Browse content similar to South Devon. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The view behind me was the inspiration | 0:00:02 | 0:00:03 | |
for a very evocative hymn penned by a local clergyman in 1847, | 0:00:03 | 0:00:07 | |
which, to this day, brings tears to the eyes of British sport fans. | 0:00:07 | 0:00:11 | |
I wonder if you can guess which hymn it is and where I might be. | 0:00:11 | 0:00:15 | |
I'll let you know in just a few moments. | 0:00:15 | 0:00:17 | |
Today, it's good old country air | 0:00:34 | 0:00:36 | |
that's attracting an artistic duo to move south. | 0:00:36 | 0:00:39 | |
And our houses are met with a warm reception. | 0:00:39 | 0:00:42 | |
-It has that nice feel about it. -It's got a cosy feel, hasn't it? | 0:00:42 | 0:00:45 | |
-Yes, that's it. That's the very word I was looking for. Cosy. -Yes. | 0:00:45 | 0:00:48 | |
There are also some surprises in store. | 0:00:48 | 0:00:51 | |
We certainly weren't asking for period, but... | 0:00:51 | 0:00:53 | |
this may be an exception. | 0:00:53 | 0:00:55 | |
Today, I'm here in the beautiful county of Devon, | 0:00:59 | 0:01:02 | |
and this is All Saints' Church in Brixham, | 0:01:02 | 0:01:05 | |
where the Reverend Henry Francis Lyte was the vicar. | 0:01:05 | 0:01:08 | |
Tragically, he contracted tuberculosis | 0:01:08 | 0:01:10 | |
and had just a few weeks left to live | 0:01:10 | 0:01:12 | |
when he wrote the evocative words to Abide With Me, | 0:01:12 | 0:01:16 | |
a hymn that's gone on to be sung at every FA Cup final since 1927. | 0:01:16 | 0:01:21 | |
His legacy is the creation of a beloved British sporting anthem, | 0:01:21 | 0:01:25 | |
and every evening, here in Brixham, | 0:01:25 | 0:01:27 | |
the streets echo to the sound of church bells | 0:01:27 | 0:01:30 | |
ringing out that famous tune. | 0:01:30 | 0:01:32 | |
The county of Devon is located in the area of England | 0:01:32 | 0:01:36 | |
known as the West Country, | 0:01:36 | 0:01:38 | |
with Cornwall to one side and Somerset and Dorset to the other. | 0:01:38 | 0:01:42 | |
It features two striking coastlines. | 0:01:42 | 0:01:45 | |
The northern one faces out to the Bristol Channel, | 0:01:45 | 0:01:47 | |
whilst the southern one includes a large section of the Jurassic Coast, | 0:01:47 | 0:01:52 | |
England's first Natural World Heritage site. | 0:01:52 | 0:01:55 | |
The cliffs here are a 250-million-year walk through time, | 0:01:55 | 0:02:00 | |
with some of the oldest and most recent rock formations | 0:02:00 | 0:02:04 | |
both located in the county. | 0:02:04 | 0:02:06 | |
Inland, Dartmoor National Park combines broad expanses | 0:02:06 | 0:02:11 | |
of open moorland and densely wooded or gorse-scattered hills. | 0:02:11 | 0:02:15 | |
Dartmoor's deep valleys are home to atmospheric villages | 0:02:15 | 0:02:19 | |
and small towns like Chagford. | 0:02:19 | 0:02:21 | |
Known for its well-preserved 15th- and 16th-century buildings, | 0:02:21 | 0:02:26 | |
including an impressive octagonal market house, | 0:02:26 | 0:02:29 | |
legend has it that a wedding day tragedy in the local church | 0:02:29 | 0:02:33 | |
inspired the 19th-century historical novel Lorna Doone. | 0:02:33 | 0:02:38 | |
So, with its unique coastlines, extraordinary landscapes | 0:02:38 | 0:02:42 | |
and historic towns and villages, | 0:02:42 | 0:02:44 | |
Devon is a county that provides a captivating mixture | 0:02:44 | 0:02:48 | |
for both a temporary or more permanent country escape. | 0:02:48 | 0:02:51 | |
With so much on offer, it's no surprise that here in Devon, | 0:02:53 | 0:02:56 | |
the average price of a detached house | 0:02:56 | 0:02:58 | |
is £20,000 above the national figure, at almost £310,000. | 0:02:58 | 0:03:04 | |
And in hotspots like Dartmouth on the River Dart, | 0:03:04 | 0:03:07 | |
that can quickly rise. | 0:03:07 | 0:03:09 | |
So if you want your money to stretch further, | 0:03:09 | 0:03:11 | |
it's worth coming north of the A38, | 0:03:11 | 0:03:12 | |
away from the coast, to towns like Buckfastleigh and Ivybridge. | 0:03:12 | 0:03:16 | |
But what about today's house-hunters? What are they after? | 0:03:16 | 0:03:19 | |
Let's find out a little bit more about them. | 0:03:19 | 0:03:22 | |
Professional storyteller Janet | 0:03:22 | 0:03:24 | |
and her retired systems engineer husband Jeff | 0:03:24 | 0:03:27 | |
met 25 years ago over their love of classical music. | 0:03:27 | 0:03:32 | |
We went to the same event and we saw each other and... | 0:03:32 | 0:03:36 | |
lo and behold! | 0:03:36 | 0:03:38 | |
He sat next to me in the Proms, | 0:03:39 | 0:03:42 | |
and then afterwards, we went for a drink. | 0:03:42 | 0:03:45 | |
True love blossomed and they never looked back. | 0:03:45 | 0:03:48 | |
We got married in '94. | 0:03:48 | 0:03:50 | |
-It's 21 years. -Yeah. | 0:03:50 | 0:03:52 | |
The things she gets me into... | 0:03:52 | 0:03:55 | |
You will never know what's going to happen next week. | 0:03:56 | 0:03:59 | |
They have lived together in their four-bedroom bungalow | 0:03:59 | 0:04:02 | |
in Ewell in Surrey for 23 years, | 0:04:02 | 0:04:04 | |
but it's been home to Jeff for even longer. | 0:04:04 | 0:04:07 | |
I bought this bungalow with my brother over 30 years ago. | 0:04:07 | 0:04:12 | |
It's a very nice cul-de-sac, nice neighbours. | 0:04:12 | 0:04:15 | |
But... | 0:04:17 | 0:04:19 | |
It's off a dual carriageway, | 0:04:19 | 0:04:20 | |
and we're just 400 yards from the boundary with Greater London. | 0:04:20 | 0:04:27 | |
Unfortunately, Janet has faced health problems over the years | 0:04:27 | 0:04:31 | |
and living so close to the big smoke often makes matters worse. | 0:04:31 | 0:04:35 | |
The hope is that a move to the country, | 0:04:35 | 0:04:38 | |
with access to fresh sea air, will provide something of a tonic. | 0:04:38 | 0:04:42 | |
So we want to look to going to the country or by the seaside... | 0:04:43 | 0:04:46 | |
-Yes. -..because the air will be cleaner. | 0:04:46 | 0:04:49 | |
So part of it is a health reason. | 0:04:49 | 0:04:51 | |
And after a trial run, they know just where they'd love to be. | 0:04:51 | 0:04:56 | |
We plan to move to Devon... | 0:04:56 | 0:04:57 | |
..focus somewhere around Sidmouth. | 0:04:59 | 0:05:01 | |
We have a flat in Sidmouth which we've been using | 0:05:01 | 0:05:04 | |
for the past four years as kind of a transition flat. | 0:05:04 | 0:05:07 | |
Get to know the area and get to know people. | 0:05:07 | 0:05:09 | |
I know Sidmouth very well. I've been going there since 1976. | 0:05:09 | 0:05:15 | |
Janet's love of a good read | 0:05:15 | 0:05:17 | |
means that they'll have plenty of company | 0:05:17 | 0:05:19 | |
in the form of a rather large amount of reading material. | 0:05:19 | 0:05:23 | |
I have 3,000 books. | 0:05:23 | 0:05:25 | |
-I've been packing my books since last November. -Yes. | 0:05:25 | 0:05:28 | |
That's why we've got 160-odd boxes in the garage at the moment. | 0:05:28 | 0:05:32 | |
Yes, that's true! | 0:05:32 | 0:05:35 | |
And that doesn't include the thousands I've given away. | 0:05:35 | 0:05:39 | |
Janet is planning to continue her storytelling after the move. | 0:05:39 | 0:05:44 | |
And Jeff will have plenty to keep him busy too. | 0:05:44 | 0:05:47 | |
I have three main interests, | 0:05:47 | 0:05:50 | |
one of which is photography, | 0:05:50 | 0:05:53 | |
the other is golf | 0:05:53 | 0:05:56 | |
and the third is volunteering. | 0:05:56 | 0:05:58 | |
I've been volunteering with the Epsom Riding for the Disabled group | 0:05:58 | 0:06:02 | |
now for 15 years, | 0:06:02 | 0:06:03 | |
and I'm hoping to explore the opportunities | 0:06:03 | 0:06:06 | |
wherever it is we end up | 0:06:06 | 0:06:09 | |
for the local Riding for the Disabled. | 0:06:09 | 0:06:11 | |
With their bungalow already sold, | 0:06:11 | 0:06:13 | |
it's time to get the ball rolling on their property search. | 0:06:13 | 0:06:17 | |
So they'll shortly be moving to their flat in Sidmouth | 0:06:17 | 0:06:20 | |
while they wait for their Devonshire dream home to come along. | 0:06:20 | 0:06:24 | |
I'm really looking forward to moving down to Devon. | 0:06:24 | 0:06:26 | |
I want to be able to walk out of my front door and be in country, | 0:06:26 | 0:06:30 | |
breathing in the fresh air, but also being able to enjoy seeing nature. | 0:06:30 | 0:06:35 | |
I've only ever lived in two houses, | 0:06:35 | 0:06:38 | |
one I was born in and this one, | 0:06:38 | 0:06:41 | |
but we're moving on to new adventures in Devon. | 0:06:41 | 0:06:45 | |
Janet and Jeff have asked us to concentrate our search | 0:06:47 | 0:06:51 | |
in South Devon, between Plymouth and Exmouth, | 0:06:51 | 0:06:53 | |
an area to the west of their flat in Sidmouth. | 0:06:53 | 0:06:56 | |
'And before we begin the story of their house hunt, | 0:06:56 | 0:06:59 | |
'I'm meeting them in Devon to make sure I'm absolutely clear | 0:06:59 | 0:07:02 | |
'about what it is they are looking for.' | 0:07:02 | 0:07:05 | |
Well, Janet, Jeff, welcome to Devon. | 0:07:05 | 0:07:07 | |
-Thank you. -So what kind of thing are you searching for? | 0:07:07 | 0:07:10 | |
A minimum of four bedrooms, | 0:07:10 | 0:07:12 | |
and make sure that both Janet and I have a place to work, | 0:07:12 | 0:07:18 | |
a nice study area. | 0:07:18 | 0:07:19 | |
So, two studies, a home for the books and lots of bedrooms. | 0:07:19 | 0:07:22 | |
This is just for the two of you? | 0:07:22 | 0:07:24 | |
Well, we've got lots of family we want to come and visit, | 0:07:24 | 0:07:27 | |
and friends to visit, | 0:07:27 | 0:07:28 | |
but I also like running workshops with storytellers. | 0:07:28 | 0:07:31 | |
Is there anything you're not looking for? | 0:07:31 | 0:07:33 | |
I'd prefer not to have thatch. | 0:07:33 | 0:07:36 | |
OK. And what are the must haves? | 0:07:36 | 0:07:38 | |
Well, for me, it'd be nice to have a bungalow, | 0:07:38 | 0:07:42 | |
but we are open to looking at two-storey. | 0:07:42 | 0:07:45 | |
But for me, there needs to be the possibility | 0:07:45 | 0:07:47 | |
of having a bedroom on the ground floor. | 0:07:47 | 0:07:49 | |
I have a bad back and sometimes | 0:07:49 | 0:07:50 | |
it's very difficult to walk upstairs. | 0:07:50 | 0:07:53 | |
And what about the garden, what would you like to see? | 0:07:53 | 0:07:55 | |
-A lot of space, or...? -Not too much. | 0:07:55 | 0:07:57 | |
But Janet wants people to be able to camp in the garden | 0:07:57 | 0:08:02 | |
in case we are putting people up. | 0:08:02 | 0:08:04 | |
-OK. -So a place for tents. | 0:08:04 | 0:08:07 | |
So, no garden for you, as in to enjoy, | 0:08:07 | 0:08:10 | |
-but somewhere that...? -Low-maintenance. -OK. | 0:08:10 | 0:08:13 | |
I love gardens, I love doing a bit of work. | 0:08:13 | 0:08:15 | |
And what about the key things in the area? | 0:08:15 | 0:08:17 | |
What are you looking for there? | 0:08:17 | 0:08:18 | |
We're certainly looking for a local community | 0:08:18 | 0:08:21 | |
where we can get involved with activities, | 0:08:21 | 0:08:24 | |
you know, arts and crafts. | 0:08:24 | 0:08:26 | |
We like being with people and, you know, | 0:08:26 | 0:08:28 | |
we like popping in and out of each other's houses. | 0:08:28 | 0:08:31 | |
That's what I want to be, part of the community. | 0:08:31 | 0:08:33 | |
And I think it needs to be fairly flat. | 0:08:33 | 0:08:37 | |
Yes, because when I say, again, when my back is bad, | 0:08:37 | 0:08:39 | |
I really can't cope with any kind of slope. | 0:08:39 | 0:08:42 | |
But also that's close to local amenities, like a pub, | 0:08:42 | 0:08:45 | |
a little shop, a post office, so that we can walk down there | 0:08:45 | 0:08:48 | |
without having to get in the car and drive somewhere else. | 0:08:48 | 0:08:51 | |
Just remind me of the budget that we're working with? | 0:08:51 | 0:08:53 | |
£750,000 maximum. | 0:08:53 | 0:08:55 | |
And that is if it's a perfect house. | 0:08:55 | 0:08:58 | |
Well, I know we have some fantastic properties for you to see, | 0:08:58 | 0:09:01 | |
-let's get searching. -Thank you. -Good, let's go. | 0:09:01 | 0:09:03 | |
For their budget of £750,000, | 0:09:05 | 0:09:08 | |
Janet and Jeff are looking for a home that's either a bungalow | 0:09:08 | 0:09:11 | |
or allows for single-storey living, if needs be. | 0:09:11 | 0:09:15 | |
They need space for Janet's library of books, | 0:09:15 | 0:09:18 | |
and they'd each like a study, as well as at least four bedrooms. | 0:09:18 | 0:09:21 | |
Outside, they want a garden that's manageable, | 0:09:21 | 0:09:24 | |
but has room for camping. | 0:09:24 | 0:09:25 | |
And location-wise, they'd ideally want to be somewhere that's flat. | 0:09:25 | 0:09:29 | |
They'd also like to be close to amenities | 0:09:29 | 0:09:32 | |
with an opportunity to be part of the local community. | 0:09:32 | 0:09:35 | |
We've chosen a selection | 0:09:35 | 0:09:36 | |
of interesting and contrasting properties | 0:09:36 | 0:09:39 | |
for Janet and Jeff to view, | 0:09:39 | 0:09:40 | |
but they'll only find out the price of each one after they've toured it. | 0:09:40 | 0:09:44 | |
The final visit will be to the mystery house, | 0:09:44 | 0:09:47 | |
which might leave them thinking they're seeing double, | 0:09:47 | 0:09:50 | |
but it should guarantee each and every one of Janet's books a home. | 0:09:50 | 0:09:55 | |
We are on our way to the village of Diptford | 0:09:58 | 0:10:01 | |
in the foothills of Dartmoor. | 0:10:01 | 0:10:03 | |
The rural village is located in the South Devon Area | 0:10:03 | 0:10:05 | |
of Outstanding Natural Beauty, | 0:10:05 | 0:10:07 | |
overlooking the River Avon and surrounded | 0:10:07 | 0:10:10 | |
by stunning Devonshire scenery. | 0:10:10 | 0:10:12 | |
There's a post office here as well in a parish hall, | 0:10:12 | 0:10:15 | |
which, curiously, doubles up as the Diptford Arms pub four times a year. | 0:10:15 | 0:10:20 | |
There's also the attractive 13th-century St Mary's Church, | 0:10:20 | 0:10:24 | |
whose spire towers over the village. | 0:10:24 | 0:10:27 | |
Three miles away is the larger village of Avonwick, | 0:10:27 | 0:10:29 | |
where there's a traditional pub and a garage as well as a shop. | 0:10:29 | 0:10:33 | |
An eight-minute drive takes us back to tranquil Diptford, | 0:10:33 | 0:10:36 | |
where we find this remodelled bungalow. | 0:10:36 | 0:10:39 | |
Oh! This looks interesting. | 0:10:39 | 0:10:41 | |
Very interesting. It's a bungalow! | 0:10:41 | 0:10:44 | |
A beautiful, very spacious bungalow. | 0:10:44 | 0:10:46 | |
-Yes, it is. -It seems to go on for ages. | 0:10:46 | 0:10:49 | |
Wow. And a double garage over there, Jeff. | 0:10:49 | 0:10:51 | |
Yes. And plenty of parking, which is good. | 0:10:51 | 0:10:54 | |
Yes. There's a little village in every direction. | 0:10:54 | 0:10:57 | |
We are actually on the boundary | 0:10:57 | 0:10:59 | |
of the Area of Outstanding Natural Beauty. | 0:10:59 | 0:11:01 | |
-Yeah. -You've got two farmers living either side. | 0:11:01 | 0:11:04 | |
-OK. -There's so much more to tell you. | 0:11:04 | 0:11:06 | |
-Yes. -Shall we get in? | 0:11:06 | 0:11:07 | |
Let's go. | 0:11:07 | 0:11:09 | |
This wonderfully located property is perfect for Janet, | 0:11:09 | 0:11:12 | |
offering her single-storey living. | 0:11:12 | 0:11:15 | |
There's a pretty garden to the front | 0:11:15 | 0:11:16 | |
and we are entering straight from the terrace | 0:11:16 | 0:11:19 | |
into a beautifully bright kitchen. | 0:11:19 | 0:11:21 | |
So you've got the triple-aspect kitchen. | 0:11:21 | 0:11:23 | |
This was the new part of the bungalow | 0:11:23 | 0:11:24 | |
that was built four or five years ago. | 0:11:24 | 0:11:27 | |
-OK. -Beautiful high ceilings | 0:11:27 | 0:11:29 | |
and a wonderful look into your back garden, | 0:11:29 | 0:11:31 | |
as you wash up of an evening. | 0:11:31 | 0:11:33 | |
And then that open-plan into your living area. | 0:11:33 | 0:11:36 | |
-Right. -Is this somewhere you could have a morning cup of coffee? | 0:11:36 | 0:11:41 | |
Well, probably nip out there. | 0:11:41 | 0:11:44 | |
Well, your garden door, literally, there's not even a step | 0:11:44 | 0:11:47 | |
into the garden. I know you just want that lovely flat aspect | 0:11:47 | 0:11:50 | |
-into the garden. -Yeah. -We'll soon have the table and chairs out there. | 0:11:50 | 0:11:54 | |
I like this - forward planning already! | 0:11:54 | 0:11:56 | |
Shall we do a little exploring? | 0:11:56 | 0:11:58 | |
-Yes. -Plenty more surprises with this particular house. | 0:11:58 | 0:12:01 | |
Come this way, come this way. | 0:12:01 | 0:12:03 | |
The sitting room leads to a hallway, off which are four bedrooms. | 0:12:03 | 0:12:07 | |
We're heading to one at the back of the house. | 0:12:07 | 0:12:10 | |
Now, I wanted to show you this bedroom, | 0:12:12 | 0:12:14 | |
because it's one of the master bedrooms, | 0:12:14 | 0:12:17 | |
but this particular one's got an en-suite, | 0:12:17 | 0:12:19 | |
-which I know you were wanting. -Yes, yes. | 0:12:19 | 0:12:23 | |
And then views out into your garden. | 0:12:23 | 0:12:26 | |
-Very nice. -It's a good size. Plenty of room. | 0:12:26 | 0:12:30 | |
There's a lot of space in this house, | 0:12:30 | 0:12:32 | |
and I know you were really after that. | 0:12:32 | 0:12:33 | |
You need a home for your books. | 0:12:33 | 0:12:35 | |
-Yes. -Shall we see if we can find one in this particular house? | 0:12:35 | 0:12:38 | |
-Yes! -I think we may have just the thing. | 0:12:38 | 0:12:40 | |
-Oh, excellent. -Sounds good. | 0:12:40 | 0:12:42 | |
All right, I shall lead the way, follow me. | 0:12:42 | 0:12:45 | |
Opposite the bedroom is a family bathroom with a separate shower, | 0:12:45 | 0:12:49 | |
and along the hallway are the other three bedrooms. | 0:12:49 | 0:12:52 | |
There's a bright double with doors to the terrace at the front, | 0:12:52 | 0:12:56 | |
a smaller double at the back, | 0:12:56 | 0:12:58 | |
and next to that, a room currently used for storage, | 0:12:58 | 0:13:01 | |
then a door at the far end of the bungalow conceals the last room. | 0:13:01 | 0:13:06 | |
-OK. -Oh, my goodness. -Good grief. | 0:13:06 | 0:13:08 | |
-It's another kitchen. -It's a second kitchen. | 0:13:08 | 0:13:11 | |
What a beautiful room. | 0:13:11 | 0:13:12 | |
You've got a gorgeous decked area out here. | 0:13:12 | 0:13:15 | |
-Yes. -And the reason we have a second kitchen in this house | 0:13:15 | 0:13:18 | |
is the house is actually owned by two friends, | 0:13:18 | 0:13:22 | |
who live in separate parts of the property. | 0:13:22 | 0:13:24 | |
-Oh, right. -But I thought this would be perfect for you. | 0:13:24 | 0:13:27 | |
You can have guests stay in this half of the house | 0:13:27 | 0:13:30 | |
or you could run your writing workshops or storytelling workshops. | 0:13:30 | 0:13:34 | |
I think it would work very well as a workshop area space. | 0:13:34 | 0:13:37 | |
Yes, it offers a whole heap of opportunities. | 0:13:37 | 0:13:40 | |
It has that nice feel about it, | 0:13:40 | 0:13:42 | |
it's really quite nice and welcoming and just sort of... | 0:13:42 | 0:13:45 | |
-Yes. -It's got a cosy feel, hasn't it? | 0:13:45 | 0:13:47 | |
Yes, that's the very word I was looking for. Cosy. | 0:13:47 | 0:13:49 | |
This property has already revealed one surprise to Janet and Jeff, | 0:13:49 | 0:13:54 | |
but there's another one, as we head outside. | 0:13:54 | 0:13:57 | |
The garden is well laid out with mature trees, shrubs and flowers, | 0:13:57 | 0:14:02 | |
and there's even a pond and a small area of woodland. | 0:14:02 | 0:14:05 | |
The compact kitchen garden has far-reaching views | 0:14:05 | 0:14:08 | |
across neighbouring fields, | 0:14:08 | 0:14:10 | |
adding up to around three-quarters of an acre. | 0:14:10 | 0:14:13 | |
There's room for tents too, but that's not all. | 0:14:13 | 0:14:17 | |
-Ah. -Is that a good "ah"? | 0:14:17 | 0:14:20 | |
-Ah! Ah. -You're already liking what you see? | 0:14:20 | 0:14:23 | |
-Ah! -Your beautiful writer's retreat, here. | 0:14:23 | 0:14:26 | |
-Yes. -That looks good. | 0:14:26 | 0:14:28 | |
Two rooms, one's used as a bedroom at the moment. | 0:14:28 | 0:14:32 | |
-Yes. -So you could have guests staying. | 0:14:32 | 0:14:34 | |
The other is actually used by the current owners for artist workshops. | 0:14:34 | 0:14:38 | |
-Right. -What do you feel when you see that? | 0:14:38 | 0:14:40 | |
Well, I have to say I feel very excited. | 0:14:40 | 0:14:42 | |
-Very interesting. -So you've got your writer's retreat | 0:14:42 | 0:14:45 | |
as well as your bungalow. | 0:14:45 | 0:14:47 | |
What do you think the value of this property is? | 0:14:47 | 0:14:50 | |
Well, I think it's got most of the things that we really want. | 0:14:50 | 0:14:54 | |
I reckon it must be around about £720,000. | 0:14:54 | 0:14:58 | |
I think it's about £740,000. | 0:14:58 | 0:15:01 | |
OK. This house is on the market | 0:15:01 | 0:15:04 | |
for £649,000. | 0:15:04 | 0:15:08 | |
-Oh, very interesting. -That sounds very interesting, yes. | 0:15:08 | 0:15:12 | |
-Do you want to explore your writer's retreat? -Yes, please! | 0:15:12 | 0:15:15 | |
-Get in there, go on. -Thank you. | 0:15:15 | 0:15:18 | |
This detached bungalow has a price tag | 0:15:18 | 0:15:20 | |
a generous £101,000 below our buyers' budget. | 0:15:20 | 0:15:25 | |
The kitchen/diner is bright and spacious | 0:15:25 | 0:15:28 | |
and the separate self-contained living area and kitchen | 0:15:28 | 0:15:31 | |
open up all sorts of possibilities for Janet's workshops. | 0:15:31 | 0:15:34 | |
Four bedrooms allow Jeff to have his own space, too. | 0:15:34 | 0:15:38 | |
The garden and its views are magnificent, | 0:15:38 | 0:15:40 | |
and the writer's retreat is an unexpected bonus for Janet, | 0:15:40 | 0:15:44 | |
who could house some of her book collection here. | 0:15:44 | 0:15:48 | |
Oh, yes. There's plenty of room here. | 0:15:48 | 0:15:51 | |
For your big worktable. | 0:15:51 | 0:15:52 | |
Yep. And there's the room next door. | 0:15:52 | 0:15:55 | |
Yes. I was eyeing that up for my photography room. | 0:15:55 | 0:15:58 | |
-Well, yes, actually, that's a very good idea, isn't it? -Mm. | 0:15:58 | 0:16:01 | |
Well, the house here, it seems to meet all the requirements. | 0:16:01 | 0:16:05 | |
There's plenty of nice rooms, a few adaptations we will need to do. | 0:16:05 | 0:16:09 | |
It looks great. | 0:16:09 | 0:16:10 | |
And there's a great outside space for Janet's library | 0:16:10 | 0:16:14 | |
and my photography workshop. | 0:16:14 | 0:16:16 | |
I think this house is very interesting. | 0:16:16 | 0:16:18 | |
It has lots of rooms, lots of opportunity for developing things. | 0:16:18 | 0:16:22 | |
I think it really is a real contender, | 0:16:22 | 0:16:24 | |
and I think this whole place is inspirational | 0:16:24 | 0:16:27 | |
and I would look forward to being able to do some writing here. | 0:16:27 | 0:16:32 | |
Have we potentially found a home for your library, Janet? | 0:16:32 | 0:16:35 | |
Well, there's certainly the space for it. | 0:16:35 | 0:16:37 | |
OK, lots of smiles. | 0:16:37 | 0:16:39 | |
Absolutely, lots to think about. | 0:16:39 | 0:16:41 | |
-Let's keep going. -OK. -Good. | 0:16:41 | 0:16:43 | |
Devon's rich pasture land and moderate climate | 0:16:47 | 0:16:50 | |
means a good variety of crops flourish here, | 0:16:50 | 0:16:53 | |
but one of the oldest crops known to man, | 0:16:53 | 0:16:55 | |
dating back some 30,000 years, | 0:16:55 | 0:16:58 | |
has all but died out in the county, | 0:16:58 | 0:17:00 | |
and it's called flax. | 0:17:00 | 0:17:02 | |
Perhaps known more nowadays for the linseed it produces, | 0:17:02 | 0:17:05 | |
its fibres are also traditionally used to make linen. | 0:17:05 | 0:17:10 | |
Susie Gillespie is a textile designer | 0:17:10 | 0:17:12 | |
based just outside of Totnes | 0:17:12 | 0:17:14 | |
who uses the environment around her for inspiration. | 0:17:14 | 0:17:18 | |
She marries age-old techniques | 0:17:18 | 0:17:20 | |
with her own creative, modern-day vision | 0:17:20 | 0:17:22 | |
and produces unique creations from linen, | 0:17:22 | 0:17:25 | |
made entirely from scratch. | 0:17:25 | 0:17:27 | |
She also runs courses in linen spinning and creative weaving. | 0:17:27 | 0:17:32 | |
Today, Janet and Jeff have come to meet her at her home studio | 0:17:32 | 0:17:36 | |
to learn how it's done. | 0:17:36 | 0:17:37 | |
Now we know Janet loves to spin a yarn, and so does Susie. | 0:17:37 | 0:17:41 | |
I'm a weaver, I process my own flax. | 0:17:43 | 0:17:46 | |
I've always used linen, | 0:17:46 | 0:17:48 | |
so I thought it would be nice to try and make my own. | 0:17:48 | 0:17:51 | |
So I've started growing it in the fields and processing it | 0:17:51 | 0:17:56 | |
to use for my work. | 0:17:56 | 0:17:57 | |
I use textiles and materials in some of my storytelling | 0:17:57 | 0:18:01 | |
with my work with people who have profound | 0:18:01 | 0:18:03 | |
and multiple learning disabilities, | 0:18:03 | 0:18:04 | |
because it helps them to have a tangible basis of learning a story, | 0:18:04 | 0:18:08 | |
or feeling a story. | 0:18:08 | 0:18:10 | |
At the moment, I buy lots of my materials from shops, | 0:18:10 | 0:18:12 | |
but the idea of maybe being able to create my own textures, | 0:18:12 | 0:18:16 | |
I think that's quite exciting. | 0:18:16 | 0:18:17 | |
Susie works with home-grown flax, | 0:18:17 | 0:18:19 | |
planted in the orchards surrounding her studio, | 0:18:19 | 0:18:22 | |
which she harvests by hand, pulling it up roots and all. | 0:18:22 | 0:18:26 | |
Once it's dry, the first stage is to remove the seed heads | 0:18:27 | 0:18:30 | |
using a large metal comb. | 0:18:30 | 0:18:32 | |
The flax is then submerged in water before it's dried again. | 0:18:32 | 0:18:36 | |
This is the flax that I've pulled up and wetted | 0:18:37 | 0:18:41 | |
for a couple of weeks in a bath of water. | 0:18:41 | 0:18:44 | |
And that just loosens off the fibres from the woody core. | 0:18:44 | 0:18:49 | |
And their fibres are what we need for the spinning to make the yarn. | 0:18:49 | 0:18:54 | |
But if I just show you how I do it with the flax breaker. | 0:18:54 | 0:18:58 | |
It's an amazing tool. | 0:18:59 | 0:19:02 | |
The design was taken from an old-fashioned flax breaker. | 0:19:02 | 0:19:08 | |
It's essentially the same process that has been used | 0:19:08 | 0:19:10 | |
for thousands of years. | 0:19:10 | 0:19:12 | |
The flax is crimped, which reveals the inner fibres. | 0:19:12 | 0:19:15 | |
You keep working at it. | 0:19:15 | 0:19:17 | |
I can see how that's turning into... | 0:19:17 | 0:19:18 | |
-The fibres are coming out. -..the fibres, wow. | 0:19:18 | 0:19:20 | |
That's very interesting. | 0:19:20 | 0:19:22 | |
If Janet is serious about making her own yarn, | 0:19:22 | 0:19:24 | |
then she better have a go herself. | 0:19:24 | 0:19:27 | |
You take the handle. | 0:19:27 | 0:19:29 | |
OK. | 0:19:29 | 0:19:30 | |
It's changing, it really is changing, isn't it? | 0:19:33 | 0:19:35 | |
That's probably ready now, I can show you the next step. | 0:19:37 | 0:19:40 | |
OK. | 0:19:40 | 0:19:41 | |
The next stage is for the flax to be spun into yarn | 0:19:42 | 0:19:45 | |
using a spinning wheel before it's woven into fabric. | 0:19:45 | 0:19:48 | |
The golden yarn can be dyed a rainbow of colours. | 0:19:48 | 0:19:52 | |
Susie creates all kinds of products from her linen, | 0:19:52 | 0:19:55 | |
including cushions, artwork and table runners. | 0:19:55 | 0:19:58 | |
So this is the yarn that's been spun? | 0:19:59 | 0:20:01 | |
Yes, it's ready now to start weaving. | 0:20:01 | 0:20:04 | |
With the weaving, you use your feet to press the pedals. | 0:20:04 | 0:20:08 | |
And we use the two outside pedals to make the alternate shafts come up. | 0:20:08 | 0:20:14 | |
These are the shafts. | 0:20:14 | 0:20:15 | |
So if you press one pedal down, and you put the shuttle across... | 0:20:15 | 0:20:21 | |
..and you use the beater to beat the thread in place. | 0:20:23 | 0:20:27 | |
And then you take your foot off the pedal, | 0:20:27 | 0:20:29 | |
then put the other foot on and change it to the other side. | 0:20:29 | 0:20:34 | |
So I guess it's a lot different from machines in the factory, | 0:20:36 | 0:20:39 | |
where they produce perfect stuff every time. | 0:20:39 | 0:20:42 | |
Yes. Well, I think by doing it by hand, | 0:20:42 | 0:20:45 | |
you are able to put in elements that you like | 0:20:45 | 0:20:48 | |
and then sometimes, if it goes a bit wrong, | 0:20:48 | 0:20:51 | |
it just adds to the creativity, you know, the human error adds to it. | 0:20:51 | 0:20:56 | |
Now Janet and Jeff are getting the chance | 0:20:56 | 0:20:59 | |
to put their stamp on a weave. | 0:20:59 | 0:21:02 | |
Yes. | 0:21:02 | 0:21:05 | |
And to the other one. | 0:21:05 | 0:21:08 | |
And then we are backing this one through. | 0:21:08 | 0:21:10 | |
That's it. | 0:21:10 | 0:21:12 | |
OK, go. | 0:21:12 | 0:21:13 | |
OK. | 0:21:15 | 0:21:17 | |
Let's see what you've done. Really nice. | 0:21:17 | 0:21:19 | |
It's been a lovely day. Learnt a lot. | 0:21:19 | 0:21:21 | |
Thanks for coming. Good luck with your house-hunting. | 0:21:21 | 0:21:24 | |
-Thank you. -Thank you. | 0:21:24 | 0:21:26 | |
Now our pair have learned how to spin a yarn, | 0:21:26 | 0:21:29 | |
it's time to reflect on their Devon journey so far, | 0:21:29 | 0:21:32 | |
before our house hunt continues tomorrow. | 0:21:32 | 0:21:35 | |
Morning has broken on the next leg of our trip around South Devon, | 0:21:40 | 0:21:44 | |
searching for a country home for Janet and Jeff from Surrey. | 0:21:44 | 0:21:48 | |
And armed with a budget of £750,000, | 0:21:48 | 0:21:51 | |
our brief is to find a property that allows for ground-floor living. | 0:21:51 | 0:21:55 | |
We've still got a mystery house with a rather big bonus. | 0:21:55 | 0:21:59 | |
Now that would be a great place | 0:21:59 | 0:22:00 | |
to have a glass of something lovely in the evening, | 0:22:00 | 0:22:02 | |
-on that patio space there. -Or first thing in the morning. | 0:22:02 | 0:22:04 | |
Oh, first thing in the morning! I like your style. | 0:22:04 | 0:22:07 | |
And I will be working out whodunnit | 0:22:07 | 0:22:10 | |
when I visit a world-famous crime writer's | 0:22:10 | 0:22:13 | |
rather magnificent Devonshire home. | 0:22:13 | 0:22:14 | |
Any details in this room that are in her books? | 0:22:14 | 0:22:17 | |
Absolutely. In Dead Man's Folly, Poirot was sitting here, | 0:22:17 | 0:22:20 | |
Mrs Stubbs would be sitting here | 0:22:20 | 0:22:22 | |
looking at her emerald ring with her arms stretched out. | 0:22:22 | 0:22:25 | |
Today is day two of our property search, | 0:22:27 | 0:22:29 | |
and later on I'll be showing our lovely couple their mystery house, | 0:22:29 | 0:22:33 | |
or should I say houses? | 0:22:33 | 0:22:36 | |
But first to a rather grand and very imposing property. | 0:22:36 | 0:22:39 | |
For our next visit, we are heading just outside | 0:22:43 | 0:22:45 | |
the village of Stoke Gabriel, | 0:22:45 | 0:22:47 | |
which is situated on a creek of the historic River Dart. | 0:22:47 | 0:22:51 | |
The unspoiled village has a good selection of shops, | 0:22:51 | 0:22:54 | |
alongside places to eat and drink. | 0:22:54 | 0:22:57 | |
Its narrow lanes roll down to the river, | 0:22:57 | 0:22:59 | |
where Dart salmon has long been fished. | 0:22:59 | 0:23:02 | |
Just a six-minute drive away | 0:23:03 | 0:23:05 | |
is the rather handsome property we've come to see. | 0:23:05 | 0:23:09 | |
What I'm liking is the big, big smiles that I'm seeing already. | 0:23:09 | 0:23:14 | |
-It looks great. -Yes. | 0:23:15 | 0:23:17 | |
It is full of character. | 0:23:17 | 0:23:19 | |
I love the doorway. | 0:23:19 | 0:23:21 | |
The doorway is just so inviting, it's so much a story house. | 0:23:21 | 0:23:23 | |
It's got a history. There must be a story there somewhere. | 0:23:23 | 0:23:27 | |
It has a great history. | 0:23:27 | 0:23:29 | |
Late Georgian, Grade II listed, | 0:23:29 | 0:23:32 | |
restored just four years ago through the entire house. | 0:23:32 | 0:23:36 | |
So there is so little work to do inside. | 0:23:36 | 0:23:39 | |
We certainly weren't asking for period, | 0:23:39 | 0:23:41 | |
but this may be an exception. | 0:23:41 | 0:23:44 | |
-Let's go in. -All right, you can't wait, can you? | 0:23:44 | 0:23:47 | |
Come on, let's do it. | 0:23:47 | 0:23:49 | |
This impressive double-fronted property | 0:23:49 | 0:23:51 | |
was built around 1820 as a farmhouse. | 0:23:51 | 0:23:54 | |
The current owners have spent a year transforming the property | 0:23:54 | 0:23:57 | |
into the home we are about to explore. | 0:23:57 | 0:24:00 | |
It is attached on either side to former farm buildings, | 0:24:00 | 0:24:03 | |
which are now separate residences. | 0:24:03 | 0:24:05 | |
As we cross the threshold, | 0:24:07 | 0:24:09 | |
a grand entrance hall passes a sweeping stairway, | 0:24:09 | 0:24:12 | |
which leads to a rather majestic sitting room. | 0:24:12 | 0:24:16 | |
Beautiful cornicing in keeping with a Georgian property, ceiling rose. | 0:24:16 | 0:24:20 | |
The original sash windows from the farmhouse. | 0:24:20 | 0:24:24 | |
And the original shutters as well. | 0:24:24 | 0:24:26 | |
It's a good-sized room, isn't it? | 0:24:26 | 0:24:28 | |
Yes, I could see myself here. | 0:24:28 | 0:24:29 | |
It's certainly got a nice, warm feel to it. | 0:24:29 | 0:24:32 | |
-There is another beautiful living room of this size. -Right. | 0:24:32 | 0:24:35 | |
And I thought that could make a perfect downstairs bedroom. | 0:24:35 | 0:24:38 | |
Again, it's gorgeous views out into the garden. | 0:24:38 | 0:24:40 | |
And behind us is a cloakroom, and utility room, | 0:24:40 | 0:24:44 | |
along this stretch of wall, | 0:24:44 | 0:24:45 | |
which is already plumbed in | 0:24:45 | 0:24:47 | |
and you can look at adding a shower in there, | 0:24:47 | 0:24:49 | |
and then you have that perfect downstairs bathroom, | 0:24:49 | 0:24:51 | |
-so you could investigate that as an option. -Yes. | 0:24:51 | 0:24:55 | |
This house may be a period property, | 0:24:55 | 0:24:57 | |
but its fine proportions and excellent flow | 0:24:57 | 0:24:59 | |
could provide an appealing option for Janet and Jeff. | 0:24:59 | 0:25:02 | |
And at the back of the property | 0:25:02 | 0:25:04 | |
is a fantastic farmhouse-style kitchen/diner | 0:25:04 | 0:25:07 | |
with access to the garden and adjacent parking spaces. | 0:25:07 | 0:25:10 | |
Oh, my word. Oh, look at the flagstones. | 0:25:12 | 0:25:15 | |
The original farmhouse floor. | 0:25:15 | 0:25:18 | |
A kitchen that has been restored so lovingly, | 0:25:18 | 0:25:23 | |
and you have your range. | 0:25:23 | 0:25:25 | |
You've got your dining space behind you. | 0:25:25 | 0:25:28 | |
-It's very nice. -I do like the fact that they do run into each other, | 0:25:28 | 0:25:31 | |
and it's a different character from the kitchen. | 0:25:31 | 0:25:33 | |
They are separately defined spaces. | 0:25:33 | 0:25:35 | |
And then in this wonderful old farmhouse kitchen, | 0:25:35 | 0:25:38 | |
running the entire length of the kitchen and dining area, | 0:25:38 | 0:25:41 | |
you have a basement room. | 0:25:41 | 0:25:44 | |
So for guests, friends, family coming to stay, | 0:25:44 | 0:25:47 | |
it also has a little bathroom downstairs, too. | 0:25:47 | 0:25:49 | |
More places, either for storage, and a wonderful library, | 0:25:49 | 0:25:52 | |
or just a lovely place for guests to visit. | 0:25:52 | 0:25:55 | |
So lots of living space on the ground floor for you. | 0:25:55 | 0:25:58 | |
Should we take a look upstairs? | 0:25:58 | 0:26:00 | |
-Yes, please. -OK. | 0:26:00 | 0:26:01 | |
The winding stairway leads to the first floor, | 0:26:04 | 0:26:06 | |
passing a wonderful picture window with views to the garden. | 0:26:06 | 0:26:10 | |
Up on this floor, off a large landing, | 0:26:10 | 0:26:12 | |
there's a bright, tiled family bathroom and four bedrooms. | 0:26:12 | 0:26:15 | |
A spacious twin room lies at the back of the house, | 0:26:15 | 0:26:18 | |
a double at the front with a pretty feature fireplace. | 0:26:18 | 0:26:22 | |
And next door there's a smaller room used as a study. | 0:26:22 | 0:26:25 | |
But we are on our way to the largest and most impressive | 0:26:25 | 0:26:28 | |
of the four bedrooms, the master suite. | 0:26:28 | 0:26:31 | |
It's lovely and big. | 0:26:31 | 0:26:32 | |
-Lovely, big space. -And I love the fireplace. | 0:26:32 | 0:26:36 | |
It's a beautiful-size room. | 0:26:36 | 0:26:38 | |
Off this bedroom, you have an en-suite, as well. | 0:26:38 | 0:26:41 | |
Double sinks, and a lovely walk-in wardrobe. | 0:26:41 | 0:26:45 | |
So you don't need wardrobes in here. | 0:26:45 | 0:26:47 | |
No, you don't. Shall we keep taking a look? | 0:26:47 | 0:26:50 | |
-Yes, please. -Let's explore those gardens. | 0:26:50 | 0:26:52 | |
Maybe now is the time to start thinking about | 0:26:52 | 0:26:54 | |
how much a house like this might be worth. | 0:26:54 | 0:26:56 | |
Yes. | 0:26:56 | 0:26:58 | |
-You don't want to leave, do you? -No. | 0:26:58 | 0:27:00 | |
Right, come and tell me where you're going to move everything into. | 0:27:01 | 0:27:04 | |
OK. | 0:27:04 | 0:27:05 | |
Outside, there's a large garage, providing additional storage space, | 0:27:05 | 0:27:09 | |
and there's also a workshop. | 0:27:09 | 0:27:11 | |
We're heading to the grounds, which lie to the front of the house. | 0:27:11 | 0:27:15 | |
The exceptional walled garden is filled with bursts of colour. | 0:27:15 | 0:27:18 | |
There's also an immaculately manicured lawn | 0:27:18 | 0:27:21 | |
surrounded by mature shrubs and trees. | 0:27:21 | 0:27:23 | |
And beyond, in a further area of garden, | 0:27:23 | 0:27:26 | |
an idyllic summer house in which to soak up the tranquil surroundings. | 0:27:26 | 0:27:30 | |
That is quite a view of the property, isn't it? | 0:27:34 | 0:27:37 | |
It's wonderful. | 0:27:37 | 0:27:38 | |
And this land goes right up into that lovely viewing bench up there. | 0:27:38 | 0:27:42 | |
And not too difficult to maintain. | 0:27:42 | 0:27:44 | |
Mainly lawn in this area. | 0:27:44 | 0:27:47 | |
-You are wondering about the price, I'm sure. -Yes. | 0:27:47 | 0:27:50 | |
What do you think this property is on the market for? | 0:27:50 | 0:27:53 | |
I think about £690,000. | 0:27:53 | 0:27:56 | |
I shall go a bit higher than that. | 0:27:56 | 0:27:58 | |
I think about £730,000. | 0:27:58 | 0:28:03 | |
I have to say, Janet, you are closer. | 0:28:03 | 0:28:05 | |
This property is on the market... | 0:28:05 | 0:28:07 | |
for £695,000. | 0:28:07 | 0:28:12 | |
Yes. I think it's a very nice amount, and it's a nice property. | 0:28:12 | 0:28:17 | |
I get the sense you're itching to explore some more. | 0:28:17 | 0:28:19 | |
I'm going to send you off. I shall enjoy this gorgeous view. | 0:28:19 | 0:28:23 | |
This wonderful Georgian home is priced at £55,000 | 0:28:24 | 0:28:28 | |
under Janet and Jeff's budget. | 0:28:28 | 0:28:30 | |
And with all its character and space, | 0:28:30 | 0:28:32 | |
it's given them plenty to think about. | 0:28:32 | 0:28:35 | |
It's got the farmhouse kitchen Janet was dreaming of | 0:28:35 | 0:28:38 | |
and four good-sized bedrooms. | 0:28:38 | 0:28:40 | |
Outside, the garden is not only beautiful, | 0:28:40 | 0:28:43 | |
but also provides work-space options for both Janet and Jeff. | 0:28:43 | 0:28:48 | |
I really like this house. | 0:28:48 | 0:28:50 | |
As we approached it down the path, it was immediately a story house. | 0:28:50 | 0:28:54 | |
It has a story of its own, | 0:28:54 | 0:28:56 | |
but it looks like the typical sort of storybook house. | 0:28:56 | 0:28:59 | |
I love the house. I love this symmetry as you approach the house. | 0:28:59 | 0:29:03 | |
I love the size of the rooms. | 0:29:03 | 0:29:05 | |
Nice, tall ceilings. | 0:29:05 | 0:29:06 | |
Georgian windows, beautiful lights. | 0:29:06 | 0:29:08 | |
So, have you seen enough? | 0:29:10 | 0:29:12 | |
-Yes. -We certainly had a good hunt around. | 0:29:12 | 0:29:15 | |
All pretty positive? | 0:29:15 | 0:29:16 | |
-Yes. -I think it's really good, very interesting. | 0:29:16 | 0:29:19 | |
And we still have that mystery house to see. | 0:29:19 | 0:29:22 | |
The mystery house. | 0:29:22 | 0:29:23 | |
Come on. | 0:29:23 | 0:29:24 | |
It's not just Janet who's drawn to seek inspiration | 0:29:29 | 0:29:33 | |
from Devon's beautiful landscape. | 0:29:33 | 0:29:35 | |
Many creatives past and present have links to the county, | 0:29:35 | 0:29:39 | |
including Charles Dickens, Thomas Hardy and Jane Austen. | 0:29:39 | 0:29:43 | |
But one novelist is synonymous with the south of the region, | 0:29:43 | 0:29:46 | |
and that's crime writer Agatha Christie. | 0:29:46 | 0:29:49 | |
Born in Torquay, she bought Greenway House near Brixham in 1938 | 0:29:49 | 0:29:54 | |
as a holiday retreat, | 0:29:54 | 0:29:55 | |
a Georgian property with a Grade II* listing. | 0:29:55 | 0:29:58 | |
It sits on the banks of the River Dart, | 0:29:58 | 0:30:01 | |
and Christie dubbed it, "The loveliest place in the world." | 0:30:01 | 0:30:04 | |
In the year 2000, Christie's daughter gave Greenway | 0:30:04 | 0:30:07 | |
to the National Trust and the property now welcomes | 0:30:07 | 0:30:10 | |
over 100,000 visitors a year, plus overnight guests. | 0:30:10 | 0:30:15 | |
I've come to meet house and collections manager Elaine Ward | 0:30:15 | 0:30:19 | |
to find out more about the very private writer | 0:30:19 | 0:30:22 | |
and her holiday hideaway, where she was known by her married name. | 0:30:22 | 0:30:26 | |
She used to come here and escape from being Agatha Christie. | 0:30:26 | 0:30:29 | |
She was Mrs Mallowan while she was here, she was part of the community, | 0:30:29 | 0:30:32 | |
the school, children used to come in, | 0:30:32 | 0:30:35 | |
gardeners here, the community. | 0:30:35 | 0:30:36 | |
This is where she came to relax. | 0:30:36 | 0:30:38 | |
So would we find the house in any of her books? | 0:30:38 | 0:30:41 | |
We know it as Greenway, but many Agatha Christie fans | 0:30:41 | 0:30:43 | |
will know it as Naase House in Dead Man's Folly. | 0:30:43 | 0:30:46 | |
This is where the garden fete was happening, | 0:30:46 | 0:30:48 | |
and also where the murder victim was found in the boathouse | 0:30:48 | 0:30:50 | |
there down in the garden. | 0:30:50 | 0:30:52 | |
So when you read Dead Man's Folly, | 0:30:52 | 0:30:53 | |
and you're walking through the garden, walking through the house, | 0:30:53 | 0:30:56 | |
you can see the story come alive. | 0:30:56 | 0:30:59 | |
And was this always her holiday home until she passed away? | 0:30:59 | 0:31:02 | |
She did own this house until she passed away. | 0:31:02 | 0:31:04 | |
Obviously, subsequently, her daughter | 0:31:04 | 0:31:06 | |
and her son-in-law, Anthony, took over this house, | 0:31:06 | 0:31:08 | |
but she had this house until she passed away in 1976. | 0:31:08 | 0:31:12 | |
Now the National Trust have taken over | 0:31:12 | 0:31:13 | |
and we're keeping it in the spirit of Agatha Christie, | 0:31:13 | 0:31:16 | |
as if she has just walked out into the garden. | 0:31:16 | 0:31:18 | |
Well, not only is it an incredibly impressive house, | 0:31:20 | 0:31:23 | |
I can understand why Agatha Christie would have loved this view so much. | 0:31:23 | 0:31:27 | |
-Absolutely. -It is stunning. | 0:31:27 | 0:31:28 | |
Greenway was built in the late 1700s. | 0:31:30 | 0:31:33 | |
Agatha Christie had admired the striking property | 0:31:33 | 0:31:36 | |
since she was a little girl. | 0:31:36 | 0:31:37 | |
So when, as an adult, she saw it was up for sale, | 0:31:37 | 0:31:40 | |
she knew it was her dream house. | 0:31:40 | 0:31:42 | |
Today, its interior is just as it was in the 1950s. | 0:31:42 | 0:31:47 | |
This is such a large room, | 0:31:47 | 0:31:49 | |
and yet there's a sense of a really cosy atmosphere here. | 0:31:49 | 0:31:52 | |
What would Agatha have used this room for? | 0:31:52 | 0:31:55 | |
This is her drawing room. | 0:31:55 | 0:31:56 | |
And they used to spend time in here relaxing with the family, | 0:31:56 | 0:31:59 | |
mainly this area here is where they used to read her scripts. | 0:31:59 | 0:32:02 | |
She used to sit here with her family reading the stories, | 0:32:02 | 0:32:05 | |
reading the chapters. | 0:32:05 | 0:32:06 | |
So she would actually sit here reading to her family? | 0:32:06 | 0:32:09 | |
-Yes. -Sort of testing out the stories? | 0:32:09 | 0:32:10 | |
-Yes, she would. -And are there any details in this room that are in her books? | 0:32:10 | 0:32:14 | |
Absolutely. Again, Dead Man's Folly. Poirot was sitting here. | 0:32:14 | 0:32:18 | |
They would come through the doorway here, | 0:32:18 | 0:32:20 | |
and then one of the characters | 0:32:20 | 0:32:21 | |
were leaving out through the French window over here. | 0:32:21 | 0:32:23 | |
Also Mrs Stubbs would be sitting here, | 0:32:23 | 0:32:25 | |
looking at her emerald ring with her arms stretched out, | 0:32:25 | 0:32:29 | |
so you can just imagine her sitting here whilst she's looking at this. | 0:32:29 | 0:32:32 | |
Are these actually the sofas that Agatha actually sat on, | 0:32:32 | 0:32:35 | |
or have you just replicated everything? | 0:32:35 | 0:32:36 | |
No, everything that is here | 0:32:36 | 0:32:38 | |
actually belonged to Agatha Christie and her family. | 0:32:38 | 0:32:40 | |
For instance, that's a desk she used to write at whilst she was here, | 0:32:40 | 0:32:43 | |
drafting out plotlines, notebooks, that sort of thing. | 0:32:43 | 0:32:46 | |
This house is truly fascinating, | 0:32:46 | 0:32:49 | |
a shrine to the revered writer, | 0:32:49 | 0:32:51 | |
and you can feel her spirit is all around. | 0:32:51 | 0:32:54 | |
But outside in the grounds, her presence is felt, too. | 0:32:54 | 0:32:57 | |
There are 272 acres here, which roll down to the river, | 0:32:57 | 0:33:01 | |
where, by the water's edge, is the boathouse | 0:33:01 | 0:33:04 | |
Christie and her family used to relax in, | 0:33:04 | 0:33:07 | |
hold barbecues, swim and, of course, keep a small boat. | 0:33:07 | 0:33:12 | |
It was yet another location featured in her novel Dead Man's Folly, | 0:33:12 | 0:33:16 | |
where one of her characters met an untimely death. | 0:33:16 | 0:33:20 | |
Well, this is a little different from the main house. | 0:33:22 | 0:33:24 | |
What's going on here? | 0:33:24 | 0:33:25 | |
As you can see, it's in a bit of a dilapidated state, | 0:33:25 | 0:33:28 | |
so we are doing a building restoration here. | 0:33:28 | 0:33:30 | |
Sadly, we've got... | 0:33:30 | 0:33:31 | |
..plaster coming off the walls here. | 0:33:32 | 0:33:35 | |
So is anything here as it would have been in Agatha's time? | 0:33:35 | 0:33:39 | |
What you see in the building, you've got the fireplace there, | 0:33:39 | 0:33:42 | |
that was here, obviously, when Agatha was here. | 0:33:42 | 0:33:44 | |
-You've got some of the furniture. -Oh, this is hers? -Yeah, absolutely. | 0:33:44 | 0:33:47 | |
This is her chair. This is where she used to sit and do some reading. | 0:33:47 | 0:33:50 | |
So what are the unique challenges of renovating a property like this? | 0:33:50 | 0:33:54 | |
Well, the boathouse gives us an initial challenge straightaway. | 0:33:54 | 0:33:57 | |
We are right on the River Dart here, | 0:33:57 | 0:33:59 | |
so with the environment, we have to put new lime plaster on the walls. | 0:33:59 | 0:34:02 | |
We have to make sure that it's clean and dry | 0:34:02 | 0:34:05 | |
and very warm to make sure that that plaster dries significantly, | 0:34:05 | 0:34:08 | |
otherwise it all has to be taken off and started again. | 0:34:08 | 0:34:10 | |
So it's a lot of research involved | 0:34:10 | 0:34:12 | |
to make sure we use the correct materials. | 0:34:12 | 0:34:14 | |
Elaine, thank you so much for taking the time | 0:34:14 | 0:34:16 | |
to let us come and explore. | 0:34:16 | 0:34:18 | |
I know there's lots of work to be done, so I will let you get on. | 0:34:18 | 0:34:21 | |
Thank you very much. | 0:34:21 | 0:34:22 | |
From one fabulous Devon pad to another, | 0:34:24 | 0:34:27 | |
but we've got to wait a little while | 0:34:27 | 0:34:29 | |
to get to the bottom of our thriller today. | 0:34:29 | 0:34:32 | |
Mystery house. | 0:34:38 | 0:34:40 | |
What are you thinking we might show you? | 0:34:40 | 0:34:42 | |
I think it's going to be a modern farm conversion. | 0:34:42 | 0:34:45 | |
-Open-plan. -With a thatched roof? | 0:34:47 | 0:34:49 | |
Possibly not. | 0:34:51 | 0:34:52 | |
Well, you never know. | 0:34:53 | 0:34:55 | |
For our last property, | 0:34:58 | 0:34:59 | |
we're travelling to the village of Bigbury-on-Sea, | 0:34:59 | 0:35:01 | |
also located in the South Devon Area of Outstanding Natural Beauty. | 0:35:01 | 0:35:06 | |
Local amenities include a shop and a 16th-century pub and restaurant. | 0:35:06 | 0:35:11 | |
Just under six miles north | 0:35:11 | 0:35:13 | |
is the historic market town of Modbury, where a wider selection | 0:35:13 | 0:35:16 | |
of independent shops and eateries can be found, | 0:35:16 | 0:35:19 | |
including an attractive 14th-century coaching inn. | 0:35:19 | 0:35:23 | |
A quarter-of-an-hour drive takes us back to Bigbury-on-Sea | 0:35:23 | 0:35:26 | |
and our mystery property, | 0:35:26 | 0:35:29 | |
which is located behind a sweeping circular drive. | 0:35:29 | 0:35:32 | |
Just 200 metres from the sea, | 0:35:32 | 0:35:34 | |
it boasts a bird's-eye view of Burgh Island, | 0:35:34 | 0:35:37 | |
a tidal island reached by foot at low tide | 0:35:37 | 0:35:40 | |
and a sea tractor when the tide is high. | 0:35:40 | 0:35:42 | |
It provided literary inspiration to Agatha Christie | 0:35:42 | 0:35:46 | |
and also attracted Noel Coward to its Art Deco hotel in the 1930s. | 0:35:46 | 0:35:51 | |
So here we are, our mystery house. | 0:35:51 | 0:35:55 | |
-First impressions? -It's a bungalow. | 0:35:55 | 0:35:57 | |
-Which is what you are after. -Yay. | 0:35:57 | 0:35:59 | |
And it looks very big, it seems to go a long way back. | 0:35:59 | 0:36:02 | |
-Yes. -It does. | 0:36:02 | 0:36:04 | |
Any idea why it's our mystery house? | 0:36:04 | 0:36:07 | |
Not yet. | 0:36:07 | 0:36:09 | |
This particular house is our mystery house because it is two houses. | 0:36:09 | 0:36:13 | |
-Two? -Two houses? -Two houses. | 0:36:13 | 0:36:16 | |
So you have the main house here. And then the other house... | 0:36:16 | 0:36:20 | |
You know you were talking about your writing groups, | 0:36:20 | 0:36:22 | |
friends and family coming to stay? You could run it as a going concern, | 0:36:22 | 0:36:25 | |
which is what the current owners do. | 0:36:25 | 0:36:27 | |
They rent out this section of the house | 0:36:27 | 0:36:29 | |
and live in the annexe at the back. | 0:36:29 | 0:36:31 | |
-Oh. -What do you think of the idea of the two properties in one? | 0:36:31 | 0:36:35 | |
I think it's got potential. | 0:36:35 | 0:36:37 | |
-Should we see inside? Come on, let's do it. -Yes, please. | 0:36:37 | 0:36:40 | |
This wonderfully located bungalow was originally built in the 1960s | 0:36:40 | 0:36:44 | |
but was extended five years ago to create a self-contained annexe. | 0:36:44 | 0:36:50 | |
We are entering via a hallway into the original part of the property, | 0:36:50 | 0:36:53 | |
currently rented out for holidays by the present owners. | 0:36:53 | 0:36:56 | |
So nice, big hall space. | 0:36:58 | 0:37:00 | |
Already a couple of bookshelves up. Maybe room for more. | 0:37:00 | 0:37:04 | |
-And then a lovely, big living area for you. -Oh, yes. | 0:37:04 | 0:37:07 | |
It's a nice, big space. | 0:37:07 | 0:37:09 | |
-It's ideal. -With those lovely views of Burgh Island. | 0:37:09 | 0:37:12 | |
-Oh, yes. -Yes. Beautiful. | 0:37:12 | 0:37:14 | |
Now that would be a great place to have a glass of something | 0:37:14 | 0:37:16 | |
lovely in the evening, on that patio space there. | 0:37:16 | 0:37:18 | |
Or first thing in the morning. | 0:37:18 | 0:37:20 | |
Oh, first thing in the morning! I like your style. | 0:37:20 | 0:37:23 | |
Our welcoming mystery house | 0:37:23 | 0:37:25 | |
has already got Jeff's imagination working. | 0:37:25 | 0:37:27 | |
Just behind us is a dining room area, | 0:37:27 | 0:37:29 | |
off which is a beautifully finished kitchen | 0:37:29 | 0:37:31 | |
with access to a small courtyard garden. | 0:37:31 | 0:37:34 | |
And there's a utility room next door. | 0:37:34 | 0:37:36 | |
Then, behind the kitchen is a nautically themed family bathroom, | 0:37:36 | 0:37:40 | |
serving three double bedrooms. | 0:37:40 | 0:37:42 | |
There's one with doors to the courtyard | 0:37:42 | 0:37:44 | |
and a smart shower room. | 0:37:44 | 0:37:46 | |
Next door is a twin, | 0:37:46 | 0:37:48 | |
and another double is lucky enough | 0:37:48 | 0:37:50 | |
to have views across to Burgh Island. | 0:37:50 | 0:37:52 | |
That's the main bungalow, | 0:37:52 | 0:37:54 | |
and next door is the adjoining annexe the current owners call home. | 0:37:54 | 0:37:57 | |
It's just the other side of the courtyard. | 0:37:57 | 0:38:00 | |
We are starting from the open-plan kitchen and living room, | 0:38:00 | 0:38:03 | |
which takes up half of the property. | 0:38:03 | 0:38:06 | |
It's very nice. | 0:38:06 | 0:38:07 | |
Certainly nice. | 0:38:07 | 0:38:09 | |
You could use this as maybe your writer's retreat | 0:38:09 | 0:38:11 | |
and then have the main part of the property to yourselves. | 0:38:11 | 0:38:14 | |
There is also a little office outside, | 0:38:14 | 0:38:17 | |
which is a converted garage, which could be your man cave, Jeff, | 0:38:17 | 0:38:21 | |
if you wanted. | 0:38:21 | 0:38:22 | |
So, our mystery house does have lots of options for you. | 0:38:22 | 0:38:25 | |
-Yes. -Should we go and see the master bedroom? -Yes, let's. | 0:38:25 | 0:38:28 | |
The sleeping quarters just next door | 0:38:28 | 0:38:30 | |
take up the other half of the annexe. | 0:38:30 | 0:38:32 | |
So big, big room. | 0:38:32 | 0:38:35 | |
Lovely cupboard space for both of you. | 0:38:35 | 0:38:36 | |
You've got full built-in wardrobes there. | 0:38:36 | 0:38:39 | |
Very large bathroom. Lovely walk-in shower. | 0:38:39 | 0:38:43 | |
So a nice, big space for you in the annexe. | 0:38:43 | 0:38:45 | |
Certainly, it's a beautiful master bedroom. | 0:38:45 | 0:38:48 | |
And what about that view into the garden? | 0:38:48 | 0:38:50 | |
-Yes. -Nice to wake up to that. | 0:38:50 | 0:38:52 | |
When you are in bed, you can see all the way up the hill. | 0:38:52 | 0:38:55 | |
Now you've had a look, should we head out into that garden? | 0:38:55 | 0:38:58 | |
-Yes, please. -OK, come on. | 0:38:58 | 0:39:00 | |
The main bungalow benefits from wonderful sea views. | 0:39:00 | 0:39:04 | |
Behind the annexe is a stunning and expansive garden | 0:39:04 | 0:39:07 | |
surrounded by fields and hilly countryside. | 0:39:07 | 0:39:10 | |
The grounds are well kept with beautiful flowerbeds, | 0:39:10 | 0:39:13 | |
mature trees, a kitchen garden and a greenhouse. | 0:39:13 | 0:39:17 | |
There's also lapsed planning permission for a double garage, | 0:39:17 | 0:39:20 | |
which could become Janet's longed-for library. | 0:39:20 | 0:39:23 | |
It's worth coming up this tiered garden | 0:39:23 | 0:39:25 | |
to catch that view of Burgh Island and the ocean. | 0:39:25 | 0:39:30 | |
Just marvellous. | 0:39:30 | 0:39:31 | |
I think it's easy maintenance, just the right size. | 0:39:31 | 0:39:35 | |
So, easy to look after, even I might cut this grass. | 0:39:35 | 0:39:39 | |
-So it would work for you? -It certainly would. | 0:39:39 | 0:39:42 | |
You've seen the garden, the house. Now down to the price. | 0:39:42 | 0:39:45 | |
Oh, the difficult bit. | 0:39:45 | 0:39:47 | |
What do you think our mystery house is on the market for? | 0:39:47 | 0:39:49 | |
I'm going, optimistically, at £720,000. | 0:39:49 | 0:39:55 | |
OK. Janet? | 0:39:55 | 0:39:57 | |
I would think around about £680,000. | 0:39:57 | 0:40:00 | |
Take each of those offers, come halfway. | 0:40:00 | 0:40:03 | |
700,000. | 0:40:03 | 0:40:04 | |
-Right. -Offers in excess of 700,000. | 0:40:04 | 0:40:07 | |
So you're both 20 out. | 0:40:07 | 0:40:08 | |
-Yes. -Would you like to take another look at the house? | 0:40:08 | 0:40:10 | |
-Yes. -Yes, please. -You do that. | 0:40:10 | 0:40:12 | |
I'm going to take in the view a little bit longer. | 0:40:12 | 0:40:13 | |
-Enjoy. -Thank you. | 0:40:13 | 0:40:15 | |
This mystery property, with its bonus annexe, | 0:40:16 | 0:40:18 | |
could leave Janet and Jeff with £50,000 in the kitty | 0:40:18 | 0:40:22 | |
if they decide to make it theirs. | 0:40:22 | 0:40:24 | |
It offers Janet accessible single-level living | 0:40:24 | 0:40:28 | |
in a spacious home with more options than they could have dreamed of | 0:40:28 | 0:40:31 | |
for housing Janet's library, | 0:40:31 | 0:40:33 | |
as well as welcoming guests and holding workshops. | 0:40:33 | 0:40:36 | |
And Jeff would have a photography room for himself. | 0:40:36 | 0:40:40 | |
Outside, the garden is perfect for our pair | 0:40:40 | 0:40:42 | |
and comes complete with spectacular views | 0:40:42 | 0:40:45 | |
that are sure to inspire some of Janet's storytelling. | 0:40:45 | 0:40:48 | |
Plus, it's close to amenities. | 0:40:48 | 0:40:51 | |
Mystery house, it is very interesting. | 0:40:53 | 0:40:56 | |
Being divided as two, it gives great potential in dividing up | 0:40:56 | 0:41:01 | |
in the way that we want to use it. | 0:41:01 | 0:41:03 | |
I found the mystery house intriguing | 0:41:03 | 0:41:05 | |
and I can see the possibility of living here. | 0:41:05 | 0:41:08 | |
I can see how you might use it, how we might set it out. | 0:41:08 | 0:41:10 | |
But I think, for me, I'd need to know more about the area | 0:41:10 | 0:41:13 | |
before I could say, "Yes, definitely a contender." | 0:41:13 | 0:41:16 | |
-You've had a good look round the mystery house? -Certainly have. | 0:41:16 | 0:41:19 | |
-You've seen all the properties now. -Yes. -Yes. -Lots to think about. | 0:41:19 | 0:41:23 | |
Lots to think about. | 0:41:23 | 0:41:24 | |
Shall we find somewhere to have a coffee and a chat? | 0:41:24 | 0:41:26 | |
-Yes, please. -Let's do that, come on. | 0:41:26 | 0:41:28 | |
Right, it's time to catch up with Janet and Jeff | 0:41:31 | 0:41:34 | |
and find out what their next step is going to be, | 0:41:34 | 0:41:37 | |
and, I have to admit, even at the end of our search, | 0:41:37 | 0:41:39 | |
I'm not 100% sure in which direction they're heading. | 0:41:39 | 0:41:44 | |
Janet, Jeff, do we have a frontrunner | 0:41:47 | 0:41:50 | |
from all the properties we've seen? | 0:41:50 | 0:41:52 | |
Well, I think there are two which sort of spoke to us more. | 0:41:52 | 0:41:56 | |
That was the Georgian house and the mystery house. | 0:41:56 | 0:41:59 | |
We're interested in both properties, | 0:41:59 | 0:42:02 | |
so part of what we aim to do | 0:42:02 | 0:42:04 | |
is to go back, have a look round the areas, | 0:42:04 | 0:42:06 | |
find out more details about the kinds of things that go on. | 0:42:06 | 0:42:09 | |
And will you go back for a second viewing on either of the properties? | 0:42:09 | 0:42:13 | |
I think that's really subject to, you know, testing out the area, | 0:42:13 | 0:42:16 | |
finding out more about the area, what the local facilities are. | 0:42:16 | 0:42:20 | |
Well, I wish you all the best of luck with your continued search, | 0:42:20 | 0:42:23 | |
and I look forward to coming and exploring, | 0:42:23 | 0:42:25 | |
perhaps borrowing a book from your library very soon! | 0:42:25 | 0:42:27 | |
You'll be very welcome. | 0:42:27 | 0:42:28 | |
Perhaps you'll join Janet at one of her workshops there. | 0:42:28 | 0:42:31 | |
-I'm in, I'm in. Sign me up now! -Come and tell a story. | 0:42:31 | 0:42:34 | |
So we're at the end of a successful few days house-hunting | 0:42:39 | 0:42:42 | |
here in Devon. | 0:42:42 | 0:42:43 | |
I'm really pleased that we've managed to find Janet and Jeff | 0:42:43 | 0:42:45 | |
two properties that they really liked. | 0:42:45 | 0:42:48 | |
It just remains to be seen, in this particular tale, | 0:42:48 | 0:42:50 | |
whether it's their heads or their hearts that will win out. | 0:42:50 | 0:42:54 | |
See you next time on Escape To The Country. | 0:42:54 | 0:42:57 | |
If you would like to escape to the country | 0:42:57 | 0:42:59 | |
in Northern Ireland, Scotland, Wales or England, and need our help, | 0:42:59 | 0:43:03 | |
then apply online at... | 0:43:03 | 0:43:04 |