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Here on Escape To The Country, we get to visit some remarkable houses all over the UK, | 0:00:02 | 0:00:05 | |
but none of them are quite as unique as this one because, up until | 0:00:05 | 0:00:09 | |
20 years ago, this was one of the most secret properties in Britain. | 0:00:09 | 0:00:13 | |
But why and where? | 0:00:13 | 0:00:15 | |
Well, join me in a moment and I'll tell you. | 0:00:15 | 0:00:18 | |
On today's show, we're helping a young couple | 0:00:34 | 0:00:36 | |
move from the Big Smoke to a country retreat. | 0:00:36 | 0:00:40 | |
Sometimes you can't put your finger on why you like a place. | 0:00:40 | 0:00:42 | |
-Sometimes it is nice, and sometimes it isn't. This feels good. -Yeah. | 0:00:42 | 0:00:46 | |
And, after a shaky start, a secret shower room sends them | 0:00:46 | 0:00:49 | |
head over heels. | 0:00:49 | 0:00:51 | |
-Oh! -Stunning. | 0:00:51 | 0:00:53 | |
Oh, my God. It's perfect. | 0:00:53 | 0:00:56 | |
-And it's for sale. -SHE SQUEALS | 0:00:56 | 0:00:58 | |
Well, today we are in Essex, just outside the small village of | 0:00:59 | 0:01:03 | |
Kelvedon Hatch, and this pretty average-looking post-war bungalow | 0:01:03 | 0:01:07 | |
is in fact the secret entrance to a Cold War nuclear bunker. | 0:01:07 | 0:01:11 | |
It was built in 1952 to house some 600 key government | 0:01:11 | 0:01:15 | |
and military personnel in the event of a nuclear war. | 0:01:15 | 0:01:19 | |
Now, of course, thankfully, it was never put to use, | 0:01:19 | 0:01:22 | |
but later on in the show I'll be back here, finding out what | 0:01:22 | 0:01:24 | |
life would have been like 100 feet underground. | 0:01:24 | 0:01:27 | |
Stretching from Harwich in the north to the | 0:01:29 | 0:01:31 | |
Thames Estuary in the south, the home county of Essex | 0:01:31 | 0:01:34 | |
has over 350 miles | 0:01:34 | 0:01:37 | |
of coastline, the second longest in England after Cornwall. | 0:01:37 | 0:01:41 | |
One of the gems of the Essex coast is Frinton-on-Sea. | 0:01:41 | 0:01:44 | |
With its colourful array of Victorian style beach huts, | 0:01:44 | 0:01:47 | |
it retains an atmosphere from the 1920s, | 0:01:47 | 0:01:50 | |
when it was a favourite retreat for the aristocracy. | 0:01:50 | 0:01:53 | |
As the sea breeze comes inland, it's harnessed by the vast | 0:01:54 | 0:01:58 | |
numbers of windmills that are found throughout the countryside. | 0:01:58 | 0:02:01 | |
Indeed, despite its proximity to London, three quarters | 0:02:02 | 0:02:06 | |
of Essex is rural, with rolling wheat fields and ancient woodland. | 0:02:06 | 0:02:10 | |
The northeast border is Constable country, immortalised | 0:02:10 | 0:02:13 | |
by the landscape painter who fell in love with the area. | 0:02:13 | 0:02:18 | |
Northwest Essex is home to Audley End House, | 0:02:18 | 0:02:20 | |
one of the finest Jacobean houses in England. | 0:02:20 | 0:02:23 | |
During the 18th century, the extensive formal gardens | 0:02:23 | 0:02:27 | |
and parkland surrounding the house were | 0:02:27 | 0:02:29 | |
remodelled by the landscape architect Capability Brown. | 0:02:29 | 0:02:33 | |
Its palatial rooms are now open to the public, providing | 0:02:33 | 0:02:36 | |
an insight into the upper echelons of the Essex property market. | 0:02:36 | 0:02:39 | |
Although, with its wealth of charming thatches | 0:02:40 | 0:02:42 | |
and medieval timber frame homes, | 0:02:42 | 0:02:45 | |
there's no shortage of stunning period properties in this county. | 0:02:45 | 0:02:49 | |
Well, if you are thinking about escaping to one of the Home Counties, | 0:02:50 | 0:02:53 | |
then Essex is well worth a look, because it is by far the cheapest. | 0:02:53 | 0:02:58 | |
The average cost of a detached property here is currently | 0:02:58 | 0:03:01 | |
£326,000. | 0:03:01 | 0:03:04 | |
Now, to be fair, it is a lot of money, | 0:03:04 | 0:03:06 | |
but when you compare it to the other Home Counties, such as Surrey, | 0:03:06 | 0:03:09 | |
Kent, Berkshire, Buckinghamshire, Hertfordshire, | 0:03:09 | 0:03:12 | |
it does represent pretty good value for money. | 0:03:12 | 0:03:15 | |
All worth knowing, because today's buyers are determined that this | 0:03:15 | 0:03:18 | |
part of the world should be their new home. | 0:03:18 | 0:03:21 | |
Michelle and Jamie live in north London | 0:03:23 | 0:03:25 | |
and have been together for four years. | 0:03:25 | 0:03:28 | |
-We had quite a fun first date, didn't we? -Yes, it was brilliant. | 0:03:28 | 0:03:31 | |
Seven hours...it lasted for. | 0:03:31 | 0:03:34 | |
And I think at that point I knew that Michelle was going to be | 0:03:34 | 0:03:37 | |
the one for a long time. | 0:03:37 | 0:03:39 | |
THEY LAUGH | 0:03:39 | 0:03:40 | |
We went to the Southbank, which was really nice, | 0:03:40 | 0:03:43 | |
and I was putting my spoon in your food, wasn't I? | 0:03:43 | 0:03:47 | |
Yeah. Oh, yes, she put her spoon in my... | 0:03:47 | 0:03:51 | |
soup, and I thought that was quite cute. | 0:03:51 | 0:03:53 | |
-And I think we knew pretty soon that we were on the same wavelength. -Definitely. | 0:03:53 | 0:03:57 | |
Michelle owns a property in west London, and Jamie owns the one | 0:03:57 | 0:04:00 | |
they share in Stamford Hill, in the north of the capital. | 0:04:00 | 0:04:04 | |
I've been in this particular property for just under eight years, | 0:04:04 | 0:04:07 | |
but time ticks on and you get tied to the city because your job is here. | 0:04:07 | 0:04:12 | |
I'm keen to kind of break out of that and go somewhere, | 0:04:12 | 0:04:15 | |
otherwise I'll be here for ever. | 0:04:15 | 0:04:17 | |
So, they are hoping to move east to Essex, | 0:04:18 | 0:04:20 | |
where Jamie is originally from. | 0:04:20 | 0:04:22 | |
We want to move to the countryside | 0:04:22 | 0:04:24 | |
because we want a better quality of life. | 0:04:24 | 0:04:27 | |
I would describe us as quite spiritual people, | 0:04:27 | 0:04:29 | |
and I think that kind of ties in with nature. | 0:04:29 | 0:04:32 | |
And we both love walking and nature, | 0:04:32 | 0:04:34 | |
so being in the great outdoors and beautiful scenery | 0:04:34 | 0:04:37 | |
and waking up and seeing green fields and things like that, | 0:04:37 | 0:04:40 | |
that's something I really look forward to. | 0:04:40 | 0:04:43 | |
Michelle is a psychologist and works with young people, | 0:04:43 | 0:04:46 | |
and Jamie is a psychotherapist who works with adults. | 0:04:46 | 0:04:49 | |
They are hoping their new house will be more than just a home. | 0:04:49 | 0:04:52 | |
In the new property, I would quite like to have a study where I | 0:04:52 | 0:04:55 | |
could also see clients for a one-to-one basis for therapy sessions. | 0:04:55 | 0:05:00 | |
And it would be, if possible, it would be a real luxury | 0:05:00 | 0:05:04 | |
to have some kind of room | 0:05:04 | 0:05:07 | |
where people could come for group therapy. | 0:05:07 | 0:05:10 | |
And coming on the move with them will be Taia. | 0:05:10 | 0:05:12 | |
She's currently a house cat. | 0:05:12 | 0:05:15 | |
Also, one of the reasons we wanted to move was so that | 0:05:15 | 0:05:17 | |
she could go outside and enjoy the great outdoors as well, so... | 0:05:17 | 0:05:20 | |
Yeah, we feel somewhat guilty about her being cramped up in the house. | 0:05:20 | 0:05:23 | |
Deprived, yeah. | 0:05:23 | 0:05:24 | |
So, we're going to...remedy that with a garden, hopefully. | 0:05:24 | 0:05:29 | |
As they plan to continue working part-time in London, | 0:05:30 | 0:05:33 | |
moving out might be challenging. | 0:05:33 | 0:05:37 | |
I've not ever lived in the countryside before now. | 0:05:37 | 0:05:40 | |
I think the worries and concerns about moving to Essex is possibly the commute, | 0:05:40 | 0:05:45 | |
because we haven't had to do that for some time. | 0:05:45 | 0:05:47 | |
But I think it could be overcome if we lived in the right property | 0:05:47 | 0:05:51 | |
and we were coming home to beautiful countryside and a beautiful home. | 0:05:51 | 0:05:56 | |
It would all be worthwhile. | 0:05:56 | 0:05:58 | |
So with high hopes and with Jamie's house already on the market, | 0:05:58 | 0:06:02 | |
there's a lot riding on this relocation. | 0:06:02 | 0:06:05 | |
This is a highly important move for us because I think the property we | 0:06:05 | 0:06:08 | |
move to next is going to be the one where it really all happens. | 0:06:08 | 0:06:12 | |
And we'll start thinking about the next chapter of our lives, | 0:06:12 | 0:06:15 | |
which may involve children. | 0:06:15 | 0:06:17 | |
I had a huge friendship group in London, but, gradually, | 0:06:17 | 0:06:20 | |
as the years have passed on, everyone's been getting married | 0:06:20 | 0:06:23 | |
and moving away, so I think it's our turn now just to leave. | 0:06:23 | 0:06:27 | |
Michelle and Jamie would like us to focus our house hunt | 0:06:31 | 0:06:34 | |
in the north of Essex which can offer them both a rural aspect | 0:06:34 | 0:06:37 | |
and a realistic commute into London via Liverpool Street station. | 0:06:37 | 0:06:41 | |
But to discuss the detail of their proposed big move, | 0:06:41 | 0:06:44 | |
I'm off to meet them. | 0:06:44 | 0:06:47 | |
-Hello, Michelle. -Hi. -Hi, Jamie. -Hiya. | 0:06:47 | 0:06:49 | |
-Nice to see you. -And you, a pleasure. | 0:06:49 | 0:06:52 | |
Now, normally at this point in the show, | 0:06:52 | 0:06:54 | |
I like to share with our buyers a beautiful view of the region | 0:06:54 | 0:06:58 | |
and the county that they've chosen to live in. | 0:06:58 | 0:07:01 | |
You have to take my word for it but out there in the gloom is Essex. | 0:07:01 | 0:07:05 | |
And the reason I know that is because I was born about | 0:07:05 | 0:07:08 | |
-two miles from where we're sitting. -Wow. | 0:07:08 | 0:07:10 | |
So take it from me, it's out there somewhere. It's very lovely. | 0:07:10 | 0:07:14 | |
But why do you want to move here? | 0:07:14 | 0:07:15 | |
Well, Jamie's family's from here, so that's one of the main reasons. | 0:07:15 | 0:07:19 | |
And also, it's quite close to London. | 0:07:19 | 0:07:20 | |
-Now, you're both self-employed... -Yeah. | 0:07:20 | 0:07:22 | |
You've got some quite interesting jobs. What are you trying to do? | 0:07:22 | 0:07:25 | |
Well, I've sort of put together my profession in a strange way. | 0:07:25 | 0:07:28 | |
I sort of qualified in three different types of psychotherapy | 0:07:28 | 0:07:32 | |
and I run workshops in London and one-to-one therapy, | 0:07:32 | 0:07:35 | |
so I'm trying to hopefully take that out to the country | 0:07:35 | 0:07:38 | |
so we can do rural retreats perhaps. | 0:07:38 | 0:07:40 | |
Wow. But you're hoping to create a whole new business in a place you've never operated before. | 0:07:40 | 0:07:44 | |
-That's quite daunting, isn't it? -A little bit. | 0:07:44 | 0:07:47 | |
There is somewhat of an experiment involved. | 0:07:47 | 0:07:49 | |
But we have faith. | 0:07:49 | 0:07:51 | |
You're quite young, are you looking for something modern and groovy, or old and characterful? | 0:07:51 | 0:07:55 | |
We would love to have a Victorian, Edwardian or Georgian character property, but modern inside. | 0:07:55 | 0:08:02 | |
So kind of newish. | 0:08:02 | 0:08:04 | |
-Renovated? -Yes. That would be the dream. -OK. | 0:08:04 | 0:08:07 | |
And how much are you planning to spend on all of this, then? | 0:08:07 | 0:08:10 | |
I think as a maximum budget, we'd be looking to spend £495,000. | 0:08:10 | 0:08:15 | |
-Oh, that's very specific! Or less? -Yes. -Oh, well, that'd be great. -Yeah. | 0:08:15 | 0:08:20 | |
Well, hopefully the weather will clear, there's a hint of blue sky up there. | 0:08:20 | 0:08:24 | |
It's a long time since I've lived in this part of the world, although | 0:08:24 | 0:08:27 | |
it is where I grew up, so, for me, it's a bit of a trip down memory lane. | 0:08:27 | 0:08:30 | |
-We can show Essex off to you, these two Essex boys here. -Yeah! | 0:08:30 | 0:08:34 | |
Hopefully find you a property, we've got some great ones to choose from. | 0:08:34 | 0:08:37 | |
Including, of course, our mystery house, so who knows what that's going to be? | 0:08:37 | 0:08:41 | |
-Shall we go? -Yes. -Come on. | 0:08:41 | 0:08:43 | |
If we can find the car! Out there somewhere. | 0:08:45 | 0:08:48 | |
With their budget of £495,000, | 0:08:50 | 0:08:53 | |
Michelle and Jamie are looking for a period property | 0:08:53 | 0:08:56 | |
with lots of rural charm, but they want it fully refurbished inside. | 0:08:56 | 0:09:00 | |
It must have at least three bedrooms, | 0:09:00 | 0:09:02 | |
plus a therapy room where Jamie could see clients. | 0:09:02 | 0:09:06 | |
A garden with rural views is also on the list, | 0:09:06 | 0:09:09 | |
and, as they'll sometimes commute, they'd like a maximum journey time | 0:09:09 | 0:09:12 | |
of an hour-and-a-half into central London. | 0:09:12 | 0:09:16 | |
We've been scouring Essex for the right properties, | 0:09:16 | 0:09:18 | |
one of which could become not only Michelle and Jamie's first joint home, | 0:09:18 | 0:09:22 | |
but also a beautiful psychotherapy practice. | 0:09:22 | 0:09:26 | |
Only after they've viewed each house will we reveal its price, | 0:09:26 | 0:09:30 | |
and we'll also throw in the mystery house. | 0:09:30 | 0:09:33 | |
This property will hopefully give them something they didn't even know they wanted. | 0:09:33 | 0:09:37 | |
-Well, I'm sorry it's a gloomy day to start your house-hunting. -No worries. | 0:09:41 | 0:09:44 | |
-Now, in terms of locations, Michelle... -Yeah. | 0:09:44 | 0:09:47 | |
-You don't drive, do you? -No. -Have you not learnt to drive? | 0:09:47 | 0:09:50 | |
-I've tried so many times and I keep failing. -What's gone wrong? | 0:09:50 | 0:09:55 | |
Well, I did it when I was like, 17 and 18, and I think I was just too nervous. | 0:09:55 | 0:09:58 | |
It would really help, Jamie, wouldn't it, if Michelle could drive? | 0:09:58 | 0:10:01 | |
Absolutely. | 0:10:01 | 0:10:03 | |
He keeps going on at me about it. | 0:10:03 | 0:10:05 | |
Well, you know, the countryside is not awash with public transport, | 0:10:05 | 0:10:09 | |
-which you're used to, of course. -Yeah. | 0:10:09 | 0:10:11 | |
So, that's certainly something to think about. | 0:10:11 | 0:10:13 | |
Yeah, I'm going to have to learn again, yeah. | 0:10:13 | 0:10:16 | |
Don't look at my driving. It's not that good. | 0:10:16 | 0:10:18 | |
Our house-hunt kicks off in the village of Radwinter, | 0:10:22 | 0:10:26 | |
close to the northwest border of the county | 0:10:26 | 0:10:28 | |
and only 15 miles from Cambridge. | 0:10:28 | 0:10:30 | |
There's a village primary school, | 0:10:30 | 0:10:32 | |
but for essential amenities, our buyers would need to head | 0:10:32 | 0:10:35 | |
to the historic and popular market town of Saffron Walden, | 0:10:35 | 0:10:38 | |
five miles away. | 0:10:38 | 0:10:40 | |
Here, the oldest inhabited building | 0:10:40 | 0:10:43 | |
is believed to be the 15th-century former maltings | 0:10:43 | 0:10:46 | |
at 1 Myddylton Place. | 0:10:46 | 0:10:48 | |
And the town square is home to the county library, | 0:10:48 | 0:10:51 | |
housed in the Victorian corn exchange. | 0:10:51 | 0:10:53 | |
Saffron Walden back to Radwinter would be a 15-minute drive. | 0:10:53 | 0:10:56 | |
Right, then, Jamie and Michelle, have a look at that. | 0:11:00 | 0:11:03 | |
-What do you think? -Wow. -Yeah? -Yeah. | 0:11:03 | 0:11:06 | |
-So, what we're offering you is, effectively, a semi. -OK. | 0:11:06 | 0:11:10 | |
But it's quite a big one. It's got some nice age to it, it's Victorian. | 0:11:10 | 0:11:16 | |
-Ahh! -It's not your classic urban Victorian. | 0:11:16 | 0:11:20 | |
-But, you know, what do you think? -I like it. -Yeah, it's nice. | 0:11:20 | 0:11:23 | |
And I like the red brick. | 0:11:23 | 0:11:25 | |
-It does, Jamie, have the addition of this long feature here. -Yes. | 0:11:25 | 0:11:30 | |
-Now, that, we're thinking, could make a really good therapy room. -OK. | 0:11:30 | 0:11:35 | |
-Yeah? -Mm-hm. -That's where we're going with it. | 0:11:35 | 0:11:37 | |
-I thought we'd start in there. -OK. | 0:11:37 | 0:11:39 | |
And then we'll have a wander round the rest of the property. | 0:11:39 | 0:11:42 | |
The exterior of this Grade II listed home features pargeting, | 0:11:42 | 0:11:46 | |
traditional in the area. | 0:11:46 | 0:11:48 | |
Inside, you're greeted by a tiled entrance hall | 0:11:48 | 0:11:51 | |
and to the right is a potential therapy room. | 0:11:51 | 0:11:54 | |
-Oh, yeah, nice space. -Yeah? | 0:11:54 | 0:11:56 | |
Is this big enough? | 0:11:56 | 0:11:58 | |
Certainly for the one-to-one work. | 0:11:58 | 0:11:59 | |
-And you could do maybe small groups in here. -Yeah, I think so. | 0:11:59 | 0:12:02 | |
-It is separate from the rest of the property, which is nice. -True. | 0:12:02 | 0:12:06 | |
-If people are visiting you, they don't have to traipse through the property... -That's good. | 0:12:06 | 0:12:10 | |
-..to get to your business. Right. -Awesome. | 0:12:10 | 0:12:12 | |
Come and follow me through here. | 0:12:12 | 0:12:13 | |
-This is currently the main sort of living room. -Mm-hm. | 0:12:16 | 0:12:20 | |
Working fireplace, classic sort of country features, | 0:12:20 | 0:12:23 | |
the built-in storage and all the rest of it. | 0:12:23 | 0:12:25 | |
-And Victorian proportions. -Yeah. -The picture rail and so on. -I like that. | 0:12:25 | 0:12:30 | |
-Yeah, so you have got quite high ceilings. -Yeah, it's quite light. | 0:12:30 | 0:12:35 | |
Walking through the living room | 0:12:35 | 0:12:37 | |
takes us to the kitchen and dining room. | 0:12:37 | 0:12:39 | |
There's a log-burner, oak-top surfaces and a range cooker. | 0:12:39 | 0:12:42 | |
Come and have a look at the kitchen, | 0:12:42 | 0:12:44 | |
-cos it does open up a little bit down here. -Yeah. | 0:12:44 | 0:12:48 | |
-Nicely fitted, as you can see. -I really like this room. | 0:12:48 | 0:12:51 | |
This is a perfect size, I think, that we were looking for. | 0:12:51 | 0:12:53 | |
I love the way it opens up through there. | 0:12:53 | 0:12:56 | |
I know you're interested in having an island of sorts. | 0:12:56 | 0:12:58 | |
-I mean, that's... -It works in the same way. | 0:12:58 | 0:13:01 | |
Yeah, definitely. Breakfast bar. | 0:13:01 | 0:13:02 | |
If you've got your friends round and so forth, | 0:13:02 | 0:13:05 | |
it's a nice communal space, | 0:13:05 | 0:13:06 | |
cos you can still be in here getting on with cooking, | 0:13:06 | 0:13:08 | |
everybody can be here chatting. | 0:13:08 | 0:13:10 | |
You could squeeze a sofa in there, to be honest, | 0:13:10 | 0:13:12 | |
make it much more of a kind of family room, too, | 0:13:12 | 0:13:14 | |
as opposed to just a dining room. | 0:13:14 | 0:13:16 | |
No, I really like this. | 0:13:16 | 0:13:18 | |
In addition, it's got a downstairs cloakroom through there, | 0:13:18 | 0:13:20 | |
which is quite useful. | 0:13:20 | 0:13:22 | |
-Plus, the bath. The main bath in the property is down there, too. -OK. | 0:13:22 | 0:13:25 | |
A bit of extra storage as well and, of course, | 0:13:25 | 0:13:28 | |
well, several doors out to the garden space. | 0:13:28 | 0:13:31 | |
So, in the summer, all this is open, everything's flowing, hopefully, | 0:13:31 | 0:13:34 | |
a bit of outside entertaining space, | 0:13:34 | 0:13:36 | |
which you don't really have at the moment. | 0:13:36 | 0:13:38 | |
We'll explore the garden shortly, | 0:13:38 | 0:13:41 | |
-but we need to finish off our tour, and that is upstairs. -OK. | 0:13:41 | 0:13:44 | |
On the first floor, this property has three double bedrooms. | 0:13:46 | 0:13:49 | |
The master has a feature fireplace and a recently refitted en-suite. | 0:13:49 | 0:13:54 | |
It's the lightest, it's the biggest, | 0:13:54 | 0:13:56 | |
and these nice high ceilings in these Victorian properties | 0:13:56 | 0:13:59 | |
that mean we can fit in all the modern accoutrements that you need. | 0:13:59 | 0:14:02 | |
-Yeah. -Yeah, ceiling height is fine. -Yeah. | 0:14:02 | 0:14:04 | |
-How does it compare with what you've got? -Smaller. -Is it? -Yeah. -Wow. | 0:14:04 | 0:14:08 | |
We're very lucky with the place we've got at the moment | 0:14:08 | 0:14:10 | |
in terms of square footage. | 0:14:10 | 0:14:11 | |
Though we don't have the garden and it's in the city, so...! | 0:14:11 | 0:14:14 | |
-Everything has its pros and cons, doesn't it? -Yeah. | 0:14:14 | 0:14:17 | |
-It's a nicer view, I suppose, so that's good. -Well, definitely! -Yeah! | 0:14:17 | 0:14:21 | |
It's quieter, it's a nicer view and it does have the garden space. | 0:14:21 | 0:14:24 | |
-That's the key difference. -Yeah, yeah. | 0:14:24 | 0:14:26 | |
But it's interesting, the issue of space. I see what you mean. | 0:14:26 | 0:14:29 | |
It's very easy when you come out to the countryside | 0:14:29 | 0:14:32 | |
from the heart of a city to expect that you're going to get something | 0:14:32 | 0:14:35 | |
that's three or four times as big for the same amount of money. | 0:14:35 | 0:14:38 | |
In a way, those days are probably gone a bit. | 0:14:38 | 0:14:40 | |
Prices in the countryside have, you know, shot up | 0:14:40 | 0:14:44 | |
and they've sort of stayed there. | 0:14:44 | 0:14:45 | |
And, of course, this is a really popular part of the Home Counties. | 0:14:45 | 0:14:49 | |
It's a nice family home, if you've got a baby, | 0:14:49 | 0:14:51 | |
-and I can see a family living here. -Yeah. | 0:14:51 | 0:14:54 | |
If it's just the two of you for now, you've got bags of room. | 0:14:54 | 0:14:57 | |
Let's go out into the garden. You don't have one of those now. | 0:14:57 | 0:15:00 | |
-This will be bigger than what you've already got. -Yes. | 0:15:00 | 0:15:02 | |
-By virtue of the fact that it's got one! -Yeah! | 0:15:02 | 0:15:04 | |
-And we'll talk about the money. -OK, lovely. | 0:15:04 | 0:15:07 | |
It seems this property may not be meeting our buyers' expectations, | 0:15:08 | 0:15:12 | |
but I'm hoping the outside space will impress, | 0:15:12 | 0:15:15 | |
with off-street parking and a mix of lawn and patio in the garden. | 0:15:15 | 0:15:19 | |
This is nice. | 0:15:20 | 0:15:22 | |
-Nice and manageable space. -Yes. -Quite private. -Yeah. | 0:15:22 | 0:15:26 | |
Yeah, this is lovely. | 0:15:26 | 0:15:27 | |
And I know you're not massive gardeners, | 0:15:27 | 0:15:29 | |
-but I think you could have some fun with this. -Yeah. | 0:15:29 | 0:15:32 | |
Lots of hardstanding | 0:15:32 | 0:15:33 | |
-for a bit of alfresco straight out of the kitchen doors there. -Yeah. | 0:15:33 | 0:15:36 | |
There's the back of what might be your therapy room. | 0:15:36 | 0:15:38 | |
No, it's nice, and it will be perfect for the cat. | 0:15:38 | 0:15:40 | |
-Great for the cat. Nice, quiet village, too. -Yeah. | 0:15:40 | 0:15:43 | |
The cat's got some adjustment to do as well from central London... | 0:15:43 | 0:15:46 | |
-Yeah. -..to the sticks. -Yeah. | 0:15:46 | 0:15:48 | |
-So, 495 is what your budget is. -Mm. | 0:15:48 | 0:15:51 | |
-Who's going to go first? -I'll go first. -Go on, then. | 0:15:51 | 0:15:54 | |
This is the first property, so I need to get my bearings on pricings, | 0:15:54 | 0:15:58 | |
-but I'm saying about 420. -420. | 0:15:58 | 0:16:01 | |
I think maybe cos the location being near Saffron Walden, | 0:16:01 | 0:16:04 | |
I think we're probably looking about 430, maybe 440. | 0:16:04 | 0:16:07 | |
This is on the market for... | 0:16:07 | 0:16:10 | |
410. | 0:16:10 | 0:16:13 | |
-Ahh. OK. -Happy? | 0:16:13 | 0:16:16 | |
-Yeah. -A little bit happier, yeah. -A little bit happier. -Yes. | 0:16:16 | 0:16:18 | |
You're going to be a tough nut to crack, I can see that. | 0:16:18 | 0:16:21 | |
Right, then, off you go, have a look around | 0:16:21 | 0:16:24 | |
and see what you get for £410,000. | 0:16:24 | 0:16:26 | |
I'm concerned that they thought this place wasn't big enough. | 0:16:26 | 0:16:29 | |
We haven't, of course, spent all of their budget of 495, | 0:16:29 | 0:16:32 | |
so maybe we need to up the ante a bit and spend a bit more. | 0:16:32 | 0:16:35 | |
A substantial £85,000 under budget, | 0:16:37 | 0:16:40 | |
this Grade II listed three-bedroom property | 0:16:40 | 0:16:43 | |
certainly has the character our couple are after. | 0:16:43 | 0:16:46 | |
The master bedroom is en-suite, | 0:16:46 | 0:16:48 | |
although the family bathroom is on the ground floor. | 0:16:48 | 0:16:51 | |
There's a large garage, enclosed garden | 0:16:51 | 0:16:53 | |
and a side extension that would be perfect for working from home. | 0:16:53 | 0:16:56 | |
And the commute would be about 1 hour 20 | 0:16:56 | 0:16:58 | |
to London's Liverpool Street station. | 0:16:58 | 0:17:02 | |
-This is a great space, this kitchen. -Yeah, I like the kitchen. | 0:17:02 | 0:17:05 | |
I think the bathroom's too small and the upstairs is too small. | 0:17:05 | 0:17:08 | |
Then again, it's on the market for much lower than we thought, | 0:17:08 | 0:17:11 | |
-which is quite reassuring. -Yeah. | 0:17:11 | 0:17:14 | |
The price of the property was very encouraging, but for us, | 0:17:14 | 0:17:17 | |
it's just not quite right. | 0:17:17 | 0:17:18 | |
-It definitely works as an office. -Mm. -I can see that. | 0:17:18 | 0:17:22 | |
And you could definitely have one-to-one clients here, | 0:17:22 | 0:17:24 | |
but I don't know if it's quite big enough as a group thing. | 0:17:24 | 0:17:28 | |
I think this property is not the property for us, | 0:17:28 | 0:17:32 | |
because it's just that little bit too small. | 0:17:32 | 0:17:34 | |
It's very pretty, lovely village, garden, nice kitchen. | 0:17:34 | 0:17:37 | |
But I think it's just... Yeah, we need something a bit bigger. | 0:17:37 | 0:17:39 | |
Ah, here we are, then. | 0:17:41 | 0:17:43 | |
-Explored fully? -Yeah. -Yeah. -Well done, Jamie. Let's shut the door. | 0:17:43 | 0:17:47 | |
Keep it all safe and sound. | 0:17:47 | 0:17:49 | |
-Well, that's our starting point. -Yeah. | 0:17:49 | 0:17:51 | |
-That's where we're coming from. I think it was a good starter. -Mm-hm. | 0:17:51 | 0:17:54 | |
I wouldn't dismiss it straightaway. | 0:17:54 | 0:17:56 | |
I know size is a thing, but we've got plenty more to show you. | 0:17:56 | 0:17:59 | |
-And maybe we need to blow the budget. -Mm. -Who knows? | 0:17:59 | 0:18:03 | |
Throughout British history, Essex has been an affluent area | 0:18:09 | 0:18:12 | |
due to its prime location close to the Continent and the River Thames. | 0:18:12 | 0:18:16 | |
In the 16th century, | 0:18:16 | 0:18:18 | |
one of the ways that prosperous residents showed off their wealth | 0:18:18 | 0:18:21 | |
was by decorating the exterior of their homes with pargeting. | 0:18:21 | 0:18:26 | |
This is the traditional practice of creating raised designs | 0:18:26 | 0:18:29 | |
using ornate plasterwork. | 0:18:29 | 0:18:31 | |
Over the centuries, it's gone in and out of fashion | 0:18:31 | 0:18:34 | |
but has remained popular in Essex and East Anglia. | 0:18:34 | 0:18:37 | |
So, we've arranged for Jamie and Michelle to meet Bill Sargent, | 0:18:37 | 0:18:41 | |
a third-generation pargeter. | 0:18:41 | 0:18:43 | |
-Hi, I'm Michelle. -I'm Bill. -Hello, Bill. | 0:18:44 | 0:18:46 | |
Hi, I'm Jamie. Nice to meet you. | 0:18:46 | 0:18:48 | |
-So, is this a typical design? -It's typical to a building of this age. | 0:18:48 | 0:18:53 | |
We always try and work the design in to the age of the building. | 0:18:53 | 0:18:56 | |
This house was built in the 17th century, late 1600s, | 0:18:56 | 0:19:00 | |
so the design is of that period as well. | 0:19:00 | 0:19:03 | |
So, where does the name come from? | 0:19:03 | 0:19:04 | |
The name comes from the French. | 0:19:04 | 0:19:06 | |
You know, to parge, is to throw, | 0:19:06 | 0:19:08 | |
because years ago, they used to throw the plaster on. | 0:19:08 | 0:19:11 | |
Historically, this is an area that the Huguenots came to | 0:19:11 | 0:19:14 | |
during the persecutions, | 0:19:14 | 0:19:16 | |
and they brought the craft with them from Holland, Belgium, France. | 0:19:16 | 0:19:20 | |
And what kind of people had the pargeting on their houses? | 0:19:20 | 0:19:24 | |
In the past, it was people with money. | 0:19:24 | 0:19:26 | |
-The first person recorded having pargeting done was Henry VIII. -Wow. | 0:19:26 | 0:19:30 | |
Nonsuch Palace in Surrey. Long gone, long gone. | 0:19:30 | 0:19:33 | |
And how many pargeters are there? | 0:19:33 | 0:19:35 | |
20 years ago, I suppose there was four or five of us. | 0:19:35 | 0:19:38 | |
But now, it's well in excess of 40, I'd say. | 0:19:38 | 0:19:41 | |
It's quite an art form, then. | 0:19:41 | 0:19:42 | |
Yes, it is, but it's not that hard to pick up, really. | 0:19:42 | 0:19:45 | |
I'm doing a small wall plaque round the corner, | 0:19:45 | 0:19:47 | |
so maybe I can let you have a go on that, | 0:19:47 | 0:19:49 | |
or rub it out and do something simpler for you? | 0:19:49 | 0:19:52 | |
-Yeah! -And you can have a go, eh? -Awesome! -Come on, then. -Thanks. | 0:19:52 | 0:19:56 | |
Although today Bill is working on a private home, | 0:19:56 | 0:19:59 | |
he's also worked on the cathedral at Bury St Edmunds | 0:19:59 | 0:20:02 | |
and even Westminster Abbey. | 0:20:02 | 0:20:04 | |
This is going to be a permanent feature here. It is a plaque. | 0:20:04 | 0:20:07 | |
We are going to put the name of the farmhouse in it maybe tomorrow | 0:20:07 | 0:20:10 | |
but today, the owners have asked if I could do them a running hare | 0:20:10 | 0:20:13 | |
in an old style. This whole area is full of hares - | 0:20:13 | 0:20:16 | |
they are always getting in his garden. So we could draw one out. | 0:20:16 | 0:20:21 | |
-So, it's not ordinary plaster, then? -No, no, no. | 0:20:21 | 0:20:24 | |
Just a mixture of lime and sand together. | 0:20:24 | 0:20:26 | |
It's exactly the same mix as they would have used | 0:20:26 | 0:20:29 | |
500 or 600 years ago. What you have to remember with this kind of work | 0:20:29 | 0:20:32 | |
is its flowing lines, so everything arched around... | 0:20:32 | 0:20:35 | |
Up, bring him down, slight raise there, bring him up. | 0:20:35 | 0:20:39 | |
So, you can see how it flows. And the leg goes obviously like that. | 0:20:39 | 0:20:43 | |
Today, Bill is using a pretty basic mixture on this farmhouse | 0:20:44 | 0:20:48 | |
but in the past, other ingredients were often added to create | 0:20:48 | 0:20:51 | |
a better texture, including hair, horse urine, tallow, blood and salt. | 0:20:51 | 0:20:57 | |
Just get a handful of the material. | 0:20:57 | 0:21:00 | |
Hold the trowel at an angle and just start to build him up. | 0:21:00 | 0:21:05 | |
Then we can work from that. | 0:21:05 | 0:21:07 | |
So it is just a matter of... | 0:21:07 | 0:21:08 | |
..building him up. | 0:21:09 | 0:21:10 | |
And... | 0:21:12 | 0:21:14 | |
Jamie, I'll pass the small trowel | 0:21:14 | 0:21:17 | |
and the glove over to you and let you have a go at building it up, eh? | 0:21:17 | 0:21:22 | |
-Yeah. -All right. Here's the goggles first. -Thank you. | 0:21:22 | 0:21:25 | |
That's right. | 0:21:27 | 0:21:28 | |
It's not actually as hard as I thought it was going to be. | 0:21:33 | 0:21:36 | |
So, have you got any favourite designs, Bill? | 0:21:39 | 0:21:42 | |
I'll tell you the truth, I like doing stuff like this. | 0:21:42 | 0:21:44 | |
Pheasants, hares - boxing hares particularly - you know, | 0:21:44 | 0:21:48 | |
rabbits, stuff like that. | 0:21:48 | 0:21:50 | |
Yes, that's looking a bit too good now. | 0:21:50 | 0:21:52 | |
I don't need any more competition around these ways! | 0:21:52 | 0:21:55 | |
Once Jamie's design is dry, it can be painted. | 0:21:57 | 0:22:01 | |
I think that's me done. | 0:22:04 | 0:22:06 | |
That's the base to start from now. | 0:22:06 | 0:22:08 | |
We'll leave that for an hour, let it dry and then do some more. | 0:22:08 | 0:22:12 | |
But that was really good, well done. | 0:22:12 | 0:22:14 | |
-Done better than most on their first attempt. -All right. | 0:22:14 | 0:22:16 | |
Thank you so much for that, Bill, that's been really interesting. | 0:22:16 | 0:22:19 | |
It's been a pleasure. It's been nice to meet you both. | 0:22:19 | 0:22:22 | |
-Thank you. -I hope you find what you're looking for. -Cheers. | 0:22:22 | 0:22:25 | |
Our next property is in the village of Gestingthorpe, | 0:22:26 | 0:22:29 | |
halfway between the towns of Halsted in Essex and Sudbury in Suffolk. | 0:22:29 | 0:22:34 | |
There is a great pub and restaurant, although no primary school, | 0:22:34 | 0:22:38 | |
so learning to drive would be essential for Michelle here. | 0:22:38 | 0:22:41 | |
There's also a village hall that Jamie could hire out for group | 0:22:41 | 0:22:43 | |
therapy sessions. Our next house is in the heart of the village. | 0:22:43 | 0:22:48 | |
-Here we are. What do you think of this one, then? -It's beautiful. | 0:22:49 | 0:22:52 | |
-Nice, isn't it? -Yeah, gorgeous. | 0:22:52 | 0:22:54 | |
It's an old farmhouse. It's detached, all right? | 0:22:54 | 0:22:57 | |
-So we've ticked that box. -That's a big thing for me. Yeah, brilliant. | 0:22:57 | 0:23:02 | |
Since it was first built back in 1780, it has been extended. | 0:23:02 | 0:23:06 | |
In particular, upstairs. | 0:23:06 | 0:23:07 | |
It has had this sort of wraparound extension put on it | 0:23:07 | 0:23:10 | |
which gives you loads and loads of space, | 0:23:10 | 0:23:12 | |
so I'm hoping this will give you a bit more square footage, all right? | 0:23:12 | 0:23:17 | |
But as you can tell, | 0:23:17 | 0:23:19 | |
this is somewhere where you're going to have to learn to drive, really. | 0:23:19 | 0:23:23 | |
-Yeah. -Are you convinced? -Very much so. First impressions are fantastic. | 0:23:23 | 0:23:27 | |
Yeah, can't wait to get inside. | 0:23:27 | 0:23:30 | |
With its doll's house frontage set inside a wraparound garden, | 0:23:30 | 0:23:33 | |
I'm not surprised this place has made a good first impression. | 0:23:33 | 0:23:37 | |
And once inside, you walk straight into a very welcoming living room. | 0:23:37 | 0:23:42 | |
-What do you reckon? -Lovely. -I love it. -Yeah? -I love the beams. -Yeah? | 0:23:42 | 0:23:46 | |
-Mm-hmm. -See, I was worried you were going to say, | 0:23:46 | 0:23:48 | |
"Oh, the ceilings are too low," but... | 0:23:48 | 0:23:50 | |
He is more about the ceilings. | 0:23:50 | 0:23:52 | |
-This doesn't feel wrong. There's a nice feel about it. -Yeah. | 0:23:52 | 0:23:57 | |
And that little archway just goes through to one of the extensions | 0:23:57 | 0:24:00 | |
which gives you a dining room | 0:24:00 | 0:24:02 | |
and access out to the side of the garden. | 0:24:02 | 0:24:04 | |
-Great. -Your face is really beaming, isn't it? OK. What's going on? | 0:24:04 | 0:24:09 | |
What's going on? I don't know. It's got a good feel about it. | 0:24:09 | 0:24:12 | |
Sometimes you can't put your finger on why you like a place. | 0:24:12 | 0:24:15 | |
Yeah, sometimes it's nice and sometimes it isn't. This feels good. | 0:24:15 | 0:24:18 | |
-Yeah. -Look at this! Right, come on. -Yeah, your smile. | 0:24:18 | 0:24:22 | |
So, this is your kitchen. | 0:24:24 | 0:24:26 | |
-Yeah, this is fine. It's nice. -Fine? -Fine, no, as in, like... | 0:24:29 | 0:24:34 | |
-it's workable. -It is certainly workable. | 0:24:34 | 0:24:37 | |
You've got loads of preparation space. | 0:24:37 | 0:24:39 | |
Nice finish, you've got the wooden floor... | 0:24:39 | 0:24:42 | |
That little archway leads through to a utility area, | 0:24:42 | 0:24:45 | |
back door out to the garden as well. | 0:24:45 | 0:24:48 | |
The whole thing sort of wraps itself around | 0:24:48 | 0:24:50 | |
to the hallway, which is behind that chimney breast. | 0:24:50 | 0:24:52 | |
Imagine the chimney breast in the middle of the building | 0:24:52 | 0:24:54 | |
and the rest of the house sort of revolves around it, | 0:24:54 | 0:24:57 | |
-so it all sort of flows back on itself. -I really like it. | 0:24:57 | 0:25:00 | |
There is also a shelf-lined study on the ground floor and a cloakroom. | 0:25:02 | 0:25:06 | |
And one of the features I love about this property is the landing. | 0:25:07 | 0:25:12 | |
You've got your four bedrooms that kind of emanate off of it. | 0:25:12 | 0:25:15 | |
It's dominated by this lovely thing, which is the chimney breast | 0:25:15 | 0:25:19 | |
coming up from that lovely fireplace down below. | 0:25:19 | 0:25:21 | |
There's a nice guest room over there - double - | 0:25:21 | 0:25:23 | |
another double through there, really big family bathroom in there, | 0:25:23 | 0:25:28 | |
which I know is important, and then another double through there, | 0:25:28 | 0:25:32 | |
which could be your study. | 0:25:32 | 0:25:34 | |
And then, last but not least, this is yours. | 0:25:34 | 0:25:37 | |
-Wow, that's lovely. -Yeah? -This is nice. | 0:25:37 | 0:25:41 | |
They really have made this deliberately the master. | 0:25:41 | 0:25:44 | |
Obviously they've knocked through, essentially, to create this space. | 0:25:44 | 0:25:48 | |
Yeah, loads of room, | 0:25:48 | 0:25:49 | |
really light, and a little dressing area with a walk-in wardrobe, etc. | 0:25:49 | 0:25:54 | |
At the moment, you've got that rather fabulous family bathroom | 0:25:54 | 0:25:57 | |
with the bath across the hallway. | 0:25:57 | 0:25:59 | |
This has all the plumbing, all the electrics, all is done. | 0:25:59 | 0:26:03 | |
But as you can see, it is lacking the furniture | 0:26:03 | 0:26:07 | |
-to make it an en-suite. -OK. | 0:26:07 | 0:26:10 | |
All you've got to do is buy the suite to go in it and you're done. | 0:26:10 | 0:26:13 | |
-Awesome. -Very impressed. Lovely. -Yeah? Smiles are continuing. | 0:26:13 | 0:26:18 | |
-Yeah! -It's a good sign. -It's a very good sign. | 0:26:18 | 0:26:21 | |
All that's left now is to take a look outside. | 0:26:21 | 0:26:24 | |
There's a pleasant garden with a raised decking area, | 0:26:24 | 0:26:27 | |
plus there is room for four parked cars. Didn't you want some decking? | 0:26:27 | 0:26:31 | |
-Yes. -Come down here, then. | 0:26:31 | 0:26:33 | |
So, Jamie, how do you feel about this one? | 0:26:34 | 0:26:36 | |
I mean, you and the therapy. Is it going to work here? | 0:26:36 | 0:26:39 | |
Certainly for the one-to-one stuff, probably not for the group. | 0:26:39 | 0:26:42 | |
-But I think maybe that has always been a tall order. -All right, then. | 0:26:42 | 0:26:47 | |
So... | 0:26:47 | 0:26:48 | |
How much is it on the market for, Michelle? | 0:26:50 | 0:26:52 | |
The all-important question. | 0:26:52 | 0:26:54 | |
I'm going to hazard a guess at 480. | 0:26:54 | 0:26:57 | |
480. | 0:26:57 | 0:26:59 | |
-I'm thinking 450. -Are you? Why are you thinking that? | 0:26:59 | 0:27:03 | |
Just because I know that we're getting closer to Sudbury | 0:27:03 | 0:27:06 | |
and as you move away from London, you think the prices go down. | 0:27:06 | 0:27:10 | |
-That logic doesn't always match up with reality. -It really doesn't. | 0:27:10 | 0:27:15 | |
But on this occasion, it does. You're absolutely right, sir. | 0:27:15 | 0:27:19 | |
-It's on the market at £450,000. -Excellent. | 0:27:19 | 0:27:22 | |
It's only been on for two months or so, just over. | 0:27:22 | 0:27:25 | |
I think there's a fair bit of interest, not surprisingly - | 0:27:25 | 0:27:28 | |
people have reacted to it in the way that you have. | 0:27:28 | 0:27:30 | |
But it is good. I mean, it is comfortably under budget. | 0:27:30 | 0:27:33 | |
-Yes, and that means we can do up the bathrooms. -Absolutely. | 0:27:33 | 0:27:35 | |
Not forgetting the cars that we're going to have to buy. | 0:27:35 | 0:27:38 | |
Well, yeah, there is quite an accessory list | 0:27:38 | 0:27:39 | |
-coming with this move, isn't there? -Yeah. | 0:27:39 | 0:27:41 | |
Good. Well, I'm glad you like it. | 0:27:41 | 0:27:43 | |
I'm pleased we were able to show it to you. It is a cracking property. | 0:27:43 | 0:27:46 | |
Have another look around and I will catch you later. | 0:27:46 | 0:27:49 | |
-OK, lovely. -Off you go. | 0:27:49 | 0:27:50 | |
A generous £45,000 under budget, | 0:27:53 | 0:27:56 | |
this four-bedroom property | 0:27:56 | 0:27:58 | |
has been lovingly extended, | 0:27:58 | 0:27:59 | |
retaining heaps of period charm. | 0:27:59 | 0:28:02 | |
There are four bedrooms, a study, | 0:28:02 | 0:28:03 | |
a separate kitchen, dining room | 0:28:03 | 0:28:05 | |
and lounge and it's all set within a | 0:28:05 | 0:28:07 | |
wraparound garden with a large deck. | 0:28:07 | 0:28:10 | |
What's more, the commute to London | 0:28:10 | 0:28:11 | |
would be about an hour and a half. | 0:28:11 | 0:28:13 | |
When I first saw the property, I thought, "Wow, it's like a | 0:28:13 | 0:28:17 | |
"little chocolate box house," and I really couldn't wait to get inside. | 0:28:17 | 0:28:21 | |
It's got a really warm feel to the house, it's got really good flow... | 0:28:21 | 0:28:24 | |
You could really see the family coming over here, couldn't you? | 0:28:24 | 0:28:26 | |
-Entertaining, Christmas... Christmas tree there. -Yeah. | 0:28:26 | 0:28:30 | |
I do feel a little bit remote here, to be honest, because I don't drive. | 0:28:30 | 0:28:35 | |
But my first thought was, | 0:28:35 | 0:28:36 | |
"I'm going to have to get my driving lessons | 0:28:36 | 0:28:38 | |
"and my driving test done soon if I want to move here, | 0:28:38 | 0:28:41 | |
-"because it's a must." -Very nicely finished, isn't it? | 0:28:41 | 0:28:44 | |
Yeah, it is a really nice room. I think keep this as a guest room | 0:28:44 | 0:28:47 | |
and then the other two or three bedrooms... | 0:28:47 | 0:28:50 | |
-One can be a study because now we've got four bedrooms here. -Yeah. | 0:28:50 | 0:28:54 | |
-Perfect. -Cum-library-cum-therapy room. -Yeah. | 0:28:54 | 0:28:57 | |
There's loads of options, that's what's good. | 0:28:57 | 0:28:59 | |
Yeah, I could see Michelle and I | 0:28:59 | 0:29:00 | |
living in this house, as long as a few other factors fell into place | 0:29:00 | 0:29:05 | |
in terms of transport and schools, and so forth. | 0:29:05 | 0:29:07 | |
We'd have to explore that concept and get to know the area. | 0:29:07 | 0:29:10 | |
But the house itself is stunning. | 0:29:10 | 0:29:12 | |
-That was a nice property. -Yeah, I enjoyed that. | 0:29:13 | 0:29:16 | |
Ah, well, I thought you would. It's certainly one you should consider. | 0:29:16 | 0:29:20 | |
-Definitely. -But we haven't exhausted all the possibilities, | 0:29:20 | 0:29:24 | |
nor have we quite spent all of your budget, have we? | 0:29:24 | 0:29:27 | |
Come on. | 0:29:27 | 0:29:28 | |
It is the second day of our house-hunt | 0:29:35 | 0:29:37 | |
and with a budget of just under £500,000, | 0:29:37 | 0:29:40 | |
psychologist Michelle and psychotherapist Jamie | 0:29:40 | 0:29:43 | |
are hoping to trade in their London maisonette | 0:29:43 | 0:29:46 | |
for a serene and spacious rural retreat in northwest Essex. | 0:29:46 | 0:29:50 | |
Still to come are two more houses, including the mystery house, | 0:29:50 | 0:29:53 | |
which leaves our buyers speechless, but not in the way I'd like. | 0:29:53 | 0:29:56 | |
What do you reckon? | 0:29:56 | 0:29:57 | |
-It's quite cold in here. -Yeah. | 0:30:00 | 0:30:02 | |
And I'm also having shivers as I explore a secret nuclear bunker. | 0:30:02 | 0:30:07 | |
Now, this is quite chilling, isn't it? | 0:30:07 | 0:30:10 | |
That was the whole raison d'etre of this bunker. | 0:30:10 | 0:30:13 | |
Well, so far the Essex countryside does seem to be wooing | 0:30:14 | 0:30:17 | |
Jamie and Michelle, but I'm not entirely convinced | 0:30:17 | 0:30:20 | |
we have found them a property just yet, | 0:30:20 | 0:30:22 | |
so today it is all to play for. | 0:30:22 | 0:30:24 | |
We are heading next to the village of Great Horkesley, | 0:30:24 | 0:30:27 | |
three miles north of Colchester. | 0:30:27 | 0:30:29 | |
All essential facilities can be found in the village, | 0:30:29 | 0:30:33 | |
including a shop and post office, as well as some luxuries too, | 0:30:33 | 0:30:36 | |
by way of a great pub and even a wine boutique. | 0:30:36 | 0:30:39 | |
There are also a good variety of primary schools | 0:30:39 | 0:30:42 | |
to choose from within a five-mile radius. | 0:30:42 | 0:30:45 | |
Down a lane just off the main road is our next property, | 0:30:45 | 0:30:48 | |
a picture-perfect cottage. | 0:30:48 | 0:30:50 | |
-Now, what about this, then? -Wow. -Wow. | 0:30:50 | 0:30:54 | |
-That is something, isn't it? -Yeah. -Like in a fairy tale. | 0:30:54 | 0:30:56 | |
-Isn't it? -Yeah. | 0:30:56 | 0:30:58 | |
-It is the real McCoy. -It really is the real McCoy. | 0:30:58 | 0:31:00 | |
This was built, we think, about 1620. | 0:31:00 | 0:31:04 | |
Classic thatch. Not surprisingly, it's listed - Grade II - | 0:31:04 | 0:31:07 | |
but that shouldn't concern you because the whole thing has been | 0:31:07 | 0:31:10 | |
beautifully, and I mean beautifully, renovated. It is fabulous. | 0:31:10 | 0:31:14 | |
That's what we were looking for - | 0:31:14 | 0:31:16 | |
old on the outside, new on the inside. | 0:31:16 | 0:31:18 | |
And in terms of the future, schools... | 0:31:18 | 0:31:19 | |
Colchester is awash with them. | 0:31:19 | 0:31:21 | |
The thatch is something you have to keep an eye on. | 0:31:21 | 0:31:23 | |
You know, that is just part of the fun of having a listed building. | 0:31:23 | 0:31:26 | |
-OK, I can't wait to have a look. -Yeah. -Look at you two! Come on. | 0:31:26 | 0:31:31 | |
Something else to be excited about is that this location has | 0:31:31 | 0:31:34 | |
the shortest commute into London of all the properties we are | 0:31:34 | 0:31:37 | |
showing our buyers. And when they get inside, | 0:31:37 | 0:31:40 | |
I don't think they will ever want to leave. | 0:31:40 | 0:31:42 | |
-Come on in. -Wow. -Gosh. | 0:31:42 | 0:31:45 | |
Oh, my gosh, it's lovely. | 0:31:45 | 0:31:47 | |
I mean, as period cottages go... | 0:31:47 | 0:31:51 | |
to use the local lingo, it's pukka. | 0:31:51 | 0:31:54 | |
-Yes? -Yeah. -Gorgeous. | 0:31:55 | 0:31:57 | |
Wood burner over there, the oak floors run throughout. | 0:31:57 | 0:32:00 | |
The bones of the building have been exposed during the renovation, | 0:32:00 | 0:32:03 | |
as you can see - these lovely beams. | 0:32:03 | 0:32:05 | |
-Is this you? -Yes. -Yeah. | 0:32:05 | 0:32:06 | |
And we were so open. We just wanted the wow factor, didn't we? | 0:32:06 | 0:32:09 | |
-This has got it. Definitely. -Yeah. | 0:32:09 | 0:32:10 | |
It's got this lovely crisp, new feel, | 0:32:10 | 0:32:13 | |
but it is surrounded and packed with character features. | 0:32:13 | 0:32:16 | |
Yeah, definitely. | 0:32:16 | 0:32:18 | |
That is exactly what we like. | 0:32:18 | 0:32:19 | |
There is a little music room through there, cum-study. | 0:32:19 | 0:32:22 | |
That will become apparent a little bit later on. | 0:32:22 | 0:32:26 | |
But suffice to say, it is all like this. It is lovely throughout. | 0:32:26 | 0:32:31 | |
The only concern I might have as far as you're concerned, | 0:32:31 | 0:32:34 | |
from what you've said before, is the head height. | 0:32:34 | 0:32:36 | |
Oh, it's outdone by charm, though, isn't it? | 0:32:36 | 0:32:39 | |
It is outdone by charm. Right answer. Come on, let's continue. | 0:32:39 | 0:32:42 | |
-This is the dining room. -Oh, wow. | 0:32:46 | 0:32:49 | |
-Oh, it's lovely. -Stunning, stunning. -Yeah. | 0:32:49 | 0:32:52 | |
Perfect. I love it. | 0:32:52 | 0:32:55 | |
It's gorgeous, isn't it? | 0:32:55 | 0:32:57 | |
-You've got an open fire there, which is rather nice too. -Yeah. | 0:32:57 | 0:33:00 | |
-Where do I sign? -Oh, well! | 0:33:00 | 0:33:02 | |
I know Michelle and Jamie are also going to be smitten | 0:33:02 | 0:33:06 | |
by the bedrooms here. | 0:33:06 | 0:33:08 | |
There's an en-suite on this floor and the two bedrooms upstairs | 0:33:08 | 0:33:11 | |
are both spacious double-aspect, and each have their own staircase | 0:33:11 | 0:33:15 | |
and share a bathroom on the ground floor, | 0:33:15 | 0:33:17 | |
which is next to the heart of the home. | 0:33:17 | 0:33:20 | |
-Here we are, guys. -Ah, yes. -Oh, my God! | 0:33:20 | 0:33:23 | |
-Oh, this is amazing. -Amazing. | 0:33:23 | 0:33:25 | |
-The range... -This is so good. -Yeah, classic oil-fired range there. | 0:33:25 | 0:33:30 | |
On at the moment, which is rather nice. | 0:33:30 | 0:33:32 | |
But in the heat of the summer, you can turn that off and use | 0:33:32 | 0:33:36 | |
the hob that's in the counter over there with the oven underneath. | 0:33:36 | 0:33:40 | |
This is so cool. This is my favourite by far. | 0:33:40 | 0:33:42 | |
What would your friends think of this? | 0:33:42 | 0:33:44 | |
Well, as long as they're under six-foot, they can come. | 0:33:44 | 0:33:48 | |
I think they will be quite jealous. | 0:33:48 | 0:33:50 | |
It's just lovely. Come and have a look down here. | 0:33:50 | 0:33:53 | |
The whole thing opens up into this conservatory area, | 0:33:53 | 0:33:56 | |
which they've got as another dining area. | 0:33:56 | 0:33:57 | |
Of course, you've got the dining room next door as well, | 0:33:57 | 0:34:00 | |
so you could just fill it full of sofas and use it to relax in. | 0:34:00 | 0:34:03 | |
-Yeah. -I quite like it like that, the way they've got it. | 0:34:03 | 0:34:05 | |
-Yeah, it's perfect. -You've got two options. -Yeah. | 0:34:05 | 0:34:07 | |
No, you can see the finish is lovely. | 0:34:07 | 0:34:11 | |
Yeah, they haven't skimped on anything, have they? | 0:34:11 | 0:34:14 | |
Everything has been done. | 0:34:14 | 0:34:15 | |
-We wouldn't want to change anything at all. -No, I don't think you would. | 0:34:15 | 0:34:19 | |
-This is just perfect for us. -Still want to buy it? -Yeah! | 0:34:19 | 0:34:22 | |
So far, so good. | 0:34:22 | 0:34:23 | |
Now, here you have got a family bathroom with his and hers sinks, | 0:34:26 | 0:34:30 | |
bath and shower... | 0:34:30 | 0:34:32 | |
But this - | 0:34:32 | 0:34:34 | |
bedroom three - is what I think would make a brilliant master | 0:34:34 | 0:34:37 | |
for you, because although the current owners use one of | 0:34:37 | 0:34:39 | |
the bedrooms upstairs as their room, | 0:34:39 | 0:34:41 | |
-this is the only one with an en-suite. -Oh! | 0:34:41 | 0:34:44 | |
-Where? -So nice. -So there's a hidden door? | 0:34:44 | 0:34:47 | |
-No, that bathroom there. -Oh. -No. -Oh! | 0:34:47 | 0:34:50 | |
-No? -No, this one. | 0:34:50 | 0:34:53 | |
-Wow. -Wow. -Yeah? | 0:34:53 | 0:34:55 | |
-Oh! -Stunning. -Oh, my God! | 0:34:55 | 0:34:59 | |
-This is the most perfect bathroom ever! -Wow. | 0:34:59 | 0:35:01 | |
-You wanted a wet room, didn't you? -Absolutely. | 0:35:01 | 0:35:05 | |
Well, we definitely wanted a really nice shower, | 0:35:05 | 0:35:08 | |
and that is amazing. | 0:35:08 | 0:35:09 | |
And remember that music room and study | 0:35:09 | 0:35:11 | |
I talked about on the way in? | 0:35:11 | 0:35:12 | |
There it is, so the whole thing sort of flows round on itself. | 0:35:12 | 0:35:15 | |
But if you didn't want it as a study, | 0:35:15 | 0:35:17 | |
-you could have it as a separate dressing room. -Yeah. | 0:35:17 | 0:35:20 | |
-Very good. -Wow. | 0:35:20 | 0:35:22 | |
-It really has got an X factor to it. -Yeah. -Definitely. | 0:35:22 | 0:35:26 | |
They've got taste, the owners. | 0:35:26 | 0:35:28 | |
-Perfect. -And it's for sale. | 0:35:28 | 0:35:31 | |
Which helps. | 0:35:31 | 0:35:32 | |
-But how much is it for sale for? -Oh, well, go on. | 0:35:33 | 0:35:37 | |
The large garden can be accessed through the kitchen, | 0:35:40 | 0:35:43 | |
but we're heading back through the front entrance. | 0:35:43 | 0:35:45 | |
Oh, and it's sunny. Look at this! | 0:35:45 | 0:35:48 | |
And there is also a terrace, garage and drive for off-street parking. | 0:35:48 | 0:35:51 | |
It's quite tempting, isn't it? | 0:35:51 | 0:35:53 | |
But the only other thing to point out really is that garage, | 0:35:53 | 0:35:56 | |
which you might want to think about turning into | 0:35:56 | 0:35:58 | |
something more useful for you. Maybe office, garden office, | 0:35:58 | 0:36:02 | |
-consulting room. -Yeah. -Totally. | 0:36:02 | 0:36:05 | |
-What's it worth, mate? -All right. | 0:36:05 | 0:36:08 | |
I don't think you would be too evil to give us something way over | 0:36:08 | 0:36:11 | |
our asking price, but I think it's going to have to be slightly. | 0:36:11 | 0:36:15 | |
So, our maximum was 495, I'm going to go for 499,950. | 0:36:15 | 0:36:21 | |
499,950? | 0:36:21 | 0:36:22 | |
-Or bang on the nose, 500. -OK. | 0:36:22 | 0:36:24 | |
I'm going to go for 495. | 0:36:24 | 0:36:27 | |
-Top end of the budget. -Right. | 0:36:27 | 0:36:30 | |
If it were 499,950, could you find the best part of five grand? | 0:36:32 | 0:36:38 | |
Yeah, there are ways and means. | 0:36:39 | 0:36:42 | |
It's on at 499,995. | 0:36:42 | 0:36:46 | |
Oh, wow! | 0:36:46 | 0:36:47 | |
Now, saying that, it has only been on the market for six weeks. | 0:36:47 | 0:36:50 | |
The owners have got their eye on something else down the road, | 0:36:50 | 0:36:54 | |
so I suspect, given your 495, there is a conversation to be had. | 0:36:54 | 0:36:59 | |
Yeah, OK. My only reservation at this point... | 0:36:59 | 0:37:03 | |
There's nothing wrong with the house, it is just the... | 0:37:03 | 0:37:07 | |
What are the implications of the thatched roof? | 0:37:07 | 0:37:10 | |
I would suggest you got a local thatcher round before you bought it | 0:37:10 | 0:37:13 | |
just to give you an idea of anything that needed addressing. | 0:37:13 | 0:37:17 | |
But you know what? I think it is a compromise worth making. | 0:37:17 | 0:37:19 | |
-It's beautiful, it's just the practicalities of it. -Yeah. | 0:37:19 | 0:37:22 | |
Well, go back, have another look around. | 0:37:22 | 0:37:24 | |
In particular, check out those two bedrooms upstairs. | 0:37:24 | 0:37:27 | |
-I will catch up with you a little bit later. -Thanks, Jules. | 0:37:27 | 0:37:30 | |
Off you go. | 0:37:30 | 0:37:31 | |
Creeping over budget by just under £5,000, | 0:37:33 | 0:37:36 | |
this three-bedroom property has won our couple over | 0:37:36 | 0:37:39 | |
with its 17th-century charm and stunning modern restoration. | 0:37:39 | 0:37:43 | |
There is a standout kitchen-conservatory | 0:37:43 | 0:37:45 | |
and a potential home office. | 0:37:45 | 0:37:47 | |
Just four miles from Colchester, its location is perfect, too, | 0:37:47 | 0:37:50 | |
providing our shortest commute to London | 0:37:50 | 0:37:53 | |
of just an hour and ten minutes. | 0:37:53 | 0:37:55 | |
Since I came in, I was like, "This is where I want to live," so, yeah, | 0:37:55 | 0:37:58 | |
I guess, in a way, it was love at first sight. | 0:37:58 | 0:38:00 | |
This is exactly how we would have | 0:38:00 | 0:38:02 | |
our kitchen if we could choose, right? | 0:38:02 | 0:38:04 | |
-You wouldn't change anything? -No, I wouldn't. -I love it so much. | 0:38:04 | 0:38:07 | |
I really want to move in. Seriously. Come on. | 0:38:07 | 0:38:11 | |
Calm yourself! | 0:38:11 | 0:38:13 | |
I think it is 100% bang on what we want. | 0:38:13 | 0:38:17 | |
Oh, my gosh! | 0:38:17 | 0:38:19 | |
-That is so beautiful. -It's lovely. | 0:38:20 | 0:38:22 | |
-Which one would you use as the master bedroom, then? -That's the thing. | 0:38:22 | 0:38:26 | |
Because you've got the en-suite advantage downstairs, | 0:38:26 | 0:38:29 | |
-then this is the bigger room. -This is so beautiful. | 0:38:29 | 0:38:32 | |
Or, this could be... | 0:38:32 | 0:38:33 | |
-This could be a therapy room. -No, never. Bedroom. | 0:38:35 | 0:38:37 | |
You can see that they have already got a small family living here, | 0:38:37 | 0:38:41 | |
so that is where we are at at our life stage, | 0:38:41 | 0:38:44 | |
so you could see at least for the next ten years, | 0:38:44 | 0:38:46 | |
this could be perfect. | 0:38:46 | 0:38:48 | |
I think we are both very keen, so fingers crossed we can get the house. | 0:38:48 | 0:38:52 | |
-How are we doing, then? Could this be the one? -Yeah. | 0:38:54 | 0:38:58 | |
-Very much so, yeah. -I think so. | 0:38:58 | 0:39:00 | |
-It's certainly your favourite of the lot so far. -Definitely. | 0:39:00 | 0:39:03 | |
-Definitely our favourite. -Hold that thought. Come on. | 0:39:03 | 0:39:05 | |
I think sometimes you don't always know what you want until you see it. | 0:39:11 | 0:39:15 | |
I think that is a really big thing. | 0:39:15 | 0:39:16 | |
You can write a wish list, | 0:39:16 | 0:39:17 | |
but then sometimes you might see a house that is completely | 0:39:17 | 0:39:20 | |
different from what you thought you were going to go for | 0:39:20 | 0:39:23 | |
and that makes you feel good, and you know straight away. | 0:39:23 | 0:39:26 | |
We were kind of comparing it to when you meet | 0:39:26 | 0:39:28 | |
your partner that you're with for the rest of your life | 0:39:28 | 0:39:31 | |
and you just know that that is the person that you're going to be with. | 0:39:31 | 0:39:35 | |
It's the same as when you find the house that you love. You just know. | 0:39:35 | 0:39:39 | |
-It's like when I met Jamie. -Oh, you see, Jamie? | 0:39:40 | 0:39:43 | |
-Was Jamie the mystery boyfriend? -Mystery boyfriend. -Kind of! | 0:39:43 | 0:39:47 | |
Well, our mystery house certainly has a lot to live up to now. | 0:39:51 | 0:39:55 | |
So I am taking a gamble. My plan is to offer them a bit of a project. | 0:39:55 | 0:40:00 | |
Our final property has an incredibly historic shell. | 0:40:00 | 0:40:04 | |
If they were to get the planning permission needed, | 0:40:04 | 0:40:06 | |
they could give it a fabulous interior precisely to their tastes. | 0:40:06 | 0:40:11 | |
To find out if they will embrace this challenge, we are heading | 0:40:11 | 0:40:14 | |
to the village of Ridgewell, 14 miles north of Braintree. | 0:40:14 | 0:40:18 | |
In the centre of Ridgewell is a village green | 0:40:18 | 0:40:20 | |
surrounded by listed buildings, | 0:40:20 | 0:40:22 | |
and a large proportion of the village is in the conservation area. | 0:40:22 | 0:40:26 | |
There are also some pubs and a beautiful 14th-century church. | 0:40:26 | 0:40:30 | |
The mystery property is in the heart of the village. | 0:40:30 | 0:40:33 | |
Right, chaps. | 0:40:34 | 0:40:36 | |
-Well, here is our Mystery House. -Yep. | 0:40:36 | 0:40:39 | |
It is the yellow bit. | 0:40:39 | 0:40:41 | |
You can probably just make out that little carving that says 1585. | 0:40:41 | 0:40:45 | |
-Oh, yeah. -It's the oldest one of the lot we've been able to show you. | 0:40:45 | 0:40:49 | |
Similar style as well - | 0:40:49 | 0:40:50 | |
timber frame, classic for this part of the world. | 0:40:50 | 0:40:53 | |
It is technically a semi, as you can see. | 0:40:53 | 0:40:56 | |
But it has got loads and loads of features in it, | 0:40:56 | 0:40:58 | |
which is really nice. | 0:40:58 | 0:40:59 | |
So if you like the old, which you did with our last property, | 0:40:59 | 0:41:02 | |
this, again, is more of the same | 0:41:02 | 0:41:04 | |
but even older. | 0:41:04 | 0:41:06 | |
-What do you think? -Nice. | 0:41:06 | 0:41:07 | |
Not so sure about the road, but let's go and have a look inside. | 0:41:07 | 0:41:10 | |
The road is the thing, but I'm also beginning to think | 0:41:10 | 0:41:13 | |
-we probably spoilt you with the last one. Maybe? -It was nice. | 0:41:13 | 0:41:17 | |
Keep an open mind. Come on, let's have a look. | 0:41:17 | 0:41:19 | |
The house is also Grade II listed. | 0:41:20 | 0:41:22 | |
The front entrance is through an original timber door, although | 0:41:22 | 0:41:25 | |
today we are using the back entrance into the recently renovated kitchen. | 0:41:25 | 0:41:30 | |
Right. | 0:41:31 | 0:41:32 | |
I know what you're going to say and your face has already said it, | 0:41:34 | 0:41:37 | |
Michelle. "It is a bit small, Jules." | 0:41:37 | 0:41:40 | |
-Yes, it is, but this doesn't have to be the kitchen. -OK. | 0:41:40 | 0:41:45 | |
This might become a utility or a boot room, | 0:41:45 | 0:41:48 | |
or maybe even a study, if you wanted it to be. | 0:41:48 | 0:41:52 | |
-Hmm? -Mmm. | 0:41:52 | 0:41:55 | |
Bear with me, all right? Think about it - 1585. | 0:41:55 | 0:41:58 | |
It is oozing with history, and a reasonable amount of space. | 0:41:58 | 0:42:02 | |
This is currently the living room. | 0:42:02 | 0:42:04 | |
-OK. -Higher ceilings. -Yeah. -Lots of lovely beams... | 0:42:06 | 0:42:10 | |
That door there takes you through to the corridor, | 0:42:10 | 0:42:12 | |
which is the front door. Again, all original. | 0:42:12 | 0:42:15 | |
The layout is beautifully original, actually. | 0:42:15 | 0:42:17 | |
You've got that lovely fireplace over there with the wood burner | 0:42:17 | 0:42:20 | |
and all the rest of it - classic look. | 0:42:20 | 0:42:22 | |
In terms of space and feel, what do you reckon? | 0:42:22 | 0:42:26 | |
Erm... | 0:42:28 | 0:42:30 | |
Oh... | 0:42:30 | 0:42:32 | |
-It's quite cold in here. -Yeah. | 0:42:32 | 0:42:34 | |
It is currently unused, unlived in at the moment, | 0:42:34 | 0:42:37 | |
so it has got a slightly damp air | 0:42:37 | 0:42:38 | |
because it's not being used regularly. | 0:42:38 | 0:42:41 | |
But it has been a very, you know, good family home in the past, | 0:42:41 | 0:42:44 | |
of course. The size of this room, I really like, myself. | 0:42:44 | 0:42:48 | |
-I love all the beams. -The history of the property is very apparent. | 0:42:48 | 0:42:52 | |
-Yeah. -And you do have the higher ceilings and the wood burner. -Mm-hmm. | 0:42:52 | 0:42:57 | |
Think of this as living room, but think of this room as kitchen. | 0:42:57 | 0:43:01 | |
Have a look at this. | 0:43:01 | 0:43:02 | |
They've got it as a dining area at the moment. | 0:43:03 | 0:43:05 | |
There is another lovely fireplace in there with the wood burner. | 0:43:05 | 0:43:08 | |
-Again, awash with beams. -Yeah. | 0:43:08 | 0:43:11 | |
How about this as a kitchen, with doors out to the garden? | 0:43:11 | 0:43:14 | |
-Yeah, I could see that working. -So, where would things be, do you think? | 0:43:14 | 0:43:18 | |
That is the point. Where would you want them to be? | 0:43:18 | 0:43:21 | |
How would you envisage your perfect, | 0:43:21 | 0:43:23 | |
contemporary country kitchen in here? | 0:43:23 | 0:43:26 | |
In the middle. | 0:43:26 | 0:43:28 | |
Yeah, and we've got the fireplace over there, so you'd have to... | 0:43:28 | 0:43:31 | |
Maybe... Well, it would have to be here, wouldn't it? | 0:43:31 | 0:43:34 | |
It would be a bit of a project. | 0:43:34 | 0:43:36 | |
Not massive. Kitchens are easy-peasy. | 0:43:36 | 0:43:38 | |
I mean, they are disposable. | 0:43:38 | 0:43:39 | |
Ludicrous when you think about how much they cost, but they are. | 0:43:39 | 0:43:42 | |
Everybody wants to change a kitchen, usually. | 0:43:42 | 0:43:45 | |
-Apart from you two in our last property, probably. -Yeah. | 0:43:45 | 0:43:47 | |
But this would give you an opportunity to do something | 0:43:47 | 0:43:50 | |
quite exciting because the kitchen that's here, | 0:43:50 | 0:43:52 | |
-it's not big enough, it's not going to work for you two. -No. | 0:43:52 | 0:43:54 | |
But bearing in mind we all like the kitchen to be | 0:43:54 | 0:43:57 | |
the heart of our homes these days, | 0:43:57 | 0:43:58 | |
-I think you could have some fun in here. -Mmm. | 0:43:58 | 0:44:00 | |
Michelle is so not convinced! | 0:44:00 | 0:44:03 | |
-There is a twist to this one, which is why it is our Mystery House. -OK. | 0:44:03 | 0:44:07 | |
That will become apparent. | 0:44:07 | 0:44:09 | |
This property has four bedrooms accessed from two | 0:44:09 | 0:44:13 | |
different stairways. But we're heading straight to the master. | 0:44:13 | 0:44:17 | |
Up you come. Look at these floors! I love it. Elm boards. | 0:44:17 | 0:44:21 | |
Now, this is what we are thinking about for you. | 0:44:22 | 0:44:25 | |
It is certainly the biggest of the lot. | 0:44:25 | 0:44:28 | |
It does feel a little unloved | 0:44:28 | 0:44:30 | |
because it is effectively really unfurnished, it's hardly used. | 0:44:30 | 0:44:34 | |
-Not a bad size. -No, it's got the square footage. | 0:44:34 | 0:44:38 | |
-And we are on somewhat of a slope. -It's often the way. | 0:44:38 | 0:44:42 | |
These timber framed buildings do move over time. | 0:44:42 | 0:44:44 | |
They were built using what was called green oak, | 0:44:44 | 0:44:46 | |
so freshly-cut oak, and of course, once it is put together, | 0:44:46 | 0:44:50 | |
it then shrinks a bit and contracts and twists and it moves | 0:44:50 | 0:44:52 | |
and that is why you get these lovely, odd shapes. | 0:44:52 | 0:44:56 | |
When you're looking at what is essentially an empty shell, | 0:44:56 | 0:44:59 | |
it is hard to make that work, I think. At least in my mind. | 0:44:59 | 0:45:02 | |
-Shall we just get it over and done with and talk about the price? -OK. | 0:45:02 | 0:45:05 | |
Come on, then. | 0:45:05 | 0:45:06 | |
I do think it is a shame that Michelle | 0:45:06 | 0:45:08 | |
and Jamie haven't warmed to this home, because it is unique. | 0:45:08 | 0:45:12 | |
In this part of the house is a shower room as well as stairs | 0:45:12 | 0:45:15 | |
up to the second bedroom on the floor above. | 0:45:15 | 0:45:18 | |
Bedrooms three and four on the other side of the house are both | 0:45:18 | 0:45:21 | |
unfurnished and share a bathroom. | 0:45:21 | 0:45:23 | |
Looking at the outside of this building, it is | 0:45:23 | 0:45:25 | |
absolutely all there - it is in really, really good condition, | 0:45:25 | 0:45:28 | |
-so it is just a cosmetic fix. -Yes, it is. | 0:45:28 | 0:45:32 | |
But that in itself could be quite costly. | 0:45:32 | 0:45:34 | |
I know you're going to redo the kitchen, | 0:45:34 | 0:45:36 | |
that is going to cost some money, and I'd say if you allowed 15,000 | 0:45:36 | 0:45:39 | |
for that, you would be comfortably off. | 0:45:39 | 0:45:41 | |
-For the kitchen? -Yeah, with a very, very nice kitchen. | 0:45:41 | 0:45:44 | |
But of course, it is all very well, but it does depend on the price. | 0:45:44 | 0:45:47 | |
-Yes. -So, Michelle... -Yeah. Start with me. | 0:45:47 | 0:45:51 | |
You have got £495,000 to spend. | 0:45:51 | 0:45:54 | |
What's our Grade II village home worth, then? | 0:45:54 | 0:45:58 | |
I don't want to, like, offend the owners, but I think about 395. | 0:45:58 | 0:46:04 | |
395. | 0:46:04 | 0:46:05 | |
I would probably say about... | 0:46:05 | 0:46:07 | |
-I'll go with 400. -That would be quite cheap. | 0:46:08 | 0:46:10 | |
-That would save an awful lot of your 495, wouldn't it? -Mmm. | 0:46:10 | 0:46:14 | |
-You said you didn't really want to offend them. -No. | 0:46:14 | 0:46:17 | |
-You haven't. -Oh, good. | 0:46:18 | 0:46:19 | |
You have probably put a smile on their faces, | 0:46:19 | 0:46:22 | |
-because this is on the market at £350,000... -Wow, OK. | 0:46:22 | 0:46:25 | |
..which is the twist. This is why it is our Mystery House. | 0:46:25 | 0:46:28 | |
That makes sense. | 0:46:28 | 0:46:30 | |
We thought we would save you the best part of £150,000, | 0:46:30 | 0:46:34 | |
which means you could do what you like in there - | 0:46:34 | 0:46:36 | |
-you could cover the whole thing in gold leaf if you wanted to. -Yeah. | 0:46:36 | 0:46:40 | |
-That changes things completely. -I'll bet it does! -Yeah. | 0:46:40 | 0:46:43 | |
Yes. I think you should have a good look around before you say | 0:46:43 | 0:46:47 | |
anything else and I will come and find you later on. | 0:46:47 | 0:46:50 | |
Well, Michelle and Jamie may seem a bit daunted, | 0:46:52 | 0:46:55 | |
but at £145,000 under budget, | 0:46:55 | 0:46:58 | |
this is one well worth | 0:46:58 | 0:46:59 | |
thinking about. | 0:46:59 | 0:47:01 | |
The Grade II listed property | 0:47:01 | 0:47:02 | |
has four bedrooms | 0:47:02 | 0:47:03 | |
with a generously-sized sitting room | 0:47:03 | 0:47:05 | |
and dining room as well as potential | 0:47:05 | 0:47:07 | |
to create a large kitchen-diner, | 0:47:07 | 0:47:09 | |
and to get back to the capital | 0:47:09 | 0:47:11 | |
would take about an hour and a half. | 0:47:11 | 0:47:13 | |
So, what do you think? | 0:47:13 | 0:47:16 | |
It kind of scares me a bit, if I'm honest. | 0:47:16 | 0:47:19 | |
-I don't think it's really the project for us, is it? -No. | 0:47:19 | 0:47:22 | |
I think you have definitely found us a house here in Essex, | 0:47:22 | 0:47:26 | |
but unfortunately it is not this house. | 0:47:26 | 0:47:28 | |
-It just feels a bit pokey. -Yeah. | 0:47:28 | 0:47:30 | |
But I think also, because there's nothing in it, | 0:47:30 | 0:47:32 | |
you can't imagine what it might be like if it did have furniture in it. | 0:47:32 | 0:47:36 | |
If this property had been done up to the style of the thatched property, | 0:47:36 | 0:47:40 | |
it may have made the decision a bit more difficult. | 0:47:40 | 0:47:44 | |
However, having said that, | 0:47:45 | 0:47:46 | |
I actually preferred the location of the earlier property. | 0:47:46 | 0:47:49 | |
You know, I do like occasionally to show particularly our younger | 0:47:49 | 0:47:52 | |
buyers a property that could save them quite a lot of money | 0:47:52 | 0:47:56 | |
but on this occasion, I'm not entirely sure my plan has worked. | 0:47:56 | 0:48:00 | |
Here we go. Still smiling? | 0:48:00 | 0:48:03 | |
Oh, come on, it's not been that bad! | 0:48:03 | 0:48:05 | |
We have shown you some really good properties, I think, this week. | 0:48:05 | 0:48:08 | |
You have, yeah. | 0:48:08 | 0:48:09 | |
Time now to go and think about everything | 0:48:09 | 0:48:11 | |
we have had the chance to tempt you with, see what the future holds. | 0:48:11 | 0:48:14 | |
-Yay! -Come on, then. | 0:48:14 | 0:48:17 | |
Mainly rural, Essex has its historic capital in Colchester. | 0:48:22 | 0:48:26 | |
Back in the 1st century AD, Camulodunum, as it was then called, | 0:48:26 | 0:48:30 | |
was the capital of the whole of Roman Britain. | 0:48:30 | 0:48:33 | |
But in the 1950s, | 0:48:33 | 0:48:34 | |
Essex could once again have become a centre of government. | 0:48:34 | 0:48:38 | |
With tensions between the United States | 0:48:38 | 0:48:40 | |
and the Soviet Union high post-World War II, the Cold War raged | 0:48:40 | 0:48:44 | |
and the government wanted to be prepared for anything. | 0:48:44 | 0:48:48 | |
They decided to build a vast secret bunker that could become | 0:48:48 | 0:48:50 | |
an underground command centre in the event of a nuclear war. | 0:48:50 | 0:48:55 | |
They chose this farm near the village of Kelvedon Hatch | 0:48:55 | 0:48:58 | |
because of its proximity to London and bought 25 acres of land | 0:48:58 | 0:49:01 | |
from farmer Mike Parrish's grandfather. | 0:49:01 | 0:49:03 | |
-Mike. -Jules, how do you do? -Very nice to see you, sir. | 0:49:06 | 0:49:10 | |
Nice to meet you, too. | 0:49:10 | 0:49:11 | |
Now, this is going to be a house with a difference. | 0:49:11 | 0:49:13 | |
Well, it is certainly the biggest unsecret secret in the world. | 0:49:13 | 0:49:16 | |
-Come on, then. -It is different. -Show me around. | 0:49:16 | 0:49:19 | |
I like that, the biggest unsecret secret. | 0:49:19 | 0:49:22 | |
The entrance to the secret bunker is through the guardhouse, | 0:49:22 | 0:49:25 | |
which was designed to look like a post-war bungalow. | 0:49:25 | 0:49:28 | |
In the 1990s, once tensions between East and West had subsided | 0:49:29 | 0:49:33 | |
and the Cold War was over, the bunker was no longer needed. | 0:49:33 | 0:49:37 | |
Mike's family bought it back and turned it into a fascinating museum. | 0:49:37 | 0:49:41 | |
Guards would have been here. | 0:49:41 | 0:49:43 | |
You wouldn't be able to get past these gates unless you had a pass | 0:49:43 | 0:49:46 | |
and a very good reason to obviously be down here. | 0:49:46 | 0:49:49 | |
But I am astonished, Mike, that this could have remained a secret, | 0:49:50 | 0:49:53 | |
given how many people were involved in its construction. | 0:49:53 | 0:49:57 | |
Well, in those days, the village of Kelvedon Hatch was only a mere | 0:49:57 | 0:50:00 | |
150-odd souls, not the metropolis that it is now. | 0:50:00 | 0:50:04 | |
We didn't have radios, Facebook, instant communication, | 0:50:04 | 0:50:08 | |
so it was much easier to keep something quiet than nowadays. | 0:50:08 | 0:50:11 | |
The old Second World War motto, "Be like Dad, keep Mum," | 0:50:11 | 0:50:15 | |
was still very much in vogue in the '50s, of course. | 0:50:15 | 0:50:19 | |
-But you lived above it, so you knew. -We knew it was here, yes. | 0:50:19 | 0:50:22 | |
We watched it being built. | 0:50:22 | 0:50:24 | |
So they basically dug an enormous hole, | 0:50:24 | 0:50:26 | |
-built a huge concrete bunker and then covered it up again? -That's it. | 0:50:26 | 0:50:30 | |
Thick walls, nice square. | 0:50:30 | 0:50:32 | |
Because thickness is what keeps radiation out. | 0:50:32 | 0:50:34 | |
People associate it with lead because it is dense, | 0:50:34 | 0:50:37 | |
but of course you get the same thing | 0:50:37 | 0:50:39 | |
if you put wodges of concrete and dirt. | 0:50:39 | 0:50:41 | |
So the object of a bunker is obviously to keep radiation out, | 0:50:41 | 0:50:43 | |
-which of course these... -Are these Geiger meters? | 0:50:43 | 0:50:46 | |
These are Geiger counters, yes, so they would have detected radiation. | 0:50:46 | 0:50:49 | |
You can't see that, smell it, feel it, hear it, | 0:50:49 | 0:50:51 | |
and so you definitely needed something that would tell you | 0:50:51 | 0:50:54 | |
that it was there and would get you if you went outside. | 0:50:54 | 0:50:57 | |
These are the blast doors. | 0:50:58 | 0:51:00 | |
Once they are shut, the 600-odd people would be in here | 0:51:00 | 0:51:03 | |
for three months or until they ran out of food. | 0:51:03 | 0:51:07 | |
The doors are made of steel, each one weighing about a tonne. | 0:51:07 | 0:51:11 | |
The bunker is 100 feet deep | 0:51:11 | 0:51:13 | |
and set out over three levels, covering 35,000 square feet. | 0:51:13 | 0:51:18 | |
On the middle floor, there was | 0:51:19 | 0:51:20 | |
a space for a representative from every department of government. | 0:51:20 | 0:51:24 | |
In the event of a nuclear attack, | 0:51:24 | 0:51:26 | |
they would have been present to assign food, shelter, | 0:51:26 | 0:51:29 | |
clothing and medical aid to members of the public. | 0:51:29 | 0:51:31 | |
Now, this is quite chilling, isn't it? | 0:51:33 | 0:51:36 | |
"Availability and allocation of surviving resources." | 0:51:36 | 0:51:39 | |
You don't tend to think of it like that, | 0:51:39 | 0:51:41 | |
but actually, that's, I suppose, the nub of it. | 0:51:41 | 0:51:43 | |
That was the whole raison d'etre of this bunker, was to be | 0:51:43 | 0:51:46 | |
allocating surviving resources to those of us that had survived. | 0:51:46 | 0:51:50 | |
Down we go to the bottom level, | 0:51:51 | 0:51:53 | |
where we are now 100 feet underground. | 0:51:53 | 0:51:56 | |
It just goes on and on. | 0:51:56 | 0:51:58 | |
Well, this is the plotting floor. | 0:51:59 | 0:52:01 | |
That is where all the information would have been fed | 0:52:01 | 0:52:03 | |
so that they would know where a bomb had gone off | 0:52:03 | 0:52:06 | |
and where the radiation was spreading. | 0:52:06 | 0:52:08 | |
The red ones are the ground bursts. | 0:52:08 | 0:52:10 | |
They are the worst because they pick up the dust. | 0:52:10 | 0:52:12 | |
That is what goes in the atmosphere | 0:52:12 | 0:52:14 | |
and that is what carries the radiation. | 0:52:14 | 0:52:16 | |
The green ones are air bursts. | 0:52:16 | 0:52:18 | |
You don't get so much radiation because it produces a triangle, | 0:52:18 | 0:52:21 | |
but you get far more collateral damage. | 0:52:21 | 0:52:23 | |
And then the people down here, | 0:52:23 | 0:52:24 | |
they would have plotted this on here, | 0:52:24 | 0:52:26 | |
got the direction of the wind and they would then be trying to | 0:52:26 | 0:52:29 | |
move us, the population, out of the way of that radiation. | 0:52:29 | 0:52:32 | |
We are heading back up to the top level | 0:52:34 | 0:52:37 | |
of this rather amazing construction. | 0:52:37 | 0:52:38 | |
Up here is where the living accommodation would have been, | 0:52:38 | 0:52:41 | |
including the sickbay. | 0:52:41 | 0:52:43 | |
This is when you realise how deep 100 feet is. | 0:52:43 | 0:52:46 | |
Yeah, and you have walked up it more than most. | 0:52:48 | 0:52:50 | |
The Cold War has now become something of a footnote | 0:52:52 | 0:52:55 | |
in the history books, but standing in here... | 0:52:55 | 0:52:59 | |
In a way, the clock has stopped. | 0:52:59 | 0:53:00 | |
It does really bring home the potential horror | 0:53:02 | 0:53:05 | |
that it offered, not just to us as a country, but the entire world. | 0:53:05 | 0:53:09 | |
It's a very brutal business to try | 0:53:10 | 0:53:12 | |
-and manage the effects of a nuclear attack. -I think that's right. | 0:53:12 | 0:53:16 | |
The commissioner here would have been a cabinet minister, | 0:53:16 | 0:53:19 | |
would have had a horrible job. | 0:53:19 | 0:53:21 | |
You've got to somehow maintain law and order in a limited way, | 0:53:21 | 0:53:25 | |
because you are in here "safe", | 0:53:25 | 0:53:27 | |
without any problems, in inverted commas, | 0:53:27 | 0:53:29 | |
and they are out there that you have got to try and protect. | 0:53:29 | 0:53:33 | |
Thankfully we never needed it. | 0:53:33 | 0:53:36 | |
But do you think it would still work today if it were needed? | 0:53:36 | 0:53:38 | |
Yes, it would work. The filters are still downstairs, | 0:53:38 | 0:53:41 | |
we are under positive pressure | 0:53:41 | 0:53:42 | |
which keeps the stuff outside rather than it coming in. | 0:53:42 | 0:53:46 | |
So I think yes, it has got a pretty good chance of surviving. | 0:53:46 | 0:53:48 | |
So, actually, if it does all go wrong, you're the man | 0:53:48 | 0:53:51 | |
-to come and see. -Absolutely. I've got the keys. | 0:53:51 | 0:53:54 | |
Well, don't lose those, for goodness' sake! | 0:53:54 | 0:53:56 | |
Well, for our final chat with Jamie and Michelle, I thought | 0:54:02 | 0:54:05 | |
I would give them a little bit of a treat. | 0:54:05 | 0:54:07 | |
I have brought them | 0:54:07 | 0:54:08 | |
to one of my favourite spots along the border with Essex and Suffolk. | 0:54:08 | 0:54:12 | |
These are the gorgeous grounds of Castle Hedingham. | 0:54:12 | 0:54:15 | |
They are over there. I think we have given them plenty of time. | 0:54:15 | 0:54:18 | |
-Hello again. -Hello to you, sir, hello, madam. -Hello. | 0:54:24 | 0:54:28 | |
-How are we doing? -Good, thanks. -Very good. | 0:54:28 | 0:54:30 | |
-You have been thinking? -Mm-hmm. -Very good. | 0:54:30 | 0:54:32 | |
Have you come up with a solution to the conundrum | 0:54:32 | 0:54:35 | |
we have given you with all of those wonderful houses | 0:54:35 | 0:54:38 | |
we were able to show you? | 0:54:38 | 0:54:39 | |
-I think so. -Some you've clearly loved, | 0:54:39 | 0:54:42 | |
some you have not loved quite as much, | 0:54:42 | 0:54:44 | |
but let's talk about the one that you absolutely seemed to adore. | 0:54:44 | 0:54:47 | |
I don't think it's going to be any surprise to anyone watching | 0:54:47 | 0:54:50 | |
this show that that thatch property has rather taken your hearts away. | 0:54:50 | 0:54:54 | |
-It has, yes. -I think it was a bit of a no-brainer with this one. | 0:54:54 | 0:54:58 | |
I've always said to Michelle that wherever we move to, | 0:54:58 | 0:55:00 | |
I'm not going to spend that amount of money unless I'm excited to go | 0:55:00 | 0:55:03 | |
there, and we did feel that, that it would be... | 0:55:03 | 0:55:06 | |
A move there would feel... | 0:55:06 | 0:55:08 | |
-We would be excited about moving to this house. -Yeah. | 0:55:08 | 0:55:10 | |
-It gave you that contemporary feel in the older building. -Yeah. | 0:55:10 | 0:55:15 | |
-Absolutely. -It's just to our taste. We wouldn't change a thing. | 0:55:15 | 0:55:18 | |
It is a gorgeous property and in terms of location, | 0:55:18 | 0:55:21 | |
it is on the northern side of Colchester. | 0:55:21 | 0:55:23 | |
It's ten minutes to the mainline station into Colchester. | 0:55:23 | 0:55:27 | |
-It is the best part of town to be in. -Yeah. | 0:55:27 | 0:55:30 | |
And of course, you've got access northward to Suffolk | 0:55:30 | 0:55:33 | |
-and all the fun that that offers you as well. -Exactly. | 0:55:33 | 0:55:35 | |
That's why it is so good for us, because it's in between both - | 0:55:35 | 0:55:38 | |
you get the best of both worlds. | 0:55:38 | 0:55:40 | |
Did you think you would find something | 0:55:40 | 0:55:42 | |
when you started this process? | 0:55:42 | 0:55:44 | |
-We hoped. -Yeah, we'd hoped. We kept an open mind | 0:55:44 | 0:55:48 | |
and I did have faith that we would find something, | 0:55:48 | 0:55:51 | |
but not quite as amazing as what we did find. | 0:55:51 | 0:55:54 | |
I'm delighted that that thatch property has stolen your hearts. | 0:55:54 | 0:55:57 | |
So, what happens next? | 0:55:57 | 0:55:59 | |
Because I suspect it's not going to be on the market that long. | 0:55:59 | 0:56:02 | |
Yes, well, the other thing is, | 0:56:02 | 0:56:03 | |
we've got to sell our property first, | 0:56:03 | 0:56:06 | |
so I think a tentative offer might be the next move | 0:56:06 | 0:56:11 | |
and then I'll just have to keep ringing my estate agent, | 0:56:11 | 0:56:14 | |
get him to pull his finger out! | 0:56:14 | 0:56:16 | |
-Well, guys, it's been an absolute pleasure. -Absolutely. | 0:56:17 | 0:56:19 | |
Jamie, thank you very much indeed. Michelle, all the best to you. | 0:56:19 | 0:56:22 | |
-Thank you. -I'm glad you like Essex. It's all right, isn't it? | 0:56:22 | 0:56:26 | |
Not a bad gaffe. | 0:56:26 | 0:56:27 | |
JULES LAUGHS | 0:56:27 | 0:56:29 | |
Well, I have had a lot of fun this week revisiting | 0:56:34 | 0:56:36 | |
the villages and the countryside that I once grew up in. | 0:56:36 | 0:56:40 | |
As we finish up here overlooked by the lovely keep at Hedingham, | 0:56:40 | 0:56:43 | |
I am reminded of that old phrase that every Englishman's home | 0:56:43 | 0:56:47 | |
is his castle. | 0:56:47 | 0:56:48 | |
This was Aubrey de Vere II's version of it, | 0:56:48 | 0:56:51 | |
which he began back in 1140. | 0:56:51 | 0:56:53 | |
He certainly knew what he wanted and now hopefully Michelle | 0:56:53 | 0:56:56 | |
and Jamie have got what they wanted. | 0:56:56 | 0:56:58 | |
It may not be a castle, but it is a gorgeous home. | 0:56:58 | 0:57:02 | |
I will see you next time. | 0:57:02 | 0:57:03 | |
If you would like to Escape To The Country | 0:57:04 | 0:57:06 | |
in either England, Wales, Northern Ireland or Scotland | 0:57:06 | 0:57:09 | |
and would like our help, then please apply online at... | 0:57:09 | 0:57:13 |