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Can you believe that these perfectly-crafted little buildings | 0:00:06 | 0:00:09 | |
are so rare, and were made with such love, that they are in fact listed? | 0:00:09 | 0:00:14 | |
So find out what the story behind them is | 0:00:14 | 0:00:16 | |
and into which village I have very carefully stepped in just a moment. | 0:00:16 | 0:00:20 | |
Coming up on today's show - a married couple want to find calm | 0:00:38 | 0:00:41 | |
in the countryside, as well as separate sanctuary from one another, | 0:00:41 | 0:00:45 | |
but all under one roof. | 0:00:45 | 0:00:47 | |
Our properties work hard to achieve exactly the right vision | 0:00:47 | 0:00:50 | |
for one half... | 0:00:50 | 0:00:51 | |
How it stacks together to create two living spaces at the moment, | 0:00:51 | 0:00:54 | |
-I cannot... I cannot compute. -Yeah. -Yet. | 0:00:54 | 0:00:58 | |
..but it's full steam ahead for the other half of the duo. | 0:00:58 | 0:01:01 | |
-What do you think? -It looks great. -Wonderful. Come on, let's go. | 0:01:01 | 0:01:05 | |
I can't wait to get inside. | 0:01:05 | 0:01:06 | |
Today, I'm in the Cotswolds | 0:01:09 | 0:01:10 | |
and this is the model village of Bourton-on-the-Water. | 0:01:10 | 0:01:13 | |
A one-ninth replica of the real Cotswold village, | 0:01:13 | 0:01:16 | |
which is just on the other side of that hedge. | 0:01:16 | 0:01:19 | |
It was the brainchild of a local pub landlord who opened it to the public | 0:01:19 | 0:01:22 | |
in 1937, to bring more tourists into the village. | 0:01:22 | 0:01:26 | |
And it took five years to build. | 0:01:26 | 0:01:28 | |
Five years, because this is the work of master craftsmen, | 0:01:28 | 0:01:31 | |
using limestone from the region, | 0:01:31 | 0:01:33 | |
and the famous stone tiles that are so typical of the Cotswolds. | 0:01:33 | 0:01:37 | |
It's a real delight for all of us who grew up with Gulliver's Travels | 0:01:37 | 0:01:40 | |
and Alice In Wonderland, | 0:01:40 | 0:01:41 | |
and it also distils so much that is charming | 0:01:41 | 0:01:44 | |
about this part of the world. | 0:01:44 | 0:01:45 | |
The Cotswolds is an 800-square-mile area | 0:01:47 | 0:01:50 | |
that covers parts of five different counties, | 0:01:50 | 0:01:53 | |
including significant sections of Gloucestershire and Oxfordshire. | 0:01:53 | 0:01:57 | |
The largest Area of Outstanding Natural Beauty in England, | 0:01:57 | 0:02:01 | |
the Cotswolds landscape is characterised by rolling hills | 0:02:01 | 0:02:04 | |
and farmland, framed within networks of dry stone walls. | 0:02:04 | 0:02:08 | |
All in all, they run for some 4,000 miles, | 0:02:08 | 0:02:11 | |
which is the equivalent in length to the Great Wall of China. | 0:02:11 | 0:02:15 | |
Unrestricted by county boundaries, | 0:02:15 | 0:02:17 | |
the Cotswolds can claim not only the finest landscape of the region | 0:02:17 | 0:02:21 | |
but also the architecture, too. | 0:02:21 | 0:02:24 | |
Styles that vary from Georgian splendour in Cheltenham, | 0:02:24 | 0:02:27 | |
the most complete Regency town in the country, | 0:02:27 | 0:02:29 | |
to distinctive ochre limestone buildings | 0:02:29 | 0:02:32 | |
that have lined the streets of villages like Stanton | 0:02:32 | 0:02:35 | |
since the 16th and 17th centuries. | 0:02:35 | 0:02:38 | |
Painting the perfect picture of rural England with its properties | 0:02:38 | 0:02:41 | |
and scenery, the region attracts well over 30 million visitors a year | 0:02:41 | 0:02:46 | |
and is a huge draw for those looking for a stylish slice of country life | 0:02:46 | 0:02:50 | |
on a more permanent basis. | 0:02:50 | 0:02:52 | |
Let's be under no illusions - buying property in the Cotswolds | 0:02:59 | 0:03:02 | |
is an expensive business. | 0:03:02 | 0:03:04 | |
When you think that the average price for a property | 0:03:04 | 0:03:06 | |
across the country is around £283,000 - | 0:03:06 | 0:03:08 | |
well, if you want something similar in this region, | 0:03:08 | 0:03:11 | |
then you're going to have to add | 0:03:11 | 0:03:13 | |
an almost £200,000 hike to the price tag. | 0:03:13 | 0:03:16 | |
Although if you go a little further out to the periphery, | 0:03:16 | 0:03:18 | |
to places like Dursley or Stroud, | 0:03:18 | 0:03:20 | |
away from the hot spots nearer to London, | 0:03:20 | 0:03:22 | |
you can get a lot more for your money. | 0:03:22 | 0:03:25 | |
So, bearing that in mind, let's meet today's buyers and find out | 0:03:25 | 0:03:27 | |
what drew them to this lovely part of the world. | 0:03:27 | 0:03:31 | |
For the past two decades, | 0:03:31 | 0:03:32 | |
Gill and Andy have lived in Kew, South West London. | 0:03:32 | 0:03:36 | |
Until their recent retirement, they both worked in education. | 0:03:36 | 0:03:39 | |
They've been married for 40 years | 0:03:39 | 0:03:41 | |
and have three grown-up children and eight grandchildren. | 0:03:41 | 0:03:45 | |
We met 40-odd years ago, | 0:03:45 | 0:03:47 | |
when we were both students studying theology in Chelsea. | 0:03:47 | 0:03:52 | |
And here we are, 40 years on. | 0:03:52 | 0:03:55 | |
We-we married while we were students and we had our first baby | 0:03:55 | 0:03:59 | |
while we were students. | 0:03:59 | 0:04:01 | |
Their current property is a semidetached 1930s house | 0:04:01 | 0:04:05 | |
but it's fair to say their living arrangement | 0:04:05 | 0:04:08 | |
is somewhat unconventional. | 0:04:08 | 0:04:10 | |
We live in the one house, but we've arranged it | 0:04:10 | 0:04:13 | |
so that we've got separate, independent living areas, | 0:04:13 | 0:04:16 | |
but access to one another. | 0:04:16 | 0:04:18 | |
And that came about because 25 years into our marriage, | 0:04:18 | 0:04:22 | |
we found that we were singing from different hymn sheets... | 0:04:22 | 0:04:26 | |
..but neither of us wanted to set up home permanently | 0:04:27 | 0:04:31 | |
with another partner, and we both felt very strongly | 0:04:31 | 0:04:35 | |
that we wanted to keep the family unit intact. | 0:04:35 | 0:04:37 | |
-So our marriage is like our house - semidetached. -Yeah! | 0:04:37 | 0:04:41 | |
The arrangement has worked well for them both over the years, | 0:04:41 | 0:04:44 | |
so it's a property configuration | 0:04:44 | 0:04:46 | |
they want to keep in their new home together. | 0:04:46 | 0:04:48 | |
As a family, we've learnt a lot about what love is. | 0:04:48 | 0:04:52 | |
You know, it's about giving one another | 0:04:52 | 0:04:54 | |
the freedom to be who they are. | 0:04:54 | 0:04:56 | |
Despite enjoying their time living in Kew, | 0:04:56 | 0:04:59 | |
they now feel it's time for a change. | 0:04:59 | 0:05:01 | |
When people come and visit, | 0:05:01 | 0:05:02 | |
they're very aware of the flight path to Heathrow. | 0:05:02 | 0:05:06 | |
Sometimes it feels a bit hectic, | 0:05:06 | 0:05:08 | |
being in London with all the traffic. | 0:05:08 | 0:05:10 | |
It would be nice to have a slower pace sometimes. | 0:05:10 | 0:05:15 | |
And they've chosen the calming Cotswolds in which to unwind. | 0:05:15 | 0:05:18 | |
There's a certain line I cross when we are travelling to the Cotswolds, | 0:05:18 | 0:05:21 | |
-and I feel... -SHE SIGHS HAPPILY | 0:05:21 | 0:05:24 | |
-"I've come home." -What we love about the countryside, I think, | 0:05:24 | 0:05:27 | |
is the fact that it's peaceful, it's beautiful, | 0:05:27 | 0:05:31 | |
there are large skies and it just makes your soul sing. | 0:05:31 | 0:05:36 | |
As well as being closer to one of their sons in Birmingham, | 0:05:38 | 0:05:41 | |
they hope to have more time to invest in their respective hobbies. | 0:05:41 | 0:05:45 | |
I paint, I do quite a lot of craft work - knitting and sewing. | 0:05:45 | 0:05:49 | |
I love listening to music and going to concerts. | 0:05:49 | 0:05:53 | |
Playing the piano is something | 0:05:53 | 0:05:55 | |
that has always been a panacea to the soul for me | 0:05:55 | 0:05:59 | |
and hopefully, if I've got more time in the Cotswolds, | 0:05:59 | 0:06:02 | |
I might play a bit more than I do | 0:06:02 | 0:06:05 | |
and be able to play some of the pieces that I struggle with now. | 0:06:05 | 0:06:08 | |
Although Andy in particular | 0:06:09 | 0:06:11 | |
will miss the buzz of the capital on his doorstep, | 0:06:11 | 0:06:13 | |
they are both looking forward to their next adventure. | 0:06:13 | 0:06:16 | |
I think it's the excitement of... | 0:06:16 | 0:06:19 | |
..putting together another home. | 0:06:21 | 0:06:23 | |
We are more settled in what we're doing and where we are, I think. | 0:06:23 | 0:06:28 | |
-And ready for a challenge. -And ready for a challenge. | 0:06:28 | 0:06:31 | |
A last challenge, probably. | 0:06:31 | 0:06:32 | |
Speak for yourself! | 0:06:32 | 0:06:34 | |
Our buyers want to focus their search | 0:06:43 | 0:06:45 | |
in the Gloucestershire portion of the Cotswolds, | 0:06:45 | 0:06:47 | |
around the centres of Moreton-in-Marsh | 0:06:47 | 0:06:49 | |
and Bourton-on-the-Water. | 0:06:49 | 0:06:51 | |
So we're all meeting up to nail the specifics of their move. | 0:06:51 | 0:06:54 | |
-Good morning. -Good morning. -Good morning. -Welcome to the Cotswolds. | 0:06:56 | 0:06:59 | |
-Thank you. -Thank you. -We've found you a little house. | 0:06:59 | 0:07:01 | |
-THEY LAUGH -I wish! -Maybe slightly over budget. | 0:07:01 | 0:07:04 | |
But isn't it beautiful? The Cotswolds are so exquisite. | 0:07:04 | 0:07:07 | |
-That stone is magical. -Yes, it is. -It is. -Beautiful. | 0:07:07 | 0:07:09 | |
Have you been on the ground? | 0:07:09 | 0:07:11 | |
Have you done lots of house searches here? | 0:07:11 | 0:07:13 | |
We have. We've actually been looking for about three years, so... | 0:07:13 | 0:07:16 | |
-Oh, really? -Yes, yes. We've looked at lots of floor plans, | 0:07:16 | 0:07:19 | |
but only actually physically visited a few houses, | 0:07:19 | 0:07:22 | |
but we are looking for something rather unusual. | 0:07:22 | 0:07:24 | |
You are indeed. We're all quite excited about this | 0:07:24 | 0:07:26 | |
because I think it's the first time | 0:07:26 | 0:07:28 | |
-I've ever had to look for two houses in one. -Yes, yes. -Yes. | 0:07:28 | 0:07:30 | |
Are you aware that there aren't that many split houses on the market? | 0:07:30 | 0:07:34 | |
-Yes, we are. -Yes, we are. And the issue has been | 0:07:34 | 0:07:37 | |
that where they have been split, there's not parity of space. | 0:07:37 | 0:07:40 | |
You know, there's a large house and then there's a small granny flat | 0:07:40 | 0:07:43 | |
on the side of it, so it's about finding something | 0:07:43 | 0:07:46 | |
-that gives us an equal amount of space, really. -Mmm. | 0:07:46 | 0:07:49 | |
Andy, in Kew, you've got the upstairs | 0:07:49 | 0:07:51 | |
and, Gill, you're downstairs. | 0:07:51 | 0:07:52 | |
Are you looking to replicate that, or do you want to swap? | 0:07:52 | 0:07:55 | |
I like being on the ground level. | 0:07:55 | 0:07:56 | |
-And you're happy with the..? -I'm happy being upstairs, yes. | 0:07:56 | 0:07:59 | |
He'll put a stairlift in! | 0:07:59 | 0:08:01 | |
When I get old and feeble, yes, I'll put a stairlift in. | 0:08:01 | 0:08:04 | |
Obviously, we haven't found you a property that's already split | 0:08:04 | 0:08:07 | |
in this way, so what sort of compromises are you willing to make | 0:08:07 | 0:08:10 | |
in terms of, sort of, work or realignment? | 0:08:10 | 0:08:12 | |
-We really don't want a big project. -No. | 0:08:12 | 0:08:15 | |
We're quite happy to do some reconfiguration work. | 0:08:15 | 0:08:18 | |
But I mean, obviously, knocking a few walls down | 0:08:18 | 0:08:20 | |
or reconfiguring a staircase... | 0:08:20 | 0:08:21 | |
-Or adding a bit on, even... -Or adding a bit on... | 0:08:21 | 0:08:23 | |
..which is what we have done to our... | 0:08:23 | 0:08:25 | |
..is not out of the question. | 0:08:25 | 0:08:26 | |
How big is the house going to be overall? How many bedrooms? | 0:08:26 | 0:08:29 | |
We'd like somewhere with two bedrooms each, | 0:08:29 | 0:08:31 | |
if possible, so that when the family comes to stay, | 0:08:31 | 0:08:34 | |
there's room for them. | 0:08:34 | 0:08:36 | |
And what about location? Do you want to be in the middle of a town | 0:08:36 | 0:08:39 | |
-or out in the sticks? -Not remote. | 0:08:39 | 0:08:42 | |
We want... As we grow older, | 0:08:42 | 0:08:43 | |
we'd like access to amenities and proximity to a bit of buzz. | 0:08:43 | 0:08:47 | |
A bit of life and a feel of community. | 0:08:47 | 0:08:50 | |
Remind us of your budget. | 0:08:50 | 0:08:51 | |
-900,000, top... -Yeah. | 0:08:51 | 0:08:53 | |
..because that would include any renovation, | 0:08:53 | 0:08:55 | |
any reconfiguration work. | 0:08:55 | 0:08:56 | |
Gosh, you've been looking for three years. | 0:08:56 | 0:08:58 | |
That sort of fills us with dread! | 0:08:58 | 0:09:00 | |
But we have found three lovely properties, | 0:09:00 | 0:09:01 | |
which I think will offer you something, | 0:09:01 | 0:09:03 | |
so I'll be keen to see what you think. Let's go and look. | 0:09:03 | 0:09:06 | |
For a maximum budget of £900,000, including any renovation work, | 0:09:08 | 0:09:13 | |
Andy and Gill want to create two homes in one. | 0:09:13 | 0:09:16 | |
The challenge is to find them somewhere | 0:09:16 | 0:09:18 | |
that offers private living spaces - ideally of equal size - | 0:09:18 | 0:09:21 | |
and preferably with Gill downstairs. | 0:09:21 | 0:09:24 | |
They'd like two bedrooms each, for visiting family, | 0:09:24 | 0:09:26 | |
as well as their own living room and kitchen. | 0:09:26 | 0:09:29 | |
After a vibrant life in London, | 0:09:29 | 0:09:31 | |
they're both keen to be part of an active community. | 0:09:31 | 0:09:34 | |
We've found three contrasting Cotswold homes | 0:09:34 | 0:09:37 | |
which we hope will give them | 0:09:37 | 0:09:38 | |
the versatility and harmony they're after. | 0:09:38 | 0:09:41 | |
But I'll keep them guessing as to what the houses are worth | 0:09:41 | 0:09:44 | |
until the end of each tour. | 0:09:44 | 0:09:46 | |
Then for last orders, we'll be opening not one, but two doors, | 0:09:46 | 0:09:50 | |
when we reveal our remodelled Mystery House. | 0:09:50 | 0:09:52 | |
We're kicking off our property search in Gloucestershire, | 0:10:00 | 0:10:02 | |
eight miles north of Moreton-in-Marsh, | 0:10:02 | 0:10:04 | |
and 14 miles north of Bourton-on-the-Water. | 0:10:04 | 0:10:07 | |
In one of the area's most elegant market towns, Chipping Campden. | 0:10:07 | 0:10:11 | |
In the Middle Ages, | 0:10:12 | 0:10:14 | |
this town prospered from a lucrative wool trade | 0:10:14 | 0:10:17 | |
and the many grand, honey-coloured limestone buildings | 0:10:17 | 0:10:20 | |
are still a feature along the high street to this day. | 0:10:20 | 0:10:23 | |
The arched market hall, dating from the early 17th century, | 0:10:24 | 0:10:28 | |
is an elegant centrepiece. | 0:10:28 | 0:10:29 | |
The property I want to show Gill and Andy is on the edge of town, | 0:10:30 | 0:10:33 | |
just a short stroll from all the local amenities. | 0:10:33 | 0:10:36 | |
-Here is our first offering. -Right. | 0:10:40 | 0:10:43 | |
The house dates back to 1963, | 0:10:43 | 0:10:45 | |
as the whole estate was built in the '60s, using the Cotswold stone. | 0:10:45 | 0:10:48 | |
-What are your impressions from the outside? -I like it. | 0:10:48 | 0:10:51 | |
Yes, it's a pleasant-looking house. | 0:10:51 | 0:10:53 | |
Probably bigger on the inside than it looks on the outside. | 0:10:53 | 0:10:55 | |
Obviously, we're immediately thinking about separating it out | 0:10:55 | 0:10:58 | |
-for you guys. -Mm-hm. -In this one, | 0:10:58 | 0:11:00 | |
-we're thinking of splitting it upstairs and downstairs. -Mm-hm. | 0:11:00 | 0:11:03 | |
That's fine. It's looks from the outside as though it would be | 0:11:03 | 0:11:05 | |
perfectly feasible as an upstairs-downstairs division. | 0:11:05 | 0:11:08 | |
-Shall we look inside? -Ooh, yes, let's. | 0:11:08 | 0:11:10 | |
Built in the early 1960s, | 0:11:12 | 0:11:13 | |
this detached Cotswold stone house has been extended twice, | 0:11:13 | 0:11:17 | |
most recently to the side. | 0:11:17 | 0:11:20 | |
There are number of options for Andy and Gill to divide this house, | 0:11:20 | 0:11:23 | |
starting with two separate entrances, | 0:11:23 | 0:11:25 | |
one directly into the kitchen, and the other into the central hallway, | 0:11:25 | 0:11:30 | |
which I'm taking them through to start the tour. | 0:11:30 | 0:11:33 | |
Let's have a look. So we're going to be looking at the ground floor | 0:11:35 | 0:11:38 | |
-first, because you said you prefer the ground floor. -OK. | 0:11:38 | 0:11:40 | |
-I do, yes. -They've extended out over into the kitchen here | 0:11:40 | 0:11:43 | |
-and they have extended back... -Mm-hm. | 0:11:43 | 0:11:45 | |
-..here, so they've made themselves a lot more space. -Mm-hm. | 0:11:45 | 0:11:48 | |
It's got the nice, light, airy, spacious look that you like. | 0:11:48 | 0:11:51 | |
It's got the light, airy feel. I like the size of the space. | 0:11:51 | 0:11:53 | |
-The kitchen/living space is good. -Come over here and you can see... | 0:11:53 | 0:11:56 | |
-See, this is an extension that they put on in the '90s... -Yes. | 0:11:56 | 0:11:59 | |
..to give them some space at the side. | 0:11:59 | 0:12:02 | |
That's a good door for me. | 0:12:02 | 0:12:03 | |
-Yeah, so you've got another... -My own entrance. | 0:12:03 | 0:12:05 | |
Exactly, so you've got an entrance here, | 0:12:05 | 0:12:07 | |
-cos we went through the hallway. -Yes. | 0:12:07 | 0:12:09 | |
It's a nice, light hallway, | 0:12:09 | 0:12:10 | |
but I think we'd have to reconfigure the stairwell. | 0:12:10 | 0:12:14 | |
-We thought you'd have to turn the stairs one more time... -Yes. | 0:12:14 | 0:12:16 | |
-..so the front door would be yours... -Yes. -Yes. | 0:12:16 | 0:12:19 | |
..so you could come in the front door and just go straight upstairs. | 0:12:19 | 0:12:22 | |
And then there would be a wall, so you'd have the back door | 0:12:22 | 0:12:24 | |
-and this door. -Yes, yes. Good. | 0:12:24 | 0:12:27 | |
With the utility space off the kitchen, | 0:12:27 | 0:12:29 | |
this floor also offers a snug, dining area, | 0:12:29 | 0:12:33 | |
separate study, downstairs cloakroom, | 0:12:33 | 0:12:36 | |
and a large living room just across the hallway. | 0:12:36 | 0:12:39 | |
Come in. I'm liking your thinking on the hoof. That's very good. | 0:12:39 | 0:12:42 | |
-So this is the living room at the moment... -Yes. | 0:12:42 | 0:12:44 | |
..but, the speed at which you're kind of redesigning this, | 0:12:44 | 0:12:47 | |
it may be something else. THEY LAUGH | 0:12:47 | 0:12:49 | |
It's light. The size is just about right. | 0:12:49 | 0:12:51 | |
If we're thinking about reconfiguring, which we have to, | 0:12:51 | 0:12:54 | |
for me, this would have to be the bedroom. | 0:12:54 | 0:12:56 | |
Next door, where you've got the toilet, | 0:12:56 | 0:12:58 | |
which could become the shower room, cos you could extend that... | 0:12:58 | 0:13:01 | |
-Do you agree? -Well, well, I had been thinking, | 0:13:01 | 0:13:04 | |
if I kept this as a bedroom, | 0:13:04 | 0:13:06 | |
because the current kitchen and living space is a nice size | 0:13:06 | 0:13:09 | |
of living space for me, then the little bit... | 0:13:09 | 0:13:13 | |
-The snug. -The snug at the back could become my studio. | 0:13:13 | 0:13:15 | |
It could do, yeah. That would be a really good thing. | 0:13:15 | 0:13:18 | |
I'm loving it. It's a lot of thinking and you've obviously done | 0:13:18 | 0:13:20 | |
this before. You're way ahead of me | 0:13:20 | 0:13:22 | |
-but I'm quite interested to see what you think of upstairs... -OK. | 0:13:22 | 0:13:25 | |
..cos he's quite animated about your floor. | 0:13:25 | 0:13:27 | |
I don't know what he's going to be like upstairs! | 0:13:27 | 0:13:29 | |
You can expect fireworks up there! | 0:13:29 | 0:13:31 | |
It's great that they already have plans | 0:13:31 | 0:13:33 | |
for how they might reconfigure this space to make it work for Gill, | 0:13:33 | 0:13:37 | |
turning the living room into a main bedroom, | 0:13:37 | 0:13:40 | |
adding a shower to the cloakroom | 0:13:40 | 0:13:42 | |
and making the snug into a possible art studio. | 0:13:42 | 0:13:45 | |
But what will Andy make of the two further upstairs floors | 0:13:45 | 0:13:49 | |
that could form his part of the house? | 0:13:49 | 0:13:51 | |
A top floor currently provides two small bedrooms in the eaves, | 0:13:52 | 0:13:56 | |
one of which is en suite, | 0:13:56 | 0:13:58 | |
whilst the middle floor offers two double bedrooms, | 0:13:58 | 0:14:00 | |
served by a family bathroom, | 0:14:00 | 0:14:02 | |
as well as what is currently the large master bedroom. | 0:14:02 | 0:14:06 | |
Right. This is the master, | 0:14:07 | 0:14:09 | |
with its own en suite going over the extension. | 0:14:09 | 0:14:11 | |
Well, this is a nice room. It's a nice size. | 0:14:11 | 0:14:13 | |
Kitchen? Possible kitchen? | 0:14:13 | 0:14:15 | |
Yeah, I mean, this would make a possible... | 0:14:15 | 0:14:17 | |
Well, the only kitchen/living area, really. | 0:14:17 | 0:14:20 | |
With the bathroom. And then the other two bedrooms | 0:14:20 | 0:14:22 | |
would have to be knocked together to make one living space. | 0:14:22 | 0:14:27 | |
-Living space? -Well, yeah, because I've got to put the piano somewhere. | 0:14:27 | 0:14:30 | |
-Oh, yeah. -So it would have to go, if anywhere, it would go there. | 0:14:30 | 0:14:33 | |
Essentially, here, you've got five bedrooms. | 0:14:33 | 0:14:36 | |
All of those are stud walls, | 0:14:36 | 0:14:37 | |
so you can knock around everything on this floor and upstairs as well, | 0:14:37 | 0:14:40 | |
if you wish. But let's go outside and talk about the outside | 0:14:40 | 0:14:44 | |
and the price. | 0:14:44 | 0:14:46 | |
So they could create a self-contained home for Andy | 0:14:46 | 0:14:49 | |
by turning the middle floor here into a kitchen and living area, | 0:14:49 | 0:14:52 | |
keeping the top floor as sleeping quarters. | 0:14:52 | 0:14:55 | |
But I'm sensing that they aren't entirely convinced. | 0:14:55 | 0:14:59 | |
At least the outside space is less problematic, | 0:14:59 | 0:15:02 | |
as they're happy to share a garden, | 0:15:02 | 0:15:04 | |
which in this case, is secluded | 0:15:04 | 0:15:06 | |
and offers mature beds and paved areas. | 0:15:06 | 0:15:08 | |
Tuck ourselves in the corner here. It's not a huge garden. | 0:15:11 | 0:15:14 | |
Well, that's OK. We don't want a huge garden. | 0:15:14 | 0:15:16 | |
In fact, it's a nice-size garden for us. | 0:15:16 | 0:15:18 | |
I like the little vegetable garden. That's nice. | 0:15:18 | 0:15:21 | |
OK, so I know there are issues upstairs but what do you think | 0:15:21 | 0:15:23 | |
a five-bed bedroom property in the Cotswolds costs? | 0:15:23 | 0:15:27 | |
It's probably about £795,000. | 0:15:27 | 0:15:30 | |
-Andy? -Well, I don't think it's that much. -OK. -I think it's 750. | 0:15:30 | 0:15:34 | |
Well, in this instance, you're both wrong. | 0:15:34 | 0:15:36 | |
It's actually cheaper. | 0:15:36 | 0:15:37 | |
-It's on the market for £675,000. -Oh. -Oh, right. | 0:15:37 | 0:15:41 | |
Well, that gives a lot of scope. | 0:15:41 | 0:15:42 | |
So we showed you this cos it would give you a big pot of money | 0:15:42 | 0:15:45 | |
-to do whatever you wanted to. -Yeah, OK. | 0:15:45 | 0:15:46 | |
Good, well, go in and have another look around, just to sort of get, | 0:15:46 | 0:15:49 | |
-sort of, your bearings... -OK. -..and to have a little chat | 0:15:49 | 0:15:52 | |
and then I'll meet you out the front and we can go onto the next one. | 0:15:52 | 0:15:54 | |
OK. Thank you. | 0:15:54 | 0:15:56 | |
Under budget by £225,000, | 0:15:59 | 0:16:03 | |
this detached extended 1960s house would leave plenty for Andy and Gill | 0:16:03 | 0:16:08 | |
to make alterations to divide the space. | 0:16:08 | 0:16:11 | |
Currently offering a large kitchen/diner, | 0:16:11 | 0:16:14 | |
three additional reception rooms | 0:16:14 | 0:16:15 | |
and five bedrooms spread over three floors, | 0:16:15 | 0:16:18 | |
the property is located on the edge of a popular Cotswold market town | 0:16:18 | 0:16:22 | |
with excellent facilities. | 0:16:22 | 0:16:24 | |
I like the house. I like the garden. | 0:16:25 | 0:16:28 | |
I can see how, with a bit of tweaking, the downstairs space, | 0:16:28 | 0:16:31 | |
which would be my part of the house, would work well for me. | 0:16:31 | 0:16:35 | |
Downstairs obviously works for Gill. | 0:16:35 | 0:16:37 | |
The problems in this house lie upstairs. | 0:16:37 | 0:16:39 | |
I cannot see the upstairs being reconfigured to my specifications | 0:16:39 | 0:16:43 | |
and that's got to be important, making such a big move. | 0:16:43 | 0:16:47 | |
-Good. All done with your deliberations? -Yep. -Yes. | 0:16:50 | 0:16:53 | |
-Time for another house, then. -Yes, good, OK. -Good. -Follow me. | 0:16:53 | 0:16:57 | |
Gentle countryside and pretty stone towns and villages | 0:17:03 | 0:17:06 | |
have drawn Gill and Andy to the Cotswolds, but today, | 0:17:06 | 0:17:09 | |
they're going to discover some of the area's royal heritage | 0:17:09 | 0:17:13 | |
with a visit to a 15th-century castle. | 0:17:13 | 0:17:15 | |
Set in an estate of 1,200 acres, | 0:17:16 | 0:17:19 | |
including nine stunning landscaped gardens, | 0:17:19 | 0:17:22 | |
Sudeley Castle is the private home to Lady Ashcombe | 0:17:22 | 0:17:26 | |
and the final resting place of a 16th-century queen - | 0:17:26 | 0:17:29 | |
Henry VIII's sixth wife, Catherine Parr. | 0:17:29 | 0:17:32 | |
Hello, I'm Andy. Very pleased to meet you. | 0:17:34 | 0:17:37 | |
-Hello, I'm Gill. -Welcome to Sudeley Castle. | 0:17:37 | 0:17:40 | |
Though best known for her royal marriage, | 0:17:40 | 0:17:42 | |
Catherine Parr was a great intellect and a keen scholar. | 0:17:42 | 0:17:46 | |
Her ability is evident in the numerous documents | 0:17:46 | 0:17:48 | |
housed in the castle's collection, | 0:17:48 | 0:17:50 | |
and guide Derek Maddock has offered to tell their story. | 0:17:50 | 0:17:54 | |
Well, everybody assumes that Catherine Parr | 0:17:54 | 0:17:56 | |
is just the sixth wife of Henry VIII. | 0:17:56 | 0:17:58 | |
She's much more important than that. | 0:17:58 | 0:18:00 | |
She was intellectual, very gifted. | 0:18:00 | 0:18:03 | |
She even ruled the country for a short time when Henry was in France | 0:18:03 | 0:18:07 | |
and she wrote books. | 0:18:07 | 0:18:08 | |
This is the first queen to write and publish books. | 0:18:08 | 0:18:12 | |
So here we have her Prayers And Meditation, | 0:18:12 | 0:18:15 | |
written while Henry was alive. | 0:18:15 | 0:18:16 | |
Lamentations Of A Sinner in 1547, | 0:18:16 | 0:18:19 | |
Fascinating sort of document and it says at the bottom, | 0:18:19 | 0:18:22 | |
"Katherine the Queen, KP", which is how she liked to sign herself. | 0:18:22 | 0:18:26 | |
Soon after the death of her husband, King Henry VIII, | 0:18:29 | 0:18:32 | |
Catherine remarried in secret. | 0:18:32 | 0:18:35 | |
This elopement was a love match with Thomas Seymour, | 0:18:35 | 0:18:38 | |
brother of Henry's late Queen, Jane Seymour. | 0:18:38 | 0:18:41 | |
She wanted to marry Thomas Seymour before Henry intervened, | 0:18:41 | 0:18:44 | |
but you don't argue with the king. | 0:18:44 | 0:18:46 | |
We also have a love letter she wrote to Thomas Seymour, | 0:18:46 | 0:18:50 | |
so for instance, down here, we've got, "For as truly as God is good, | 0:18:50 | 0:18:54 | |
"my mind was fully bent the other time I was at liberty to marry you | 0:18:54 | 0:18:58 | |
"before any man I know." | 0:18:58 | 0:18:59 | |
She sees this man as the love of her life and possibly he was. | 0:18:59 | 0:19:03 | |
But the love marriage was short-lived. | 0:19:05 | 0:19:08 | |
Within a year, she died, aged 36, | 0:19:08 | 0:19:11 | |
most likely from complications during the birth of her only child, | 0:19:11 | 0:19:14 | |
a daughter, and was buried in the grounds. | 0:19:14 | 0:19:17 | |
There are, of course, rumoured sightings of a wandering ghost, | 0:19:19 | 0:19:23 | |
but in the castle chapel, her tomb is very much on full view. | 0:19:23 | 0:19:27 | |
This is not the original tomb. | 0:19:28 | 0:19:30 | |
The church and the castle were both slighted after the Civil War | 0:19:30 | 0:19:34 | |
and, effectively, the body disappeared | 0:19:34 | 0:19:37 | |
and then some tourists hired a tenant farmer to dig for it | 0:19:37 | 0:19:41 | |
and they found a bit of an alabaster tomb, | 0:19:41 | 0:19:43 | |
and on top of the alabaster tomb was a little plaque saying, | 0:19:43 | 0:19:45 | |
"Here lieth Queen Catherine". | 0:19:45 | 0:19:47 | |
And eventually, when the Dent family bought the church, | 0:19:47 | 0:19:51 | |
they decided to rebuild this completely and build a proper tomb, | 0:19:51 | 0:19:56 | |
like this wonderful thing that we have in front | 0:19:56 | 0:19:58 | |
to commemorate Queen Catherine. | 0:19:58 | 0:20:00 | |
The castle also houses some curious historical exhibits, | 0:20:01 | 0:20:05 | |
which will put Gill and Andy's ingenuity to the test. | 0:20:05 | 0:20:08 | |
-So what do you think of that? -Well, I think it's a bed warmer. | 0:20:08 | 0:20:11 | |
It's obviously for warming something, | 0:20:11 | 0:20:13 | |
because you have to unscrew that, but you can also hold it like that. | 0:20:13 | 0:20:18 | |
You're on the right tracks but it's not a bed warmer. | 0:20:18 | 0:20:20 | |
-It would be quite heavy to carry. It's not a bed warmer? -No. | 0:20:20 | 0:20:22 | |
-Is it a lap warmer? A hand warmer? -Go down a bit. -Oh, a feet warmer. | 0:20:22 | 0:20:26 | |
Foot warmer for in a coach. A foot warmer in a coach. | 0:20:26 | 0:20:28 | |
-Oh, wow! -Now this one is possibly the weirdest. | 0:20:28 | 0:20:31 | |
It's very ornate, isn't it? | 0:20:31 | 0:20:33 | |
It's quite heavy, so I'll keep holding it. | 0:20:33 | 0:20:35 | |
I've got no idea what this is. | 0:20:35 | 0:20:36 | |
Is it for winding wool? | 0:20:36 | 0:20:38 | |
Not for winding wool, but think of something we would consider | 0:20:38 | 0:20:40 | |
quite ordinary inside there, the way you need it to turn. | 0:20:40 | 0:20:44 | |
-It's not an hourglass, is it? -An hourglass, yes. | 0:20:44 | 0:20:46 | |
This bizarre thing was designed to keep a sermon short. | 0:20:46 | 0:20:51 | |
-In here, once the hourglass had run out, the priest had to be quiet. -Oh! | 0:20:51 | 0:20:55 | |
After a fascinating insight into Sudeley's impressive heritage, | 0:20:56 | 0:20:59 | |
it's definitely time to return to finding Gill and Andy | 0:20:59 | 0:21:03 | |
their own splendid residence. | 0:21:03 | 0:21:05 | |
For our second property, | 0:21:13 | 0:21:15 | |
we're travelling less than a mile from Chipping Campden | 0:21:15 | 0:21:17 | |
to the hamlet of Broad Campden. | 0:21:17 | 0:21:19 | |
Here, locals can enjoy the atmosphere | 0:21:20 | 0:21:22 | |
of the 17th-century country pub. | 0:21:22 | 0:21:24 | |
Cotswold stone cottages are surrounded by rolling farmland, | 0:21:26 | 0:21:29 | |
largely given over to sheep and accessed via a network of bridleways | 0:21:29 | 0:21:33 | |
and footpaths, including the Heart of England Way. | 0:21:33 | 0:21:36 | |
We're heading to the edge of the hamlet, | 0:21:38 | 0:21:39 | |
where the four-bedroomed detached house I want to show them | 0:21:39 | 0:21:42 | |
is located. | 0:21:42 | 0:21:43 | |
-This is a very different offering. -Yes, it is, isn't it? -Yes, it is. | 0:21:48 | 0:21:51 | |
-So this is an altogether more spacious... -OK. -..affair. | 0:21:51 | 0:21:54 | |
This started off as a 1950s bungalow and then it's been extended, | 0:21:54 | 0:21:58 | |
actually quite recently, in the last ten years or so, | 0:21:58 | 0:22:00 | |
up into the roof and there's little bits and bobs like the porch. | 0:22:00 | 0:22:03 | |
I like the approach to the house. | 0:22:03 | 0:22:05 | |
I like the frontage, the garden, it's lovely. | 0:22:05 | 0:22:07 | |
We couldn't decide how you would split it, so we're not going to, | 0:22:07 | 0:22:10 | |
you know, chase you in one direction or the other, | 0:22:10 | 0:22:12 | |
-but you could go left-right. You could go up and down. -OK. -OK. | 0:22:12 | 0:22:15 | |
-Shall we take a look inside? -Oh, yes. | 0:22:15 | 0:22:18 | |
First impressions are encouraging and I hope this option | 0:22:19 | 0:22:22 | |
has more of the flexibility Gill and Andy are looking for. | 0:22:22 | 0:22:26 | |
Come in. Beautiful parquet floor... | 0:22:26 | 0:22:27 | |
-Yes, lovely. Noticed that straight away. -..throughout. -Yes. | 0:22:27 | 0:22:30 | |
Yes, this is a nice space. | 0:22:30 | 0:22:32 | |
Obviously, this is their living room with these beautiful French doors. | 0:22:32 | 0:22:35 | |
-Lovely. -Out into a very expansive garden. | 0:22:35 | 0:22:38 | |
And what happened is that this was a separate bedroom | 0:22:38 | 0:22:40 | |
and they've knocked this through, so officially, | 0:22:40 | 0:22:42 | |
you have another room with another set of French doors. | 0:22:42 | 0:22:45 | |
-OK. -Cos, of course, you could go upstairs-downstairs. -Mm, mm. | 0:22:45 | 0:22:48 | |
But this has, unlike the other one, | 0:22:48 | 0:22:50 | |
offers the possibility of going left and right. | 0:22:50 | 0:22:52 | |
The fact that you have the potential to either go up, down | 0:22:52 | 0:22:55 | |
or left and right is really interesting, | 0:22:55 | 0:22:57 | |
but it's the logistics, then, of how you do that. | 0:22:57 | 0:23:00 | |
Good. Well, let's continue the tour, cos it will become clearer. | 0:23:00 | 0:23:04 | |
Here's the kitchen. Lovely range. | 0:23:05 | 0:23:08 | |
-Lovely units. -Very nice, yes. I like the style of the units. | 0:23:08 | 0:23:11 | |
-Nice and airy again. -It is. | 0:23:11 | 0:23:13 | |
And it kind of flows through into this... | 0:23:13 | 0:23:15 | |
This is an extension that they put on, but a very charming one. | 0:23:15 | 0:23:18 | |
-There's lots of double windows out into the garden. -There are. -Yeah. | 0:23:18 | 0:23:22 | |
In between the window and the door, there was a door, | 0:23:22 | 0:23:24 | |
-so it would be easy to reinstate it. -Right. | 0:23:24 | 0:23:26 | |
It might be possible to put a staircase at this end of the house. | 0:23:26 | 0:23:28 | |
It might. Yes. | 0:23:28 | 0:23:30 | |
So the ground floor, I mean, | 0:23:30 | 0:23:31 | |
-it's essentially a great big, long suite of rooms... -Mm. | 0:23:31 | 0:23:34 | |
..which you could easily divide in two | 0:23:34 | 0:23:35 | |
but you could have this as your floor, | 0:23:35 | 0:23:37 | |
-in which case we need to look at the top floor. -Yep. | 0:23:37 | 0:23:40 | |
The ground floor also has two bedrooms, | 0:23:41 | 0:23:44 | |
one currently used as a study, | 0:23:44 | 0:23:46 | |
and both share a Jack and Jill bathroom. | 0:23:46 | 0:23:49 | |
There is a cloakroom, a utility area and a double garage. | 0:23:49 | 0:23:53 | |
As these are mainly stud walls, with some expert advice, | 0:23:53 | 0:23:55 | |
it would be fairly easy to reconfigure the layout, | 0:23:55 | 0:23:58 | |
but could living side by side work for Gill and Andy | 0:23:58 | 0:24:02 | |
or would they prefer to keep an upstairs-downstairs arrangement, | 0:24:02 | 0:24:05 | |
once they see the upper floor? | 0:24:05 | 0:24:07 | |
So what we've got upstairs, really, | 0:24:07 | 0:24:09 | |
-is all the loft space taken out and skylights all along... -OK. | 0:24:09 | 0:24:14 | |
..from one end, all the way to the other. | 0:24:14 | 0:24:17 | |
Then they have it set up so there's three bedrooms. | 0:24:17 | 0:24:19 | |
-This is the master suite. -Yes. -I love the whole... | 0:24:19 | 0:24:22 | |
-Yes. -..feeling of light and space across the top of the building, | 0:24:22 | 0:24:26 | |
which makes me think that, you know, the up-down... | 0:24:26 | 0:24:30 | |
-Might be better? -..might be better. | 0:24:30 | 0:24:32 | |
-Yeah. -If we were to keep it as an up-down, | 0:24:32 | 0:24:35 | |
then I would keep this as the bedroom at the end. | 0:24:35 | 0:24:37 | |
It would be a shame to spoil this, cos it is a beautiful, light, airy, | 0:24:37 | 0:24:41 | |
large bedroom with plenty of storage. | 0:24:41 | 0:24:43 | |
This house, I think, has a lot more flexibility. | 0:24:43 | 0:24:45 | |
-Yes, it has. -Much more so than the last but we have always said | 0:24:45 | 0:24:48 | |
we need a garden that's easy to maintain. | 0:24:48 | 0:24:51 | |
We've got to be careful not to get carried away. | 0:24:51 | 0:24:53 | |
-Let's look at the garden and talk about that, then. -OK. | 0:24:53 | 0:24:56 | |
So far, it seems that this property has something for both of them, | 0:24:58 | 0:25:01 | |
so it just remains to see if the generous garden, | 0:25:01 | 0:25:03 | |
with its heated plunge pool, will be more than they bargained for. | 0:25:03 | 0:25:07 | |
-It is a big garden. -It is a big garden. | 0:25:10 | 0:25:13 | |
Very beautiful. | 0:25:13 | 0:25:14 | |
It is about three quarters of an acre, which is a big plot. | 0:25:14 | 0:25:17 | |
-Yes. It would take a lot of maintenance. -Yes. | 0:25:17 | 0:25:19 | |
But once we know the price, | 0:25:19 | 0:25:22 | |
and what we'd need to spend on the house, | 0:25:22 | 0:25:25 | |
there might be room to have somebody come in and look after the garden | 0:25:25 | 0:25:28 | |
-for us. -Well, it's on the market for... | 0:25:28 | 0:25:30 | |
Oh! You're trying to trick me! | 0:25:30 | 0:25:31 | |
But that's your job. What do you think the price is? | 0:25:31 | 0:25:34 | |
I think it's got to be much nearer the top of our budget. 850,000? | 0:25:34 | 0:25:37 | |
No, it's less than that. | 0:25:37 | 0:25:39 | |
It's about 800,000, I would say. | 0:25:39 | 0:25:41 | |
It's actually just a shade under what you said. | 0:25:41 | 0:25:44 | |
It's on at £798,000. | 0:25:44 | 0:25:46 | |
-Wow, that's good. -That's a good price. | 0:25:46 | 0:25:48 | |
That gives us a bit to play with. | 0:25:48 | 0:25:50 | |
Do have a walk around, cos this is a property where you do need to | 0:25:50 | 0:25:53 | |
kind of have another look, and I'll see you at the front. | 0:25:53 | 0:25:55 | |
-OK. -Thank you. -OK, thank you. | 0:25:55 | 0:25:57 | |
Phew! I think we are much closer to the mark with this one. | 0:25:58 | 0:26:01 | |
It's a tricky challenge to find this property | 0:26:01 | 0:26:04 | |
and if the big garden is the main bone of contention, | 0:26:04 | 0:26:07 | |
I think we did pretty well. | 0:26:07 | 0:26:08 | |
£102,000 below budget, | 0:26:12 | 0:26:14 | |
this extended property would leave a healthy sum | 0:26:14 | 0:26:17 | |
for our semidetached couple to create separate living spaces | 0:26:17 | 0:26:21 | |
side-by-side or on different floors. | 0:26:21 | 0:26:24 | |
With three reception rooms, a kitchen, | 0:26:24 | 0:26:26 | |
and two bedrooms on the ground floor, | 0:26:26 | 0:26:28 | |
as well as a further four rooms split into two suites upstairs, | 0:26:28 | 0:26:32 | |
the house could provide a real balance of accommodation. | 0:26:32 | 0:26:35 | |
And although the garden is larger than they hoped for, | 0:26:35 | 0:26:38 | |
there should be enough left over to pay for a gardener. | 0:26:38 | 0:26:42 | |
I don't think there's a huge amount of work to be done in this place | 0:26:42 | 0:26:45 | |
to make it suitable for me and Andy. Certainly downstairs, | 0:26:45 | 0:26:48 | |
from my point of view, the changes would because cosmetic. | 0:26:48 | 0:26:52 | |
I love this long, open, galleried feel to this. | 0:26:52 | 0:26:55 | |
This space is very much what you've always hankered after. | 0:26:55 | 0:26:59 | |
-Yeah, I love the loft... -The loft look. -..the loft look, yeah. | 0:26:59 | 0:27:01 | |
-I think it would be fantastic. -Hmm. | 0:27:01 | 0:27:03 | |
Having looked at it, the up-down solution is the better one, | 0:27:03 | 0:27:07 | |
because it gives both of us the space we require | 0:27:07 | 0:27:11 | |
without really damaging the intrinsic architecture | 0:27:11 | 0:27:15 | |
of the building too much. | 0:27:15 | 0:27:16 | |
-Hello. -Hello. -Hello. | 0:27:16 | 0:27:18 | |
-All done? -All done. -Yeah, I think so. -Excellent. Good, | 0:27:18 | 0:27:20 | |
So that's our last house for the day. | 0:27:20 | 0:27:22 | |
-Let's go and find a little place to rest and relax. -Good idea. | 0:27:22 | 0:27:26 | |
Morning has broken on the second day of our fascinating house search | 0:27:31 | 0:27:35 | |
with married couple Gill and Andy. | 0:27:35 | 0:27:38 | |
With their 900,000 budget, | 0:27:38 | 0:27:40 | |
they want to swap the cramped chaos of London | 0:27:40 | 0:27:43 | |
for the charm of the Cotswolds. | 0:27:43 | 0:27:45 | |
But the aspiration is for completely independent living | 0:27:45 | 0:27:49 | |
under one roof. | 0:27:49 | 0:27:50 | |
Still to come - | 0:27:50 | 0:27:51 | |
the Mystery House has us positively bursting with excitement. | 0:27:51 | 0:27:54 | |
I've got to contain myself. | 0:27:54 | 0:27:56 | |
No, don't. Let it go. Let it all out! | 0:27:56 | 0:27:59 | |
And I learn how to transform the local harvest | 0:27:59 | 0:28:01 | |
into a brand-new scent. | 0:28:01 | 0:28:03 | |
Wonderful. We'll take it straight into production. | 0:28:03 | 0:28:06 | |
Conquer the world with Eau d'Appleton! | 0:28:06 | 0:28:08 | |
It's the second day of our property hunt here in the Cotswolds | 0:28:09 | 0:28:12 | |
and one thing became clear to me yesterday is that Andy and Gill, | 0:28:12 | 0:28:16 | |
they are the experts when it comes to putting all the pieces | 0:28:16 | 0:28:19 | |
of this particular property puzzle together. | 0:28:19 | 0:28:22 | |
So the Mystery House gives them lots of pieces, | 0:28:22 | 0:28:25 | |
but without the big garden piece and the out-in-the-countryside piece, | 0:28:25 | 0:28:29 | |
but how on earth they are going to configure them, I don't really know. | 0:28:29 | 0:28:33 | |
But watch this space. | 0:28:33 | 0:28:35 | |
Where do you think we might be going for the Mystery House? | 0:28:38 | 0:28:40 | |
You've shown us two - in Cotswolds terms - relatively recent builds. | 0:28:40 | 0:28:45 | |
I think the Mystery House might be an older, more traditional house. | 0:28:45 | 0:28:50 | |
I don't think you'd be cruel enough to show us a plot of land | 0:28:50 | 0:28:53 | |
on which to build, although you might! | 0:28:53 | 0:28:55 | |
For our Mystery House, | 0:28:58 | 0:28:59 | |
we're heading 12 miles east of Moreton-in-Marsh | 0:28:59 | 0:29:02 | |
into the Oxfordshire section of the Cotswolds | 0:29:02 | 0:29:05 | |
and the village of Hook Norton. | 0:29:05 | 0:29:07 | |
The village is home to a famous local brewery, | 0:29:07 | 0:29:10 | |
housed in a grand, late Victorian building, | 0:29:10 | 0:29:13 | |
producing the renowned Hooky cask ales. | 0:29:13 | 0:29:16 | |
There's also a museum telling its brewing history. | 0:29:16 | 0:29:19 | |
But the village is no museum, | 0:29:19 | 0:29:21 | |
as community spirit is alive and well here, | 0:29:21 | 0:29:24 | |
with many amenities to hand, including a post office, shops | 0:29:24 | 0:29:27 | |
and a choice of three public houses. | 0:29:27 | 0:29:30 | |
Right in the centre of the village, | 0:29:30 | 0:29:32 | |
a former pub has been transformed into this substantial property - | 0:29:32 | 0:29:36 | |
our seven-bedroom Mystery House. | 0:29:36 | 0:29:38 | |
Hopefully it will fulfil our couple's quest | 0:29:38 | 0:29:41 | |
to create two homes in one. | 0:29:41 | 0:29:43 | |
Ooh! It's the Mystery House. | 0:29:47 | 0:29:49 | |
I'm very excited about this one. | 0:29:49 | 0:29:50 | |
-Yes, I am, too! -You are, too? | 0:29:50 | 0:29:52 | |
I am. Look, see! I love the immediate environment. | 0:29:52 | 0:29:55 | |
Beautiful. And I love the outside. | 0:29:55 | 0:29:57 | |
That's the look I had in mind. | 0:29:57 | 0:29:59 | |
It's an exceptional building - quite excited to show you around, | 0:29:59 | 0:30:02 | |
largely because it's got two front doors. | 0:30:02 | 0:30:04 | |
I see that, yes. | 0:30:04 | 0:30:06 | |
-Go, go! -We were like, "It's got two front doors! | 0:30:06 | 0:30:08 | |
"Show it to them, show it to them!" What do you think? | 0:30:08 | 0:30:10 | |
-It looks great. -Wonderful. | 0:30:10 | 0:30:11 | |
-Come on, let's go! -Can't wait to get inside. | 0:30:11 | 0:30:14 | |
Dating back to the 17th century, | 0:30:15 | 0:30:17 | |
the mystery property was a pub until 2012, | 0:30:17 | 0:30:20 | |
when it was bought and converted into a luxury home. | 0:30:20 | 0:30:24 | |
And the unique pedigree of the building is such | 0:30:24 | 0:30:26 | |
that it has been given a Grade II listing. | 0:30:26 | 0:30:29 | |
Woohoo! Here we come. | 0:30:30 | 0:30:32 | |
Wow! | 0:30:34 | 0:30:35 | |
Oh, it's beautiful, isn't it? I've got to contain myself. | 0:30:37 | 0:30:41 | |
No, don't. Let it go, let it all out! | 0:30:41 | 0:30:44 | |
-You've got these amazing Yorkstone flagstones. -Yes, yes. | 0:30:44 | 0:30:46 | |
And an incredible fire. | 0:30:46 | 0:30:48 | |
The fabric of the building is listed, | 0:30:48 | 0:30:50 | |
-so that means things like the fireplace, the beams... -Yes. | 0:30:50 | 0:30:53 | |
..you have to work hand-in-glove with the planning officers, | 0:30:53 | 0:30:56 | |
so you can do things, but you'd have to get them on board. | 0:30:56 | 0:30:58 | |
-Yeah, yeah. -OK. -Well, you ain't seen nothing yet. | 0:30:58 | 0:31:01 | |
It gets better and better. Follow me. | 0:31:01 | 0:31:03 | |
Here you go. | 0:31:07 | 0:31:09 | |
This is beautiful. | 0:31:10 | 0:31:13 | |
-Absolutely. Oh, look! -A well. -A well. | 0:31:13 | 0:31:16 | |
This is absolutely beautiful. | 0:31:16 | 0:31:18 | |
-It's beautiful, isn't it? -It is. -I just hope... | 0:31:18 | 0:31:21 | |
..we can create equal space for you. | 0:31:22 | 0:31:25 | |
This is, if you like, the sort of atrium of the house. | 0:31:25 | 0:31:28 | |
Watch the kitchen, the snug, lots of storage comes off. | 0:31:28 | 0:31:32 | |
-Be still, my beating heart! -THEY LAUGH | 0:31:32 | 0:31:35 | |
Let's have a peek in the kitchen. | 0:31:35 | 0:31:36 | |
Come in. | 0:31:39 | 0:31:40 | |
More of the quarry tiles. | 0:31:41 | 0:31:43 | |
-Wow! -And more beams. | 0:31:43 | 0:31:45 | |
I've really got to rein myself in. | 0:31:45 | 0:31:48 | |
-I know. -Is this pressing all the buttons? | 0:31:48 | 0:31:50 | |
Oh! | 0:31:50 | 0:31:52 | |
Yeah. | 0:31:52 | 0:31:54 | |
Well, there's nothing more you can say, really, is there? | 0:31:54 | 0:31:56 | |
It's just stunningly beautiful. | 0:31:56 | 0:31:58 | |
-Yeah. -As we've discovered with the two properties yesterday, | 0:31:58 | 0:32:01 | |
it's the upstairs that often gives the difficulty. | 0:32:01 | 0:32:05 | |
Well, the upstairs is rather special, so let's have a look. | 0:32:05 | 0:32:08 | |
The ground floor also includes a dining room with an open fire, | 0:32:10 | 0:32:14 | |
a cosy snug, a study, | 0:32:14 | 0:32:16 | |
a walk-in pantry | 0:32:16 | 0:32:18 | |
and a utility room with WC. | 0:32:18 | 0:32:21 | |
But with accommodation that spans around 3,500 square feet, | 0:32:21 | 0:32:26 | |
there's plenty more to house Andy on the two upper floors, | 0:32:26 | 0:32:29 | |
which were once the living quarters for the publican. | 0:32:29 | 0:32:33 | |
-Mind your head. -OK. | 0:32:33 | 0:32:35 | |
This is the master bedroom. | 0:32:35 | 0:32:36 | |
-It's a lovely room, isn't it? Lovely view of the garden. -Yeah. | 0:32:36 | 0:32:40 | |
And right next-door is the sort of the master en suite, | 0:32:40 | 0:32:43 | |
but, actually, that was at some point an upstairs kitchenette. | 0:32:43 | 0:32:46 | |
-Right. -So it has all the plumbing for that. | 0:32:46 | 0:32:48 | |
So this could be your living space, kitchen/dining area. | 0:32:48 | 0:32:53 | |
Yes, if that were to be put back to a kitchen, | 0:32:53 | 0:32:55 | |
it's going to be a very small kitchen. | 0:32:55 | 0:32:57 | |
That's not an issue. | 0:32:57 | 0:32:59 | |
I can see the beauty of the whole house but how it stacks together | 0:32:59 | 0:33:03 | |
to create two living spaces at the moment, I cannot... | 0:33:03 | 0:33:05 | |
I cannot compute. | 0:33:05 | 0:33:07 | |
-Yeah. -Yet. -Yet. | 0:33:07 | 0:33:09 | |
On the other side of the master bedroom, | 0:33:12 | 0:33:14 | |
another good-sized bathroom serves three further bedrooms. | 0:33:14 | 0:33:18 | |
One, a bright double, another currently set up as a twin, | 0:33:18 | 0:33:22 | |
and the last, also a large double, | 0:33:22 | 0:33:24 | |
with an impressive feature fireplace. | 0:33:24 | 0:33:26 | |
-OK. I know this is all probably a bit overwhelming. -Yeah. | 0:33:28 | 0:33:32 | |
What are your thoughts? | 0:33:32 | 0:33:33 | |
It's obviously got lots of potential and it's all been beautifully done. | 0:33:33 | 0:33:37 | |
I just think it's beautiful. | 0:33:37 | 0:33:39 | |
But I know it's got to be right for Andy, too. | 0:33:39 | 0:33:42 | |
There are two staircases up to the top floor. | 0:33:42 | 0:33:45 | |
The first of these leads to two further bedrooms and a bathroom, | 0:33:45 | 0:33:49 | |
whilst the second staircase serves yet another double bedroom. | 0:33:49 | 0:33:53 | |
This makes a total of seven bedrooms and three bathrooms | 0:33:53 | 0:33:57 | |
on the upper two floors. | 0:33:57 | 0:33:59 | |
By using the second doorway from the street | 0:33:59 | 0:34:02 | |
and blocking off a couple of rooms from the stairs, | 0:34:02 | 0:34:04 | |
Andy could have private access to these two upper floors | 0:34:04 | 0:34:08 | |
that would then form his part of the house. | 0:34:08 | 0:34:11 | |
They could also reinstall a kitchen to create a large living space | 0:34:11 | 0:34:14 | |
on the middle floor, although this plan does give Andy more floor space | 0:34:14 | 0:34:18 | |
than Gill, but if the house is a conundrum, | 0:34:18 | 0:34:21 | |
outside is more straightforward, | 0:34:21 | 0:34:23 | |
where an enclosed, easy-to-maintain plot has a wall running through it. | 0:34:23 | 0:34:27 | |
So this garden is a bit more manageable. | 0:34:29 | 0:34:31 | |
-Yes. -Yes, it certainly is. -Much better. | 0:34:31 | 0:34:34 | |
A big smile! | 0:34:34 | 0:34:35 | |
OK, the big question is, can you afford it? What is the price? | 0:34:35 | 0:34:39 | |
I'm going to be really hopeful that it's... | 0:34:39 | 0:34:42 | |
£5 under our top budget. | 0:34:42 | 0:34:43 | |
I think it's at the top of our budget. | 0:34:43 | 0:34:46 | |
I think it's slightly over at 910. | 0:34:46 | 0:34:48 | |
Well, in this instance, we're not that nasty. | 0:34:48 | 0:34:51 | |
It is on the market for... | 0:34:51 | 0:34:54 | |
£895,000. | 0:34:54 | 0:34:57 | |
-Right, OK. -And the owner said she would be open to offers. | 0:34:57 | 0:35:00 | |
-You would still have to do some knocking around. -Yes, yes. | 0:35:00 | 0:35:03 | |
So go in and have a good old look around | 0:35:03 | 0:35:05 | |
-and I'll see you at the front. -OK. | 0:35:05 | 0:35:07 | |
£5,000 below budget and open to offers, | 0:35:11 | 0:35:14 | |
this listed Mystery House has the space | 0:35:14 | 0:35:16 | |
to give them two good-sized homes, subject to planning consent. | 0:35:16 | 0:35:21 | |
It has seven bedrooms, four reception rooms, | 0:35:21 | 0:35:24 | |
a kitchen/breakfast room | 0:35:24 | 0:35:26 | |
and plumbing for a second kitchen on the middle floor. | 0:35:26 | 0:35:29 | |
Plus, there's a low-maintenance walled garden | 0:35:29 | 0:35:31 | |
and it all lies in the heart of a popular Cotswold village. | 0:35:31 | 0:35:35 | |
I'm having to rein myself in because I love this property. | 0:35:36 | 0:35:41 | |
The space that would be mine is practically perfect - | 0:35:41 | 0:35:43 | |
I don't think I could improve on it. | 0:35:43 | 0:35:45 | |
It's just... | 0:35:45 | 0:35:47 | |
perfect. | 0:35:47 | 0:35:49 | |
When I first saw the Mystery House, I was really quite excited. | 0:35:49 | 0:35:53 | |
It immediately created an emotional response. | 0:35:53 | 0:35:56 | |
I cannot say whether I feel it is a house | 0:35:56 | 0:36:00 | |
that could serve both Gill and I | 0:36:00 | 0:36:02 | |
because the upstairs is much more complex, | 0:36:02 | 0:36:05 | |
in terms of how you would reconfigure it. | 0:36:05 | 0:36:08 | |
Ah! Look at that. | 0:36:12 | 0:36:14 | |
Double doors. It's all coming together. | 0:36:14 | 0:36:16 | |
-How are you feeling? -Oh, great! | 0:36:16 | 0:36:19 | |
-Yes, it's a stunning house but a complex problem. -Beautiful. | 0:36:19 | 0:36:22 | |
It is, isn't it? | 0:36:22 | 0:36:23 | |
-Well, let's go and find somewhere to think about it. -OK. | 0:36:23 | 0:36:26 | |
Much of the Cotswold landscape - | 0:36:31 | 0:36:33 | |
from dry stone walls to pretty market towns - | 0:36:33 | 0:36:35 | |
is a legacy from the Middle Ages, | 0:36:35 | 0:36:37 | |
when the area was at the centre of the wool trade. | 0:36:37 | 0:36:41 | |
But changing demands over the centuries have led farmers | 0:36:41 | 0:36:44 | |
to find new ways to make a living from the land. | 0:36:44 | 0:36:47 | |
I'm meeting Charlie Bird, who is a third-generation farmer | 0:36:47 | 0:36:51 | |
and who is championing one of the most recent additions | 0:36:51 | 0:36:53 | |
to the rolling Cotswold fields, | 0:36:53 | 0:36:55 | |
something perhaps more commonly associated with the south of France, | 0:36:55 | 0:36:59 | |
lavender. | 0:36:59 | 0:37:00 | |
So, how long have you been growing lavender? When did you start? | 0:37:02 | 0:37:05 | |
We started growing lavender in 2000, | 0:37:05 | 0:37:07 | |
so it's still a relatively new crop in some ways for us. | 0:37:07 | 0:37:09 | |
And was that a departure from what you did before? | 0:37:09 | 0:37:12 | |
Yeah, we were then and still are arable farmers but lavender started | 0:37:12 | 0:37:16 | |
as a little bit of a diversification on the farm and now it's become | 0:37:16 | 0:37:18 | |
the most important crop on the farm, and the rest of the farm | 0:37:18 | 0:37:21 | |
-is now a bit of a sideline. -So talk me through the kind of seasons. | 0:37:21 | 0:37:24 | |
Yeah, full bloom will be in about a week's time. | 0:37:24 | 0:37:26 | |
We'll start harvesting in the last week of July | 0:37:26 | 0:37:29 | |
and it'll take us about two weeks to complete harvest. | 0:37:29 | 0:37:32 | |
Cos it's the oil you're looking for. That's the kind of key ingredient? | 0:37:32 | 0:37:35 | |
Yeah, the oil's a very important thing for us, yes. | 0:37:35 | 0:37:37 | |
Lavender produces oil as a reaction to drought stress, | 0:37:37 | 0:37:40 | |
so what we're after are really hot, dry conditions before harvest. | 0:37:40 | 0:37:43 | |
Worst case scenario is very heavy rain | 0:37:43 | 0:37:46 | |
and we have had total crop failures. | 0:37:46 | 0:37:48 | |
For example, this field here, | 0:37:48 | 0:37:50 | |
we had five inches of rain the day before we were going to harvest | 0:37:50 | 0:37:52 | |
a few years back, and that just knocked all the flowers off completely. | 0:37:52 | 0:37:56 | |
-The whole thing lost? -Yeah, no harvest whatsoever. -Yikes. | 0:37:56 | 0:37:59 | |
Despite the vagaries of the English weather, | 0:38:02 | 0:38:04 | |
the farm now grows three different varieties of lavender. | 0:38:04 | 0:38:08 | |
Half a million plants set out over 70 miles of rows | 0:38:08 | 0:38:12 | |
yield up to 1,500 litres of oil a year. | 0:38:12 | 0:38:16 | |
Each plant will produce about 1.5ml of oil, | 0:38:16 | 0:38:19 | |
so there's 10ml of oil there. That'll come from around six plants. | 0:38:19 | 0:38:23 | |
So what happens to the oil? Where are your main kind of outlets? | 0:38:23 | 0:38:26 | |
We use about 20% of oil that we produce ourselves, | 0:38:26 | 0:38:28 | |
through the farm here. We have a shop on site. | 0:38:28 | 0:38:31 | |
We also sell off-site to soap-makers, candle-makers, | 0:38:31 | 0:38:35 | |
perfumers and people like that. | 0:38:35 | 0:38:37 | |
So we're going to go and visit the perfumier in Bourton-on-the-Water, | 0:38:37 | 0:38:40 | |
just around the corner. So do you supply to them? | 0:38:40 | 0:38:42 | |
We do supply them, yeah. | 0:38:42 | 0:38:43 | |
They use our lavender in some of the products that they make. | 0:38:43 | 0:38:46 | |
Excellent, so we will see your oil at work. | 0:38:46 | 0:38:48 | |
-Great. -Very nice to meet you. | 0:38:48 | 0:38:49 | |
Good luck with the harvest. I hope it doesn't get washed away. | 0:38:49 | 0:38:52 | |
Thank you very much. | 0:38:52 | 0:38:53 | |
Ten miles from the lavender fields | 0:38:54 | 0:38:56 | |
is the perfumery in Bourton-on-the-Water. | 0:38:56 | 0:38:59 | |
-Hello, John. -Morning. | 0:38:59 | 0:39:01 | |
It was founded in the 1960s by the father of John Stephen, | 0:39:01 | 0:39:04 | |
the current nose behind the family business, | 0:39:04 | 0:39:07 | |
who sends his products as far afield as Russia and the Middle East. | 0:39:07 | 0:39:11 | |
So, Charlie's oil is world-class oil, is it? | 0:39:11 | 0:39:14 | |
Well, English lavender oil is unique | 0:39:14 | 0:39:16 | |
and it's very, very different from any other lavender in the world | 0:39:16 | 0:39:19 | |
and very highly prized in perfumery. | 0:39:19 | 0:39:22 | |
John is going to demonstrate the qualities of this local lavender oil | 0:39:23 | 0:39:26 | |
by creating a new scent for men. | 0:39:26 | 0:39:29 | |
First of all, we would plan out the fragrance, | 0:39:29 | 0:39:31 | |
decide what oils you're going to put in the fragrance, | 0:39:31 | 0:39:35 | |
decide on the amounts and then mix it together. | 0:39:35 | 0:39:38 | |
We'd normally start with a base. | 0:39:38 | 0:39:39 | |
Base notes evaporate very slowly. | 0:39:39 | 0:39:41 | |
If you have a lot of high proportion of base notes, | 0:39:41 | 0:39:44 | |
your perfume will last a long time but it's going to be rather heady. | 0:39:44 | 0:39:47 | |
Doesn't everybody want their perfume to last a long time? | 0:39:47 | 0:39:50 | |
Ideally, but, you know, | 0:39:50 | 0:39:52 | |
everybody wants a loaf of bread to stay fresh for a month | 0:39:52 | 0:39:55 | |
-but it doesn't. -Good... Good analogy! | 0:39:55 | 0:39:57 | |
Vetiver, that's my favourite scent. | 0:39:57 | 0:39:59 | |
Yes, very nice. I always get the Vetiver from Haiti. | 0:39:59 | 0:40:03 | |
Wow. | 0:40:03 | 0:40:04 | |
We'd better put Charlie's oil now, hadn't we? So, it's that one. | 0:40:04 | 0:40:07 | |
A good middle note to go with your lavender fragrance | 0:40:07 | 0:40:11 | |
would be the solvent-extracted lavender, | 0:40:11 | 0:40:13 | |
which is a lavender absolute. | 0:40:13 | 0:40:15 | |
And then we could do with some bergamot, as a top note, | 0:40:15 | 0:40:18 | |
because that lightens and freshens it and brings it through. | 0:40:18 | 0:40:21 | |
Well, we could put five drops of each, and 20 of the bergamot... | 0:40:21 | 0:40:25 | |
-Cool. -..and see how it goes. | 0:40:25 | 0:40:27 | |
With the scents selected, | 0:40:27 | 0:40:28 | |
the drops of essential oil are mixed together with ethanol | 0:40:28 | 0:40:31 | |
to create a 10% solution. | 0:40:31 | 0:40:33 | |
-Have a smell of that. -I can smell a lot of bergamot. | 0:40:33 | 0:40:37 | |
It goes very well with the lavender, though, doesn't it? | 0:40:37 | 0:40:39 | |
Wonderful. We'll take it straight into production. | 0:40:39 | 0:40:42 | |
Conquer the world with Eau d'Appleton! | 0:40:42 | 0:40:43 | |
-Thank you, John, a real pleasure. Have a good, smelly day. -OK! | 0:40:43 | 0:40:47 | |
It feels like the Mystery House | 0:40:51 | 0:40:53 | |
has really brought this double pot to the boil. | 0:40:53 | 0:40:56 | |
Particularly Andy, I think, | 0:40:56 | 0:40:57 | |
is exhausted after all that re-sketching | 0:40:57 | 0:40:59 | |
and replanning where everything is going to go, | 0:40:59 | 0:41:01 | |
so it'll be interesting to see what they have to say | 0:41:01 | 0:41:03 | |
now they've had a moment to sit down and rest. | 0:41:03 | 0:41:06 | |
-This is very nice, isn't it? -It certainly is. | 0:41:11 | 0:41:14 | |
What's your status right now? How are you feeling about the houses? | 0:41:14 | 0:41:16 | |
House number two, initially, I was very sceptical about, | 0:41:16 | 0:41:19 | |
because it looks like a bungalow, | 0:41:19 | 0:41:21 | |
but actually, inside, the potential is fantastic | 0:41:21 | 0:41:24 | |
because you would have to do very little downstairs | 0:41:24 | 0:41:27 | |
to create a separate living space | 0:41:27 | 0:41:30 | |
and certainly, upstairs, I liked that galleried feel of that | 0:41:30 | 0:41:33 | |
and that again would take very little configuration. | 0:41:33 | 0:41:37 | |
The biggest drawback on property number two | 0:41:37 | 0:41:39 | |
was the size of the garden, which was, for us, | 0:41:39 | 0:41:41 | |
would have been unmanageable and just a burden. | 0:41:41 | 0:41:44 | |
What about the Mystery House? | 0:41:44 | 0:41:45 | |
Oh, I fell in love with the Mystery House. | 0:41:45 | 0:41:47 | |
Typical Cotswold feel. | 0:41:47 | 0:41:49 | |
It was exceptionally beautiful | 0:41:49 | 0:41:52 | |
and would have worked well as a family house. | 0:41:52 | 0:41:54 | |
The upstairs, which is kind of higgledy-piggledy, | 0:41:54 | 0:41:57 | |
is less easy to rearrange, | 0:41:57 | 0:41:59 | |
so there are lots of things that we need to take into consideration. | 0:41:59 | 0:42:03 | |
Although I think, both our hearts are saying, "Buy me! Buy me!" | 0:42:03 | 0:42:07 | |
So what happens right now, | 0:42:07 | 0:42:08 | |
now that we've seen all the houses and the dust has settled? | 0:42:08 | 0:42:11 | |
What's the next step? | 0:42:11 | 0:42:12 | |
Have a careful look at the floor plan of the Mystery House | 0:42:12 | 0:42:16 | |
and then move forward from there. | 0:42:16 | 0:42:18 | |
Thank you so much for coming on the show, | 0:42:18 | 0:42:20 | |
cos it's been a really fascinating project to work through with you | 0:42:20 | 0:42:23 | |
and do let us know if you manage to square the circle | 0:42:23 | 0:42:25 | |
-and find this place. -Oh, we will, we will. And thank you so much. | 0:42:25 | 0:42:28 | |
-Thank you very much. -It's been a joy. | 0:42:28 | 0:42:30 | |
What an intriguing house search, | 0:42:33 | 0:42:35 | |
and what an intriguing dynamic there between Andy and Gill. | 0:42:35 | 0:42:38 | |
I wonder whether they'd ever find a house that completely resolved | 0:42:38 | 0:42:41 | |
what they were looking for in one building. | 0:42:41 | 0:42:43 | |
Though I have to say, we did very well. We found two, | 0:42:43 | 0:42:46 | |
I think, that offered them great new ways | 0:42:46 | 0:42:48 | |
of thinking about that particular compromise. | 0:42:48 | 0:42:51 | |
I hope you enjoyed the show and I hope you'll join us next time | 0:42:51 | 0:42:54 | |
for more Escape To The Country. | 0:42:54 | 0:42:56 | |
If you would like to escape to the country in England, Scotland, | 0:42:57 | 0:43:00 | |
Wales or Northern Ireland and need our help, | 0:43:00 | 0:43:03 | |
please apply online at... | 0:43:03 | 0:43:05 |