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I'm at the highest point above sea level in the South East of England. | 0:00:02 | 0:00:05 | |
Higher even than the Shard. And if I look east, | 0:00:05 | 0:00:07 | |
the next highest point will be the Ural Mountains in Russia. | 0:00:07 | 0:00:11 | |
And this extraordinary elevation is due to the obsession of an | 0:00:11 | 0:00:14 | |
English country gentleman who wanted to turn his hill into a mountain. | 0:00:14 | 0:00:19 | |
Find out more in just a moment. | 0:00:19 | 0:00:22 | |
Today's couple searching for a new family home are American expats | 0:00:39 | 0:00:43 | |
looking for a true slice of British country living. | 0:00:43 | 0:00:46 | |
-It's cute! -It oozes charm. | 0:00:46 | 0:00:48 | |
Just the kind of house we like. | 0:00:48 | 0:00:50 | |
And our house hunt leaves our home buyers lost for words. | 0:00:50 | 0:00:54 | |
I'm speechless. How is that possible? | 0:00:54 | 0:00:57 | |
I'm definitely in trouble now. | 0:00:57 | 0:00:59 | |
Today we're in the Surrey Hills and this is Leith Hill Tower. | 0:01:01 | 0:01:04 | |
Now, back in the Georgian period, | 0:01:04 | 0:01:06 | |
a mountain was defined as something over 1,000 feet. | 0:01:06 | 0:01:10 | |
Now, while Leith Hill is very high, it's only 965 feet, | 0:01:10 | 0:01:14 | |
so frustratingly short of the mark. | 0:01:14 | 0:01:17 | |
Now, back in 1765, the hill's owner, Richard Hull, | 0:01:17 | 0:01:20 | |
decided that was not good enough. | 0:01:20 | 0:01:22 | |
And so in order to bring it up to mountain category, | 0:01:22 | 0:01:25 | |
he built this impressive 65-foot tall tower. | 0:01:25 | 0:01:28 | |
It still is one of the best viewing points in the South East | 0:01:28 | 0:01:31 | |
and it's said on a clear day that you can see 13 counties | 0:01:31 | 0:01:34 | |
and the English Channel, but there's more to Surrey than just views. | 0:01:34 | 0:01:39 | |
One of the Home Counties surrounding London, | 0:01:39 | 0:01:42 | |
Surrey, to the capital's south, is bordered by Berkshire to the west, | 0:01:42 | 0:01:45 | |
Kent to the east and West Sussex to the south. | 0:01:45 | 0:01:48 | |
Despite its proximity to London, | 0:01:49 | 0:01:51 | |
84% of the county is classed as countryside, | 0:01:51 | 0:01:54 | |
offering a magnificent collage of fields and hills | 0:01:54 | 0:01:57 | |
in contrasting shades of brilliant green. | 0:01:57 | 0:02:00 | |
Traversing the region from east to west, | 0:02:00 | 0:02:03 | |
the Surrey Hills are home to over 150 miles of walking paths which are | 0:02:03 | 0:02:08 | |
a welcome attraction for visitors, who are greeted by | 0:02:08 | 0:02:10 | |
spectacular views at every turn. | 0:02:10 | 0:02:12 | |
Throughout Surrey, classic English villages | 0:02:12 | 0:02:15 | |
display the intricate architecture the area's famous for. | 0:02:15 | 0:02:19 | |
Tudor beams stand proud on whitewashed buildings, | 0:02:19 | 0:02:23 | |
tall chimneys peer out of steep, pitched roofs | 0:02:23 | 0:02:25 | |
and you can see beautiful examples of tile hanging, | 0:02:25 | 0:02:29 | |
where the decorative clay tiles are laid vertically. | 0:02:29 | 0:02:32 | |
So with its superb scenery | 0:02:33 | 0:02:35 | |
and excellent train links to the capital, | 0:02:35 | 0:02:37 | |
there's no denying this diverse county | 0:02:37 | 0:02:40 | |
makes for a very desirable address. | 0:02:40 | 0:02:42 | |
There's no getting away from it, Surrey is extremely expensive. | 0:02:45 | 0:02:49 | |
In fact, after London, there is | 0:02:49 | 0:02:50 | |
a no more expensive place to buy property in the UK. | 0:02:50 | 0:02:53 | |
The average price for a detached house here is, wait for it, £575,00, | 0:02:53 | 0:02:58 | |
which is more than twice the national average. | 0:02:58 | 0:03:02 | |
To put that into perspective, | 0:03:02 | 0:03:04 | |
if you crossed the border into neighbouring West Sussex | 0:03:04 | 0:03:06 | |
and bought exactly the same sort of house, you could save £200,000. | 0:03:06 | 0:03:10 | |
So I'm hoping that today's buyers have deep, deep pockets. | 0:03:10 | 0:03:14 | |
Let's meet them. | 0:03:14 | 0:03:16 | |
American childhood sweethearts | 0:03:16 | 0:03:18 | |
Matt and his wife Catherine have lived in the UK since 2004. | 0:03:18 | 0:03:23 | |
We met when we were both in high school. | 0:03:23 | 0:03:25 | |
We reconnected in New York about eight years later. | 0:03:25 | 0:03:29 | |
Yep. | 0:03:29 | 0:03:30 | |
And the rest is history. | 0:03:30 | 0:03:32 | |
And then moved to London shortly after that. | 0:03:32 | 0:03:35 | |
They've been in this two-bedroomed flat in North London for three years | 0:03:35 | 0:03:39 | |
with their two sons, Harry, aged five, and Hatcher, one. | 0:03:39 | 0:03:43 | |
But they've decided it's time to up sticks | 0:03:43 | 0:03:45 | |
and experience a more rural British life. | 0:03:45 | 0:03:48 | |
Peace and quiet is a big deal for us | 0:03:48 | 0:03:50 | |
and where our flat is now, it is right along a major road, | 0:03:50 | 0:03:54 | |
so we do hear the noise and the cars and the sirens. | 0:03:54 | 0:03:57 | |
So it would be nice to be away from all the traffic | 0:03:57 | 0:04:00 | |
in the countryside. | 0:04:00 | 0:04:02 | |
Matt and Catherine are expecting their third son in four months. | 0:04:02 | 0:04:06 | |
The full-time mum is already looking to a greener future | 0:04:06 | 0:04:09 | |
as their family grows. | 0:04:09 | 0:04:11 | |
I just think it's time. We've done the city. | 0:04:11 | 0:04:13 | |
We've enjoyed it, we've taken advantage of it | 0:04:13 | 0:04:16 | |
and now we're ready to be adults | 0:04:16 | 0:04:18 | |
and move on to the next stage of our lives. | 0:04:18 | 0:04:20 | |
But Matt isn't quite sure he's ready to let go of city life. | 0:04:20 | 0:04:24 | |
I could probably do a couple more years in London. | 0:04:24 | 0:04:28 | |
Um...but I do see the benefits of living in the country. | 0:04:28 | 0:04:32 | |
More space, more space for the kids. | 0:04:32 | 0:04:34 | |
Just a more manageable lifestyle. | 0:04:34 | 0:04:39 | |
But a move is on the cards and it's Surrey they've got their eye on. | 0:04:39 | 0:04:43 | |
It'll give them country living within arm's reach of the city, | 0:04:43 | 0:04:46 | |
as lawyer Matt wants to be less than an hour | 0:04:46 | 0:04:49 | |
from his job in central London. | 0:04:49 | 0:04:51 | |
Ideally, I would like my commute to be | 0:04:51 | 0:04:53 | |
between 40 and 50 minutes door-to-door. | 0:04:53 | 0:04:56 | |
We need the house to be somewhat close to rail links | 0:04:56 | 0:05:01 | |
because I don't drive. | 0:05:01 | 0:05:03 | |
I don't have my UK driver's licence. | 0:05:03 | 0:05:06 | |
I can drive, but not in the UK legally. | 0:05:06 | 0:05:09 | |
With their flat under offer and their new arrival imminent, | 0:05:09 | 0:05:13 | |
Matt and Catherine are ready to begin the search | 0:05:13 | 0:05:16 | |
for the quintessentially British country home. | 0:05:16 | 0:05:18 | |
What I love about British countryside are the rolling hills. | 0:05:18 | 0:05:23 | |
I love the idea of walking along the paths and just looking | 0:05:23 | 0:05:27 | |
at the greenery, and the sunsets and the whole idea of being outside. | 0:05:27 | 0:05:32 | |
We don't know too much about the area | 0:05:33 | 0:05:35 | |
but we have friends who have moved out there from London | 0:05:35 | 0:05:38 | |
and it seems like an interesting place to bring our family. | 0:05:38 | 0:05:42 | |
Our buyers are happy to consider anywhere in Surrey, | 0:05:45 | 0:05:48 | |
as long as there are good rail links nearby | 0:05:48 | 0:05:50 | |
to get Matt back to the city for work. | 0:05:50 | 0:05:53 | |
We are concentrating our search in the south of the county | 0:05:53 | 0:05:55 | |
which will give Catherine the more rural setting she is after. | 0:05:55 | 0:05:59 | |
So, before we start looking for a typically British pad | 0:05:59 | 0:06:02 | |
for our American buyers, | 0:06:02 | 0:06:04 | |
I want to find out a little bit more about their plans. | 0:06:04 | 0:06:07 | |
-Welcome to Surrey, guys! -Thanks. | 0:06:07 | 0:06:09 | |
-We are all very excited about the third addition. -Thank you. | 0:06:09 | 0:06:13 | |
Would you like to be in the new place before we get...? | 0:06:13 | 0:06:16 | |
-Ideally, if it's possible. That would be perfect. -So, the pressure's on? | 0:06:16 | 0:06:19 | |
-The pressure is on, yes. -Tell us again how much you have to spend? | 0:06:19 | 0:06:23 | |
Ideally, no more than £1 million. | 0:06:23 | 0:06:26 | |
I like to think we could stretch it if we had to. | 0:06:26 | 0:06:28 | |
I would like to think we could go lower if we had to! | 0:06:28 | 0:06:31 | |
£1 million? We like having £1 million to spend, | 0:06:31 | 0:06:34 | |
although Surrey is one of the most expensive counties in the UK. | 0:06:34 | 0:06:37 | |
That's what we've heard. | 0:06:37 | 0:06:39 | |
Tell me about the house and what you're actually looking for. | 0:06:39 | 0:06:42 | |
For the country, I think we're looking at a period property. | 0:06:42 | 0:06:44 | |
Some nice features inside. | 0:06:44 | 0:06:47 | |
Outside space, proximity to schools, just a few things. | 0:06:47 | 0:06:52 | |
I think the outside is more important to me | 0:06:52 | 0:06:54 | |
than the inside, so if the outside matches the original character | 0:06:54 | 0:06:57 | |
of the time period, then the inside could be updated. | 0:06:57 | 0:07:00 | |
Are you looking for something different? | 0:07:00 | 0:07:02 | |
You could say I am hesitantly enthusiastic | 0:07:02 | 0:07:05 | |
about moving to the country. | 0:07:05 | 0:07:07 | |
I like the country, I like visiting the country, | 0:07:07 | 0:07:09 | |
but we live in central London. | 0:07:09 | 0:07:11 | |
My commute is very simple right now. | 0:07:11 | 0:07:14 | |
All our friends are in London and we have the conveniences | 0:07:14 | 0:07:17 | |
of living in the city, so I'm a bit more torn than Catherine, | 0:07:17 | 0:07:22 | |
who is ready to get on her riding pants and move out to the country. | 0:07:22 | 0:07:26 | |
I think we're looking for a minimum of four bedrooms. | 0:07:27 | 0:07:30 | |
I would like to keep my commute to around 45 or 50 minutes | 0:07:30 | 0:07:35 | |
door-to-door. | 0:07:35 | 0:07:36 | |
That might be quite a squeeze, | 0:07:36 | 0:07:38 | |
so are you willing to be a little flexible on that? | 0:07:38 | 0:07:40 | |
-I'm always a little flexible. -Very good. | 0:07:40 | 0:07:44 | |
We've got three lovely houses, one of which is the mystery house, | 0:07:44 | 0:07:46 | |
so let's go and have a look. | 0:07:46 | 0:07:48 | |
Sounds good, thank you. | 0:07:48 | 0:07:50 | |
There's no denying Matt and Catherine | 0:07:53 | 0:07:55 | |
have a very healthy budget. | 0:07:55 | 0:07:57 | |
They are looking for a character property with ample space | 0:07:57 | 0:07:59 | |
to accommodate their soon-to-be family of five. | 0:07:59 | 0:08:03 | |
And a big garden for their energetic boys to run around in. | 0:08:03 | 0:08:06 | |
Matt is the chef of the family | 0:08:06 | 0:08:08 | |
so he is hoping for a good-sized kitchen, | 0:08:08 | 0:08:10 | |
and with his job based in London, | 0:08:10 | 0:08:12 | |
he is willing to consider a commute into work of up to 90 minutes. | 0:08:12 | 0:08:16 | |
We've chosen some really stunning properties | 0:08:16 | 0:08:19 | |
which all have the centuries-old facade they love, | 0:08:19 | 0:08:22 | |
but each exterior hides a variety of characteristics inside | 0:08:22 | 0:08:25 | |
and they'll only discover the price tag once they've toured the house. | 0:08:25 | 0:08:30 | |
The final trip will be to the mystery house, which might not be | 0:08:30 | 0:08:33 | |
quite what they have asked for but will offer them | 0:08:33 | 0:08:35 | |
qualities above and beyond their wish list. | 0:08:35 | 0:08:38 | |
-What do you think of Surrey so far? -I love it. | 0:08:42 | 0:08:45 | |
I love the open fields and the houses along the road, they are very pretty. | 0:08:45 | 0:08:50 | |
I'm very impressed. | 0:08:50 | 0:08:52 | |
Matt, it feels like I'm going to have to work on you, | 0:08:52 | 0:08:54 | |
on your country skills and your country enthusiasm? | 0:08:54 | 0:08:58 | |
Maybe a bit, we'll see. I'm trying to keep an open mind. | 0:08:58 | 0:09:02 | |
We're kicking off our house hunt towards the south of Surrey | 0:09:07 | 0:09:10 | |
in the village of Cranleigh, 20 minutes' drive | 0:09:10 | 0:09:12 | |
from the county town of Guildford. | 0:09:12 | 0:09:14 | |
Cranleigh is the self-proclaimed largest village in England. | 0:09:14 | 0:09:19 | |
Its name is said to be derived from the crane breeding grounds | 0:09:19 | 0:09:22 | |
which were historically found in the area. | 0:09:22 | 0:09:24 | |
The elegant bird is celebrated around the village. | 0:09:24 | 0:09:28 | |
The locality offers residents a good selection of shops | 0:09:28 | 0:09:31 | |
and eateries, as well as an attractive cricket green. | 0:09:31 | 0:09:34 | |
Just a mile south of the village, | 0:09:36 | 0:09:38 | |
our first property is an interesting mix of eras | 0:09:38 | 0:09:41 | |
with a colourful story to tell. | 0:09:41 | 0:09:44 | |
Come on in. | 0:09:44 | 0:09:45 | |
-Yes, that's gorgeous. I love it. -This is your country house. | 0:09:46 | 0:09:49 | |
This could be it, Alistair! I'm excited. I love the view. | 0:09:49 | 0:09:53 | |
This is a very interesting, historic property you wanted. | 0:09:53 | 0:09:56 | |
This is as period as they come. | 0:09:56 | 0:09:58 | |
You can see it's in two halves. | 0:09:58 | 0:10:00 | |
-This half with the black and white dates back to around 1670. -Wow! | 0:10:00 | 0:10:05 | |
This part is a bit later in the 19th century. | 0:10:05 | 0:10:09 | |
-It was, until quite recently, the '90s, a pub. -Oh! | 0:10:09 | 0:10:13 | |
Called The Boy and Donkey. Actually, lots of locals remember coming here. | 0:10:13 | 0:10:18 | |
So where exactly are we right now? | 0:10:18 | 0:10:20 | |
We're quite south into Surrey, so to get this countryside, | 0:10:20 | 0:10:22 | |
you need to head to the south of the county. | 0:10:22 | 0:10:24 | |
It's a 45-minute train journey from Farnham back into London. | 0:10:24 | 0:10:29 | |
OK, and how far is the house from the train station? | 0:10:29 | 0:10:32 | |
We're 13 miles from Farnham. | 0:10:32 | 0:10:33 | |
Realistically, it's not going to be 45 minutes door-to-door. | 0:10:33 | 0:10:37 | |
This magnificent property couldn't be further removed from city life | 0:10:37 | 0:10:40 | |
and although the commute is longer than Matt would like ideally, | 0:10:40 | 0:10:44 | |
at one hour, 20 minutes from door to door, | 0:10:44 | 0:10:46 | |
it is less than the maximum journey time | 0:10:46 | 0:10:48 | |
of 90 minutes he is willing to travel. | 0:10:48 | 0:10:50 | |
We're heading straight for the kitchen, | 0:10:50 | 0:10:52 | |
the most important room in the house for keen cook, Matt. | 0:10:52 | 0:10:56 | |
-Step in these lovely concertina doors. -Gorgeous! | 0:10:56 | 0:10:59 | |
Exposed beams over there are very nice. | 0:10:59 | 0:11:02 | |
It is more modern than I would have thought from the outside. | 0:11:02 | 0:11:06 | |
But modern is good, some nice appliances, | 0:11:06 | 0:11:09 | |
-I could do some pretty good work in here. -It's a good size, too. | 0:11:09 | 0:11:13 | |
This is a later addition but you can see here, this would have been | 0:11:13 | 0:11:16 | |
the outside wall of the original 17th-century building. | 0:11:16 | 0:11:19 | |
This house is a veritable warren of rooms, both big and small, | 0:11:19 | 0:11:22 | |
and on the other side of the beamed wall is an imposing dining room. | 0:11:22 | 0:11:26 | |
-So here we are into the more historic part of the house. -Oh! | 0:11:26 | 0:11:30 | |
The masterpiece of the room seems to be this inglenook fireplace. | 0:11:32 | 0:11:37 | |
It's also got very high ceilings, | 0:11:37 | 0:11:39 | |
which is unusual for these period properties, | 0:11:39 | 0:11:42 | |
-which I love. -And double windows. | 0:11:42 | 0:11:45 | |
Through another old doorway, the sitting room is revealed | 0:11:45 | 0:11:48 | |
and with it, another handsome focal point. | 0:11:48 | 0:11:51 | |
-I think this inglenook might be better. -I love it! | 0:11:51 | 0:11:55 | |
That is incredible. | 0:11:55 | 0:11:57 | |
This was the 19th-century part, so this was the pub. | 0:11:57 | 0:12:00 | |
We're in the snug bit, there would be a public sitting room next door. | 0:12:00 | 0:12:04 | |
And a proper inglenook. | 0:12:04 | 0:12:06 | |
A proper inglenook. | 0:12:06 | 0:12:07 | |
Do you know the definition of a proper inglenook? | 0:12:07 | 0:12:09 | |
It has the benches. | 0:12:09 | 0:12:11 | |
-Indeed. -And it's a working fireplace as well? | 0:12:11 | 0:12:14 | |
-Yes, this is an open hearth so you can burn wood here. -That's lovely. | 0:12:14 | 0:12:18 | |
On the ground floor, there's also a large master bedroom | 0:12:20 | 0:12:23 | |
in what would have been the main room of the former pub. | 0:12:23 | 0:12:25 | |
There is also a utility-room-cum-shower-room, | 0:12:25 | 0:12:28 | |
as well as a family room and study. You seem to be very positive? | 0:12:28 | 0:12:33 | |
I think this is the style that we like. | 0:12:33 | 0:12:36 | |
Certainly the exterior and interior, | 0:12:36 | 0:12:39 | |
this is what we are looking for as far as a period property. | 0:12:39 | 0:12:42 | |
So far, so good. | 0:12:42 | 0:12:44 | |
So, a pleasing start. | 0:12:45 | 0:12:47 | |
Moving upstairs are the rest of the bedrooms and the family bathroom. | 0:12:47 | 0:12:51 | |
We're starting off in the middle sized room, overlooking fields | 0:12:51 | 0:12:54 | |
opposite the house. | 0:12:54 | 0:12:56 | |
A beautiful view from this room. | 0:12:56 | 0:12:57 | |
Oh, yeah, this is gorgeous. | 0:12:57 | 0:12:59 | |
There are four rooms up here. | 0:12:59 | 0:13:01 | |
A smaller room over there and then there's a room | 0:13:01 | 0:13:04 | |
connected to another small room that has a back staircase. | 0:13:04 | 0:13:08 | |
Again, higgledy-piggledy. | 0:13:08 | 0:13:09 | |
There's a bathroom upstairs and the new bathroom downstairs. | 0:13:09 | 0:13:13 | |
Great, it's plenty of space. | 0:13:13 | 0:13:14 | |
Plenty of room for the kids and guests as well, | 0:13:15 | 0:13:18 | |
so that ticks the box there. | 0:13:18 | 0:13:20 | |
So, the inside of this property, | 0:13:20 | 0:13:22 | |
which has grown over the centuries, gives Matt and Catherine | 0:13:22 | 0:13:25 | |
and their growing brood more than the four bedrooms they've asked for. | 0:13:25 | 0:13:30 | |
I think they will be just as happy when we step outside. | 0:13:30 | 0:13:33 | |
You have an outbuilding there and a shed. | 0:13:33 | 0:13:35 | |
Some space for chickens. | 0:13:35 | 0:13:38 | |
The house itself is incredible. | 0:13:39 | 0:13:41 | |
I think you have nailed our style exactly, what we are looking for. | 0:13:41 | 0:13:45 | |
-Views are amazing. -And it's safe. | 0:13:45 | 0:13:49 | |
I think the kids could safely play out here | 0:13:49 | 0:13:51 | |
and not worry about the road. | 0:13:51 | 0:13:53 | |
So there's a quirk in the freehold that I need to tell you about | 0:13:53 | 0:13:56 | |
that actually this line of trees here is actually your boundary. | 0:13:56 | 0:14:00 | |
Historically, this area is rented off a farmer for a peppercorn rent. | 0:14:00 | 0:14:05 | |
-OK. -It's a weird thing that sometimes happens in the countryside. | 0:14:05 | 0:14:09 | |
So basically, you pay £1 a year to the farmer | 0:14:09 | 0:14:12 | |
to rent this space, but it's not uncommon. | 0:14:12 | 0:14:14 | |
OK. That's good to know. | 0:14:14 | 0:14:16 | |
How much do you think it's on the market for? | 0:14:16 | 0:14:18 | |
That a good question. I'm not very good at this, | 0:14:18 | 0:14:20 | |
-I'll let Catherine go first. -I knew you would say that! | 0:14:20 | 0:14:23 | |
I'm going to say 925. | 0:14:23 | 0:14:25 | |
I was going to say a little bit higher than that, | 0:14:25 | 0:14:27 | |
so I will go with 955. | 0:14:27 | 0:14:29 | |
The house has been on the market for five months | 0:14:29 | 0:14:32 | |
and it hasn't dropped from its original price, | 0:14:32 | 0:14:34 | |
which was, brace yourselves... | 0:14:34 | 0:14:37 | |
£980,000. | 0:14:37 | 0:14:40 | |
So there's lots more to explore inside and also in the outhouse | 0:14:40 | 0:14:44 | |
and I will see you around the front. | 0:14:44 | 0:14:47 | |
Perfect. | 0:14:47 | 0:14:48 | |
At £20,000 below their generous £1 million budget, | 0:14:50 | 0:14:54 | |
this converted pub goes all out | 0:14:54 | 0:14:56 | |
to give Matt and Catherine everything they're looking for | 0:14:56 | 0:14:59 | |
in their new abode. | 0:14:59 | 0:15:00 | |
It's bursting with centuries-old charm and period features | 0:15:00 | 0:15:03 | |
and has more than enough rooms for their two sons | 0:15:03 | 0:15:06 | |
and soon-to-be new addition, | 0:15:06 | 0:15:08 | |
as well as visiting family and friends. | 0:15:08 | 0:15:10 | |
With a journey time into work for Matt of one hour, 20 minutes, | 0:15:10 | 0:15:14 | |
it would make commuting from this charming home | 0:15:14 | 0:15:16 | |
with its stunning views a real possibility. | 0:15:16 | 0:15:19 | |
I love the character. | 0:15:19 | 0:15:22 | |
I love the beam work on the outside. | 0:15:22 | 0:15:24 | |
I love the old and new, even though the new is 19th-century. | 0:15:24 | 0:15:29 | |
My two main concerns about the house | 0:15:29 | 0:15:31 | |
is the proximity to the train station and the overall commute. | 0:15:31 | 0:15:36 | |
I think the second bit is the road right here in the garden. | 0:15:36 | 0:15:40 | |
It does tend to be a bit noisy and that is very noticeable. | 0:15:40 | 0:15:44 | |
-Wow! -Nice little extra space. -Yeah. | 0:15:45 | 0:15:49 | |
A playroom for the kids or for me! | 0:15:49 | 0:15:51 | |
Overall, top marks for the house, top marks for the views | 0:15:53 | 0:15:57 | |
and the outdoor space. | 0:15:57 | 0:15:58 | |
It's really just those two issues that give me a bit of concern. | 0:15:58 | 0:16:03 | |
This spring weather is really selling this property to me, | 0:16:03 | 0:16:06 | |
-is it selling it to you? -Yes. -Good. | 0:16:06 | 0:16:09 | |
Don't get sold too soon because we have another one lined up. | 0:16:09 | 0:16:12 | |
-Are you ready? -Let's go. | 0:16:12 | 0:16:14 | |
In the far west of Surrey lies the market town of Farnham, | 0:16:18 | 0:16:21 | |
known for its fine examples of Georgian architecture. | 0:16:21 | 0:16:24 | |
The area is also historically recognised | 0:16:24 | 0:16:27 | |
for its pottery production, due to its rich supply of clay, | 0:16:27 | 0:16:30 | |
a fine grain soil and the raw ingredients of ceramics. | 0:16:30 | 0:16:35 | |
When Catherine was a student, she studied pottery | 0:16:35 | 0:16:37 | |
and it's something she's planning to take up again | 0:16:37 | 0:16:40 | |
in her new country life. | 0:16:40 | 0:16:41 | |
So, she and Matt have come to meet Guy Haynes at Farnham Pottery, | 0:16:41 | 0:16:45 | |
a local landmark he took over three years ago to learn | 0:16:45 | 0:16:48 | |
a little about the art form being produced here in Surrey. | 0:16:48 | 0:16:52 | |
Let me tell you a little bit about the pottery. | 0:16:52 | 0:16:54 | |
It's from the late 19th century | 0:16:54 | 0:16:56 | |
and it was what is called a country pottery. | 0:16:56 | 0:16:58 | |
Five generations were based here, just one family, the Harris family. | 0:16:58 | 0:17:02 | |
-Why is the pottery in this location? -Just the clay. | 0:17:02 | 0:17:05 | |
If you dig down here, it is like cutting chocolate, | 0:17:06 | 0:17:09 | |
it is literally very wet clay and it is superb for making pots. | 0:17:09 | 0:17:15 | |
At their peak, the potteries would have employed up to 30 people, | 0:17:15 | 0:17:17 | |
each producing around 1000 items a week. | 0:17:17 | 0:17:20 | |
Up until 14 years ago, | 0:17:21 | 0:17:22 | |
these old red brick buildings were in a state of disrepair. | 0:17:22 | 0:17:26 | |
Slowly, Guy is renovating them | 0:17:26 | 0:17:28 | |
to be used as a centre for crafts for the local community. | 0:17:28 | 0:17:32 | |
It's been a labour of love | 0:17:32 | 0:17:33 | |
to restore the pottery to its former glory | 0:17:33 | 0:17:35 | |
and in just three months, the work will be complete. | 0:17:35 | 0:17:38 | |
We are now in the glaze room where they applied glazes | 0:17:38 | 0:17:41 | |
to the more decorative pieces that they made. | 0:17:41 | 0:17:44 | |
Do these represent the spectrum of colours that they would use? | 0:17:44 | 0:17:47 | |
Yes, I think if you were coming here | 0:17:47 | 0:17:50 | |
and wanting to tile maybe some of your kitchen area, | 0:17:50 | 0:17:54 | |
you would literally be able to walk up to this wall | 0:17:54 | 0:17:56 | |
and this represented the samples | 0:17:56 | 0:17:58 | |
of the colours they could produce for you. | 0:17:58 | 0:18:00 | |
That was then but today professional ceramicist Ashley Howard | 0:18:00 | 0:18:04 | |
rents the studio from Guy and he's going to show Matt and Catherine | 0:18:04 | 0:18:08 | |
the ancient art of printing on clay tiles. | 0:18:08 | 0:18:11 | |
The tiles are made from red terracotta and the slips, | 0:18:11 | 0:18:14 | |
the coloured paints they'll be using, | 0:18:14 | 0:18:16 | |
are made from stained liquid clay. | 0:18:16 | 0:18:19 | |
They don't always reflect the colour that you are working with. | 0:18:19 | 0:18:22 | |
For example, this actually turns blue when it comes out of the kiln. | 0:18:22 | 0:18:26 | |
The designs are painted onto strips of cloth and are applied in layers, | 0:18:26 | 0:18:30 | |
allowing each colour to dry slightly before the next pattern is added. | 0:18:30 | 0:18:34 | |
I love how, when you put it in the kiln, | 0:18:34 | 0:18:35 | |
you don't know what's coming out. | 0:18:35 | 0:18:37 | |
I haven't done it in a very long time, this is a big treat for me. | 0:18:37 | 0:18:40 | |
How are you getting on down there, Matt? | 0:18:40 | 0:18:42 | |
I think I have a masterpiece here! | 0:18:42 | 0:18:44 | |
The finished designs are left to dry for 10 to 15 minutes | 0:18:44 | 0:18:47 | |
before Ashley applies white slip, which will become | 0:18:47 | 0:18:50 | |
the background colour when they are transferred to the tiles. | 0:18:50 | 0:18:53 | |
This, we shall lay in position and apply a little bit of pressure. | 0:18:53 | 0:18:58 | |
Then, as we peel the cloth back, all will be revealed. | 0:18:58 | 0:19:02 | |
There is your finished tile. Now, Matt, the masterpiece! | 0:19:03 | 0:19:09 | |
Fantastic! | 0:19:09 | 0:19:10 | |
The tiles will take a week to dry before being fired in the kiln | 0:19:10 | 0:19:13 | |
to set and then again to glaze. | 0:19:13 | 0:19:16 | |
It's not an instant process, but it has beautiful results. | 0:19:16 | 0:19:20 | |
It will be worth it because when your work is fired and finished, | 0:19:20 | 0:19:24 | |
it will last for ever. | 0:19:24 | 0:19:25 | |
Thank you so much. | 0:19:25 | 0:19:26 | |
It has been an absolute pleasure, good luck with your house hunt. | 0:19:26 | 0:19:30 | |
Thank you, Ashley, so nice to meet you. | 0:19:30 | 0:19:32 | |
For our second property, we are heading to the east of the county, | 0:19:34 | 0:19:37 | |
to the village of Okewood Hill, | 0:19:37 | 0:19:39 | |
10 miles south of the market town of Dorking. | 0:19:39 | 0:19:42 | |
Just two miles away from Okewood Hill is the larger village of Ockley | 0:19:42 | 0:19:46 | |
offering Matt all the conveniences he likes at his fingertips, | 0:19:46 | 0:19:50 | |
but in a beautiful English countryside setting. | 0:19:50 | 0:19:53 | |
There are welcoming pubs, | 0:19:53 | 0:19:55 | |
a farm shop selling freshly picked local produce, | 0:19:55 | 0:19:58 | |
and that all-important train link straight back into the city. | 0:19:58 | 0:20:02 | |
A five-minute drive takes us back to Okewood Hill for a bite to eat. | 0:20:02 | 0:20:06 | |
-There you go, your first Surrey pub lunch. Is it good? -Delicious. | 0:20:06 | 0:20:12 | |
Is this the sort of community feeling you're looking for, | 0:20:12 | 0:20:14 | |
-in terms of the area? -A nice pub nearby is definitely important. | 0:20:14 | 0:20:18 | |
-Would you like to live near this pub? -Where are you going with this? | 0:20:18 | 0:20:21 | |
-Would you like to live next door? -That would be very convenient! | 0:20:21 | 0:20:25 | |
-Then, let's go and look at it. -What! Wow! | 0:20:25 | 0:20:29 | |
Our second property is a five bedroom, double fronted period house | 0:20:31 | 0:20:35 | |
dating back to the late 18th century. | 0:20:35 | 0:20:37 | |
-What do you think? -It oozes charm. | 0:20:37 | 0:20:39 | |
-This is great, just the kind of house we like. -Is it? -It is. | 0:20:39 | 0:20:42 | |
You said that about the last one, is this any different? | 0:20:42 | 0:20:45 | |
-I think it is very similar. -Nice character, period house. | 0:20:45 | 0:20:49 | |
Interestingly, this was two cottages and it's now joined together as one. | 0:20:49 | 0:20:54 | |
-OK. -It's a very typical Surrey style with these two gables | 0:20:54 | 0:20:58 | |
and the lovely wooden turned work above the porch. | 0:20:58 | 0:21:01 | |
Actually, the owner here works in the city and it takes him | 0:21:01 | 0:21:05 | |
exactly 90 minutes door-to-door to his desk. | 0:21:05 | 0:21:08 | |
Can you imagine this being your home? | 0:21:08 | 0:21:11 | |
-Certainly, the house from the outside, yes. -Let's go in. | 0:21:11 | 0:21:14 | |
If they lived in this delightful character property, | 0:21:15 | 0:21:18 | |
Matt would have a slightly longer commute than he would like | 0:21:18 | 0:21:21 | |
to his office of one hour, 40 minutes, | 0:21:21 | 0:21:23 | |
but their dream setting is found in the south of the county, | 0:21:23 | 0:21:27 | |
which is further from the city. | 0:21:27 | 0:21:29 | |
Nevertheless, things have started well and long may that continue. | 0:21:29 | 0:21:32 | |
Come on in! Straight into the sitting room. | 0:21:34 | 0:21:37 | |
You can see this is where the two houses were knocked together. | 0:21:37 | 0:21:42 | |
That side used to be the kitchen of one house | 0:21:42 | 0:21:44 | |
and this has been knocked together as one big, long sitting room. | 0:21:44 | 0:21:48 | |
It's a nice space, very big. | 0:21:48 | 0:21:50 | |
I like it, it feels newer than the other house. | 0:21:50 | 0:21:53 | |
They have completely renovated it. | 0:21:53 | 0:21:56 | |
There was something more charming about the other one. | 0:21:56 | 0:21:59 | |
So there is a nice, sunny study at the end of the room, there. | 0:21:59 | 0:22:02 | |
-But it's the next room that I think you might like. -OK. | 0:22:02 | 0:22:06 | |
-Oh, this is lovely. -This is huge. | 0:22:10 | 0:22:12 | |
We thought this was a bit more what you had in mind | 0:22:12 | 0:22:14 | |
in terms of the big kitchen, dining space. | 0:22:14 | 0:22:16 | |
Absolutely, and it's much bigger. It's very nice. | 0:22:16 | 0:22:20 | |
I like the wood countertops and the old-school feel. | 0:22:20 | 0:22:23 | |
I like the butler sink, that is where I spend a lot of my time! | 0:22:23 | 0:22:28 | |
OK, very good. | 0:22:28 | 0:22:29 | |
This is, I think, a really lovely space, a big family breakfast room, | 0:22:29 | 0:22:33 | |
and it is heated, which is quite nice for a conservatory. | 0:22:33 | 0:22:35 | |
-That is nice. -I'm getting a slightly dampened vibe. | 0:22:35 | 0:22:39 | |
I don't know if it's too narrow. | 0:22:39 | 0:22:41 | |
I don't know if it is because the rooms are very rectangular, | 0:22:41 | 0:22:43 | |
that that feeling is turning me off. | 0:22:43 | 0:22:46 | |
But I think this room is very appealing. | 0:22:46 | 0:22:49 | |
I like the way it connects to the old house. | 0:22:49 | 0:22:51 | |
-I've always wanted a conservatory. -It's quite a property. | 0:22:51 | 0:22:55 | |
It continues, because we have another house to explore | 0:22:55 | 0:22:58 | |
in the dining room here. | 0:22:58 | 0:23:00 | |
This was the second half of the house. This is the dining room. | 0:23:04 | 0:23:10 | |
It's a very elegant room. | 0:23:10 | 0:23:11 | |
Through there is what they call the snug, | 0:23:11 | 0:23:13 | |
which was the sitting room of the original house. | 0:23:13 | 0:23:16 | |
The layout is perhaps more logical than the last house, | 0:23:16 | 0:23:19 | |
which was topsy-turvy. | 0:23:19 | 0:23:20 | |
We don't need logical, though, we're not very logical ourselves. | 0:23:20 | 0:23:24 | |
The kitchen may be a playground for cook Matt, | 0:23:24 | 0:23:27 | |
but Catherine has admitted there is something missing from this house, | 0:23:27 | 0:23:30 | |
but she's keeping an open mind. | 0:23:30 | 0:23:32 | |
Moving upstairs, there are two bathrooms, a single bedroom | 0:23:32 | 0:23:35 | |
and four bright doubles of roughly the same size. | 0:23:35 | 0:23:39 | |
We've come to one at the front of the house. | 0:23:39 | 0:23:42 | |
It's a little small, I don't really feel like a master bedroom, | 0:23:43 | 0:23:48 | |
but it's very quaint and very charming | 0:23:48 | 0:23:52 | |
and it does have high ceilings. | 0:23:52 | 0:23:55 | |
-It is a bit small, that's for sure. -Is the upstairs growing on you? | 0:23:55 | 0:23:58 | |
I like the upstairs better. | 0:23:58 | 0:24:00 | |
I think it's maybe the square feel to the rooms | 0:24:00 | 0:24:02 | |
that I like and the higher ceilings. | 0:24:02 | 0:24:05 | |
It's definitely nice | 0:24:05 | 0:24:06 | |
but I think it lacks a bit of the quirkiness of the first property. | 0:24:06 | 0:24:11 | |
I can see why you would have chosen it for us, certainly, | 0:24:11 | 0:24:15 | |
-but it doesn't pull me in. -It's not twanging on your heartstrings? | 0:24:15 | 0:24:19 | |
-It's not. It's not there. -I don't think so. | 0:24:19 | 0:24:23 | |
It's clear Matt and Catherine are looking for something unique | 0:24:24 | 0:24:27 | |
in their country home | 0:24:27 | 0:24:29 | |
and although they were excited by this house's exterior, | 0:24:29 | 0:24:32 | |
the inside doesn't seem to match up for them. | 0:24:32 | 0:24:34 | |
Outside once again, I am hoping the garden | 0:24:34 | 0:24:36 | |
and the views might make them change their mind. | 0:24:36 | 0:24:39 | |
It's equally pretty from the back as it is from the front. | 0:24:39 | 0:24:42 | |
The garden, they haven't done much and you could do all sorts here. | 0:24:42 | 0:24:46 | |
There's another little plot here which used to be the veggie patch | 0:24:46 | 0:24:49 | |
but right in the corner, you get a fantastic view and you can see | 0:24:49 | 0:24:52 | |
Leith Tower which is, as I know, the highest point in the South East. | 0:24:52 | 0:24:56 | |
-You are a wealth of information, Alistair. -I am. | 0:24:56 | 0:25:00 | |
I also know how much this house is on the market for, | 0:25:00 | 0:25:03 | |
so, what do you think the figure is? | 0:25:03 | 0:25:06 | |
-I'm going to go with 990. -OK. | 0:25:06 | 0:25:11 | |
I'm going to stick with 955. | 0:25:11 | 0:25:15 | |
-So the same as last time? -Same as last time. | 0:25:15 | 0:25:18 | |
-Actually, this is on the market at 995. -Five! | 0:25:18 | 0:25:22 | |
So I think that's one each. | 0:25:22 | 0:25:24 | |
-But there's still more for you to explore. You know the drill. -We do. | 0:25:24 | 0:25:28 | |
-Look around, I'll see you around the front. -OK. | 0:25:28 | 0:25:31 | |
'Coming in at just £5,000 under budget, | 0:25:34 | 0:25:36 | |
'this period property gives Matt and Catherine all the space | 0:25:36 | 0:25:40 | |
'they need for their expanding family. | 0:25:40 | 0:25:42 | |
'The house is conveniently located just ten minutes' drive from | 0:25:42 | 0:25:45 | |
'a direct train link to London, | 0:25:45 | 0:25:47 | |
'but the trade-in for the beautiful rural location would be | 0:25:47 | 0:25:50 | |
'Matt's door-to-door commute of an hour and 40 minutes.' | 0:25:50 | 0:25:54 | |
I think it's a very pretty house. | 0:25:54 | 0:25:55 | |
I think it has a lot of charm and character, but I think for me, | 0:25:55 | 0:26:00 | |
when I go inside, it just feels a little, erm, maybe too modernised. | 0:26:00 | 0:26:05 | |
It was surprising to see the inside after seeing the outside. | 0:26:05 | 0:26:09 | |
I'm not sure it's the type of house on the inside | 0:26:09 | 0:26:12 | |
that would get me out to the country. | 0:26:12 | 0:26:14 | |
It's been a while since I've been in Surrey | 0:26:14 | 0:26:16 | |
and it's incredibly rich in birds. | 0:26:16 | 0:26:18 | |
The birdsong is amazing. Have you heard the lovely... | 0:26:18 | 0:26:20 | |
BIRDS SING | 0:26:20 | 0:26:22 | |
-It's hard not to. -..birdsong? -Yeah. -Very nice. | 0:26:22 | 0:26:24 | |
-So we're all done for today, no more houses. -OK. -OK. | 0:26:24 | 0:26:27 | |
Time to rest up, but I do hear there's a good pub next door. | 0:26:27 | 0:26:30 | |
Oh, let's go. | 0:26:30 | 0:26:31 | |
'It's the second day of our property search in Surrey with US expats | 0:26:39 | 0:26:43 | |
'Matt and Catherine from London, | 0:26:43 | 0:26:45 | |
'who have a very healthy budget of £1 million | 0:26:45 | 0:26:47 | |
'and are ready to trade in the buzz of city life for a real taste | 0:26:47 | 0:26:51 | |
'of this green and pleasant land they now call home. | 0:26:51 | 0:26:55 | |
'They've still got the surprise of the mystery house to come...' | 0:26:55 | 0:26:58 | |
This is too much! We, this is too much, we can't afford this. | 0:26:58 | 0:27:02 | |
This is incredible. | 0:27:02 | 0:27:03 | |
'..and I'll be buckling up with Surrey's splendid motoring history.' | 0:27:03 | 0:27:08 | |
Ya-hey! | 0:27:08 | 0:27:09 | |
'On our Surrey house hunt, we've already seen two period properties | 0:27:12 | 0:27:15 | |
'full of the charm Matt and Catherine want | 0:27:15 | 0:27:18 | |
'in their English country home. | 0:27:18 | 0:27:20 | |
'But in our third property, the mystery house, | 0:27:20 | 0:27:22 | |
'we're offering them something really quite spectacular, | 0:27:22 | 0:27:26 | |
'but asking them to move further south. | 0:27:26 | 0:27:28 | |
'Crossing borders into West Sussex, | 0:27:28 | 0:27:29 | |
'not only will their pounds stretch further, but Matt would have | 0:27:29 | 0:27:33 | |
'a travel time into work of only an hour and five minutes. | 0:27:33 | 0:27:37 | |
'Our final visit is to the tiny hamlet of Old Holbrook, | 0:27:37 | 0:27:40 | |
'four miles from the market town of Horsham. | 0:27:40 | 0:27:43 | |
'Horsham is a handsome town with smart stone buildings steeped | 0:27:43 | 0:27:47 | |
'in history, and it'll give Matt and Catherine all the facilities | 0:27:47 | 0:27:51 | |
'they're used to, including plenty of shops and restaurants. | 0:27:51 | 0:27:54 | |
'A ten-minute drive takes us to our last house, | 0:27:56 | 0:27:58 | |
'and I'm convinced the property's attractive features | 0:27:58 | 0:28:01 | |
'will more than make up for its southerly location.' | 0:28:01 | 0:28:04 | |
-Look at that. -It's exciting. -Very exciting. | 0:28:08 | 0:28:11 | |
Ladies and gentlemen, I introduce you to the mystery house. | 0:28:11 | 0:28:15 | |
Wow! | 0:28:15 | 0:28:16 | |
-This is a lovely cottage. -Very impressive. | 0:28:16 | 0:28:18 | |
-Cottage? -House. House. | 0:28:18 | 0:28:21 | |
But it has the charm, it has the charm is what I meant. | 0:28:21 | 0:28:23 | |
So we've moved you even further south, | 0:28:23 | 0:28:25 | |
across the border into West Sussex. | 0:28:25 | 0:28:27 | |
Further away from London, but... | 0:28:27 | 0:28:30 | |
-The commute. -It's shorter. -Wow. -Is it? | 0:28:30 | 0:28:33 | |
Because Littlehaven is a village, it's a three-minute drive, | 0:28:33 | 0:28:37 | |
and the trains go every half-hour straight into London Bridge. | 0:28:37 | 0:28:40 | |
So actually this is the best commute. | 0:28:40 | 0:28:43 | |
-Alistair, you're a genius! -Thanks, Alistair. | 0:28:43 | 0:28:46 | |
And that's just the commute, we haven't even started on the house, | 0:28:46 | 0:28:49 | |
which is I think a bit of a masterpiece. | 0:28:49 | 0:28:51 | |
It was a small farmhouse cottage, | 0:28:51 | 0:28:53 | |
and the present owner has completely transformed it. | 0:28:53 | 0:28:57 | |
I'm in trouble, I can feel it, I'm in trouble. | 0:28:57 | 0:29:00 | |
-I'm excited to go inside. -Let's have a look. -OK. | 0:29:00 | 0:29:03 | |
'Catherine admitted to me that exterior character is a must, | 0:29:03 | 0:29:07 | |
'but doesn't have to follow through inside. | 0:29:07 | 0:29:09 | |
'So I'm sure she'll be impressed by this four-bedroom extended cottage, | 0:29:09 | 0:29:13 | |
'which has been modernised throughout | 0:29:13 | 0:29:15 | |
'to an immaculate standard, | 0:29:15 | 0:29:17 | |
'making it a perfect blend of old meets new.' | 0:29:17 | 0:29:19 | |
Actually, rather unusually, | 0:29:19 | 0:29:21 | |
-I'm going to ask you to stop in the hall. -OK. | 0:29:21 | 0:29:24 | |
Because this is quite an architectural feature. | 0:29:24 | 0:29:28 | |
-Yeah, this is a surprising contrast to the outside of the house. -Yeah. | 0:29:28 | 0:29:31 | |
But you can see this is a taste of what's to come | 0:29:31 | 0:29:33 | |
-because the owner has... -It's grand. | 0:29:33 | 0:29:35 | |
..yeah, exactly, made something grand from what was quite a modest | 0:29:35 | 0:29:39 | |
farmhouse by going right up to the very top of the attic in one space. | 0:29:39 | 0:29:43 | |
But it's open and airy and well done. | 0:29:43 | 0:29:46 | |
It looks very high quality. | 0:29:46 | 0:29:48 | |
'It seems Catherine's falling for the striking detail | 0:29:49 | 0:29:52 | |
'in this 20th-century house. | 0:29:52 | 0:29:53 | |
'But I think Matt is still quietly struggling with | 0:29:53 | 0:29:56 | |
'the thought of leaving the big smoke behind him. | 0:29:56 | 0:29:59 | |
'Maybe the kitchen will help him say goodbye to city life.' | 0:29:59 | 0:30:02 | |
This is nice. It's got the sitting area we were looking for, | 0:30:02 | 0:30:05 | |
plenty of counter space, plenty of storage space, | 0:30:05 | 0:30:09 | |
and, er, a really nice finish. | 0:30:09 | 0:30:12 | |
Very nice finish, | 0:30:12 | 0:30:13 | |
-and the sliding doors that open right out into the garden. -Yeah. | 0:30:13 | 0:30:16 | |
-Amazing, amazing. -I'm definitely in trouble on this one. -It's gorgeous. | 0:30:16 | 0:30:20 | |
-Why do you keep on saying you're in trouble? -It's gorgeous. -It's... | 0:30:20 | 0:30:23 | |
He's scared of himself. He doesn't want to like it. | 0:30:23 | 0:30:25 | |
Scared of your own desire. Let it go, release the desire! | 0:30:25 | 0:30:28 | |
'Off the kitchen is a utility room leading to a car port and a garage. | 0:30:28 | 0:30:33 | |
'Moving into the middle of the house is a sizeable sitting room.' | 0:30:33 | 0:30:36 | |
-Oh, wow. -Yeah, this is a wild room too. | 0:30:36 | 0:30:38 | |
This is a wild room. | 0:30:38 | 0:30:40 | |
That's a very interesting wood burner. | 0:30:40 | 0:30:42 | |
Beautiful oak floors throughout, real oak. | 0:30:42 | 0:30:45 | |
Yeah, that's a good sized room. | 0:30:45 | 0:30:46 | |
-And it flows very nicely into the kitchen... -Mm-hm. -..very comfortably. | 0:30:46 | 0:30:50 | |
Can you imagine yourself, after a hard day in the city, coming back? | 0:30:50 | 0:30:55 | |
Yeah, it would certainly be a nice place to come back to. | 0:30:55 | 0:30:57 | |
Are you getting the vibe, too? | 0:30:57 | 0:30:59 | |
Oh, my gosh. Right away. | 0:30:59 | 0:31:01 | |
There's no doubt. This is... This is it. | 0:31:01 | 0:31:03 | |
'The house seems to be selling itself. | 0:31:05 | 0:31:07 | |
'Catherine's hooked and, although he may not be admitting it, | 0:31:07 | 0:31:10 | |
'I don't think Matt's far behind | 0:31:10 | 0:31:11 | |
'as we move to the dining room at the front of the house.' | 0:31:11 | 0:31:15 | |
This is a lovely room, too. Mm! | 0:31:15 | 0:31:17 | |
-Wow. -Yeah, this is nice. A great dining area. | 0:31:17 | 0:31:20 | |
What a lovely formal place if you had some friends round. | 0:31:20 | 0:31:23 | |
It's perfect. | 0:31:23 | 0:31:25 | |
'As we move upstairs, there's | 0:31:25 | 0:31:27 | |
'a clever use of space with a mezzanine study above the landing. | 0:31:27 | 0:31:30 | |
'There's a family bathroom, three double bedrooms, one with | 0:31:30 | 0:31:34 | |
'an en-suite and one with its own mezzanine level in the eaves, | 0:31:34 | 0:31:37 | |
'and the master, with views over the garden and surrounding fields.' | 0:31:37 | 0:31:42 | |
-Beautiful. With a balcony off of it! -With a balcony, yeah. -And the doors. | 0:31:43 | 0:31:49 | |
-I can woo you from the garden. -You can serenade me, yes. | 0:31:49 | 0:31:53 | |
But, again, you can concertina those doors open so you could sit | 0:31:53 | 0:31:56 | |
-here in the evenings, because you get the evening sun. -Yes. | 0:31:56 | 0:31:59 | |
It's beautiful. Gosh, I mean, this whole house is so immaculate. | 0:31:59 | 0:32:04 | |
-It is just incredible. -Is this what you were thinking about as a master? | 0:32:04 | 0:32:07 | |
Yes. This is exactly what I pictured the master to be. | 0:32:07 | 0:32:11 | |
'But Catherine ain't seen nothing yet.' | 0:32:11 | 0:32:13 | |
-I have to say, I've seen some en suites... -There's more? | 0:32:13 | 0:32:16 | |
This is an en-suite. | 0:32:16 | 0:32:17 | |
-A bit of a walk-in wardrobe, dressing room. -Oh, my gosh. | 0:32:20 | 0:32:23 | |
Oh, my gosh. | 0:32:23 | 0:32:25 | |
-And welcome to the en-suite. -You are kidding me. | 0:32:25 | 0:32:31 | |
-I'm definitely in trouble now. -This is too much. This is too much. | 0:32:31 | 0:32:35 | |
We can't afford this. This is incredible. | 0:32:35 | 0:32:37 | |
This is just... This is a beautiful living space. | 0:32:37 | 0:32:41 | |
-You could live here. -I mean, I could. I could, Matt. I could. | 0:32:41 | 0:32:46 | |
-OK, well, we can talk about that. -OK. It's, like, my dream. | 0:32:46 | 0:32:51 | |
No pressure here, right? No pressure. | 0:32:53 | 0:32:55 | |
Matt's face is like, "Oh, God." | 0:32:55 | 0:32:57 | |
You can have the balcony off the master | 0:32:57 | 0:32:59 | |
and I can have the walk-in closet. | 0:32:59 | 0:33:01 | |
Isn't there a highway around here or something? Something to help me out? | 0:33:01 | 0:33:04 | |
-So we are getting the thumbs-up even from you? -Yeah, thumbs up. | 0:33:04 | 0:33:08 | |
-Let's go into the garden... -OK. -..and talk money. | 0:33:09 | 0:33:12 | |
Money, money, money. | 0:33:12 | 0:33:13 | |
'The house sits in a third of an acre of land | 0:33:17 | 0:33:20 | |
'and, leading out from the kitchen, a stone patio overlooks | 0:33:20 | 0:33:23 | |
'a manicured lawn and endless country views.' | 0:33:23 | 0:33:26 | |
This is the garden. | 0:33:26 | 0:33:27 | |
You can see the boundary there with the hedge. So it's not... | 0:33:27 | 0:33:31 | |
not "massive" massive. | 0:33:31 | 0:33:33 | |
It's very maintainable, which is all that I care about. | 0:33:33 | 0:33:35 | |
Let's get a full view of the house. | 0:33:35 | 0:33:38 | |
-It's quite a property. -It is. | 0:33:38 | 0:33:40 | |
-What do you think it's on the market for? -Why don't you go first? | 0:33:40 | 0:33:43 | |
I'll go first. I am going to say... | 0:33:43 | 0:33:45 | |
I'm going to say 1,035,000. | 0:33:45 | 0:33:48 | |
OK, that's a bit of over-budget. | 0:33:48 | 0:33:52 | |
Let's go with 1,050,000. | 0:33:52 | 0:33:55 | |
I'm afraid Catherine wins. 2-1. | 0:33:55 | 0:33:58 | |
-This is actually the cheapest property we're showing you. -Oh. | 0:33:58 | 0:34:02 | |
-What? -It's on the market for £965,000. | 0:34:02 | 0:34:07 | |
-That's very surprising. -Oh, my gosh. Oh, my gosh. | 0:34:07 | 0:34:11 | |
-I'm definitely in trouble now. -I'm speechless. How is that possible? | 0:34:11 | 0:34:15 | |
-Well, because we left Surrey. -We left Surrey. | 0:34:15 | 0:34:18 | |
-That's amazing. -The only thing is that he has an offer on the table. | 0:34:18 | 0:34:22 | |
-Oh. -So there's pressure. -OK, well, | 0:34:22 | 0:34:26 | |
we have to discuss. | 0:34:26 | 0:34:29 | |
I think this is going to be a one-sided discussion. | 0:34:29 | 0:34:32 | |
-So, get inside, explore... -OK. -..and I'll see you out the front. | 0:34:32 | 0:34:35 | |
Great. | 0:34:35 | 0:34:36 | |
'This beautifully renovated home gives Matt and Catherine everything | 0:34:39 | 0:34:42 | |
'they've asked for and comes in a surprising £35,000 under budget. | 0:34:42 | 0:34:48 | |
'We've crossed counties to get here but, | 0:34:48 | 0:34:50 | |
'with an hour-and-five-minute commute for Matt, | 0:34:50 | 0:34:53 | |
'it's an easy journey into the city. | 0:34:53 | 0:34:55 | |
'But, with an offer already on the table, they need to act quickly | 0:34:55 | 0:34:59 | |
'if they want to get the keys to this impressive house.' | 0:34:59 | 0:35:02 | |
I think it is a very well put together home and I put | 0:35:02 | 0:35:05 | |
emphasis on "home" because I think it's very liveable, very comfortable. | 0:35:05 | 0:35:10 | |
And the only thing I'm imagining is my three boys destroying it. | 0:35:10 | 0:35:14 | |
It will never look this good. | 0:35:14 | 0:35:16 | |
It's great, you know. Outside it's, again, what we're looking for. | 0:35:16 | 0:35:21 | |
On the inside, not necessarily what we were expecting. | 0:35:21 | 0:35:25 | |
It's a bit of a modern twist but it still has the character | 0:35:25 | 0:35:28 | |
and the quirkiness we're looking for. | 0:35:28 | 0:35:31 | |
I could not have asked to see anything better. | 0:35:31 | 0:35:34 | |
So it's exciting. | 0:35:34 | 0:35:36 | |
What a pleasing house. Everything about it is pleasing. | 0:35:37 | 0:35:41 | |
Even the porch. Even the wood stack is pleasing. | 0:35:41 | 0:35:44 | |
Did you find anything you didn't like about it? | 0:35:44 | 0:35:47 | |
Not a thing for me. | 0:35:47 | 0:35:49 | |
-Not yet. Nothing. -Nothing. -I looked hard, too. I looked very hard. | 0:35:49 | 0:35:53 | |
You did. You were looking hard. | 0:35:53 | 0:35:55 | |
OK, let's go and get away from the magic house and see | 0:35:55 | 0:35:57 | |
if we can get some clarity. | 0:35:57 | 0:35:59 | |
Perfect. | 0:35:59 | 0:36:00 | |
Surrey isn't just home to rolling hills and winding paths. | 0:36:05 | 0:36:09 | |
At the turn of last century, 360 acres of farm | 0:36:09 | 0:36:13 | |
and woodland in Weybridge, a town to the north of the county, | 0:36:13 | 0:36:16 | |
became Brooklands, the birthplace of British motor sport. | 0:36:16 | 0:36:21 | |
I've come to meet Allan Winn, | 0:36:21 | 0:36:22 | |
director of the Brooklands Museum on the very site it all started. | 0:36:22 | 0:36:26 | |
I have to 'fess up that I'm not a big petrol head, Allan, | 0:36:29 | 0:36:32 | |
but actually the smell of oil in here is very evocative. | 0:36:32 | 0:36:35 | |
This is where it really happened | 0:36:35 | 0:36:37 | |
and you can still get the real spirit of what Brooklands was like. | 0:36:37 | 0:36:41 | |
Brooklands stands in the estate that, in the early 1900s, | 0:36:41 | 0:36:45 | |
belonged to local landowner Hugh Locke King. | 0:36:45 | 0:36:47 | |
He had a passion for motor racing, | 0:36:47 | 0:36:50 | |
something that was all the rage in Europe. | 0:36:50 | 0:36:52 | |
But, with our strict rules of the road, | 0:36:52 | 0:36:54 | |
it was struggling to make its mark in Britain. | 0:36:54 | 0:36:56 | |
Motoring was still really at its infancy in this country. | 0:36:56 | 0:36:59 | |
We'd really moved forward from a 4mph speed limit | 0:36:59 | 0:37:03 | |
to a 20mph speed limit. | 0:37:03 | 0:37:04 | |
-20mph? -I know. | 0:37:04 | 0:37:06 | |
And no opportunity to go racing on public roads in this country. | 0:37:06 | 0:37:10 | |
That was really the impetus behind Hugh Locke King | 0:37:10 | 0:37:14 | |
building this amazing track. | 0:37:14 | 0:37:16 | |
'It was on a visit to a motor racing event in Italy in 1906 | 0:37:16 | 0:37:20 | |
'that Hugh Locke King was shocked to discover | 0:37:20 | 0:37:22 | |
'there were no British competitors.' | 0:37:22 | 0:37:24 | |
There was nowhere in this country where you could legally drive | 0:37:24 | 0:37:28 | |
and, therefore, develop a fast racing car. | 0:37:28 | 0:37:30 | |
'The very same year it took 2,000 men nine months to build | 0:37:30 | 0:37:33 | |
'Locke King's vision, | 0:37:33 | 0:37:35 | |
'the world's first purpose-built motor racing circuit.' | 0:37:35 | 0:37:38 | |
-This is the track? -This is the track. | 0:37:38 | 0:37:40 | |
It was two-and-three-quarter miles round, | 0:37:40 | 0:37:42 | |
100-foot wide concrete all the way. | 0:37:42 | 0:37:45 | |
This was the biggest concrete structure in the world at the time it was built | 0:37:45 | 0:37:49 | |
and it was laid out | 0:37:49 | 0:37:51 | |
very much on the lines of a horse racing circuit. | 0:37:51 | 0:37:55 | |
'Between 1907 and 1939, over 1,200 races were held at Brooklands, | 0:37:55 | 0:38:01 | |
'including the first British Grand Prix, staged here in 1926.' | 0:38:01 | 0:38:05 | |
When did it close down as a track? | 0:38:05 | 0:38:07 | |
It closed with the outbreak of war in 1939, | 0:38:07 | 0:38:10 | |
so the last race was on the 6th August 1939. | 0:38:10 | 0:38:14 | |
I can see all the cars, are you going to give me a tour of them? | 0:38:14 | 0:38:17 | |
Yeah, yeah, by all means. | 0:38:17 | 0:38:19 | |
'The track never reopened and the aircraft industry, | 0:38:19 | 0:38:22 | |
'which was already on site during the war, took over the land. | 0:38:22 | 0:38:26 | |
'All was not lost and a remaining 32 acres now form the museum, | 0:38:26 | 0:38:30 | |
'which preserves the memory of Brooklands | 0:38:30 | 0:38:32 | |
'and its stretch of surviving track. | 0:38:32 | 0:38:35 | |
'Today around 40 magnificent motor specimens | 0:38:35 | 0:38:38 | |
'are proudly displayed in the museum. | 0:38:38 | 0:38:41 | |
'The majority from the heady days when Brooklands was alive | 0:38:41 | 0:38:44 | |
'with the sound of revving engines.' | 0:38:44 | 0:38:46 | |
This is the fastest car, ever, around the Brooklands track, | 0:38:46 | 0:38:49 | |
the Napier-Railton Special, built in 1933. | 0:38:49 | 0:38:52 | |
Eventually lapped here at an average of 143.4mph. | 0:38:52 | 0:38:57 | |
An average? What was its top speed? | 0:38:57 | 0:38:59 | |
The fastest it would have gone on the track here, | 0:38:59 | 0:39:01 | |
down the main straight, about 160/165. | 0:39:01 | 0:39:04 | |
Can we see the track? Can we see what's left of the track? | 0:39:04 | 0:39:06 | |
Yeah, we should take you up there and let you see it. | 0:39:06 | 0:39:10 | |
This is Edwardian concrete. | 0:39:10 | 0:39:12 | |
The bulk of this concrete is the stuff that was laid in 1906/1907. | 0:39:12 | 0:39:17 | |
-Is this your car? -Yeah, this is my car, a 1929 Bentley, | 0:39:17 | 0:39:20 | |
absolutely ideal for driving on the Brooklands track. | 0:39:20 | 0:39:22 | |
Why don't you step aboard and come for a ride? | 0:39:22 | 0:39:25 | |
It's amazing how ambitious they were, | 0:39:30 | 0:39:32 | |
because they could have just done a flat circuit. | 0:39:32 | 0:39:34 | |
And it would have been a lot slower and it wouldn't have had | 0:39:34 | 0:39:38 | |
the enormous, iconic impact on the world of motor racing. | 0:39:38 | 0:39:42 | |
We'll just nip up here a bit so you can get a feel for what it's like. | 0:39:42 | 0:39:46 | |
My God! We're going really high! | 0:39:46 | 0:39:49 | |
So, in period, they'd be racing along here at | 0:39:50 | 0:39:54 | |
120-odd mile an hour at this bend. | 0:39:54 | 0:39:57 | |
I could do that all day, what a very pleasant experience. | 0:40:05 | 0:40:09 | |
Thank you so much, it's been a real joy. | 0:40:09 | 0:40:12 | |
'Driving around this track I can just imagine how exhilarating | 0:40:12 | 0:40:15 | |
'racing here must have been 100 years ago. | 0:40:15 | 0:40:18 | |
'In the coming months, Allan has plans to clear and restore | 0:40:18 | 0:40:21 | |
'even more of the surviving track, | 0:40:21 | 0:40:23 | |
'freeing up another quarter of a mile | 0:40:23 | 0:40:25 | |
'to hold motoring events, bringing life back here | 0:40:25 | 0:40:28 | |
'to the Brooklands circuit.' | 0:40:28 | 0:40:29 | |
By the end of all the property viewings, I think it was pretty clear to all of us | 0:40:32 | 0:40:36 | |
which of the three houses that Catherine and Matt liked the most. | 0:40:36 | 0:40:39 | |
What we have to do now is pin them down to their plan of action | 0:40:39 | 0:40:42 | |
and find out what happens next. | 0:40:42 | 0:40:44 | |
I'm going to go out on a limb and say that the first two houses | 0:40:51 | 0:40:53 | |
are really being blown out of the water by the last. | 0:40:53 | 0:40:56 | |
-Is that correct? -That is correct. | 0:40:56 | 0:40:58 | |
I would agree. | 0:40:58 | 0:41:00 | |
What's going to happen next? | 0:41:00 | 0:41:02 | |
-I mean, they're keen to move, you're keen to move. -Yeah. | 0:41:02 | 0:41:05 | |
That's a good question, we love the house | 0:41:05 | 0:41:07 | |
but we'd like to understand a bit more about where we are | 0:41:07 | 0:41:10 | |
and amenities and schools. | 0:41:10 | 0:41:12 | |
And, Catherine, are you feeling equally excited? | 0:41:12 | 0:41:14 | |
Yes, I am very enthusiastic. | 0:41:14 | 0:41:17 | |
I just, yeah... | 0:41:17 | 0:41:18 | |
Just like Matt, want to take a drive around the area, | 0:41:18 | 0:41:21 | |
figure out what the amenities are | 0:41:21 | 0:41:23 | |
-and then, hopefully, we will put an offer in. -Oh... | 0:41:23 | 0:41:28 | |
-Wouldn't that be exciting? -It would be very exciting for us. | 0:41:28 | 0:41:31 | |
Matt, you had doubts about this move. Are you convinced? | 0:41:31 | 0:41:34 | |
I think we could be there. I don't want to say anything definitely, | 0:41:36 | 0:41:39 | |
-but... -You don't want to jinx it. -Yeah, exactly. | 0:41:39 | 0:41:41 | |
It was a good property. | 0:41:41 | 0:41:43 | |
Finally, we did go out of your search area. | 0:41:43 | 0:41:46 | |
We are actually in West Sussex now. | 0:41:46 | 0:41:48 | |
I think it's positive that the commute is shorter | 0:41:48 | 0:41:50 | |
than the other two commutes. | 0:41:50 | 0:41:52 | |
That, for me, was my main concern, the commute | 0:41:52 | 0:41:55 | |
and, erm, if it's shorter in West Sussex, | 0:41:55 | 0:41:58 | |
that's even better. | 0:41:58 | 0:41:59 | |
-And cheaper. -And cheaper. | 0:41:59 | 0:42:01 | |
I genuinely hope that you two do buy that house and move here | 0:42:01 | 0:42:04 | |
-because I do think you looked very happy there. -Thank you. -Thank you. | 0:42:04 | 0:42:08 | |
-Well, best of luck, I hope it goes well. Thanks for taking part. -Thank you. -Thank you. | 0:42:08 | 0:42:12 | |
I know I should be level-headed and impartial, | 0:42:15 | 0:42:17 | |
but I really, really want Catherine and Matt to buy that house. | 0:42:17 | 0:42:21 | |
It wasn't in Surrey, it was in West Sussex | 0:42:21 | 0:42:24 | |
but I think it will be a lovely place for the three brothers to grow up. | 0:42:24 | 0:42:28 | |
I really hope that you join us next time for more Escape To The Country. | 0:42:28 | 0:42:32 | |
'Matt and Catherine were ready to make their offer on our final house | 0:42:33 | 0:42:37 | |
'but, after researching the area, they decided | 0:42:37 | 0:42:39 | |
'that a proposed nearby development was something | 0:42:39 | 0:42:42 | |
'they didn't want to live close to. | 0:42:42 | 0:42:44 | |
'And, after continuing their house search around Horsham, | 0:42:44 | 0:42:46 | |
'they found nothing that matched up to the mystery house | 0:42:46 | 0:42:49 | |
'and, with their baby on the way, | 0:42:49 | 0:42:51 | |
'they've decided to put an offer on a house in London | 0:42:51 | 0:42:54 | |
'and will enjoy city life for a few more years.' | 0:42:54 | 0:42:58 | |
If you'd like to Escape To The Country, | 0:42:58 | 0:43:00 | |
in England, Scotland, Wales, or Northern Ireland, | 0:43:00 | 0:43:02 | |
and would like our help, | 0:43:02 | 0:43:04 | |
you can apply online at... | 0:43:04 | 0:43:06 |