Browse content similar to Wiltshire. Check below for episodes and series from the same categories and more!
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The distinctive memorial you see in the churchyard | 0:00:02 | 0:00:04 | |
behind me marks the final resting place | 0:00:04 | 0:00:05 | |
of one of Britain's best-loved spy masters, | 0:00:05 | 0:00:07 | |
but where am I, and who am I referring to? | 0:00:07 | 0:00:10 | |
Find out in just a moment. | 0:00:10 | 0:00:12 | |
Today I'm helping a couple who are | 0:00:30 | 0:00:32 | |
moving for the first time in 32 years. | 0:00:32 | 0:00:35 | |
We show them something very different. | 0:00:35 | 0:00:37 | |
So, the house you live in at home... | 0:00:37 | 0:00:39 | |
-Nothing like this! -Yeah, I imagine. | 0:00:39 | 0:00:43 | |
But will they settle on something similar? | 0:00:43 | 0:00:46 | |
It's not a house, it's a home. | 0:00:46 | 0:00:48 | |
-Good, yeah. -Yes? -Yeah. | 0:00:48 | 0:00:51 | |
Today, I'm in Wiltshire, in Sevenhampton | 0:00:54 | 0:00:57 | |
and this obelisk marks the spot where | 0:00:57 | 0:00:59 | |
author and former intelligence officer Ian Fleming | 0:00:59 | 0:01:03 | |
was buried in 1964. | 0:01:03 | 0:01:05 | |
Now, Fleming's most famous creation was of course James Bond, | 0:01:05 | 0:01:10 | |
but Ian wasn't the only Fleming with connections | 0:01:10 | 0:01:14 | |
to the intelligence world. | 0:01:14 | 0:01:16 | |
His brother Peter played a key role in setting up | 0:01:16 | 0:01:18 | |
a secret resistance force based here in Wiltshire | 0:01:18 | 0:01:23 | |
in the Second World War. | 0:01:23 | 0:01:25 | |
Later on, I'll be learning more about their mission and training, | 0:01:25 | 0:01:28 | |
but first, let's find out | 0:01:28 | 0:01:29 | |
what else this stunning county has to offer. | 0:01:29 | 0:01:32 | |
Known as the gateway to the West Country, | 0:01:34 | 0:01:36 | |
landlocked Wiltshire is bordered by | 0:01:36 | 0:01:38 | |
counties including Dorset to the south | 0:01:38 | 0:01:40 | |
and Gloucestershire to the north. | 0:01:40 | 0:01:42 | |
With the landscape largely shaped by agriculture, | 0:01:43 | 0:01:46 | |
Wiltshire is characterised by | 0:01:46 | 0:01:47 | |
its rolling chalky hills and wooded valleys, | 0:01:47 | 0:01:50 | |
and its landmarks are visible reminders of a history | 0:01:50 | 0:01:53 | |
dating back thousands of years. | 0:01:53 | 0:01:55 | |
It's home to one of the highest concentrations | 0:01:55 | 0:01:57 | |
of prehistoric monuments in the world, | 0:01:57 | 0:01:59 | |
including the largest stone circle at Avebury, | 0:01:59 | 0:02:02 | |
dating back around 5,000 years. | 0:02:02 | 0:02:05 | |
The county is also famous for its collection of white horses | 0:02:05 | 0:02:08 | |
carved out of the chalky hills, | 0:02:08 | 0:02:10 | |
including one at Westbury, which is 52 metres wide. | 0:02:10 | 0:02:13 | |
Wiltshire also has its fair share of attractive market towns, | 0:02:13 | 0:02:17 | |
including Marlborough, with its wide Georgian high street, | 0:02:17 | 0:02:20 | |
and pretty thatched villages such as Alton Barnes, | 0:02:20 | 0:02:22 | |
overlooked by the Pewsey Downs. | 0:02:22 | 0:02:24 | |
With such a wealth of awe-inspiring architecture | 0:02:25 | 0:02:28 | |
set in timeless landscape, it's easy to see | 0:02:28 | 0:02:31 | |
why so many people want to make this county their new home. | 0:02:31 | 0:02:35 | |
Wiltshire offers great potential for country living while still | 0:02:39 | 0:02:42 | |
remaining connected, courtesy of great road and rail links | 0:02:42 | 0:02:45 | |
back into London and Bristol, whilst having good access | 0:02:45 | 0:02:48 | |
to the ever popular south-west coastal region. | 0:02:48 | 0:02:50 | |
But you will have to pay a premium for that privilege. | 0:02:50 | 0:02:54 | |
The average price of a detached house here in Wiltshire | 0:02:54 | 0:02:57 | |
comes in at around £382,000 - | 0:02:57 | 0:02:59 | |
around £70,000 above the national figure. | 0:02:59 | 0:03:03 | |
However, hop over the border into Gloucestershire and you will find | 0:03:03 | 0:03:06 | |
pockets offering you substantial savings, | 0:03:06 | 0:03:09 | |
which is good news for today's buyers, | 0:03:09 | 0:03:12 | |
who aren't bound by county borders. | 0:03:12 | 0:03:14 | |
Their priority is proximity to their family. | 0:03:14 | 0:03:17 | |
Bob and Andrea have lived in their current home in Luton, Bedfordshire, | 0:03:18 | 0:03:22 | |
for the last 32 years. | 0:03:22 | 0:03:24 | |
Both now retired from the medical profession, | 0:03:24 | 0:03:26 | |
their first encounter was full of drama. | 0:03:26 | 0:03:29 | |
It was just before Christmas and there was an amateur dramatic group | 0:03:30 | 0:03:35 | |
associated with the hospital that put on pantomimes for staff | 0:03:35 | 0:03:39 | |
and patients. Bob was in the pantomime | 0:03:39 | 0:03:41 | |
and I was doing the make-up. | 0:03:41 | 0:03:43 | |
-Her first words to me were... -You don't have to say that. | 0:03:43 | 0:03:46 | |
.."You can't go on stage with make-up like that." | 0:03:46 | 0:03:48 | |
"With a green neck", I said. | 0:03:48 | 0:03:49 | |
Bob stopped wearing Andrea's make-up and now they've been married | 0:03:51 | 0:03:55 | |
for 36 years. Their son and daughter | 0:03:55 | 0:03:57 | |
are both in their 30s and have flown the nest, | 0:03:57 | 0:03:59 | |
so they feel the time is right to sell the family home in Luton. | 0:03:59 | 0:04:03 | |
We moved here when our son was one-year-old. | 0:04:04 | 0:04:08 | |
It was a three-bed semi and it was big enough for what we needed | 0:04:08 | 0:04:12 | |
at the time, but now the children have moved away, | 0:04:12 | 0:04:16 | |
so now we're moving to be with family, | 0:04:16 | 0:04:18 | |
and that's what we want to do. | 0:04:18 | 0:04:21 | |
Their eldest daughter is moving the Gloucestershire, | 0:04:21 | 0:04:23 | |
and Bob and Andrea want to stay close to her, | 0:04:23 | 0:04:26 | |
but they're also seeking a quieter pace of life. | 0:04:26 | 0:04:28 | |
It's a lovely part of the country. | 0:04:29 | 0:04:31 | |
The Cotswolds nearby and the housing is really nice down there. | 0:04:31 | 0:04:36 | |
-We're looking at a more rural... -Yep. | 0:04:36 | 0:04:39 | |
..environment than we're in now, | 0:04:39 | 0:04:41 | |
something a little bit more where there's walks nearby. | 0:04:41 | 0:04:44 | |
Really, it's a slowdown. | 0:04:44 | 0:04:47 | |
We don't want to stop by any means, but it's a chance for us to sort of | 0:04:47 | 0:04:50 | |
spread our wings and try different things. | 0:04:50 | 0:04:54 | |
One hobby Bob is keen to develop is photography. | 0:04:54 | 0:04:56 | |
I've been doing it for about 20 years now. | 0:04:58 | 0:05:00 | |
It's become a passion, really, I guess. | 0:05:00 | 0:05:03 | |
I've looked at all different types of photography, | 0:05:03 | 0:05:06 | |
but I've settled on portrait photography, which is something | 0:05:06 | 0:05:10 | |
I've been told I have quite a knack for. So photography, yes, | 0:05:10 | 0:05:13 | |
burning ambition to get it right and to photograph some wonderful people. | 0:05:13 | 0:05:18 | |
Yeah, but not me. | 0:05:18 | 0:05:19 | |
But not you. No, she doesn't like having her photograph taken. | 0:05:19 | 0:05:22 | |
-No. -No. | 0:05:22 | 0:05:24 | |
However, Andrea wants to continue volunteering | 0:05:24 | 0:05:26 | |
when she moves to the countryside. | 0:05:26 | 0:05:30 | |
We're both very interested in history and architecture, I guess. | 0:05:30 | 0:05:34 | |
We both volunteer at a national charity, not far from here, | 0:05:34 | 0:05:39 | |
where that enables us to talk about the history of the building, | 0:05:39 | 0:05:45 | |
and you photograph all the artefacts, | 0:05:45 | 0:05:47 | |
so we would hope to carry that on. | 0:05:47 | 0:05:48 | |
After living in Luton for over 30 years, | 0:05:50 | 0:05:52 | |
they know that their life will change, | 0:05:52 | 0:05:54 | |
but they're eager to take that next step. | 0:05:54 | 0:05:55 | |
Over the years that we've been here, we've had a wide circle of friends, | 0:05:58 | 0:06:01 | |
particularly as the children were growing up, but like us, | 0:06:01 | 0:06:04 | |
they have all moved away, and so now we are looking forward to | 0:06:04 | 0:06:08 | |
making new friends in our new home environment. | 0:06:08 | 0:06:10 | |
Bob and Andrea would like to be within an hour of their daughter | 0:06:15 | 0:06:18 | |
in Cirencester, Gloucestershire, | 0:06:18 | 0:06:20 | |
so we'll be looking in the north and west of the county. | 0:06:20 | 0:06:23 | |
I'm meeting up with him in Wiltshire to talk property particulars. | 0:06:23 | 0:06:27 | |
Morning, welcome to Wiltshire. | 0:06:28 | 0:06:30 | |
-Good morning. -Nice to see you. | 0:06:30 | 0:06:31 | |
Lovely to see you, and I'm sure it's great to be here. | 0:06:31 | 0:06:33 | |
-A long way from home. -Yeah, very much so. | 0:06:33 | 0:06:36 | |
Let's talk about the house you're after, because I imagine | 0:06:36 | 0:06:40 | |
you're quite used to a certain style of living, | 0:06:40 | 0:06:43 | |
having been in your current house for how long? | 0:06:43 | 0:06:45 | |
-32 years. -Right, OK, so let's just see how adaptable to change you are! | 0:06:45 | 0:06:50 | |
We're just a little settled as we are, so we're open to change. | 0:06:50 | 0:06:52 | |
-Are you? -Yes. -I'm not so sure! | 0:06:52 | 0:06:55 | |
-Ohh, really? -I'm not so sure that we are. | 0:06:55 | 0:06:58 | |
It will depend on the amount of change. | 0:06:58 | 0:07:00 | |
Describe to me the house you think you'd like to live in down here. | 0:07:00 | 0:07:04 | |
So, we'd like a reasonable-sized master bedroom. | 0:07:04 | 0:07:07 | |
-Or dressing room. -Then three or four bedrooms, but again reasonable size. | 0:07:07 | 0:07:12 | |
We don't want four bedrooms | 0:07:12 | 0:07:13 | |
where actually the third and fourth bedroom is, you know... | 0:07:13 | 0:07:17 | |
You can touch the walls at the same time. | 0:07:17 | 0:07:19 | |
What do you want four bedrooms for if the children have left home? | 0:07:19 | 0:07:22 | |
Well, if it doesn't have a study, | 0:07:22 | 0:07:23 | |
we'd like to have a study. So we could turn a bedroom into a study. | 0:07:23 | 0:07:26 | |
Just thinking ahead now, what about things like outbuildings or garages, | 0:07:26 | 0:07:31 | |
could you convert them or do you have a car? | 0:07:31 | 0:07:33 | |
-That's my area, I guess. -That's your dream. | 0:07:33 | 0:07:35 | |
I'm looking for a large garage or outbuilding | 0:07:35 | 0:07:38 | |
that has height as well as width, | 0:07:38 | 0:07:39 | |
-because I want to do portrait photography. -OK. | 0:07:39 | 0:07:43 | |
But it's not a showstopper, because if there is sufficient land - | 0:07:43 | 0:07:46 | |
although we're looking for a manageable garden - | 0:07:46 | 0:07:49 | |
if there is sufficient land, I could put a building perhaps... | 0:07:49 | 0:07:52 | |
I can already see conflicts here. | 0:07:52 | 0:07:54 | |
BOB AND ANDREA LAUGH | 0:07:54 | 0:07:55 | |
"We want a manageable garden but we want..." | 0:07:55 | 0:07:58 | |
You mentioned the word "land". That always terrifies me. | 0:07:58 | 0:08:01 | |
-No... -We don't want huge land, we're not gardeners. | 0:08:01 | 0:08:04 | |
-No. -All right, what about style? | 0:08:04 | 0:08:06 | |
Because you've got some beautiful stone-built properties | 0:08:06 | 0:08:08 | |
in this part of the world. | 0:08:08 | 0:08:09 | |
Yeah, the stone is lovely and we love it. | 0:08:09 | 0:08:12 | |
As long as the rooms aren't dark. | 0:08:12 | 0:08:15 | |
I like reasonably sized windows and good natural light. | 0:08:15 | 0:08:19 | |
You like modern houses, by the sounds of it. | 0:08:19 | 0:08:21 | |
-Probably, yes. -The ultra modern houses | 0:08:21 | 0:08:23 | |
seem to have smaller windows, | 0:08:23 | 0:08:24 | |
so that's what we've been concerned about when we've been looking. | 0:08:24 | 0:08:27 | |
This is going to be interesting, isn't it?! | 0:08:27 | 0:08:29 | |
This is why we haven't moved for 32 years! | 0:08:29 | 0:08:31 | |
You know what? I see this a lot. | 0:08:32 | 0:08:35 | |
It's prising people like yourselves out of your house. | 0:08:35 | 0:08:38 | |
You've made the decision, you want to move... | 0:08:38 | 0:08:40 | |
-Yes, definitely. -..but you will have to leave a lot of what makes you | 0:08:40 | 0:08:43 | |
so comfortable and satisfied with your current home behind you. | 0:08:43 | 0:08:46 | |
-Yes, that's true. -And take it out on me. | 0:08:46 | 0:08:49 | |
That's what I'll say - take it out on me. | 0:08:49 | 0:08:51 | |
What about price, remind me of what your budget is. | 0:08:52 | 0:08:55 | |
A maximum of 425. | 0:08:55 | 0:08:58 | |
-A maximum of 425? -Yes. | 0:08:58 | 0:08:59 | |
All right, let's see how we get on. | 0:08:59 | 0:09:01 | |
-I know just the place to start. Come with me. -Thank you. | 0:09:01 | 0:09:04 | |
-It's going to be different. -Yeah. | 0:09:04 | 0:09:05 | |
-That sounds good. -That's what we want. | 0:09:05 | 0:09:07 | |
With a budget of £425,000, | 0:09:08 | 0:09:11 | |
Bob and Andrea would like a detached characterful property | 0:09:11 | 0:09:14 | |
with light rooms. They're after four good-sized bedrooms, | 0:09:14 | 0:09:18 | |
one of which could be a study. | 0:09:18 | 0:09:20 | |
They'd like a manageable garden and Bob would like a large garage | 0:09:20 | 0:09:23 | |
or outbuilding that he can use as a photographic studio. | 0:09:23 | 0:09:26 | |
We've chosen three properties that best reflect their wishlist, | 0:09:28 | 0:09:32 | |
but they won't get to know the price tag until the end of each tour. | 0:09:32 | 0:09:35 | |
With our final house - the mystery property - | 0:09:35 | 0:09:38 | |
we'll see just how far Bob and Andrea | 0:09:38 | 0:09:40 | |
are willing to disrupt the status quo. | 0:09:40 | 0:09:43 | |
Our first house is two miles from the town of Trowbridge, | 0:09:49 | 0:09:51 | |
in the village of West Ashton. | 0:09:51 | 0:09:54 | |
Surrounded by peaceful countryside, it's a small yet vibrant village | 0:09:54 | 0:09:58 | |
with a community spirit, and includes a listed Victorian church, | 0:09:58 | 0:10:02 | |
a primary school and a village hall hosting many social events. | 0:10:02 | 0:10:06 | |
Property one is situated on a private lane in the village. | 0:10:06 | 0:10:10 | |
So, this is very exciting for you, the first house in 30 years, | 0:10:10 | 0:10:13 | |
or first home you could be buying. Is it this? What do you think? | 0:10:13 | 0:10:16 | |
-Wow. -Not what I expected, but interested to see inside. | 0:10:16 | 0:10:21 | |
Interesting, interesting. | 0:10:21 | 0:10:22 | |
This is essentially a converted barn. | 0:10:22 | 0:10:24 | |
-Yes. -Have you ever thought about that? | 0:10:24 | 0:10:26 | |
Yeah, we've looked at them. | 0:10:26 | 0:10:28 | |
So how much are we talking about? | 0:10:28 | 0:10:31 | |
-What are you getting? -Yes. | 0:10:31 | 0:10:33 | |
Good question. See that white fencing there? | 0:10:33 | 0:10:35 | |
-Yes. -It's beyond that white fencing, around the L-shape to the end there. | 0:10:35 | 0:10:40 | |
-OK. -So you're looking at an L-shaped property. -OK. | 0:10:40 | 0:10:44 | |
Now, what do you think...? | 0:10:44 | 0:10:46 | |
Typical bloke - "Just how much of a garden?" | 0:10:46 | 0:10:51 | |
-Yes, exactly. -Do you like this environment? | 0:10:52 | 0:10:54 | |
-Do you like the village we're in? -Yeah, it's nice. -Yes, lovely. | 0:10:54 | 0:10:57 | |
Very, very good start. | 0:10:57 | 0:10:58 | |
Of course, Trowbridge has a brewery, that's got to be a bonus, hasn't it? | 0:10:58 | 0:11:02 | |
Could be good for the evenings in front of the fire with the beers. | 0:11:02 | 0:11:06 | |
Perfect. Well, if you're up for evenings in front of the fire, | 0:11:06 | 0:11:09 | |
-have I got a fireplace to show you. -Ohh. -Come with me. -OK. | 0:11:09 | 0:11:13 | |
'Good reactions to what is - let's face it - | 0:11:15 | 0:11:17 | |
'a completely different proposition to their home in Luton. | 0:11:17 | 0:11:21 | |
'The former barn dates back to the 1800s, and it's been renovated | 0:11:21 | 0:11:24 | |
'and stylishly designed by the current owner.' | 0:11:24 | 0:11:26 | |
Now this is a rather grand way of walking in. | 0:11:29 | 0:11:32 | |
Those lovely doors. | 0:11:32 | 0:11:34 | |
-Oh, wow. -Now, look at this for a room. | 0:11:34 | 0:11:37 | |
-BOB LAUGHS -Amazing. | 0:11:37 | 0:11:39 | |
-I hadn't expected this from the outside. -Oh, my goodness. | 0:11:39 | 0:11:42 | |
If I'm honest. Wow. | 0:11:42 | 0:11:44 | |
That is... That is old and new all in one, isn't it? | 0:11:44 | 0:11:47 | |
So, the house you live in at home... | 0:11:47 | 0:11:49 | |
Nothing like this. | 0:11:49 | 0:11:51 | |
Yeah, I imagine. Now, the fireplace... | 0:11:51 | 0:11:54 | |
That is some fireplace, isn't it? | 0:11:54 | 0:11:56 | |
-It is. See the stonework there? -Yes. | 0:11:56 | 0:11:58 | |
That comes from a nearby railway station. | 0:11:58 | 0:12:00 | |
-Oh, my goodness. -Reclaimed the ironwork along the side there. | 0:12:00 | 0:12:03 | |
-Wonderful bit of timber going across. -Yeah. | 0:12:03 | 0:12:06 | |
The flooring is new, it's oak flooring. | 0:12:07 | 0:12:09 | |
Here's another clever design. | 0:12:09 | 0:12:10 | |
He decided to lay it so it points you towards the courtyard garden. | 0:12:10 | 0:12:14 | |
-Clever. -Oh, OK. | 0:12:14 | 0:12:17 | |
I think you'd live in here, and for the first year, | 0:12:17 | 0:12:19 | |
you'd be finding these wonderful quirks. | 0:12:19 | 0:12:21 | |
-Different things, yes. -It reflects the guy that's built this place | 0:12:21 | 0:12:24 | |
and you wonder where it's all from. | 0:12:24 | 0:12:26 | |
Let me show you the bedrooms through this side now. | 0:12:26 | 0:12:28 | |
OK, sure. | 0:12:28 | 0:12:29 | |
At the end of the kitchen, there's a utility room for the white goods | 0:12:32 | 0:12:35 | |
as well as a wet room. | 0:12:35 | 0:12:37 | |
There are four bedrooms in this former barn, | 0:12:37 | 0:12:39 | |
three of those on the ground floor. | 0:12:39 | 0:12:41 | |
They include a double, which is adjacent to the family bathroom, | 0:12:41 | 0:12:44 | |
and there's a spare room that could be set aside | 0:12:44 | 0:12:47 | |
for Bob's photography equipment. | 0:12:47 | 0:12:49 | |
Upstairs, on a mezzanine level, there's a guest double. | 0:12:49 | 0:12:51 | |
'There's no doubt it's an impressive space, but can Bob and Andrea | 0:12:52 | 0:12:55 | |
'see themselves here with their own belongings and furniture, | 0:12:55 | 0:12:58 | |
'as we explore what could be their master bedroom on the ground floor?' | 0:12:58 | 0:13:02 | |
-Wow. -Now, the master bedroom... | 0:13:02 | 0:13:05 | |
I think you'll rather this. | 0:13:05 | 0:13:07 | |
-Oh, gosh! -Gosh. | 0:13:07 | 0:13:09 | |
BOB CHUCKLES | 0:13:09 | 0:13:10 | |
-Big enough. -Is it? -I think so. | 0:13:10 | 0:13:12 | |
-Ohhh. -I think so. -We probably could. | 0:13:12 | 0:13:16 | |
-Wardrobes. -I notice there's a conversation going on here. | 0:13:16 | 0:13:20 | |
I think what's going on here is, | 0:13:20 | 0:13:21 | |
you're seeing if you can fit them in, | 0:13:21 | 0:13:23 | |
but hopefully it's not a deal-breaker. | 0:13:23 | 0:13:25 | |
-No, no. -Not at all. -It's a nice room. | 0:13:25 | 0:13:27 | |
You've got a bathroom that is almost finished up above. | 0:13:27 | 0:13:30 | |
-OK. -And the owner is going to put a modular staircase in. | 0:13:30 | 0:13:33 | |
-Oh, wow. -OK. | 0:13:33 | 0:13:35 | |
-It gets better. -I think it's just a question of getting used to it. | 0:13:37 | 0:13:39 | |
We've never had a ground-floor bedroom. | 0:13:39 | 0:13:41 | |
And as you said before, | 0:13:41 | 0:13:43 | |
it's breaking the mould from what we've been used to | 0:13:43 | 0:13:45 | |
for 30-odd years and looking at how can adapt and fit in to | 0:13:45 | 0:13:49 | |
what is obviously a lovely house. | 0:13:49 | 0:13:52 | |
-Yeah. -You don't have to stagger upstairs to bed | 0:13:52 | 0:13:54 | |
-when you're plastered! -LAUGHING: Meaning you! | 0:13:54 | 0:13:57 | |
If you knew Andrea... | 0:13:57 | 0:13:59 | |
I'm going to like you, Andrea. | 0:13:59 | 0:14:00 | |
That's not the case, that's not the case. | 0:14:00 | 0:14:03 | |
Outside, there's an enclosed courtyard area | 0:14:03 | 0:14:06 | |
just off the master bedroom, | 0:14:06 | 0:14:07 | |
along with a south-west-facing garden, | 0:14:07 | 0:14:09 | |
comprising a patio area and manageable lawn | 0:14:09 | 0:14:12 | |
which is accessed via the main living space. | 0:14:12 | 0:14:14 | |
Well, you said a garden as opposed to land, didn't you? | 0:14:16 | 0:14:20 | |
Yes, yes, and this is a garden. | 0:14:20 | 0:14:21 | |
-Yeah. -That's fine. We can hang the washing out, I can sit out. | 0:14:21 | 0:14:26 | |
-That's fine. -OK! | 0:14:26 | 0:14:28 | |
That's what a garden is for you, then? | 0:14:28 | 0:14:30 | |
That's what a garden is for me. | 0:14:30 | 0:14:31 | |
A suntrap, I think. | 0:14:31 | 0:14:33 | |
-It really is, isn't it? -Yeah. | 0:14:33 | 0:14:34 | |
Apparently it's like this all the time in Wiltshire! | 0:14:34 | 0:14:37 | |
BOB AND ANDREA LAUGH | 0:14:37 | 0:14:38 | |
Have you both been thinking about the price? | 0:14:41 | 0:14:43 | |
Have a go at guessing it. | 0:14:43 | 0:14:45 | |
-You first. -Oh, what a gent(!) | 0:14:46 | 0:14:48 | |
I think...415,000. | 0:14:48 | 0:14:53 | |
I think it's £425,000. | 0:14:53 | 0:14:57 | |
OK. This place is on the market for £400,000. | 0:14:57 | 0:15:02 | |
-Wow. -Oh, wow, that's a surprise. | 0:15:02 | 0:15:06 | |
-That makes it twice as hard. -That is a surprise. | 0:15:06 | 0:15:08 | |
-Yes! -A pleasant one, by the sounds of it. | 0:15:08 | 0:15:10 | |
Yeah. It's certainly worth some serious thought. | 0:15:10 | 0:15:12 | |
-Absolutely. -Well, give it just that. | 0:15:12 | 0:15:14 | |
Go back into this place and have a look around on your own. | 0:15:14 | 0:15:17 | |
-OK. -I will meet you at the front whenever you're done. | 0:15:17 | 0:15:19 | |
Thank you. Thanks very much. | 0:15:19 | 0:15:20 | |
Priced at £400,000, | 0:15:22 | 0:15:24 | |
our first house is a converted barn | 0:15:24 | 0:15:26 | |
which has been sympathetically restored. | 0:15:26 | 0:15:28 | |
There's a light and airy L-shaped living space | 0:15:28 | 0:15:31 | |
with feature fireplace and four bedrooms in total, | 0:15:31 | 0:15:35 | |
with three on the ground floor. | 0:15:35 | 0:15:37 | |
The garden is easy to maintain and they'd be at the heart | 0:15:37 | 0:15:40 | |
of a village community. | 0:15:40 | 0:15:42 | |
-So this would be the guest bedroom. -This is lovely, isn't it? | 0:15:44 | 0:15:46 | |
-Yeah, very nice. -Good size. -Good size. -Nice and light. | 0:15:46 | 0:15:49 | |
Big enough for a double bed, so, yeah, spot-on. | 0:15:49 | 0:15:52 | |
Very pleasant indeed and a big surprise, | 0:15:53 | 0:15:55 | |
especially from having seen it outside to how big it is inside. | 0:15:55 | 0:15:59 | |
It's a TARDIS. This is a lot of house for the money. | 0:15:59 | 0:16:03 | |
This has been a fantastic start. | 0:16:03 | 0:16:05 | |
Somebody in this house has got an amazing vision. | 0:16:07 | 0:16:10 | |
Whether I could see myself living here, I'm not sure at this moment. | 0:16:10 | 0:16:14 | |
It needs some real, serious thought. | 0:16:14 | 0:16:19 | |
It's very different from where we are. | 0:16:19 | 0:16:21 | |
That's not to say it's a deal-breaker. | 0:16:21 | 0:16:23 | |
I just have to have my head round it | 0:16:23 | 0:16:25 | |
as to whether I can live in this way. | 0:16:25 | 0:16:27 | |
I am almost rueing not keeping this as the mystery house, | 0:16:29 | 0:16:34 | |
but we've started well with this, haven't we? | 0:16:34 | 0:16:36 | |
-We have, very much so. -Amazing start. | 0:16:36 | 0:16:38 | |
I think you'll be hard pushed to do it better. | 0:16:38 | 0:16:40 | |
Well, we're just going to do it different. | 0:16:40 | 0:16:41 | |
-Onto the next one. -All right, lovely. Wow. | 0:16:41 | 0:16:43 | |
Wiltshire is a mostly rural county, | 0:16:49 | 0:16:51 | |
covering around 2,000 square miles, | 0:16:51 | 0:16:53 | |
and features internationally recognised heritage sites, | 0:16:53 | 0:16:56 | |
gently undulating terrain and a great abundance of wildlife. | 0:16:56 | 0:17:02 | |
In 1962, the Wiltshire Wildlife Trust | 0:17:02 | 0:17:04 | |
was formed to protect and conserve the county's countryside heritage. | 0:17:04 | 0:17:10 | |
Today, it manages a number of wildlife reserves, | 0:17:10 | 0:17:12 | |
including this one at Clouts Wood. | 0:17:12 | 0:17:14 | |
It also relies on volunteers, and since Bob and Andrea | 0:17:14 | 0:17:18 | |
have expressed an interest in getting involved in the community, | 0:17:18 | 0:17:20 | |
we sent them to meet reserve officer Ellie Jones | 0:17:20 | 0:17:23 | |
to find out more about volunteering... | 0:17:23 | 0:17:25 | |
-Hi, Ellie. -Hi. -Really nice to meet you. -Yes, you too. | 0:17:25 | 0:17:28 | |
..and photo opportunities. | 0:17:28 | 0:17:30 | |
So, as you've noticed, I've got my camera with me. | 0:17:30 | 0:17:33 | |
I'm a very keen photographer. | 0:17:33 | 0:17:35 | |
What sort of things could I see on the reserve? | 0:17:35 | 0:17:37 | |
Well, we're on an area of chalk downland at the moment, | 0:17:37 | 0:17:39 | |
so there's lots of beautiful wild flowers out. | 0:17:39 | 0:17:41 | |
-Right. -We see over 12 species of bumblebee. | 0:17:41 | 0:17:44 | |
-12? -Yeah. -Wow. -And some great birds as well. | 0:17:44 | 0:17:47 | |
Red kites, buzzards, green woodpecker | 0:17:47 | 0:17:49 | |
and spotted flycatcher have been seen recently. | 0:17:49 | 0:17:51 | |
-Oh, wow. -So, yeah, quite a bit. | 0:17:51 | 0:17:53 | |
And do you rely on volunteers? | 0:17:53 | 0:17:56 | |
We do. We have an awful lot of volunteers | 0:17:56 | 0:17:58 | |
that do brilliant work across our research, | 0:17:58 | 0:18:00 | |
so it's really important to us. | 0:18:00 | 0:18:02 | |
And what sort of work that they be doing on a day-to-day basis? | 0:18:02 | 0:18:05 | |
It really depends on the reserve and on the time of year, | 0:18:05 | 0:18:07 | |
so they could be involved in things like woodland management, | 0:18:07 | 0:18:10 | |
coppicing for example, | 0:18:10 | 0:18:11 | |
or in the summer you could be doing things like path creation | 0:18:11 | 0:18:14 | |
or step construction, so it's really, really variable. | 0:18:14 | 0:18:16 | |
-Wow, OK. -Very interesting, very interesting. | 0:18:16 | 0:18:19 | |
Right, guys, would you like to follow me? | 0:18:19 | 0:18:21 | |
-we'll go on a wildlife walk. -That would be fabulous. | 0:18:21 | 0:18:23 | |
-Sounds great. -Great. | 0:18:23 | 0:18:24 | |
Surrounded by grazing land, | 0:18:26 | 0:18:28 | |
Clouts Wood is a Site of Special Scientific Interest | 0:18:28 | 0:18:31 | |
and has existed as a wood since the last ice age receded. | 0:18:31 | 0:18:35 | |
A haven for insects and wild flowers, | 0:18:35 | 0:18:37 | |
it's not long before portrait photographer Bob | 0:18:37 | 0:18:40 | |
spots a willing subject. | 0:18:40 | 0:18:41 | |
Never has a bee been photographed so much! | 0:18:41 | 0:18:43 | |
HE LAUGHS | 0:18:43 | 0:18:45 | |
Right, so this is the chalk grassland that we've got here. | 0:18:45 | 0:18:49 | |
We've got field and small scabious, which are very characteristic. | 0:18:49 | 0:18:53 | |
Yes, this one here. | 0:18:53 | 0:18:54 | |
We also have quaking grass, which is one of my favourite grasses | 0:18:54 | 0:18:57 | |
because it sort of quakes. | 0:18:57 | 0:19:00 | |
-In the wind? -Yeah, in the wind. | 0:19:00 | 0:19:02 | |
This one here is greater knapweed, which is | 0:19:02 | 0:19:04 | |
another species characteristic of chalk. | 0:19:04 | 0:19:07 | |
After a short walk, it's camera down and work gloves on. | 0:19:07 | 0:19:11 | |
We're going to be hand pulling this plant here. | 0:19:11 | 0:19:13 | |
It's called ragwort, common ragwort. | 0:19:13 | 0:19:16 | |
-It's a beautiful plant. -It is, isn't it? | 0:19:16 | 0:19:18 | |
A great nectar source and pollen source | 0:19:18 | 0:19:20 | |
for invertebrates, butterflies, bees, but unfortunately, | 0:19:20 | 0:19:23 | |
-it is toxic... -Oh, really? -..when ingested for livestock, | 0:19:23 | 0:19:26 | |
so we do need to remove it. | 0:19:26 | 0:19:28 | |
What we need to do here is, | 0:19:28 | 0:19:29 | |
pull this up from the base to make sure that we get the roots. | 0:19:29 | 0:19:32 | |
-Ahh. -Like that. -OK. Yep. | 0:19:34 | 0:19:36 | |
Ragwort can grow up to 90cm tall | 0:19:36 | 0:19:38 | |
and produces yellow, daisy-like flowers | 0:19:38 | 0:19:40 | |
during the summer months. | 0:19:40 | 0:19:42 | |
Common ragwort produces large numbers of seeds, | 0:19:42 | 0:19:45 | |
so you need to be careful when pulling it out | 0:19:45 | 0:19:48 | |
not to disperse them. | 0:19:48 | 0:19:49 | |
Getting to the base of the roots is tougher than it looks. | 0:19:49 | 0:19:52 | |
-So how are you getting on? -Yeah, OK. | 0:19:52 | 0:19:54 | |
I'm not really doing very well here. | 0:19:54 | 0:19:56 | |
Oh, dear. Well, they'll come back but it's not a problem, I guess. | 0:19:56 | 0:20:00 | |
Can always pull them again next time. | 0:20:00 | 0:20:02 | |
ANDREA LAUGHS | 0:20:02 | 0:20:03 | |
Looks like you've got a good pile of it there. | 0:20:03 | 0:20:05 | |
Shall we put this all together and put it in a bag? | 0:20:05 | 0:20:07 | |
-Indeed. -Then I think then we can call it a day. | 0:20:07 | 0:20:09 | |
-OK. -Because there's somebody else I'd like you to meet. | 0:20:09 | 0:20:12 | |
-OK. -Great, thank you. -Lovely. -Thanks for your help. | 0:20:12 | 0:20:14 | |
Clouts Wood is traditionally managed as a coppice, | 0:20:16 | 0:20:19 | |
so to finish off their wildlife walk, | 0:20:19 | 0:20:21 | |
Bob and Andrea are meeting horse logger Richard Eames | 0:20:21 | 0:20:24 | |
and his horse Elizabeth | 0:20:24 | 0:20:26 | |
to find out about this ancient form of woodland management. | 0:20:26 | 0:20:29 | |
So what is it you actually do? | 0:20:30 | 0:20:33 | |
Well, I'm a horse logger, | 0:20:33 | 0:20:34 | |
so I basically use Elizabeth to extract the timber | 0:20:34 | 0:20:37 | |
that has been felled. | 0:20:37 | 0:20:39 | |
And why does the Wildlife Trust use horses rather than machinery? | 0:20:39 | 0:20:42 | |
On this site, it's very steep. | 0:20:42 | 0:20:45 | |
It's quite a small job, so a horse can get into the site, | 0:20:45 | 0:20:48 | |
get the timber easily and also doesn't damage the flora and fauna, | 0:20:48 | 0:20:53 | |
so it's more cost-effective to use a horse here, | 0:20:53 | 0:20:56 | |
than to bring in machinery. | 0:20:56 | 0:20:58 | |
The art of horse logging is thought to date back some 10,000 years | 0:20:58 | 0:21:02 | |
and nearly died out with the onset of machines, | 0:21:02 | 0:21:04 | |
but today, traditional forestry skills are making a comeback. | 0:21:04 | 0:21:09 | |
And with all this countryside on their doorstep, | 0:21:09 | 0:21:11 | |
it's time I got back on my saddle | 0:21:11 | 0:21:13 | |
and found Bob and Andrea their perfect house. | 0:21:13 | 0:21:16 | |
For our second house, we're staying in the Trowbridge area | 0:21:20 | 0:21:22 | |
and heading to the village of North Bradley. | 0:21:22 | 0:21:25 | |
Overlooked by one of Wiltshire's famous white horses at Westbury, | 0:21:25 | 0:21:28 | |
this village and its larger neighbour Hawkeridge | 0:21:28 | 0:21:31 | |
together feature a range of useful amenities, including a pub, | 0:21:31 | 0:21:35 | |
a parish church and a village hall. | 0:21:35 | 0:21:38 | |
Property two is right in the heart of North Bradley | 0:21:38 | 0:21:40 | |
and couldn't be more different to our first house. | 0:21:40 | 0:21:43 | |
Now, for our second offering, | 0:21:46 | 0:21:47 | |
we're going for something a bit more conventional, if you like. | 0:21:47 | 0:21:50 | |
-Wow, yeah. -You said "wow" already, so that bodes well. | 0:21:50 | 0:21:53 | |
Yes, yes. | 0:21:53 | 0:21:55 | |
I'm going to be honest with you - we have seen this one online. | 0:21:55 | 0:21:58 | |
OK. What did you think of it? | 0:21:59 | 0:22:01 | |
-We wanted to come and see it. -Oh, right, good! | 0:22:01 | 0:22:03 | |
JONNIE EXHALES | 0:22:03 | 0:22:04 | |
"We saw it, we discounted it..." | 0:22:04 | 0:22:06 | |
-No, no, no. -No, this is brilliant. | 0:22:06 | 0:22:08 | |
-Oh, good. -This is just the one we wanted to see. | 0:22:08 | 0:22:10 | |
Oh, so we're on the right tracks then? | 0:22:10 | 0:22:12 | |
-Most definitely. -Excellent, excellent. | 0:22:12 | 0:22:14 | |
'Built in 1994, this modern detached property | 0:22:14 | 0:22:17 | |
'has a more conventional layout,' | 0:22:17 | 0:22:19 | |
and in many ways, makes the move from their Luton home | 0:22:19 | 0:22:22 | |
less of a wrench for Bob and Andrea. | 0:22:22 | 0:22:23 | |
We're starting in the first of three living areas. | 0:22:23 | 0:22:27 | |
Let's start with the living room. | 0:22:29 | 0:22:31 | |
Not open-plan. | 0:22:31 | 0:22:32 | |
-You'll see. -Love the double aspect. | 0:22:32 | 0:22:35 | |
-Oh, this is nice. -A nice room, yeah. | 0:22:35 | 0:22:37 | |
Yes, this is very nice. | 0:22:37 | 0:22:39 | |
Does this replicate more that you're used to living in | 0:22:39 | 0:22:43 | |
in your current home? | 0:22:43 | 0:22:44 | |
-Yes. -Three completely separate living areas? | 0:22:44 | 0:22:48 | |
Yes, this is more us. | 0:22:48 | 0:22:50 | |
I think one of the other concerns for me in the other house was... | 0:22:50 | 0:22:54 | |
being able to get away from each other. | 0:22:54 | 0:22:56 | |
-In the nicest possible way! -In the nicest possible way, | 0:22:57 | 0:23:00 | |
because for example, we've got a piano, | 0:23:00 | 0:23:02 | |
so a piano in that main room is going to really | 0:23:02 | 0:23:05 | |
stop anybody else doing anything else. | 0:23:05 | 0:23:07 | |
There's only so many times you can listen to Chopsticks! | 0:23:07 | 0:23:10 | |
I know, I know, especially played badly. | 0:23:10 | 0:23:12 | |
Let's look at all three then and see how they flow. | 0:23:13 | 0:23:15 | |
We can actually walk through the dining room if you want to. | 0:23:15 | 0:23:18 | |
-We'll do that right away. -Yes, yes. -Come with me. | 0:23:18 | 0:23:20 | |
The dining room is just about large enough to entertain close family, | 0:23:22 | 0:23:25 | |
but there's another option in the kitchen. | 0:23:25 | 0:23:29 | |
The hallway's just through that door there, | 0:23:29 | 0:23:31 | |
but I wanted to have that shut | 0:23:31 | 0:23:33 | |
so you can see the whole utility. | 0:23:33 | 0:23:35 | |
-Oh, wow. -And you can see it goes in, | 0:23:35 | 0:23:37 | |
this is a kitchen/breakfast room really. | 0:23:37 | 0:23:40 | |
-Yes. -Well... | 0:23:40 | 0:23:43 | |
it's nice to have the extra bit on the far end. | 0:23:43 | 0:23:45 | |
Kitchen/breakfast with the dining room, | 0:23:45 | 0:23:47 | |
we have the two options for dining, which is nice. | 0:23:47 | 0:23:50 | |
-Formal or the less formal. -Or the escaping? | 0:23:50 | 0:23:54 | |
Maybe, yes. | 0:23:54 | 0:23:55 | |
So, that's the ground floor accommodation covered, | 0:23:56 | 0:23:59 | |
although there is a double garage accessed | 0:23:59 | 0:24:00 | |
via the utility room that could be an option for | 0:24:00 | 0:24:03 | |
Bob's photographic studio. | 0:24:03 | 0:24:04 | |
Upstairs, there are four good-sized bedrooms, including a large double | 0:24:05 | 0:24:09 | |
in the eaves above the garage, | 0:24:09 | 0:24:11 | |
A single with lots of storage | 0:24:11 | 0:24:13 | |
and another double which is being used as a study. | 0:24:13 | 0:24:15 | |
There is a three-piece family bathroom, | 0:24:15 | 0:24:18 | |
and let's not forget, the master bedroom. | 0:24:18 | 0:24:21 | |
Well, you get your required amount of bedrooms. | 0:24:23 | 0:24:26 | |
-Yes. -Your master faces south. | 0:24:26 | 0:24:28 | |
BOB SIGHS HAPPILY | 0:24:28 | 0:24:29 | |
Well, twin aspect actually. And also en suite. | 0:24:29 | 0:24:32 | |
-Fantastic. -Oh, lovely. Good. | 0:24:32 | 0:24:35 | |
Good size. Good size. | 0:24:35 | 0:24:37 | |
Come on then, put your wardrobes in here. | 0:24:37 | 0:24:40 | |
There's no need, there's a dressing room next door. | 0:24:40 | 0:24:42 | |
-Perfect. -Although it's different, | 0:24:42 | 0:24:45 | |
there's a lot of the comfortable features that we've got | 0:24:45 | 0:24:49 | |
in our existing house. We've got a large bedroom at the moment, | 0:24:49 | 0:24:51 | |
this is a large bedroom. | 0:24:51 | 0:24:52 | |
Our bedroom has double aspect, this has got double aspect. | 0:24:52 | 0:24:56 | |
We have got an en-suite, this has got an en-suite - | 0:24:56 | 0:24:59 | |
so it feels comfortable. | 0:24:59 | 0:25:01 | |
'Buyers often tell me they'd like to pick up their current house | 0:25:01 | 0:25:04 | |
'and move it to the country, and it seems we've done that here. | 0:25:04 | 0:25:07 | |
'Bob and Andrea know what they love and love and, | 0:25:07 | 0:25:09 | |
'well, love what they know, | 0:25:09 | 0:25:10 | |
'and let's be honest, those familiar home comforts are important.' | 0:25:10 | 0:25:15 | |
Outside, the main garden is to the rear and includes a large patio | 0:25:15 | 0:25:19 | |
with pergola. | 0:25:19 | 0:25:21 | |
So, the garden. | 0:25:21 | 0:25:22 | |
-Bigger, obviously, than the first house. -Yes. | 0:25:24 | 0:25:26 | |
But still manageable, I would think. | 0:25:26 | 0:25:27 | |
Very much so, very much so. | 0:25:27 | 0:25:29 | |
And more our style. | 0:25:29 | 0:25:30 | |
-It all is, isn't it? -It is. | 0:25:30 | 0:25:32 | |
Can't stop smiling, that's the trouble. | 0:25:32 | 0:25:35 | |
-Don't let the owners see or they'll put the price up! -I know. | 0:25:35 | 0:25:38 | |
What is it then? Can you put it into words | 0:25:38 | 0:25:41 | |
why this house is working, then? | 0:25:41 | 0:25:43 | |
It's not a house, it's a home. | 0:25:43 | 0:25:45 | |
-Good, yeah. Yes? -Yeah. | 0:25:45 | 0:25:48 | |
You had a sneak peak of this on the internet I know. | 0:25:48 | 0:25:51 | |
Can you remember how much this was on the market for? | 0:25:51 | 0:25:56 | |
I would like it to be £420,000, please. | 0:25:56 | 0:26:00 | |
OK. | 0:26:00 | 0:26:01 | |
400... I would say £418,000. | 0:26:01 | 0:26:05 | |
Well, a week ago this was on the market for £425,000, | 0:26:05 | 0:26:09 | |
but last week it was reduced. | 0:26:09 | 0:26:13 | |
-It is now on the market for £417,500. -Hoo-hoo! | 0:26:13 | 0:26:16 | |
So, £500 light, a pretty good guess. | 0:26:16 | 0:26:20 | |
-But... -Where do we sign?! | 0:26:20 | 0:26:22 | |
-Really? -Yeah. | 0:26:22 | 0:26:24 | |
As it's gone so well, you really must spend some more time | 0:26:24 | 0:26:27 | |
in the house. I will meet you whenever you are done. | 0:26:27 | 0:26:30 | |
-All right? -OK. Fabulous, thank you. -See you in a mo. -Thank you. | 0:26:30 | 0:26:33 | |
BOB EXHALES | 0:26:33 | 0:26:35 | |
It's gone really well. I often get a bit worried | 0:26:35 | 0:26:37 | |
when people have seen a house that's on the internet, | 0:26:37 | 0:26:40 | |
but I think this has exceeded expectations. | 0:26:40 | 0:26:44 | |
You heard it from Bob himself - it's not a house. | 0:26:44 | 0:26:46 | |
For them, it's a potential new home. | 0:26:46 | 0:26:48 | |
Over £7,000 below their budget, | 0:26:50 | 0:26:52 | |
the second property is a modern detached family home | 0:26:52 | 0:26:55 | |
with three separate living areas | 0:26:55 | 0:26:57 | |
and four good-sized bedrooms. | 0:26:57 | 0:26:59 | |
There's a double garage for Bob's photographic equipment | 0:26:59 | 0:27:02 | |
and the house comes with | 0:27:02 | 0:27:03 | |
a manageable garden with entertaining space. | 0:27:03 | 0:27:06 | |
This is a good-sized guest bedroom. | 0:27:07 | 0:27:09 | |
Oh, it is. Yeah, would work perfectly. | 0:27:09 | 0:27:12 | |
Nice storage. | 0:27:12 | 0:27:13 | |
This is very nice. | 0:27:13 | 0:27:15 | |
I can't stop smiling. | 0:27:15 | 0:27:16 | |
Boxes ticked all over the place. | 0:27:17 | 0:27:20 | |
We've already started to move our furniture in! | 0:27:20 | 0:27:22 | |
In theory. Everything will go into this house. | 0:27:22 | 0:27:26 | |
The last house, we would have had to make quite a few modifications | 0:27:26 | 0:27:29 | |
or leave stuff behind. | 0:27:29 | 0:27:31 | |
Here, we can bring the whole thing. | 0:27:31 | 0:27:33 | |
I'd like to explore the area a little bit more, | 0:27:33 | 0:27:36 | |
go into Trowbridge and see what facilities are around, | 0:27:36 | 0:27:40 | |
explore the village a little bit more, but initial feelings? | 0:27:40 | 0:27:43 | |
Yes, I could definitely see us living here. | 0:27:43 | 0:27:45 | |
I was worried you weren't going to come out then! | 0:27:47 | 0:27:49 | |
-Going to start moving in. -Yes. -Yes, please. | 0:27:49 | 0:27:52 | |
"Yes, please" from both of you. This is a contender, isn't it? | 0:27:52 | 0:27:55 | |
-Definitely. -Definitely. Definitely. | 0:27:55 | 0:27:57 | |
Does that mean tomorrow I can show you something really wacky? | 0:27:57 | 0:28:00 | |
-That would be interesting. -We're still very interested to see | 0:28:00 | 0:28:02 | |
-what's tomorrow. -This is the one to beat. | 0:28:02 | 0:28:04 | |
Come with me. | 0:28:04 | 0:28:05 | |
We're in sunny Wiltshire with a £425,000 budget | 0:28:16 | 0:28:19 | |
and retirees Bob and Andrea from Luton in Bedfordshire, | 0:28:19 | 0:28:23 | |
who haven't moved for three decades. | 0:28:23 | 0:28:26 | |
Coming up - the mystery house divides the camp. | 0:28:26 | 0:28:29 | |
It's in style with the house and it's different. | 0:28:29 | 0:28:33 | |
In the nicest possible way, Bob, | 0:28:33 | 0:28:35 | |
I don't care what you think at the moment, because you like it. | 0:28:35 | 0:28:38 | |
-Yes. -I'm worried about the doubting Thomas over here. | 0:28:38 | 0:28:40 | |
ANDREA LAUGHS | 0:28:40 | 0:28:42 | |
And down in the woods there's a big surprise, | 0:28:42 | 0:28:45 | |
as I discover Wiltshire's wartime secrets. | 0:28:45 | 0:28:48 | |
Open up! | 0:28:48 | 0:28:49 | |
JONNIE LAUGHS | 0:28:51 | 0:28:52 | |
I must say, Andrea and Bob were absolutely buzzing | 0:28:56 | 0:28:58 | |
when they got back to the hotel last night, | 0:28:58 | 0:29:00 | |
talking about house number two, especially Bob, | 0:29:00 | 0:29:03 | |
waxing lyrical about how he was going to | 0:29:03 | 0:29:06 | |
convert that double garage into a photography studio. | 0:29:06 | 0:29:08 | |
But it doesn't mean an early bath for me. | 0:29:08 | 0:29:10 | |
I know they're moving from a fairly modern property, | 0:29:10 | 0:29:13 | |
and house two, again was a modern house, wasn't it? | 0:29:13 | 0:29:16 | |
So I want one more chance to | 0:29:16 | 0:29:17 | |
show them something with a bit of history, | 0:29:17 | 0:29:19 | |
which is one of the compromises with today's mystery house. | 0:29:19 | 0:29:23 | |
The other are slightly smaller proportions inside the house itself, | 0:29:23 | 0:29:27 | |
but if they're able to see through these two things, | 0:29:27 | 0:29:30 | |
they'll be rewarded with a much shorter commute time | 0:29:30 | 0:29:33 | |
to their daughter in Cirencester. Let's see how we go. | 0:29:33 | 0:29:36 | |
Our final offering means we have to | 0:29:38 | 0:29:39 | |
cross the border into Gloucestershire | 0:29:39 | 0:29:41 | |
and head to the market town | 0:29:41 | 0:29:42 | |
of Nailsworth. | 0:29:42 | 0:29:44 | |
Set in a wooded valley, the characterful town | 0:29:44 | 0:29:47 | |
prospered thanks to the Cotswolds' wool and cloth trade. | 0:29:47 | 0:29:49 | |
Today, many of the old mills and workers' cottages | 0:29:49 | 0:29:52 | |
have been converted into restaurants and hotels. | 0:29:52 | 0:29:56 | |
The mystery house, situated on the rural edges of Nailsworth, | 0:29:56 | 0:29:59 | |
gives our couple all the benefits of town-living on their doorstep, | 0:29:59 | 0:30:04 | |
but it's a much older model than our second house yesterday, | 0:30:04 | 0:30:06 | |
and I think it's the age factor that's going to be | 0:30:06 | 0:30:09 | |
the biggest challenge for our couple. | 0:30:09 | 0:30:11 | |
You'll know you're only half an hour from Cirencester, | 0:30:11 | 0:30:14 | |
where you daughter lives... | 0:30:14 | 0:30:15 | |
-Mm-hmm. -OK. -..if you lived in that house. | 0:30:15 | 0:30:18 | |
Oh, wow. | 0:30:18 | 0:30:19 | |
-Right. -"Right"(!) | 0:30:19 | 0:30:21 | |
ANDREA AND BOB CHUCKLE | 0:30:21 | 0:30:24 | |
-I like the stone. -That's not what I was expecting. | 0:30:24 | 0:30:26 | |
Wow. You said "wow" at every house! | 0:30:26 | 0:30:29 | |
I know, I know. My heart speaks first | 0:30:29 | 0:30:31 | |
and then I let the brain come in and sort out the detail. | 0:30:31 | 0:30:34 | |
That's called Andrea. | 0:30:34 | 0:30:36 | |
No, she does it the other way around! | 0:30:36 | 0:30:38 | |
THEY LAUGH | 0:30:38 | 0:30:39 | |
So then, Andrea, you like the stone? | 0:30:39 | 0:30:41 | |
I like the stone. | 0:30:41 | 0:30:43 | |
If I'm absolutely honest, the state of the roof worries me a little bit. | 0:30:43 | 0:30:47 | |
That is beautiful local stones... on the roof. | 0:30:47 | 0:30:51 | |
-Yeah. -Yeah. -That's decent. | 0:30:51 | 0:30:54 | |
Yet to be decided, I think. | 0:30:54 | 0:30:56 | |
-See inside. -Let's look inside, come on. | 0:30:56 | 0:30:58 | |
As suspected, it seems it's out with the old and in with the new, | 0:31:00 | 0:31:04 | |
but this 19th-century traditional Cotswolds cottage | 0:31:04 | 0:31:07 | |
is packed with character, | 0:31:07 | 0:31:08 | |
and I'm hopeful I can convince Andrea of its historic merits. | 0:31:08 | 0:31:12 | |
Now, straight in to... | 0:31:14 | 0:31:17 | |
what I thought was a fairly well-lit kitchen. | 0:31:17 | 0:31:20 | |
-Yes. -Yes. | 0:31:20 | 0:31:22 | |
-A good size. -It's a good size, it's not my style. | 0:31:22 | 0:31:25 | |
Not your style, OK, all right. | 0:31:25 | 0:31:27 | |
It's in style with the house, and it's different. | 0:31:29 | 0:31:33 | |
In the nicest possible way, Bob, | 0:31:33 | 0:31:34 | |
I don't care what you think at the moment - because you like it. | 0:31:34 | 0:31:38 | |
-Yes. -I'm worried about the doubting Thomas over here. | 0:31:38 | 0:31:40 | |
I'm going to push you on this. | 0:31:42 | 0:31:44 | |
I would like to see more. It's been done very nicely. | 0:31:44 | 0:31:47 | |
-It has, yes, it's a lovely kitchen. -But it's not me. | 0:31:47 | 0:31:51 | |
'I think Andrea's body language says it all.' | 0:31:51 | 0:31:53 | |
Well, the semi open-plan feel continues. | 0:31:55 | 0:31:57 | |
You've got your dining room here and then - just mind your step there - | 0:31:57 | 0:32:02 | |
a snug-like living room. | 0:32:02 | 0:32:05 | |
Yes, very snug. | 0:32:05 | 0:32:08 | |
THEY LAUGH | 0:32:08 | 0:32:09 | |
Look at that face! Look at that face! | 0:32:09 | 0:32:12 | |
-Too small. -It is too small. -Is it? -Way too small. | 0:32:12 | 0:32:15 | |
We wouldn't get anything in here. | 0:32:15 | 0:32:17 | |
We would literally have to get rid of everything and start again. | 0:32:17 | 0:32:21 | |
Well, that would be refreshing, wouldn't it? | 0:32:21 | 0:32:23 | |
-LAUGHING: -That's true. -But it's a step too far. | 0:32:23 | 0:32:25 | |
-Is it? -I think it might be a step too far. | 0:32:25 | 0:32:27 | |
'Well, it was always going to be hard beating house two, | 0:32:29 | 0:32:31 | |
'as Bob and Andrea - and their furniture - felt so at home there.' | 0:32:31 | 0:32:35 | |
Upstairs, there are four bedrooms spread over two floors. | 0:32:35 | 0:32:38 | |
On the top floor, there's a double in the eaves and a single bedroom. | 0:32:38 | 0:32:42 | |
On the first floor, they'll find a family bathroom, | 0:32:42 | 0:32:45 | |
a guest double, as well as the master. | 0:32:45 | 0:32:48 | |
Up on this first floor, you get two double bedrooms and a bathroom. | 0:32:49 | 0:32:54 | |
But amazing views. | 0:32:54 | 0:32:56 | |
-Oh, that's nice. -That's a good-sized room as well. | 0:32:56 | 0:32:59 | |
-It is, isn't it? -I mean, look at that. | 0:32:59 | 0:33:01 | |
-Waking up to that to that view. -"How green is my valley?" | 0:33:01 | 0:33:03 | |
-Yes, pretty green. -Yeah. | 0:33:03 | 0:33:05 | |
This is a good-sized room. | 0:33:05 | 0:33:07 | |
It is a good-sized room. | 0:33:07 | 0:33:09 | |
Good-sized rooms don't buy houses. | 0:33:09 | 0:33:11 | |
No, but it depends... | 0:33:11 | 0:33:13 | |
what I could put, or what WE could put in the other rooms. | 0:33:13 | 0:33:18 | |
-You could put him in one of them. -I might put him in another house! | 0:33:18 | 0:33:21 | |
-Oh! -The garage. -That's what the garage is for. | 0:33:22 | 0:33:24 | |
-Ah, yes. -Nice big room I've got. | 0:33:24 | 0:33:27 | |
I was there when that happened. | 0:33:27 | 0:33:29 | |
But I don't think it's the size of the rooms. | 0:33:29 | 0:33:31 | |
I think it's that intangible thing, that feeling. | 0:33:31 | 0:33:36 | |
That first ten seconds, as everybody says, as you walk into a house, | 0:33:36 | 0:33:39 | |
if it doesn't grab you within ten seconds, it's probably not for you. | 0:33:39 | 0:33:43 | |
You're the Iron Lady of house tours. | 0:33:43 | 0:33:45 | |
This woman's not for changing her mind. | 0:33:45 | 0:33:48 | |
I quite like it. | 0:33:48 | 0:33:49 | |
-Well, let's go back outside. -OK. | 0:33:49 | 0:33:51 | |
-I'm now going to make you sweat over the price. -Oh, dear. | 0:33:51 | 0:33:54 | |
Who will I make go first? | 0:33:54 | 0:33:56 | |
-I think Andrea. -Yes. | 0:33:56 | 0:33:57 | |
-You deserve it, Andrea. -Yes. | 0:33:57 | 0:33:59 | |
ANDREA LAUGHS | 0:33:59 | 0:34:00 | |
'Despite its charm and appeal, | 0:34:02 | 0:34:04 | |
'the historic credentials of our mystery house | 0:34:04 | 0:34:06 | |
'aren't resonating with them.' | 0:34:06 | 0:34:08 | |
Outside, the main garden is to the front and side of the house, | 0:34:08 | 0:34:11 | |
with a sloping lawn and patio, but the property also benefits from | 0:34:11 | 0:34:15 | |
two garages, the larger of which | 0:34:15 | 0:34:17 | |
could make an excellent photo studio. | 0:34:17 | 0:34:19 | |
OK, then, how much do we think this mystery house is on the market for? | 0:34:20 | 0:34:25 | |
I'm probably going to say £380,000. | 0:34:25 | 0:34:30 | |
Oh, right, OK. | 0:34:30 | 0:34:31 | |
I'm going to say £420,000. | 0:34:32 | 0:34:35 | |
This place is on the market for... | 0:34:35 | 0:34:38 | |
You're way out. ..£379,950. | 0:34:40 | 0:34:44 | |
-You're good at this, aren't you? -She is. | 0:34:46 | 0:34:48 | |
Wow. | 0:34:48 | 0:34:50 | |
So, although you've retired, maybe you could become an estate agent. | 0:34:50 | 0:34:54 | |
-I don't think so. -Good guess. -I wouldn't have any clients. | 0:34:56 | 0:34:58 | |
Have a snoop around. I tell you what, I'll be sat right here. | 0:35:00 | 0:35:03 | |
-Lovely. -See you in a mo. -See you in a while. | 0:35:03 | 0:35:06 | |
£45,000 under budget, | 0:35:08 | 0:35:11 | |
our mystery house has the lowest price tag of all three properties, | 0:35:11 | 0:35:15 | |
despite being located in more expensive Gloucestershire. | 0:35:15 | 0:35:18 | |
It's a traditional Cotswold stone cottage, | 0:35:18 | 0:35:21 | |
with a large kitchen/diner and four bedrooms. | 0:35:21 | 0:35:24 | |
There are outbuilding options for Bob's studio | 0:35:24 | 0:35:26 | |
and the garden is easy to maintain. | 0:35:26 | 0:35:29 | |
It's a very nice house. | 0:35:29 | 0:35:31 | |
It's been decorated very well. | 0:35:31 | 0:35:33 | |
It's a very nice location near a very nice town, | 0:35:33 | 0:35:37 | |
and it will be a lovely home for somebody, at a good price. | 0:35:37 | 0:35:41 | |
It's a lovely house. It's been very nicely done inside, | 0:35:42 | 0:35:45 | |
it has a lot of features. | 0:35:45 | 0:35:47 | |
Nice for a family, a small, young family, growing, | 0:35:47 | 0:35:50 | |
but not for a couple of older people, such as us, perhaps. | 0:35:50 | 0:35:53 | |
Have you used this time to really get a feel for the place | 0:35:53 | 0:35:58 | |
and maybe start chatting things through | 0:35:58 | 0:36:01 | |
about location over property? | 0:36:01 | 0:36:03 | |
-Yes, I think so. -Yes, yes. | 0:36:03 | 0:36:04 | |
We've got a much better idea than when we started the process. | 0:36:04 | 0:36:07 | |
Good, I'm going to give you a bit more time. | 0:36:07 | 0:36:09 | |
I'm going to take you somewhere to have a good chat about | 0:36:09 | 0:36:11 | |
all three properties and then I'll find out what you want to do. | 0:36:11 | 0:36:14 | |
-OK? Come with me. -Thank you. -Thank you. | 0:36:14 | 0:36:16 | |
During the Second World War, | 0:36:23 | 0:36:25 | |
the Wiltshire countryside played host to a secret band of brothers. | 0:36:25 | 0:36:29 | |
One of those in charge was Captain Peter Fleming, | 0:36:29 | 0:36:32 | |
brother of spy writer Ian Fleming. | 0:36:32 | 0:36:34 | |
He was tasked by Sir Winston Churchill | 0:36:34 | 0:36:36 | |
to train an underground resistance network, | 0:36:36 | 0:36:39 | |
designed to disrupt enemy lines in the event of | 0:36:39 | 0:36:42 | |
a German invasion, a threat that was very real in 1940. | 0:36:42 | 0:36:46 | |
The men, all volunteers, | 0:36:46 | 0:36:47 | |
were trained here at the Coleshill estate. | 0:36:47 | 0:36:50 | |
I'm meeting Bill Ashby from the Coleshill Auxiliary Research Team | 0:36:50 | 0:36:54 | |
to find out what life was like in this secret guerrilla army. | 0:36:54 | 0:36:56 | |
Now, Bill, there's an amazing history, an unknown history, | 0:36:56 | 0:37:00 | |
attached to the auxiliaries, and part of that is Peter Fleming, | 0:37:00 | 0:37:04 | |
Ian Fleming's brother. How involved was he? | 0:37:04 | 0:37:07 | |
Well, he was a key man. | 0:37:07 | 0:37:09 | |
Peter Fleming was recruited to train men to go to ground, | 0:37:09 | 0:37:17 | |
so if the Germans came, | 0:37:17 | 0:37:18 | |
they would hide and they would then come out and try | 0:37:18 | 0:37:24 | |
and delay the enemy by attacking stores and vehicles and anything. | 0:37:24 | 0:37:29 | |
Everything but actually go to war and fight them. | 0:37:29 | 0:37:33 | |
Right, so we were very much under the threat of invasion | 0:37:33 | 0:37:36 | |
-ourselves here in the UK. -Yeah. | 0:37:36 | 0:37:37 | |
Talk me through the training these guys had then. | 0:37:37 | 0:37:40 | |
They were trained to use the latest equipment. | 0:37:40 | 0:37:45 | |
Plastic explosive, | 0:37:45 | 0:37:48 | |
it was only just coming out then. | 0:37:48 | 0:37:50 | |
They would set up charges onto a railway line... | 0:37:50 | 0:37:54 | |
-Right. -..for example. | 0:37:54 | 0:37:57 | |
The idea was that the railway would have been | 0:37:57 | 0:38:00 | |
-bringing in German reinforcements. -Of course. | 0:38:00 | 0:38:03 | |
So they would blow the line up or blow the tunnel up, | 0:38:03 | 0:38:07 | |
-blow the bridge up. -You've got the railway girder here. | 0:38:07 | 0:38:10 | |
This is a detonator. | 0:38:10 | 0:38:11 | |
The train would come on, that would fire that, that would fire that. | 0:38:11 | 0:38:15 | |
Bang. | 0:38:15 | 0:38:16 | |
'As well as learning guerrilla warfare tactics, | 0:38:16 | 0:38:18 | |
'volunteers were trained in intelligence, | 0:38:18 | 0:38:21 | |
'in particular getting messages from the front to higher command. | 0:38:21 | 0:38:24 | |
'Auxiliary units would plant secret messages | 0:38:24 | 0:38:27 | |
'to be picked up later in what were known as dead letterboxes.' | 0:38:27 | 0:38:30 | |
Dead letterboxes, is there one near here? | 0:38:30 | 0:38:33 | |
Yeah. | 0:38:33 | 0:38:35 | |
-You're getting colder. -Colder?! | 0:38:35 | 0:38:37 | |
Yeah. Getting warm. | 0:38:37 | 0:38:39 | |
-Getting hot. -What? | 0:38:41 | 0:38:42 | |
How can I be very hot? I've got a chunk of wood in my hand! | 0:38:42 | 0:38:46 | |
Go on, then. | 0:38:46 | 0:38:48 | |
-Let me show you. -Get it out. | 0:38:48 | 0:38:49 | |
Oh, what an idiot. | 0:38:50 | 0:38:52 | |
-Brilliant. -A dummy bolt. | 0:38:52 | 0:38:55 | |
-There's a curled up message inside the bolt. -May I? | 0:38:55 | 0:38:59 | |
This is ingenious. | 0:39:02 | 0:39:03 | |
-And then inside there... -That's it. | 0:39:04 | 0:39:06 | |
"Mr Irwin, you are rubbish at finding messages!" | 0:39:08 | 0:39:11 | |
THEY LAUGH | 0:39:11 | 0:39:13 | |
'Secrecy was of the utmost importance, | 0:39:13 | 0:39:15 | |
'so outposts and bunkers were hidden from plain sight. | 0:39:15 | 0:39:18 | |
'But in the most ordinary of places.' | 0:39:18 | 0:39:21 | |
Let me show you. | 0:39:21 | 0:39:22 | |
Open up! | 0:39:22 | 0:39:24 | |
JONNIE LAUGHS | 0:39:25 | 0:39:27 | |
'The operation base like this one | 0:39:29 | 0:39:30 | |
'would be where the men would live for | 0:39:30 | 0:39:32 | |
'weeks at a time and plan their acts of sabotage.' | 0:39:32 | 0:39:35 | |
How many people would have been staying in here? | 0:39:36 | 0:39:39 | |
-Maybe up to eight. -What? Cosy, isn't it? | 0:39:39 | 0:39:41 | |
Yes, we've got bunks, maybe four sleeping and four doing things. | 0:39:41 | 0:39:47 | |
You say four sleeping and four doing things, these activities, | 0:39:47 | 0:39:51 | |
I imagine they would probably taking place | 0:39:51 | 0:39:53 | |
under the cover of darkness. | 0:39:53 | 0:39:55 | |
Yes. There would have been two men | 0:39:55 | 0:39:57 | |
-out during the day on reconnaissance. -Right. | 0:39:57 | 0:40:00 | |
Choosing the target that would be attacked that night. | 0:40:00 | 0:40:04 | |
come back, prepare their explosives - | 0:40:04 | 0:40:08 | |
whatever is necessary - in here. | 0:40:08 | 0:40:10 | |
So rest and prepare by day... | 0:40:10 | 0:40:12 | |
-That's it. -..action by night. | 0:40:12 | 0:40:14 | |
'Although the men's training was never put into practice, | 0:40:15 | 0:40:18 | |
'many went on to join the SAS, using the skills taught here | 0:40:18 | 0:40:22 | |
'at this top secret special forces training ground | 0:40:22 | 0:40:25 | |
'in the heart of the Wiltshire countryside.' | 0:40:25 | 0:40:28 | |
Well, I think it's fair to say that house number two | 0:40:30 | 0:40:33 | |
is the clear favourite, but let's remember, | 0:40:33 | 0:40:35 | |
it's been over 30 years since Bob and Andrea | 0:40:35 | 0:40:37 | |
bought a house together, so this is a huge decision. | 0:40:37 | 0:40:40 | |
I've given them a few hours to think things through, | 0:40:40 | 0:40:43 | |
so let's find out what their thoughts are. | 0:40:43 | 0:40:45 | |
Well, you could get used to this, couldn't you? | 0:40:49 | 0:40:51 | |
-Absolutely. -You wouldn't want to mow it though, would you? | 0:40:51 | 0:40:53 | |
-No, no. -Not every week. | 0:40:53 | 0:40:54 | |
Do you have a favourite house? He asked knowingly... | 0:40:54 | 0:40:57 | |
-Of course you do. -I think the second house. | 0:40:57 | 0:40:59 | |
Yeah, there was one that had a little advantage | 0:40:59 | 0:41:01 | |
-over the rest, perhaps. -Yeah, what was it | 0:41:01 | 0:41:03 | |
-about house number two then? -I think the size of the rooms. | 0:41:03 | 0:41:06 | |
It gave us the different rooms that we wanted. | 0:41:06 | 0:41:10 | |
It gave us the size of garden that we wanted, | 0:41:10 | 0:41:13 | |
in that we didn't want anything huge. | 0:41:13 | 0:41:16 | |
-I haven't been inside your house. -No. | 0:41:16 | 0:41:19 | |
Would you say you're looking, to some extent, | 0:41:19 | 0:41:23 | |
for a fair amount of replication? | 0:41:23 | 0:41:25 | |
-Probably. -I think so, yes. | 0:41:26 | 0:41:28 | |
Because your favourite stock phrase, | 0:41:28 | 0:41:30 | |
"If we could move it down here, we would." | 0:41:30 | 0:41:33 | |
-Hm! -That's why I think that house number two | 0:41:33 | 0:41:36 | |
was the closest to what we currently have, | 0:41:36 | 0:41:38 | |
in which we're very comfortable. | 0:41:38 | 0:41:41 | |
What's the next step for you guys? | 0:41:41 | 0:41:43 | |
Well, before we go home tomorrow, | 0:41:43 | 0:41:45 | |
we're going to go back to the area | 0:41:45 | 0:41:46 | |
and explore the location a little bit more, | 0:41:46 | 0:41:48 | |
and we have already arranged to see the house again. | 0:41:48 | 0:41:54 | |
-Fantastic news. -Yes. -You don't hang around, do you? -No. -No. | 0:41:54 | 0:41:57 | |
I'm really, really chuffed. | 0:41:58 | 0:42:00 | |
Please, please let us know what you decide. | 0:42:00 | 0:42:03 | |
-Of course we will. -And thank you very much, | 0:42:03 | 0:42:05 | |
it's been a real experience. | 0:42:05 | 0:42:06 | |
-It's been really good fun. -I've enjoyed myself as well. | 0:42:06 | 0:42:08 | |
The only thing remaining to do is to eat brownies! | 0:42:08 | 0:42:11 | |
THEY LAUGH | 0:42:11 | 0:42:12 | |
Let me tell you, I'm much better at that than finding houses. | 0:42:12 | 0:42:15 | |
You know, I think the main reason why Bob and Andrea | 0:42:19 | 0:42:21 | |
liked house number two so much is because | 0:42:21 | 0:42:23 | |
it felt so familiar, and that's what helped them | 0:42:23 | 0:42:25 | |
feel so comfortable when they walked around the property. | 0:42:25 | 0:42:28 | |
So, fingers crossed, | 0:42:28 | 0:42:30 | |
their second viewing tomorrow morning | 0:42:30 | 0:42:32 | |
at house number two goes very well. | 0:42:32 | 0:42:34 | |
But if not, if there are question marks there, | 0:42:34 | 0:42:36 | |
it certainly wouldn't surprise me to hear they're looking | 0:42:36 | 0:42:39 | |
for a property somewhere over the border, | 0:42:39 | 0:42:41 | |
perhaps closer to their daughter in Cirencester. | 0:42:41 | 0:42:43 | |
I'm looking forward to finding out. See you next time. | 0:42:43 | 0:42:47 | |
If you would like to escape to the country in England, Scotland, | 0:42:48 | 0:42:51 | |
Wales or Northern Ireland, and need our help, you can apply online at... | 0:42:51 | 0:42:55 |