Browse content similar to West Sussex. Check below for episodes and series from the same categories and more!
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Welcome to Escape To The Country. | 0:00:02 | 0:00:03 | |
This pretty yet humble bridge was built back in 1907, | 0:00:03 | 0:00:07 | |
but since then, it has become famous around the world. | 0:00:07 | 0:00:10 | |
Every year, thousands of tourists love to visit it, but why? | 0:00:10 | 0:00:14 | |
Well, here's a clue. | 0:00:14 | 0:00:16 | |
'Today's property search starts out with a whirlwind romance.' | 0:00:34 | 0:00:39 | |
-I like it. It's nice. This is a contender. -This is lovely. -Yeah. | 0:00:39 | 0:00:42 | |
'So, can we find our house-hunters a happy ever after?' | 0:00:42 | 0:00:46 | |
-Wow! -It's got character, hasn't it? -Look at the space. -Yeah. | 0:00:46 | 0:00:50 | |
This is a master bedroom. | 0:00:50 | 0:00:52 | |
Well, today, we are in Sussex | 0:00:54 | 0:00:56 | |
and this is Poohsticks Bridge in the Ashdown Forest. | 0:00:56 | 0:00:59 | |
It was, of course, | 0:00:59 | 0:01:00 | |
the writer AA Milne who penned the famous Winnie The Pooh stories, | 0:01:00 | 0:01:04 | |
but it was his second book, The House At Pooh Corner, | 0:01:04 | 0:01:07 | |
that immortalised Pooh Bear's favourite game | 0:01:07 | 0:01:10 | |
and the idea was beautifully simple. | 0:01:10 | 0:01:12 | |
He and his friends would drop a stick over the bridge | 0:01:12 | 0:01:14 | |
into the water on this side | 0:01:14 | 0:01:16 | |
and see which one came out first on the other. | 0:01:16 | 0:01:19 | |
Located on the south coast of England, | 0:01:20 | 0:01:23 | |
the boundaries of the historic county of Sussex | 0:01:23 | 0:01:25 | |
more or less correspond to a 5th-century Anglo-Saxon kingdom, | 0:01:25 | 0:01:29 | |
now divided into two administrative counties, East and West. | 0:01:29 | 0:01:34 | |
It's a division that has its origins with the church which, | 0:01:35 | 0:01:38 | |
since at least the 11th century, | 0:01:38 | 0:01:40 | |
allotted the lands west of the River Adur to Chichester | 0:01:40 | 0:01:43 | |
and those to the east to Lewes. | 0:01:43 | 0:01:45 | |
Running across both modern counties | 0:01:45 | 0:01:48 | |
is the protected rural landscape of the South Downs | 0:01:48 | 0:01:51 | |
where 70-mile long-distance path the South Downs Way | 0:01:51 | 0:01:54 | |
follows the entire length of the hills, | 0:01:54 | 0:01:57 | |
making it a popular route for enjoying | 0:01:57 | 0:01:59 | |
some of the county's most stunning scenery. | 0:01:59 | 0:02:02 | |
One of the most iconic views the path takes in | 0:02:02 | 0:02:05 | |
is a series of undulating chalk cliffs known as the Seven Sisters. | 0:02:05 | 0:02:10 | |
Significant reminders of the region's history | 0:02:10 | 0:02:12 | |
are found in the county's buildings. | 0:02:12 | 0:02:14 | |
Situated on a headland above the mouth of the River Arun, | 0:02:14 | 0:02:18 | |
Arundel Castle combines 11th-century Norman beginnings | 0:02:18 | 0:02:21 | |
with the tastes and requirements of successive generations. | 0:02:21 | 0:02:25 | |
It was restored and extended in the 18th century | 0:02:25 | 0:02:28 | |
to provide the then owner, the 11th Duke of Norfolk, | 0:02:28 | 0:02:31 | |
with a large home in which to impress and entertain visitors. | 0:02:31 | 0:02:34 | |
So, whether you're a duke looking to make your home | 0:02:34 | 0:02:38 | |
in a renovated castle or someone seeking a more modest abode, | 0:02:38 | 0:02:41 | |
it's clear the rich mix of landscape and history makes Sussex | 0:02:41 | 0:02:45 | |
an excellent choice for a country escape. | 0:02:45 | 0:02:48 | |
Well, unfortunately, whichever way you try and cut it, | 0:02:50 | 0:02:52 | |
house-buying in Sussex is an expensive business. | 0:02:52 | 0:02:55 | |
In West Sussex, | 0:02:55 | 0:02:56 | |
the average price of a detached property is currently £430,000. | 0:02:56 | 0:03:02 | |
That's 150 grand above the national average | 0:03:02 | 0:03:05 | |
and it's not a lot better over in East Sussex. | 0:03:05 | 0:03:08 | |
There, the average price of a detached property is £360,000 | 0:03:08 | 0:03:12 | |
so you get the idea. If this part of the world is for you, | 0:03:12 | 0:03:15 | |
you do need to have some fairly deep pockets and the reason is simple. | 0:03:15 | 0:03:19 | |
For decades, it's been popular with commuters | 0:03:19 | 0:03:22 | |
thanks to its excellent mainland links into London and, of course, | 0:03:22 | 0:03:25 | |
the attraction of the south coast. So, what about today's buyers? | 0:03:25 | 0:03:29 | |
What's attracted them to this part of the world? | 0:03:29 | 0:03:32 | |
Well, let's meet them and find out. | 0:03:32 | 0:03:35 | |
Businessman Keith from East Grinstead in West Sussex | 0:03:35 | 0:03:38 | |
and retiree Jane from Hastings in East Sussex feel they've been given | 0:03:38 | 0:03:42 | |
a second chance at happiness. | 0:03:42 | 0:03:44 | |
They started dating one another just three months ago. | 0:03:44 | 0:03:47 | |
We met through the power of the internet. | 0:03:47 | 0:03:50 | |
It was lovely, actually. | 0:03:50 | 0:03:52 | |
We met for afternoon tea and we just talked and talked | 0:03:52 | 0:03:55 | |
and talked about everything. | 0:03:55 | 0:03:56 | |
Since I lost my husband, I was stuck | 0:03:56 | 0:04:00 | |
and now I feel I've got a new life. | 0:04:00 | 0:04:04 | |
I know what I want to do in business, | 0:04:04 | 0:04:06 | |
but just having it on your own is worthless. | 0:04:06 | 0:04:09 | |
You've got to have somebody to share it with and we're blessed | 0:04:09 | 0:04:12 | |
that we got that opportunity. | 0:04:12 | 0:04:14 | |
Well, things have moved on significantly | 0:04:16 | 0:04:19 | |
since that first afternoon tea | 0:04:19 | 0:04:21 | |
so they're each selling their separate houses | 0:04:21 | 0:04:23 | |
in order to buy their first shared home together. | 0:04:23 | 0:04:26 | |
It all feels very natural, actually. | 0:04:28 | 0:04:30 | |
I'm just excited by the whole prospect. | 0:04:30 | 0:04:33 | |
Currently living an hour apart in different Sussex towns, | 0:04:33 | 0:04:36 | |
they both feel that urban living is no longer for them. | 0:04:36 | 0:04:40 | |
I think the roads are getting busier and busier. | 0:04:40 | 0:04:43 | |
The town is certainly getting busier. | 0:04:43 | 0:04:47 | |
You've got noise pollution, you've got car pollution. | 0:04:47 | 0:04:50 | |
I live near Gatwick Airport | 0:04:50 | 0:04:51 | |
so you have noise pollution from that as well. | 0:04:51 | 0:04:53 | |
The dream property Jane and I are looking for | 0:04:53 | 0:04:56 | |
is very much in a rural setting. | 0:04:56 | 0:04:58 | |
I think it's that closeness to nature is what attracts us | 0:04:58 | 0:05:02 | |
of, you know, escaping to the country. | 0:05:02 | 0:05:04 | |
That's what it's all about. | 0:05:04 | 0:05:06 | |
But it's not just Keith and Jane who'll be making the move. | 0:05:06 | 0:05:09 | |
Jane's 19-year-old son Oscar will also be part of the new household. | 0:05:09 | 0:05:14 | |
We are hoping to find somewhere with space for him | 0:05:14 | 0:05:17 | |
so that as he's older, he can live independently if he chooses. | 0:05:17 | 0:05:24 | |
And as for location, well, they're not planning on going that far. | 0:05:24 | 0:05:27 | |
They want to stay in Sussex, | 0:05:27 | 0:05:29 | |
but this time in a far more rural setting. | 0:05:29 | 0:05:31 | |
It's beautiful in West Sussex and you do have the Downs | 0:05:32 | 0:05:36 | |
and the coast's lovely, of course. | 0:05:36 | 0:05:39 | |
So we're hoping to enjoy all that when we move. | 0:05:39 | 0:05:43 | |
Although it seems we're not going far, | 0:05:43 | 0:05:45 | |
I think the advantages are quite dramatic. | 0:05:45 | 0:05:49 | |
But what they're most looking forward to | 0:05:49 | 0:05:51 | |
is starting their shared life together all under the same roof. | 0:05:51 | 0:05:55 | |
We're going to have more time together, | 0:05:55 | 0:05:57 | |
which we don't have at the moment cos we're over an hour away | 0:05:57 | 0:06:00 | |
from Hastings to East Grinstead. | 0:06:00 | 0:06:02 | |
It just gives us more time, a better quality of life, | 0:06:02 | 0:06:04 | |
a better balance and, most importantly, | 0:06:04 | 0:06:06 | |
Jane and I will be together. | 0:06:06 | 0:06:08 | |
It's big and scary to take such a big step at our age, | 0:06:08 | 0:06:13 | |
but also very exciting and somehow liberating. | 0:06:13 | 0:06:18 | |
Keith and Jane would like to concentrate their search | 0:06:20 | 0:06:23 | |
in rural areas of Keith's half of Sussex, | 0:06:23 | 0:06:26 | |
somewhere within commuting distance of his work base in Crawley. | 0:06:26 | 0:06:30 | |
But before we start looking at houses, I want to find out more | 0:06:30 | 0:06:34 | |
about the type of property they're hoping to find. | 0:06:34 | 0:06:37 | |
Well, guys, I thought we'd start here | 0:06:38 | 0:06:40 | |
in the rather beautiful surroundings of Amberley Castle | 0:06:40 | 0:06:43 | |
to launch your Escape To The Country. | 0:06:43 | 0:06:44 | |
You live how far apart at the moment? | 0:06:44 | 0:06:46 | |
-An hour's drive at the moment. -An hour's drive. | 0:06:46 | 0:06:49 | |
-So, the aim is to combine your lives in one property, Jane. -Indeed. | 0:06:49 | 0:06:52 | |
Give us a picture of what it might look like | 0:06:52 | 0:06:54 | |
-cos you haven't had long to agree on what might be. -Very true! | 0:06:54 | 0:06:59 | |
Oh, just somewhere with some space, light and airy and views, | 0:06:59 | 0:07:05 | |
beautiful views we want. | 0:07:05 | 0:07:07 | |
Obviously Keith needs some space to work, so an office somewhere. | 0:07:07 | 0:07:12 | |
Four bedrooms - Jane's son Oscar is coming with us | 0:07:12 | 0:07:14 | |
so we want him to have his own living space, | 0:07:14 | 0:07:16 | |
whether an annexe or a few rooms put together. | 0:07:16 | 0:07:20 | |
Obviously a nice master bedroom, en suite for us. | 0:07:20 | 0:07:22 | |
-And what about kitchen space? -We do like kitchen/diners, don't we? | 0:07:22 | 0:07:27 | |
So, in terms of style, is this an opportunity for you | 0:07:27 | 0:07:30 | |
to get into something a little older with a bit more character in it? | 0:07:30 | 0:07:33 | |
We haven't got strong feelings about that. | 0:07:33 | 0:07:35 | |
We've got quite an open mind, really. I have, anyway! | 0:07:35 | 0:07:40 | |
I think it's the facilities is one of the key things. | 0:07:40 | 0:07:42 | |
Now, in pooling your lives and resources, | 0:07:42 | 0:07:45 | |
how much money are you going to spend on this move, Keith? | 0:07:45 | 0:07:49 | |
-£700,000. -Wow! It's a lot of money, isn't it? -It certainly is. | 0:07:49 | 0:07:53 | |
Right, then. Let's go and spend a lot of your money, shall we? | 0:07:53 | 0:07:56 | |
-Come on! -Thank you. | 0:07:56 | 0:07:57 | |
So, for a maximum budget of £700,000, | 0:08:00 | 0:08:03 | |
Jane and Keith are looking for a total of four bedrooms, | 0:08:03 | 0:08:06 | |
which will provide space for a home office for Keith | 0:08:06 | 0:08:09 | |
as well as accommodation for Jane's son Oscar, | 0:08:09 | 0:08:12 | |
ideally in a self-contained annexe. | 0:08:12 | 0:08:14 | |
The kitchen should be large, perhaps forming a kitchen/diner. | 0:08:14 | 0:08:18 | |
They'd also like a modest garden and somewhere with countryside views. | 0:08:18 | 0:08:23 | |
We've found three fantastic properties to tempt them with | 0:08:23 | 0:08:26 | |
and, at each one, I'll be asking them to guess the price | 0:08:26 | 0:08:29 | |
before I reveal it. | 0:08:29 | 0:08:31 | |
The final one, of course, will be our Mystery House, | 0:08:31 | 0:08:33 | |
which could offer them a sumptuous slice of splendour. | 0:08:33 | 0:08:36 | |
We're kicking off our property search | 0:08:41 | 0:08:44 | |
half an hour's drive south-east of Crawley. | 0:08:44 | 0:08:46 | |
We're heading for the large West Sussex village of Storrington. | 0:08:46 | 0:08:50 | |
Known as a gateway to the South Downs, | 0:08:52 | 0:08:54 | |
Storrington's name derives from the old English | 0:08:54 | 0:08:57 | |
meaning "a place known for storks". | 0:08:57 | 0:08:59 | |
Much of the village centre lies within a conservation area | 0:08:59 | 0:09:02 | |
and offers a wide range of amenities, | 0:09:02 | 0:09:04 | |
including pubs, a butcher's and restaurants. | 0:09:04 | 0:09:08 | |
Our first house is situated along a gated leafy lane | 0:09:08 | 0:09:11 | |
next to a National Trust forest on the fringes of the village. | 0:09:11 | 0:09:14 | |
There we are. Come on in. | 0:09:16 | 0:09:18 | |
Very nice. Lovely area. | 0:09:20 | 0:09:21 | |
It's an awful phrase, I think, but kerb appeal, dare I say it. | 0:09:21 | 0:09:25 | |
Oh, yes, it's lovely. It's very attractive. | 0:09:25 | 0:09:27 | |
-And also, for Oscar, we've got Oscar his own bit. -Oh, excellent. | 0:09:27 | 0:09:31 | |
Which is up there. You see those two skylights above the carport? | 0:09:31 | 0:09:34 | |
There's a very nice studio up there. | 0:09:34 | 0:09:36 | |
That's a big tick. | 0:09:36 | 0:09:38 | |
So, I think we're catering for everybody | 0:09:38 | 0:09:39 | |
that's going to make this move. | 0:09:39 | 0:09:41 | |
Come and have a look inside. | 0:09:41 | 0:09:43 | |
Although only built in 2007, this attractive detached home | 0:09:44 | 0:09:49 | |
borrows much from the local vernacular architecture. | 0:09:49 | 0:09:52 | |
Its design includes a peg tile roof, | 0:09:52 | 0:09:54 | |
oak weather boarding and dormer windows. | 0:09:54 | 0:09:57 | |
Below its oak frame porch, | 0:09:57 | 0:10:00 | |
the front door leads straight into the first of the reception areas. | 0:10:00 | 0:10:04 | |
Right, come on in to, I guess, | 0:10:05 | 0:10:08 | |
-what is effectively a sort of dining hall, if you will. -Mm, very nice. | 0:10:08 | 0:10:12 | |
-Oh, yes. -It's coordinated, it works, doesn't it? -Yeah. | 0:10:12 | 0:10:15 | |
It's warm, isn't it, the wood? It's lovely. | 0:10:15 | 0:10:17 | |
It's light and airy, isn't it? | 0:10:17 | 0:10:19 | |
Is this the sort of feel you are looking for? | 0:10:19 | 0:10:22 | |
It feels good as you come in the place. Yeah, I think it works. | 0:10:22 | 0:10:26 | |
-Yes, I do, too. -We'll deal with the kitchen in a minute, | 0:10:26 | 0:10:28 | |
but have a look in here. This is the main living room. | 0:10:28 | 0:10:31 | |
It is a working fireplace. | 0:10:31 | 0:10:32 | |
You know, either for a wood-burner or indeed a working fire. | 0:10:32 | 0:10:36 | |
-Yes, it's very nice. Nice neutral colours. -It is, yeah. | 0:10:36 | 0:10:39 | |
There are smiles here, Jane, which is good. | 0:10:39 | 0:10:42 | |
-It's got a nice feel about it. -It's very good. | 0:10:42 | 0:10:45 | |
On the other side of the dining hallway, | 0:10:45 | 0:10:48 | |
past a useful downstairs cloakroom, we find the large country kitchen. | 0:10:48 | 0:10:52 | |
Oh, that's very nice. Yeah. | 0:10:52 | 0:10:55 | |
-Nice size. Very good. -It is, it's lovely. | 0:10:55 | 0:10:58 | |
Continuity with all the beams. | 0:10:58 | 0:11:00 | |
Yeah, really nice, actually. | 0:11:00 | 0:11:01 | |
And of course, designed with modern living very much in mind. | 0:11:01 | 0:11:04 | |
But with this nice, you know, traditional touch. Who's the cook? | 0:11:04 | 0:11:08 | |
Have you worked that out yet? | 0:11:08 | 0:11:09 | |
We muddle through between us, actually. Take turns. | 0:11:09 | 0:11:14 | |
-I mean, I think this is a very adaptable property. -It is, it is. | 0:11:14 | 0:11:17 | |
And this might be interesting, we've got two staircases. | 0:11:17 | 0:11:19 | |
-One there, in the main hallway. -Oh. | 0:11:19 | 0:11:22 | |
And a separate staircase through here, | 0:11:22 | 0:11:24 | |
-which would mean that Oscar would have his own wing. -Sounds very good. | 0:11:24 | 0:11:28 | |
Come and have a look and see if it would work. | 0:11:28 | 0:11:30 | |
Yeah, that sounds very interesting. | 0:11:30 | 0:11:32 | |
We've had a good reaction to the space and style provided | 0:11:32 | 0:11:35 | |
by the ground floor of this well-presented detached home. | 0:11:35 | 0:11:39 | |
A corridor off the kitchen leads to that second set of stairs | 0:11:39 | 0:11:42 | |
and takes us to the space above the carport | 0:11:42 | 0:11:44 | |
and up to what could be Oscar's very own self-contained quarters. | 0:11:44 | 0:11:49 | |
Now, if I were a 19-year-old, I'd be quite happy with this. | 0:11:50 | 0:11:55 | |
But you tell me, what would Oscar think? | 0:11:55 | 0:11:58 | |
-Oh, I think Oscar would be delighted. -Yeah? | 0:11:58 | 0:12:02 | |
Yes, it's lovely. Very nice. | 0:12:02 | 0:12:05 | |
It's a very good use of space, isn't it? | 0:12:05 | 0:12:07 | |
-So, we've taken care of Oscar here. -Right, yes. | 0:12:07 | 0:12:10 | |
Let's find a bedroom for you. | 0:12:10 | 0:12:12 | |
As well as this sizeable bedroom, the carport below could also be | 0:12:12 | 0:12:15 | |
converted, subject to permission, | 0:12:15 | 0:12:17 | |
which could create an entire two-storey annexe for Oscar. | 0:12:17 | 0:12:21 | |
Back in the dining hall of the main house, | 0:12:21 | 0:12:24 | |
a set of stairs leads up to three further bedrooms. | 0:12:24 | 0:12:27 | |
To the front of the house, the first of two smaller bedrooms | 0:12:27 | 0:12:30 | |
is set under the eaves and the second is currently used as a study. | 0:12:30 | 0:12:34 | |
These both make use of the family bathroom. | 0:12:36 | 0:12:38 | |
Then, over the living room, the fourth largest of the bedrooms | 0:12:38 | 0:12:41 | |
on offer is the master en suite. | 0:12:41 | 0:12:44 | |
So, this is your one. | 0:12:46 | 0:12:48 | |
You could easily incorporate a nice, sort of, dressing area | 0:12:48 | 0:12:51 | |
-or indeed a sofa. -Yes, it's a very flexible space. | 0:12:51 | 0:12:53 | |
It is and it goes the full width of the property. | 0:12:53 | 0:12:56 | |
So, you've got this nice dual aspect, dormer window arrangement. | 0:12:56 | 0:12:59 | |
-Mm. -Yeah. The light's great, isn't it? | 0:12:59 | 0:13:01 | |
Yeah, and the beams are at the right height. | 0:13:01 | 0:13:03 | |
-That's what you can do in a modern house, isn't it? -Very nice. | 0:13:03 | 0:13:06 | |
-No, I like it. It's nice. -Very nice. | 0:13:06 | 0:13:08 | |
Nice en suite, very good. This is a contender. | 0:13:08 | 0:13:10 | |
-This is lovely. -Yeah. -Yeah. | 0:13:10 | 0:13:12 | |
Well, let's see if the price matches up to your expectations. | 0:13:12 | 0:13:15 | |
-Oh, right. -Ah! -Let's go out to the garden and talk about the numbers. | 0:13:15 | 0:13:20 | |
No wonder Jane and Keith are impressed. | 0:13:20 | 0:13:22 | |
This recently-built, traditional-style property not only | 0:13:22 | 0:13:25 | |
offers a shared home for them, but there is also the added bonus of | 0:13:25 | 0:13:29 | |
separate accommodation for Oscar. | 0:13:29 | 0:13:31 | |
And outside, there's even more. | 0:13:31 | 0:13:33 | |
A front garden includes a parking area for several cars | 0:13:33 | 0:13:36 | |
and a Wendy house nestling amid mature shrubs and trees. | 0:13:36 | 0:13:39 | |
Then the south-facing rear garden provides | 0:13:41 | 0:13:44 | |
both a lawn and a paved patio. | 0:13:44 | 0:13:46 | |
A very compact little back garden, but nice. Nicely laid out. | 0:13:48 | 0:13:51 | |
It's enough to, sort of, sit out in the summer and enjoy, | 0:13:51 | 0:13:56 | |
-but without being a chore. -So... | 0:13:56 | 0:13:58 | |
-The moment of truth. -The moment of truth, Keith. | 0:13:58 | 0:14:02 | |
Yes, your 700 grand. | 0:14:02 | 0:14:04 | |
Who's going to guess first then? | 0:14:04 | 0:14:06 | |
I actually think it's bang on budget, so I'd say 699. | 0:14:06 | 0:14:10 | |
699, Jane? | 0:14:10 | 0:14:12 | |
685. | 0:14:12 | 0:14:13 | |
I mean, both of those estimates are doable within your budget. | 0:14:14 | 0:14:18 | |
-Yeah. -But if it was £650,000, that would make a real difference, | 0:14:18 | 0:14:22 | |
-wouldn't it? -Oh! -Yeah, that's very good. | 0:14:22 | 0:14:25 | |
Go and have a wander round. | 0:14:25 | 0:14:27 | |
Go and have an explore and see what you get for 650, | 0:14:27 | 0:14:29 | |
cos I think this is a really good start. Go on. | 0:14:29 | 0:14:32 | |
-I will come and find you a little bit later. -OK, thanks. | 0:14:32 | 0:14:34 | |
Brilliant. | 0:14:34 | 0:14:35 | |
Coming in a significant £50,000 below budget, | 0:14:35 | 0:14:39 | |
this traditional-style new build offers pretty much everything | 0:14:39 | 0:14:43 | |
Keith and Jane have asked for. | 0:14:43 | 0:14:45 | |
There are spacious reception rooms, | 0:14:45 | 0:14:47 | |
along with a goods-sized kitchen-breakfast room. | 0:14:47 | 0:14:50 | |
And the layout offers three-bedroom accommodation | 0:14:50 | 0:14:53 | |
for themselves and a separate one bedroom wing for Jane's son Oscar. | 0:14:53 | 0:14:56 | |
Outside provides an easy to manage garden and the house is situated | 0:14:56 | 0:15:00 | |
along a peaceful lane, just a half hours' commute from Keith's work. | 0:15:00 | 0:15:04 | |
The first property is a very pleasant surprise. | 0:15:06 | 0:15:08 | |
Beautiful doors, oak flooring throughout, | 0:15:08 | 0:15:11 | |
very rural, very peaceful, which is what Jane and I are looking for. | 0:15:12 | 0:15:17 | |
We love the old, | 0:15:17 | 0:15:18 | |
we liked the new and it married both of them in one property. | 0:15:18 | 0:15:21 | |
I think it's done to a very high standard, very pleasing on the eye. | 0:15:21 | 0:15:26 | |
It would be a good space, wouldn't it, for him? | 0:15:26 | 0:15:29 | |
Bedroom there, put a shower room downstairs | 0:15:29 | 0:15:32 | |
and it could all be done without inconvenience | 0:15:32 | 0:15:35 | |
during the building work. | 0:15:35 | 0:15:37 | |
It's very light and airy, which is one of the things I was looking for. | 0:15:37 | 0:15:41 | |
And surrounded by the trees is just so beautiful. | 0:15:43 | 0:15:46 | |
Not too far from Keith's work, so it's all good. | 0:15:46 | 0:15:49 | |
I think there's going to be quite a challenge to come up with | 0:15:49 | 0:15:53 | |
two others that match up to the first one, at the minute. | 0:15:53 | 0:15:56 | |
I'm thinking, Oscar. | 0:15:56 | 0:15:58 | |
Or not. | 0:15:58 | 0:16:00 | |
Look, it's detached, it's got its own front door, | 0:16:00 | 0:16:03 | |
it's got its own balcony. | 0:16:03 | 0:16:04 | |
I mean, how many 19-year-olds have got their own pad? | 0:16:04 | 0:16:07 | |
There's no en suite, won't work. | 0:16:07 | 0:16:09 | |
There's always something, isn't there? Come on. | 0:16:09 | 0:16:12 | |
Relatively isolated by its geography of forests, | 0:16:17 | 0:16:20 | |
sticky clays, marshes and coast, | 0:16:20 | 0:16:23 | |
Sussex remained culturally distinct for centuries. | 0:16:23 | 0:16:27 | |
It was the last Anglo-Saxon kingdom to become Christian. | 0:16:27 | 0:16:30 | |
It retains many idiosyncratic traditions, | 0:16:30 | 0:16:34 | |
but some local customs are a lot less ancient. | 0:16:34 | 0:16:38 | |
In recent years, the autumn festival at Slindon has put | 0:16:38 | 0:16:41 | |
the West Sussex village on the map as the pumpkin capital of England. | 0:16:41 | 0:16:45 | |
Keen to get stuck into rural Sussex life, we've sent Jane and Keith | 0:16:45 | 0:16:49 | |
to meet Robin Upton, the son of the man who started it all, | 0:16:49 | 0:16:53 | |
to find out more and see if they can get involved. | 0:16:53 | 0:16:57 | |
What's the purpose of the festival, Robin? | 0:16:57 | 0:16:59 | |
It all started back in '68. | 0:16:59 | 0:17:02 | |
My father had to grow some pumpkins for a party. | 0:17:02 | 0:17:04 | |
The following year, several people wanted pumpkins for parties. | 0:17:04 | 0:17:07 | |
Over the next ten years, | 0:17:07 | 0:17:09 | |
pumpkin and squashes were everywhere round here. | 0:17:09 | 0:17:11 | |
In the late '80s, he started doing designs up on the sheds. | 0:17:11 | 0:17:15 | |
Everybody wanted to see it again next year. They keep coming back. | 0:17:15 | 0:17:18 | |
-Great. -If you want to know more about this place, | 0:17:18 | 0:17:21 | |
Mark will tell you. He's just up there. | 0:17:21 | 0:17:23 | |
The festival centres on a colourful display of the gourd family. | 0:17:23 | 0:17:26 | |
Originally placed on shed roofs, health and safety concerns | 0:17:26 | 0:17:30 | |
about the weighty potential of some of the pumpkins means | 0:17:30 | 0:17:33 | |
they are now supported by a scaffold | 0:17:33 | 0:17:35 | |
with stakes holding them firmly in place. | 0:17:35 | 0:17:38 | |
This year's centrepiece of 1,300 gourds, celebrates 150 years | 0:17:39 | 0:17:43 | |
of the Shoreham lifeboat and was designed by local artist Mark Ward. | 0:17:43 | 0:17:48 | |
How important is this festival to the village and village life? | 0:17:48 | 0:17:51 | |
It's very important. It's really good for local businesses. | 0:17:51 | 0:17:54 | |
As you can see, there's a lot of people here today | 0:17:54 | 0:17:56 | |
-and it's only, sort of, ten o'clock in the morning. -Great. | 0:17:56 | 0:17:59 | |
Is there anything we can do to be involved? It sounds really good. | 0:17:59 | 0:18:03 | |
There is. We carve out a lot ready for Halloween, | 0:18:03 | 0:18:06 | |
so maybe you'd like to join me and do that. | 0:18:06 | 0:18:08 | |
Maori people were making lanterns from gourds over 700 years ago, | 0:18:09 | 0:18:13 | |
but the Halloween tradition is thought to have started in Ireland, | 0:18:13 | 0:18:16 | |
when turnips were turned into grotesque faces | 0:18:16 | 0:18:19 | |
for a Gaelic festival in order to ward off the dark spirits of winter. | 0:18:19 | 0:18:24 | |
Now, whether or not there any malevolent forces | 0:18:24 | 0:18:26 | |
that need to be startled by this year's display in Slindon, | 0:18:26 | 0:18:30 | |
Mark has some top tips for creating a perfect jack-o'-lantern. | 0:18:30 | 0:18:34 | |
A lot of people, they carve out the top where the stock's been | 0:18:36 | 0:18:39 | |
-and then they try and put a candle in. -Right. | 0:18:39 | 0:18:41 | |
You can burn your hand, so it's actually safer | 0:18:41 | 0:18:45 | |
and keeps the fruit longer if you cut the bottom out. | 0:18:45 | 0:18:49 | |
Now it's time for creative expression. | 0:18:49 | 0:18:52 | |
First, marking out a face with a pen | 0:18:52 | 0:18:54 | |
and then using a knife to carve it out. | 0:18:54 | 0:18:56 | |
When you've done your cutting, it's much easier, rather than | 0:18:56 | 0:18:58 | |
trying to push it in, to put your hand inside and just pop them out. | 0:18:58 | 0:19:02 | |
-Wow, look at that. -Not too bad. | 0:19:03 | 0:19:06 | |
Meow! That's great. | 0:19:06 | 0:19:08 | |
Yeah, self-portrait. | 0:19:08 | 0:19:10 | |
Shall we go put these on the display? | 0:19:10 | 0:19:13 | |
-Yeah, good idea. -Fantastic. -Good idea. | 0:19:13 | 0:19:15 | |
It looks like Jane and Keith's pumpkins | 0:19:15 | 0:19:17 | |
face some stiff competition this year. | 0:19:17 | 0:19:20 | |
But it's back to carving out their own piece of Sussex's rural life, | 0:19:20 | 0:19:23 | |
as their property search continues. | 0:19:23 | 0:19:25 | |
Our next house is across the border, located in | 0:19:30 | 0:19:33 | |
the small East Sussex hamlet of Easons Green, | 0:19:33 | 0:19:36 | |
a 45-minute drive from Crawley | 0:19:36 | 0:19:38 | |
and a six-minute drive from East Hoathly village. | 0:19:38 | 0:19:42 | |
Lying along the long-distance Weald Way footpath, | 0:19:42 | 0:19:45 | |
East Hoathly offers a selection of services, | 0:19:45 | 0:19:48 | |
both essential and luxury, | 0:19:48 | 0:19:50 | |
as well as country pubs and a weekly artisan pizza van. | 0:19:50 | 0:19:54 | |
Three centuries ago, | 0:19:54 | 0:19:55 | |
the village was home to the diarist and shopkeeper Thomas Turner. | 0:19:55 | 0:19:59 | |
It's still possible to read the 11-year record of | 0:19:59 | 0:20:02 | |
his 18th-century daily life as a resident here. | 0:20:02 | 0:20:05 | |
He is buried in the graveyard of the local church, | 0:20:05 | 0:20:08 | |
which is just a couple of miles away from our second house, | 0:20:08 | 0:20:11 | |
which also has a rather fascinating history of its own. | 0:20:11 | 0:20:14 | |
Right then. | 0:20:15 | 0:20:17 | |
This is number two on our list of properties this week. | 0:20:17 | 0:20:20 | |
-Yeah, very nice. -What do you think of that? | 0:20:20 | 0:20:22 | |
-I like it. -Yeah? -Yes, I do. | 0:20:22 | 0:20:25 | |
And I'm seeing the view over there. That looks fantastic. | 0:20:25 | 0:20:28 | |
Yeah, look at that. That's beautiful. Yeah. | 0:20:28 | 0:20:30 | |
Yeah, you've got a lovely view and you can see where | 0:20:30 | 0:20:34 | |
our property gets its architectural inspiration from, | 0:20:34 | 0:20:37 | |
because at its heart, this is 17th-century, | 0:20:37 | 0:20:41 | |
but it has been extended left and right of that central area | 0:20:41 | 0:20:44 | |
to give you a self-contained, one-bedroom annexe on this end. | 0:20:44 | 0:20:49 | |
Wow. It looks lovely, actually, doesn't it? | 0:20:49 | 0:20:53 | |
Really nice, really attractive. | 0:20:53 | 0:20:56 | |
This detached period property originally provided | 0:20:56 | 0:20:59 | |
a cottage for a pig farmer. | 0:20:59 | 0:21:01 | |
The entrance porch on the oldest part of the house leads us straight | 0:21:01 | 0:21:05 | |
through into a spacious reception room with a large feature fireplace. | 0:21:05 | 0:21:09 | |
-That's excellent. -Yeah? -Yeah. -It is. | 0:21:09 | 0:21:12 | |
Yeah, that's perfect. | 0:21:12 | 0:21:15 | |
And this is where the earlier origins of this building | 0:21:15 | 0:21:19 | |
really reveal themselves with that lovely brick built... | 0:21:19 | 0:21:22 | |
-Yeah, that's beautiful. -It's a very nice room, isn't it? | 0:21:22 | 0:21:25 | |
-With the sunlight shining. -Yeah, and it's a big room as well. | 0:21:25 | 0:21:28 | |
That area there, if you didn't have a piano, | 0:21:28 | 0:21:31 | |
is crying out for study space perhaps. | 0:21:31 | 0:21:34 | |
-Yeah. -Yeah. That could be used for a number of things. | 0:21:34 | 0:21:36 | |
It's perfect. It looks very good. Love the stonework there, | 0:21:36 | 0:21:39 | |
-the floors. Beautiful. -Yes, very nice. | 0:21:39 | 0:21:41 | |
Well, the stonework leads us nicely through to the dining room. | 0:21:41 | 0:21:45 | |
So, this is one of the two extensions. | 0:21:46 | 0:21:48 | |
-These nice, new oak beams you can see. -Oh, that's nice. | 0:21:48 | 0:21:51 | |
They've got it set up as a dining room, | 0:21:51 | 0:21:53 | |
-cos it flows nicely through to the kitchen. -Yeah. | 0:21:53 | 0:21:55 | |
But you could have it as another reception room. | 0:21:55 | 0:21:57 | |
Well, it's lovely with all the windows, isn't it? | 0:21:57 | 0:21:59 | |
-Beautiful. -It's saying study to me. | 0:21:59 | 0:22:02 | |
Study? | 0:22:02 | 0:22:03 | |
-It would be quite some study, Keith. -Yeah. -I'll say. | 0:22:03 | 0:22:07 | |
But have a look the kitchen, cos it does | 0:22:07 | 0:22:09 | |
all rather work as a dining room. | 0:22:09 | 0:22:11 | |
-Very nice. -That's good. Galley-style, I like it. | 0:22:13 | 0:22:15 | |
-It's nice. -Yeah, I like it. -Very practical. Plenty of room. | 0:22:15 | 0:22:18 | |
-Yeah, I like it. -It is nice. -Very nice. | 0:22:18 | 0:22:21 | |
It feels much more rural than the last one. | 0:22:21 | 0:22:24 | |
And it certainly has much more of a genuine farmhouse feel to it. | 0:22:24 | 0:22:27 | |
-Yes, it has. -In the way that it's fitted and finished and so on. | 0:22:27 | 0:22:30 | |
It's just got a nice warm feel. | 0:22:30 | 0:22:32 | |
You know, it is an interesting building. | 0:22:32 | 0:22:34 | |
It can accommodate you, but of course, it can accommodate Oscar. | 0:22:34 | 0:22:37 | |
-Oscar. -Because the annexe is right through here. -Yeah. | 0:22:37 | 0:22:40 | |
This is the annexe. | 0:22:43 | 0:22:46 | |
-Come on in. -Ooh, right. | 0:22:46 | 0:22:48 | |
-It's a good size, isn't it? -Oh, that's good, yeah. | 0:22:48 | 0:22:52 | |
-Little kitchenette. -Yeah, you've got a little kitchenette round there. | 0:22:52 | 0:22:55 | |
So it's completely self-contained. | 0:22:55 | 0:22:56 | |
-His own door, which is great. -That's really good. | 0:22:56 | 0:22:59 | |
-Would Oscar go for this? -Oh, I think so. | 0:22:59 | 0:23:02 | |
Yeah, it's good. | 0:23:02 | 0:23:04 | |
So let's wander back through the old bit, | 0:23:04 | 0:23:06 | |
use the original staircase, and find a bedroom for you. | 0:23:06 | 0:23:10 | |
The annexe also comes with a bathroom on the ground floor, | 0:23:12 | 0:23:15 | |
plus a staircase in the living area, | 0:23:15 | 0:23:17 | |
leading up to its own double bedroom. | 0:23:17 | 0:23:20 | |
There's the additional option here of accessing this annexe | 0:23:20 | 0:23:23 | |
via a Jack and Jill shower room on the upper floor, | 0:23:23 | 0:23:25 | |
which also serves two of the three bedrooms in the main house. | 0:23:25 | 0:23:29 | |
Both of these smaller bedrooms are located | 0:23:29 | 0:23:32 | |
to the front of the property. | 0:23:32 | 0:23:34 | |
Following the current owners, | 0:23:34 | 0:23:35 | |
Keith could opt to use the second as his study. | 0:23:35 | 0:23:39 | |
Then, over the dining room extension, | 0:23:39 | 0:23:41 | |
and enjoying a triple aspect, | 0:23:41 | 0:23:42 | |
is the fourth and largest of the bedrooms, reserved for our buyers. | 0:23:42 | 0:23:46 | |
This is the master. | 0:23:48 | 0:23:50 | |
-Oh, yes, I really like it. -Very nice. | 0:23:50 | 0:23:54 | |
It's a very nice room, wow. | 0:23:54 | 0:23:57 | |
-It's got character, hasn't it? -Look at the space. | 0:23:57 | 0:23:59 | |
Yeah, this is a master bedroom. | 0:23:59 | 0:24:01 | |
En suite through there. | 0:24:01 | 0:24:03 | |
Nice, new, oak floors. | 0:24:03 | 0:24:05 | |
Yeah, really like it. REALLY like it. | 0:24:05 | 0:24:08 | |
-This is the best room in the house. Beautiful. -Yeah, it's interesting... | 0:24:08 | 0:24:11 | |
And the doors as well. | 0:24:11 | 0:24:13 | |
Well, they go out to a little veranda/balcony, | 0:24:13 | 0:24:16 | |
which allows you to enjoy the views | 0:24:16 | 0:24:18 | |
-over the garden and the countryside. -Very nice. | 0:24:18 | 0:24:21 | |
I like that very much. | 0:24:21 | 0:24:23 | |
-Do we like this property? -Yes. -Yes. | 0:24:23 | 0:24:25 | |
We do like this property. | 0:24:25 | 0:24:27 | |
Good, I'm glad you like it, there's a lot to recommend it. | 0:24:27 | 0:24:29 | |
-There's one more bit to see, though, and that's the garden. -Oh, good. | 0:24:29 | 0:24:33 | |
So, resounding approval for this detached character cottage. | 0:24:36 | 0:24:40 | |
Outside, it's surrounded by farmland, | 0:24:40 | 0:24:42 | |
giving beautiful countryside views. | 0:24:42 | 0:24:45 | |
To the front, there's a large, gravel driveway, | 0:24:45 | 0:24:47 | |
with a dedicated parking space just for the annexe. | 0:24:47 | 0:24:51 | |
And to the rear of the main property, | 0:24:51 | 0:24:53 | |
there's a patio for alfresco dining, a large area of lawn, | 0:24:53 | 0:24:57 | |
a pond, | 0:24:57 | 0:24:58 | |
an apple tree, | 0:24:58 | 0:24:59 | |
and a spacious and really versatile log cabin. | 0:24:59 | 0:25:03 | |
Oh, you've just found my new office. I'm now back in the garden. | 0:25:03 | 0:25:07 | |
You nearly had the dining room, we then got him upstairs, | 0:25:07 | 0:25:10 | |
now he's out there. It's not a bad solution, Jane? | 0:25:10 | 0:25:12 | |
I think it's an excellent solution, actually! | 0:25:12 | 0:25:15 | |
So, let's have a think about the price of this one, shall we? | 0:25:15 | 0:25:20 | |
-Oh, it's too difficult. -Go on, Jane. | 0:25:20 | 0:25:22 | |
-Off you go? -It's too nice. | 0:25:22 | 0:25:25 | |
-How nice? -Erm, 695. | 0:25:25 | 0:25:28 | |
-695? -Yeah. -Yeah? Keith? | 0:25:28 | 0:25:30 | |
-My guess is 645. -645? -645. | 0:25:32 | 0:25:36 | |
I love your optimism. | 0:25:36 | 0:25:38 | |
But I'm afraid it's not 695, nor indeed 645 - | 0:25:38 | 0:25:42 | |
this is 715. | 0:25:42 | 0:25:46 | |
-Right. -However, open to offers. | 0:25:46 | 0:25:49 | |
It is very lovely. | 0:25:49 | 0:25:51 | |
Yeah, we don't need to put anything extra in here, | 0:25:51 | 0:25:54 | |
it's all here already. | 0:25:54 | 0:25:55 | |
I suggest you have a good look around before we go, | 0:25:55 | 0:25:58 | |
and I will come find you before it gets dark. | 0:25:58 | 0:26:00 | |
-Thank you. -Off you go. | 0:26:00 | 0:26:01 | |
This historic 17th-century cottage will require all of Keith and | 0:26:05 | 0:26:09 | |
Jane's budget, but it could provide everything they've asked for | 0:26:09 | 0:26:12 | |
from the moment they move in. | 0:26:12 | 0:26:14 | |
The main house has plenty of country character, | 0:26:14 | 0:26:16 | |
from featured wooden beams to exposed brick fireplace. | 0:26:16 | 0:26:20 | |
As well as three bedrooms, | 0:26:20 | 0:26:21 | |
including that triple-aspect master en suite. | 0:26:21 | 0:26:25 | |
And what's more, Oscar would get his own, separate, | 0:26:25 | 0:26:28 | |
two-storey annexe and parking space. | 0:26:28 | 0:26:30 | |
Plus, Keith has the option of that timber office in the garden, | 0:26:30 | 0:26:33 | |
from which there are peaceful countryside views. | 0:26:33 | 0:26:37 | |
-It's a nice space. -Yeah, very good. | 0:26:37 | 0:26:39 | |
-I like it. -Yeah. It's totally self contained, beautiful. | 0:26:41 | 0:26:45 | |
I'm sure Oscar would really like it. | 0:26:45 | 0:26:48 | |
I really liked property number two. | 0:26:48 | 0:26:50 | |
I was so surprised, actually, how much I liked it. | 0:26:50 | 0:26:54 | |
It just felt so lovely. | 0:26:54 | 0:26:56 | |
I think it's the old-fashioned farmhouse feel about it. | 0:26:56 | 0:26:59 | |
The high point for me of this property was the master bedroom. | 0:26:59 | 0:27:03 | |
It had everything. | 0:27:03 | 0:27:04 | |
Triple aspect, balcony, large room, beams, en suite - | 0:27:04 | 0:27:08 | |
I don't think you could have a better master bedroom than that. | 0:27:08 | 0:27:11 | |
Absolutely spot on. | 0:27:11 | 0:27:13 | |
A contender? Don't rule it out. | 0:27:13 | 0:27:15 | |
This is the real deal. | 0:27:15 | 0:27:17 | |
This is genuinely Escape To The Country. | 0:27:17 | 0:27:21 | |
Good! Well, how was that for a first day of house-hunting? | 0:27:21 | 0:27:25 | |
-Great. -Excellent. | 0:27:25 | 0:27:27 | |
For your new home together. | 0:27:27 | 0:27:28 | |
-It's really exciting this, isn't it? -It is. | 0:27:28 | 0:27:30 | |
-And two real contenders. -Two real contenders. | 0:27:30 | 0:27:32 | |
One more to come tomorrow, of course, our Mystery House. | 0:27:32 | 0:27:35 | |
But, in between then and now, we've probably got time for a drink. | 0:27:35 | 0:27:41 | |
-Or two? -Or three! | 0:27:41 | 0:27:43 | |
Come on. | 0:27:43 | 0:27:44 | |
We're helping new couple Jane and Keith swap their separate houses | 0:27:55 | 0:27:59 | |
in Sussex towns for a home together in the Sussex countryside, | 0:27:59 | 0:28:03 | |
which they'll share with Jane's teenage son, Oscar. | 0:28:03 | 0:28:06 | |
With a budget of £700,000, | 0:28:07 | 0:28:10 | |
we've already shown them two great properties, but there's still | 0:28:10 | 0:28:13 | |
the Mystery House to come, which is a rather grand proposal. | 0:28:13 | 0:28:17 | |
What do you think, Jane? | 0:28:17 | 0:28:19 | |
I think it's very different. | 0:28:19 | 0:28:21 | |
And I'm hoping my attempt at a traditional Sussex craft | 0:28:21 | 0:28:24 | |
doesn't go to hell in a handbasket. | 0:28:24 | 0:28:27 | |
This is trug heaven, isn't it? | 0:28:27 | 0:28:29 | |
Well, I think it's perfectly obvious that, so far, | 0:28:31 | 0:28:33 | |
our house search here in Sussex with Keith and Jane has gone pretty well. | 0:28:33 | 0:28:37 | |
And their overwhelmingly positive response to our first two | 0:28:37 | 0:28:40 | |
properties means we can afford to take a bit of a gamble | 0:28:40 | 0:28:43 | |
with our final offering, our Mystery House. | 0:28:43 | 0:28:46 | |
Now, they clearly love a sense of space. | 0:28:46 | 0:28:48 | |
What we're about to show them has loads of that. | 0:28:48 | 0:28:51 | |
But it's unlike anything we've shown them thus far. | 0:28:51 | 0:28:54 | |
Of course, famously, | 0:28:54 | 0:28:56 | |
our Mystery Houses do like to challenge our buyers, | 0:28:56 | 0:28:58 | |
so, at the end of the day, well, nothing ventured, nothing gained. | 0:28:58 | 0:29:02 | |
We've had a very good house-hunt so far - two very strong properties | 0:29:07 | 0:29:11 | |
which, I'm delighted, are of interest. | 0:29:11 | 0:29:14 | |
So what could we possibly come up with for our final offering, | 0:29:14 | 0:29:17 | |
our Mystery House? | 0:29:17 | 0:29:18 | |
It would be nice to think, Jane, you would end up with something | 0:29:18 | 0:29:21 | |
rather grand and opulent, what do you think about that? | 0:29:21 | 0:29:24 | |
-I like the sound of that. -Yeah! | 0:29:24 | 0:29:27 | |
Any ideas what it might be then? | 0:29:27 | 0:29:29 | |
No clue, actually! | 0:29:29 | 0:29:32 | |
It could be the wing of a country house. | 0:29:32 | 0:29:34 | |
-Oh, yes! -Ah! | 0:29:34 | 0:29:36 | |
How would you feel about that? | 0:29:36 | 0:29:38 | |
Oh, well... | 0:29:38 | 0:29:40 | |
Fascinated, I should think. | 0:29:40 | 0:29:42 | |
-Well, there we are... -It sounds good, it sounds good. | 0:29:42 | 0:29:44 | |
There's the clue, let's see what you think. | 0:29:44 | 0:29:47 | |
Our Mystery House is located 12 miles southeast of Crawley, | 0:29:50 | 0:29:53 | |
in the West Sussex village of Sharpthorne. | 0:29:53 | 0:29:56 | |
On the heritage Bluebell Railway line, | 0:29:58 | 0:30:00 | |
facilities here include places to eat and drink, and a post office. | 0:30:00 | 0:30:04 | |
The Church of St Margaret's | 0:30:04 | 0:30:06 | |
has foundations dating back over 900 years, | 0:30:06 | 0:30:08 | |
laid when a Norman baron ordered a place of worship to be built here. | 0:30:08 | 0:30:12 | |
A few hundred years later, in the 17th century, | 0:30:13 | 0:30:16 | |
the manor house served as a dower building, | 0:30:16 | 0:30:18 | |
providing a lifetime's home for the widow of the local estate owner. | 0:30:18 | 0:30:23 | |
Just a short walk away, | 0:30:23 | 0:30:25 | |
our final property also started life as a rather grand country house. | 0:30:25 | 0:30:30 | |
Well, chaps, here is our mystery property. | 0:30:33 | 0:30:37 | |
Needless to say, you don't get all of it, | 0:30:37 | 0:30:39 | |
which is probably a bit of a relief. | 0:30:39 | 0:30:40 | |
What we are brokering is the upstairs of what you can see there. | 0:30:40 | 0:30:46 | |
What do you think, Jane? | 0:30:46 | 0:30:48 | |
I think it's very different. | 0:30:48 | 0:30:50 | |
It's really different. | 0:30:50 | 0:30:51 | |
I mean, it's completely different to anything we've shown you so far. | 0:30:51 | 0:30:54 | |
And it does give you this rather grand setting. | 0:30:54 | 0:30:58 | |
But within a slice of the property which is that bit more manageable. | 0:30:58 | 0:31:02 | |
-Would this appeal, Keith? -Well, we'll have a look inside. | 0:31:02 | 0:31:05 | |
-I'm dying to have a look. -It's intriguing. | 0:31:05 | 0:31:07 | |
Come on, let's have a look. | 0:31:07 | 0:31:08 | |
Originally built in 1820, | 0:31:11 | 0:31:14 | |
this Victorian country house was used during the Second World War | 0:31:14 | 0:31:17 | |
to station members of the Canadian Air Force. | 0:31:17 | 0:31:20 | |
It was later a hospital, and then a school, | 0:31:20 | 0:31:23 | |
but is now divided into sizeable residential apartments. | 0:31:23 | 0:31:26 | |
We're entering the mystery proposition via its own front door, | 0:31:27 | 0:31:31 | |
leading into a private entrance hall. | 0:31:31 | 0:31:33 | |
So, this is the only downstairs bit. | 0:31:35 | 0:31:38 | |
The hallway. It's sweet, isn't it? | 0:31:38 | 0:31:40 | |
-Big, isn't it? -Yeah. Oh, yeah, it gets bigger. | 0:31:40 | 0:31:43 | |
-The height. -Come upstairs. | 0:31:43 | 0:31:44 | |
The stairs take us up to the very spacious five-bedroom apartment, | 0:31:46 | 0:31:50 | |
starting in a reception room and conservatory. | 0:31:50 | 0:31:53 | |
This is the first thing that greets you, is the conservatory, | 0:31:53 | 0:31:56 | |
with the views, of course. Little terrace out there. | 0:31:56 | 0:31:59 | |
I think it could be lovely, actually. | 0:31:59 | 0:32:02 | |
And this, I suppose, I'd class as | 0:32:02 | 0:32:04 | |
-a family-room-cum-dining-room, really. -Yes. | 0:32:04 | 0:32:08 | |
-And I can see this being used a lot. -Yes, good space. | 0:32:08 | 0:32:11 | |
I like the fact that we're upstairs. | 0:32:11 | 0:32:13 | |
That's the nice thing about it, it's very much upside down, in a way. | 0:32:13 | 0:32:17 | |
-It's a rambler, this one. -It is, yes. -Come on, let's ramble. | 0:32:20 | 0:32:23 | |
It's just very different. | 0:32:23 | 0:32:25 | |
Have a look in here, this is the kitchen. | 0:32:25 | 0:32:27 | |
Oh, I like this. | 0:32:31 | 0:32:32 | |
Mmm, impressive size, isn't it? | 0:32:32 | 0:32:35 | |
Well, you've got these lovely Victorian proportions, | 0:32:35 | 0:32:37 | |
that's the joy of it. | 0:32:37 | 0:32:39 | |
I think we're both used to smaller, more conventional places. | 0:32:39 | 0:32:42 | |
This takes a bit of getting used to. | 0:32:42 | 0:32:44 | |
-It is a big, spacious property. -It is. | 0:32:44 | 0:32:46 | |
And these double doors here lead nicely through into | 0:32:46 | 0:32:49 | |
the living room, which, I think, perhaps has got more of a cosy feel | 0:32:49 | 0:32:53 | |
that you're searching for. Have a look. | 0:32:53 | 0:32:55 | |
There, Keith. | 0:32:58 | 0:32:59 | |
Yeah, very nice. It's got a nice feel to it. | 0:33:00 | 0:33:04 | |
-Certainly cosier, isn't it? -Yes, yes. -It's a lovely room. | 0:33:04 | 0:33:07 | |
We're into the heart of the property now. This is where you'd live. | 0:33:07 | 0:33:10 | |
I like these two rooms very much. | 0:33:10 | 0:33:12 | |
Now, there's plenty of room for Oscar through here. | 0:33:12 | 0:33:15 | |
Plus, also, of course, your master bedroom. | 0:33:15 | 0:33:18 | |
And study, and bathrooms and... | 0:33:18 | 0:33:20 | |
Oh, come and have a look. | 0:33:20 | 0:33:22 | |
Well, a somewhat bemused response to the grandeur and layout of | 0:33:24 | 0:33:27 | |
our mystery Victorian apartment. | 0:33:27 | 0:33:29 | |
A spine corridor runs the length of the five-bedroom, | 0:33:31 | 0:33:34 | |
three-bathroom accommodation. | 0:33:34 | 0:33:36 | |
The two smallest bedrooms are at either end of this hallway | 0:33:36 | 0:33:39 | |
one of which has a bay window. | 0:33:39 | 0:33:42 | |
Then there are two larger bedrooms, | 0:33:42 | 0:33:43 | |
including one that currently doubles as a study. | 0:33:43 | 0:33:47 | |
The apartment also benefits from a total of three bathrooms, | 0:33:47 | 0:33:50 | |
including the original Victorian washroom and a compact shower room. | 0:33:50 | 0:33:55 | |
Finally, bedroom number five is the largest on offer. | 0:33:55 | 0:33:58 | |
This is, clearly, the master. | 0:34:01 | 0:34:04 | |
-It's a big room, isn't it? -Yeah, it's nice. | 0:34:05 | 0:34:09 | |
-Nice room. -Yeah? -Bags of space. -Yeah. | 0:34:09 | 0:34:12 | |
-Is it too much, Jane? -Erm, maybe. | 0:34:12 | 0:34:15 | |
I think, for me, it would be | 0:34:15 | 0:34:16 | |
too daunting to take on somewhere as big. | 0:34:16 | 0:34:20 | |
I think what's indicated to me is that, as big and grand as it is, | 0:34:20 | 0:34:23 | |
I just feel more comfortable in the smaller, cosier-type place. | 0:34:23 | 0:34:29 | |
I think that's very honest. | 0:34:29 | 0:34:30 | |
But I thought this was absolutely worth showing you... | 0:34:30 | 0:34:32 | |
-Oh, definitely, yeah. -..because it is very different. | 0:34:32 | 0:34:35 | |
It's great to see this, to actually clarify your thinking. | 0:34:35 | 0:34:38 | |
Let's go outside and talk about the price, | 0:34:38 | 0:34:40 | |
because it's worth knowing what it's worth. | 0:34:40 | 0:34:42 | |
And, you never know. | 0:34:42 | 0:34:44 | |
Lots of ideas here. | 0:34:44 | 0:34:45 | |
Despite appreciating the incredible amount of | 0:34:47 | 0:34:49 | |
elegantly proportioned accommodation within our Mystery House, | 0:34:49 | 0:34:53 | |
it's clear Keith and Jane just aren't feeling entirely at home. | 0:34:53 | 0:34:57 | |
Outside, there are far-reaching views | 0:34:57 | 0:34:59 | |
over the South and North Downs, | 0:34:59 | 0:35:01 | |
from three acres of shared grounds, which are maintained | 0:35:01 | 0:35:04 | |
under the annual management fee of around £2,200 per year. | 0:35:04 | 0:35:09 | |
You know all there is to know, let's get down to the price then, Jane, | 0:35:10 | 0:35:14 | |
your final guess of the week. | 0:35:14 | 0:35:15 | |
What do you think our mystery apartment is on the market for? | 0:35:15 | 0:35:19 | |
OK, I'll say... | 0:35:19 | 0:35:20 | |
-650. -650, yeah? Keith? | 0:35:20 | 0:35:23 | |
These type of things come at a bit of a premium, | 0:35:23 | 0:35:25 | |
with this sort of setting and the room. I'd say 690. | 0:35:25 | 0:35:28 | |
690, your instincts are very good, sir. | 0:35:28 | 0:35:30 | |
-This is on at 695. -Oh. | 0:35:30 | 0:35:33 | |
Yeah, 695 for a slice of opulent, former-Victorian country life. | 0:35:33 | 0:35:40 | |
-Grandeur. -Grandeur! | 0:35:40 | 0:35:43 | |
Despite the weather. | 0:35:43 | 0:35:45 | |
Right, come on, let's go. | 0:35:45 | 0:35:47 | |
You can have another look around. | 0:35:47 | 0:35:48 | |
Slightly below budget, this very spacious Victorian | 0:35:50 | 0:35:53 | |
country house apartment | 0:35:53 | 0:35:55 | |
could provide a taste of elegant splendour, | 0:35:55 | 0:35:57 | |
along with many of the requirements on Keith and Jane's wish list. | 0:35:57 | 0:36:01 | |
Although there's no separate annexe, | 0:36:01 | 0:36:03 | |
the five bedrooms and three bathrooms could readily | 0:36:03 | 0:36:06 | |
be divided to provide more than ample accommodation | 0:36:06 | 0:36:09 | |
for themselves and Jane's son, Oscar. | 0:36:09 | 0:36:11 | |
There's a large conservatory and generous shared grounds | 0:36:11 | 0:36:14 | |
that are regularly maintained. | 0:36:14 | 0:36:16 | |
Plus, there are far-reaching vistas over the South Downs | 0:36:16 | 0:36:19 | |
that can be enjoyed from both inside and out. | 0:36:19 | 0:36:22 | |
If I'm honest, it's not really my cup of tea. | 0:36:22 | 0:36:25 | |
It's just enormous to me, and I wouldn't know where to start. | 0:36:25 | 0:36:30 | |
I'm delighted that we've come to this place as the Mystery House, | 0:36:31 | 0:36:35 | |
because it's always been the type of place I've liked myself. | 0:36:35 | 0:36:38 | |
As nice as it is, I don't think it fits our particular requirements. | 0:36:38 | 0:36:43 | |
Well, we've giving you plenty to think about, | 0:36:43 | 0:36:45 | |
and some really good options. | 0:36:45 | 0:36:46 | |
It may not be this one, but we've got two to choose from | 0:36:46 | 0:36:49 | |
from yesterday. Let's get you somewhere warm and out of | 0:36:49 | 0:36:52 | |
this weather where we can think about it all. Come on. | 0:36:52 | 0:36:55 | |
West Sussex is the second-most wooded county in the country, | 0:36:59 | 0:37:03 | |
with almost a fifth of the land here blanketed by woodland. | 0:37:03 | 0:37:07 | |
One cottage craft taking advantage of the abundance of trees | 0:37:07 | 0:37:10 | |
is trug making. | 0:37:10 | 0:37:12 | |
These versatile carrying receptacles have been made in Sussex | 0:37:12 | 0:37:15 | |
since the 1500s, but were popularised by maker Thomas Smith, | 0:37:15 | 0:37:19 | |
who showed some of his handiwork at the Great Exhibition of 1851, | 0:37:19 | 0:37:23 | |
and was subsequently rewarded with a large order from Queen Victoria. | 0:37:23 | 0:37:28 | |
Smith's business is now owned and run by Robin Tuppen, | 0:37:28 | 0:37:31 | |
who's keeping this local industry alive, | 0:37:31 | 0:37:34 | |
along with a number of fellow Sussex trug makers. | 0:37:34 | 0:37:37 | |
-Robin! -Jules. | 0:37:38 | 0:37:40 | |
Hello, mate. | 0:37:40 | 0:37:41 | |
Very nice to see you. | 0:37:41 | 0:37:43 | |
-This is trug heaven, isn't it? -Yeah! -What a fabulous workshop. | 0:37:43 | 0:37:48 | |
You know, as a keen gardener, | 0:37:48 | 0:37:49 | |
I've long had a soft spot for the trug. | 0:37:49 | 0:37:51 | |
I mean, there's something classic about this form of, | 0:37:51 | 0:37:54 | |
dare I say it, gardenalia, which every garden should have. | 0:37:54 | 0:37:57 | |
No plastic in sight, good old-fashioned, honest materials. | 0:37:57 | 0:38:01 | |
I mean, there will be other trug makers around the country, | 0:38:01 | 0:38:03 | |
but it's not a real trug unless it's made in Sussex. | 0:38:03 | 0:38:06 | |
No, and, hopefully, shortly, we're going to be receiving | 0:38:06 | 0:38:10 | |
EU protection for the term "Sussex trug". | 0:38:10 | 0:38:12 | |
They are incredibly rigid. | 0:38:12 | 0:38:14 | |
-I mean, that's not going anywhere. -It's very strong. | 0:38:14 | 0:38:16 | |
And we've weight-tested it with a 56lb, 25kg weight. | 0:38:16 | 0:38:20 | |
Well, I love to make things, | 0:38:20 | 0:38:22 | |
-and I would love to see how you go about this. -OK. | 0:38:22 | 0:38:25 | |
So where do we start? | 0:38:25 | 0:38:26 | |
-Cleaving, outside. -Right then. | 0:38:26 | 0:38:28 | |
Robin and his three employees turn out around 6,500 trugs | 0:38:30 | 0:38:34 | |
from this workshop every year. | 0:38:34 | 0:38:36 | |
The first stage in creating each one is to make the rims and handles. | 0:38:36 | 0:38:41 | |
Under the guidance of Michael Church, I'm using | 0:38:41 | 0:38:43 | |
a cleaving axe to split poles of locally grown sweet chestnut. | 0:38:43 | 0:38:48 | |
It's got a nice, straight grain, so it should, | 0:38:48 | 0:38:50 | |
if you just twist it to one side, it should split right down the middle. | 0:38:50 | 0:38:54 | |
Oh, there it goes. It's such a satisfying feeling, isn't it? | 0:38:54 | 0:38:57 | |
-Wahey! -There you go, a perfect split. -There we go. | 0:39:01 | 0:39:04 | |
If I say so myself, that was a bit of luck! | 0:39:04 | 0:39:06 | |
Next, we're getting our draw knives out on the shave horses, | 0:39:09 | 0:39:12 | |
working the cleaved wood down to a more precise width. | 0:39:12 | 0:39:16 | |
You want it slightly thicker in the middle, | 0:39:16 | 0:39:18 | |
and then tapering away to either end. | 0:39:18 | 0:39:21 | |
Then it's into the steamer for about 15 minutes, | 0:39:21 | 0:39:24 | |
until the wood is supple enough to work with. | 0:39:24 | 0:39:26 | |
If those frames could tell a story, | 0:39:27 | 0:39:29 | |
they'd tell a fairly good one, I reckon. | 0:39:29 | 0:39:32 | |
As the assessment of the shape is done by eye, | 0:39:34 | 0:39:36 | |
experience is important. | 0:39:36 | 0:39:38 | |
Robin's keen to keep the skills alive, | 0:39:38 | 0:39:40 | |
and has taken on apprentice Caleb, who's helping me complete my trug. | 0:39:40 | 0:39:45 | |
The boards are sourced from the offcuts of | 0:39:45 | 0:39:47 | |
a Sussex cricket bat maker. | 0:39:47 | 0:39:49 | |
Whilst the imperfections in the willow may have made it | 0:39:49 | 0:39:52 | |
unsuitable for the bats themselves, it's perfect for trugs. | 0:39:52 | 0:39:56 | |
Boiled to make them wet and flexible, | 0:39:56 | 0:39:58 | |
it calls for a combination of brute force and careful craftsmanship | 0:39:58 | 0:40:02 | |
to push the boards into position and fix them in place with copper tacks. | 0:40:02 | 0:40:06 | |
What do you think so far? | 0:40:06 | 0:40:08 | |
I think it's very impressive, so far. | 0:40:08 | 0:40:10 | |
I do love the sense that if it looks right, it is right. | 0:40:11 | 0:40:14 | |
Finally, the excess willow is trimmed with a sharp knife... | 0:40:14 | 0:40:18 | |
and my trug is ready for use. | 0:40:18 | 0:40:21 | |
Guys, thank you very much indeed. | 0:40:21 | 0:40:23 | |
Yours are much better than this, Caleb, I know. | 0:40:23 | 0:40:25 | |
So, best of luck with the rest of your apprenticeship. | 0:40:25 | 0:40:28 | |
And, Robin, thank you for helping to keep the Sussex trug alive. | 0:40:28 | 0:40:31 | |
Because, let's face it, no garden would be complete without one. | 0:40:31 | 0:40:34 | |
-Thank you, sir. -And I know exactly where this one's going. | 0:40:34 | 0:40:38 | |
Well, for a couple who live an hour apart, the challenge this week | 0:40:42 | 0:40:46 | |
was fairly straightforward - could we manage to find them | 0:40:46 | 0:40:49 | |
a home in which they could combine their lives together? | 0:40:49 | 0:40:52 | |
Well, we've giving them plenty to think about, | 0:40:52 | 0:40:54 | |
let's see if we've done it. | 0:40:54 | 0:40:55 | |
Well, guys, this is it - the end of the process. | 0:40:59 | 0:41:02 | |
Have you managed to picture yourself in any one of the properties | 0:41:02 | 0:41:05 | |
-that we've show you? -I think so. -Yes. | 0:41:05 | 0:41:08 | |
Well, we gave you three to choose from, | 0:41:08 | 0:41:11 | |
armed with a very generous £700,000 budget. | 0:41:11 | 0:41:14 | |
Where are we, Jane? | 0:41:14 | 0:41:15 | |
-I could see us definitely in the first one. -Ah, interesting. -Yeah. | 0:41:15 | 0:41:19 | |
That property would just be fine for us. | 0:41:19 | 0:41:21 | |
It wasn't too big, wouldn't be rattling around in it. | 0:41:21 | 0:41:24 | |
I think the first property had the long-term potential | 0:41:24 | 0:41:28 | |
that we're looking for. | 0:41:28 | 0:41:29 | |
So, what happens next with property number one? | 0:41:29 | 0:41:32 | |
I think we discuss it with Oscar, go through all the details with him. | 0:41:32 | 0:41:36 | |
We've got a bit more research to do. | 0:41:36 | 0:41:39 | |
But, certainly, if everything stacks up, | 0:41:39 | 0:41:41 | |
we'd be looking to probably move further on number one. Wow. | 0:41:41 | 0:41:43 | |
Well, it was fairly obvious during the tour that you felt | 0:41:43 | 0:41:46 | |
very much at home in our first property, | 0:41:46 | 0:41:48 | |
and I'm delighted that we've given you | 0:41:48 | 0:41:50 | |
such an interesting range of options, which, I think, | 0:41:50 | 0:41:54 | |
have reassured you that, if you can do it, | 0:41:54 | 0:41:56 | |
property one is the right one. | 0:41:56 | 0:41:58 | |
And I'm very excited that you can now see a future together, | 0:41:58 | 0:42:02 | |
under the same roof! Your faces say at all. | 0:42:02 | 0:42:05 | |
I wish you all the very, very best of luck for your future together. | 0:42:06 | 0:42:09 | |
-Thank you. -Best of luck. | 0:42:09 | 0:42:11 | |
Well, all in all, | 0:42:14 | 0:42:15 | |
I think this week in Sussex has been pretty successful. | 0:42:15 | 0:42:18 | |
Every year, I meet many buyers who are looking for | 0:42:18 | 0:42:20 | |
a change of lifestyle in the countryside. | 0:42:20 | 0:42:23 | |
But, on this occasion, we were given the challenge | 0:42:23 | 0:42:25 | |
of trying to find Keith and Jane the opportunity | 0:42:25 | 0:42:28 | |
to find a new life together, at last, under one roof. | 0:42:28 | 0:42:32 | |
And given the options we've been able to show them, I think they're | 0:42:32 | 0:42:34 | |
that bit closer to finally realising their dream of a home together. | 0:42:34 | 0:42:39 | |
All in all, it's turned out pretty well, despite the rain. | 0:42:39 | 0:42:43 | |
I'll see you next time. | 0:42:43 | 0:42:45 | |
If you'd like to escape to the country in Northern Ireland, | 0:42:47 | 0:42:50 | |
Scotland, Wales or England and would like our help, | 0:42:50 | 0:42:52 | |
then please apply online at... | 0:42:52 | 0:42:54 |