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Welcome to Escape To The Country, and how about this as a scene from yesteryear? | 0:00:02 | 0:00:06 | |
For the best part of 200 years, horses | 0:00:06 | 0:00:09 | |
and canal boats have been used to haul goods and materials along this | 0:00:09 | 0:00:12 | |
very beautiful canal, | 0:00:12 | 0:00:14 | |
but where have we come to to step back in time? | 0:00:14 | 0:00:18 | |
Well, join me in a few minutes to find out. | 0:00:18 | 0:00:20 | |
Today, our house hunter has recruited her sister to help her | 0:00:37 | 0:00:40 | |
find a new home in an area she chose rather impulsively. | 0:00:40 | 0:00:44 | |
-Well, it's looking promising. -Yeah? | 0:00:44 | 0:00:46 | |
Yeah, more promising than when we were in the kitchen. | 0:00:46 | 0:00:48 | |
THEY LAUGH | 0:00:48 | 0:00:50 | |
And there are plenty of surprises along the way. | 0:00:50 | 0:00:53 | |
Oh, my goodness, I didn't even realise that was there! | 0:00:53 | 0:00:56 | |
Today, I'm in Shropshire, and this is the Montgomery Canal, | 0:00:56 | 0:01:00 | |
near Oswestry. | 0:01:00 | 0:01:01 | |
Finished in 1819 to join up with the Llangollen Canal in North Wales, | 0:01:01 | 0:01:06 | |
it was built to carry limestone direct from the quarries | 0:01:06 | 0:01:10 | |
so it could be heated with the Shropshire coal to make | 0:01:10 | 0:01:13 | |
quicklime, which was then spread on the fields to improve the crops. | 0:01:13 | 0:01:17 | |
The horses here could pull up to 25 tonnes on this stretch of canal, | 0:01:17 | 0:01:22 | |
but with the introduction of diesel engines, it meant that the | 0:01:22 | 0:01:26 | |
last horse-drawn barge plied its trade along here | 0:01:26 | 0:01:29 | |
in 1936. | 0:01:29 | 0:01:31 | |
However, the canal has recently been restored and reopened for | 0:01:31 | 0:01:35 | |
navigation, allowing Cracker here, on this barge, | 0:01:35 | 0:01:39 | |
to ferry pleasure cruisers along this canal, | 0:01:39 | 0:01:42 | |
just as the Victorians did many years ago. | 0:01:42 | 0:01:46 | |
Shropshire is located in the West Midlands area of England, and | 0:01:47 | 0:01:51 | |
is bordered by Wales to the west, plus the counties of Cheshire, | 0:01:51 | 0:01:54 | |
Staffordshire, Worcestershire and Herefordshire. | 0:01:54 | 0:01:57 | |
The Shropshire Hills Area of Outstanding Natural Beauty | 0:01:59 | 0:02:02 | |
covers about a quarter of the county, and within its | 0:02:02 | 0:02:05 | |
boundaries is Long Mynd, Welsh for "long mountain", a long, high | 0:02:05 | 0:02:09 | |
plateau displaying banks of purple heather and lush green ferns, | 0:02:09 | 0:02:13 | |
with waves of hills rippling through the varied landscape. | 0:02:13 | 0:02:16 | |
The medieval market town of Ludlow, in the south of the county, | 0:02:18 | 0:02:21 | |
described by poet John Betjeman as England's finest town, has | 0:02:21 | 0:02:26 | |
beautiful whitewashed buildings lining its narrow, winding | 0:02:26 | 0:02:29 | |
streets, with black beams and leaded windows adorning striking facades. | 0:02:29 | 0:02:33 | |
So with its towns steeped in history and fabulous architecture, | 0:02:35 | 0:02:39 | |
alongside the beautiful, expansive scenery, Shropshire is a | 0:02:39 | 0:02:43 | |
modest treasure in England's rich terrain. | 0:02:43 | 0:02:45 | |
Shropshire is one of the least densely populated parts of the UK. | 0:02:49 | 0:02:53 | |
Fantastic news if you're looking for some peace and quiet, and it also | 0:02:53 | 0:02:57 | |
means your money will go just that little bit further if buying a home. | 0:02:57 | 0:03:01 | |
The average price of a detached property here is | 0:03:01 | 0:03:04 | |
around £244,000. | 0:03:04 | 0:03:07 | |
Now that's about 25,000 below the national average, | 0:03:07 | 0:03:12 | |
as long as you steer clear of historic Ludlow, | 0:03:12 | 0:03:14 | |
where properties carry a hefty premium. | 0:03:14 | 0:03:18 | |
So what's attracted today's buyer to this beautiful county? | 0:03:18 | 0:03:21 | |
Let's meet her and find out. | 0:03:21 | 0:03:23 | |
Music composer Pam has decided to leave the four bedroom | 0:03:25 | 0:03:28 | |
detached chalet bungalow on the banks of the Wey Navigation Canal | 0:03:28 | 0:03:32 | |
in Addlestone, Surrey, and has enlisted one of her four sisters, Jin, | 0:03:32 | 0:03:36 | |
to help her choose her next home. | 0:03:36 | 0:03:38 | |
I think Jin is a very dynamic person. | 0:03:38 | 0:03:41 | |
She's a great motivator. She comes over in a very kindly way | 0:03:41 | 0:03:45 | |
and she's just a great sister. | 0:03:45 | 0:03:47 | |
Oh, bless you, Pam. That's lovely. | 0:03:47 | 0:03:50 | |
-We might fill up here in a minute! -We might! | 0:03:51 | 0:03:54 | |
THEY LAUGH | 0:03:54 | 0:03:55 | |
Over the years we've become very close, | 0:03:57 | 0:03:59 | |
and I think we've become closer as we've got older. | 0:03:59 | 0:04:01 | |
I would say we're one of the closest families I know. | 0:04:01 | 0:04:03 | |
We have a lot of fun, we have lots of laughter, | 0:04:03 | 0:04:06 | |
so wherever I choose to go next, I want the same thing to | 0:04:06 | 0:04:09 | |
happen as happened in this house for the last 20 years. | 0:04:09 | 0:04:12 | |
Pam has a very busy life and makes the most of where she lives, | 0:04:14 | 0:04:17 | |
but in recent years she's seen a lot of changes. | 0:04:17 | 0:04:20 | |
The area is very frenetic, it's very busy. | 0:04:21 | 0:04:24 | |
The roads are very busy. | 0:04:24 | 0:04:26 | |
It's quite polluted as well, and I would like to be | 0:04:26 | 0:04:28 | |
somewhere where the air is a bit clearer and cleaner and just nicer. | 0:04:28 | 0:04:32 | |
But that's not the only reason for Pam's move. | 0:04:32 | 0:04:35 | |
Her two grown-up sons left home a long time ago, but the | 0:04:35 | 0:04:39 | |
younger, Sam, who lived just two miles away, has just emigrated | 0:04:39 | 0:04:43 | |
with his wife and two young children. | 0:04:43 | 0:04:45 | |
Because my son and his family have gone off to Australia, | 0:04:45 | 0:04:48 | |
that was one of the significant moments. | 0:04:48 | 0:04:51 | |
I've been thinking about moving for quite a few years, and I was | 0:04:51 | 0:04:54 | |
just waiting for the right moment, and I think the right moment's come. | 0:04:54 | 0:04:59 | |
I'm ready for a change, definitely. | 0:04:59 | 0:05:02 | |
And Pam decided on the location of her new home in a rather | 0:05:02 | 0:05:05 | |
unusual manner. | 0:05:05 | 0:05:07 | |
My daughter-in-law, she brought a magazine back from Shropshire, | 0:05:07 | 0:05:10 | |
cos her parents live in Shropshire, | 0:05:10 | 0:05:12 | |
and in the magazine were all these lovely houses you can buy | 0:05:12 | 0:05:15 | |
for something that I could afford to buy, | 0:05:15 | 0:05:17 | |
and I thought, "Wow, that looks pretty good," so I started to investigate. | 0:05:17 | 0:05:21 | |
And then I thought, "Well, let's have a go at moving to Shropshire." | 0:05:21 | 0:05:25 | |
It's an interesting and exciting time really, now, for us, | 0:05:25 | 0:05:27 | |
to see where she'll be next. | 0:05:27 | 0:05:29 | |
And she's looking forward to making the most of her new surroundings. | 0:05:29 | 0:05:33 | |
I want lovely scenery and beautiful rolling fields, so I can look | 0:05:33 | 0:05:36 | |
out the window and get inspiration, cos that's really important. | 0:05:36 | 0:05:40 | |
In fact, I've written some of my best tunes, I consider to be my best tunes, | 0:05:40 | 0:05:44 | |
when I'm in another environment, so it's quite interesting to be moving. | 0:05:44 | 0:05:48 | |
So, with her house on the market, her son gone and a head full | 0:05:48 | 0:05:52 | |
of plans, there's nothing stopping Pam moving on to the next | 0:05:52 | 0:05:55 | |
chapter in her active life. | 0:05:55 | 0:05:57 | |
I think I'm most excited about the move because it's the unknown, | 0:05:58 | 0:06:02 | |
and I love unknown. | 0:06:02 | 0:06:05 | |
I think it will be really good, for just inspiration | 0:06:05 | 0:06:08 | |
and starting just new things. | 0:06:08 | 0:06:10 | |
I don't think she's finished yet with new ideas. | 0:06:10 | 0:06:12 | |
-Oh, I'm not. No. -No! | 0:06:12 | 0:06:14 | |
PAM LAUGHS | 0:06:14 | 0:06:15 | |
Pam's open to considering anywhere in Shropshire, so the county | 0:06:20 | 0:06:24 | |
is our oyster. | 0:06:24 | 0:06:26 | |
And before we start the search for Pam's new pad, I'm meeting | 0:06:26 | 0:06:29 | |
her and Jin in Shropshire to recap on exactly what it is that's | 0:06:29 | 0:06:33 | |
on her property wish-list. | 0:06:33 | 0:06:35 | |
Pam, why is now the right time for you to escape to the country? | 0:06:35 | 0:06:39 | |
It's been a dream. I've said, "When I get to the last part of my life, | 0:06:39 | 0:06:43 | |
"I'm going to end up in the countryside." | 0:06:43 | 0:06:45 | |
And the other thing is, | 0:06:45 | 0:06:47 | |
-I don't want to downsize, I want to upsize. -Tell us a little bit more | 0:06:47 | 0:06:50 | |
-about the property that you're after. -Well, I'm after somewhere where I can | 0:06:50 | 0:06:54 | |
create an artistic environment for the community, inasmuch I would like | 0:06:54 | 0:06:58 | |
-to make a mini concert hall somewhere. -Delightful. How many in the audience? | 0:06:58 | 0:07:03 | |
-Between 30 and 50. -I thought you said small. | 0:07:03 | 0:07:08 | |
I shall be selling tickets at the gate. OK, so we need a building for that. | 0:07:08 | 0:07:11 | |
-I'm presuming an outbuilding or likewise? -It can be anywhere on the property, it doesn't | 0:07:11 | 0:07:15 | |
have to be attached, it can be a separate building altogether, but something which will | 0:07:15 | 0:07:19 | |
-adapt itself to what I want. -Right. And you're happy to do a little bit of work, are you? | 0:07:19 | 0:07:23 | |
Yeah. I am happy to do that. | 0:07:23 | 0:07:24 | |
And Pam's really good at that. She's very good at seeing, you know, | 0:07:24 | 0:07:28 | |
getting the vision of what a place will look like. She's extremely good at the visionary bit. | 0:07:28 | 0:07:32 | |
-Oh, thanks, Jin. -I think you are! | 0:07:32 | 0:07:34 | |
-Very supportive straight away, you see. -Good job you came. | 0:07:34 | 0:07:36 | |
She sees your potential. Now, what about the house itself? | 0:07:36 | 0:07:40 | |
Well, there are two rooms that are the most important rooms. | 0:07:40 | 0:07:42 | |
One would be the kitchen, because my family are very gregarious. | 0:07:42 | 0:07:47 | |
When we all get together, it's hilarity. | 0:07:47 | 0:07:50 | |
-And it's noisy. -Yeah, it's noisy. | 0:07:50 | 0:07:51 | |
And we need space. And the second one is, I need a | 0:07:51 | 0:07:55 | |
dedicated room for my baby, which is my grand piano. | 0:07:55 | 0:07:58 | |
What about guests coming to stay? I'm looking at Jin here. | 0:07:58 | 0:08:01 | |
-Yes. -Well, yes, I mean there will be, hopefully, | 0:08:01 | 0:08:04 | |
-lots of guests coming to stay. -How many bedrooms? | 0:08:04 | 0:08:07 | |
Well, I'd like four, four or five, | 0:08:07 | 0:08:09 | |
one of which will be on the downstairs, | 0:08:09 | 0:08:12 | |
cos my mum, hopefully, will come and stay for periods of time. | 0:08:12 | 0:08:15 | |
-And how old is Mummy? -She's 92. -Ah! -And she's amazing. | 0:08:15 | 0:08:18 | |
And I'd like to have a really nice garden, | 0:08:18 | 0:08:21 | |
cos I love gardening, and I'm going to get a new dog | 0:08:21 | 0:08:23 | |
-when I move, so there has to be space for the dog to run around. -This is going to be | 0:08:23 | 0:08:27 | |
a huge leap of faith, isn't it? | 0:08:27 | 0:08:29 | |
Absolutely a leap of faith, but I'm very spontaneous in my decisions, usually, and once | 0:08:29 | 0:08:34 | |
I've got something in my head that I'm going to do, I generally do it. | 0:08:34 | 0:08:38 | |
And remind me of the budget we're working to. | 0:08:38 | 0:08:40 | |
Well, I've got £450,000 to spend. | 0:08:40 | 0:08:43 | |
Well, £450,000, it's a healthy budget, isn't it? | 0:08:43 | 0:08:48 | |
You know, we've got three splendid properties lined up, | 0:08:48 | 0:08:52 | |
-ready to show you, so I think we should just get started. -Yeah, let's do that. | 0:08:52 | 0:08:55 | |
-Let's get on with it. -Yep. Come on, then. | 0:08:55 | 0:08:57 | |
Pam has a pretty generous budget for the area, but her desires are | 0:09:00 | 0:09:04 | |
lengthy. | 0:09:04 | 0:09:06 | |
She'd like a quirky property, something like a barn | 0:09:06 | 0:09:08 | |
conversion, with four or five bedrooms, with one downstairs | 0:09:08 | 0:09:12 | |
for when her mum comes to stay, and there needs to be a space big | 0:09:12 | 0:09:15 | |
enough to give a new home to her pride and joy, her grand piano. | 0:09:15 | 0:09:20 | |
She'd love a large kitchen-diner to accommodate her extended | 0:09:20 | 0:09:23 | |
family at gatherings, and is hoping for a room, annexe or | 0:09:23 | 0:09:27 | |
outbuilding, which could be used as a concert hall, to share her | 0:09:27 | 0:09:30 | |
love of music with friends, family and the community. | 0:09:30 | 0:09:34 | |
And when Pam moves, she's planning to get a four-legged friend, | 0:09:34 | 0:09:38 | |
so she'd like a good sized garden they can both enjoy. | 0:09:38 | 0:09:41 | |
Music lover Pam is open-minded about her new abode, | 0:09:42 | 0:09:45 | |
and we'll be showing her three fantastic properties | 0:09:45 | 0:09:48 | |
which will hopefully make her heart sing. | 0:09:48 | 0:09:51 | |
And only after she's had a good look around each one | 0:09:51 | 0:09:53 | |
will we tell her its all-important price tag. | 0:09:53 | 0:09:57 | |
The final visit will be to the Mystery House, which today | 0:09:57 | 0:10:00 | |
will require some creative thinking. | 0:10:00 | 0:10:02 | |
But with an open mind and a good vision, | 0:10:02 | 0:10:05 | |
it could be the home of Pam's dreams. | 0:10:05 | 0:10:07 | |
We're beginning our journey round Shropshire | 0:10:13 | 0:10:15 | |
in the south east of the county, in the hamlet of Underton, | 0:10:15 | 0:10:18 | |
around three miles from the historic market town of Bridgenorth. | 0:10:18 | 0:10:23 | |
Split into the high town and the low town by the River Severn, | 0:10:23 | 0:10:26 | |
Bridgenorth's pretty streets are lined with a good selection | 0:10:26 | 0:10:29 | |
of local business and eateries. | 0:10:29 | 0:10:31 | |
An eight minute drive and we're back in rural Underton at our | 0:10:32 | 0:10:36 | |
first house. | 0:10:36 | 0:10:37 | |
This impressive barn, which was once a piggery and grain store, | 0:10:37 | 0:10:41 | |
was converted 13 years ago into a beautiful home | 0:10:41 | 0:10:44 | |
in a peaceful courtyard setting. | 0:10:44 | 0:10:46 | |
Well, it looks really interesting. | 0:10:47 | 0:10:49 | |
You can see there are a collection of properties here. | 0:10:49 | 0:10:52 | |
Although we're out in the countryside, you're not on your own. | 0:10:52 | 0:10:55 | |
Yeah, that's perfect for me, because I don't want to be | 0:10:55 | 0:10:57 | |
stuck in the middle of nowhere with nobody to talk to. | 0:10:57 | 0:10:59 | |
-Shall we step inside? -Oh, let's. -Let's do it. -Fantastic. | 0:10:59 | 0:11:02 | |
This former barn is the only detached conversion in this | 0:11:04 | 0:11:06 | |
group of three homes, | 0:11:06 | 0:11:08 | |
something I'm sure the neighbours will be pleased of | 0:11:08 | 0:11:11 | |
if Pam moves here. She's planning to make quite a noise, | 0:11:11 | 0:11:14 | |
albeit a tuneful one. | 0:11:14 | 0:11:16 | |
So, as you come through the front door, it's a bit drier in here, thank goodness. | 0:11:16 | 0:11:21 | |
-You've got this wonderful living space. -I like it. | 0:11:21 | 0:11:25 | |
Very high ceilings, leading to this beautiful fitted kitchen. | 0:11:25 | 0:11:30 | |
Oh, this is a good kitchen, because you can have a nice sitting area over there, | 0:11:30 | 0:11:34 | |
-and you can talk to your friends as you're cooking. I mean... -The whole of the house, really, for you? | 0:11:34 | 0:11:39 | |
-It is for me, yeah. -And everybody congregating in the kitchen, rather than anywhere else. | 0:11:39 | 0:11:43 | |
This is definitely how I would do it. So that's a good start. | 0:11:43 | 0:11:46 | |
It's a very good start. And there is somebody else in the family that we've got to think of and consider. | 0:11:46 | 0:11:51 | |
Next door... Let's see if you think she might like this. | 0:11:51 | 0:11:55 | |
-I'm talking about Mummy. -Ooh. -Yeah. | 0:11:55 | 0:11:58 | |
'This beautiful home has the five bedrooms Pam's hoping for, | 0:11:58 | 0:12:01 | |
'and there's one with an en suite on the ground floor.' | 0:12:01 | 0:12:04 | |
So the good news is this barn has downstairs... | 0:12:04 | 0:12:08 | |
Oh, it's perfect for Mum. It's a real Mum room, this. | 0:12:08 | 0:12:11 | |
-That would be just lovely for her, wouldn't it? -She'd love it here. -But is there a toilet attached? | 0:12:11 | 0:12:15 | |
Can actually do a little bit better than that. We can give you | 0:12:15 | 0:12:18 | |
-your own en suite. -Really? | 0:12:18 | 0:12:20 | |
Cor, wasn't expecting that here. | 0:12:20 | 0:12:22 | |
'Well, that's Pam's mum sorted, but there's another very important | 0:12:22 | 0:12:26 | |
'family member to accommodate, too.' | 0:12:26 | 0:12:28 | |
So, as you can see, you've got a dining area here, | 0:12:28 | 0:12:31 | |
but it's upstairs I want to show you. | 0:12:31 | 0:12:33 | |
Ooh. Exciting. | 0:12:33 | 0:12:34 | |
'I'm taking Pam and Jin to the top of the house. | 0:12:36 | 0:12:39 | |
'Most of the second floor is currently used as a living | 0:12:39 | 0:12:41 | |
'area, and there's a bedroom-cum-study at the other end.' | 0:12:41 | 0:12:45 | |
Now this is the room that I've been very excited about showing you. | 0:12:45 | 0:12:49 | |
Oh, this is a fantastic room! | 0:12:49 | 0:12:51 | |
-Ooh! Yeah. Gosh! -Wow. | 0:12:51 | 0:12:54 | |
What a wonderful space. | 0:12:54 | 0:12:56 | |
It is! Amazing area. | 0:12:56 | 0:12:58 | |
I'm thinking piano's up here. | 0:12:58 | 0:13:00 | |
Well, you see, you could have the piano in that downstairs | 0:13:00 | 0:13:03 | |
dining room. However, | 0:13:03 | 0:13:05 | |
what about this to put the piano, this room? | 0:13:05 | 0:13:07 | |
-Well, it's possible. I'm just a bit worried about the stairs. -Yeah. | 0:13:07 | 0:13:10 | |
Well, luckily, if you just look to the side, there is | 0:13:10 | 0:13:12 | |
a stable door, so you could take the... | 0:13:12 | 0:13:15 | |
You could take, you could manage it, if you... | 0:13:15 | 0:13:17 | |
-You could get it here, could you? -You could. | 0:13:17 | 0:13:19 | |
So I don't know if I could quite get the 50 people that you wanted | 0:13:19 | 0:13:23 | |
to up here. However, you could have a lovely soiree, couldn't you? | 0:13:23 | 0:13:27 | |
-You could. -A more intimate concert. -Yeah, you could. | 0:13:27 | 0:13:31 | |
Well, Pam definitely knows what she wants, and she has given me a | 0:13:31 | 0:13:35 | |
rather tall task with her wish-list, but in this barn she could | 0:13:35 | 0:13:38 | |
find almost everything she asked for. | 0:13:38 | 0:13:41 | |
On the first floor is a family bathroom, two bedrooms, both | 0:13:41 | 0:13:45 | |
at the front of the house, and lastly there's the master, | 0:13:45 | 0:13:49 | |
which also has access to the bathroom. | 0:13:49 | 0:13:51 | |
Oh! NICKI LAUGHS | 0:13:53 | 0:13:55 | |
-I like showing you houses! -It's nice. It's really nice. | 0:13:55 | 0:13:59 | |
-This is a cosy room. -It is, yeah. Really lovely. -I like it. -Yeah. | 0:13:59 | 0:14:03 | |
-I like the whole house, so far we've seen. -I know. I was hoping we might see something we didn't | 0:14:03 | 0:14:07 | |
-like, actually. -It just has such a nice... It does have a nice feel about it. | 0:14:07 | 0:14:11 | |
-Have we surprised you with our first property so far? -Yeah, you have. Yeah. | 0:14:11 | 0:14:16 | |
It's just house one of three, and we've already got two happy | 0:14:16 | 0:14:19 | |
customers. Let's see what they make of the garden, somewhere Pam's | 0:14:19 | 0:14:22 | |
planning on spending plenty of time. | 0:14:22 | 0:14:25 | |
It's a lovely little space, isn't it? I mean, you've got lots of lovely beds. | 0:14:25 | 0:14:28 | |
-You've even got a pond behind us as well. -A pond? -Pond! -Got a pond, yes. | 0:14:28 | 0:14:33 | |
-So, manageable size garden. -Yeah, this is perfect, really. Enough for the dog to run around in. | 0:14:33 | 0:14:37 | |
-There must be something not quite right with this house. -It's almost too good to be true. | 0:14:37 | 0:14:41 | |
-Well, is it going to be the price? -Oh, wow. | 0:14:41 | 0:14:44 | |
Well, this is the big question. | 0:14:44 | 0:14:47 | |
What do you think this barn is on the market for? | 0:14:47 | 0:14:49 | |
I would say it's over my budget. I would say... | 0:14:49 | 0:14:53 | |
-465. -Just over your budget. -Yeah. | 0:14:53 | 0:14:56 | |
Well, I think it's over budget too, but I was thinking more in the area | 0:14:56 | 0:15:00 | |
-of maybe 460. -It's actually | 0:15:00 | 0:15:03 | |
-under that. -Oh! -Never! | 0:15:03 | 0:15:05 | |
-445,000. -Oh, my goodness! -Wow. | 0:15:05 | 0:15:08 | |
That surprises me a lot. Does it you? | 0:15:08 | 0:15:11 | |
Absolutely does. | 0:15:11 | 0:15:13 | |
So why don't you now have a second viewing, if you like, on your own | 0:15:13 | 0:15:16 | |
-this time, and come and find me when you're ready. -OK. Thanks. -Absolutely. | 0:15:16 | 0:15:20 | |
This fabulous detached barn is on the market just £5,000 | 0:15:22 | 0:15:25 | |
under Pam's top budget, | 0:15:25 | 0:15:27 | |
but it's in great shape, | 0:15:27 | 0:15:29 | |
doesn't need any work doing to it, | 0:15:29 | 0:15:31 | |
and has the number of bedrooms she'd like, including | 0:15:31 | 0:15:33 | |
one downstairs with an en suite, | 0:15:33 | 0:15:35 | |
ideal for when her mother visits. | 0:15:35 | 0:15:38 | |
It's also got a spacious kitchen-diner, big enough to | 0:15:38 | 0:15:41 | |
accommodate Pam's large family, and most importantly, there are | 0:15:41 | 0:15:45 | |
options to give a home to her beloved grand piano. | 0:15:45 | 0:15:49 | |
The great space on the second floor would be perfect for a recital | 0:15:49 | 0:15:52 | |
or two, and the pretty garden has | 0:15:52 | 0:15:54 | |
enough scope for Pam to plant | 0:15:54 | 0:15:56 | |
to her heart's content. | 0:15:56 | 0:15:58 | |
OK, this is an interesting room. I mean, as well as a bedroom, | 0:15:59 | 0:16:02 | |
you could use it as a little practice room. | 0:16:02 | 0:16:05 | |
I think the house is a real surprise to me. | 0:16:05 | 0:16:07 | |
I wasn't expecting something to be so perfect as this. | 0:16:07 | 0:16:11 | |
It's got pretty much everything I've asked for on my wish-list, | 0:16:11 | 0:16:14 | |
and my only concern is where the piano will go, | 0:16:14 | 0:16:17 | |
but I think the dining room downstairs could solve that issue. | 0:16:17 | 0:16:21 | |
It's got a great feel, it feels like Pam. | 0:16:21 | 0:16:24 | |
She likes nice, light, airy spaces, and it just feels, you know, | 0:16:24 | 0:16:27 | |
as if it could be really a home for her. | 0:16:27 | 0:16:30 | |
I hope so. | 0:16:30 | 0:16:31 | |
Right. Well, that is it. | 0:16:33 | 0:16:35 | |
You've seen our very first property. | 0:16:35 | 0:16:39 | |
How do you think we've done so far? | 0:16:39 | 0:16:41 | |
-I don't think you can better that. -Really? | 0:16:41 | 0:16:43 | |
-No, I'd be really surprised. -Jin? -Really astounded. | 0:16:43 | 0:16:46 | |
-Wasn't expecting such an amazing property to begin with. -Yes. | 0:16:46 | 0:16:49 | |
It's brilliant. | 0:16:49 | 0:16:50 | |
So we've got our work cut out with our second, haven't we? | 0:16:50 | 0:16:54 | |
-Absolutely. -Let's see how we get on. Come on. -All right. | 0:16:54 | 0:16:57 | |
Pam's hoping to use her new surroundings to provide | 0:17:06 | 0:17:08 | |
inspiration for her music composition, and we've arranged | 0:17:08 | 0:17:12 | |
for her and Jin to meet a Shropshire local | 0:17:12 | 0:17:14 | |
who enjoys mixing nature with art. | 0:17:14 | 0:17:17 | |
Author Andrew Fusek Peters uses the countryside to get his | 0:17:17 | 0:17:20 | |
creative juices flowing. | 0:17:20 | 0:17:22 | |
He loves swimming in the wild. | 0:17:22 | 0:17:25 | |
Pam and Jin are meeting him in the grounds of Walcot Hall, a | 0:17:25 | 0:17:29 | |
Georgian country house in the heart of the Shropshire hills, | 0:17:29 | 0:17:32 | |
whose great lake is a mile and a half long | 0:17:32 | 0:17:34 | |
and was built by prisoners of war from Napoleon's grand army, | 0:17:34 | 0:17:38 | |
after the Battle of Waterloo. | 0:17:38 | 0:17:40 | |
So what makes Shropshire such an attractive place for wild swimming? | 0:17:41 | 0:17:45 | |
There are rivers and there are lakes and there are tiny waterfalls | 0:17:45 | 0:17:48 | |
and there are hidden places and clean water | 0:17:48 | 0:17:50 | |
-and minnows to nibble your toes. -You're saying all the right things at the moment. | 0:17:50 | 0:17:54 | |
-This is exactly... -We were brought up doing wild swimming, | 0:17:54 | 0:17:56 | |
-and we learned to swim in sort of, you know... -In clay pits. | 0:17:56 | 0:18:00 | |
And in rivers, and it was just normal for us. | 0:18:00 | 0:18:02 | |
So how many good swimming places are there? | 0:18:02 | 0:18:04 | |
I'd say there must be 20 that I know of, in certainly a 10, 15, 20 mile radius. | 0:18:04 | 0:18:08 | |
I mean, water's important to you. I can't see Pam being anywhere not near to water. | 0:18:08 | 0:18:12 | |
No, I've got to be able to get to water because I live on the canal at the moment. | 0:18:12 | 0:18:16 | |
You can never get into water in a bad mood and come out not in a better mood. | 0:18:16 | 0:18:19 | |
-That's true. -It's absolutely right, cos I swim three times a week on average... | 0:18:19 | 0:18:22 | |
-Yeah, yeah. -..in a swimming pool. -Yeah. -But I always feel so amazing afterwards. | 0:18:22 | 0:18:26 | |
But Pam's not only looking forward to the peacefulness and | 0:18:26 | 0:18:29 | |
refreshment of dipping her toe in the water when she makes the move. | 0:18:29 | 0:18:33 | |
When I move to Shropshire, I'm looking for somewhere which | 0:18:33 | 0:18:35 | |
will give me a lot of inspiration in my work. | 0:18:35 | 0:18:37 | |
How does it inspire you, this area? | 0:18:37 | 0:18:40 | |
It is absolutely inspiring to respond to the landscape. | 0:18:40 | 0:18:43 | |
There's something about creation and nature, and the bigness of everything. | 0:18:43 | 0:18:46 | |
-Definitely. Definitely. -So how do you combine creativity with actually producing | 0:18:46 | 0:18:50 | |
something for people? | 0:18:50 | 0:18:52 | |
I've not only been a writer for nearly 30 years, | 0:18:52 | 0:18:54 | |
I also run a lot of workshops, I've done a lot of work in schools. | 0:18:54 | 0:18:58 | |
And we've had a really fun project this summer, where we have invited | 0:18:58 | 0:19:02 | |
people to come to swim for a day in eight different wild swimming spots. | 0:19:02 | 0:19:05 | |
Following that, there are all sorts of arts activities. | 0:19:05 | 0:19:07 | |
-It looks really idyllic, doesn't it? -Yeah, I can't wait to get in now. | 0:19:07 | 0:19:10 | |
Wild swimming is becoming increasingly popular in the UK, | 0:19:10 | 0:19:14 | |
with the Outdoor Swimming Society's membership at 18,000, | 0:19:14 | 0:19:18 | |
and still growing. | 0:19:18 | 0:19:20 | |
It's important to always swim responsibly in the outdoors, | 0:19:20 | 0:19:23 | |
and never alone, and always take steps to stay safe, and get | 0:19:23 | 0:19:27 | |
permission, as we have today. | 0:19:27 | 0:19:28 | |
One, two, three. Go. | 0:19:28 | 0:19:31 | |
-Whoa-ho! -Ooh! -Whoa ha! -Oh, whoa! | 0:19:31 | 0:19:34 | |
THEY LAUGH | 0:19:34 | 0:19:37 | |
-Beautiful! -Isn't that good? | 0:19:37 | 0:19:38 | |
-Phoof! -How often do you do this, Andrew? | 0:19:38 | 0:19:41 | |
Well, in the summer, pretty much most days I'm out. | 0:19:41 | 0:19:43 | |
If I'm working on the computer, I want to get out and have a swim. | 0:19:43 | 0:19:46 | |
If I play squash, I'll come here after a game of squash. There's different spots I go. | 0:19:46 | 0:19:49 | |
In the winter, less so, but I will go for it, if the day is right. | 0:19:49 | 0:19:52 | |
-Have you ever broken the ice? -No, I've never broken the ice. | 0:19:52 | 0:19:55 | |
I love it, I love it. You're engaging with the landscape. | 0:19:55 | 0:19:58 | |
You can see things on the tops of the water that you don't notice | 0:19:58 | 0:20:01 | |
-when you're just looking down into it. -Yeah. | 0:20:01 | 0:20:04 | |
Fantastic. | 0:20:04 | 0:20:05 | |
We could stay here forever. | 0:20:06 | 0:20:09 | |
Just lovely. | 0:20:09 | 0:20:10 | |
For our second property, we're travelling just under 29 miles | 0:20:18 | 0:20:21 | |
north west, past Shrewsbury, to the small village of Kinton, | 0:20:21 | 0:20:25 | |
which is less than two miles from the larger village of Nesscliffe. | 0:20:25 | 0:20:29 | |
Nesscliffe is dotted with houses built from smart red brick | 0:20:29 | 0:20:32 | |
and sandstone, and there's a post office here, plus a family-run pub, | 0:20:32 | 0:20:36 | |
serving locally-sourced food, where Pam could get to know the locals. | 0:20:36 | 0:20:40 | |
And at the village hall, she could really get immersed in her | 0:20:40 | 0:20:43 | |
new community. | 0:20:43 | 0:20:45 | |
There would also be plenty of opportunities to take her | 0:20:45 | 0:20:47 | |
dog-to-be for long walks in the country park, to appreciate | 0:20:47 | 0:20:51 | |
the beautiful scenery and fresh air. | 0:20:51 | 0:20:54 | |
A three minute drive takes us away from Nesscliffe to Kinton, | 0:20:54 | 0:20:57 | |
where there may not be a shop, but there is a local wine club. | 0:20:57 | 0:21:02 | |
Our second property is this handsome detached barn conversion. | 0:21:02 | 0:21:06 | |
In front of us you've got the barn, which is | 0:21:06 | 0:21:08 | |
-about 250 years old. -Wow. -To our right, you can | 0:21:08 | 0:21:11 | |
see the extended buildings, still part of the barn. | 0:21:11 | 0:21:14 | |
-They've been converted. -Right. | 0:21:14 | 0:21:16 | |
If that wasn't enough, just behind us, | 0:21:16 | 0:21:20 | |
over our shoulder there, is another barn. | 0:21:20 | 0:21:22 | |
Yep, oh, right. | 0:21:22 | 0:21:24 | |
And then, cos I like to give you just that little bit more, | 0:21:24 | 0:21:27 | |
we have, well, I would say it was a barn, but it seems to have lost | 0:21:27 | 0:21:30 | |
its roof over the years, but ripe for a little bit of love and care. | 0:21:30 | 0:21:34 | |
Yeah, it's a good space, isn't it? That's a good space... | 0:21:34 | 0:21:36 | |
-And some outbuildings. -Wow. You've done well. | 0:21:36 | 0:21:39 | |
So let's step inside and I'll explain more as we go round. | 0:21:39 | 0:21:42 | |
Okey doke. | 0:21:42 | 0:21:43 | |
This 18th century converted barn, built from local red | 0:21:45 | 0:21:48 | |
sandstone, has had an array of uses in its time. | 0:21:48 | 0:21:52 | |
Once used for storage, it's also been a mill, plus there were | 0:21:52 | 0:21:55 | |
stables here. | 0:21:55 | 0:21:57 | |
We're starting our tour in a large, open-plan area. | 0:21:57 | 0:22:00 | |
There's the kitchen, which was a sheep-shearing storage area | 0:22:00 | 0:22:03 | |
in its day, and a dining room leading to a living room, | 0:22:03 | 0:22:06 | |
which has no clue to the bull who once lived here. | 0:22:06 | 0:22:10 | |
Is it a bit small? | 0:22:10 | 0:22:11 | |
Well. | 0:22:13 | 0:22:14 | |
It's only the lay out that makes it look small. It's a bit like a railway station. | 0:22:14 | 0:22:18 | |
-There's a platform, and another platform. -Yeah. Yeah. | 0:22:18 | 0:22:20 | |
Are we on the train? I'm not sure we are, are we? | 0:22:20 | 0:22:24 | |
-We haven't boarded, have we? -No. -We'll see where the journey ends. | 0:22:24 | 0:22:26 | |
I'm not mad keen on the layout. | 0:22:26 | 0:22:29 | |
-No, but let's not be daunted with it. -No, let's just get the full view first. | 0:22:29 | 0:22:32 | |
-Full view. Overview. -Yeah. -Yeah. | 0:22:32 | 0:22:35 | |
So we haven't got off to a great start on our trip round this | 0:22:35 | 0:22:37 | |
barn, with its colourful history, but I'm not feeling defeated just | 0:22:37 | 0:22:41 | |
yet, as I've got a rather special room to show Pam and Jin. | 0:22:41 | 0:22:45 | |
A spectacular, semi-circular sitting room, with a fabulous vaulted | 0:22:45 | 0:22:49 | |
ceiling, which was once home to a mill and working horses. | 0:22:49 | 0:22:53 | |
-Gosh, this is a huge room. -Isn't it just? | 0:22:53 | 0:22:55 | |
-What a nice shape. -Dramatic is what it is. | 0:22:55 | 0:22:58 | |
You're not expecting this when you come out of the... | 0:22:58 | 0:23:00 | |
Not at all. | 0:23:00 | 0:23:02 | |
Now, how about this to have your parties in? | 0:23:02 | 0:23:05 | |
Well, yeah. It's a big enough space. | 0:23:05 | 0:23:07 | |
-And the orchestra could be in here, and enough room for your guests. -Oh, gosh, yeah. | 0:23:07 | 0:23:11 | |
You could have a small orchestra in here and it would be all right. | 0:23:11 | 0:23:14 | |
And you could fit your grand piano in, absolutely. | 0:23:14 | 0:23:16 | |
It could go anywhere, it could go in any place. | 0:23:16 | 0:23:19 | |
The acoustic is really good, yeah. | 0:23:19 | 0:23:21 | |
-Ooh, things are looking up. -Really something. -Yeah? -Absolutely. | 0:23:21 | 0:23:25 | |
Also on the ground floor are two bedrooms, both with doors to | 0:23:25 | 0:23:28 | |
the outside. | 0:23:28 | 0:23:30 | |
There's no en suite for Pam's mother, but there is scope to | 0:23:30 | 0:23:33 | |
put one in. | 0:23:33 | 0:23:35 | |
Then moving upstairs, there's a family bathroom and three | 0:23:35 | 0:23:39 | |
further bedrooms, | 0:23:39 | 0:23:41 | |
including two doubles, both in the eaves, | 0:23:41 | 0:23:43 | |
and one with a skylight letting in plenty of light. | 0:23:43 | 0:23:47 | |
This part is the master en suite. | 0:23:47 | 0:23:50 | |
There's your en-suite shower room, bath. | 0:23:50 | 0:23:53 | |
-Beautifully done. -Yep. | 0:23:53 | 0:23:55 | |
Here is the master bedroom. Down a couple of steps. | 0:23:55 | 0:23:59 | |
Oh, this is a nice room, isn't it? Yeah, lovely. | 0:23:59 | 0:24:02 | |
-So you've got your own wing, in a way. -Yes. | 0:24:02 | 0:24:04 | |
It's quite nice. | 0:24:04 | 0:24:05 | |
-Well, it's looking promising. -Yeah? | 0:24:06 | 0:24:08 | |
Yeah. More promising than when we were in the kitchen. | 0:24:08 | 0:24:11 | |
THEY LAUGH | 0:24:11 | 0:24:12 | |
Well, this lovely home seems to have won back favour with both Pam | 0:24:12 | 0:24:16 | |
and Jin, so although the weather has changed, I'm glad that spirits | 0:24:16 | 0:24:20 | |
are still high, and I've got plenty more to show them. | 0:24:20 | 0:24:24 | |
So, you've seen this splendid property, | 0:24:24 | 0:24:26 | |
but when we walked in, I pointed out a barn on our right. | 0:24:26 | 0:24:30 | |
That barn has had planning permission already granted. | 0:24:30 | 0:24:34 | |
Now it has expired, but it was given to make it | 0:24:34 | 0:24:36 | |
-a three bedroom dwelling. -Wow. | 0:24:36 | 0:24:39 | |
-Crikey, that's quite an asset on the end of your house. -That puts something else into the mix. | 0:24:39 | 0:24:43 | |
-That's really confused me now. -And then behind me, | 0:24:43 | 0:24:46 | |
you also have this building, so there's electricity and power in there, there's light. | 0:24:46 | 0:24:50 | |
I mean, it could be a music studio even. There's all sorts of possibilities. | 0:24:50 | 0:24:53 | |
-There is, isn't there? -Yeah. -All sorts. So how about the garden space? | 0:24:53 | 0:24:57 | |
Well, the garden space is not as big as I would have wanted, | 0:24:57 | 0:25:01 | |
but it's big enough for a dog to wander around in. | 0:25:01 | 0:25:04 | |
We've got to put a price on this barn. | 0:25:04 | 0:25:06 | |
How much do you think it's on the market for? | 0:25:06 | 0:25:08 | |
Well, I think it's probably just a bit over budget. | 0:25:08 | 0:25:12 | |
By how much? Probably 4... | 0:25:12 | 0:25:15 | |
460. | 0:25:15 | 0:25:16 | |
I'm going to say 455. Still over budget, I think. | 0:25:16 | 0:25:20 | |
And in actual fact, this barn is, | 0:25:20 | 0:25:23 | |
again, under budget. | 0:25:23 | 0:25:25 | |
Asking price is £439,000. | 0:25:25 | 0:25:29 | |
-Gosh, that does really surprise me. -Really? | 0:25:29 | 0:25:31 | |
So you two ladies have a lot of exploring to do, | 0:25:31 | 0:25:35 | |
and then when you're ready, let me know what you think. | 0:25:35 | 0:25:38 | |
-OK, thank you. -That's great, thank you. -Thank you. | 0:25:38 | 0:25:41 | |
This historic barn conversion, with its assortment of | 0:25:44 | 0:25:47 | |
outbuildings, is on the market at £11,000 under Pam's budget. | 0:25:47 | 0:25:52 | |
The kitchen may not be the large entertaining space that's so | 0:25:52 | 0:25:55 | |
important to her, but the home does give her the number of bedrooms | 0:25:55 | 0:25:58 | |
she would like, including one on the ground floor for her mother. | 0:25:58 | 0:26:02 | |
There's a wonderful space to house Pam's precious grand piano | 0:26:02 | 0:26:06 | |
and hold concerts, plus the various additional rooms and buildings | 0:26:06 | 0:26:10 | |
mean that, with a little work, there are plenty of options to | 0:26:10 | 0:26:13 | |
transform this property into more than a home. | 0:26:13 | 0:26:16 | |
Oh! | 0:26:19 | 0:26:20 | |
Gosh, this is another big room. | 0:26:20 | 0:26:22 | |
The ceiling's really high. | 0:26:22 | 0:26:24 | |
-This is a very acoustically nice room. -Very. | 0:26:24 | 0:26:26 | |
-You could sing in here, you could get a small choir in here singing. -You could. | 0:26:26 | 0:26:29 | |
Well, this house is really something very different, and it's got | 0:26:29 | 0:26:32 | |
so many possibilities, I'm actually a bit blown away by it all. | 0:26:32 | 0:26:36 | |
I haven't quite sort of processed it yet, | 0:26:36 | 0:26:38 | |
but, generally, I think it's an amazing house. | 0:26:38 | 0:26:41 | |
I feel a mixture of emotions really. | 0:26:41 | 0:26:43 | |
I feel quite daunted with the whole thing. | 0:26:43 | 0:26:46 | |
I also feel very excited with the whole thing. | 0:26:46 | 0:26:48 | |
I can feel her fizzing with enthusiasm already, | 0:26:48 | 0:26:51 | |
and it is the potential of the place that will swing it, I think, | 0:26:51 | 0:26:56 | |
for Pam, one way or the other. | 0:26:56 | 0:26:58 | |
A successful day? | 0:27:00 | 0:27:01 | |
-Really successful. Very interesting. -Yeah, very. -Good. | 0:27:01 | 0:27:03 | |
-Very successful and interesting. -And more to show you tomorrow. | 0:27:03 | 0:27:06 | |
Oh, well... SHE CHUCKLES | 0:27:06 | 0:27:08 | |
It's the second day of our trip round Shropshire, looking for | 0:27:18 | 0:27:21 | |
an inspirational home for composer Pam from Addlestone in Surrey, | 0:27:21 | 0:27:25 | |
who's brought sister Jin along for the ride. | 0:27:25 | 0:27:28 | |
Pam has a healthy budget of £450,000 | 0:27:28 | 0:27:31 | |
to spend, but she also has a long list of requirements to go with it. | 0:27:31 | 0:27:36 | |
Coming up, I'll be lifting the lid on our Mystery House. | 0:27:36 | 0:27:40 | |
Just look at these struts and all these beams. | 0:27:40 | 0:27:42 | |
Oh, you could do something with this. | 0:27:42 | 0:27:44 | |
And I'll be raising the roof in an English country home. | 0:27:44 | 0:27:48 | |
Now this is quite something! | 0:27:48 | 0:27:51 | |
Yesterday, having shown Pam and her sister Jin two wonderful | 0:27:53 | 0:27:57 | |
properties here in Shropshire, I think it went rather well. | 0:27:57 | 0:28:01 | |
Both homes gave her everything that she asked for, | 0:28:01 | 0:28:04 | |
although, on reflection, perhaps the second property could be | 0:28:04 | 0:28:07 | |
a project too far for this very busy lady. | 0:28:07 | 0:28:11 | |
Of course, house-hunting is all about either following your head, | 0:28:11 | 0:28:14 | |
or following your heart, so today, with our Mystery House, | 0:28:14 | 0:28:18 | |
I'm hoping that, although this home doesn't give her | 0:28:18 | 0:28:21 | |
everything that she wants immediately, | 0:28:21 | 0:28:23 | |
with a bit of time and effort it could be the perfect musical home. | 0:28:23 | 0:28:27 | |
For our third and final visit, we're journeying 34.5 miles | 0:28:30 | 0:28:33 | |
south west, deep into the heart of the | 0:28:33 | 0:28:36 | |
Shropshire Hills Area of Outstanding Natural Beauty, | 0:28:36 | 0:28:39 | |
to the rural hamlet of Whitcott Keysett, | 0:28:39 | 0:28:42 | |
which is just under two and a half miles from the small town of Clun. | 0:28:42 | 0:28:46 | |
Clun, which gets its name from the river that runs through it, | 0:28:46 | 0:28:49 | |
was once described by the poet | 0:28:49 | 0:28:51 | |
AE Housman as the quietest place under the sun. | 0:28:51 | 0:28:55 | |
Its peaceful setting and stunning scenery surrounds a thriving local | 0:28:55 | 0:28:58 | |
community, that Pam could really get stuck into if she moved here. | 0:28:58 | 0:29:03 | |
A six minute drive takes us to the sleepy hamlet of Whitcott Keysett | 0:29:03 | 0:29:07 | |
and our Mystery House, a recently | 0:29:07 | 0:29:10 | |
converted 18th century cow shed. | 0:29:10 | 0:29:13 | |
Oh, what a lovely place. | 0:29:13 | 0:29:14 | |
NICKI LAUGHS | 0:29:14 | 0:29:15 | |
-It's a little bit special, isn't it? -It is a bit special, it's a lot special. | 0:29:15 | 0:29:19 | |
And this is our Mystery House. | 0:29:19 | 0:29:22 | |
-Mysterious. -It is. -Very. | 0:29:22 | 0:29:24 | |
Any idea why this is the Mystery House? | 0:29:24 | 0:29:27 | |
Well, I'm thinking about this behind. | 0:29:27 | 0:29:30 | |
Could this have something to do with it? | 0:29:30 | 0:29:33 | |
Oh, my goodness, I didn't even realise that was there. | 0:29:33 | 0:29:35 | |
-A rather large barn behind us. -Yeah. | 0:29:35 | 0:29:39 | |
Because with our Mystery House, not only do you have a splendid | 0:29:39 | 0:29:42 | |
home, but there is also scope... | 0:29:42 | 0:29:46 | |
-Yeah. -..to have that little something extra... -Wow. | 0:29:46 | 0:29:49 | |
-..right on your doorstep. -Absolutely right. Crikey. | 0:29:49 | 0:29:54 | |
This unusual home is built from stone | 0:29:54 | 0:29:56 | |
with wood cladding covering the majority of its exterior. | 0:29:56 | 0:30:00 | |
So, like the owners, come through the back door. | 0:30:00 | 0:30:03 | |
-Right, OK. Bright and cheerful. -And it leads straight into | 0:30:03 | 0:30:07 | |
this, I think, rather large kitchen. | 0:30:07 | 0:30:09 | |
Mmm. Large-ish. OK. | 0:30:09 | 0:30:12 | |
-I might be wrong. -THEY LAUGH | 0:30:13 | 0:30:15 | |
I might be wrong, but I'm not feeling quite love. | 0:30:15 | 0:30:18 | |
-Just needed to be a little bit bigger, maybe. -Really? | 0:30:18 | 0:30:21 | |
I'm just thinking about where we would eat. | 0:30:21 | 0:30:23 | |
You could take that away, | 0:30:23 | 0:30:24 | |
-because I've got something else to show you next door. -OK. | 0:30:24 | 0:30:28 | |
Oh, this is a lovely room, isn't it? | 0:30:30 | 0:30:32 | |
-I like this one. -It's big, big space. | 0:30:32 | 0:30:35 | |
Pretty impressive, and what do big spaces need? | 0:30:35 | 0:30:39 | |
-Furniture. -And? | 0:30:39 | 0:30:41 | |
-Pianos. -Pianos. | 0:30:41 | 0:30:43 | |
You would also need to have a dining table, if that's all right. | 0:30:43 | 0:30:46 | |
-Yeah, we would like that one there. -Because you don't like the dining table in the kitchen. -No. | 0:30:46 | 0:30:50 | |
-That would cut it up a little bit, wouldn't it? -Yeah. Really nice. -Could work. -Yeah. | 0:30:50 | 0:30:53 | |
-Special room? -It is. -Yeah. -Very special room. | 0:30:53 | 0:30:56 | |
My slight concern would be where are your guests going to sit? | 0:30:56 | 0:31:00 | |
-Because this is the main sitting room. -Oh. | 0:31:00 | 0:31:02 | |
Well, is there anything else they can sit in, further along? | 0:31:04 | 0:31:07 | |
-THEY LAUGH -You want this as your music room. | 0:31:07 | 0:31:10 | |
Well, it would be a nice music room, but if there are other options, | 0:31:10 | 0:31:13 | |
we could have the music room somewhere else. | 0:31:13 | 0:31:15 | |
-Well, it would be an amazing... -Like over there. -That's what we're thinking. -Maybe. | 0:31:15 | 0:31:19 | |
So how would you feel about having that | 0:31:19 | 0:31:21 | |
as your designated music room/barn? | 0:31:21 | 0:31:24 | |
And then this is for you, for your guests. | 0:31:24 | 0:31:26 | |
You could still have a smaller piano in here. | 0:31:26 | 0:31:28 | |
I could have a smaller piano in here, yeah. There is enough space here, definitely. | 0:31:28 | 0:31:32 | |
And also on the ground floor is a bedroom with an adjacent | 0:31:32 | 0:31:35 | |
shower room, suitable for Pam's mother. | 0:31:35 | 0:31:38 | |
So up a couple of stairs... you've one bedroom up here. | 0:31:38 | 0:31:42 | |
Lots of natural light, and then another bedroom just here. | 0:31:42 | 0:31:46 | |
They're not the widest of bedrooms. They call them cattle bays | 0:31:46 | 0:31:50 | |
because that's exactly what they were. | 0:31:50 | 0:31:52 | |
'And up a few more stairs...' | 0:31:52 | 0:31:54 | |
You've got a study/dressing room on that side. | 0:31:54 | 0:31:58 | |
Family bathroom on this side, which leads | 0:31:58 | 0:32:00 | |
-into the master bedroom. -OK. | 0:32:00 | 0:32:03 | |
Oh, it's a nice, cosy room. | 0:32:03 | 0:32:06 | |
I think it would be fair to say with this property, | 0:32:06 | 0:32:08 | |
-the bedrooms are more functioning. -Yeah. | 0:32:08 | 0:32:11 | |
You know, the space has actually gone into the kitchen | 0:32:11 | 0:32:14 | |
and also that wonderful huge sort of sitting room. | 0:32:14 | 0:32:17 | |
Yeah, that's true, it's true. | 0:32:17 | 0:32:19 | |
The kitchen and bedrooms in this house might not be the size | 0:32:19 | 0:32:21 | |
Pam was hoping for, but this is the Mystery House, and unlike the | 0:32:21 | 0:32:26 | |
previous two homes, the house is not the star here. | 0:32:26 | 0:32:30 | |
It's the cavernous stone barn outside. | 0:32:30 | 0:32:32 | |
It may require rather more work than Pam was hoping for, but it's | 0:32:32 | 0:32:36 | |
a blank canvas just waiting for her to bring her visions to life. | 0:32:36 | 0:32:41 | |
-Mind your head! -Oh, look at this! | 0:32:41 | 0:32:43 | |
Wow! It is quite something. Just look at the roof. | 0:32:43 | 0:32:46 | |
I mean, just look at these struts and all these beams. | 0:32:46 | 0:32:50 | |
You could do something with this. | 0:32:50 | 0:32:52 | |
-It would make a very nice, small theatre, wouldn't it? -It would. | 0:32:52 | 0:32:56 | |
There's enough space for people to sit in it, people to perform it. | 0:32:56 | 0:33:00 | |
-It's exactly what I had in mind... -It is. -..to actually convert | 0:33:00 | 0:33:03 | |
into my mini concert hall. | 0:33:03 | 0:33:06 | |
The house and barn sit in a beautiful country garden, | 0:33:06 | 0:33:10 | |
with bursts of colour provided by flowers and a variety of | 0:33:10 | 0:33:13 | |
fruit and vegetables growing here, too, | 0:33:13 | 0:33:15 | |
all with a spectacular outlook. | 0:33:15 | 0:33:18 | |
-Beautiful, isn't it? -Isn't it gorgeous? -Yeah. -Wow. -Really is nice. | 0:33:18 | 0:33:22 | |
-Enough land for you? -Yeah. About right, this is, yeah. | 0:33:22 | 0:33:24 | |
-It's not too much. -No, it isn't. | 0:33:24 | 0:33:26 | |
-But enough to just, you know, keep your imprint on it... -Keep me busy. Yeah. | 0:33:26 | 0:33:30 | |
Well, we've now got to put a price on all of this, haven't we, on our Mystery? | 0:33:30 | 0:33:34 | |
So what do we think it's currently on the market for? | 0:33:34 | 0:33:38 | |
I think it's probably on for about 399. | 0:33:38 | 0:33:41 | |
That's interesting. Jin? | 0:33:41 | 0:33:43 | |
I think it's more likely to be about 430. | 0:33:43 | 0:33:46 | |
Well, I'm hoping you're going to be pleasantly surprised, because the asking price is | 0:33:46 | 0:33:51 | |
£369,500. | 0:33:51 | 0:33:53 | |
-PAM CHUCKLES -Just not very good at guessing. | 0:33:53 | 0:33:57 | |
-Gosh, that's really below budget, isn't it? -Amazing. -It is. | 0:33:57 | 0:34:00 | |
-I can see you're really thinking about this one. -I am, my cogs are going round now. | 0:34:00 | 0:34:04 | |
So I'm guessing you two would like to have a bit of time together, | 0:34:04 | 0:34:07 | |
have a chat, go and take a second look. | 0:34:07 | 0:34:09 | |
OK, thanks a lot. | 0:34:09 | 0:34:10 | |
This property may have begun its days as a lowly cow shed, but it's | 0:34:14 | 0:34:18 | |
grown into somewhere I hope that Pam could well imagine calling home. | 0:34:18 | 0:34:22 | |
And although in our Mystery House the stone barn is the main focus, | 0:34:22 | 0:34:26 | |
and it might need a bit more work than she was planning | 0:34:26 | 0:34:29 | |
to transform it into a concert hall, | 0:34:29 | 0:34:31 | |
at a staggering £80,500 under budget, | 0:34:31 | 0:34:34 | |
there's plenty of cash to play with. | 0:34:34 | 0:34:37 | |
The kitchen may not be huge, but the large room next door is perfect | 0:34:37 | 0:34:40 | |
for entertaining Pam's extended family. | 0:34:40 | 0:34:43 | |
There are four bedrooms, including a ground floor room for her mum, | 0:34:43 | 0:34:46 | |
with a shower room next door. | 0:34:46 | 0:34:48 | |
And the garden, with its far-reaching views, | 0:34:48 | 0:34:51 | |
would allow Pam to make the most of the stunning Shropshire countryside. | 0:34:51 | 0:34:54 | |
-Oh, this is a nice room. -I like this. | 0:34:56 | 0:34:58 | |
You could get two grandchildren in here without too much of a do. | 0:34:58 | 0:35:01 | |
Oh, they'd love it. Kids would love this space. | 0:35:01 | 0:35:04 | |
Well, I'm a bit confused about this property. | 0:35:04 | 0:35:06 | |
The barn is definitely the one I think is going to be fantastic, | 0:35:06 | 0:35:10 | |
but I'm not so...100% on the house. | 0:35:10 | 0:35:14 | |
The price of the house is under budget. That would give her | 0:35:14 | 0:35:17 | |
plenty, you know, to restore the barn | 0:35:17 | 0:35:20 | |
and make it absolutely splendid. | 0:35:20 | 0:35:22 | |
And she'd do it, she's a visionary. | 0:35:22 | 0:35:24 | |
The garden's got a really good cottage garden feel to it. | 0:35:24 | 0:35:27 | |
The aspect of the garden is so beautiful, overlooking the hills. | 0:35:27 | 0:35:31 | |
I mean, you couldn't ask for a better landscape than that. | 0:35:31 | 0:35:34 | |
-How are we, ladies? -Oh, excited. | 0:35:34 | 0:35:37 | |
Have we confused you? | 0:35:37 | 0:35:39 | |
Totally. | 0:35:39 | 0:35:41 | |
Never thought you'd find three properties with all | 0:35:41 | 0:35:43 | |
the things on my wish list. Extraordinary. | 0:35:43 | 0:35:46 | |
-So we've now got quite a lot to discuss, haven't we? -Yes. | 0:35:46 | 0:35:49 | |
-Made it much harder now, cos you've really done the business. -NICKI LAUGHS | 0:35:49 | 0:35:52 | |
Let's go and have a chat. Come on. | 0:35:52 | 0:35:54 | |
Close to Shrewsbury | 0:36:00 | 0:36:01 | |
and sitting in 4,000 acres of parkland | 0:36:01 | 0:36:04 | |
is Attingham Park, | 0:36:04 | 0:36:05 | |
a splendid Neo-Palladian mansion, | 0:36:05 | 0:36:07 | |
built almost 230 years ago | 0:36:07 | 0:36:10 | |
and owned by just one family for more than 160 years, | 0:36:10 | 0:36:14 | |
before being bequeathed to the National Trust in 1947. | 0:36:14 | 0:36:19 | |
Currently eight years into a conservation project, the | 0:36:19 | 0:36:22 | |
estate is managed by Mark Agnew. | 0:36:22 | 0:36:25 | |
Now this is one imposing building, isn't it? | 0:36:25 | 0:36:28 | |
What's the history of this house? | 0:36:28 | 0:36:30 | |
There used to be a house here called Tern Hall, | 0:36:30 | 0:36:33 | |
and the first Lord Berwick decided that wasn't good enough for him, | 0:36:33 | 0:36:36 | |
now that he was very successful and had been ennobled, | 0:36:36 | 0:36:39 | |
and he built Attingham wrapped around the original Tern Hall. | 0:36:39 | 0:36:43 | |
It does remind me of Buckingham Palace. | 0:36:43 | 0:36:46 | |
John Nash, the regency architect, did actually come here | 0:36:46 | 0:36:49 | |
to work for the second Lord Berwick, and Nash, of course, | 0:36:49 | 0:36:51 | |
went on to build Buckingham Palace. So it's similar period, | 0:36:51 | 0:36:55 | |
similar appearance, just without the traffic. | 0:36:55 | 0:36:58 | |
'This fine house greets around 370,000 visitors a year, | 0:36:58 | 0:37:03 | |
'which helps fund the ongoing conservation project on site.' | 0:37:03 | 0:37:07 | |
What are you concentrating on now? | 0:37:07 | 0:37:09 | |
Our big focus at the moment is repairing the roof, | 0:37:09 | 0:37:12 | |
replacing and putting a new roof in on the picture gallery. | 0:37:12 | 0:37:16 | |
And I know it's unusual, because members of the public can, | 0:37:16 | 0:37:18 | |
at certain times, actually see some of that conservation | 0:37:18 | 0:37:21 | |
work in progress. You've whetted my appetite. Can I take a look today? | 0:37:21 | 0:37:24 | |
-Yeah, of course. Come inside and have a look. -Thank you. | 0:37:24 | 0:37:27 | |
This stunning property has over 80 rooms, and it's a lengthy, | 0:37:27 | 0:37:31 | |
and costly, process to keep them in their splendour. | 0:37:31 | 0:37:34 | |
The price tag is a cool £1.2 million a year, just for the house | 0:37:34 | 0:37:39 | |
and estate to be able to open its doors. | 0:37:39 | 0:37:42 | |
And one of the most resplendent rooms here is the imposing | 0:37:42 | 0:37:45 | |
picture gallery, with its glazed roof which, like Buckingham Palace, | 0:37:45 | 0:37:49 | |
was also created by rising star of the time, John Nash. | 0:37:49 | 0:37:54 | |
-Welcome to the picture gallery ceiling. -My goodness! | 0:37:54 | 0:37:57 | |
'But it's hard to see its beauty right now.' | 0:37:57 | 0:38:00 | |
Now, this is remarkable. | 0:38:00 | 0:38:04 | |
So all of this is glass? | 0:38:04 | 0:38:06 | |
Yep, it's individual panes of glass. | 0:38:06 | 0:38:09 | |
And then you're looking through, into the outside world there, | 0:38:09 | 0:38:12 | |
where we've got our protection on to stop things coming through. | 0:38:12 | 0:38:15 | |
So the wood that I can see, that's the outside? | 0:38:15 | 0:38:18 | |
That's the outside, yeah. | 0:38:18 | 0:38:20 | |
When it was first built over 200 | 0:38:20 | 0:38:22 | |
years ago, this roof may have looked spectacular, but it had | 0:38:22 | 0:38:26 | |
design flaws, due to its curved structure, meaning plenty of leaks. | 0:38:26 | 0:38:30 | |
Mark's hoping that the problems will be ironed out once and for all | 0:38:30 | 0:38:33 | |
with a new glass roof covering the existing one. | 0:38:33 | 0:38:38 | |
The joined panes of glass will be supported by steel beams, | 0:38:38 | 0:38:40 | |
floating above the existing roof and acting as a canopy to protect it. | 0:38:40 | 0:38:45 | |
The new roof will keep the water out, the old Nash roof will | 0:38:45 | 0:38:49 | |
carry on being the wow factor when you walk into our picture gallery. | 0:38:49 | 0:38:52 | |
Great. OK. One more floor, up we come. | 0:38:52 | 0:38:55 | |
Up we go, yeah. | 0:38:55 | 0:38:57 | |
Above us there are up to 20 skilled workers at any one time, | 0:38:57 | 0:39:00 | |
painstakingly restoring this roof, not only to its former glory, | 0:39:00 | 0:39:05 | |
but with a shiny new addition, | 0:39:05 | 0:39:07 | |
weighing in at a hefty 20 tonnes. | 0:39:07 | 0:39:10 | |
How long, Mark, do you think this new roof will last for? | 0:39:10 | 0:39:13 | |
Well, we expect it will last about 100 to 200 years, but with | 0:39:13 | 0:39:18 | |
regular maintenance we expect we can make it last a lot longer than that. | 0:39:18 | 0:39:22 | |
So here we are, 200 years after John Nash designed this beautiful, | 0:39:22 | 0:39:26 | |
intricate ceiling. | 0:39:26 | 0:39:28 | |
It's finally going to be waterproof. | 0:39:28 | 0:39:31 | |
Yes, that's what we're hoping. | 0:39:31 | 0:39:33 | |
One of the things we really agonised about was whether we wanted | 0:39:33 | 0:39:36 | |
to introduce a new element to this historic building, but we recognised | 0:39:36 | 0:39:40 | |
the only way that we can safeguard Nash's incredible picture gallery | 0:39:40 | 0:39:45 | |
and the roof and the structure was actually to build an entirely new | 0:39:45 | 0:39:50 | |
roof, and for us to be building a new element on a historic structure, | 0:39:50 | 0:39:53 | |
that was a very, kind of, radical breakthrough for us, to realise that | 0:39:53 | 0:39:57 | |
was going to be the solution to all of our rather wet interior problems. | 0:39:57 | 0:40:01 | |
-And preserving his legacy. -Yes. | 0:40:01 | 0:40:03 | |
-Exciting times. Thank you so much. -Thank you very much. | 0:40:03 | 0:40:06 | |
So we've shown Pam three incredible properties here in Shropshire, | 0:40:13 | 0:40:17 | |
giving her nearly everything she asked for, but has one | 0:40:17 | 0:40:21 | |
house in particular tempted her to make this important move? | 0:40:21 | 0:40:24 | |
Let's find out. | 0:40:24 | 0:40:26 | |
It's been an interesting few days, hasn't it? | 0:40:32 | 0:40:35 | |
I'm not really sure which way you're going to go. | 0:40:35 | 0:40:38 | |
Well, property number one, that was an absolutely stunning property. | 0:40:38 | 0:40:42 | |
And that, to me, summed up all the things that I want in my home. | 0:40:42 | 0:40:46 | |
Property number two was a difficult property, | 0:40:46 | 0:40:49 | |
-in that there was so much of it. -Yes. -And property three. | 0:40:49 | 0:40:53 | |
The barn, fantastic. House, not so wonderful. | 0:40:53 | 0:40:57 | |
So out of everything we showed you, it sounds like our first property | 0:40:57 | 0:41:00 | |
suited you the best, but could you see yourself living there? | 0:41:00 | 0:41:04 | |
I could see myself living in that house. I just have to do a little bit | 0:41:04 | 0:41:07 | |
-more researching about the area. It's quite daunting, actually. -Yes. | 0:41:07 | 0:41:12 | |
And the more I looked at everything in the area and | 0:41:12 | 0:41:15 | |
the houses we looked at, the more daunted I became. | 0:41:15 | 0:41:18 | |
This move is a huge leap of faith, | 0:41:18 | 0:41:21 | |
-it is diving into the unknown. -What was going through my mind was, | 0:41:21 | 0:41:25 | |
at the beginning Pam was so absolutely sure that this was the | 0:41:25 | 0:41:28 | |
right place, and she was full of enthusiasm and she was going to go | 0:41:28 | 0:41:31 | |
100% to it, and I was just thinking, "Whoa a minute." | 0:41:31 | 0:41:35 | |
-I think it is time for a bit of a reality check. -Yeah, definitely. | 0:41:35 | 0:41:38 | |
And see whether the property might be right, but what about your lifestyle. | 0:41:38 | 0:41:42 | |
And I'm concerned about that. | 0:41:42 | 0:41:44 | |
-Perhaps there is a bit more thinking to do. -It's cos I'm not really sure, | 0:41:44 | 0:41:47 | |
I'm not sure in my head, in my heart, whether that is... | 0:41:47 | 0:41:51 | |
-whether Shropshire is the right place for me. -Right. | 0:41:51 | 0:41:54 | |
If I'm completely, brutally honest about the whole thing. | 0:41:54 | 0:41:57 | |
-And I think you have to be. -Yeah. -Well, whatever happens, | 0:41:57 | 0:42:00 | |
-you're going to be happy, I know you are. -Oh, I will be. -Wherever you | 0:42:00 | 0:42:03 | |
decide to go. Jin, thank you so much for all your support, | 0:42:03 | 0:42:06 | |
invaluable support. It's been a delight, ladies. | 0:42:06 | 0:42:10 | |
-Thank you so much. -And we've loved being with you too. -It's been a pleasure. | 0:42:10 | 0:42:13 | |
-A real pleasure. -All the best for the future to both of you. | 0:42:13 | 0:42:15 | |
-Thank you very much. -Thank you. | 0:42:15 | 0:42:17 | |
Well, I certainly didn't see that one coming, | 0:42:22 | 0:42:24 | |
but I really respect Pam for her honesty. | 0:42:24 | 0:42:28 | |
Sometimes we get so wrapped up in our dreams that we don't take | 0:42:28 | 0:42:32 | |
a minute and think about the reality of what we're planning. | 0:42:32 | 0:42:35 | |
So, although we didn't find Pam her perfect property here | 0:42:35 | 0:42:38 | |
in Shropshire, I'm hoping what we did do is give her some clarity to | 0:42:38 | 0:42:42 | |
work out what and, most importantly, where | 0:42:42 | 0:42:45 | |
her next move is going to be. | 0:42:45 | 0:42:48 | |
Whatever happens, we wish her all the best. | 0:42:48 | 0:42:51 | |
I'll see you again on Escape To The Country. | 0:42:51 | 0:42:53 | |
If you would like to escape to the country in Northern Ireland, | 0:42:55 | 0:42:58 | |
Scotland, Wales or England, and would like our help, please | 0:42:58 | 0:43:01 | |
apply online at... | 0:43:01 | 0:43:03 |