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The county I'm in is famed for its big skies | 0:00:02 | 0:00:03 | |
which were the inspiration for one of the nation's best-loved | 0:00:03 | 0:00:06 | |
night-time nursery rhymes. | 0:00:06 | 0:00:08 | |
But which sparkly children's song am I referring to? And where am I? | 0:00:08 | 0:00:12 | |
Find out in just a few moments. | 0:00:12 | 0:00:14 | |
On today's show, we're helping a couple of busy Londoners | 0:00:33 | 0:00:36 | |
find a home, a business and a slower pace of life. | 0:00:36 | 0:00:40 | |
-Our properties appeal to both their interests... -I like that. -Wow. | 0:00:40 | 0:00:43 | |
-I love cooking. And he likes eating. -I like eating. | 0:00:43 | 0:00:46 | |
THEY LAUGH | 0:00:46 | 0:00:47 | |
..but another leaves them tight-lipped. | 0:00:47 | 0:00:50 | |
I'm not going to say anything because I already really like it | 0:00:50 | 0:00:54 | |
and I don't want to give the game away. | 0:00:54 | 0:00:56 | |
Today I'm in Suffolk in the historic town of Lavenham. | 0:00:57 | 0:01:00 | |
Now, this beautiful building behind me is Shilling Grange, | 0:01:00 | 0:01:03 | |
home to the aspiring young poet Jane Taylor | 0:01:03 | 0:01:06 | |
who apparently penned the nursery rhyme | 0:01:06 | 0:01:08 | |
Twinkle Twinkle Little Star | 0:01:08 | 0:01:10 | |
from her bedroom back in 1806. | 0:01:10 | 0:01:12 | |
Now, she'd find it hard to imagine how popular this poem would become | 0:01:12 | 0:01:16 | |
when it was added to an earlier melody of a French lullaby. | 0:01:16 | 0:01:19 | |
And it's amazing to think that this small poem, written here in Lavenham | 0:01:19 | 0:01:23 | |
back at the start of the 19th century, | 0:01:23 | 0:01:25 | |
has gone on to have such enduring appeal | 0:01:25 | 0:01:28 | |
and is still translated into languages all over the world. | 0:01:28 | 0:01:31 | |
But, as you're about to see, | 0:01:31 | 0:01:33 | |
poetry isn't all that this beautiful county | 0:01:33 | 0:01:35 | |
has to offer. | 0:01:35 | 0:01:37 | |
The East Anglian county of Suffolk | 0:01:39 | 0:01:41 | |
is bordered by Norfolk to the north, | 0:01:41 | 0:01:43 | |
Essex to the south and Cambridgeshire to the west. | 0:01:43 | 0:01:46 | |
Situated on the east coast, | 0:01:46 | 0:01:48 | |
the low-lying county has few hills and is largely agricultural. | 0:01:48 | 0:01:52 | |
There are no cities in Suffolk | 0:01:52 | 0:01:53 | |
but a scattering of beautiful market towns and villages, such as Kersey, | 0:01:53 | 0:01:57 | |
which prospered in the medieval period thanks to the wool trade. | 0:01:57 | 0:02:01 | |
Many of the historic buildings, some around 500 years old, | 0:02:02 | 0:02:06 | |
are painted in the traditional Suffolk pink, | 0:02:06 | 0:02:08 | |
a style first adopted by the local dyers. | 0:02:08 | 0:02:11 | |
On the coast, the attractive seaside town of Southwold | 0:02:12 | 0:02:14 | |
is popular with the rich and famous and, as such, | 0:02:14 | 0:02:17 | |
house prices command a premium. | 0:02:17 | 0:02:19 | |
Even a beach hut can set you back £70,000. | 0:02:19 | 0:02:23 | |
With trains running to London Liverpool Street | 0:02:23 | 0:02:25 | |
and journey times around 1 hour ¼ from Ipswich | 0:02:25 | 0:02:28 | |
and two hours from Bury St Edmunds, | 0:02:28 | 0:02:30 | |
Suffolk is well connected to the capital. | 0:02:30 | 0:02:32 | |
A vibrant arts and music scene, | 0:02:34 | 0:02:35 | |
including the world-famous Aldeburgh Festival, | 0:02:35 | 0:02:38 | |
makes it a popular destination | 0:02:38 | 0:02:40 | |
for those seeking an escape from the busier South East. | 0:02:40 | 0:02:43 | |
The average price for a detached house here in Suffolk | 0:02:46 | 0:02:48 | |
is just over £251,000, | 0:02:48 | 0:02:51 | |
which is around 16,000 below the national figure. | 0:02:51 | 0:02:54 | |
So, generally speaking, | 0:02:54 | 0:02:56 | |
this county offers pretty good value for money, | 0:02:56 | 0:02:58 | |
especially for those seeking an historic property | 0:02:58 | 0:03:01 | |
as there are over 12,500 listed buildings in Suffolk. | 0:03:01 | 0:03:05 | |
But what are today's buyers looking for? | 0:03:05 | 0:03:07 | |
Let's meet them and find out. | 0:03:07 | 0:03:09 | |
Gil, who's originally from Brazil, | 0:03:11 | 0:03:12 | |
and Phil have been a couple for two years. | 0:03:12 | 0:03:15 | |
Home is currently Phil's two-bedroomed flat in Shoreditch, | 0:03:15 | 0:03:18 | |
a trendy but very busy part of London. | 0:03:18 | 0:03:21 | |
This is an old artist's studio. We designed it all. | 0:03:22 | 0:03:26 | |
It's a bit Gothic. | 0:03:26 | 0:03:27 | |
We like a bit of Victoriana. | 0:03:27 | 0:03:29 | |
We've got Hoxton Market just outside our window | 0:03:29 | 0:03:31 | |
which has its upsides | 0:03:31 | 0:03:33 | |
because, if we want a bunch of flowers or some jellied eels, | 0:03:33 | 0:03:36 | |
it's the East End after all. | 0:03:36 | 0:03:38 | |
We can get them whenever we want. Um... | 0:03:38 | 0:03:40 | |
There's a very good vibe as well. | 0:03:40 | 0:03:42 | |
It's very noisy | 0:03:42 | 0:03:44 | |
and there are times when it, you know, | 0:03:44 | 0:03:46 | |
it just feels a little bit much. | 0:03:46 | 0:03:49 | |
Phil has recently given up a job as a deputy head teacher | 0:03:50 | 0:03:53 | |
and now runs an educational consultancy business from home. | 0:03:53 | 0:03:57 | |
Gil works in finance in the City Of London | 0:03:57 | 0:03:59 | |
and will continue commuting to the capital. | 0:03:59 | 0:04:02 | |
He first caught the country bug when he moved to Britain | 0:04:02 | 0:04:04 | |
19 years ago. | 0:04:04 | 0:04:06 | |
Well, when I first came to the UK, I went to visit to the Cotswolds | 0:04:06 | 0:04:10 | |
and I absolutely fell in love with the place. | 0:04:10 | 0:04:13 | |
But then Philip persuaded me to Suffolk. | 0:04:13 | 0:04:17 | |
The quality of life there, it does appeal to me. | 0:04:17 | 0:04:19 | |
I've done a lot in London and I think this is the time to move on. | 0:04:19 | 0:04:25 | |
And they've already dipped their toes into rural living. | 0:04:25 | 0:04:28 | |
We've got a little cottage in Suffolk | 0:04:28 | 0:04:31 | |
and we've been going there every weekend. | 0:04:31 | 0:04:33 | |
Lots of holidays. | 0:04:33 | 0:04:34 | |
We go on a Friday night, we hit the motorway, | 0:04:34 | 0:04:37 | |
we light the fire and that's it, you know. | 0:04:37 | 0:04:42 | |
It's a romantic getaway. | 0:04:42 | 0:04:43 | |
Swapping their weekend retreat for a permanent Suffolk home | 0:04:45 | 0:04:48 | |
will offer Phil the chance to relive his childhood. | 0:04:48 | 0:04:51 | |
When I was little, | 0:04:51 | 0:04:53 | |
I suppose I wanted to be a zoologist, or a vet, | 0:04:53 | 0:04:55 | |
or a jockey, or a show-jumper. | 0:04:55 | 0:04:57 | |
I've always been horse mad | 0:04:57 | 0:04:59 | |
and I used to participate in a sport called eventing. | 0:04:59 | 0:05:03 | |
About 15 years ago I sort of gave it up to focus on my career. | 0:05:03 | 0:05:08 | |
And I really want to go back and have another horse. | 0:05:08 | 0:05:11 | |
Nothing will make me happier than getting up in the morning, | 0:05:11 | 0:05:13 | |
going to feed my horse and going out riding. | 0:05:13 | 0:05:16 | |
Whilst Phil's saddling up, Gil will be down at the local court. | 0:05:17 | 0:05:21 | |
Being naturally Brazilian, you either play football or volleyball, | 0:05:21 | 0:05:24 | |
and I chose volleyball. | 0:05:24 | 0:05:27 | |
And volleyball has been my passion since I was a little kid. | 0:05:27 | 0:05:31 | |
And when I came to London, I joined a club. | 0:05:31 | 0:05:34 | |
We've been playing all over Europe, been national champion in the UK, | 0:05:34 | 0:05:38 | |
in Europe. | 0:05:38 | 0:05:39 | |
Something that keeps you fit but, as well, it's very... | 0:05:39 | 0:05:42 | |
give you a sense of community and I love it. | 0:05:42 | 0:05:45 | |
Absolutely love it. | 0:05:45 | 0:05:47 | |
As well as running his own consultancy business, | 0:05:47 | 0:05:49 | |
Phil also has plans to run a bed and breakfast, | 0:05:49 | 0:05:51 | |
a complete change of life for the busy Londoners. | 0:05:51 | 0:05:54 | |
For me, it's a life make over. | 0:05:55 | 0:05:59 | |
I want to make jam... | 0:05:59 | 0:06:00 | |
-GIL LAUGHS -..I want to look after horses, | 0:06:00 | 0:06:02 | |
I want to look after our bed and breakfast guests and... | 0:06:02 | 0:06:07 | |
Excuse me, what about me? | 0:06:07 | 0:06:08 | |
-Yeah, I know... -You should say, "I'm going to look after you too." | 0:06:08 | 0:06:11 | |
Well, you can say nothing now. | 0:06:11 | 0:06:13 | |
Our Suffolk property search | 0:06:16 | 0:06:17 | |
will be somewhat dictated by Gil's commuting time to London. | 0:06:17 | 0:06:21 | |
Ideally, he wants to be no more than two hours away from his desk | 0:06:21 | 0:06:23 | |
in the City, so we'll be looking within | 0:06:23 | 0:06:25 | |
reasonable distance of towns like Bury St Edmunds and Ipswich. | 0:06:25 | 0:06:29 | |
I'm meeting up with them on Suffolk soil | 0:06:29 | 0:06:31 | |
to discuss the finer details of their big move. | 0:06:31 | 0:06:35 | |
-It's stunning here, isn't it? -Hmm. -It is. Amazing. | 0:06:35 | 0:06:38 | |
What is it you like about it so much, Gil? | 0:06:38 | 0:06:39 | |
I love it. I just love the peaceful... | 0:06:39 | 0:06:42 | |
the fields, the horses and, you know, having the animals around us. | 0:06:42 | 0:06:47 | |
Well, you'll need to like horses cos Philip here... | 0:06:47 | 0:06:49 | |
It's a huge passion of yours, isn't it, Philip? | 0:06:49 | 0:06:51 | |
-Yeah, I've always been horse mad. -Yeah. | 0:06:51 | 0:06:53 | |
As soon as I could, I learned to ride | 0:06:53 | 0:06:55 | |
and, ever since then, horses have been an obsession really. | 0:06:55 | 0:06:58 | |
So, that obsession is being bolted on to this new home, isn't it? | 0:06:58 | 0:07:04 | |
-Absolutely. -Now, talk me through that a bit. | 0:07:04 | 0:07:06 | |
Yeah, well, our objective is to buy a place that has the potential | 0:07:06 | 0:07:09 | |
to be an equestrian bed and breakfast. | 0:07:09 | 0:07:12 | |
Right. OK. So we're looking for a house with some land. | 0:07:12 | 0:07:16 | |
-You know, land with some outbuildings or... -Uh-huh. | 0:07:16 | 0:07:19 | |
-Yeah. -..space to build outbuildings? | 0:07:19 | 0:07:21 | |
Ideally, we'd like to have them ready-made but, certainly, | 0:07:21 | 0:07:25 | |
if we can get planning permission relatively easy, | 0:07:25 | 0:07:27 | |
we don't have a problem with that. | 0:07:27 | 0:07:28 | |
We're kind of open minded, put it that way. | 0:07:28 | 0:07:30 | |
You've got a consultancy business. | 0:07:30 | 0:07:32 | |
Yes, yes. I'm an education improvement consultant. | 0:07:32 | 0:07:36 | |
And that's based at home? | 0:07:36 | 0:07:37 | |
It's based at home. | 0:07:37 | 0:07:38 | |
-You're quite different, aren't you, Gil? -I am, yeah. | 0:07:38 | 0:07:40 | |
-You work in the City. -Yes. -Right in London, don't you? -Yes. | 0:07:40 | 0:07:45 | |
I will continue initially the planning...commute to London. | 0:07:45 | 0:07:49 | |
So, let's talk about the house itself. | 0:07:49 | 0:07:52 | |
What, Gil, in your mind's eye does this look like? | 0:07:52 | 0:07:55 | |
Um, very rural. | 0:07:55 | 0:07:57 | |
We don't really like modern, | 0:07:57 | 0:08:00 | |
no bungalow whatsoever. | 0:08:00 | 0:08:02 | |
-Don't say the word B. -Oh! | 0:08:02 | 0:08:04 | |
How many bedrooms do you think you need? | 0:08:04 | 0:08:06 | |
Um, four minimum. | 0:08:06 | 0:08:08 | |
Talk to me about the budget. | 0:08:08 | 0:08:10 | |
Well, our budget is the bottom end of 750 | 0:08:10 | 0:08:14 | |
but we can go up to 850 | 0:08:14 | 0:08:17 | |
provided we don't have to spend too much on it. | 0:08:17 | 0:08:19 | |
-That's a really healthy budget, guys. -Hmm. | 0:08:19 | 0:08:21 | |
But we're looking for a lot. You know what I'm going to say? | 0:08:21 | 0:08:24 | |
We'll have to maybe look at compromises along the way. | 0:08:24 | 0:08:26 | |
-Yes. -No pain, no gain. -No pain, no gain! | 0:08:26 | 0:08:29 | |
Yes. It sounds like it's going to be my pain and your gain, Gil. | 0:08:29 | 0:08:32 | |
-I'd love that! -That's the way... -THEY LAUGH | 0:08:32 | 0:08:34 | |
Let's look at the first one and see what you think. This way. | 0:08:34 | 0:08:36 | |
Thank you. | 0:08:36 | 0:08:38 | |
For a generous top budget of £850,000, | 0:08:38 | 0:08:42 | |
Gil and Phil are after a property with character in a rural location, | 0:08:42 | 0:08:45 | |
ideally with three acres of land and outbuildings | 0:08:45 | 0:08:48 | |
to run an equestrian bed and breakfast business | 0:08:48 | 0:08:50 | |
in the future. | 0:08:50 | 0:08:52 | |
They'd like a minimum of four bedrooms | 0:08:52 | 0:08:54 | |
and need to be close to a train link | 0:08:54 | 0:08:55 | |
into London for Gil's job. | 0:08:55 | 0:08:57 | |
We've lined up three lovely Suffolk properties to tempt our buyers | 0:08:58 | 0:09:02 | |
but I won't be revealing the price of each until the end of the tour. | 0:09:02 | 0:09:06 | |
Our mystery house will give Phil and Gil plenty of property | 0:09:06 | 0:09:09 | |
but not necessarily in the right places. | 0:09:09 | 0:09:11 | |
Our first house is located in the village of Somersham, | 0:09:15 | 0:09:18 | |
seven miles from Ipswich railway station, | 0:09:18 | 0:09:21 | |
with a journey time of 1 hour ¼ to London by train. | 0:09:21 | 0:09:24 | |
The closest town is Hadleigh, | 0:09:25 | 0:09:27 | |
one of a series of attractive East Anglian settlements | 0:09:27 | 0:09:29 | |
that derived its wealth from the wool trade | 0:09:29 | 0:09:32 | |
and, as such, has a range of preserve, | 0:09:32 | 0:09:34 | |
timber and brick listed buildings as well as a leisure centre | 0:09:34 | 0:09:37 | |
with hard court areas for volleyball fanatic Gil. | 0:09:37 | 0:09:40 | |
The property can be found on a quiet country lane | 0:09:40 | 0:09:43 | |
just outside the village of Somersham. | 0:09:43 | 0:09:45 | |
First impressions, gentlemen? | 0:09:46 | 0:09:48 | |
-I like the look of it. -Yeah. | 0:09:49 | 0:09:51 | |
-Good. -Good size. | 0:09:51 | 0:09:52 | |
Yeah, no, it's a really lovely house actually. | 0:09:52 | 0:09:54 | |
What a lovely setting. | 0:09:54 | 0:09:57 | |
-A good place for the setting but...I'm keeping cool. -Hmm. | 0:09:57 | 0:10:00 | |
It's hard to place it | 0:10:00 | 0:10:01 | |
because it's been completely refurbished, | 0:10:01 | 0:10:04 | |
and to a very good standard. | 0:10:04 | 0:10:05 | |
Parts of the house, the far side of it, | 0:10:05 | 0:10:08 | |
date back as far as 1580. | 0:10:08 | 0:10:10 | |
Now, when you get inside suddenly that history comes alive. | 0:10:10 | 0:10:14 | |
-All right. -Great. | 0:10:14 | 0:10:15 | |
So far, so good. I can't wait to see inside. | 0:10:15 | 0:10:17 | |
-I want to see more. -This is where we find out. | 0:10:17 | 0:10:19 | |
You said you wanted character. We'll find out how much you really like it. | 0:10:19 | 0:10:22 | |
-Follow me. -All right. -Let's go. | 0:10:22 | 0:10:24 | |
Our first property is a grade two-listed | 0:10:26 | 0:10:28 | |
Tudor Suffolk farmhouse | 0:10:28 | 0:10:30 | |
and is built to the classic stout oak frame. | 0:10:30 | 0:10:32 | |
So the first thing you'll see, lovely little snug area. | 0:10:35 | 0:10:39 | |
-That's cosy. -That stove works. Solid fuel burner. | 0:10:39 | 0:10:42 | |
Now, | 0:10:42 | 0:10:43 | |
what do you think of this? | 0:10:43 | 0:10:45 | |
-Wow. -There is a bit of wow factor. | 0:10:45 | 0:10:47 | |
I hoped for something like this standing outside. | 0:10:47 | 0:10:51 | |
The first thing I think it's like Christmas time. | 0:10:51 | 0:10:53 | |
That's a beautiful room for... Very Christmas. | 0:10:53 | 0:10:56 | |
-Love those beams as well. -Can imagine being here. | 0:10:56 | 0:10:59 | |
The kitchen is a magnificent room. Look at this. | 0:10:59 | 0:11:02 | |
Oh, yeah. Wow, that is lovely. | 0:11:02 | 0:11:04 | |
-I like that. -Wow. -I love cooking. -Do you? | 0:11:04 | 0:11:07 | |
I do. I love it. | 0:11:07 | 0:11:08 | |
-And he likes eating. -I like eating. | 0:11:08 | 0:11:10 | |
THEY LAUGH | 0:11:10 | 0:11:11 | |
That's the perfect combination. | 0:11:11 | 0:11:13 | |
And I guess it's quite easy if you are entertaining | 0:11:13 | 0:11:16 | |
and having a dinner party, | 0:11:16 | 0:11:17 | |
it's just, you know... | 0:11:17 | 0:11:18 | |
Yeah, you get the best of both worlds | 0:11:18 | 0:11:20 | |
because you're not separated. | 0:11:20 | 0:11:22 | |
-It's still an entertaining space. -Hmm. -Hmm, yeah, it's good. | 0:11:22 | 0:11:25 | |
Let's take a look quick peek at the living room through here. | 0:11:25 | 0:11:27 | |
As well as the snug, dining room and kitchen, | 0:11:29 | 0:11:31 | |
there's a utility room to house the white goods | 0:11:31 | 0:11:34 | |
and an oak-framed sunroom which is adjacent to the main living room. | 0:11:34 | 0:11:37 | |
-Just mind your step coming down here. -Thank you. | 0:11:38 | 0:11:42 | |
Hmm. | 0:11:42 | 0:11:44 | |
What's your thoughts? | 0:11:45 | 0:11:47 | |
Um, it's a...living room. | 0:11:47 | 0:11:50 | |
Yeah, I guess you've got a small window there. | 0:11:51 | 0:11:54 | |
-If you left that open, you've got dual aspect. -Mm-hm. | 0:11:54 | 0:11:58 | |
-Cosy. -Yeah. | 0:11:58 | 0:12:00 | |
I like the floor a lot. | 0:12:00 | 0:12:01 | |
Cosy sounds like you were expecting maybe a bit bigger. | 0:12:01 | 0:12:04 | |
-Don't... -We like cosy but | 0:12:06 | 0:12:09 | |
maybe I was for the living area. I was a little bit... | 0:12:09 | 0:12:12 | |
I've always been partial to sort of slightly claustrophobic places. | 0:12:12 | 0:12:16 | |
THEY LAUGH | 0:12:16 | 0:12:18 | |
Upstairs certainly isn't claustrophobic | 0:12:19 | 0:12:21 | |
as there are four decent-sized bedrooms | 0:12:21 | 0:12:23 | |
and a family bathroom with roll top bath. | 0:12:23 | 0:12:26 | |
One of the doubles offers some space above it in the eaves, | 0:12:26 | 0:12:29 | |
and another leads to a further bedroom beyond that. | 0:12:29 | 0:12:32 | |
Finally, there's a room that might suit Gil and Phil. | 0:12:32 | 0:12:35 | |
The master suite kind of starts from here, so you've got an en-suite... | 0:12:37 | 0:12:40 | |
..and then you've got a big duck. | 0:12:41 | 0:12:43 | |
This is your master bedroom. | 0:12:44 | 0:12:46 | |
Yeah, no, I like that. Definitely. | 0:12:46 | 0:12:48 | |
I love the chimney breast. | 0:12:48 | 0:12:49 | |
Cos that'd be warm when the house is warm when the fire's on. | 0:12:49 | 0:12:53 | |
-Good size. -Yes. -And I love that. | 0:12:53 | 0:12:56 | |
I'm not sure in the dark how it's going to be | 0:12:56 | 0:12:58 | |
but I love that. HE LAUGHS | 0:12:58 | 0:13:00 | |
This is your home first. | 0:13:00 | 0:13:01 | |
I know you've got ideas of having a B&B business in the future. | 0:13:01 | 0:13:04 | |
I think this house could adapt to be your B&B business, | 0:13:04 | 0:13:07 | |
-if you like. -Mm-hm. -Mm-hm. | 0:13:07 | 0:13:09 | |
My plan for the equine bed and breakfast business | 0:13:11 | 0:13:13 | |
would be to turn the two adjacent double bedrooms | 0:13:13 | 0:13:16 | |
into a self-contained suite | 0:13:16 | 0:13:18 | |
with the furthest room becoming an en-suite bathroom. | 0:13:18 | 0:13:20 | |
Outside, the garden is spread out to the rear of the property | 0:13:21 | 0:13:24 | |
and there's a large three-acre paddock | 0:13:24 | 0:13:26 | |
offering plenty of room for a horse or two | 0:13:26 | 0:13:28 | |
as well as a couple of outbuildings. | 0:13:28 | 0:13:30 | |
Now, let's talk about everything we've got here. | 0:13:32 | 0:13:34 | |
As you can see, remember when we came in, there was a brick building? | 0:13:34 | 0:13:37 | |
-Yeah. -You've also got this building here. -Yes. | 0:13:37 | 0:13:40 | |
That's a good size building with a brand-new roof | 0:13:40 | 0:13:42 | |
with power and water. OK? | 0:13:42 | 0:13:45 | |
Now, going to your business idea, you'd initially think stables. | 0:13:45 | 0:13:50 | |
I actually think if you put stables elsewhere, | 0:13:50 | 0:13:54 | |
-that would be great accommodation for guests... -It would. | 0:13:54 | 0:13:57 | |
..subject to obtaining the planning consents. | 0:13:57 | 0:14:00 | |
Yeah, it would. | 0:14:00 | 0:14:01 | |
-And behind those trees in a way would be good for the stables. -Yeah. | 0:14:01 | 0:14:04 | |
It'd be perfect, wouldn't it? | 0:14:04 | 0:14:06 | |
-Hmm. -How much do think it's on the market for? | 0:14:06 | 0:14:08 | |
775. | 0:14:10 | 0:14:11 | |
I'm going around 750. | 0:14:13 | 0:14:15 | |
Good guess. It's on the market for £750,000. | 0:14:15 | 0:14:17 | |
Even at the asking price, it gives you that float of £100,000 | 0:14:17 | 0:14:21 | |
-to muck around with it. -Hmm. -Yeah. | 0:14:21 | 0:14:23 | |
Without me, why don't you go around the house on your own, | 0:14:23 | 0:14:25 | |
-but then go and explore all these outbuildings. -Yeah. -Yeah. | 0:14:25 | 0:14:28 | |
Concentrate on it being a home first. | 0:14:28 | 0:14:30 | |
This business idea of yours, that's something for the future. | 0:14:30 | 0:14:32 | |
-Right, yeah. -Help yourselves and we'll catch up | 0:14:32 | 0:14:34 | |
-when you're finished. -Thank you. -Thanks. | 0:14:34 | 0:14:36 | |
£100,000 below their maximum budget, | 0:14:38 | 0:14:40 | |
our first property gives Gil and Phil | 0:14:40 | 0:14:42 | |
a sizeable character home full of original features, | 0:14:42 | 0:14:46 | |
including a large kitchen to cook breakfast for paying guests, | 0:14:46 | 0:14:49 | |
four good-sized bedrooms plus plenty of space and outbuildings | 0:14:49 | 0:14:52 | |
to develop the equine holiday business. | 0:14:52 | 0:14:55 | |
And it's reasonably situated | 0:14:55 | 0:14:56 | |
for the mainline railway station. | 0:14:56 | 0:14:58 | |
I loved the...the space. | 0:14:58 | 0:15:02 | |
The outside space. The look of it, the situation. | 0:15:02 | 0:15:05 | |
The kitchen is amazing. | 0:15:05 | 0:15:07 | |
The living room - a little bit underwhelming. | 0:15:07 | 0:15:09 | |
The more I look at it and take into account the outbuildings, | 0:15:09 | 0:15:12 | |
which I've kind of fallen in love with, it's growing on me. | 0:15:12 | 0:15:16 | |
The living area, I was kind of not quite there | 0:15:16 | 0:15:21 | |
but, saying that, it's something that we could work on it. | 0:15:21 | 0:15:25 | |
Overall, good start. | 0:15:25 | 0:15:26 | |
Do I love the house? | 0:15:28 | 0:15:29 | |
Not sure yet. | 0:15:29 | 0:15:31 | |
We'll see what comes next. | 0:15:31 | 0:15:33 | |
But I like it. Good start. | 0:15:33 | 0:15:35 | |
Now, then, Philip, | 0:15:38 | 0:15:39 | |
you're spoilt for choice, I figure, for where to put your stables. | 0:15:39 | 0:15:43 | |
Did you find anywhere to put a volleyball court? | 0:15:43 | 0:15:46 | |
HE LAUGHS Well, there's space. That's for sure. | 0:15:46 | 0:15:49 | |
Nice. Nice space there. | 0:15:49 | 0:15:51 | |
Walking around the house Philip was like, | 0:15:51 | 0:15:52 | |
"Oh, I can see a horse from here. I can see a horse from that angle." | 0:15:52 | 0:15:56 | |
So I was thinking, where is the volleyball court going? | 0:15:56 | 0:15:58 | |
Sounds like we need to go away from here. | 0:15:58 | 0:16:01 | |
Remember all you liked and all you had question marks over. | 0:16:01 | 0:16:04 | |
-We're going to go to the next property, so follow me. -OK. -Cheers. | 0:16:04 | 0:16:07 | |
Suffolk's low-lying, flat terrain suits arable farming. | 0:16:14 | 0:16:18 | |
For centuries, a common feature in the rural landscape | 0:16:18 | 0:16:21 | |
was the Suffolk punch, | 0:16:21 | 0:16:22 | |
a heavy draught horse that was bred to pull the plough | 0:16:22 | 0:16:25 | |
and carry the wheat. | 0:16:25 | 0:16:27 | |
First bred in the 16th century, | 0:16:27 | 0:16:29 | |
it's the oldest kind of heavy horse in Britain. | 0:16:29 | 0:16:31 | |
A century ago, there were several hundred thousand Suffolks | 0:16:32 | 0:16:36 | |
but, today, there are approximately 400 breeding animals left. | 0:16:36 | 0:16:39 | |
In order to protect the breed, a charity, the Suffolk Punch Trust, | 0:16:40 | 0:16:44 | |
was set up in 2002 on 180 acres of farmland near Hollesley. | 0:16:44 | 0:16:49 | |
As Phil is passionately interested in horses, we sent him and Gil | 0:16:50 | 0:16:53 | |
to meet the trust's head groom, Jemma Martin, | 0:16:53 | 0:16:56 | |
to find out why the Suffolk punch is on the critical list. | 0:16:56 | 0:16:59 | |
Is it true that the breed is more rare than the giant panda? | 0:16:59 | 0:17:03 | |
Yes, it is. There's about 2,000 giant pandas | 0:17:03 | 0:17:06 | |
compared to just over the 400 mark of the Suffolk punches. | 0:17:06 | 0:17:10 | |
They're actually critical on the endangered list, | 0:17:10 | 0:17:12 | |
so it's quite vulnerable at the moment. | 0:17:12 | 0:17:14 | |
And what made the breed so ideal for working? | 0:17:14 | 0:17:17 | |
They're very short and compact with a lot of power, | 0:17:17 | 0:17:19 | |
so they're pulling power is about 2½ times their own weight. | 0:17:19 | 0:17:23 | |
Why are they such an endangered species now? | 0:17:23 | 0:17:27 | |
Obviously, when mechanisation came around with your big tractors | 0:17:27 | 0:17:30 | |
and things, which can do things so much quicker than your horses, | 0:17:30 | 0:17:33 | |
unfortunately, loads of these horses were sold on from farms | 0:17:33 | 0:17:36 | |
and, at that point, weren't bred anymore | 0:17:36 | 0:17:38 | |
cos there was just not the demand for them, | 0:17:38 | 0:17:40 | |
so the numbers dwindled immensely. | 0:17:40 | 0:17:42 | |
So, Jemma, what does the Trust do to protect the horses? | 0:17:42 | 0:17:45 | |
Well, we've got an active breeding system | 0:17:45 | 0:17:47 | |
where we try and put all of our mares in foal every year | 0:17:47 | 0:17:50 | |
to up the numbers. | 0:17:50 | 0:17:51 | |
Also, finding them jobs to do in today's world, | 0:17:51 | 0:17:53 | |
so they're trained in logging and sorts of things like that. | 0:17:53 | 0:17:56 | |
And we've recently started riding one of our mares as well. | 0:17:56 | 0:17:59 | |
As well as being used for farm work, | 0:17:59 | 0:18:01 | |
the breed also pulled heavy artillery | 0:18:01 | 0:18:03 | |
during the First World War. | 0:18:03 | 0:18:05 | |
To prevent the Suffolk punch from dying out, | 0:18:05 | 0:18:07 | |
the Trust has developed a unique programme to encourage | 0:18:07 | 0:18:10 | |
its recreational use, | 0:18:10 | 0:18:12 | |
turning it from a workhorse to a riding companion. | 0:18:12 | 0:18:15 | |
This involves breaking them to saddle, | 0:18:15 | 0:18:17 | |
a process also known as backing. | 0:18:17 | 0:18:19 | |
This five-year-old mare is called Colony Vee. | 0:18:19 | 0:18:22 | |
Jemma, how long has she been backed? | 0:18:23 | 0:18:25 | |
About five months ago now. | 0:18:25 | 0:18:28 | |
But, prior to that, as a two-year-old, | 0:18:28 | 0:18:30 | |
she's done some harness training, so she's done a bit beforehand. | 0:18:30 | 0:18:33 | |
-So do you think she's ready for another rider? -I think so. | 0:18:33 | 0:18:37 | |
-Shall I go and get changed? -I think that's a great idea. | 0:18:37 | 0:18:40 | |
Colony Vee is aiming for her first county show | 0:18:40 | 0:18:42 | |
in a couple of months' time. | 0:18:42 | 0:18:44 | |
Phil is an experienced rider | 0:18:44 | 0:18:45 | |
but he's never ridden a Suffolk punch before | 0:18:45 | 0:18:48 | |
and they're both a little nervous. | 0:18:48 | 0:18:50 | |
Is there anything I need to be aware of when riding her? | 0:18:50 | 0:18:52 | |
Just that, although she's five, | 0:18:52 | 0:18:54 | |
she's still quite green in herself, so she hasn't done a lot. | 0:18:54 | 0:18:57 | |
-Be nice and gentle with her mouth as well. -OK. | 0:18:57 | 0:18:59 | |
-So no contact really, just light contact. -Just a slight one, yeah. | 0:18:59 | 0:19:03 | |
-OK. I'll get on then, yeah? -Yeah. | 0:19:03 | 0:19:04 | |
A mature Suffolk generally stands at between 16 and 17 hands | 0:19:08 | 0:19:11 | |
and can weigh up to 1,000 kilos, the same as a small car. | 0:19:11 | 0:19:15 | |
And they are always chestnut in colour. | 0:19:15 | 0:19:18 | |
In fact, you're quite a good size on her. | 0:19:20 | 0:19:21 | |
-I think we'll steal you back to ride her in shows. -Yeah, I'd love to ride her. | 0:19:21 | 0:19:24 | |
So, how did it go? | 0:19:32 | 0:19:33 | |
Yeah, lovely. | 0:19:33 | 0:19:35 | |
Are we buying one then? | 0:19:35 | 0:19:36 | |
The Trust relies heavily on the help of volunteers, | 0:19:38 | 0:19:41 | |
so, even if they don't buy a Suffolk punch, | 0:19:41 | 0:19:43 | |
there'll be plenty of chances to help out at the stables | 0:19:43 | 0:19:46 | |
and visitor centre. | 0:19:46 | 0:19:48 | |
But, first, we need to return to the business | 0:19:48 | 0:19:50 | |
of finding our buyers a home. | 0:19:50 | 0:19:51 | |
For our second offering, we're heading east, | 0:19:55 | 0:19:57 | |
deeper into the Suffolk countryside and to the hamlet of Sternfield. | 0:19:57 | 0:20:01 | |
The closest market town, Saxmundham, is two miles away | 0:20:02 | 0:20:05 | |
and offers a wide range of amenities and a train station. | 0:20:05 | 0:20:09 | |
It's a 40-minute rail journey to Ipswich, | 0:20:09 | 0:20:11 | |
where you have to change for the London train. | 0:20:11 | 0:20:14 | |
The famous Snape Maltings Concert Hall is nearby, | 0:20:14 | 0:20:17 | |
which attracts visitors from around the world | 0:20:17 | 0:20:19 | |
and is one of the venues for the famous Aldeburgh Festival, | 0:20:19 | 0:20:22 | |
so a good spot for a potential bed and breakfast business. | 0:20:22 | 0:20:26 | |
Sternfield itself is a peaceful village | 0:20:26 | 0:20:28 | |
and our second house is situated on its fringes on a quiet lane. | 0:20:28 | 0:20:32 | |
So, in order to mix things up a bit, | 0:20:32 | 0:20:34 | |
we thought we'd show you a Georgian farmhouse. | 0:20:34 | 0:20:37 | |
This is it. | 0:20:37 | 0:20:39 | |
-I like it already. -Gorgeous, isn't it? -I absolutely like it. | 0:20:39 | 0:20:43 | |
Wow. | 0:20:43 | 0:20:44 | |
-Yeah. No...I...yeah. -THEY LAUGH | 0:20:44 | 0:20:46 | |
-You can see the big smile on his face. -Yeah. -Definitely like it. | 0:20:46 | 0:20:49 | |
There is a compromise. There always is, | 0:20:49 | 0:20:51 | |
especially when you're looking for period properties with land. | 0:20:51 | 0:20:54 | |
-And that's where we are. -Do we need to... | 0:20:54 | 0:20:56 | |
-I'm stretching your commute, I'm afraid. -OK. | 0:20:56 | 0:20:59 | |
Saxmundham | 0:20:59 | 0:21:02 | |
is only a couple of miles down the road | 0:21:02 | 0:21:03 | |
and it has a train station there. | 0:21:03 | 0:21:06 | |
-You'd be better driving to Ipswich... -Mm-hm. | 0:21:06 | 0:21:09 | |
-..40-odd minutes and then getting a train there. -Hmm. -OK. | 0:21:09 | 0:21:12 | |
Sorry. | 0:21:12 | 0:21:14 | |
Yeah, you will be. Only joking! | 0:21:14 | 0:21:16 | |
Anyway, I always said, you know, if the location or the house | 0:21:17 | 0:21:21 | |
is the house of our dreams, | 0:21:21 | 0:21:23 | |
I'll be willing to compromise I would say. | 0:21:23 | 0:21:26 | |
But I have already a good feeling and I just hope this flow... | 0:21:26 | 0:21:31 | |
-Will continue through it. -..will continue when we go inside. | 0:21:31 | 0:21:34 | |
Let's have a look. Come on. Follow me. | 0:21:34 | 0:21:37 | |
'Well, Gil seems open to the idea of a longer commute.' | 0:21:37 | 0:21:40 | |
In we come. 'So, that's the major stumbling block out of the way.' | 0:21:41 | 0:21:45 | |
We're heading to the back of the grade two-listed farmhouse | 0:21:45 | 0:21:47 | |
which has been recently extended. | 0:21:47 | 0:21:49 | |
So, in we come to... | 0:21:52 | 0:21:53 | |
-..the newest part of the house actually. -Uh-huh. | 0:21:54 | 0:21:57 | |
Look at you, you're comfortable already. | 0:22:00 | 0:22:02 | |
You can see my smile continues there. | 0:22:02 | 0:22:05 | |
I like it. | 0:22:05 | 0:22:06 | |
I'm not going to say anything | 0:22:07 | 0:22:09 | |
because I already really like it and I don't want to give the game away. | 0:22:09 | 0:22:13 | |
Come on, man! That's what we're here for. | 0:22:13 | 0:22:17 | |
-So far, I could see us here having our friends and family... -Yeah. | 0:22:17 | 0:22:22 | |
-Two fingers up, in a good way. -Two thumbs up. Good. | 0:22:22 | 0:22:25 | |
So, do you like what they've done with it cos it's modern... | 0:22:25 | 0:22:29 | |
Much more modern than we've seen so far, but does it work? | 0:22:29 | 0:22:33 | |
-It's gorgeous. -It works. Even the part with the little window there. | 0:22:33 | 0:22:37 | |
-It's quite quirky. I like it. -Do you want to see more? | 0:22:37 | 0:22:39 | |
Well, I'll tell you what we'll do - you can do a complete circuit, | 0:22:39 | 0:22:42 | |
if you like, of the ground floor before we go upstairs. | 0:22:42 | 0:22:44 | |
-Let's do just that. -Sounds good to me. | 0:22:44 | 0:22:46 | |
The kitchen leads on to a stunning dining room | 0:22:47 | 0:22:50 | |
with glass doors along one side and fantastic views out onto the garden. | 0:22:50 | 0:22:54 | |
Adjacent to the dining room is a cosy snug with wood-burning stove. | 0:22:54 | 0:22:58 | |
Now you've got a much bigger reception room here. | 0:23:02 | 0:23:05 | |
That's more like it. | 0:23:05 | 0:23:06 | |
I like it. Lovely fireplace. As you say, you kind of go around the house. | 0:23:08 | 0:23:12 | |
Yeah. Well, this would have been... | 0:23:12 | 0:23:14 | |
It might've felt a bit long and thin before | 0:23:14 | 0:23:15 | |
but because you got that extension... | 0:23:15 | 0:23:17 | |
-Look, there's the old external wall. -Yeah. | 0:23:17 | 0:23:19 | |
Cos you have that extension, in the short term, | 0:23:19 | 0:23:21 | |
you've got a snug and a living room. | 0:23:21 | 0:23:23 | |
In the long-term, talking about maybe having guests to stay, | 0:23:23 | 0:23:27 | |
you've got a sanctuary there, haven't you? | 0:23:27 | 0:23:29 | |
Well, that's their living room, isn't it? | 0:23:29 | 0:23:32 | |
Cos you can have that for the guests. | 0:23:32 | 0:23:34 | |
Fair enough. | 0:23:34 | 0:23:35 | |
Either way, keeping the bed and breakfast business in mind, | 0:23:35 | 0:23:38 | |
there are plenty of reception rooms without compromising their privacy. | 0:23:38 | 0:23:41 | |
Upstairs, the spacious theme continues, | 0:23:43 | 0:23:45 | |
as there are five bedrooms spread across two floors. | 0:23:45 | 0:23:49 | |
So, let's start with the master bedroom. | 0:23:49 | 0:23:52 | |
-It's a good size. -Yeah. -Yeah, it's lovely. | 0:23:54 | 0:23:57 | |
To give you an idea which got - you've got an a en-suite here, | 0:23:57 | 0:24:00 | |
an en-suite bath with a Jacuzzi in it with shower. And you've got... | 0:24:00 | 0:24:04 | |
a bedroom in the middle and a bedroom right at the end. | 0:24:04 | 0:24:08 | |
Beyond that bedroom is an en-suite, | 0:24:08 | 0:24:09 | |
-but it's the size of another family bathroom. -Right. | 0:24:09 | 0:24:12 | |
So, the middle bedroom will have to come through one of these bedrooms | 0:24:12 | 0:24:15 | |
-to use this en-suite so maybe that becomes an office or an... -OK. | 0:24:15 | 0:24:18 | |
..or study or whatever. | 0:24:18 | 0:24:20 | |
But upstairs, you've got two other bedrooms that share a bathroom. | 0:24:20 | 0:24:26 | |
-Wow, OK. -So, you got all the bedrooms you asked for. | 0:24:26 | 0:24:28 | |
I can't add those up. How many does that make? | 0:24:28 | 0:24:30 | |
You've got five bedrooms | 0:24:30 | 0:24:32 | |
but I think essentially you've kind of got four | 0:24:32 | 0:24:35 | |
if you're starting to think about guests | 0:24:35 | 0:24:37 | |
and walking through other people's bedrooms and stuff. | 0:24:37 | 0:24:40 | |
-Mm. -So you've we got all the bedrooms up here. | 0:24:40 | 0:24:42 | |
Let me take you back outside, if I may. | 0:24:42 | 0:24:44 | |
-Start thinking about price, as well, guys. -Yeah. -Hm. | 0:24:44 | 0:24:46 | |
To the side of the house, there's a large timber-framed outbuilding | 0:24:50 | 0:24:53 | |
that could be converted into stables. | 0:24:53 | 0:24:55 | |
The outside space includes a south-facing patio | 0:24:55 | 0:24:58 | |
and the rear garden is mainly lawn with a footbridge | 0:24:58 | 0:25:00 | |
across a small river to a further garden and meadow. | 0:25:00 | 0:25:04 | |
There are three acres of land in total. | 0:25:05 | 0:25:07 | |
But, there's also an option to rent a paddock | 0:25:07 | 0:25:09 | |
at the back of the property for Phil's longed for horse. | 0:25:09 | 0:25:12 | |
-Look at it. -Yes, it's idyllic. -You can see the volleyball court here. | 0:25:14 | 0:25:19 | |
I suppose now... | 0:25:19 | 0:25:21 | |
They've almost given you a volleyball net there, haven't they? | 0:25:21 | 0:25:24 | |
-No, no, no. -Look at that. -That would spoil it, actually. | 0:25:24 | 0:25:27 | |
If you said to someone, you know, "Show me a meadow"... | 0:25:27 | 0:25:29 | |
This would be it, wouldn't it? | 0:25:29 | 0:25:31 | |
It's just... You'd be so proud to live here, wouldn't you? | 0:25:31 | 0:25:33 | |
So how much do you think this spectacular Georgian property | 0:25:33 | 0:25:38 | |
with its three acres is on the market for? | 0:25:38 | 0:25:40 | |
I'm going to say £785,000. | 0:25:40 | 0:25:42 | |
I'm going to go a bit higher, actually. £825,000. | 0:25:42 | 0:25:47 | |
This house is on the market for offers around £795,000. | 0:25:47 | 0:25:50 | |
-Oh, wow. -Hmm. | 0:25:50 | 0:25:53 | |
-That surprised me, actually. -Yes. | 0:25:53 | 0:25:55 | |
-You need to go back into this house. -Yeah. | 0:25:55 | 0:25:58 | |
Think about whether you guys could live here | 0:25:58 | 0:26:01 | |
and commute to and from here, as well, most importantly, Gil. | 0:26:01 | 0:26:04 | |
-All right? -Absolutely. -All right. | 0:26:04 | 0:26:06 | |
The house is that way, but don't forget to walk around, as well. | 0:26:06 | 0:26:09 | |
-All right, then. -Thank you. -Let's go that way. | 0:26:09 | 0:26:12 | |
-Do whatever you want. -Cheers. | 0:26:12 | 0:26:13 | |
£55,000 below their maximum budget, | 0:26:15 | 0:26:18 | |
our second property, a Grade II listed Georgian farmhouse | 0:26:18 | 0:26:21 | |
gives Gil and Phil the character they asked for in a rural location. | 0:26:21 | 0:26:26 | |
It features five bedrooms, a large kitchen, | 0:26:26 | 0:26:29 | |
and land and outbuildings for an equine holiday business, | 0:26:29 | 0:26:32 | |
but it is a longer commute for Gil, just over two hours door-to-door. | 0:26:32 | 0:26:36 | |
Walking in, architecturally, the kitchen is a wonderful space | 0:26:36 | 0:26:41 | |
flooded with light. | 0:26:41 | 0:26:43 | |
Definitely somewhere where I could imagine pottering around, | 0:26:43 | 0:26:46 | |
spending time. | 0:26:46 | 0:26:48 | |
We're spoilt for choice were to stay | 0:26:48 | 0:26:49 | |
because we could probably live in the third floor, | 0:26:49 | 0:26:53 | |
but I can imagine just wanting to sleep in each room | 0:26:53 | 0:26:56 | |
a different night of the week | 0:26:56 | 0:26:58 | |
because I'd like all of them to be my bedroom. | 0:26:58 | 0:27:01 | |
Walking around the house, it feels really well. The layout worked. | 0:27:01 | 0:27:05 | |
You're kind of going around and wherever you looked at | 0:27:05 | 0:27:09 | |
was just nice and bright. It just worked. | 0:27:09 | 0:27:13 | |
It's like being on holiday, actually, | 0:27:13 | 0:27:14 | |
just looking around and those bridges. | 0:27:14 | 0:27:17 | |
A romantic getaway, really. I'm speechless for that. Love it. | 0:27:17 | 0:27:22 | |
-So, look at that. Is that a contented smile there, Philip? -Yes. | 0:27:25 | 0:27:29 | |
But are you both happy? | 0:27:29 | 0:27:31 | |
-Yes, we are. -Yes? Something to think about tonight? -Absolutely. | 0:27:32 | 0:27:35 | |
-Yeah, definitely. -Good news. Let's go back. | 0:27:35 | 0:27:38 | |
It's the second day of our property search | 0:27:47 | 0:27:49 | |
and on a generous budget of £850,000, | 0:27:49 | 0:27:52 | |
we're helping Gil an Phil from London | 0:27:52 | 0:27:55 | |
escape the bustle of the capital for the serenity of Suffolk. | 0:27:55 | 0:27:59 | |
Coming up, we go off-piste with the mystery house. | 0:27:59 | 0:28:01 | |
It's like a ski lodge. | 0:28:01 | 0:28:04 | |
Yeah, you know what? It's a good point, actually. | 0:28:04 | 0:28:06 | |
I get that. Yeah. | 0:28:06 | 0:28:08 | |
And I head back to the Stone Age. | 0:28:08 | 0:28:10 | |
Well, we looked around two fantastic properties yesterday, didn't we? | 0:28:13 | 0:28:16 | |
Although I don't think it takes a genius to work out | 0:28:16 | 0:28:19 | |
which of the two houses is coming out on top. | 0:28:19 | 0:28:21 | |
Now with that in mind, I think we can afford | 0:28:21 | 0:28:23 | |
to take a bit of a risk today. And let's face it, | 0:28:23 | 0:28:25 | |
that's what the mystery property is all about, isn't it? | 0:28:25 | 0:28:28 | |
Now, with this house itself, | 0:28:28 | 0:28:29 | |
there are a couple of issues, first of all. | 0:28:29 | 0:28:32 | |
Now, for Philip, there's not a great deal of land for his horses, | 0:28:32 | 0:28:35 | |
although there is an opportunity to get hold of some on a later date. | 0:28:35 | 0:28:38 | |
And then, for Gil, he seems to have an acute dislike for bungalows. | 0:28:38 | 0:28:42 | |
And let's face it, this house is built all on the same level. | 0:28:42 | 0:28:45 | |
But, if they're able to get over these issues, | 0:28:45 | 0:28:47 | |
they could get their hands on a character property | 0:28:47 | 0:28:50 | |
with so much space. | 0:28:50 | 0:28:51 | |
It'll offer them fantastic potential for their business. | 0:28:51 | 0:28:55 | |
Let's see how we go. | 0:28:55 | 0:28:56 | |
You want something quite different. | 0:29:02 | 0:29:04 | |
You want land around you and da-da-da. | 0:29:04 | 0:29:05 | |
You know there's going to be compromises, don't you? | 0:29:05 | 0:29:08 | |
-Yeah. -Oh, right. OK. -We're fully aware of that. | 0:29:08 | 0:29:10 | |
So, are you hinting at a project? | 0:29:10 | 0:29:13 | |
I'm hinting at a compromise. | 0:29:13 | 0:29:16 | |
We're not showing you this house because we think it's unsuitable. | 0:29:16 | 0:29:19 | |
We are just approaching it from a slightly different angle. | 0:29:19 | 0:29:22 | |
Yeah, I know. We like that. | 0:29:22 | 0:29:23 | |
I did say to you at the very beginning that we are open minded. | 0:29:23 | 0:29:27 | |
Well, let's see how far they're willing to go. | 0:29:28 | 0:29:31 | |
For our mystery house, we're heading northwest | 0:29:31 | 0:29:33 | |
to the village of Laxfield, | 0:29:33 | 0:29:35 | |
a 30-minute drive to the nearest train station. | 0:29:35 | 0:29:38 | |
Nearby Dennington has a vibrant community | 0:29:38 | 0:29:40 | |
which is reflected in the number of activities and societies on offer, | 0:29:40 | 0:29:44 | |
including a sports club for Gil. | 0:29:44 | 0:29:46 | |
Our final offering is situated a mile south from Laxfield village | 0:29:46 | 0:29:50 | |
in open countryside. | 0:29:50 | 0:29:51 | |
So the mystery house... | 0:29:54 | 0:29:57 | |
is this. | 0:29:57 | 0:29:58 | |
Well, almost looks like a collection of barns, doesn't it? | 0:29:58 | 0:30:01 | |
-I know. -It does. -First impressions? | 0:30:01 | 0:30:03 | |
Erm, I like it. I mean, is it a bungalow? | 0:30:03 | 0:30:09 | |
-Well, funny you should say that. It's a converted barn. -Yes. | 0:30:09 | 0:30:12 | |
OK? Which those words seem to get people jumping for joy | 0:30:12 | 0:30:17 | |
a lot of the time, but, yeah, you're quite right. | 0:30:17 | 0:30:20 | |
It is all on one level, so it's a bungalow in its truest sense. | 0:30:20 | 0:30:25 | |
These are two very different men that I saw yesterday, aren't they? | 0:30:26 | 0:30:30 | |
You're not jumping for joy at the moment, are you? | 0:30:30 | 0:30:32 | |
I'm looking forward to seeing the stables | 0:30:32 | 0:30:34 | |
and the equestrian centre that's behind it. | 0:30:34 | 0:30:36 | |
Yeah, me too. | 0:30:36 | 0:30:37 | |
Well, this is the mystery house, and yes, the land could be an issue. | 0:30:39 | 0:30:44 | |
On the plus side, the actual property is huge - | 0:30:44 | 0:30:47 | |
over 4,000 square feet, | 0:30:47 | 0:30:49 | |
and so offers lots of potential to accommodate guests, | 0:30:49 | 0:30:52 | |
either friends from London, or income-generating holiday-makers. | 0:30:52 | 0:30:56 | |
-Right, so the hub of the house when you first walk in. -Mm-hm. | 0:30:56 | 0:31:00 | |
First impressions? | 0:31:00 | 0:31:01 | |
Yeah, it's a spacious entrance, but the ceiling feels a bit low. | 0:31:02 | 0:31:07 | |
That's because there's a gallery above it. | 0:31:07 | 0:31:09 | |
There's a mezzanine level, if you like. | 0:31:09 | 0:31:11 | |
Just through that door you've got a utility. | 0:31:11 | 0:31:13 | |
A good size utility with deepfreeze | 0:31:13 | 0:31:15 | |
and a ground floor shower room and loo. | 0:31:15 | 0:31:17 | |
Just through those doors there, there's a snug. | 0:31:17 | 0:31:19 | |
We'll have a quick peek at that later. | 0:31:19 | 0:31:21 | |
Let me take you to the separate living room first. | 0:31:21 | 0:31:23 | |
The accommodation is arranged around a central courtyard | 0:31:26 | 0:31:29 | |
with the bedroom quarters on one side, | 0:31:29 | 0:31:32 | |
and on the day-to-day living areas on the other. | 0:31:32 | 0:31:34 | |
The main living room is accessed via a formal dining area. | 0:31:34 | 0:31:38 | |
Right, then. | 0:31:40 | 0:31:41 | |
This is the furthest part from the kitchen, if you like. | 0:31:43 | 0:31:46 | |
-OK. I like this better. -Yeah, this is nice. It's like a ski lodge. | 0:31:46 | 0:31:51 | |
Yeah, you know what? It's a good point, actually. I get that. | 0:31:52 | 0:31:56 | |
One of the reasons why we brought you here | 0:31:56 | 0:31:58 | |
is cos we thought this might give you a really good opportunity | 0:31:58 | 0:32:01 | |
of an up and running B&B | 0:32:01 | 0:32:03 | |
-or some form of hospitality-based business. -OK. | 0:32:03 | 0:32:05 | |
We've not really centred on that a great deal. | 0:32:05 | 0:32:07 | |
But we think this is your dedicated living room | 0:32:07 | 0:32:11 | |
away from your paying customers. | 0:32:11 | 0:32:13 | |
-This is just you guys. -OK. -OK. | 0:32:13 | 0:32:16 | |
-Yeah, we'll bear that in mind. -All right. So, let's see more. | 0:32:16 | 0:32:19 | |
There's probably 3,500 square feet still to come, isn't there? | 0:32:19 | 0:32:23 | |
Good maths! I think you're about right. | 0:32:23 | 0:32:25 | |
Let's go have a look at some of it. | 0:32:25 | 0:32:27 | |
Despite its size, the third property | 0:32:28 | 0:32:31 | |
doesn't appear to have captured the hearts of our buyers just yet. | 0:32:31 | 0:32:34 | |
The kitchen is quite different. | 0:32:34 | 0:32:38 | |
-It's massive, isn't it? -Yeah. | 0:32:40 | 0:32:43 | |
Now for you guys, looking at your home/business, | 0:32:43 | 0:32:47 | |
you've got your sanctuary away from people at the far end | 0:32:47 | 0:32:50 | |
with that living room we've just been to. | 0:32:50 | 0:32:52 | |
You got a snug here looking out to the garden. | 0:32:52 | 0:32:55 | |
And then your standard dining/kitchen here. | 0:32:56 | 0:32:59 | |
-Yeah. -Put the Georgian house from yesterday to the back of your mind. | 0:32:59 | 0:33:02 | |
Let's try to see this as it is, all right? | 0:33:02 | 0:33:06 | |
-This is the sort of kitchen you could see yourselves in? -Oh, yeah. | 0:33:06 | 0:33:09 | |
I mean, this is a fab kitchen, isn't it? What's not to like. | 0:33:09 | 0:33:13 | |
All right, let's go and have a look at the bedroom stock | 0:33:13 | 0:33:16 | |
because there's quite a bit to see. Follow me. | 0:33:16 | 0:33:18 | |
There are six bedrooms in total and not surprisingly, | 0:33:20 | 0:33:23 | |
they're all a good size. | 0:33:23 | 0:33:25 | |
Three of those bedrooms are found in a self-contained wing | 0:33:25 | 0:33:28 | |
of the property which also features a living room | 0:33:28 | 0:33:31 | |
with kitchenette and bathroom. | 0:33:31 | 0:33:33 | |
This section could be entirely reserved for guests, | 0:33:33 | 0:33:36 | |
leaving the three remaining bedrooms and family bathroom | 0:33:36 | 0:33:38 | |
for Gil and Phil. | 0:33:38 | 0:33:39 | |
-Now as it stands, it's the master bedroom. -OK. | 0:33:44 | 0:33:47 | |
It's the biggest and it's en-suite | 0:33:47 | 0:33:49 | |
with a sunken bath in there, actually. | 0:33:49 | 0:33:52 | |
Sounds good. | 0:33:52 | 0:33:53 | |
-I like the exposure of the beams and all that. It's cute. -Yeah. | 0:33:53 | 0:33:58 | |
What's been your feeling when you've been walking around? | 0:33:58 | 0:34:00 | |
I haven't got to grips with the geography of the house yet. | 0:34:00 | 0:34:03 | |
-It feels very sprawling. -Yeah, it's labyrinthian almost. | 0:34:03 | 0:34:06 | |
Because it's also all in one level, it's spread out quite a lot. | 0:34:06 | 0:34:12 | |
But when you consider that you could probably | 0:34:12 | 0:34:14 | |
shut bits of the property off as when guests come to stay, | 0:34:14 | 0:34:18 | |
either paying or non-paying, it could work quite well. | 0:34:18 | 0:34:20 | |
In terms of land, | 0:34:22 | 0:34:23 | |
this property is the smallest we've seen at around 1.25 acres. | 0:34:23 | 0:34:27 | |
The gardens are mainly laid to lawn and bordered by an open meadow. | 0:34:27 | 0:34:31 | |
There is a garage but no immediate space and shelter for a horse, | 0:34:31 | 0:34:35 | |
however there are rentable options nearby. | 0:34:35 | 0:34:37 | |
What are your thoughts on this house? | 0:34:39 | 0:34:41 | |
Well, I mean, fair dues, it's a good attempt. | 0:34:41 | 0:34:43 | |
I feel like I'm being home-schooled now. | 0:34:44 | 0:34:47 | |
This is the teacher in you coming out, isn't it? | 0:34:47 | 0:34:49 | |
Do I get a cross or a tick at the moment? | 0:34:49 | 0:34:51 | |
-A little smiley face. -Right, OK. | 0:34:51 | 0:34:53 | |
But not a big beaming smile. Just a little half. | 0:34:53 | 0:34:56 | |
Yeah, all right. | 0:34:56 | 0:34:59 | |
How would you price this house? | 0:34:59 | 0:35:00 | |
I mean, you both been very good in the pricing so far. | 0:35:00 | 0:35:03 | |
How much do you think this place is on the market for? | 0:35:03 | 0:35:06 | |
-I think £725,000. -OK. Philip? | 0:35:06 | 0:35:09 | |
£695,000. | 0:35:09 | 0:35:12 | |
Very good guesses. | 0:35:12 | 0:35:13 | |
It's on the market for a guide price of £725,000. | 0:35:13 | 0:35:18 | |
Why don't you go back into the house? You've seen the land. | 0:35:18 | 0:35:20 | |
Why don't you go back into the house | 0:35:20 | 0:35:22 | |
and look at some of the areas we haven't seen like the bedrooms, | 0:35:22 | 0:35:24 | |
and I'll meet you back outside whenever you're finished, all right? | 0:35:24 | 0:35:27 | |
-All right. -OK. Thanks. | 0:35:27 | 0:35:29 | |
Substantially below budget by 125,000, | 0:35:30 | 0:35:33 | |
our one-level barn conversion | 0:35:33 | 0:35:35 | |
gives a Gil and Phil a 4,000 square feet of accommodation to play with, | 0:35:35 | 0:35:40 | |
including six bedrooms and a separate wing for guests, | 0:35:40 | 0:35:43 | |
but comes with only 1.25 acres of land. | 0:35:43 | 0:35:46 | |
Location wise, it did look good. | 0:35:46 | 0:35:49 | |
But then we realised it was only one level... | 0:35:49 | 0:35:54 | |
It was a challenge. | 0:35:54 | 0:35:56 | |
The feel of the house for me... | 0:35:56 | 0:35:58 | |
It's a great family home, potential B&B... | 0:35:58 | 0:36:02 | |
I have to say from my heart, I didn't get the feeling | 0:36:02 | 0:36:05 | |
that it's the home that I would dream of. | 0:36:05 | 0:36:08 | |
-Well then, gentlemen, enjoyed your tour around on your own? -Yeah. -Yeah. | 0:36:10 | 0:36:14 | |
You know, it's a beautiful house. | 0:36:14 | 0:36:17 | |
-It just didn't work for us, but huge potential there. -OK. | 0:36:17 | 0:36:21 | |
Well, there's something else praying on your minds, I shouldn't wonder. | 0:36:21 | 0:36:24 | |
Sounds like there's a big decision looming. | 0:36:24 | 0:36:26 | |
Let's find you somewhere to have a bit of a think | 0:36:26 | 0:36:28 | |
and then we'll get together and have a discussion. | 0:36:28 | 0:36:31 | |
-Good. -Sounds good. | 0:36:31 | 0:36:32 | |
In 2005, the cliffs overlooking Suffolk's North Sea coast | 0:36:41 | 0:36:45 | |
at Pakefield hit the headlines. | 0:36:45 | 0:36:47 | |
Two amateur archaeologists stumbled on a remarkable discovery | 0:36:48 | 0:36:52 | |
that would rewrite history. | 0:36:52 | 0:36:55 | |
A collection of stone tools similar to these and made from local flint, | 0:36:55 | 0:36:58 | |
show that humans were living in Britain | 0:36:58 | 0:37:01 | |
700,000 years ago, far earlier than previously thought. | 0:37:01 | 0:37:06 | |
The process of shaping, or knapping, flint continues today | 0:37:06 | 0:37:09 | |
and the stone is often used as a building material in the county. | 0:37:09 | 0:37:13 | |
I've come to Bury St Edmunds to meet master flint knapper, | 0:37:13 | 0:37:16 | |
Will Lord, who runs workshops in prehistory | 0:37:16 | 0:37:19 | |
to find out how Stone Age man would have made these tools. | 0:37:19 | 0:37:23 | |
This is amazing. Let's talk about this environment. | 0:37:23 | 0:37:26 | |
Stone Age, we're talking about up to... | 0:37:26 | 0:37:28 | |
What, to one million years ago, goodness me. | 0:37:28 | 0:37:31 | |
It's mind-boggling, isn't it? | 0:37:31 | 0:37:33 | |
What was it like around here? What was the environment like? | 0:37:33 | 0:37:36 | |
It was a lush savanna, | 0:37:36 | 0:37:38 | |
but the problem was, is the animal kingdom was far different. | 0:37:38 | 0:37:42 | |
What sort of animals were roaming here then, Will? | 0:37:42 | 0:37:44 | |
You had mammoths, woolly rhino, you've got hyenas, you've got bears, | 0:37:44 | 0:37:48 | |
you've got lions... | 0:37:48 | 0:37:49 | |
Now, of course we are talking about, Stone Age man and woman, here. | 0:37:49 | 0:37:53 | |
At the heart of this process is stone | 0:37:53 | 0:37:55 | |
and here in Suffolk we have bountiful supplies of flint. | 0:37:55 | 0:37:58 | |
-Now you do something here called flint knapping. -Well, yes. | 0:37:58 | 0:38:01 | |
We've got the flint knapping over there | 0:38:01 | 0:38:03 | |
and if we approach a stone well, | 0:38:03 | 0:38:06 | |
within five minutes time we can be holding in our hands | 0:38:06 | 0:38:09 | |
something called a hand axe, | 0:38:09 | 0:38:11 | |
which sounds like it's used for chopping trees down, | 0:38:11 | 0:38:14 | |
but basically it was used as a butchery tool | 0:38:14 | 0:38:17 | |
for cutting up things like a great big mammoth. | 0:38:17 | 0:38:19 | |
-Can I have a go at this? -You can have a go at this, too. | 0:38:19 | 0:38:21 | |
-Let's go. Come on. -Let's go. | 0:38:21 | 0:38:24 | |
Flint is a fine-grained form of the mineral quartz, | 0:38:24 | 0:38:27 | |
usually found as lumps in chalk. | 0:38:27 | 0:38:29 | |
It's one of the hardest natural materials there is, | 0:38:29 | 0:38:31 | |
making it the perfect stone from which to craft a tool. | 0:38:31 | 0:38:35 | |
The first step of knapping involves breaking open | 0:38:35 | 0:38:38 | |
a piece of parent material called a core. | 0:38:38 | 0:38:40 | |
-How old is this? -100 million years old. | 0:38:41 | 0:38:44 | |
100 million years old?! | 0:38:44 | 0:38:46 | |
That's amazing. | 0:38:46 | 0:38:47 | |
OK, so, you've got your raw material. | 0:38:47 | 0:38:51 | |
We need to bust it open | 0:38:51 | 0:38:52 | |
-and look at the geometry of how to break it apart. -OK. | 0:38:52 | 0:38:55 | |
So with that in mind, let's put that down and make your hammers, | 0:38:55 | 0:38:58 | |
-cos they're quite interesting. -All right. | 0:38:58 | 0:39:00 | |
First of all, it's quartzite. It's the oldest stone on the planet. | 0:39:01 | 0:39:05 | |
-Quartzite. -Quartzite. | 0:39:05 | 0:39:07 | |
It is very, very, very hard. | 0:39:07 | 0:39:10 | |
Will is going to start me off, but not before I get kitted out | 0:39:11 | 0:39:14 | |
as flint can shatter and spark when struck. | 0:39:14 | 0:39:17 | |
What I'm going to ask you to do now - | 0:39:22 | 0:39:23 | |
I want you to hold this on your leg as I held it on mine. | 0:39:23 | 0:39:26 | |
So, about there? | 0:39:26 | 0:39:27 | |
-Yeah, that looks great. Then hold on to this. -Right. | 0:39:27 | 0:39:30 | |
I'm going to use my finger as a pen to mark where to hit it. | 0:39:30 | 0:39:34 | |
You're going to hit it there. | 0:39:34 | 0:39:35 | |
Now hit it hard. | 0:39:36 | 0:39:38 | |
That was the one! | 0:39:38 | 0:39:40 | |
Lovely job. | 0:39:40 | 0:39:41 | |
'The next step is to strike flakes off the core | 0:39:41 | 0:39:44 | |
'and then to shape those flakes into the intended tool.' | 0:39:44 | 0:39:47 | |
That, Will, looks... | 0:39:47 | 0:39:50 | |
That looks terrifying! Look at the edges! | 0:39:50 | 0:39:54 | |
You don't want to run your finger across the tip of that. | 0:39:54 | 0:39:56 | |
No way! Look at that. | 0:39:56 | 0:39:57 | |
'All this work has made me hungry, so what better way to test out | 0:40:00 | 0:40:03 | |
'our prehistoric carving knives than on a leg of fire cooked venison?' | 0:40:03 | 0:40:07 | |
-Goodness me, that's sharp. -It's just falling apart, isn't it? | 0:40:10 | 0:40:13 | |
Wow! That is absolutely amazing. | 0:40:13 | 0:40:17 | |
Thank you so much. | 0:40:18 | 0:40:20 | |
Normally I'd say, "Look, I wish you the very best of luck. | 0:40:20 | 0:40:22 | |
"I'll see you again." But I'm going nowhere. | 0:40:22 | 0:40:24 | |
-Should we do some more carving? -Let's get into it, shall we? | 0:40:24 | 0:40:27 | |
Well, after looking around three stunning properties, | 0:40:32 | 0:40:34 | |
I think it's fair to assume that there is still one clear favourite. | 0:40:34 | 0:40:38 | |
Let's find out what Philip and Gil want to do about it. | 0:40:38 | 0:40:41 | |
I'm pretty sure that your favourite house is house number two | 0:40:47 | 0:40:50 | |
that we saw yesterday afternoon. | 0:40:50 | 0:40:53 | |
What I want to know is, what do you want to do about it? | 0:40:53 | 0:40:55 | |
Well, we are still mulling it over. | 0:40:55 | 0:40:58 | |
It is a lovely house | 0:40:58 | 0:41:00 | |
and I knew from the moment that I saw it that you were presenting us | 0:41:00 | 0:41:03 | |
with a real dilemma which was why | 0:41:03 | 0:41:05 | |
I was kind of nervous going around the house, | 0:41:05 | 0:41:07 | |
because I didn't want to love it as much as I did. | 0:41:07 | 0:41:10 | |
But the payoff of the two hour commute is such a big consideration. | 0:41:10 | 0:41:16 | |
What I would love to do is actually to try to commute | 0:41:16 | 0:41:21 | |
and see how long it actually would take. | 0:41:21 | 0:41:26 | |
We started out a couple of days ago and we were looking for a house | 0:41:26 | 0:41:29 | |
with this potential to become a business in a few years' time | 0:41:29 | 0:41:32 | |
and in a lot of ways I think that... | 0:41:32 | 0:41:35 | |
That took the focus away from what we should've been looking at. | 0:41:35 | 0:41:38 | |
I've seen this journey go from this potential business to, | 0:41:38 | 0:41:41 | |
no, actually what we want is a home, first and foremost. | 0:41:41 | 0:41:45 | |
It's that home part of house number two | 0:41:45 | 0:41:48 | |
that you both seemed to really fall for. | 0:41:48 | 0:41:50 | |
Probably the deciding factor | 0:41:50 | 0:41:51 | |
is always going to be emotionally based. | 0:41:51 | 0:41:54 | |
That's what this process is about, though. It's a journey, isn't it? | 0:41:54 | 0:41:57 | |
And got us into bungalow. | 0:41:57 | 0:41:59 | |
Yes! I forgot about that. The big surprise. I totally forgot about it. | 0:41:59 | 0:42:03 | |
Well, look, I wish you both the very best the very best | 0:42:03 | 0:42:06 | |
with that second viewing. | 0:42:06 | 0:42:07 | |
Whatever you decide to do, please let us know, won't you? | 0:42:07 | 0:42:10 | |
-We will. -It'll be on a sunny day. That's for sure. It'll help. | 0:42:10 | 0:42:12 | |
Don't do it in the wet. Please don't do it in the wet. | 0:42:12 | 0:42:15 | |
Perhaps that's what you should do then. Look, good luck. | 0:42:15 | 0:42:17 | |
-All right, thank you very much. -Thank you. | 0:42:17 | 0:42:19 | |
Admittedly, it was a bit of a gamble showing Gil and Philip | 0:42:23 | 0:42:26 | |
the second property bearing in mind | 0:42:26 | 0:42:28 | |
the commute time back into London for Gil. | 0:42:28 | 0:42:31 | |
But I'm glad we took that risk. | 0:42:31 | 0:42:32 | |
I certainly think it was worth it | 0:42:32 | 0:42:34 | |
because in showing them that house, | 0:42:34 | 0:42:36 | |
it's got both of them to refocus on what's important to them - | 0:42:36 | 0:42:39 | |
and that's the house or business | 0:42:39 | 0:42:42 | |
needs to be a home for them both first. | 0:42:42 | 0:42:44 | |
And what a home that Georgian property would make. | 0:42:44 | 0:42:47 | |
And in going back for a second viewing, | 0:42:47 | 0:42:49 | |
doing a dummy run on that commute, | 0:42:49 | 0:42:51 | |
if Gil is able to put up with an extra 10 or 15 minutes on a train, | 0:42:51 | 0:42:55 | |
you never know, we may well have found them a new home. | 0:42:55 | 0:42:58 | |
I sure hope so. See you next time. | 0:42:58 | 0:43:00 | |
If you'd like to escape to the country | 0:43:01 | 0:43:03 | |
in Wales, England, Northern Ireland, or Scotland | 0:43:03 | 0:43:06 | |
and would like our help, then you can apply online at: | 0:43:06 | 0:43:10 |