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Welcome to Escape To The Country. Now, this beautiful Jacobean house behind me has several claims | 0:00:02 | 0:00:06 | |
to fame, but perhaps chief amongst them, | 0:00:06 | 0:00:08 | |
it was home to Britain's first-ever croquet champion | 0:00:08 | 0:00:10 | |
and founder of the All England Club. | 0:00:10 | 0:00:13 | |
In fact, the rules of the game were created on its very lawns. | 0:00:13 | 0:00:16 | |
But where have we come to for today's little knock-about? | 0:00:16 | 0:00:19 | |
Well, join me in just a moment and I'll tell you. | 0:00:19 | 0:00:21 | |
Today, family ties are the driving force | 0:00:39 | 0:00:41 | |
pushing a couple to take the plunge | 0:00:41 | 0:00:43 | |
and leave the city behind in search of a new country life... | 0:00:43 | 0:00:46 | |
-Ooh. -Oh, it's fabulous. | 0:00:47 | 0:00:50 | |
I'm just already getting really excited. | 0:00:50 | 0:00:54 | |
..and our properties provoke some strong emotional reactions. | 0:00:54 | 0:00:58 | |
You've got the wow. | 0:00:58 | 0:00:59 | |
Oh, it's lovely. | 0:00:59 | 0:01:00 | |
-I just shed a tear there. -Oh, good. | 0:01:00 | 0:01:03 | |
Well, today we are in Oxfordshire and this is Chastleton House, | 0:01:05 | 0:01:09 | |
the home of croquet fanatic Walter Jones-Whitmore. | 0:01:09 | 0:01:13 | |
Now, the origins of croquet itself...oh...are hotly debated. | 0:01:13 | 0:01:18 | |
Some say that it may have come over from Ireland about 1840, | 0:01:18 | 0:01:21 | |
others that it might've come over from India, | 0:01:21 | 0:01:23 | |
where, of course, we had a passion for polo. | 0:01:23 | 0:01:26 | |
However, one thing does remain absolutely undisputed - | 0:01:26 | 0:01:29 | |
it was on this very lawn back in 1855 | 0:01:29 | 0:01:32 | |
that Jones-Whitmore created and then published | 0:01:32 | 0:01:35 | |
the very first set of croquet rules. | 0:01:35 | 0:01:38 | |
Rules which are still very much in use today. | 0:01:38 | 0:01:41 | |
Now, later on in the programme, I'll be back here, | 0:01:41 | 0:01:43 | |
exploring this fabulous Jacobean mansion. | 0:01:43 | 0:01:46 | |
I'm also learning a little more about the very unique family | 0:01:46 | 0:01:49 | |
that lived here. | 0:01:49 | 0:01:50 | |
Situated in the south-east of England, | 0:01:51 | 0:01:53 | |
landlocked Oxfordshire is bordered by six counties, | 0:01:53 | 0:01:56 | |
including Gloucestershire, Wiltshire and Berkshire. | 0:01:56 | 0:01:59 | |
This scenic county encompasses the rolling Cotswold Hills, | 0:02:00 | 0:02:03 | |
as well as the Chiltern Hills, | 0:02:03 | 0:02:05 | |
and covers 1,000 square miles. | 0:02:05 | 0:02:08 | |
The Chilterns, an Area of Outstanding Natural Beauty, | 0:02:08 | 0:02:11 | |
straddles four counties and is one of the most wooded parts of England. | 0:02:11 | 0:02:16 | |
Over a fifth of the area is blanketed by dense woodland. | 0:02:16 | 0:02:20 | |
These trees supported a thriving chair-making industry | 0:02:20 | 0:02:22 | |
in the 19th and early 20th century | 0:02:22 | 0:02:25 | |
and are still harvested for timber today. | 0:02:25 | 0:02:28 | |
Oxfordshire's architecture is as awe-inspiring | 0:02:28 | 0:02:31 | |
as its natural beauty, | 0:02:31 | 0:02:32 | |
with the world-famous university city of Oxford | 0:02:32 | 0:02:34 | |
the shining star of the county. | 0:02:34 | 0:02:37 | |
Here, striking buildings spanning many centuries stand tall, | 0:02:37 | 0:02:41 | |
with decorative Gothic spires that rise high above the city. | 0:02:41 | 0:02:45 | |
The 14th-century New College is one of the most significant | 0:02:45 | 0:02:48 | |
medieval buildings of its kind in Europe. | 0:02:48 | 0:02:51 | |
The county is located almost entirely within | 0:02:51 | 0:02:54 | |
the River Thames basin. | 0:02:54 | 0:02:56 | |
The river provides pleasure-boaters with stunning vistas | 0:02:56 | 0:02:59 | |
and also passes pretty villages such as Northmoor and Kingston Bagpuize, | 0:02:59 | 0:03:03 | |
both of which display a real mix of country charm. | 0:03:03 | 0:03:07 | |
So, for escapees looking for a rural paradise, | 0:03:07 | 0:03:10 | |
yet still within reach of culture and history, | 0:03:10 | 0:03:13 | |
Oxfordshire is the perfect place to enjoy a piece of it all. | 0:03:13 | 0:03:16 | |
Well, when it comes to the cost of housing, Oxfordshire has long been a hotspot. | 0:03:19 | 0:03:23 | |
Here, the average price of a detached property | 0:03:23 | 0:03:25 | |
is currently £446,000. | 0:03:25 | 0:03:29 | |
That's a massive £160,000 above the national figure. | 0:03:29 | 0:03:33 | |
Why? Well, the reason is simple. | 0:03:33 | 0:03:36 | |
Its location means it offers great commuter links into London | 0:03:36 | 0:03:39 | |
and the cities of the Midlands, | 0:03:39 | 0:03:41 | |
and, of course, those beautiful Cotswold villages | 0:03:41 | 0:03:44 | |
have long made it popular with tourists, second-homers | 0:03:44 | 0:03:47 | |
and locals, alike. | 0:03:47 | 0:03:48 | |
All the reasons, in fact, | 0:03:48 | 0:03:49 | |
that have attracted today's buyers to want to move here. | 0:03:49 | 0:03:53 | |
Retired civil servant Jane and partner John, a bespoke tailor, | 0:03:53 | 0:03:57 | |
live in a three-bedroom terrace in St Albans, Hertfordshire. | 0:03:57 | 0:04:01 | |
We've known one another for a good eight years, is it now? | 0:04:01 | 0:04:05 | |
-Seven. -Seven, see, that's a good start, isn't it? | 0:04:05 | 0:04:07 | |
SHE LAUGHS | 0:04:07 | 0:04:09 | |
It's been so enjoyable, I've added a year on. | 0:04:09 | 0:04:12 | |
They first met when a mutual friend set them up. | 0:04:12 | 0:04:15 | |
I kind of felt really funny when I saw you. | 0:04:15 | 0:04:18 | |
-It was sort of love at first sight, I guess. -It was, it was really nice | 0:04:18 | 0:04:21 | |
for both of us cos that's what happened, we went, "Oh...hello!" | 0:04:21 | 0:04:23 | |
They've lived together in Jane's Hertfordshire house for five years. | 0:04:26 | 0:04:29 | |
Well, St Albans is a lovely old town. | 0:04:29 | 0:04:32 | |
It's got a lovely centre, it's got loads of nice, interesting shops, | 0:04:32 | 0:04:35 | |
it's got a market, it's got loads of pubs, I think. | 0:04:35 | 0:04:38 | |
Probably the more pubs, I think, than practically any other place. | 0:04:38 | 0:04:43 | |
-Why did you look at me when you said pubs? -Sorry. | 0:04:43 | 0:04:46 | |
The only problem with it is the parking | 0:04:46 | 0:04:48 | |
when it gets a bit busy. | 0:04:48 | 0:04:50 | |
They love their home, but with a large family, | 0:04:51 | 0:04:53 | |
they feel it's the right time to head for pastures green. | 0:04:53 | 0:04:56 | |
Jane has two daughters and a son from a previous relationship | 0:04:56 | 0:05:00 | |
and John has a son and a daughter. | 0:05:00 | 0:05:02 | |
I've actually outgrown this house. | 0:05:02 | 0:05:04 | |
-It's not big enough. -SHE LAUGHS | 0:05:04 | 0:05:06 | |
Because all my family, my children keep it coming and going | 0:05:06 | 0:05:09 | |
and staying with us and we just can't all get into this room. | 0:05:09 | 0:05:13 | |
I'd just like some more space. | 0:05:13 | 0:05:16 | |
We've got two dogs, so we'd like to be able to spread out | 0:05:16 | 0:05:19 | |
and have a bit of space, a bigger garden and a view of something. | 0:05:19 | 0:05:24 | |
I particularly like the countryside, having grown up in Ireland. | 0:05:24 | 0:05:27 | |
I feel it gives me a bit more freedom of open spaces. | 0:05:27 | 0:05:31 | |
When they move, John will still be working, | 0:05:31 | 0:05:34 | |
so his job in west London and an expanding family | 0:05:34 | 0:05:37 | |
are dictating their relocation. | 0:05:37 | 0:05:39 | |
Well, we're looking to move basically round the Oxford area. | 0:05:39 | 0:05:41 | |
It'll still be handy for me for work, for travelling in | 0:05:41 | 0:05:44 | |
cos I still have to commute for another five to six years. | 0:05:44 | 0:05:46 | |
Well, my family is very important to me | 0:05:46 | 0:05:48 | |
I'd want to be nearer my daughter who lives in the Cotswolds | 0:05:48 | 0:05:51 | |
and she's got a little boy, my first grandchild, | 0:05:51 | 0:05:55 | |
and I just want to be nearer them. | 0:05:55 | 0:05:58 | |
I won't be too far from my son either, who... | 0:05:58 | 0:06:00 | |
Well, he's in south-east London. | 0:06:00 | 0:06:03 | |
And if we had the space they could come and stay. | 0:06:03 | 0:06:06 | |
I'm retired anyway, so I'll have more time to see everyone. | 0:06:06 | 0:06:09 | |
Jane's other daughter Rachel, a textile designer, | 0:06:10 | 0:06:13 | |
will also be joining them temporarily. | 0:06:13 | 0:06:15 | |
And when they move, | 0:06:15 | 0:06:17 | |
Jane and John want to make the most of their new surroundings | 0:06:17 | 0:06:19 | |
as well as a good slice of quality downtime. | 0:06:19 | 0:06:23 | |
-We love walking, don't we? -Yeah, we do. -We do a lot of walking. | 0:06:23 | 0:06:26 | |
Walking with the dogs is one of the best things you can do, isn't it? | 0:06:26 | 0:06:29 | |
It's good exercise and it's out in the fresh air, | 0:06:29 | 0:06:31 | |
and I also really like doing up houses. | 0:06:31 | 0:06:35 | |
I like painting and doing furniture up, making cushions, | 0:06:35 | 0:06:39 | |
so I'm looking forward to having the time to do that | 0:06:39 | 0:06:42 | |
and enjoying the garden, | 0:06:42 | 0:06:44 | |
doing the nice things that I haven't had time to do. | 0:06:44 | 0:06:47 | |
I really enjoy motorcycle-riding, | 0:06:47 | 0:06:49 | |
it's been one of my favourite things since I've been 16 | 0:06:49 | 0:06:51 | |
and I got my first bike. It's just the freedom of having a bike, | 0:06:51 | 0:06:54 | |
being somewhere in the open fresh air | 0:06:54 | 0:06:56 | |
and I suppose if it is in Oxfordshire, | 0:06:56 | 0:06:58 | |
we're hoping that there won't be that much traffic around. | 0:06:58 | 0:07:01 | |
So, with their house on the market and a real desire to head west, | 0:07:01 | 0:07:04 | |
they're looking forward to leaving the city | 0:07:04 | 0:07:06 | |
and getting stuck into a more rural way of life. | 0:07:06 | 0:07:09 | |
We do look at our life, in a way, as a bit of an adventure. | 0:07:10 | 0:07:13 | |
We like to think that way, that we're young enough to do things | 0:07:13 | 0:07:16 | |
and enjoy things and not sort of think, "Oh, we're getting on a bit, | 0:07:16 | 0:07:20 | |
"perhaps we should slow down and think about things." | 0:07:20 | 0:07:23 | |
We're still young enough to be out there doing things and enjoying it. | 0:07:23 | 0:07:26 | |
I'm just looking forward to starting something new and exciting. | 0:07:26 | 0:07:31 | |
I don't want to wait any longer. | 0:07:31 | 0:07:33 | |
Live the dream, that's what I want to do. | 0:07:33 | 0:07:35 | |
The ideal Oxfordshire location | 0:07:40 | 0:07:42 | |
would be somewhere not too far from Jane's daughter in Gloucestershire | 0:07:42 | 0:07:45 | |
and within an hour and a half's commute from John's work | 0:07:45 | 0:07:48 | |
in Notting Hill, west London. | 0:07:48 | 0:07:50 | |
So, we're concentrating our search to the west of the county. | 0:07:50 | 0:07:53 | |
And before we get off the starting blocks, we're all meeting up | 0:07:53 | 0:07:56 | |
to make sure I'm up to speed on the finer details | 0:07:56 | 0:07:59 | |
of their property wish-list. | 0:07:59 | 0:08:00 | |
Well, what a spot, eh? | 0:08:01 | 0:08:03 | |
-It's lovely, isn't it? -Isn't it? -Oh, it's gorgeous. | 0:08:03 | 0:08:05 | |
Now, John, you're a tailor in London. | 0:08:05 | 0:08:08 | |
Look, I've spruced up for you today. | 0:08:08 | 0:08:10 | |
I know, and look at me and how I'm dressed, if I'd have known... | 0:08:10 | 0:08:12 | |
-THEY LAUGH -You've shown me up here, I tell you. | 0:08:12 | 0:08:15 | |
Finely cut, I'll have you know. | 0:08:15 | 0:08:17 | |
Give us an idea of the sort of property, then, | 0:08:17 | 0:08:19 | |
that you've been dreaming about, Jane. | 0:08:19 | 0:08:21 | |
Right, I'd like something with character, obviously, | 0:08:21 | 0:08:24 | |
I like old houses. | 0:08:24 | 0:08:26 | |
Farmhouse kitchen with room to eat in the kitchen. | 0:08:26 | 0:08:29 | |
A utility room, maybe, for the dogs. | 0:08:29 | 0:08:31 | |
-Yeah. -Three beds. | 0:08:31 | 0:08:33 | |
Bit of space around. | 0:08:33 | 0:08:34 | |
I just want to stretch my wings a bit. | 0:08:34 | 0:08:37 | |
Now, you mentioned your daughter in Stroud, Sian, | 0:08:37 | 0:08:39 | |
and your other daughter, Rachel, | 0:08:39 | 0:08:41 | |
is, for the time being, going to come with you | 0:08:41 | 0:08:43 | |
so we do need to find her some space in this property, | 0:08:43 | 0:08:45 | |
-as well, don't we? -Yes, we do, we need a room for her | 0:08:45 | 0:08:48 | |
and possibly a work room or an office that she could use. | 0:08:48 | 0:08:52 | |
And what about a sense of community, John, | 0:08:52 | 0:08:54 | |
have you thought about position for this new property? | 0:08:54 | 0:08:56 | |
Well, we don't want to be isolated. We would like something | 0:08:56 | 0:08:59 | |
on the edge of a village, something like that would be ideal. | 0:08:59 | 0:09:01 | |
What about the budget, then, for all of this? | 0:09:01 | 0:09:03 | |
-Because, you know, Oxfordshire, famously, is not the cheapest. -No. | 0:09:03 | 0:09:07 | |
But we've got 500,000 maximum. | 0:09:07 | 0:09:09 | |
The property market here is incredibly buoyant. | 0:09:09 | 0:09:12 | |
It's clear that you want something with character | 0:09:12 | 0:09:14 | |
and that lovely sort of country-feel, | 0:09:14 | 0:09:16 | |
-farmhouse kitchen, you've described and so on. -Yeah. | 0:09:16 | 0:09:18 | |
Would you consider a semi, for example? | 0:09:18 | 0:09:21 | |
Yes, I would consider a semi. | 0:09:21 | 0:09:24 | |
Yes. | 0:09:24 | 0:09:25 | |
Cos I know that 500 might not go as far as we'd like. | 0:09:25 | 0:09:28 | |
Well, we're going to try and make it go as far as possible, | 0:09:28 | 0:09:30 | |
don't worry about it, but, yeah, I think that's fairly doable. | 0:09:30 | 0:09:34 | |
You know, we do like a challenge. | 0:09:34 | 0:09:35 | |
Let's go and spend some of your money. | 0:09:35 | 0:09:37 | |
All right, come on, then. | 0:09:37 | 0:09:38 | |
For their top budget of £500,000, | 0:09:42 | 0:09:44 | |
Jane and John want a character property that has plenty of space. | 0:09:44 | 0:09:49 | |
They'd like a country kitchen-diner | 0:09:49 | 0:09:51 | |
and a utility room for their two dogs. | 0:09:51 | 0:09:54 | |
Upstairs, they're hoping for three bedrooms, | 0:09:54 | 0:09:56 | |
and outside, they want a garden | 0:09:56 | 0:09:57 | |
with enough room for the dogs to run around. | 0:09:57 | 0:10:00 | |
Location-wise, somewhere on the edge of a village would be ideal. | 0:10:00 | 0:10:04 | |
We've hand-picked a selection of wonderful properties | 0:10:05 | 0:10:08 | |
for Jane and John to consider. | 0:10:08 | 0:10:10 | |
And it will only be after they've viewed each one | 0:10:10 | 0:10:12 | |
that the price will be revealed. | 0:10:12 | 0:10:15 | |
Our final visit will be to our Mystery House, | 0:10:15 | 0:10:17 | |
which will deliver their requirements in bucket-loads | 0:10:17 | 0:10:20 | |
but with one small catch. | 0:10:20 | 0:10:22 | |
Jane, given that one of your daughters is in Stroud, | 0:10:30 | 0:10:33 | |
you must know Oxfordshire reasonably well, driving through it to see her. | 0:10:33 | 0:10:37 | |
Yes, I'm getting to know it quite well now. | 0:10:37 | 0:10:39 | |
I do know quite a bit about where we want to be, yes. | 0:10:39 | 0:10:44 | |
And, John, you were born in Ireland | 0:10:44 | 0:10:46 | |
but you haven't lived there for how many years? | 0:10:46 | 0:10:48 | |
-Let's say, a lot. -THEY LAUGH | 0:10:48 | 0:10:50 | |
Let's not pin it down to actual years. | 0:10:50 | 0:10:53 | |
How well do you know Oxfordshire? | 0:10:53 | 0:10:54 | |
I've had quite a lot of experience of round Oxfordshire. | 0:10:54 | 0:10:57 | |
My brother was in the RAF | 0:10:57 | 0:10:59 | |
and there's a lot of airfields around here, | 0:10:59 | 0:11:01 | |
so I've got to know pretty much a lot of Oxfordshire, | 0:11:01 | 0:11:04 | |
and the Cotswold stone is something that really appeals to both of us, | 0:11:04 | 0:11:08 | |
-Oh, yeah. -So, it's always given us something we really liked. | 0:11:08 | 0:11:11 | |
With location in mind, we're kicking off our search | 0:11:14 | 0:11:17 | |
in the village of Kelmscott, | 0:11:17 | 0:11:19 | |
close to the Oxfordshire-Gloucestershire border. | 0:11:19 | 0:11:21 | |
The village is around a one-and-three-quarter hour commute | 0:11:21 | 0:11:24 | |
from London and boasts many properties, including the local pub, | 0:11:24 | 0:11:27 | |
that are all built from attractive ochre-coloured Cotswold stone. | 0:11:27 | 0:11:31 | |
The church, St George's, has barely changed | 0:11:32 | 0:11:35 | |
since the end of the 15th century | 0:11:35 | 0:11:37 | |
because of one notable local resident. | 0:11:37 | 0:11:39 | |
The renowned 19th-century designer William Morris | 0:11:39 | 0:11:42 | |
described this village as heaven on Earth | 0:11:42 | 0:11:45 | |
and he founded a society to preserve ancient buildings | 0:11:45 | 0:11:47 | |
like those found here. | 0:11:47 | 0:11:49 | |
His 400-year-old summer retreat, Kelmscott Manor, | 0:11:50 | 0:11:53 | |
is built of sandstone | 0:11:53 | 0:11:54 | |
and is now a treasure trove of his possessions, open to the public. | 0:11:54 | 0:11:58 | |
Amenities are a short drive away in the small town of Lechlade, | 0:11:58 | 0:12:02 | |
which has a good selection of shops on offer. | 0:12:02 | 0:12:04 | |
But back in the heart of rural Kelmscott is our first property. | 0:12:05 | 0:12:10 | |
Right, then. Here we are. | 0:12:10 | 0:12:12 | |
-Very nice. -Yeah? -Very pretty. -Yeah? -Very nice. | 0:12:12 | 0:12:15 | |
This village, Kelmscott, is absolutely gorgeous. | 0:12:15 | 0:12:18 | |
-Mmm. -And this one is sold not just on what it offers you | 0:12:18 | 0:12:22 | |
but also on its location. | 0:12:22 | 0:12:23 | |
The pub is within staggering distance, just down there. | 0:12:23 | 0:12:26 | |
What makes you think we'd be interested in the pub? | 0:12:26 | 0:12:28 | |
THEY LAUGH Well, you know... | 0:12:28 | 0:12:30 | |
But in terms of community, you know, it's a great place to start. | 0:12:30 | 0:12:34 | |
What we've got for you here is a semi, | 0:12:34 | 0:12:37 | |
-formerly farm workers' cottages. -Oh, right. | 0:12:37 | 0:12:39 | |
This one has been completely renovated and doubled in size, | 0:12:39 | 0:12:43 | |
-with an extension to the rear. -OK. | 0:12:43 | 0:12:45 | |
What do you reckon? John? | 0:12:45 | 0:12:47 | |
I think it looks very nice. | 0:12:47 | 0:12:48 | |
I love the layout, the gardens and everything else like that. | 0:12:48 | 0:12:51 | |
It looks like, from my point of view, you're not having to do much. | 0:12:51 | 0:12:54 | |
It ticks all the boxes. | 0:12:54 | 0:12:56 | |
There is nothing to do. I mean, there really is nothing to do. | 0:12:56 | 0:12:58 | |
Come on, let's have a look. | 0:12:58 | 0:13:00 | |
The original part of this house was built over 100 years ago, | 0:13:01 | 0:13:05 | |
but the extension is just five years old | 0:13:05 | 0:13:07 | |
and has been beautifully finished. | 0:13:07 | 0:13:09 | |
We're heading down the side of the property | 0:13:09 | 0:13:11 | |
and straight into the kitchen-diner. | 0:13:11 | 0:13:13 | |
Come in. | 0:13:13 | 0:13:15 | |
So, this is the new extension. | 0:13:15 | 0:13:17 | |
-It's lovely, isn't it? -Yeah. -Really beautiful. | 0:13:17 | 0:13:20 | |
I love the cupboards. | 0:13:20 | 0:13:22 | |
-It's got that lovely, crisp, new feel to it. -Yeah, it's lovely. | 0:13:22 | 0:13:25 | |
-There's a big utility room through there. -Oh, yes. | 0:13:25 | 0:13:28 | |
-They've got dogs. -Yeah. | 0:13:28 | 0:13:29 | |
And obviously, they appreciate having that | 0:13:29 | 0:13:31 | |
kind of boot room, as well, for them. | 0:13:31 | 0:13:34 | |
-So far so good? -Yes. -Mmm, yeah. | 0:13:34 | 0:13:35 | |
And it all drifts rather nicely into here, which is the main living room. | 0:13:35 | 0:13:39 | |
Oh. This is a lovely room. | 0:13:39 | 0:13:41 | |
-Yes. -It is, isn't it? | 0:13:41 | 0:13:42 | |
Yeah, it's really light and I love the wood burner. | 0:13:42 | 0:13:45 | |
Yeah. Lit today just for us. THEY LAUGH | 0:13:45 | 0:13:47 | |
I was hoping there would be one. | 0:13:47 | 0:13:49 | |
The nice thing about this, because they added the extension, | 0:13:49 | 0:13:52 | |
they've been able to knock through what would have been two rooms here | 0:13:52 | 0:13:55 | |
to create this great big family room. | 0:13:55 | 0:13:57 | |
So, I'm just trying to picture the scene, John, | 0:13:57 | 0:13:59 | |
-you know, hard day tailoring in London... -Yes. | 0:13:59 | 0:14:02 | |
I'm here with my brandy in front of the fire. | 0:14:02 | 0:14:04 | |
Brilliant. | 0:14:04 | 0:14:05 | |
-That's what I was going to say! -My dogs at my feet. -Yeah. | 0:14:05 | 0:14:07 | |
I mean, the nice thing about this property is it has those secrets. | 0:14:07 | 0:14:11 | |
I mean, it reveals itself very immediately. | 0:14:11 | 0:14:14 | |
But one thing a lot of older characterful properties | 0:14:14 | 0:14:17 | |
struggle with is storage space... | 0:14:17 | 0:14:19 | |
-Yeah. -..in terms of bedrooms and that sort of thing. | 0:14:19 | 0:14:21 | |
But I think this might work. Come and have a look. | 0:14:21 | 0:14:24 | |
Above us are three bedrooms. | 0:14:24 | 0:14:27 | |
There's a double at the front of the house with its own shower room. | 0:14:27 | 0:14:30 | |
Next to that is a single with space for a desk and at the back, | 0:14:30 | 0:14:34 | |
there's another double. | 0:14:34 | 0:14:36 | |
This is what is currently used as the master bedroom | 0:14:36 | 0:14:38 | |
-by the owners at the moment. -Yeah. | 0:14:38 | 0:14:40 | |
You may think they should have gone for the en-suite | 0:14:40 | 0:14:42 | |
down there, but they prefer the views over the fields that way. | 0:14:42 | 0:14:46 | |
Oh, yeah, that's a lovely view, isn't it? Nice room. | 0:14:46 | 0:14:48 | |
You've got the family bathroom right next door. | 0:14:48 | 0:14:50 | |
-I mean, you could actually put a door in that corridor... -Yeah. | 0:14:50 | 0:14:53 | |
-..and it would create effectively an en-suite master suite for you. -Yeah. | 0:14:53 | 0:14:57 | |
It is beautifully finished, we love all the details on it, | 0:14:57 | 0:14:59 | |
but I don't think there's quite enough room for us. | 0:14:59 | 0:15:03 | |
I think it's a little bit small, to be honest. | 0:15:03 | 0:15:05 | |
I think when we get to the prize... | 0:15:05 | 0:15:07 | |
-..it will rather... -Hmm? -Oh, OK. | 0:15:08 | 0:15:11 | |
-..set out the landscape that we are battling with here in terms of... -Space? | 0:15:11 | 0:15:16 | |
-..Oxfordshire's property market and what you get for your money. -Yeah. | 0:15:16 | 0:15:19 | |
-Oh, OK. -Let's go outside and talk about the numbers. -OK. | 0:15:19 | 0:15:22 | |
The garden here sits mainly to the side of the house and is | 0:15:22 | 0:15:25 | |
accessed from the kitchen. | 0:15:25 | 0:15:27 | |
There's a well-maintained lawn bordered by trees and flowerbeds | 0:15:27 | 0:15:30 | |
as well as a garden shed, a greenhouse and a patio | 0:15:30 | 0:15:35 | |
with wonderful views across the fields beyond. | 0:15:35 | 0:15:38 | |
And there are also some unexpected feathered friends. | 0:15:38 | 0:15:41 | |
-Listen to that! -Oh, chickens, John! -It's the sound of the country! | 0:15:41 | 0:15:45 | |
-Sound of the country! -You said you wanted chickens. -I did. | 0:15:45 | 0:15:48 | |
Not sure if I'm ready for them now, though! | 0:15:48 | 0:15:50 | |
THEY LAUGH | 0:15:50 | 0:15:52 | |
-And there we have our nicely extended former farm worker's cottage. -Yeah. | 0:15:52 | 0:15:56 | |
Now, the house does look lovely and it's that thing, whether | 0:15:56 | 0:15:58 | |
-you're buying with your head or your heart. -Hmm. | 0:15:58 | 0:16:01 | |
Visually, the house is beautiful, so we think that we like it and | 0:16:01 | 0:16:04 | |
-everything, as you said, from the chickens, the grounds and all that. -Yeah. | 0:16:04 | 0:16:07 | |
It's just that thing of space and maybe we'll have to adjust our minds to that. | 0:16:07 | 0:16:10 | |
It's charming, actually. | 0:16:10 | 0:16:12 | |
They've done it beautifully, haven't they? | 0:16:12 | 0:16:15 | |
-I sort of feel that Jules is leading us on to something here. -Yes. | 0:16:15 | 0:16:17 | |
-He's going to say, "And what about the price?" -THEY LAUGH | 0:16:17 | 0:16:21 | |
-And then we're going to say... -HE GROANS | 0:16:21 | 0:16:23 | |
Right, go on, then, John. Make us an offer. | 0:16:23 | 0:16:25 | |
Well, I think it's bang on the money, Jules. | 0:16:25 | 0:16:27 | |
-I think it is about the 500,000. -Oh, yeah? | 0:16:27 | 0:16:29 | |
-I'm going to go a bit less, I think. -Uh-huh? | 0:16:29 | 0:16:31 | |
-475? -You're not far, mate. | 0:16:33 | 0:16:35 | |
It's on at 495,000. | 0:16:35 | 0:16:37 | |
-So it is pretty much everything. -Bang on the line. | 0:16:37 | 0:16:39 | |
Well, I can understand that, because it's a lovely house, the setting and | 0:16:39 | 0:16:42 | |
-everything, you were saying... -I was just being a bit hopeful, I think. | 0:16:42 | 0:16:45 | |
But the good news is, it's under budget and you can afford it! | 0:16:45 | 0:16:48 | |
-You see? -Yeah! So it's not a total loss. That's the key thing. | 0:16:48 | 0:16:51 | |
Well, look, go and have a wander round, the house is yours. | 0:16:51 | 0:16:53 | |
Go and enjoy it, see what you get for your budget and I will come | 0:16:53 | 0:16:57 | |
-and find you a little bit later on. -OK. -Thanks very much, Jules. | 0:16:57 | 0:17:00 | |
-Take your time. -Yeah. | 0:17:00 | 0:17:02 | |
This extended semidetached house | 0:17:02 | 0:17:04 | |
has come in just under Jane and John's budget, | 0:17:04 | 0:17:06 | |
leaving them with £5,000 to play with. | 0:17:06 | 0:17:10 | |
It's got loads of character, | 0:17:10 | 0:17:11 | |
a kitchen-diner and just the right number of bedrooms. | 0:17:11 | 0:17:15 | |
Now, it may not be as roomy as they'd like, | 0:17:15 | 0:17:18 | |
which is something that comes with the pricey territory they're | 0:17:18 | 0:17:21 | |
searching in, but there's a pretty garden with views and it's well | 0:17:21 | 0:17:24 | |
located in the heart of a quiet village. | 0:17:24 | 0:17:26 | |
Bwak-bwak-bwak! | 0:17:26 | 0:17:28 | |
-They're lovely. -Aw! They're lovely. -So we could have fresh eggs. | 0:17:28 | 0:17:30 | |
-We could. -Yeah. And what's that there, are those strawberries? | 0:17:30 | 0:17:33 | |
-Oh, that's a strawberry box. -Yeah, that's lovely, isn't it? | 0:17:33 | 0:17:36 | |
Our first impression, I've got to be honest, I really like the look of the house. | 0:17:36 | 0:17:39 | |
It's still got the elements which I really like, of still having | 0:17:39 | 0:17:42 | |
a bit of old, but inside, very modern and very new, | 0:17:42 | 0:17:44 | |
done in this very sympathetic way, | 0:17:44 | 0:17:46 | |
so it didn't look like it was overdone or anything like that. | 0:17:46 | 0:17:48 | |
Very clean lines which, being what I do, really appealed to me. | 0:17:48 | 0:17:51 | |
It's gorgeous. And looking inside, it's absolutely stunningly done out. | 0:17:51 | 0:17:56 | |
There's not a thing to do, it was lovely. | 0:17:56 | 0:17:59 | |
I couldn't find fault with it. | 0:17:59 | 0:18:01 | |
The only thing I would say, I'm just not sure that it's big enough. | 0:18:01 | 0:18:04 | |
We've got quite a big house now and I'm wondering if we can fit in. | 0:18:04 | 0:18:08 | |
We've got a lot to do. We've got more properties to see. So shall we? | 0:18:08 | 0:18:12 | |
-Yeah! -Yes. -Let's go. -Lead on. | 0:18:12 | 0:18:14 | |
Oxfordshire's countryside is the perfect setting for | 0:18:18 | 0:18:21 | |
a number of stately homes and grounds, including the | 0:18:21 | 0:18:25 | |
striking Waterperry House and Gardens to the east of Oxford. | 0:18:25 | 0:18:29 | |
Parts of the house date back to the 17th century, | 0:18:30 | 0:18:32 | |
when it was a private home | 0:18:32 | 0:18:34 | |
and it sits in an 83-acre oasis of vibrant flowers, | 0:18:34 | 0:18:38 | |
manicured lawns and shapely hedges. | 0:18:38 | 0:18:41 | |
In the 1930s, the site was a school of horticulture for ladies. | 0:18:41 | 0:18:44 | |
And when it closed in the '70s, | 0:18:44 | 0:18:46 | |
the house and gardens that had been nurtured | 0:18:46 | 0:18:49 | |
so carefully by the students were taken over by a charity. | 0:18:49 | 0:18:53 | |
Today, Waterperry Gardens welcomes around 35,000 visitors a year, | 0:18:53 | 0:18:57 | |
and Jane and John have come to meet horticultural manager | 0:18:57 | 0:19:00 | |
Robert Jacobs to learn more about these resplendent gardens. | 0:19:00 | 0:19:04 | |
So, how big are the gardens? | 0:19:04 | 0:19:06 | |
It's about eight acres, it might be nine acres now. | 0:19:06 | 0:19:10 | |
It's a nice walk round, it's a nice place to visit. | 0:19:10 | 0:19:13 | |
So what's the thinking behind the design and layout of the gardens? | 0:19:13 | 0:19:16 | |
It's education, every time. We're always trying to teach. | 0:19:16 | 0:19:20 | |
For example, we have a fantastic herbaceous border. | 0:19:20 | 0:19:23 | |
You want to have colour all the time, | 0:19:23 | 0:19:25 | |
so you have a lupin season early in the year. | 0:19:25 | 0:19:28 | |
You have a delphinium season in high summer and then you finish | 0:19:28 | 0:19:31 | |
the season with the Michaelmas daisies. | 0:19:31 | 0:19:33 | |
What's the best thing on show this time of year? | 0:19:33 | 0:19:35 | |
Well, we're high into the early autumn now at the moment, | 0:19:35 | 0:19:39 | |
so the Michaelmas daisies are looking great and the | 0:19:39 | 0:19:41 | |
big thing is the fruit, the top fruits. | 0:19:41 | 0:19:43 | |
So you'll see pears and lots of lovely apples. | 0:19:43 | 0:19:45 | |
As well as the eight to nine acres of ornamental gardens here, | 0:19:47 | 0:19:50 | |
there are also five acres of orchards. | 0:19:50 | 0:19:53 | |
But when it comes to the fruit trees, | 0:19:53 | 0:19:55 | |
not everything is as it first seems. | 0:19:55 | 0:19:58 | |
So, here we are, a piece of horticultural magic. | 0:19:58 | 0:20:01 | |
This is our family tree. | 0:20:01 | 0:20:03 | |
We grow approximately 60 different varieties of apples. | 0:20:03 | 0:20:08 | |
We've managed to get 50 apples on one tree. | 0:20:08 | 0:20:11 | |
That's 50 different varieties growing on the family tree, | 0:20:11 | 0:20:15 | |
which sounds pretty amazing. | 0:20:15 | 0:20:17 | |
It was an epic experiment and achieved by grafting cuttings | 0:20:17 | 0:20:21 | |
from various apple trees onto the one tree. | 0:20:21 | 0:20:24 | |
And from the juicy array of fruit now hanging from the branches, | 0:20:24 | 0:20:27 | |
it's clearly been a success. | 0:20:27 | 0:20:28 | |
Can you use any type of apple? | 0:20:28 | 0:20:31 | |
The apples that we eat and we cook with are | 0:20:31 | 0:20:34 | |
an apple called Malus domesticus. | 0:20:34 | 0:20:36 | |
So, so long as it's Malus domesticus, | 0:20:36 | 0:20:39 | |
originally from Kazakhstan, you can use it. | 0:20:39 | 0:20:41 | |
Which are the best eaters and cookers? | 0:20:41 | 0:20:44 | |
Well, really, as far as cookers are concerned, | 0:20:44 | 0:20:46 | |
um, it doesn't matter too much. | 0:20:46 | 0:20:49 | |
England's a place where we have a tradition of having cookers. | 0:20:49 | 0:20:52 | |
In France and on the Continent, | 0:20:52 | 0:20:53 | |
they tend to just cook whatever apples are available to cook with. | 0:20:53 | 0:20:57 | |
And they tend to be the sharper and the sourer apples that we pick. | 0:20:57 | 0:21:00 | |
As far as eating, it's down to your taste and also the season, | 0:21:00 | 0:21:04 | |
because it's really important. | 0:21:04 | 0:21:06 | |
Apples come on in the seasons, | 0:21:06 | 0:21:07 | |
so that is why you have your early, your mids and your lates. | 0:21:07 | 0:21:10 | |
And the tastes are different. They've all got their own characteristics in that time. | 0:21:10 | 0:21:14 | |
Surrounded by so much ripe fruit, | 0:21:14 | 0:21:16 | |
Jane and John are going to get the chance to harvest some themselves. | 0:21:16 | 0:21:20 | |
Apple crops are ready to pick between August and November. | 0:21:20 | 0:21:23 | |
We've got some picking bags here. | 0:21:23 | 0:21:25 | |
-OK. -Head through there, arms through these two holes. That's it. | 0:21:25 | 0:21:28 | |
First time. | 0:21:28 | 0:21:30 | |
When you're picking, pick with the palm of the hand and roll up. | 0:21:30 | 0:21:33 | |
You don't want to crush the apple. | 0:21:33 | 0:21:35 | |
-So if you can fill the bag, I'll get the box ready. -OK. -Right. -Let's do it! | 0:21:35 | 0:21:40 | |
Ripening under the sun, coupled with low night-time temperatures, | 0:21:40 | 0:21:43 | |
helps the sugars to develop, which makes them sweet to eat | 0:21:43 | 0:21:46 | |
and produces a rosy-red glow on the skin. | 0:21:46 | 0:21:49 | |
Once the bags are full, they're emptied into apple crates, | 0:21:49 | 0:21:52 | |
-ready to be pressed. -If you bend down... That's it. | 0:21:52 | 0:21:55 | |
-And just gently... Gently! -Oh, sorry! -That's all right! | 0:21:55 | 0:21:58 | |
And now, John. | 0:21:58 | 0:21:59 | |
That's it. | 0:22:00 | 0:22:02 | |
Ahh! A man that's done it before. | 0:22:02 | 0:22:05 | |
The next stop for these apples today is the hand press. | 0:22:05 | 0:22:09 | |
Each year, over 40,000 kilos of Waterperry apples | 0:22:09 | 0:22:12 | |
produce 25,000-30,000 bottles of apple juice, | 0:22:12 | 0:22:16 | |
which is sold here on-site, but also in local shops and restaurants. | 0:22:16 | 0:22:21 | |
Jane and John are going to have a go at transforming the fruit | 0:22:21 | 0:22:23 | |
into delicious juice. | 0:22:23 | 0:22:25 | |
But they're not using the industrial site's press in the pressing room, | 0:22:25 | 0:22:28 | |
rather, they're using a handpress similar to the method | 0:22:28 | 0:22:31 | |
used before mechanisation. | 0:22:31 | 0:22:33 | |
-We're looking to produce something like that if you can. -Oh. | 0:22:33 | 0:22:37 | |
So, these are the apples that you picked earlier. | 0:22:37 | 0:22:39 | |
John, I'll need you to turn the handle. | 0:22:39 | 0:22:41 | |
If you could feed the apples in, Jane? | 0:22:41 | 0:22:43 | |
And then once we've filled up enough, | 0:22:43 | 0:22:45 | |
we're going to swing this over. This is the press. | 0:22:45 | 0:22:48 | |
And from there on, you will be producing apple juice. | 0:22:48 | 0:22:51 | |
Keep adding it in. | 0:22:54 | 0:22:56 | |
I'm afraid we've got a long way to go, Jane! | 0:22:56 | 0:22:58 | |
-Oh! I'm doing it as fast as I can. -THEY LAUGH | 0:22:58 | 0:23:01 | |
-You can see why these days they have mechanical. -Mmm, yeah. | 0:23:01 | 0:23:04 | |
Instead, we have John. | 0:23:04 | 0:23:06 | |
-You definitely get that real smell of apples, can't you? -Yeah. | 0:23:06 | 0:23:09 | |
Going to be looking forward to this juice. | 0:23:09 | 0:23:12 | |
THEY LAUGH | 0:23:12 | 0:23:13 | |
The juice is starting to come through. | 0:23:13 | 0:23:15 | |
Is there anything else that we'll ever add into it? | 0:23:15 | 0:23:17 | |
-We only ever add a bit of vitamin C, because as you will see, it's started to go brown already. -Yeah. | 0:23:17 | 0:23:21 | |
That's it, just when you cut into any apple or eat into any apple, | 0:23:21 | 0:23:25 | |
-its oxidising. -Yeah. | 0:23:25 | 0:23:27 | |
-So as you're cooking, you add a little bit of lemon juice. -Yeah. | 0:23:27 | 0:23:30 | |
It clears it all up. | 0:23:30 | 0:23:31 | |
Actually, it does make you appreciate what you drink, doesn't it? | 0:23:31 | 0:23:35 | |
When you think of what goes into making a glass of apple juice. | 0:23:35 | 0:23:38 | |
-Yeah. -You know? | 0:23:38 | 0:23:39 | |
-There we go. -ALL: Yay! | 0:23:40 | 0:23:42 | |
Right, now, this comes off. And there's our pulp. | 0:23:42 | 0:23:45 | |
-Can you see how it's going brown already? -Yeah. | 0:23:45 | 0:23:48 | |
So that's it oxidising, and the juice is going to have to go brown. | 0:23:48 | 0:23:51 | |
The lid of the press is closed and secured. | 0:23:51 | 0:23:54 | |
Then, as the handle is turned, | 0:23:54 | 0:23:56 | |
the pulp is squeezed and the juice extracted. | 0:23:56 | 0:23:59 | |
Here it comes. | 0:23:59 | 0:24:00 | |
Well, here we are. Looks like cappuccino, doesn't it? | 0:24:02 | 0:24:04 | |
Yeah, well, basically, that's the product. | 0:24:04 | 0:24:07 | |
-Just a bit of filtration, and vitamin C to clear it up. -Yeah. | 0:24:07 | 0:24:11 | |
Well, I'm going to try it now. Cheers! | 0:24:11 | 0:24:13 | |
That is absolutely lovely. Really. John, you try some. | 0:24:15 | 0:24:19 | |
I'd love to, thank you very much. | 0:24:19 | 0:24:20 | |
Mmm. That is lovely, Rob. That is excellent. | 0:24:23 | 0:24:26 | |
Well, thank you very much for all your knowledge and help there and we've really enjoyed it. | 0:24:26 | 0:24:30 | |
You're both very welcome, | 0:24:30 | 0:24:31 | |
I'm glad you enjoyed the day and good luck with the house-hunt. | 0:24:31 | 0:24:34 | |
Oh, thank you. | 0:24:34 | 0:24:35 | |
Our house search continues as we journey to the village of | 0:24:38 | 0:24:41 | |
Chadlington in the Cotswolds Area of Outstanding Natural Beauty. | 0:24:41 | 0:24:45 | |
This archetypal Cotswolds village is renowned not least because | 0:24:45 | 0:24:49 | |
the constituency address of Prime Minister David Cameron is nearby. | 0:24:49 | 0:24:53 | |
It also has a range of stone cottages | 0:24:53 | 0:24:56 | |
and the 12th-century St Nicholas Church. | 0:24:56 | 0:24:59 | |
Surrounded by beautiful countryside, | 0:24:59 | 0:25:01 | |
locals are served by a handful of essential shops and a village pub. | 0:25:01 | 0:25:05 | |
Just a few minutes' drive away is the town of Charlbury, | 0:25:05 | 0:25:07 | |
where there's a wider section of amenities and also a useful train station, | 0:25:07 | 0:25:12 | |
which would get John into London in under an hour and a half. | 0:25:12 | 0:25:16 | |
Back in Chadlington, we find ourselves at our second property | 0:25:16 | 0:25:19 | |
in the heart of the village. | 0:25:19 | 0:25:21 | |
-Oh! -Oh, it's fabulous. -Yes? | 0:25:21 | 0:25:24 | |
I'm really excited. It's really gorgeous. | 0:25:24 | 0:25:27 | |
CHURCH BELLS TOLL | 0:25:27 | 0:25:28 | |
-Oh! -A church! -And a working church! THEY LAUGH | 0:25:28 | 0:25:31 | |
There you are then, there we are. | 0:25:31 | 0:25:33 | |
-That is the sound of the country, isn't it? -Yep. | 0:25:33 | 0:25:35 | |
I'm just already getting really...excited. | 0:25:35 | 0:25:39 | |
-Now, this one absolutely is packed full of character features. -Mmm. | 0:25:39 | 0:25:43 | |
It's about 1750, it's been in the same family since 1920, | 0:25:43 | 0:25:47 | |
-it does need a bit of updating. -Mmm. | 0:25:47 | 0:25:50 | |
And this is one you can really put your stamp on, I think, in terms | 0:25:50 | 0:25:53 | |
of making it your home without feeling that it's all produced for you. | 0:25:53 | 0:25:57 | |
-Exciting. -Yeah? -Yes. -Come on, let's have a look inside. -Come on then. -Great! | 0:25:57 | 0:26:00 | |
This end-of-terrace cottage is grade II listed | 0:26:00 | 0:26:03 | |
and is built of Cotswolds stone. | 0:26:03 | 0:26:05 | |
But its facade hides a rather special home within. | 0:26:05 | 0:26:09 | |
To the right of the front door, off the hallway, is a cosy sitting room. | 0:26:09 | 0:26:12 | |
Now then, Jane. | 0:26:12 | 0:26:15 | |
-Wow. -A bit of period charm for you. | 0:26:15 | 0:26:18 | |
Oh, you've definitely done that for me. It's very, very nice. | 0:26:18 | 0:26:21 | |
-What do you think, John? -I like it. I know Jane will, because this is | 0:26:21 | 0:26:23 | |
-everything she loves about the house... -It's just the sort of thing I like. | 0:26:23 | 0:26:27 | |
..the wood burner, the whole look of the place and everything else, I think that's her. | 0:26:27 | 0:26:30 | |
-My only concern is low ceilings. -Yeah. -But I think I can just about scrape through, can't I? | 0:26:30 | 0:26:34 | |
It does ramble a bit, this one. The kitchen area at the moment is here. | 0:26:34 | 0:26:38 | |
-Oh, all right, yeah. -You've got a cellar down there. | 0:26:38 | 0:26:41 | |
-Quite a decent size, about the size of that room. -Right. | 0:26:41 | 0:26:44 | |
-And there's a thought that it might have been a pub, once upon a time. -OK. -Yeah. | 0:26:44 | 0:26:47 | |
Because it's the only property in this street with a cellar. | 0:26:47 | 0:26:51 | |
There's a utility area through here, | 0:26:51 | 0:26:54 | |
which goes out to a very traditional-looking scullery. | 0:26:54 | 0:26:56 | |
Well, it's got lots of character, Jules, | 0:26:56 | 0:26:59 | |
and that's really what I think Jane's into. | 0:26:59 | 0:27:01 | |
I wanted the character and something a bit different. | 0:27:01 | 0:27:03 | |
I mean, it's not all perfect, it's not all done. | 0:27:03 | 0:27:06 | |
Yeah, that's what I mean, I don't want a perfect house. | 0:27:06 | 0:27:08 | |
Well, this could be the one, then. I mean, some would say it's quirky. | 0:27:08 | 0:27:11 | |
-Yeah. -Um, I think it's got a lot of scope... -Mmm. | 0:27:11 | 0:27:13 | |
..for you to turn it into something that you really want without | 0:27:13 | 0:27:16 | |
taking anything away from what's already here. | 0:27:16 | 0:27:19 | |
You'd have this space, reception area, but also, | 0:27:19 | 0:27:21 | |
we've got a separate living room for you next door. | 0:27:21 | 0:27:23 | |
-Oh, right. -Come and have a look at this. | 0:27:23 | 0:27:26 | |
So we leave the sort of higgledy-piggledy bits behind | 0:27:28 | 0:27:32 | |
and step into a little more elegance. | 0:27:32 | 0:27:34 | |
-Oh, this is lovely as well, isn't it? -Very cosy. -It's gorgeous. | 0:27:34 | 0:27:38 | |
-Yeah. Is this what you expected from the outside? -Well, no. | 0:27:38 | 0:27:40 | |
It's funny, I don't know what I expected. | 0:27:40 | 0:27:43 | |
The house is just like... Just has so much character, it's fantastic. | 0:27:43 | 0:27:46 | |
The beams, the fireplace, everything about it. | 0:27:46 | 0:27:48 | |
It's just... It's quite special. | 0:27:48 | 0:27:50 | |
And the character continues on the first floor, where there's | 0:27:50 | 0:27:54 | |
a beamed family bathroom that serves four double bedrooms. | 0:27:54 | 0:27:57 | |
There's a spacious room with a feature fireplace, | 0:27:57 | 0:28:00 | |
and up again on the floor above, | 0:28:00 | 0:28:02 | |
there are two bedrooms in the eaves, each with its own charm. | 0:28:02 | 0:28:06 | |
Then back down on the first floor is the master. | 0:28:06 | 0:28:09 | |
Oh! Isn't it lovely? | 0:28:12 | 0:28:13 | |
John! Gorgeous. | 0:28:14 | 0:28:16 | |
-It's kind of like a boudoir thing. -Yes. -My kind of room. | 0:28:16 | 0:28:19 | |
-I think this is certainly the one that oozes character to me. -Yes. | 0:28:19 | 0:28:23 | |
I really want to get you outside into the garden, | 0:28:23 | 0:28:26 | |
-because there is one more little treat to show you out there. -Ooh! | 0:28:26 | 0:28:28 | |
And the garden itself is probably a lot bigger than you're expecting, too. | 0:28:28 | 0:28:32 | |
-So... -OK. -Follow me through here. -OK. | 0:28:32 | 0:28:34 | |
Outside, a patio leads to a neat lawn bordered by flowerbeds, hedges and trees. | 0:28:34 | 0:28:40 | |
-Oh, this is amazing. -Isn't that lovely? | 0:28:40 | 0:28:42 | |
-Now, this studio... -I've spotted it! -Yes, keep that in your minds! -Oh, wow. | 0:28:42 | 0:28:46 | |
But the garden is long and thin and it comes up here | 0:28:47 | 0:28:50 | |
and you've got all of this as well. | 0:28:50 | 0:28:53 | |
Wow! This is fantastic. It's so beautiful. | 0:28:53 | 0:28:57 | |
And it goes up just beyond those tall conifers at the end, | 0:28:57 | 0:29:00 | |
typical to have long, thin gardens running off of properties of this age. | 0:29:00 | 0:29:04 | |
-Mmm. -You've got the studio there, | 0:29:04 | 0:29:06 | |
-which I'm sure Rachel will really enjoy. -Oh, yes. | 0:29:06 | 0:29:09 | |
-So, it is price time. -It's that time again. | 0:29:09 | 0:29:12 | |
It's that time, Jane, so... | 0:29:12 | 0:29:15 | |
-give us your best guess. -I'm going to say 495. -495. Yeah, John? | 0:29:15 | 0:29:19 | |
I'm going to go a bit lower on this one, | 0:29:19 | 0:29:21 | |
I'm feeling a bit cooler about it. So I'll go 475. | 0:29:21 | 0:29:25 | |
Well, I'm afraid it's not 495 or indeed 475, | 0:29:25 | 0:29:29 | |
but it is several fives, I'm afraid, it's 525. | 0:29:29 | 0:29:34 | |
-OK. -Oh, is it? -Mmm. | 0:29:34 | 0:29:36 | |
-But open to sensible offers. -OK. | 0:29:36 | 0:29:39 | |
In a certain way, I'm not surprised because the house is lovely | 0:29:39 | 0:29:41 | |
and it's got such garden, and where it is situated like that. | 0:29:41 | 0:29:44 | |
It's just what, sometimes... What the value of the house is and | 0:29:44 | 0:29:47 | |
-what you would think it was worth to you. -Take as long as you want. | 0:29:47 | 0:29:50 | |
Understand it, see if you can find a solution. | 0:29:50 | 0:29:53 | |
-And I'll come and find you a little bit later. -OK. | 0:29:53 | 0:29:56 | |
-Thanks very much. -Off you go. -OK, see you in a while. | 0:29:56 | 0:29:58 | |
And I think they will have to take their time because, as with | 0:29:58 | 0:30:01 | |
many historic properties, trying to upgrade them to what we | 0:30:01 | 0:30:04 | |
regard as modern living does require a bit of imagination, | 0:30:04 | 0:30:07 | |
but I am confident that those two have got it. | 0:30:07 | 0:30:10 | |
This delightful period cottage may be on the market | 0:30:12 | 0:30:14 | |
for £25,000 over Jane and John's budget, | 0:30:14 | 0:30:18 | |
but the owners may be open to a sensible offer. | 0:30:18 | 0:30:21 | |
The country kitchen is certainly full of quirky character, | 0:30:21 | 0:30:24 | |
and there's also room for the dogs. | 0:30:24 | 0:30:26 | |
The cottage comes with one more bedroom than they'd asked for, | 0:30:26 | 0:30:29 | |
and outside provides a rather lovely garden with | 0:30:29 | 0:30:31 | |
a studio that could be ideal for daughter Rachel. | 0:30:31 | 0:30:34 | |
-Oh, look at this. -It's lovely and warm, isn't it? -Fantastic. | 0:30:35 | 0:30:39 | |
-I know somebody that would like this. -So do I. | 0:30:39 | 0:30:43 | |
Coming in, it's just a beautiful house. | 0:30:43 | 0:30:46 | |
Lovely features, just the sort of thing I'm looking for. | 0:30:46 | 0:30:50 | |
Lovely, cosy feel. It's just the one thing is the kitchen. | 0:30:50 | 0:30:55 | |
It's not really workable for us at the moment, | 0:30:55 | 0:30:57 | |
but if we could do something, have an extension at the back, | 0:30:57 | 0:31:00 | |
then I think it would be the perfect house. | 0:31:00 | 0:31:03 | |
We really love the garden, it's got so much going on there, | 0:31:03 | 0:31:06 | |
it's almost like two gardens in one, because the first part | 0:31:06 | 0:31:09 | |
you've got, which is a lovely manicured garden, | 0:31:09 | 0:31:11 | |
and then when you go past that, | 0:31:11 | 0:31:13 | |
it's got this lovely open garden with a little gazebo there, which | 0:31:13 | 0:31:16 | |
is really good. And I can see Jane sitting there having a | 0:31:16 | 0:31:18 | |
gin and tonic, flicking through her books. | 0:31:18 | 0:31:20 | |
Yeah, I think that will work really well. | 0:31:20 | 0:31:24 | |
We're getting there, aren't we? | 0:31:24 | 0:31:25 | |
I think so, I've a quite good feeling about it. | 0:31:25 | 0:31:27 | |
-You've just got to be able to afford it. -It's the money. | 0:31:27 | 0:31:30 | |
-I know, it's the money. -Always the money. -It's always the money. | 0:31:30 | 0:31:32 | |
But this isn't the only property, of course, we are showing this week, | 0:31:32 | 0:31:35 | |
but it's worth thinking about and putting it on the list maybe. | 0:31:35 | 0:31:38 | |
-Definitely. -Right, come on. | 0:31:38 | 0:31:40 | |
It's the second day of our Oxfordshire adventure, | 0:31:49 | 0:31:52 | |
searching out a characterful country house for Jane and John from | 0:31:52 | 0:31:55 | |
St Albans in Hertfordshire. | 0:31:55 | 0:31:58 | |
And with a top budget of £500,000 in their pocket, they're ready | 0:31:58 | 0:32:02 | |
to wave goodbye to the city to be closer to loved ones. | 0:32:02 | 0:32:05 | |
And we've got a knockout Mystery House to come. | 0:32:05 | 0:32:08 | |
Mind your head, John. | 0:32:08 | 0:32:10 | |
THEY LAUGH | 0:32:10 | 0:32:12 | |
-Come over here a minute. -Nothing like a bit of slapstick. | 0:32:12 | 0:32:15 | |
And I'll be stepping back in time when I visit one of Britain's | 0:32:15 | 0:32:18 | |
most impressive manor houses. | 0:32:18 | 0:32:20 | |
Oh, wow. This is incredible. | 0:32:20 | 0:32:23 | |
Well, with our house search now well underway, our task of trying to find | 0:32:24 | 0:32:28 | |
Jane and John a home has been further complicated by the need to help | 0:32:28 | 0:32:31 | |
them reassess their expectations as to just how far their budget can | 0:32:31 | 0:32:36 | |
go here in one of the most expensive property markets in the country. | 0:32:36 | 0:32:40 | |
So, with two more properties to come, including our Mystery House, | 0:32:40 | 0:32:44 | |
can we strike that magic balance between aspiration and reality? | 0:32:44 | 0:32:48 | |
Well, we'll give it a go. | 0:32:48 | 0:32:49 | |
Next, we're travelling to the village of West Adderbury, | 0:32:52 | 0:32:55 | |
in the north of Oxfordshire. | 0:32:55 | 0:32:57 | |
Here, thatched cottages are a theme, along with iron stone buildings, | 0:32:57 | 0:33:01 | |
whose colour is darker than its paler limestone contemporaries. | 0:33:01 | 0:33:05 | |
There's a traditional pub and a great choice of shops in the | 0:33:05 | 0:33:07 | |
village. | 0:33:07 | 0:33:09 | |
Nearby is the spectacular 13th century St Mary's, | 0:33:09 | 0:33:12 | |
said to be one of the finest churches in Oxfordshire. | 0:33:12 | 0:33:15 | |
There's also a great expanse of recreational fields, | 0:33:15 | 0:33:18 | |
perfect dog walking territory. | 0:33:18 | 0:33:20 | |
And all within walking distance of our next property. | 0:33:20 | 0:33:23 | |
-Right, then. There we are. What do we think of that? -Oh, looks lovely. | 0:33:23 | 0:33:28 | |
-I think it's really pretty. It's lovely. -It's a new-build. | 0:33:28 | 0:33:32 | |
-No! -Yes. | 0:33:32 | 0:33:34 | |
It doesn't look a new house, does it? | 0:33:34 | 0:33:36 | |
They've used the local stone here, which is lovely, this | 0:33:36 | 0:33:39 | |
iron-rich stone, which is a darker colour to much of the Cotswolds. | 0:33:39 | 0:33:43 | |
One thing we've established is this business of your expectation | 0:33:43 | 0:33:47 | |
-as to how much space you're going to get. -Yes. | 0:33:47 | 0:33:50 | |
I can't tell you it's any bigger than anything we've seen so far, but it's in a great village, | 0:33:50 | 0:33:54 | |
there's lots going on here in Adderbury, great connections out to the M40, | 0:33:54 | 0:33:59 | |
rail links from Banbury into London and so on. | 0:33:59 | 0:34:03 | |
-So, yeah, that's the proposition. -It looks really interesting. | 0:34:03 | 0:34:06 | |
I'm amazed it's a new-build, I wouldn't have realised that. | 0:34:06 | 0:34:10 | |
The house also benefits from a garage, and once inside, | 0:34:10 | 0:34:13 | |
it's obvious there's nothing that needs doing here. | 0:34:13 | 0:34:16 | |
We're heading straight for the sitting room, | 0:34:16 | 0:34:18 | |
which runs from the front to the back of the house. | 0:34:18 | 0:34:20 | |
-Let's start with here. -Oh, this is a nice room, isn't it? | 0:34:20 | 0:34:24 | |
-Yeah, nice room, nice shape. Lovely long room. -It's lovely. -Easy. | 0:34:24 | 0:34:28 | |
I think that's the trick, it's an easy one in many respects. | 0:34:28 | 0:34:32 | |
And, of course, it's not listed. | 0:34:32 | 0:34:34 | |
-So you can do what you like with it, really. -Yeah. -Within... -Well, within reason. | 0:34:34 | 0:34:38 | |
Well, first room gets a tick. Next, the kitchen. | 0:34:38 | 0:34:41 | |
-So, there you are... -Oh, this is a lovely kitchen, isn't it? | 0:34:41 | 0:34:45 | |
Nice and big. | 0:34:45 | 0:34:47 | |
-Little utility room in here. -Oh. | 0:34:47 | 0:34:50 | |
Not really a boot room, but washers, all that sort of stuff. | 0:34:50 | 0:34:54 | |
-But it does mean the kitchen itself is unencumbered with white goods. -Yeah. | 0:34:54 | 0:34:59 | |
I think it's a good-size kitchen. | 0:34:59 | 0:35:01 | |
-I'm not disappointed with the kitchen. -Right, that's good to hear. | 0:35:01 | 0:35:05 | |
You're going to be here most of the time on your own until you retire. | 0:35:05 | 0:35:09 | |
So it's a case of whether it's going to work for you. | 0:35:09 | 0:35:11 | |
-And of course, you'll have Rachel with you initially as well. -Yeah. | 0:35:11 | 0:35:14 | |
Let's have a look upstairs and see what you think of this. | 0:35:14 | 0:35:16 | |
Also on this floor, there's a cloakroom. | 0:35:17 | 0:35:20 | |
Then moving upstairs, a bright stairway and landing that | 0:35:20 | 0:35:23 | |
leads to four bedrooms laid out over two floors. | 0:35:23 | 0:35:26 | |
On the top floor, there are two rooms in the eaves, | 0:35:26 | 0:35:29 | |
a double bedroom and a study, which both share a cloakroom. | 0:35:29 | 0:35:33 | |
Then one floor below, there's a bedroom overlooking the back | 0:35:33 | 0:35:36 | |
garden, with a family bathroom next-door. | 0:35:36 | 0:35:38 | |
And on the other side of the house is the master. | 0:35:38 | 0:35:41 | |
-This is a nice room, isn't it? -It's lovely. -Lots of space. | 0:35:43 | 0:35:46 | |
And it really, I think, cleverly incorporates not only an | 0:35:46 | 0:35:49 | |
en-suite shower through that central doorway, but because of the way they've | 0:35:49 | 0:35:52 | |
positioned the doorway, you've got his and hers storage either side. | 0:35:52 | 0:35:57 | |
Oh, that's great, because we do need that, don't we? | 0:35:57 | 0:35:59 | |
-We do need a certain amount of space. -We do. | 0:35:59 | 0:36:01 | |
LAUGHTER He's a tailor, he's a tailor. | 0:36:01 | 0:36:05 | |
I think this works really well. | 0:36:05 | 0:36:07 | |
-It's nice. -And with the top floor, is that for Rachel? | 0:36:07 | 0:36:10 | |
I mean, would she be able to accommodate herself up there? | 0:36:10 | 0:36:12 | |
I'm sure she would, easily. Upstairs is pretty good, actually. For space. | 0:36:12 | 0:36:17 | |
So it's whether or not you can again really imagine yourself in | 0:36:17 | 0:36:22 | |
a property like this, because they're all the same sort of | 0:36:22 | 0:36:25 | |
size, because that's where we are with the budget. | 0:36:25 | 0:36:28 | |
-Can you manage that, honey? -I'll try. | 0:36:28 | 0:36:31 | |
THEY LAUGH | 0:36:31 | 0:36:32 | |
Let's go out to the garden. | 0:36:32 | 0:36:34 | |
Come on. | 0:36:34 | 0:36:36 | |
Outside, the pretty walled garden is private and sheltered. | 0:36:37 | 0:36:41 | |
And there, of course, the back of our lovely house. | 0:36:41 | 0:36:44 | |
It does look really nice from the back, doesn't it? | 0:36:44 | 0:36:47 | |
It's been cleverly thought through in trying to maximise the space, | 0:36:47 | 0:36:50 | |
-but again, space is the thing. -That old one again. | 0:36:50 | 0:36:54 | |
-What about the garden? -I think it's a bit small. | 0:36:54 | 0:36:57 | |
If you don't mind me saying. | 0:36:57 | 0:36:58 | |
I don't mind you saying it, Jane, because you've said it, | 0:36:58 | 0:37:01 | |
-you've said it a lot this week. John? -Manageable. | 0:37:01 | 0:37:05 | |
I love the idea of this size of garden, obviously Jane's not so sure about it. | 0:37:05 | 0:37:08 | |
You see, it's just how you use words, Jane. | 0:37:08 | 0:37:11 | |
You're saying "small", John is saying "manageable". And I'm saying "easy". | 0:37:11 | 0:37:15 | |
-Which it is, all of those things. -Yes. | 0:37:15 | 0:37:18 | |
But let's get to that difficult bit, shall we? | 0:37:18 | 0:37:20 | |
I'm going to go slightly above our budget, I'm going to go for 510. | 0:37:20 | 0:37:25 | |
510, yeah. | 0:37:25 | 0:37:26 | |
It's got to be at the top of our budget, | 0:37:26 | 0:37:28 | |
so I'm going to go 499,999. | 0:37:28 | 0:37:34 | |
Just for kicks. THEY LAUGH | 0:37:34 | 0:37:37 | |
-You're closer to it. -Oh! -Yeah. It's 5... | 0:37:37 | 0:37:42 | |
-35. -Oh. | 0:37:42 | 0:37:44 | |
However, however, I have spoken to the owner and they are aware | 0:37:44 | 0:37:49 | |
of your budget, and so there is a conversation to be had if | 0:37:49 | 0:37:53 | |
this one was for you. So it's attainable, is the bottom line. | 0:37:53 | 0:37:57 | |
Go on, go and have a chat. | 0:37:57 | 0:37:59 | |
And I'll catch up with you a little bit later on. | 0:37:59 | 0:38:02 | |
Reflective of the area it's in, | 0:38:03 | 0:38:05 | |
this stone-built detached house has rung in at £35,000 over Jane | 0:38:05 | 0:38:10 | |
and John's budget, but it looks like there's room for negotiation. | 0:38:10 | 0:38:14 | |
The property may be young, but it still possesses character, plus it's | 0:38:14 | 0:38:18 | |
got just the kitchen-diner they're after, along with a utility room. | 0:38:18 | 0:38:22 | |
Here, there are enough bedrooms to accommodate their daughter as | 0:38:22 | 0:38:25 | |
well as guests, and outside there's an easy, manageable garden. | 0:38:25 | 0:38:29 | |
-So here's the little office. -Oh, this is nice as well. | 0:38:29 | 0:38:33 | |
-Could be used as a little workroom. -Yeah, sewing room, which is good. | 0:38:33 | 0:38:37 | |
-Something you quite like the idea of. -Yeah. -Your arts and crafts room. | 0:38:37 | 0:38:41 | |
Oh, yes, you know. | 0:38:41 | 0:38:42 | |
When I walked up to the front, I thought it was really a pretty house. | 0:38:42 | 0:38:46 | |
And when Jules said it was a new-build, I couldn't believe it. | 0:38:46 | 0:38:50 | |
It does look very nice from the outside. | 0:38:50 | 0:38:52 | |
When we entered the house, | 0:38:52 | 0:38:53 | |
I was really surprised by the finish, it's really lovely, | 0:38:53 | 0:38:56 | |
and I love that idea. I'm not into doing the home decorating as | 0:38:56 | 0:39:00 | |
much as Jane is, or changing the house around, so I thought the inside, | 0:39:00 | 0:39:03 | |
the finish on it was really good, I love the whole look of it like that. | 0:39:03 | 0:39:06 | |
It's the same situation we seem to have come up with before | 0:39:06 | 0:39:09 | |
where it's the actual space of downstairs. | 0:39:09 | 0:39:11 | |
And I must say, upstairs is terrific. | 0:39:11 | 0:39:13 | |
I don't know what to do, I like the house very much. | 0:39:13 | 0:39:16 | |
Upstairs, actually, was very nice. And I could work with that. | 0:39:16 | 0:39:21 | |
But I'm not sure if I could work with the downstairs, | 0:39:21 | 0:39:24 | |
and I didn't get that feeling that I want. | 0:39:24 | 0:39:27 | |
I'm waiting for the feeling to come, | 0:39:27 | 0:39:28 | |
that this is it, and I just didn't feel it. | 0:39:28 | 0:39:32 | |
-After you, Jane. -OK, thanks. -There we are, John. -Thank you. | 0:39:34 | 0:39:38 | |
Right, then, well... | 0:39:38 | 0:39:39 | |
-Clearly, the search goes on, doesn't it? -Certainly does. | 0:39:39 | 0:39:43 | |
Come on. | 0:39:43 | 0:39:44 | |
As we've seen, the Oxfordshire landscape lends itself to | 0:39:50 | 0:39:54 | |
fabulous architectural delights. | 0:39:54 | 0:39:56 | |
And Chastleton House near Moreton-in-Marsh in the Cotswolds is one of the rarest. | 0:39:56 | 0:40:01 | |
It was built at the beginning of the 17th century for Walter Jones, | 0:40:01 | 0:40:05 | |
a wool merchant and one of the nouveau riche who was climbing | 0:40:05 | 0:40:09 | |
the social ladder and wanted to show off his fortune through his home. | 0:40:09 | 0:40:13 | |
Over 200 years later, it was one of his descendants, Walter James Whitmore, | 0:40:13 | 0:40:18 | |
who made his name through his passion for croquet. | 0:40:18 | 0:40:21 | |
The house is thought to be one of the finest examples of a | 0:40:21 | 0:40:24 | |
complete Jacobean building still surviving in England. | 0:40:24 | 0:40:28 | |
The family sold it in the 1990s and it was then gifted to the | 0:40:28 | 0:40:31 | |
National Trust and the nation. | 0:40:31 | 0:40:34 | |
I've come to meet conservation assistant Julie Davis to learn more. | 0:40:34 | 0:40:38 | |
We're heading straight to the Great Hall, where an 18-foot table | 0:40:38 | 0:40:42 | |
has been standing since it was built in situ 400 years ago. | 0:40:42 | 0:40:46 | |
-Oh, wow. This is wonderful. -Amazing space, isn't it? | 0:40:48 | 0:40:53 | |
I mean, it's been described as a 17th-century time capsule, | 0:40:53 | 0:40:57 | |
but when you get inside it, you absolutely get that, don't you? | 0:40:57 | 0:41:00 | |
-Oh, definitely, yes. -And dare I say it, I can't help but notice all the dust. | 0:41:00 | 0:41:05 | |
SHE LAUGHS | 0:41:05 | 0:41:07 | |
And the slightly shabby feel. Is that something I'm allowed to mention? | 0:41:07 | 0:41:10 | |
-Yes, it's a Chastleton trademark. -HE LAUGHS | 0:41:10 | 0:41:13 | |
It certainly has that sense that the family literally just got up | 0:41:13 | 0:41:16 | |
-and left, almost yesterday. -Well, it was quite recently when the family left, | 0:41:16 | 0:41:20 | |
it was only 1991 when the last lady of the house left. | 0:41:20 | 0:41:23 | |
And do you think the scale of the property had just overwhelmed | 0:41:23 | 0:41:26 | |
-her at that point? -Oh, yes, I mean, the upkeep on a place like this, | 0:41:26 | 0:41:29 | |
as you can imagine, is enormous, the roof space alone, the roof, | 0:41:29 | 0:41:32 | |
keeping that watertight, etc. | 0:41:32 | 0:41:35 | |
But in a way, I suppose, that tells part of the story as to how | 0:41:35 | 0:41:38 | |
it survived, this wonderful Jacobean example. | 0:41:38 | 0:41:42 | |
Oh, yes, the family didn't have the funds to sort of update it and | 0:41:42 | 0:41:46 | |
put your Georgian facade on the front and make it look more modern. | 0:41:46 | 0:41:50 | |
They never had those funds, so it remains a time capsule, as you say. | 0:41:50 | 0:41:53 | |
So, do you think they were slightly eccentric to set about building this at the time? | 0:41:53 | 0:41:57 | |
Well, the idea was they would enter the gentry and become part of | 0:41:57 | 0:42:00 | |
the aristocracy and live that life, and of course to do that, | 0:42:00 | 0:42:03 | |
you need a large house and lots of land. | 0:42:03 | 0:42:05 | |
And you're buying, I suppose, a sense of pedigree, aren't you? | 0:42:05 | 0:42:08 | |
In terms of the way you furnish it, | 0:42:08 | 0:42:10 | |
the way you decorate it and the way you design it. | 0:42:10 | 0:42:12 | |
That's right, yes. | 0:42:12 | 0:42:14 | |
The house was in the same family for almost four centuries. | 0:42:14 | 0:42:17 | |
And fortuitously, it was their make do and mend philosophy which | 0:42:17 | 0:42:21 | |
has meant Chastleton has remained preserved in time. | 0:42:21 | 0:42:24 | |
When it acquired the property and all that comes with it, | 0:42:24 | 0:42:27 | |
the National Trust decided to continue this philosophy and | 0:42:27 | 0:42:30 | |
has employed a keep-as-found approach. | 0:42:30 | 0:42:33 | |
And nowhere is it more evident than below stairs, | 0:42:33 | 0:42:36 | |
which had lain untouched for over half a century. | 0:42:36 | 0:42:39 | |
So we're heading down into the kitchen. Oh! | 0:42:39 | 0:42:42 | |
-Yes, the temperature drops considerably when you get down here. -Doesn't it? | 0:42:42 | 0:42:45 | |
Oh, look at that, all the bells. | 0:42:45 | 0:42:48 | |
I mean, this would have been the kind of operations room, I suppose, for a house like this. | 0:42:48 | 0:42:51 | |
Oh, yes, it would have been a hive of activity in its day. | 0:42:51 | 0:42:54 | |
-Look at that. "Nursery." Is that "Doctor's chamber"? -Yes. | 0:42:54 | 0:42:57 | |
They had a doctor here. "Master bedroom." "The best bedroom." | 0:42:57 | 0:43:01 | |
-I wonder what the difference was. -I've no idea. -THEY LAUGH | 0:43:01 | 0:43:04 | |
I love that rather medieval looking serving hatch as well. | 0:43:04 | 0:43:07 | |
-Yes, that's amazing. It leads us through to the kitchen. -After you. | 0:43:07 | 0:43:10 | |
Oh, wow. | 0:43:14 | 0:43:16 | |
This is incredible. This is astonishing. | 0:43:16 | 0:43:20 | |
Nothing's changed in here. | 0:43:20 | 0:43:22 | |
When the door was closed on this room in the early 1930s, | 0:43:22 | 0:43:25 | |
this was all left in this condition and that's how we found it. | 0:43:25 | 0:43:29 | |
The ceiling looks like it needs a little bit of work, | 0:43:29 | 0:43:32 | |
but I imagine that's all part of the conservation ethic here. | 0:43:32 | 0:43:37 | |
There's a story behind the ceiling, that's why we've left it as it is. | 0:43:37 | 0:43:40 | |
Family legend says that if you disturb the ceiling, | 0:43:40 | 0:43:44 | |
ill will befall the family. | 0:43:44 | 0:43:46 | |
So hence it was always left like this, | 0:43:46 | 0:43:48 | |
so it's got 400 years of smoke and fat on there. | 0:43:48 | 0:43:52 | |
And we've retained that because it tells the story of the house. | 0:43:52 | 0:43:56 | |
And that story continues upstairs in the Great Chamber. | 0:43:56 | 0:43:59 | |
Look at that. What would have happened in here? | 0:43:59 | 0:44:01 | |
This is where all the important visitors would have come and | 0:44:01 | 0:44:04 | |
been entertained. | 0:44:04 | 0:44:06 | |
I know it seems odd it being on the first floor, | 0:44:06 | 0:44:08 | |
but they would have brought them up here because it's such | 0:44:08 | 0:44:11 | |
a grand room, and it would have shown off their wealth. | 0:44:11 | 0:44:14 | |
An even more impressive room is up on the second floor, | 0:44:14 | 0:44:17 | |
and it may look familiar. | 0:44:17 | 0:44:19 | |
All 72 feet of it recently featured in the television adaptation | 0:44:19 | 0:44:23 | |
of the novel Wolf Hall, | 0:44:23 | 0:44:25 | |
telling the 16th century story of Thomas Cromwell's life. | 0:44:25 | 0:44:28 | |
-Nearly there. -HE LAUGHS | 0:44:30 | 0:44:32 | |
-Wow. -Welcome to the Long Gallery. -This is amazing. | 0:44:35 | 0:44:39 | |
Yes, let's go for a stroll, this is what this was used for. | 0:44:39 | 0:44:42 | |
In wet weather, they used to exercise in here. | 0:44:42 | 0:44:44 | |
And when we did some work under the floorboards, | 0:44:44 | 0:44:47 | |
we found some shuttlecocks, table tennis balls, etc. | 0:44:47 | 0:44:50 | |
So they obviously played games in here as well. | 0:44:50 | 0:44:52 | |
No surprise it's sited at the top of the building because the | 0:44:52 | 0:44:56 | |
landscape out there is absolutely wonderful. | 0:44:56 | 0:44:58 | |
So whatever the weather is doing, I guess you feel connected to | 0:44:58 | 0:45:01 | |
-the outside, even though you're nice and dry. -Yes. | 0:45:01 | 0:45:03 | |
It's really, really fascinating, Julie. | 0:45:03 | 0:45:05 | |
Thank you very much indeed, and I have to confess, | 0:45:05 | 0:45:07 | |
I do rather like the fact you've left the dust and cobwebs alone. | 0:45:07 | 0:45:11 | |
-Well done. -Thank you. | 0:45:11 | 0:45:13 | |
Well, now, I'm going to dust myself down and get back to our | 0:45:13 | 0:45:16 | |
search for an equally fabulous Oxfordshire abode. | 0:45:16 | 0:45:19 | |
Well, we have one more roll of the dice, Jane. Our Mystery House. | 0:45:24 | 0:45:27 | |
Any ideas what it might be? What should it be in your mind's eye now? | 0:45:27 | 0:45:32 | |
Well, I've been thinking about this. | 0:45:32 | 0:45:35 | |
It's because you've given us several options. | 0:45:35 | 0:45:38 | |
And filled the brief we've asked for, really. | 0:45:38 | 0:45:42 | |
Apart from, it's the space, so either | 0:45:42 | 0:45:46 | |
it'll be a project that we'd have to do up, maybe... | 0:45:46 | 0:45:50 | |
a barn conversion, maybe. | 0:45:50 | 0:45:53 | |
Well, it's certainly an interesting property. | 0:45:53 | 0:45:55 | |
-It's got spades of character. -Right. | 0:45:55 | 0:45:59 | |
And it may give you a little more space. | 0:45:59 | 0:46:03 | |
But not everywhere. | 0:46:03 | 0:46:05 | |
-There's the riddle. -Oh. -JULES LAUGHS | 0:46:05 | 0:46:08 | |
Not everywhere... | 0:46:08 | 0:46:09 | |
For our last visit, we're nipping just over Oxfordshire's | 0:46:12 | 0:46:15 | |
western border into Gloucestershire, and closer to Jane's daughter, Sian. | 0:46:15 | 0:46:19 | |
Our destination is the Cotswold village of Little Rissington. | 0:46:19 | 0:46:23 | |
Pretty stone houses are a feature here, lining the narrow | 0:46:23 | 0:46:26 | |
streets, and the village hall is the centre of the local community. | 0:46:26 | 0:46:30 | |
Just two miles away is Bourton-on-the-Water, | 0:46:30 | 0:46:33 | |
which is one of the most famous and quaint of Cotswold towns. | 0:46:33 | 0:46:36 | |
Here, lots of shops and restaurants can be found sitting either | 0:46:36 | 0:46:40 | |
side of the River Windrush. | 0:46:40 | 0:46:42 | |
A few minutes' drive away, | 0:46:42 | 0:46:43 | |
back in the heart of Little Rissington, is our final offering. | 0:46:43 | 0:46:47 | |
Right then, there we are. | 0:46:48 | 0:46:49 | |
-The riddle is over. -Wow. -This is our Mystery House. | 0:46:49 | 0:46:53 | |
It is, technically, a semi, but what a semi. | 0:46:53 | 0:46:58 | |
It's fabulous, I can't... | 0:46:58 | 0:47:00 | |
I don't know what to say! | 0:47:00 | 0:47:01 | |
We have shown you, I think, some really good examples of | 0:47:01 | 0:47:04 | |
Cotswolds property this week, but, to me, | 0:47:04 | 0:47:06 | |
we have saved the best till last. | 0:47:06 | 0:47:08 | |
-This is classic. -Yeah. | 0:47:08 | 0:47:09 | |
We think it's about 17th century. | 0:47:09 | 0:47:11 | |
The oldest of the lot that we've been able to show you. | 0:47:11 | 0:47:13 | |
And knowing that space is the key ingredient, | 0:47:13 | 0:47:16 | |
as far as you're concerned, Jane. I think we've all understood that now. | 0:47:16 | 0:47:20 | |
This one takes away in that it doesn't have a garden, particularly. | 0:47:20 | 0:47:23 | |
It's more of a small courtyard, but it does give you that | 0:47:23 | 0:47:25 | |
all-important extra reception room and it's all brand-new. | 0:47:25 | 0:47:30 | |
All right. | 0:47:30 | 0:47:31 | |
Let's see what you think. | 0:47:31 | 0:47:33 | |
Our mystery farmhouse couldn't be more appealing | 0:47:33 | 0:47:35 | |
on the outside, with its facade of Cotswold stone, | 0:47:35 | 0:47:39 | |
mullioned windows and roll-moulded stone steps. | 0:47:39 | 0:47:42 | |
It was extended to the rear late last century | 0:47:42 | 0:47:44 | |
and has been recently renovated on the inside. | 0:47:44 | 0:47:47 | |
The property is currently vacant and just awaiting its new owners. | 0:47:47 | 0:47:51 | |
We are heading straight into the largest reception room. | 0:47:51 | 0:47:54 | |
I'm very, very excited to see what you think of this. | 0:47:54 | 0:47:57 | |
You've got the wow. | 0:47:57 | 0:47:59 | |
It's got the beams. | 0:47:59 | 0:48:00 | |
They're not too low, are they? | 0:48:00 | 0:48:01 | |
No, no, it's a lovely space, isn't it? | 0:48:01 | 0:48:03 | |
Oh, God, it's gorgeous. | 0:48:03 | 0:48:05 | |
Love the fireplace. | 0:48:06 | 0:48:07 | |
You're giggling! | 0:48:07 | 0:48:08 | |
I shed a tear. | 0:48:10 | 0:48:12 | |
Good. | 0:48:12 | 0:48:13 | |
Just cos you heard Jane for the first time, "This space..." | 0:48:13 | 0:48:16 | |
It's got all those classic hallmarks of a beautiful Cotswold property. | 0:48:16 | 0:48:19 | |
I know. I can see. | 0:48:19 | 0:48:22 | |
It's got character and space and just looks so... | 0:48:22 | 0:48:25 | |
I don't know, just big and lovely. It's incredible. | 0:48:25 | 0:48:28 | |
This would have been, like, the main reception room. | 0:48:28 | 0:48:31 | |
It clearly will fulfil that function as probably your main, sort of, | 0:48:31 | 0:48:35 | |
living space, but we've got the addition of this | 0:48:35 | 0:48:38 | |
other reception room or dining room or whatever you want it to be. | 0:48:38 | 0:48:43 | |
-Again, another really lovely space. -Oh, yes. | 0:48:43 | 0:48:46 | |
-It's had a lot of thought put into it... -Yeah. | 0:48:46 | 0:48:49 | |
..to give it that modern twist to make it amenable to modern life. | 0:48:49 | 0:48:52 | |
Not least, kitchen. | 0:48:52 | 0:48:55 | |
Check this out. | 0:48:55 | 0:48:56 | |
Can't wait. | 0:48:56 | 0:48:58 | |
All crisp, all new. | 0:48:58 | 0:48:59 | |
Oh, it's lovely. | 0:48:59 | 0:49:01 | |
I love the colour it's done. | 0:49:01 | 0:49:03 | |
Everything is integrated, fridge, washing machine, etc. | 0:49:03 | 0:49:06 | |
Oh, is it? | 0:49:06 | 0:49:07 | |
Downstairs loo here, the new boiler is in there. | 0:49:07 | 0:49:10 | |
-I love this idea here. -Yeah. -I think that really works there. | 0:49:10 | 0:49:13 | |
You could imagine the table there, | 0:49:13 | 0:49:15 | |
with that little, sort of, little nook there. | 0:49:15 | 0:49:17 | |
It sounds like Jane and John's furniture has already moved into our | 0:49:18 | 0:49:22 | |
Mystery House and there's also lots to capture their | 0:49:22 | 0:49:25 | |
imagination upstairs. | 0:49:25 | 0:49:26 | |
On the first floor, two bedrooms provide just as much period charm | 0:49:26 | 0:49:30 | |
as downstairs. | 0:49:30 | 0:49:32 | |
There's a double with a feature window seat and aspects to | 0:49:32 | 0:49:34 | |
both front and rear. | 0:49:34 | 0:49:37 | |
A smaller but equally well finished room sits opposite | 0:49:37 | 0:49:40 | |
a beautifully tiled family bathroom. | 0:49:40 | 0:49:42 | |
But we're heading up to the second floor, | 0:49:42 | 0:49:44 | |
where there's what can only be described as a master suite. | 0:49:44 | 0:49:48 | |
So, here we are right at the top of the building, | 0:49:48 | 0:49:50 | |
in amongst the roof timbers. | 0:49:50 | 0:49:52 | |
-Come over here. -Mind your head, John. | 0:49:52 | 0:49:56 | |
-Come over here, mate. -Nothing like a bit of slapstick. | 0:49:56 | 0:49:59 | |
We love the finish on it, it really is interesting. | 0:49:59 | 0:50:01 | |
-The beams and everything. -It's lovely, isn't it? | 0:50:01 | 0:50:04 | |
It gives you the entire top floor and you've got this | 0:50:04 | 0:50:06 | |
en suite through here. This is very different. | 0:50:06 | 0:50:09 | |
It's got this lovely ceramic floor. | 0:50:10 | 0:50:13 | |
-Oh, my goodness! -Underfloor heating. | 0:50:13 | 0:50:16 | |
-Look at that. -There's a bath, eh? | 0:50:16 | 0:50:17 | |
-Yeah. -Can you see yourself in there? | 0:50:17 | 0:50:21 | |
I definitely can. | 0:50:21 | 0:50:22 | |
The shower is lovely, kind of waterfall shower. | 0:50:22 | 0:50:25 | |
It's lovely, I love it. | 0:50:25 | 0:50:27 | |
-Do you love it? -I do, I do. | 0:50:28 | 0:50:30 | |
I'm not going to be, "Yes, I love it, I love it." | 0:50:30 | 0:50:32 | |
I do. There's certain things cos it's got that smallness about it, | 0:50:32 | 0:50:35 | |
-to me, I feel like I'm going to be... -Yes. -..around about. | 0:50:35 | 0:50:37 | |
But the style and finish is unbelievable. | 0:50:37 | 0:50:39 | |
Smallness in terms of the access up the stairs | 0:50:39 | 0:50:41 | |
-to get to this master bedroom? -Yeah. -Right. | 0:50:41 | 0:50:43 | |
But the house as a whole, I think we do agree... | 0:50:43 | 0:50:45 | |
-It's just unbelievable. -It's absolutely stunning. | 0:50:45 | 0:50:48 | |
..a step forward in size and space. | 0:50:48 | 0:50:50 | |
Yeah, definitely. | 0:50:50 | 0:50:51 | |
There's no two ways about it - this house is stunning. | 0:50:51 | 0:50:55 | |
But because the old farmhouse and outbuildings here were | 0:50:55 | 0:50:57 | |
converted into five homes, | 0:50:57 | 0:50:59 | |
it means the outside space that comes with our Mystery House | 0:50:59 | 0:51:03 | |
is rather compact, consisting of just a small courtyard. | 0:51:03 | 0:51:06 | |
It does, however, encompass two parking spaces there. | 0:51:06 | 0:51:11 | |
-OK. -That is the downside. | 0:51:11 | 0:51:13 | |
-But... -I know, I know. -..all of that. | 0:51:13 | 0:51:15 | |
Have a seat. Come on, let's give this one a bit of consideration. | 0:51:15 | 0:51:19 | |
It's a lovely house, beautiful. | 0:51:19 | 0:51:21 | |
It moved you, I think. | 0:51:21 | 0:51:22 | |
It did. | 0:51:22 | 0:51:24 | |
I got it there. | 0:51:24 | 0:51:25 | |
I mean, it isn't the garden I wanted but I think you could | 0:51:25 | 0:51:28 | |
overcome it, actually. | 0:51:28 | 0:51:29 | |
Just looking at this hedge here. | 0:51:29 | 0:51:31 | |
You could actually extend that and that would actually make | 0:51:31 | 0:51:35 | |
a big difference. | 0:51:35 | 0:51:37 | |
OK, well, look, let's finish it all off, shall we? | 0:51:37 | 0:51:41 | |
Final guess of the week. | 0:51:41 | 0:51:42 | |
-Shall I go first on this one? -Go on, then, John. -You go. -OK. | 0:51:42 | 0:51:45 | |
I would say it's right at the top end of our budget | 0:51:45 | 0:51:48 | |
and I'm thinking... | 0:51:48 | 0:51:50 | |
Hoping, hoping of 525. | 0:51:50 | 0:51:53 | |
I think I'll go 510. | 0:51:53 | 0:51:55 | |
510? | 0:51:55 | 0:51:57 | |
You're hoping at 525. | 0:51:57 | 0:51:59 | |
Here's hoping then. | 0:51:59 | 0:52:01 | |
495. | 0:52:01 | 0:52:03 | |
Wow. | 0:52:03 | 0:52:04 | |
That's a shock. | 0:52:04 | 0:52:06 | |
A good one! | 0:52:06 | 0:52:07 | |
-A good shock. -Yeah. | 0:52:07 | 0:52:09 | |
Go and wander round, be inspired, soak it up. | 0:52:09 | 0:52:11 | |
And I will come and find you a little bit later on. | 0:52:11 | 0:52:14 | |
-OK. -Off you go. -OK. | 0:52:14 | 0:52:16 | |
In the meantime, the house tour's over, I'm going to relax. | 0:52:16 | 0:52:20 | |
This beautiful 17th-century farmhouse would leave our buyers | 0:52:22 | 0:52:26 | |
£5,000 spare from their budget if they made it their home. | 0:52:26 | 0:52:30 | |
It's full of character and has the space they want, | 0:52:30 | 0:52:34 | |
with two reception rooms plus a spacious kitchen-diner. | 0:52:34 | 0:52:38 | |
There are enough bedrooms for their daughter and guests | 0:52:38 | 0:52:40 | |
and, throughout the house, everything has been finished | 0:52:40 | 0:52:43 | |
to a really high standard. | 0:52:43 | 0:52:45 | |
The only compromise that I can see is the lack of | 0:52:45 | 0:52:48 | |
a meaningful garden for the dogs. | 0:52:48 | 0:52:50 | |
I just want to see what it's like when we're lying in bed here. | 0:52:51 | 0:52:55 | |
I know it's a bit crazy. Let's just lie down. | 0:52:55 | 0:52:56 | |
What, you want us to lie down on the floor? OK. | 0:52:56 | 0:52:59 | |
This is a bit different, isn't it? | 0:52:59 | 0:53:01 | |
I think our bed would fit in this space. | 0:53:04 | 0:53:06 | |
Definitely, yeah. | 0:53:06 | 0:53:07 | |
As we're lying here on the floor, I think it would. | 0:53:07 | 0:53:10 | |
Yeah. | 0:53:10 | 0:53:11 | |
I'm a bit blown away with this house. | 0:53:11 | 0:53:13 | |
It's stunning. | 0:53:13 | 0:53:14 | |
When I saw it from the outside, I thought, | 0:53:14 | 0:53:16 | |
"This is going to be it, this is going to be it" | 0:53:16 | 0:53:19 | |
and when I came in, I nearly cried actually, | 0:53:19 | 0:53:22 | |
it was so gorgeous and it's just the sort of thing we are looking for. | 0:53:22 | 0:53:25 | |
When we came inside and the house opened up, | 0:53:25 | 0:53:27 | |
it was so beautifully finished, we were just, like, quite | 0:53:27 | 0:53:30 | |
knocked out by it and, looking round, the house was really interesting. | 0:53:30 | 0:53:34 | |
All the way they've done all the features to it, | 0:53:34 | 0:53:36 | |
the way the fireplace looked and all that, it was just incredible. | 0:53:36 | 0:53:38 | |
We're going to go away and seriously think what we could to with that | 0:53:38 | 0:53:41 | |
back patio. | 0:53:41 | 0:53:42 | |
But it's a lovely house. | 0:53:44 | 0:53:46 | |
You have challenged me this week, but I think we've got there. | 0:53:48 | 0:53:52 | |
I think we might have. | 0:53:52 | 0:53:53 | |
Possibly. But we've certainly given you lots to think about, | 0:53:53 | 0:53:56 | |
so I think that's what you need to do. | 0:53:56 | 0:53:58 | |
Go and mull it all over and then we'll see what happens next, shall we? | 0:53:58 | 0:54:00 | |
-OK. -Yeah. -After you. -OK. | 0:54:00 | 0:54:04 | |
Well, it has been a challenging search this week, | 0:54:07 | 0:54:10 | |
not least for Jane and for John, in more ways than one. | 0:54:10 | 0:54:13 | |
But, of course, has it been worthwhile? | 0:54:13 | 0:54:15 | |
Well, let's go and catch up with them and find out. | 0:54:15 | 0:54:18 | |
Well, Jane and John. How are we doing? | 0:54:21 | 0:54:24 | |
-Yeah, fine. -Great, thanks. -Yeah? -Thank you. | 0:54:24 | 0:54:26 | |
It's been a really interesting week and I don't just mean in | 0:54:26 | 0:54:29 | |
terms of the properties we've been able to show you, but I'm | 0:54:29 | 0:54:32 | |
particularly intrigued by your journey. | 0:54:32 | 0:54:36 | |
It sounds like a bit of a cliche but I think you've gone through | 0:54:36 | 0:54:40 | |
a bit of a roller coaster in terms of how you've had to redefine what it is you're looking for. | 0:54:40 | 0:54:44 | |
-Is that fair? -Yes, I think it is. -Yeah. | 0:54:44 | 0:54:45 | |
I think the properties that we've looked at have been | 0:54:45 | 0:54:48 | |
really interesting, particularly the Mystery House. | 0:54:48 | 0:54:50 | |
We loved every part of the house. | 0:54:50 | 0:54:52 | |
The only stumbling block was the garden, unfortunately, | 0:54:52 | 0:54:54 | |
but it's given us the realisation of what we do want, | 0:54:54 | 0:54:56 | |
what we're expecting for our budget and what we'll need to get for it. | 0:54:56 | 0:55:01 | |
So, we might have to think of a broader area that we | 0:55:01 | 0:55:04 | |
look in for that. It might mean me travelling a little more, | 0:55:04 | 0:55:07 | |
but that's what's been really helpful. | 0:55:07 | 0:55:09 | |
It's given us those sort of ideas now which we can move forward with. | 0:55:09 | 0:55:12 | |
How do you see your future property search going? | 0:55:12 | 0:55:15 | |
There's two houses, as far as I can see. | 0:55:15 | 0:55:18 | |
The Mystery House was gorgeous and I did get the feeling for that. | 0:55:18 | 0:55:23 | |
And the other house with the long garden, | 0:55:23 | 0:55:26 | |
with the higgledy-piggledy kitchen, I loved that house and | 0:55:26 | 0:55:29 | |
I would be prepared to think, maybe, doing something at the back | 0:55:29 | 0:55:33 | |
with the kitchen. | 0:55:33 | 0:55:35 | |
If only they were rolled into one. | 0:55:35 | 0:55:36 | |
It is frustrating. | 0:55:36 | 0:55:38 | |
You know, there's no two ways about it - | 0:55:38 | 0:55:39 | |
in anybody's book, your budget is not small. | 0:55:39 | 0:55:42 | |
Exactly. | 0:55:42 | 0:55:44 | |
-£500,000, we'd all love to have to spend. -You'd think... | 0:55:44 | 0:55:47 | |
But I'm afraid, we are in a very, very pricey part of the world. | 0:55:47 | 0:55:51 | |
But it's not the only part of the country which you could consider. | 0:55:51 | 0:55:54 | |
I think we'll find it, though. | 0:55:54 | 0:55:55 | |
-Oh, I'm sure we will. -I think we will. | 0:55:55 | 0:55:58 | |
I'm sure you will. | 0:55:58 | 0:55:59 | |
But you've helped us so much to make us realise what it is we want. | 0:55:59 | 0:56:03 | |
I am absolutely certain you will get there in the end. | 0:56:03 | 0:56:07 | |
I hope so. | 0:56:07 | 0:56:08 | |
We've had such a good time, anyway, at trying. | 0:56:08 | 0:56:10 | |
Well, exactly, and let's face it, trying is half the battle. | 0:56:10 | 0:56:13 | |
-Yeah. -Yes, it is. | 0:56:13 | 0:56:15 | |
Brilliant, guys, well done. Best of luck. | 0:56:15 | 0:56:17 | |
-Thanks very much. -Thank you. | 0:56:17 | 0:56:19 | |
Well, the business of managing expectations is one that's common | 0:56:22 | 0:56:26 | |
to many a house-hunt. | 0:56:26 | 0:56:27 | |
But to be honest, it is easier said than done. | 0:56:27 | 0:56:30 | |
On the one hand, you want to harness the obvious passion that your | 0:56:30 | 0:56:33 | |
buyers have for property and their ambitions that go with it, | 0:56:33 | 0:56:36 | |
but, of course, on the other, you don't want to dent their enthusiasm | 0:56:36 | 0:56:39 | |
in the face of whatever challenges you may come across. | 0:56:39 | 0:56:43 | |
It is a tricky balance but I think we've managed it this week. | 0:56:43 | 0:56:47 | |
Of course, for Jane and John, their house-hunt will continue. | 0:56:47 | 0:56:50 | |
But I think one thing is for sure - they'll go about it | 0:56:50 | 0:56:53 | |
with a great sense of fun. | 0:56:53 | 0:56:55 | |
I'll see you next time. | 0:56:55 | 0:56:57 | |
Well, I'm pleased to say that having expanded their search area, | 0:56:57 | 0:57:00 | |
Jane and John have had an offer accepted | 0:57:00 | 0:57:02 | |
on a thatched cottage in Wiltshire. | 0:57:02 | 0:57:04 | |
We wish them all the best of luck. | 0:57:04 | 0:57:06 | |
If you would like to escape to the country in | 0:57:06 | 0:57:08 | |
Northern Ireland, Scotland, Wales or England and would like our help, | 0:57:08 | 0:57:12 | |
then please apply online at... | 0:57:12 | 0:57:14 |