Browse content similar to Cornwall. Check below for episodes and series from the same categories and more!
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Back in the Victorian era, these giant rock stacks | 0:00:02 | 0:00:04 | |
inspired locals to come up with a tall story | 0:00:04 | 0:00:07 | |
to help lure tourists here. | 0:00:07 | 0:00:09 | |
So which county lays claim to this dramatic coastline? | 0:00:09 | 0:00:13 | |
Find out in just a moment. | 0:00:13 | 0:00:15 | |
Today's buyer has already sold her house | 0:00:32 | 0:00:34 | |
and has brought along her friend | 0:00:34 | 0:00:36 | |
to help her find the perfect country property for the whole family. | 0:00:36 | 0:00:40 | |
It's a huge living space. | 0:00:40 | 0:00:42 | |
-Very family-orientated. -Yes. | 0:00:42 | 0:00:44 | |
And as we get closer to what she's after, | 0:00:44 | 0:00:46 | |
it's clear there's a lot resting on this move. | 0:00:46 | 0:00:49 | |
Wow, I love it. | 0:00:49 | 0:00:52 | |
Oh, don't. Don't, don't, don't. | 0:00:52 | 0:00:54 | |
Today I'm in Cornwall. | 0:00:56 | 0:00:58 | |
And these stacks of rocks are the Bedruthan Steps, | 0:00:58 | 0:01:00 | |
located just near Newquay on the northern shore of the county. | 0:01:00 | 0:01:05 | |
These have been a popular tourist destination | 0:01:05 | 0:01:07 | |
ever since Victorian times, | 0:01:07 | 0:01:09 | |
when, in order to increase popularity of the area, | 0:01:09 | 0:01:12 | |
they told stories of a Cornish giant named Bedruthan, | 0:01:12 | 0:01:16 | |
who built these steps in order to get across the bay. | 0:01:16 | 0:01:19 | |
Now, of course, shipwrecks are also part of | 0:01:19 | 0:01:22 | |
this treacherous coastline's history. | 0:01:22 | 0:01:24 | |
And in 1846 | 0:01:24 | 0:01:26 | |
a cargo ship was wrecked against one of these stacks, | 0:01:26 | 0:01:29 | |
leaving the enterprising locals to benefit | 0:01:29 | 0:01:32 | |
by salvaging some of the cargo of luxury fabrics. | 0:01:32 | 0:01:36 | |
So, whether fact or fiction, | 0:01:36 | 0:01:38 | |
it's this wonderful shoreline that provides the kind of natural drama | 0:01:38 | 0:01:42 | |
you can find right across this stunning county. | 0:01:42 | 0:01:46 | |
Cornwall is Britain's most southerly county. | 0:01:46 | 0:01:49 | |
Surrounded predominantly by the sea, | 0:01:49 | 0:01:51 | |
it shares its only land border with Devon. | 0:01:51 | 0:01:54 | |
With a coastline stretching over 400 miles, | 0:01:54 | 0:01:57 | |
it's the longest of any county, | 0:01:57 | 0:01:59 | |
with spectacular scenery including | 0:01:59 | 0:02:01 | |
the glistening expanse of sandy beach just outside Bude. | 0:02:01 | 0:02:05 | |
Peppered along the shoreline | 0:02:05 | 0:02:06 | |
are picture-postcard villages such as Mevagissey, | 0:02:06 | 0:02:09 | |
with its unspoiled harbour, | 0:02:09 | 0:02:11 | |
which was once the centre of Cornwall's pilchard-fishing industry | 0:02:11 | 0:02:14 | |
and is still home to a number of working boats. | 0:02:14 | 0:02:17 | |
Inland, Cornwall bears the scars of the heavy industry that once thrived | 0:02:18 | 0:02:22 | |
here in the 19th century, when tin and copper mining was at its peak. | 0:02:22 | 0:02:26 | |
One of the county's most famous landmarks is St Michael's Mount, | 0:02:26 | 0:02:30 | |
a rocky island capped by a castle and medieval church | 0:02:30 | 0:02:33 | |
dating back to the 12th century. | 0:02:33 | 0:02:35 | |
And at the heart of the region lies the wild terrain of Bodmin Moor. | 0:02:36 | 0:02:41 | |
Archaeologists have found evidence of human activity here | 0:02:41 | 0:02:44 | |
stretching back some 4,000 years. | 0:02:44 | 0:02:47 | |
It's this rich variety of landscape that makes Cornwall such a popular | 0:02:47 | 0:02:50 | |
destination for those seeking a quieter, rural way of life. | 0:02:50 | 0:02:55 | |
Bearing in mind such beauty and history, | 0:03:00 | 0:03:02 | |
the Cornish property market still delivers pretty good value. | 0:03:02 | 0:03:05 | |
The average price of a detached house here | 0:03:05 | 0:03:08 | |
comes in at around £269,000. | 0:03:08 | 0:03:11 | |
That's around £13,000 below the national figure. | 0:03:11 | 0:03:14 | |
But, perhaps unsurprisingly, | 0:03:14 | 0:03:16 | |
the closer you get to its stunning coastline, | 0:03:16 | 0:03:18 | |
the more expensive the property gets, | 0:03:18 | 0:03:21 | |
particularly in towns like Padstow and right here in Fowey. | 0:03:21 | 0:03:25 | |
But travel inland, and in particular to the west, | 0:03:25 | 0:03:27 | |
then your budget will stretch further. | 0:03:27 | 0:03:30 | |
And by that, try out the historic mining towns of Camborne and Redruth. | 0:03:30 | 0:03:34 | |
So what's attracting today's buyer to this beautiful county? | 0:03:34 | 0:03:38 | |
Let's meet her and find out. | 0:03:38 | 0:03:39 | |
Today's property shopper is Sharon, | 0:03:41 | 0:03:43 | |
who has asked her best friend, Jill, | 0:03:43 | 0:03:45 | |
along for moral support during the house search. | 0:03:45 | 0:03:47 | |
For the last 18 years, | 0:03:47 | 0:03:49 | |
Sharon has lived in Banbury in Oxfordshire, | 0:03:49 | 0:03:51 | |
and the two ladies first met when they were neighbours. | 0:03:51 | 0:03:54 | |
We have children roughly the same age. | 0:03:54 | 0:03:56 | |
So when they started going to school, and we were kind of, "Ah." | 0:03:56 | 0:04:00 | |
About one o'clock, I'd be like... "Mmm...I'll just go and see Jill." | 0:04:00 | 0:04:04 | |
And it's just carried on from there. | 0:04:04 | 0:04:06 | |
And Jill has horses, and I have horses, | 0:04:06 | 0:04:08 | |
and we both love animals, and it's just kind of snowballed, | 0:04:08 | 0:04:11 | |
and now she's my bestie. | 0:04:11 | 0:04:13 | |
Home is currently a five-bedroom property on the edge of town. | 0:04:13 | 0:04:16 | |
But since moving to Banbury nearly two decades ago | 0:04:16 | 0:04:19 | |
with her former husband, Sharon has noticed a change. | 0:04:19 | 0:04:22 | |
When we first moved here, Banbury was quite a small market town. | 0:04:22 | 0:04:26 | |
Unfortunately, as time's gone on, | 0:04:26 | 0:04:28 | |
Banbury has probably expanded to double its size. | 0:04:28 | 0:04:33 | |
So, you kind of lose a little bit of that small-town, | 0:04:33 | 0:04:37 | |
"everybody knows everybody" feel. | 0:04:37 | 0:04:39 | |
And that was what attracted me to live here in the first place. | 0:04:39 | 0:04:43 | |
Sharon has four children between the ages of 10 and 23. | 0:04:43 | 0:04:47 | |
She has a busy time juggling night work at a supermarket with | 0:04:47 | 0:04:50 | |
looking after the kids. They'll all be joining her on the move, | 0:04:50 | 0:04:54 | |
and she's aware it's a big step for the whole family. | 0:04:54 | 0:04:57 | |
When I moved here with my then husband, | 0:04:58 | 0:05:01 | |
and we made the decision together, | 0:05:01 | 0:05:04 | |
but now this move is me, this is my decision. | 0:05:04 | 0:05:08 | |
And it's quite hard to make sure that I'm making the right decision | 0:05:08 | 0:05:12 | |
for me and the children. The pressure's on. | 0:05:12 | 0:05:14 | |
Fortunately, friend Jill is on hand to help Sharon make the right call. | 0:05:14 | 0:05:18 | |
If there's something that I really think is not going to work for her | 0:05:18 | 0:05:21 | |
but she's looking at it through rose-tinted glasses, | 0:05:21 | 0:05:24 | |
then I am quite brutally honest and I will give her the truth | 0:05:24 | 0:05:27 | |
and try and steer her in a different direction. | 0:05:27 | 0:05:30 | |
But this move isn't a total leap of faith, | 0:05:30 | 0:05:32 | |
as Sharon has chosen a region very close to her heart. | 0:05:32 | 0:05:35 | |
We've looked at Cornwall because I have many memories | 0:05:35 | 0:05:38 | |
of holidaying there with my grandparents. | 0:05:38 | 0:05:40 | |
And my daughter Megan is at university down there at the moment. | 0:05:40 | 0:05:45 | |
And she's already said that's where she wants to make her home, | 0:05:45 | 0:05:48 | |
so it's just trying to have a re-evaluation of family, | 0:05:48 | 0:05:51 | |
how to spend more time together as time goes on. | 0:05:51 | 0:05:54 | |
And as well as spending more time with her children, | 0:05:54 | 0:05:56 | |
animal lover Sharon hopes the move will help her bond with her horses. | 0:05:56 | 0:06:00 | |
I have two horses. I have Burt and Nico. | 0:06:00 | 0:06:03 | |
They're a huge part of the move. | 0:06:03 | 0:06:05 | |
Because we've had them at livery yards, we've rented fields, | 0:06:05 | 0:06:09 | |
the move is partly so that we can have them much closer to home, | 0:06:09 | 0:06:13 | |
so we have more time to do things with them. | 0:06:13 | 0:06:16 | |
After 18 years in Banbury, Sharon will be leaving many friends behind, | 0:06:17 | 0:06:21 | |
not least long-standing buddy Jill. | 0:06:21 | 0:06:24 | |
I'm gutted, because she is my best friend. | 0:06:24 | 0:06:26 | |
But I can completely see why she needs to move | 0:06:26 | 0:06:30 | |
and why she wants to go somewhere else. But... | 0:06:30 | 0:06:33 | |
I haven't told her I'm taking her in my suitcase yet! | 0:06:33 | 0:06:36 | |
-I'll be there. I'll be coming to visit. -She's coming with me. She's coming with me all the way. | 0:06:36 | 0:06:40 | |
Sharon wants a house within a reasonable distance | 0:06:45 | 0:06:48 | |
of major urban centres such as Truro and Plymouth in Devon | 0:06:48 | 0:06:51 | |
so her children can find work and socialise with friends. | 0:06:51 | 0:06:55 | |
I'm meeting up with the two ladies in Cornwall | 0:06:55 | 0:06:57 | |
to run over Sharon's property wish list. | 0:06:57 | 0:07:00 | |
So here we are in this beautiful county | 0:07:01 | 0:07:03 | |
that lots of people come on holiday to. | 0:07:03 | 0:07:06 | |
-You want to make that a full-time move. -Yes. -OK. | 0:07:06 | 0:07:08 | |
If I don't do it now, I'm never going to do it. | 0:07:08 | 0:07:11 | |
I hear that quite a lot. Why do you say that, then? | 0:07:11 | 0:07:13 | |
Due to a relationship break-up I have to sell my house now. | 0:07:13 | 0:07:16 | |
So now is the time to do it. Either I stay where I am | 0:07:16 | 0:07:19 | |
or I make a completely different chapter in my life, | 0:07:19 | 0:07:23 | |
move forward, new challenges, new adventures. | 0:07:23 | 0:07:26 | |
You're very brave, striking out on your own, | 0:07:26 | 0:07:28 | |
coming hundreds of miles from where you currently live to a new place. | 0:07:28 | 0:07:32 | |
-Are you filled with anticipation? Are you nervous? -I'm very nervous. | 0:07:32 | 0:07:36 | |
This is... | 0:07:36 | 0:07:38 | |
-This is my life. -It's a big decision for you. -Huge decision. | 0:07:38 | 0:07:41 | |
Let's talk about the house itself. | 0:07:41 | 0:07:42 | |
How many bedrooms are we looking for? | 0:07:42 | 0:07:44 | |
-Ideally four. -Right. | 0:07:44 | 0:07:46 | |
Kitchen/diner. Small garden. You know, doesn't need to be massive. | 0:07:46 | 0:07:50 | |
Not fussed about year of the house. | 0:07:50 | 0:07:52 | |
I've lived in everything from an 1880s cottage | 0:07:52 | 0:07:55 | |
through to a 1960s house. | 0:07:55 | 0:07:56 | |
Now, Jill, as best mate, | 0:07:56 | 0:07:59 | |
you tell me, what do you think | 0:07:59 | 0:08:00 | |
Sharon really wants in her new house here? | 0:08:00 | 0:08:03 | |
Plenty of space and light. | 0:08:03 | 0:08:04 | |
-Right. -And nice, light and airy rooms. | 0:08:04 | 0:08:07 | |
If you put her in somewhere where it's dark, she'll hate it. | 0:08:07 | 0:08:10 | |
What would be something you saw in a house that makes you think, "Cor, | 0:08:10 | 0:08:14 | |
"this is for me, I absolutely love this"? | 0:08:14 | 0:08:17 | |
-Location more than anything. -Really? -Yeah. | 0:08:17 | 0:08:19 | |
You're going to have, obviously, your children living at home. | 0:08:19 | 0:08:22 | |
Do you want to be close to a big town, | 0:08:22 | 0:08:24 | |
or within striking distance of a small town or village? | 0:08:24 | 0:08:27 | |
-What's the most important thing to you? -Ideally, for me... | 0:08:27 | 0:08:30 | |
-Yeah? -Middle of nowhere. -Ha, yeah. | 0:08:30 | 0:08:31 | |
Ideally for children, | 0:08:31 | 0:08:33 | |
they need to be somewhere near a much bigger community | 0:08:33 | 0:08:36 | |
so they can have lives, so they can go out, | 0:08:36 | 0:08:38 | |
so they can meet friends, get jobs. | 0:08:38 | 0:08:40 | |
OK. Let's talk budget. | 0:08:40 | 0:08:42 | |
As a cash buyer, 425,000. | 0:08:42 | 0:08:45 | |
-Right. -Um, probably go a little bit more with a small mortgage. | 0:08:45 | 0:08:50 | |
You can maybe push that budget to what? | 0:08:50 | 0:08:53 | |
-Comfortably? -450? | 0:08:53 | 0:08:54 | |
Well, as cash buyers you should be in a decent position | 0:08:54 | 0:08:57 | |
to negotiate at the very least. Let's go. | 0:08:57 | 0:08:59 | |
-Come with me. -Lovely. OK. | 0:08:59 | 0:09:00 | |
Ideally, Sharon would like to spend £425,000, | 0:09:04 | 0:09:07 | |
but for the right property | 0:09:07 | 0:09:09 | |
could, with a small mortgage, go up to £450,000. | 0:09:09 | 0:09:14 | |
For that, she'd like a four-bedroom property for her family. | 0:09:14 | 0:09:17 | |
Although she's not fussed about age or style, | 0:09:17 | 0:09:19 | |
she'd like it to have space and light, | 0:09:19 | 0:09:21 | |
and a kitchen/diner would be desirable. | 0:09:21 | 0:09:24 | |
The garden doesn't need to be too big, but she'd like at least | 0:09:24 | 0:09:27 | |
three acres of accessible land for her two horses. | 0:09:27 | 0:09:29 | |
And she'd like to be close | 0:09:29 | 0:09:31 | |
to a town for schools. | 0:09:31 | 0:09:33 | |
We've got three wonderful Cornish homes lined up | 0:09:33 | 0:09:35 | |
to captivate Sharon and Jill. | 0:09:35 | 0:09:37 | |
At each one they'll have to guess the price at the end of the tour. | 0:09:37 | 0:09:41 | |
With our final choice, the mystery property, | 0:09:41 | 0:09:43 | |
it's less about what's inside than out. | 0:09:43 | 0:09:46 | |
We're kicking off our property search in the hamlet of Draynes, | 0:09:53 | 0:09:56 | |
around a 50-minute drive from Truro and Plymouth. | 0:09:56 | 0:09:59 | |
The closest village for amenities is St Neot, | 0:09:59 | 0:10:01 | |
around two and a half miles away. | 0:10:01 | 0:10:03 | |
Situated on the edge of Bodmin Moor, | 0:10:04 | 0:10:07 | |
the village is named after a ninth-century monk and has a vibrant | 0:10:07 | 0:10:10 | |
community spirit with a social club serving as a venue for local bands, | 0:10:10 | 0:10:15 | |
a post office which doubles up as a shop, as well as a pub and a church. | 0:10:15 | 0:10:20 | |
There's also a primary school for Sharon's youngest son. | 0:10:20 | 0:10:23 | |
Many of the pretty cottages dotted around the village are built from | 0:10:23 | 0:10:26 | |
locally quarried granite stone. | 0:10:26 | 0:10:29 | |
Back in the hamlet of Draynes, | 0:10:29 | 0:10:31 | |
house number one is a semidetached cottage, | 0:10:31 | 0:10:33 | |
located on a quiet country lane. | 0:10:33 | 0:10:35 | |
Now then, ladies, house number one. | 0:10:38 | 0:10:41 | |
-Okey-cokey. -What's the first thing you think when you see this? | 0:10:41 | 0:10:44 | |
The trees are quite close to the house, aren't they? | 0:10:44 | 0:10:46 | |
They are, actually, and they don't help with the house's light. | 0:10:46 | 0:10:49 | |
So that might be something you want to think about in the future. | 0:10:49 | 0:10:51 | |
Parts of it date back, | 0:10:51 | 0:10:52 | |
local historians reckon, to the 16th century. | 0:10:52 | 0:10:57 | |
-This bit... -Yeah. | 0:10:57 | 0:10:58 | |
That was added around 1995. | 0:10:58 | 0:11:01 | |
-Right, OK. -So, Jill, come on, you're best mate, | 0:11:01 | 0:11:05 | |
what's going through your mind? | 0:11:05 | 0:11:07 | |
I don't think she'll like the fact that it's semidetached. | 0:11:07 | 0:11:10 | |
Right. You didn't express the need or desire for a detached house. | 0:11:10 | 0:11:14 | |
-Not specifically. -But... | 0:11:14 | 0:11:16 | |
But...I have a detached house at the moment. | 0:11:16 | 0:11:18 | |
Right, OK. So what I'll say is let's approach this with fresh eyes. | 0:11:18 | 0:11:23 | |
-Come at this house with an open mind. All right? -Yeah, OK. | 0:11:23 | 0:11:27 | |
Please. Come on. | 0:11:27 | 0:11:29 | |
A somewhat measured response to the outside of what was once | 0:11:31 | 0:11:34 | |
a former farmhouse, built of local granite but now partially rendered. | 0:11:34 | 0:11:38 | |
Inside for starters, | 0:11:38 | 0:11:39 | |
there's a dining room with double doors out onto the back garden. | 0:11:39 | 0:11:43 | |
But since Sharon expressly asked for an eat-in kitchen, | 0:11:43 | 0:11:46 | |
we're heading straight there. | 0:11:46 | 0:11:48 | |
Now then, typical farmhouse kitchen. | 0:11:49 | 0:11:52 | |
-I quite like it, actually. -Good. -Yes. | 0:11:52 | 0:11:55 | |
I like the low ceilings. | 0:11:55 | 0:11:57 | |
-What about the fittings here? I mean, this is... -Units are lovely. | 0:11:57 | 0:12:00 | |
It's bespoke. Made by a local joiner. | 0:12:00 | 0:12:02 | |
They're very much in keeping with the period of the house. | 0:12:02 | 0:12:05 | |
-Yeah. -Country feel. -So far...? Come on. | 0:12:05 | 0:12:08 | |
Pleasantly surprised with the inside of the house, I would say. | 0:12:08 | 0:12:11 | |
Let's hope you keep that way next-door. Come on. | 0:12:11 | 0:12:14 | |
You'll notice you get a bit more ceiling height in here. | 0:12:14 | 0:12:17 | |
-I like the fireplace. -Very snug. If that wood burner was on... -Yep. | 0:12:17 | 0:12:21 | |
..this would be a really, really warm, cosy, very intimate space. | 0:12:21 | 0:12:26 | |
I think this house gets better as you keep looking through it. | 0:12:26 | 0:12:29 | |
-Let's take you to the bedrooms and see what you think. -OK. | 0:12:29 | 0:12:32 | |
In addition to the farmhouse kitchen and sitting room, | 0:12:33 | 0:12:36 | |
in the extended part of the house there's a further reception room, | 0:12:36 | 0:12:39 | |
a cosy snug or study. | 0:12:39 | 0:12:41 | |
The ground floor also includes a utility room located in an outhouse | 0:12:42 | 0:12:45 | |
which is accessed from the front driveway. | 0:12:45 | 0:12:48 | |
Upstairs, there are four bedrooms. | 0:12:50 | 0:12:53 | |
These include a sizeable double with an en-suite shower room, | 0:12:53 | 0:12:56 | |
a single which overlooks the front of the house, | 0:12:56 | 0:12:59 | |
and another spacious double, | 0:12:59 | 0:13:00 | |
large enough for a four-poster bed | 0:13:00 | 0:13:03 | |
as well as a fully tiled family bathroom. | 0:13:03 | 0:13:06 | |
With Sharon's eldest daughter at university, | 0:13:06 | 0:13:08 | |
there should be enough sleeping options | 0:13:08 | 0:13:10 | |
for her three other children. | 0:13:10 | 0:13:12 | |
Now, you'll be pleased to hear you get four bedrooms on this level. | 0:13:15 | 0:13:18 | |
But this is easily my favourite. | 0:13:18 | 0:13:21 | |
I like this. It's quite a large room. | 0:13:21 | 0:13:23 | |
-Mm-hm. -Double-aspect windows. | 0:13:23 | 0:13:25 | |
It has an en suite as well. | 0:13:25 | 0:13:27 | |
I have a much smaller en suite. | 0:13:27 | 0:13:29 | |
So that's a bonus. | 0:13:29 | 0:13:30 | |
Space-wise, there possibly is enough room in the bedrooms. | 0:13:30 | 0:13:33 | |
Probably more than I was expecting. | 0:13:33 | 0:13:35 | |
-All right. -On this house. -Is there a "but" here, or...? You don't... | 0:13:35 | 0:13:38 | |
No, there's not a "but". It's just... | 0:13:38 | 0:13:41 | |
-I have to get my head around how things...can work. -Mm-hm. | 0:13:41 | 0:13:45 | |
And how it all fits in with my family. | 0:13:45 | 0:13:49 | |
Let's go outside. Let's take a look at the garden and the land, yeah? | 0:13:49 | 0:13:52 | |
-OK. -Come with me. | 0:13:52 | 0:13:54 | |
Sharon seems to be warming to this deceptively large property. | 0:13:54 | 0:13:58 | |
But let's not forget she also wanted land for her two horses. | 0:13:58 | 0:14:02 | |
The garden extends to the back and, as well as a generous stone patio, | 0:14:02 | 0:14:06 | |
is largely laid to lawn | 0:14:06 | 0:14:07 | |
and sheltered by mature trees and shrubs. | 0:14:07 | 0:14:10 | |
The land extends to five acres | 0:14:11 | 0:14:13 | |
and is divided into fruit and vegetable plots, | 0:14:13 | 0:14:16 | |
a chicken run, | 0:14:16 | 0:14:18 | |
a sloping paddock, | 0:14:18 | 0:14:19 | |
as well as a more-level orchard with its own access, | 0:14:19 | 0:14:22 | |
a potential home for Sharon's horses. | 0:14:22 | 0:14:24 | |
This land has been laid fallow for a couple of years now. | 0:14:27 | 0:14:29 | |
But you can see it's got some pretty good keep for horses. | 0:14:29 | 0:14:32 | |
I think this is a decent gradient. | 0:14:32 | 0:14:34 | |
You could have horses here, couldn't you? | 0:14:34 | 0:14:36 | |
-It's a bit flatter down there, isn't it? -Yeah. -It's not quite as steep. | 0:14:36 | 0:14:39 | |
You've got five acres here. You've got another field just | 0:14:39 | 0:14:41 | |
the other side of these brambles, these...overgrown hedge, really. | 0:14:41 | 0:14:44 | |
The whole land needs pulling into shape again. | 0:14:44 | 0:14:47 | |
-It does. -Especially for horses. -It does need some work. -Yeah. | 0:14:47 | 0:14:49 | |
So let's have a go at guessing the price. | 0:14:49 | 0:14:51 | |
For the amount of land, four bedrooms... | 0:14:51 | 0:14:55 | |
taking into account it needs some work, | 0:14:55 | 0:14:58 | |
erm, I'd still say...415? | 0:14:58 | 0:15:00 | |
-Jill? -I'd say 395. | 0:15:00 | 0:15:03 | |
Good guess. The asking price for this property is actually £399,950. | 0:15:03 | 0:15:08 | |
-Little bit more tempting now. -OK, good. -It's under 400. | 0:15:08 | 0:15:12 | |
And remember, it is only an asking price. | 0:15:12 | 0:15:15 | |
Why don't you go back into the house, | 0:15:15 | 0:15:16 | |
get a feel for this place now, OK? | 0:15:16 | 0:15:18 | |
-And then I'll meet you whenever you're done. -OK. | 0:15:18 | 0:15:21 | |
-See you in a mo, ladies. -All right, thank you. | 0:15:21 | 0:15:24 | |
Priced at just under £400,000, | 0:15:26 | 0:15:29 | |
our first house is a semidetached | 0:15:29 | 0:15:31 | |
extended stone cottage, | 0:15:31 | 0:15:32 | |
benefiting from | 0:15:32 | 0:15:33 | |
some fine period details. | 0:15:33 | 0:15:36 | |
It offers Sharon | 0:15:36 | 0:15:37 | |
the eat-in kitchen she asked for, | 0:15:37 | 0:15:39 | |
four bedrooms as well as a potential | 0:15:39 | 0:15:41 | |
extra one in the downstairs snug. | 0:15:41 | 0:15:43 | |
In addition to the secluded garden, | 0:15:43 | 0:15:45 | |
there's enough land | 0:15:45 | 0:15:46 | |
for her two horses, | 0:15:46 | 0:15:47 | |
which can be made fit for purpose | 0:15:47 | 0:15:49 | |
with the money she has left over. | 0:15:49 | 0:15:51 | |
The house is a bit of a TARDIS on the inside. | 0:15:51 | 0:15:53 | |
It's much larger than it appears from the outside. | 0:15:53 | 0:15:56 | |
You have some really family-friendly spaces. | 0:15:56 | 0:15:59 | |
You can imagine it being warm and snug during winter. | 0:15:59 | 0:16:02 | |
The land needs quite a lot of work to get it friendly for the horses, | 0:16:02 | 0:16:05 | |
in terms of chopping down trees and fencing. | 0:16:05 | 0:16:08 | |
Sharon, I think, is quite nervous about the move anyway, | 0:16:08 | 0:16:10 | |
because, obviously, she has to make sure she makes the right decision. | 0:16:10 | 0:16:14 | |
So therefore it's very important for her | 0:16:14 | 0:16:16 | |
to make sure she has the right house. | 0:16:16 | 0:16:18 | |
So I think there's a bit of trepidation | 0:16:18 | 0:16:21 | |
and a little bit of anxiety | 0:16:21 | 0:16:22 | |
going on in her head at the moment. | 0:16:22 | 0:16:25 | |
-All done? -All done. -How do you feel now, about the house? | 0:16:28 | 0:16:31 | |
Much better than first impressions. | 0:16:31 | 0:16:33 | |
Good. Sometimes these things take time, don't they, | 0:16:33 | 0:16:35 | |
-to get to know a property, certainly? -Yeah. | 0:16:35 | 0:16:37 | |
Well, that's only one down. Two more to go. Come with me. | 0:16:37 | 0:16:41 | |
In the south of the county, around St Austell, | 0:16:47 | 0:16:49 | |
the towering peaks known as the Cornish Alps are a visual reminder | 0:16:49 | 0:16:53 | |
of the region's association with china clay. | 0:16:53 | 0:16:56 | |
250 years ago, | 0:16:56 | 0:16:58 | |
a local apothecary discovered an element found in granite | 0:16:58 | 0:17:01 | |
could be used in the porcelain-making process, | 0:17:01 | 0:17:04 | |
and the china-clay industry was born. | 0:17:04 | 0:17:07 | |
By the 19th century, | 0:17:07 | 0:17:08 | |
the St Austell deposits were the largest in the world, | 0:17:08 | 0:17:11 | |
and china clay was exported from | 0:17:11 | 0:17:13 | |
thriving maritime ports such as Charlestown. | 0:17:13 | 0:17:16 | |
The discovery of china clay inspired generations of artists | 0:17:16 | 0:17:20 | |
to turn their hand to making porcelain pottery. | 0:17:20 | 0:17:22 | |
One such potter is Chris Prindl, | 0:17:22 | 0:17:24 | |
who's been working with ceramics for 27 years. | 0:17:24 | 0:17:28 | |
Since Sharon is keen to learn more about the region's history, | 0:17:28 | 0:17:31 | |
we sent her and Jill to find out more about this remarkable | 0:17:31 | 0:17:34 | |
naturally occurring material. | 0:17:34 | 0:17:36 | |
Chris, do you specialise in your use of a particular material in your pottery? | 0:17:36 | 0:17:40 | |
I've worked in lots of different ways, | 0:17:40 | 0:17:42 | |
but more and more I'm working in porcelain, made out of china clay. | 0:17:42 | 0:17:45 | |
It's the most wonderful, pure, white, translucent substance. | 0:17:45 | 0:17:49 | |
I've got a little pot I made here, so you can see. | 0:17:49 | 0:17:51 | |
And what's amazing about it is if I hold that up to the sun, | 0:17:51 | 0:17:54 | |
you can just see light shining through it. | 0:17:54 | 0:17:57 | |
And it's just... It's a very beautiful, white, | 0:17:57 | 0:18:00 | |
very pure substance. | 0:18:00 | 0:18:01 | |
You can make pots much finer than in any other material. | 0:18:01 | 0:18:05 | |
I can actually make pots in clay as fine as this, | 0:18:05 | 0:18:08 | |
but they don't feel right. | 0:18:08 | 0:18:09 | |
They feel too thin. | 0:18:09 | 0:18:11 | |
Whereas this, getting to eggshell thinness, it just feels lovely. | 0:18:11 | 0:18:14 | |
The china clay used in Chris's porcelain | 0:18:16 | 0:18:18 | |
comes from within a five-mile radius of his workshop. | 0:18:18 | 0:18:21 | |
The raw material is a very fine powder. | 0:18:21 | 0:18:24 | |
So, if you feel that... | 0:18:24 | 0:18:26 | |
That's very, very fine. | 0:18:26 | 0:18:28 | |
-It feels... -Like flour, almost, but finer. -Yeah. It's amazingly light. | 0:18:28 | 0:18:33 | |
You take kaolin, or china clay, like this and there's different recipes, | 0:18:33 | 0:18:37 | |
but most porcelains are about 50% china clay. | 0:18:37 | 0:18:41 | |
And then we add other things like quartz or flint or feldspar, | 0:18:41 | 0:18:45 | |
to make up the body that you can actually use | 0:18:45 | 0:18:47 | |
that we can fire properly and make the pots with. | 0:18:47 | 0:18:50 | |
And this is the porcelain. | 0:18:50 | 0:18:52 | |
So if you feel that, you're going to feel it's quite different. | 0:18:52 | 0:18:55 | |
That's very, very heavy. Very dense and... | 0:18:55 | 0:18:58 | |
Very cold. | 0:18:58 | 0:19:00 | |
Turning the powder into a dense porcelain takes a lot of work. | 0:19:00 | 0:19:03 | |
So Chris buys his porcelain ready-mixed. | 0:19:03 | 0:19:06 | |
He's going to show them how to make a small bowl. | 0:19:06 | 0:19:08 | |
The first step is to throw the clay. | 0:19:08 | 0:19:11 | |
It's called throwing | 0:19:11 | 0:19:13 | |
because the first thing you do is you get your lump of clay | 0:19:13 | 0:19:17 | |
and you...you can throw it if you want to, | 0:19:17 | 0:19:19 | |
but you bang it in the middle of the wheel head. | 0:19:19 | 0:19:23 | |
The first thing we're going to do is try to get control of the porcelain. | 0:19:27 | 0:19:31 | |
My right hand's on top, my left hand tucked in here. | 0:19:31 | 0:19:34 | |
So can you see that's wobbling around like... | 0:19:34 | 0:19:36 | |
not crazy, but wobbling around? | 0:19:36 | 0:19:38 | |
I'm going to try and stop it wobbling. | 0:19:38 | 0:19:40 | |
This is called centring. I'm going to show you what I mean. | 0:19:40 | 0:19:43 | |
Come round the front here, and the amount of pressure you want... | 0:19:43 | 0:19:49 | |
-Ooh, whoops, it came off. -LAUGHTER | 0:19:49 | 0:19:51 | |
Stop the wheel. That's fine. That happens quite often. | 0:19:51 | 0:19:54 | |
You didn't bang it down hard enough. | 0:19:54 | 0:19:56 | |
After a couple of minutes, Sharon gets the hang of centring. | 0:19:56 | 0:19:59 | |
-So you've got that feeling that it's not wobbling around too much? -Yeah. | 0:19:59 | 0:20:02 | |
If you watch me again, I'm going to put my hands either side, | 0:20:02 | 0:20:06 | |
and I'm going to go straight down the middle. | 0:20:06 | 0:20:09 | |
Every time you touch it, you want to come off gently. | 0:20:09 | 0:20:12 | |
Having done that, | 0:20:12 | 0:20:13 | |
you're going to go to the bottom of the hole that you've made | 0:20:13 | 0:20:17 | |
and you're going to gently widen it, pulling towards you. | 0:20:17 | 0:20:21 | |
That's it. | 0:20:21 | 0:20:22 | |
The final stage is to open out the cylinder into the form of a bowl. | 0:20:22 | 0:20:27 | |
Coming up. | 0:20:27 | 0:20:28 | |
As you get to the top, you think, "Oh, what's going to happen?" | 0:20:28 | 0:20:31 | |
And then I come off. | 0:20:31 | 0:20:33 | |
With a little help from Chris, both of their bowls begin to take shape. | 0:20:33 | 0:20:37 | |
Come off really gently. | 0:20:37 | 0:20:38 | |
Good. | 0:20:38 | 0:20:40 | |
The final step is to use a plastic rib | 0:20:40 | 0:20:42 | |
to finesse the shape of the final piece. | 0:20:42 | 0:20:45 | |
That's lovely. I think that's very good. | 0:20:45 | 0:20:48 | |
The bowls will then be left to dry for a day or two before being fired | 0:20:48 | 0:20:51 | |
twice in the kiln at around 1,000 degrees Celsius. | 0:20:51 | 0:20:54 | |
Well, today has been absolutely amazing. | 0:20:54 | 0:20:57 | |
-I've really enjoyed this. -Good. -It's been great fun. | 0:20:57 | 0:20:59 | |
-So have I. Thank you very much. -It's been very nice to meet you. | 0:20:59 | 0:21:02 | |
-And best of luck with your house search. -Thank you. | 0:21:02 | 0:21:05 | |
For our second offering, we're heading around 40 miles south-west | 0:21:11 | 0:21:15 | |
to the hamlet of Crofthandy. | 0:21:15 | 0:21:17 | |
The nearest settlement for services is the village of St Day, | 0:21:17 | 0:21:20 | |
which was the thriving centre for the copper-mining industry | 0:21:20 | 0:21:23 | |
from the 16th century right up until the 1830s. | 0:21:23 | 0:21:26 | |
In the 19th century, | 0:21:26 | 0:21:28 | |
cheaper copper deposits were discovered in South America, | 0:21:28 | 0:21:30 | |
and the Cornish mines could no longer compete. | 0:21:30 | 0:21:34 | |
Today, the village and surrounding former mining area is protected | 0:21:34 | 0:21:37 | |
as a World Heritage Site. | 0:21:37 | 0:21:39 | |
And landmarks include a clock tower, | 0:21:39 | 0:21:40 | |
built in 1832 and recently restored by the local community. | 0:21:40 | 0:21:45 | |
House number two is situated just outside St Day | 0:21:46 | 0:21:49 | |
in the hamlet of Crofthandy, | 0:21:49 | 0:21:51 | |
in a secluded rural setting with views across the valley. | 0:21:51 | 0:21:55 | |
So, we're detached. | 0:21:55 | 0:21:57 | |
-It is. -What's your thought? | 0:21:57 | 0:21:59 | |
-Looks big. -Looks very big. | 0:21:59 | 0:22:00 | |
It is a lot bigger than the last place. | 0:22:00 | 0:22:03 | |
And in my opinion it's probably a lot more user-friendly | 0:22:03 | 0:22:06 | |
for you and your horses. | 0:22:06 | 0:22:08 | |
-OK. -You look like you've got a reasonable view. | 0:22:08 | 0:22:10 | |
Amazing, isn't it? That's a World Heritage Site now. | 0:22:10 | 0:22:12 | |
Is it an old tin mine? | 0:22:12 | 0:22:14 | |
Yeah. This used to be the richest square mile in the world, | 0:22:14 | 0:22:17 | |
apparently, when this was all operational. | 0:22:17 | 0:22:20 | |
And this property was the counting house for the mine. | 0:22:20 | 0:22:23 | |
-Brilliant. -Happy? -Happy. -Yes. -Come with me. | 0:22:23 | 0:22:26 | |
This handsome half-slate-hung property | 0:22:28 | 0:22:30 | |
is set within four acres of land with up-and-running | 0:22:30 | 0:22:33 | |
equestrian facilities, which we'll explore later. | 0:22:33 | 0:22:36 | |
The house itself has a quirky upside-down layout | 0:22:36 | 0:22:39 | |
with the bedrooms on the ground floor | 0:22:39 | 0:22:41 | |
and the living accommodation upstairs. | 0:22:41 | 0:22:43 | |
We're starting on the ground floor with the bedrooms. | 0:22:43 | 0:22:47 | |
-OK. -This is your master. I mean, it's an upside-down house. | 0:22:47 | 0:22:50 | |
-Some people feel a bit weird. -I wasn't expecting an upside-down... | 0:22:50 | 0:22:53 | |
-No. -..house. | 0:22:53 | 0:22:55 | |
-I was expecting to walk this way and go, "Oh, it's a living room." -No. | 0:22:55 | 0:22:58 | |
But it makes sense, because of the views, doesn't it? | 0:22:58 | 0:23:00 | |
-Yeah. Big, isn't it? -It is big. | 0:23:00 | 0:23:02 | |
-(Wow.) -With a big en suite. Did I see a "wow" being mouthed? | 0:23:02 | 0:23:05 | |
Yes. It's very large. | 0:23:05 | 0:23:07 | |
-Double windows again. -Yeah. | 0:23:07 | 0:23:09 | |
I like the floor. Yeah, this bedroom is a good size. | 0:23:09 | 0:23:11 | |
There's a reason why the living accommodation is upstairs, | 0:23:11 | 0:23:14 | |
and I think they've done a really good job. Let me show you. | 0:23:14 | 0:23:17 | |
There are four other bedrooms on the ground floor, | 0:23:19 | 0:23:21 | |
one for each of Sharon's children. | 0:23:21 | 0:23:24 | |
Two of those, both doubles, overlook the front of the house. | 0:23:24 | 0:23:28 | |
And there are two at the rear, one of which is dual-aspect. | 0:23:28 | 0:23:32 | |
All four bedrooms are served by a family bathroom. | 0:23:32 | 0:23:35 | |
Now then, you'll see things get... a lot more open-plan up here. | 0:23:38 | 0:23:42 | |
What's going through your mind? | 0:23:42 | 0:23:44 | |
-Do you like it? -Yes. -It's a huge living space. | 0:23:44 | 0:23:47 | |
Very family-orientated. | 0:23:47 | 0:23:49 | |
Yes, exactly that. | 0:23:49 | 0:23:50 | |
-It is. -This would be the hub of the home, wouldn't it? | 0:23:50 | 0:23:52 | |
-Absolutely, yes. -And the views, look at the views. | 0:23:52 | 0:23:56 | |
Now, one thing you said, Jill, | 0:23:56 | 0:23:58 | |
that you thought Sharon would want was light, airy rooms. | 0:23:58 | 0:24:01 | |
Yes. | 0:24:01 | 0:24:03 | |
-It is a nice, big, light, airy room. -Going well, isn't it? -Yes. | 0:24:03 | 0:24:06 | |
Kitchen next. I can see you peering round. Might as well show you. | 0:24:06 | 0:24:10 | |
It's...a nice square size. | 0:24:10 | 0:24:12 | |
Obviously, you don't need a dining space | 0:24:12 | 0:24:15 | |
-because it just flows naturally in. -This is just for preparing. | 0:24:15 | 0:24:18 | |
Everything's just being used. It's a very good use of space. | 0:24:18 | 0:24:20 | |
I'm just interested in seeing more. | 0:24:20 | 0:24:22 | |
When you like a house, you want to race through it and see everything. | 0:24:22 | 0:24:25 | |
-Yeah. -And then go back and visit it. | 0:24:25 | 0:24:26 | |
Let's stick with that. Let me show you outside. Come with me. | 0:24:26 | 0:24:29 | |
There's a lot to take in at this vast property. | 0:24:30 | 0:24:33 | |
A small hallway at the top of the staircase | 0:24:33 | 0:24:36 | |
leads to two further rooms, | 0:24:36 | 0:24:37 | |
a large games room that could possibly make a sixth bedroom | 0:24:37 | 0:24:41 | |
for when Jill comes to stay, and a smaller office space. | 0:24:41 | 0:24:44 | |
The kitchen benefits from a separate utility room, | 0:24:44 | 0:24:47 | |
allowing storage for the white goods, and beyond that | 0:24:47 | 0:24:50 | |
there's also a shower room. | 0:24:50 | 0:24:52 | |
Outside, the feeling of space continues. | 0:24:52 | 0:24:55 | |
Immediately to the rear of the kitchen, there's a raised decking, | 0:24:55 | 0:24:58 | |
ideal for entertaining in the summer. | 0:24:58 | 0:25:00 | |
To the side of the house there's a large area of flat lawn | 0:25:00 | 0:25:03 | |
and a static caravan, included in the sale. | 0:25:03 | 0:25:07 | |
And at the back, a raised terrace laid to grass | 0:25:07 | 0:25:09 | |
with a timber climbing frame for the kids. | 0:25:09 | 0:25:12 | |
For the horses, there's an established stable block and | 0:25:12 | 0:25:15 | |
a gently sloping enclosed paddock with views across the valley. | 0:25:15 | 0:25:18 | |
Now then, this land is all included. | 0:25:22 | 0:25:27 | |
-How much land is there? -About four acres. -OK. | 0:25:27 | 0:25:30 | |
I think this bit is a bit steep. | 0:25:30 | 0:25:32 | |
I know we've got a flat piece there. | 0:25:32 | 0:25:33 | |
But if you're bringing them in, that is quite steep. | 0:25:33 | 0:25:36 | |
This is a horse paddock. There's loads of flat areas there and there. | 0:25:36 | 0:25:39 | |
-Come on, it's being used as a horse paddock. -Yeah. | 0:25:39 | 0:25:41 | |
-It is, yeah. -OK, now you've seen the house and the land, | 0:25:41 | 0:25:44 | |
have a go at guessing the price. | 0:25:44 | 0:25:45 | |
I'm going to go in with 435. | 0:25:45 | 0:25:49 | |
OK. | 0:25:49 | 0:25:50 | |
-Jill? -I'm going to say 420. | 0:25:50 | 0:25:52 | |
This place is on the market for offers around £445,000. | 0:25:53 | 0:25:58 | |
And I've spoken to the owner directly | 0:25:58 | 0:26:00 | |
and he's hoping to get as close to that as humanly possible. | 0:26:00 | 0:26:03 | |
Yeah. I can see why. | 0:26:03 | 0:26:04 | |
So, what's your thoughts now you know the price, Sharon? | 0:26:04 | 0:26:07 | |
-I'd like to go and have another look at the house. -OK. Do just that. | 0:26:07 | 0:26:11 | |
I'll catch you later. See you in a bit. | 0:26:11 | 0:26:13 | |
Priced at £5,000 | 0:26:16 | 0:26:17 | |
under Sharon's maximum budget, | 0:26:17 | 0:26:20 | |
the second property offers her | 0:26:20 | 0:26:21 | |
the choice of a vast house | 0:26:21 | 0:26:23 | |
with an up-and-running facility | 0:26:23 | 0:26:24 | |
for the horses. | 0:26:24 | 0:26:26 | |
A former counting house | 0:26:26 | 0:26:27 | |
for the local mine, | 0:26:27 | 0:26:28 | |
its upside-down configuration offers | 0:26:28 | 0:26:30 | |
up five bedrooms on the ground floor | 0:26:30 | 0:26:32 | |
and a spacious open-plan | 0:26:32 | 0:26:34 | |
layout upstairs. | 0:26:34 | 0:26:36 | |
The four acres of land | 0:26:36 | 0:26:37 | |
has been divided into a garden | 0:26:37 | 0:26:39 | |
and a paddock for two horses | 0:26:39 | 0:26:41 | |
with stabling options. | 0:26:41 | 0:26:42 | |
The house was very large inside, very airy. | 0:26:42 | 0:26:46 | |
The family accommodation upstairs has a good | 0:26:46 | 0:26:49 | |
sitting room, dining room, kitchen flow through it, | 0:26:49 | 0:26:52 | |
so you could have the children doing their homework, | 0:26:52 | 0:26:54 | |
could be watching TV, entertaining, anything you want, | 0:26:54 | 0:26:57 | |
and everyone wouldn't be treading on everyone's toes. | 0:26:57 | 0:27:00 | |
It has got a lot going for it. It's got a huge amount of space. | 0:27:00 | 0:27:03 | |
My real concern, I think, | 0:27:03 | 0:27:04 | |
is there is quite a steep slope for the first paddock. | 0:27:04 | 0:27:07 | |
I'm thinking about the winter months, when it's snowing and icy, | 0:27:07 | 0:27:10 | |
and you have to bring your horses in. | 0:27:10 | 0:27:12 | |
That might be a little bit tricky, I think. | 0:27:12 | 0:27:15 | |
Now then, ladies, is it something | 0:27:15 | 0:27:16 | |
worth consideration over dinner tonight? | 0:27:16 | 0:27:18 | |
-Definitely. -Good. -Have a talk about it later. | 0:27:18 | 0:27:21 | |
Perfect. Let's go. | 0:27:21 | 0:27:22 | |
It's the second day of our property search in Cornwall, | 0:27:30 | 0:27:32 | |
with Sharon and her friend Jill from Banbury. | 0:27:32 | 0:27:35 | |
Armed with a maximum budget of £450,000, | 0:27:35 | 0:27:39 | |
Sharon wants a home for her family and enough land for two horses. | 0:27:39 | 0:27:42 | |
Coming up, at the mystery property, | 0:27:42 | 0:27:45 | |
it's less about the house and more about the horse. | 0:27:45 | 0:27:48 | |
This is the sort of thing that you move mountains for. | 0:27:48 | 0:27:51 | |
And I ride the waves on one of Cornwall's classic sailing crafts. | 0:27:51 | 0:27:55 | |
-How's about? -This is brilliant, Martin. Absolutely amazing. | 0:27:55 | 0:27:58 | |
Whilst I think we looked at two decent property options yesterday, | 0:28:02 | 0:28:06 | |
I don't think Sharon was particularly taken with the land at either. | 0:28:06 | 0:28:11 | |
So today at the Mystery House we're going to focus on just that. | 0:28:11 | 0:28:15 | |
The mystery property offers up, | 0:28:15 | 0:28:17 | |
well, in my opinion, the equestrian dream. | 0:28:17 | 0:28:19 | |
But being the Mystery House, | 0:28:19 | 0:28:21 | |
of course it comes with a couple of compromises. | 0:28:21 | 0:28:23 | |
And those will be in the house itself. | 0:28:23 | 0:28:27 | |
Let's see how we get on. | 0:28:27 | 0:28:29 | |
Now you've seen two houses down here... | 0:28:30 | 0:28:32 | |
-Yeah. -..how do you feel about what your budget can get you? | 0:28:32 | 0:28:35 | |
I still feel like my budget can get me something reasonable. | 0:28:36 | 0:28:40 | |
-Still positive about the move? -Still positive. | 0:28:40 | 0:28:42 | |
Yeah? You sound like you're saying the words, you don't sound like you mean them particularly. | 0:28:42 | 0:28:46 | |
No, I am still positive about it. | 0:28:46 | 0:28:48 | |
It's just...I am realising that in five weeks | 0:28:48 | 0:28:52 | |
the place that I now call home is no longer going to be mine. | 0:28:52 | 0:28:55 | |
It's going to be somebody else's home. | 0:28:55 | 0:28:56 | |
Yeah, this is bringing it all to the fore, isn't it? | 0:28:56 | 0:28:59 | |
-This is the real pressure, the real crunch time. -Yeah, of course it is. | 0:28:59 | 0:29:02 | |
For our mystery property, | 0:29:04 | 0:29:06 | |
we're staying within the Cornish mining World Heritage Site and | 0:29:06 | 0:29:09 | |
travelling to the hamlet of North Carnmarth, | 0:29:09 | 0:29:12 | |
just outside the town of Redruth. | 0:29:12 | 0:29:14 | |
At one time a small market town, | 0:29:14 | 0:29:15 | |
in the 19th century it became the urban centre | 0:29:15 | 0:29:18 | |
of the richest metal-mining area in the country. | 0:29:18 | 0:29:21 | |
And there are remnants of its industrial past all around you, | 0:29:21 | 0:29:25 | |
from imposing hillside relics | 0:29:25 | 0:29:27 | |
to the grand architecture lining its streets. | 0:29:27 | 0:29:29 | |
Notable buildings include the Mining Exchange, | 0:29:29 | 0:29:32 | |
where copper and tin auctions took place. | 0:29:32 | 0:29:35 | |
Redruth has both primary and secondary schools, | 0:29:35 | 0:29:38 | |
and the train station runs regular services | 0:29:38 | 0:29:40 | |
directly into London Paddington. | 0:29:40 | 0:29:43 | |
Our mystery option is located in a rural position, | 0:29:43 | 0:29:45 | |
just outside the town, | 0:29:45 | 0:29:47 | |
with fantastic views across the North Cornish coast. | 0:29:47 | 0:29:50 | |
It's an idyllic location, | 0:29:50 | 0:29:52 | |
but Sharon may have to compromise on the actual house | 0:29:52 | 0:29:55 | |
to get the land she wants for her horses. | 0:29:55 | 0:29:57 | |
So, the Mystery House. | 0:29:59 | 0:30:01 | |
We've certainly gone on your request for a bit of peace and quiet. | 0:30:01 | 0:30:05 | |
-What do we think? -I love it. -Wow. View's amazing. | 0:30:07 | 0:30:10 | |
I kind of want to talk about the house, | 0:30:10 | 0:30:12 | |
-but you can't ignore this, can you? -No. | 0:30:12 | 0:30:14 | |
-Stunning, isn't it? -It is. -It's beautiful. | 0:30:14 | 0:30:17 | |
Let's talk about the house. | 0:30:17 | 0:30:18 | |
Well maintained, looks bright, looks airy. | 0:30:18 | 0:30:21 | |
-Could you make this your home, Sharon? This sort of location? -Yes. | 0:30:21 | 0:30:25 | |
-Is this what you had in mind? -Yeah. -I just want to have a look now. | 0:30:25 | 0:30:27 | |
-Let's go inside. -Yeah. | 0:30:27 | 0:30:29 | |
Set within a five-acre plot, | 0:30:31 | 0:30:33 | |
the farmhouse retains a wealth of character | 0:30:33 | 0:30:35 | |
and views from its many windows. | 0:30:35 | 0:30:37 | |
To the side of the sweeping driveway is a detached garage block, | 0:30:37 | 0:30:41 | |
which also includes a shower room at the back. | 0:30:41 | 0:30:44 | |
To get our tour under way we're heading straight into the kitchen. | 0:30:44 | 0:30:47 | |
Right then, ladies, first impressions. | 0:30:49 | 0:30:51 | |
Good or bad, let me know. | 0:30:51 | 0:30:53 | |
Stunning views from this window. | 0:30:53 | 0:30:55 | |
Not a huge kitchen, but it's...nice. | 0:30:55 | 0:30:57 | |
It's very light, it's very airy with double aspect. | 0:30:57 | 0:31:00 | |
This is a kitchen that you could... live with, | 0:31:00 | 0:31:03 | |
and then, if you wanted to change a style or a design, | 0:31:03 | 0:31:06 | |
as time went on, then you would do it then. | 0:31:06 | 0:31:08 | |
But it's perfect. You could come in now and use it straight as it is. | 0:31:08 | 0:31:11 | |
Stick with it, then. Come with me. | 0:31:11 | 0:31:13 | |
Just off the kitchen there's a long, double-aspect dining room, | 0:31:15 | 0:31:18 | |
with exposed original beams. | 0:31:18 | 0:31:20 | |
And that leads into the living room. | 0:31:20 | 0:31:22 | |
So as you can see, one of two reception areas. | 0:31:23 | 0:31:26 | |
-What say you? -I think that's a good size. | 0:31:26 | 0:31:28 | |
Very, very light. | 0:31:28 | 0:31:29 | |
Very bright. Stunning views over our shoulder. | 0:31:29 | 0:31:32 | |
Look out that window. Brilliant. | 0:31:32 | 0:31:34 | |
It just has a warmth to it that makes it feel like a family home. | 0:31:34 | 0:31:37 | |
Yeah. Now, outside, you look at it, you think, "Oh, it's a bungalow." | 0:31:37 | 0:31:42 | |
But actually you've got three bedrooms upstairs. | 0:31:42 | 0:31:44 | |
-Right. -One of the bedrooms is downstairs, | 0:31:44 | 0:31:46 | |
but I think you've got room here. Let me show you. | 0:31:46 | 0:31:49 | |
The downstairs bedroom is a good-size double | 0:31:52 | 0:31:54 | |
and is served by a family bathroom. | 0:31:54 | 0:31:56 | |
But this is the only bathroom in the property, | 0:31:56 | 0:31:59 | |
and that's one of the compromises Sharon and her family | 0:31:59 | 0:32:02 | |
will have to make, as there are no washing facilities upstairs. | 0:32:02 | 0:32:05 | |
Of the three first-floor bedrooms, there's a small double | 0:32:05 | 0:32:09 | |
and a single with a dormer window overlooking the driveway, | 0:32:09 | 0:32:12 | |
which just leaves Sharon's potential master. | 0:32:12 | 0:32:15 | |
-Right then. -It's a very bright little room. | 0:32:18 | 0:32:21 | |
You weren't expecting it to be as big? | 0:32:21 | 0:32:23 | |
I wasn't expecting it to be this big, no. | 0:32:23 | 0:32:25 | |
I like the low ceilings. | 0:32:25 | 0:32:27 | |
-You LIKE the low ceilings? -I do like the low ceilings. It's cosy. | 0:32:27 | 0:32:30 | |
Three bedrooms up here, one bedroom downstairs. | 0:32:30 | 0:32:32 | |
-There's your four bedrooms. -Yeah. | 0:32:32 | 0:32:34 | |
-So you're happy with the size of this house? -Yeah. | 0:32:34 | 0:32:37 | |
Well, in that case, any compromises I thought you might have | 0:32:37 | 0:32:40 | |
have been competently nullified, because outside it just gets better. | 0:32:40 | 0:32:44 | |
-Come with me. -Outstanding. | 0:32:44 | 0:32:46 | |
By far the best reactions we've had so far to a property, | 0:32:47 | 0:32:50 | |
and it's the smallest one we've shown Sharon and Jill. | 0:32:50 | 0:32:53 | |
Outside, though, there's no shortage of space. | 0:32:53 | 0:32:57 | |
The well-maintained formal garden | 0:32:57 | 0:32:58 | |
wraps itself around the farmhouse, with views towards the coast. | 0:32:58 | 0:33:02 | |
And there's both a patio area for entertaining | 0:33:02 | 0:33:05 | |
and a separate vegetable patch. | 0:33:05 | 0:33:07 | |
The outbuildings include a spacious barn measuring 90 square metres, | 0:33:07 | 0:33:11 | |
and a summerhouse with power and plumbing inside. | 0:33:11 | 0:33:14 | |
But Sharon's two horses will be truly spoiled here, | 0:33:16 | 0:33:19 | |
because not only is there a sand school for exercising the horses, | 0:33:19 | 0:33:22 | |
but there's also a generous block of five stables | 0:33:22 | 0:33:25 | |
and three separate paddocks. | 0:33:25 | 0:33:27 | |
Now, land-wise, | 0:33:30 | 0:33:32 | |
you've got a flat paddock there - see it? | 0:33:32 | 0:33:35 | |
Yeah. | 0:33:35 | 0:33:36 | |
A paddock the other side of that barn we've just walked past | 0:33:36 | 0:33:40 | |
and those stables. | 0:33:40 | 0:33:41 | |
And then here, look, | 0:33:41 | 0:33:43 | |
all in all, five acres of flat pasture land. | 0:33:43 | 0:33:47 | |
-That's more like it. -Wow, I love it. | 0:33:47 | 0:33:50 | |
Oh, don't. Don't, don't, don't. | 0:33:51 | 0:33:54 | |
I do, I love it. | 0:33:56 | 0:33:58 | |
You've got lots here to make this brilliant for ever for you guys. | 0:33:58 | 0:34:03 | |
This is the sort of thing that you move mountains for. | 0:34:03 | 0:34:06 | |
So, time to guess the price. | 0:34:06 | 0:34:08 | |
How much do you think this mystery property is on the market for? | 0:34:08 | 0:34:11 | |
I think this is over my budget. | 0:34:11 | 0:34:13 | |
I'm going to go 460. | 0:34:13 | 0:34:14 | |
Jill, you're folding your arms. That doesn't bode well. | 0:34:14 | 0:34:17 | |
I'm going to say 455. | 0:34:17 | 0:34:19 | |
Not bad guesses. | 0:34:19 | 0:34:20 | |
This place is on the market for offers around 449,950. | 0:34:20 | 0:34:25 | |
It's great. It's fantastic. | 0:34:25 | 0:34:28 | |
-Happy, happy. -Happy, happy. | 0:34:28 | 0:34:29 | |
Good. You didn't seem happy in the car this morning. | 0:34:29 | 0:34:32 | |
These are two different ladies. | 0:34:32 | 0:34:34 | |
Anticipation, I think. | 0:34:34 | 0:34:36 | |
-Yeah? -Yeah. -Well, look, fill your boots. | 0:34:36 | 0:34:38 | |
Have a good look at it. All right? See you later on. | 0:34:38 | 0:34:41 | |
Well, I've got to say, | 0:34:44 | 0:34:45 | |
it's a relief as much as anything else. | 0:34:45 | 0:34:47 | |
I know just how important this big move down here to Cornwall | 0:34:47 | 0:34:50 | |
is for Sharon, and... | 0:34:50 | 0:34:53 | |
with a following wind, | 0:34:53 | 0:34:54 | |
I think we might have found just the place for her. | 0:34:54 | 0:34:57 | |
Coming in a whisker under Sharon's maximum budget, | 0:35:00 | 0:35:03 | |
our Mystery House | 0:35:03 | 0:35:04 | |
is a detached Cornish farmhouse | 0:35:04 | 0:35:06 | |
packed with character. | 0:35:06 | 0:35:08 | |
Although compact inside, | 0:35:08 | 0:35:10 | |
a generous amount of windows | 0:35:10 | 0:35:11 | |
allows for a light living space. | 0:35:11 | 0:35:13 | |
And there are four bedrooms, | 0:35:13 | 0:35:15 | |
three of which are upstairs. | 0:35:15 | 0:35:17 | |
Set in five acres of land, | 0:35:17 | 0:35:18 | |
with stabling and paddocks for Sharon's horses, | 0:35:18 | 0:35:21 | |
the whole plot takes in the stunning vista of the North Cornish coast. | 0:35:21 | 0:35:25 | |
The Mystery House is just amazing. | 0:35:25 | 0:35:29 | |
It's light, it's bright, it's very family-orientated. | 0:35:29 | 0:35:33 | |
There's enough space in the house, | 0:35:33 | 0:35:35 | |
but the outside space is just fantastic. | 0:35:35 | 0:35:37 | |
This is a top contender. | 0:35:37 | 0:35:38 | |
This is everything I was looking for in coming to Cornwall. | 0:35:38 | 0:35:41 | |
'It was really good seeing her reaction to this property.' | 0:35:41 | 0:35:44 | |
The more she saw, the happier and the bubblier she got. | 0:35:44 | 0:35:48 | |
She loves it. | 0:35:48 | 0:35:49 | |
So, are we happy? | 0:35:54 | 0:35:56 | |
-Happy. -Yeah? -Very happy. | 0:35:56 | 0:35:58 | |
Very happy. Good. Well, look, I think we are ending on a high. | 0:35:58 | 0:36:01 | |
Things seem to have got better as we've got on. | 0:36:01 | 0:36:04 | |
But let's find you somewhere to have a bit of a sit-down | 0:36:04 | 0:36:07 | |
and talk everything through. It's a big decision for you, isn't it? | 0:36:07 | 0:36:10 | |
-Huge decision. -We'll catch up later on. | 0:36:10 | 0:36:12 | |
Come on, then. | 0:36:12 | 0:36:13 | |
Along with Cornwall's rich industrial heritage, | 0:36:22 | 0:36:24 | |
the county has a strong tradition of sailing, | 0:36:24 | 0:36:27 | |
with over 400 miles of magnificent coastline | 0:36:27 | 0:36:30 | |
from sheltered fishing harbours | 0:36:30 | 0:36:32 | |
to spectacular beaches. | 0:36:32 | 0:36:34 | |
Historically, each seaside town had its own unique sailing boat, | 0:36:34 | 0:36:39 | |
specifically designed for the local environment and conditions. | 0:36:39 | 0:36:43 | |
I've come to the seaport of Fowey, on Cornwall's south coast. | 0:36:43 | 0:36:46 | |
A natural harbour, | 0:36:46 | 0:36:47 | |
the town stretches a mile along the west bank of the Fowey Estuary. | 0:36:47 | 0:36:51 | |
I'm meeting boat-builder Marcus Lewis | 0:36:51 | 0:36:54 | |
to learn more about the town's home-grown sailing yacht, | 0:36:54 | 0:36:57 | |
the Troy class. | 0:36:57 | 0:36:58 | |
What makes these boats unique? | 0:37:00 | 0:37:03 | |
Well, when the boat-builder designed them, | 0:37:03 | 0:37:06 | |
he obviously had in mind the fact of the steep-sided valley | 0:37:06 | 0:37:09 | |
that we've got here in Fowey | 0:37:09 | 0:37:11 | |
and so you tend to get more wind higher up. | 0:37:11 | 0:37:13 | |
So, it's got a very tall mast. | 0:37:13 | 0:37:15 | |
It's 31 feet tall from the deck of the boat. | 0:37:15 | 0:37:18 | |
She's only 18 foot long. | 0:37:18 | 0:37:20 | |
If that was a dinghy, | 0:37:20 | 0:37:22 | |
you'd need six or eight people sitting on the side | 0:37:22 | 0:37:24 | |
to keep it upright, and then they wouldn't manage it. | 0:37:24 | 0:37:27 | |
-OK. -Because it's a keelboat, | 0:37:27 | 0:37:30 | |
it's got a draught of four foot. | 0:37:30 | 0:37:32 | |
-Right. -And the lower foot of that is 16 hundredweight of lead, | 0:37:32 | 0:37:36 | |
which is nearly 700 kilos, I think. | 0:37:36 | 0:37:39 | |
Goodness me. | 0:37:39 | 0:37:40 | |
Only 28 Troy class were built in the decades following 1928, | 0:37:41 | 0:37:45 | |
when local boat-builder Archie Watty first came up with his novel design. | 0:37:45 | 0:37:50 | |
25 survive in sailing condition, | 0:37:50 | 0:37:53 | |
but the class has experienced a recent rise in popularity, | 0:37:53 | 0:37:56 | |
and Marcus is a currently working on a new boat in his workshop. | 0:37:56 | 0:38:00 | |
So this is the skeletal form of a Troy. | 0:38:00 | 0:38:04 | |
Similar to what we've just seen, then? | 0:38:04 | 0:38:06 | |
That's right. | 0:38:06 | 0:38:07 | |
There are strict rules governing Troy-class boat-building. | 0:38:07 | 0:38:11 | |
Each one must be built by hand using wood | 0:38:11 | 0:38:13 | |
and within the Fowey Estuary itself. | 0:38:13 | 0:38:15 | |
That is the backbone of the boat. | 0:38:15 | 0:38:17 | |
That's all oak. All shaped and bolted together. | 0:38:17 | 0:38:21 | |
When we looked up at the Troy, | 0:38:21 | 0:38:23 | |
there was a huge... a really tall mast. | 0:38:23 | 0:38:25 | |
You mentioned a lead weight on the bottom. | 0:38:25 | 0:38:27 | |
That's right. That's the lead keel down there. | 0:38:27 | 0:38:29 | |
-It doesn't look much, does it? -No. | 0:38:29 | 0:38:31 | |
It's quite a bit if you try and pick it up. | 0:38:31 | 0:38:33 | |
Yeah. | 0:38:33 | 0:38:35 | |
It takes Marcus around 1,000 man hours to build a Troy, | 0:38:35 | 0:38:37 | |
and they cost around £40,000 to commission. | 0:38:37 | 0:38:40 | |
-Martin. -Hello, Jonnie. | 0:38:40 | 0:38:42 | |
Permission to come aboard, sir? | 0:38:42 | 0:38:44 | |
-Certainly. -Thank you very much. | 0:38:44 | 0:38:45 | |
'Having seen what it looks like under construction, | 0:38:45 | 0:38:48 | |
'I'm keen to see how a Troy class takes to the water. | 0:38:48 | 0:38:51 | |
'So I'm joining experienced mariner Martin Croll, | 0:38:51 | 0:38:54 | |
'who's been racing the same boat for 30 years.' | 0:38:54 | 0:38:57 | |
As far as sailing boats go, are these easy to operate? | 0:38:57 | 0:39:00 | |
-Are they harder? -They... | 0:39:00 | 0:39:02 | |
They can be a bit of a handful in certain conditions. | 0:39:02 | 0:39:05 | |
Just little small movements on the tiller will send the boat | 0:39:05 | 0:39:08 | |
whichever direction you want to go. | 0:39:08 | 0:39:10 | |
And it's not long before Martin shows me what she can do, as, | 0:39:14 | 0:39:18 | |
while working the jib, I sail a bit too close to the wind. | 0:39:18 | 0:39:22 | |
Speaking to Marcus, who builds these, | 0:39:22 | 0:39:25 | |
he was telling me about the amount of weight | 0:39:25 | 0:39:28 | |
at the bottom of this boat. | 0:39:28 | 0:39:29 | |
It fills me with a bit more confidence, | 0:39:29 | 0:39:31 | |
bearing in mind I feel like I'm going to go in. | 0:39:31 | 0:39:34 | |
HE LAUGHS | 0:39:34 | 0:39:35 | |
-You won't go in. -It feels like I might. | 0:39:35 | 0:39:37 | |
You won't go in. | 0:39:37 | 0:39:39 | |
Now, I know this might come across as a bit cheeky, | 0:39:42 | 0:39:44 | |
but any chance I could have a go? | 0:39:44 | 0:39:46 | |
Certainly you can. Right, get yourself comfortable. | 0:39:46 | 0:39:49 | |
That's it. | 0:39:49 | 0:39:50 | |
This is the life, isn't it? | 0:39:52 | 0:39:54 | |
Now, what we'll do now is go right around. | 0:39:54 | 0:39:57 | |
So tiller right towards me. | 0:39:57 | 0:39:59 | |
Look at that. | 0:39:59 | 0:40:01 | |
Even more towards me. | 0:40:07 | 0:40:10 | |
Lets the sail off a bit. | 0:40:10 | 0:40:11 | |
And then you point down the river | 0:40:12 | 0:40:14 | |
and you have a little bit of a run now. | 0:40:14 | 0:40:16 | |
-This is fantastic. -How's that? | 0:40:19 | 0:40:21 | |
This is brilliant, Martin. Absolutely amazing. | 0:40:21 | 0:40:24 | |
You really wouldn't want to be anywhere else in the world right now, would you? | 0:40:24 | 0:40:29 | |
You know this town very well, don't you? | 0:40:31 | 0:40:33 | |
Pretty much. | 0:40:33 | 0:40:34 | |
So you probably know where a good pub is to sail up to, don't you? | 0:40:34 | 0:40:37 | |
I could mention a pub or two, yes. | 0:40:37 | 0:40:39 | |
-Shall we go there later? -Yeah, why not? | 0:40:39 | 0:40:41 | |
That'll be brilliant. | 0:40:41 | 0:40:42 | |
Well, it's clear to see that the mystery property | 0:40:50 | 0:40:53 | |
is a firm favourite. | 0:40:53 | 0:40:54 | |
But this is a huge move for Sharon and her entire family. | 0:40:54 | 0:40:58 | |
So let's find out what she wants to do next. | 0:40:58 | 0:41:00 | |
Now, I don't think it takes a rocket scientist to work out which of the | 0:41:06 | 0:41:10 | |
three properties is your favourite. | 0:41:10 | 0:41:11 | |
-The Mystery House. -Definitely the Mystery House. | 0:41:11 | 0:41:13 | |
Now, when we were at the property, you got very emotional. | 0:41:13 | 0:41:16 | |
-Yeah. -Jill, have you seen her like that in a good way in recent years? | 0:41:16 | 0:41:20 | |
She doesn't get emotional very often. | 0:41:20 | 0:41:22 | |
-Right. -I think it was a bit of relief. | 0:41:22 | 0:41:25 | |
-Yeah. -You know. | 0:41:25 | 0:41:26 | |
That there was somewhere | 0:41:26 | 0:41:27 | |
that actually she could see that she could call home. | 0:41:27 | 0:41:30 | |
Now, having seen the property and talked about the house amongst | 0:41:30 | 0:41:33 | |
yourselves, what are you feeling? | 0:41:33 | 0:41:36 | |
Much calmer. Much more reassured that I wasn't going barking mad, | 0:41:36 | 0:41:42 | |
that I am making a good, wise decision. | 0:41:42 | 0:41:45 | |
-Yeah. -For our family. That we can move forward. | 0:41:45 | 0:41:48 | |
You can see what you can get. | 0:41:48 | 0:41:49 | |
What's next, then? You like the mystery property so much, | 0:41:49 | 0:41:52 | |
what are you going to do now? | 0:41:52 | 0:41:53 | |
-Interested in going and having a second look. -You are? | 0:41:53 | 0:41:56 | |
Yeah. Make calls to home. | 0:41:56 | 0:41:57 | |
See if I can get the kids down this weekend. | 0:41:57 | 0:41:59 | |
Right. That's a good idea. | 0:41:59 | 0:42:01 | |
-Will they all come down, the whole tribe? -Yeah. | 0:42:01 | 0:42:03 | |
Just go and collect them. Get them down here for the weekend. | 0:42:03 | 0:42:06 | |
Find out some more about the area. | 0:42:06 | 0:42:07 | |
Make a few phone calls to the schools. | 0:42:07 | 0:42:09 | |
After your second viewing, | 0:42:09 | 0:42:10 | |
after you've done a bit more recceing about the area, | 0:42:10 | 0:42:12 | |
let us know what you decide, won't you? | 0:42:12 | 0:42:14 | |
-Yeah. Will do. -Good for you. | 0:42:14 | 0:42:16 | |
-Good luck. -Thank you. | 0:42:16 | 0:42:18 | |
Let's face it, the mystery property wasn't without its compromises. | 0:42:20 | 0:42:24 | |
But it also offered Sharon and her family so much - well, | 0:42:24 | 0:42:28 | |
you saw it yourselves - it reduced her to tears. | 0:42:28 | 0:42:31 | |
So I'm buoyed to hear they are going back as a family to have a look at | 0:42:31 | 0:42:35 | |
that property once again. | 0:42:35 | 0:42:37 | |
And if that goes well and all of her research with the schools | 0:42:37 | 0:42:41 | |
go according to plan, | 0:42:41 | 0:42:42 | |
it wouldn't surprise me if Cornwall doesn't have a few new residents | 0:42:42 | 0:42:45 | |
sooner rather than later. | 0:42:45 | 0:42:47 | |
I wish them all the very best of luck. | 0:42:47 | 0:42:49 | |
Sharon returned to our Mystery House and, I'm delighted to say, | 0:42:51 | 0:42:54 | |
put in an offer that's been accepted. | 0:42:54 | 0:42:57 | |
So we wish her and the children well with their forthcoming move. | 0:42:57 | 0:43:01 | |
If you'd like to escape to the country in England, Wales, | 0:43:01 | 0:43:04 | |
Northern Ireland or Scotland and need our help, | 0:43:04 | 0:43:07 | |
please apply online at... | 0:43:07 | 0:43:09 |