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Born in this rural county, | 0:00:02 | 0:00:03 | |
the man who commissioned this fine country house | 0:00:03 | 0:00:05 | |
was hailed as Britain's first Prime Minister. | 0:00:05 | 0:00:08 | |
Find out if your knowledge of politicians is up to scratch | 0:00:08 | 0:00:11 | |
and where I am in just a moment. | 0:00:11 | 0:00:13 | |
Today, a country-loving couple are ready to plant roots | 0:00:32 | 0:00:36 | |
in classically British countryside. | 0:00:36 | 0:00:38 | |
Shall I say magnificent first or will you say it first? | 0:00:38 | 0:00:41 | |
-It's super. -Um, well done. | 0:00:41 | 0:00:43 | |
And the outlook is inspirational. | 0:00:43 | 0:00:45 | |
I wouldn't mind waking up in the morning to look at that view. | 0:00:45 | 0:00:48 | |
Today, I'm in Norfolk | 0:00:50 | 0:00:51 | |
and this magnificent building behind me is Houghton Hall. | 0:00:51 | 0:00:55 | |
It was built by Sir Robert Walpole in the 1720s and '30s while he was | 0:00:55 | 0:00:59 | |
Prime Minister, a post he held for an impressive 21 years. | 0:00:59 | 0:01:04 | |
His ambitions were huge and he employed a vast array of architects, | 0:01:04 | 0:01:08 | |
with the final bill cost coming to over £200,000, | 0:01:08 | 0:01:12 | |
putting it at the time on a par with Blenheim Palace. | 0:01:12 | 0:01:15 | |
Sadly, he only got to live here for a few years before he passed away. | 0:01:15 | 0:01:20 | |
Today it remains one of Britain's finest Palladian buildings | 0:01:20 | 0:01:23 | |
and an architectural gem in this beautiful landscape. | 0:01:23 | 0:01:27 | |
Sitting to the east of England, | 0:01:28 | 0:01:30 | |
Norfolk, the largest county in East Anglia, | 0:01:30 | 0:01:33 | |
shares its borders with three other counties, | 0:01:33 | 0:01:35 | |
whilst its northern and eastern edges stretch along the North Sea. | 0:01:35 | 0:01:39 | |
The region is known for its sprawling, level landscapes | 0:01:39 | 0:01:43 | |
and vast skies. | 0:01:43 | 0:01:44 | |
Largely agricultural, much of the land is arable, | 0:01:44 | 0:01:47 | |
where fields are filled with crops like wheat and sugar beet. | 0:01:47 | 0:01:52 | |
A familiar sight on the Norfolk horizon are elegant windmills, | 0:01:52 | 0:01:56 | |
historically used for grinding and drainage. | 0:01:56 | 0:01:59 | |
Many are now privately owned, but a number are open to visitors. | 0:01:59 | 0:02:02 | |
Ecclesiastical architecture is another statement in the county | 0:02:04 | 0:02:07 | |
and it's home to the highest concentration of medieval churches | 0:02:07 | 0:02:10 | |
in the world. | 0:02:10 | 0:02:11 | |
Water is also a feature here, particularly the Norfolk broads. | 0:02:12 | 0:02:16 | |
A network of rivers and lakes form a tranquil setting | 0:02:16 | 0:02:20 | |
amongst the surrounding farmland. | 0:02:20 | 0:02:23 | |
So whether it is as one of 30 million tourists who visit each year | 0:02:23 | 0:02:28 | |
or as an escapee in search of a rural home, | 0:02:28 | 0:02:30 | |
Norfolk is a great choice to enjoy the very best of Britain. | 0:02:30 | 0:02:35 | |
When it comes to buying property, | 0:02:36 | 0:02:38 | |
Norfolk offers great value for money, | 0:02:38 | 0:02:40 | |
with the average cost of a detached house here costing £235,000. | 0:02:40 | 0:02:45 | |
That's an impressive £47,000 below the national average. | 0:02:45 | 0:02:49 | |
However, if you want to live on the North Coast in places like | 0:02:49 | 0:02:53 | |
Wells-next-the-Sea or Thornham, you will pay a premium of up to 60%. | 0:02:53 | 0:02:58 | |
But you do get more for your money inland, | 0:02:58 | 0:03:00 | |
so the villages around the market towns of Dereham or Swaffham | 0:03:00 | 0:03:03 | |
are well worth exploring. | 0:03:03 | 0:03:06 | |
So let's meet today's buyers | 0:03:06 | 0:03:08 | |
and find out why they want to move to Norfolk. | 0:03:08 | 0:03:11 | |
Retired sales and marketing director Peter | 0:03:11 | 0:03:14 | |
and retired accounting manager Diane have spent 44 years | 0:03:14 | 0:03:18 | |
living as expats all over the world. | 0:03:18 | 0:03:20 | |
But when they met almost half a century ago, | 0:03:20 | 0:03:23 | |
it was in the north of England. | 0:03:23 | 0:03:25 | |
We met in Newcastle. | 0:03:25 | 0:03:26 | |
Peter moved up from the south, | 0:03:27 | 0:03:29 | |
I already lived in the north | 0:03:29 | 0:03:31 | |
and he joined the company I was working for. | 0:03:31 | 0:03:34 | |
I have a memory of standing one day in front of a notice board, | 0:03:34 | 0:03:38 | |
and there was this stunning bird looking at the notice board as well. | 0:03:38 | 0:03:43 | |
Somehow a conversation started | 0:03:43 | 0:03:46 | |
and it hasn't stopped. | 0:03:46 | 0:03:47 | |
That was 1967. | 0:03:49 | 0:03:51 | |
They wed ten years later and they are still love's young dream. | 0:03:51 | 0:03:55 | |
She was and remains knock-down drop-dead gorgeous. | 0:03:55 | 0:03:58 | |
Um... | 0:04:00 | 0:04:02 | |
She's... | 0:04:02 | 0:04:04 | |
She laughs at my jokes and she's a great companion. | 0:04:04 | 0:04:09 | |
Peter is charming, he has always been charming. | 0:04:09 | 0:04:12 | |
He's very clever, he is too serious at times, | 0:04:12 | 0:04:17 | |
but his great sense of humour saves him and after that, | 0:04:17 | 0:04:20 | |
he's a great husband and fantastic father. | 0:04:20 | 0:04:24 | |
This loving pair's grown-up daughter Nicola lives in San Francisco, | 0:04:24 | 0:04:28 | |
but they've been renting a house outside Cambridge since last year. | 0:04:28 | 0:04:32 | |
After 30 years living in Spain, | 0:04:32 | 0:04:34 | |
they've settled back in Britain | 0:04:34 | 0:04:36 | |
and are ready to find their very own English country pad. | 0:04:36 | 0:04:39 | |
There are certain things you want to do - hang your pictures, | 0:04:39 | 0:04:43 | |
perhaps put up the odd shelf and it's rented, it's not mine. | 0:04:43 | 0:04:49 | |
I would love to buy more furniture of the English type. | 0:04:49 | 0:04:52 | |
I don't have room to put it all, | 0:04:52 | 0:04:54 | |
because we still have a lot in storage. | 0:04:54 | 0:04:57 | |
Diane and Peter love British rural scenery and have decided | 0:04:57 | 0:05:00 | |
that Norfolk's where they'd like to settle, | 0:05:00 | 0:05:02 | |
still within reach of the life they've created in Cambridge, | 0:05:02 | 0:05:05 | |
where Peter is teaching marketing and studying for a PhD. | 0:05:05 | 0:05:10 | |
I was brought up in beautiful countryside around Berkshire | 0:05:10 | 0:05:14 | |
and Oxfordshire and I felt the pull of that. | 0:05:14 | 0:05:16 | |
And looking for a house around this area is just great. | 0:05:16 | 0:05:20 | |
You have the sea, you have lovely countryside, | 0:05:20 | 0:05:23 | |
which I know people say it's flat - I like flat. | 0:05:23 | 0:05:27 | |
The trees come up to jump at you. | 0:05:27 | 0:05:29 | |
I love trees. | 0:05:29 | 0:05:30 | |
It's just genuinely beautiful, beautiful countryside. | 0:05:30 | 0:05:34 | |
I think we're very lucky to be here. | 0:05:34 | 0:05:36 | |
A driving factor in their move to Norfolk | 0:05:38 | 0:05:40 | |
-is to make the most of the great outdoors. -East Anglia's beautiful, | 0:05:40 | 0:05:44 | |
it really is lovely and I want to explore it more | 0:05:44 | 0:05:47 | |
and get my paints out of storage, things like that. | 0:05:47 | 0:05:50 | |
You know, walk to the pub, we want to do that, we like doing that. | 0:05:51 | 0:05:56 | |
We very much like walking to the pub. | 0:05:56 | 0:05:58 | |
Yes. I play lots of golf, I enjoy that. | 0:05:58 | 0:06:01 | |
Peter enjoys walking, | 0:06:01 | 0:06:03 | |
he has an allotment here, which he couldn't have in Spain. | 0:06:03 | 0:06:07 | |
It's a different type of climate. | 0:06:07 | 0:06:09 | |
So in a strong position as cash buyers, | 0:06:09 | 0:06:12 | |
they can't wait to get off the starting blocks | 0:06:12 | 0:06:14 | |
and begin the search for their Norfolk country home. | 0:06:14 | 0:06:17 | |
This move is going to give me a feeling | 0:06:18 | 0:06:20 | |
of having roots in the ground and the feeling of permanence | 0:06:20 | 0:06:25 | |
will be very, very pleasant indeed. | 0:06:25 | 0:06:28 | |
It hasn't been home for a long, long time, but the feeling is there. | 0:06:28 | 0:06:32 | |
There's just something. | 0:06:32 | 0:06:34 | |
I belong here, and it's going to work and we're going to find a home. | 0:06:34 | 0:06:38 | |
And that's great. | 0:06:38 | 0:06:39 | |
Diane and Peter are drawn to the country villages | 0:06:44 | 0:06:46 | |
in the heart of Norfolk, | 0:06:46 | 0:06:48 | |
but are happy to consider anywhere within the region | 0:06:48 | 0:06:50 | |
that's no more than an hour and a half's drive from Cambridge. | 0:06:50 | 0:06:54 | |
And before we hit the Norfolk roads, | 0:06:54 | 0:06:55 | |
I'm meeting them in the county | 0:06:55 | 0:06:57 | |
to get up to speed with their property wish list. | 0:06:57 | 0:07:00 | |
Well, welcome to Norfolk, both of you. | 0:07:00 | 0:07:03 | |
Let's talk about the house. | 0:07:03 | 0:07:04 | |
What are you both looking for? | 0:07:04 | 0:07:06 | |
For me, open-plan would be lovely. | 0:07:06 | 0:07:09 | |
That would be a great deal, I like that, yes. | 0:07:09 | 0:07:13 | |
And definitely two bathrooms. | 0:07:13 | 0:07:15 | |
And what about bedrooms? | 0:07:15 | 0:07:17 | |
Three bedrooms minimum. | 0:07:17 | 0:07:19 | |
One for a guest, one for us. | 0:07:19 | 0:07:21 | |
-Perhaps four. -Perhaps four, | 0:07:21 | 0:07:24 | |
or two bedrooms and two small offices | 0:07:24 | 0:07:26 | |
where we can get away from each other for a while. | 0:07:26 | 0:07:30 | |
She can do her thing in her office, I can do my thing in mine. | 0:07:30 | 0:07:34 | |
Let's just talk about what the house looks like, | 0:07:34 | 0:07:36 | |
what are you hoping to see? | 0:07:36 | 0:07:38 | |
Character. Yes. | 0:07:38 | 0:07:39 | |
What about a garden? Are you keen gardeners? | 0:07:39 | 0:07:41 | |
Do you want lots of land, not much land? | 0:07:41 | 0:07:43 | |
That's probably more my obsession than Diane's. | 0:07:43 | 0:07:46 | |
I would like a small area to grow some potatoes, grow some beans. | 0:07:46 | 0:07:51 | |
OK, so what about the surrounding area? | 0:07:51 | 0:07:53 | |
I think definitely within a walking distance of a village, yes? | 0:07:53 | 0:07:57 | |
The idea of a pub we can walk to is very attractive. | 0:07:57 | 0:08:00 | |
-Yes. -You're really smiling now! | 0:08:00 | 0:08:02 | |
Have you got a twinkle in your eye? | 0:08:02 | 0:08:03 | |
We like that. We both like that. | 0:08:03 | 0:08:05 | |
We both like it. We've had years of tapas bars, | 0:08:05 | 0:08:08 | |
which are absolutely fantastic. | 0:08:08 | 0:08:10 | |
But it's English beer for you, isn't it? | 0:08:10 | 0:08:13 | |
-English beer. -Yes. -I've got a good idea of what the two of you | 0:08:13 | 0:08:15 | |
were hoping to find, so let's talk about budget. | 0:08:15 | 0:08:18 | |
Remind me how much we're working with. | 0:08:18 | 0:08:20 | |
The budget for this house is £425,000. | 0:08:20 | 0:08:25 | |
I'm really hopeful that we can help you find a combination | 0:08:25 | 0:08:28 | |
that you're looking for of open-plan and character, | 0:08:28 | 0:08:31 | |
and we've got some really interesting properties to show you. | 0:08:31 | 0:08:33 | |
-That's good. -Raring to go? | 0:08:33 | 0:08:35 | |
-Raring to go. -Very excited, yes! | 0:08:35 | 0:08:37 | |
Thank you. | 0:08:37 | 0:08:38 | |
Our couple's budget of £425,000 is generous for the area, | 0:08:42 | 0:08:46 | |
which is a positive start. | 0:08:46 | 0:08:49 | |
After half a lifetime abroad, | 0:08:49 | 0:08:50 | |
they want to come home to a spacious property with character | 0:08:50 | 0:08:54 | |
and an open-plan layout, offering an all-in-one kitchen, | 0:08:54 | 0:08:58 | |
dining and living area. | 0:08:58 | 0:08:59 | |
Diane would love a room to paint in and Peter a study, | 0:08:59 | 0:09:03 | |
so they need three-four bedrooms and two bathrooms is a must. | 0:09:03 | 0:09:08 | |
Outside, they're after a manageable garden | 0:09:08 | 0:09:10 | |
and they'd both like to be near a village | 0:09:10 | 0:09:12 | |
with a friendly local high on the list of requirements. | 0:09:12 | 0:09:15 | |
We've gathered a fantastic range of properties, | 0:09:16 | 0:09:19 | |
but their price tags will only be disclosed | 0:09:19 | 0:09:22 | |
after each one has been toured. | 0:09:22 | 0:09:24 | |
And a final visit to the Mystery House | 0:09:24 | 0:09:26 | |
might put our buyers on the back foot | 0:09:26 | 0:09:28 | |
when they first see it, but hopefully, | 0:09:28 | 0:09:31 | |
it'll be a proposition they'll quickly warm to. | 0:09:31 | 0:09:33 | |
We're kicking off our tour of Norfolk | 0:09:41 | 0:09:42 | |
just south-west of the centre of the county | 0:09:42 | 0:09:44 | |
in the village of Carbrooke, | 0:09:44 | 0:09:46 | |
which is an hour away from Cambridge | 0:09:46 | 0:09:48 | |
and less than two miles from the market town of Watton. | 0:09:48 | 0:09:51 | |
The high street in Watton has a good assortment of shops | 0:09:51 | 0:09:55 | |
along with a weekly market selling freshly grown produce. | 0:09:55 | 0:09:58 | |
The town is also home to St Mary's Church, | 0:09:58 | 0:10:00 | |
with its distinctive round tower, | 0:10:00 | 0:10:03 | |
one of only around half a dozen remaining in East Anglia. | 0:10:03 | 0:10:06 | |
Back in Carbrooke, there's just a village hall, | 0:10:06 | 0:10:09 | |
a 12th century church and a primary school. | 0:10:09 | 0:10:12 | |
And our first property is found on the edge of the village. | 0:10:12 | 0:10:15 | |
What are your initial thoughts? | 0:10:16 | 0:10:18 | |
Well, my first view of it, it looks really interesting. | 0:10:18 | 0:10:23 | |
-Yes. -You're speechless, Peter? | 0:10:23 | 0:10:25 | |
I was waiting for number one to speak first. | 0:10:25 | 0:10:27 | |
-It's attractive. -I was chatting to the owner | 0:10:28 | 0:10:31 | |
and she said it's a really lovely community, friendly. | 0:10:31 | 0:10:34 | |
The village hall runs a bar on Friday nights. | 0:10:34 | 0:10:36 | |
-Wow. -Five minutes' walk away! | 0:10:36 | 0:10:39 | |
Volunteers step forward now, yes. | 0:10:39 | 0:10:41 | |
And also it's ten minutes from a golf course and the golf club. | 0:10:41 | 0:10:45 | |
Now you've rang my bell. | 0:10:45 | 0:10:46 | |
Your eyes just lit up then. | 0:10:46 | 0:10:48 | |
In fact, already the house looks more attractive. | 0:10:49 | 0:10:52 | |
Would you like to come and have a look? | 0:10:53 | 0:10:55 | |
I'd love to, yes, very much. | 0:10:55 | 0:10:57 | |
Extended 15 years ago, | 0:10:58 | 0:10:59 | |
this decorative cottage dates back over 200 years | 0:10:59 | 0:11:02 | |
and was originally a two-up two-down, | 0:11:02 | 0:11:04 | |
built from Norfolk clay lump. | 0:11:04 | 0:11:06 | |
So we're straight into this very pretty sitting room | 0:11:10 | 0:11:14 | |
with lots of original features, lots of character. | 0:11:14 | 0:11:17 | |
Lovely fireplace. | 0:11:17 | 0:11:18 | |
Good, square room. | 0:11:18 | 0:11:20 | |
And the good news here is this isn't the main room in the house. | 0:11:20 | 0:11:23 | |
This is a little bonus room, actually, | 0:11:23 | 0:11:25 | |
because the main living space is right through here. | 0:11:25 | 0:11:27 | |
Ooh. It gets better by the minute. | 0:11:27 | 0:11:30 | |
Across the hallway with enough room for a desk is a large sitting room | 0:11:30 | 0:11:34 | |
with access to the garden. | 0:11:34 | 0:11:36 | |
This is all the new extension. | 0:11:36 | 0:11:38 | |
It's a fantastic size. | 0:11:38 | 0:11:40 | |
Shall I say magnificent first or will you say it first? | 0:11:40 | 0:11:43 | |
-It's super. -Well done! | 0:11:43 | 0:11:45 | |
This surprises me. | 0:11:47 | 0:11:49 | |
Off to the left just there is a really big dining room | 0:11:49 | 0:11:52 | |
and there's a lovely, light, spacious conservatory, | 0:11:52 | 0:11:55 | |
which could be a nice light place to work and to paint. | 0:11:55 | 0:11:59 | |
And I know the kitchen is important to you. | 0:11:59 | 0:12:01 | |
It is not part of the living space, but it's still... | 0:12:01 | 0:12:04 | |
I think it's impressive. And I'm hoping those smiles will continue. | 0:12:04 | 0:12:08 | |
A very promising start and there is still lots more to see. | 0:12:08 | 0:12:12 | |
Back off that spacious hallway, | 0:12:12 | 0:12:14 | |
we find a boot room, a separate utility, | 0:12:14 | 0:12:16 | |
a cloakroom and, finally, the kitchen. | 0:12:16 | 0:12:20 | |
It's pretty perfect. | 0:12:21 | 0:12:23 | |
I know my wish list is open-plan, but this is so perfect. | 0:12:23 | 0:12:28 | |
It's delightfully done. | 0:12:28 | 0:12:31 | |
So I'm having to get my head around the fact | 0:12:31 | 0:12:34 | |
it's not as big as I thought I wanted. | 0:12:34 | 0:12:36 | |
I'm totally confused, let's put it like that. | 0:12:36 | 0:12:40 | |
It's not perfect as a big kitchen-diner, | 0:12:40 | 0:12:43 | |
but is pretty perfect as a big kitchen | 0:12:43 | 0:12:46 | |
with a little dining area in it. | 0:12:46 | 0:12:48 | |
I think the hardest thing with a house search | 0:12:48 | 0:12:50 | |
is deciding what compromises you're going to make, | 0:12:50 | 0:12:54 | |
and there are always going to be compromises. | 0:12:54 | 0:12:57 | |
But there are no compromises upstairs | 0:12:57 | 0:12:59 | |
as far as the desired bathrooms and bedrooms are concerned. | 0:12:59 | 0:13:03 | |
A galleried landing leads to a family bathroom | 0:13:03 | 0:13:06 | |
and four double bedrooms. | 0:13:06 | 0:13:08 | |
All the rooms are light, bright and have plenty of space. | 0:13:08 | 0:13:12 | |
We're visiting the largest of the four bedrooms, | 0:13:12 | 0:13:15 | |
with a beautiful view out to the garden and beyond. | 0:13:15 | 0:13:18 | |
So this is the master bedroom. | 0:13:19 | 0:13:21 | |
So, a lovely light, bright room. | 0:13:21 | 0:13:23 | |
This is stunning. This is a great space and look, | 0:13:23 | 0:13:28 | |
every woman's dream behind us, storage! | 0:13:28 | 0:13:31 | |
I need you to just go and pop your head in the bathrooms. | 0:13:31 | 0:13:34 | |
Go, go and quickly have a look for me, | 0:13:34 | 0:13:35 | |
because I know how important they are. | 0:13:35 | 0:13:37 | |
-Very important, yes. -So I think for an en-suite, | 0:13:37 | 0:13:39 | |
that is pretty impressive. | 0:13:39 | 0:13:41 | |
Oh, it is impressive. | 0:13:41 | 0:13:43 | |
It's got everything, look at the shower. | 0:13:43 | 0:13:45 | |
I could be quite happy in here. | 0:13:45 | 0:13:47 | |
Well, don't be too happy! Come back to me, come on. | 0:13:47 | 0:13:49 | |
-OK. -You can't run yourself a bath yet! | 0:13:49 | 0:13:52 | |
No, not yet. | 0:13:52 | 0:13:54 | |
All that remains to be seen now is outside, | 0:13:54 | 0:13:56 | |
so why don't we go and find out if there's enough space | 0:13:56 | 0:13:58 | |
for those vegetables you fancy growing? | 0:13:58 | 0:14:00 | |
Brilliant. | 0:14:00 | 0:14:02 | |
The conservatory leads on to a patio | 0:14:02 | 0:14:04 | |
which wraps around the side of the house | 0:14:04 | 0:14:06 | |
and joins a lawn bordered by trees with views right across the fields. | 0:14:06 | 0:14:10 | |
There's also a garage with a sheltered seating area. | 0:14:10 | 0:14:14 | |
Nothing too large, it's definitely manageable. | 0:14:14 | 0:14:16 | |
This is a good-sized garden, it's not too big, | 0:14:16 | 0:14:19 | |
it's not too small and there is some work to be done on borders, | 0:14:19 | 0:14:22 | |
a place to put one or two potatoes. | 0:14:22 | 0:14:23 | |
It's pretty much my scene. | 0:14:23 | 0:14:26 | |
Well, you've seen the house and the outside | 0:14:26 | 0:14:28 | |
and I've seen smiles on both your faces, | 0:14:28 | 0:14:31 | |
but I'd really like to know what's going on in here. | 0:14:31 | 0:14:33 | |
So what do you think this house is on the market for? | 0:14:33 | 0:14:37 | |
425, top. | 0:14:37 | 0:14:40 | |
I would say to might be a little over our top budget, | 0:14:40 | 0:14:44 | |
so, say, £427,000. | 0:14:44 | 0:14:46 | |
OK. Well, | 0:14:46 | 0:14:48 | |
the lady is right. | 0:14:48 | 0:14:50 | |
Spot on. It's on the market for £425,000. | 0:14:50 | 0:14:54 | |
Is definitely a pull, isn't it? | 0:14:54 | 0:14:56 | |
It's a strong tug in the right direction. | 0:14:56 | 0:14:59 | |
I think with the prize in mind, | 0:14:59 | 0:15:00 | |
it's time for you to go back in and have a look. | 0:15:00 | 0:15:02 | |
Imagine yourselves in it, if you want to do, | 0:15:02 | 0:15:04 | |
and I'll come and find you in a few minutes. | 0:15:04 | 0:15:06 | |
-Good. -Will do. | 0:15:06 | 0:15:07 | |
This cottage is bang on the nose of Diane's and Peter's budget, | 0:15:11 | 0:15:14 | |
bringing their English country dream one step closer. | 0:15:14 | 0:15:18 | |
It has a good selection of living spaces downstairs | 0:15:18 | 0:15:21 | |
and although there isn't | 0:15:21 | 0:15:22 | |
the open-plan kitchen-living room they wanted, | 0:15:22 | 0:15:25 | |
what is on offer has taken them pleasantly by surprise. | 0:15:25 | 0:15:29 | |
They get the four bedrooms they've asked for, | 0:15:29 | 0:15:31 | |
meaning plenty of room for visitors, | 0:15:31 | 0:15:33 | |
including their daughter from America. | 0:15:33 | 0:15:35 | |
There's also the compulsory two bathrooms | 0:15:35 | 0:15:37 | |
and the garden seems to be ideal | 0:15:37 | 0:15:39 | |
for their horticultural ambitions. | 0:15:39 | 0:15:41 | |
Ooh. Wow. | 0:15:43 | 0:15:45 | |
It's a film set. | 0:15:45 | 0:15:47 | |
It's a real pretty dining room, isn't it? | 0:15:47 | 0:15:49 | |
It's very beautiful. | 0:15:49 | 0:15:51 | |
From the very first moment I saw this house, it was very attractive, | 0:15:51 | 0:15:55 | |
very appealing. At first, it seems it might be small, | 0:15:55 | 0:15:59 | |
but you very quickly discover that it's not, it's very spacious. | 0:15:59 | 0:16:03 | |
The first impression was lovely, welcoming, stunning. | 0:16:03 | 0:16:09 | |
As we walked through the house, it just got better and better. | 0:16:09 | 0:16:12 | |
I really like the kitchen, it's just not open-plan, | 0:16:12 | 0:16:17 | |
which is what I wanted and I'm stuck. | 0:16:17 | 0:16:20 | |
I really can't decide whether the kitchen is so beautiful | 0:16:20 | 0:16:25 | |
I'll get over it and just get on with it. | 0:16:25 | 0:16:28 | |
-Hello, there. -Hi. | 0:16:28 | 0:16:29 | |
-Have you seen enough? -Never enough. | 0:16:29 | 0:16:31 | |
It's a beautiful house, I could go round again and again. | 0:16:31 | 0:16:34 | |
That's a great reaction for a first house. | 0:16:34 | 0:16:36 | |
Are you united in this opinion, Peter? | 0:16:36 | 0:16:38 | |
-I am. -A united front and onwards to the second. | 0:16:38 | 0:16:42 | |
Fantastic. | 0:16:42 | 0:16:43 | |
In south-west Norfolk lies an area known as the Brecks, | 0:16:48 | 0:16:52 | |
made up of heathland and vast forests. | 0:16:52 | 0:16:54 | |
It boasts the best climate in Britain, | 0:16:54 | 0:16:57 | |
with low rainfall and hot summers. | 0:16:57 | 0:16:59 | |
To the north of the Brecks in the town of Swaffham | 0:16:59 | 0:17:02 | |
is the Green Britain Centre, | 0:17:02 | 0:17:03 | |
which makes the most of the temperate climate here | 0:17:03 | 0:17:07 | |
and teaches people to live more sustainably. | 0:17:07 | 0:17:10 | |
There are almost 12 acres devoted to organic fruit and veg | 0:17:10 | 0:17:13 | |
and supporting native flora and fauna. | 0:17:13 | 0:17:15 | |
It has its own wind turbine designed | 0:17:16 | 0:17:19 | |
by British architect Sir Norman Foster. | 0:17:19 | 0:17:21 | |
At just over 100 metres high, | 0:17:22 | 0:17:24 | |
it's the only one in the world | 0:17:24 | 0:17:26 | |
which houses a public observation platform. | 0:17:26 | 0:17:30 | |
Diane and Peter are keen to grow their own produce when they move | 0:17:30 | 0:17:33 | |
and they've come to chat | 0:17:33 | 0:17:34 | |
to horticulturalist and manager Paul Woodmin | 0:17:34 | 0:17:37 | |
to find out about living off the land. | 0:17:37 | 0:17:40 | |
They're meeting in the rather special orchard. | 0:17:40 | 0:17:44 | |
Paul, what makes this orchard different? | 0:17:44 | 0:17:46 | |
Well, this was planted really to celebrate some of the heritage | 0:17:46 | 0:17:49 | |
that Norfolk has had with apple-growing in the past. | 0:17:49 | 0:17:52 | |
We've got 60 different varieties of mainly apple, | 0:17:52 | 0:17:55 | |
there are some pears in here and we've actually got a medlar, | 0:17:55 | 0:17:58 | |
so there are varieties that would have been common in this area | 0:17:58 | 0:18:02 | |
200 years to 100 years ago. | 0:18:02 | 0:18:04 | |
Have you any suggestions as to the type of apple | 0:18:04 | 0:18:07 | |
-we should put in our garden? -It all depends on your taste. | 0:18:07 | 0:18:10 | |
But I'd go for a good eater and a good cooking apple. | 0:18:10 | 0:18:14 | |
What is important is you need to make sure | 0:18:14 | 0:18:16 | |
they are in the same pollination group | 0:18:16 | 0:18:18 | |
and one thing that will help with that | 0:18:18 | 0:18:21 | |
is perhaps planting a crab apple. | 0:18:21 | 0:18:23 | |
In order to produce fruit, | 0:18:23 | 0:18:25 | |
apple blossom must be fertilised by the pollen from the flower | 0:18:25 | 0:18:29 | |
of a compatible but different variety of tree. | 0:18:29 | 0:18:32 | |
Crab apples usually successful pollinate | 0:18:32 | 0:18:34 | |
many other varieties of apple. | 0:18:34 | 0:18:36 | |
I'm a bit of a veg man, Paul. | 0:18:37 | 0:18:39 | |
My dream house has got something of a vegetable plot. | 0:18:39 | 0:18:42 | |
Do you have anything like that hidden around here? | 0:18:42 | 0:18:45 | |
We certainly do, if you follow me, we'll go and take a look. | 0:18:45 | 0:18:47 | |
-OK. Fine. -Mind your head. | 0:18:47 | 0:18:49 | |
Paul's taking Diane and Peter to the organic garden, | 0:18:50 | 0:18:54 | |
where a variety of crops are growing including mixed lettuce, | 0:18:54 | 0:18:57 | |
carrots and onions without the use of pesticides, | 0:18:57 | 0:19:01 | |
herbicides or artificial fertilisers. | 0:19:01 | 0:19:04 | |
Is there any particular tip you can give | 0:19:04 | 0:19:06 | |
for growing potatoes organically, | 0:19:06 | 0:19:08 | |
because I don't do a very good job of it at the moment. | 0:19:08 | 0:19:10 | |
OK, well, potatoes, it's about the timing, really. | 0:19:10 | 0:19:13 | |
So it's getting them in as early as we can, | 0:19:13 | 0:19:15 | |
after the frosts have passed. | 0:19:15 | 0:19:16 | |
Spacing is also very important - | 0:19:16 | 0:19:18 | |
it's good to encourage a lot of ventilation around the plants, | 0:19:18 | 0:19:22 | |
otherwise you can be encouraging a fungal infection called blight. | 0:19:22 | 0:19:25 | |
It's a little bit outside the potato-planting season now, | 0:19:25 | 0:19:28 | |
but we got some lettuce which we plant in succession. | 0:19:28 | 0:19:30 | |
I wonder if you'd give us a hand planting some lettuces? | 0:19:30 | 0:19:32 | |
-Lettuce is good. -Well, I will. | 0:19:32 | 0:19:34 | |
OK. Thanks, Di. Follow me. | 0:19:34 | 0:19:36 | |
At the raised bed, | 0:19:37 | 0:19:39 | |
Paul has tasked Diane with weeding | 0:19:39 | 0:19:41 | |
before the lettuce seeds are planted. | 0:19:41 | 0:19:43 | |
Just try and get as deep as you can, | 0:19:43 | 0:19:45 | |
there's some long tap roots in there. | 0:19:45 | 0:19:47 | |
This is very long, this one. | 0:19:47 | 0:19:49 | |
Peter's giving the job of raking the earth to prepare the seed bed. | 0:19:50 | 0:19:54 | |
-Oh, yes. -OK. | 0:19:54 | 0:19:56 | |
-That'll about do us. -Next, a string line is placed in the bed. | 0:19:56 | 0:20:00 | |
This will just give us a good guide | 0:20:00 | 0:20:01 | |
of where we are going to be planting our seeds. Fantastic. | 0:20:01 | 0:20:04 | |
If you just use the edge of the trowel, | 0:20:04 | 0:20:06 | |
follow it down the string line, through the soil, | 0:20:06 | 0:20:08 | |
we need the trench round about a centimetre deep. | 0:20:08 | 0:20:10 | |
-Like this? -Fantastic. | 0:20:10 | 0:20:12 | |
Now, next is the seeds. | 0:20:12 | 0:20:13 | |
You want to sprinkle them down the length of that string | 0:20:13 | 0:20:16 | |
quite sparsely. | 0:20:16 | 0:20:17 | |
-OK. -That's it. Now, just with your hand, | 0:20:17 | 0:20:20 | |
put about a centimetre of soil on top of the seeds. | 0:20:20 | 0:20:23 | |
Just push it on, nice and gently. | 0:20:23 | 0:20:24 | |
-Just push it on? -That's fine. | 0:20:24 | 0:20:26 | |
Finally, a sprinkling of water and in three to four weeks' time, | 0:20:26 | 0:20:30 | |
the lettuces will be ready. | 0:20:30 | 0:20:31 | |
And if they've found themselves a Norfolk home by then, | 0:20:31 | 0:20:34 | |
they can come back to reap the rewards of their hard work. | 0:20:34 | 0:20:37 | |
Thank you, this has been absolutely great, | 0:20:38 | 0:20:40 | |
I've enjoyed every minute of it. | 0:20:40 | 0:20:42 | |
It's been my pleasure. | 0:20:42 | 0:20:43 | |
For our second property visit, | 0:20:47 | 0:20:49 | |
we're heading to the village of Thompson | 0:20:49 | 0:20:51 | |
which is an hour's drive from Cambridge | 0:20:51 | 0:20:53 | |
and just over 12-and-a-half miles | 0:20:53 | 0:20:55 | |
from the market town of Thetford. | 0:20:55 | 0:20:57 | |
Here, there's a golf club for Diane, | 0:20:58 | 0:21:00 | |
less than 20 minutes' drive from Thompson, | 0:21:00 | 0:21:02 | |
a small village surrounded by fields | 0:21:02 | 0:21:05 | |
with a strong community at its heart. | 0:21:05 | 0:21:08 | |
There's a village hall and St Martin's Church, | 0:21:08 | 0:21:10 | |
part of which has its roots in the 14th century. | 0:21:10 | 0:21:14 | |
Thompson's also home to a number of properties | 0:21:14 | 0:21:16 | |
that reflect the county's traditional architecture, | 0:21:16 | 0:21:19 | |
including a pub dating back to the 1600s | 0:21:19 | 0:21:23 | |
that's just a five-minute stroll | 0:21:23 | 0:21:24 | |
from our second offering, a home that's unusual on the outside, | 0:21:24 | 0:21:28 | |
and even more so beyond the front door. | 0:21:28 | 0:21:31 | |
It's an 18th century grade II listed barn conversion. | 0:21:33 | 0:21:37 | |
It was converted in 2006 and it's been really sympathetically done. | 0:21:37 | 0:21:41 | |
I love the roof. That sounds mad, but the roof is fantastic. | 0:21:41 | 0:21:45 | |
Actually, it just all looks great. | 0:21:45 | 0:21:47 | |
-Really lovely. -It's spectacular and it's very different. | 0:21:47 | 0:21:50 | |
You're keen to see inside? | 0:21:50 | 0:21:52 | |
-I'd love to. -Me too. | 0:21:52 | 0:21:54 | |
This fabulous barn conversion from the 1700s | 0:21:55 | 0:21:59 | |
has many interesting works. | 0:21:59 | 0:22:01 | |
The chimney is made of bricks from the original floor | 0:22:01 | 0:22:04 | |
and the barn's ironwork has been crafted by the local blacksmith. | 0:22:04 | 0:22:08 | |
The owners have already moved out, meaning a slightly sparse interior, | 0:22:08 | 0:22:12 | |
but as soon as you step inside, | 0:22:12 | 0:22:14 | |
it still manages to take your breath away. | 0:22:14 | 0:22:17 | |
Oh! Here we go, here we go. | 0:22:17 | 0:22:20 | |
Is that a positive "Here we go, here we go?" | 0:22:21 | 0:22:23 | |
Everything in one room. | 0:22:23 | 0:22:25 | |
I think this is open-plan. | 0:22:25 | 0:22:26 | |
I think it is open-plan, yes. | 0:22:26 | 0:22:28 | |
This is such a complete surprise. | 0:22:28 | 0:22:30 | |
I never been inside a barn conversion, | 0:22:30 | 0:22:32 | |
simply because the outside has said "no" to me. | 0:22:32 | 0:22:36 | |
But the outside here said yes. | 0:22:36 | 0:22:38 | |
I'm thinking to myself, if we are to decide that we like open-plan, | 0:22:38 | 0:22:43 | |
this is the test of whether we mean what we say. | 0:22:43 | 0:22:46 | |
You've talked about, you know, that three-in-one living, | 0:22:46 | 0:22:48 | |
and you absolutely have that here. | 0:22:48 | 0:22:50 | |
You have your kitchen area, your dining area, a seating area. | 0:22:50 | 0:22:55 | |
You've got flexibility. | 0:22:55 | 0:22:57 | |
Let's step further into this room | 0:22:57 | 0:22:58 | |
just to get a sense of the scale of it all, really. | 0:22:58 | 0:23:01 | |
A well thought-out kitchen with a central island. | 0:23:01 | 0:23:04 | |
The kitchen is good, it's very good. | 0:23:04 | 0:23:06 | |
The open-plan kitchen and living area in this barn | 0:23:07 | 0:23:10 | |
has almost 900 square feet of floor space, | 0:23:10 | 0:23:13 | |
with the mezzanine level above giving another 300, | 0:23:13 | 0:23:17 | |
so hopefully, it offers buyers the kind of lifestyle they've envisaged. | 0:23:17 | 0:23:21 | |
So here we are, up on the mezzanine. | 0:23:22 | 0:23:25 | |
And it gives you a fantastic idea of the scale | 0:23:25 | 0:23:27 | |
-and the height of this building. -So what would we do with this space? | 0:23:27 | 0:23:31 | |
I think it's probably mine. | 0:23:31 | 0:23:33 | |
Well, I was thinking a study. | 0:23:33 | 0:23:35 | |
A study area. | 0:23:35 | 0:23:36 | |
-Yes, a study area. -I was thinking more a painting area. | 0:23:36 | 0:23:38 | |
I can see the light falling in from these two windows. | 0:23:38 | 0:23:42 | |
It's very different from anything | 0:23:42 | 0:23:44 | |
that I conceived in my mind - when we talked of open-plan, for example, | 0:23:44 | 0:23:48 | |
I was not thinking of vertically open so much as horizontally open. | 0:23:48 | 0:23:52 | |
I think without we need to explore the rest, | 0:23:52 | 0:23:54 | |
cos you'll be happy to hear that the bedrooms aren't open-plan, | 0:23:54 | 0:23:57 | |
nor are the bathrooms. | 0:23:57 | 0:23:58 | |
They're bit more of a traditional layout. | 0:23:58 | 0:24:00 | |
-Right. -So I think they'll feel a bit more familiar. | 0:24:00 | 0:24:03 | |
At the bottom of the mezzanine staircase, | 0:24:06 | 0:24:08 | |
you will find three guest bedrooms | 0:24:08 | 0:24:10 | |
all served by a bright family bathroom. | 0:24:10 | 0:24:12 | |
There is a generous beamed double with garden views | 0:24:13 | 0:24:16 | |
and another large double with exposed wall timbers, | 0:24:16 | 0:24:19 | |
beyond which is the smallest bedroom. | 0:24:19 | 0:24:21 | |
Across on the other side of the main living space, | 0:24:22 | 0:24:25 | |
we pass a utility room, | 0:24:25 | 0:24:27 | |
ideal for hiding away the white goods, | 0:24:27 | 0:24:30 | |
then it's on to the fourth and final bedroom. | 0:24:30 | 0:24:33 | |
How many more original features do you want? | 0:24:33 | 0:24:36 | |
It is a big bedroom. | 0:24:36 | 0:24:37 | |
Of course, you've mentioned you'd like two bathrooms - there are two. | 0:24:37 | 0:24:41 | |
This one's got an en-suite. | 0:24:41 | 0:24:42 | |
It has a little added bonus - | 0:24:42 | 0:24:44 | |
it's got a sauna! | 0:24:44 | 0:24:46 | |
Oh, my goodness! | 0:24:46 | 0:24:48 | |
Well, that takes care of Sunday. | 0:24:48 | 0:24:50 | |
The views make this bedroom. | 0:24:50 | 0:24:52 | |
I wouldn't mind waking up in the morning to look at that view. | 0:24:52 | 0:24:55 | |
Well, why don't we head outside | 0:24:55 | 0:24:56 | |
and just take in that view a little bit more | 0:24:56 | 0:24:58 | |
and I need you to start thinking as well | 0:24:58 | 0:25:01 | |
-about what you think this property might be on the market for. -Oh. | 0:25:01 | 0:25:05 | |
Double doors from the seating area at the back of the barn take us out | 0:25:05 | 0:25:08 | |
into the garden, which has a patio | 0:25:08 | 0:25:11 | |
and a small but neat lawn which enjoys wonderful views | 0:25:11 | 0:25:14 | |
across the fields that belong to a neighbouring farmer. | 0:25:14 | 0:25:18 | |
It's more than wonderful, isn't it? | 0:25:18 | 0:25:20 | |
-Truly lovely. -Now, this is the garden. | 0:25:20 | 0:25:22 | |
What you see is what you get. It's fairly compact. | 0:25:22 | 0:25:25 | |
This garden is smaller than I would have wanted. | 0:25:25 | 0:25:27 | |
Not a lot of room for my potatoes and fruit trees and beans | 0:25:27 | 0:25:32 | |
but it is a staggeringly beautiful East Anglian view | 0:25:32 | 0:25:36 | |
and maybe something has to give. | 0:25:36 | 0:25:38 | |
OK, what do you think this property is on the market for? | 0:25:38 | 0:25:41 | |
-It's time to guess. -It's very difficult. | 0:25:41 | 0:25:43 | |
I don't know anything about barn conversions, | 0:25:43 | 0:25:46 | |
but my price would be 390. | 0:25:46 | 0:25:49 | |
OK. And for you, Peter? | 0:25:49 | 0:25:50 | |
I'd go a bit lower than that. | 0:25:50 | 0:25:52 | |
365,000 would be my price. | 0:25:52 | 0:25:54 | |
OK, that's interesting. You are both off the mark, I'm afraid. | 0:25:54 | 0:25:57 | |
It's actually on the market for £400,000. | 0:25:57 | 0:26:00 | |
That seems a little bit high. | 0:26:00 | 0:26:03 | |
Why don't you go off and explore? | 0:26:03 | 0:26:04 | |
I know you haven't seen many barn conversions, | 0:26:04 | 0:26:06 | |
so go and take another look around. | 0:26:06 | 0:26:08 | |
See what you think and I'll come and find you in a few minutes. | 0:26:08 | 0:26:11 | |
-Thank you. -Thank you. -Lovely. | 0:26:11 | 0:26:12 | |
This spectacular barn conversion is full of character | 0:26:15 | 0:26:20 | |
and it's on the market for £25,000 below budget. | 0:26:20 | 0:26:23 | |
However, I sense open-plan on this scale | 0:26:23 | 0:26:26 | |
has been a real test for our couple. | 0:26:26 | 0:26:28 | |
At the heart of the home is the requested kitchen and living area | 0:26:28 | 0:26:32 | |
with the mezzanine level given the option of an office or art room. | 0:26:32 | 0:26:36 | |
There are four bedrooms and two bathrooms. | 0:26:36 | 0:26:39 | |
OK, the garden may be smaller than anticipated, | 0:26:39 | 0:26:42 | |
but it does come with those great views. | 0:26:42 | 0:26:45 | |
Coming through the door into this converted barn | 0:26:46 | 0:26:49 | |
is a dramatic experience | 0:26:49 | 0:26:50 | |
and an exciting experience. | 0:26:50 | 0:26:52 | |
You have this great sense of space, character. | 0:26:52 | 0:26:54 | |
It is beautifully converted, | 0:26:54 | 0:26:56 | |
but I think it would need a bit of modification | 0:26:56 | 0:26:59 | |
to make it feel, shall I say, cosier? | 0:26:59 | 0:27:02 | |
The downside was the garden size. | 0:27:02 | 0:27:05 | |
I thought that was just a little bit too small for a house of this size. | 0:27:05 | 0:27:10 | |
You walk through this enormous room, | 0:27:11 | 0:27:14 | |
there's a window over there with a view to die for, for miles. | 0:27:14 | 0:27:17 | |
You open the door and you basically have | 0:27:17 | 0:27:20 | |
a very small garden to walk into. | 0:27:20 | 0:27:22 | |
This property is a contender | 0:27:22 | 0:27:25 | |
but with some reservations that I would need to think about it. | 0:27:25 | 0:27:29 | |
-Hello. -Hello. | 0:27:31 | 0:27:32 | |
Well, that has put open-plan living to the test, hasn't it? | 0:27:32 | 0:27:35 | |
It really has, yes. | 0:27:35 | 0:27:36 | |
That was a wonderful example of open-plan living. | 0:27:36 | 0:27:39 | |
-It truly was. -Last of today's properties. | 0:27:39 | 0:27:41 | |
Have we given you much to think about this evening? | 0:27:41 | 0:27:44 | |
Masses for me to think about. | 0:27:44 | 0:27:45 | |
Plenty to think about. | 0:27:45 | 0:27:46 | |
-We'll be thinking. -OK, let's go and do some thinking, then. | 0:27:46 | 0:27:50 | |
It's the second day of our visit to Norfolk, where we've got £425,000 | 0:27:58 | 0:28:03 | |
to spend on a country home for Diane and Peter from Cambridgeshire | 0:28:03 | 0:28:07 | |
who moved back to the UK from Barcelona last year. | 0:28:07 | 0:28:11 | |
We've still got to come face-to-face with a surprising Mystery House. | 0:28:11 | 0:28:16 | |
Oh, OK. | 0:28:16 | 0:28:18 | |
This is probably the most positive feature of the house, for me. | 0:28:18 | 0:28:21 | |
And I'll be finding out about the colourful history | 0:28:21 | 0:28:25 | |
of an ancient crop. | 0:28:25 | 0:28:26 | |
This is where the magic really starts. | 0:28:26 | 0:28:27 | |
Look at all those different shades of blue coming out. | 0:28:27 | 0:28:30 | |
Yesterday's search went well and I found it fascinating that the house | 0:28:31 | 0:28:35 | |
that really seemed to spark Diane and Peter's imagination | 0:28:35 | 0:28:38 | |
wasn't the open-plan house that I thought they'd love. | 0:28:38 | 0:28:41 | |
I'm feeling confident about today and our Mystery House. | 0:28:41 | 0:28:45 | |
I don't think it's a house that they would have considered looking at, | 0:28:45 | 0:28:48 | |
but I think it could offer them that open, relaxed way of living | 0:28:48 | 0:28:51 | |
that they seem to crave. | 0:28:51 | 0:28:53 | |
For our Mystery House, | 0:28:57 | 0:28:58 | |
we're travelling to the village of Great Ellingham, | 0:28:58 | 0:29:00 | |
which is just about an hour's drive away from Cambridge. | 0:29:00 | 0:29:03 | |
The village has a store and post office, | 0:29:04 | 0:29:06 | |
a church and a gastropub | 0:29:06 | 0:29:09 | |
and the narrow lanes are lined with pretty homes | 0:29:09 | 0:29:11 | |
typical of those found in the Norfolk countryside. | 0:29:11 | 0:29:14 | |
Around a mile outside the village, in a beautiful rural setting, | 0:29:14 | 0:29:18 | |
we're at our last stop and after 44 years living abroad, | 0:29:18 | 0:29:22 | |
I wonder if Diane and Peter are ready to consider | 0:29:22 | 0:29:24 | |
a slightly different way of English country life | 0:29:24 | 0:29:27 | |
to the one they've been planning. | 0:29:27 | 0:29:29 | |
So, any guesses as to why it's the Mystery House? | 0:29:29 | 0:29:32 | |
-Because it's new. -I think it's because that is a new build. | 0:29:32 | 0:29:36 | |
Absolutely. It was built in 2006. | 0:29:36 | 0:29:39 | |
It is one of only six on a very small development | 0:29:39 | 0:29:42 | |
-with very spectacular view. -That's true, yes. | 0:29:42 | 0:29:46 | |
I'm thinking this is a new build, this is going to be clean, | 0:29:46 | 0:29:49 | |
easy to run and, actually, the lines are good. | 0:29:49 | 0:29:53 | |
I have something of a prejudice against new buildings. | 0:29:53 | 0:29:57 | |
This could be the exception. | 0:29:57 | 0:29:58 | |
We got a mixed reaction from you both to the outside | 0:29:58 | 0:30:00 | |
so let's see if we can reunite you when we look inside. | 0:30:00 | 0:30:04 | |
-OK. -Let's go. | 0:30:04 | 0:30:05 | |
This handsome redbrick home has been built in the style | 0:30:07 | 0:30:10 | |
of a manor house barn, which does give it plenty of charm, | 0:30:10 | 0:30:13 | |
even though it might not have the character that comes with age. | 0:30:13 | 0:30:18 | |
Right, then. We come straight into this great-sized entrance hall. | 0:30:18 | 0:30:22 | |
We've got a study, dining room, | 0:30:22 | 0:30:25 | |
good storage cupboard for all your coats | 0:30:25 | 0:30:27 | |
and, of course, it takes advantage of that lovely view. | 0:30:27 | 0:30:30 | |
It is an impressive entrance hall, isn't it? Yes. | 0:30:30 | 0:30:33 | |
All the rooms are off the hall, | 0:30:33 | 0:30:35 | |
which we are crossing to get to the kitchen | 0:30:35 | 0:30:37 | |
and I'm hoping it's just what they've been waiting for | 0:30:37 | 0:30:40 | |
as there is room to cook, eat and relax. | 0:30:40 | 0:30:44 | |
I like it. I'm wanting to say a better word than like, | 0:30:44 | 0:30:47 | |
but I have to take it in first | 0:30:47 | 0:30:49 | |
because you've actually given me something that I've been asking for. | 0:30:49 | 0:30:53 | |
I think it's a little small. | 0:30:53 | 0:30:55 | |
-Right. -That's my first reaction. | 0:30:56 | 0:30:58 | |
OK. That's a fair reaction. | 0:30:58 | 0:31:00 | |
I have some suggestions for you. | 0:31:00 | 0:31:03 | |
We've got a good-sized utility room over there | 0:31:03 | 0:31:05 | |
which has got everything you need. There is, behind this wall, | 0:31:05 | 0:31:09 | |
you get through to the garage, the second utility space | 0:31:09 | 0:31:12 | |
and also a downstairs bathroom. | 0:31:12 | 0:31:14 | |
You could take this section of wall out to extend that way | 0:31:14 | 0:31:17 | |
and have a much larger space in here | 0:31:17 | 0:31:20 | |
to give you much more of that big open space that you after. | 0:31:20 | 0:31:23 | |
I have no problems with the odd wall coming down. | 0:31:23 | 0:31:25 | |
There's definitely potential for that in here | 0:31:25 | 0:31:28 | |
and I think we should go and take a look at the sitting room. | 0:31:28 | 0:31:30 | |
Good idea. I'd like that. | 0:31:30 | 0:31:33 | |
The sitting room is at the back of the house | 0:31:33 | 0:31:35 | |
with windows on three sides | 0:31:35 | 0:31:36 | |
and doors to the garden which allows the light to flood in. | 0:31:36 | 0:31:40 | |
Our Mystery House may be modern but it is delivering on so many levels. | 0:31:40 | 0:31:45 | |
I couldn't fault this one. | 0:31:45 | 0:31:47 | |
You're going to think it's too small. | 0:31:47 | 0:31:49 | |
It's not too small as a sitting room. | 0:31:50 | 0:31:52 | |
It's full of light, looks out onto a pretty garden space. | 0:31:52 | 0:31:55 | |
-It's very appealing. -OK, well, there is still plenty to show you upstairs | 0:31:55 | 0:31:58 | |
-so let's go and take a look. -Thank you. | 0:31:58 | 0:32:01 | |
I'm sensing uncertainty from Peter but quiet positivity from Diane. | 0:32:01 | 0:32:06 | |
Maybe the bedrooms will help them make up their minds. | 0:32:06 | 0:32:09 | |
On the first floor there are four on offer, | 0:32:09 | 0:32:11 | |
one in each corner of the house. | 0:32:11 | 0:32:13 | |
There's a double with its own shower room | 0:32:13 | 0:32:16 | |
and beautiful views over fields, | 0:32:16 | 0:32:18 | |
another double at the back which is used as an exercise room and study | 0:32:18 | 0:32:22 | |
and a smaller bedroom used for storage. | 0:32:22 | 0:32:25 | |
There's also a bright family bathroom, | 0:32:25 | 0:32:27 | |
but we're headed to the largest of the four, | 0:32:27 | 0:32:29 | |
complete with a well fitted shower room. | 0:32:29 | 0:32:31 | |
Oh, OK. | 0:32:33 | 0:32:36 | |
The master bedroom is in a brilliant position, | 0:32:36 | 0:32:38 | |
just where you would want it to be, | 0:32:38 | 0:32:40 | |
cos it takes advantage of that incredible view. | 0:32:40 | 0:32:43 | |
That's what I was looking for out front, | 0:32:43 | 0:32:46 | |
hoping these windows would be in prime bed position and they are. | 0:32:46 | 0:32:51 | |
This is probably the most positive feature of the house, for me. | 0:32:51 | 0:32:55 | |
Let's go and see how you feel about the garden, | 0:32:55 | 0:32:57 | |
because that's the last thing yet and of course then | 0:32:57 | 0:33:00 | |
you're going to have to guess the price, | 0:33:00 | 0:33:01 | |
-so start giving that some thought. -The garden is important. | 0:33:01 | 0:33:04 | |
The garden is important. | 0:33:04 | 0:33:06 | |
Back downstairs, the utility room has access out | 0:33:07 | 0:33:10 | |
to the beautifully landscaped garden which has a Mediterranean look, | 0:33:10 | 0:33:15 | |
so perhaps somewhere Diane and Peter will feel right at home. | 0:33:15 | 0:33:19 | |
There is a terrace hugging the house, | 0:33:19 | 0:33:20 | |
a lawn framed by shrubs and hedges, | 0:33:20 | 0:33:23 | |
as well as various places for relaxation | 0:33:23 | 0:33:26 | |
and shade. | 0:33:26 | 0:33:27 | |
It's delightful, really delightful. | 0:33:27 | 0:33:30 | |
Pretty garden, very pretty. | 0:33:30 | 0:33:32 | |
Bit short of potatoes but you could probably work on that, I suspect. | 0:33:32 | 0:33:35 | |
There are some fantastic raised beds | 0:33:35 | 0:33:37 | |
that have got lovely planting in, | 0:33:37 | 0:33:38 | |
but they could make brilliant raised beds | 0:33:38 | 0:33:40 | |
for growing your potatoes and your artichokes. | 0:33:40 | 0:33:43 | |
-Very true. -Finally, we've come outside the house | 0:33:43 | 0:33:45 | |
and we have you both in agreement that the garden... | 0:33:45 | 0:33:48 | |
-The garden is good. -..the garden works. | 0:33:48 | 0:33:50 | |
-Yes. -I'm intrigued to discover what you think this property | 0:33:50 | 0:33:55 | |
-is on the market for. -I would guess it's on the market for 440. | 0:33:55 | 0:33:59 | |
-Peter? -She's a bit above budget. | 0:33:59 | 0:34:02 | |
I'd come down a bit, but at the top end of our budget. | 0:34:02 | 0:34:05 | |
About 420,000. | 0:34:05 | 0:34:07 | |
OK, well, it's on the market over budget. | 0:34:07 | 0:34:10 | |
It's £445,000. | 0:34:10 | 0:34:12 | |
However, we have had a chat with the owner | 0:34:12 | 0:34:14 | |
and she said that there is some manoeuvre there on the price. | 0:34:14 | 0:34:18 | |
That sounds very encouraging to me. | 0:34:18 | 0:34:21 | |
Why don't you go in, take some time, look around, explore more? | 0:34:21 | 0:34:25 | |
-OK. -Will do, thank you. -Thank you. | 0:34:25 | 0:34:28 | |
Our modern Mystery House may be £20,000 over budget | 0:34:30 | 0:34:33 | |
but I'm confident they could strike a deal | 0:34:33 | 0:34:35 | |
and if Peter can learn to love a younger property, | 0:34:35 | 0:34:38 | |
this could be the one that gives them space and open-plan living | 0:34:38 | 0:34:43 | |
as well as a garden to grow potatoes in. | 0:34:43 | 0:34:46 | |
The kitchen is already multipurpose | 0:34:46 | 0:34:48 | |
with a potential to increase its size | 0:34:48 | 0:34:50 | |
and with four bedrooms, they have options for a study and art room. | 0:34:50 | 0:34:54 | |
The views from the house are delightful | 0:34:54 | 0:34:56 | |
and the garden has been beautifully designed. | 0:34:56 | 0:35:00 | |
Another view. Look at that. | 0:35:00 | 0:35:01 | |
Isn't that lovely? And what a great room. | 0:35:01 | 0:35:04 | |
-Pretty room. -Yes. -A lot of character. | 0:35:04 | 0:35:06 | |
A bit of character in this one. | 0:35:06 | 0:35:08 | |
When I walked into the inside of the Mystery House, | 0:35:08 | 0:35:12 | |
it was beautifully light, good, square rooms, | 0:35:12 | 0:35:15 | |
well decorated, very appealing. | 0:35:15 | 0:35:18 | |
I could definitely live in it. | 0:35:18 | 0:35:20 | |
There would be no problem with that. | 0:35:20 | 0:35:22 | |
It has a lot of character, it has a lot of charm. | 0:35:22 | 0:35:25 | |
That doesn't mean that I love all modern houses, | 0:35:25 | 0:35:28 | |
but I could probably come to love this one. | 0:35:28 | 0:35:30 | |
-Have you seen enough? -I've seen enough. | 0:35:33 | 0:35:36 | |
-Have you seen enough? -I think I've seen enough. | 0:35:36 | 0:35:38 | |
-Ready to think. -Well, you've seen all three properties now. | 0:35:38 | 0:35:41 | |
Are you ready for a chat about your thoughts? | 0:35:41 | 0:35:43 | |
A discussion is necessary, yes. | 0:35:43 | 0:35:45 | |
-Ready to go. -I'm intrigued. | 0:35:45 | 0:35:47 | |
Come on, let's go. | 0:35:47 | 0:35:48 | |
The Norfolk landscape is defined by its agriculture | 0:35:54 | 0:35:57 | |
with arable crops like wheat a familiar sight. | 0:35:57 | 0:36:01 | |
But hundreds of years ago, | 0:36:01 | 0:36:02 | |
it was a flowering plant called woad that was everywhere, | 0:36:02 | 0:36:06 | |
used to produce an indigo blue pigment to dye cloth. | 0:36:06 | 0:36:10 | |
Ian Howard used to grow the usual Norfolk crops on his family farm | 0:36:10 | 0:36:14 | |
until 15 years ago, when he decided to diversify | 0:36:14 | 0:36:17 | |
and experiment with growing the ancient crop himself. | 0:36:17 | 0:36:22 | |
He now produces 40 tonnes a year. | 0:36:22 | 0:36:24 | |
-Hello, Ian. -Hello there. | 0:36:26 | 0:36:27 | |
-How are you doing? -I'm all right. | 0:36:27 | 0:36:29 | |
Good. So this is the woad. | 0:36:29 | 0:36:31 | |
-This is woad. -What kind of crop is it? | 0:36:31 | 0:36:33 | |
This is a brassica crop. | 0:36:33 | 0:36:34 | |
It's part of the mustard family and it produces woad. | 0:36:34 | 0:36:38 | |
The brassica family also includes broccoli, | 0:36:39 | 0:36:41 | |
cabbage and cauliflower, but woad is not edible. | 0:36:41 | 0:36:44 | |
It's very green and I can see bits of yellow but I can't see much blue. | 0:36:45 | 0:36:48 | |
We have a few leaves here for you. | 0:36:48 | 0:36:50 | |
That's how it looks in its first year. | 0:36:50 | 0:36:53 | |
This will be as we would cut it | 0:36:53 | 0:36:55 | |
and we take this leaf to the dye house | 0:36:55 | 0:36:57 | |
and it will be able to extract the blue dye from that. | 0:36:57 | 0:37:00 | |
What kind of yield will you get from the crop? | 0:37:00 | 0:37:02 | |
We would like to think we could get a tonne per acre | 0:37:02 | 0:37:05 | |
and from that we'd like to think that from a ton of leaf, | 0:37:05 | 0:37:09 | |
we could get a kilo of pigment. | 0:37:09 | 0:37:12 | |
The woad is planted in April and by mid-summer, | 0:37:13 | 0:37:16 | |
when the leaves are about six inches long, | 0:37:16 | 0:37:18 | |
it's ready for its first harvest. | 0:37:18 | 0:37:20 | |
Ian harvests the leaves to produce a natural dye, | 0:37:20 | 0:37:23 | |
but the seeds from the flowers are also put to good use. | 0:37:23 | 0:37:27 | |
Oil is extracted from the seeds to great organic bathing products, | 0:37:27 | 0:37:31 | |
but I'm interested to see how the leaves are transformed | 0:37:31 | 0:37:34 | |
into that precious dye. | 0:37:34 | 0:37:36 | |
So this is where all the alchemy...? | 0:37:36 | 0:37:38 | |
This is where it is all done. | 0:37:38 | 0:37:39 | |
So how do you turn the green leaf into the blue dye? | 0:37:39 | 0:37:42 | |
With a process of hot water and cold water and adding lime to it. | 0:37:42 | 0:37:47 | |
When we've done all that, we can then pump it round in the air, | 0:37:47 | 0:37:50 | |
it oxidises and we'll produce a sludge. | 0:37:50 | 0:37:53 | |
We dry it outside in the sun. | 0:37:53 | 0:37:55 | |
If not, we put it into an oven and we bake it | 0:37:55 | 0:37:57 | |
and it will come out like this cake. | 0:37:57 | 0:37:59 | |
We will then grind this cake down to a powder which is this, | 0:37:59 | 0:38:03 | |
like that. With that, we can then colour. | 0:38:03 | 0:38:06 | |
How much crop would you have had to have had to grow | 0:38:06 | 0:38:08 | |
to get that much powder to dye with? | 0:38:08 | 0:38:10 | |
I would suggest that we need nearly an acre of leaf. | 0:38:10 | 0:38:13 | |
-Wow, it is incredibly intensive, isn't it? -That's right. | 0:38:13 | 0:38:16 | |
In the past, it was woad that provided colour to military | 0:38:16 | 0:38:19 | |
and police uniforms until synthetic dyes came along | 0:38:19 | 0:38:23 | |
which led to the last woad mill in Britain closing in the 1930s. | 0:38:23 | 0:38:28 | |
But Ian has resurrected this fabulous crop | 0:38:28 | 0:38:31 | |
and now a new raft of textile manufacturers and fashion designers | 0:38:31 | 0:38:35 | |
are using his natural indigo pigment | 0:38:35 | 0:38:37 | |
for their designs. | 0:38:37 | 0:38:39 | |
Today, we're going to fashion my very own woad-dyed scarf | 0:38:39 | 0:38:43 | |
in a pattern created by yours truly. | 0:38:43 | 0:38:45 | |
OK, Chef, tell me the recipe. | 0:38:45 | 0:38:47 | |
Three, two, one is the recipe. | 0:38:47 | 0:38:49 | |
So that is three teaspoons of bicarb of soda | 0:38:49 | 0:38:52 | |
stirred into about half a litre of hot water | 0:38:52 | 0:38:55 | |
before two teaspoons of woad pigment are added. | 0:38:55 | 0:38:58 | |
Then the mixture goes into a bowl. | 0:38:58 | 0:39:01 | |
So it has got a really green tinge to it, hasn't it? | 0:39:01 | 0:39:03 | |
At the moment, it has. | 0:39:03 | 0:39:05 | |
In goes more water to make around five litres | 0:39:05 | 0:39:08 | |
and the final ingredient is one teaspoon of colour run remover, | 0:39:08 | 0:39:12 | |
a chemical which takes the air out | 0:39:12 | 0:39:14 | |
of the liquid and makes the woad soluble. | 0:39:14 | 0:39:17 | |
This is where the magic really starts. | 0:39:17 | 0:39:19 | |
One twisted silk scarf is wrapped around a pipe | 0:39:19 | 0:39:22 | |
with another packed tightly inside it. | 0:39:22 | 0:39:25 | |
This will create a pattern in the silk like tie-dye. | 0:39:25 | 0:39:28 | |
Put it in and most probably you will have to hold it in | 0:39:28 | 0:39:32 | |
-with that. -After ten minutes in the liquid, | 0:39:32 | 0:39:35 | |
my scarf is ready to come out | 0:39:35 | 0:39:37 | |
and as soon as the oxygen in the air hits it, | 0:39:37 | 0:39:40 | |
it oxidises and sends the silk on the journey to its final colour. | 0:39:40 | 0:39:44 | |
Well, it's still looking very green. | 0:39:44 | 0:39:46 | |
-So what next? -What we'll do is we'll put it in some cold water. | 0:39:46 | 0:39:50 | |
And it's the oxygen in the water | 0:39:50 | 0:39:52 | |
that will help speed up the colour transformation from green to blue. | 0:39:52 | 0:39:55 | |
Take it off the roll and it will finish up something like this. | 0:39:55 | 0:40:00 | |
Oh, that's beautiful. | 0:40:00 | 0:40:02 | |
It's an amazing process, isn't it? | 0:40:02 | 0:40:03 | |
It goes from the soil onto a silk scarf. | 0:40:03 | 0:40:06 | |
Absolutely incredible. | 0:40:06 | 0:40:08 | |
Field to fashion. How's that? | 0:40:08 | 0:40:10 | |
Ian, thank you, it's been fantastic. | 0:40:11 | 0:40:13 | |
No problem. | 0:40:13 | 0:40:14 | |
That's our property search over | 0:40:17 | 0:40:19 | |
and I have a feeling that one of the houses could well be a contender | 0:40:19 | 0:40:23 | |
for the home that Peter and Diane are hoping to find here in Norfolk, | 0:40:23 | 0:40:27 | |
so let's find out. | 0:40:27 | 0:40:28 | |
Our search is over. | 0:40:34 | 0:40:35 | |
You've seen all three houses. | 0:40:35 | 0:40:37 | |
What are your thoughts on them? | 0:40:37 | 0:40:38 | |
Do you have a favourite? | 0:40:38 | 0:40:40 | |
Number one and the Mystery House are good contenders. | 0:40:40 | 0:40:45 | |
Peter, what about you? | 0:40:45 | 0:40:47 | |
Are you in agreement with Diane on the two properties? | 0:40:47 | 0:40:50 | |
I think on balance I would say I preferred number one | 0:40:50 | 0:40:54 | |
but the Mystery House is very liveable in proposition. | 0:40:54 | 0:40:59 | |
It is intriguing to me that the two properties | 0:40:59 | 0:41:01 | |
that have appealed to you most, | 0:41:01 | 0:41:03 | |
they offered a nice flow to the living space | 0:41:03 | 0:41:05 | |
but they didn't offer that kitchen-living-dining. | 0:41:05 | 0:41:09 | |
No, but the first property, | 0:41:09 | 0:41:12 | |
I think there is a possible chance | 0:41:12 | 0:41:15 | |
we could knock down a wall and extend. | 0:41:15 | 0:41:18 | |
What do you think you have learned from our search here in Norfolk? | 0:41:18 | 0:41:21 | |
With just a reasonable amount of compromise, | 0:41:21 | 0:41:25 | |
I think we can find what we're looking for. | 0:41:25 | 0:41:28 | |
So, is there a "what next?" with either property number one | 0:41:28 | 0:41:32 | |
-or the Mystery House? -They both need a second look | 0:41:32 | 0:41:36 | |
and an exploration of the area. | 0:41:36 | 0:41:39 | |
The Mystery House has the views. | 0:41:39 | 0:41:42 | |
It is winning on that. | 0:41:42 | 0:41:45 | |
I'm absolutely thrilled that out of the three properties, | 0:41:45 | 0:41:47 | |
we've managed to find two | 0:41:47 | 0:41:49 | |
that have sparked enough interest in you for you to go back | 0:41:49 | 0:41:52 | |
and to explore them again. | 0:41:52 | 0:41:53 | |
We wish you well and lots of luck with wherever it is that you end up. | 0:41:53 | 0:41:57 | |
I'm sure you're going to be really happy here. | 0:41:57 | 0:41:59 | |
-Thank you. -Thank you very much. | 0:41:59 | 0:42:01 | |
When I first met Peter and Diane, | 0:42:06 | 0:42:07 | |
it was clear that they had very strong ideas | 0:42:07 | 0:42:09 | |
about what they were looking for from their home here in Norfolk | 0:42:09 | 0:42:13 | |
and who can blame them for that? | 0:42:13 | 0:42:15 | |
But as I spent time with them, | 0:42:15 | 0:42:16 | |
I've been impressed to discover | 0:42:16 | 0:42:17 | |
that they are a couple who are prepared to compromise | 0:42:17 | 0:42:20 | |
and whilst they don't want to give up on that dream | 0:42:20 | 0:42:23 | |
of open-plan living, I think our time with them | 0:42:23 | 0:42:25 | |
has shown them that they may need | 0:42:25 | 0:42:27 | |
to make the changes to a house themselves in order to get there. | 0:42:27 | 0:42:31 | |
We wish them lots of luck with their move here to Norfolk | 0:42:31 | 0:42:34 | |
and I'll see you next time on Escape To The Country. | 0:42:34 | 0:42:36 | |
Diane and Peter revisited both house one and the Mystery House, | 0:42:38 | 0:42:42 | |
but have since decided that they'd like to live even closer | 0:42:42 | 0:42:45 | |
to Cambridge than they first thought, | 0:42:45 | 0:42:47 | |
so their house hunt continues. | 0:42:47 | 0:42:49 | |
If you'd like to escape to the country | 0:42:50 | 0:42:52 | |
in Northern Ireland, Scotland, | 0:42:52 | 0:42:54 | |
Wales or England and need our help, please apply online at... | 0:42:54 | 0:42:58 |