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For over 500 years, a host of angelic wooden carvings | 0:00:02 | 0:00:04 | |
have welcomed visitors and worshippers alike | 0:00:04 | 0:00:06 | |
to this medieval church behind me. | 0:00:06 | 0:00:08 | |
But, in which county does it stand? | 0:00:08 | 0:00:11 | |
Find out in just a couple of moments when I'll be taking a step inside. | 0:00:11 | 0:00:14 | |
Today, I'm helping to relocate a couple of music lovers | 0:00:30 | 0:00:33 | |
looking to ditch their urban lifestyles | 0:00:33 | 0:00:35 | |
to live in harmony in the countryside. | 0:00:35 | 0:00:38 | |
Maybe we could burst into song and... | 0:00:38 | 0:00:40 | |
-Well, maybe I could burst into song. -Let me show you the kitchen! | 0:00:40 | 0:00:43 | |
And once they've found their voices, there's no holding back. | 0:00:43 | 0:00:47 | |
-I'd probably rip the whole thing out, if I'm honest. -Yeah. | 0:00:47 | 0:00:50 | |
Today, I'm in Cambridgeshire, in the market town of March | 0:00:53 | 0:00:57 | |
and this is St Wendreda church, with its beautiful carved oak roof. | 0:00:57 | 0:01:02 | |
Featuring over 100 angels, it's thought the faces of each figure | 0:01:02 | 0:01:05 | |
represent the profiles of the craftsmen that carved them. | 0:01:05 | 0:01:09 | |
Now, during the time of the Protestant Reformation, | 0:01:09 | 0:01:12 | |
King Henry VIII sent his commissioners here, | 0:01:12 | 0:01:14 | |
intent on destroying this saintly imagery. | 0:01:14 | 0:01:18 | |
But, the quick-thinking locals | 0:01:18 | 0:01:20 | |
decided to ply the king's men with good food and wine, | 0:01:20 | 0:01:23 | |
who were so impressed by the hospitality they received here, | 0:01:23 | 0:01:27 | |
they decided to leave the roof here intact, | 0:01:27 | 0:01:29 | |
preserved beautifully, as we see it now today. | 0:01:29 | 0:01:32 | |
The county of Cambridgeshire is situated in East Anglia | 0:01:36 | 0:01:39 | |
and is bordered by Lincolnshire to the north, Suffolk to the east | 0:01:39 | 0:01:42 | |
and Essex and Hertfordshire to the south. | 0:01:42 | 0:01:45 | |
The county boasts a varied landscape, | 0:01:45 | 0:01:47 | |
from the gently undulating hills in the south | 0:01:47 | 0:01:50 | |
to the unique flat Fens of the north. | 0:01:50 | 0:01:52 | |
Once a large area of dense forest, the Fens would regularly flood, | 0:01:53 | 0:01:57 | |
killing off the trees and leaving a rich and fertile peat soil. | 0:01:57 | 0:02:01 | |
Nowadays, drainage schemes | 0:02:01 | 0:02:02 | |
have created over 200 miles of stunning waterways, | 0:02:02 | 0:02:05 | |
perfect for enjoying a leisurely boat trip. | 0:02:05 | 0:02:08 | |
In the heart of the fenland, lies Whittlesey, | 0:02:09 | 0:02:11 | |
an ancient market town | 0:02:11 | 0:02:13 | |
featuring architecture spanning several centuries. | 0:02:13 | 0:02:16 | |
The 17th century Butter Cross | 0:02:16 | 0:02:18 | |
is a throwback to its trading and agricultural past. | 0:02:18 | 0:02:21 | |
The county town is the city of Cambridge, | 0:02:22 | 0:02:24 | |
built by the Romans | 0:02:24 | 0:02:25 | |
and nowadays most widely known | 0:02:25 | 0:02:27 | |
as the home of its world-famous university, founded in 1209. | 0:02:27 | 0:02:31 | |
Its prominent and historic buildings | 0:02:32 | 0:02:34 | |
have long been appreciated by visitors, | 0:02:34 | 0:02:36 | |
who often take in the rich architecture | 0:02:36 | 0:02:38 | |
in a punt along the River Cam. | 0:02:38 | 0:02:40 | |
Sought-after villages, a vibrant, world-renowned university city | 0:02:42 | 0:02:46 | |
and good transport links back into London, | 0:02:46 | 0:02:48 | |
make Cambridgeshire a very popular place to set up home | 0:02:48 | 0:02:51 | |
which, of course, as you might imagine, | 0:02:51 | 0:02:53 | |
has a knock-on effect on property values. | 0:02:53 | 0:02:56 | |
In fact, the average price for a detached house here in Cambridgeshire | 0:02:56 | 0:02:59 | |
is some £17,000 above the national figure, | 0:02:59 | 0:03:02 | |
coming in at around £285,000. | 0:03:02 | 0:03:05 | |
So, if you want to get more for your money, | 0:03:05 | 0:03:07 | |
you're better off travelling towards the north of the county, | 0:03:07 | 0:03:09 | |
effectively further away from our capital. | 0:03:09 | 0:03:12 | |
Time to meet today's buyers to find out what's drawing them | 0:03:12 | 0:03:15 | |
to this beautiful part of the country. | 0:03:15 | 0:03:17 | |
Newlyweds Ian, a warehouse solutions manager, | 0:03:18 | 0:03:20 | |
and Nicki, a teacher, | 0:03:20 | 0:03:22 | |
met eight years ago through their love of a mutual hobby. | 0:03:22 | 0:03:25 | |
Barbershop singing. | 0:03:25 | 0:03:26 | |
It's basically singing without any musical instruments. | 0:03:26 | 0:03:29 | |
It's a complete performance, so we tend to emote. | 0:03:29 | 0:03:34 | |
And we met because I was training to be a judge | 0:03:34 | 0:03:37 | |
and I went along to his chorus. | 0:03:37 | 0:03:39 | |
I was the presentation coach for the chorus | 0:03:39 | 0:03:41 | |
and Nicki's judging is in presentation and it went from there. | 0:03:41 | 0:03:45 | |
It's taken us eight years to figure out | 0:03:45 | 0:03:47 | |
that we want to be together forever. | 0:03:47 | 0:03:49 | |
They recently took the plunge | 0:03:52 | 0:03:53 | |
and got married in their favourite city of York. | 0:03:53 | 0:03:56 | |
It was in a 14th century Tudor building | 0:03:56 | 0:03:58 | |
and we were surrounded by all of our best friends, close friends, | 0:03:58 | 0:04:01 | |
there were about 60 people. | 0:04:01 | 0:04:02 | |
-It was very musical, wasn't it? -Very musical. Very barbershop. | 0:04:02 | 0:04:05 | |
Singing makes you feel good | 0:04:05 | 0:04:06 | |
and it also gives you the opportunity to show off, | 0:04:06 | 0:04:09 | |
if you happen to be that way inclined. | 0:04:09 | 0:04:10 | |
And both of us are. | 0:04:10 | 0:04:12 | |
Not ones to do things traditionally, | 0:04:13 | 0:04:15 | |
their current living set up is also somewhat unconventional. | 0:04:15 | 0:04:19 | |
Nicki lives with her children in Bishop Stortford, Hertfordshire, | 0:04:19 | 0:04:23 | |
and Ian six miles away in Dunmow, Essex. | 0:04:23 | 0:04:26 | |
Now, we're a little bit alternative, to tell the truth. | 0:04:26 | 0:04:28 | |
Yeah, it is frustrating. | 0:04:28 | 0:04:30 | |
Nicki's got a house to sell and I'm living in a flat. | 0:04:30 | 0:04:33 | |
You know, we've been together for eight years, | 0:04:33 | 0:04:36 | |
but we both had families to raise | 0:04:36 | 0:04:39 | |
and we made the conscious decision | 0:04:39 | 0:04:41 | |
that we wanted to put the children first. | 0:04:41 | 0:04:43 | |
It's perfect, because when we get fed up with each other... | 0:04:43 | 0:04:46 | |
Yeah, that's right. Yeah. I don't have to go... | 0:04:46 | 0:04:48 | |
-You can go home. -Yeah, I don't have to go to the spare room. | 0:04:48 | 0:04:51 | |
Between them, they have five children. | 0:04:52 | 0:04:54 | |
Ian's two visit regularly. | 0:04:54 | 0:04:55 | |
But, with two of Nicki's three now at university, | 0:04:55 | 0:04:58 | |
they've decided it's finally time to focus on themselves. | 0:04:58 | 0:05:01 | |
And they've chosen Cambridgeshire for their first marital home. | 0:05:01 | 0:05:05 | |
We have quite a few friends that live in Cambridgeshire, | 0:05:05 | 0:05:07 | |
particularly southern Cambridgeshire, | 0:05:07 | 0:05:09 | |
and I know there are some absolutely idyllic villages in that area. | 0:05:09 | 0:05:15 | |
We've always lived in cities or towns. | 0:05:15 | 0:05:18 | |
And also, I think it's that Cambridge itself, | 0:05:18 | 0:05:21 | |
-we just love going there, don't we? -Oh, yeah. | 0:05:21 | 0:05:23 | |
We go punting with our friends, we go to the theatre, | 0:05:23 | 0:05:26 | |
we love the restaurants. | 0:05:26 | 0:05:28 | |
We just love the whole atmosphere of Cambridge. | 0:05:28 | 0:05:30 | |
They might be singing from the same hymn sheet when it comes to location, | 0:05:32 | 0:05:35 | |
but Ian and Nicki are less in tune with each other | 0:05:35 | 0:05:38 | |
when it comes to property style. | 0:05:38 | 0:05:40 | |
I have lived in new houses most of my life | 0:05:40 | 0:05:43 | |
-and whilst they are very... -Practical. | 0:05:43 | 0:05:46 | |
All the amenities are there, yes. | 0:05:46 | 0:05:47 | |
They're very practical. They're cheap to run. | 0:05:47 | 0:05:49 | |
Yes. And there's lots of good reasons to having a new house. | 0:05:49 | 0:05:52 | |
Yes. | 0:05:52 | 0:05:53 | |
We're looking for something older, with character. | 0:05:53 | 0:05:57 | |
I like the beams, I like the thatched roof. | 0:05:57 | 0:06:00 | |
I'm looking for something that can inspire me. | 0:06:04 | 0:06:06 | |
But this melodic duo aren't worried about disagreeing. | 0:06:08 | 0:06:11 | |
In fact, they're used to it. | 0:06:11 | 0:06:13 | |
Sometimes we just agree on something immediately. | 0:06:13 | 0:06:16 | |
And then, other times, we equally get frustrated | 0:06:16 | 0:06:19 | |
when the other one can't see why | 0:06:19 | 0:06:20 | |
we want to go down, you know, this path. | 0:06:20 | 0:06:22 | |
I'm really not sure whether we're going to agree or not. | 0:06:22 | 0:06:25 | |
I said to her when we first met, I said, | 0:06:26 | 0:06:28 | |
"We're going to be really fiery together." | 0:06:28 | 0:06:31 | |
And it certainly is. | 0:06:31 | 0:06:32 | |
In fact, when we got engaged, we were on top of a volcano, | 0:06:32 | 0:06:34 | |
so that kind of started the whole process off. | 0:06:34 | 0:06:37 | |
-Very apt! -It was very appropriate, yeah. Very appropriate. | 0:06:37 | 0:06:39 | |
Ian and Nicki are seeking a village lifestyle | 0:06:42 | 0:06:44 | |
that's within commuting distance of London for Nicki's work | 0:06:44 | 0:06:47 | |
and with good access to Cambridge. | 0:06:47 | 0:06:49 | |
So, we're concentrating our search on the market towns and villages | 0:06:49 | 0:06:52 | |
with road links to the M11 motorway | 0:06:52 | 0:06:54 | |
and within an hour-and-a-half of East London. | 0:06:54 | 0:06:57 | |
Before we begin, I need to know more about what they're looking for | 0:06:57 | 0:07:00 | |
in their dream property. | 0:07:00 | 0:07:02 | |
-So here we are in Cambridgeshire. Excited? -Very excited. -Extremely. | 0:07:02 | 0:07:06 | |
Whereabouts do you want this property to be situated? | 0:07:06 | 0:07:09 | |
Central village location? Edge of town? | 0:07:09 | 0:07:11 | |
What are we talking about here? | 0:07:11 | 0:07:12 | |
We feel, at this stage of our lives, | 0:07:12 | 0:07:14 | |
that we'd like to move to a village, have a village location. | 0:07:14 | 0:07:17 | |
So you want people nearby? | 0:07:17 | 0:07:19 | |
Yeah. And we want somewhere with a bit of character. | 0:07:19 | 0:07:22 | |
What does character mean to you, then, Nicki? | 0:07:22 | 0:07:24 | |
I've lived in new houses most of my life. | 0:07:24 | 0:07:27 | |
We recently got married | 0:07:27 | 0:07:29 | |
and so this is sort of a new start, so I want something different. | 0:07:29 | 0:07:31 | |
-You want old. -I want old, yeah. | 0:07:31 | 0:07:33 | |
That's why she married me! | 0:07:33 | 0:07:34 | |
So, this house, how big is it? | 0:07:36 | 0:07:38 | |
Well, we have five children | 0:07:38 | 0:07:40 | |
but, although they don't all live with us at the same time... | 0:07:40 | 0:07:43 | |
-Yeah. -There is going to be a time when everybody's there. | 0:07:43 | 0:07:45 | |
Like Christmas, for example, or certain school holidays or... | 0:07:45 | 0:07:48 | |
Have you seen the sofa beds that are popular these days? | 0:07:48 | 0:07:52 | |
-Futons. Futons. -Yeah. | 0:07:52 | 0:07:53 | |
-We'll get futons, yeah. -Come on, how many beds, minimum? | 0:07:53 | 0:07:55 | |
-It needs to have four, minimum. -Four bedrooms. OK. | 0:07:55 | 0:07:57 | |
That'll probably come with a couple of reception rooms. | 0:07:57 | 0:08:00 | |
What are you going to do with all that space? | 0:08:00 | 0:08:02 | |
I need a study to work. | 0:08:02 | 0:08:04 | |
A lot of the time I work from home or I drive across the whole country. | 0:08:04 | 0:08:07 | |
Now, one thing that strikes me | 0:08:07 | 0:08:09 | |
is the fact that you're both very busy people | 0:08:09 | 0:08:11 | |
and while you're looking to make this wonderful escape to the country, | 0:08:11 | 0:08:14 | |
you still have your careers. | 0:08:14 | 0:08:16 | |
And that seems to be like an umbilical cord | 0:08:16 | 0:08:19 | |
still back towards London. | 0:08:19 | 0:08:20 | |
Definitely, because I need to bomb it down the M11 to get to Newham. | 0:08:20 | 0:08:24 | |
How far away from London are you prepared to move? | 0:08:24 | 0:08:27 | |
Well, at the moment, on a good run, it's about 45 minutes. | 0:08:27 | 0:08:30 | |
I think I'd be willing to probably double it | 0:08:30 | 0:08:33 | |
because, looking at my career prospects for the future, | 0:08:33 | 0:08:35 | |
I'll be looking to move out of London in the future. | 0:08:35 | 0:08:38 | |
So, let's talk budget. Can you confirm that? | 0:08:38 | 0:08:40 | |
500,000. | 0:08:40 | 0:08:42 | |
So, that's a really healthy budget. | 0:08:42 | 0:08:44 | |
How flexible is it? I know I might be pushing my luck here. | 0:08:44 | 0:08:47 | |
-Depends how right the place is. -Yeah. | 0:08:47 | 0:08:49 | |
If it's really right, maybe 525, 520, something like that. | 0:08:49 | 0:08:54 | |
-OK. Is this the first property you're buying together? -Yes. | 0:08:54 | 0:08:57 | |
I think we have got a little bit of battle going on | 0:08:57 | 0:08:59 | |
-with the new and the old. -Yeah. | 0:08:59 | 0:09:01 | |
Well, that's up to me to try and find a happy medium. | 0:09:01 | 0:09:04 | |
All I ask from you guys is to speak up about what you do like | 0:09:04 | 0:09:07 | |
and what you're challenged by. | 0:09:07 | 0:09:09 | |
-Happy? -Very. -Very. | 0:09:09 | 0:09:10 | |
-Let's get going. -Thank you. | 0:09:10 | 0:09:11 | |
Ian and Nicki have a budget of £500,000, | 0:09:14 | 0:09:17 | |
which they hope will secure them their first marital home | 0:09:17 | 0:09:19 | |
in a lovely Cambridgeshire village setting. | 0:09:19 | 0:09:22 | |
They're after a property with character | 0:09:22 | 0:09:24 | |
and a minimum of four bedrooms for when their children come to stay. | 0:09:24 | 0:09:27 | |
They'd like a study for Ian, who works from home, | 0:09:27 | 0:09:30 | |
and good motorway access, so Nicki can get to work in East London | 0:09:30 | 0:09:33 | |
in under an hour-and-a-half. | 0:09:33 | 0:09:35 | |
I've got three fantastic properties lined up for them, | 0:09:35 | 0:09:37 | |
from character cottages to quirky conversions. | 0:09:37 | 0:09:41 | |
But, I won't be telling them the price of each | 0:09:41 | 0:09:43 | |
until they've had a guess themselves. | 0:09:43 | 0:09:45 | |
For our final visit, I'll be turning things on their head | 0:09:45 | 0:09:48 | |
with our mystery house. | 0:09:48 | 0:09:49 | |
We're kicking off our Cambridgeshire search in the west of the county, | 0:09:54 | 0:09:57 | |
40 minutes from Cambridge in the village of Bythorn. | 0:09:57 | 0:10:01 | |
A small conservation village with character properties, | 0:10:01 | 0:10:03 | |
Bythorn offers a community centre and a church. | 0:10:03 | 0:10:07 | |
Nearby Titchmarsh, five miles west, provides further amenities, | 0:10:07 | 0:10:11 | |
including shops and a pub. | 0:10:11 | 0:10:12 | |
Our first property is next to the church grounds in Bythorn. | 0:10:14 | 0:10:17 | |
Righty-ho. | 0:10:19 | 0:10:20 | |
Now, someone here said they fancied looking around an old property. | 0:10:20 | 0:10:23 | |
Mm-hm. | 0:10:23 | 0:10:24 | |
-Old enough? -Definitely. | 0:10:24 | 0:10:26 | |
It looks pretty old to me. | 0:10:26 | 0:10:28 | |
-How old is it? -1640s, parts of it. | 0:10:28 | 0:10:31 | |
OK. | 0:10:31 | 0:10:32 | |
So, what do you think of how it looks? | 0:10:32 | 0:10:35 | |
-It's really pretty. -Yeah, it's beautiful. | 0:10:35 | 0:10:38 | |
The setting is perfect. It's really beautiful. | 0:10:38 | 0:10:41 | |
-Is there a "but" in there? -Yeah, there is a "but". -Go on... | 0:10:41 | 0:10:43 | |
I don't know if you can hear it | 0:10:43 | 0:10:44 | |
but, the A14 is really quite close and we can hear the... | 0:10:44 | 0:10:48 | |
Yes. But, if you look on the sat nav, | 0:10:48 | 0:10:51 | |
from this house to Newham, on a clear day, | 0:10:51 | 0:10:54 | |
one hour 23 minutes, because you're on the A14. | 0:10:54 | 0:10:58 | |
-Well, there is that. -I think it depends what it's like inside. | 0:10:58 | 0:11:02 | |
-Yeah. Follow me. -Thank you. | 0:11:02 | 0:11:03 | |
Our buyers are attracted to this county | 0:11:05 | 0:11:07 | |
for its market towns and villages. | 0:11:07 | 0:11:09 | |
But, they also want motorway access for commuting, | 0:11:09 | 0:11:11 | |
so there's got to be a trade-off in terms of proximity to main roads. | 0:11:11 | 0:11:15 | |
Mind your step... | 0:11:15 | 0:11:17 | |
I hope they give this cottage a chance, | 0:11:17 | 0:11:19 | |
because I think it could work well for them. | 0:11:19 | 0:11:21 | |
It's the old property Nicki wants | 0:11:21 | 0:11:22 | |
but, having been updated in the 1980s, | 0:11:22 | 0:11:25 | |
it comes without the maintenance issues that concern Ian. | 0:11:25 | 0:11:27 | |
This is the first reception room. | 0:11:29 | 0:11:32 | |
I like the fireplace. | 0:11:32 | 0:11:34 | |
-Good. I do. -This feels newer. | 0:11:34 | 0:11:35 | |
Well spotted, my friend. | 0:11:35 | 0:11:37 | |
What I like is they've managed to find | 0:11:37 | 0:11:39 | |
some reclaimed timbers and use those. | 0:11:39 | 0:11:40 | |
You still get that semblance of character, | 0:11:40 | 0:11:43 | |
-which is all-important to you. -Yes. | 0:11:43 | 0:11:44 | |
You might have noticed, as you walked through, | 0:11:44 | 0:11:46 | |
-there's a study just by that door. -Yes. | 0:11:46 | 0:11:48 | |
So, you've got your dedicated office area. | 0:11:48 | 0:11:50 | |
But, you'll be pleased to hear, this isn't the only reception room. | 0:11:50 | 0:11:53 | |
You've got a few to choose from. | 0:11:53 | 0:11:55 | |
Can you see yourselves using this room? | 0:11:55 | 0:11:57 | |
And what about when you're practising singing. | 0:11:57 | 0:11:59 | |
Do you prefer a small room or a big room? | 0:11:59 | 0:12:01 | |
You have to think about the height of the ceiling | 0:12:01 | 0:12:04 | |
because that's going to affect the sound. | 0:12:04 | 0:12:06 | |
-This is as high as it gets. -OK. | 0:12:06 | 0:12:08 | |
Maybe we could burst into song and... | 0:12:08 | 0:12:10 | |
Well, maybe I could burst into song. | 0:12:10 | 0:12:11 | |
Let's show you the kitchen! | 0:12:11 | 0:12:13 | |
Downstairs also provides a utility room, | 0:12:15 | 0:12:18 | |
a snug with stone fireplace | 0:12:18 | 0:12:21 | |
and a substantial dining room, | 0:12:21 | 0:12:23 | |
leading to the kitchen and breakfast room at the back of the house. | 0:12:23 | 0:12:26 | |
Well, you can see where you do your dining, just off this... | 0:12:27 | 0:12:30 | |
Wow! | 0:12:30 | 0:12:31 | |
..rather nice kitchen. What do you think? | 0:12:31 | 0:12:33 | |
I like the way it goes up into that space up there, actually. | 0:12:33 | 0:12:36 | |
-Yeah, it's good. -That's really nice. | 0:12:36 | 0:12:38 | |
-I like this preparation area. -Yeah. | 0:12:38 | 0:12:40 | |
It'll stop us fighting over the work surfaces. | 0:12:40 | 0:12:42 | |
But this kitchen, as you can see, it looks quite modern. | 0:12:42 | 0:12:45 | |
This was fitted, again, two, two-and-half years ago. | 0:12:45 | 0:12:48 | |
So, if you like it, that's one massive job you don't have to do. | 0:12:48 | 0:12:51 | |
-Yeah, absolutely. -Yes, that's true. | 0:12:51 | 0:12:52 | |
I like the idea of being able to work in the kitchen but still be able to socialise as well. | 0:12:52 | 0:12:56 | |
What do you think, though? I mean, are you getting a... | 0:12:56 | 0:12:58 | |
-Good vibes. -Yeah. -..good vibe from the place? | 0:12:58 | 0:13:00 | |
It's some very good vibes. It's got a warmth to it. | 0:13:00 | 0:13:03 | |
Feels like a home. | 0:13:03 | 0:13:04 | |
-Yes. -Doesn't it, so far? | 0:13:04 | 0:13:05 | |
So, let's go up to the bedrooms, OK? | 0:13:05 | 0:13:07 | |
OK. | 0:13:07 | 0:13:08 | |
I was confident this house would go down well with Nicki, | 0:13:09 | 0:13:12 | |
but I'm really pleased to get such a positive response from Ian as well. | 0:13:12 | 0:13:15 | |
Upstairs, the property has four double bedrooms. | 0:13:15 | 0:13:19 | |
Now, the owners have done the sensible thing here | 0:13:19 | 0:13:22 | |
and put the master in the modern extension. | 0:13:22 | 0:13:24 | |
So, they get all the modern facilities | 0:13:24 | 0:13:26 | |
and the proportions you'd expect. | 0:13:26 | 0:13:28 | |
-It's a good-sized room. -It is, isn't it? | 0:13:28 | 0:13:31 | |
And really lovely with the windows. It makes it look... | 0:13:31 | 0:13:33 | |
-Very bright, isn't it? -..really light. -Yeah. | 0:13:33 | 0:13:36 | |
It's not a poky en-suite, it's a really good size. | 0:13:36 | 0:13:38 | |
-Double vanity units. -Oh! Like that. | 0:13:38 | 0:13:40 | |
-His and hers sinks. -Yes! | 0:13:40 | 0:13:42 | |
Now, you've also got three double bedrooms and a family bathroom. | 0:13:43 | 0:13:46 | |
Right. | 0:13:46 | 0:13:47 | |
-Which gives you your minimum requirement, doesn't it? -Yeah. | 0:13:47 | 0:13:50 | |
Let's go outside and look at the garden. Come with me... | 0:13:50 | 0:13:52 | |
Outside, terraces lead off both the breakfast room and the sitting room, | 0:13:54 | 0:13:57 | |
with steps up to a lawned garden overlooking the churchyard. | 0:13:57 | 0:14:01 | |
Well, on a glorious day like today, this garden is ideal, surely? | 0:14:03 | 0:14:07 | |
-Yeah. -It is a good size. | 0:14:07 | 0:14:09 | |
I love that there's a willow tree there that is just spectacular. | 0:14:09 | 0:14:13 | |
Love that. | 0:14:13 | 0:14:14 | |
-Now, what about the house? Do you like what you see? -Yeah. -Yes. | 0:14:14 | 0:14:18 | |
The very beginning, when we first started talking, | 0:14:18 | 0:14:20 | |
we said the word "character". | 0:14:20 | 0:14:22 | |
-It's got lots of character. -Yeah. | 0:14:22 | 0:14:23 | |
How much do you think this house is on the market for? | 0:14:23 | 0:14:27 | |
I'm thinking maybe £490,000. | 0:14:28 | 0:14:32 | |
OK. | 0:14:32 | 0:14:33 | |
I think maybe a little less. I'm going to go for 480. | 0:14:33 | 0:14:36 | |
Well, Ian's spot on. It's on the market for offers around £490,000. | 0:14:37 | 0:14:41 | |
Well done. Have a good look around it on your own. | 0:14:41 | 0:14:43 | |
Start to have the conversation with yourselves about | 0:14:43 | 0:14:46 | |
"Could we live here?" | 0:14:46 | 0:14:47 | |
-You've never done that before as a couple. -No, that's true. | 0:14:47 | 0:14:50 | |
All right? I will meet you. | 0:14:50 | 0:14:52 | |
I'll probably be sitting outside in the sun somewhere, I don't know. | 0:14:52 | 0:14:56 | |
-Anyway, I'll see you later on. Fill your boots. -OK, thank you. | 0:14:56 | 0:14:58 | |
Well, very good reactions | 0:15:00 | 0:15:01 | |
from a couple who haven't seen a property together before. | 0:15:01 | 0:15:05 | |
We're a long way to go, but I think this... | 0:15:05 | 0:15:07 | |
Well, it feels like a contender, doesn't it? | 0:15:07 | 0:15:09 | |
Under budget by £10,000, | 0:15:11 | 0:15:13 | |
this grade-two listed cottage, dating back to the 17th century, | 0:15:13 | 0:15:16 | |
offers our buyers the character they both asked for, | 0:15:16 | 0:15:19 | |
giving a sense of the past that Nicki wanted but with no work to worry Ian. | 0:15:19 | 0:15:23 | |
It has four bedrooms, a study | 0:15:23 | 0:15:25 | |
and with a travel time to London of under an hour-and-a-half, | 0:15:25 | 0:15:28 | |
they could have a classic village lifestyle | 0:15:28 | 0:15:31 | |
within commuting distance for Nicki. | 0:15:31 | 0:15:33 | |
It looked quite small. | 0:15:33 | 0:15:34 | |
But, when I actually got in and I looked at the extension at the back, | 0:15:34 | 0:15:38 | |
the whole thing just took on a much more open aspect. | 0:15:38 | 0:15:40 | |
There's lots of little rooms, interesting little rooms, | 0:15:40 | 0:15:43 | |
and I love that interesting look about the whole place. | 0:15:43 | 0:15:45 | |
I liked the kitchen. I liked the quirkiness of the split level. | 0:15:45 | 0:15:48 | |
The views are fantastic. | 0:15:48 | 0:15:50 | |
The bedrooms are a good size. | 0:15:50 | 0:15:53 | |
But then, when I thought about our larger family, | 0:15:53 | 0:15:56 | |
then I began to have a few little niggles and doubts, | 0:15:56 | 0:15:59 | |
particularly the main bathroom is really small. | 0:15:59 | 0:16:02 | |
I was snoozing off then. All done inside? | 0:16:03 | 0:16:06 | |
-Yep. -Yep. | 0:16:06 | 0:16:07 | |
-How did you get on? Do you like it? -Love it. | 0:16:07 | 0:16:09 | |
Rooms are a bit small. But, again, there's a lot of them. | 0:16:09 | 0:16:12 | |
So, it's good. | 0:16:12 | 0:16:13 | |
Yeah, it's a really good start. | 0:16:13 | 0:16:15 | |
Oh, "really good start"? That sounds like "room for improvement". | 0:16:15 | 0:16:18 | |
Let's see if I can do you just that. Come with me... | 0:16:18 | 0:16:20 | |
Sitting in an unassuming village | 0:16:24 | 0:16:26 | |
in the heart of Cambridgeshire's scenic countryside | 0:16:26 | 0:16:29 | |
is a little-known historic gem. | 0:16:29 | 0:16:31 | |
Hemingford Grey is home to one of the oldest | 0:16:32 | 0:16:34 | |
continuously-inhabited houses in Britain. | 0:16:34 | 0:16:37 | |
Built in the 1130s, | 0:16:38 | 0:16:39 | |
the Manor House still retains many of its original features | 0:16:39 | 0:16:42 | |
and has been home to the Boston family since 1939. | 0:16:42 | 0:16:45 | |
We arranged for Ian and Nicki to meet current owner, Diana Boston, | 0:16:46 | 0:16:49 | |
to visit this remarkable property | 0:16:49 | 0:16:51 | |
that might just pique both their historical and musical interests. | 0:16:51 | 0:16:55 | |
-Oh, hello! -Hello. | 0:16:56 | 0:16:58 | |
Well done. You landed up at the original front of the house. | 0:16:58 | 0:17:03 | |
So, you're standing in front of a house that's nearly 900 years old. | 0:17:03 | 0:17:08 | |
Wow... | 0:17:08 | 0:17:09 | |
And what's your connection with the house? | 0:17:09 | 0:17:12 | |
Oh, well, my mother-in-law, Lucy Boston, | 0:17:12 | 0:17:15 | |
she first saw it in 1915 | 0:17:15 | 0:17:19 | |
and thought it looked rather unloved, but very tranquil, | 0:17:19 | 0:17:22 | |
and often thought of it off and on for the next 25 years. | 0:17:22 | 0:17:27 | |
She got possession of it on May the 31st 1939. | 0:17:27 | 0:17:31 | |
So how long did Lucy live here? | 0:17:31 | 0:17:33 | |
She died in 1990, so 51 years. | 0:17:33 | 0:17:36 | |
Wow. | 0:17:36 | 0:17:37 | |
And then the house was passed to you? | 0:17:37 | 0:17:39 | |
Well, inheriting this house | 0:17:39 | 0:17:41 | |
is like finding a very difficult baby on your doorstep, | 0:17:41 | 0:17:44 | |
you've just got to keep looking after it. | 0:17:44 | 0:17:46 | |
Once owned by Oliver Cromwell's great grandfather, | 0:17:47 | 0:17:50 | |
the Manor House has seen many interesting characters | 0:17:50 | 0:17:53 | |
throughout its 900-year history. | 0:17:53 | 0:17:55 | |
But Lucy Boston is perhaps one of its most fascinating custodians. | 0:17:55 | 0:17:59 | |
Aged 47, she took on the restoration | 0:17:59 | 0:18:01 | |
of the ancient four-bedroom house on her own | 0:18:01 | 0:18:04 | |
and used it as the inspiration for her award-winning | 0:18:04 | 0:18:07 | |
Green Knowe children's books. | 0:18:07 | 0:18:08 | |
First published in 1954, | 0:18:09 | 0:18:11 | |
the books take place in the fictional house of Green Knowe, | 0:18:11 | 0:18:14 | |
based on the Manor House. | 0:18:14 | 0:18:16 | |
But there's also a musical side to Lucy's story, | 0:18:16 | 0:18:19 | |
which might interest Ian and Nicki. | 0:18:19 | 0:18:21 | |
And it was in this room | 0:18:22 | 0:18:25 | |
that Lucy gave gramophone record recitals during the war. | 0:18:25 | 0:18:29 | |
So, every Tuesday and Friday night, | 0:18:29 | 0:18:32 | |
all through the war, | 0:18:32 | 0:18:35 | |
she played from her collection of records, | 0:18:35 | 0:18:38 | |
of which there are a huge number to choose from, | 0:18:38 | 0:18:43 | |
on the old EMG gramophone. | 0:18:43 | 0:18:46 | |
When working as a nurse in France during the First World War, | 0:18:47 | 0:18:50 | |
Lucy held recitals for recovering soldiers in the military hospital. | 0:18:50 | 0:18:54 | |
They were so well-received that, | 0:18:54 | 0:18:56 | |
when back in the UK at the start of the Second World War, | 0:18:56 | 0:18:58 | |
she decided to revive them here at the Manor House. | 0:18:58 | 0:19:02 | |
Diana, who was it that came to the recitals? | 0:19:02 | 0:19:05 | |
It was the RAF. | 0:19:05 | 0:19:07 | |
Lucy wrote to them suggesting that, maybe once a week, | 0:19:07 | 0:19:10 | |
they'd like to come. | 0:19:10 | 0:19:11 | |
And they said, "Yes, please. We'll send a bus full of airmen." | 0:19:11 | 0:19:15 | |
And that's why this room is furnished in such a strange way, | 0:19:15 | 0:19:19 | |
because she only had the sofa for them to sit in. | 0:19:19 | 0:19:21 | |
The most I've counted in the visitors' book | 0:19:21 | 0:19:25 | |
is 36 airmen here in one evening. | 0:19:25 | 0:19:29 | |
In this little room? | 0:19:29 | 0:19:31 | |
But, of course, they were youngsters, | 0:19:31 | 0:19:33 | |
they could sit on the floor and they just loved it. | 0:19:33 | 0:19:37 | |
Is this a list of the kind of music that would be... | 0:19:37 | 0:19:39 | |
That's what they listened to. | 0:19:39 | 0:19:41 | |
Beethoven, Chopin. | 0:19:41 | 0:19:42 | |
Yes. | 0:19:42 | 0:19:43 | |
Tuesday March the 30th 1943. | 0:19:43 | 0:19:45 | |
I know. | 0:19:46 | 0:19:48 | |
The people. | 0:19:48 | 0:19:49 | |
-Takes you back a bit. -Yeah. | 0:19:49 | 0:19:51 | |
Lucy's recitals lasted for around two hours. | 0:19:52 | 0:19:55 | |
They were so popular, they ran beyond the end of the Second World War. | 0:19:55 | 0:19:58 | |
Nowadays, the Manor House receives up to 3,500 visitors a year. | 0:19:58 | 0:20:03 | |
Whether they're brought here by her books, the architecture | 0:20:04 | 0:20:07 | |
or the stunning landscaped gardens, | 0:20:07 | 0:20:09 | |
they must be struck by the character and the sense of history here | 0:20:09 | 0:20:12 | |
in the music room. | 0:20:12 | 0:20:14 | |
Hopefully, our buyers won't have to wait 25 years, like Lucy did, | 0:20:14 | 0:20:17 | |
for their dream character property. | 0:20:17 | 0:20:20 | |
Next, we're travelling an hour east, | 0:20:24 | 0:20:26 | |
14 miles north-west of Cambridge to Ely. | 0:20:26 | 0:20:28 | |
Granted city status in 1974, | 0:20:30 | 0:20:32 | |
its famous cathedral lies next to Cambridgeshire's only palace. | 0:20:32 | 0:20:36 | |
Dating back to the 15th century, | 0:20:36 | 0:20:38 | |
the Bishop's Palace was occupied by successive bishops until 1941. | 0:20:38 | 0:20:42 | |
Ely was also home to Oliver Cromwell for ten years. | 0:20:43 | 0:20:47 | |
His former residence is now open to the public | 0:20:47 | 0:20:49 | |
and provides a recreation of life in the 17th century. | 0:20:49 | 0:20:52 | |
Our second property offering is situated four miles from Ely, | 0:20:53 | 0:20:56 | |
in the village of Coveney. | 0:20:56 | 0:20:58 | |
Now then, Nicki, you must be getting rather excited at this moment. | 0:20:58 | 0:21:01 | |
I am indeed. That's my thatched-cottage dream, isn't it? | 0:21:01 | 0:21:05 | |
But, I'm worried that it could be Ian's thatched-cottage nightmare. | 0:21:05 | 0:21:10 | |
It really depends how much work is involved in it. | 0:21:10 | 0:21:12 | |
This thatch should last around 60 years. | 0:21:12 | 0:21:15 | |
-Wow. -OK? | 0:21:15 | 0:21:16 | |
And this was done back in 1999. | 0:21:16 | 0:21:18 | |
Although, the ridge always needs to be replaced more regularly, | 0:21:18 | 0:21:22 | |
and that can last 15 to 20 years. | 0:21:22 | 0:21:23 | |
-So the ridge'll need to be done over the next few years. -Right. | 0:21:23 | 0:21:27 | |
-But it's a much smaller job. -OK. | 0:21:27 | 0:21:29 | |
OK? | 0:21:29 | 0:21:30 | |
It already looks quirky from the outside, | 0:21:30 | 0:21:32 | |
because you've got this main bit, | 0:21:32 | 0:21:33 | |
probably with a false front door, I imagine. | 0:21:33 | 0:21:35 | |
Yes, it's the old front door. | 0:21:35 | 0:21:37 | |
But, as you might expect, we'll go in through the side. | 0:21:37 | 0:21:39 | |
-Let's do just that. -OK. | 0:21:39 | 0:21:40 | |
Laid out in an L-shape, | 0:21:43 | 0:21:44 | |
the reception rooms run along the front side of the house, | 0:21:44 | 0:21:47 | |
but we're beginning our tour in the kitchen at the rear. | 0:21:47 | 0:21:50 | |
So, let's start off with the kitchen. | 0:21:52 | 0:21:54 | |
Let's see what you think of it. | 0:21:54 | 0:21:55 | |
Hm... Not great. | 0:21:55 | 0:21:57 | |
It looks tired. Looks a bit tired. | 0:21:58 | 0:22:00 | |
The cooker looks fantastic. | 0:22:00 | 0:22:01 | |
Yeah. We like the cooker. | 0:22:01 | 0:22:04 | |
And it isn't a bad size, is it? And the way it's designed as well. | 0:22:04 | 0:22:07 | |
This whole house, it dates back, parts of it, some 300 years. | 0:22:07 | 0:22:12 | |
And it was done up some 14 years ago, all right? | 0:22:12 | 0:22:16 | |
So, this is not an old kitchen, it's just solid oak. | 0:22:16 | 0:22:19 | |
Some of this work surface, you'd probably replace with slate | 0:22:19 | 0:22:22 | |
or some kind of marble, maybe. | 0:22:22 | 0:22:23 | |
-So, it's not putting you off? -No. | 0:22:23 | 0:22:25 | |
No? Good. Let's walk past the small office into the reception rooms. | 0:22:25 | 0:22:29 | |
Follow me... | 0:22:29 | 0:22:30 | |
On the other side of the house is a good-sized family room, | 0:22:30 | 0:22:33 | |
which could offer Ian a larger office space, | 0:22:33 | 0:22:35 | |
as well as a dining room and a separate sitting room. | 0:22:35 | 0:22:39 | |
So, very cosy, cottagey proportions in here. | 0:22:39 | 0:22:42 | |
Come right in, get to have a good look at that inglenook. | 0:22:42 | 0:22:46 | |
-Yeah, that's nice, isn't it? -Oh, wow. | 0:22:46 | 0:22:48 | |
-Again, another sort of cosy sitting room. -Yeah. | 0:22:48 | 0:22:50 | |
Which we like, don't we? | 0:22:50 | 0:22:52 | |
Yeah, we like the cosy cottage feel to it, yeah. | 0:22:52 | 0:22:54 | |
Your style, then. This is what you're after? | 0:22:54 | 0:22:56 | |
-Yes. -Effectively, yeah. | 0:22:56 | 0:22:57 | |
So, now you've got this room, the dining room next door, | 0:22:57 | 0:23:01 | |
maybe an office here, | 0:23:01 | 0:23:03 | |
how does that figure for your ground floor? | 0:23:03 | 0:23:05 | |
That's what we liked about the last house as well. | 0:23:05 | 0:23:07 | |
-We liked all those different rooms. -Yes. | 0:23:07 | 0:23:09 | |
With such a large family, you know, with lots of different uses. | 0:23:09 | 0:23:12 | |
Escape. | 0:23:12 | 0:23:13 | |
Yeah, escape from them, they escape from you. | 0:23:13 | 0:23:16 | |
But also, the house, the home, needs to be versatile, doesn't it? | 0:23:16 | 0:23:19 | |
Mm, definitely. | 0:23:19 | 0:23:20 | |
-So, the more rooms, the better, by the sounds of it. -Yeah. | 0:23:20 | 0:23:23 | |
-Let's go upstairs. -OK. | 0:23:23 | 0:23:24 | |
A common feature of properties of this age and style | 0:23:27 | 0:23:29 | |
is that they do tend to have a number of smaller rooms. | 0:23:29 | 0:23:33 | |
Upstairs, the property offers four bedrooms, | 0:23:33 | 0:23:35 | |
including two good-sized doubles, served by a family bathroom, | 0:23:35 | 0:23:39 | |
and a small, but very attractive single, | 0:23:39 | 0:23:41 | |
served by its own staircase. | 0:23:41 | 0:23:43 | |
Right above the kitchen, we find our master bedroom. | 0:23:48 | 0:23:51 | |
Uh-huh. | 0:23:51 | 0:23:52 | |
Little en-suite shower room and loo. | 0:23:52 | 0:23:54 | |
It's good to have the cupboard space. | 0:23:54 | 0:23:56 | |
It's not as big as the master in the last room. | 0:23:56 | 0:23:59 | |
Nowhere near as big, no. | 0:23:59 | 0:24:00 | |
-But it has got that sense of character. -It has indeed. | 0:24:00 | 0:24:03 | |
-Feels a little bit small, if I'm honest. -It does, yes. -Yeah. | 0:24:03 | 0:24:07 | |
With a house like this, you'd want to spend more time | 0:24:07 | 0:24:09 | |
in the rest of the house | 0:24:09 | 0:24:11 | |
and I'm thinking, maybe even the garden. | 0:24:11 | 0:24:13 | |
He seems more positive than you. What's going on? | 0:24:13 | 0:24:16 | |
No, it's not that I'm being negative. | 0:24:16 | 0:24:18 | |
I'm just saying it is a smaller room. | 0:24:18 | 0:24:19 | |
And, as I said, you've got to put everything in perspective | 0:24:19 | 0:24:22 | |
and weigh it all up. | 0:24:22 | 0:24:23 | |
The whole package. | 0:24:23 | 0:24:24 | |
Exactly. | 0:24:24 | 0:24:25 | |
Well, I tell you what, it's got some amazing gardens. | 0:24:25 | 0:24:28 | |
-Let me squeeze through and I'll show you. -OK. | 0:24:28 | 0:24:30 | |
Not quite the reaction I was hoping for or expecting from Nicki, | 0:24:31 | 0:24:35 | |
but there are still a couple of surprises to come outside, | 0:24:35 | 0:24:38 | |
which might just swing it. | 0:24:38 | 0:24:39 | |
Well, a slightly bigger garden than the first house. | 0:24:42 | 0:24:45 | |
Slightly, yeah! | 0:24:46 | 0:24:48 | |
It's amazing. It's really beautiful. | 0:24:48 | 0:24:50 | |
You can see you've got that wonderful patio | 0:24:50 | 0:24:52 | |
that you'd spill out of the kitchen on to. | 0:24:52 | 0:24:54 | |
But then, you've got a double garage. | 0:24:54 | 0:24:56 | |
And then, upstairs, you've got a self-contained office suite | 0:24:56 | 0:25:00 | |
or maybe even an apartment, if you wanted to go that far. | 0:25:00 | 0:25:04 | |
I do like that idea because, when you work from home, | 0:25:04 | 0:25:06 | |
it's always great to be able to go out and back in somewhere, | 0:25:06 | 0:25:09 | |
because it feels like you're going to work. | 0:25:09 | 0:25:11 | |
-The commute to work would be six paces. -Yeah. | 0:25:11 | 0:25:14 | |
-Do you like it? -Yes. | 0:25:14 | 0:25:15 | |
-Do you like it? -Yes. | 0:25:15 | 0:25:16 | |
-So how much would you pay for a house like this? -Oh...! | 0:25:16 | 0:25:19 | |
There's the question. | 0:25:19 | 0:25:21 | |
I think that that garage with the room over | 0:25:21 | 0:25:24 | |
and the size of the garden is going to put it up a bit. | 0:25:24 | 0:25:26 | |
I'm thinking maybe 515,000-ish. | 0:25:26 | 0:25:30 | |
OK. | 0:25:30 | 0:25:31 | |
I think possibly more. | 0:25:31 | 0:25:33 | |
525. | 0:25:33 | 0:25:35 | |
You two are good! | 0:25:35 | 0:25:36 | |
This place is on the market for offers around £520,000. | 0:25:36 | 0:25:40 | |
-Bang in the middle. -Yay! -Well done. | 0:25:40 | 0:25:42 | |
Now, there's a lot of property to look at here. | 0:25:42 | 0:25:45 | |
Go and have a look around this house | 0:25:45 | 0:25:47 | |
and I will meet you whenever you're finished, all right? | 0:25:47 | 0:25:49 | |
-Thank you very much. -Thank you. | 0:25:49 | 0:25:51 | |
This cottage scores high | 0:25:54 | 0:25:56 | |
on Ian and Nicki's number-one requirement of character. | 0:25:56 | 0:25:59 | |
It has four bedrooms, a number of study options for Ian | 0:25:59 | 0:26:02 | |
and, although it's slightly over budget by £20,000, | 0:26:02 | 0:26:05 | |
they did say they'd be willing to stretch for the right property. | 0:26:05 | 0:26:09 | |
The only compromise will be a slightly longer commute time | 0:26:09 | 0:26:12 | |
to London for Nicki. | 0:26:12 | 0:26:13 | |
Oh, wow... | 0:26:14 | 0:26:15 | |
Now, this would make a good office. | 0:26:15 | 0:26:17 | |
I could live in here. | 0:26:19 | 0:26:20 | |
Or an older child returning home... | 0:26:20 | 0:26:24 | |
Yeah. | 0:26:24 | 0:26:25 | |
..could have it as their living space. Independence. | 0:26:25 | 0:26:28 | |
I still like my office. | 0:26:29 | 0:26:31 | |
Think the house is a contender. | 0:26:33 | 0:26:35 | |
It has so many things that I would look for in a house. | 0:26:35 | 0:26:38 | |
That building with the garage in it, with the extra room above, | 0:26:38 | 0:26:43 | |
that could really make the difference. | 0:26:43 | 0:26:45 | |
And the garden... That's tremendous. | 0:26:45 | 0:26:48 | |
Bit scary for someone that doesn't do a lot of gardening, | 0:26:48 | 0:26:51 | |
but I'm sure I could get used to it, along with a team of kids, anyway. | 0:26:51 | 0:26:54 | |
I'm not quite sure about the village. | 0:26:54 | 0:26:56 | |
I'd want to investigate that further. | 0:26:56 | 0:26:59 | |
And then I'm just worried it's a bit too far out for us | 0:26:59 | 0:27:02 | |
in terms of its location. | 0:27:02 | 0:27:03 | |
-Now then, all done? -Yep. | 0:27:06 | 0:27:08 | |
-You enjoyed looking round this house, didn't you? -Very much so. -Absolutely. | 0:27:08 | 0:27:11 | |
Good. Well, that's all we're going to do today. So, let me take you back. | 0:27:11 | 0:27:14 | |
It's the second day of our search with newlyweds Ian and Nicki, | 0:27:21 | 0:27:23 | |
who are looking for a countryside character property | 0:27:23 | 0:27:26 | |
on a budget of £500,000. | 0:27:26 | 0:27:29 | |
They're leaving their urban lives in Hertfordshire and Essex | 0:27:29 | 0:27:32 | |
and coming together in Cambridgeshire to buy their first marital home. | 0:27:32 | 0:27:35 | |
Coming up, my mystery property whets Ian's appetite... | 0:27:35 | 0:27:39 | |
-Maltings. Beer? -Beer. | 0:27:39 | 0:27:41 | |
Excellent! | 0:27:41 | 0:27:42 | |
-None left, I'm afraid. -Oh... | 0:27:42 | 0:27:44 | |
Long since gone. | 0:27:44 | 0:27:45 | |
..and I pay a visit to one of the biggest Bronze Age sites in Britain. | 0:27:45 | 0:27:49 | |
Oh, wow! This isn't someone's first attempt at making something. | 0:27:49 | 0:27:52 | |
These people knew what they were doing. | 0:27:52 | 0:27:54 | |
Well, out of the two houses we looked around yesterday, | 0:27:57 | 0:28:00 | |
I was a bit concerned that property two | 0:28:00 | 0:28:01 | |
could split the camp, being thatched. | 0:28:01 | 0:28:04 | |
But Ian got on board pretty much straight away, | 0:28:04 | 0:28:06 | |
which has emboldened me, really, to show them both the mystery house. | 0:28:06 | 0:28:10 | |
Now, it's got lots of aspects I think Nicki and Ian will like - | 0:28:10 | 0:28:14 | |
central village location, which has a pub, | 0:28:14 | 0:28:16 | |
it's the closest of all three properties to London | 0:28:16 | 0:28:18 | |
and the house itself has bags of character and history. | 0:28:18 | 0:28:21 | |
But it also has something to it that could turn this search upside down. | 0:28:22 | 0:28:26 | |
So, what do you think we might be going to have a look at today? | 0:28:29 | 0:28:32 | |
I'm thinking maybe, in this part of the world, it might be an old mill, | 0:28:32 | 0:28:35 | |
a converted mill or maybe a converted barn. | 0:28:35 | 0:28:37 | |
How fixed are you in terms of layouts of a house? | 0:28:37 | 0:28:42 | |
Not at all. I like quirky. | 0:28:42 | 0:28:43 | |
So, I mean, if there's a long way between the rooms | 0:28:43 | 0:28:46 | |
or the rooms are in different shapes or different levels... | 0:28:46 | 0:28:49 | |
-I think that's better. -That'd be better, yeah. | 0:28:49 | 0:28:51 | |
For our mystery house, we're heading west again | 0:28:53 | 0:28:55 | |
to the village of Alconbury, six miles from Huntingdon. | 0:28:55 | 0:28:58 | |
Situated along the Alconbury Brook, this attractive, leafy village | 0:28:58 | 0:29:02 | |
has an active community, with a pub and a number of sports clubs. | 0:29:02 | 0:29:05 | |
Its close proximity to the junction of the A1 and A14 | 0:29:05 | 0:29:09 | |
means it's less than an hour and 20 minutes to London, | 0:29:09 | 0:29:12 | |
the best commute yet for Nicki. | 0:29:12 | 0:29:13 | |
On a quiet road in a converted old barn, we find our mystery property. | 0:29:14 | 0:29:19 | |
So, the mystery property is a conversion. | 0:29:20 | 0:29:24 | |
It's a converted maltings. | 0:29:24 | 0:29:25 | |
-Oooh... -Ah! Maltings. | 0:29:26 | 0:29:28 | |
-Beer? -Beer. -Excellent. | 0:29:28 | 0:29:29 | |
None left, I'm afraid. | 0:29:29 | 0:29:31 | |
-Oh. -Long since gone. | 0:29:31 | 0:29:32 | |
What do you think of the property? | 0:29:33 | 0:29:35 | |
Looks quite big. | 0:29:35 | 0:29:37 | |
It's not the whole maltings. Do you see that black downpipe? | 0:29:37 | 0:29:40 | |
-Yes. -Yup. | 0:29:40 | 0:29:42 | |
-It's up to there. -Oh... | 0:29:42 | 0:29:43 | |
OK. Those windows are very small. | 0:29:43 | 0:29:46 | |
The mystery property is always a gamble. Let's go inside. | 0:29:46 | 0:29:49 | |
Conversions of character properties do often present compromise, | 0:29:50 | 0:29:54 | |
due to what needs to be retained from the original building. | 0:29:54 | 0:29:57 | |
But they also offer features you wouldn't get in a new house. | 0:29:57 | 0:30:00 | |
That's just one of the reasons this is our mystery house. | 0:30:00 | 0:30:03 | |
Now, you know you said you wanted quirky? | 0:30:03 | 0:30:07 | |
You're probably noticing now that this house seems to be upside down. | 0:30:07 | 0:30:11 | |
So, what do you think of having the bedrooms downstairs, then? | 0:30:11 | 0:30:14 | |
-I haven't got a problem with that. -No. Doesn't bother us. | 0:30:14 | 0:30:17 | |
All right. So what's going through your minds, then? | 0:30:17 | 0:30:19 | |
It's a big enough room. I like the orientation of it. | 0:30:19 | 0:30:22 | |
So, you've got storage space here and there. | 0:30:23 | 0:30:25 | |
You've got an en-suite just there. | 0:30:25 | 0:30:27 | |
So, this is the master suite and then you've got... | 0:30:27 | 0:30:30 | |
..I would say two to three bedrooms that are spare. | 0:30:31 | 0:30:34 | |
This is marketed as a three- to four-bedroom house. | 0:30:34 | 0:30:37 | |
One of the rooms doesn't have any natural light. | 0:30:37 | 0:30:39 | |
So, I think that becomes a storeroom. | 0:30:39 | 0:30:43 | |
So, you're not getting your key four bedrooms here. | 0:30:43 | 0:30:45 | |
What do you think of that? | 0:30:45 | 0:30:47 | |
Is that a massive compromise for you? | 0:30:47 | 0:30:49 | |
Yes. And also it's semidetached. | 0:30:49 | 0:30:52 | |
OK. What is your aversion to being semidetached? | 0:30:52 | 0:30:55 | |
What are your fears? | 0:30:55 | 0:30:56 | |
Because we make a lot of noise as a family | 0:30:56 | 0:30:58 | |
and we know other people do as well. | 0:30:58 | 0:31:00 | |
And also with our singing, | 0:31:00 | 0:31:01 | |
we might have a quartet or we're coaching | 0:31:01 | 0:31:04 | |
or we're singing in a quartet ourselves | 0:31:04 | 0:31:06 | |
and we don't want to disturb the neighbours. | 0:31:06 | 0:31:08 | |
-Sure. If you wanted something quirky, this is it. -This is it. | 0:31:08 | 0:31:12 | |
-All right? Let me just squeeze through here. -Go on. -Thank you. | 0:31:12 | 0:31:15 | |
Although the bedroom space | 0:31:15 | 0:31:16 | |
doesn't seem to have hit the right note with these two, | 0:31:16 | 0:31:18 | |
they don't seem phased by the upside-down layout. | 0:31:18 | 0:31:22 | |
Off the ground floor corridor are the other two main bedrooms | 0:31:22 | 0:31:25 | |
and a family bathroom. | 0:31:25 | 0:31:27 | |
At the back of the property, by the entrance hall, | 0:31:27 | 0:31:29 | |
is the study or fourth bedroom, as well as a cloakroom and utility area. | 0:31:29 | 0:31:33 | |
The staircase leads to three good-sized living spaces upstairs. | 0:31:34 | 0:31:38 | |
So, on the first floor, we have your kitchen. | 0:31:38 | 0:31:42 | |
Wow. | 0:31:44 | 0:31:45 | |
Wow? That doesn't sound like a good "wow" to me. | 0:31:46 | 0:31:49 | |
Well, I've never seen that many utensils hanging up before. | 0:31:49 | 0:31:53 | |
OK, they're not going to be here, I know... | 0:31:53 | 0:31:55 | |
The beams, I love the beams across. | 0:31:55 | 0:31:57 | |
-They're staying. That's good. -Exactly. | 0:31:57 | 0:31:59 | |
-That's good. -Yeah. | 0:31:59 | 0:32:01 | |
And it is a decent size, but I would think to change things. | 0:32:01 | 0:32:05 | |
-Yeah. -Like what? | 0:32:06 | 0:32:07 | |
-I'd probably rip the whole thing out, if I'm honest. -Yes. | 0:32:07 | 0:32:10 | |
Well, you weren't singing and dancing in the bedroom, | 0:32:10 | 0:32:13 | |
you're certainly not doing that in the kitchen. | 0:32:13 | 0:32:15 | |
I'm sinking! | 0:32:15 | 0:32:16 | |
Come with me... | 0:32:17 | 0:32:19 | |
With no upstairs hallway, | 0:32:19 | 0:32:21 | |
the kitchen leads straight through the dining area | 0:32:21 | 0:32:24 | |
into a large living room with exposed original timberwork | 0:32:24 | 0:32:27 | |
and a ceiling height of over four metres. | 0:32:27 | 0:32:29 | |
-So, at last we get the genuinely... -Wow! | 0:32:30 | 0:32:34 | |
..big reception room, don't we? | 0:32:34 | 0:32:36 | |
-It's a decent-sized room. -Isn't it just? | 0:32:37 | 0:32:40 | |
Yeah. Love the height. | 0:32:40 | 0:32:42 | |
I mean, it's a fantastic room for our size of family. | 0:32:42 | 0:32:45 | |
-Yeah. -And good to have the light coming from above. | 0:32:45 | 0:32:48 | |
But, I still feel that the whole house has a suppressive feel. | 0:32:48 | 0:32:53 | |
-Is it lack of natural light, do you think? -Yes. | 0:32:53 | 0:32:56 | |
I don't feel this house is for you. | 0:32:56 | 0:32:58 | |
But let's go out to the garden, it's a good-sized garden, | 0:32:58 | 0:33:01 | |
and start thinking about price, | 0:33:01 | 0:33:02 | |
-because this, I think, will be tricky to value, won't it? -Yes. | 0:33:02 | 0:33:05 | |
Sitting in a plot of approximately half an acre, | 0:33:07 | 0:33:10 | |
outside, the gardens include a large section of lawn | 0:33:10 | 0:33:12 | |
as well as a paved patio area and a useful outbuilding. | 0:33:12 | 0:33:16 | |
I thought you'd like this garden | 0:33:18 | 0:33:19 | |
-because there's different bits to it, again. -Yeah. | 0:33:19 | 0:33:22 | |
It goes right round the side. | 0:33:22 | 0:33:23 | |
You've got some mature trees there, you've got another space there. | 0:33:23 | 0:33:26 | |
All in all, the plot size | 0:33:26 | 0:33:27 | |
is just only a bit smaller than the second property. | 0:33:27 | 0:33:30 | |
OK. | 0:33:30 | 0:33:31 | |
Clearly, the gamble hasn't paid off, but we're here. | 0:33:31 | 0:33:34 | |
And I want to put you through some of the suffering I've been put through. | 0:33:34 | 0:33:38 | |
So, you've got to guess the price now. | 0:33:38 | 0:33:40 | |
How much do you think this mystery house is on the market for? | 0:33:40 | 0:33:42 | |
I think 450. | 0:33:43 | 0:33:49 | |
OK, go on. | 0:33:49 | 0:33:50 | |
I'm going to say 495. | 0:33:50 | 0:33:52 | |
Well, you win. This place is on the market for offers around £500,000. | 0:33:53 | 0:33:56 | |
Oh! | 0:33:56 | 0:33:57 | |
Has this house made you think any differently | 0:33:57 | 0:33:59 | |
about what you're after or has it confirmed what you're after, maybe? | 0:33:59 | 0:34:03 | |
It's definitely confirmed what we like. | 0:34:03 | 0:34:05 | |
Coming in bang on budget, our upside-down mystery house | 0:34:07 | 0:34:10 | |
was always going to be a gamble. | 0:34:10 | 0:34:12 | |
But, for a couple who were set on a character property, | 0:34:12 | 0:34:15 | |
it would certainly give them that. | 0:34:15 | 0:34:17 | |
They could have up to four bedrooms | 0:34:17 | 0:34:19 | |
and extensive living space for their large family. | 0:34:19 | 0:34:22 | |
The property is in a great village location | 0:34:22 | 0:34:24 | |
which, along with a commute of just an hour and 15 minutes for Nicki, | 0:34:24 | 0:34:27 | |
means they really could have the best of both worlds. | 0:34:27 | 0:34:30 | |
Wow. This is a much lighter room. | 0:34:35 | 0:34:38 | |
-Still got the small window but that feature, there... -Yeah, that is... | 0:34:39 | 0:34:42 | |
-That's spectacular, isn't it? -Yeah, that really makes the house. | 0:34:42 | 0:34:45 | |
-Yeah, it does. -And this is fantastic for all our family. | 0:34:45 | 0:34:49 | |
Because the house is turned upside down, | 0:34:49 | 0:34:51 | |
you've got this whole walking into what effectively is a living area. | 0:34:51 | 0:34:55 | |
It felt odd. | 0:34:55 | 0:34:56 | |
You'd probably get used to it, but I'm not sure I would want to. | 0:34:56 | 0:35:00 | |
Although I love the space of some of these rooms in the upstairs, | 0:35:00 | 0:35:04 | |
the downstairs is more of a concern for me. | 0:35:04 | 0:35:07 | |
It just doesn't work for us. | 0:35:07 | 0:35:10 | |
-She's still smiling. You don't hate me? -No, I don't hate you. | 0:35:13 | 0:35:17 | |
Good. So, finished up here? | 0:35:17 | 0:35:19 | |
I think so. | 0:35:19 | 0:35:20 | |
Well, it's decision time coming up, | 0:35:20 | 0:35:22 | |
so let's find you a place to have a bit of a chinwag, shall we? | 0:35:22 | 0:35:25 | |
Let's go... | 0:35:25 | 0:35:26 | |
For centuries, the vast and flat landscape of the Fens | 0:35:31 | 0:35:34 | |
has been quarried to extract Lower Oxford Clay | 0:35:34 | 0:35:37 | |
to make high-quality bricks. | 0:35:37 | 0:35:39 | |
But one quarry at Must Farm in the town of Whittlesey | 0:35:39 | 0:35:42 | |
has unearthed artefacts buried deep beneath the wet Fens | 0:35:42 | 0:35:45 | |
that tell us something about Britain's lost pre-history, | 0:35:45 | 0:35:48 | |
in particular, about our early Bronze-Age ancestors. | 0:35:48 | 0:35:52 | |
I'm visiting the archaeology park at Flag Fen | 0:35:52 | 0:35:54 | |
to meet the archaeologist Mark Knight | 0:35:54 | 0:35:56 | |
and find out about their recently-discovered treasures | 0:35:56 | 0:35:59 | |
that have been preserved in the Cambridgeshire Fens | 0:35:59 | 0:36:01 | |
for thousands of years. | 0:36:01 | 0:36:03 | |
Mark, thanks very much for seeing me today. | 0:36:04 | 0:36:06 | |
Now, driving round the Fens | 0:36:06 | 0:36:07 | |
you see it's very much an agricultural environment. | 0:36:07 | 0:36:09 | |
But thousands of years ago, this would have looked very different, wouldn't it? | 0:36:09 | 0:36:13 | |
Yes. And a lot wetter. | 0:36:13 | 0:36:14 | |
Essentially, it's been drained for agriculture. | 0:36:14 | 0:36:17 | |
That's when they started unearthing artefacts, I suppose, isn't it? | 0:36:17 | 0:36:20 | |
Yeah. Essentially, as the peat started to blow away and denude, | 0:36:20 | 0:36:24 | |
the archaeology came back to the surface. | 0:36:24 | 0:36:26 | |
How old was it? What was being found, then? | 0:36:26 | 0:36:28 | |
OK. So, first of all, it was sort of Roman archaeology | 0:36:28 | 0:36:31 | |
and then it became pre-historic. | 0:36:31 | 0:36:32 | |
And then, most famously, within this particular site | 0:36:32 | 0:36:35 | |
it was the Bronze Age. | 0:36:35 | 0:36:36 | |
-So, we're talking 4,000 or 3,000 years ago. -Goodness me. | 0:36:36 | 0:36:39 | |
So, this was a bog and people built elevated structures, piles, causeways | 0:36:39 | 0:36:43 | |
and started living in this space in the Bronze Age. | 0:36:43 | 0:36:46 | |
Here at Flag Fen, excavations started in the 1980s | 0:36:46 | 0:36:49 | |
and it's now one of the largest and most important | 0:36:49 | 0:36:51 | |
Bronze-Age sites in Britain. | 0:36:51 | 0:36:53 | |
The causeway, discovered in 1982, | 0:36:53 | 0:36:56 | |
was believed to have been built between 1300 and 900 BC. | 0:36:56 | 0:37:00 | |
The waterlogged nature of the Fens | 0:37:00 | 0:37:02 | |
has meant is has been remarkably well-preserved. | 0:37:02 | 0:37:05 | |
The main area of excavation | 0:37:05 | 0:37:06 | |
can be viewed in the aptly-named preservation hall. | 0:37:06 | 0:37:09 | |
So, Mark, I mean, here we're looking at a very big, dark, damp hole. | 0:37:10 | 0:37:14 | |
What are we looking at, really? | 0:37:14 | 0:37:15 | |
Well, here are the preserved timbers of the Flag Fen causeway. | 0:37:15 | 0:37:18 | |
So, a series of rows of uprights of oak and alder posts, | 0:37:18 | 0:37:22 | |
creating a causeway across the marsh. | 0:37:22 | 0:37:25 | |
And then the laterals, | 0:37:25 | 0:37:26 | |
the sort of planks you can see lying in the flat there, | 0:37:26 | 0:37:29 | |
are the former remnants of the structure itself, | 0:37:29 | 0:37:31 | |
so the bridge, the causeway itself. | 0:37:31 | 0:37:33 | |
So, Bronze-Age man and woman would've pile-driven these timbers in | 0:37:33 | 0:37:38 | |
and then lain timbers across? | 0:37:38 | 0:37:40 | |
Yeah. And, you know, the people that excavated this site | 0:37:40 | 0:37:42 | |
have found real elaborate carpentry and things, | 0:37:42 | 0:37:45 | |
-so mortise and tenon joints and things like that. -Really? | 0:37:45 | 0:37:47 | |
So, with the bog as it is, being wonderful at preserving, | 0:37:47 | 0:37:51 | |
I imagine lots of things have been found since. | 0:37:51 | 0:37:54 | |
Yes. And contemporary with this site, | 0:37:54 | 0:37:56 | |
a site that we've been doing just down the road, | 0:37:56 | 0:37:58 | |
we've found log boats also made from tress | 0:37:58 | 0:38:00 | |
and probably from the same trees as the causeway itself. | 0:38:00 | 0:38:03 | |
-And can we look at those now? -Yes, they're on this site. | 0:38:03 | 0:38:05 | |
-Let's have a look. -Let's go. | 0:38:05 | 0:38:07 | |
Since 2011, a total of eight log boats | 0:38:08 | 0:38:11 | |
have been discovered at Must Farm, | 0:38:11 | 0:38:13 | |
the earliest dating back to 1600 BC. | 0:38:13 | 0:38:16 | |
All within a 200-metre stretch of channel. | 0:38:16 | 0:38:18 | |
It's a huge find. | 0:38:18 | 0:38:20 | |
Now undergoing a two-year preservation programme, | 0:38:21 | 0:38:23 | |
a cold store has been built to protect the vessels | 0:38:23 | 0:38:26 | |
at a temperature of around three degrees Celsius, | 0:38:26 | 0:38:28 | |
to prevent bacteria damaging the ancient timber. | 0:38:28 | 0:38:31 | |
This looks like a big fridge. Is it? | 0:38:32 | 0:38:34 | |
Yes, it is a big fridge. | 0:38:34 | 0:38:35 | |
Basically, we're trying to keep these things wet and cool | 0:38:35 | 0:38:38 | |
as part of their conservation. | 0:38:38 | 0:38:39 | |
You read, sometimes, about archaeological finds. | 0:38:39 | 0:38:42 | |
-You've not got one boat, you've got loads. -Yes. | 0:38:42 | 0:38:44 | |
Is this just a very lucky find | 0:38:44 | 0:38:46 | |
and that maybe they just dumped all the boats here | 0:38:46 | 0:38:49 | |
or was this just a massively-populated area? | 0:38:49 | 0:38:51 | |
Our impression is that these are the sort of white vans | 0:38:51 | 0:38:54 | |
of the Bronze Age, effectively, | 0:38:54 | 0:38:56 | |
and that we're going up and down these channels. | 0:38:56 | 0:38:58 | |
But, maybe we're making our way to the Wash | 0:38:58 | 0:39:00 | |
or to the sea to cross the Channel to go to the Continent. | 0:39:00 | 0:39:02 | |
So, you're learning, again, so much about the Bronze-Age man. | 0:39:02 | 0:39:06 | |
I mean, well, they're intelligent people, | 0:39:06 | 0:39:09 | |
who travelled an awful lot, | 0:39:09 | 0:39:11 | |
-bearing in mind their very primitive transport mode. -Yes. | 0:39:11 | 0:39:14 | |
-You just don't feel that we're talking about cavemen any more. -No. | 0:39:14 | 0:39:17 | |
We're actually talking about a cultured society, | 0:39:17 | 0:39:20 | |
living within a wetland landscape. | 0:39:20 | 0:39:22 | |
So, one boat on its own could almost be like a chance find, | 0:39:22 | 0:39:24 | |
but you're getting to see a river in use. | 0:39:24 | 0:39:27 | |
You haven't just found something, | 0:39:27 | 0:39:28 | |
you've found communities-worth of history. | 0:39:28 | 0:39:31 | |
-I imagine you must've found other things along the way. -Yes. | 0:39:31 | 0:39:33 | |
By the boats, there were fish weirs and fish traps. | 0:39:33 | 0:39:36 | |
But also personal adornments. | 0:39:36 | 0:39:37 | |
We started seeing daggers and swords and spears. | 0:39:37 | 0:39:39 | |
-Tell me you've got some of those. -Yes, we have. | 0:39:39 | 0:39:41 | |
-Let's have look. -OK. | 0:39:41 | 0:39:42 | |
These, Mark, look remarkably well-preserved, don't they? | 0:39:47 | 0:39:51 | |
So, we have a rapier from the middle Bronze Age. | 0:39:51 | 0:39:53 | |
We have a leaf-shaped sword from the later Bronze Age. | 0:39:53 | 0:39:56 | |
And then we have this big, flat sword from the late Iron Age. | 0:39:56 | 0:40:00 | |
Oh, wow! This isn't someone's first attempt at making something. | 0:40:04 | 0:40:07 | |
-This looks like these people knew what they were doing. -Oh, absolutely. | 0:40:07 | 0:40:10 | |
I'm now, you know, carrying this weapon. | 0:40:10 | 0:40:13 | |
I'm glad I'm not meeting these people, certainly. | 0:40:13 | 0:40:16 | |
Now...this looks like a much more modern weapon. | 0:40:16 | 0:40:18 | |
Yes. And look what happens. | 0:40:18 | 0:40:20 | |
We leave bronze and we enter iron, | 0:40:20 | 0:40:22 | |
we're into the Iron Age. | 0:40:22 | 0:40:24 | |
It is stunning, in the sense that, you know, | 0:40:24 | 0:40:26 | |
even the brass fittings and so on, the hilt and the pommel and things. | 0:40:26 | 0:40:30 | |
And some of that's decorated. | 0:40:30 | 0:40:31 | |
It's unbelievable. So, how much have you discovered? | 0:40:31 | 0:40:34 | |
Is there much more to go? | 0:40:34 | 0:40:35 | |
I think there's a sense that... How deep do you want to go, basically? | 0:40:35 | 0:40:38 | |
-So, there's even more to come, if you keep digging? -I think so. I think so. | 0:40:38 | 0:40:41 | |
-Thank you very much. -No worries. -Fascinating. | 0:40:41 | 0:40:43 | |
Well, from my perspective, | 0:40:49 | 0:40:51 | |
I saw the best reactions from Ian and Nicki in the second property, | 0:40:51 | 0:40:54 | |
the thatched house. | 0:40:54 | 0:40:55 | |
Time to find out from them if it's a real contender. | 0:40:55 | 0:40:58 | |
Look at this. Lovely spot. | 0:41:00 | 0:41:02 | |
Got me a cup of tea as well. | 0:41:02 | 0:41:04 | |
It's like we're old friends now, isn't it? | 0:41:04 | 0:41:07 | |
Now, after a bit of time to think things through, | 0:41:07 | 0:41:10 | |
I think we can cast aside the mystery house, | 0:41:10 | 0:41:12 | |
but what do you think of the first two properties I showed you? | 0:41:12 | 0:41:14 | |
-They were both really lovely, actually. -Yeah. | 0:41:14 | 0:41:16 | |
But the second one... | 0:41:16 | 0:41:18 | |
Yeah, the second one had the edge | 0:41:18 | 0:41:20 | |
-and I surprise myself when I say that. -Why, though? | 0:41:20 | 0:41:22 | |
Because it's thatched, isn't it? | 0:41:22 | 0:41:24 | |
And that costs a lot of money and, you know, and... | 0:41:24 | 0:41:26 | |
But inside the building, it was really... | 0:41:26 | 0:41:29 | |
It was all the quirky things that I love about cottages. | 0:41:29 | 0:41:32 | |
Mm. It was beautiful. | 0:41:32 | 0:41:33 | |
It seemed...ideal? | 0:41:33 | 0:41:35 | |
The house itself was ideal, but the location... | 0:41:35 | 0:41:38 | |
..was just perhaps that bit too far for us at this stage in our lives, | 0:41:39 | 0:41:44 | |
-which is such a shame. I know. -I know. | 0:41:44 | 0:41:46 | |
You said, initially, that you could go up to an hour-and-a-half away. | 0:41:46 | 0:41:51 | |
It's just too far away from London, then? | 0:41:51 | 0:41:53 | |
I think we need to have a serious discussion about, you know, | 0:41:53 | 0:41:57 | |
balancing short-term pain with long-term gain. | 0:41:57 | 0:42:01 | |
Are we prepared to do that | 0:42:01 | 0:42:03 | |
or do we need to look at our budget | 0:42:03 | 0:42:05 | |
and think maybe we need to afford, you know, | 0:42:05 | 0:42:08 | |
work out a way to afford a bit more, to be able to come nearer. | 0:42:08 | 0:42:11 | |
Is your plan, then, to reassess your budget | 0:42:11 | 0:42:13 | |
and then maybe look closer to London, then? | 0:42:13 | 0:42:15 | |
I think that's the first thing we'll investigate. | 0:42:15 | 0:42:18 | |
You've got, clearly in your mind's eye, | 0:42:18 | 0:42:20 | |
what you know you want, haven't you? | 0:42:20 | 0:42:21 | |
So, good luck in your continued search. | 0:42:21 | 0:42:24 | |
-Let us know how you get on. -Thank you. -Thanks, Jonnie. | 0:42:24 | 0:42:26 | |
Thank you very much. | 0:42:26 | 0:42:27 | |
There's often quite a bit of pressure on a couple | 0:42:31 | 0:42:33 | |
when they're looking to buy their first home together. | 0:42:33 | 0:42:36 | |
So, Nicki and Ian should be fairly relieved to discover | 0:42:36 | 0:42:38 | |
they like exactly the same things in a house. | 0:42:38 | 0:42:40 | |
It's just a shame that their favourite seemed to be | 0:42:40 | 0:42:42 | |
just outside their comfort zone geographically. | 0:42:42 | 0:42:45 | |
But, the good news for them moving forward is, | 0:42:45 | 0:42:47 | |
they know exactly what they want and, most importantly, where it should be. | 0:42:47 | 0:42:51 | |
And I think the property probably needs to be | 0:42:51 | 0:42:54 | |
just that little bit closer to London. | 0:42:54 | 0:42:56 | |
See you next time. | 0:42:56 | 0:42:58 | |
If you would like to escape to the country | 0:42:59 | 0:43:01 | |
in Wales, Scotland, Northern Ireland, England | 0:43:01 | 0:43:03 | |
or, perhaps, even further afield to the Continent | 0:43:03 | 0:43:06 | |
and would like our help, | 0:43:06 | 0:43:07 | |
please apply online at... | 0:43:07 | 0:43:12 |