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Here, on Escape To The Country, | 0:00:02 | 0:00:03 | |
we get to visit some remarkable houses all over the UK, | 0:00:03 | 0:00:05 | |
but none of them are quite as unique as this one, | 0:00:05 | 0:00:09 | |
because up until 20 years ago, | 0:00:09 | 0:00:11 | |
this was one of the most secret properties in Britain. | 0:00:11 | 0:00:14 | |
But why and where? Well, join me in a moment and I will tell you. | 0:00:14 | 0:00:17 | |
On today's show, we're helping a young couple | 0:00:34 | 0:00:36 | |
move from the Big Smoke to a country retreat. | 0:00:36 | 0:00:39 | |
Sometimes you can't put your finger on why you like a place. | 0:00:39 | 0:00:42 | |
Sometimes it's nice and sometimes it isn't. | 0:00:42 | 0:00:44 | |
-This is it. -This feels good. -Yeah. | 0:00:44 | 0:00:46 | |
And a secret shower room sends them head-over-heels. | 0:00:46 | 0:00:49 | |
-Ah! -Stunning. SHE LAUGHS | 0:00:49 | 0:00:51 | |
Oh, my God. | 0:00:51 | 0:00:53 | |
-Perfect. -And it is for sale. -SHE SQUEALS | 0:00:53 | 0:00:55 | |
Well, today we are in Essex, | 0:00:57 | 0:00:58 | |
just outside the small village of Kelvedon Hatch. | 0:00:58 | 0:01:01 | |
And this pretty average-looking post-war bungalow is, in fact, | 0:01:01 | 0:01:05 | |
the secret entrance to a Cold War nuclear bunker. | 0:01:05 | 0:01:09 | |
It was built in 1952 to house some 600 key government | 0:01:09 | 0:01:13 | |
and military personnel in the event of a nuclear war. | 0:01:13 | 0:01:17 | |
Now, of course, thankfully, it was never put to use. | 0:01:17 | 0:01:19 | |
But later on in the show, I will be back here finding out | 0:01:19 | 0:01:22 | |
what life would have been like 100 feet underground. | 0:01:22 | 0:01:25 | |
Stretching from Harwich in the north to the Thames Estuary in the south, | 0:01:27 | 0:01:32 | |
the Home County of Essex has over 350 miles of coastline, | 0:01:32 | 0:01:35 | |
the second longest in England after Cornwall. | 0:01:35 | 0:01:39 | |
One of the gems of the Essex coast is Frinton-on-Sea. | 0:01:39 | 0:01:42 | |
With its colourful array of Victorian style beach huts, | 0:01:42 | 0:01:45 | |
it retains an atmosphere from the 1920s | 0:01:45 | 0:01:47 | |
when it was a favourite retreat for the aristocracy. | 0:01:47 | 0:01:50 | |
As the sea breeze comes inland, | 0:01:52 | 0:01:54 | |
it is harnessed by the vast numbers of windmills | 0:01:54 | 0:01:56 | |
that are found throughout the countryside. | 0:01:56 | 0:01:58 | |
Indeed, despite its proximity to London, | 0:02:00 | 0:02:03 | |
three quarters of Essex is rural, | 0:02:03 | 0:02:05 | |
with rolling wheat fields and ancient woodland. | 0:02:05 | 0:02:08 | |
The north-east border is Constable country, | 0:02:08 | 0:02:10 | |
immortalised by the landscape painter | 0:02:10 | 0:02:13 | |
who fell in love with the area. | 0:02:13 | 0:02:14 | |
North-west Essex is home to Audley End House, | 0:02:15 | 0:02:18 | |
one of the finest Jacobean houses in England. | 0:02:18 | 0:02:21 | |
During the 18th century, the extensive formal gardens | 0:02:21 | 0:02:24 | |
and parkland surrounding the house were remodelled | 0:02:24 | 0:02:27 | |
by the landscape architect Capability Brown. | 0:02:27 | 0:02:30 | |
Its palatial rooms are now open to the public, | 0:02:30 | 0:02:33 | |
providing an insight into the upper echelons | 0:02:33 | 0:02:35 | |
of the Essex property market. | 0:02:35 | 0:02:38 | |
Although, with its wealth of charming thatches | 0:02:38 | 0:02:40 | |
and medieval timber-framed homes, | 0:02:40 | 0:02:42 | |
there is no shortage of stunning period properties in this county. | 0:02:42 | 0:02:46 | |
If you are thinking about escaping to one of the Home Counties, | 0:02:48 | 0:02:51 | |
then Essex is well worth a look because it is, by far, the cheapest. | 0:02:51 | 0:02:56 | |
The average cost of a detached property here is currently £326,000. | 0:02:56 | 0:03:02 | |
Now, to be fair, it is a lot of money, | 0:03:02 | 0:03:04 | |
but when you compare it to the other Home Counties, | 0:03:04 | 0:03:06 | |
such as Surrey, Kent, Berkshire, Buckinghamshire, Hertfordshire, | 0:03:06 | 0:03:10 | |
it does represent pretty good value for money. | 0:03:10 | 0:03:13 | |
All worth knowing because today's buyers are determined | 0:03:13 | 0:03:16 | |
that this part of the world should be their new home. | 0:03:16 | 0:03:18 | |
Michelle and Jamie live in North London | 0:03:21 | 0:03:23 | |
and have been together for four years. | 0:03:23 | 0:03:26 | |
-We had quite a fun first date, didn't we? -Yeah. It was brilliant. | 0:03:26 | 0:03:29 | |
Seven hours... HE CHUCKLES ..it lasted for. | 0:03:29 | 0:03:31 | |
And I think at that point, | 0:03:31 | 0:03:33 | |
I knew that Michelle was going to be the one for a long time. | 0:03:33 | 0:03:36 | |
We went to the Southbank, which was really nice, | 0:03:38 | 0:03:42 | |
and I was putting my spoon in your food, wasn't I? | 0:03:42 | 0:03:45 | |
Oh, yes. She put her spoon in my soup and I thought that was quite cute. | 0:03:45 | 0:03:50 | |
And I think we knew pretty soon that | 0:03:50 | 0:03:52 | |
-we were on the same wavelength. -Yes, definitely. | 0:03:52 | 0:03:55 | |
Michelle owns a property in West London, | 0:03:55 | 0:03:57 | |
and Jamie owns the one they share in Stamford Hill | 0:03:57 | 0:04:00 | |
in the north of the capital. | 0:04:00 | 0:04:01 | |
I have been in this particular property for just under eight years. | 0:04:01 | 0:04:05 | |
But time ticks on and you get tied to the city because your job is here. | 0:04:05 | 0:04:10 | |
I am keen to kind of break out of that and go somewhere, | 0:04:10 | 0:04:12 | |
otherwise I'll be here forever. | 0:04:12 | 0:04:14 | |
So, they are hoping to move east to Essex, | 0:04:15 | 0:04:18 | |
where Jamie is originally from. | 0:04:18 | 0:04:20 | |
We want to move to the countryside | 0:04:20 | 0:04:22 | |
because we want a better quality of life. | 0:04:22 | 0:04:25 | |
I would describe us as quite spiritual people | 0:04:25 | 0:04:27 | |
and think that kind of ties in with nature. | 0:04:27 | 0:04:29 | |
And we both love walking in nature, so being in the great outdoors | 0:04:29 | 0:04:33 | |
and beautiful scenery and waking up and seeing green fields | 0:04:33 | 0:04:37 | |
and things like that, that is something I really look forward to. | 0:04:37 | 0:04:40 | |
Michelle is a psychologist and works with young people, | 0:04:40 | 0:04:43 | |
and Jamie is a psychotherapist who works with adults. | 0:04:43 | 0:04:47 | |
They are hoping their new house will be more than just a home. | 0:04:47 | 0:04:50 | |
In the new property, I'd quite like to have a study where I could | 0:04:50 | 0:04:53 | |
also see clients for a one-to-one basis for therapy sessions. | 0:04:53 | 0:04:58 | |
And it would be, if possible, it would be a real luxury to have | 0:04:58 | 0:05:03 | |
some kind of room where people could come for group therapy. | 0:05:03 | 0:05:08 | |
And coming on the move with them will be Thea. | 0:05:08 | 0:05:10 | |
She is currently a house cat. | 0:05:10 | 0:05:13 | |
Also one of the reasons we wanted to move | 0:05:13 | 0:05:15 | |
was so that she could go outside and enjoy the great outdoors as well. | 0:05:15 | 0:05:18 | |
Yeah, we feel somewhat guilty about having her crammed up in the house. | 0:05:18 | 0:05:21 | |
Deprived, yeah. | 0:05:21 | 0:05:22 | |
-So, we are going to remedy that with a garden, hopefully. -Yeah. | 0:05:22 | 0:05:27 | |
As they plan to continue working part-time in London, | 0:05:28 | 0:05:31 | |
moving out might be challenging. | 0:05:31 | 0:05:33 | |
I have not ever lived in the countryside before, no. | 0:05:35 | 0:05:37 | |
I think the worries and concerns about moving to Essex | 0:05:37 | 0:05:40 | |
is possibly the commute. | 0:05:40 | 0:05:42 | |
Because we haven't had to do that for some time. | 0:05:43 | 0:05:45 | |
But I think it could be overcome if we lived in the right property | 0:05:45 | 0:05:49 | |
and we were coming home to beautiful countryside and a beautiful home. | 0:05:49 | 0:05:54 | |
It would all be worthwhile. | 0:05:54 | 0:05:56 | |
So, with high hopes and with Jamie's house already on the market, | 0:05:56 | 0:06:00 | |
there is a lot riding on this relocation. | 0:06:00 | 0:06:02 | |
This is a highly important move for us | 0:06:03 | 0:06:05 | |
because I think the property we move to next is going to be | 0:06:05 | 0:06:07 | |
the one where kind of it really all happens. | 0:06:07 | 0:06:09 | |
And we will start thinking about the next chapter of our lives, | 0:06:09 | 0:06:13 | |
which may involve children. | 0:06:13 | 0:06:15 | |
I had a huge friendship group in London, | 0:06:15 | 0:06:17 | |
but gradually, as the years have passed on, | 0:06:17 | 0:06:19 | |
everyone has been getting married and moving away, | 0:06:19 | 0:06:22 | |
so I think it's our turn now just to leave. | 0:06:22 | 0:06:25 | |
Michelle and Jamie would like us to focus our house-hunt | 0:06:29 | 0:06:31 | |
in the north of Essex, which can offer them both a rural aspect | 0:06:31 | 0:06:35 | |
and a realistic commute into London via Liverpool Street station. | 0:06:35 | 0:06:39 | |
But to discuss the detail of their proposed big move, | 0:06:39 | 0:06:42 | |
I am off to meet them. | 0:06:42 | 0:06:43 | |
-Hello, Michelle. -Hi. -Hi, Jamie. -Hiya. | 0:06:44 | 0:06:47 | |
-Nice to see you. -And you. Pleasure. | 0:06:47 | 0:06:49 | |
Now, normally at this point in the show, | 0:06:49 | 0:06:51 | |
I like to share with our buyers a beautiful view of the region | 0:06:51 | 0:06:56 | |
and the county that they have chosen to live in. | 0:06:56 | 0:06:58 | |
You have to take my word for it, but out there in the gloom is Essex. | 0:06:59 | 0:07:03 | |
And the reason I know that is because | 0:07:03 | 0:07:05 | |
I was born about two miles from where we are sitting. | 0:07:05 | 0:07:07 | |
-Wow. -So, take it from me, it is out there somewhere. It is very lovely. | 0:07:07 | 0:07:11 | |
But why do you want to move here? | 0:07:11 | 0:07:13 | |
Well, Jamie's family is from here, so that is one of the main reasons. | 0:07:13 | 0:07:16 | |
And also, it is quite close to London. | 0:07:16 | 0:07:18 | |
-Now, you're both self-employed. -Yes. | 0:07:18 | 0:07:20 | |
You've got some quite interesting jobs. What are you trying to do? | 0:07:20 | 0:07:23 | |
Well, I have sort of put together my profession in a strange way. | 0:07:23 | 0:07:26 | |
I sort of qualified in three different types of psychotherapy | 0:07:26 | 0:07:29 | |
and I run workshops in London and one-to-one therapy, | 0:07:29 | 0:07:32 | |
so I am trying to hopefully take that out to the country | 0:07:32 | 0:07:36 | |
-so we can do rural retreats, perhaps. -Wow. | 0:07:36 | 0:07:38 | |
But you're hoping to create a whole new business | 0:07:38 | 0:07:40 | |
in a place you have never operated before. | 0:07:40 | 0:07:42 | |
-That is quite daunting, isn't it? -A little bit. | 0:07:42 | 0:07:44 | |
There is somewhat of an experiment involved. | 0:07:44 | 0:07:46 | |
JULES LAUGHS But we have faith. | 0:07:46 | 0:07:48 | |
You're quite young. | 0:07:48 | 0:07:49 | |
Are you looking for something modern and groovy, or old and characterful? | 0:07:49 | 0:07:53 | |
We would love to have a Victorian, Edwardian or Georgian | 0:07:53 | 0:07:57 | |
character property, but modern inside. | 0:07:57 | 0:08:00 | |
So, like, kind of newish. | 0:08:00 | 0:08:02 | |
-Renovated? -Yes, that would be the dream. -OK. | 0:08:02 | 0:08:04 | |
And how much are you planning to spend on all of this, then? | 0:08:04 | 0:08:08 | |
I think as a maximum budget, we'd be looking to spend £495,000. | 0:08:08 | 0:08:13 | |
Oh, that is very specific. Or less? | 0:08:13 | 0:08:16 | |
-Yes. -Well, that would be great. -Yeah. | 0:08:16 | 0:08:18 | |
Well, hopefully the weather will clear. | 0:08:18 | 0:08:20 | |
There is a hint of blue sky up there. | 0:08:20 | 0:08:22 | |
It's a long time since I've lived in this part of the world, | 0:08:22 | 0:08:24 | |
although it is where I grew up, | 0:08:24 | 0:08:26 | |
so for me, it is a bit of a trip down memory lane. | 0:08:26 | 0:08:28 | |
-We can show Essex off to you, these two Essex boys here. -Yeah. | 0:08:28 | 0:08:32 | |
Hopefully find you a property. | 0:08:32 | 0:08:33 | |
We have got some great ones to choose from, | 0:08:33 | 0:08:35 | |
including, of course, our Mystery House, | 0:08:35 | 0:08:37 | |
so who knows what that is going to be? | 0:08:37 | 0:08:39 | |
-Shall we go? -Yes. -Come on. | 0:08:39 | 0:08:41 | |
-If we can find the car. -MICHELLE CHUCKLES | 0:08:42 | 0:08:44 | |
Out there somewhere. | 0:08:44 | 0:08:46 | |
With their budget of £495,000, Michelle and Jamie are looking for | 0:08:48 | 0:08:52 | |
a period property with lots of rural charm, | 0:08:52 | 0:08:55 | |
but they want it fully refurbished inside. | 0:08:55 | 0:08:58 | |
It must have at least three bedrooms, | 0:08:58 | 0:09:00 | |
plus a therapy room where Jamie could see clients. | 0:09:00 | 0:09:04 | |
A garden with rural views is also on the list. | 0:09:04 | 0:09:07 | |
And, as they will sometimes commute, | 0:09:07 | 0:09:08 | |
they'd like a maximum journey time | 0:09:08 | 0:09:10 | |
of an hour and a half | 0:09:10 | 0:09:11 | |
into central London. | 0:09:11 | 0:09:12 | |
We have been scouring Essex for the right properties, | 0:09:14 | 0:09:16 | |
one of which could become | 0:09:16 | 0:09:17 | |
not only Michelle and Jamie's first joint home, | 0:09:17 | 0:09:20 | |
but also a beautiful psychotherapy practice. | 0:09:20 | 0:09:24 | |
Only after they have viewed each house will we reveal its price. | 0:09:24 | 0:09:28 | |
And we will also throw in the Mystery House. | 0:09:28 | 0:09:30 | |
This property will hopefully give them | 0:09:30 | 0:09:32 | |
something they didn't even know they wanted. | 0:09:32 | 0:09:34 | |
Our first property is in the village of Gestingthorpe, | 0:09:39 | 0:09:42 | |
halfway between the towns of Halsted in Essex and Sudbury in Suffolk. | 0:09:42 | 0:09:47 | |
There is a great pub and restaurant, although no primary school. | 0:09:47 | 0:09:50 | |
There is also a village hall | 0:09:50 | 0:09:52 | |
that Jamie could hire out for group therapy sessions. | 0:09:52 | 0:09:55 | |
Our first house is in the heart of the village. | 0:09:55 | 0:09:58 | |
There we are. What do you think of this one, then? | 0:09:58 | 0:10:00 | |
-It's beautiful. -Fantastic. -Nice, isn't it? -Yeah, gorgeous. | 0:10:00 | 0:10:03 | |
It is an old farmhouse. | 0:10:03 | 0:10:04 | |
-It is detached. -Yeah. -So, we have ticked that box. | 0:10:04 | 0:10:08 | |
That is a big thing for me, yeah. Brilliant. | 0:10:08 | 0:10:11 | |
Now, since it was first built back in 1780, it has been extended, | 0:10:11 | 0:10:15 | |
in particular upstairs. | 0:10:15 | 0:10:16 | |
It has had the sort of wraparound extension put on it, | 0:10:16 | 0:10:19 | |
which gives you loads and loads of space. | 0:10:19 | 0:10:21 | |
-Are you convinced? -Very much so. First impressions are fantastic. | 0:10:21 | 0:10:25 | |
-Excellent. -Yeah. Can't wait to get inside. | 0:10:25 | 0:10:27 | |
'With its dolls' house frontage set inside a wraparound garden, | 0:10:28 | 0:10:32 | |
'I am not surprised this place has made a good first impression. | 0:10:32 | 0:10:35 | |
'And once inside, you walk straight into a very welcoming living room.' | 0:10:35 | 0:10:40 | |
-What do you reckon? -Lovely. -I love it. -Yeah? -Yeah. | 0:10:40 | 0:10:43 | |
-I love the beams. Yeah? -Mm-hm. | 0:10:43 | 0:10:44 | |
I was worried you were going to say, "Oh, the ceilings are too low." | 0:10:44 | 0:10:48 | |
He is more about the ceilings. | 0:10:48 | 0:10:50 | |
But this doesn't feel wrong. HE CHUCKLES | 0:10:50 | 0:10:53 | |
-There's a nice feel about it. -Yeah. | 0:10:53 | 0:10:55 | |
That little archway goes through to one of the extensions, | 0:10:55 | 0:10:58 | |
which gives you another dining room | 0:10:58 | 0:11:00 | |
and access out to the side of the garden. | 0:11:00 | 0:11:02 | |
-Lovely. -Great. -Your face is really beaming, isn't it? | 0:11:02 | 0:11:05 | |
-OK. What is going on? -What is going on? I don't know. | 0:11:05 | 0:11:09 | |
It has got a good feel about it. | 0:11:09 | 0:11:10 | |
-Sometimes you can't put your finger on why you like a place. -Yeah. | 0:11:10 | 0:11:13 | |
-Sometimes it is nice and sometimes it isn't, and this feels good. -Yeah. | 0:11:13 | 0:11:17 | |
-Look at this. Right, come on. -Yeah, your smile. | 0:11:17 | 0:11:20 | |
So, this is your kitchen. | 0:11:22 | 0:11:24 | |
Mmm. Yeah, this is fine. | 0:11:26 | 0:11:28 | |
-It's nice. -Fine? | 0:11:28 | 0:11:30 | |
-Fine. No, as in like... -THEY LAUGH -..it's workable. | 0:11:30 | 0:11:34 | |
It is certainly workable. | 0:11:34 | 0:11:35 | |
You have got loads of preparation space, nice finish. | 0:11:35 | 0:11:38 | |
You have got the wooden floor. | 0:11:38 | 0:11:40 | |
-That little archway leads through to a utility area. -Great. | 0:11:40 | 0:11:44 | |
-Back door out to the garden as well. -I really like it. | 0:11:44 | 0:11:47 | |
There is also a shelf-lined study on the ground floor and a cloakroom. | 0:11:49 | 0:11:52 | |
One of the features I love about this property is the landing. | 0:11:54 | 0:11:58 | |
You have got your four bedrooms that kind of emanate off of it. | 0:11:58 | 0:12:02 | |
It is dominated by this lovely thing, which is the chimney breast | 0:12:02 | 0:12:05 | |
coming up from the lovely fireplace down below. | 0:12:05 | 0:12:08 | |
There is a nice guest room over there, double. | 0:12:08 | 0:12:10 | |
Another double through there. | 0:12:10 | 0:12:12 | |
Really big family bathroom in there, which I know is important. | 0:12:12 | 0:12:17 | |
And then another double through there, which could be your study. | 0:12:17 | 0:12:21 | |
-And then last but not least, this is yours. -Wow. | 0:12:21 | 0:12:24 | |
-Wow. -Wow. That is lovely. -Yeah? -This is nice. | 0:12:24 | 0:12:27 | |
They really have made this deliberately the master, obviously. | 0:12:28 | 0:12:32 | |
They have knocked through, essentially, to create this space. | 0:12:32 | 0:12:35 | |
Loads of room, really light. | 0:12:35 | 0:12:37 | |
And a little dressing area with walk-in wardrobe, etc. | 0:12:37 | 0:12:41 | |
-Awesome. -Very impressed. Lovely. -Yeah? -Yeah. | 0:12:41 | 0:12:44 | |
-Smiles are continuing. -Yeah! -It is a good sign. -It's a very good sign! | 0:12:44 | 0:12:48 | |
All that is left now is to take a look outside. | 0:12:49 | 0:12:52 | |
There is a pleasant garden with a raised decking area, | 0:12:52 | 0:12:54 | |
plus there is room for four parked cars. | 0:12:54 | 0:12:57 | |
-Didn't you want some decking? -Yes. | 0:12:57 | 0:13:00 | |
Come down here, then. | 0:13:00 | 0:13:01 | |
So, Jamie, how do you feel about this one? | 0:13:02 | 0:13:04 | |
I mean, you and the therapy, is it going to work here? | 0:13:04 | 0:13:07 | |
Certainly for the one-to-one stuff, probably not for the group. | 0:13:07 | 0:13:10 | |
But I think maybe that has always been a tall order. | 0:13:10 | 0:13:14 | |
-All right, then. So... -MICHELLE CHUCKLES | 0:13:14 | 0:13:16 | |
How much is it on the market for, Michelle? | 0:13:17 | 0:13:20 | |
The all-important question. | 0:13:20 | 0:13:22 | |
-I am going to hazard a guess at £480,000. -£480,000. | 0:13:22 | 0:13:27 | |
-Hmm. I am thinking £450,000. -Are you? Why are you thinking that? | 0:13:27 | 0:13:31 | |
Just because I know that we're getting closer to Sudbury | 0:13:31 | 0:13:34 | |
and as you move away from London, you'd think the prices would go down. | 0:13:34 | 0:13:38 | |
-That logic doesn't always match up with reality! -It really doesn't. | 0:13:38 | 0:13:43 | |
-But on this occasion, it does. -Ah! -You are absolutely right, sir. | 0:13:43 | 0:13:46 | |
-It is on the market at £450,000. -Ahh. -Excellent. | 0:13:46 | 0:13:49 | |
It has only been on for two months or so, just over. | 0:13:49 | 0:13:53 | |
-I think it's had a fair bit of interest, not surprisingly. -Mm. | 0:13:53 | 0:13:56 | |
People have reacted to it in the way you have. | 0:13:56 | 0:13:58 | |
-Have another look around. -OK. | 0:13:58 | 0:13:59 | |
-I will catch you later. -OK, lovely. -Thank you. -Off you go. | 0:13:59 | 0:14:02 | |
A generous £45,000 under budget, | 0:14:05 | 0:14:07 | |
this four-bedroom property | 0:14:07 | 0:14:09 | |
has been lovingly extended, | 0:14:09 | 0:14:10 | |
retaining heaps of period charm. | 0:14:10 | 0:14:13 | |
There are four bedrooms, a study, | 0:14:13 | 0:14:14 | |
a separate kitchen, dining room | 0:14:14 | 0:14:16 | |
and lounge, | 0:14:16 | 0:14:18 | |
and it is all set within a | 0:14:18 | 0:14:19 | |
wraparound garden with a large deck. | 0:14:19 | 0:14:21 | |
What's more, the commute to London | 0:14:21 | 0:14:23 | |
would be about an hour and a half. | 0:14:23 | 0:14:25 | |
When I first saw the property, I thought, "Wow." | 0:14:25 | 0:14:28 | |
It was like a little chocolate box house | 0:14:28 | 0:14:30 | |
and I really couldn't wait to get inside. | 0:14:30 | 0:14:32 | |
It's got a really warm feel to the house. It's got really good flow. | 0:14:32 | 0:14:35 | |
You could really see family coming over here, couldn't you? | 0:14:35 | 0:14:38 | |
Entertaining, Christmas. | 0:14:38 | 0:14:40 | |
-Christmas tree there. -Yep. | 0:14:40 | 0:14:42 | |
I do feel a little bit remote here, to be honest, because I don't drive. | 0:14:42 | 0:14:46 | |
But my first thought was, | 0:14:46 | 0:14:48 | |
"I'm going to have to get my driving lessons and my driving test | 0:14:48 | 0:14:51 | |
"done soon if I want to move here, because it is a must." | 0:14:51 | 0:14:54 | |
Yeah, I could see Michelle and I living in this house, | 0:14:54 | 0:14:57 | |
as long as a few other factors fell into place | 0:14:57 | 0:14:59 | |
in terms of transport and schools and so forth. | 0:14:59 | 0:15:02 | |
So, we'd have to explore that concept and get to know the area. | 0:15:02 | 0:15:05 | |
But the house itself is stunning. | 0:15:05 | 0:15:07 | |
-That was a nice property. -Yeah, I enjoyed that. | 0:15:08 | 0:15:11 | |
Well, I thought you would. | 0:15:11 | 0:15:12 | |
-It is certainly one you should consider. -Definitely. | 0:15:12 | 0:15:15 | |
-But we haven't exhausted all the possibilities. -No. | 0:15:15 | 0:15:19 | |
-Nor have we quite spent all of your budget, have we? -MICHELLE LAUGHS | 0:15:19 | 0:15:22 | |
Come on. | 0:15:22 | 0:15:23 | |
Throughout British history, Essex has been an affluent area | 0:15:28 | 0:15:32 | |
due to its prime location close to the continent and the River Thames. | 0:15:32 | 0:15:36 | |
In the 16th century, | 0:15:36 | 0:15:37 | |
one of the ways that prosperous residents showed off their wealth | 0:15:37 | 0:15:40 | |
was by decorating the exterior of their homes with pargetting. | 0:15:40 | 0:15:45 | |
This is the traditional practice of creating raised designs | 0:15:45 | 0:15:48 | |
using ornate plaster work. | 0:15:48 | 0:15:50 | |
Over the centuries, it has gone in and out of fashion, | 0:15:50 | 0:15:53 | |
but has remained popular in Essex and East Anglia. | 0:15:53 | 0:15:57 | |
So, we have arranged for Jamie and Michelle to meet Bill Sargent, | 0:15:57 | 0:16:00 | |
a third-generation pargetter. | 0:16:00 | 0:16:02 | |
-Hello. -I'm Michelle. -I'm Bill. -Hello, Bill. -Hello, I'm Jamie. | 0:16:03 | 0:16:06 | |
-Hi, Jamie. -Nice to meet you. | 0:16:06 | 0:16:08 | |
-So, is this a typical design? -It is typical to a building of this age. | 0:16:08 | 0:16:12 | |
We always try and work the design into the age of the building. | 0:16:12 | 0:16:16 | |
This house was built in the 17th century, late 1600s, | 0:16:16 | 0:16:19 | |
so the design is of that period as well. | 0:16:19 | 0:16:22 | |
-So, where does the name come from? -The name comes from the French. | 0:16:22 | 0:16:26 | |
To parge is to throw, | 0:16:26 | 0:16:28 | |
because years ago they used to throw the plaster on. | 0:16:28 | 0:16:30 | |
Historically, this is an area that the Huguenots come to | 0:16:30 | 0:16:34 | |
during the persecutions, and they brought the craft with them | 0:16:34 | 0:16:37 | |
from the Highlands, Holland, Belgium, France. | 0:16:37 | 0:16:40 | |
And how many pargetters are there? | 0:16:40 | 0:16:41 | |
20 years ago, I suppose there was four or five of us. | 0:16:41 | 0:16:44 | |
But now, it is well in excess of 40, I'd say. | 0:16:44 | 0:16:47 | |
-Ah. -It is quite an art form, then? | 0:16:47 | 0:16:49 | |
Yes, it is, but it's not that hard to pick up really, you know. | 0:16:49 | 0:16:51 | |
I'm doing the small wall plaque round the corner, | 0:16:51 | 0:16:53 | |
so maybe I can let you have a go on that, | 0:16:53 | 0:16:56 | |
-or rub it out and do something simple for you? -Yeah. | 0:16:56 | 0:16:59 | |
-And you can have a go, eh? -Awesome. -Come on, then. -Thanks. | 0:16:59 | 0:17:01 | |
Although today Bill is working on a private home, | 0:17:03 | 0:17:05 | |
he has also worked on the cathedral at Bury St Edmunds | 0:17:05 | 0:17:08 | |
and even Westminster Abbey. | 0:17:08 | 0:17:11 | |
This is going to be a permanent feature here. It is a plaque. | 0:17:11 | 0:17:14 | |
We're going to put the name of the farmhouse in it, maybe tomorrow. | 0:17:14 | 0:17:17 | |
But today, the owner's asked if I can do him | 0:17:17 | 0:17:19 | |
a running hare in an old style. | 0:17:19 | 0:17:20 | |
This whole area is full of hares, | 0:17:20 | 0:17:22 | |
they're always getting in his garden. | 0:17:22 | 0:17:24 | |
So, we'll quickly draw one out. | 0:17:24 | 0:17:27 | |
-So, it is not ordinary plaster, then? -No, no, no. | 0:17:28 | 0:17:31 | |
Just a mixture of lime and sand together. | 0:17:31 | 0:17:33 | |
This is exactly the same mix | 0:17:33 | 0:17:34 | |
as they would have used 500 or 600 years ago. | 0:17:34 | 0:17:37 | |
What you have to remember with this kind of work is | 0:17:37 | 0:17:39 | |
it's following lines, so everything... | 0:17:39 | 0:17:41 | |
The arch round, up, bring him down. | 0:17:41 | 0:17:44 | |
Slight raise there, bring him up. | 0:17:44 | 0:17:46 | |
So, you can see how it flows. And the leg does, obviously, like that. | 0:17:46 | 0:17:50 | |
Today, Bill is using a pretty basic mixture on this farmhouse, | 0:17:51 | 0:17:54 | |
but in the past, other ingredients were often added | 0:17:54 | 0:17:57 | |
to create a better texture, | 0:17:57 | 0:17:59 | |
including hair, horse urine, tallow, blood and salt. | 0:17:59 | 0:18:04 | |
Just get a handful of the material, | 0:18:04 | 0:18:06 | |
hold the trowel at an angle and just start to build him up. | 0:18:06 | 0:18:11 | |
And then we can work from that. | 0:18:11 | 0:18:13 | |
So, it is just a matter of... | 0:18:13 | 0:18:16 | |
building him up. | 0:18:16 | 0:18:17 | |
And... | 0:18:19 | 0:18:20 | |
OK, Jamie, I'll pass the small trowel and the glove over to you | 0:18:20 | 0:18:25 | |
and you can have a go at building it up, eh? | 0:18:25 | 0:18:28 | |
-Yeah. -Here's the goggles first. -Thank you. | 0:18:28 | 0:18:31 | |
That's right. | 0:18:33 | 0:18:35 | |
It's not actually as hard as I thought it was going to be. | 0:18:40 | 0:18:42 | |
Yes, that is looking a bit too good now. | 0:18:47 | 0:18:49 | |
I don't need any more competition around these ways! | 0:18:49 | 0:18:51 | |
HE LAUGHS | 0:18:51 | 0:18:53 | |
Once Jamie's design is dry, it can be painted. | 0:18:53 | 0:18:56 | |
-I think... I think that's me done. -That's the base to start from now. | 0:19:00 | 0:19:04 | |
We'll leave that for an hour, let it dry in a bit and do some more. | 0:19:04 | 0:19:08 | |
-But that was really good. Well done. -Thanks. | 0:19:08 | 0:19:10 | |
You've done better than most on their first attempt. | 0:19:10 | 0:19:13 | |
Thank you so much for that, Bill. | 0:19:13 | 0:19:14 | |
-That's been really interesting. -My pleasure. | 0:19:14 | 0:19:16 | |
-It's been nice to meet you both. -Thank you. -Thank you. | 0:19:16 | 0:19:18 | |
-Hope you find what you're looking for. -Cheers. -Cheers. | 0:19:18 | 0:19:21 | |
It is the second day of our house-hunt | 0:19:23 | 0:19:25 | |
and with a budget of just under £500,000, | 0:19:25 | 0:19:28 | |
psychologist Michelle and psychotherapist Jamie | 0:19:28 | 0:19:31 | |
are hoping to trade in their London maisonette | 0:19:31 | 0:19:33 | |
for a serene and spacious rural retreat in north-west Essex. | 0:19:33 | 0:19:37 | |
Still to come are two more houses, including the Mystery House, | 0:19:37 | 0:19:40 | |
which leaves our buyers speechless, but not in the way I would like. | 0:19:40 | 0:19:44 | |
What do you reckon? | 0:19:44 | 0:19:45 | |
-It's quite cold in here. -Yeah. | 0:19:48 | 0:19:50 | |
And I am also having shivers as I explore a secret nuclear bunker. | 0:19:50 | 0:19:55 | |
Now, this is quite chilling, isn't it? | 0:19:55 | 0:19:58 | |
That was the whole raison d'etre of this bunker. | 0:19:58 | 0:20:00 | |
Well, so far, the Essex countryside does seem to be wooing | 0:20:02 | 0:20:05 | |
Jamie and Michelle, but I am not entirely convinced | 0:20:05 | 0:20:08 | |
we have found them a property just yet. | 0:20:08 | 0:20:10 | |
So, today, it is all to play for. | 0:20:10 | 0:20:12 | |
We're heading next to the village of Great Horkesley, | 0:20:12 | 0:20:15 | |
three miles north of Colchester. | 0:20:15 | 0:20:18 | |
All essential facilities can be found in the village, | 0:20:18 | 0:20:20 | |
including a shop and post office, as well as some luxuries too | 0:20:20 | 0:20:24 | |
by way of a great pub and even a wine boutique. | 0:20:24 | 0:20:27 | |
There are also a good variety of primary schools to choose from | 0:20:27 | 0:20:30 | |
within a five-mile radius. | 0:20:30 | 0:20:32 | |
Down a lane just off the main road is our next property, | 0:20:32 | 0:20:35 | |
a picture-perfect cottage. | 0:20:35 | 0:20:38 | |
-Now, what about this, then? -Wow. -Wow. | 0:20:38 | 0:20:41 | |
-That's amazing. -That is something, isn't it? -Yes. | 0:20:41 | 0:20:43 | |
-It is like in a fairytale. -Isn't it? | 0:20:43 | 0:20:44 | |
-Yeah. -The real McCoy. | 0:20:44 | 0:20:47 | |
It really is the real McCoy. This was built, we think, about 1620. | 0:20:47 | 0:20:51 | |
Classic thatch. Not surprisingly, it is listed, Grade II. | 0:20:51 | 0:20:54 | |
But that shouldn't concern you because the whole thing | 0:20:54 | 0:20:57 | |
has been beautifully - and I mean beautifully - renovated. | 0:20:57 | 0:21:00 | |
-It is fabulous. -We wouldn't want to change it. | 0:21:00 | 0:21:02 | |
That's what we were looking for - old on the outside, new on the inside. | 0:21:02 | 0:21:05 | |
In terms of the future, schools - Colchester is awash with them. | 0:21:05 | 0:21:08 | |
The thatch is something you have to keep an eye on. | 0:21:08 | 0:21:11 | |
That is just part of the fun of having a listed building. | 0:21:11 | 0:21:14 | |
-OK. -Can't wait. -Can't wait to have a look. -Yeah. | 0:21:14 | 0:21:16 | |
Look at you two. Come on. | 0:21:16 | 0:21:18 | |
'Something else to be excited about is that this location | 0:21:19 | 0:21:22 | |
'has the shortest commute into London | 0:21:22 | 0:21:23 | |
'of all the properties we are showing our buyers. | 0:21:23 | 0:21:26 | |
'And when they get inside, I don't think they will ever want to leave.' | 0:21:26 | 0:21:30 | |
-Come on then. -Wow. -Gosh. | 0:21:30 | 0:21:32 | |
Oh, gosh. This is lovely. | 0:21:33 | 0:21:35 | |
I mean, as period cottages go, to use the local lingo, | 0:21:35 | 0:21:40 | |
-it's pukka. -THEY LAUGH | 0:21:40 | 0:21:42 | |
-Yes? -Yeah. -Gorgeous. Wood burner over there. | 0:21:42 | 0:21:46 | |
The oak floors run throughout. | 0:21:46 | 0:21:47 | |
The bones of the building have been exposed during the renovation, | 0:21:47 | 0:21:50 | |
-as you can see, these lovely beams. -Yeah. | 0:21:50 | 0:21:52 | |
-Is this you? -Yes. -Yeah. We were so open. | 0:21:52 | 0:21:55 | |
We just wanted wow factor, didn't we? And this has got it. | 0:21:55 | 0:21:57 | |
-Yeah. -Definitely. -There's a little music room through there, cum study. | 0:21:57 | 0:22:01 | |
-Yeah. -That will become apparent a little bit later on. -Mm-hm. | 0:22:01 | 0:22:05 | |
But suffice to say, it is all like this. It is lovely throughout. | 0:22:06 | 0:22:10 | |
The only concern I might have, as far as you're concerned, | 0:22:10 | 0:22:12 | |
from what you've said before, is the head height. | 0:22:12 | 0:22:15 | |
Oh, it is outdone by charm, though, isn't it? HE CHUCKLES | 0:22:15 | 0:22:18 | |
It is outdone by charm. Right answer. Come on, let's continue. | 0:22:18 | 0:22:21 | |
-This is the dining room. -Oh, wow. | 0:22:25 | 0:22:28 | |
-Oh, it is lovely. -Stunning. Stunning. -Yeah. | 0:22:28 | 0:22:31 | |
Perfect. Love it. | 0:22:31 | 0:22:34 | |
-JULES LAUGHS -It is gorgeous, isn't it? -Yeah. | 0:22:34 | 0:22:36 | |
-You've got an open fire there, which is rather nice too. -Yeah. | 0:22:36 | 0:22:39 | |
-Where do I sign? -Oh! Well... | 0:22:39 | 0:22:42 | |
I know Michelle and Jamie are also going to be smitten | 0:22:42 | 0:22:45 | |
by the bedrooms here. | 0:22:45 | 0:22:47 | |
There is an en-suite on this floor, | 0:22:47 | 0:22:49 | |
and the two bedrooms upstairs are both spacious double aspect | 0:22:49 | 0:22:52 | |
and each have their own staircase | 0:22:52 | 0:22:54 | |
and share a bathroom on the ground floor, | 0:22:54 | 0:22:56 | |
which is next to the heart of the home. | 0:22:56 | 0:22:59 | |
-Here we are, guys. -Oh, my God! -Ah, yes. | 0:22:59 | 0:23:02 | |
-Oh, this is amazing. -Amazing. That range. | 0:23:02 | 0:23:05 | |
-This is so beautiful. -Yeah. | 0:23:05 | 0:23:06 | |
Classic oil-fired range there. On at the moment, which is rather nice. | 0:23:06 | 0:23:11 | |
But in the heat of the summer, you can turn that off and use | 0:23:11 | 0:23:14 | |
the hob that's in the counter over there with the oven underneath. | 0:23:14 | 0:23:18 | |
-JAMIE CHUCKLES -This is so cool. This is my favourite by far. | 0:23:18 | 0:23:21 | |
What would your friends think of this? | 0:23:21 | 0:23:23 | |
As long as they're under six foot, they can come. | 0:23:23 | 0:23:25 | |
I think they'll be quite jealous. | 0:23:27 | 0:23:29 | |
It is just lovely. Come and have a look down here. | 0:23:29 | 0:23:31 | |
The whole thing opens up into this conservatory area, | 0:23:32 | 0:23:35 | |
which they've got as another dining area. | 0:23:35 | 0:23:36 | |
Of course, you've got the dining room next door as well, | 0:23:36 | 0:23:39 | |
so you could just fill it full of sofas and use it to relax in. | 0:23:39 | 0:23:41 | |
-Yeah. -I quite like it like that, the way they've got it. -I like it. | 0:23:41 | 0:23:44 | |
-Yeah, it's perfect. -The two options. -Still want to buy it? | 0:23:44 | 0:23:47 | |
-Yeah! -So far, so good. JULES CHUCKLES | 0:23:47 | 0:23:49 | |
Now, here you have got family bathroom with his-and-hers sinks, | 0:23:51 | 0:23:56 | |
bath and shower. | 0:23:56 | 0:23:58 | |
-But this...bedroom three, -SHE GASPS | 0:23:58 | 0:24:01 | |
is what I think would make a brilliant master for you. | 0:24:01 | 0:24:03 | |
Although the current owners use one of the bedrooms upstairs | 0:24:03 | 0:24:05 | |
as their room, this is the only one with an en-suite. | 0:24:05 | 0:24:09 | |
-Oh! -Wow. -So nice. | 0:24:09 | 0:24:11 | |
Looks... There's a hidden door. | 0:24:11 | 0:24:13 | |
-No, no, that bathroom there. -Oh. | 0:24:13 | 0:24:14 | |
-No! -Oh? -No, no. This one. | 0:24:14 | 0:24:17 | |
-Wow! -Wow. -Yeah? | 0:24:19 | 0:24:21 | |
-SHE SQUEALS Stunning. -Oh, my God! | 0:24:21 | 0:24:25 | |
-This is the most perfect bathroom ever. -Wow. -Wow. | 0:24:25 | 0:24:28 | |
-You wanted a wet room, didn't you? -Yes! -Absolutely. | 0:24:28 | 0:24:31 | |
-Wow. -We definitely wanted a really nice shower | 0:24:31 | 0:24:33 | |
-and that is amazing. -Yeah. | 0:24:33 | 0:24:35 | |
And remember that music room and study I talked about | 0:24:35 | 0:24:38 | |
-on the way in? -Yeah. | 0:24:38 | 0:24:39 | |
There it is. The whole thing sort of flows round on itself. | 0:24:39 | 0:24:41 | |
If you didn't want it as a study, | 0:24:41 | 0:24:43 | |
-you could have it as a separate dressing room. -Yeah. | 0:24:43 | 0:24:45 | |
-Perfect. -And it is for sale. | 0:24:45 | 0:24:47 | |
SHE SQUEALS Which helps. | 0:24:47 | 0:24:49 | |
-JULES LAUGHS -But how much is it for sale for? | 0:24:49 | 0:24:52 | |
-Oh, well... -Come on. | 0:24:52 | 0:24:54 | |
'The large garden can be accessed through the kitchen, | 0:24:56 | 0:24:59 | |
'but we're heading back through the front entrance.' | 0:24:59 | 0:25:02 | |
Oh, and it's sunny. Look at this! | 0:25:02 | 0:25:03 | |
'And there is also a terrace, garage and drive for off-street parking.' | 0:25:05 | 0:25:08 | |
It is quite tempting, isn't it? | 0:25:08 | 0:25:10 | |
The only other thing to point out, really, is that garage, | 0:25:10 | 0:25:13 | |
which you might want to think about turning into | 0:25:13 | 0:25:15 | |
something more useful for you, | 0:25:15 | 0:25:17 | |
-maybe office, garden office, consulting room. -Yeah. | 0:25:17 | 0:25:20 | |
-Maybe. -Totally. -What is it worth, then? | 0:25:20 | 0:25:22 | |
All right, well... | 0:25:23 | 0:25:25 | |
I don't think you'd be too evil to give us something | 0:25:25 | 0:25:27 | |
way over our asking price. | 0:25:27 | 0:25:29 | |
But I think it is going to have to be slightly. | 0:25:29 | 0:25:32 | |
So, our maximum was £495,000. I am going to go for £499... | 0:25:32 | 0:25:36 | |
950. | 0:25:36 | 0:25:38 | |
-£499,950. -Or bang on the nose, £500,000. -OK. | 0:25:38 | 0:25:41 | |
I am going to go for £495,000, top end of budget. | 0:25:41 | 0:25:45 | |
Right. | 0:25:45 | 0:25:47 | |
If it were £499,950, could you find the best part of five grand? | 0:25:49 | 0:25:55 | |
Yeah, there are ways and means, yeah. | 0:25:56 | 0:25:59 | |
It is on at £499,995. | 0:25:59 | 0:26:02 | |
-Oh, wow! -JULES LAUGHS | 0:26:02 | 0:26:04 | |
Now, saying that, it has only been on the market for six weeks. | 0:26:04 | 0:26:07 | |
The owners have got their eye on something else down the road, | 0:26:07 | 0:26:10 | |
so I suspect, given your 495, there is a conversation to be had. | 0:26:10 | 0:26:16 | |
Well, go back, have another look around. | 0:26:16 | 0:26:18 | |
In particular, check out those two bedrooms upstairs | 0:26:18 | 0:26:20 | |
and I'll catch up with you a little bit later. | 0:26:20 | 0:26:22 | |
-OK. -Thanks, Jules. -Off you go. | 0:26:22 | 0:26:24 | |
Creeping over budget by just under £5,000, | 0:26:27 | 0:26:30 | |
this three-bedroom property has won our couple over | 0:26:30 | 0:26:33 | |
with its 17th-century charm and stunning modern restoration. | 0:26:33 | 0:26:37 | |
There is a stand-out kitchen conservatory | 0:26:37 | 0:26:39 | |
and a potential home office. | 0:26:39 | 0:26:41 | |
Just four miles from Colchester, its location is perfect too, | 0:26:41 | 0:26:44 | |
providing our shortest commute to London | 0:26:44 | 0:26:47 | |
of just an hour and ten minutes. | 0:26:47 | 0:26:49 | |
As soon as I came in, I was like, "This is where I want to live." | 0:26:49 | 0:26:51 | |
Yeah. I guess in a way, it was love at first sight. | 0:26:51 | 0:26:54 | |
This is exactly how we'd have our kitchen if we could choose, right? | 0:26:54 | 0:26:58 | |
-You wouldn't change anything? -No, I wouldn't. | 0:26:58 | 0:27:00 | |
I love it so much. I really want to move in. | 0:27:00 | 0:27:02 | |
-HE CHUCKLES -Seriously. | 0:27:02 | 0:27:05 | |
-Come on. -Can't miss out. | 0:27:05 | 0:27:06 | |
You can see they've already got a small family living here already, | 0:27:06 | 0:27:10 | |
so that is sort of where we are at our life stage, | 0:27:10 | 0:27:12 | |
so you could see at least for the next ten years, | 0:27:12 | 0:27:15 | |
this could be perfect. | 0:27:15 | 0:27:16 | |
I think we are both very keen, so fingers crossed we can get the house. | 0:27:17 | 0:27:21 | |
-How are we doing, then? -Oh, brilliant. | 0:27:24 | 0:27:26 | |
-Could this be the one? -Yes. -Very much so. -I think so. | 0:27:26 | 0:27:29 | |
-It is certainly your favourite of the lot so far? -Definitely. | 0:27:29 | 0:27:32 | |
-Definitely our favourite. -Hold that thought. Come on. | 0:27:32 | 0:27:34 | |
Well, our Mystery House certainly has a lot to live up to now. | 0:27:42 | 0:27:46 | |
So, I am taking a gamble. My plan is to offer them a bit of a project. | 0:27:46 | 0:27:51 | |
Our final property has an incredibly historic shell, | 0:27:51 | 0:27:54 | |
but if they were to get the planning permission needed, | 0:27:54 | 0:27:57 | |
they could give it a fabulous interior precisely to their tastes. | 0:27:57 | 0:28:01 | |
To find out if they will embrace this challenge, | 0:28:01 | 0:28:03 | |
we're heading to the village of Ridgewell, | 0:28:03 | 0:28:06 | |
14 miles north of Braintree. | 0:28:06 | 0:28:08 | |
In the centre of Ridgewell is a village green | 0:28:08 | 0:28:10 | |
surrounded by listed buildings, | 0:28:10 | 0:28:12 | |
and a large proportion of the village is in a conservation area. | 0:28:12 | 0:28:15 | |
There are also some pubs and a beautiful 14th-century church. | 0:28:15 | 0:28:19 | |
The mystery property is in the heart of the village. | 0:28:19 | 0:28:22 | |
Right, chaps, well, here is... | 0:28:24 | 0:28:26 | |
-..our Mystery House. -Yep. | 0:28:27 | 0:28:29 | |
It is the yellow bit. | 0:28:29 | 0:28:31 | |
You can probably just make out | 0:28:31 | 0:28:32 | |
-that little carving that says 1585. -Oh, yeah. | 0:28:32 | 0:28:35 | |
It is the oldest one of the lot we have been able to show you. | 0:28:35 | 0:28:38 | |
Similar style as well. Timber-frame classic for this part of the world. | 0:28:38 | 0:28:43 | |
It is technically a semi, as you can see. | 0:28:43 | 0:28:45 | |
-But it's got loads and loads of features in it. -OK. | 0:28:45 | 0:28:48 | |
So, it is really nice. | 0:28:48 | 0:28:49 | |
-If you like the old, which you did with our last property... -Loved it. | 0:28:49 | 0:28:52 | |
..this, again, is more of the same, but even older. | 0:28:52 | 0:28:55 | |
-What do you think? -Nice. | 0:28:56 | 0:28:58 | |
Not so sure about the road, but let's go and have a look inside. | 0:28:58 | 0:29:01 | |
Keep an open mind. Let's have a look. | 0:29:01 | 0:29:02 | |
The house is also Grade II listed. | 0:29:04 | 0:29:07 | |
The front entrance is through an original timber door, | 0:29:07 | 0:29:10 | |
although today we're using the back entrance | 0:29:10 | 0:29:12 | |
into the recently renovated kitchen. | 0:29:12 | 0:29:13 | |
Right. | 0:29:15 | 0:29:16 | |
I know what you're going to say, | 0:29:18 | 0:29:20 | |
and your face has already said it, Michelle. | 0:29:20 | 0:29:23 | |
"It is a bit small, Jules." Yes, it is. | 0:29:23 | 0:29:26 | |
-But this doesn't have to be the kitchen. -OK. | 0:29:26 | 0:29:29 | |
This might become a utility or a boot room, | 0:29:29 | 0:29:32 | |
or maybe even a study, if you wanted it to be. | 0:29:32 | 0:29:35 | |
-Ticthy. -Mm? -SHE SNIGGERS | 0:29:35 | 0:29:38 | |
Hmm. | 0:29:38 | 0:29:39 | |
Bear with me. Think about it - 1585, it is oozing with history. | 0:29:39 | 0:29:44 | |
And a reasonable amount of space. This is currently the living room. | 0:29:44 | 0:29:47 | |
-OK. -Higher ceilings. -Oh, yeah. -Yeah. -Lots of lovely beams. | 0:29:50 | 0:29:54 | |
That door there takes you through to the corridor, | 0:29:54 | 0:29:57 | |
which is the front door. Again, all original. | 0:29:57 | 0:29:59 | |
-The layout is beautifully original, actually. -Mm-hm. | 0:29:59 | 0:30:01 | |
You've got that lovely pukka fireplace over there | 0:30:01 | 0:30:03 | |
with the wood burner and all the rest of it. Classic inglenook. | 0:30:03 | 0:30:06 | |
In terms of space and feel, what do you reckon? | 0:30:06 | 0:30:10 | |
Erm... | 0:30:12 | 0:30:14 | |
Oh. SHE LAUGHS | 0:30:14 | 0:30:16 | |
-It is quite cold in here. -Yeah. | 0:30:16 | 0:30:18 | |
It is currently unused, unlived in at the moment. | 0:30:18 | 0:30:21 | |
So, it has got a slightly damp air | 0:30:21 | 0:30:22 | |
because it has not been used regularly. | 0:30:22 | 0:30:26 | |
-Think of this as living room. -Mm-hm. | 0:30:26 | 0:30:27 | |
Think of this room as kitchen. Have a look at this. | 0:30:27 | 0:30:30 | |
They've got it as a dining area at the moment. | 0:30:32 | 0:30:34 | |
There's another lovely fireplace in there with a wood burner. | 0:30:34 | 0:30:36 | |
-Again, awash with beams. -Yep. | 0:30:36 | 0:30:38 | |
How about this as a kitchen, with doors out to the garden? | 0:30:39 | 0:30:42 | |
Yeah, I could see that working. | 0:30:42 | 0:30:44 | |
This will give you an opportunity to do something quite exciting. | 0:30:44 | 0:30:47 | |
The kitchen that's here, let's face it, it is not big enough, | 0:30:47 | 0:30:49 | |
-it's not going to work for you two. -No. | 0:30:49 | 0:30:51 | |
But bearing in mind, we all like the kitchen | 0:30:51 | 0:30:53 | |
to be the heart of our homes these days, | 0:30:53 | 0:30:55 | |
-I think you could have some fun in here. -Mm. | 0:30:55 | 0:30:57 | |
Michelle is so not convinced! | 0:30:57 | 0:30:59 | |
There is a twist to this one, which is why it is our Mystery House. | 0:31:00 | 0:31:03 | |
-OK. -That will become apparent. | 0:31:03 | 0:31:05 | |
'This property has four bedrooms | 0:31:06 | 0:31:07 | |
'accessed from two different stairways, | 0:31:07 | 0:31:10 | |
'but we're heading straight to the master.' | 0:31:10 | 0:31:12 | |
Up you come. Look at these floors. I love it. Elm boards. | 0:31:14 | 0:31:17 | |
Now, this is what we are thinking about for you. | 0:31:19 | 0:31:22 | |
-It is certainly the biggest of the lot. -Mm-hm. | 0:31:22 | 0:31:25 | |
It does feel a little unloved | 0:31:25 | 0:31:27 | |
because it is effectively, really, unfurnished, it is unused. | 0:31:27 | 0:31:30 | |
Not a bad size. | 0:31:30 | 0:31:32 | |
No, it has got the square footage. | 0:31:32 | 0:31:35 | |
And we're on somewhat of a slope. | 0:31:35 | 0:31:37 | |
It is often the way. | 0:31:37 | 0:31:38 | |
These timber-frame buildings do move over time. | 0:31:38 | 0:31:41 | |
They were built using what was called green oak, | 0:31:41 | 0:31:43 | |
so freshly cut oak. | 0:31:43 | 0:31:44 | |
And of course, once it is put together, | 0:31:44 | 0:31:46 | |
it then shrinks a bit and contracts and it twists and it moves, | 0:31:46 | 0:31:49 | |
and that is why you get these lovely odd shapes. | 0:31:49 | 0:31:52 | |
When you're looking at what is essentially an empty shell, | 0:31:52 | 0:31:55 | |
it is hard to make that work, I think. | 0:31:55 | 0:31:57 | |
At least in my mind. | 0:31:57 | 0:31:59 | |
Shall we just get it over and done with and talk about the price? | 0:31:59 | 0:32:01 | |
-OK. -Come on, then. | 0:32:01 | 0:32:03 | |
'I do think it is a shame that Michelle and Jamie | 0:32:03 | 0:32:05 | |
'haven't warmed to this home, because it is unique. | 0:32:05 | 0:32:08 | |
'In this part of the house is a shower room, | 0:32:08 | 0:32:11 | |
'as well as stairs up to the second bedroom on the floor above. | 0:32:11 | 0:32:14 | |
'Bedrooms three and four on the other side of the house | 0:32:14 | 0:32:17 | |
'are both unfurnished and shared a bathroom. | 0:32:17 | 0:32:20 | |
Looking at the outside of this building, it's absolutely all there. | 0:32:20 | 0:32:22 | |
It's in really, really good condition, | 0:32:22 | 0:32:24 | |
-so it is just a cosmetic fix. -Yes. | 0:32:24 | 0:32:27 | |
-It is. -But that in itself could be quite costly. | 0:32:27 | 0:32:30 | |
I know you'd redo the kitchen, that would cost some money. | 0:32:30 | 0:32:33 | |
And I'd say if you allowed £15,000 for that, you'd be comfortably off. | 0:32:33 | 0:32:37 | |
-For the kitchen? -Yeah, with a very, very nice kitchen. | 0:32:37 | 0:32:40 | |
But of course, it is all very well, but it does depend on the price. | 0:32:40 | 0:32:44 | |
-Yes. -So, Michelle... -Yeah. -HE LAUGHS | 0:32:44 | 0:32:47 | |
-Start with me. -You have got £495,000 to spend. -Yeah. | 0:32:47 | 0:32:51 | |
What is a Grade II village home worth, then? | 0:32:51 | 0:32:53 | |
I don't want to, like, offend the owners, | 0:32:54 | 0:32:57 | |
but I would think about £395,000. | 0:32:57 | 0:33:00 | |
-£395,000. -I would probably say about... | 0:33:00 | 0:33:03 | |
-I'd go with £400,000. -That would be quite cheap. | 0:33:04 | 0:33:07 | |
-That would save an awful lot of your £495,000. -Yes. Mm. | 0:33:07 | 0:33:10 | |
-You said you didn't really want to offend them. -No. | 0:33:10 | 0:33:13 | |
-You haven't. -Oh, good. -You've probably put a smile on their faces, | 0:33:15 | 0:33:18 | |
because this is on the market at £350,000. | 0:33:18 | 0:33:21 | |
-Wow! -OK. -OK. -Which is the twist. | 0:33:21 | 0:33:23 | |
-This is why it is our Mystery House. -That makes sense. | 0:33:23 | 0:33:26 | |
We thought we would save you the best part of £150,000, | 0:33:26 | 0:33:31 | |
which means you could do what you like in there. | 0:33:31 | 0:33:33 | |
-You could cover the whole thing in gold leaf if you wanted to. -Yeah. | 0:33:33 | 0:33:37 | |
-That changes things completely. -I'll bet it does. -Yeah. | 0:33:37 | 0:33:40 | |
Yes. I think you should have a good look around | 0:33:40 | 0:33:42 | |
-before you say anything else. -Yeah. | 0:33:42 | 0:33:44 | |
-OK, cool. -And I will come and find you later on. | 0:33:44 | 0:33:46 | |
Well, Michelle and Jamie may seem a bit daunted, | 0:33:49 | 0:33:51 | |
but a £145,000 under budget, this is | 0:33:51 | 0:33:55 | |
one well worth thinking about. | 0:33:55 | 0:33:57 | |
The Grade II listed property | 0:33:57 | 0:33:58 | |
has four bedrooms | 0:33:58 | 0:34:00 | |
with a generously-sized | 0:34:00 | 0:34:01 | |
sitting room and dining room, | 0:34:01 | 0:34:02 | |
as well as potential to create | 0:34:02 | 0:34:04 | |
a large kitchen diner. | 0:34:04 | 0:34:05 | |
And to get back to the capital would | 0:34:05 | 0:34:07 | |
take about an hour and a half. | 0:34:07 | 0:34:10 | |
So, what do you think? | 0:34:10 | 0:34:11 | |
It kind of scares me a bit, if I'm honest. | 0:34:13 | 0:34:15 | |
-I don't think it is really the project for us, is it? -No. | 0:34:15 | 0:34:19 | |
I think you have definitely found us a house here in Essex, | 0:34:19 | 0:34:22 | |
but unfortunately, it is not this house. | 0:34:22 | 0:34:25 | |
If this property had been done up | 0:34:25 | 0:34:26 | |
to the style of the thatched property, | 0:34:26 | 0:34:29 | |
it may have made the decision a bit more difficult. | 0:34:29 | 0:34:32 | |
However, having said that, | 0:34:33 | 0:34:35 | |
I actually preferred the location of the earlier property. | 0:34:35 | 0:34:38 | |
-Here we go. -HE CHUCKLES -Still smiling? | 0:34:38 | 0:34:41 | |
Oh, come on! It's not been that bad. | 0:34:42 | 0:34:43 | |
-We've shown you some really good properties this week. -You have. | 0:34:43 | 0:34:47 | |
-Yeah. -Time now to go and think about everything | 0:34:47 | 0:34:49 | |
we have had the chance to tempt you with. | 0:34:49 | 0:34:51 | |
-Yeah. -See what the future holds. -Yay! -Come on, then. | 0:34:51 | 0:34:53 | |
Mainly rural, Essex has its historic capital in Colchester. | 0:34:57 | 0:35:02 | |
Back in the first century AD, Camulodunum, as it was then called, | 0:35:02 | 0:35:05 | |
was the capital of the whole of Roman Britain. | 0:35:05 | 0:35:08 | |
But in the 1950s, | 0:35:08 | 0:35:10 | |
Essex could once again have become a centre of government. | 0:35:10 | 0:35:13 | |
With tensions between the United States | 0:35:13 | 0:35:15 | |
and the Soviet Union high post-World War II, | 0:35:15 | 0:35:18 | |
the Cold War raged | 0:35:18 | 0:35:20 | |
and the government wanted to be prepared for anything. | 0:35:20 | 0:35:23 | |
They decided to build a vast secret bunker that could become | 0:35:23 | 0:35:26 | |
an underground command centre in the event of a nuclear war. | 0:35:26 | 0:35:30 | |
They chose this farm near the village of Kelvedon Hatch | 0:35:30 | 0:35:33 | |
because of its proximity to London, | 0:35:33 | 0:35:35 | |
and bought 25 acres of land from farmer Mike Parish's grandfather. | 0:35:35 | 0:35:39 | |
-Mike. -Jules, how do you do? | 0:35:41 | 0:35:43 | |
-Very nice to see you, sir. -Nice to meet you too. | 0:35:43 | 0:35:46 | |
Now, this is going to be a house with a difference. | 0:35:46 | 0:35:49 | |
Well, it is certainly the biggest unsecret secret in the world. | 0:35:49 | 0:35:52 | |
-Come on, then. -It is different. -Show me around. | 0:35:52 | 0:35:54 | |
I like that. The biggest unsecret secret. | 0:35:54 | 0:35:57 | |
The entrance to the secret bunker is though the guardhouse, | 0:35:58 | 0:36:01 | |
which was designed to look like a post-war bungalow. | 0:36:01 | 0:36:04 | |
In the 1990s, once tensions between East and West had subsided | 0:36:05 | 0:36:09 | |
and the Cold War was over, the bunker was no longer needed. | 0:36:09 | 0:36:12 | |
Mike's family bought it back and turned it into a fascinating museum. | 0:36:12 | 0:36:17 | |
I am astonished, Mike, that this could have remained a secret, | 0:36:17 | 0:36:20 | |
given how many people were involved in its construction. | 0:36:20 | 0:36:23 | |
Well, in those days, the village of Kelvedon Hatch | 0:36:23 | 0:36:25 | |
was only a mere 150-odd souls, not the metropolis that it is now. | 0:36:25 | 0:36:30 | |
We didn't have radios, Facebook, instant communication, | 0:36:30 | 0:36:34 | |
so it was much easier to keep something quiet than nowadays. | 0:36:34 | 0:36:38 | |
But you lived above it, so you knew. | 0:36:38 | 0:36:40 | |
We knew it was here, correct. Watched it being built. | 0:36:40 | 0:36:43 | |
So, they basically dug an enormous hole, | 0:36:43 | 0:36:45 | |
-built a huge concrete bunker and then covered it up again. -That's it. | 0:36:45 | 0:36:49 | |
Ten-foot thick walls, nice, square. | 0:36:49 | 0:36:51 | |
Because thickness is what keeps radiation out. | 0:36:51 | 0:36:53 | |
People associate it with lead, cos it's dense. | 0:36:53 | 0:36:56 | |
But of course, you get the same thing | 0:36:56 | 0:36:58 | |
if you put wodges of concrete and dirt. | 0:36:58 | 0:37:00 | |
The object of a bunker, obviously, is to keep radiation out, | 0:37:00 | 0:37:02 | |
-which of course is... -Are these Geiger metres? | 0:37:02 | 0:37:05 | |
These are Geiger counters, yes. They would have detected radiation. | 0:37:05 | 0:37:08 | |
You can't see it, smell it, feel it, hear it, | 0:37:08 | 0:37:10 | |
and so you definitely needed something that would tell you | 0:37:10 | 0:37:13 | |
that it was there, or it would get you if you went outside. | 0:37:13 | 0:37:16 | |
These are the blast doors. | 0:37:17 | 0:37:19 | |
Once they are shut, the 600-odd people would be in here | 0:37:19 | 0:37:23 | |
for three months, or until they ran out of food. | 0:37:23 | 0:37:25 | |
The doors are made of steel, each one weighing about a tonne. | 0:37:26 | 0:37:30 | |
The bunker is 100-foot deep and set out over three levels, | 0:37:30 | 0:37:34 | |
covering 35,000 square feet. | 0:37:34 | 0:37:37 | |
On the middle floor, there was a space for a representative | 0:37:38 | 0:37:41 | |
from every department of government. | 0:37:41 | 0:37:43 | |
Now, this is quite chilling, isn't it? | 0:37:43 | 0:37:46 | |
"Availability and allocation of surviving resources." | 0:37:46 | 0:37:49 | |
You don't tend to think of it like that, | 0:37:49 | 0:37:51 | |
but that's, I suppose, the dub of it. | 0:37:51 | 0:37:52 | |
That was the whole raison d'etre of this bunker | 0:37:52 | 0:37:55 | |
was to be allocating surviving resources | 0:37:55 | 0:37:57 | |
to those of us that had survived. | 0:37:57 | 0:37:59 | |
'Down we go to the bottom level, | 0:38:00 | 0:38:03 | |
'where we're now 100 feet underground.' | 0:38:03 | 0:38:05 | |
It just goes on and on. | 0:38:05 | 0:38:07 | |
Well, this is the plotting floor. | 0:38:09 | 0:38:10 | |
That's where all the information would have been fed | 0:38:10 | 0:38:13 | |
so that they would know where a bomb had gone off | 0:38:13 | 0:38:15 | |
and where the radiation was spreading. | 0:38:15 | 0:38:18 | |
The red ones are the ground bursts. | 0:38:18 | 0:38:20 | |
They're the worst because they pick up the dust. | 0:38:20 | 0:38:22 | |
That's what goes in the atmosphere | 0:38:22 | 0:38:24 | |
and that's what carries the radiation. | 0:38:24 | 0:38:26 | |
The green ones are air bursts. | 0:38:26 | 0:38:28 | |
You don't get so much radiation because it produces a triangle, | 0:38:28 | 0:38:30 | |
but you get far more collateral damage. | 0:38:30 | 0:38:33 | |
And then the people down here, | 0:38:33 | 0:38:34 | |
they would have plotted this on here, got the direction of the wind | 0:38:34 | 0:38:37 | |
and they'd then be trying to move us, | 0:38:37 | 0:38:39 | |
the population, out of the way of that radiation. | 0:38:39 | 0:38:41 | |
We are heading back up to the top level | 0:38:44 | 0:38:46 | |
of this rather amazing construction. | 0:38:46 | 0:38:48 | |
Up here is where the living accommodation would have been, | 0:38:48 | 0:38:51 | |
including the sickbay. | 0:38:51 | 0:38:53 | |
This is when you realise how deep 100 foot is. | 0:38:53 | 0:38:55 | |
JULES LAUGHS | 0:38:55 | 0:38:57 | |
And you have walked up it more than most. | 0:38:57 | 0:38:59 | |
It's a very brutal business | 0:39:03 | 0:39:05 | |
to try and manage the effects of a nuclear attack. | 0:39:05 | 0:39:08 | |
I think that's right. | 0:39:08 | 0:39:09 | |
The commissioner here, who would have been a cabinet minister, | 0:39:09 | 0:39:12 | |
would have had a horrible job. | 0:39:12 | 0:39:14 | |
You have got to somehow maintain law and order, | 0:39:14 | 0:39:17 | |
in a limited way, because you are in here, safe, | 0:39:17 | 0:39:20 | |
without any problems - in inverted commas - | 0:39:20 | 0:39:22 | |
and they're out there that you have got to try and protect. | 0:39:22 | 0:39:25 | |
Thankfully, we never needed it. | 0:39:25 | 0:39:28 | |
But do you think it would still work today if it were needed? | 0:39:28 | 0:39:31 | |
Yes, it would work. | 0:39:31 | 0:39:32 | |
The filters are still downstairs, we're under positive pressure, | 0:39:32 | 0:39:35 | |
which keeps the stuff outside rather than it coming in. | 0:39:35 | 0:39:38 | |
So, I think, yes, it has got a pretty good chance of surviving. | 0:39:38 | 0:39:42 | |
So, if it does all go wrong, you're the man to come and see. | 0:39:42 | 0:39:44 | |
Absolutely. I've got the keys! JULES LAUGHS | 0:39:44 | 0:39:47 | |
Well, don't lose those, for goodness' sake. | 0:39:47 | 0:39:49 | |
Well, for our final chat with Jamie and Michelle, | 0:39:55 | 0:39:57 | |
I thought I'd give them a little bit of a treat. | 0:39:57 | 0:40:00 | |
I have brought them to one of my favourite spots | 0:40:00 | 0:40:02 | |
along the border with Essex and Suffolk. | 0:40:02 | 0:40:04 | |
These are the gorgeous grounds of Castle Hedingham. | 0:40:04 | 0:40:08 | |
They are over there. I think we have given them plenty of time. | 0:40:08 | 0:40:11 | |
-Hello again. -Hello to you, sir. Hello, madam. -Hello. | 0:40:17 | 0:40:20 | |
-How are we doing? -Good, thanks. -Very good. -You have been thinking? | 0:40:20 | 0:40:24 | |
-Mm-hm. -Very good. | 0:40:24 | 0:40:25 | |
Have you come up with a solution to the conundrum we have given you | 0:40:25 | 0:40:29 | |
with all of those wonderful houses we were able to show you? | 0:40:29 | 0:40:32 | |
I think so. | 0:40:32 | 0:40:33 | |
Some you have clearly loved, some you have not loved quite as much. | 0:40:33 | 0:40:37 | |
But let's talk about the one that you absolutely seem to adore. | 0:40:37 | 0:40:40 | |
I don't think it will be any surprise | 0:40:40 | 0:40:42 | |
to anyone watching this show, | 0:40:42 | 0:40:44 | |
but our thatched property has rather taken your hearts away. | 0:40:44 | 0:40:47 | |
-It has. -I think it is a bit of a no-brainer with this one. -Yeah. | 0:40:47 | 0:40:50 | |
I've always said to Michelle that wherever we move to, | 0:40:50 | 0:40:53 | |
I'm not going to spend that amount of money | 0:40:53 | 0:40:55 | |
-unless I am excited to go there. And we did feel that. -Yeah. | 0:40:55 | 0:40:58 | |
It would be a move that | 0:40:58 | 0:41:00 | |
-we'd feel excited about moving to this house. -Yeah. | 0:41:00 | 0:41:03 | |
It gave you that contemporary feel | 0:41:03 | 0:41:05 | |
-in the older building. -Yeah. -Absolutely. | 0:41:05 | 0:41:08 | |
It's just to our taste. Wouldn't change a thing. | 0:41:08 | 0:41:10 | |
It is a gorgeous property. | 0:41:10 | 0:41:12 | |
And in terms of location, it is on the northern side of Colchester. | 0:41:12 | 0:41:15 | |
It is - what? - ten minutes to the mainline station into Colchester. | 0:41:15 | 0:41:20 | |
-It is the best part of town to be in. -Yeah. | 0:41:20 | 0:41:23 | |
And, of course, you have got access northward to Suffolk | 0:41:23 | 0:41:25 | |
-and all the fun that that offers you as well. -Exactly. | 0:41:25 | 0:41:28 | |
Exactly. That's why it's so good for us, because it's in between both. | 0:41:28 | 0:41:31 | |
Get the best of both worlds. | 0:41:31 | 0:41:33 | |
Did you think you would find something | 0:41:33 | 0:41:35 | |
when you started this process? | 0:41:35 | 0:41:36 | |
-We hoped. -Yeah, we had hoped. | 0:41:38 | 0:41:39 | |
We kept an open mind and I did have faith that we would find something, | 0:41:39 | 0:41:43 | |
but not quite as amazing as what we did find. | 0:41:43 | 0:41:47 | |
I'm delighted that our thatched property has stolen your hearts. | 0:41:47 | 0:41:50 | |
So, what happens next? | 0:41:50 | 0:41:52 | |
Because I suspect it is not going to be on the market that long. | 0:41:52 | 0:41:54 | |
-Mm. -Yes, well. | 0:41:54 | 0:41:56 | |
The other thing is, we have got to sell our property first, | 0:41:56 | 0:41:59 | |
so I think a tentative offer might be the next move | 0:41:59 | 0:42:04 | |
and then just have to keep ringing my estate agent | 0:42:04 | 0:42:07 | |
and get him to pull his finger out! THEY BOTH LAUGH | 0:42:07 | 0:42:10 | |
-Guys, it has been an absolute pleasure. -Thanks. | 0:42:10 | 0:42:12 | |
-Jamie, thank you very much indeed. -Thank you. | 0:42:12 | 0:42:14 | |
-Michelle, all the best to you. -Thank you. | 0:42:14 | 0:42:16 | |
-I'm glad you like Essex. -Yes, I do. -It's all right, isn't it? | 0:42:16 | 0:42:18 | |
Not a bad gaff. THEY ALL LAUGH | 0:42:18 | 0:42:21 | |
Well, I have had a lot of fun this week | 0:42:26 | 0:42:29 | |
revisiting the villages and the countryside that I once grew up in. | 0:42:29 | 0:42:32 | |
As we finish up here, overlooked by the lovely keep at Hedingham, | 0:42:32 | 0:42:36 | |
I am reminded of that old phrase | 0:42:36 | 0:42:38 | |
that every Englishman's home is his castle. | 0:42:38 | 0:42:41 | |
This was Aubrey de Vere II's version of it, which he began back in 1140. | 0:42:41 | 0:42:46 | |
He certainly knew what he wanted, and now hopefully, | 0:42:46 | 0:42:48 | |
Michelle and Jamie have got what they wanted. | 0:42:48 | 0:42:51 | |
It may not be a castle, but it is a gorgeous home. | 0:42:51 | 0:42:54 | |
I will see you next time. | 0:42:54 | 0:42:56 | |
If you'd like to escape to the country | 0:42:57 | 0:42:59 | |
in either England, Wales, Northern Ireland or Scotland | 0:42:59 | 0:43:02 | |
and would like our help, then please apply online at... | 0:43:02 | 0:43:05 |