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Welcome to Escape To The Country. | 0:00:02 | 0:00:03 | |
Now, today we're in a county that was home to one of | 0:00:03 | 0:00:05 | |
the 20th century's most famous playwrights | 0:00:05 | 0:00:08 | |
who came up with a fairly novel idea | 0:00:08 | 0:00:11 | |
for allowing the sun to shine on his work all day long. | 0:00:11 | 0:00:14 | |
So who was he and where are we? | 0:00:14 | 0:00:16 | |
Well, join me in just a moment and I'll tell you. | 0:00:16 | 0:00:18 | |
Today's couple are newlyweds hoping to kick off their married life | 0:00:35 | 0:00:38 | |
together in the countryside. | 0:00:38 | 0:00:40 | |
One of our properties leaves them stumbling for words... | 0:00:40 | 0:00:43 | |
Look at your face. | 0:00:43 | 0:00:45 | |
-You're speechless. -Yeah, speechless. -Yeah. | 0:00:45 | 0:00:48 | |
..and another manages to amaze. | 0:00:48 | 0:00:50 | |
Wow, wow, wow. | 0:00:50 | 0:00:52 | |
-Wow, wow. Oh, my wow. -"Oh, my wow." | 0:00:52 | 0:00:55 | |
JULES LAUGHS | 0:00:55 | 0:00:57 | |
Well, today we are in Hertfordshire and the building behind me is | 0:00:59 | 0:01:02 | |
known as Shaw's Corner, just outside Welwyn, and it was home to none | 0:01:02 | 0:01:06 | |
other than Irish playwright George Bernard Shaw and his wife Charlotte. | 0:01:06 | 0:01:11 | |
Now, they lived here from 1906 up until his death in 1950 | 0:01:11 | 0:01:14 | |
and you might have assumed that the old man would have done | 0:01:14 | 0:01:17 | |
most of his work at home. | 0:01:17 | 0:01:19 | |
But, no, not Shaw. | 0:01:19 | 0:01:21 | |
For the last 20 years of his life he preferred to work in the garden. | 0:01:21 | 0:01:24 | |
Or, more specifically, his garden shed. | 0:01:29 | 0:01:32 | |
This was Shaw's creative escape, | 0:01:32 | 0:01:36 | |
his writer's retreat. | 0:01:36 | 0:01:37 | |
And if I just open the door, you can see it's pretty simply furnished. | 0:01:37 | 0:01:42 | |
A bunk for an afternoon nap, a desk, a typewriter, of course, | 0:01:42 | 0:01:46 | |
it even had a telephone so he could call up the housekeeper | 0:01:46 | 0:01:49 | |
and order lunch. | 0:01:49 | 0:01:51 | |
Now, back in Shaw's day these trees hadn't grown up | 0:01:51 | 0:01:54 | |
and this tiny cabin enjoyed far-reaching views | 0:01:54 | 0:01:57 | |
but in order to ensure that the sunshine kept on him all day | 0:01:57 | 0:02:00 | |
long, he had the whole thing set on a turntable... | 0:02:00 | 0:02:05 | |
and it still works. | 0:02:05 | 0:02:07 | |
How about that for a creative idea? | 0:02:07 | 0:02:10 | |
Hertfordshire is one of England's Home Counties and is bordered | 0:02:17 | 0:02:21 | |
by Buckinghamshire to its west, Bedfordshire to the north | 0:02:21 | 0:02:24 | |
and Essex to the east. | 0:02:24 | 0:02:26 | |
A countryside of rolling chalk hills and river valleys, | 0:02:27 | 0:02:30 | |
much of Hertfordshire's terrain is given over to agriculture | 0:02:30 | 0:02:33 | |
with pretty villages dotting the landscape. | 0:02:33 | 0:02:36 | |
Places like Much Hadham served as a useful stopping point | 0:02:36 | 0:02:39 | |
for horse-drawn coaches on the route from London to Cambridge. | 0:02:39 | 0:02:43 | |
The county is home to many historic houses and was a popular | 0:02:44 | 0:02:47 | |
rural escape for London's nobility during the 19th century. | 0:02:47 | 0:02:51 | |
Grand estates, such as Brocket Hall near Welwyn, inspired Jane Austen | 0:02:52 | 0:02:55 | |
to set her classic novel, Pride And Prejudice, in the region. | 0:02:55 | 0:02:59 | |
Indeed the work's famous television adaptation starring Colin Firth | 0:02:59 | 0:03:02 | |
used the neoclassical stately home as a filming location. | 0:03:02 | 0:03:06 | |
Hertfordshire is home to a number of parklands of note. | 0:03:07 | 0:03:11 | |
Verulamium Park, set in 100 acres of beautiful green space | 0:03:11 | 0:03:15 | |
just outside St Albans, | 0:03:15 | 0:03:16 | |
is named after the Roman city buried underneath. | 0:03:16 | 0:03:19 | |
With the county's southern border only 20 miles | 0:03:20 | 0:03:23 | |
from the centre of the capital, Hertfordshire is a popular | 0:03:23 | 0:03:26 | |
choice for those seeking a rural haven within easy reach of the city. | 0:03:26 | 0:03:31 | |
Now, at the moment the cost of an average detached house | 0:03:34 | 0:03:37 | |
here in Hertfordshire is an eye-watering £538,000. | 0:03:37 | 0:03:43 | |
That's double the national average. | 0:03:43 | 0:03:46 | |
Now, that figure is inflated by some very expensive commuter hot spots | 0:03:46 | 0:03:49 | |
where you could end up paying three times the national figure. | 0:03:49 | 0:03:54 | |
So, as a general rule of thumb, | 0:03:54 | 0:03:56 | |
the further north you go away from London, the cheaper it gets. | 0:03:56 | 0:04:00 | |
So, let's now meet today's buyers, find out | 0:04:00 | 0:04:02 | |
where in Hertfordshire they want to be and why they want to be here. | 0:04:02 | 0:04:07 | |
Newlyweds Anthony and Marie, who's from Japan, | 0:04:07 | 0:04:10 | |
live in a two-bedroom apartment in the heart of London's trendy Hoxton. | 0:04:10 | 0:04:14 | |
They met six years ago on a language exchange and married | 0:04:14 | 0:04:18 | |
in Marie's country of birth. | 0:04:18 | 0:04:20 | |
It was like a proper Japanese-style wedding. Kimono... | 0:04:20 | 0:04:25 | |
And our families did a swap, so my dad wore traditional Japanese attire | 0:04:25 | 0:04:29 | |
-for the wedding ceremony and Marie's dad wore English. -Yeah. | 0:04:29 | 0:04:32 | |
Anthony, who's a banker, and Marie, who works in clinical research, | 0:04:34 | 0:04:38 | |
have lived in the London flat for five years and during that time | 0:04:38 | 0:04:41 | |
they've made the most of city life but now, as they approach | 0:04:41 | 0:04:44 | |
their mid-30s, their priorities have changed. | 0:04:44 | 0:04:47 | |
Living here when we were first living together, it was great. | 0:04:47 | 0:04:50 | |
We were going out a bit more | 0:04:50 | 0:04:52 | |
but perhaps now we're getting a little older and now that we're | 0:04:52 | 0:04:55 | |
married, we kind of use what Hoxton has to offer less and less. | 0:04:55 | 0:04:59 | |
We spend more time at home, so... Yeah. | 0:04:59 | 0:05:04 | |
London is really such a busy city | 0:05:04 | 0:05:07 | |
and I'm ready to have more quiet life. | 0:05:07 | 0:05:10 | |
Marie grew up in rural Japan and has always loved the countryside | 0:05:12 | 0:05:15 | |
but London-born Anthony is a recent convert. | 0:05:15 | 0:05:18 | |
Having spent time with my wife's family, home in Japan, it's just | 0:05:18 | 0:05:22 | |
so peaceful and tranquil where she lives, which is, like, | 0:05:22 | 0:05:25 | |
pretty much on the doorsteps of mountains and we've been away | 0:05:25 | 0:05:28 | |
for weekends in the countryside in London - it's so peaceful and nice | 0:05:28 | 0:05:31 | |
to wake up to greenery | 0:05:31 | 0:05:33 | |
as opposed to your concrete jungles of Central London, | 0:05:33 | 0:05:36 | |
so I think it would be very healthy and a nice way to live. | 0:05:36 | 0:05:39 | |
They've chosen Hertfordshire due to its proximity to the capital | 0:05:41 | 0:05:44 | |
and their jobs but they see this move as a much larger life plan. | 0:05:44 | 0:05:48 | |
We think it may be good for kids to grow up in a quiet area. | 0:05:48 | 0:05:55 | |
With a garden to play and run around in - we don't have at the moment... | 0:05:55 | 0:05:58 | |
Plenty of space, you know, let them play in the garden. | 0:05:58 | 0:06:03 | |
And outside space is top of their wish list as gardening is one | 0:06:03 | 0:06:07 | |
of the couple's many hobbies. | 0:06:07 | 0:06:08 | |
I enjoy looking after my orchids and flowers. | 0:06:08 | 0:06:11 | |
At the moment, we have a balcony and communal garden downstairs. | 0:06:11 | 0:06:15 | |
That's the only space that I can use for now, | 0:06:15 | 0:06:18 | |
so, yeah, hopefully I can get a real garden in the countryside. | 0:06:18 | 0:06:24 | |
We both enjoy cooking together. | 0:06:24 | 0:06:28 | |
We both enjoy cooking, both play tennis. | 0:06:28 | 0:06:31 | |
Marie is deceptively good at tennis. MARIE GIGGLES | 0:06:31 | 0:06:34 | |
Yeah, er, socialising with friends. Just, I guess, the standard. | 0:06:34 | 0:06:38 | |
Nothing out of the ordinary but, yeah, a good quality of life. | 0:06:38 | 0:06:41 | |
A nice life is important. | 0:06:41 | 0:06:44 | |
With the London property market booming and the option to | 0:06:44 | 0:06:47 | |
either rent or sell the Hoxton flat to finance the move, | 0:06:47 | 0:06:50 | |
Anthony and Marie are looking forward to starting | 0:06:50 | 0:06:53 | |
their married life together in the Hertfordshire countryside. | 0:06:53 | 0:06:56 | |
When we met, I already had this flat, so my wife moved in... | 0:06:56 | 0:06:59 | |
Well, at the time we got married, moved in with me. | 0:06:59 | 0:07:02 | |
This will be the first property that we're buying together | 0:07:02 | 0:07:04 | |
and, you know, hopefully the home that we'll have a family in, | 0:07:04 | 0:07:08 | |
so it's very exciting to be doing the next step in our lives together. | 0:07:08 | 0:07:11 | |
Yeah, very exciting. | 0:07:11 | 0:07:13 | |
In terms of location, Anthony would like to be within an hour's commute | 0:07:17 | 0:07:20 | |
from his office in Liverpool Street and Marie | 0:07:20 | 0:07:23 | |
an hour and a half from her job in West London. | 0:07:23 | 0:07:26 | |
But Hertfordshire has good transport links into the capital, so that | 0:07:26 | 0:07:29 | |
allows us to spread our property net across much of the county. | 0:07:29 | 0:07:33 | |
I'm meeting up with our buyers in the stately surroundings of | 0:07:33 | 0:07:36 | |
Ashridge House, near Berkhamsted, to go over their property wish list. | 0:07:36 | 0:07:41 | |
Well, Anthony and Marie, welcome to Hertfordshire | 0:07:41 | 0:07:44 | |
and we are spoiling you at the start of your escape to the country | 0:07:44 | 0:07:47 | |
with this place, Ashridge House. What do you think of that? | 0:07:47 | 0:07:49 | |
-Beautiful. -Absolutely stunning. | 0:07:49 | 0:07:51 | |
Really the sort of thing I suppose you'd like to buy. | 0:07:51 | 0:07:53 | |
THEY LAUGH | 0:07:53 | 0:07:54 | |
We may talk about what we might achieve with your budget | 0:07:54 | 0:07:57 | |
a little later on. | 0:07:57 | 0:07:58 | |
So what are you looking for in your country life? | 0:07:58 | 0:08:01 | |
We look for... To have a nice, quiet life | 0:08:01 | 0:08:04 | |
and possibly to have a garden | 0:08:04 | 0:08:08 | |
and enjoy some green. | 0:08:08 | 0:08:10 | |
To enjoy some green and have a garden. | 0:08:10 | 0:08:11 | |
Well, this sort of thing would | 0:08:11 | 0:08:13 | |
-definitely do, Anthony. -Yup, very much so. | 0:08:13 | 0:08:15 | |
We're looking for a nice period-style house. | 0:08:15 | 0:08:17 | |
We currently live in a new-build property, so kind of go flipping | 0:08:17 | 0:08:20 | |
to another style, to a period property | 0:08:20 | 0:08:22 | |
with enough rooms, hopefully, for | 0:08:22 | 0:08:24 | |
some of Marie's family if they want to come and visit us from Japan... | 0:08:24 | 0:08:27 | |
To be able to stay with us and, yeah, to give us a nice, rural lifestyle. | 0:08:27 | 0:08:32 | |
Now, give us an idea of how much money you're prepared to | 0:08:32 | 0:08:34 | |
spend on this new move? | 0:08:34 | 0:08:36 | |
In an ideal world, | 0:08:36 | 0:08:37 | |
if we can get... Our wish list would be... Around the £700,000 mark | 0:08:37 | 0:08:41 | |
would be the ideal that we'd like to get to and to get everything. | 0:08:41 | 0:08:45 | |
700,000 but could that go up a bit? | 0:08:45 | 0:08:48 | |
If push comes to shove, probably. | 0:08:48 | 0:08:50 | |
So potentially three quarters of a million? | 0:08:50 | 0:08:52 | |
A huge number but potentially. | 0:08:53 | 0:08:55 | |
Now, you've talked about having something with | 0:08:55 | 0:08:57 | |
a bit of character about it, | 0:08:57 | 0:08:59 | |
something with a bit of history, | 0:08:59 | 0:09:01 | |
do you have an image in your mind, Marie, of what your new house | 0:09:01 | 0:09:05 | |
should have? | 0:09:05 | 0:09:06 | |
Ideally three bedrooms and comes with garden and big kitchen. | 0:09:07 | 0:09:12 | |
And, Anthony, what about you? What's in your mind? | 0:09:12 | 0:09:15 | |
Two reception rooms ideally and, if possible, with a nice area | 0:09:15 | 0:09:18 | |
for Marie to look after her orchids - she's a keen grower. | 0:09:18 | 0:09:21 | |
Now, I was going to get onto the orchids | 0:09:21 | 0:09:23 | |
-cos I gather you've got over 100 of them... -Yeah. | 0:09:23 | 0:09:26 | |
..in your flat, in the middle of the city, at the moment. | 0:09:26 | 0:09:30 | |
How many more orchids are you planning on getting | 0:09:30 | 0:09:32 | |
-in your new house? -Probably too many. | 0:09:32 | 0:09:34 | |
Yeah, we'll have to worry about the budget for the orchids after | 0:09:34 | 0:09:37 | |
the budget for the house but we'll definitely have more | 0:09:37 | 0:09:40 | |
room for a few more orchids, I think, after the move, yes. | 0:09:40 | 0:09:42 | |
OK, all right. Well, we've got three, I think, | 0:09:42 | 0:09:44 | |
very interesting properties to show you, including the mystery house. | 0:09:44 | 0:09:48 | |
-OK. -So we've got to get on with it. | 0:09:48 | 0:09:50 | |
-Let's go and house hunt. Come on. -Sounds good. | 0:09:50 | 0:09:52 | |
For a very generous top budget of £750,000, our buyers would | 0:09:54 | 0:09:59 | |
like a period property with enough space to accommodate Marie's | 0:09:59 | 0:10:02 | |
visiting family and her growing collection of orchids. | 0:10:02 | 0:10:06 | |
The house should have at least three bedrooms | 0:10:06 | 0:10:08 | |
and a large country-style kitchen, as well as two reception rooms. | 0:10:08 | 0:10:12 | |
And they're keen to have a good-sized garden so Marie can begin | 0:10:12 | 0:10:15 | |
growing her own produce. | 0:10:15 | 0:10:17 | |
We've lined up a hearty selection of wonderful Hertfordshire homes | 0:10:17 | 0:10:21 | |
for Anthony and Marie to feast upon but they won't know the price | 0:10:21 | 0:10:24 | |
of each until the end of our visit. | 0:10:24 | 0:10:27 | |
And, with our mystery house, we'll see just how period | 0:10:27 | 0:10:30 | |
they're willing to go. | 0:10:30 | 0:10:32 | |
-So, can you teach me some Japanese this week? -Yeah. | 0:10:35 | 0:10:38 | |
OK. Does my name have an equivalent in Japanese? | 0:10:38 | 0:10:42 | |
-Jules. -Yeah. | 0:10:42 | 0:10:44 | |
Er...no. | 0:10:44 | 0:10:47 | |
It's just Jules, is it? | 0:10:47 | 0:10:49 | |
And what about the word for beautiful? | 0:10:49 | 0:10:51 | |
Beautiful is utsukushii. | 0:10:51 | 0:10:54 | |
-Utsukushii? -Yeah, yeah, yeah. | 0:10:54 | 0:10:56 | |
-Utsukushii. -Utsukushii, yeah. | 0:10:56 | 0:10:57 | |
-Good pronunciation. -Very good! -Now, that's a word I hope we're | 0:10:57 | 0:11:00 | |
going to hear more of as we go | 0:11:00 | 0:11:03 | |
round our houses. | 0:11:03 | 0:11:04 | |
-Ah, OK. -Ut-gushii. -Utsukushii. | 0:11:04 | 0:11:06 | |
I'm going to look out for that one. | 0:11:06 | 0:11:08 | |
Our first property choice is in the village of Long Marston, | 0:11:12 | 0:11:15 | |
three and a half miles from Tring | 0:11:15 | 0:11:18 | |
and its 40-minute rail connection to London's Euston station. | 0:11:18 | 0:11:21 | |
Tring is a small market town which, in the late 19th century, | 0:11:21 | 0:11:25 | |
was home to the famous banker Lord Rothschild. | 0:11:25 | 0:11:28 | |
The town flourished after the construction of the nearby | 0:11:28 | 0:11:31 | |
Grand Junction Canal and later, the London and Birmingham Railway | 0:11:31 | 0:11:35 | |
and today, it's a popular commuter town. | 0:11:35 | 0:11:38 | |
Our first house is in the village of Long Marston on the outskirts | 0:11:38 | 0:11:42 | |
of Tring on a quiet country lane surrounded by farmland. | 0:11:42 | 0:11:45 | |
-OK, guys. Well, this is it, property number one. -Wow. | 0:11:47 | 0:11:51 | |
The opposite of what we have currently | 0:11:51 | 0:11:53 | |
and exactly the kind of setting that we're looking for. | 0:11:53 | 0:11:55 | |
-It's not Central London, is it? -Definitely not. | 0:11:55 | 0:11:57 | |
And you can probably smell it in the air as well. | 0:11:57 | 0:11:59 | |
-That is true as well. -Somebody's muckspreading somewhere. | 0:11:59 | 0:12:02 | |
Beautiful, peaceful, perfect. | 0:12:02 | 0:12:04 | |
Now, what we've got for you here is a chunk of this | 0:12:04 | 0:12:07 | |
old converted-farm complex. | 0:12:07 | 0:12:10 | |
And you get that bit, the middle. | 0:12:10 | 0:12:13 | |
How does this compare to what we might find in Japan? | 0:12:13 | 0:12:17 | |
It's really different. Yeah. I look forward to have a look. | 0:12:17 | 0:12:21 | |
Well, let's see what you think of our barn then. | 0:12:21 | 0:12:24 | |
In its previous life, the house was an old cart-and-hay barn | 0:12:24 | 0:12:27 | |
and today, the carts have been replaced by car ports at either end. | 0:12:27 | 0:12:31 | |
Dating back to 1890, the Victorian barn has been renovated by | 0:12:31 | 0:12:35 | |
the current owners who have created a modern and versatile family home. | 0:12:35 | 0:12:40 | |
Let's start in here. There we are, | 0:12:40 | 0:12:42 | |
your first taste of a converted barn. | 0:12:42 | 0:12:44 | |
-Wow, very nicely done. -Yeah? | 0:12:44 | 0:12:47 | |
-What's Marie thinking? -Yeah, nice. | 0:12:47 | 0:12:49 | |
Opens up, of course, into the diner there | 0:12:49 | 0:12:52 | |
and the kitchen that's next to it, | 0:12:52 | 0:12:53 | |
-we'll have a look at that in a moment. -OK. | 0:12:53 | 0:12:55 | |
But in terms of living rooms I suppose, really, you'd use | 0:12:55 | 0:12:58 | |
these two rooms together. | 0:12:58 | 0:13:00 | |
Yeah, very much so. It feels very lovely and warm. | 0:13:00 | 0:13:03 | |
Homely. It's very well done. | 0:13:03 | 0:13:05 | |
Yeah, nice ceiling as well. | 0:13:05 | 0:13:07 | |
Yeah. | 0:13:07 | 0:13:09 | |
As well as this main entertaining space, at the other end of | 0:13:09 | 0:13:12 | |
the barn there's a snug and a further room that's currently used | 0:13:12 | 0:13:15 | |
as a gym-cum-study but we're taking a closer peek at the dining room. | 0:13:15 | 0:13:19 | |
There we go. | 0:13:19 | 0:13:21 | |
This is really clever, | 0:13:21 | 0:13:22 | |
they've put this huge range of bifold doors in, which I think kind | 0:13:22 | 0:13:26 | |
of double the size or the feeling of space that you get in here. | 0:13:26 | 0:13:29 | |
I think the light you get in from the outside just makes | 0:13:29 | 0:13:32 | |
the room really great. | 0:13:32 | 0:13:33 | |
I think, in our heart of hearts, we were hoping for kind of like | 0:13:33 | 0:13:36 | |
a bigger kind of kitchen/dining area | 0:13:36 | 0:13:38 | |
all in one but, as a room, this is definitely a lovely room. | 0:13:38 | 0:13:41 | |
They've done a very nice renovation. | 0:13:41 | 0:13:43 | |
Well, here's the thing - because the kitchen is just next door | 0:13:43 | 0:13:46 | |
but this wall that separates it is just a stud wall, | 0:13:46 | 0:13:49 | |
-it's not load-bearing. -Ah. | 0:13:49 | 0:13:51 | |
So you could remove that | 0:13:51 | 0:13:53 | |
and open this right up to have an enormous kitchen-diner. | 0:13:53 | 0:13:57 | |
Well, that's a completely different proposition. | 0:13:57 | 0:14:00 | |
I mean, it's very nice as it is. | 0:14:00 | 0:14:02 | |
As you can see, you've got the granite tops, you've got the cooker | 0:14:02 | 0:14:05 | |
and all the rest of it... Loads of storage. | 0:14:05 | 0:14:07 | |
There's also a very generous utility room just down the corridor, | 0:14:07 | 0:14:10 | |
so all the washing machines and all that stuff is out the way anyway. | 0:14:10 | 0:14:14 | |
So far, Marie, how are we doing? | 0:14:14 | 0:14:16 | |
What would you give house number one out of ten, say? | 0:14:16 | 0:14:20 | |
Out of ten, probably eight. | 0:14:20 | 0:14:22 | |
-Eight? -Yeah. -That's pretty good. Anthony? | 0:14:22 | 0:14:25 | |
Yeah, I think an eight, as well, with the potential of that to come down. | 0:14:25 | 0:14:28 | |
I think maybe, ideally, the lounge we would have liked a bit bigger | 0:14:28 | 0:14:31 | |
but with this space opening up and with that wall down, it could | 0:14:31 | 0:14:33 | |
-really just be something that could be workable. -Yeah. -Yeah. | 0:14:33 | 0:14:37 | |
Both Anthony and Marie seem keen on doing a bit of work to open up | 0:14:37 | 0:14:40 | |
the ground floor of this property, which will give them | 0:14:40 | 0:14:43 | |
the space they're after. | 0:14:43 | 0:14:45 | |
Upstairs, in the eaves of the barn, there are five double bedrooms - | 0:14:45 | 0:14:48 | |
plenty of room for a future family. | 0:14:48 | 0:14:50 | |
Two of the bedrooms are separated by a dressing room | 0:14:50 | 0:14:53 | |
and run off each other, | 0:14:53 | 0:14:55 | |
creating a guest suite of rooms for when Marie's family come to stay. | 0:14:55 | 0:14:59 | |
At the other end of the house, another bedroom - | 0:14:59 | 0:15:01 | |
currently a study - is accessed by an independent staircase | 0:15:01 | 0:15:04 | |
from the dining room below. | 0:15:04 | 0:15:07 | |
And then there's the master. | 0:15:07 | 0:15:10 | |
And then this is your bit. | 0:15:10 | 0:15:12 | |
-Wow, that's lovely. -Yeah? Very private. | 0:15:12 | 0:15:16 | |
-You've still got the light. -Yeah. -There's no view as such | 0:15:16 | 0:15:19 | |
but you've also got the en-suite through there, which is great. | 0:15:19 | 0:15:21 | |
Bath and shower as well. | 0:15:21 | 0:15:24 | |
How does this compare sizewise | 0:15:24 | 0:15:25 | |
to what you've got in London at the moment? | 0:15:25 | 0:15:28 | |
-More than... -THEY ALL LAUGH | 0:15:28 | 0:15:30 | |
Incomparable. | 0:15:30 | 0:15:32 | |
OK, good. Well, at least we've ringed that change | 0:15:32 | 0:15:34 | |
from the city to the countryside. | 0:15:34 | 0:15:37 | |
How about the garden? You said you wanted green space, | 0:15:37 | 0:15:39 | |
somewhere for all those plant plans. | 0:15:39 | 0:15:43 | |
-A few more orchids maybe? -Yeah. -Yeah? | 0:15:43 | 0:15:45 | |
The garden to the rear of the barn is mainly lawn bordered by | 0:15:46 | 0:15:49 | |
shrubs and fruit trees and benefits from a summerhouse. | 0:15:49 | 0:15:53 | |
The quarter-of-an-acre plot backs directly onto a paddock with | 0:15:53 | 0:15:56 | |
views over open countryside. | 0:15:56 | 0:15:58 | |
You're the gardener, I think. Is this big enough? | 0:15:59 | 0:16:02 | |
Yes. Yes, definitely. | 0:16:02 | 0:16:03 | |
-Are you sure? -Yeah. | 0:16:03 | 0:16:05 | |
I mean, we'd all love, you know, tens of acres, wouldn't we? | 0:16:05 | 0:16:08 | |
But the truth is if you're at work all week long you need | 0:16:08 | 0:16:11 | |
something that is going to be manageable and that you can keep. | 0:16:11 | 0:16:15 | |
Yeah, that's the key thing. | 0:16:15 | 0:16:16 | |
Something this size would be... I can do lawnmower duties | 0:16:16 | 0:16:19 | |
and then Marie can make it look beautiful. | 0:16:19 | 0:16:21 | |
There you go. Well, let's think about the price, then. | 0:16:21 | 0:16:25 | |
What do you think it's worth? Who's going to go first? | 0:16:25 | 0:16:28 | |
-Ladies first on this one, I think. -Well, madam? | 0:16:28 | 0:16:32 | |
-Er, 730. -£730,000 says your wife, sir? | 0:16:32 | 0:16:37 | |
I will try to be optimistic and go with... 715. | 0:16:37 | 0:16:41 | |
715, well... You're both right instinctively to go over seven | 0:16:41 | 0:16:47 | |
because this was on the market... | 0:16:47 | 0:16:49 | |
at £775,000. | 0:16:49 | 0:16:53 | |
However, that was a few months ago. | 0:16:53 | 0:16:55 | |
-It is now on the market for offers in excess of 700. -OK. | 0:16:55 | 0:17:01 | |
Now, it could be £1 over, it could be £10,000 over | 0:17:02 | 0:17:06 | |
but you're certainly in a position to entertain this | 0:17:06 | 0:17:10 | |
if it's what you want and it's where you want it. | 0:17:10 | 0:17:14 | |
-It's certainly food for thought. -Mm. | 0:17:14 | 0:17:17 | |
Well, there are a few other bits that you haven't fully explored yet, | 0:17:17 | 0:17:20 | |
so why don't you take a bit of time, have a good look around | 0:17:20 | 0:17:23 | |
and I will catch up with you a little bit later. | 0:17:23 | 0:17:25 | |
-Sounds good. Thank you. -Off you go. | 0:17:25 | 0:17:27 | |
£50,000 below their maximum budget, our first property, | 0:17:30 | 0:17:34 | |
a characterful barn conversion, gives Anthony and Marie two more | 0:17:34 | 0:17:38 | |
bedrooms than they asked for, | 0:17:38 | 0:17:40 | |
the potential for a large kitchen-diner | 0:17:40 | 0:17:42 | |
and a manageable garden. | 0:17:42 | 0:17:44 | |
In terms of the commute, the village is an hour to | 0:17:44 | 0:17:47 | |
the City of London and an hour and 25 minutes to West London. | 0:17:47 | 0:17:50 | |
The size of the garden is good. | 0:17:50 | 0:17:52 | |
Also I like the kitchen as well. | 0:17:52 | 0:17:55 | |
And if we could take that centre wall off, | 0:17:55 | 0:17:59 | |
then we can have a bigger kitchen, so it's going to be good. | 0:17:59 | 0:18:03 | |
The things I like about property number one would be the nice | 0:18:03 | 0:18:06 | |
presence from the front of the house, | 0:18:06 | 0:18:07 | |
the nice garden at the back, | 0:18:07 | 0:18:09 | |
the lounge as you come into the property and the kitchen | 0:18:09 | 0:18:13 | |
and the diner. | 0:18:13 | 0:18:15 | |
Nothing that is a real no-no but I think, in our heads, or in my | 0:18:15 | 0:18:18 | |
head, still trying to run through how the layout of the upstairs | 0:18:18 | 0:18:21 | |
rooms - where the three bedrooms on the left-hand side of | 0:18:21 | 0:18:24 | |
the property seem to run into each other - | 0:18:24 | 0:18:26 | |
could be a little awkward for use | 0:18:26 | 0:18:28 | |
but... Not a no-no but it's something that needs to be thought over. | 0:18:28 | 0:18:31 | |
Well, one down, one more this afternoon | 0:18:33 | 0:18:35 | |
and then our mystery house tomorrow but we have got to get better | 0:18:35 | 0:18:38 | |
-than an eight out of ten, Marie, haven't we? -Yes. | 0:18:38 | 0:18:41 | |
Like much of the UK, the health of Hertfordshire's countryside | 0:18:45 | 0:18:48 | |
can be determined by the number of butterflies fluttering around | 0:18:48 | 0:18:51 | |
its gardens and meadows but the British butterfly is in trouble. | 0:18:51 | 0:18:56 | |
The UK population is in decline, with numbers down some 25%. | 0:18:56 | 0:19:01 | |
Hertfordshire itself has been particularly hard hit, with 17 | 0:19:01 | 0:19:05 | |
species lost in the last century. | 0:19:05 | 0:19:08 | |
To find out why but also how we can help the population, | 0:19:08 | 0:19:11 | |
I've come to Butterfly World - | 0:19:11 | 0:19:13 | |
a pioneering conservation project based near St Albans. | 0:19:13 | 0:19:17 | |
Since it started in 2008, | 0:19:17 | 0:19:19 | |
it has helped stem the decline in the county's butterfly numbers. | 0:19:19 | 0:19:23 | |
I'm meeting the project's lepidopterist, Louise Hawkins. | 0:19:23 | 0:19:27 | |
Well, Louise, it's not every day that I get to meet a lepidopterist. | 0:19:27 | 0:19:30 | |
-You have made the study of butterflies your life. -Mh-hmm. | 0:19:30 | 0:19:33 | |
What got you into it in the first place? | 0:19:33 | 0:19:35 | |
To be honest, probably boredom on holiday at my grandparents' | 0:19:35 | 0:19:39 | |
in Cornwall. | 0:19:39 | 0:19:41 | |
Nothing else to do other than going out into fields | 0:19:41 | 0:19:43 | |
and wandering around in the woodland looking for butterflies. | 0:19:43 | 0:19:46 | |
How important are butterflies to our environment, to the ecosystem? | 0:19:46 | 0:19:51 | |
They're hugely important. They're a vital part of the food chain. | 0:19:51 | 0:19:55 | |
There's lots of birds and bats | 0:19:55 | 0:19:57 | |
that are very dependent on butterflies and moths. | 0:19:57 | 0:20:00 | |
We're not doing a great job of looking after them, are we? | 0:20:00 | 0:20:03 | |
We're not, unfortunately, not at the moment. | 0:20:03 | 0:20:06 | |
I think cos of huge demands on our land, changes in how we use our land, | 0:20:06 | 0:20:10 | |
the habitat's become very fragmented. | 0:20:10 | 0:20:13 | |
It's been changed into development, carved up by motorways | 0:20:13 | 0:20:18 | |
and populations have become isolated. | 0:20:18 | 0:20:20 | |
Now, those of us lucky enough to have a garden | 0:20:20 | 0:20:23 | |
can all do our bit to help, and I gather you've got some top tips | 0:20:23 | 0:20:25 | |
-as to how we can all get involved... -We have. | 0:20:25 | 0:20:27 | |
..in helping to create the perfect environment... | 0:20:27 | 0:20:29 | |
-Yes. -..for butterflies. | 0:20:29 | 0:20:30 | |
Yes, we have. I can show you some perfect examples. | 0:20:30 | 0:20:33 | |
Brilliant. After you. | 0:20:33 | 0:20:35 | |
'To help reverse the decline, the conservation project | 0:20:35 | 0:20:39 | |
'has created the ideal habitat in which the butterflies can thrive - | 0:20:39 | 0:20:43 | |
'a unique wild flower meadow, which provides a plentiful supply | 0:20:43 | 0:20:46 | |
'of nectar for both butterflies and insects.' | 0:20:46 | 0:20:49 | |
This is lovely, it's full of colour, isn't it? | 0:20:49 | 0:20:51 | |
Yes, there's lots of flowers here that butterflies really like. | 0:20:51 | 0:20:55 | |
We've got scabious, we've got knapweed, | 0:20:55 | 0:20:58 | |
we've got marjoram, and, of course, we've got the butterfly bush as well. | 0:20:58 | 0:21:02 | |
That, I suppose, is one of the most prolific plants | 0:21:02 | 0:21:04 | |
-that we see across the UK... -Yeah. | 0:21:04 | 0:21:07 | |
..but a lot of people will cut that down as a weed. | 0:21:07 | 0:21:09 | |
They do indeed, yeah. | 0:21:09 | 0:21:10 | |
It's very important to leave some of these - what we consider - | 0:21:10 | 0:21:13 | |
weed plants in your garden | 0:21:13 | 0:21:15 | |
so that there's lots of nectar for butterflies. | 0:21:15 | 0:21:18 | |
But as you can see, a wild garden can still be just as beautiful. | 0:21:18 | 0:21:21 | |
'While adult butterflies depend on nectar to survive, | 0:21:21 | 0:21:25 | |
'caterpillars on the other hand need food plants | 0:21:25 | 0:21:28 | |
'such as nettles and grasses, | 0:21:28 | 0:21:29 | |
'so it's good to leave at least a portion of the garden untended.' | 0:21:29 | 0:21:32 | |
Now, for all the colour and all the beauty of it, | 0:21:34 | 0:21:36 | |
one thing seems to me to be missing. | 0:21:36 | 0:21:40 | |
Where are the butterflies? | 0:21:40 | 0:21:41 | |
Well, it is rather cold and damp today, | 0:21:41 | 0:21:43 | |
so they will be in there roosting somewhere nice and warm. | 0:21:43 | 0:21:46 | |
We've got a lovely, warm, tropical butterfly house, | 0:21:46 | 0:21:49 | |
so we can go and see some lovely, spectacular butterflies. | 0:21:49 | 0:21:51 | |
-And it won't be raining? -No. | 0:21:51 | 0:21:52 | |
-Great. Right. -HE LAUGHS | 0:21:52 | 0:21:54 | |
'It's not just native species | 0:21:54 | 0:21:56 | |
'that the project has taken under its wing. | 0:21:56 | 0:21:59 | |
'The Tropical Butterfly House | 0:21:59 | 0:22:01 | |
'is home to hundreds of foreign butterflies | 0:22:01 | 0:22:04 | |
'as well as a number of quail, who act as a pest deterrent - | 0:22:04 | 0:22:07 | |
'a kind of butterfly bodyguard.' | 0:22:07 | 0:22:09 | |
What's that?! | 0:22:09 | 0:22:11 | |
That is an owl butterfly. | 0:22:11 | 0:22:12 | |
That's one of the largest ones you'll find in the Butterfly House | 0:22:12 | 0:22:15 | |
and they're called owl butterflies | 0:22:15 | 0:22:17 | |
because they've got eye spots on each wing | 0:22:17 | 0:22:19 | |
that when they open them up, they look like an owl's face. | 0:22:19 | 0:22:22 | |
That is without a doubt the biggest butterfly I have ever seen. | 0:22:22 | 0:22:26 | |
I mean, I love the noise of the quail in here. | 0:22:26 | 0:22:29 | |
They control the number of spiders, and spiders are the number one enemy | 0:22:29 | 0:22:33 | |
of a butterfly when they get caught up in the cobwebs. | 0:22:33 | 0:22:36 | |
Ah, of course. Yeah. | 0:22:36 | 0:22:37 | |
And how many butterflies then are living in here at the moment? | 0:22:37 | 0:22:40 | |
There's probably between 400 and 500 in here at the moment. | 0:22:40 | 0:22:44 | |
-And how many different species? -Around 30 or 40 different species. | 0:22:44 | 0:22:47 | |
But this is a wonderful environment | 0:22:47 | 0:22:49 | |
to introduce people to the butterfly. | 0:22:49 | 0:22:52 | |
Are we looking at a brighter future? | 0:22:52 | 0:22:54 | |
I think so, yes. | 0:22:54 | 0:22:56 | |
If we continue to educate our children | 0:22:56 | 0:22:58 | |
about the importance of butterflies | 0:22:58 | 0:23:00 | |
and if we concentrate our conservation efforts | 0:23:00 | 0:23:03 | |
in getting a balance between development and habitat, | 0:23:03 | 0:23:06 | |
then I don't see why not. | 0:23:06 | 0:23:07 | |
It seems we can all do our bit to try and help the British butterfly | 0:23:07 | 0:23:12 | |
by creating conditions for them to thrive in our own back gardens. | 0:23:12 | 0:23:15 | |
But, for now, we need to find a rural haven for Anthony and Marie, | 0:23:15 | 0:23:19 | |
so it's back to the house hunt. | 0:23:19 | 0:23:21 | |
For our second offering, we're heading northeast. | 0:23:26 | 0:23:28 | |
We're actually crossing over the border into Bedfordshire | 0:23:28 | 0:23:31 | |
to the hamlet of How End, | 0:23:31 | 0:23:33 | |
just outside the small market town of Ampthill. | 0:23:33 | 0:23:36 | |
With an hour's journey | 0:23:36 | 0:23:37 | |
to London's Moorgate, | 0:23:37 | 0:23:39 | |
which is close to Anthony's office, | 0:23:39 | 0:23:40 | |
and just under an hour and a half for Marie, | 0:23:40 | 0:23:42 | |
Ampthill is a well-connected, vibrant Georgian market town. | 0:23:42 | 0:23:46 | |
Our second house is a few miles north of it, | 0:23:46 | 0:23:49 | |
but situated in a quiet rural setting | 0:23:49 | 0:23:51 | |
surrounded by fields and hedgerows. | 0:23:51 | 0:23:54 | |
OK, Marie, what do you think of that one? | 0:23:54 | 0:23:56 | |
-Wow. Nice. Big. -SHE CHUCKLES | 0:23:56 | 0:23:59 | |
It is big, actually. | 0:23:59 | 0:24:01 | |
The bit we're looking at here is a modern extension... | 0:24:01 | 0:24:04 | |
ANTHONY AND MARIE: Mm. | 0:24:04 | 0:24:05 | |
..to an original house, which was built in 1888, | 0:24:05 | 0:24:09 | |
so it's late Victorian... | 0:24:09 | 0:24:11 | |
Similar age, really, to property number one, | 0:24:11 | 0:24:14 | |
but this one has been doubled in size over the last few years. | 0:24:14 | 0:24:17 | |
Anthony, what are your first thoughts? | 0:24:17 | 0:24:19 | |
Yeah, very cute and quaint and doesn't look modern at all. | 0:24:19 | 0:24:22 | |
So, yeah, very promising from the outside. | 0:24:22 | 0:24:24 | |
-I'm very conscious of this character that you're looking for. -Yeah. | 0:24:24 | 0:24:27 | |
All right? But with this one, we've certainly gone for size. | 0:24:27 | 0:24:30 | |
To be honest with you, | 0:24:30 | 0:24:31 | |
it's very difficult to judge this from the outside. | 0:24:31 | 0:24:33 | |
The only way to really understand it, I think, is to get inside. | 0:24:33 | 0:24:36 | |
-Mm. -Yeah? -OK. Sounds good. | 0:24:36 | 0:24:37 | |
Come on. | 0:24:37 | 0:24:39 | |
'Well, that's a more upbeat reaction to our second house. | 0:24:39 | 0:24:41 | |
'It's an interesting fusion between old and new, | 0:24:41 | 0:24:44 | |
'retaining fine original features throughout.' | 0:24:44 | 0:24:47 | |
We'll start in here. | 0:24:47 | 0:24:49 | |
Wow. | 0:24:50 | 0:24:52 | |
"Wow"! That's good! Look at your face! | 0:24:52 | 0:24:54 | |
ALL LAUGH Wow. | 0:24:54 | 0:24:56 | |
Do you remember when we were speaking in the car earlier | 0:24:56 | 0:24:58 | |
and I asked you what the Japanese for beautiful was? | 0:24:58 | 0:25:01 | |
-Ah, "utsukushii". -Utsukushii? | 0:25:01 | 0:25:03 | |
-Yeah. -Utsukushii. -OK, so, maybe it's that. | 0:25:03 | 0:25:06 | |
-Mmm. -Very much so. Wow, that is stunning. | 0:25:06 | 0:25:08 | |
-Yeah? -Speechless. -Yeah. | 0:25:08 | 0:25:10 | |
-You're speechless? This is the biggest smile... -Yeah. | 0:25:10 | 0:25:12 | |
-..we've seen. -Mmm. | 0:25:12 | 0:25:13 | |
The flooring is nice, I like that beam. Just everything. | 0:25:13 | 0:25:16 | |
-Yeah. -It's really, really lovely. -Well, the beam is interesting. | 0:25:16 | 0:25:19 | |
I said to you earlier that the house was extended. | 0:25:19 | 0:25:21 | |
That beam represents the old external wall of the property, | 0:25:21 | 0:25:24 | |
so that was as far as it came | 0:25:24 | 0:25:26 | |
and everything we're standing in now is the new addition. | 0:25:26 | 0:25:29 | |
The most recent addition is that fabulous garden room there, | 0:25:29 | 0:25:32 | |
which projects out into the garden. | 0:25:32 | 0:25:34 | |
-Ten out of ten for a first impression. -Mm, mm. | 0:25:34 | 0:25:36 | |
Great. I mean, you've got a fantastic family | 0:25:36 | 0:25:39 | |
and entertaining area here too. | 0:25:39 | 0:25:40 | |
Across the corridor, there is a living room | 0:25:40 | 0:25:43 | |
with a huge open, working fireplace in it. | 0:25:43 | 0:25:45 | |
Oh, wow. | 0:25:45 | 0:25:46 | |
-Behind me, here, you've also got a wood burner. -Oh. | 0:25:46 | 0:25:48 | |
Which will keep you nice and warm. | 0:25:48 | 0:25:50 | |
So you've got lots of entertaining space and this wonderful kitchen, | 0:25:50 | 0:25:53 | |
and beyond it...is the dining room. | 0:25:53 | 0:25:56 | |
-Mm! -Wow. -Come and have a look. | 0:25:56 | 0:25:58 | |
'As well as our top-scoring entertaining space, | 0:25:59 | 0:26:02 | |
'the ground floor also features | 0:26:02 | 0:26:03 | |
'a huge walk-in larder and a utility room, | 0:26:03 | 0:26:06 | |
'both of which are just off the dining room.' | 0:26:06 | 0:26:08 | |
-Wow. -Wow, lovely space as well. | 0:26:08 | 0:26:10 | |
-Lovely, yeah. -Wow. | 0:26:10 | 0:26:12 | |
The thing I like about this house is that it has different zones - | 0:26:12 | 0:26:15 | |
the garden room, the kitchen and the dining room, | 0:26:15 | 0:26:17 | |
-but it all flows together, it's all linked... -Mm. | 0:26:17 | 0:26:20 | |
..which, again, just has this nice sort of feel to it. | 0:26:20 | 0:26:24 | |
Our last house, you said it was eight out of ten. | 0:26:24 | 0:26:28 | |
-Is this one a bit higher? -Yeah. -ALL LAUGH | 0:26:28 | 0:26:32 | |
-Anthony? -Unquestionably. Yeah, for me, it's a ten as we stand now. | 0:26:32 | 0:26:36 | |
-It's ten out of ten. -Brilliant. OK. Well, let's hope that continues. | 0:26:36 | 0:26:39 | |
'And I'm confident it will | 0:26:39 | 0:26:41 | |
'as upstairs there are four good-size bedrooms, | 0:26:41 | 0:26:44 | |
'but with all the rooms arranged off a central landing, | 0:26:44 | 0:26:47 | |
'it's a more conventional layout than our first property. | 0:26:47 | 0:26:49 | |
'Two of the bedrooms are en suite, including a lovely guest suite | 0:26:49 | 0:26:53 | |
'for visiting family. | 0:26:53 | 0:26:55 | |
'There's also a fantastic family bathroom with roll-top bath, | 0:26:55 | 0:26:58 | |
'which just leaves Anthony and Marie's bedroom.' | 0:26:58 | 0:27:02 | |
-Wow. Amazing. -Yeah, another beautiful room. | 0:27:02 | 0:27:05 | |
-I mean, it is beautifully... -Nonstop surprises. | 0:27:05 | 0:27:08 | |
..furnished, to be fair. | 0:27:08 | 0:27:10 | |
-That is a super king-size bed, so... -Yeah. | 0:27:10 | 0:27:12 | |
But it is beautifully done, has a fantastic en suite as well, | 0:27:12 | 0:27:16 | |
and in terms of accommodation up here, | 0:27:16 | 0:27:18 | |
do you think there's enough space for people to come and stay here? | 0:27:18 | 0:27:21 | |
-Mm. -Yeah, I think without question. | 0:27:21 | 0:27:23 | |
-Ideally we wanted a minimum of three, and four would be plenty. -Mm. | 0:27:23 | 0:27:27 | |
-Good. Still ten out of ten? -Yeah. -SHE LAUGHS | 0:27:27 | 0:27:30 | |
-Good. Right. Shall we go to the garden? -Sounds good. | 0:27:30 | 0:27:34 | |
-Talk about the price? -JULES CHUCKLES | 0:27:34 | 0:27:36 | |
Extending to the side of the property, | 0:27:39 | 0:27:40 | |
the gardens are enclosed and private | 0:27:40 | 0:27:43 | |
thanks to the mature borders and trees surrounding the lawn. | 0:27:43 | 0:27:45 | |
There's also a large decked area suitable for entertaining. | 0:27:45 | 0:27:48 | |
Come over here because this really is where you get a sense | 0:27:48 | 0:27:52 | |
of the old and the new. | 0:27:52 | 0:27:54 | |
There's the 1888 bit... | 0:27:57 | 0:27:59 | |
And there's the modern part... | 0:28:00 | 0:28:02 | |
with that extension. | 0:28:02 | 0:28:03 | |
In terms of garden... the green bit, this is it. | 0:28:03 | 0:28:07 | |
There is a little courtyard garden | 0:28:07 | 0:28:09 | |
that separates the house from the double garage, | 0:28:09 | 0:28:12 | |
but in terms of your gardening ambitions, | 0:28:12 | 0:28:15 | |
would this area be big enough? | 0:28:15 | 0:28:16 | |
-Mm, yeah. -MARIE LAUGHS | 0:28:16 | 0:28:18 | |
-You sure? -Yeah, yeah. | 0:28:18 | 0:28:20 | |
If I could give you the keys, would you like me to do that? | 0:28:20 | 0:28:23 | |
If we could have the keys, yeah, without question. | 0:28:24 | 0:28:26 | |
ALL LAUGH | 0:28:26 | 0:28:28 | |
Well, how much would the keys to this place cost you? | 0:28:28 | 0:28:31 | |
-You went first last time... -Mm-hm. | 0:28:31 | 0:28:34 | |
..Marie, so, Anthony? | 0:28:34 | 0:28:35 | |
-I'm going to go for an optimistic 740. -740. | 0:28:36 | 0:28:40 | |
Um... 750. | 0:28:41 | 0:28:44 | |
-750. -Mm-hm. | 0:28:44 | 0:28:46 | |
Now, if it were 740 or indeed 750, | 0:28:47 | 0:28:49 | |
-it would absolutely push your budget to the limit, wouldn't it? -Mm. | 0:28:49 | 0:28:53 | |
-It's on the market at 665. -Wow. | 0:28:53 | 0:28:57 | |
JULES AND MARIE LAUGH | 0:28:59 | 0:29:01 | |
Wow, that was a properly speechless open-mouthed "wow"! | 0:29:01 | 0:29:04 | |
-Yeah, now I'm speechless. -Wow. | 0:29:04 | 0:29:06 | |
Really? | 0:29:06 | 0:29:08 | |
-Yeah. -Ah... | 0:29:08 | 0:29:09 | |
That is very pleasantly surprising. JULES LAUGHS | 0:29:09 | 0:29:12 | |
Well, given that you love it so much, | 0:29:12 | 0:29:13 | |
I think it's the icing on the cake, isn't it? | 0:29:13 | 0:29:15 | |
-Yeah! I think speechless again, yeah. Stunning. -Wow. | 0:29:15 | 0:29:19 | |
Well, look, although you have seen most of it, | 0:29:19 | 0:29:21 | |
I think we should give you a bit more time to indulge it, | 0:29:21 | 0:29:24 | |
to soak up the atmosphere of property number two | 0:29:24 | 0:29:26 | |
and maybe start planning. | 0:29:26 | 0:29:29 | |
-Maybe a move is afoot. Who knows? -MARIE LAUGHS | 0:29:29 | 0:29:31 | |
-Right then, off you go. I will catch you later on. -Thank you. | 0:29:31 | 0:29:35 | |
Well under their maximum budget by nearly £100,000, | 0:29:36 | 0:29:40 | |
our second house is original Victorian, | 0:29:40 | 0:29:43 | |
but has been recently extended and modernised. | 0:29:43 | 0:29:46 | |
It gives our buyers the large kitchen and reception space | 0:29:46 | 0:29:48 | |
they were after, | 0:29:48 | 0:29:50 | |
one more bedroom than they asked for and a manageable garden. | 0:29:50 | 0:29:53 | |
Well, I can't find anything I don't like... | 0:29:53 | 0:29:57 | |
-SHE LAUGHS -..so that's a good sign! | 0:29:57 | 0:29:59 | |
I could imagine to live in this house | 0:29:59 | 0:30:03 | |
and I hope Anthony is thinking the same. | 0:30:03 | 0:30:07 | |
Wow, what not to like? | 0:30:07 | 0:30:09 | |
Stunning lounge area, kitchen area, dining area, sunroom, | 0:30:09 | 0:30:13 | |
four big bedrooms... | 0:30:13 | 0:30:14 | |
I mean, just perfect, absolutely perfect. | 0:30:14 | 0:30:16 | |
Yeah, I think unquestionably, this is a place that I could see | 0:30:16 | 0:30:19 | |
myself living with my wife and if one day we have a family, | 0:30:19 | 0:30:22 | |
it'd be a lovely place to have a family | 0:30:22 | 0:30:24 | |
and plenty of room for Marie's family to come and visit, | 0:30:24 | 0:30:26 | |
or friends to come over and spend the night | 0:30:26 | 0:30:28 | |
if they were to come for a day, whatever. | 0:30:28 | 0:30:30 | |
So, yeah, absolutely, it's a place we could see as our home. | 0:30:30 | 0:30:34 | |
You know, house-hunting can be quite a tiring business | 0:30:34 | 0:30:36 | |
despite what you might think... | 0:30:36 | 0:30:39 | |
-Whay! How are we doing? -Very good, thank you. | 0:30:39 | 0:30:41 | |
Good to be outside potentially what'd be our new front door. | 0:30:41 | 0:30:44 | |
Well, is it going to be your new front door, I wonder? | 0:30:44 | 0:30:47 | |
We have got one more to see tomorrow, our mystery house, | 0:30:47 | 0:30:49 | |
so don't jump the gun just yet, but I think it's looking good. | 0:30:49 | 0:30:53 | |
-Yeah. -Brilliant. | 0:30:53 | 0:30:55 | |
Come on, then, let's have a celebratory evening drink. | 0:30:55 | 0:30:57 | |
Sounds good. | 0:30:57 | 0:30:59 | |
It's the start of our second day of property shopping | 0:31:06 | 0:31:09 | |
here in Hertfordshire, | 0:31:09 | 0:31:10 | |
and with a very healthy budget of £750,000, | 0:31:10 | 0:31:14 | |
we're helping newlywed professionals - | 0:31:14 | 0:31:16 | |
Anthony and Marie from London - | 0:31:16 | 0:31:18 | |
find a family house in the Home Counties. | 0:31:18 | 0:31:20 | |
Still to come - our mystery option raises the game. | 0:31:20 | 0:31:23 | |
-Never been in a room as beautiful as this. -Mm! | 0:31:24 | 0:31:26 | |
Just stunning. MARIE CHUCKLES | 0:31:26 | 0:31:28 | |
'But the price comes as a shock.' | 0:31:28 | 0:31:30 | |
-Mmm! -Wow. Wow, wow, wow. | 0:31:30 | 0:31:33 | |
Well, unfortunately, it does look as if our second day of house-hunting | 0:31:35 | 0:31:39 | |
could be somewhat wetter than the first, | 0:31:39 | 0:31:41 | |
but there is no better feeling than ending day one on a high, | 0:31:41 | 0:31:45 | |
which we certainly managed to do. | 0:31:45 | 0:31:47 | |
But I always get very excited when I'm about to show our buyers | 0:31:47 | 0:31:50 | |
a mystery house that could thrill them even more | 0:31:50 | 0:31:53 | |
and if they like what they've seen so far, | 0:31:53 | 0:31:55 | |
just you wait till they see this one. | 0:31:55 | 0:31:58 | |
Our mystery house is back | 0:31:59 | 0:32:01 | |
over the border in Hertfordshire | 0:32:01 | 0:32:02 | |
and we're on the way to the village of Brent Pelham. | 0:32:02 | 0:32:05 | |
The closest station for trains to London is Bishop's Stortford - | 0:32:05 | 0:32:08 | |
a half hour drive away - | 0:32:08 | 0:32:10 | |
and then it's an average 45-minute train ride into Liverpool Street, | 0:32:10 | 0:32:13 | |
so we're pushing our buyers on the commuting time. | 0:32:13 | 0:32:16 | |
The village itself is made up of a scattering of pretty thatched | 0:32:16 | 0:32:19 | |
and characterful houses | 0:32:19 | 0:32:21 | |
and Brent Pelham is a quiet, sought-after location. | 0:32:21 | 0:32:23 | |
But it wasn't always so peaceful. | 0:32:24 | 0:32:27 | |
Just outside the local church are the medieval stocks, | 0:32:27 | 0:32:30 | |
which could accommodate up to three people at once. | 0:32:30 | 0:32:33 | |
Despite adding around 20 minutes to their journey into London, | 0:32:33 | 0:32:36 | |
our final property certainly delivers on age and history. | 0:32:36 | 0:32:40 | |
Now, look at this! | 0:32:40 | 0:32:41 | |
Wow, wow, wow. JULES CHUCKLES | 0:32:43 | 0:32:45 | |
Come over here. | 0:32:45 | 0:32:46 | |
-What?! -Wow. MARIE LAUGHS | 0:32:48 | 0:32:50 | |
-Oh! -That is as traditional as traditional gets. | 0:32:50 | 0:32:54 | |
-That is fantastic. -Lovely. | 0:32:54 | 0:32:55 | |
-What's the magic word? -Utsukushii. | 0:32:55 | 0:32:57 | |
Utsukushii, yeah, it's beautiful, isn't it? | 0:32:57 | 0:32:59 | |
Now, on this one, we are stepping back in time. | 0:32:59 | 0:33:02 | |
-Our first two properties were Victorian. -Mm-hm. | 0:33:02 | 0:33:06 | |
-This one was built around about 1500 or so. -Mm... -Wow. | 0:33:06 | 0:33:11 | |
-MARIE LAUGHS -So, it's 400 to 500 years old | 0:33:11 | 0:33:14 | |
and packed full of history and character | 0:33:14 | 0:33:17 | |
in a very genuine way. | 0:33:17 | 0:33:19 | |
-Mm. -I know when we started out you were really hoping for that. | 0:33:19 | 0:33:23 | |
We certainly got there, I think, with our second property, | 0:33:23 | 0:33:26 | |
albeit in a modern way, | 0:33:26 | 0:33:28 | |
but this absolutely is the real thing, Anthony. | 0:33:28 | 0:33:31 | |
-Mm. -Wow, it's stunning. Absolutely magical. | 0:33:31 | 0:33:33 | |
Yeah? Let's see what you think of the inside. Come on. | 0:33:33 | 0:33:36 | |
'So our mystery house is a 16th-century thatched property - | 0:33:36 | 0:33:40 | |
'originally three workers' cottages that have been knocked into one | 0:33:40 | 0:33:43 | |
'to create a beautiful family home.' | 0:33:43 | 0:33:46 | |
Right, you two, let's start in here then. | 0:33:46 | 0:33:49 | |
-Oh, wow. -Mmm. | 0:33:50 | 0:33:51 | |
-That is very cute. -Cute, yes. | 0:33:51 | 0:33:54 | |
-Yeah? -That is splendid. -Yeah. | 0:33:55 | 0:33:57 | |
There's a pantry through there | 0:33:57 | 0:33:58 | |
and also the main family bathroom is down there. | 0:33:58 | 0:34:01 | |
-OK. -So it's got a slightly unconventional layout in that sense, | 0:34:01 | 0:34:04 | |
-but bath and shower - beautifully done. -Mm. | 0:34:04 | 0:34:07 | |
But, yeah, your classic cottage kitchen. | 0:34:07 | 0:34:11 | |
Oil-fired range over there. | 0:34:11 | 0:34:14 | |
This isn't the only dining area, | 0:34:14 | 0:34:16 | |
but in terms of the kitchen - would it be big enough for you? | 0:34:16 | 0:34:19 | |
-Yeah, yeah. I think so. -Yeah, I think definitely workable. | 0:34:19 | 0:34:21 | |
I mean, yeah, just a lovely room... | 0:34:21 | 0:34:23 | |
-Mm. -Yeah. -..steeped in history. | 0:34:23 | 0:34:25 | |
-Mm. -Just fantastic. | 0:34:25 | 0:34:26 | |
Well, if you like old style, this place is full of it. | 0:34:26 | 0:34:29 | |
Have a look at the dining end. | 0:34:29 | 0:34:30 | |
This is the dining room itself. | 0:34:30 | 0:34:32 | |
-Wow! Oh, my... Wow! -Wow! -MARIE LAUGHS | 0:34:32 | 0:34:36 | |
-Oh! -"Oh, my wow"! -JULES LAUGHS | 0:34:36 | 0:34:39 | |
-Wow. -That is just absolutely stunning. | 0:34:39 | 0:34:42 | |
-Wow. -This room is full of character. Just unbelievable. | 0:34:42 | 0:34:45 | |
-Mm, yeah. -The beams, the ceilings, the fireplace... | 0:34:45 | 0:34:48 | |
-Wow. -But this is lovely too. | 0:34:49 | 0:34:51 | |
Can you see on this piece of wood, these little marks? | 0:34:51 | 0:34:53 | |
-These are the carpenter's marks... -Mm. | 0:34:53 | 0:34:55 | |
..from when it was built. | 0:34:55 | 0:34:57 | |
So they would assemble the frame of the building on the ground, | 0:34:57 | 0:35:00 | |
get all the joints to fit and then they had to label them | 0:35:00 | 0:35:03 | |
to know which one went where. | 0:35:03 | 0:35:04 | |
So X-X goes there. | 0:35:04 | 0:35:06 | |
Just beautiful. JULES LAUGHS | 0:35:06 | 0:35:08 | |
Beautiful, yeah. | 0:35:08 | 0:35:09 | |
I've never been in a room as beautiful as this in a home. | 0:35:09 | 0:35:11 | |
-Mm. -This is just stunning. | 0:35:11 | 0:35:13 | |
Well, let's see what you think of the living room | 0:35:13 | 0:35:15 | |
cos that's through here. | 0:35:15 | 0:35:16 | |
We step down these...two steps. | 0:35:17 | 0:35:19 | |
-Look how wide that wall is next to the chimneybreast. -Wow. | 0:35:19 | 0:35:22 | |
And then you get into here. | 0:35:22 | 0:35:24 | |
-Oh, wow. -Oh! | 0:35:26 | 0:35:27 | |
-Just so cosy, just so homely, just so... -Mm. | 0:35:27 | 0:35:30 | |
..just fantastic. | 0:35:30 | 0:35:32 | |
Another wood burner for you. Uh, again, more beams, more history. | 0:35:32 | 0:35:36 | |
It's so tastefully done and so beautifully done. | 0:35:37 | 0:35:40 | |
It's everywhere, so although there's lots of dark wood, | 0:35:40 | 0:35:43 | |
-it just doesn't feel dark at all, it's just lovely. -Mm. | 0:35:43 | 0:35:46 | |
-I think you would be happy here. -Mm, definitely, yeah. | 0:35:46 | 0:35:49 | |
Right then, let's go upstairs. Follow me. | 0:35:49 | 0:35:52 | |
'Our buyers are clearly captivated by the charms | 0:35:53 | 0:35:56 | |
'of this characterful cottage. | 0:35:56 | 0:35:58 | |
'Upstairs there are three bedrooms with exposed timbers throughout. | 0:35:58 | 0:36:02 | |
'One, currently set up as a twin, would make a cosy guest room. | 0:36:02 | 0:36:06 | |
'Another of the bedrooms has been converted into a study | 0:36:06 | 0:36:08 | |
'and is accessed by its own staircase from the kitchen below, | 0:36:08 | 0:36:11 | |
'which just leaves the largest room for Anthony and Marie to inspect.' | 0:36:11 | 0:36:16 | |
And then this is the master. Come on in. | 0:36:16 | 0:36:18 | |
Wow. Again, wow. MARIE AND JULES LAUGH | 0:36:18 | 0:36:22 | |
-I love that dormer window. -Yeah. -Yeah. | 0:36:22 | 0:36:24 | |
-Actually, the way it projects out with all the beams. -Mm. | 0:36:24 | 0:36:27 | |
-I mean, I know you asked for three bedrooms... -Yeah. | 0:36:27 | 0:36:29 | |
Our first two properties had more than three, this one has just three. | 0:36:29 | 0:36:33 | |
The other thing is that it doesn't have | 0:36:33 | 0:36:35 | |
the family bathroom on this floor. | 0:36:35 | 0:36:37 | |
It's downstairs next to the kitchen. | 0:36:37 | 0:36:38 | |
But you do have a loo next door. | 0:36:38 | 0:36:40 | |
-Yeah, that's perfectly fine. -That's fine. | 0:36:40 | 0:36:42 | |
Just through there. That's the only compromise. | 0:36:42 | 0:36:44 | |
It's the only fault, if it is a fault, that I can find with this. | 0:36:44 | 0:36:48 | |
I mean, I'll call it a quirk rather than a fault. | 0:36:48 | 0:36:50 | |
Excellent. I like quirks. Quirks are easier to deal with. | 0:36:50 | 0:36:53 | |
They're much more forgivable than faults. | 0:36:53 | 0:36:56 | |
I think the thing to do now is to go back out | 0:36:56 | 0:36:58 | |
-into that gorgeous garden... -Mm. | 0:36:58 | 0:37:00 | |
..and I would suggest that you start thinking about how much this one is. | 0:37:00 | 0:37:04 | |
ANTHONY AND MARIE LAUGH | 0:37:04 | 0:37:05 | |
-Yes! -We can try. JULES LAUGHS | 0:37:05 | 0:37:09 | |
Come with me. | 0:37:09 | 0:37:10 | |
'The secluded landscaped garden provides several different areas, | 0:37:10 | 0:37:14 | |
'including the main lawn - which features a summerhouse - | 0:37:14 | 0:37:17 | |
'lots of mature hedging, and a separate paved area, | 0:37:17 | 0:37:20 | |
'which could make an excellent spot for summer socialising.' | 0:37:20 | 0:37:23 | |
So, that's it. That's what our mystery house has to offer. | 0:37:24 | 0:37:27 | |
MARIE LAUGHS | 0:37:27 | 0:37:28 | |
You know what's coming now, don't you? Yeah! | 0:37:28 | 0:37:31 | |
-How much, Marie... -Mmm... | 0:37:31 | 0:37:34 | |
..do you think our mystery house... is on the market for? | 0:37:34 | 0:37:37 | |
I think... | 0:37:38 | 0:37:39 | |
-..680? -680, yeah? | 0:37:42 | 0:37:44 | |
No idea. | 0:37:45 | 0:37:46 | |
I mean, absolutely stunning, but just by virtue of the fact | 0:37:46 | 0:37:49 | |
that it's a bit of a journey from the station, | 0:37:49 | 0:37:51 | |
I'm going to keep it under 700 as well and go for 690. | 0:37:51 | 0:37:54 | |
-But I've absolutely no idea. -690. | 0:37:54 | 0:37:56 | |
-It has kind of flummoxed you a bit, hasn't it, this one? -Yeah. | 0:37:56 | 0:37:59 | |
It's on the market for £595,000. | 0:37:59 | 0:38:03 | |
-Wow! -Really? -JULES LAUGHS | 0:38:03 | 0:38:05 | |
Wow, wow, wow. | 0:38:05 | 0:38:07 | |
Yeah? That's quite a saving from your projected £700,000 spend. | 0:38:07 | 0:38:11 | |
-That's really good, yeah. -Yeah. | 0:38:11 | 0:38:12 | |
Right then, come on, let's go. You're in charge of the brolly. | 0:38:12 | 0:38:15 | |
-Thank you. -After you. | 0:38:15 | 0:38:16 | |
Well under their top budget by £155,000, | 0:38:21 | 0:38:25 | |
our mystery house goes to show you don't need to blow all your money | 0:38:25 | 0:38:28 | |
to get what you want. | 0:38:28 | 0:38:30 | |
It's a 16th-century thatched cottage | 0:38:30 | 0:38:32 | |
with oodles of character and history. | 0:38:32 | 0:38:34 | |
It comes with three bedrooms and a country-style kitchen. | 0:38:34 | 0:38:37 | |
The only downside is the lack of an upstairs bathroom | 0:38:37 | 0:38:40 | |
and it's a 20 minute longer commute into London | 0:38:40 | 0:38:43 | |
than they originally wanted. | 0:38:43 | 0:38:45 | |
For us, this is kind of the real country deal | 0:38:45 | 0:38:47 | |
that we were looking for. | 0:38:47 | 0:38:49 | |
It's just the absolute dream picturesque home. | 0:38:49 | 0:38:52 | |
We were looking for the complete country lifestyle | 0:38:52 | 0:38:54 | |
and I can't imagine a place | 0:38:54 | 0:38:56 | |
that would give us that opportunity more than a place like this. | 0:38:56 | 0:38:59 | |
It's just fantastic. | 0:38:59 | 0:39:00 | |
Well, I wasn't expecting to see this nice character old house, | 0:39:00 | 0:39:06 | |
and I think I really like this. | 0:39:06 | 0:39:09 | |
I can see myself living in this place and enjoying gardening | 0:39:09 | 0:39:15 | |
and maybe having fun with Anthony if we're cooking. | 0:39:15 | 0:39:19 | |
Have a look at this - a chair grown from box. | 0:39:20 | 0:39:23 | |
I just absolutely love it. Look at this. Have you spotted it yet? | 0:39:23 | 0:39:26 | |
Oh, gosh. Wow! | 0:39:26 | 0:39:28 | |
I haven't tried sitting on it, but I think it's so quirky | 0:39:28 | 0:39:32 | |
-and so imaginative. -Mm. | 0:39:32 | 0:39:34 | |
So, that's it. House tours are over. | 0:39:34 | 0:39:36 | |
-You've got lots to think about, I think. -Indeed, indeed. -Yeah. | 0:39:36 | 0:39:39 | |
-But it's been a good week. -It's been a fantastic week. -Yeah, yeah. | 0:39:39 | 0:39:42 | |
Have we found you a home yet, I wonder? | 0:39:42 | 0:39:44 | |
-Don't tell me yet! -ALL LAUGH | 0:39:44 | 0:39:46 | |
-Off you go, Anthony. -Thank you. | 0:39:46 | 0:39:47 | |
Let's get in the car. | 0:39:47 | 0:39:48 | |
'So, after leaving Anthony and Marie a while to mull over their options, | 0:39:51 | 0:39:55 | |
'it's time to catch up with them | 0:39:55 | 0:39:56 | |
'to find out whether any of the properties we've shown our couple | 0:39:56 | 0:39:59 | |
'have inspired them enough to make the next move.' | 0:39:59 | 0:40:02 | |
Well, guys, here we are at the end of your escape to the country. | 0:40:03 | 0:40:06 | |
It does race by, doesn't it? | 0:40:06 | 0:40:08 | |
-It really, really does. -Have we managed to do it, Anthony? | 0:40:08 | 0:40:12 | |
Yeah, I think we're pretty close. | 0:40:12 | 0:40:13 | |
I think we know which one is definitely our favourite. | 0:40:13 | 0:40:16 | |
Now, let me take a guess, Marie. | 0:40:16 | 0:40:18 | |
Is your favourite by any chance... | 0:40:18 | 0:40:20 | |
the mystery house? | 0:40:20 | 0:40:22 | |
-Yes. -Yes. -ALL LAUGH | 0:40:22 | 0:40:24 | |
Now, it's interesting that | 0:40:24 | 0:40:26 | |
because at the end of yesterday, property two was top of your list. | 0:40:26 | 0:40:30 | |
A much more modern renovation. | 0:40:30 | 0:40:32 | |
What did you like about property two? | 0:40:32 | 0:40:34 | |
-As we walked through the door... -Mm. | 0:40:34 | 0:40:36 | |
..and that lounge area to the kitchen area to a dining area | 0:40:36 | 0:40:40 | |
is nothing short of magical and we are completely smitten by that. | 0:40:40 | 0:40:43 | |
And then we got to the mystery house and the setting is surreal, | 0:40:43 | 0:40:47 | |
it's idyllic, it's picture postcard. | 0:40:47 | 0:40:49 | |
-Mm. -From the outside, the inside, the kitchen, the two lounges, | 0:40:49 | 0:40:53 | |
-the bedrooms, it's just the dream that we were looking for... -Yeah. | 0:40:53 | 0:40:56 | |
..for a country retreat. | 0:40:56 | 0:40:58 | |
What happens next? Because you're ready to move, more or less, | 0:40:58 | 0:41:01 | |
aren't you? | 0:41:01 | 0:41:02 | |
Yeah, we think we're pretty much ready to move, | 0:41:02 | 0:41:04 | |
so now we just need to research the specific area that the house is in a bit more. | 0:41:04 | 0:41:07 | |
Definitely come back for a second and possible further viewings, | 0:41:07 | 0:41:10 | |
and as we see things today, | 0:41:10 | 0:41:11 | |
it's something that we could definitely see as a home | 0:41:11 | 0:41:14 | |
-that we could live in ourselves and raise a family. -Mm. | 0:41:14 | 0:41:17 | |
So, for the city boy from London, | 0:41:17 | 0:41:19 | |
this is going to be quite a big change for you. | 0:41:19 | 0:41:21 | |
Yeah, I mean, it's such a wonderful place to live a life outside of work, | 0:41:21 | 0:41:25 | |
in the evenings and on the weekends, | 0:41:25 | 0:41:27 | |
and although maybe a bit of a journey to a station, | 0:41:27 | 0:41:29 | |
it's a quick train ride in, | 0:41:29 | 0:41:31 | |
so within the kind of target we had of an hour or so to Liverpool Street. | 0:41:31 | 0:41:35 | |
So, yeah, not daunted by that by any means. | 0:41:35 | 0:41:37 | |
And for the country girl who grew up in the mountains of Japan, | 0:41:37 | 0:41:41 | |
now you're potentially moving | 0:41:41 | 0:41:43 | |
to the English countryside in Hertfordshire, | 0:41:43 | 0:41:45 | |
how do you feel about that prospect? | 0:41:45 | 0:41:48 | |
I'm feeling so excited to start a new life, | 0:41:48 | 0:41:50 | |
and, yeah, hopefully it will go OK. | 0:41:50 | 0:41:53 | |
And it's been a busy few weeks for you both. | 0:41:53 | 0:41:57 | |
You've gotten married. You've come on Escape To The Country | 0:41:57 | 0:41:59 | |
and now hopefully you've got a new home to look forward to. | 0:41:59 | 0:42:02 | |
You probably need to go home and catch your breath. | 0:42:02 | 0:42:05 | |
-Yeah. -Definitely. ALL LAUGH | 0:42:05 | 0:42:07 | |
But it's been a lot of fun. | 0:42:07 | 0:42:09 | |
A real pleasure to meet you both, and go back, | 0:42:09 | 0:42:11 | |
have another look at our mystery house, | 0:42:11 | 0:42:13 | |
and as ever, do let us know how you get on. | 0:42:13 | 0:42:16 | |
Best of luck. | 0:42:16 | 0:42:18 | |
-Thank you very much. -Thank you. | 0:42:18 | 0:42:19 | |
Well, hopefully now Anthony and Marie are well on their way | 0:42:23 | 0:42:26 | |
to realising their dream of a rural life here in Hertfordshire, | 0:42:26 | 0:42:30 | |
a county which not everybody would automatically associate | 0:42:30 | 0:42:33 | |
with being classic Escape To The Country territory, | 0:42:33 | 0:42:36 | |
but let's face it - | 0:42:36 | 0:42:37 | |
if Jane Austen was prepared to set Pride And Prejudice here, | 0:42:37 | 0:42:40 | |
and it was good enough for the likes of Mr Darcy and the Bennets, | 0:42:40 | 0:42:43 | |
well then, quite frankly, it's good enough for me. | 0:42:43 | 0:42:45 | |
I'll see you next time. | 0:42:45 | 0:42:47 | |
Anthony and Marie returned | 0:42:48 | 0:42:49 | |
for a second viewing of the mystery property, | 0:42:49 | 0:42:52 | |
and although they loved the house, | 0:42:52 | 0:42:53 | |
they concluded that the drive to the station was too far. | 0:42:53 | 0:42:56 | |
Their Hertfordshire property search continues. | 0:42:56 | 0:42:59 | |
If you'd like to escape to the country | 0:42:59 | 0:43:01 | |
in Scotland, Northern Ireland, Wales, England, | 0:43:01 | 0:43:03 | |
or perhaps even further afield to the Continent | 0:43:03 | 0:43:06 | |
and would like our help, | 0:43:06 | 0:43:07 | |
you can apply online at... | 0:43:07 | 0:43:09 |