Browse content similar to Gloucestershire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Soaring to a height of 148 feet, | 0:00:02 | 0:00:03 | |
this is the tallest Norman church tower in existence. | 0:00:03 | 0:00:06 | |
But where is it? Find out in just a moment. | 0:00:06 | 0:00:08 | |
Today's couple have spent the majority of their married life | 0:00:25 | 0:00:28 | |
living overseas and have decided it's time to come home. | 0:00:28 | 0:00:32 | |
So it's all hands on deck to try and find the perfect house. | 0:00:32 | 0:00:36 | |
-It's certainly got the factor that you wanted. -It has. | 0:00:36 | 0:00:39 | |
-Quirky. -Quirky! | 0:00:39 | 0:00:41 | |
'And we don't disappoint with the selection on offer.' | 0:00:41 | 0:00:44 | |
-It's cute. -Cute. Is that good or bad? | 0:00:44 | 0:00:47 | |
-That's very good. -Good. -That's very good. | 0:00:47 | 0:00:49 | |
Today we're in Gloucestershire and this is Tewkesbury Abbey, | 0:00:50 | 0:00:53 | |
which began life as a Benedictine monastery at the beginning | 0:00:53 | 0:00:56 | |
of the 12th century and then was nearly pulled to the ground | 0:00:56 | 0:00:59 | |
during the dissolution of the monasteries in 1539. | 0:00:59 | 0:01:03 | |
In fact, it was only saved by the generosity of the people | 0:01:03 | 0:01:05 | |
of Tewkesbury who clubbed together | 0:01:05 | 0:01:07 | |
and paid the crown the princely sum of £453, | 0:01:07 | 0:01:11 | |
which was a fortune considering that the annual wage was | 0:01:11 | 0:01:14 | |
just £13 back then. | 0:01:14 | 0:01:17 | |
But civic generosity and ecclesiastical magnificence | 0:01:17 | 0:01:20 | |
are not the only things that stand out in Gloucestershire. | 0:01:20 | 0:01:24 | |
Lying in a region which was once the wealthiest in Roman Britain, | 0:01:25 | 0:01:28 | |
the historic county of Gloucestershire | 0:01:28 | 0:01:30 | |
borders Oxfordshire to the east and Wales to the west. | 0:01:30 | 0:01:34 | |
The county's landscape covers more than 1,000 square miles of diverse | 0:01:34 | 0:01:38 | |
terrain and more than half of Gloucestershire has been recognised | 0:01:38 | 0:01:42 | |
as Areas of Outstanding Natural Beauty. | 0:01:42 | 0:01:44 | |
One of these areas is the magnificent Wye Valley | 0:01:44 | 0:01:47 | |
on the border between England and Wales, where the River Wye | 0:01:47 | 0:01:51 | |
makes its way through the picturesque village of Symonds Yat. | 0:01:51 | 0:01:55 | |
The ancient Forest of Dean used to be a royal hunting reserve | 0:01:55 | 0:01:59 | |
and was designated a National Forest Park in 1938, | 0:01:59 | 0:02:04 | |
providing Gloucestershire with 27,000 acres of accessible woodland. | 0:02:04 | 0:02:09 | |
It's thought to have inspired authors such as Tolkien | 0:02:09 | 0:02:12 | |
and JK Rowling, who had been drawn to its mystical beauty. | 0:02:12 | 0:02:16 | |
Head east and you'll pass through the undulating hills, valleys | 0:02:16 | 0:02:19 | |
and countryside of the idyllic Cotswolds. | 0:02:19 | 0:02:22 | |
The area is renowned for its honey-coloured limestone villages | 0:02:22 | 0:02:26 | |
such as Northleach, with market towns being among some of the most | 0:02:26 | 0:02:30 | |
desirable places to buy property in the UK. | 0:02:30 | 0:02:33 | |
It's no wonder then that this county is popular with buyers looking | 0:02:33 | 0:02:36 | |
to trade their busy city lives in exchange for some rural peace. | 0:02:36 | 0:02:41 | |
Unsurprisingly, you do have to pay a premium for all this | 0:02:45 | 0:02:49 | |
Gloucestershire gorgeousness. | 0:02:49 | 0:02:51 | |
The average price for a detached house here in the county | 0:02:51 | 0:02:54 | |
is £313,000, which is 10% above the national figure. | 0:02:54 | 0:02:59 | |
Of course, there is regional shading. | 0:02:59 | 0:03:01 | |
Over in the west around the Forest of Dean, | 0:03:01 | 0:03:04 | |
that's where you get the most value for your money. | 0:03:04 | 0:03:06 | |
And over in the east into the ever popular Cotswolds, | 0:03:06 | 0:03:09 | |
there you can pay double the county figure for the same property. | 0:03:09 | 0:03:13 | |
So which corner of Gloucestershire is luring our buyers today? | 0:03:13 | 0:03:17 | |
Let's meet them and find out. | 0:03:17 | 0:03:19 | |
Husband and wife Julie and Guy are temporarily renting | 0:03:20 | 0:03:24 | |
a Cotswold cottage for their house-hunting in Gloucestershire. | 0:03:24 | 0:03:27 | |
They've been married for over three decades and were introduced | 0:03:27 | 0:03:30 | |
by a mutual friend whilst working in the hotel industry. | 0:03:30 | 0:03:33 | |
Julie and I met on a boat on the Thames which was moored just | 0:03:33 | 0:03:37 | |
opposite the Savoy, where I used to work as a chef. | 0:03:37 | 0:03:39 | |
And funnily enough, the boat sank a few years later and we broke up. | 0:03:39 | 0:03:44 | |
When the boat was put back again, we got back together again. | 0:03:44 | 0:03:48 | |
There's still a boat outside the Savoy floating. | 0:03:48 | 0:03:51 | |
Well, it's made 31 years | 0:03:51 | 0:03:53 | |
so hopefully it will go on for a few more years yet! | 0:03:53 | 0:03:57 | |
Not long after they eventually tied the knot, our couple began | 0:03:57 | 0:04:00 | |
an adventurous expat existence still involved in the tourist business. | 0:04:00 | 0:04:05 | |
They have lived in countries such as Bahrain, Kenya | 0:04:05 | 0:04:08 | |
and for the past four years, Abu Dhabi. | 0:04:08 | 0:04:11 | |
You get to the point in expat life where your friends that you've known | 0:04:11 | 0:04:17 | |
when you've been living abroad have moved back. | 0:04:17 | 0:04:19 | |
So most of our friends now have moved back. | 0:04:19 | 0:04:23 | |
And that, coupled with the fact that our family are here, | 0:04:23 | 0:04:27 | |
you know, it's time for us to move back and, you know, | 0:04:27 | 0:04:30 | |
retire gracefully over here. | 0:04:30 | 0:04:33 | |
Julie and Guy have three children | 0:04:33 | 0:04:35 | |
and recently celebrated the arrival of their first grandchild. | 0:04:35 | 0:04:39 | |
Our beautiful granddaughter Aeida is a huge pull for us to come back. | 0:04:39 | 0:04:44 | |
For me, I really want to spend as much time around her | 0:04:44 | 0:04:48 | |
and future grandchildren as well. | 0:04:48 | 0:04:50 | |
In their childhoods, Julie was a farmer's daughter who grew up | 0:04:50 | 0:04:54 | |
in Hampshire and Guy went to boarding school in Somerset. | 0:04:54 | 0:04:57 | |
And now they're planning to start | 0:04:57 | 0:04:59 | |
-afresh in the green and pleasant pastures of Gloucestershire. -Peace. | 0:04:59 | 0:05:03 | |
One of the things of this wonderful cottage that we rented | 0:05:03 | 0:05:06 | |
is that it's so quiet. | 0:05:06 | 0:05:08 | |
Just listing to the blackbirds in the evening, it's just so beautiful. | 0:05:08 | 0:05:13 | |
Missed that. | 0:05:13 | 0:05:14 | |
The couple want to be close to the Cotswolds - an area that would | 0:05:14 | 0:05:17 | |
make the perfect base for them to retire to | 0:05:17 | 0:05:20 | |
and pursue their interests. | 0:05:20 | 0:05:21 | |
Generally, I think we will be enjoying the culture | 0:05:21 | 0:05:24 | |
and also the history of the UK, which I find fascinating. | 0:05:24 | 0:05:28 | |
For me, it's time. I want to set up my own place | 0:05:28 | 0:05:32 | |
and have a lovely garden. | 0:05:32 | 0:05:35 | |
Over the years, Guy and Julie have rented homes in the various | 0:05:35 | 0:05:37 | |
countries they've lived in. | 0:05:37 | 0:05:39 | |
The couple did invest in a London property | 0:05:39 | 0:05:41 | |
when they were first married, which they recently sold, | 0:05:41 | 0:05:44 | |
so now they're in a financial position to plan ahead. | 0:05:44 | 0:05:47 | |
It's the next phase of our life and it really is the future. | 0:05:47 | 0:05:50 | |
The possibility to settle in to our own house with our own things. | 0:05:50 | 0:05:54 | |
To be able to have family who come down for the weekend | 0:05:54 | 0:05:58 | |
or for Christmas. | 0:05:58 | 0:05:59 | |
Yeah, I think we think it's time to come home, | 0:05:59 | 0:06:01 | |
that's a no-brainer, isn't it? | 0:06:01 | 0:06:02 | |
That's absolutely right. | 0:06:02 | 0:06:04 | |
Guy and Julie love the theatre and festivals | 0:06:11 | 0:06:13 | |
so in an ideal world they would like to be within half an hour's drive | 0:06:13 | 0:06:17 | |
of cultural connections in Cheltenham, Gloucester or Stroud | 0:06:17 | 0:06:21 | |
but based somewhere rural enough for the lifestyle they want. | 0:06:21 | 0:06:25 | |
Before we start, I'm meeting up with them | 0:06:25 | 0:06:27 | |
in a rather picturesque spot within the county to get a fuller | 0:06:27 | 0:06:30 | |
picture of what it is they're after. | 0:06:30 | 0:06:32 | |
A very warm welcome to the Gloucestershire countryside. | 0:06:33 | 0:06:35 | |
It's not quite as warm as Abu Dhabi. | 0:06:35 | 0:06:37 | |
It's definitely not as warm as Abu Dhabi, which is about 45 degrees | 0:06:37 | 0:06:40 | |
at the moment. | 0:06:40 | 0:06:42 | |
-Ooh! -That's only a midday. -Only midday! | 0:06:42 | 0:06:45 | |
Is it nice to come back? Is this what you've been dreaming of? | 0:06:45 | 0:06:47 | |
Yes. It's fantastic. | 0:06:47 | 0:06:49 | |
I mean, just look around at the countryside here is amazing, | 0:06:49 | 0:06:53 | |
hear the birdsong and see the vibrant colours, | 0:06:53 | 0:06:56 | |
it's just so beautiful. | 0:06:56 | 0:06:57 | |
And tell me about the house that you're looking for. | 0:06:57 | 0:06:59 | |
What sort of spec is it going to have? | 0:06:59 | 0:07:01 | |
We'd love, I think, four bedrooms, a nice family kitchen and a garden. | 0:07:01 | 0:07:07 | |
A good garden, not huge but I love gardening and I love flowers so | 0:07:07 | 0:07:11 | |
-that's quite important for me as well. -And what about the location? | 0:07:11 | 0:07:14 | |
-Where do you want to live? -Probably just outside a village. | 0:07:14 | 0:07:18 | |
We'd like to be near major city, town that has got theatres | 0:07:18 | 0:07:23 | |
cos we both love theatre so that's quite important to us. | 0:07:23 | 0:07:27 | |
What about the architectural style of the house and the age? | 0:07:27 | 0:07:30 | |
I don't mind if it's quirky but inside I'd like the balance | 0:07:30 | 0:07:34 | |
between old and modern, so nice sort of modern finishes. | 0:07:34 | 0:07:38 | |
-And it's got lots of wisteria on the wall. -Right, OK. | 0:07:38 | 0:07:42 | |
And this, in some ways, really is our dream property | 0:07:42 | 0:07:46 | |
because we've always lived in other people's houses. | 0:07:46 | 0:07:49 | |
We've always had to rent by nature of the job. | 0:07:49 | 0:07:52 | |
-So, we've moved house, is it 11 times? -Yes. | 0:07:52 | 0:07:56 | |
I think this will be the 12th. | 0:07:56 | 0:07:57 | |
-BOTH: -And we want this to be the last. | 0:07:57 | 0:08:00 | |
I can understand that. Well, remind me again of your budget. | 0:08:00 | 0:08:03 | |
It's between 500 and 700. | 0:08:03 | 0:08:06 | |
OK. And when was the last time you bought property in the UK? | 0:08:06 | 0:08:09 | |
-27 years ago. -Gosh, 1987. | 0:08:09 | 0:08:11 | |
So have you been keeping an eye on the prices? | 0:08:12 | 0:08:14 | |
-Do you know how much things cost these days? -We do roughly, yes. | 0:08:14 | 0:08:18 | |
We've got a rough idea. I think top end will be 700,000. | 0:08:18 | 0:08:22 | |
We're ready to show you some houses. We've got some lovely houses. | 0:08:22 | 0:08:24 | |
-Actually, your budget is very healthy round here. -Good. | 0:08:24 | 0:08:27 | |
So the only thing is you have to like them. | 0:08:27 | 0:08:29 | |
-So come with me and see if you do. -Great. | 0:08:29 | 0:08:31 | |
With a maximum budget of £700,000, our couple want a characterful | 0:08:33 | 0:08:36 | |
property with a modern finish. | 0:08:36 | 0:08:38 | |
Preferably, it should have four bedrooms and a large kitchen | 0:08:38 | 0:08:42 | |
to accommodate visiting family. | 0:08:42 | 0:08:44 | |
As well as a manageable garden | 0:08:44 | 0:08:46 | |
with colourful country views. | 0:08:46 | 0:08:48 | |
We've selected some real gems to tempt both our buyers | 0:08:49 | 0:08:52 | |
but neither of them will find out how much each property | 0:08:52 | 0:08:55 | |
is on the market for until they've completed their tour. | 0:08:55 | 0:08:58 | |
Finally, we'll be powering our way towards the Mystery House, | 0:08:59 | 0:09:02 | |
which might turn our couple's heads and grind out a fantastic result. | 0:09:02 | 0:09:07 | |
What is the timescale if we find you somewhere and you fall in love? | 0:09:13 | 0:09:16 | |
We're seeing it as a phased move. | 0:09:16 | 0:09:19 | |
We'd like to get the house and do it up, furnish it, etc. | 0:09:19 | 0:09:22 | |
-Probably between a year to two years, I would say. -OK. | 0:09:22 | 0:09:26 | |
So a sort of staggered return. | 0:09:26 | 0:09:27 | |
If we find it sooner than later, | 0:09:27 | 0:09:30 | |
-it will be a great base for me to come back... -Right. | 0:09:30 | 0:09:33 | |
..to visit family while Guy is still earning our salary. | 0:09:33 | 0:09:37 | |
We're starting the house-hunt in the village of Ashleworth, | 0:09:39 | 0:09:42 | |
which is within a 30-minute drive of the large town of Cheltenham | 0:09:42 | 0:09:45 | |
as well as the city of Gloucester. | 0:09:45 | 0:09:47 | |
Ashleworth is a quaint civil parish surrounded by wonderful countryside | 0:09:47 | 0:09:52 | |
and located on the banks of the River Severn. | 0:09:52 | 0:09:56 | |
History-loving Guy may be interested to know that the village is | 0:09:56 | 0:09:59 | |
mentioned in the Domesday Book and was held by the | 0:09:59 | 0:10:02 | |
Earls of Berkeley after the Norman conquest. | 0:10:02 | 0:10:05 | |
Today, amenities include a post office and some award-winning pubs. | 0:10:05 | 0:10:10 | |
The property we've lined up is a short walk from the village centre | 0:10:10 | 0:10:13 | |
and I'm confident it has the character our couple | 0:10:13 | 0:10:16 | |
are looking for. | 0:10:16 | 0:10:17 | |
-Here's our first offering. -Wow. Very attractive. | 0:10:19 | 0:10:24 | |
-It looks very old. I'm thinking it's probably listed. -Well, it is old. | 0:10:24 | 0:10:29 | |
It's a set of two Tudor cottages. | 0:10:29 | 0:10:31 | |
Actually, the first front half with | 0:10:31 | 0:10:33 | |
a barn at the back that's been incorporated. | 0:10:33 | 0:10:36 | |
And then some 20th-century additions here at the front and the very back. | 0:10:36 | 0:10:40 | |
-But it's not listed. -Is it not? OK. It looks great. | 0:10:40 | 0:10:44 | |
-It's certainly different, isn't it? -Is it what you imagined? -Yes. | 0:10:44 | 0:10:47 | |
I've always wanted something that's full of character. | 0:10:47 | 0:10:51 | |
-And that certainly looks like it is. -It's got character. | 0:10:51 | 0:10:54 | |
I was thinking more Cotswold brick, that sort of thing | 0:10:54 | 0:10:57 | |
-so very different to what I was thinking. -Hmm. | 0:10:57 | 0:11:00 | |
I'm open-minded because it's a really attractive looking cottage | 0:11:00 | 0:11:04 | |
-and that could be very nice. -We're intrigued about the inside. | 0:11:04 | 0:11:08 | |
Good. Let's go inside, then. | 0:11:08 | 0:11:10 | |
'Guy and Julie like quirky older properties but | 0:11:10 | 0:11:13 | |
'with the modern finish. | 0:11:13 | 0:11:14 | |
'And over the past seven years | 0:11:14 | 0:11:16 | |
'the current owners have renovated throughout. | 0:11:16 | 0:11:18 | |
'We're passing through the entrance hall straight to the heart | 0:11:18 | 0:11:21 | |
'of the house that could be perfect for family gatherings.' | 0:11:21 | 0:11:25 | |
Mind your head. | 0:11:25 | 0:11:26 | |
-Ah! -It's just all right. It's just all right. -Lovely. | 0:11:28 | 0:11:31 | |
-Beautiful kitchen. -A Tudor kitchen. | 0:11:31 | 0:11:33 | |
A Tudor kitchen. Then you have a lovely sunroom here. | 0:11:33 | 0:11:36 | |
-Gosh, that's lovely to be able to sit out there. -Hmm. | 0:11:36 | 0:11:39 | |
-This is beautifully done, isn't it? -It's a gorgeous kitchen. | 0:11:39 | 0:11:42 | |
And lots and lots and lots of storage. | 0:11:42 | 0:11:44 | |
Underfloor heating also, which is a really nice touch. | 0:11:44 | 0:11:46 | |
-And beautiful flagstones as well. -Yeah. | 0:11:46 | 0:11:49 | |
And that island is gorgeous, | 0:11:49 | 0:11:51 | |
the way they've done that with the timbers. | 0:11:51 | 0:11:54 | |
Really, really nice, eh? | 0:11:54 | 0:11:55 | |
This is exactly the sort of kitchen that I would be really happy with. | 0:11:55 | 0:11:58 | |
It's gorgeous. Yeah, I mean, great. | 0:11:58 | 0:12:01 | |
-It's better than we imagined. -Yes, it is. -And a range. -Yes. | 0:12:01 | 0:12:05 | |
A range. Always fancied cooking on one of those. | 0:12:05 | 0:12:08 | |
In this wing of the house the | 0:12:08 | 0:12:10 | |
rest of the ground floor comprises | 0:12:10 | 0:12:11 | |
a handy utility room, | 0:12:11 | 0:12:13 | |
a study with garden views, | 0:12:13 | 0:12:15 | |
a family bathroom and | 0:12:15 | 0:12:16 | |
a sitting room. | 0:12:16 | 0:12:18 | |
This is a cosy living room with an open fire | 0:12:18 | 0:12:21 | |
and aspect to the front of the property, | 0:12:21 | 0:12:24 | |
but I want to take them to the other downstairs area. | 0:12:24 | 0:12:27 | |
The cottage has been extended | 0:12:27 | 0:12:28 | |
into an old outbuilding | 0:12:28 | 0:12:30 | |
connected by the original | 0:12:30 | 0:12:31 | |
entrance hall. | 0:12:31 | 0:12:32 | |
In this part of the house, | 0:12:32 | 0:12:34 | |
there's a ground-floor bedroom | 0:12:34 | 0:12:35 | |
and even more living space. | 0:12:35 | 0:12:38 | |
Well, it's a really useful space, isn't it, to have. | 0:12:38 | 0:12:42 | |
And you could probably convert this into a sitting room. | 0:12:42 | 0:12:44 | |
It would have that potential, wouldn't it? | 0:12:44 | 0:12:47 | |
-I see it as a nice comfortable sitting room-cum-dining. -Yeah. | 0:12:47 | 0:12:51 | |
And very different. It's certainly got the factor that you wanted. | 0:12:51 | 0:12:54 | |
-It has. -Quirky. -Quirky! -It's definitely quirky. | 0:12:54 | 0:12:57 | |
The quirky look. It is, it's very different. | 0:12:57 | 0:13:01 | |
-Shall we have a look upstairs? -Yes. Great. | 0:13:01 | 0:13:03 | |
'There are two levels on the first floor. | 0:13:05 | 0:13:07 | |
'The lower part has a shower room that is shared by two doubles, | 0:13:07 | 0:13:10 | |
'both presented as twin bedrooms, which could be handy in the future | 0:13:10 | 0:13:14 | |
'for accommodating more grandchildren. | 0:13:14 | 0:13:16 | |
'Then at the end of a corridor is a small staircase leading up to | 0:13:17 | 0:13:21 | |
'a space that could be perfect for Guy and Julie.' | 0:13:21 | 0:13:24 | |
This is the master bedroom. | 0:13:24 | 0:13:25 | |
It's very attractive again, isn't it? | 0:13:25 | 0:13:28 | |
Really, this bit's nice too. | 0:13:28 | 0:13:30 | |
You've got some walk-in wardrobes here and then a clever en suite. | 0:13:30 | 0:13:34 | |
-Oh, I say! -A shower room. -Fantastic. | 0:13:34 | 0:13:37 | |
For us it would be perfect to have a master bedroom with en suite. | 0:13:37 | 0:13:41 | |
It's got a very beautiful view over to what they call Caterpillar Hill. | 0:13:41 | 0:13:45 | |
It's a nice outlook from just looking outside onto | 0:13:45 | 0:13:48 | |
the grass and the field there. | 0:13:48 | 0:13:50 | |
-Quite different. -It is. And I love the colours they've used as well. | 0:13:50 | 0:13:54 | |
It's just so tastefully done. It's beautiful. | 0:13:54 | 0:13:56 | |
It's gorgeous. I love this room particularly. It's really nice. | 0:13:56 | 0:13:59 | |
This detached property has a south-facing terrace to one side, | 0:14:02 | 0:14:05 | |
with sensational views over the local countryside. | 0:14:05 | 0:14:08 | |
At the back is a garden laid to lawn with mature shrubs and borders, | 0:14:08 | 0:14:12 | |
as well as walnut and fruit trees. | 0:14:12 | 0:14:14 | |
-Is this about the right size? -Yes, it is. -It's perfect. | 0:14:16 | 0:14:18 | |
It's perfect and it's nice and secluded. | 0:14:18 | 0:14:21 | |
I think this side is very nicely done. | 0:14:21 | 0:14:23 | |
I think the other side would need a little bit of work. | 0:14:23 | 0:14:26 | |
-The front of the house, yes. -Just to brighten it up a bit. | 0:14:26 | 0:14:29 | |
I'd probably put a few flowerbeds in to put my own mark on it. | 0:14:29 | 0:14:33 | |
The big question is, how much is it on the market for? | 0:14:33 | 0:14:36 | |
What do you think the market value for this one is? | 0:14:36 | 0:14:38 | |
I would say for this house, would be on the market for £600,000. | 0:14:38 | 0:14:44 | |
-Yeah, I think it's going to be more than that. I think it's 650. -650? | 0:14:45 | 0:14:49 | |
You're very determined, I like it. Straight in there with the figures. | 0:14:49 | 0:14:52 | |
-It's actually midway between the two. It's on at 615. -615, uh-huh. | 0:14:52 | 0:14:57 | |
So a bit lower than you thought. | 0:14:57 | 0:14:59 | |
That leaves money to do it up a bit more. | 0:14:59 | 0:15:03 | |
A little bit left to spend. | 0:15:03 | 0:15:04 | |
So go back inside and explore | 0:15:04 | 0:15:06 | |
because we kind of whizzed round it, just to get your bearings | 0:15:06 | 0:15:09 | |
a bit inside and have a little root around. | 0:15:09 | 0:15:11 | |
And I'll see you out the front and we can go on to the next house. | 0:15:11 | 0:15:14 | |
-Excellent, thanks. -Thank you. -Head on in. | 0:15:14 | 0:15:16 | |
Very good first house. | 0:15:18 | 0:15:19 | |
I would sort of thinking that coming from Abu Dhabi | 0:15:19 | 0:15:22 | |
they'd be guessing like it was £150,000, like 1987 prices | 0:15:22 | 0:15:26 | |
but they're very professional so that's good. | 0:15:26 | 0:15:29 | |
I wonder whether if they've fallen in love with it, | 0:15:29 | 0:15:32 | |
that's the real question, here. | 0:15:32 | 0:15:35 | |
£85,000 under Guy and Julie's top budget, | 0:15:38 | 0:15:41 | |
the property fulfils a lot of their requirements. | 0:15:41 | 0:15:45 | |
It's an interesting mix of character and mod cons | 0:15:45 | 0:15:48 | |
with enough bedrooms and living space | 0:15:48 | 0:15:51 | |
to accommodate their family, | 0:15:51 | 0:15:53 | |
as well as a manageable garden in a rural setting, | 0:15:53 | 0:15:56 | |
which is less than 25-minute drive to Cheltenham. | 0:15:56 | 0:15:59 | |
The inside of the property is quite quirky. | 0:16:00 | 0:16:04 | |
It's definitely something that I wanted. The kitchen is fabulous. | 0:16:04 | 0:16:11 | |
So really spacious actually for twins, for twin beds. A good space. | 0:16:14 | 0:16:19 | |
You've got nice views outside. Look at that. That's gorgeous, look. | 0:16:19 | 0:16:23 | |
-That's an incredible view. -Wow. | 0:16:23 | 0:16:26 | |
What a beautiful view. | 0:16:26 | 0:16:28 | |
It's a very good start | 0:16:28 | 0:16:29 | |
and certainly the sort of thing that we're looking for. | 0:16:29 | 0:16:31 | |
So, marks out of ten? Seven. | 0:16:31 | 0:16:35 | |
-Think you'd be right to brighten the front up here. -Yeah. | 0:16:36 | 0:16:39 | |
-It's a bit of a car park at the moment, isn't it? -It is. | 0:16:39 | 0:16:41 | |
It's sort of not really a garage area and it's not really a garden | 0:16:41 | 0:16:44 | |
so it needs a lot more pots and... | 0:16:44 | 0:16:46 | |
-You do need some projects. -Yes, absolutely. | 0:16:46 | 0:16:48 | |
-This property certainly has legs. -It has. -Good. | 0:16:48 | 0:16:51 | |
It's been beautifully restored. | 0:16:51 | 0:16:53 | |
Good, so have we and we've got to | 0:16:53 | 0:16:54 | |
use them to get to the next property, so follow me. | 0:16:54 | 0:16:57 | |
In midwest Gloucestershire near the banks of the River Severn | 0:17:04 | 0:17:07 | |
is Westbury Court - one of the only remaining examples of a Dutch garden | 0:17:07 | 0:17:12 | |
to be found in the UK. | 0:17:12 | 0:17:13 | |
Guy and Judy have limited outside space in their Abu Dhabi townhouse | 0:17:14 | 0:17:18 | |
and so look forward to having their own dedicated garden to tend to. | 0:17:18 | 0:17:23 | |
They've come to meet head gardener Jerry Green | 0:17:23 | 0:17:25 | |
to get a little inspiration. | 0:17:25 | 0:17:27 | |
-Hi. -Hello, I'm Jerry. -Hello. Nice to meet you. | 0:17:28 | 0:17:31 | |
For over 300 years, Westbury Court belonged to the Colchester family, | 0:17:31 | 0:17:35 | |
who were landed gentry, | 0:17:35 | 0:17:37 | |
and the garden was designed by Maynard Colchester I in 1696. | 0:17:37 | 0:17:42 | |
What's the story of the Dutch inspiration? | 0:17:42 | 0:17:45 | |
In the late 1600s, we had a king and queen called William and Mary | 0:17:45 | 0:17:49 | |
that moved over from the Netherlands, Hampton Court, | 0:17:49 | 0:17:51 | |
and laid out a beautiful garden there | 0:17:51 | 0:17:53 | |
and all the minor royals and ladies and gents of the country | 0:17:53 | 0:17:56 | |
decided because they supported them, | 0:17:56 | 0:17:58 | |
they would redesign their gardens in the Dutch style. | 0:17:58 | 0:18:01 | |
What makes a Dutch garden Dutch? | 0:18:01 | 0:18:04 | |
It was what the English thought a Dutch garden should look like. | 0:18:04 | 0:18:08 | |
For example, we've got two canals in the garden. | 0:18:08 | 0:18:10 | |
They would never have that in Holland. | 0:18:10 | 0:18:12 | |
They're too short of land really. | 0:18:12 | 0:18:13 | |
They would have water features like pools and fountains but this | 0:18:13 | 0:18:17 | |
was how the English thought a Dutch garden should look like. | 0:18:17 | 0:18:20 | |
But it's mainly the utilitarianism of the garden. | 0:18:20 | 0:18:23 | |
It's got to be mixed with fruit, flowers, vegetables and meat. | 0:18:23 | 0:18:26 | |
The fish in the canals were to be eaten, we have a vegetable garden | 0:18:26 | 0:18:30 | |
mixed in with the fruit and flowers so it's the whole thing as one. | 0:18:30 | 0:18:34 | |
In the 1960s, the Colchester family sold Westbury Court Manor | 0:18:34 | 0:18:38 | |
to developers. | 0:18:38 | 0:18:40 | |
The plan was to build new houses on the site | 0:18:40 | 0:18:42 | |
and the garden became neglected. | 0:18:42 | 0:18:45 | |
Thankfully, in 1967, the local council and National Trust | 0:18:45 | 0:18:49 | |
joined forces and purchased the land. | 0:18:49 | 0:18:52 | |
The trust quickly set about a restoration project | 0:18:52 | 0:18:55 | |
and used an engraving from 1712 by Dutch artist Johannes Kip | 0:18:55 | 0:19:00 | |
to keep it as authentic as possible. | 0:19:00 | 0:19:03 | |
Well, these are our vegetable plots showing what was available | 0:19:04 | 0:19:08 | |
and grown in the 1700s. | 0:19:08 | 0:19:10 | |
Here we have asparagus, there is artichokes, globe artichokes | 0:19:10 | 0:19:14 | |
and a very near relative called a cardoon. | 0:19:14 | 0:19:17 | |
But all these were only sort of grown by the wealthy. | 0:19:17 | 0:19:20 | |
A poor man could use the land that this takes up to feed | 0:19:20 | 0:19:24 | |
his whole family for the year. | 0:19:24 | 0:19:26 | |
Whereas artichokes, asparagus and cardoons | 0:19:26 | 0:19:28 | |
only have about a five or six week period that you can crop them | 0:19:28 | 0:19:32 | |
so it locks up a lot of useful land for very small return. | 0:19:32 | 0:19:37 | |
During the 17th century, it was widely believed that it was | 0:19:37 | 0:19:40 | |
man who controlled nature | 0:19:40 | 0:19:42 | |
and this was particularly symbolised in the use of topiary - which was | 0:19:42 | 0:19:45 | |
the practice of clipping trees and shrubs into ornamental shapes. | 0:19:45 | 0:19:49 | |
Jerry has 225 pieces that need attention | 0:19:49 | 0:19:52 | |
and he's enlisted the help of our couple today. | 0:19:52 | 0:19:56 | |
You can use the shears on both sides. | 0:19:56 | 0:19:58 | |
Turning them upside down you can go round a curve much easier | 0:19:58 | 0:20:01 | |
than if they're that way on the flat. | 0:20:01 | 0:20:03 | |
You just follow the line of growth from last year. | 0:20:03 | 0:20:06 | |
You can see last year's growth is a bit darker so you know when to stop. | 0:20:06 | 0:20:10 | |
-Yeah. -Julie, do you want to tackle the top? -Yeah, I'll have a go. | 0:20:10 | 0:20:15 | |
-That looks like a bit of a challenge there. -This is not a good idea. | 0:20:15 | 0:20:18 | |
-It's probably best to do it this way up, isn't it? -Yes. | 0:20:18 | 0:20:20 | |
-OK. -Get the curve on it. | 0:20:20 | 0:20:22 | |
To structure the shapes, | 0:20:22 | 0:20:23 | |
Jerry uses canes that also help provide a guide to work to. | 0:20:23 | 0:20:27 | |
-How does that look? -That's looking really good. | 0:20:27 | 0:20:29 | |
SHE CHUCKLES | 0:20:29 | 0:20:31 | |
Here you are, Guy, you need the practice. | 0:20:31 | 0:20:33 | |
-What you mean, when we have our own? -Exactly. | 0:20:33 | 0:20:37 | |
It usually takes a couple of years for the shapes and shrubs | 0:20:37 | 0:20:40 | |
to establish, at which point Jerry removes the canes. | 0:20:40 | 0:20:44 | |
Yes, not too bad for a beginner. | 0:20:44 | 0:20:46 | |
If I have my glasses on I'd probably be able to do it better. | 0:20:46 | 0:20:50 | |
-There you go. What do you think of that? -Well done. | 0:20:50 | 0:20:53 | |
Well, hopefully this visit has shaped Julie and Guy's ideas | 0:20:53 | 0:20:56 | |
for their new garden. | 0:20:56 | 0:20:57 | |
But now it's time to get back to the house-hunt | 0:20:57 | 0:20:59 | |
and find them a property that's a cut above the rest. | 0:20:59 | 0:21:03 | |
For our next stop, we're heading to an archetypal Cotswolds village | 0:21:07 | 0:21:10 | |
called Bussage, | 0:21:10 | 0:21:11 | |
which is just a 10-minute drive from the town of Stroud. | 0:21:11 | 0:21:15 | |
It's located on the fringes of Frith Wood | 0:21:15 | 0:21:18 | |
and is full of the honey-coloured Cotswold limestone buildings | 0:21:18 | 0:21:21 | |
that Guy particularly likes. | 0:21:21 | 0:21:24 | |
The area should strike a chord with Julie too, | 0:21:24 | 0:21:26 | |
as there are many livestock paddocks here | 0:21:26 | 0:21:29 | |
which may remind her of her rural upbringing. | 0:21:29 | 0:21:32 | |
Amenities in Bussage include a public house and a village hall. | 0:21:32 | 0:21:36 | |
The historic church is a local landmark | 0:21:36 | 0:21:38 | |
and was consecrated in 1846 after being founded by Thomas Keble, | 0:21:38 | 0:21:43 | |
a well-known 19th-century Gloucestershire clergyman. | 0:21:43 | 0:21:47 | |
I've got a good feeling about the next house we're going to see | 0:21:47 | 0:21:50 | |
as I think it may have the wow factor | 0:21:50 | 0:21:52 | |
our couple are looking for. | 0:21:52 | 0:21:54 | |
We're approaching this attractive house via a gravelled driveway | 0:21:54 | 0:21:57 | |
that runs down the side of the property. | 0:21:57 | 0:21:59 | |
As you can see, Guy, I've managed to find you a Cotswolds stone cottage. | 0:22:00 | 0:22:04 | |
-Impressive. -It is. It's gorgeous, | 0:22:04 | 0:22:06 | |
and I love the look of it from the outside. | 0:22:06 | 0:22:08 | |
-It's the cottage feel... -It is, and that's exactly what I wanted. | 0:22:08 | 0:22:11 | |
It's super. | 0:22:11 | 0:22:12 | |
So, this is 1830s, | 0:22:12 | 0:22:13 | |
so it's, like, right at the beginning of the Victorian period, | 0:22:13 | 0:22:16 | |
-end of the Georgian period. -Mm-hm. | 0:22:16 | 0:22:17 | |
It's a quarryman's cottage originally, cos this was a quarry. | 0:22:17 | 0:22:21 | |
-Just in the middle there, you see the stone starts to change. -Yep. | 0:22:21 | 0:22:24 | |
So, that is actually only 30 years old, this extension. | 0:22:24 | 0:22:27 | |
It was originally a one-up, one-down cottage. | 0:22:27 | 0:22:30 | |
So, is this more in keeping of what you imagined? | 0:22:30 | 0:22:32 | |
Yes, it is. It looks fabulous. | 0:22:32 | 0:22:34 | |
It's very much the sort of outside look that I'd hoped for. | 0:22:34 | 0:22:38 | |
-That's a...is that of a Virginia creeper there? -It is. | 0:22:38 | 0:22:41 | |
-But if you look... -Is there a bit of wisteria? -Exactly. | 0:22:41 | 0:22:44 | |
-Woven... -Exactly what I was going... -Wisteria! -Where is it? | 0:22:44 | 0:22:48 | |
-You see those, like, slightly...? -Those bits at the bottom. | 0:22:48 | 0:22:50 | |
-Yes, the other leaf. -Yeah. -That's wisteria. Done deal. | 0:22:50 | 0:22:53 | |
Do you need to go inside or shall we just sign the cheque now? | 0:22:53 | 0:22:55 | |
-Yeah, let's just go for it now. -THEY CHUCKLE | 0:22:55 | 0:22:58 | |
Oh, go on, let's have a look. | 0:22:58 | 0:22:59 | |
Once again, this home has been tastefully renovated | 0:23:00 | 0:23:03 | |
and incorporates old period features with a slick, modern finish. | 0:23:03 | 0:23:07 | |
We're entering through the double doors of the old cottage | 0:23:07 | 0:23:10 | |
and making our way across | 0:23:10 | 0:23:11 | |
the original exposed floorboards of the entrance hall | 0:23:11 | 0:23:14 | |
to an important space for Guy and Julie. | 0:23:14 | 0:23:17 | |
Step in...to a super-duper country kitchen. | 0:23:17 | 0:23:21 | |
-Wow. -Oh, hey. Super. | 0:23:21 | 0:23:23 | |
Love the colour too. | 0:23:23 | 0:23:25 | |
-And another range. -And another range. | 0:23:25 | 0:23:28 | |
That looks like a proper old-fashioned one, doesn't it? | 0:23:28 | 0:23:31 | |
But what's good is that you also have a regular hob | 0:23:31 | 0:23:33 | |
-and a conventional oven as well. -And a conventional oven. | 0:23:33 | 0:23:35 | |
I think it's perfect. I mean, the size is good... | 0:23:35 | 0:23:38 | |
-And the right colours. -The right colours. | 0:23:38 | 0:23:40 | |
I love the layout. | 0:23:40 | 0:23:42 | |
Yeah, it's suites my taste completely, actually. | 0:23:42 | 0:23:45 | |
Really nice. | 0:23:45 | 0:23:47 | |
I'd like to show you the sitting room, | 0:23:47 | 0:23:48 | |
-which is very charming. -Great. | 0:23:48 | 0:23:50 | |
'Off the kitchen is the original dining room, | 0:23:50 | 0:23:52 | |
'which at the moment is being used as a playroom. | 0:23:52 | 0:23:55 | |
'Adjacent to this is a handy cloakroom, | 0:23:55 | 0:23:58 | |
'and as I'm leading them to the sitting room, | 0:23:58 | 0:24:00 | |
'I'm interested to know if they think this cottage provides | 0:24:00 | 0:24:02 | |
'enough space for all the family.' | 0:24:02 | 0:24:04 | |
You've got one, two, three, four, five. | 0:24:04 | 0:24:07 | |
You'd get five or six to seat. | 0:24:07 | 0:24:09 | |
It's fine for a sitting room. | 0:24:09 | 0:24:11 | |
And it's decorated in a way... | 0:24:11 | 0:24:13 | |
Probably we would look at similar sort of decorations. | 0:24:13 | 0:24:15 | |
Yes, very much, again, to our taste. | 0:24:15 | 0:24:17 | |
-Again, it's very tasteful. -It's lovely. | 0:24:17 | 0:24:19 | |
It'd be a great place at Christmas, wouldn't it? | 0:24:19 | 0:24:21 | |
It's got that lovely feel. | 0:24:21 | 0:24:23 | |
Cottage-y and lots of nice decorations. | 0:24:23 | 0:24:25 | |
Well, I can see that kitchen | 0:24:25 | 0:24:26 | |
-working for Christmas, definitely. -Yeah, I know. | 0:24:26 | 0:24:28 | |
Well, talking of Christmas guests, | 0:24:28 | 0:24:30 | |
you'd have to put them to bed somewhere, | 0:24:30 | 0:24:32 | |
and this house has five bedrooms. | 0:24:32 | 0:24:34 | |
-Oh, wow. -Ah! | 0:24:34 | 0:24:35 | |
'I thought the number of bedrooms might get a positive response, | 0:24:37 | 0:24:40 | |
'so we're heading upstairs to take a look. | 0:24:40 | 0:24:42 | |
'There are currently three that have been kitted out for children - | 0:24:42 | 0:24:46 | |
'a compact single and two decent doubles | 0:24:46 | 0:24:49 | |
'that would be great for any grandchildren. | 0:24:49 | 0:24:51 | |
'They all share a family bathroom, | 0:24:52 | 0:24:55 | |
'but on top of this, | 0:24:55 | 0:24:56 | |
'there is also a tastefully decorated en suite guest bedroom, | 0:24:56 | 0:25:00 | |
'and lastly, the one I'm showing them.' | 0:25:00 | 0:25:03 | |
So, this is being used as the master bedroom. | 0:25:03 | 0:25:05 | |
-Oh, my goodness. -Lovely. -What a beautiful room. | 0:25:05 | 0:25:09 | |
I love the wallpaper in here. | 0:25:09 | 0:25:11 | |
Just fits perfectly with it. | 0:25:11 | 0:25:13 | |
-I mean, the curtains matching, it just... -And... | 0:25:13 | 0:25:16 | |
Yeah, and that view. Oh, my. It's so pretty. | 0:25:16 | 0:25:19 | |
I mean, it's not a conventional view, | 0:25:19 | 0:25:21 | |
-but it's just really different... -Yeah. -..and very attractive. | 0:25:21 | 0:25:25 | |
-The thing about this house is that it's in a quarry. -Yes. | 0:25:25 | 0:25:27 | |
So, actually, you don't get any commanding views of the landscape. | 0:25:27 | 0:25:30 | |
No, but they're different. | 0:25:30 | 0:25:32 | |
-But that is balanced by privacy. -Yes. -Quite. | 0:25:32 | 0:25:34 | |
-So I think it's...it's worth it. -Yeah. | 0:25:34 | 0:25:37 | |
And then you've got a little en suite shower room as well. | 0:25:37 | 0:25:39 | |
-They really have used the space... -They really have. | 0:25:39 | 0:25:42 | |
-..exceptionally well. -Yes. | 0:25:42 | 0:25:43 | |
Surprising, cos from the outside, | 0:25:43 | 0:25:44 | |
you don't expect it to be as big inside. | 0:25:44 | 0:25:47 | |
-Very nice. Yeah. -It's cute. | 0:25:47 | 0:25:49 | |
Cute? Is that good or bad? | 0:25:49 | 0:25:51 | |
-That's very good. -That's very good. -Excellent. | 0:25:51 | 0:25:53 | |
-It's exceptionally good. -Great. | 0:25:53 | 0:25:55 | |
But let's go out into the garden and talk about price. | 0:25:55 | 0:25:57 | |
Despite its perceived cuteness, | 0:25:59 | 0:26:01 | |
this house comes with over a third of an acre of outside space | 0:26:01 | 0:26:05 | |
which includes a garage, mature plants and established trees | 0:26:05 | 0:26:10 | |
and a large lawn which is enclosed by a Cotswold stone wall | 0:26:10 | 0:26:13 | |
that gives it a sense of privacy. | 0:26:13 | 0:26:16 | |
So, what do you think it's on the market for? | 0:26:16 | 0:26:19 | |
I think it's the high-end of our budget, | 0:26:19 | 0:26:22 | |
so I would say probably £705,000. | 0:26:22 | 0:26:28 | |
I think it might even be slightly more than that. | 0:26:28 | 0:26:30 | |
-It's probably 710, something like that. -OK. | 0:26:30 | 0:26:33 | |
In this instance, you're both a little pessimistic. | 0:26:33 | 0:26:36 | |
This is on the market just under your top budget, | 0:26:36 | 0:26:38 | |
so this is on at 695. | 0:26:38 | 0:26:40 | |
-Ah! Ah. -That is perfect. -That is... Yes. | 0:26:40 | 0:26:43 | |
-OK, where do we sign? -Very encouraging. | 0:26:43 | 0:26:45 | |
THEY LAUGH That's what we love to hear. | 0:26:45 | 0:26:47 | |
Go and explore inside, and then I'll meet you out the front. | 0:26:47 | 0:26:51 | |
-Will do. -Perfect. Thanks. -Thank you. | 0:26:51 | 0:26:52 | |
Ching! | 0:26:53 | 0:26:55 | |
At £5,000 under budget, | 0:26:56 | 0:26:58 | |
I thought this house, with an interesting mix of | 0:26:58 | 0:27:01 | |
period features and a contemporary finish | 0:27:01 | 0:27:03 | |
would excite Julie and Guy, | 0:27:03 | 0:27:05 | |
and I wasn't wrong. | 0:27:05 | 0:27:06 | |
They really liked the spacious kitchen, | 0:27:06 | 0:27:09 | |
five bedrooms for accommodating visiting family | 0:27:09 | 0:27:11 | |
and the secluded quarry garden. | 0:27:11 | 0:27:13 | |
The bonus is that Stroud and its cultural hot spots | 0:27:13 | 0:27:16 | |
are just a 10-minute drive away. | 0:27:16 | 0:27:19 | |
It's a fascinating property because it looks like it's a tiny cottage, | 0:27:19 | 0:27:22 | |
and it's actually quite a large cottage once you get inside. | 0:27:22 | 0:27:25 | |
There's no views, which is something that we would've preferred, | 0:27:25 | 0:27:29 | |
but, actually, what you've got is an area which is totally protected | 0:27:29 | 0:27:32 | |
and very little possibility of people overlooking your property. | 0:27:32 | 0:27:35 | |
It's quite a plus, I think. | 0:27:35 | 0:27:37 | |
Ah! | 0:27:37 | 0:27:39 | |
-Ah! So, this is... -So, this is... -..the old dining room. | 0:27:39 | 0:27:42 | |
Ah. It's really nice. | 0:27:42 | 0:27:44 | |
-This could easily be made into a dining room again. -Mm. | 0:27:44 | 0:27:47 | |
And lovely looking out at that wall outside. | 0:27:47 | 0:27:51 | |
Very pretty. | 0:27:51 | 0:27:53 | |
It really is very nice. | 0:27:53 | 0:27:54 | |
I think that we'll have to think very carefully about this one. | 0:27:54 | 0:27:57 | |
It'd certainly be the sort of place I could see us living in | 0:27:57 | 0:28:00 | |
and the family coming to visit. | 0:28:00 | 0:28:02 | |
Do you know, there's quite a big wisteria under here. | 0:28:02 | 0:28:05 | |
It's being rather smothered by this the Virginia creeper. | 0:28:05 | 0:28:07 | |
You know, I think you could actually restore this wisteria | 0:28:07 | 0:28:10 | |
in quite a nice way | 0:28:10 | 0:28:11 | |
cos it's got this Virginia creeper growing over it. | 0:28:11 | 0:28:13 | |
-That could be your life's work. -Yes, it could, | 0:28:13 | 0:28:16 | |
cos if I could get wisteria all over the front, | 0:28:16 | 0:28:18 | |
yes, that would be a dream come true. | 0:28:18 | 0:28:20 | |
-It would just finish off the whole job. -It would. | 0:28:20 | 0:28:22 | |
That's what we like to hear. | 0:28:22 | 0:28:23 | |
But don't give up on the Mystery House - | 0:28:23 | 0:28:25 | |
-we've still got that to see tomorrow. -Great. | 0:28:25 | 0:28:27 | |
Dawn has broken on day two of | 0:28:34 | 0:28:36 | |
our property search in Gloucestershire. | 0:28:36 | 0:28:38 | |
With a maximum budget of £700,000, | 0:28:38 | 0:28:40 | |
married couple Guy and Julie have decided to leave | 0:28:40 | 0:28:43 | |
their expat life of 30 years behind | 0:28:43 | 0:28:46 | |
and return to the UK to be closer to their growing family. | 0:28:46 | 0:28:50 | |
Still to come, we've got a Mystery House | 0:28:50 | 0:28:52 | |
that certainly delivers on character... | 0:28:52 | 0:28:55 | |
-Do think it cracks nuts? -THEY CHUCKLE | 0:28:55 | 0:28:57 | |
Yes... | 0:28:57 | 0:28:59 | |
..and I waddle my way to a nature reserve | 0:28:59 | 0:29:01 | |
whose residents may melt my heart. | 0:29:01 | 0:29:04 | |
These are the maximum cuteness here. | 0:29:04 | 0:29:06 | |
We're all very excited this morning | 0:29:08 | 0:29:10 | |
because last night we overheard Guy and Julie talking about | 0:29:10 | 0:29:13 | |
how they must go to the estate agent | 0:29:13 | 0:29:14 | |
and put an offer in the house they saw yesterday afternoon | 0:29:14 | 0:29:17 | |
before it gets snapped up | 0:29:17 | 0:29:18 | |
which is a very positive sign, | 0:29:18 | 0:29:20 | |
particularly cos we all thought that | 0:29:20 | 0:29:22 | |
they might like the Mystery House most. | 0:29:22 | 0:29:23 | |
Well, they haven't seen it yet, | 0:29:23 | 0:29:25 | |
but whatever it is, this is not a run-of-the-mill property. | 0:29:25 | 0:29:29 | |
Or maybe it is a run-of-the-mill property. | 0:29:29 | 0:29:31 | |
Whichever one it may be, | 0:29:33 | 0:29:35 | |
what is for certain is the location of our Mystery House. | 0:29:35 | 0:29:37 | |
It lies in a village called Boddington, | 0:29:37 | 0:29:40 | |
which is around five miles from the town of Cheltenham. | 0:29:40 | 0:29:42 | |
Boddington is a small, peaceful village | 0:29:43 | 0:29:46 | |
with a local pub and plenty of cattle grazing | 0:29:46 | 0:29:48 | |
on the surrounding farmland. | 0:29:48 | 0:29:50 | |
I imagine it's the type of place | 0:29:50 | 0:29:51 | |
that might make Julie feel like she's coming home. | 0:29:51 | 0:29:55 | |
We're offering up something different with our Mystery House | 0:29:55 | 0:29:57 | |
and pitching it towards Guy's passion for history - | 0:29:57 | 0:30:01 | |
an old mill that dates back five centuries | 0:30:01 | 0:30:04 | |
and has been developed over the years | 0:30:04 | 0:30:06 | |
into a very interesting residence. | 0:30:06 | 0:30:08 | |
-Here's the mystery. -A millhouse. -Indeed. | 0:30:09 | 0:30:13 | |
So, the original Tudor millhouse | 0:30:13 | 0:30:15 | |
is sort of hidden inside this Victorian shell. | 0:30:15 | 0:30:18 | |
And so you can see all this brickwork | 0:30:18 | 0:30:19 | |
and the slate and everything goes back to about 150, 200 years, | 0:30:19 | 0:30:23 | |
but the actual kind of mill inside is Tudor. | 0:30:23 | 0:30:26 | |
What's that wheel? Is that some...? | 0:30:26 | 0:30:28 | |
So, these are the workings. The workings of the original mill | 0:30:28 | 0:30:31 | |
are kind of scattered through the house - you'll see inside. | 0:30:31 | 0:30:33 | |
But the actual mill was closed down sort of around the war, | 0:30:33 | 0:30:36 | |
but then was left derelict for about 40, 50 years. | 0:30:36 | 0:30:38 | |
It was remodelled in the 1980s. | 0:30:38 | 0:30:41 | |
-Fascinating. -Mm. It's a nice-coloured brick too, that. | 0:30:41 | 0:30:43 | |
-Well, you've hit the nail on the head. -Yeah. | 0:30:43 | 0:30:45 | |
-So, a thumbs up from the outside? -I think so. So far, yeah. | 0:30:45 | 0:30:48 | |
-Mm-hm. Interested? -It looks very interesting. | 0:30:48 | 0:30:50 | |
Let's go in. | 0:30:50 | 0:30:51 | |
The property's spread over three floors. | 0:30:52 | 0:30:54 | |
We're accessing it via steps that led down to the front door | 0:30:54 | 0:30:58 | |
and into an entrance hall. | 0:30:58 | 0:31:00 | |
On this lower ground floor there is a study and a spacious drawing room. | 0:31:00 | 0:31:05 | |
Come on through into a little slice of... | 0:31:05 | 0:31:08 | |
-Oh, my goodness. -..history. THEY CHUCKLE | 0:31:08 | 0:31:10 | |
-Amazing. -The working... Well, the wheel that was. | 0:31:10 | 0:31:14 | |
-Do you think it cracks nuts? -THEY CHUCKLE | 0:31:14 | 0:31:17 | |
-Yeah... -It's a very interesting and unusual room, | 0:31:17 | 0:31:20 | |
-and it'll always be a talking point. -Mm. | 0:31:20 | 0:31:22 | |
You will never be short of conversation | 0:31:22 | 0:31:24 | |
when you invite people round for dinner. | 0:31:24 | 0:31:26 | |
Is it the sort of place you could imagine living, though? | 0:31:26 | 0:31:29 | |
-Not sure. -Not sure yet. | 0:31:29 | 0:31:30 | |
-We'll see how it opens up as we go through. -Yeah. | 0:31:30 | 0:31:33 | |
-I think we need to see more of the property. -Yeah. | 0:31:33 | 0:31:35 | |
-Let's continue upstairs then. -Yeah. | 0:31:35 | 0:31:37 | |
'Steps take us up to the dining area, | 0:31:37 | 0:31:40 | |
'which is actually on the ground level, | 0:31:40 | 0:31:42 | |
'but we're continuing up to the first floor.' | 0:31:42 | 0:31:45 | |
There's a lovely seating area here which is probably more | 0:31:45 | 0:31:48 | |
-where you'd spend most of your time. -That's nice. Yes. | 0:31:48 | 0:31:50 | |
And then the kitchen adjoining. | 0:31:50 | 0:31:52 | |
Gosh. Yes. | 0:31:52 | 0:31:54 | |
-"Gosh." -Well, it's quite a small kitchen, isn't it? Yes. | 0:31:54 | 0:31:57 | |
But functional. I mean, it's got everything in here. | 0:31:57 | 0:32:00 | |
I see it as a perfect restaurant. | 0:32:00 | 0:32:02 | |
-A restaurant! -Yeah. | 0:32:02 | 0:32:04 | |
Where will you live? THEY CHUCKLE | 0:32:04 | 0:32:06 | |
Well, we could live nearby and have this as a restaurant - | 0:32:06 | 0:32:08 | |
make a fortune. | 0:32:08 | 0:32:10 | |
We'll see if you can turn the bedrooms into dining rooms too. | 0:32:10 | 0:32:14 | |
Sadly, this unusual historic home | 0:32:14 | 0:32:16 | |
is struggling to win over Julie and Guy, | 0:32:16 | 0:32:18 | |
but we're not grinding to a halt just yet | 0:32:18 | 0:32:21 | |
as I want them to see the first floor. | 0:32:21 | 0:32:23 | |
Here there's a family bathroom | 0:32:23 | 0:32:25 | |
with a rather unique period feature toilet | 0:32:25 | 0:32:28 | |
and two bedrooms. | 0:32:28 | 0:32:29 | |
One is dual aspect and being used as a twin | 0:32:29 | 0:32:32 | |
and the other one is the en-suite master. | 0:32:32 | 0:32:35 | |
This is the main bedroom. | 0:32:37 | 0:32:39 | |
-Wow. -Amazing bath. -Nice bath. | 0:32:39 | 0:32:41 | |
-Very nice bedroom. -It is. It's very nice indeed. | 0:32:43 | 0:32:46 | |
But quite a muted response from the two of you. | 0:32:46 | 0:32:48 | |
Yeah, it's...just not quite the sort of family feel. | 0:32:48 | 0:32:53 | |
I don't know. It's a bit sort of... | 0:32:53 | 0:32:55 | |
It's quite different, isn't it? | 0:32:55 | 0:32:57 | |
I'm quite shocked, really. | 0:32:57 | 0:32:59 | |
It's...it's...it's something so far removed from what I would go for, | 0:32:59 | 0:33:05 | |
what I would choose in a family home. | 0:33:05 | 0:33:07 | |
-Guy? -I'm speechless. -I'm trying to think of something to say. | 0:33:07 | 0:33:10 | |
-THEY CHUCKLE -I'm speechless. | 0:33:10 | 0:33:12 | |
-It just doesn't match. -Right. | 0:33:12 | 0:33:14 | |
Let's go into the garden, and I'll be interested to hear | 0:33:14 | 0:33:16 | |
-how much you think this property's worth. -Yes. | 0:33:16 | 0:33:18 | |
Yes, that will be a difficult one, I think. | 0:33:18 | 0:33:20 | |
This detached property sits on a plot | 0:33:22 | 0:33:24 | |
that is roughly a third of an acre and is mostly laid to lawn. | 0:33:24 | 0:33:28 | |
The original millpond, which makes a wonderful habitat for wildlife, | 0:33:28 | 0:33:32 | |
sits in a corner surrounded by reeds. | 0:33:32 | 0:33:35 | |
Purely academically, then, | 0:33:36 | 0:33:37 | |
what do you think this is on the market for? | 0:33:37 | 0:33:39 | |
I would say £515,000. | 0:33:39 | 0:33:44 | |
I think I'd go the same way as Julie. 500,000. | 0:33:44 | 0:33:47 | |
This is actually the most expensive property we're showing you. | 0:33:47 | 0:33:50 | |
-Oh. -This is on at £699,500. | 0:33:50 | 0:33:54 | |
-Oh, gosh. Goodness. -Amazing. | 0:33:54 | 0:33:57 | |
There must be some secret bedrooms we've not seen. | 0:33:57 | 0:34:00 | |
THEY CHUCKLE Yes. | 0:34:00 | 0:34:02 | |
Nonetheless, why don't you have a nose around inside, | 0:34:02 | 0:34:05 | |
and I'll come and catch up with you later on. | 0:34:05 | 0:34:07 | |
-Great. -OK. Thanks. -Thank you. | 0:34:07 | 0:34:09 | |
That is quite a...underestimate. | 0:34:10 | 0:34:13 | |
£200,000 - I think that's probably | 0:34:13 | 0:34:15 | |
the biggest I've ever had on the show. | 0:34:15 | 0:34:17 | |
Erm... Hm... | 0:34:17 | 0:34:19 | |
I guess it's a sign that they didn't really like it. | 0:34:19 | 0:34:22 | |
Our Mystery House was always going to be a gamble | 0:34:25 | 0:34:27 | |
but I think it was worth showing | 0:34:27 | 0:34:29 | |
history-loving Guy and Julie this old mill | 0:34:29 | 0:34:31 | |
as it's on the market for £500 less than the top end of their budget. | 0:34:31 | 0:34:36 | |
It offers age, character, | 0:34:36 | 0:34:38 | |
a manageable garden with an old millpond, | 0:34:38 | 0:34:40 | |
and it's just a 15-minute drive from Cheltenham. | 0:34:40 | 0:34:43 | |
It's a fascinating property. | 0:34:43 | 0:34:45 | |
It's full of history, full of character. | 0:34:45 | 0:34:47 | |
Ah. Well, quite a nice-sized room again, actually, isn't it? | 0:34:47 | 0:34:51 | |
They're large single beds, aren't they? | 0:34:51 | 0:34:53 | |
-It'll keep two kids apart perfectly. -Yes, it will. | 0:34:53 | 0:34:56 | |
It's in a beautiful setting | 0:34:56 | 0:34:58 | |
which I think is, for me, it's one of the strongest features. | 0:34:58 | 0:35:02 | |
It's just it's not really the family house I was hoping for. | 0:35:02 | 0:35:07 | |
Well, one thing I've learnt working on the show | 0:35:09 | 0:35:11 | |
that I can't sell you all the houses that I show you, | 0:35:11 | 0:35:14 | |
-so, erm, this one's maybe not a winner. -No. | 0:35:14 | 0:35:16 | |
-Well, it's not for us, but I think somebody will really love it. -Good. | 0:35:16 | 0:35:19 | |
Let's find somewhere to talk about all the houses we've seen | 0:35:19 | 0:35:22 | |
and see what happens next. | 0:35:22 | 0:35:23 | |
Not far from the Severn Estuary in the south-west of the county | 0:35:28 | 0:35:31 | |
is the Wildfowl and Wetlands Trust Slimbridge Centre. | 0:35:31 | 0:35:36 | |
The nature reserve is home to | 0:35:36 | 0:35:37 | |
over 800 acres of internationally protected wetlands | 0:35:37 | 0:35:41 | |
that act as a haven for around 100 different species of waterfowl. | 0:35:41 | 0:35:47 | |
There is a scientific programme in place | 0:35:47 | 0:35:49 | |
that aims to breed mostly non-native and endangered species | 0:35:49 | 0:35:53 | |
that migrate to Britain but fail to reproduce here. | 0:35:53 | 0:35:56 | |
I'm heading to an aviary | 0:35:58 | 0:35:59 | |
where duckling expert Phoebe Young is going to tell me more. | 0:35:59 | 0:36:03 | |
This is one of our three breeding aviaries | 0:36:03 | 0:36:05 | |
specifically set up to incorporate different species | 0:36:05 | 0:36:08 | |
breeding all alongside one another, | 0:36:08 | 0:36:10 | |
and these birds have been brought here | 0:36:10 | 0:36:11 | |
specifically because they're in the prime of their life, | 0:36:11 | 0:36:14 | |
and hopefully, they're very heavily in love with their other half. | 0:36:14 | 0:36:17 | |
So, this is a sort of love pond, I mean, in the sense that | 0:36:17 | 0:36:19 | |
you're trying to get them to breed with each other. | 0:36:19 | 0:36:21 | |
Yes, that is the aim. | 0:36:21 | 0:36:23 | |
How many of those actually breed in situ here | 0:36:23 | 0:36:25 | |
and how many do you have to look after? | 0:36:25 | 0:36:27 | |
It's based on the quality of the parenting, | 0:36:27 | 0:36:29 | |
but as a general rule, | 0:36:29 | 0:36:30 | |
the geese, the swans, and the flamingos are excellent parents | 0:36:30 | 0:36:33 | |
because they're monogamous parents that pair for life, | 0:36:33 | 0:36:36 | |
and so they work together 100% of the year | 0:36:36 | 0:36:38 | |
to look after their offspring. | 0:36:38 | 0:36:39 | |
So when they're defending the nest, | 0:36:39 | 0:36:41 | |
the female has some backup, and that's a really lovely thing. | 0:36:41 | 0:36:44 | |
Some of these other species, however, | 0:36:44 | 0:36:45 | |
that have come from very tropical parts of the world, | 0:36:45 | 0:36:48 | |
we simply can't provide them with a natural habitat. | 0:36:48 | 0:36:50 | |
So, unfortunately, when we know that there'll be a 100% loss | 0:36:50 | 0:36:54 | |
if we do it naturally with a parent, | 0:36:54 | 0:36:57 | |
we do feel the responsibility to take those eggs into captivity | 0:36:57 | 0:37:00 | |
and to hand-rear them securely. | 0:37:00 | 0:37:02 | |
Doing the hand-rearing method, | 0:37:02 | 0:37:03 | |
we can almost guarantee a 90% to 95% success rate for a fertile egg. | 0:37:03 | 0:37:08 | |
-For more ducks. -Yeah. | 0:37:08 | 0:37:10 | |
So, this is a good time to see | 0:37:10 | 0:37:11 | |
the eggs in sort of near hatching stage. | 0:37:11 | 0:37:13 | |
-This is prime time, yeah. -Ah. | 0:37:13 | 0:37:15 | |
-So can we go and have a look? -We can. Of course. OK. -Great. | 0:37:15 | 0:37:18 | |
The staff at Slimbridge can handle up to 3,000 eggs a year. | 0:37:18 | 0:37:22 | |
Phoebe's taking me to the centre's incubation room | 0:37:22 | 0:37:25 | |
where the heat and humidity each egg needs in order to hatch | 0:37:25 | 0:37:28 | |
are artificially controlled. | 0:37:28 | 0:37:30 | |
Phoebe, this is a change of...er...location | 0:37:30 | 0:37:32 | |
from all that lovely wetland. | 0:37:32 | 0:37:33 | |
Now we're in a quite scientific space. | 0:37:33 | 0:37:35 | |
This is where we do all of our in-house incubating | 0:37:35 | 0:37:38 | |
where a parent is unable to do so. | 0:37:38 | 0:37:40 | |
These allow us to be more precise | 0:37:40 | 0:37:42 | |
and do a really good job with some of the species | 0:37:42 | 0:37:44 | |
that are unable to breed here naturally in the Severn Valley. | 0:37:44 | 0:37:46 | |
So, what can we actually see or hear in the incubator? | 0:37:46 | 0:37:50 | |
-What's going on? -An awful lot. | 0:37:50 | 0:37:51 | |
-I'm going to dim the lights now, if that's OK... -Exciting. | 0:37:51 | 0:37:54 | |
..down to completely pitch-black | 0:37:54 | 0:37:55 | |
so that we can age and assess the contents | 0:37:55 | 0:37:57 | |
and hopefully see something that's coming up to hatch. | 0:37:57 | 0:37:59 | |
-Right. -So... | 0:37:59 | 0:38:01 | |
In order to observe the progress of the embryos, | 0:38:02 | 0:38:04 | |
Phoebe uses an illumination technique called candling | 0:38:04 | 0:38:08 | |
which provides instant results. | 0:38:08 | 0:38:11 | |
It's a lovely egg. | 0:38:11 | 0:38:12 | |
-Is that his little beak? -I don't know. | 0:38:12 | 0:38:13 | |
I think he's possibly a little early, | 0:38:13 | 0:38:15 | |
-but it's definitely his little torso. -Wow. -Yeah. | 0:38:15 | 0:38:19 | |
So, shall we have another look at a couple more? | 0:38:19 | 0:38:21 | |
So...I wonder what these ones are doing. | 0:38:21 | 0:38:23 | |
Oh, my gosh. We've actually got one ready to hatch, | 0:38:25 | 0:38:27 | |
and he's actually got one foot up in the incubating space as well, | 0:38:27 | 0:38:31 | |
and that's his little beak. | 0:38:31 | 0:38:32 | |
At this stage, an egg that's close to hatching | 0:38:32 | 0:38:35 | |
is moved to larger incubators | 0:38:35 | 0:38:37 | |
to prepare for life outside the shell. | 0:38:37 | 0:38:40 | |
If an egg is just coming up to hatch | 0:38:40 | 0:38:42 | |
and it looks like it's a little bit arid, | 0:38:42 | 0:38:44 | |
we'll pop it into this airspace incubator. | 0:38:44 | 0:38:46 | |
In here we have a very high humidity, | 0:38:46 | 0:38:48 | |
and it will allow them to moisten up just in advance of hatching. | 0:38:48 | 0:38:50 | |
And once they do pop up into the airspace, | 0:38:50 | 0:38:52 | |
they'll come straight into one of these hatches | 0:38:52 | 0:38:55 | |
according to the size that they are. | 0:38:55 | 0:38:56 | |
So, I'm going to lift the lid off and over to the side, | 0:38:56 | 0:38:59 | |
and we'll have a little look. | 0:38:59 | 0:39:00 | |
-So... -Aw! -..there he is. | 0:39:01 | 0:39:04 | |
-So, I'm going to lift him up and make him safe in my palm. -Oh... | 0:39:04 | 0:39:08 | |
-So, there he is. -Oh! | 0:39:08 | 0:39:10 | |
So, this, to me, looks to be a little Mandarin duck, | 0:39:10 | 0:39:13 | |
but we never see them like this. | 0:39:13 | 0:39:14 | |
So, you can still see he's very moist indeed, | 0:39:14 | 0:39:16 | |
but he's desperately trying to fluff up. | 0:39:16 | 0:39:19 | |
Once hatched, the birds are moved to heated coops | 0:39:19 | 0:39:22 | |
where different breeds huddle up together for solidarity | 0:39:22 | 0:39:25 | |
and are hand-reared by the staff. | 0:39:25 | 0:39:27 | |
SHE GIGGLES These are the maximum cuteness here. | 0:39:27 | 0:39:31 | |
'The majority of ducklings come from captive stock, | 0:39:31 | 0:39:34 | |
'and the centre will not introduce them back to the wild | 0:39:34 | 0:39:36 | |
'because their chances of survival would be too low.' | 0:39:36 | 0:39:39 | |
What about people who'll be watching at home - | 0:39:39 | 0:39:41 | |
is there any sort of useful information, | 0:39:41 | 0:39:43 | |
for example, if they found a stray duckling or an egg or...? | 0:39:43 | 0:39:46 | |
We would often encourage, you know, to be wary | 0:39:46 | 0:39:49 | |
and to leave and not touch the bird as long as possible. | 0:39:49 | 0:39:51 | |
So, contact a relevant authority like ourselves or the RSPCA | 0:39:51 | 0:39:55 | |
before acting, and get some advice in advance. | 0:39:55 | 0:39:58 | |
Well, thanks to the breeding programme | 0:39:59 | 0:40:01 | |
and dedicated team at Slimbridge, | 0:40:01 | 0:40:03 | |
the Gloucestershire landscape is safeguarding | 0:40:03 | 0:40:05 | |
the future of exotic birds and endangered species | 0:40:05 | 0:40:08 | |
from around the world. | 0:40:08 | 0:40:09 | |
The English countryside and this beautiful summery weather | 0:40:12 | 0:40:14 | |
has really been playing to our strong points with the properties, | 0:40:14 | 0:40:17 | |
though I do think that the house in the quarry is a clear contender. | 0:40:17 | 0:40:21 | |
So all that remains to see is what happens next | 0:40:21 | 0:40:25 | |
with our lovely couple from Abu Dhabi. | 0:40:25 | 0:40:27 | |
Will they buy? Let's find out. | 0:40:27 | 0:40:29 | |
Abu Dhabi to Gloucestershire. How have we done? | 0:40:33 | 0:40:35 | |
Have we been successful in house-hunting for you? | 0:40:35 | 0:40:38 | |
-I think you may well have been. -Excellent news. | 0:40:38 | 0:40:41 | |
We've had a fantastic few days getting to know the area, | 0:40:41 | 0:40:44 | |
and the house that we saw in the quarry was almost perfect. | 0:40:44 | 0:40:49 | |
So I think that we may go a bit further with that one. | 0:40:49 | 0:40:53 | |
Absolutely. | 0:40:53 | 0:40:54 | |
It had almost everything right - | 0:40:54 | 0:40:56 | |
the garden was the right size, | 0:40:56 | 0:40:58 | |
the kitchen was exactly what I was hoping to find | 0:40:58 | 0:41:02 | |
and a nice selection of bedrooms. | 0:41:02 | 0:41:05 | |
Often you get 85% of what you want or 75% of what you want - | 0:41:05 | 0:41:10 | |
this had 95%. | 0:41:10 | 0:41:12 | |
So what happens next? | 0:41:12 | 0:41:13 | |
When you say, "Go a bit further," what do you actually mean? | 0:41:13 | 0:41:15 | |
We're going to go and see the estate agent in about half an hour. | 0:41:15 | 0:41:19 | |
-Really? -Try and have a look at the house again... | 0:41:19 | 0:41:22 | |
and put an offer in. | 0:41:22 | 0:41:23 | |
-Wow! That is fantastic. -Yeah. | 0:41:23 | 0:41:26 | |
I think we want to just have a little bit of a look | 0:41:26 | 0:41:28 | |
around the area as well. | 0:41:28 | 0:41:29 | |
We'll try and do that this afternoon, | 0:41:29 | 0:41:31 | |
and if we think it's right, | 0:41:31 | 0:41:32 | |
we'd prefer to strike while the iron's hot | 0:41:32 | 0:41:36 | |
rather than wait and see somebody snap up | 0:41:36 | 0:41:37 | |
something that we've actually found is almost perfect. | 0:41:37 | 0:41:40 | |
-Sure. -Mm. -So, that kind of sets in motion | 0:41:40 | 0:41:43 | |
a whole kind of grand return to the UK - | 0:41:43 | 0:41:45 | |
how do you feel about that? | 0:41:45 | 0:41:47 | |
Well, I'm very excited about that. | 0:41:47 | 0:41:48 | |
It's something I've been looking forward to for a very long time, | 0:41:48 | 0:41:51 | |
so, yeah, that can't come soon enough. | 0:41:51 | 0:41:54 | |
Hmm. Yes, it's true, actually. | 0:41:54 | 0:41:56 | |
As we've been going around, I've seen you face light up | 0:41:56 | 0:41:58 | |
-when you see the flowers... -I know. -..and the English gardens. -Yeah. | 0:41:58 | 0:42:01 | |
Well, we sincerely wish you all the best, | 0:42:01 | 0:42:03 | |
and it's just wonderful if you move back, and into that property. | 0:42:03 | 0:42:06 | |
It really would. I know. I really hope so. | 0:42:06 | 0:42:08 | |
Fingers crossed that it comes off. Thank you. | 0:42:08 | 0:42:11 | |
It suddenly occurs to me that, actually, | 0:42:13 | 0:42:15 | |
I don't know what the landscape in Abu Dhabi looks like - | 0:42:15 | 0:42:18 | |
desert, palm trees and skyscrapers, I assume. | 0:42:18 | 0:42:21 | |
But it's definitely not like this, so I think we did a good thing - | 0:42:21 | 0:42:25 | |
getting Guy and Julie back into this beautiful corner of England. | 0:42:25 | 0:42:29 | |
And I really hope they buy that house, | 0:42:29 | 0:42:30 | |
cos it fitted them hand in glove, | 0:42:30 | 0:42:32 | |
and I also hope that you join us next time | 0:42:32 | 0:42:35 | |
for another equally successful Escape To The Country. | 0:42:35 | 0:42:38 | |
Guy and Julie went for that second viewing and made an offer, | 0:42:40 | 0:42:44 | |
but couldn't negotiate a price that worked for both parties, | 0:42:44 | 0:42:47 | |
so their house-hunt continues. | 0:42:47 | 0:42:49 | |
If you'd like to escape to the country | 0:42:49 | 0:42:51 | |
in England, Scotland, Wales or Northern Ireland, | 0:42:51 | 0:42:53 | |
and would like our help, you can apply at... | 0:42:53 | 0:42:55 |