 | |
It's time to meet her. | 0:03:26 | 0:03:28 | |
A world away from the tranquil Devon countryside, | 0:03:30 | 0:03:33 | |
current home for tech savvy social business consultant Ann | 0:03:33 | 0:03:36 | |
is Bow, in the heart of East London. | 0:03:36 | 0:03:39 | |
She's loved living in this converted match factory, | 0:03:39 | 0:03:42 | |
where she has a hip, loft-style apartment | 0:03:42 | 0:03:44 | |
that she's owned for 20 years. | 0:03:44 | 0:03:46 | |
But recently, she's been feeling drawn towards a simpler lifestyle | 0:03:46 | 0:03:50 | |
that's closer to nature, | 0:03:50 | 0:03:51 | |
which she feels will help inspire and nourish her creative spirit. | 0:03:51 | 0:03:55 | |
London has always been the epicentre of where the thinking is | 0:03:55 | 0:03:58 | |
and that's actually not necessarily true any more. | 0:03:58 | 0:04:01 | |
You don't have to be in the biggest, shiniest place | 0:04:01 | 0:04:04 | |
for cool stuff to be happening. | 0:04:04 | 0:04:06 | |
Helping out with her search for a new home is Amanda, | 0:04:06 | 0:04:09 | |
one of her dearest friends, | 0:04:09 | 0:04:11 | |
who she's known for more than 30 years. | 0:04:11 | 0:04:14 | |
My role in this is about being supportive | 0:04:14 | 0:04:16 | |
and probably seeing things from a slightly different viewpoint. | 0:04:16 | 0:04:19 | |
I think if I go off on one and go, | 0:04:19 | 0:04:20 | |
-"This is amazing, I've got to move here tomorrow..." -No. | 0:04:20 | 0:04:23 | |
She'll say, "Right, actually just think it through." | 0:04:23 | 0:04:25 | |
Not long after they met, their relationship was cemented | 0:04:25 | 0:04:28 | |
when Amanda entrusted Ann with quite a responsible task. | 0:04:28 | 0:04:32 | |
Amanda was getting married | 0:04:32 | 0:04:34 | |
and I was doing fashion at St Martins at the time | 0:04:34 | 0:04:37 | |
and she asked me if I'd make her dress, which was a huge honour. | 0:04:37 | 0:04:41 | |
And also more than nerve-racking! | 0:04:41 | 0:04:43 | |
It was really beautiful... and unique. | 0:04:43 | 0:04:46 | |
And I've still got it. | 0:04:46 | 0:04:47 | |
What can I tell you about Ann? | 0:04:47 | 0:04:49 | |
She is a fabulous friend. | 0:04:49 | 0:04:51 | |
She is loyal, she is caring, she is deeply, deeply sensitive | 0:04:51 | 0:04:56 | |
and she's adorable and I love her to bits. | 0:04:56 | 0:04:59 | |
Ann, who has a background in arts and digital media, | 0:05:01 | 0:05:04 | |
set up her own business ten years ago | 0:05:04 | 0:05:06 | |
that assesses how technology and social media | 0:05:06 | 0:05:08 | |
can revitalise companies. | 0:05:08 | 0:05:10 | |
And, because most of her work is done online, | 0:05:10 | 0:05:13 | |
she can pretty much move anywhere | 0:05:13 | 0:05:15 | |
but her heart is set on Devon. | 0:05:15 | 0:05:17 | |
There's a great culture there | 0:05:17 | 0:05:18 | |
and there's lots of independent and quite progressive thinking, | 0:05:18 | 0:05:21 | |
which appeals to me. | 0:05:21 | 0:05:23 | |
And things like farmers markets, | 0:05:23 | 0:05:25 | |
or nice little tight communities of people doing interesting stuff. | 0:05:25 | 0:05:29 | |
Ann loves the way her apartment's open-plan layout | 0:05:29 | 0:05:31 | |
gives her flexible space to pursue some of the creative projects | 0:05:31 | 0:05:35 | |
she enjoys doing in her spare time. | 0:05:35 | 0:05:37 | |
But that's not the only aspect of her home | 0:05:37 | 0:05:39 | |
that she's particularly attached to. | 0:05:39 | 0:05:41 | |
Living here, | 0:05:41 | 0:05:43 | |
there is a gym five floors down from where I am now. | 0:05:43 | 0:05:46 | |
So I can just nip down in the lift | 0:05:46 | 0:05:48 | |
and I'm in a Jacuzzi in minutes. | 0:05:48 | 0:05:50 | |
And in an ideal world, | 0:05:50 | 0:05:52 | |
I'd have something which is equally convenient | 0:05:52 | 0:05:54 | |
but in the countryside. | 0:05:54 | 0:05:57 | |
Although Amanda, who lives in North London, | 0:05:57 | 0:05:59 | |
will miss Ann when she moves, | 0:05:59 | 0:06:01 | |
she's already envisaging relaxing weekend visits with her in Devon | 0:06:01 | 0:06:04 | |
and she knows that the change will do her friend good. | 0:06:04 | 0:06:07 | |
I think that being in the country will allow her to breathe more. | 0:06:07 | 0:06:10 | |
I mean, she doesn't access her off button very easily | 0:06:10 | 0:06:13 | |
and I have a feeling that because she communes quite well with nature | 0:06:13 | 0:06:17 | |
I think that it will naturally invite her | 0:06:17 | 0:06:21 | |
to access her off button more than she does now. | 0:06:21 | 0:06:24 | |
-Well said! -Thank you. | 0:06:24 | 0:06:26 | |
The town of Totnes appeals to Ann | 0:06:29 | 0:06:31 | |
and she has friends in the area around it, | 0:06:31 | 0:06:33 | |
so we're focusing our search within an hour's drive of the town. | 0:06:33 | 0:06:36 | |
I'm catching up with them to learn some more about Ann's move. | 0:06:36 | 0:06:40 | |
-Well, Ann and Amanda, welcome to Devon. -Thank you. -Thank you. | 0:06:40 | 0:06:44 | |
So, what are you hoping to get from a new life in Devon? | 0:06:44 | 0:06:47 | |
I think the ability to just try new places, see friends | 0:06:48 | 0:06:52 | |
and just a new vista on life that I haven't really had before. | 0:06:52 | 0:06:55 | |
It sounds wonderful. What are you thinking, Amanda? | 0:06:55 | 0:06:59 | |
I'm thinking I'm quite jealous, actually! | 0:06:59 | 0:07:01 | |
So let's talk about the property that we're going to find you. | 0:07:01 | 0:07:05 | |
What, ideally, are you after? | 0:07:05 | 0:07:07 | |
Well, if I could take where I live now and transplant it here, | 0:07:07 | 0:07:12 | |
I probably would do that. | 0:07:12 | 0:07:13 | |
It would be lovely to have a bit more space | 0:07:13 | 0:07:15 | |
but the open-plan, unconventional, lots of light, lots of views... | 0:07:15 | 0:07:20 | |
That would be my ideal. | 0:07:20 | 0:07:22 | |
So looking for something quirky, a little bit unusual. | 0:07:22 | 0:07:25 | |
Are we talking houses, are we talking barns? | 0:07:25 | 0:07:28 | |
I think probably barns more than houses. | 0:07:28 | 0:07:31 | |
If you were to show me a poky room, | 0:07:31 | 0:07:33 | |
I would probably run in the opposite direction! | 0:07:33 | 0:07:35 | |
Ditto with thatch. | 0:07:35 | 0:07:37 | |
I'm not really the chocolate box, country type person. | 0:07:37 | 0:07:41 | |
And how many bedrooms? | 0:07:41 | 0:07:42 | |
Well, I've got two bedrooms now | 0:07:42 | 0:07:44 | |
and it would be quite nice to have a little bit more space than I have | 0:07:44 | 0:07:48 | |
but two or three would be perfect for me. | 0:07:48 | 0:07:51 | |
-You've got to remember Amanda's going to be... -Absolutely, for guests! | 0:07:51 | 0:07:54 | |
-Yes, she needs her own bedroom, doesn't she? -Absolutely. | 0:07:54 | 0:07:57 | |
Limited outside space? | 0:07:57 | 0:07:58 | |
Were not looking for acres, I'm presuming? | 0:07:58 | 0:08:00 | |
Not acres, no. | 0:08:00 | 0:08:02 | |
Something which would be nice to enjoy in the summer, | 0:08:02 | 0:08:05 | |
a little bit of gardening. | 0:08:05 | 0:08:07 | |
Remind us of your budget again. | 0:08:07 | 0:08:09 | |
It's £400,000. | 0:08:09 | 0:08:10 | |
If it was less than that, that'd be brilliant | 0:08:10 | 0:08:13 | |
because it just gives me more flexibility, | 0:08:13 | 0:08:14 | |
but that's my golden figure. | 0:08:14 | 0:08:16 | |
Well, we've got three properties lined up to show you. | 0:08:16 | 0:08:19 | |
The first one is just literally begging to be seen. | 0:08:19 | 0:08:21 | |
-So should we finish our coffee and get going? -Yes. | 0:08:21 | 0:08:24 | |
With a budget of £400,000, | 0:08:26 | 0:08:28 | |
Ann is hoping to find a home that offers | 0:08:28 | 0:08:30 | |
the open-plan living of her current apartment | 0:08:30 | 0:08:33 | |
but with a gorgeous rural setting and views. | 0:08:33 | 0:08:36 | |
She'd like 2-3 bedrooms | 0:08:36 | 0:08:37 | |
and flexible living space where she can both relax and work. | 0:08:37 | 0:08:41 | |
Outside, she is keen to have a manageable garden to potter in | 0:08:41 | 0:08:45 | |
and ideally would love to be within easy reach of a gym. | 0:08:45 | 0:08:48 | |
We've got a wonderful variety of homes to show them | 0:08:48 | 0:08:51 | |
and in each one I'll be getting them to guess at the price | 0:08:51 | 0:08:54 | |
before I reveal it to them. | 0:08:54 | 0:08:56 | |
One will be the mystery house, which has a stately home connection | 0:08:56 | 0:08:59 | |
that could leave Ann feeling like the lady of the manor. | 0:08:59 | 0:09:02 | |
We begin our search in the village of Harbertonford, | 0:09:10 | 0:09:12 | |
a five-minute drive from the town of Totnes. | 0:09:12 | 0:09:15 | |
This quiet settlement lies in the valley of the River Harbourne, | 0:09:15 | 0:09:18 | |
a branch of the Dart that once served a string of water mills. | 0:09:18 | 0:09:22 | |
There aren't masses of amenities here | 0:09:22 | 0:09:24 | |
but there is an excellent village shop, | 0:09:24 | 0:09:26 | |
which is just a short stroll | 0:09:26 | 0:09:28 | |
from the house we're about to have a look at. | 0:09:28 | 0:09:31 | |
So, welcome to Harbertonford, and our first property. | 0:09:31 | 0:09:36 | |
-I do like that colour yellow. -Well, that's a good start. | 0:09:36 | 0:09:39 | |
What do you think about the actual property itself | 0:09:39 | 0:09:41 | |
-on first impressions? -It's quite big. | 0:09:41 | 0:09:43 | |
It's bigger than I thought it might be, actually. | 0:09:43 | 0:09:45 | |
-The cottage itself dates back about 200 years. -Right. | 0:09:45 | 0:09:49 | |
We are attached at the back | 0:09:49 | 0:09:50 | |
so I'm going to say to you now, there isn't a back garden as such. | 0:09:50 | 0:09:54 | |
-Right, OK. -But there are some wonderful walks behind the cottage | 0:09:54 | 0:09:58 | |
and we are surrounded by them. | 0:09:58 | 0:10:00 | |
-OK. -Shall we get started, ladies? -Yes. -Yes! | 0:10:00 | 0:10:03 | |
Earlier on in its history, the cottage was thatched | 0:10:04 | 0:10:07 | |
but fortunately for Ann, | 0:10:07 | 0:10:09 | |
this was replaced with slate roofing. | 0:10:09 | 0:10:11 | |
And in the 19th century, | 0:10:11 | 0:10:13 | |
it was home to the village carpenter. | 0:10:13 | 0:10:15 | |
So, welcome to your cottage. | 0:10:17 | 0:10:19 | |
I'm going to start us off in the sitting room. | 0:10:19 | 0:10:23 | |
-AMANDA GASPS -I like this room. -You gasped! | 0:10:23 | 0:10:26 | |
-I did, I did. -Why did you gasp? | 0:10:26 | 0:10:28 | |
-Because it's light and bright. -Is deceiving, isn't it? -It is. | 0:10:28 | 0:10:31 | |
You get a good impression of space in this room, | 0:10:31 | 0:10:34 | |
more than you would think from outside. | 0:10:34 | 0:10:36 | |
What you probably don't have in London | 0:10:36 | 0:10:38 | |
-is a little conservatory that we can just see there. -Yes! | 0:10:38 | 0:10:41 | |
Your sunroom for your morning cup of coffee, | 0:10:41 | 0:10:44 | |
-when you decide to get creative. -That sounds very nice. | 0:10:44 | 0:10:47 | |
-Let's take you through. I'm going to show you the kitchen next. -OK. | 0:10:47 | 0:10:50 | |
So, equally, a good size. | 0:10:53 | 0:10:56 | |
It is, yes. | 0:10:56 | 0:10:58 | |
-Are all the facilities in the kitchen - washer, drier? -Yes. | 0:10:58 | 0:11:01 | |
-This is it, there's no separate utility room in the cottage. -OK. | 0:11:01 | 0:11:04 | |
-I'm thinking, you know you said about taking up your hobbies? -Mm. | 0:11:04 | 0:11:07 | |
I can see you sewing here, looking out of your window. | 0:11:07 | 0:11:09 | |
Yes, I could, too. | 0:11:09 | 0:11:11 | |
A lot of pattern cutting could happen on that table. | 0:11:11 | 0:11:13 | |
Is it winning us over? | 0:11:13 | 0:11:15 | |
I think there's a few question marks | 0:11:15 | 0:11:17 | |
about the age and maintenance and versatility at the moment. | 0:11:17 | 0:11:21 | |
I just want to sort of think about that. | 0:11:21 | 0:11:23 | |
But it's a nice, airy house. | 0:11:23 | 0:11:26 | |
OK, right, follow me. We're going to head upstairs. | 0:11:26 | 0:11:29 | |
On the first floor there's a landing that's lined with book shelves | 0:11:30 | 0:11:33 | |
and off that there's a family bathroom. | 0:11:33 | 0:11:35 | |
There are also three good-sized bedrooms. | 0:11:35 | 0:11:38 | |
One has an attractive feature wall of exposed Devon stone | 0:11:38 | 0:11:41 | |
and another has a built-in platform bed | 0:11:41 | 0:11:43 | |
and views across the village and surrounding countryside. | 0:11:43 | 0:11:46 | |
We're going to take a look at the largest of the three bedrooms, | 0:11:46 | 0:11:49 | |
which is on the other side of the landing. | 0:11:49 | 0:11:52 | |
-Oh! -And this, at the moment, is the master bedroom. | 0:11:54 | 0:11:59 | |
-This is a nice room. -It's lovely! -It's full of character. | 0:11:59 | 0:12:02 | |
-Again, surprised at the size? -Yes. | 0:12:02 | 0:12:05 | |
The brief was light and airy and spacious | 0:12:05 | 0:12:08 | |
and I think what we've done with this cottage, | 0:12:08 | 0:12:10 | |
you've got the character of a cottage | 0:12:10 | 0:12:13 | |
but it is unusual as it's so broad. | 0:12:13 | 0:12:15 | |
-Yes, very summery, very light. -But cosy in the winter. -Yeah. | 0:12:15 | 0:12:19 | |
We're going to go back outside. | 0:12:19 | 0:12:21 | |
We're going to take a look at the property. | 0:12:21 | 0:12:23 | |
I'm also going to ask you, for the first time, | 0:12:23 | 0:12:25 | |
-what you think it's on the market for. -OK. | 0:12:25 | 0:12:28 | |
Being attached, the outside space here is limited | 0:12:30 | 0:12:33 | |
and it's confined to the front of the property, | 0:12:33 | 0:12:36 | |
so definitely no room for a home gym. | 0:12:36 | 0:12:38 | |
But a short drive away in Dartmouth, | 0:12:38 | 0:12:40 | |
there are plenty of leisure facilities | 0:12:40 | 0:12:42 | |
that Ann could take full advantage of. | 0:12:42 | 0:12:44 | |
Now, I'm going to highlight the country vista behind us, | 0:12:45 | 0:12:49 | |
that view, because I can't give you a garden, I'm afraid. | 0:12:49 | 0:12:52 | |
So, I hope you like your pots. | 0:12:52 | 0:12:55 | |
I do, I really like the pots! | 0:12:55 | 0:12:57 | |
I'm used to gardening in pots | 0:12:57 | 0:12:58 | |
so I could sort of pick this up straightaway, I think. | 0:12:58 | 0:13:01 | |
What do you think the asking price is? | 0:13:01 | 0:13:04 | |
Well, the figure that's been in my mind is 380. | 0:13:04 | 0:13:08 | |
-Yeah...yeah. -Right, £380,000. | 0:13:08 | 0:13:10 | |
-Yeah. -OK. Amanda? | 0:13:10 | 0:13:12 | |
I'm going with £369,950. | 0:13:12 | 0:13:15 | |
-So you're both below your top budget of £400,000? -Yes. | 0:13:15 | 0:13:21 | |
The asking price for this cottage is... | 0:13:21 | 0:13:23 | |
-£327,500. -Really? | 0:13:23 | 0:13:27 | |
-Very interesting. -That is interesting, | 0:13:27 | 0:13:30 | |
cos I think if I bought this | 0:13:30 | 0:13:32 | |
there's a couple of things I'd like to remodel | 0:13:32 | 0:13:35 | |
and that would give me the budget to do that. | 0:13:35 | 0:13:37 | |
So, why don't you take another look around | 0:13:37 | 0:13:39 | |
-and find me when you've had enough, when you're ready to go. -OK. | 0:13:39 | 0:13:42 | |
-After you! -Thank you. | 0:13:42 | 0:13:43 | |
A very significant £72,500 below Ann's maximum budget, | 0:13:49 | 0:13:54 | |
this characterful cottage may not offer | 0:13:54 | 0:13:56 | |
the loft-style living she's accustomed to | 0:13:56 | 0:13:58 | |
but it does have a surprisingly spacious living room | 0:13:58 | 0:14:00 | |
and kitchen/diner, | 0:14:00 | 0:14:02 | |
as well as three good-sized bedrooms, | 0:14:02 | 0:14:04 | |
all with the light, airy feel she loves. | 0:14:04 | 0:14:07 | |
It doesn't have a lot of outside space | 0:14:07 | 0:14:10 | |
but there's fabulous walking to be had | 0:14:10 | 0:14:12 | |
pretty much on its doorstep. | 0:14:12 | 0:14:15 | |
I was quite intrigued when I saw the property | 0:14:15 | 0:14:16 | |
for the first time outside, and it wasn't really what I was expecting | 0:14:16 | 0:14:20 | |
but it had a nice character to it and I think, you know, | 0:14:20 | 0:14:25 | |
I was pleasantly surprised when I came inside. | 0:14:25 | 0:14:28 | |
Oh, this is sweet. | 0:14:28 | 0:14:30 | |
-Yeah, this is quite a nice room. -It's gorgeous. | 0:14:30 | 0:14:33 | |
-This might make a nice little officey room. -Yes, | 0:14:33 | 0:14:35 | |
cos it's quite good use of the bed, | 0:14:35 | 0:14:37 | |
but you could have a desk there instead. | 0:14:37 | 0:14:39 | |
I really like the property. | 0:14:39 | 0:14:41 | |
I do honestly think it needs little bit of work | 0:14:41 | 0:14:44 | |
but given the budget that she's got | 0:14:44 | 0:14:47 | |
and given the price that we understand the property is on at | 0:14:47 | 0:14:51 | |
then that gives her a lot of scope for improvement. | 0:14:51 | 0:14:55 | |
I like the property a lot. | 0:14:55 | 0:14:56 | |
I've got one concern, particularly about the outside, | 0:14:56 | 0:14:59 | |
the fact that there isn't much privacy in the garden. | 0:14:59 | 0:15:02 | |
And in London, although I have quite a small terrace, | 0:15:02 | 0:15:05 | |
it's five floors up and it's very private. | 0:15:05 | 0:15:07 | |
So the thought of giving up that privacy | 0:15:07 | 0:15:10 | |
would be something I'd have to think about. | 0:15:10 | 0:15:12 | |
-Right, girls, have we seen enough? -Yes. -Yes, I think so. | 0:15:15 | 0:15:18 | |
First property - good reactions, under budget. | 0:15:18 | 0:15:21 | |
-Marvellous. -Very positive start. | 0:15:21 | 0:15:22 | |
-Let's see what else we've got in store for you! -OK. | 0:15:22 | 0:15:25 | |
From the 16th century, for many East Devon settlements, | 0:15:30 | 0:15:33 | |
lace-making was an important cottage industry, | 0:15:33 | 0:15:36 | |
fuelled by a growing demand from the wealthy, fashionable London set, | 0:15:36 | 0:15:40 | |
who wore it on collars and cuffs | 0:15:40 | 0:15:42 | |
as a way to convey status and prestige. | 0:15:42 | 0:15:45 | |
Situated on the main road to London, | 0:15:45 | 0:15:47 | |
the town of Honiton became the largest producer, | 0:15:47 | 0:15:50 | |
so the extremely fine threadwork made throughout the area | 0:15:50 | 0:15:53 | |
became known as Honiton lace. | 0:15:53 | 0:15:55 | |
The advent of machine-made lace saw the industry die out | 0:15:55 | 0:15:59 | |
but, at Honiton's Allhallows Museum, | 0:15:59 | 0:16:01 | |
the age-old tradition is being kept alive | 0:16:01 | 0:16:03 | |
through weekly lace-making lessons. | 0:16:03 | 0:16:06 | |
Fashion graduate Ann has a keen interest in textiles, | 0:16:06 | 0:16:09 | |
so she and Amanda are meeting Pat Perryman, | 0:16:09 | 0:16:12 | |
who is chair of the museum | 0:16:12 | 0:16:14 | |
and has been teaching Honiton lace-making for almost 50 years. | 0:16:14 | 0:16:18 | |
Welcome to our wonderful Honiton Lace Museum, | 0:16:18 | 0:16:21 | |
and the best collection of Honiton lace in the world. | 0:16:21 | 0:16:24 | |
Thank you very much. It's incredible. | 0:16:24 | 0:16:26 | |
Honiton lace is what we call a motif lace. | 0:16:26 | 0:16:28 | |
So if you want to make a large piece, like a wedding veil, | 0:16:28 | 0:16:31 | |
you make it in all separate pieces and it's all joined together. | 0:16:31 | 0:16:35 | |
In the 19th century, | 0:16:35 | 0:16:36 | |
when the local lace industry was beginning to falter, | 0:16:36 | 0:16:39 | |
a very influential Royal breathed new life into the business | 0:16:39 | 0:16:42 | |
and ignited a whole new fashion trend, | 0:16:42 | 0:16:45 | |
after she commissioned several ceremonial garments. | 0:16:45 | 0:16:48 | |
When Queen Victoria got married in a Honiton lace wedding dress in 1839, | 0:16:48 | 0:16:53 | |
she started what we now know as the bridal outfit, really. | 0:16:53 | 0:16:57 | |
-Oh, really? -Because before that, you know, you got married, | 0:16:57 | 0:17:00 | |
in those days, in your best dress. | 0:17:00 | 0:17:01 | |
But she started the fashion that's still going today. | 0:17:01 | 0:17:05 | |
Then, when she took to wearing only black | 0:17:05 | 0:17:07 | |
after the death of her beloved Albert, | 0:17:07 | 0:17:09 | |
Honiton artisans were inundated | 0:17:09 | 0:17:11 | |
with orders for black lace adornments | 0:17:11 | 0:17:13 | |
from wealthy aristocrats eager to emulate their Queen. | 0:17:13 | 0:17:17 | |
And in about 1870 to 1880, | 0:17:17 | 0:17:20 | |
-there was about 2,000 lace makers in Honiton. -That's... | 0:17:20 | 0:17:23 | |
-And Honiton's population was not much more than 4,000. -Wow. | 0:17:23 | 0:17:27 | |
Since Pat embraced this ancient technique in the 1960s, | 0:17:27 | 0:17:30 | |
she's taught both here and abroad. | 0:17:30 | 0:17:33 | |
And last year, she was awarded the British Empire Medal | 0:17:33 | 0:17:36 | |
for services to the heritage of lace. | 0:17:36 | 0:17:38 | |
So who better for Ann and Amanda to receive some expert tuition from? | 0:17:38 | 0:17:43 | |
So, you take two pairs of bobbins. | 0:17:43 | 0:17:45 | |
Bobbin number two goes first... | 0:17:45 | 0:17:47 | |
Those two come that way. | 0:17:49 | 0:17:51 | |
And that one comes that way. And that's a stitch. | 0:17:52 | 0:17:55 | |
One, two, three. | 0:17:55 | 0:17:57 | |
And we say if you can count to three, you can do it! | 0:17:57 | 0:18:00 | |
-Fascinating. -It's like a little dance. -Absolutely. | 0:18:00 | 0:18:04 | |
-Somebody referred to it as maypole dancing. -Yeah. | 0:18:04 | 0:18:07 | |
Maypole dancing with bobbins. | 0:18:07 | 0:18:08 | |
Making Honiton lace is a bit like weaving on a miniature scale, | 0:18:08 | 0:18:12 | |
the loom being made from pins | 0:18:12 | 0:18:14 | |
poked into a pattern on a straw pillow. | 0:18:14 | 0:18:16 | |
The fine threads held on the bobbins | 0:18:16 | 0:18:19 | |
are woven back and forth to build up the pattern. | 0:18:19 | 0:18:21 | |
Do you ever forget where you are? | 0:18:21 | 0:18:23 | |
Not really! | 0:18:25 | 0:18:26 | |
And it's a very time-consuming process. | 0:18:28 | 0:18:31 | |
To create one square centimetre can take around five hours. | 0:18:31 | 0:18:34 | |
-What are you making there? -This is a dragonfly on here. | 0:18:34 | 0:18:38 | |
-Did you design that yourself? -Mm-hm. | 0:18:38 | 0:18:40 | |
And how long is it going to take to make that? | 0:18:40 | 0:18:42 | |
Oh, you're looking at 45, 50 hours, maybe. | 0:18:42 | 0:18:45 | |
-Right, so don't forget, number two bobbin goes first. -OK. | 0:18:45 | 0:18:49 | |
One, two, three. Don't worry. | 0:18:49 | 0:18:51 | |
People often ask, "Can you undo it?" | 0:18:51 | 0:18:53 | |
Well, the answer is yes, you can. | 0:18:53 | 0:18:55 | |
That's good cos somebody's going to need to have a go at this! | 0:18:55 | 0:18:58 | |
THEY LAUGH | 0:18:58 | 0:19:00 | |
It clearly takes more than one lesson to get to grips | 0:19:00 | 0:19:03 | |
with this intricate art form but if Ann moves to the area | 0:19:03 | 0:19:06 | |
she knows where to come to develop her skills. | 0:19:06 | 0:19:09 | |
Journeying five-and-a-half miles south we reach the little | 0:19:13 | 0:19:16 | |
village of Blackawton, the second stop on our search. | 0:19:16 | 0:19:20 | |
Just over a 15-minute drive away is Totnes, | 0:19:20 | 0:19:23 | |
the town that Ann is particularly keen on. | 0:19:23 | 0:19:26 | |
It lies on the west bank of the River Dart | 0:19:26 | 0:19:28 | |
where there's still a working port and has a great community spirit. | 0:19:28 | 0:19:33 | |
In 2007 it introduced its own alternative currency | 0:19:33 | 0:19:37 | |
as a way to support the local economy. | 0:19:37 | 0:19:39 | |
Seven-and-a-half miles away is our second property | 0:19:40 | 0:19:43 | |
which has a tiny community of its own. | 0:19:43 | 0:19:45 | |
It's a barn conversion which is set amongst a cluster | 0:19:45 | 0:19:48 | |
of other dwellings that were also once working farm buildings. | 0:19:48 | 0:19:52 | |
I can't see your faces. | 0:19:54 | 0:19:56 | |
-I'm smiling, I'm smiling. -I'm grinning. | 0:19:56 | 0:19:58 | |
-Yes, your loving this beautifully landscaped courtyard? -I do. | 0:19:58 | 0:20:02 | |
It brings us up to our second property. | 0:20:02 | 0:20:05 | |
This is looking very promising. | 0:20:05 | 0:20:07 | |
I love the fact that there are more houses than just one here | 0:20:07 | 0:20:11 | |
so there's a little community. | 0:20:11 | 0:20:12 | |
There is, there's seven in total. | 0:20:12 | 0:20:14 | |
The barns date back to about the 1800s | 0:20:14 | 0:20:18 | |
-but this whole plot was developed in 2006. -So quite modern then? -Yes. | 0:20:18 | 0:20:23 | |
And it comes with a garage, I'm guessing? | 0:20:23 | 0:20:25 | |
-It does come with a garage. -Cool. -And seven acres of land. -Wow! -Each? | 0:20:25 | 0:20:30 | |
You do have to share it! You've got seven neighbours | 0:20:30 | 0:20:33 | |
-but you are surrounded by countryside here. -Fantastic. | 0:20:33 | 0:20:36 | |
I can tell you're both really energised, aren't you? | 0:20:36 | 0:20:39 | |
Look at that smile, how can I resist? Let's go. | 0:20:39 | 0:20:42 | |
Well, we've got off to an excellent start with this house | 0:20:42 | 0:20:45 | |
and I feel quietly confident that things will continue | 0:20:45 | 0:20:48 | |
in the same positive manner once we venture inside. | 0:20:48 | 0:20:51 | |
I've brought you through the back door | 0:20:51 | 0:20:53 | |
because we are in the country and that seems to be the norm. | 0:20:53 | 0:20:56 | |
You walk into this splendid kitchen, would it be fair to say? | 0:20:56 | 0:20:59 | |
-Yes, I like the look of this kitchen, it's gorgeous. -Modern, clean lines. | 0:20:59 | 0:21:03 | |
-Very nice. -It is beautiful. -Ready to move into. -Yes, very much so. | 0:21:03 | 0:21:06 | |
You wouldn't need to do a thing, would you? | 0:21:06 | 0:21:08 | |
-No. -No, no. Except unpack! | 0:21:08 | 0:21:11 | |
It's got such a lovely feeling the minute you walk in. | 0:21:11 | 0:21:14 | |
-You both had a very good vibe outside. -Instantly. | 0:21:14 | 0:21:18 | |
It feels like a home away from home. | 0:21:18 | 0:21:20 | |
So we're loving the kitchen. | 0:21:22 | 0:21:24 | |
Here we've got... I'm going to call it our first sitting room because | 0:21:24 | 0:21:29 | |
I'm going to take you through here and show you a little bit more. | 0:21:29 | 0:21:32 | |
There is an additional sitting room come study here. | 0:21:34 | 0:21:38 | |
This would make a great sort of studio, workroom, wouldn't it? | 0:21:40 | 0:21:43 | |
I really like the space, I like the way it is so clean and open, | 0:21:43 | 0:21:47 | |
very practical and very flexible. | 0:21:47 | 0:21:49 | |
So you probably wouldn't change this, you'd leave it as it is? | 0:21:49 | 0:21:52 | |
I would cos you can literally close the door on work and then go | 0:21:52 | 0:21:54 | |
and enjoy yourself next door, which would be brilliant. | 0:21:54 | 0:21:57 | |
Amanda, come on, what do you think? | 0:21:57 | 0:21:59 | |
No, I think it's fantastic, gorgeous, ready to move into. | 0:21:59 | 0:22:02 | |
OK, I'll help you pack. | 0:22:02 | 0:22:03 | |
-You can always bring Amanda with you. -Any time! | 0:22:03 | 0:22:06 | |
Always bring Amanda with you when you're looking for properties. | 0:22:06 | 0:22:09 | |
-She knows. -You've got an open invitation or year-round! -Thank you. | 0:22:09 | 0:22:12 | |
Upstairs there's an immaculate family bathroom which should suit | 0:22:13 | 0:22:16 | |
Ann's preference for contemporary decor. | 0:22:16 | 0:22:19 | |
There's also a generous guest bedroom with a large skylight | 0:22:19 | 0:22:22 | |
that lets the sun pour in and then there is the equally | 0:22:22 | 0:22:25 | |
light and bright master bedroom. | 0:22:25 | 0:22:27 | |
-Oh, my goodness! -So we have a large set of in-built wardrobes there, | 0:22:28 | 0:22:33 | |
some more here, | 0:22:33 | 0:22:34 | |
plus an en-suite. | 0:22:34 | 0:22:36 | |
-Lovely. -And what do you think about the size? | 0:22:36 | 0:22:39 | |
It's lovely, it's really lovely. | 0:22:39 | 0:22:42 | |
Again you could just move straight in | 0:22:42 | 0:22:44 | |
and it's light, it's airy, it's clean, | 0:22:44 | 0:22:46 | |
it's got a lovely nice sort of solidity to it. | 0:22:46 | 0:22:49 | |
-I'm impressed. -Yes! | 0:22:49 | 0:22:51 | |
-Yes! Amanda? -Yes, it's fantastic. It's lovely. | 0:22:51 | 0:22:55 | |
We've got a little find here, haven't we? Let's step outside. | 0:22:55 | 0:22:59 | |
There is one final part of the jigsaw to take care of, | 0:22:59 | 0:23:02 | |
-isn't there, ladies? -Yes. | 0:23:02 | 0:23:04 | |
Money. Come on. | 0:23:04 | 0:23:05 | |
As well as the shared space outside, | 0:23:08 | 0:23:11 | |
which includes the lovely planted courtyard we entered from, | 0:23:11 | 0:23:14 | |
the house also has its own private patio area | 0:23:14 | 0:23:17 | |
which comes off the sitting room and a beautiful secluded garden. | 0:23:17 | 0:23:21 | |
It's a very nice garden. | 0:23:21 | 0:23:23 | |
Not only does it have this, but that view behind you. | 0:23:23 | 0:23:26 | |
It's gorgeous, really lovely view. | 0:23:26 | 0:23:29 | |
-The paddock behind us, that is included. -Wow! | 0:23:29 | 0:23:32 | |
Now, you're used to having neighbours very close by to you | 0:23:32 | 0:23:35 | |
but it's not too bad here, is it? | 0:23:35 | 0:23:38 | |
No, there's huge amounts of privacy with the garden | 0:23:38 | 0:23:40 | |
and actually just enough local life around you here | 0:23:40 | 0:23:43 | |
so that you don't feel too remote, which is good. | 0:23:43 | 0:23:46 | |
-Is this part of the dream? -Yes. | 0:23:46 | 0:23:49 | |
-Are we getting close? -Yes. -Amanda? | 0:23:49 | 0:23:51 | |
I think she just woke up. I think this is it. | 0:23:51 | 0:23:54 | |
You said Amanda is a good gauge, that she would know | 0:23:54 | 0:23:56 | |
if a property was right for you. | 0:23:56 | 0:23:59 | |
What do you think, Amanda? | 0:23:59 | 0:24:01 | |
I think it's got your name on it. | 0:24:01 | 0:24:03 | |
Ooh! | 0:24:03 | 0:24:04 | |
How much do you think the asking price is? | 0:24:04 | 0:24:07 | |
Well, I would say I think it's on the market for about £399,000. | 0:24:07 | 0:24:13 | |
-So just literally... -Just under your budget. -Yes, yes, yes. | 0:24:13 | 0:24:16 | |
-Amanda? -I'm going with 389. | 0:24:16 | 0:24:20 | |
-Amanda is closest. -Really? -Yes! -Again. | 0:24:20 | 0:24:23 | |
The asking price is £375,000. | 0:24:23 | 0:24:25 | |
-ANN GASPS -Wow! | 0:24:25 | 0:24:29 | |
That is very compelling. | 0:24:29 | 0:24:31 | |
I'm going to have to think quite seriously about this. | 0:24:31 | 0:24:33 | |
Go and have another look, | 0:24:33 | 0:24:35 | |
see if you can visualise yourself living in there full-time. | 0:24:35 | 0:24:38 | |
-I think I can! Off you go. -Thank you. | 0:24:38 | 0:24:40 | |
£25,000 below Ann's maximum budget, | 0:24:43 | 0:24:46 | |
this beautifully converted barn gives her the open flexible space | 0:24:46 | 0:24:50 | |
she loves, as well as the clean-lined contemporary decor. | 0:24:50 | 0:24:54 | |
It includes a really spacious kitchen diner, | 0:24:54 | 0:24:57 | |
upstairs there are two bedrooms | 0:24:57 | 0:24:58 | |
and there's a third potential bedroom downstairs, | 0:24:58 | 0:25:01 | |
which is currently being used as an office. | 0:25:01 | 0:25:04 | |
Outside, as well as seven acres of shared land, | 0:25:04 | 0:25:07 | |
there's a private garden with extraordinary views. | 0:25:07 | 0:25:10 | |
-This is gorgeous. -This is another nice room, isn't it? | 0:25:13 | 0:25:17 | |
It's hard not to like it. | 0:25:17 | 0:25:18 | |
As soon as I saw this property I thought, "Well, | 0:25:18 | 0:25:21 | |
"we might be onto something here," because the brickwork is gorgeous, | 0:25:21 | 0:25:24 | |
it's quite old, you can get that sense of it, | 0:25:24 | 0:25:27 | |
but inside it's really well done, too, | 0:25:27 | 0:25:29 | |
so it's got the modern and it's got the established building, | 0:25:29 | 0:25:33 | |
you know, very rural, and I like that combination. | 0:25:33 | 0:25:36 | |
I think this property suits Ann down to the ground. | 0:25:36 | 0:25:39 | |
When we thought about what she would want | 0:25:39 | 0:25:41 | |
and what she was looking for, this absolutely does it. | 0:25:41 | 0:25:44 | |
-Smiling faces are always a good sign. -Yes, it is. | 0:25:44 | 0:25:48 | |
So, are we ending today on a high? | 0:25:48 | 0:25:50 | |
-I think so. -I would say so. -Yes? Yes? | 0:25:50 | 0:25:53 | |
-Definitely. It definitely hits the spot. -Good. | 0:25:53 | 0:25:56 | |
I have to drag you away now. That's it. More tomorrow, come on. | 0:25:56 | 0:25:59 | |
It's the second day of our property search here in Devon | 0:26:07 | 0:26:10 | |
and, with a budget of £400,000, | 0:26:10 | 0:26:12 | |
Ann, with the help of her friend Amanda, | 0:26:12 | 0:26:15 | |
is hoping to find a home that pretty much has everything her current | 0:26:15 | 0:26:18 | |
East London loft apartment offers but in a tranquil, rural setting. | 0:26:18 | 0:26:23 | |
Coming up, our mystery house delivers one or two surprises. | 0:26:23 | 0:26:27 | |
-No way! -That's incredible. -No way. | 0:26:27 | 0:26:31 | |
'And I learned some ancient tanning techniques | 0:26:31 | 0:26:33 | |
'at a one-of-a-kind family business.' | 0:26:33 | 0:26:36 | |
God, it's heavy! | 0:26:36 | 0:26:37 | |
Yesterday we showed Ann and her friend Amanda two properties | 0:26:39 | 0:26:43 | |
and they were surprised, pleasantly surprised, at the price. | 0:26:43 | 0:26:46 | |
And both seemed very smitten with our barn conversion, | 0:26:46 | 0:26:50 | |
which really puts the pressure on our third property | 0:26:50 | 0:26:53 | |
because today it's time for our mystery house | 0:26:53 | 0:26:56 | |
and this one's a real gem. | 0:26:56 | 0:26:57 | |
Now, Ann said she wants to take the best of her city dwelling | 0:26:57 | 0:27:01 | |
and transport it to the countryside. | 0:27:01 | 0:27:03 | |
Well, some might say that's a tall order | 0:27:03 | 0:27:06 | |
but with our mystery house I think we may have achieved it. | 0:27:06 | 0:27:09 | |
Our final destination takes us from South Devon into East Devon | 0:27:11 | 0:27:16 | |
to the village of Wilmington, | 0:27:16 | 0:27:17 | |
which is about an hour's drive from Totnes. | 0:27:17 | 0:27:19 | |
The nearest town, just over three miles away, is Honiton. | 0:27:19 | 0:27:23 | |
Aside from its lace-making heritage, | 0:27:23 | 0:27:25 | |
this appealing centre is one of the main shopping hubs for East Devon, | 0:27:25 | 0:27:28 | |
and is well-known for its array of antique shops | 0:27:28 | 0:27:31 | |
which attracts collectors from all over the country. | 0:27:31 | 0:27:34 | |
Our mystery house is just a short drive from the town. | 0:27:34 | 0:27:37 | |
But, before I show Anne and Amanda the actual property, | 0:27:37 | 0:27:40 | |
there's something I'd like them to see first. | 0:27:40 | 0:27:43 | |
So I've brought you to show you this property. | 0:27:44 | 0:27:48 | |
But it's not what it seems. | 0:27:48 | 0:27:49 | |
Mmm. | 0:27:49 | 0:27:51 | |
-Intrigued? -Very. | 0:27:51 | 0:27:52 | |
Any ideas what the mystery might be? | 0:27:52 | 0:27:54 | |
Not a clue. | 0:27:54 | 0:27:55 | |
I like it when this happens. | 0:27:55 | 0:27:58 | |
OK, well, this isn't your mystery house, | 0:27:58 | 0:28:01 | |
but it is part of the mystery tour. | 0:28:01 | 0:28:04 | |
-See that green door there? -Yeah. -Follow me. -OK. | 0:28:05 | 0:28:08 | |
'Although this fabulous Grade II listed Georgian mansion | 0:28:08 | 0:28:11 | |
'isn't the mystery house, it is closely connected to it. | 0:28:11 | 0:28:15 | |
'Inside, there are some features that I think | 0:28:15 | 0:28:17 | |
'Anne might find rather appealing.' | 0:28:17 | 0:28:19 | |
Now, how important are your creature comforts to you? | 0:28:22 | 0:28:25 | |
Highly important. | 0:28:25 | 0:28:26 | |
-This is great. This is wonderful. -Bit of a surprise? | 0:28:26 | 0:28:30 | |
This could be home from home. | 0:28:30 | 0:28:31 | |
Gym's next-door. | 0:28:31 | 0:28:33 | |
Pool, Jacuzzi, steam room, sauna. | 0:28:33 | 0:28:35 | |
-Perfect. -All within this one building. | 0:28:35 | 0:28:38 | |
I really like this. | 0:28:38 | 0:28:40 | |
How close do you think the mystery house is? | 0:28:40 | 0:28:41 | |
I'm hoping it's very convenient. | 0:28:41 | 0:28:44 | |
-Shall we take a look, you two? -Yes. -Come on. | 0:28:44 | 0:28:47 | |
The mansion house was built in 1830 as a home | 0:28:49 | 0:28:52 | |
for a wealthy local landowner. | 0:28:52 | 0:28:54 | |
But around 35 years ago it was developed into a hotel, | 0:28:54 | 0:28:57 | |
and buildings were added to the back of the property | 0:28:57 | 0:29:00 | |
to house extra guest facilities. | 0:29:00 | 0:29:02 | |
That's where we're heading now, | 0:29:02 | 0:29:04 | |
because one of those buildings happens to be the home | 0:29:04 | 0:29:06 | |
we're hoping to tempt Anne with. | 0:29:06 | 0:29:08 | |
So, through the garden gate... | 0:29:09 | 0:29:12 | |
to our mystery house. | 0:29:12 | 0:29:14 | |
OK. | 0:29:15 | 0:29:17 | |
In total, there are 31 houses / apartments | 0:29:17 | 0:29:20 | |
-in this whole place. -Right. | 0:29:20 | 0:29:22 | |
All in about ten acres of communal grounds. | 0:29:22 | 0:29:26 | |
Looked after, so you don't have to go gardening, | 0:29:26 | 0:29:28 | |
but what is wonderful about this apartment | 0:29:28 | 0:29:30 | |
is that it has its own garden. | 0:29:30 | 0:29:31 | |
Yeah, it's a nice-sized garden. | 0:29:31 | 0:29:33 | |
-Plus two parking spaces just by your gate. -Perfect. And views, as well. | 0:29:33 | 0:29:37 | |
And spectacular views. | 0:29:37 | 0:29:39 | |
-Your apartment is upstairs. -Right. | 0:29:40 | 0:29:44 | |
It's a wonderful property. I can't wait to take you inside. | 0:29:44 | 0:29:47 | |
-Shall we start? -Yes, please. | 0:29:47 | 0:29:48 | |
'When this place stopped functioning as a hotel in the late-1990s, | 0:29:50 | 0:29:53 | |
'it was divided up and converted | 0:29:53 | 0:29:55 | |
'into the private apartments we can see today. | 0:29:55 | 0:29:58 | |
'The one that we're hoping Anne might call home | 0:29:58 | 0:30:00 | |
'used to be the hotel restaurant.' | 0:30:00 | 0:30:03 | |
-Wow, it's wide and open. -Oh, my goodness. | 0:30:03 | 0:30:06 | |
I can hear great comments behind me, but step in here. | 0:30:06 | 0:30:09 | |
-Oh, what a lovely room! -Oh, wow. This is gorgeous. | 0:30:09 | 0:30:13 | |
Who'd have known? | 0:30:13 | 0:30:14 | |
You've got such a fantastic view. | 0:30:14 | 0:30:16 | |
It's a studio type of space, which is what I really like about it. | 0:30:16 | 0:30:19 | |
It's got the antiquity of the building, | 0:30:19 | 0:30:21 | |
but then it's got this lovely studio vibe, as well. | 0:30:21 | 0:30:24 | |
It's a brilliant combination. | 0:30:24 | 0:30:26 | |
-Who'd like to see a little bit more? -Yes, please. -Yes. | 0:30:26 | 0:30:29 | |
The all-important kitchen, with an extremely high ceiling. | 0:30:31 | 0:30:35 | |
-Fabulous. -It's great. | 0:30:35 | 0:30:37 | |
It's got everything, by the looks of it, pretty much. | 0:30:37 | 0:30:40 | |
It's a nice layout. | 0:30:40 | 0:30:42 | |
You could do a lot of creative cookery in here. | 0:30:42 | 0:30:44 | |
It's more than a property, it's a lifestyle, kind of readymade. | 0:30:44 | 0:30:47 | |
-We're getting close, aren't we, Amanda? -Very close. | 0:30:47 | 0:30:49 | |
'I thought we did well yesterday with the barn conversion | 0:30:49 | 0:30:52 | |
'but, going on their reactions today, | 0:30:52 | 0:30:54 | |
'I'm thinking this place might just end up surpassing it. | 0:30:54 | 0:30:57 | |
'I have a feeling the room I'm about to show them | 0:30:57 | 0:31:00 | |
'could help tip the balance.' | 0:31:00 | 0:31:02 | |
And if that sitting room wasn't enough for you, | 0:31:02 | 0:31:04 | |
-we've also got up here. -Oh, wow. | 0:31:04 | 0:31:07 | |
-Oh, my word. -It's like being in a lighthouse. -Yes! | 0:31:07 | 0:31:12 | |
I really like that, and the thing that's really speaking to me | 0:31:12 | 0:31:15 | |
is the fact that it's galleried, because that's what I'm used to. | 0:31:15 | 0:31:19 | |
-Yeah. -And to be able to see over and have that openness of space, | 0:31:19 | 0:31:23 | |
it feels great, actually. Really nice. | 0:31:23 | 0:31:25 | |
Ooh, you do like it! I can hear the emotion. | 0:31:25 | 0:31:30 | |
Amanda, what feeling does it give you? | 0:31:30 | 0:31:32 | |
It just feels really bang-on right. | 0:31:32 | 0:31:35 | |
Beautiful space, you can't not like it. | 0:31:35 | 0:31:38 | |
-Well, let's crack on. Deep breath. -Mm-hmm. -Bedrooms next. | 0:31:38 | 0:31:43 | |
-Oh, gosh, yeah. -Amanda, if you wouldn't mind leading the way. | 0:31:43 | 0:31:45 | |
Back down on the first floor of this very uniquely shaped property | 0:31:48 | 0:31:52 | |
is where most of the accommodation is located. | 0:31:52 | 0:31:54 | |
Next to the large living space we looked at earlier | 0:31:54 | 0:31:57 | |
is where the two bedrooms can be found. | 0:31:57 | 0:31:59 | |
One of those is a very generous guest room with the same | 0:31:59 | 0:32:02 | |
wrap-around sunlight we've seen in the rest of the apartment, | 0:32:02 | 0:32:05 | |
and next to that is the family bathroom. | 0:32:05 | 0:32:07 | |
The other bedroom is the master, which is where we're headed now. | 0:32:07 | 0:32:11 | |
Oh, my goodness. | 0:32:13 | 0:32:14 | |
I love you two, cos as I walk through the door I can hear, | 0:32:14 | 0:32:17 | |
"Ooh, wow, oh, my goodness." | 0:32:17 | 0:32:19 | |
I thought that room was nice, but this is really good. | 0:32:19 | 0:32:22 | |
Oh, there's a balcony! | 0:32:22 | 0:32:24 | |
-So I take it you both like this room? -Oh, it's beautiful. | 0:32:24 | 0:32:27 | |
It's just such a beautiful feeling in this room. | 0:32:27 | 0:32:31 | |
Plenty of storage, we've also got an en-suite bathroom. | 0:32:31 | 0:32:34 | |
AMANDA SIGHS DEEPLY | 0:32:35 | 0:32:37 | |
-London's suddenly feeling really -passe. Good! Good. | 0:32:37 | 0:32:42 | |
Why don't we go back downstairs into your garden? See, I've already | 0:32:43 | 0:32:47 | |
called it yours. Cos there is one more thing we do have to discuss. | 0:32:47 | 0:32:51 | |
-Money. After you. -OK. | 0:32:51 | 0:32:53 | |
Outside in the ten acres of managed grounds there are beautiful | 0:32:56 | 0:33:00 | |
formal gardens and some wonderful wooded areas | 0:33:00 | 0:33:02 | |
which I'm told are regularly visited by deer. | 0:33:02 | 0:33:05 | |
So, I've brought you round to this side, this is the communal part, | 0:33:07 | 0:33:10 | |
and also you can see the mystery house | 0:33:10 | 0:33:12 | |
-from a different angle. -BOTH: Mmm. | 0:33:12 | 0:33:13 | |
Look at those wonderful balconies. | 0:33:13 | 0:33:15 | |
It's a lovely courtyard, this, isn't it? | 0:33:15 | 0:33:18 | |
-Feels quite regal. -Yes, it does. | 0:33:18 | 0:33:20 | |
I love the serenity of this place, the environment, | 0:33:20 | 0:33:23 | |
it's got a certain Italian feeling to it. | 0:33:23 | 0:33:26 | |
So, for the final time, we've got | 0:33:26 | 0:33:28 | |
to guess the price for the mystery house. | 0:33:28 | 0:33:31 | |
Am I going first? | 0:33:31 | 0:33:32 | |
Yeah, you've been right both times so far, so I'll follow your lead. | 0:33:32 | 0:33:36 | |
-I'm going to guess 398,000. -Right. | 0:33:36 | 0:33:39 | |
Well, I said to myself if it was under 400 I'd be amazed, | 0:33:41 | 0:33:45 | |
so I'm going to say 415. | 0:33:45 | 0:33:49 | |
-The good news is...it is under your budget. -How much is it? | 0:33:49 | 0:33:55 | |
£335,000. | 0:33:55 | 0:33:58 | |
-No way. -That's incredible! -No way. Even I feel emotional now. | 0:34:00 | 0:34:05 | |
-I'm just completely gobsmacked. -There are tears, in a good way. | 0:34:05 | 0:34:10 | |
Yes, yes. | 0:34:10 | 0:34:12 | |
It's come as a bit of a surprise, you can dry your eyes, | 0:34:12 | 0:34:15 | |
go and have another look around. | 0:34:15 | 0:34:17 | |
Do take your time, and give me a shout when you're ready. | 0:34:17 | 0:34:21 | |
-BOTH: OK. -Thanks, girls. | 0:34:21 | 0:34:23 | |
(Yes!) | 0:34:25 | 0:34:26 | |
You don't want to get your hopes up, | 0:34:28 | 0:34:29 | |
because you never know what people's reactions are going to be, | 0:34:29 | 0:34:33 | |
but this mystery house is absolutely perfect for Ann, | 0:34:33 | 0:34:38 | |
it gives her everything she wants with this move. | 0:34:38 | 0:34:42 | |
This wonderfully unique apartment is, to use Ann's words, | 0:34:43 | 0:34:46 | |
a gobsmacking £65,000 below her maximum budget and it manages to | 0:34:46 | 0:34:52 | |
fulfil pretty much every requirement | 0:34:52 | 0:34:53 | |
of her rather challenging brief. | 0:34:53 | 0:34:56 | |
It has two spacious, flexible living rooms and two large bedrooms, | 0:34:56 | 0:35:00 | |
both with their own balconies. | 0:35:00 | 0:35:02 | |
There's all-day sun, | 0:35:02 | 0:35:04 | |
360 degree views and a private garden. | 0:35:04 | 0:35:07 | |
Last but not least are those all-important leisure facilities | 0:35:07 | 0:35:10 | |
just a very short stroll across the grounds. | 0:35:10 | 0:35:13 | |
I wasn't expecting to find a place like this. | 0:35:13 | 0:35:17 | |
The woodland setting is gorgeous, it's very tranquil, | 0:35:17 | 0:35:21 | |
I love the Italian nature of the courtyard setting and the balcony. | 0:35:21 | 0:35:26 | |
Can you imagine just relaxing and taking in all of this? | 0:35:26 | 0:35:30 | |
It's like being on holiday. | 0:35:30 | 0:35:32 | |
I would really describe this as pretty close | 0:35:32 | 0:35:34 | |
to my ideal in terms of something in the country that's comparable | 0:35:34 | 0:35:39 | |
to what I've been living in London. | 0:35:39 | 0:35:41 | |
I would give this property absolutely ten out of ten. | 0:35:41 | 0:35:44 | |
The proportions, the spaciousness, the light - | 0:35:44 | 0:35:48 | |
everything about it is completely spectacular, | 0:35:48 | 0:35:50 | |
and I'm really, really happy that Nicki showed it to us. | 0:35:50 | 0:35:54 | |
I feel a little bit mean dragging you away. | 0:35:55 | 0:35:58 | |
-Well, I might be coming back. -Yeah? | 0:35:58 | 0:36:00 | |
I shall be handing you the keys, perhaps. | 0:36:00 | 0:36:02 | |
Ah, but on that note, let's go somewhere we can sit down | 0:36:02 | 0:36:05 | |
and talk about the merits of the mystery house | 0:36:05 | 0:36:07 | |
and the other properties you've seen. | 0:36:07 | 0:36:09 | |
In the mid 1800s, Devon was one of the | 0:36:15 | 0:36:17 | |
largest leather production centres in England, | 0:36:17 | 0:36:19 | |
with well over 100 tan yards operating throughout the country. | 0:36:19 | 0:36:24 | |
A vital ingredient used in the tanning process | 0:36:24 | 0:36:27 | |
at that time was oak bark. | 0:36:27 | 0:36:28 | |
But, at the end of the 19th century, chemical alternatives | 0:36:28 | 0:36:31 | |
were introduced that speeded up the process | 0:36:31 | 0:36:34 | |
and many of the traditional tanners were forced to close down. | 0:36:34 | 0:36:38 | |
One resilient family in Colyton, East Devon, however, | 0:36:38 | 0:36:41 | |
managed to hang on to the tried and true methods | 0:36:41 | 0:36:44 | |
and have been practising them for 150 years. | 0:36:44 | 0:36:48 | |
Today, they're the only remaining oak bark tannery in Britain. | 0:36:48 | 0:36:52 | |
Current manager of the business | 0:36:52 | 0:36:54 | |
is fifth generation family member Andrew Parr. | 0:36:54 | 0:36:57 | |
Andrew, good to meet you, thank you for inviting us to your tannery, | 0:36:57 | 0:37:00 | |
which is enormous, but can you explain, what exactly is a tannery? | 0:37:00 | 0:37:06 | |
Yes, tanning is a process of converting a raw material - | 0:37:06 | 0:37:09 | |
a hide in this case - from raw material, | 0:37:09 | 0:37:12 | |
which will putrefy and go off, into leather. | 0:37:12 | 0:37:14 | |
So once it's converted into leather, it can't revert to the raw state. | 0:37:14 | 0:37:18 | |
We're using oak bark, which is our main process. | 0:37:18 | 0:37:21 | |
So it's the oak bark that... Well, I suppose it's the magic ingredient. | 0:37:21 | 0:37:25 | |
It's where the tanning comes from, very much like making tea, | 0:37:25 | 0:37:27 | |
with soaking the tan out of the bark. | 0:37:27 | 0:37:30 | |
And that tan is unique, so if you have a chestnut or mimosa, each tan | 0:37:30 | 0:37:34 | |
is slightly different and produces a different type of leather. | 0:37:34 | 0:37:37 | |
The oak bark produces a light-weighing leather, | 0:37:37 | 0:37:40 | |
but it's very strong and hard-wearing. | 0:37:40 | 0:37:43 | |
'Andrew's introducing me | 0:37:43 | 0:37:45 | |
'to just a tiny glimpse of what's involved here, | 0:37:45 | 0:37:47 | |
'because from start to finish oak bark tanning takes 15 months | 0:37:47 | 0:37:52 | |
'and involves as many as 26 different processes.' | 0:37:52 | 0:37:54 | |
This is a coppice oak and it's a bit like a weed. | 0:37:54 | 0:37:58 | |
You cut it and it'll regrow from the stool, | 0:37:58 | 0:38:00 | |
and 15, 20 years later you can go back and cut it again. | 0:38:00 | 0:38:04 | |
-So it's all sustainable then. -Yeah, it's all sustainable. | 0:38:04 | 0:38:07 | |
The tannin is mostly in the outside of the bark, | 0:38:07 | 0:38:10 | |
and that is protecting the tree, cos the tannin is a tannic acid, | 0:38:10 | 0:38:14 | |
and that preserves the tree from infections. | 0:38:14 | 0:38:18 | |
Since the family bought the tannery in 1862, | 0:38:18 | 0:38:21 | |
many of the production methods have remained the same, including the | 0:38:21 | 0:38:25 | |
grinding of the bark, which is still carried out using a water wheel. | 0:38:25 | 0:38:29 | |
You've got these teeth running here, | 0:38:29 | 0:38:31 | |
-you've got to be careful not to put your hand in. -Right. | 0:38:31 | 0:38:35 | |
Once the bark is ground, | 0:38:41 | 0:38:42 | |
it's steeped in pits of cold water to leach out the tannin. | 0:38:42 | 0:38:46 | |
The tannin filled water - known as "liquor" - is what is then used | 0:38:46 | 0:38:50 | |
to soak the hides in, and this all happens in the tan yard, | 0:38:50 | 0:38:53 | |
where today Alan and Dan are carrying out | 0:38:53 | 0:38:55 | |
a process known as "dusting". | 0:38:55 | 0:38:57 | |
Doesn't look like the dusting I do at home. | 0:38:57 | 0:38:59 | |
No, it isn't quite the same. | 0:38:59 | 0:39:00 | |
'They're layering hides that have already been soaking for | 0:39:00 | 0:39:03 | |
'six months on top of each other, adding fresh bark between each layer | 0:39:03 | 0:39:07 | |
'to ensure even coverage.' | 0:39:07 | 0:39:09 | |
The modern techniques that we're more used to today, | 0:39:09 | 0:39:12 | |
for example the belt I'm wearing here, | 0:39:12 | 0:39:15 | |
this will have been done with chemicals, I'm presuming? | 0:39:15 | 0:39:19 | |
Yeah, which takes about three weeks to a month. | 0:39:19 | 0:39:22 | |
That's the difference, so yours takes 15 months in total, | 0:39:22 | 0:39:25 | |
my belt might have taken a month. | 0:39:25 | 0:39:26 | |
-But it's obviously worth it. -It is, yeah, cos it's the extra strength | 0:39:26 | 0:39:30 | |
you get from tanning them slowly. | 0:39:30 | 0:39:31 | |
And it's this strength that has made the leather much | 0:39:32 | 0:39:35 | |
sought-after by manufacturers of high-end equestrian products. | 0:39:35 | 0:39:39 | |
And, fittingly, I'm finishing my tannery tour | 0:39:39 | 0:39:42 | |
by helping Malcolm here stain | 0:39:42 | 0:39:43 | |
some tanned leather which is destined to be made into horse bridles. | 0:39:43 | 0:39:47 | |
This is a valuable piece of leather, I'm not going to ruin it, am I? | 0:39:48 | 0:39:52 | |
No, it's not just the one stain, I stain this four times. | 0:39:52 | 0:39:56 | |
So if I come back to Devon in, say, 20 years' time, and I see | 0:39:56 | 0:39:59 | |
someone riding down a country lane, that might be my bridle... | 0:39:59 | 0:40:03 | |
-Yeah, every possibility. -Malcolm, thank you very much indeed. | 0:40:03 | 0:40:08 | |
That's all right, you're welcome. | 0:40:08 | 0:40:10 | |
So, that all went rather well, we even got tears from Ann | 0:40:13 | 0:40:17 | |
on our mystery property, but will she be putting in an offer? | 0:40:17 | 0:40:21 | |
Let's find out. | 0:40:21 | 0:40:22 | |
So, Ann, the dream was to leave the big smoke and move to Devon, | 0:40:24 | 0:40:28 | |
-are we still on track? -Definitely. | 0:40:28 | 0:40:31 | |
If anything, I've found more in Devon than I thought would be here. | 0:40:31 | 0:40:34 | |
And has anything changed for you, Amanda? | 0:40:34 | 0:40:36 | |
We brought you along, quality control, | 0:40:36 | 0:40:39 | |
-can you see her living here now? -Absolutely. | 0:40:39 | 0:40:41 | |
I couldn't before, as clearly as I wanted to, | 0:40:41 | 0:40:44 | |
but now we've been here for three days, yes, absolutely. | 0:40:44 | 0:40:48 | |
Sounding very good, very positive. | 0:40:48 | 0:40:50 | |
We did show you three splendid properties, | 0:40:50 | 0:40:54 | |
I don't mind saying so myself, but with a couple of them... | 0:40:54 | 0:40:57 | |
-Mm. -..we got quite a reaction, from the two of you. | 0:40:57 | 0:41:00 | |
I think the second and third ones, the mystery one particularly, | 0:41:00 | 0:41:03 | |
both of those really got my wind whirring in a way I'd hoped for, | 0:41:03 | 0:41:08 | |
but wasn't really expecting. | 0:41:08 | 0:41:10 | |
Cos we got tears, didn't we? | 0:41:10 | 0:41:12 | |
Was that because you were overcome with looking round the property, | 0:41:12 | 0:41:15 | |
or was it that your dream was going to be finally realised? | 0:41:15 | 0:41:18 | |
It becomes very much a prospect. | 0:41:18 | 0:41:21 | |
You think, "Oh, my goodness, this could happen," and you connect. | 0:41:21 | 0:41:26 | |
You connect with a life, what it might feel like being there, | 0:41:26 | 0:41:30 | |
and, yeah, it was quite an experience, really. | 0:41:30 | 0:41:34 | |
Do we have a favourite out of the two? | 0:41:34 | 0:41:36 | |
I think the mystery house was really something else. | 0:41:36 | 0:41:40 | |
It was unconventional, it had lots of space, | 0:41:40 | 0:41:42 | |
it was a beautiful setting and I was very taken with it. | 0:41:42 | 0:41:46 | |
So, what happens next? | 0:41:46 | 0:41:48 | |
The settings in the second and third were both lovely, | 0:41:48 | 0:41:51 | |
and what I need to do now is get to find out more about the | 0:41:51 | 0:41:54 | |
local area for each, just picture myself in the surroundings, | 0:41:54 | 0:41:58 | |
do a little bit more homework. | 0:41:58 | 0:41:59 | |
So, what I'm hoping to hear is that you're going | 0:41:59 | 0:42:01 | |
to go back and take another look. | 0:42:01 | 0:42:03 | |
I'm going to stay down a little longer and have another look. | 0:42:03 | 0:42:06 | |
-Are you? -Yes. -Go for a second viewing of the mystery? -Yes. | 0:42:06 | 0:42:09 | |
Well, all the very best. | 0:42:09 | 0:42:10 | |
I'm going to say you've brought a fantastic friend along with you. | 0:42:10 | 0:42:13 | |
-I have. -Thank you so much, Amanda. | 0:42:13 | 0:42:15 | |
And, Ann, we hope you're very happy here in Devon, | 0:42:15 | 0:42:17 | |
-cos I know you're going to make that move. -Thank you. | 0:42:17 | 0:42:20 | |
-Let me know how you get on. -I will. | 0:42:20 | 0:42:21 | |
We're going to come to the | 0:42:21 | 0:42:23 | |
-house-warming, aren't we? -Definitely. | 0:42:23 | 0:42:25 | |
Aww, I really thought we'd secured a sale here in Devon | 0:42:29 | 0:42:33 | |
with our mystery house - we even had tears. | 0:42:33 | 0:42:36 | |
But, I must admit, I don't blame Ann | 0:42:36 | 0:42:38 | |
for wanting to do just that little bit more homework | 0:42:38 | 0:42:41 | |
and really get to know the Honiton area before she's ready to commit. | 0:42:41 | 0:42:45 | |
I just hope this part of the region delivers as much as our | 0:42:45 | 0:42:49 | |
mystery house did, because, for me, they're made for each other. | 0:42:49 | 0:42:52 | |
I'll see you again, bye-bye. | 0:42:52 | 0:42:54 | |
Ann is still very interested in the mystery house | 0:42:56 | 0:42:59 | |
and plans to return for a second viewing very soon. | 0:42:59 | 0:43:03 | |
If you would like to escape to the country in Wales, Scotland, | 0:43:03 | 0:43:06 | |
Northern Ireland or England | 0:43:06 | 0:43:08 | |
and would like our help, please apply online at... | 0:43:08 | 0:43:11 |