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This metal dome is actually a map, | 0:00:02 | 0:00:04 | |
charting the positions of the stars and planets | 0:00:04 | 0:00:06 | |
above my head. | 0:00:06 | 0:00:07 | |
It's called a stellarsphere, | 0:00:07 | 0:00:09 | |
and it's a memorial to one of England's greatest astronomers. | 0:00:09 | 0:00:13 | |
Find out who he was, and where I am, in just a moment. | 0:00:13 | 0:00:17 | |
Once upon a time, two long-time Londoners | 0:00:34 | 0:00:37 | |
had a dream of moving to the country. | 0:00:37 | 0:00:40 | |
This feels to me like, you know, the sort of a house in the woods, | 0:00:40 | 0:00:43 | |
the gingerbread fairytale sort of place. | 0:00:43 | 0:00:45 | |
-But without the... -But without out the witch! -Exactly. | 0:00:45 | 0:00:47 | |
THEY LAUGH | 0:00:47 | 0:00:48 | |
'And they may find their fairytale ending.' | 0:00:48 | 0:00:52 | |
Completely tugging at my heartstrings, it really is, yeah. | 0:00:52 | 0:00:55 | |
-I can just imagine us in here. -I could, yeah. | 0:00:55 | 0:00:58 | |
Today, I'm in Derbyshire, in the village of Denby, | 0:01:00 | 0:01:03 | |
and this is the birthplace of John Flamsteed, | 0:01:03 | 0:01:06 | |
England's first Astronomer Royal. | 0:01:06 | 0:01:09 | |
Flamsteed spent his entire life observing the night sky, | 0:01:09 | 0:01:13 | |
and he was one of the first to make the observation | 0:01:13 | 0:01:15 | |
of what he thought was a star, and called 34 Tauri, | 0:01:15 | 0:01:19 | |
but he was wrong. | 0:01:19 | 0:01:21 | |
It turned out to be the planet that we now know as Uranus. | 0:01:21 | 0:01:24 | |
Derbyshire is in the East Midlands of England, | 0:01:26 | 0:01:29 | |
and borders counties including Staffordshire, | 0:01:29 | 0:01:31 | |
South Yorkshire and Nottinghamshire. | 0:01:31 | 0:01:34 | |
A large section of the Peak District, | 0:01:34 | 0:01:37 | |
the first national park in England, | 0:01:37 | 0:01:39 | |
is found in the county. | 0:01:39 | 0:01:41 | |
Also, there are many footpaths in the area. | 0:01:41 | 0:01:43 | |
But as well as being a popular destination for walkers, | 0:01:43 | 0:01:46 | |
the high moorland plateaus and ridges of the national park | 0:01:46 | 0:01:49 | |
are the source of many rivers. | 0:01:49 | 0:01:52 | |
And it's these waterways that powered Britain's | 0:01:52 | 0:01:54 | |
Industrial Revolution in the 18th century. | 0:01:54 | 0:01:57 | |
Here on the Derwent, pioneering inventor Sir Richard Arkwright | 0:01:57 | 0:02:02 | |
built one of his greatest endeavours, the Masson Cotton Mill, | 0:02:02 | 0:02:04 | |
setting the blueprints for future construction. | 0:02:04 | 0:02:07 | |
It's now a working museum. | 0:02:07 | 0:02:09 | |
On the banks of the River Wye, we find what was | 0:02:10 | 0:02:13 | |
once the 11th century seat of William Peverel the Elder, | 0:02:13 | 0:02:16 | |
alleged to be the illegitimate son of William the Conqueror. | 0:02:16 | 0:02:20 | |
The current Haddon Hall showcases the architecture of the | 0:02:20 | 0:02:24 | |
medieval manor house, | 0:02:24 | 0:02:26 | |
with alterations and additions from the 13th to the 17th centuries. | 0:02:26 | 0:02:30 | |
Elsewhere on the River Wye, | 0:02:31 | 0:02:33 | |
water has been harnessed for recreation and relaxation. | 0:02:33 | 0:02:37 | |
The Romans called Buxton "the waters of the goddess of the grove", | 0:02:37 | 0:02:41 | |
and in the 18th century, the town became a spa centre, | 0:02:41 | 0:02:45 | |
complete with elegant accommodation for an influx | 0:02:45 | 0:02:48 | |
of wealthy tourists. | 0:02:48 | 0:02:49 | |
So, for sublime scenery, a slice of social history, | 0:02:50 | 0:02:54 | |
or a stop at a spa town, | 0:02:54 | 0:02:56 | |
it's well worth diving into the depths of Derbyshire, | 0:02:56 | 0:02:59 | |
and making that country escape. | 0:02:59 | 0:03:01 | |
With more than a third of the country lying inside the | 0:03:03 | 0:03:06 | |
Peak District National Park, | 0:03:06 | 0:03:08 | |
there's plenty of gorgeous locations in Derbyshire. | 0:03:08 | 0:03:10 | |
And property prices are not too expensive. | 0:03:10 | 0:03:13 | |
The average price for a detached house here is £216,000, | 0:03:13 | 0:03:18 | |
which is a whopping £84,000 less than the national figure. | 0:03:18 | 0:03:22 | |
However, to protect rural communities, | 0:03:22 | 0:03:25 | |
there are some restrictions on properties inside the park. | 0:03:25 | 0:03:29 | |
These occupancy restrictions means that people can't buy them | 0:03:29 | 0:03:32 | |
unless they've been working or living in the park | 0:03:32 | 0:03:35 | |
for more than three years. | 0:03:35 | 0:03:37 | |
However there are plenty of other gorgeous properties to be had, | 0:03:37 | 0:03:40 | |
so let's meet the couple who are doing the choosing today. | 0:03:40 | 0:03:44 | |
After 26 years together, John, a deputy headteacher, | 0:03:44 | 0:03:47 | |
and Steven, who runs a hypnotherapy practice | 0:03:47 | 0:03:50 | |
from their home in Leytonstone, East London, | 0:03:50 | 0:03:53 | |
have the family of their dreams. | 0:03:53 | 0:03:55 | |
We never imagined... | 0:03:55 | 0:03:58 | |
even ten years ago, | 0:03:58 | 0:04:00 | |
that we'd be able to get married. | 0:04:00 | 0:04:02 | |
So, to have the civil partnership | 0:04:02 | 0:04:04 | |
come along was amazing. | 0:04:04 | 0:04:07 | |
And then when the adoption laws changed to allow gay couples | 0:04:07 | 0:04:11 | |
to adopt, again, we never envisaged that we'd be able to | 0:04:11 | 0:04:14 | |
have the family that we'd always wanted, with children. | 0:04:14 | 0:04:18 | |
I can't think of a better decision we've made | 0:04:18 | 0:04:21 | |
than to adopt the two boys that we have. | 0:04:21 | 0:04:23 | |
We've got a really lovely family now. | 0:04:23 | 0:04:25 | |
Becoming parents 18 months ago | 0:04:27 | 0:04:30 | |
meant a big shift in priorities. | 0:04:30 | 0:04:32 | |
And they feel that leaving London for a new life in the country | 0:04:32 | 0:04:34 | |
is the best move for them and their two young sons. | 0:04:34 | 0:04:37 | |
We've really searched ourselves | 0:04:39 | 0:04:41 | |
and thought about how we were going to be... | 0:04:41 | 0:04:44 | |
to be the best for them. | 0:04:44 | 0:04:46 | |
And I think this move | 0:04:46 | 0:04:49 | |
is another part of that journey, | 0:04:49 | 0:04:52 | |
of wanting them to have | 0:04:52 | 0:04:53 | |
the kinds of childhoods that we had, | 0:04:53 | 0:04:56 | |
where you were able to go out and run around. | 0:04:56 | 0:04:58 | |
You know, go for long walks in the fields, in the countryside, | 0:04:58 | 0:05:01 | |
and not have to worry. | 0:05:01 | 0:05:03 | |
And the feeling that we don't have to do one thing after the next, | 0:05:03 | 0:05:06 | |
run from one appointment to another appointment. | 0:05:06 | 0:05:09 | |
Along with the rural backdrop and room for their growing family, | 0:05:09 | 0:05:13 | |
John's hoping for space to rekindle his musical side. | 0:05:13 | 0:05:16 | |
I love writing music... | 0:05:17 | 0:05:19 | |
and singing, performing. | 0:05:19 | 0:05:23 | |
I've worked on several operas, I've written a requiem mass, | 0:05:23 | 0:05:26 | |
which was a long time ago. | 0:05:26 | 0:05:27 | |
And it's that kind of thing that I want to get back in touch with. | 0:05:27 | 0:05:30 | |
My creative passions have taken very much a sideline. | 0:05:30 | 0:05:35 | |
So, I've got a lot of unfinished projects, | 0:05:35 | 0:05:37 | |
which I'm hoping will now get finished. | 0:05:37 | 0:05:41 | |
And then see where I'm going from there. | 0:05:41 | 0:05:44 | |
When it comes to the location of the new home, | 0:05:44 | 0:05:46 | |
they both know where they want to go. | 0:05:46 | 0:05:48 | |
We decided on Derbyshire as being a good place | 0:05:49 | 0:05:52 | |
for the boys to grow up in, and also for ourselves, | 0:05:52 | 0:05:55 | |
because we've visited the county so many times, | 0:05:55 | 0:05:58 | |
and we've never grown bored of it. | 0:05:58 | 0:06:00 | |
Derbyshire has always seemed to have a calling for us. | 0:06:00 | 0:06:03 | |
You don't have to drive too far to get out into the | 0:06:03 | 0:06:05 | |
sticks and the forests and woods. | 0:06:05 | 0:06:07 | |
Derbyshire's just a stunning place. | 0:06:07 | 0:06:09 | |
And lovely villages... | 0:06:09 | 0:06:13 | |
and the hills and the Peak District, and all that. | 0:06:13 | 0:06:17 | |
It's one of those places, it's to feel... | 0:06:17 | 0:06:19 | |
"Wow". You know, to feel... | 0:06:19 | 0:06:22 | |
Feel comfortable, and to feel safe, and to feel, | 0:06:22 | 0:06:26 | |
"This is where I really want to be." | 0:06:26 | 0:06:28 | |
Steven and John are open to living anywhere in Derbyshire | 0:06:31 | 0:06:34 | |
with good links to either the city of Derby or town of Chesterfield, | 0:06:34 | 0:06:37 | |
for Steven's client base. | 0:06:37 | 0:06:39 | |
But before I start showing them houses, | 0:06:40 | 0:06:43 | |
we're meeting in their chosen county to talk about | 0:06:43 | 0:06:45 | |
what they want from their move. | 0:06:45 | 0:06:47 | |
-Morning, guys. -Morning. -Hi. | 0:06:47 | 0:06:48 | |
Welcome to Derbyshire, although | 0:06:48 | 0:06:50 | |
-you know Derbyshire quite well. -Mmm. -We do now, yeah. | 0:06:50 | 0:06:52 | |
You moved together 20 years ago, to Leytonstone. Um... | 0:06:52 | 0:06:55 | |
But this is a much bigger move, cos you've got the boys on board. | 0:06:55 | 0:06:58 | |
How are you feeling about it? How are they feeling about it? | 0:06:58 | 0:07:00 | |
We're excited, nervous, as you might expect. | 0:07:00 | 0:07:03 | |
The boys are, um... | 0:07:03 | 0:07:06 | |
-A little nervous. -Mmm. -A bit anxious. | 0:07:06 | 0:07:08 | |
But they've made several moves in their lives already, | 0:07:08 | 0:07:11 | |
and as one of them has said to me, | 0:07:11 | 0:07:13 | |
"It's just another chapter in our lives, it's just another move." | 0:07:13 | 0:07:16 | |
Tell me a bit about your spec. | 0:07:16 | 0:07:18 | |
Remind us what we're looking for today. | 0:07:18 | 0:07:20 | |
For just the house, which is a five-bedroom house. | 0:07:20 | 0:07:22 | |
-So, five bedrooms, quite a big house. -Mmm. | 0:07:22 | 0:07:25 | |
-And you want a music room, is that right? -Yes. | 0:07:25 | 0:07:27 | |
Yeah, I need to have a space to be creative. | 0:07:27 | 0:07:29 | |
What about the reception rooms? What do you need there? | 0:07:29 | 0:07:32 | |
Well, I know John likes a big kitchen, | 0:07:32 | 0:07:34 | |
cos our current one is very small, and he's quite a cook. | 0:07:34 | 0:07:37 | |
Well, I have got a lovely sort of vision of me cooking | 0:07:37 | 0:07:40 | |
and the boys sitting there doing their homework, or being creative... | 0:07:40 | 0:07:44 | |
We love a vision on this show.... THEY LAUGH | 0:07:44 | 0:07:46 | |
-And then we dash it with reality(!) -No, I don't believe that, Alistair. | 0:07:46 | 0:07:50 | |
Um, and one of the things I'm after is a separate room for my practice, | 0:07:50 | 0:07:54 | |
-because I'm a therapist. -Yeah. | 0:07:54 | 0:07:56 | |
So, that will have to be downstairs, as well. | 0:07:56 | 0:07:58 | |
And in terms of location and space outside, | 0:07:58 | 0:08:01 | |
what are you looking for there? | 0:08:01 | 0:08:02 | |
We want a decent-sized garden, particularly for the boys to | 0:08:02 | 0:08:05 | |
be able to play out and enjoy being in the countryside. | 0:08:05 | 0:08:08 | |
In terms of the actual style of the house, what are you looking for? | 0:08:08 | 0:08:12 | |
Eh, we're after a house with character. | 0:08:12 | 0:08:14 | |
I suppose our fantasy is the cottage, | 0:08:14 | 0:08:16 | |
with a lovely real fire in the living room. | 0:08:16 | 0:08:19 | |
So, we haven't really been interested in new-builds | 0:08:19 | 0:08:22 | |
unless they've got something quirky about them. | 0:08:22 | 0:08:24 | |
-If it feels right, if it's the right house, we can make it work. -Mmm. | 0:08:24 | 0:08:28 | |
Remind me of your budget. How much money have we got to play with? | 0:08:28 | 0:08:31 | |
If we find a house with outbuildings, around 475. | 0:08:31 | 0:08:35 | |
OK, so the outbuildings are for what...? | 0:08:35 | 0:08:38 | |
-For the possibility of converting to maybe holiday lets. -Oh, OK. | 0:08:38 | 0:08:42 | |
-OK, well, we can talk about that as we go along. -Sure. | 0:08:42 | 0:08:44 | |
It's quite a lot that you're looking for. | 0:08:44 | 0:08:46 | |
-You know, it's a nice big budget, but... -Yeah, sure. | 0:08:46 | 0:08:48 | |
We have some great properties lined up. All quite different, | 0:08:48 | 0:08:50 | |
so hopefully one of them will tug at your heartstrings. | 0:08:50 | 0:08:53 | |
And there's no time like the present, so get your bits and bobs, | 0:08:53 | 0:08:55 | |
-let's go. -Fantastic. -Thank you. | 0:08:55 | 0:08:59 | |
With a total budget of up to £475,000 | 0:08:59 | 0:09:03 | |
for the right house, with outbuildings, | 0:09:03 | 0:09:05 | |
Steven and John would like a character property with | 0:09:05 | 0:09:08 | |
a large kitchen, five bedrooms, | 0:09:08 | 0:09:11 | |
a music room, | 0:09:11 | 0:09:12 | |
and somewhere for Steven's hypnotherapy practice. | 0:09:12 | 0:09:15 | |
They'd also like a large, child-friendly garden. | 0:09:15 | 0:09:18 | |
We've got some incredible properties to show them, | 0:09:20 | 0:09:23 | |
and at each, I'll be asking them to | 0:09:23 | 0:09:25 | |
guess the price before I reveal it. | 0:09:25 | 0:09:27 | |
The final tour will be our Mystery House, | 0:09:27 | 0:09:29 | |
which may lead to a surprising conversion. | 0:09:29 | 0:09:32 | |
The village of Brassington, in the Derbyshire Dales, | 0:09:37 | 0:09:40 | |
is where our search is heading. | 0:09:40 | 0:09:42 | |
Nestled in the rocky limestone uplands of White Peak, | 0:09:42 | 0:09:45 | |
and close to many footpaths, | 0:09:45 | 0:09:47 | |
the quiet country lanes take in a pretty Norman church, | 0:09:47 | 0:09:50 | |
village shop and primary school, | 0:09:50 | 0:09:52 | |
alongside lovely old stone houses. | 0:09:52 | 0:09:55 | |
Once an important centre for lead mining, | 0:09:56 | 0:09:59 | |
reminders of the industry remain. | 0:09:59 | 0:10:01 | |
The house we've come to see is located in | 0:10:02 | 0:10:04 | |
a small residential close. | 0:10:04 | 0:10:05 | |
ALISTAIR SIGHS Listen guys... | 0:10:07 | 0:10:10 | |
-Mmm. No road. -Just quiet. Peace and quiet. | 0:10:10 | 0:10:14 | |
-Good. Good, good, good. -This is the property we're interested in. | 0:10:14 | 0:10:16 | |
We're just a village away from the beginning of the national park. | 0:10:16 | 0:10:20 | |
-Oh. -Right. -So, great location. | 0:10:20 | 0:10:22 | |
-It looks beautiful, I think. -It does, yeah. | 0:10:22 | 0:10:24 | |
-Really sort of country cottage-y. -Lovely. I love the brickwork. -Yeah. | 0:10:24 | 0:10:28 | |
-It feels nicely quiet down here, particularly. -Mmm. | 0:10:28 | 0:10:31 | |
-So, the boys could play out here, I think... -Yeah. | 0:10:31 | 0:10:33 | |
..and I'd be perfectly happy with that. | 0:10:33 | 0:10:35 | |
-Well, you'll see there's more play options elsewhere. -OK. | 0:10:35 | 0:10:38 | |
Let's take a look inside. | 0:10:38 | 0:10:40 | |
Built in 1992, with a later extension, | 0:10:42 | 0:10:45 | |
a central hall takes us to the first room of the home, | 0:10:45 | 0:10:48 | |
which is currently unoccupied. | 0:10:48 | 0:10:50 | |
It's an unusual property because there's nothing in it, | 0:10:52 | 0:10:55 | |
-so the owners have already moved out. -OK. | 0:10:55 | 0:10:57 | |
-But it gives you a blank canvas. -Mmm. | 0:10:57 | 0:10:59 | |
Obviously, this is sitting room, | 0:10:59 | 0:11:00 | |
and it goes through into this lovely sunroom at the back. | 0:11:00 | 0:11:04 | |
-Not sure at the moment. -Yeah. | 0:11:04 | 0:11:05 | |
-I like the location, I very much like the location. -Yeah. | 0:11:05 | 0:11:08 | |
Not sure about the size of the house. | 0:11:08 | 0:11:11 | |
-I need to see the rest of the house. -Yeah. | 0:11:11 | 0:11:14 | |
It's interesting, as well... Because it hasn't got the furniture in, | 0:11:14 | 0:11:17 | |
-it takes a bit more imagination... -Mmm. | 0:11:17 | 0:11:18 | |
..to imagine the cosiness of it. | 0:11:18 | 0:11:20 | |
-So, there's a little bit of that going on as well. -Mmm. | 0:11:20 | 0:11:23 | |
So, you're feeling it's a bit small...? | 0:11:23 | 0:11:25 | |
That's just first impressions, yeah. That might change as we go round. | 0:11:25 | 0:11:29 | |
Let's have a look in the kitchen. | 0:11:29 | 0:11:31 | |
Across the hall, the kitchen/breakfast room | 0:11:31 | 0:11:33 | |
sits to the front of the house. | 0:11:33 | 0:11:35 | |
Kitchen, again, bare of any furniture and... | 0:11:37 | 0:11:40 | |
What do you think? | 0:11:40 | 0:11:42 | |
-It's a good size. -Yeah. -Yeah, very good size. | 0:11:42 | 0:11:44 | |
You've got a sort of cryptic smile, polite smile, John... | 0:11:44 | 0:11:47 | |
THEY LAUGH Does that mean you've given up | 0:11:47 | 0:11:48 | |
-on this one? -No, I haven't given up on it at all, no. -Right. | 0:11:48 | 0:11:51 | |
I'm just struggling to see how we're going to fit everything in. | 0:11:51 | 0:11:55 | |
Yeah. | 0:11:55 | 0:11:57 | |
It remains to be seen whether this house can coax John and Steven | 0:11:57 | 0:12:00 | |
to make it work for them, although it seems they are open | 0:12:00 | 0:12:03 | |
to doing some reconfiguration. | 0:12:03 | 0:12:06 | |
Completing the current layout of the ground floor, | 0:12:06 | 0:12:08 | |
a utility and cloakroom sit behind the kitchen. | 0:12:08 | 0:12:12 | |
And behind that, a dining room with views | 0:12:12 | 0:12:14 | |
and doors out to the garden. | 0:12:14 | 0:12:17 | |
Upstairs, there are four bedrooms. | 0:12:17 | 0:12:19 | |
To the front of the house, there's a double bedroom | 0:12:19 | 0:12:21 | |
with built-in wardrobes, | 0:12:21 | 0:12:23 | |
and a single room, | 0:12:23 | 0:12:24 | |
which are both served by a family bathroom. | 0:12:24 | 0:12:28 | |
There's a further bedroom to the rear of the house, with an en-suite. | 0:12:28 | 0:12:32 | |
Then, overlooking the garden, is the en-suite master. | 0:12:32 | 0:12:35 | |
This would be your bedroom. | 0:12:37 | 0:12:39 | |
Got great views. | 0:12:39 | 0:12:41 | |
Yes, it has. | 0:12:42 | 0:12:43 | |
And you've got an en-suite here. | 0:12:43 | 0:12:45 | |
It's a nice-sized room, | 0:12:45 | 0:12:46 | |
but I don't see much in the way of storage, you know. | 0:12:46 | 0:12:50 | |
-Once you get your... -Yeah, once you get your bed in. | 0:12:50 | 0:12:52 | |
Yeah, that's true. Oh, dear. Feel like it's ebbing away. | 0:12:52 | 0:12:55 | |
JOHN LAUGHS Sand dropping through my fingertips. | 0:12:55 | 0:12:59 | |
It seems the accommodation in this detached Dales house | 0:12:59 | 0:13:01 | |
has failed to convince our buyers, | 0:13:01 | 0:13:04 | |
but perhaps the glorious garden setting will win them over. | 0:13:04 | 0:13:08 | |
As well as a stream, | 0:13:08 | 0:13:09 | |
there's a paddock of around a fifth of an acre. | 0:13:09 | 0:13:12 | |
And with a footpath on their doorstep, | 0:13:12 | 0:13:14 | |
the Derbyshire countryside is in easy reach. | 0:13:14 | 0:13:18 | |
Plus, the attached garage provides a versatile space | 0:13:18 | 0:13:20 | |
that could be adapted for Steven's therapy practice. | 0:13:20 | 0:13:24 | |
So, the garden, you can see here, is a great run-around for the boys. | 0:13:26 | 0:13:30 | |
LAUGHING: Still not looking very impressed... | 0:13:30 | 0:13:32 | |
-It's kind of everything that we weren't looking for. -Oh, really? | 0:13:32 | 0:13:35 | |
Yeah. The look of the house is great, | 0:13:35 | 0:13:38 | |
it's just the actual size of the rooms, I think. | 0:13:38 | 0:13:41 | |
I love the fact the stream is there, not that we asked for that, | 0:13:41 | 0:13:44 | |
-but it's a lovely extra. -Mmm. A good extra. -Um, you know, | 0:13:44 | 0:13:46 | |
land-wise, garden-wise, it's here. | 0:13:46 | 0:13:48 | |
I find it difficult to see the therapy room being here | 0:13:48 | 0:13:52 | |
unless we invested in converting the garage. | 0:13:52 | 0:13:56 | |
So, what do you think it's on the market for? | 0:13:56 | 0:13:58 | |
-Uh...375? -Mh-hm. | 0:13:58 | 0:14:01 | |
I'll go for 400,000. | 0:14:01 | 0:14:02 | |
Your both a bit low, it's on a 418,000. | 0:14:02 | 0:14:06 | |
OK. | 0:14:06 | 0:14:07 | |
But go back inside and have another snoop around, | 0:14:07 | 0:14:09 | |
and I'll see you out front | 0:14:09 | 0:14:10 | |
and then we can see what else we can rustle up for you. | 0:14:10 | 0:14:13 | |
-OK. -Great. Thank you. | 0:14:13 | 0:14:15 | |
Coming in below budget, | 0:14:16 | 0:14:18 | |
this detached Dales house comes with | 0:14:18 | 0:14:20 | |
a kitchen/breakfast room, | 0:14:20 | 0:14:22 | |
dedicated dining room | 0:14:22 | 0:14:23 | |
and a large conservatory. | 0:14:23 | 0:14:25 | |
There are four bedrooms, | 0:14:25 | 0:14:27 | |
two with en-suite bathrooms, | 0:14:27 | 0:14:28 | |
and a good-sized garden | 0:14:28 | 0:14:30 | |
surrounded by countryside. | 0:14:30 | 0:14:32 | |
I think the house promised a lot | 0:14:32 | 0:14:34 | |
from when we rolled up at the front door, and I thought, | 0:14:34 | 0:14:36 | |
"Wow, this looks just what we're looking for." | 0:14:36 | 0:14:38 | |
And the location was stunning. | 0:14:38 | 0:14:40 | |
It feels like there's too many compromises for us, | 0:14:40 | 0:14:43 | |
with this property. | 0:14:43 | 0:14:45 | |
This is the quiet location that we want, | 0:14:45 | 0:14:48 | |
-but just a bigger property. -Yes. Yep. | 0:14:48 | 0:14:50 | |
I don't know how many extensions or skylights | 0:14:51 | 0:14:54 | |
or new solar panels | 0:14:54 | 0:14:57 | |
is going to make this house work for them, so... | 0:14:57 | 0:14:59 | |
I was just saying, I can't really tweak this property | 0:14:59 | 0:15:02 | |
to make it sing to you, can I? | 0:15:02 | 0:15:03 | |
-No, I'm afraid not, Alistair. -Let's draw a veil over it. -Yes. | 0:15:03 | 0:15:07 | |
-And go and get some rest and get ready for tomorrow. -Wonderful. | 0:15:07 | 0:15:10 | |
Derbyshire may be best known for its Dales, | 0:15:17 | 0:15:20 | |
but at one time, wealthy tourists came to the county not to | 0:15:20 | 0:15:23 | |
clamber on its craggy cliffs, | 0:15:23 | 0:15:25 | |
but to enjoy the alleged benefits | 0:15:25 | 0:15:27 | |
of its naturally heated waters. | 0:15:27 | 0:15:30 | |
The town of Buxton, once popular with the Romans, | 0:15:30 | 0:15:33 | |
enjoyed a renaissance as a spa resort | 0:15:33 | 0:15:36 | |
from the 18th century onwards. | 0:15:36 | 0:15:37 | |
And in 1903, an impressive opera house was built. | 0:15:39 | 0:15:43 | |
John, an opera fan who's even written some himself, | 0:15:43 | 0:15:46 | |
plans to explore his musical side after the move. | 0:15:46 | 0:15:50 | |
So, during the week, we sent him and Steven to tour | 0:15:50 | 0:15:53 | |
this theatrical treasure. | 0:15:53 | 0:15:55 | |
They're starting in the dress circle meeting Jenny Mather, | 0:15:55 | 0:15:57 | |
a keen amateur dramatist who has performed here herself. | 0:15:57 | 0:16:01 | |
-Hi, nice to meet you. -You too. | 0:16:01 | 0:16:04 | |
Whoa. Blimey, what an amazing theatre. | 0:16:04 | 0:16:07 | |
It is a stunning theatre, isn't it? | 0:16:07 | 0:16:09 | |
It was built in 1903, by Frank Matcham, | 0:16:09 | 0:16:12 | |
who was the most prolific theatre architect | 0:16:12 | 0:16:15 | |
in the country in the Victorian and Edwardian period. | 0:16:15 | 0:16:18 | |
It's considered one | 0:16:18 | 0:16:19 | |
of Frank Matcham's most perfect designs. | 0:16:19 | 0:16:22 | |
What makes it so special? | 0:16:22 | 0:16:23 | |
The proportions of the theatre are perfect, and of course, | 0:16:23 | 0:16:27 | |
the decor is just to die for, isn't it? | 0:16:27 | 0:16:29 | |
-Mmm. -It's simply stunning. | 0:16:29 | 0:16:31 | |
And he mixed practicality with safety... | 0:16:31 | 0:16:34 | |
Lavish interior decor. | 0:16:34 | 0:16:36 | |
Of course, Frank Matcham was master of sightline | 0:16:36 | 0:16:39 | |
and master of acoustics, so wherever you sit in the theatre, | 0:16:39 | 0:16:42 | |
you're guaranteed a fantastic view of the stage, | 0:16:42 | 0:16:44 | |
and you can always hear the performers. | 0:16:44 | 0:16:47 | |
It's still a fantastic experience wherever you sit in the theatre. | 0:16:47 | 0:16:51 | |
There may be great views from all angles, | 0:16:52 | 0:16:54 | |
but the tiers tell tales | 0:16:54 | 0:16:56 | |
from the strict social classes of yesteryear. | 0:16:56 | 0:16:59 | |
The middle and upper classes sat closest to stage level, | 0:16:59 | 0:17:03 | |
on the comfiest chairs, | 0:17:03 | 0:17:05 | |
and kept apart from the working class up in the galleries, | 0:17:05 | 0:17:08 | |
who were packed in on hard wooden benches. | 0:17:08 | 0:17:10 | |
And you'll be pleased to know that there are proper seats | 0:17:11 | 0:17:14 | |
-upstairs in the gallery now. -THEY LAUGH | 0:17:14 | 0:17:17 | |
There's so much gold everywhere. | 0:17:17 | 0:17:19 | |
And these amazing paintings on the ceiling. | 0:17:19 | 0:17:21 | |
The different painted panels represent the various arts. | 0:17:21 | 0:17:25 | |
-Oh, yeah. -So, we've got music, literature, | 0:17:25 | 0:17:28 | |
dance, painting, poetry | 0:17:28 | 0:17:31 | |
and comedy. | 0:17:31 | 0:17:32 | |
The gold leaf was repainted in 2001, | 0:17:32 | 0:17:35 | |
-and I believe there's £85,000 worth of gold leaf up there. -Wow. | 0:17:35 | 0:17:39 | |
-And it's still as sparkling as what it was in 2001. -Wow. | 0:17:39 | 0:17:43 | |
In 1927, like many theatres at the time, the opera house became | 0:17:44 | 0:17:48 | |
a cinema before briefly closing during the 1970s. | 0:17:48 | 0:17:52 | |
Fortunately, it was restored and reopened and is now one of | 0:17:53 | 0:17:57 | |
around 20 surviving theatres in the country designed by Frank Matcham. | 0:17:57 | 0:18:01 | |
To demonstrate how productions are brought to life here, | 0:18:02 | 0:18:06 | |
technical manager Guy Dunk is on hand in the lighting box. | 0:18:06 | 0:18:09 | |
Wow. Well, it seems like a lot of buttons to press and control. | 0:18:10 | 0:18:13 | |
So, how many lights are you controlling from the box? | 0:18:13 | 0:18:16 | |
Typically, for our own lighting rig, | 0:18:16 | 0:18:17 | |
we've got about 130 to 140 lamps. | 0:18:17 | 0:18:20 | |
They're not all rigged at the same time, but, of course, we get | 0:18:20 | 0:18:23 | |
productions in from all over the world, | 0:18:23 | 0:18:25 | |
and they will bring additional lighting with them, | 0:18:25 | 0:18:28 | |
and so, you know, we can control... | 0:18:28 | 0:18:32 | |
well, hundreds of lights. | 0:18:32 | 0:18:34 | |
The ancient Greeks were the first to use lighting cues, | 0:18:34 | 0:18:38 | |
with epic performances calling for "sunrise" or "sunset" | 0:18:38 | 0:18:42 | |
at certain points of a production. | 0:18:42 | 0:18:45 | |
Several centuries later, the Savoy Theatre in London | 0:18:45 | 0:18:48 | |
went fully electric, and others followed suit. | 0:18:48 | 0:18:51 | |
So, just to go through the very basics. It's a touch screen, here. | 0:18:51 | 0:18:55 | |
-Steve, if you want to press just there... -OK. | 0:18:55 | 0:18:58 | |
We'll see... | 0:18:58 | 0:19:01 | |
the house lights going down. Just gently fading out. | 0:19:01 | 0:19:04 | |
And then, John, if you perhaps want to just push up that fader... | 0:19:04 | 0:19:09 | |
And then we can see | 0:19:09 | 0:19:11 | |
-the blue lights on the forestage. -Oh, yeah. -Wow. | 0:19:11 | 0:19:15 | |
So, you're now officially lighting operators. Well done. | 0:19:15 | 0:19:17 | |
THEY LAUGH | 0:19:17 | 0:19:19 | |
So, now what we're going to do is | 0:19:19 | 0:19:21 | |
head down to the stage and see what we can find there. | 0:19:21 | 0:19:24 | |
-OK. -Great. | 0:19:24 | 0:19:27 | |
The opera house uses what's known as a fly system. | 0:19:27 | 0:19:30 | |
This means hemp ropes and manpower are employed | 0:19:30 | 0:19:33 | |
to raise the stage curtain, | 0:19:33 | 0:19:35 | |
just as they were when the theatre first opened. | 0:19:35 | 0:19:38 | |
OK, guys, are you ready? House curtain going up. | 0:19:39 | 0:19:42 | |
The boards of this 902-seater theatre | 0:19:44 | 0:19:46 | |
have been trod by acting legends such as | 0:19:46 | 0:19:49 | |
Sir Alec Guinness | 0:19:49 | 0:19:50 | |
and Dame Sybil Thorndike. | 0:19:50 | 0:19:53 | |
-Wow. -Wow. Blimey. | 0:19:53 | 0:19:56 | |
Yeah, just stand and perform here. | 0:19:56 | 0:19:58 | |
-Ladies and gentlemen... -Yes, here we go. | 0:19:58 | 0:20:02 | |
Luckily, there are no signs of performance anxiety, | 0:20:02 | 0:20:04 | |
as joining John and Steven on stage are community singers, | 0:20:04 | 0:20:08 | |
The Kaleidoscope Choir, for a rousing rendition | 0:20:08 | 0:20:11 | |
of Handel's Hallelujah chorus. | 0:20:11 | 0:20:14 | |
# Hallelujah | 0:20:15 | 0:20:18 | |
# Hallelujah | 0:20:18 | 0:20:20 | |
# Hallelujah, hallelujah Hallelujah, hallelujah | 0:20:20 | 0:20:26 | |
# Hallelujah, hallelujah | 0:20:28 | 0:20:31 | |
# Hallelujah, hallelujah... # | 0:20:31 | 0:20:36 | |
No time for an encore, I'm afraid - we're after a property fit for | 0:20:36 | 0:20:39 | |
a curtain call, when our Derbyshire house-hunt continues tomorrow. | 0:20:39 | 0:20:42 | |
We're in Derbyshire, with a maximum budget of £475,000... | 0:20:47 | 0:20:50 | |
..to find John and Steven, from East London, | 0:20:52 | 0:20:54 | |
a country home for them and their two sons. | 0:20:54 | 0:20:57 | |
They've already seen some lovely property, but there's | 0:20:57 | 0:21:00 | |
some more to come, including the Mystery House, | 0:21:00 | 0:21:02 | |
which could take our search to new heights. | 0:21:02 | 0:21:05 | |
-Do you like what you see? -I do, yeah. -I do like what I see, yeah. | 0:21:05 | 0:21:08 | |
It's lovely, it's welcoming, it's warming. | 0:21:08 | 0:21:10 | |
Got that lovely calm feeling. | 0:21:10 | 0:21:13 | |
And I'm at the cutting edge of a local craft revival in Derby. | 0:21:13 | 0:21:17 | |
I think there's something to be said about the warmth that | 0:21:17 | 0:21:20 | |
you get from wood. It's... Yeah, less sterile. | 0:21:20 | 0:21:23 | |
-It's lovely - you're kind of beaming as you say that. -I know! | 0:21:23 | 0:21:26 | |
We didn't quite hit the mark yesterday, but today's | 0:21:30 | 0:21:33 | |
another day, here in the beautiful peaks, and we're hoping that | 0:21:33 | 0:21:36 | |
we can get closer to meet John and Steve's expectations, | 0:21:36 | 0:21:40 | |
even though they are quite high for their budget. But it's all for a | 0:21:40 | 0:21:43 | |
good cause - getting the boys a new home up here in the north - | 0:21:43 | 0:21:47 | |
so I'm hoping that one of today's properties is going to hit the mark. | 0:21:47 | 0:21:51 | |
I'm really hoping one of them does. | 0:21:51 | 0:21:53 | |
We're travelling to the small hamlet of Shipley Gate, | 0:21:56 | 0:21:59 | |
on the border with Nottinghamshire. | 0:21:59 | 0:22:00 | |
The town of Eastwood is under a mile and a half away and provides | 0:22:01 | 0:22:05 | |
a good range of shops and services. The writer D H Lawrence | 0:22:05 | 0:22:08 | |
was born in this former coal town, and as the son of a | 0:22:08 | 0:22:12 | |
barely literate miner, his exposure to colliery life was formative. | 0:22:12 | 0:22:17 | |
A short drive away, our next house is located by a canal | 0:22:17 | 0:22:21 | |
built to transport the region's coal. Accessed via a gated drive, | 0:22:21 | 0:22:25 | |
the surroundings may be picturesque, but it holds its own | 0:22:25 | 0:22:29 | |
rather gruesome link to the mining industry. | 0:22:29 | 0:22:31 | |
OK, now, I love this property, but I have no idea whether | 0:22:34 | 0:22:37 | |
you're going to love it or hate it. | 0:22:37 | 0:22:40 | |
-This used to be the slaughterhouse. -Hmm. -Yes. | 0:22:40 | 0:22:43 | |
I was toying whether to tell you that or not. It's the slaughterhouse | 0:22:44 | 0:22:48 | |
-where they used to slaughter the pit ponies. -My goodness, wow. | 0:22:48 | 0:22:52 | |
This is a project, so it's whether you're going to be willing to | 0:22:52 | 0:22:56 | |
-do the work and make it happen. -Sure. -OK. | 0:22:56 | 0:23:01 | |
-I'm up for a project, yeah. Are you? -I think so, yeah, yeah. | 0:23:01 | 0:23:04 | |
-What are your first thoughts, coming down the drive? -I love it. | 0:23:04 | 0:23:07 | |
-Yeah? -This kind of feels to me like the house in the woods, | 0:23:07 | 0:23:11 | |
you know, the gingerbread fairytale sort of place. | 0:23:11 | 0:23:14 | |
-But without the nasty... -But without the witch! -Exactly! | 0:23:14 | 0:23:17 | |
-Yeah, no, this looks fantastic. -It does, yeah. | 0:23:17 | 0:23:20 | |
-Really excited about seeing inside. -Let's see what you think. | 0:23:20 | 0:23:23 | |
With a stable block dating from the 18th century, | 0:23:25 | 0:23:28 | |
the main building was constructed in the 1920s | 0:23:28 | 0:23:32 | |
and converted into a home in the 1980s. Its intriguing layout | 0:23:32 | 0:23:37 | |
begins with an entrance hall, which leads into the country kitchen. | 0:23:37 | 0:23:40 | |
Come into the warmth, and into the kitchen. | 0:23:42 | 0:23:45 | |
I love it, actually. The fact it's kind of like a farmhouse kitchen. | 0:23:45 | 0:23:50 | |
-It just kind of gives that nice feel to it, doesn't it? -It does, yeah. | 0:23:50 | 0:23:52 | |
-Working kitchen. -Yeah. -Full of character. | 0:23:52 | 0:23:54 | |
-I love the beams as well. -Yeah. | 0:23:54 | 0:23:57 | |
-I love it. It feels like a home... -Mm. | 0:23:57 | 0:23:59 | |
-..which is what we're after, isn't it, really? -Mm, absolutely, yeah. | 0:23:59 | 0:24:03 | |
But I think it's a love it or hate it sort of thing, you know, | 0:24:03 | 0:24:06 | |
-if you like the vibe of the place, you can do something with it. -Yeah. | 0:24:06 | 0:24:10 | |
Directly off the kitchen is a reception room, | 0:24:10 | 0:24:12 | |
packed with period appeal. | 0:24:12 | 0:24:15 | |
This is the heart of the home, really. This is the sort of | 0:24:15 | 0:24:18 | |
-central sitting room. -Lovely and quirky. -It is quirky. | 0:24:18 | 0:24:23 | |
-Which is exactly what we're after, isn't it? -Yeah, yeah. | 0:24:23 | 0:24:26 | |
This house has a lot of character. | 0:24:26 | 0:24:27 | |
-Great big roaring coal fire. -Yes. | 0:24:27 | 0:24:30 | |
Completely tugging at my heartstrings. It really is, yeah. | 0:24:30 | 0:24:34 | |
-I could just imagine us in here. -I could, yeah. | 0:24:34 | 0:24:36 | |
-Absolutely. -Definitely. | 0:24:36 | 0:24:37 | |
-It's a very cosy house. -It is. -And you could do so much with it. -Mm. | 0:24:37 | 0:24:41 | |
I think particularly, what appeals to me, is the boys loving | 0:24:41 | 0:24:44 | |
-exploring and hiding... -Yeah. -..and running around, and having | 0:24:44 | 0:24:47 | |
a lot of fun living here, I think, particularly... | 0:24:47 | 0:24:50 | |
-I think it would appeal to the boys, wouldn't it? -Yeah, I think so. | 0:24:50 | 0:24:53 | |
Upstairs is a little bit tight, I'm just warning you, | 0:24:53 | 0:24:55 | |
so let's have a look there. | 0:24:55 | 0:24:58 | |
I'm glad the somewhat grizzly origins of this | 0:24:58 | 0:25:01 | |
former slaughterhouse have not distracted John and Steven from | 0:25:01 | 0:25:04 | |
its undeniable charms. Off this reception is a dining room with a | 0:25:04 | 0:25:08 | |
spiral staircase up to the upper floor, | 0:25:08 | 0:25:11 | |
as well as doors out to a sunroom. | 0:25:11 | 0:25:13 | |
Next to this is a second kitchen space, and beside | 0:25:14 | 0:25:17 | |
the entrance hall is a utility, plus a flight of stairs down to | 0:25:17 | 0:25:21 | |
the first of four bedrooms, that includes an en-suite cloakroom. | 0:25:21 | 0:25:26 | |
But we're taking the main stairs from the sitting room up to | 0:25:26 | 0:25:29 | |
the remaining three bedrooms. | 0:25:29 | 0:25:31 | |
I'll give you a sort of... Your bearings up here. | 0:25:32 | 0:25:34 | |
You can explore a bit more later. This is the master behind you. | 0:25:34 | 0:25:38 | |
So you've got lots of storage under the eaves. | 0:25:38 | 0:25:41 | |
-But no en-suite, you'd have to use this bathroom here. -Mm-hm. | 0:25:41 | 0:25:45 | |
And then, on this side, you've got a chain of two interlocking rooms, | 0:25:45 | 0:25:48 | |
and another bathroom, and then the spiral staircase. | 0:25:48 | 0:25:51 | |
You'd all be one family, snug under the eaves! | 0:25:51 | 0:25:54 | |
-Yeah, I think it is quite snug, isn't it? -It is. | 0:25:54 | 0:25:56 | |
Not a big problem, I don't think. | 0:25:56 | 0:25:58 | |
-We could work with that, while we get the place sorted out. -Mm. | 0:25:58 | 0:26:01 | |
-You can imagine playing hide and seek up here, or sardines. -Yeah. | 0:26:01 | 0:26:05 | |
There are even more hidden corners to explore, as outbuildings | 0:26:05 | 0:26:09 | |
include a garage and a disused cottage, ripe for renovation. | 0:26:09 | 0:26:14 | |
But first, we're investigating the former stable block, | 0:26:14 | 0:26:17 | |
which is currently divided into six zones and dates from the 1700s. | 0:26:17 | 0:26:22 | |
Oh, this sort of space makes a developer drool a little bit, | 0:26:24 | 0:26:28 | |
but maybe it puts you off, does it? | 0:26:28 | 0:26:30 | |
No, not in the slightest. | 0:26:30 | 0:26:31 | |
I think there's so much that we could do with this. | 0:26:31 | 0:26:33 | |
-There's so many opportunities, I think... -Yeah. Absolutely. | 0:26:33 | 0:26:36 | |
..for therapy rooms, and play room for the boys, or a music room... | 0:26:36 | 0:26:41 | |
Just, yeah, there's a lot of potential here. | 0:26:41 | 0:26:44 | |
And it feels really solid as well, so, you know, structure's there. | 0:26:44 | 0:26:47 | |
-There is a lot of potential. -Yeah, certainly. -Yeah. | 0:26:47 | 0:26:51 | |
-Well, I'm hoping that the garden might just seal the deal. -Right, OK. | 0:26:51 | 0:26:54 | |
The three-quarter acre grounds had been planted with | 0:26:56 | 0:26:58 | |
over 300 trees by the current owners, | 0:26:58 | 0:27:01 | |
who also rent one and a half acres of land for around £350 a year. | 0:27:01 | 0:27:07 | |
It's the perfect territory for budding adventurers, | 0:27:07 | 0:27:10 | |
offering them its very own stretch of uncharted waters. | 0:27:10 | 0:27:14 | |
-Look, you've got a river! -Oh! -This is the Erewash River. | 0:27:14 | 0:27:18 | |
-Beautiful. -This is proper countryside. -Yeah. | 0:27:18 | 0:27:20 | |
-You've outdone yourself, I think, today. -Yeah. -Amazing. Beautiful. | 0:27:20 | 0:27:24 | |
The sound of the water's amazing. | 0:27:24 | 0:27:25 | |
-Beautiful garden. I love it. -Yeah. -I love the naturalness of it, too. | 0:27:25 | 0:27:28 | |
-Yeah, it's wild. -Yeah. | 0:27:28 | 0:27:30 | |
-So, I'm getting a good vibe. -Yes. | 0:27:30 | 0:27:32 | |
Now comes the tricky bit - guessing the price. | 0:27:32 | 0:27:35 | |
I'm going to be cheeky. | 0:27:35 | 0:27:36 | |
I think with the amount of work that needs to be done, I think that | 0:27:36 | 0:27:40 | |
has to be reflected in the price, so for me, I'm going to go 385. | 0:27:40 | 0:27:46 | |
I'm going to be even more cheeky, I think, then, and go for 375, | 0:27:48 | 0:27:52 | |
I think. | 0:27:52 | 0:27:53 | |
OK, you're both being very cheeky, cos this is... | 0:27:53 | 0:27:57 | |
-It's a big lot of property. This is on the market for 450. -OK. -OK. | 0:27:57 | 0:28:01 | |
-You could negotiate down, but probably not that far down. -No. | 0:28:01 | 0:28:05 | |
Cos you're right, there is a lot of work, and you're going to | 0:28:05 | 0:28:07 | |
have to budget about whether you can actually afford to do it. | 0:28:07 | 0:28:10 | |
So, take a look at the outhouses, the cottage, | 0:28:10 | 0:28:12 | |
and have a sniff around inside to see if that's going to work for you. | 0:28:12 | 0:28:15 | |
-Right. -And I'll see you out the front. -Great. Thank you. | 0:28:15 | 0:28:19 | |
Well, they ARE cheeky, aren't they? That's a very low price. | 0:28:19 | 0:28:23 | |
But, you know, they're right, it's going to take a lot of work, | 0:28:23 | 0:28:25 | |
but what an opportunity. | 0:28:25 | 0:28:27 | |
I think it could be such a great place for the boys to grow up | 0:28:27 | 0:28:30 | |
and for them to have a life together. | 0:28:30 | 0:28:32 | |
With a guide price £25,000 below their top budget, | 0:28:35 | 0:28:39 | |
this converted slaughterhouse comes with a country kitchen, | 0:28:39 | 0:28:43 | |
characterful sitting room and four bedrooms. | 0:28:43 | 0:28:46 | |
There's lots of potential in the various outbuildings, plus it's in | 0:28:46 | 0:28:49 | |
a canalside country location, with its own stretch of river. | 0:28:49 | 0:28:53 | |
I'm enamoured with this property. | 0:28:55 | 0:28:57 | |
I like the canal, I like the river at the bottom of the garden. | 0:28:57 | 0:29:01 | |
The garden just seems to go on and on and on. | 0:29:01 | 0:29:03 | |
It's an amazing property. | 0:29:03 | 0:29:05 | |
It has so many things that we haven't asked for, | 0:29:05 | 0:29:08 | |
but would have been on our higher sort of fantasy wish list, I guess. | 0:29:08 | 0:29:12 | |
I think this could definitely be our home, and for the boys particularly. | 0:29:12 | 0:29:15 | |
I could just see them having so much fun in the garden. | 0:29:15 | 0:29:18 | |
I really see their smiling faces in my imagination, | 0:29:18 | 0:29:22 | |
just having a wonderful childhood, which is really | 0:29:22 | 0:29:24 | |
a big part of the reason why we want to move to Derbyshire. | 0:29:24 | 0:29:27 | |
I think this has got potential. | 0:29:33 | 0:29:35 | |
Yeah, I like the idea of it being converted to a holiday let, I think. | 0:29:35 | 0:29:38 | |
-Yeah. -Having seen the rooms next door, | 0:29:38 | 0:29:40 | |
I think we could possibly use part of that. | 0:29:40 | 0:29:43 | |
Good, I like this planning what you're going to do with the space. | 0:29:43 | 0:29:46 | |
It's a very good sign. | 0:29:46 | 0:29:48 | |
I'm afraid I'm going to have to drag you away, | 0:29:48 | 0:29:50 | |
cos we've got other houses to see, other things to do. | 0:29:50 | 0:29:52 | |
-OK. -So, follow me. | 0:29:52 | 0:29:54 | |
Amongst the moors and peaks, the mines and mills of Derbyshire | 0:30:02 | 0:30:06 | |
played a pivotal role in Britain's Industrial Revolution, | 0:30:06 | 0:30:10 | |
and the area around the Derwent River was particularly productive. | 0:30:10 | 0:30:15 | |
This former cotton mill now houses the workshop of Ben Edmonds, | 0:30:15 | 0:30:19 | |
who's bringing back a local skill - knife-making. | 0:30:19 | 0:30:22 | |
And it's fantastic what you're doing, because obviously Sheffield, | 0:30:22 | 0:30:25 | |
the Peak District, famous for knives, scissors, and steel. | 0:30:25 | 0:30:28 | |
-Yep, yep. -And now here you are, kind of reviving. | 0:30:28 | 0:30:30 | |
Yeah. We just make one-off kitchen knives. | 0:30:30 | 0:30:34 | |
What was the fascination of steel and wood and blades? | 0:30:34 | 0:30:37 | |
I'm from the Midlands, | 0:30:37 | 0:30:39 | |
and I wanted to make a knife that I thought was true to me. | 0:30:39 | 0:30:42 | |
I wanted to pick the right steel, the right design, | 0:30:42 | 0:30:45 | |
and produce something quite simple, but best for the job. | 0:30:45 | 0:30:50 | |
So, the handle - this is wood? | 0:30:50 | 0:30:53 | |
Aesthetically, I think it's great, and I think there's something | 0:30:53 | 0:30:56 | |
to be said about the warmth that you get from wood. It's... | 0:30:56 | 0:30:59 | |
Yeah, less sterile. | 0:30:59 | 0:31:01 | |
-It's lovely - you're kind of beaming as you say that. -I know! | 0:31:01 | 0:31:03 | |
Ben first started crafting knives at his kitchen table, | 0:31:03 | 0:31:07 | |
using techniques he learned from the internet. | 0:31:07 | 0:31:09 | |
Four and a half years on, he runs a three-man enterprise. | 0:31:09 | 0:31:13 | |
Each knife begins as flat metal, | 0:31:13 | 0:31:15 | |
which is worked through a series of four belts, | 0:31:15 | 0:31:18 | |
starting with the ceramic belt that grinds a V-shaped blade edge. | 0:31:18 | 0:31:22 | |
For those of us who don't have £1,000 for new knives... | 0:31:24 | 0:31:26 | |
I mean, I've got knives that are probably horrendously blunt. | 0:31:26 | 0:31:30 | |
Is there a way of keeping knives that we already have sharp? | 0:31:30 | 0:31:34 | |
The main thing is to keep them sharp. | 0:31:34 | 0:31:36 | |
Once a knife has dulled, it's tricky to get the edge back. | 0:31:36 | 0:31:39 | |
Have you got time to give me a little workshop on that? | 0:31:39 | 0:31:41 | |
-Yeah, let's do it. -Good. | 0:31:41 | 0:31:43 | |
The travelling knife sharpener, who once visited towns | 0:31:46 | 0:31:50 | |
and villages every year, was a common sight in Victorian Britain. | 0:31:50 | 0:31:54 | |
Now left to our own devices, without those sharp skills, | 0:31:54 | 0:31:57 | |
blunt knives are an all-too-common problem. | 0:31:57 | 0:32:02 | |
-So, I recognise these, but I have no idea what to do with them. -Right. | 0:32:02 | 0:32:06 | |
So, these are two very different things, | 0:32:06 | 0:32:08 | |
although they look relatively similar. | 0:32:08 | 0:32:11 | |
-That's a hone, and that's a steel. -OK. | 0:32:11 | 0:32:14 | |
So, a hone doesn't have an abrasive edge - that's completely smooth - | 0:32:14 | 0:32:18 | |
whereas a steel has got a slight abrasion. | 0:32:18 | 0:32:22 | |
'With a dulled knife, we need to start with the steel.' | 0:32:22 | 0:32:26 | |
So, from the heel, we put the knife flat, | 0:32:26 | 0:32:29 | |
and we give it about 15 degrees. | 0:32:29 | 0:32:32 | |
And all we're going to do is drag the knife down, making sure that | 0:32:32 | 0:32:35 | |
you go from heel to tip all the way, and then we go to the other side. | 0:32:35 | 0:32:38 | |
Same angle. | 0:32:38 | 0:32:40 | |
-So, give that a go. -OK. -Right there. | 0:32:40 | 0:32:43 | |
Set that angle, and pull it all the way down. | 0:32:43 | 0:32:46 | |
-That's it. Maybe a bit more pressure. -Bit more? -Yeah, bit more. | 0:32:46 | 0:32:50 | |
'Then it's onto the hone, for a few light strokes.' | 0:32:53 | 0:32:57 | |
-You're probably talking three or four times on each side. -OK. | 0:32:58 | 0:33:02 | |
-And all that does... -Caressing the blade. -Yeah, caressing the blade. | 0:33:02 | 0:33:04 | |
And all that does is realigns the edge. | 0:33:04 | 0:33:07 | |
'And, finally, we use a wet stone to give a really sharp finish.' | 0:33:07 | 0:33:11 | |
-So, start here... -Starting flat. | 0:33:11 | 0:33:14 | |
Yeah, and work all the way to the tip. | 0:33:14 | 0:33:16 | |
-And pushing up? -Yeah. | 0:33:16 | 0:33:18 | |
Nice. | 0:33:20 | 0:33:22 | |
Let's have a look. | 0:33:22 | 0:33:23 | |
-Looking good? -I think we are. And we'll try the paper again. | 0:33:25 | 0:33:29 | |
And we'll see what happens. | 0:33:29 | 0:33:30 | |
-Oh, wow! -Perfect. | 0:33:30 | 0:33:32 | |
-There we go. -Amazing. -Nice and sharp. -Yeah. | 0:33:32 | 0:33:36 | |
If you love your knife, then, yeah, it should last... | 0:33:36 | 0:33:40 | |
Yeah, it should last a lifetime. That's the idea with them, anyway. | 0:33:40 | 0:33:43 | |
If you look after them properly, | 0:33:43 | 0:33:44 | |
you should be able to have one knife for life. | 0:33:44 | 0:33:47 | |
In terms of the Mystery House, | 0:33:52 | 0:33:54 | |
do you have any concept what we might be showing you there? | 0:33:54 | 0:33:56 | |
-Ho-ho! -Something possibly converted? | 0:33:56 | 0:34:00 | |
Converted barn, or a...windmill or something, I don't know. | 0:34:00 | 0:34:05 | |
A windmill would be a very quirky property indeed. | 0:34:05 | 0:34:08 | |
-Like a lighthouse... -Converted mill chimney, or something! | 0:34:08 | 0:34:10 | |
-A mill chimney. -Yes. | 0:34:10 | 0:34:13 | |
-Just doesn't stack up, really. -Oh! -Oh, God. | 0:34:13 | 0:34:16 | |
Our Mystery House is found in Flash, a village in the | 0:34:18 | 0:34:21 | |
Peak District National Park, just across the Staffordshire border. | 0:34:21 | 0:34:26 | |
A range of services are found three miles away in the | 0:34:26 | 0:34:28 | |
Derbyshire spa town of Buxton, | 0:34:28 | 0:34:30 | |
whose architectural delights include the 18th-century | 0:34:30 | 0:34:33 | |
Devonshire Dome, which originally provided stabling and quarters | 0:34:33 | 0:34:37 | |
for the servants of the nearby Crescent Hotel. | 0:34:37 | 0:34:40 | |
Back in Flash, there are stunning views of the Peak District, | 0:34:41 | 0:34:45 | |
as well as a shop and pubs. | 0:34:45 | 0:34:47 | |
Its claim to be the highest village in Britain has been disputed, | 0:34:48 | 0:34:51 | |
but there's no doubt that it did once feature | 0:34:51 | 0:34:54 | |
the country's highest Methodist chapel, | 0:34:54 | 0:34:56 | |
which has been converted into a home | 0:34:56 | 0:34:58 | |
and is the property we've come to see. | 0:34:58 | 0:35:00 | |
-And this is the Mystery House. -Wow. | 0:35:02 | 0:35:04 | |
You were correct about the conversion - not a windmill, | 0:35:04 | 0:35:07 | |
-but a Methodist chapel. -Wow. -OK, what do you think? | 0:35:07 | 0:35:12 | |
-Looks very interesting from the outside, doesn't it? -Yeah. -Yeah. | 0:35:12 | 0:35:14 | |
-Completely renovated and done up inside two years ago. -OK. | 0:35:14 | 0:35:19 | |
-It's a Mystery House, remember, so it's a bit of a curve ball. -Sure. | 0:35:19 | 0:35:23 | |
-All right. -There's one very obvious feature that you might not like. | 0:35:23 | 0:35:27 | |
-Oh! -But I think there's a lot to admire. -OK, sure. | 0:35:27 | 0:35:30 | |
-You ready for a go? -Yeah, can't wait to see it. -Definitely. | 0:35:30 | 0:35:33 | |
Let's go inside. | 0:35:33 | 0:35:34 | |
Wesleyan Methodism was well-established in Flash when | 0:35:34 | 0:35:37 | |
a chapel was built here in the 18th century | 0:35:37 | 0:35:40 | |
to serve a 61-strong congregation. | 0:35:40 | 0:35:42 | |
Rebuilt in 1821, it's now a Grade II listed home. | 0:35:42 | 0:35:46 | |
Spread over three levels, we're starting in the multi-purpose | 0:35:48 | 0:35:51 | |
living space that has been created on the ground floor. | 0:35:51 | 0:35:54 | |
Come right into the heart of this big beast of a house. | 0:35:54 | 0:35:57 | |
-As you can see, it's pretty much all open-plan. -Mm. | 0:35:58 | 0:36:02 | |
-Interesting. -Yeah. -Do you like what you see? | 0:36:02 | 0:36:05 | |
-I do, yeah. -I do like what I see, yeah. | 0:36:05 | 0:36:06 | |
It's lovely, it's welcoming, it's warming, it feels cosy, | 0:36:06 | 0:36:09 | |
even though it's a big space. | 0:36:09 | 0:36:10 | |
Cos you've got a big log burner sort of solid fuel heater here. | 0:36:10 | 0:36:14 | |
That actually heats all the water. You've also got another one here, | 0:36:14 | 0:36:17 | |
-if you get chilly in the winter. -Oh, OK. | 0:36:17 | 0:36:19 | |
And, as you can see, this is what would have been the worship space. | 0:36:19 | 0:36:22 | |
-Yeah. -I've got a thing about converted churches, anyway, | 0:36:22 | 0:36:25 | |
just that lovely, calm, feeling. | 0:36:25 | 0:36:29 | |
-Nice feel let's look in the kitchen. -Mm. | 0:36:29 | 0:36:31 | |
The sitting room is sandwiched between an area used as | 0:36:32 | 0:36:35 | |
a study cum music room, and a dining space. | 0:36:35 | 0:36:38 | |
Then, at the back, | 0:36:38 | 0:36:39 | |
we find a separate country kitchen breakfast room. | 0:36:39 | 0:36:42 | |
Everything flows very nicely, | 0:36:42 | 0:36:43 | |
and then you've got a kitchen with amazing views. | 0:36:43 | 0:36:46 | |
It's amazing. Just unexpected, in such a modern kitchen. | 0:36:47 | 0:36:53 | |
I just get a really good feeling about the place. | 0:36:53 | 0:36:55 | |
The style fits lovely with the house, doesn't it? | 0:36:55 | 0:36:57 | |
Yes, it does, yeah. | 0:36:57 | 0:36:59 | |
Well, the space and the serenity of this former chapel | 0:36:59 | 0:37:02 | |
may yet convert John and Steven. | 0:37:02 | 0:37:04 | |
On the lower ground floor is a cosy snug, a store room, utility, | 0:37:04 | 0:37:10 | |
and a wet room, serving two of the home's four bedrooms - | 0:37:10 | 0:37:14 | |
a very large double, and a smaller double. | 0:37:14 | 0:37:18 | |
And, taking the stairs, we reach a galleried upper floor. | 0:37:18 | 0:37:22 | |
So, again, let me just give you a little bit of geography. | 0:37:22 | 0:37:24 | |
On that side, you've got a very nice... | 0:37:24 | 0:37:27 | |
probably would be your master. | 0:37:27 | 0:37:29 | |
And then a beautiful bathroom, | 0:37:29 | 0:37:31 | |
a family bathroom with one of those sort of slipper baths. | 0:37:31 | 0:37:34 | |
And then you've got this lovely... | 0:37:34 | 0:37:36 | |
basically a sitting room for a landing. | 0:37:36 | 0:37:37 | |
Another bedroom here, and then a great big kind of... | 0:37:37 | 0:37:41 | |
-Well, it's a dressing room here. -Mm. | 0:37:41 | 0:37:43 | |
As it stands, it doesn't work. | 0:37:43 | 0:37:45 | |
I mean, I still love it - that's the thing about it, | 0:37:45 | 0:37:47 | |
there's a lovely feel to it. | 0:37:47 | 0:37:48 | |
Practically, I don't think it would work... | 0:37:48 | 0:37:50 | |
You know, I'm thinking about your therapy room, | 0:37:50 | 0:37:53 | |
where we would have that, but I do love the house. | 0:37:53 | 0:37:57 | |
I really love the house. | 0:37:57 | 0:37:59 | |
-I guess I could always retire early, or something. -Yeah. | 0:37:59 | 0:38:02 | |
Well, in a way, | 0:38:02 | 0:38:04 | |
the question marks may be resolved when we look at the outside space. | 0:38:04 | 0:38:08 | |
-OK. -OK, all right, OK. -Come with me. | 0:38:08 | 0:38:10 | |
Despite the impressive spec and location, | 0:38:12 | 0:38:15 | |
John and Steven remain to be convinced that this house | 0:38:15 | 0:38:17 | |
has everything they need for family life, and outside, | 0:38:17 | 0:38:21 | |
it's time to reveal why this is a bit of a gamble, | 0:38:21 | 0:38:24 | |
because restrictions here in the national park mean that | 0:38:24 | 0:38:27 | |
this sizeable home is limited to a rather modest patio plot. | 0:38:27 | 0:38:31 | |
So, this might be the shortest garden tour we've ever done, | 0:38:33 | 0:38:36 | |
-because this IS your garden. -Right. -OK. | 0:38:36 | 0:38:39 | |
-The idea, of course, is that THIS is your garden. -Mm-hm. | 0:38:39 | 0:38:44 | |
But, it being the Peak District, you cannot turn arable land into garden. | 0:38:44 | 0:38:49 | |
Right. | 0:38:49 | 0:38:51 | |
Not much to say, really, about this. | 0:38:51 | 0:38:53 | |
Well, you know, clearly for us, the garden was an important part, | 0:38:53 | 0:38:56 | |
because of the boys, and we want them to be safe. | 0:38:56 | 0:38:59 | |
-That's a big missing piece, I think, for us. -Mm. | 0:38:59 | 0:39:01 | |
-It is beautiful, there's no doubt about that. -Mm. -We love it, I think. | 0:39:01 | 0:39:04 | |
Yeah, we do. | 0:39:04 | 0:39:06 | |
There's just the missing pieces, I think. | 0:39:06 | 0:39:08 | |
And what do you think it's on the market for? | 0:39:08 | 0:39:10 | |
-Yes. -I think it's... It's got to be over budget. -Do you think so? | 0:39:10 | 0:39:15 | |
I would even go so far as to say maybe 520. | 0:39:15 | 0:39:18 | |
Ooh. I do think it's above what we were prepared to pay. | 0:39:18 | 0:39:21 | |
I think I'll say 475. | 0:39:21 | 0:39:25 | |
-This is actually on the market for £445,000. -Really? -Oh, OK. | 0:39:25 | 0:39:30 | |
-Wow! -I'm sorry about the garden, but, you know, we couldn't resist | 0:39:30 | 0:39:33 | |
-showing it to you, because it's a classic Mystery House. -Mm. | 0:39:33 | 0:39:36 | |
And it has, you know, lots that recommends it. | 0:39:36 | 0:39:39 | |
This converted Methodist chapel offers open-plan living | 0:39:41 | 0:39:44 | |
on the ground floor, and a separate kitchen and breakfast room. | 0:39:44 | 0:39:48 | |
There are a total of four bedrooms, two bathrooms, and it's in | 0:39:48 | 0:39:52 | |
the heart of a village within the Peak District National Park. | 0:39:52 | 0:39:56 | |
From the moment we pulled up and saw the house from the outside, | 0:39:56 | 0:39:59 | |
the Mystery House, I just thought, was beautiful. | 0:39:59 | 0:40:03 | |
Had a brilliant use of space. | 0:40:03 | 0:40:05 | |
This house would have been a contender | 0:40:05 | 0:40:07 | |
had it had a garden, and I think we would have gone for it. | 0:40:07 | 0:40:10 | |
Ordinarily, I think it would be lovely to move in | 0:40:10 | 0:40:13 | |
and consider putting a bid in for it, | 0:40:13 | 0:40:16 | |
but it just doesn't fit our new family requirements, | 0:40:16 | 0:40:19 | |
so, unfortunately, we're going to have to let it go. | 0:40:19 | 0:40:22 | |
Ah, beautiful views, but I feel a rotter for showing you | 0:40:24 | 0:40:27 | |
this property and not giving you a garden, but what can I do? | 0:40:27 | 0:40:30 | |
-Oh, sorry. -That's OK. | 0:40:30 | 0:40:32 | |
But, we're done here, | 0:40:32 | 0:40:33 | |
but there is a pub - probably the highest pub in Britain - | 0:40:33 | 0:40:35 | |
over there, so why don't you get yourself settled in there, | 0:40:35 | 0:40:38 | |
and I'll come and join you in a minute? | 0:40:38 | 0:40:39 | |
-Sure. -OK. -Thanks, Alistair. | 0:40:39 | 0:40:41 | |
Oh, Mystery Houses can be so heartbreaking. | 0:40:41 | 0:40:44 | |
They can either go wildly right, or wildly wrong. | 0:40:44 | 0:40:47 | |
I mean, the garden was always going to be a hard thing to swallow, and | 0:40:47 | 0:40:51 | |
it didn't quite work out, but let's go and find out what they think | 0:40:51 | 0:40:54 | |
about the whole experience of being on Escape To The Country. | 0:40:54 | 0:40:57 | |
Hey, nice to see you've really settled in to the neighbourhood! | 0:41:04 | 0:41:07 | |
-Yes! -Drinks ready and everything. -Mm. | 0:41:07 | 0:41:09 | |
Have you been mulling over the properties? | 0:41:09 | 0:41:11 | |
We certainly have, and I think there's no doubt in our view | 0:41:11 | 0:41:15 | |
that the house that's the favourite is the one by the canal. | 0:41:15 | 0:41:18 | |
Yes, I'm glad, because it's a great property. | 0:41:18 | 0:41:21 | |
So, what are the brass tacks? What happens next? | 0:41:21 | 0:41:23 | |
Look at the finances, and... | 0:41:23 | 0:41:24 | |
-Yeah, and look at the plans for the place... -Yeah. | 0:41:24 | 0:41:26 | |
..to get a rough idea of what we want to get done pretty quickly, | 0:41:26 | 0:41:30 | |
and how much that'll cost. | 0:41:30 | 0:41:31 | |
-And I see that being absolutely possible. -And what about the boys? | 0:41:31 | 0:41:35 | |
What's the plan? Do you bring them up and...? | 0:41:35 | 0:41:37 | |
Yes, we'll have to bring them up and let them see the property. | 0:41:37 | 0:41:39 | |
They are an important part of the decision-making process. | 0:41:39 | 0:41:42 | |
They'll love the stream, they'll love the canal, | 0:41:42 | 0:41:44 | |
they'll adore the garden. | 0:41:44 | 0:41:45 | |
-Yeah. -So much room for them to just run around. | 0:41:45 | 0:41:47 | |
-And a great house for them to hide in. -Yeah. | 0:41:47 | 0:41:49 | |
Exactly, so many cubbyholes. | 0:41:49 | 0:41:51 | |
-It's going to hold their interest, I know. -Yeah. | 0:41:51 | 0:41:53 | |
Well, I'm delighted that we've found you something, | 0:41:53 | 0:41:55 | |
cos it was quite a tall order. We seem to have found you something. | 0:41:55 | 0:41:58 | |
Yeah, absolutely. | 0:41:58 | 0:41:59 | |
And I really hope that you and the boys take that house and settle in. | 0:41:59 | 0:42:02 | |
-Yeah. -Thank you. -Keep us in the loop. | 0:42:02 | 0:42:04 | |
-Yeah, thanks very much for your help. -Been a fantastic few days. | 0:42:04 | 0:42:07 | |
-Really has been amazing. -And it's always nice to be in Derbyshire. | 0:42:07 | 0:42:09 | |
Yeah. | 0:42:09 | 0:42:10 | |
Can I let you in to a secret? | 0:42:18 | 0:42:20 | |
I thought, for a while, | 0:42:20 | 0:42:21 | |
we had bitten off more than we could chew, | 0:42:21 | 0:42:22 | |
because Steve and John really wanted a lot for their budget, | 0:42:22 | 0:42:26 | |
but it was such a good story, with the boys, and the new family, | 0:42:26 | 0:42:29 | |
and moving from the East End to all of this, | 0:42:29 | 0:42:32 | |
that we did take on the challenge, and I am so relieved that | 0:42:32 | 0:42:35 | |
we seem to have hit a bulls-eye with that house by the canal. | 0:42:35 | 0:42:38 | |
It's going to be a lot of work, | 0:42:38 | 0:42:39 | |
but it's the sort of work that will really bring that family together. | 0:42:39 | 0:42:44 | |
If they need a peak experience, | 0:42:44 | 0:42:45 | |
then this is the landscape that will give it to them. | 0:42:45 | 0:42:50 | |
So, on that happy note, | 0:42:50 | 0:42:52 | |
join us next time for more rural adventures on Escape To The Country. | 0:42:52 | 0:42:56 | |
If you would like to Escape To The Country | 0:42:59 | 0:43:01 | |
in Northern Ireland, Scotland, Wales, or England | 0:43:01 | 0:43:04 | |
and need our help, you can apply online. | 0:43:04 | 0:43:06 |