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This impressive White Scout car was | 0:00:06 | 0:00:07 | |
built in 1943 during the Second World War | 0:00:07 | 0:00:10 | |
and is just part of one of the largest privately owned collections | 0:00:10 | 0:00:14 | |
of military equipment in the UK. | 0:00:14 | 0:00:17 | |
In just a moment, I will tell you where we are and why it has such a | 0:00:17 | 0:00:21 | |
special significance for where we are today. | 0:00:21 | 0:00:25 | |
Today, it's a love of the arts that is driving an imaginative twosome to | 0:00:48 | 0:00:52 | |
head south and imaginations are allowed to run wild. | 0:00:52 | 0:00:57 | |
Simple, elegant, but functional. | 0:00:57 | 0:01:00 | |
Yes. I thought he was talking about you for a minute there! | 0:01:00 | 0:01:02 | |
No. | 0:01:04 | 0:01:06 | |
And fortunately for our pair, when it comes to properties, | 0:01:06 | 0:01:09 | |
size doesn't matter. | 0:01:09 | 0:01:11 | |
Beams are rather nice. | 0:01:11 | 0:01:12 | |
Perhaps a little low, but we are only short. | 0:01:12 | 0:01:15 | |
Today, I am in Devon, at the | 0:01:19 | 0:01:21 | |
Cobbaton Combat Collection, which started off | 0:01:21 | 0:01:24 | |
as one man's schoolboy hobby and has grown to encompass over 50 military | 0:01:24 | 0:01:30 | |
vehicles and artillery pieces, as well as thousands of smaller items. | 0:01:30 | 0:01:35 | |
This Scout car behind me wears the colours of the local Royal Devon | 0:01:35 | 0:01:39 | |
Yeomanry Regiment based in nearby | 0:01:39 | 0:01:41 | |
Barnstable and vehicles like this would | 0:01:41 | 0:01:44 | |
have followed the 2nd Battalion to Normandy for the D-Day landings. | 0:01:44 | 0:01:49 | |
Later on, I will be meeting the men behind this impressive collection | 0:01:49 | 0:01:53 | |
and seeing more of these magnificent machines. | 0:01:53 | 0:01:56 | |
The county of Devon sits in the South West of England, | 0:01:58 | 0:02:02 | |
it shares three County borders, | 0:02:02 | 0:02:03 | |
including Cornwall's, and meets the | 0:02:03 | 0:02:05 | |
Bristol Channel to the north with the | 0:02:05 | 0:02:07 | |
English Channel to the south. | 0:02:07 | 0:02:08 | |
The southern coastline is dominated by both sandy beaches and fossil | 0:02:09 | 0:02:13 | |
cliffs, whilst the northern edge is characterised by sheltered coves, | 0:02:13 | 0:02:17 | |
fringed by rocky outcrops like those at Croyde and Woolacombe, | 0:02:17 | 0:02:20 | |
as well as the dramatic dunes on display at Saunton Sands. | 0:02:20 | 0:02:24 | |
Meeting the ocean in North Devon is Exmoor National Park, | 0:02:25 | 0:02:28 | |
which spills into neighbouring Somerset. | 0:02:28 | 0:02:31 | |
Moving inland, the historic market town of Barnstaple is the social | 0:02:32 | 0:02:36 | |
centre of North Devon and was an important trading centre | 0:02:36 | 0:02:39 | |
for wool and pottery in the 16th and 17th centuries. | 0:02:39 | 0:02:42 | |
In fact, Barnstable pottery has been found in archaeological excavations | 0:02:44 | 0:02:48 | |
as far away as Maryland in the USA. | 0:02:48 | 0:02:51 | |
So, with its natural beauty and quaint villages, | 0:02:53 | 0:02:56 | |
where pastel-coloured cottages are topped with thatched roofs, | 0:02:56 | 0:03:00 | |
Devon is a county that showcases England at its very best. | 0:03:00 | 0:03:03 | |
With miles of gorgeous coastline and wild moorlands that appeal to | 0:03:07 | 0:03:11 | |
tourists and locals alike, | 0:03:11 | 0:03:13 | |
you'd expect Devon to be an expensive place to live, | 0:03:13 | 0:03:16 | |
yet the average price of a detached | 0:03:16 | 0:03:19 | |
property here is only around ?13,000 above the national figure. | 0:03:19 | 0:03:24 | |
Now, along with all this natural beauty, | 0:03:24 | 0:03:26 | |
one of the biggest draws for many people is the famous | 0:03:26 | 0:03:30 | |
Devon cream tea, | 0:03:30 | 0:03:32 | |
which is estimated to contribute | 0:03:32 | 0:03:34 | |
around ?85 million a year to the local economy. | 0:03:34 | 0:03:37 | |
But after all the activities today's buyers | 0:03:37 | 0:03:41 | |
are planning with this move, will they have time | 0:03:41 | 0:03:44 | |
for this delicious delicacy? Let's find out. | 0:03:44 | 0:03:46 | |
Former art teacher Maggie and her | 0:03:48 | 0:03:50 | |
retired IT professional husband Martin | 0:03:50 | 0:03:53 | |
met at school and have been together for 46 years. | 0:03:53 | 0:03:56 | |
Maggie is very creative. | 0:03:57 | 0:04:00 | |
She is different to me in that she is a little less organised, | 0:04:00 | 0:04:05 | |
perhaps a little bit more of an artistic temperament, let me say... | 0:04:05 | 0:04:09 | |
..but we make a good couple. | 0:04:10 | 0:04:12 | |
Martin has got quite strong opinions, he can be very forceful, | 0:04:13 | 0:04:18 | |
but he also has a lot of charm. | 0:04:18 | 0:04:21 | |
After a lifetime of work, | 0:04:22 | 0:04:24 | |
they have decided to live the dream and leave the five-bedroom Stockport | 0:04:24 | 0:04:28 | |
semi they have shared for over 30 years. | 0:04:28 | 0:04:30 | |
As happy living in Stockport as we once were, we have both retired | 0:04:31 | 0:04:35 | |
so we don't have any particular reason to be | 0:04:35 | 0:04:38 | |
hanging around this area. | 0:04:38 | 0:04:39 | |
We live on a major road, which is busy. | 0:04:39 | 0:04:41 | |
And although it is not particularly noisy, | 0:04:41 | 0:04:44 | |
it does mean that we do not really have much of a community on | 0:04:44 | 0:04:47 | |
this stretch of the road. | 0:04:47 | 0:04:48 | |
And after visiting the region, | 0:04:50 | 0:04:51 | |
they have decided it's Devon that they would like to call home. | 0:04:51 | 0:04:54 | |
It has got the coastline, I love the coast, we want countryside. | 0:04:54 | 0:05:01 | |
It is warmer down there and I am getting a bit old, | 0:05:01 | 0:05:04 | |
and I don't really want to be enduring really cold winters. | 0:05:04 | 0:05:08 | |
So, Devon seems to offer all the things we really like. | 0:05:08 | 0:05:12 | |
And when they move south, | 0:05:12 | 0:05:13 | |
they are keen to devote more time to their hobbies, both outdoors and in. | 0:05:13 | 0:05:18 | |
When I retired, just under two years ago, | 0:05:18 | 0:05:21 | |
I started to do some things that I had not done that I have always | 0:05:21 | 0:05:26 | |
wanted to. I took up pottery and I take a pottery class once a week. | 0:05:26 | 0:05:30 | |
I am a felt maker... | 0:05:33 | 0:05:34 | |
..but I am also a fine artist and I want to paint more. | 0:05:35 | 0:05:39 | |
So I would like to be able to go out with my paints and sit on a hillside | 0:05:39 | 0:05:44 | |
in Devon, and paint the sea and paint the things I can see around me. | 0:05:44 | 0:05:47 | |
So with their heads full of ideas, this creative couple can't wait | 0:05:49 | 0:05:53 | |
to get stuck in to their new country life. | 0:05:53 | 0:05:56 | |
I think, when we finally do it, | 0:05:56 | 0:05:58 | |
then that will be the start of something new, | 0:05:58 | 0:06:01 | |
but also the end of a chapter and we will be able to close that book and | 0:06:01 | 0:06:05 | |
open the new book. | 0:06:05 | 0:06:07 | |
Maggie and Martin have decided to | 0:06:10 | 0:06:11 | |
plant their arty roots in the northern half of Devon, | 0:06:11 | 0:06:14 | |
so that's where we are focusing our search. | 0:06:14 | 0:06:17 | |
Ahead of our quest to find them their dream home, | 0:06:17 | 0:06:19 | |
I am meeting them in the county to discuss the finer details of | 0:06:19 | 0:06:23 | |
their requirements. | 0:06:23 | 0:06:25 | |
Martin and Maggie, welcome to Devon, the two of you. | 0:06:25 | 0:06:28 | |
BOTH: Thank you very much. | 0:06:28 | 0:06:29 | |
There is a sense of urgency with this house-hunting | 0:06:29 | 0:06:32 | |
because I believe you got some good news yesterday. | 0:06:32 | 0:06:35 | |
We have exchanged contracts, the downside, slightly, | 0:06:35 | 0:06:39 | |
is that we have a completion date, which is only two weeks away. | 0:06:39 | 0:06:43 | |
So, we are homeless in two weeks' time. | 0:06:43 | 0:06:47 | |
Right. | 0:06:47 | 0:06:48 | |
I hope there is going to be something really good this week. | 0:06:48 | 0:06:52 | |
Nothing like being homeless in two weeks' time | 0:06:52 | 0:06:54 | |
to really focus the mind with our houses. | 0:06:54 | 0:06:56 | |
Yes, that's right. | 0:06:56 | 0:06:58 | |
What is it that you are after? | 0:06:58 | 0:06:59 | |
We want somewhere that is on the outskirts of a village, | 0:06:59 | 0:07:03 | |
because we'd like people to talk to, | 0:07:03 | 0:07:05 | |
we also want somewhere where we can have a studio. | 0:07:05 | 0:07:08 | |
So you're after a workshop, for both of you, is that right? That's right. | 0:07:08 | 0:07:12 | |
So a workshop is up there as a priority, | 0:07:12 | 0:07:14 | |
but tell me about the actual house you are after as well. | 0:07:14 | 0:07:16 | |
We want a garden, somewhere I can grow vegetables. | 0:07:16 | 0:07:19 | |
We want it to be light and airy, we have had a big Victorian house, | 0:07:19 | 0:07:24 | |
we do not want to be too claustrophobic | 0:07:24 | 0:07:26 | |
moving to a smaller house. | 0:07:26 | 0:07:27 | |
We are fairly relaxed about styles. | 0:07:27 | 0:07:31 | |
We would like a bit of quirkiness. | 0:07:31 | 0:07:35 | |
How many bedrooms? | 0:07:35 | 0:07:36 | |
Three would be good. | 0:07:37 | 0:07:38 | |
What about views? | 0:07:38 | 0:07:40 | |
Views are important. | 0:07:40 | 0:07:42 | |
It is such a beautiful county, | 0:07:42 | 0:07:44 | |
it would be a shame not to be able to see it from the house. | 0:07:44 | 0:07:46 | |
Hypothetically, if one or two of the properties don't have a workshop | 0:07:46 | 0:07:50 | |
already done, are you happy to take on a little bit | 0:07:50 | 0:07:53 | |
of a project and build one yourselves? | 0:07:53 | 0:07:55 | |
Yes, we would certainly do that. | 0:07:55 | 0:07:57 | |
We appreciate it is not always possible to find something suitable. | 0:07:57 | 0:08:01 | |
So, what is our top budget? Remind us again what we're working with. | 0:08:01 | 0:08:06 | |
Ideally it's going to be 350,000, but there is a bit of wriggle room. | 0:08:08 | 0:08:14 | |
If we can find somewhere with a good studio, | 0:08:14 | 0:08:17 | |
so we don't have to spend a huge amount of money on that, | 0:08:17 | 0:08:19 | |
I think we could probably run up to | 0:08:19 | 0:08:22 | |
around 380,000 for the right property. | 0:08:22 | 0:08:24 | |
Well, we do have some splendid homes to show you. | 0:08:24 | 0:08:28 | |
We know time is of the essence, so shall we get started? | 0:08:28 | 0:08:31 | |
Let's go. Come on, then. | 0:08:31 | 0:08:32 | |
For their top budget of ?380,000, | 0:08:35 | 0:08:38 | |
Maggie and Martin want a character home with three bedrooms. | 0:08:38 | 0:08:42 | |
The outside space is important and should offer options to grow fruit | 0:08:42 | 0:08:46 | |
and vegetables, as well as a workshop in which | 0:08:46 | 0:08:48 | |
to base their hobbies. | 0:08:48 | 0:08:49 | |
Location-wise, they would like a place | 0:08:49 | 0:08:51 | |
where they can get stuck into the local community. | 0:08:51 | 0:08:54 | |
The properties we have chosen will provide Maggie and Martin with a | 0:08:55 | 0:08:58 | |
variety of styles, but it will only be after they have seen each one | 0:08:58 | 0:09:03 | |
that its price will be revealed. | 0:09:03 | 0:09:04 | |
The final visit to the mystery house will require them to open their | 0:09:04 | 0:09:07 | |
creative minds, but, if they do, | 0:09:07 | 0:09:10 | |
I think they will be very pleasantly surprised. | 0:09:10 | 0:09:12 | |
Our Devonshire property search is on its way to the village of | 0:09:17 | 0:09:21 | |
Morchard Bishop in the heartland of mid-Devon. | 0:09:21 | 0:09:23 | |
The village is overlooked by pastures green | 0:09:23 | 0:09:26 | |
and dominated by the tower of the 16th-century church of | 0:09:26 | 0:09:29 | |
St Mary's which, at 95 feet tall, | 0:09:29 | 0:09:32 | |
stands almost 600 feet above sea level. | 0:09:32 | 0:09:35 | |
There is a great sense of community here and a good selection of places | 0:09:35 | 0:09:39 | |
to get to know the locals, including a popular dining pub. | 0:09:39 | 0:09:42 | |
The car park here welcomes the Post Office van, | 0:09:42 | 0:09:45 | |
which visits weekly after the village Post Office closed. | 0:09:45 | 0:09:49 | |
Close to the centre of the village, | 0:09:49 | 0:09:50 | |
we find this rather interesting property. | 0:09:50 | 0:09:53 | |
Thought to date back to the 18th century, | 0:09:53 | 0:09:56 | |
it sits neatly amongst its neighbours. | 0:09:56 | 0:09:57 | |
Right, let's see what you make of this little offering. | 0:10:00 | 0:10:04 | |
Oh, wow! Oh, this is interesting, isn't it? | 0:10:04 | 0:10:07 | |
Yes. Fascinating. | 0:10:07 | 0:10:09 | |
Sum up this property for me, will you, before we step inside? | 0:10:09 | 0:10:13 | |
Different. OK. | 0:10:13 | 0:10:16 | |
I was going to use the word quaint, but I properly shouldn't. | 0:10:16 | 0:10:19 | |
We like that, quaint and different. | 0:10:20 | 0:10:22 | |
Right, let's see what you make of the inside. | 0:10:22 | 0:10:24 | |
This unconventional attached cottage is set out in an L-shape. | 0:10:29 | 0:10:33 | |
It has been tastefully renovated and the front door, | 0:10:33 | 0:10:35 | |
set beyond the courtyard, | 0:10:35 | 0:10:37 | |
leads us into the house where we find a snug dining room. | 0:10:37 | 0:10:40 | |
We're heading into the right-hand wing of the property. | 0:10:42 | 0:10:45 | |
This is really what I wanted to start off with, the kitchen. | 0:10:45 | 0:10:48 | |
It's lovely. I really like it. | 0:10:48 | 0:10:50 | |
It's not huge but it's got everything. | 0:10:50 | 0:10:52 | |
It's really nicely done. | 0:10:52 | 0:10:54 | |
Beautifully finished, I have to say. | 0:10:54 | 0:10:56 | |
To your taste? Yes. | 0:10:56 | 0:10:57 | |
Very much so. Lovely. | 0:10:57 | 0:10:58 | |
Simple, elegant, but functional. | 0:10:58 | 0:11:01 | |
I thought he was talking about you for a minute there! | 0:11:01 | 0:11:04 | |
THEY LAUGH | 0:11:04 | 0:11:05 | |
No. Right, I'm going to keep going. | 0:11:07 | 0:11:09 | |
Heading out of the kitchen, | 0:11:12 | 0:11:13 | |
we're crossing through the dining room to a large sitting room with | 0:11:13 | 0:11:17 | |
windows to the back garden. | 0:11:17 | 0:11:19 | |
This is nice. | 0:11:19 | 0:11:21 | |
It is. This definitely counts as cosy, I would say. | 0:11:21 | 0:11:25 | |
Yeah. I can see you two sitting in this sitting room. | 0:11:25 | 0:11:28 | |
I think it's big enough to be properly usable | 0:11:28 | 0:11:31 | |
but still small enough to be cosy, even with the beams, | 0:11:31 | 0:11:35 | |
which bring the ceiling height down a little bit. | 0:11:35 | 0:11:37 | |
It doesn't feel oppressive or claustrophobic. | 0:11:37 | 0:11:40 | |
I do like it. | 0:11:40 | 0:11:42 | |
It is lovely. It's a really nice house. | 0:11:42 | 0:11:45 | |
Well, I've shown you the downstairs. | 0:11:45 | 0:11:47 | |
I'm going to take us upstairs and see what you make of the bedrooms. OK. | 0:11:47 | 0:11:50 | |
Above the dining and sitting rooms are three bedrooms, | 0:11:51 | 0:11:54 | |
all served by a smart family bathroom. | 0:11:54 | 0:11:57 | |
There's a double with a sloped ceiling and a skylight, | 0:11:57 | 0:12:00 | |
another with a feature window to the front, | 0:12:00 | 0:12:03 | |
and the master benefits from garden views. | 0:12:03 | 0:12:06 | |
It's beautiful. It really is lovely. | 0:12:07 | 0:12:09 | |
So far, so good, I think. | 0:12:11 | 0:12:13 | |
Yeah. You happy? | 0:12:13 | 0:12:14 | |
I would be definitely very happy living in this sort of space, | 0:12:14 | 0:12:17 | |
so long as we have got some of the other things that we need. | 0:12:17 | 0:12:21 | |
Yes. So far, so good. | 0:12:21 | 0:12:22 | |
Let's see what we make of the | 0:12:22 | 0:12:25 | |
outside space and opportunities there. | 0:12:25 | 0:12:29 | |
Right, OK. | 0:12:29 | 0:12:29 | |
Outside, an arc of steps leads up from the house | 0:12:32 | 0:12:35 | |
to landscaped gardens, which include a large patio and a small pond, | 0:12:35 | 0:12:39 | |
a summer house and shed, | 0:12:39 | 0:12:41 | |
plus excellent views across neighbouring countryside. | 0:12:41 | 0:12:44 | |
I think quite a large garden, | 0:12:47 | 0:12:49 | |
considering from the front of the house it doesn't look like you have | 0:12:49 | 0:12:51 | |
anything, does it? Exactly, that's right. | 0:12:51 | 0:12:53 | |
It's quite deceiving. | 0:12:53 | 0:12:55 | |
I can see your eyes searching. | 0:12:55 | 0:12:57 | |
They will have to search, I'm afraid, | 0:12:57 | 0:12:59 | |
because I don't have a workshop to show you but this land is flat. | 0:12:59 | 0:13:04 | |
You could potentially build your own one here. | 0:13:04 | 0:13:07 | |
Yes. I think that's a possibility, certainly. | 0:13:07 | 0:13:11 | |
We've always felt that if there was the land available and it didn't | 0:13:11 | 0:13:14 | |
compromise the garden, that would be the right thing to do. | 0:13:14 | 0:13:18 | |
So, I'm now wondering if we can put a price on this former piggery with | 0:13:18 | 0:13:24 | |
its wonderful view and garden. | 0:13:24 | 0:13:26 | |
My feeling is we're probably about the top of the budget, | 0:13:26 | 0:13:30 | |
plus obviously we need to build a studio, | 0:13:30 | 0:13:33 | |
so I would guess probably about 350. | 0:13:33 | 0:13:36 | |
OK. I'm going to be cheeky and hope it's a bit less, and say 340. | 0:13:36 | 0:13:43 | |
Are you really hoping? I'm hoping. | 0:13:43 | 0:13:45 | |
I like it when you're cheeky because you could actually be a little bit | 0:13:45 | 0:13:48 | |
cheekier. The asking price is offers in excess of ?250,000. | 0:13:48 | 0:13:53 | |
How luxurious would you like your workshop to be | 0:13:55 | 0:13:58 | |
with that spare money? | 0:13:58 | 0:14:00 | |
Wow! That is stunning. | 0:14:00 | 0:14:02 | |
That is amazing, yes. | 0:14:02 | 0:14:04 | |
Yes, I think that is quite a surprise. | 0:14:04 | 0:14:07 | |
Do you fancy now being cheeky and | 0:14:07 | 0:14:09 | |
having another look around on your own? | 0:14:09 | 0:14:11 | |
Oh, yes, definitely. | 0:14:11 | 0:14:12 | |
I love that smile. | 0:14:12 | 0:14:16 | |
Be my guest. Go and take another look around the property and then | 0:14:16 | 0:14:19 | |
come back out, and really study this area. | 0:14:19 | 0:14:22 | |
I'm sure you will be drawing up plans in no time. | 0:14:22 | 0:14:24 | |
I'm going to keep everything crossed. | 0:14:24 | 0:14:26 | |
Off you go. Thank you. Off you go. | 0:14:26 | 0:14:28 | |
This 18th-century cottage has rung in at ?130,000 below budget. | 0:14:32 | 0:14:37 | |
It's beautifully renovated. | 0:14:37 | 0:14:39 | |
It's full of character and has three bedrooms. | 0:14:39 | 0:14:42 | |
There is a large garden with views, plus the option to build a great | 0:14:42 | 0:14:45 | |
workshop, and it lies close to the village centre. | 0:14:45 | 0:14:48 | |
This house is absolutely beautiful. | 0:14:50 | 0:14:52 | |
It has been restored really sympathetically | 0:14:52 | 0:14:55 | |
and with a sense of style. | 0:14:55 | 0:14:57 | |
It is stunning. A really fabulous place. | 0:14:57 | 0:14:59 | |
It's quite a stunning property, I have to say. | 0:15:01 | 0:15:03 | |
A real surprise. | 0:15:03 | 0:15:05 | |
You can't tell from the outside what you're going to find and it has just | 0:15:05 | 0:15:09 | |
been so beautifully done. | 0:15:09 | 0:15:11 | |
I think I was almost speechless, which for me is very, very unusual. | 0:15:11 | 0:15:15 | |
Have you seen enough? | 0:15:19 | 0:15:21 | |
Yes. A lovely, lovely house. | 0:15:21 | 0:15:23 | |
It really is beautiful. You said it was different and it was quaint. | 0:15:23 | 0:15:26 | |
It seems to have delivered on all of those, doesn't it? | 0:15:26 | 0:15:28 | |
Yes. It's quite a surprise. | 0:15:28 | 0:15:30 | |
Good. We like to do that to you. Let's hit the road. | 0:15:30 | 0:15:33 | |
Devon's beautiful backdrop has provided inspiration to countless | 0:15:39 | 0:15:43 | |
craftspeople and has also proved a draw for our creative couple. | 0:15:43 | 0:15:47 | |
They are excited about indulging in their passion for the arts within | 0:15:47 | 0:15:50 | |
its boundaries. | 0:15:50 | 0:15:52 | |
They have come to meet Marek Drzazga, | 0:15:52 | 0:15:54 | |
who was also drawn to the county over 20 years ago | 0:15:54 | 0:15:57 | |
to base his bespoke architectural pottery business. | 0:15:57 | 0:16:00 | |
They are meeting him at his studio on the outskirts of the village of | 0:16:00 | 0:16:03 | |
Chittlehamholt, south of Barnstaple. | 0:16:03 | 0:16:07 | |
What a beautiful place! | 0:16:07 | 0:16:08 | |
Fantastic. What got you into pottery in the first place? | 0:16:08 | 0:16:13 | |
Probably as a six-year-old kid in | 0:16:13 | 0:16:15 | |
Cookham on Thames, seeing Dragon finials. | 0:16:15 | 0:16:19 | |
Wow. | 0:16:19 | 0:16:20 | |
I was always interested in | 0:16:20 | 0:16:22 | |
architecture and then when I discovered it at | 0:16:22 | 0:16:24 | |
art college in the early 20s, that was it. | 0:16:24 | 0:16:27 | |
Finials are designed to decorate the apex of a gabled roof. | 0:16:29 | 0:16:33 | |
Creations such as Marek's finely | 0:16:33 | 0:16:34 | |
crafted examples were popular in Gothic | 0:16:34 | 0:16:37 | |
and Victorian times and date back much further. | 0:16:37 | 0:16:40 | |
What do you particularly love about clay and pottery? | 0:16:40 | 0:16:44 | |
Everything. I just immerse myself in it, I love it. | 0:16:44 | 0:16:47 | |
Absolutely love it. Although Marek's pottery is created in the Devonshire | 0:16:47 | 0:16:50 | |
countryside, the consistency of the local clay isn't suitable | 0:16:50 | 0:16:55 | |
for his work, so it is sourced from Stoke-on-Trent. | 0:16:55 | 0:16:58 | |
There's lots of things that you do and it's more of an architectural | 0:16:58 | 0:17:02 | |
ceramics, really, isn't it? Absolutely. | 0:17:02 | 0:17:05 | |
It is basically | 0:17:05 | 0:17:07 | |
clay work for buildings - | 0:17:07 | 0:17:10 | |
ridge tiles, chimney pots, finials and bricks. | 0:17:10 | 0:17:14 | |
Marek has built up a global client list | 0:17:16 | 0:17:18 | |
and makes each detailed piece to order. | 0:17:18 | 0:17:20 | |
He is currently working on a collection of 16th-century-inspired | 0:17:20 | 0:17:24 | |
chimney pots for a private client. | 0:17:24 | 0:17:26 | |
When assembled, they stand at five feet tall. | 0:17:26 | 0:17:30 | |
He uses a combination of traditional methods with his own techniques and | 0:17:30 | 0:17:34 | |
is showing Maggie and Martin how to | 0:17:34 | 0:17:36 | |
craft the top of the monumental pots. | 0:17:36 | 0:17:39 | |
The method I've developed, basically I call it skimming, | 0:17:39 | 0:17:43 | |
and this is turning a round object into an octagonal. | 0:17:43 | 0:17:47 | |
It is basically pulling a template | 0:17:47 | 0:17:51 | |
through the form. | 0:17:51 | 0:17:54 | |
OK. And skimming away... | 0:17:54 | 0:17:57 | |
..the clay. And progress all the way around, lightly at first. | 0:17:59 | 0:18:05 | |
Marek uses water to keep the clay lubricated. | 0:18:08 | 0:18:11 | |
After a short period of time, I actually get a very sharp edge | 0:18:12 | 0:18:17 | |
on the whole thing. | 0:18:17 | 0:18:18 | |
So, if you want to give it a shot. | 0:18:19 | 0:18:22 | |
Yes, please, because I'm all togged up. | 0:18:22 | 0:18:24 | |
Right, there you go. Over to you. | 0:18:24 | 0:18:27 | |
So, if you keep it firmly down and pull it towards you. | 0:18:28 | 0:18:34 | |
That's right. Just lightly with that and pull toward yourself. | 0:18:34 | 0:18:37 | |
If you get it locked down at the bottom, pull towards yourself, | 0:18:37 | 0:18:41 | |
nice and steady. Absolutely perfect. | 0:18:41 | 0:18:44 | |
Can I have a go, then? All right, then. | 0:18:45 | 0:18:48 | |
Thank you. Change places. | 0:18:48 | 0:18:49 | |
Right, you stand on that side and laugh at him! | 0:18:49 | 0:18:52 | |
OK, so holding on to here? | 0:18:52 | 0:18:55 | |
That's it. Get locked in, | 0:18:55 | 0:18:57 | |
pull through and then keep pressing it down. | 0:18:57 | 0:19:00 | |
You start to get a feel for it after a while, don't you? | 0:19:00 | 0:19:03 | |
After around 15 minutes of sculpting, | 0:19:03 | 0:19:05 | |
the chimney top is a neat octagonal shape. | 0:19:05 | 0:19:08 | |
Marek takes the reins again for the final stage. | 0:19:08 | 0:19:11 | |
Right, there we go. I think you've got the gist of it. | 0:19:11 | 0:19:14 | |
Absolutely. There are two put | 0:19:14 | 0:19:16 | |
together and that is what they should look like. Wow, fantastic. | 0:19:16 | 0:19:20 | |
That is brilliant. Thank you so much for your time, | 0:19:20 | 0:19:23 | |
that has been tremendous. My pleasure. | 0:19:23 | 0:19:27 | |
Full of inspiration, Maggie and Martin are even more | 0:19:27 | 0:19:30 | |
determined to find a new place to call home, | 0:19:30 | 0:19:32 | |
where they can revel in their passions. | 0:19:32 | 0:19:34 | |
It's a new day in Devon and we are about to embark | 0:19:41 | 0:19:44 | |
on the next leg of our journey, | 0:19:44 | 0:19:45 | |
searching out a country paradise for Maggie and Martin from Stockport, | 0:19:45 | 0:19:49 | |
where they can live the good life and let their creative juices flow. | 0:19:49 | 0:19:54 | |
Armed with a top budget of ?380,000, | 0:19:54 | 0:19:58 | |
we are tasked with finding a characterful home | 0:19:58 | 0:20:00 | |
that has a garden fit for | 0:20:00 | 0:20:01 | |
the green fingered as well as an artist's workshop. | 0:20:01 | 0:20:05 | |
There is still our marvellous mystery house to come. | 0:20:05 | 0:20:08 | |
I'm pretty much bowled over by this, I have to say. | 0:20:08 | 0:20:11 | |
Are you? Yes. And I will be finding out how one pocket of Devon is | 0:20:11 | 0:20:15 | |
safeguarding military memorabilia that tells the tales of the brave | 0:20:15 | 0:20:19 | |
and victorious British Army during the Second World War. | 0:20:19 | 0:20:23 | |
It is an extraordinary experience, just to stand here. | 0:20:23 | 0:20:26 | |
Well, yesterday went rather well with Martin and Maggie, | 0:20:31 | 0:20:35 | |
although there is nothing like being homeless in two weeks' time to help | 0:20:35 | 0:20:39 | |
focus the mind! | 0:20:39 | 0:20:41 | |
Today, we are going to show our crafty couple two properties, | 0:20:41 | 0:20:44 | |
one of which being the, "What could it possibly be?" mystery house. | 0:20:44 | 0:20:48 | |
Well, let me give you a clue. | 0:20:48 | 0:20:51 | |
It's rather gorgeous, in a rural location, | 0:20:51 | 0:20:54 | |
but will it give them everything they're after? | 0:20:54 | 0:20:56 | |
Well, we'll have to wait and see because first I'm going to show them | 0:20:56 | 0:20:59 | |
a property that could be the answer | 0:20:59 | 0:21:02 | |
to their creative and artistic dreams. | 0:21:02 | 0:21:04 | |
Our house hunt is taking as to the mid-Devon hamlet of Oldborough. | 0:21:07 | 0:21:10 | |
Less than a ten-minute drive away is the village of Copplestone. | 0:21:11 | 0:21:15 | |
Sitting in a valley and cutting through the village is | 0:21:15 | 0:21:17 | |
the Tarka Line railway, | 0:21:17 | 0:21:19 | |
which runs from Exeter to Barnstaple and is named after the 1927 | 0:21:19 | 0:21:23 | |
novel Tarka the Otter. | 0:21:23 | 0:21:25 | |
In the scenic hamlet of Oldborough is this Grade II listed cottage. | 0:21:25 | 0:21:29 | |
Right, may I present you your property? | 0:21:30 | 0:21:35 | |
Wonderful. Thatch. | 0:21:36 | 0:21:38 | |
Yes. But it's new thatch. | 0:21:38 | 0:21:40 | |
It's only finished last year. | 0:21:40 | 0:21:43 | |
So you've got... You keep an eye on it and make sure the ridge | 0:21:43 | 0:21:46 | |
is always intact, you've got about 25 years there. | 0:21:46 | 0:21:49 | |
It will probably see me out! | 0:21:49 | 0:21:51 | |
Before I take you inside, what is going through your minds? | 0:21:54 | 0:21:58 | |
It's beautiful. It's a very, very pretty looking place, I have to say. | 0:21:58 | 0:22:04 | |
It is lovely. Right, shall we? Let's go. Super. | 0:22:04 | 0:22:08 | |
This enchanting semidetached | 0:22:08 | 0:22:10 | |
cottage is built from stone and is thought to | 0:22:10 | 0:22:13 | |
have its origins in the 16th century. | 0:22:13 | 0:22:15 | |
So, through the stable door, which leads us into our sitting-room. | 0:22:18 | 0:22:24 | |
Lovely. Beautiful oak floor. | 0:22:24 | 0:22:26 | |
This is all new. | 0:22:26 | 0:22:28 | |
The house has had a massive overhaul over the last few years. | 0:22:28 | 0:22:32 | |
You can see a lot of work has been done on it. | 0:22:32 | 0:22:34 | |
The beams are rather nice. | 0:22:34 | 0:22:35 | |
Perhaps a little low, but we're only short. | 0:22:35 | 0:22:38 | |
Super. Well, we'll keep going through. | 0:22:39 | 0:22:41 | |
Next-door is the kitchen... | 0:22:41 | 0:22:43 | |
..which is kept toasty warm by the range. | 0:22:48 | 0:22:52 | |
Lovely. Oh, yes, oh, yes. | 0:22:52 | 0:22:55 | |
This is a nice area, though. | 0:22:55 | 0:22:57 | |
You have the kitchen and the dining area, so it is sociable. | 0:22:57 | 0:23:00 | |
Actually quite bright as well with the French doors. | 0:23:00 | 0:23:06 | |
It works well. | 0:23:06 | 0:23:08 | |
Overall, this kitchen is giving us a very good impression. | 0:23:08 | 0:23:12 | |
I'm going to head upstairs now with the two of you. | 0:23:12 | 0:23:14 | |
OK, lovely. See what you think there. | 0:23:14 | 0:23:17 | |
The first floor has just as much charm as downstairs and offers a | 0:23:20 | 0:23:24 | |
compact bathroom with three bedrooms. | 0:23:24 | 0:23:26 | |
A narrow room at the back is in use as a study and then, at the front, | 0:23:26 | 0:23:30 | |
there is a beamed double... | 0:23:30 | 0:23:31 | |
..and next-door is the master. | 0:23:34 | 0:23:36 | |
I think it would be fair to say this thatched house isn't huge but you | 0:23:36 | 0:23:40 | |
still get your three bedrooms. Yeah. | 0:23:40 | 0:23:42 | |
This is the master. | 0:23:42 | 0:23:44 | |
It's beautiful. It really is well thought out and stylish. | 0:23:44 | 0:23:49 | |
It's certainly interesting. | 0:23:49 | 0:23:51 | |
We'll probably be in a better | 0:23:51 | 0:23:52 | |
position to come to a view when we have seen a bit more. | 0:23:52 | 0:23:55 | |
That's a good point. | 0:23:55 | 0:23:56 | |
Let's head outside and see what else there is on offer. | 0:23:56 | 0:23:59 | |
I'll lead on, shall I? Yes, please, thank you. | 0:23:59 | 0:24:01 | |
The outdoor space here provides | 0:24:01 | 0:24:03 | |
everything Maggie and Martin have asked for. | 0:24:03 | 0:24:06 | |
There are beautifully landscaped gardens featuring endless | 0:24:06 | 0:24:08 | |
countryside views and it's ideally equipped for living the good life | 0:24:08 | 0:24:12 | |
and indulging in creative hobbies. | 0:24:12 | 0:24:15 | |
Wow! | 0:24:15 | 0:24:17 | |
That's what I wanted to hear. | 0:24:17 | 0:24:18 | |
A little bit of wow, yeah. | 0:24:18 | 0:24:20 | |
That is definitely a view. That is wonderful. | 0:24:20 | 0:24:23 | |
Now, the garden itself is about a third of an acre. | 0:24:24 | 0:24:28 | |
The vegetable patch behind you and plenty of space. | 0:24:28 | 0:24:31 | |
You've got a pond and you have even got your own well. | 0:24:31 | 0:24:34 | |
I'm really getting to the main part, which is the workshop. | 0:24:34 | 0:24:39 | |
Yes. You might have noticed when we walked into the house and then came | 0:24:39 | 0:24:42 | |
round, it was to the side. | 0:24:42 | 0:24:44 | |
At the moment, it's a huge double | 0:24:44 | 0:24:45 | |
garage but the owners don't use it to store their car. | 0:24:45 | 0:24:49 | |
They use it for their hobbies. | 0:24:49 | 0:24:51 | |
It has water and it has electricity, and it is pretty large. | 0:24:51 | 0:24:55 | |
OK. So, let's see how much this | 0:24:55 | 0:24:57 | |
thatched house is, with a beautiful garden, views to die for. | 0:24:57 | 0:25:02 | |
Let's see what the current asking price is, shall we? | 0:25:02 | 0:25:04 | |
Who wants to go first? | 0:25:04 | 0:25:05 | |
It's my turn. | 0:25:05 | 0:25:07 | |
We've been so wildly out and I'm | 0:25:07 | 0:25:09 | |
expecting to be still wildly out, but I'm going to say 300,000. | 0:25:09 | 0:25:14 | |
OK. Martin? | 0:25:14 | 0:25:16 | |
I suspect that we're probably around 345. | 0:25:16 | 0:25:20 | |
Oh, you're very close. | 0:25:20 | 0:25:23 | |
The asking price is ?350,000. | 0:25:24 | 0:25:28 | |
OK. And you are paying for being on the edge of a village... | 0:25:28 | 0:25:32 | |
Yes. ..with those views. | 0:25:32 | 0:25:34 | |
OK. I think you should have another look, on your own. | 0:25:34 | 0:25:37 | |
Yes. I don't know how long I'm going to give you in that workshop. | 0:25:37 | 0:25:40 | |
I might have to put a timer on because you might be in your element | 0:25:40 | 0:25:42 | |
as you're looking around there! | 0:25:42 | 0:25:44 | |
Yes. And, well, I'll meet you by the front door. | 0:25:44 | 0:25:46 | |
Lovely. Thank you. Thank you very much. See you in a minute. Let's go. | 0:25:46 | 0:25:50 | |
This Grade II listed thatched cottage is not only | 0:25:53 | 0:25:56 | |
?30,000 under budget, | 0:25:56 | 0:25:58 | |
but it also comes complete with wonderful original features along | 0:25:58 | 0:26:02 | |
with its three bedrooms. | 0:26:02 | 0:26:03 | |
It's got character and style, a fabulous garden with raised beds, | 0:26:03 | 0:26:08 | |
country views, and that all-important workshop. | 0:26:08 | 0:26:10 | |
It's a lovely house, it really is. | 0:26:12 | 0:26:14 | |
It's got so much character and the thatch is just beautiful. | 0:26:14 | 0:26:19 | |
I think the house is really nice. | 0:26:19 | 0:26:22 | |
I think it's fairly compact. | 0:26:22 | 0:26:24 | |
I think we would still struggle to get a lot of our stuff in here. | 0:26:24 | 0:26:28 | |
I'm very taken with the garden. | 0:26:28 | 0:26:29 | |
I think the garden is fabulous and the location is brilliant. | 0:26:29 | 0:26:33 | |
The workshop, I think there's definitely the embryo of something. | 0:26:33 | 0:26:38 | |
It's the right sort of size. | 0:26:38 | 0:26:39 | |
Needs a little bit of work, but we could really use that. | 0:26:39 | 0:26:43 | |
So I'm very, very positive about this | 0:26:43 | 0:26:46 | |
and I think there's probably enough left in the budget to give us a | 0:26:46 | 0:26:50 | |
chance to do what we need to do. | 0:26:50 | 0:26:52 | |
OK, you two? Yes. Indeed. Finished here? | 0:26:55 | 0:26:58 | |
I think so. Thank you for getting the door, Martin. | 0:26:58 | 0:27:00 | |
I think we're going to hit the road. OK. Let's go. | 0:27:00 | 0:27:02 | |
Not far from Barnstable, | 0:27:11 | 0:27:12 | |
the small village of Cobbaton is | 0:27:12 | 0:27:14 | |
home to the Cobbaton Combat Collection, | 0:27:14 | 0:27:17 | |
a display of military memorabilia | 0:27:17 | 0:27:18 | |
from British and Commonwealth countries | 0:27:18 | 0:27:21 | |
that dates to the period between | 0:27:21 | 0:27:23 | |
1939 and 1945, when World War II raged. | 0:27:23 | 0:27:27 | |
I've come to meet Preston Isaac, | 0:27:28 | 0:27:30 | |
who founded the museum on the family farm in 1981. | 0:27:30 | 0:27:34 | |
Preston. Good to meet you, sir. Welcome to Cobbaton. | 0:27:36 | 0:27:39 | |
A beautiful, sunny morning. | 0:27:39 | 0:27:40 | |
It's always like this in Devon, isn't it? | 0:27:40 | 0:27:42 | |
Every day. Every day. Blue skies, sunshine. | 0:27:42 | 0:27:44 | |
Yes, always. But as you come in here, | 0:27:44 | 0:27:46 | |
I've already spied one of those tanks. | 0:27:46 | 0:27:48 | |
So impressed with that. I mean, how did it actually start? | 0:27:48 | 0:27:51 | |
Little boy collecting things. | 0:27:51 | 0:27:53 | |
A little boy collecting things and it has got out of hand, hasn't it? | 0:27:53 | 0:27:56 | |
Literally, yeah. What about the military angle? | 0:27:56 | 0:27:58 | |
When did that come in? That started... | 0:27:58 | 0:28:00 | |
Dad was in the Home Guard, and you used to hear bits and pieces. | 0:28:00 | 0:28:04 | |
It's just a natural progression. | 0:28:04 | 0:28:07 | |
Preston's father passed on militaria from his war days to help start his | 0:28:07 | 0:28:11 | |
collection and, with the thousands | 0:28:11 | 0:28:13 | |
of items ranging from a military button to a 50-tonne tank, | 0:28:13 | 0:28:17 | |
every piece tells a tale. | 0:28:17 | 0:28:18 | |
If you had a particular favourite - to put you on the spot - | 0:28:20 | 0:28:23 | |
what would it be out of the whole collection? | 0:28:23 | 0:28:25 | |
It's the Churchill tank, which is quite symbolic. | 0:28:25 | 0:28:29 | |
And how long, with a vehicle like that, | 0:28:29 | 0:28:31 | |
if it's constantly looked after and restored, how long will it last for? | 0:28:31 | 0:28:35 | |
The main hull will last forever. | 0:28:35 | 0:28:39 | |
You are talking about armour six inches thick. | 0:28:39 | 0:28:42 | |
Preston's collection has stood the test of time and now it's his son, | 0:28:42 | 0:28:46 | |
Tim, who is at the helm. | 0:28:46 | 0:28:48 | |
I knew the collection was going to be vast, | 0:28:48 | 0:28:49 | |
but I didn't quite appreciate | 0:28:49 | 0:28:51 | |
it was going to be so many artillery pieces here. Well, yes. | 0:28:51 | 0:28:54 | |
It's been 40, maybe 50 years, of collecting. | 0:28:54 | 0:28:57 | |
We are surrounded by tanks here. | 0:28:57 | 0:28:59 | |
When I spoke to Preston, your father, | 0:28:59 | 0:29:01 | |
he mentioned his particular favourite was the Churchill tank. | 0:29:01 | 0:29:04 | |
The Churchill, yes. I mean, I don't think... | 0:29:04 | 0:29:06 | |
Am I allowed to touch it? | 0:29:06 | 0:29:08 | |
Yeah. I don't think I've ever been close to a tank before. | 0:29:08 | 0:29:11 | |
You know, you get the impression that they are going to be huge, | 0:29:11 | 0:29:13 | |
but this is quite enormous. | 0:29:13 | 0:29:16 | |
It's also pretty intimidating to be standing next to it. | 0:29:16 | 0:29:19 | |
It is. Named after the then | 0:29:19 | 0:29:21 | |
Prime Minister, Winston Churchill's family, | 0:29:21 | 0:29:24 | |
Preston bought this tank in the 1970s for a few hundred pounds. | 0:29:24 | 0:29:28 | |
It weighs in at 44 tonnes. | 0:29:28 | 0:29:31 | |
There were several hundred of them all dumped in this scrapyard, | 0:29:31 | 0:29:34 | |
just waiting for the price of steel to go up after the war. | 0:29:34 | 0:29:37 | |
Preston may only have paid the scrap price for the tank, | 0:29:38 | 0:29:41 | |
but, just recently, Tim was offered over ?100,000 for it by a private | 0:29:41 | 0:29:45 | |
collector. He said no. | 0:29:45 | 0:29:47 | |
Do we have any idea when it was actually built? | 0:29:49 | 0:29:52 | |
It was built in October 1944, | 0:29:52 | 0:29:55 | |
so it was built for the final thrust of World War II, | 0:29:55 | 0:29:58 | |
from D-Day further on. | 0:29:58 | 0:30:00 | |
So it would have seen some serious action? | 0:30:00 | 0:30:02 | |
I would think so. And how many crew | 0:30:02 | 0:30:05 | |
would have operated a tank like this? | 0:30:05 | 0:30:07 | |
There's a five-man crew - the driver, the hull gunner in the front, | 0:30:07 | 0:30:11 | |
and then the commander, the loader gunner, and the radio operator. | 0:30:11 | 0:30:15 | |
So would the crew have spent hours upon hours in this tank, | 0:30:15 | 0:30:19 | |
working together as a close unit? | 0:30:19 | 0:30:20 | |
They did. We've in fact met a radio operator who worked in a Churchill | 0:30:20 | 0:30:25 | |
tank from D-Day onwards | 0:30:25 | 0:30:27 | |
and he became very close to the other four men in the tank. | 0:30:27 | 0:30:31 | |
They were a family. | 0:30:31 | 0:30:32 | |
It's pretty awe-inspiring standing amongst these vehicles of war, | 0:30:32 | 0:30:36 | |
but I'm lucky enough to be getting | 0:30:36 | 0:30:38 | |
the opportunity to hop on board | 0:30:38 | 0:30:40 | |
this self-propelled gun to get first-hand experience from up top. | 0:30:40 | 0:30:45 | |
So this isn't a tank? | 0:30:45 | 0:30:46 | |
It is an artillery gun, | 0:30:46 | 0:30:48 | |
which has been mounted onto a tank chassis | 0:30:48 | 0:30:51 | |
simply to propel itself around the battlefield. | 0:30:51 | 0:30:53 | |
It is brutally basic, standing here. | 0:30:53 | 0:30:56 | |
You get a feeling of being quite exposed. | 0:30:56 | 0:30:58 | |
There's no ceiling to it. Why would that have been? | 0:30:58 | 0:31:00 | |
Simply because we are slightly behind the front line, | 0:31:00 | 0:31:02 | |
firing a barrage of fire over the infantry onto the target. | 0:31:02 | 0:31:06 | |
My goodness. So we've got armoured sides and maybe a canvas roof if it | 0:31:06 | 0:31:10 | |
were raining. Well, I'd love to see it move, that's for sure. | 0:31:10 | 0:31:13 | |
Thank you, Tim. OK. | 0:31:13 | 0:31:14 | |
You really do get a sense of what it must be like. | 0:31:17 | 0:31:20 | |
We're standing here, and it's an impressive piece of kit, | 0:31:20 | 0:31:23 | |
but to think this would have been operated | 0:31:23 | 0:31:26 | |
with shells coming overhead, men dying on either side. | 0:31:26 | 0:31:29 | |
It is an extraordinary experience just to stand here. | 0:31:29 | 0:31:32 | |
Built in Canada from steel, with an aircraft engine, | 0:31:40 | 0:31:43 | |
2,000 of these vehicles were used by | 0:31:43 | 0:31:45 | |
the British Army during World War II. | 0:31:45 | 0:31:48 | |
And this mighty mover weighs in at around 30 tonnes, | 0:31:48 | 0:31:52 | |
with top speeds of around 25mph. | 0:31:52 | 0:31:54 | |
The vehicles in the collection are often taken to military shows | 0:31:56 | 0:31:59 | |
and also feature in films. | 0:31:59 | 0:32:01 | |
One even starred alongside Hollywood icon Brad Pitt, | 0:32:01 | 0:32:04 | |
so I'm pleased to say I'm in good company! | 0:32:04 | 0:32:07 | |
But, for now, it's time to get back to my house-hunting companions | 0:32:08 | 0:32:12 | |
and continue with their property search. | 0:32:12 | 0:32:14 | |
The North Devon hamlet of Churchill | 0:32:22 | 0:32:24 | |
is the final property stop on our house hunt. | 0:32:24 | 0:32:26 | |
It's our most remote location, | 0:32:26 | 0:32:28 | |
but just a few minutes' drive away is the village of East Down, | 0:32:28 | 0:32:32 | |
which provides a village hall to unite the local community | 0:32:32 | 0:32:35 | |
and a great gastropub. | 0:32:35 | 0:32:37 | |
Churchill sits in rural isolation, | 0:32:38 | 0:32:40 | |
with far-reaching views across agricultural land, | 0:32:40 | 0:32:43 | |
home to an abundance of wildlife. | 0:32:43 | 0:32:46 | |
Our mystery house may be remote, | 0:32:46 | 0:32:48 | |
but what it lacks in neighbours and community, | 0:32:48 | 0:32:50 | |
it makes up for in many other ways. | 0:32:50 | 0:32:53 | |
So, for our final time, in a way, here's your property - | 0:32:53 | 0:32:58 | |
our mystery house. | 0:32:58 | 0:33:01 | |
Yes. Yes. | 0:33:01 | 0:33:02 | |
Indeed! Two yeses! It's about 200 years old. | 0:33:02 | 0:33:05 | |
It looks a reasonable size, actually. | 0:33:05 | 0:33:07 | |
Yes. I think...certainly an interesting location. | 0:33:07 | 0:33:10 | |
Well, I think you've hit the nail on the head there, haven't you? | 0:33:10 | 0:33:12 | |
Because, for our mystery house, | 0:33:12 | 0:33:14 | |
we've brought you much further afield. | 0:33:14 | 0:33:16 | |
We've gone more north... Yes. ..but much more rural. | 0:33:16 | 0:33:19 | |
Surrounded 360 by views. | 0:33:19 | 0:33:21 | |
There's a lot about this sort of location that appeals to me, | 0:33:21 | 0:33:24 | |
and the house, yeah, looks solid. | 0:33:24 | 0:33:27 | |
Great. Right, well, I think we should start, don't you? | 0:33:27 | 0:33:30 | |
Yes, please. | 0:33:30 | 0:33:31 | |
This delightful property was extended in 1998, | 0:33:32 | 0:33:36 | |
which doubled its size to create the sunny, | 0:33:36 | 0:33:38 | |
airy home we're about to discover. | 0:33:38 | 0:33:41 | |
Please come in. | 0:33:41 | 0:33:42 | |
Let's see what you make of our mystery house inside. | 0:33:42 | 0:33:46 | |
First impressions... | 0:33:46 | 0:33:48 | |
it's a lovely size. | 0:33:48 | 0:33:50 | |
Yes. Beautiful-size room. | 0:33:50 | 0:33:53 | |
The internal window's intriguing, obviously. | 0:33:53 | 0:33:56 | |
This must have been two rooms and the outside wall. | 0:33:56 | 0:34:01 | |
Yes. You'd be right. That's the exterior wall. | 0:34:01 | 0:34:03 | |
This probably was two rooms. | 0:34:03 | 0:34:06 | |
They've kept that is a feature when they've extended the house. | 0:34:06 | 0:34:09 | |
Lovely. So, really bright, roomy, spacious. | 0:34:09 | 0:34:13 | |
Just off to our left, up those stairs, is a study, | 0:34:13 | 0:34:16 | |
a really good-sized study, with a dual aspect, | 0:34:16 | 0:34:19 | |
so you get plenty of light in there and views. | 0:34:19 | 0:34:22 | |
This works. This does work for us. | 0:34:22 | 0:34:24 | |
Absolutely. I'm pretty much bowled over by this... | 0:34:24 | 0:34:27 | |
I have to say. Are you? | 0:34:27 | 0:34:28 | |
Yes. It's got that sort of openness that you don't always get in the | 0:34:28 | 0:34:32 | |
cottages and...yes. | 0:34:32 | 0:34:34 | |
Love it. Yeah? Absolutely love it. Oh! | 0:34:34 | 0:34:37 | |
Music to my ears. Let's keep going. | 0:34:37 | 0:34:39 | |
At the back of the house, and divided by an open stairway, | 0:34:41 | 0:34:44 | |
is the kitchen-diner. | 0:34:44 | 0:34:45 | |
Oh, yes. I like the kitchen. | 0:34:48 | 0:34:49 | |
It's good. This is a great space. | 0:34:49 | 0:34:51 | |
Yes. The kitchen's lovely, but also having the diner there, where... | 0:34:51 | 0:34:56 | |
OK, the staircase in-between but it's sociable. | 0:34:56 | 0:34:59 | |
Yes. You know, if you've got friends round or even one of us cooking, | 0:34:59 | 0:35:04 | |
and that is just a good sociable space. | 0:35:04 | 0:35:06 | |
Yeah. Yes. It does work very, very well. | 0:35:06 | 0:35:11 | |
Yes. So, we're liking the kitchen, we're liking the dining area, | 0:35:11 | 0:35:14 | |
we're liking everything we're seeing. | 0:35:14 | 0:35:16 | |
In addition to this, if you just | 0:35:16 | 0:35:18 | |
look past, you can see there's a doorway, | 0:35:18 | 0:35:20 | |
that leads outside, but also you've got your utility room there. | 0:35:20 | 0:35:23 | |
And I want you to remember that room | 0:35:23 | 0:35:25 | |
because it could prove quite important later on. | 0:35:25 | 0:35:27 | |
Right. OK. That's a big hint, wasn't it? | 0:35:27 | 0:35:31 | |
I was going to say, that's subtle, yes. | 0:35:31 | 0:35:32 | |
Yes. But you've seen enough downstairs? | 0:35:32 | 0:35:35 | |
Yes. Yes. Let's go and have a look up. Lovely. | 0:35:35 | 0:35:38 | |
Above us, there's a surprise waiting for Maggie and Martin. | 0:35:38 | 0:35:42 | |
Along with a tiled family bathroom are four bedrooms, | 0:35:42 | 0:35:45 | |
meaning there are already options for a creative workplace. | 0:35:45 | 0:35:49 | |
At the back of the house there is a dual aspect double | 0:35:49 | 0:35:51 | |
and at the front are two equally bright bedrooms. | 0:35:51 | 0:35:54 | |
Then there is the master, which is concealing another surprise. | 0:35:56 | 0:36:01 | |
Now, the downstairs is pretty spacious and you'll | 0:36:01 | 0:36:05 | |
be pleased to know the upstairs is equally as suspicious. | 0:36:05 | 0:36:09 | |
Wow. Yes. | 0:36:09 | 0:36:10 | |
This is lovely. Yeah, this is your master. | 0:36:11 | 0:36:13 | |
It has an en-suite. | 0:36:14 | 0:36:16 | |
I know you didn't ask for an en-suite, | 0:36:16 | 0:36:18 | |
but do you like the idea of having one? | 0:36:18 | 0:36:20 | |
Yes, particularly when you've got guests. | 0:36:20 | 0:36:22 | |
It does make life a little bit easier. | 0:36:22 | 0:36:24 | |
I think it's always a bonus. | 0:36:24 | 0:36:26 | |
It's not something we would necessarily expect, but, you know, | 0:36:26 | 0:36:31 | |
any bonus is good. | 0:36:31 | 0:36:33 | |
Good. So, overall, how would you rate this property inside? | 0:36:33 | 0:36:39 | |
It's very, very good. Really, I think it's got | 0:36:39 | 0:36:43 | |
pretty much what we've been asking for, | 0:36:43 | 0:36:46 | |
so long as we can sort out workshop and, so, definitely fingers crossed, | 0:36:46 | 0:36:51 | |
this would be a goer for us I think. | 0:36:51 | 0:36:52 | |
Yeah. Now, we're going to head back downstairs, | 0:36:52 | 0:36:55 | |
but you two are creative. | 0:36:55 | 0:36:57 | |
I want your imagination to work for the next thing | 0:36:57 | 0:37:00 | |
I'm going to show you. OK. | 0:37:00 | 0:37:02 | |
The outside space sits to the front with a lawn and a terrace, | 0:37:05 | 0:37:08 | |
perfect for enjoying the warmer months. | 0:37:08 | 0:37:11 | |
The house also enjoys spectacular views across Exmoor National Park. | 0:37:11 | 0:37:16 | |
Now, let's talk a little bit more detail about the garden, | 0:37:16 | 0:37:20 | |
the property and also the potential for a workshop. | 0:37:20 | 0:37:25 | |
I think I've given it away there, haven't I? | 0:37:25 | 0:37:27 | |
Yes. The potential for a workshop. | 0:37:27 | 0:37:29 | |
The way it's set up at the moment, | 0:37:29 | 0:37:31 | |
you do have like a small barn at the side. | 0:37:31 | 0:37:33 | |
I'm guessing that might not be quite big enough for what you're after. | 0:37:33 | 0:37:38 | |
However, you've got the shed the other side of it, | 0:37:38 | 0:37:40 | |
but you have all that land that, in a way, is to the side of the house, | 0:37:40 | 0:37:44 | |
so it's not going to spoil the view, | 0:37:44 | 0:37:45 | |
it's not going to detract from the property. | 0:37:45 | 0:37:47 | |
There could be the potential there of putting a really big workshop in | 0:37:47 | 0:37:52 | |
and you could have it connected to the house, if you wanted to. | 0:37:52 | 0:37:56 | |
Yes, I think there is certainly the opportunity to put something there. | 0:37:56 | 0:37:59 | |
There's somewhere to put it. Yeah. I do think it's a lovely, | 0:37:59 | 0:38:02 | |
lovely building that has the potential to work for us. | 0:38:02 | 0:38:04 | |
I think it could be a lovely home. | 0:38:04 | 0:38:06 | |
Well, let's see what price we're going to put on our lovely home. | 0:38:06 | 0:38:10 | |
What are we thinking? | 0:38:10 | 0:38:12 | |
Well, I've been way out every time that I've guessed so far, | 0:38:12 | 0:38:15 | |
but I'm going to go to the top of our budget. | 0:38:15 | 0:38:17 | |
I think it's probably going to be about 375. OK. | 0:38:17 | 0:38:21 | |
Bearing in mind the fact that we do have to do some work for a workshop, | 0:38:21 | 0:38:26 | |
and we do need some budget, I'm going to hope around about 360. | 0:38:26 | 0:38:31 | |
You're both actually very close | 0:38:31 | 0:38:33 | |
cos the asking price is ?369,000. | 0:38:33 | 0:38:39 | |
OK. Yes. That's... | 0:38:39 | 0:38:41 | |
Yes. Squeezing it. | 0:38:41 | 0:38:42 | |
Yes. But I guess we probably knew | 0:38:42 | 0:38:45 | |
that we would be squeezing it at some point. Yes. | 0:38:45 | 0:38:48 | |
Would you like to take another look around? | 0:38:48 | 0:38:51 | |
Yes. Yes. Yes, please. Please do. | 0:38:51 | 0:38:52 | |
The gardens, the potential for that all-important workshop. | 0:38:52 | 0:38:55 | |
And come and find me when you're ready. | 0:38:55 | 0:38:57 | |
OK. Lovely. Good. Thank you. | 0:38:57 | 0:38:59 | |
This double-fronted cottage is | 0:39:04 | 0:39:06 | |
?11,000 under budget and offers a bright | 0:39:06 | 0:39:09 | |
and roomy living space, plus character features | 0:39:09 | 0:39:12 | |
and four bedrooms. | 0:39:12 | 0:39:13 | |
It has wonderful views from the | 0:39:13 | 0:39:15 | |
garden and there is also the potential to create a workshop. | 0:39:15 | 0:39:19 | |
The mystery house may be remote, but it's perfectly packaged. | 0:39:19 | 0:39:23 | |
I think this house is absolutely lovely. | 0:39:23 | 0:39:25 | |
It's been redeveloped in a sensitive way, | 0:39:25 | 0:39:29 | |
with a great sense of style. | 0:39:29 | 0:39:31 | |
It's light, it's airy and it's quirky. | 0:39:31 | 0:39:34 | |
It's lovely. | 0:39:34 | 0:39:36 | |
I think the house is great, | 0:39:36 | 0:39:38 | |
I really do. I think it's a big house, | 0:39:38 | 0:39:41 | |
there is room for what we need. | 0:39:41 | 0:39:43 | |
I like it a lot. | 0:39:43 | 0:39:45 | |
It is so beautiful out here today. | 0:39:47 | 0:39:49 | |
It's lovely. Oh, and the sun's shining. | 0:39:49 | 0:39:52 | |
Glorious. Fabulous. | 0:39:52 | 0:39:54 | |
Yeah. Amazing views, but I'm going to have to pull you two away now, | 0:39:54 | 0:39:57 | |
I'm afraid. Let's go somewhere where you two | 0:39:57 | 0:39:59 | |
can have a chat on your own first. | 0:39:59 | 0:40:00 | |
I'll join you and you can tell me what your | 0:40:00 | 0:40:02 | |
next move's going to be. Right. OK. | 0:40:02 | 0:40:04 | |
Well, we know Martin and Maggie need to find a new home, | 0:40:09 | 0:40:13 | |
but will they be moving into any of our properties here in Devon? | 0:40:13 | 0:40:16 | |
Let's find out. | 0:40:16 | 0:40:17 | |
Well, Martin and Maggie, | 0:40:24 | 0:40:27 | |
I wonder how we've done here in Devon for you. | 0:40:27 | 0:40:30 | |
Have we found you your next home? | 0:40:30 | 0:40:33 | |
I think you might well have done. | 0:40:33 | 0:40:35 | |
Sharp intake of breath. | 0:40:36 | 0:40:38 | |
OK. But which one in particular took your fancy? | 0:40:38 | 0:40:41 | |
I think the one that is highest on our list | 0:40:41 | 0:40:44 | |
is undoubtedly the mystery house. Yes! Think it's a beautiful house. | 0:40:44 | 0:40:48 | |
Yeah. We need to work out how we | 0:40:48 | 0:40:51 | |
would handle the workshop and we are also | 0:40:51 | 0:40:54 | |
a little bit uncertain about the location, | 0:40:54 | 0:40:56 | |
because it is a little bit more remote. It is. Yes. | 0:40:56 | 0:41:00 | |
I'm going to need to go and walk round the area and see | 0:41:00 | 0:41:03 | |
how I'd be able to connect with | 0:41:03 | 0:41:05 | |
neighbours and what sort of community | 0:41:05 | 0:41:07 | |
there is down the hill. Yeah. | 0:41:07 | 0:41:08 | |
It is a beautiful place and a beautiful, beautiful house. | 0:41:08 | 0:41:12 | |
Oh, I'm so delighted. | 0:41:12 | 0:41:13 | |
Did you get that feeling that you | 0:41:13 | 0:41:15 | |
could be creative and have a lovely life at that property? Oh, yes. | 0:41:15 | 0:41:19 | |
It is a lovely house, lovely atmosphere in the house. | 0:41:19 | 0:41:21 | |
Well, it's all sounding very promising, | 0:41:21 | 0:41:23 | |
but what is the next important step for you two? | 0:41:23 | 0:41:26 | |
Well, we have had a quick chat with the owners. | 0:41:26 | 0:41:30 | |
Already? Yes. Indeed. | 0:41:30 | 0:41:33 | |
And we are going to go back and have another look. | 0:41:33 | 0:41:36 | |
We're keen enough to get back and look at it in more detail. | 0:41:36 | 0:41:40 | |
Yeah. That's tomorrow. My goodness. | 0:41:40 | 0:41:43 | |
Well, that is delightful news. | 0:41:43 | 0:41:44 | |
I leave you literally for a couple of hours and this is what happens. | 0:41:44 | 0:41:48 | |
Well, I hope all your questions get answered, | 0:41:48 | 0:41:49 | |
that second viewing is as successful as the first. | 0:41:49 | 0:41:53 | |
Thank you. And who knows? | 0:41:53 | 0:41:54 | |
In a few weeks, a few months' time, well, | 0:41:54 | 0:41:56 | |
we know you're going to be residents of Devon, | 0:41:56 | 0:41:58 | |
but you might be living in that splendid mystery house. | 0:41:58 | 0:42:01 | |
Yes. You will let us know how you get on, won't you? | 0:42:01 | 0:42:03 | |
Oh, we will. Of course. Delightful. Thank you both so very much. | 0:42:03 | 0:42:07 | |
Thank you. Thank you very much, too. | 0:42:07 | 0:42:08 | |
Well, I think mentally both Maggie and Martin have left Stockport way | 0:42:13 | 0:42:18 | |
behind and physically are certainly a big step closer to a new life here | 0:42:18 | 0:42:23 | |
in Devon. They've loved all the locations that we've shown them, | 0:42:23 | 0:42:27 | |
but I am so happy that they've | 0:42:27 | 0:42:29 | |
already been in touch with the owners of our mystery house | 0:42:29 | 0:42:33 | |
and are having a second viewing very, very soon. | 0:42:33 | 0:42:36 | |
I so hope it works out for them | 0:42:36 | 0:42:39 | |
and I'll see you again on Escape To The Country. | 0:42:39 | 0:42:42 | |
Maggie and Martin did revisit the mystery house and, although they | 0:42:44 | 0:42:48 | |
still loved it, they've decided it was a little too remote for them. | 0:42:48 | 0:42:52 | |
But I'm happy to report that they've since had an offer accepted on a | 0:42:52 | 0:42:56 | |
detached cottage with a workshop in North Devon. | 0:42:56 | 0:42:59 | |
If you would like to escape to the | 0:43:00 | 0:43:01 | |
country in Northern Ireland, Scotland, | 0:43:01 | 0:43:04 | |
Wales or England and need our help, please apply online at... | 0:43:04 | 0:43:07 | |
Sir Terry was the ultimate master at talking to his audience. | 0:43:42 | 0:43:45 | |
Thank you for being my friend. | 0:43:45 | 0:43:48 | |
He comes from a country where the national hobby is talking. | 0:43:48 | 0:43:50 | |
This show is totally unrehearsed! | 0:43:50 | 0:43:52 | |
Terry Wogan and BBC go together. | 0:43:52 | 0:43:54 | |
You either have it or you don't, and he had it like nobody else. | 0:43:54 | 0:43:57 |