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Today, I'm in the midst of 30 buildings that span over 700 years of architectural history. | 0:00:02 | 0:00:05 | |
But I'm not in a village, and I'm not in a market town. | 0:00:05 | 0:00:09 | |
And I'm not where you may think I am. So where am I? | 0:00:09 | 0:00:13 | |
Find out in just a moment. | 0:00:13 | 0:00:14 | |
Today's selection of country houses leaves one couple lost for words. | 0:00:33 | 0:00:38 | |
What's going through your minds at this point? | 0:00:38 | 0:00:40 | |
Stunned! | 0:00:43 | 0:00:45 | |
And we might just have found the right house for them. | 0:00:45 | 0:00:48 | |
-Purpose-built for us, I think. -Yeah. | 0:00:48 | 0:00:50 | |
-I've bought it. -Yeah. | 0:00:50 | 0:00:52 | |
Today, I'm in Worcestershire, | 0:00:54 | 0:00:55 | |
and this is Avoncroft Museum of Historic Buildings. | 0:00:55 | 0:00:59 | |
Since the 1960s, they've been on a mission to rescue, | 0:00:59 | 0:01:02 | |
relocate and preserve buildings of historical importance from across the Midlands. | 0:01:02 | 0:01:08 | |
You'll find a medieval town house from Bromsgrove, | 0:01:08 | 0:01:11 | |
14th century roofing from part of Worcester Cathedral, | 0:01:11 | 0:01:15 | |
right through to a Victorian counting house, | 0:01:15 | 0:01:18 | |
that was rescued from the local cattle market. | 0:01:18 | 0:01:20 | |
Later on in the show, I'll be taking a look at | 0:01:20 | 0:01:22 | |
the latest renovation project to have the wind put back in its sails. | 0:01:22 | 0:01:26 | |
But, first, let's take a look | 0:01:26 | 0:01:28 | |
at what this wonderful county has to offer. | 0:01:28 | 0:01:30 | |
Situated in the Midlands region of England, | 0:01:33 | 0:01:36 | |
Worcestershire shares borders with six counties, including Shropshire, | 0:01:36 | 0:01:39 | |
to the north-west and Herefordshire to the west. | 0:01:39 | 0:01:43 | |
Winding its way through fertile farmland, | 0:01:43 | 0:01:46 | |
the Southern is the longest river in Britain, | 0:01:46 | 0:01:48 | |
passing through Worcestershire towns and villages, | 0:01:48 | 0:01:51 | |
including Bewdley and Upton. | 0:01:51 | 0:01:53 | |
Some of Worcestershire's most stunning vistas are found around the Malvern Hills, | 0:01:54 | 0:01:59 | |
an Area of Outstanding Natural Beauty, | 0:01:59 | 0:02:02 | |
crisscrossed by around 100 miles of bridleways and footpaths. | 0:02:02 | 0:02:06 | |
The landscape is said to have inspired Edward Elgar, | 0:02:06 | 0:02:10 | |
who spent much of his life here. | 0:02:10 | 0:02:12 | |
A statue of the composer is located in Great Malvern, | 0:02:12 | 0:02:15 | |
a town that was also once a popular spa resort | 0:02:15 | 0:02:18 | |
with the Georgians and Victorians. | 0:02:18 | 0:02:20 | |
Historically believed to have healing properties, | 0:02:21 | 0:02:24 | |
the local water flows from natural springs | 0:02:24 | 0:02:27 | |
dotted around the town to this day. | 0:02:27 | 0:02:30 | |
Georgian and Victorian architecture sits besides medieval gems, | 0:02:30 | 0:02:35 | |
including the Abbey Gateway, home to Malvern's museum. | 0:02:35 | 0:02:38 | |
With such a wealth of classic English landscape | 0:02:40 | 0:02:43 | |
and historic interest, | 0:02:43 | 0:02:45 | |
it is little wonder that Worcestershire is a popular place | 0:02:45 | 0:02:47 | |
for both a temporary and more permanent country escape. | 0:02:47 | 0:02:51 | |
The good news is that Worcestershire as a whole is affordable. | 0:02:52 | 0:02:56 | |
The average cost of a detached house here is around £280,000, | 0:02:56 | 0:03:00 | |
just a few thousand pounds shy of the national average. | 0:03:00 | 0:03:03 | |
But when you delve a little deeper, | 0:03:03 | 0:03:05 | |
you'll see that there's an east-west divide when it comes to price. | 0:03:05 | 0:03:09 | |
East carries a premium because of its easy access to motorways | 0:03:09 | 0:03:12 | |
and also to Birmingham, | 0:03:12 | 0:03:14 | |
which makes it ideal with commuters. | 0:03:14 | 0:03:17 | |
If you're looking for more from your property pound and don't mind going | 0:03:17 | 0:03:20 | |
more rural, then west is best, | 0:03:20 | 0:03:23 | |
towards the borders of Shropshire and Herefordshire. | 0:03:23 | 0:03:26 | |
So, let's meet the couple who are hoping to call this county home. | 0:03:26 | 0:03:30 | |
Lee, a retired fireman and Jane, a nurse from the city of Birmingham, | 0:03:32 | 0:03:37 | |
first got together over an unfortunate encounter | 0:03:37 | 0:03:40 | |
at a post-rugby match party. | 0:03:40 | 0:03:42 | |
I think it was coming to the end of the night. | 0:03:42 | 0:03:44 | |
I'd had a few beers. I tried to put my pint in an alcove. | 0:03:44 | 0:03:48 | |
I thought it was a shelf, | 0:03:48 | 0:03:49 | |
but I think it was Jane's head and then it just soaked her. | 0:03:49 | 0:03:52 | |
So we agreed to meet and I think I was going to pay for | 0:03:52 | 0:03:55 | |
-the... -Dry cleaning. -Yeah. | 0:03:55 | 0:03:58 | |
Obviously, I don't like a beer shampoo very often, | 0:03:58 | 0:04:01 | |
but he was quite a charming character and we met up. | 0:04:01 | 0:04:04 | |
Lee's charms led Jane to accept his proposal of marriage, | 0:04:06 | 0:04:10 | |
and the couple went on to set up home and raise three children | 0:04:10 | 0:04:14 | |
in the city where they were born and bred. | 0:04:14 | 0:04:17 | |
But once again, a rugby event, | 0:04:17 | 0:04:19 | |
this time in neighbouring Shropshire, | 0:04:19 | 0:04:21 | |
intervened in their lives and opened their eyes to pastures new. | 0:04:21 | 0:04:24 | |
I think the major turning point for us was | 0:04:25 | 0:04:28 | |
when we went to an away match, a rugby match. | 0:04:28 | 0:04:31 | |
We'd travelled down to Ludlow. | 0:04:31 | 0:04:33 | |
I've never, ever been to Ludlow, | 0:04:33 | 0:04:35 | |
and we were just absolutely stunned | 0:04:35 | 0:04:38 | |
by the countryside - what's out there. It's amazing! | 0:04:38 | 0:04:41 | |
Ten miles outside Birmingham, it's a different world. | 0:04:41 | 0:04:44 | |
I think we've done Birmingham. | 0:04:44 | 0:04:46 | |
Yeah. To death! | 0:04:46 | 0:04:48 | |
So with their horizons broadened and once their children | 0:04:48 | 0:04:52 | |
had flown the nest, they began planning their country escape. | 0:04:52 | 0:04:55 | |
And the three-storey family house | 0:04:56 | 0:04:58 | |
they've called home for two decades | 0:04:58 | 0:05:00 | |
has recently gone on the market. | 0:05:00 | 0:05:02 | |
The move to the countryside will be a new challenge. | 0:05:02 | 0:05:06 | |
It will be something different. | 0:05:06 | 0:05:07 | |
Somewhere different to explore. | 0:05:07 | 0:05:09 | |
We can go out for a walk, we can discover new things. | 0:05:09 | 0:05:12 | |
I'd like now that little bit of quiet. | 0:05:12 | 0:05:15 | |
And to make that move, | 0:05:16 | 0:05:18 | |
Lee and Jane want a countryside location | 0:05:18 | 0:05:20 | |
with easy access to family, | 0:05:20 | 0:05:21 | |
and their beloved grandchildren, who are all back in Birmingham. | 0:05:21 | 0:05:25 | |
We're looking really to move towards Worcester, | 0:05:25 | 0:05:28 | |
maybe Shropshire area, and we need to be within probably an hour of my | 0:05:28 | 0:05:33 | |
workplace currently, | 0:05:33 | 0:05:35 | |
and also so we can get back if the children need us. | 0:05:35 | 0:05:38 | |
It's the ideal time now to just do what we wanted to do, | 0:05:38 | 0:05:41 | |
and that's get out of the city completely. | 0:05:41 | 0:05:44 | |
Now, with their own house sold and buyers waiting to move in, | 0:05:44 | 0:05:48 | |
the need to find themselves a new home is more urgent than ever. | 0:05:48 | 0:05:51 | |
We put this house on the market to go after one particular property | 0:05:51 | 0:05:55 | |
and then we were gazumped. | 0:05:55 | 0:05:57 | |
Four properties we've been gazumped. | 0:05:57 | 0:05:59 | |
And we are due to be homeless in about two weeks' time. | 0:06:00 | 0:06:05 | |
-So really we are desperate now to move. -Yeah. | 0:06:05 | 0:06:08 | |
Jane and Lee are focussing their attention on Worcestershire, | 0:06:14 | 0:06:16 | |
but will also consider areas of Shropshire | 0:06:16 | 0:06:19 | |
that are within an hour's drive of Jane's nursing job in Dudley. | 0:06:19 | 0:06:23 | |
But before we start looking at properties, | 0:06:23 | 0:06:25 | |
I'm meeting them in the Worcestershire countryside | 0:06:25 | 0:06:27 | |
to find out more about the home they'd like to live in. | 0:06:27 | 0:06:29 | |
Welcome to Worcestershire. | 0:06:31 | 0:06:33 | |
I wanted to bring you up to the beautiful Clent Hills. | 0:06:33 | 0:06:35 | |
It's such a gorgeous part of this county. | 0:06:35 | 0:06:38 | |
I'd like to know what the two of you envisage when you think of your new | 0:06:38 | 0:06:41 | |
home here in Worcestershire. | 0:06:41 | 0:06:43 | |
Smaller than the one we've got. | 0:06:43 | 0:06:45 | |
At the moment we've got a whole floor that we don't use. | 0:06:45 | 0:06:48 | |
-Yeah. -And it's time to move and make a much smaller place. | 0:06:48 | 0:06:52 | |
What about the style of the property? | 0:06:52 | 0:06:53 | |
The number of bedrooms? The living space? | 0:06:53 | 0:06:56 | |
A minimum of two bedrooms, ideally, | 0:06:56 | 0:06:59 | |
but three would be nice for when the children come to stay. | 0:06:59 | 0:07:02 | |
Nice-sized garden, so when they do come, we can put them outside. | 0:07:02 | 0:07:05 | |
An office, maybe. | 0:07:05 | 0:07:06 | |
Just something that when you walk in it's different and there's that | 0:07:06 | 0:07:11 | |
little surprise around the corner. | 0:07:11 | 0:07:13 | |
So, are you looking for a property that you can literally just move in to, | 0:07:13 | 0:07:16 | |
put your slippers on and relax in? | 0:07:16 | 0:07:18 | |
Or are you happy to knock down a few walls, do some renovations? | 0:07:18 | 0:07:21 | |
I really would like to put our own stamp on the property. | 0:07:21 | 0:07:24 | |
Anything, new kitchen, new bathroom. | 0:07:25 | 0:07:27 | |
An outbuilding to do up - take your pick. | 0:07:27 | 0:07:29 | |
You mention a workshop, is that going to be your man cave then, Lee? | 0:07:29 | 0:07:32 | |
I do like doing a bit of pottery. | 0:07:32 | 0:07:33 | |
And I really do fancy a lathe. | 0:07:33 | 0:07:36 | |
I fancy doing a bit of wood turning. | 0:07:36 | 0:07:38 | |
So, would the money for the renovations need to come from within the budget, or is that an extra pot? | 0:07:38 | 0:07:43 | |
£410,000 on the property and then we'll save up. Not a problem. | 0:07:43 | 0:07:47 | |
Well, £410,000 is a very healthy budget for this part of the county. | 0:07:47 | 0:07:51 | |
How flexible are you about the location? | 0:07:51 | 0:07:54 | |
We have looked a lot around north Worcestershire, | 0:07:54 | 0:07:57 | |
but we have seen places also across the border in Shropshire, | 0:07:57 | 0:07:59 | |
we'd be more than happy to go across and look at those, yes. | 0:07:59 | 0:08:02 | |
-We've got some brilliant properties to show you. Ready to look? -We are. | 0:08:02 | 0:08:05 | |
-Can't wait. -Come on, let's go. -OK. | 0:08:05 | 0:08:07 | |
For a maximum budget of £410,000, | 0:08:11 | 0:08:15 | |
Lee and Jane would like two or three bedrooms, | 0:08:15 | 0:08:17 | |
with space for an office, | 0:08:17 | 0:08:19 | |
and a garden to play with the grandchildren in. | 0:08:19 | 0:08:22 | |
Lee is after a workshop for his pottery and wood turning. | 0:08:22 | 0:08:25 | |
And they're both happy to do a bit of work to make the house their own. | 0:08:25 | 0:08:28 | |
We found some fantastic properties to tempt them with, | 0:08:30 | 0:08:33 | |
and I'll be getting them to guess the price at each | 0:08:33 | 0:08:36 | |
before I reveal it. | 0:08:36 | 0:08:38 | |
The final stop on our search will be the mystery house, | 0:08:38 | 0:08:41 | |
which could really make these downsizers assess their plans. | 0:08:41 | 0:08:44 | |
Our house hunt is heading 45 miles south-west of Birmingham. | 0:08:51 | 0:08:55 | |
Eight miles north-west of Worcester, to the village of Martley. | 0:08:55 | 0:08:58 | |
Located in the Malvern Hills district of Worcestershire, | 0:08:59 | 0:09:03 | |
the village features a pub that was once a coaching inn, | 0:09:03 | 0:09:07 | |
and a Norman church, | 0:09:07 | 0:09:08 | |
one of the first in the country to have six bells, | 0:09:08 | 0:09:11 | |
cast locally in the 17th century. | 0:09:11 | 0:09:14 | |
We're down a quiet lane, | 0:09:14 | 0:09:15 | |
a mile-and-a-half away from the centre of the village | 0:09:15 | 0:09:18 | |
and surrounded by fields. | 0:09:18 | 0:09:20 | |
This is the property I wanted to show you. | 0:09:21 | 0:09:24 | |
-Beautiful! -I think the words chocolate box spring to mind. | 0:09:24 | 0:09:29 | |
It has got the character, hasn't it? | 0:09:29 | 0:09:31 | |
What about the windows? | 0:09:31 | 0:09:33 | |
Honeycomb, yeah. | 0:09:33 | 0:09:35 | |
It's beautiful. | 0:09:35 | 0:09:36 | |
Well, let's hope the inside lives up to these really positive | 0:09:36 | 0:09:39 | |
first impressions. | 0:09:39 | 0:09:40 | |
-Let's go and open the door. -OK. | 0:09:40 | 0:09:42 | |
The cottage has deeds dating back to 1800, but may well predate this. | 0:09:43 | 0:09:49 | |
Originally built for the poor of the parish, | 0:09:49 | 0:09:51 | |
it's been extended over the years. | 0:09:51 | 0:09:52 | |
Jane and Lee say they like surprises, | 0:09:54 | 0:09:56 | |
and with the layout filled with unexpected corners, | 0:09:56 | 0:09:59 | |
this cottage certainly delivers them. | 0:09:59 | 0:10:02 | |
We're starting our tour in the very welcoming lounge. | 0:10:02 | 0:10:05 | |
BELL RINGS | 0:10:05 | 0:10:07 | |
So we come straight in to the old part of the house. | 0:10:07 | 0:10:11 | |
You can see all the character and history in here, can't you? | 0:10:11 | 0:10:14 | |
-It's beautiful. -I do like the fireplace. It's really nice. | 0:10:14 | 0:10:17 | |
My goodness, yeah. | 0:10:17 | 0:10:19 | |
There's some really beautiful old touches in here and | 0:10:19 | 0:10:22 | |
these beams were probably reclaimed from either a local manor house or a | 0:10:22 | 0:10:27 | |
local church, so although they've been in here since the old part of | 0:10:27 | 0:10:30 | |
the house was built, they've probably got a longer history | 0:10:30 | 0:10:32 | |
than that as well. | 0:10:32 | 0:10:33 | |
They fit this room perfectly. | 0:10:33 | 0:10:35 | |
I'm eager to look into another room, too. | 0:10:35 | 0:10:38 | |
That's a great reaction. So, come on, there's lots to see. | 0:10:38 | 0:10:41 | |
OK. | 0:10:41 | 0:10:42 | |
As we leave through the back of the lounge | 0:10:42 | 0:10:45 | |
and pass through a snug into the kitchen-breakfast room, | 0:10:45 | 0:10:48 | |
there's a feeling of hidden rooms to discover in this house. | 0:10:48 | 0:10:51 | |
Now, do watch your step | 0:10:51 | 0:10:52 | |
because there are lots of different levels going on in this house. | 0:10:52 | 0:10:56 | |
So, a good-sized kitchen, with beautiful views out over the garden. | 0:10:57 | 0:11:02 | |
Mm. | 0:11:02 | 0:11:03 | |
Spot on, the size of the kitchen. | 0:11:03 | 0:11:05 | |
Plenty of space. | 0:11:05 | 0:11:06 | |
That overused word - potential. | 0:11:06 | 0:11:08 | |
It's certainly got plenty of potential. | 0:11:08 | 0:11:10 | |
The size is superb. | 0:11:10 | 0:11:11 | |
We could live with this for the time being. | 0:11:11 | 0:11:13 | |
-As it is, yeah. -And then slowly do it up. | 0:11:13 | 0:11:16 | |
So, it's perfect. I just want to see more of it. | 0:11:16 | 0:11:19 | |
The room I do want to show you is just back over there, | 0:11:19 | 0:11:22 | |
-and it's a gorgeous sunny conservatory. -OK. | 0:11:22 | 0:11:24 | |
This is one of those rooms that you're going to be in | 0:11:29 | 0:11:31 | |
on a cold winter's day, and feel cosy and toasty, won't you? | 0:11:31 | 0:11:35 | |
It's really warm in here, isn't it? | 0:11:35 | 0:11:37 | |
Look at the oranges and the lemons growing. | 0:11:37 | 0:11:40 | |
-It's wonderful. -Is this a space that you'd use, though? | 0:11:40 | 0:11:43 | |
Probably not. Probably never come... | 0:11:43 | 0:11:46 | |
Joking! | 0:11:46 | 0:11:47 | |
THEY LAUGH | 0:11:47 | 0:11:49 | |
The smile tells it all. I'm loving it. It's great. | 0:11:50 | 0:11:54 | |
And it's smiles all around as the character of this cottage has really | 0:11:54 | 0:11:58 | |
fired up our buyers' curiosity. | 0:11:58 | 0:12:00 | |
This floor also features a utility and separate WC, | 0:12:01 | 0:12:05 | |
just off the kitchen, | 0:12:05 | 0:12:07 | |
and to the front there's a dining room, currently used as a library. | 0:12:07 | 0:12:10 | |
There's also the first of three bedrooms, currently used as a study, | 0:12:11 | 0:12:15 | |
with its own dressing area and an en suite bathroom. | 0:12:15 | 0:12:18 | |
Then a staircase takes us upstairs, to the remainder of the sleeping | 0:12:20 | 0:12:23 | |
accommodation, which includes a double bedroom with a washbasin... | 0:12:23 | 0:12:28 | |
..a family bathroom | 0:12:29 | 0:12:31 | |
and, of course, the master, with double aspect windows. | 0:12:31 | 0:12:35 | |
You might just want to take a look at the view. | 0:12:35 | 0:12:38 | |
Could you imagine looking out over that | 0:12:40 | 0:12:41 | |
with a cup of tea in the morning? | 0:12:41 | 0:12:43 | |
That's stunning. Very nice. | 0:12:43 | 0:12:44 | |
What about the size of the room? Because it's not a huge bedroom. | 0:12:44 | 0:12:47 | |
Plenty big enough. We could probably put some free-standing furniture in | 0:12:47 | 0:12:50 | |
and use the storage that way, instead of the built-in cupboard. | 0:12:50 | 0:12:54 | |
I'm so pleased with how this is going. | 0:12:54 | 0:12:56 | |
I think you're going to like the garden just as much. | 0:12:56 | 0:12:58 | |
So, let's go and explore that. | 0:12:58 | 0:13:00 | |
-Lead on. -Thank you. | 0:13:00 | 0:13:01 | |
After you, my dear. | 0:13:01 | 0:13:02 | |
Outside, the cottage is surrounded by generous, | 0:13:05 | 0:13:08 | |
secluded gardens to all sides | 0:13:08 | 0:13:10 | |
which, like its interior, provide many corners to explore. | 0:13:10 | 0:13:14 | |
Filled with mature shrubs, it even has its own mini orchard. | 0:13:15 | 0:13:19 | |
There are a number of outbuildings, including a greenhouse and shed, | 0:13:21 | 0:13:25 | |
plus something I know Lee wants, a double garage, | 0:13:25 | 0:13:27 | |
with power and lighting, | 0:13:27 | 0:13:29 | |
which offers plenty of scope for pottery and carpentry. | 0:13:29 | 0:13:33 | |
Is it too much for you? Because it's a big garden. | 0:13:33 | 0:13:35 | |
BOTH: No. | 0:13:35 | 0:13:38 | |
My part-time job, this will be. | 0:13:38 | 0:13:40 | |
It's got lots of different areas, hasn't it? To explore. | 0:13:40 | 0:13:43 | |
-It's beautiful. -The shed, the greenhouse, the workshop, | 0:13:43 | 0:13:47 | |
there's so much potential there, it's wonderful. | 0:13:47 | 0:13:49 | |
-This seems to be going really well. -It does. | 0:13:49 | 0:13:51 | |
And let's hope it carries on going really well, | 0:13:51 | 0:13:54 | |
because this is when I have to ask you to guess the price. | 0:13:54 | 0:13:57 | |
So, let's remind ourselves of the budget. £410,000. | 0:13:57 | 0:14:01 | |
Where do you think this property sits alongside that? | 0:14:01 | 0:14:04 | |
Fingers crossed, we'd would hope to get it in around 405. | 0:14:04 | 0:14:09 | |
My heart wants it to be about 300. | 0:14:09 | 0:14:14 | |
But, realistically, I'm going to go for the 410. | 0:14:14 | 0:14:18 | |
You're both off the mark, I'm afraid, and you are both under. | 0:14:18 | 0:14:22 | |
It's on the market for £425,000. | 0:14:22 | 0:14:27 | |
However, the owner has told us that | 0:14:27 | 0:14:29 | |
they would seriously consider an offer somewhere around £410,000. | 0:14:29 | 0:14:34 | |
So, it could be potentially brought in bang on budget. | 0:14:34 | 0:14:38 | |
-It's worth every penny. -Yes. | 0:14:38 | 0:14:39 | |
Even though there's a lot of work to do. | 0:14:39 | 0:14:41 | |
So, I'm guessing you wouldn't mind going back in, | 0:14:41 | 0:14:43 | |
having another look around. | 0:14:43 | 0:14:45 | |
I'll come and find you in a couple of hours or so! | 0:14:45 | 0:14:47 | |
-All right. OK. -Thank you. -Thank you. | 0:14:47 | 0:14:50 | |
This enchanting character cottage may be pushing their budget, | 0:14:53 | 0:14:57 | |
but it has all the accommodation and intrigue they're after, | 0:14:57 | 0:15:00 | |
with lots of potential to put their own stamp on the place. | 0:15:00 | 0:15:03 | |
There are three bedrooms, including an en suite, | 0:15:05 | 0:15:07 | |
a selection of versatile reception rooms, with options for an office, | 0:15:07 | 0:15:11 | |
a beautiful garden, perfect for playing with the grandkids in, | 0:15:11 | 0:15:15 | |
a double garage giving workshop space for Lee, | 0:15:15 | 0:15:19 | |
and it's less than an hour to Jane's job. | 0:15:19 | 0:15:21 | |
Even though it's oldie-worldy, | 0:15:23 | 0:15:24 | |
it's still lots of space | 0:15:24 | 0:15:27 | |
and every door has got an even more surprising room behind it. | 0:15:27 | 0:15:31 | |
It really is a lovely house. | 0:15:31 | 0:15:34 | |
There's so many doors and opportunities. | 0:15:34 | 0:15:36 | |
There's a room to the left, room to the right. | 0:15:36 | 0:15:38 | |
It's just a surprise every time you step down a step. | 0:15:38 | 0:15:42 | |
Unusual space. What could we use this for, Jane? | 0:15:43 | 0:15:46 | |
Could have a dining room | 0:15:46 | 0:15:47 | |
-or even somewhere for when the children come. -Perfect. | 0:15:47 | 0:15:49 | |
I think it's a cracking house | 0:15:49 | 0:15:51 | |
and I really can see me and Jane living here. | 0:15:51 | 0:15:53 | |
-You seen enough? -We have, yes. | 0:15:53 | 0:15:56 | |
I'm quite intrigued. | 0:15:56 | 0:15:58 | |
Is this house smaller than your current house? | 0:15:58 | 0:16:00 | |
-No. It's bigger. -Downsizing, anyone? | 0:16:01 | 0:16:04 | |
Downsizing? That concept? | 0:16:04 | 0:16:07 | |
With some of the most fertile farmland in the country, | 0:16:15 | 0:16:18 | |
Worcestershire is a county well suited to growing fruit. | 0:16:18 | 0:16:21 | |
When the area was opened up in the 19th century | 0:16:25 | 0:16:27 | |
via new canal and railway routes, | 0:16:27 | 0:16:29 | |
orchards were planted on a large scale, and they continue to be | 0:16:29 | 0:16:33 | |
a well-loved feature of the local landscape, | 0:16:33 | 0:16:36 | |
as well as a haven for wildlife. | 0:16:36 | 0:16:38 | |
As Lee and Jane are keen to find out about the heritage of the | 0:16:41 | 0:16:43 | |
countryside, we're sending them to meet fruit farmer Geoff Thompson, | 0:16:43 | 0:16:47 | |
whose family have been growing apples in the Teme Valley | 0:16:47 | 0:16:50 | |
since the 1960s. | 0:16:50 | 0:16:52 | |
So, Geoff, what variety of apples do you grow here? | 0:16:55 | 0:16:58 | |
We'll have probably ten different varieties. | 0:16:58 | 0:17:00 | |
But we mainly grow three varieties. | 0:17:00 | 0:17:02 | |
Yarlington Mill, Dabinett, and Harry Masters Jersey. | 0:17:02 | 0:17:05 | |
Just because we know they are proven for their quality for cider making. | 0:17:05 | 0:17:08 | |
So are the apples here the same as your everyday eating apples like your Cox's and Bramleys? | 0:17:08 | 0:17:12 | |
No. Not at all. There's a complete contrast, | 0:17:12 | 0:17:15 | |
as you will find out if we sample some of these in the basket. | 0:17:15 | 0:17:19 | |
Geoff has three different apples for Jane and Lee to try. | 0:17:19 | 0:17:22 | |
Starting with the dessert variety, Discovery. | 0:17:23 | 0:17:27 | |
Oh, that's nice. | 0:17:27 | 0:17:29 | |
-That's sweet. -You can taste a real sweetness to a dessert apple, | 0:17:29 | 0:17:32 | |
plus there's an aroma, isn't there, | 0:17:32 | 0:17:35 | |
to it as you bite it? | 0:17:35 | 0:17:37 | |
Next up, the Bramley, which is typically used for cooking. | 0:17:37 | 0:17:41 | |
-You're going to find a real contrast with this. -Thank you. | 0:17:41 | 0:17:44 | |
Oh, now, that's a sour apple. | 0:17:48 | 0:17:50 | |
It's impossible to eat that one | 0:17:52 | 0:17:53 | |
-without pulling a face, isn't it? -Yes. | 0:17:53 | 0:17:55 | |
You can see why you cook with them and not eat with them! | 0:17:55 | 0:17:58 | |
And lastly, a vintage cider apple, known as the Yarlington Mill. | 0:18:00 | 0:18:03 | |
They're not as bitter as the other ones, | 0:18:10 | 0:18:12 | |
-but they're certainly not sweet, are they? -No. -They're very dry. | 0:18:12 | 0:18:16 | |
It does have juice and sweetness, but it also is high in tannin, | 0:18:17 | 0:18:20 | |
so it gives it that, erm, | 0:18:20 | 0:18:24 | |
-totally different flavour. -It's very kind of cloying in your mouth. | 0:18:24 | 0:18:27 | |
It's difficult to chew after a bit. | 0:18:27 | 0:18:28 | |
It's just ideal for making cider. | 0:18:28 | 0:18:30 | |
The orchard provides 66 acres of apples | 0:18:34 | 0:18:36 | |
for cider-making here on the farm. | 0:18:36 | 0:18:39 | |
As well as picking the best varieties to blend, | 0:18:39 | 0:18:42 | |
it's crucial to harvest them at the right time, and that's once all the | 0:18:42 | 0:18:45 | |
starch in the fruit has been converted to sugar. | 0:18:45 | 0:18:47 | |
A simple test can check for this, by dipping sliced apples in iodine, | 0:18:49 | 0:18:53 | |
a chemical that turns the flesh dark if it's not yet ripe. | 0:18:53 | 0:18:56 | |
Once the fruit is ready, | 0:18:58 | 0:18:59 | |
it's harvested and brought in trailers to be washed and inspected | 0:18:59 | 0:19:02 | |
before going through the mill. | 0:19:02 | 0:19:04 | |
It doesn't look much, but that small, little box | 0:19:06 | 0:19:08 | |
grinds them up to a pulp. | 0:19:08 | 0:19:10 | |
The pulp then goes through a press to extract the juice, | 0:19:10 | 0:19:13 | |
which is filtered and put into fermentation tanks. | 0:19:13 | 0:19:17 | |
During the whole period of harvest between mid-October to mid-November | 0:19:17 | 0:19:20 | |
we will fill a whole six fermentation tanks. | 0:19:20 | 0:19:22 | |
How many varieties of cider do you actually make, Geoff? | 0:19:22 | 0:19:25 | |
We do a medium sweet and a medium dry, and then we also do a nice | 0:19:25 | 0:19:28 | |
Discovery cider, which is more like a sparkling champagne cider. | 0:19:28 | 0:19:33 | |
Some people refer it to more like an apple prosecco. | 0:19:33 | 0:19:36 | |
-Better go up and try some now. -Yep. -OK. | 0:19:36 | 0:19:38 | |
Back out in the orchard, Geoff has some samples lined up. | 0:19:41 | 0:19:45 | |
We'll start first with the ordinary cider. | 0:19:45 | 0:19:47 | |
Oh, sweet! | 0:19:51 | 0:19:52 | |
That is sweet, it is. | 0:19:53 | 0:19:55 | |
That's a nice one. | 0:19:55 | 0:19:56 | |
-I like that one. -Mm. | 0:19:56 | 0:19:59 | |
And then the Discovery cider. | 0:19:59 | 0:20:01 | |
You can tell there's a lot more fizz to this. | 0:20:01 | 0:20:03 | |
Also known as apple Prosecco. | 0:20:03 | 0:20:05 | |
It certainly brings home the dryness in the other one, doesn't it? | 0:20:09 | 0:20:12 | |
-Yes, much, much drier. -I quite like that one. | 0:20:12 | 0:20:14 | |
I'll take a case. | 0:20:17 | 0:20:19 | |
-It's quite different, isn't it? Quite unique. -Yeah. -Mm. | 0:20:19 | 0:20:23 | |
-Cheers! -Cheers! | 0:20:25 | 0:20:26 | |
Well, let's see if we can find Lee and Jane something to raise their | 0:20:27 | 0:20:31 | |
glasses to when our property search continues in the morning. | 0:20:31 | 0:20:35 | |
Birmingham-based retired fireman Lee and his wife Jane, a nurse, | 0:20:40 | 0:20:44 | |
have up to £410,000 to make the move into the countryside of Worcestershire or Shropshire. | 0:20:44 | 0:20:51 | |
We've already had a good response to our house hunt. | 0:20:51 | 0:20:55 | |
The smile tells it all, I think. | 0:20:55 | 0:20:56 | |
I'm loving it. | 0:20:56 | 0:20:58 | |
But there's still more to see, including the mystery house, | 0:20:58 | 0:21:01 | |
which could be a little grander | 0:21:01 | 0:21:03 | |
than our rural relocators had in mind. | 0:21:03 | 0:21:05 | |
It doesn't look like a manor house. | 0:21:05 | 0:21:07 | |
A baronial hall. | 0:21:07 | 0:21:09 | |
And I'll be turning my hand to some centuries-old building skills. | 0:21:09 | 0:21:13 | |
I could be your daub and wattle apprentice! | 0:21:13 | 0:21:16 | |
Well, it's a misty morning for the second day of our house hunt and we | 0:21:19 | 0:21:22 | |
have two more homes to show Jane and Lee. | 0:21:22 | 0:21:25 | |
Now, later on, I'll be taking them to see the mystery house, | 0:21:25 | 0:21:28 | |
which will challenge our DIY loving couple. | 0:21:28 | 0:21:31 | |
Will they find anything to do there? | 0:21:31 | 0:21:33 | |
But, first, we're doing a spot of border hopping | 0:21:33 | 0:21:35 | |
and going to look at a house in Shropshire. | 0:21:35 | 0:21:37 | |
Our next property is in the small Shropshire village of Nash. | 0:21:41 | 0:21:44 | |
An eight-mile drive east of the town of Ludlow | 0:21:44 | 0:21:47 | |
and a three-and-a-half mile drive north of the ancient market town | 0:21:47 | 0:21:50 | |
of Tenbury Wells. | 0:21:50 | 0:21:52 | |
Lying on the Worcestershire bank of the River Teme, | 0:21:52 | 0:21:55 | |
which marks the county boundary with Shropshire, | 0:21:55 | 0:21:58 | |
Tenbury Wells offers a good selection of shops and amenities. | 0:21:58 | 0:22:02 | |
The Gothic style pump rooms were built in 1862 to house baths filled | 0:22:02 | 0:22:07 | |
by the local water, which it was hoped would have healing properties. | 0:22:07 | 0:22:11 | |
With a three-and-a-half mile drive back | 0:22:12 | 0:22:15 | |
in the rural location of Nash, where, down a country lane, | 0:22:15 | 0:22:18 | |
the cottage we've come to see is located. | 0:22:18 | 0:22:20 | |
-It's pretty, isn't it? -It's absolutely gorgeous. | 0:22:22 | 0:22:24 | |
-It's lovely. -Quite a nice view. | 0:22:24 | 0:22:26 | |
-It is. -It's not bad at all. | 0:22:26 | 0:22:28 | |
What's going through your minds at this point? | 0:22:28 | 0:22:30 | |
-Stunned. -It's nice again. | 0:22:33 | 0:22:35 | |
It's beautiful. It's the setting as well. | 0:22:35 | 0:22:37 | |
It's just...lovely. | 0:22:37 | 0:22:40 | |
Lee and Jane seem completely taken aback by the appearance of this | 0:22:43 | 0:22:46 | |
detached cottage, which dates back to the 1700s. | 0:22:46 | 0:22:50 | |
With an additional wing seamlessly added | 0:22:50 | 0:22:52 | |
from a converted pig shed in the 20th century. | 0:22:52 | 0:22:55 | |
We're starting through the entrance hall in the newer part of the house | 0:22:57 | 0:23:01 | |
and head straight into the country kitchen diner. | 0:23:01 | 0:23:04 | |
I think it's definitely the heart of the house, isn't it? | 0:23:04 | 0:23:07 | |
It is. This is absolutely stunning, this kitchen. | 0:23:07 | 0:23:09 | |
Lots of original features. | 0:23:09 | 0:23:11 | |
The period beams in here and anything new that's been added | 0:23:11 | 0:23:13 | |
has been done really sympathetically. | 0:23:13 | 0:23:15 | |
I don't think I'd change a thing in here. | 0:23:15 | 0:23:17 | |
-Nor would I. -No. -Nothing to change. | 0:23:17 | 0:23:19 | |
-It's superb. It really is. -Are you keen to see more? | 0:23:19 | 0:23:22 | |
-Absolutely. -Let's step up and we'll go up to the lounge. -Thank you. | 0:23:22 | 0:23:25 | |
So, this is the main living room, | 0:23:28 | 0:23:31 | |
with that stunning fireplace there, and it's got the original bread oven | 0:23:31 | 0:23:34 | |
in the side. This is really a period property, isn't it? | 0:23:34 | 0:23:37 | |
Is it too old? | 0:23:37 | 0:23:40 | |
No. Very traditional. | 0:23:40 | 0:23:42 | |
-It's beautiful. Yes. -My only concern, believe it or not, | 0:23:42 | 0:23:46 | |
is I'm wondering what I've got to do? What is there for me to do? | 0:23:46 | 0:23:49 | |
I need to change something. | 0:23:49 | 0:23:50 | |
But unfortunately at the moment, nothing needs changing. | 0:23:50 | 0:23:53 | |
Funny you should say that. | 0:23:53 | 0:23:55 | |
-Follow me. -OK. | 0:23:55 | 0:23:58 | |
Lee's right - the ground floor of this delightful cottage | 0:23:58 | 0:24:01 | |
is impeccably presented. | 0:24:01 | 0:24:02 | |
It also features a garden room, with vaulted ceiling... | 0:24:02 | 0:24:05 | |
..and study area around the staircase. | 0:24:07 | 0:24:09 | |
As well as a ground floor bathroom | 0:24:11 | 0:24:13 | |
with a bath and separate shower cubicle. | 0:24:13 | 0:24:15 | |
But it's on the upper floor, | 0:24:17 | 0:24:18 | |
the location of the three bedrooms, | 0:24:18 | 0:24:20 | |
where I think Lee might find something | 0:24:20 | 0:24:22 | |
to get his DIY teeth into. | 0:24:22 | 0:24:24 | |
Now, up here you have a... just a toilet. | 0:24:26 | 0:24:29 | |
-Yes. -So the main bathroom is downstairs. | 0:24:29 | 0:24:32 | |
What you could do is take the banister forward, | 0:24:32 | 0:24:35 | |
knock through | 0:24:35 | 0:24:36 | |
and put in a second family bathroom for upstairs, | 0:24:36 | 0:24:40 | |
above the downstairs existing bathroom. | 0:24:40 | 0:24:42 | |
So, there is your project. | 0:24:42 | 0:24:45 | |
That's enough to be getting on with! | 0:24:45 | 0:24:47 | |
The first of the three bedrooms is a good size. | 0:24:48 | 0:24:51 | |
Currently set up as a twin, with dual aspect windows. | 0:24:51 | 0:24:54 | |
There's another double, with exposed woodwork and then the bedroom that | 0:24:54 | 0:24:58 | |
could be Lee and Jane's. | 0:24:58 | 0:24:59 | |
So, this is the master bedroom. | 0:25:00 | 0:25:03 | |
It's got dual aspect, making the most of the views of the countryside | 0:25:03 | 0:25:05 | |
that surround this property. | 0:25:05 | 0:25:07 | |
It's got everything, hasn't it? | 0:25:07 | 0:25:09 | |
And again those beautiful beams that you can see. | 0:25:09 | 0:25:12 | |
Done a fabulous job, haven't they? | 0:25:12 | 0:25:14 | |
I like everything about it. It's lovely! | 0:25:14 | 0:25:17 | |
A very positive response to the inside of this cottage, | 0:25:18 | 0:25:21 | |
and there's more to see in the third-of-an-acre garden. | 0:25:21 | 0:25:25 | |
There's not only a detached garage, but a timber workshop, too. | 0:25:25 | 0:25:29 | |
With a decked terrace running over a stream, plus two patio areas, | 0:25:29 | 0:25:33 | |
there are plenty of places to unwind and enjoy the serene surroundings. | 0:25:33 | 0:25:38 | |
And enough gardening to keep Lee occupied. | 0:25:38 | 0:25:40 | |
When it comes to gardening, I'm a major potterer. | 0:25:41 | 0:25:43 | |
Not only pottering, but I certainly like pottering in the garden. | 0:25:43 | 0:25:46 | |
This could keep you busy. Now, the other idea I had for a project | 0:25:46 | 0:25:49 | |
is that over in the far corner, you've got a shed and a garage. | 0:25:49 | 0:25:52 | |
There is potential for you to build something over there as well, | 0:25:52 | 0:25:55 | |
subject to the right kind of planning permissions, | 0:25:55 | 0:25:58 | |
if they were needed, of course. | 0:25:58 | 0:25:59 | |
It all depends on the price there, doesn't it? | 0:25:59 | 0:26:03 | |
What we've got left in the coffers, in the money bank. | 0:26:03 | 0:26:06 | |
Your budget is £410,000. | 0:26:06 | 0:26:08 | |
What do you think it's on for? | 0:26:08 | 0:26:10 | |
I think this is over our budget. | 0:26:10 | 0:26:13 | |
I like it too much, so, I think probably you're going to say £425,000. | 0:26:13 | 0:26:18 | |
-OK, Lee? -I'll go for £430,000. | 0:26:18 | 0:26:21 | |
I'm afraid you're both wrong. | 0:26:21 | 0:26:23 | |
-It's actually on the market under budget. -Really? | 0:26:23 | 0:26:26 | |
It's on at £399,500. | 0:26:26 | 0:26:29 | |
-That's fabulous. -Mm. | 0:26:29 | 0:26:31 | |
-I've bought it. -Yeah. -OK. | 0:26:31 | 0:26:33 | |
I'm sure you're keen to go in and have another look around. | 0:26:33 | 0:26:35 | |
-So, off you go. Come and find me when you've seen enough. -Thank you. -Come on. | 0:26:35 | 0:26:39 | |
Coming in below budget, | 0:26:42 | 0:26:43 | |
this charmingly presented period property could provide everything | 0:26:43 | 0:26:48 | |
Lee and Jane are looking for. | 0:26:48 | 0:26:50 | |
It has a welcoming country kitchen-diner, | 0:26:50 | 0:26:53 | |
the three bedrooms they've asked for, | 0:26:53 | 0:26:55 | |
a lovely cottage garden and there's a versatile garage and workshop. | 0:26:55 | 0:27:00 | |
And it's all peacefully located down a quiet country lane. | 0:27:00 | 0:27:04 | |
Ah! This is lovely. | 0:27:05 | 0:27:07 | |
I can just see the two little people in here, can't you? | 0:27:07 | 0:27:09 | |
-Nice and snug. -You've taken to this room, haven't you? | 0:27:09 | 0:27:13 | |
-I have, yeah. -Yeah. | 0:27:13 | 0:27:16 | |
Walking down the path to look at it, it's got that | 0:27:16 | 0:27:19 | |
"come in" feel about it. | 0:27:19 | 0:27:21 | |
And when you actually get in the kitchen, it's stunning. | 0:27:21 | 0:27:24 | |
It's somewhere you could sit down | 0:27:24 | 0:27:26 | |
and just have the whole family around the table at the same time, | 0:27:26 | 0:27:29 | |
but also be able to see other rooms around corners. | 0:27:29 | 0:27:31 | |
It's got character and space, and it's stunning. | 0:27:31 | 0:27:34 | |
This is a fabulous room, isn't it? | 0:27:36 | 0:27:37 | |
You wouldn't think it was a later addition. | 0:27:37 | 0:27:40 | |
It looks like it's part of the house. | 0:27:40 | 0:27:42 | |
-It's wonderful. Purpose-built for us I think. -Yeah. | 0:27:42 | 0:27:45 | |
I think Jane will definitely, | 0:27:45 | 0:27:47 | |
will totally divorce me if we don't end up buying this one. | 0:27:47 | 0:27:51 | |
-Have you seen enough? -Yeah. -How are you feeling? | 0:27:53 | 0:27:56 | |
-Yep. -Love this one. -Do you? -Yep. | 0:27:57 | 0:27:59 | |
That's good. That's the reaction we love to hear. | 0:27:59 | 0:28:02 | |
But just hold that thought, | 0:28:02 | 0:28:04 | |
-because we're off to see the mystery house now. -Ooh! -Ooh! | 0:28:04 | 0:28:06 | |
Worcestershire's long history of habitation means its architectural | 0:28:16 | 0:28:19 | |
heritage spans the centuries. | 0:28:19 | 0:28:21 | |
But as the needs of the people living here evolve, | 0:28:22 | 0:28:25 | |
not all of the fascinating reminders of our past | 0:28:25 | 0:28:27 | |
are safe from dereliction and demolition. | 0:28:27 | 0:28:30 | |
That's where the Avoncroft Museum, near Bromsgrove, steps in. | 0:28:30 | 0:28:34 | |
Covering 700 years of local architecture, | 0:28:35 | 0:28:38 | |
it's now home to 30 different buildings, | 0:28:38 | 0:28:41 | |
all painstakingly transported | 0:28:41 | 0:28:43 | |
from their original locations to this 19-acre site. | 0:28:43 | 0:28:46 | |
I'm meet meeting Simon Carter, the director of the museum, | 0:28:48 | 0:28:51 | |
who's agreed to show me around. | 0:28:51 | 0:28:53 | |
And we're starting at a 19th century windmill | 0:28:54 | 0:28:57 | |
that was transported here in 1969, from near Arden in Warwickshire. | 0:28:57 | 0:29:02 | |
A journey of around 30 miles. | 0:29:02 | 0:29:04 | |
It's quite a feat moving a windmill across a county. | 0:29:07 | 0:29:10 | |
Who was responsible for doing that? | 0:29:10 | 0:29:12 | |
It was actually a group of volunteers. | 0:29:12 | 0:29:14 | |
They took it apart in the space of five days, | 0:29:14 | 0:29:17 | |
numbering all the timbers and dismantling the bricks individually, | 0:29:17 | 0:29:21 | |
and then brought it here, and over the course of the next few years, | 0:29:21 | 0:29:24 | |
it was reassembled and brought back to working condition. | 0:29:24 | 0:29:26 | |
-I think that's what they call a labour of love, isn't it? -It is. | 0:29:26 | 0:29:30 | |
And one of the volunteers who moved the mill in the '60s is here today, | 0:29:30 | 0:29:34 | |
carrying out maintenance on the sails so it can continue to produce | 0:29:34 | 0:29:38 | |
flour as it has done since 1977. | 0:29:38 | 0:29:42 | |
And this is Mike who rescued the mill originally. | 0:29:42 | 0:29:45 | |
Hi, everyone, great to see you all. Don't bang your head on there! | 0:29:45 | 0:29:48 | |
-I bet you've done that a few times, Mike! -Very often! Yes. | 0:29:48 | 0:29:50 | |
So, Mike, it's fair to say you're the saviour of the windmill then? | 0:29:50 | 0:29:53 | |
Well, one of them, yes. | 0:29:53 | 0:29:54 | |
There were six of us. But that was quite a few years ago. | 0:29:54 | 0:29:57 | |
46 years ago now, that was, actually. | 0:29:57 | 0:29:59 | |
Had you had any experience or a background in fixing windmills | 0:29:59 | 0:30:04 | |
when you took that project on? | 0:30:04 | 0:30:05 | |
Certainly nothing to do with windmills. Repairing my own home | 0:30:05 | 0:30:08 | |
which was a timber-framed house, yes. | 0:30:08 | 0:30:10 | |
And carpentry was my love, anyway. | 0:30:10 | 0:30:12 | |
But windmills, no. | 0:30:12 | 0:30:13 | |
The nearest I got to windmills was sailing. | 0:30:13 | 0:30:15 | |
So it's been a learning curve over the years then? | 0:30:15 | 0:30:17 | |
-Yes, indeed. -How on earth do you begin to start the process of how to | 0:30:17 | 0:30:21 | |
operate a windmill? How do you go about learning all that? | 0:30:21 | 0:30:24 | |
We had one book between us, | 0:30:24 | 0:30:26 | |
which was called the English Windmill by Rex Wailes. | 0:30:26 | 0:30:29 | |
Mostly it's learning the ancient crafts of the millwrighting crafts | 0:30:29 | 0:30:33 | |
which we tried to apply. | 0:30:33 | 0:30:35 | |
Even though we used modern materials and modern equipment, | 0:30:35 | 0:30:39 | |
we try and keep it as original as possible. | 0:30:39 | 0:30:42 | |
We had professional help as well. | 0:30:42 | 0:30:44 | |
We had a German carpenter who was absolutely first class at this sort | 0:30:44 | 0:30:51 | |
of structure. He did the main heavy timber construction. | 0:30:51 | 0:30:55 | |
-Beautiful work. -And what it did feel like when you sliced that first | 0:30:55 | 0:30:58 | |
chunky slice of bread from the loaf baked from your flour? | 0:30:58 | 0:31:02 | |
To think that we'd actually put something together that did produce | 0:31:02 | 0:31:06 | |
proper wholemeal flour, and to bake a loaf and eat the first sandwich | 0:31:06 | 0:31:10 | |
with a bit of home-made jam, perfect! | 0:31:10 | 0:31:13 | |
The museum currently has 140 volunteers like Mike. | 0:31:16 | 0:31:19 | |
And much of their work involves keeping skills alive | 0:31:19 | 0:31:22 | |
that might otherwise be lost. | 0:31:22 | 0:31:24 | |
Another building undergoing restoration | 0:31:25 | 0:31:28 | |
is a timber-framed 15th century merchant's house. | 0:31:28 | 0:31:31 | |
In 1962, it was the first structure brought here. | 0:31:31 | 0:31:34 | |
Rescued from demolition in the centre of Bromsgrove. | 0:31:34 | 0:31:37 | |
Half a century later, | 0:31:39 | 0:31:40 | |
maintenance man Mike has the on-going job of | 0:31:40 | 0:31:42 | |
looking after the panels, | 0:31:42 | 0:31:44 | |
using a technique known as wattle and daub. | 0:31:44 | 0:31:47 | |
So, Mark, were you a dab hand with daub | 0:31:49 | 0:31:50 | |
-before you started working here? -No, I worked with a chap | 0:31:50 | 0:31:54 | |
who worked here for 30 years. | 0:31:54 | 0:31:56 | |
He taught me how to do it. | 0:31:56 | 0:31:57 | |
Have you managed to pass this technique on to anybody else yet, Mark? | 0:31:57 | 0:32:00 | |
I have, but they've left. | 0:32:00 | 0:32:01 | |
So, you need some willing apprentices. | 0:32:03 | 0:32:05 | |
I could be your daub apprentice! | 0:32:05 | 0:32:07 | |
A daub and wattle apprentice! | 0:32:07 | 0:32:08 | |
Would you like a go? Shall we have a go? | 0:32:08 | 0:32:11 | |
Listen, my dad's a builder. | 0:32:11 | 0:32:12 | |
He'd be very disappointed if I didn't have a go. | 0:32:12 | 0:32:15 | |
Hazel twigs are woven together to form the wattle, | 0:32:16 | 0:32:19 | |
filling the gaps between the timber frame. | 0:32:19 | 0:32:22 | |
They're literally just built of sections that would have been fitted | 0:32:22 | 0:32:26 | |
-on site like this? -If you're from an area | 0:32:26 | 0:32:28 | |
where there's not a natural stone material, | 0:32:28 | 0:32:31 | |
timber is the obvious choice. | 0:32:31 | 0:32:33 | |
By only putting the frame up and making the infill out of cheaper | 0:32:33 | 0:32:36 | |
and more replaceable material, | 0:32:36 | 0:32:39 | |
you've got a kind of quick way of filling in your wall space. | 0:32:39 | 0:32:43 | |
Once the wattle work is done, a mixture called daub is applied. | 0:32:43 | 0:32:47 | |
Even the name daub sounds great, doesn't it? | 0:32:47 | 0:32:50 | |
It does. But you may not enjoy working with it, | 0:32:50 | 0:32:52 | |
if you knew what it originally had in it. | 0:32:52 | 0:32:54 | |
Usually not only would it have had clay and straw, | 0:32:54 | 0:32:58 | |
but it would have had cow or pig dung in it. | 0:32:58 | 0:33:00 | |
Nice! None in now? | 0:33:00 | 0:33:02 | |
We haven't put any in today, no. | 0:33:02 | 0:33:04 | |
But it's still got the horse hair in. | 0:33:04 | 0:33:05 | |
-It's got the straw in. -It has. -It's really sticky, isn't it? | 0:33:05 | 0:33:08 | |
Now to get daubing. | 0:33:10 | 0:33:11 | |
How's it looking, Mark? | 0:33:14 | 0:33:16 | |
I'm not sure I've got your smoothness of touch, I'm afraid! | 0:33:16 | 0:33:19 | |
It seems all right to me. | 0:33:19 | 0:33:20 | |
It's good for a first attempt. | 0:33:20 | 0:33:22 | |
Well, hopefully that will make my dad proud. | 0:33:23 | 0:33:26 | |
And it's been inspiring to see how much care and effort is going into | 0:33:26 | 0:33:30 | |
preserving our historic buildings. | 0:33:30 | 0:33:32 | |
For our mystery proposition, we're extending Lee and Jane's | 0:33:39 | 0:33:43 | |
search area, heading around four miles south of the Shropshire border | 0:33:43 | 0:33:46 | |
into the Herefordshire hamlet of Luston. | 0:33:46 | 0:33:49 | |
Three miles north of the town of Leominster. | 0:33:49 | 0:33:52 | |
With a population of a little under 12,000, | 0:33:52 | 0:33:55 | |
there are plenty of useful shops and facilities to be found here. | 0:33:55 | 0:33:58 | |
The town features some traditional timber-framed buildings, | 0:33:58 | 0:34:02 | |
several of which are reputedly the work of John Able, | 0:34:02 | 0:34:05 | |
an early 17th century carpenter and mason, | 0:34:05 | 0:34:08 | |
who was granted the title of King's carpenter. | 0:34:08 | 0:34:11 | |
We're a three-mile drive north in Luston, | 0:34:12 | 0:34:14 | |
where our mystery proposition is of similar historic | 0:34:14 | 0:34:17 | |
and eye-catching construction. | 0:34:17 | 0:34:20 | |
Hold it! | 0:34:20 | 0:34:21 | |
Where's me spirit level? | 0:34:23 | 0:34:24 | |
THEY LAUGH | 0:34:24 | 0:34:26 | |
So, this is our mystery house. | 0:34:26 | 0:34:29 | |
And, yes, you're right, you will need your spirit level. | 0:34:29 | 0:34:32 | |
It's got the kerb appeal. | 0:34:32 | 0:34:34 | |
It's got the wow factor. | 0:34:34 | 0:34:36 | |
I didn't expect you to find something like this. | 0:34:36 | 0:34:39 | |
You really can't take your eyes off it. | 0:34:39 | 0:34:42 | |
In my opinion, it's just as pretty inside as it is out. | 0:34:42 | 0:34:45 | |
-So, shall we go and take a look? -Yes, please. | 0:34:45 | 0:34:47 | |
This impressive oak-framed semi-detached house | 0:34:50 | 0:34:53 | |
dates to around 1640 with Victorian extensions. | 0:34:53 | 0:34:56 | |
Arranged over three floors, plus a basement, | 0:34:58 | 0:35:00 | |
there's a lot of property to see here. | 0:35:00 | 0:35:03 | |
So, downsizing is taking a backseat for now and we're starting our tour | 0:35:03 | 0:35:07 | |
in the rather magnificent dining room. | 0:35:07 | 0:35:09 | |
Welcome to the local manor. | 0:35:10 | 0:35:13 | |
It doesn't look like a manor house. | 0:35:13 | 0:35:14 | |
It is a baronial hall. | 0:35:14 | 0:35:16 | |
The grandness from the outside | 0:35:16 | 0:35:17 | |
is definitely carried on into the inside, | 0:35:17 | 0:35:19 | |
-isn't it? It's a grand room. -It's Grade II listing. | 0:35:19 | 0:35:22 | |
The current owners have had it for 20 years and they have painstakingly | 0:35:22 | 0:35:25 | |
restored it and just brought to life the original features. | 0:35:25 | 0:35:28 | |
It's got the original stone floor. | 0:35:28 | 0:35:30 | |
This stunning fireplace. | 0:35:30 | 0:35:32 | |
The beams and the woodwork on the walls. | 0:35:32 | 0:35:34 | |
Could you imagine living in it? | 0:35:34 | 0:35:36 | |
-Oh, yeah. -Yeah. | 0:35:36 | 0:35:38 | |
Oh, yeah! | 0:35:38 | 0:35:39 | |
The lady of the manor here. | 0:35:40 | 0:35:42 | |
She's got home again! | 0:35:42 | 0:35:44 | |
Well, I'd like to talk to you about the dining options. | 0:35:44 | 0:35:46 | |
Keep this one in your mind, | 0:35:46 | 0:35:47 | |
and I'll take you through to what's currently the living room. | 0:35:47 | 0:35:50 | |
-Lovely. -OK. | 0:35:50 | 0:35:51 | |
There was that small extension done in Victorian times. | 0:35:51 | 0:35:55 | |
And that's the original Victorian fireplace with original tiles. | 0:35:55 | 0:35:58 | |
So, it's again a lovely sense of history. | 0:35:58 | 0:36:01 | |
A sense of who's lived here over the centuries. | 0:36:01 | 0:36:04 | |
This is used as a living space and a part of me wondered whether actually | 0:36:04 | 0:36:07 | |
you'd want your living space in that central area. | 0:36:07 | 0:36:10 | |
Actually, that would be fine as living space for the winter months, | 0:36:10 | 0:36:14 | |
purely because we'd have that big fire on. | 0:36:14 | 0:36:16 | |
We've got two living rooms | 0:36:17 | 0:36:19 | |
and we just kind of move from one to the other, as the fancy takes us. | 0:36:19 | 0:36:23 | |
So, actually you're quite happy not to downsize, really, aren't you? | 0:36:23 | 0:36:26 | |
Downsizing, we haven't mentioned that for a bit, have we? | 0:36:26 | 0:36:29 | |
You keep showing us these houses with so many rooms in it. | 0:36:29 | 0:36:32 | |
Let's just downsize to the two living rooms! | 0:36:32 | 0:36:34 | |
I want to show both of you the kitchen, | 0:36:36 | 0:36:38 | |
which again I think is quite pretty. | 0:36:38 | 0:36:40 | |
Back through the dining room, | 0:36:42 | 0:36:44 | |
the kitchen also shows this home's Victorian influence. | 0:36:44 | 0:36:47 | |
So, this is the Victorian extension. | 0:36:50 | 0:36:51 | |
Over there in the corner you've got the original Victorian range and the | 0:36:51 | 0:36:54 | |
bread oven. It's all there. | 0:36:54 | 0:36:57 | |
It's plenty big enough, isn't it? | 0:36:57 | 0:36:58 | |
-Yeah. -There's not a lot to do. | 0:36:58 | 0:37:01 | |
Which is another reason why this is the mystery house. | 0:37:01 | 0:37:04 | |
Could you live with that, Lee? | 0:37:04 | 0:37:06 | |
Yeah. What I've seen so far. | 0:37:06 | 0:37:08 | |
Shall we have a wander around upstairs | 0:37:08 | 0:37:09 | |
-and see if we can find you anything to do? -OK. | 0:37:09 | 0:37:11 | |
Because I don't know what you're going to do otherwise. | 0:37:11 | 0:37:14 | |
You might have to sit down for once. | 0:37:14 | 0:37:15 | |
Well, this house may be short on projects, | 0:37:17 | 0:37:19 | |
but it's not short on accommodation. | 0:37:19 | 0:37:22 | |
There's a generous-sized basement here, | 0:37:22 | 0:37:24 | |
plus two upper floors, providing a total of four bedrooms. | 0:37:24 | 0:37:28 | |
On the middle floor, there's the family bathroom with a corner bath, | 0:37:28 | 0:37:31 | |
plus a small guest bedroom, | 0:37:31 | 0:37:33 | |
and then the room that's just for them. | 0:37:33 | 0:37:36 | |
And into the master bedroom. | 0:37:38 | 0:37:41 | |
It's fair to say that it befits the rest of the house downstairs, | 0:37:41 | 0:37:44 | |
-doesn't it? -Yes, it does. | 0:37:44 | 0:37:46 | |
Never been in anything like this before. | 0:37:46 | 0:37:48 | |
I think it's just a bit grand, isn't it? | 0:37:48 | 0:37:50 | |
Could you imagine yourself living in anything like this? | 0:37:50 | 0:37:53 | |
-Oh, I think so, yes. -THEY LAUGH | 0:37:53 | 0:37:56 | |
And there's still more to show you as well. | 0:37:56 | 0:37:58 | |
Jane and Lee already seem pleasantly overwhelmed by the imposing scale | 0:38:00 | 0:38:04 | |
and character of what's on offer here. | 0:38:04 | 0:38:06 | |
But there are two more large adjoining rooms on the top floor, | 0:38:06 | 0:38:10 | |
where the historic charm raises the roof. | 0:38:10 | 0:38:12 | |
Good grief! | 0:38:14 | 0:38:16 | |
This is tremendous. This is good. | 0:38:16 | 0:38:19 | |
You're right at the top of the house. | 0:38:19 | 0:38:21 | |
You've got a fantastic-sized bedroom in there. | 0:38:21 | 0:38:23 | |
This could be used as another bedroom. At the moment, it's used as an office, a music room. | 0:38:23 | 0:38:27 | |
I think your grandchildren might be able to take it over with their toys. | 0:38:27 | 0:38:31 | |
No. They're not having it. It's mine. | 0:38:31 | 0:38:33 | |
This is my favourite room in the house. | 0:38:33 | 0:38:35 | |
I like the roof. I like the fact that it's so far off true it's | 0:38:35 | 0:38:38 | |
unbelievable. It's marvellous. | 0:38:38 | 0:38:40 | |
I think downsizing definitely has gone out the window with this one. | 0:38:40 | 0:38:43 | |
Yes. It's a substantial house. | 0:38:43 | 0:38:45 | |
Absolutely. And I need you to start thinking now | 0:38:45 | 0:38:48 | |
about what you think this is on the market for, | 0:38:48 | 0:38:50 | |
-because the tricky part's coming up. -OK. | 0:38:50 | 0:38:52 | |
Our buyers have been positively wowed | 0:38:54 | 0:38:57 | |
by our impressive four-storey mystery house. | 0:38:57 | 0:39:00 | |
And there's more outside in the form of a large workshop and a car port. | 0:39:01 | 0:39:05 | |
As this house is attached at the rear, | 0:39:06 | 0:39:08 | |
the entire garden is found to the front of the property, | 0:39:08 | 0:39:11 | |
and features mature apple trees, | 0:39:11 | 0:39:13 | |
as well as an original cider press wheel. | 0:39:13 | 0:39:15 | |
You've seen it all now. | 0:39:17 | 0:39:19 | |
Are you ready to guess the price for me. | 0:39:19 | 0:39:20 | |
Yes. We'll give it a go. | 0:39:20 | 0:39:22 | |
So we have £410,000 in the budget. | 0:39:22 | 0:39:25 | |
Where does this property sit alongside that? | 0:39:25 | 0:39:28 | |
Top of the budget. £410,000. | 0:39:28 | 0:39:30 | |
You see, I think it's over again. | 0:39:30 | 0:39:32 | |
I think we're going to go £420,000. | 0:39:32 | 0:39:35 | |
It's actually on the market for less than your budget. | 0:39:35 | 0:39:38 | |
It's on the market for £350,000. | 0:39:38 | 0:39:43 | |
Good grief! | 0:39:43 | 0:39:44 | |
Just move into there. That will do us. Thank you! | 0:39:46 | 0:39:49 | |
-You like it that much, do you? -I do. It grows on you. | 0:39:49 | 0:39:52 | |
-It really does. -I think with a reaction like that, | 0:39:52 | 0:39:55 | |
there's only one thing I can say now. Off you go, back in the house. | 0:39:55 | 0:39:58 | |
Start working out where the furniture's going. | 0:39:58 | 0:40:00 | |
Thank you. | 0:40:00 | 0:40:01 | |
A staggering £60,000 below budget, | 0:40:04 | 0:40:07 | |
this distinctive and historic semi-detached mystery house is | 0:40:07 | 0:40:12 | |
certainly not a downsize for our couple. | 0:40:12 | 0:40:14 | |
It boasts four bedrooms, | 0:40:14 | 0:40:16 | |
two generous reception rooms and many original features. | 0:40:16 | 0:40:20 | |
It also offers Lee a workshop for his pottery and woodwork. | 0:40:20 | 0:40:24 | |
The outside, it just follows in. | 0:40:25 | 0:40:28 | |
It's a really grand, imposing building. | 0:40:28 | 0:40:31 | |
It's huge. Like a manor house. | 0:40:31 | 0:40:34 | |
My favourite room, without doubt, is the top bedroom. | 0:40:34 | 0:40:38 | |
I'd be tempted to go up there and claim it for my own, to be honest. | 0:40:38 | 0:40:42 | |
I could definitely move into this house. | 0:40:42 | 0:40:44 | |
I'd move in as it is today, to be honest. | 0:40:44 | 0:40:47 | |
Hello, there. | 0:40:50 | 0:40:52 | |
Just checking out local removal companies, | 0:40:52 | 0:40:55 | |
just in case you need them. | 0:40:55 | 0:40:56 | |
Probably will. | 0:40:56 | 0:40:58 | |
OK. Well, that's all the houses seen. | 0:40:58 | 0:41:00 | |
-Yes. -Decision time. | 0:41:00 | 0:41:02 | |
I think you've got some thinking to do, haven't you? | 0:41:02 | 0:41:05 | |
I'm glad I'm not in your shoes! | 0:41:05 | 0:41:07 | |
This has been a fantastic house hunt. | 0:41:11 | 0:41:13 | |
You could just feel the energy building with each house we visited. | 0:41:13 | 0:41:16 | |
I can't wait to hear what Jane and Lee have got to say. | 0:41:16 | 0:41:18 | |
-Hello, you two. -Hi. -Hi. | 0:41:28 | 0:41:31 | |
Well, you really set us a challenge this week, didn't you? | 0:41:31 | 0:41:33 | |
-Find us a house and can you find it really quickly, please? -Yeah. | 0:41:33 | 0:41:36 | |
Your reactions to the properties, | 0:41:36 | 0:41:39 | |
they just seemed to get better and better. | 0:41:39 | 0:41:41 | |
So now we're sat down and we've seen them all, where are you at? | 0:41:41 | 0:41:44 | |
It was between two and I think that's come down to one now. | 0:41:45 | 0:41:49 | |
There was the house just over the border, into Shropshire. | 0:41:49 | 0:41:52 | |
I got very strong, positive vibes from both of you on that. | 0:41:52 | 0:41:56 | |
Out of them all, that's the favourite. | 0:41:56 | 0:41:59 | |
There's enough for Lee to keep him busy, | 0:41:59 | 0:42:02 | |
adding a bathroom on and the workshop, | 0:42:02 | 0:42:04 | |
and the garden will keep him busy for years, I would imagine. | 0:42:04 | 0:42:07 | |
There's plenty of scope to get stuck into that one. | 0:42:07 | 0:42:10 | |
I could have lost myself for days in there. | 0:42:10 | 0:42:11 | |
So, now what's your plan? | 0:42:11 | 0:42:13 | |
Second visit. | 0:42:13 | 0:42:15 | |
I'm going to do the drive in real life to see how far it is to work, | 0:42:15 | 0:42:19 | |
and all being well, we'll put an offer in on that one. | 0:42:19 | 0:42:22 | |
-Yes. We'll proceed with that. -Yep. | 0:42:22 | 0:42:24 | |
That's brilliant. We're keeping our fingers crossed for you. | 0:42:24 | 0:42:26 | |
Let us know how you go on and we wish you lots of luck. | 0:42:26 | 0:42:29 | |
-We will do. -Thank you. -Thank you. | 0:42:29 | 0:42:30 | |
Now when we started this house hunt, | 0:42:35 | 0:42:37 | |
Jane and Lee challenged us to find them a house and find it quickly. | 0:42:37 | 0:42:40 | |
And not only have we been able to do that, | 0:42:40 | 0:42:42 | |
but we've also managed to fulfil our DIY-loving couple's dreams | 0:42:42 | 0:42:46 | |
of finding a renovation project. | 0:42:46 | 0:42:49 | |
Join me next time on Escape To The Country. | 0:42:49 | 0:42:51 | |
Sadly, the sale of Jane and Lee's home in Birmingham | 0:42:53 | 0:42:55 | |
fell through yet again. | 0:42:55 | 0:42:57 | |
So, they've decided to put the move on hold for the time being. | 0:42:57 | 0:43:00 | |
If you would like to escape to the country | 0:43:02 | 0:43:04 | |
in England, Wales, Scotland or Northern Ireland, | 0:43:04 | 0:43:07 | |
and need our help, please apply online at: | 0:43:07 | 0:43:10 |