Browse content similar to South Devon. Check below for episodes and series from the same categories and more!
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The view behind me was the inspiration | 0:00:02 | 0:00:03 | |
for a very evocative hymn penned by a local clergyman in 1847, | 0:00:03 | 0:00:07 | |
which, to this day, brings tears to the eyes of British sport fans. | 0:00:07 | 0:00:11 | |
I wonder if you can guess which hymn it is and where I might be. | 0:00:11 | 0:00:15 | |
I'll let you know in just a few moments. | 0:00:15 | 0:00:17 | |
Today, it's good old country air | 0:00:34 | 0:00:36 | |
that's attracting an artistic duo to move south. | 0:00:36 | 0:00:39 | |
And our houses are met with a warm reception. | 0:00:39 | 0:00:42 | |
-It has that nice feel about it. -It's got a cosy feel, hasn't it? | 0:00:42 | 0:00:45 | |
-Yes, that's it. That's the very word I was looking for. Cosy. -Yes. | 0:00:45 | 0:00:48 | |
There are also some surprises in store. | 0:00:48 | 0:00:51 | |
We certainly weren't asking for period, but... | 0:00:51 | 0:00:53 | |
this may be an exception. | 0:00:53 | 0:00:55 | |
Today, I'm here in the beautiful county of Devon, | 0:00:59 | 0:01:02 | |
and this is All Saints' Church in Brixham, | 0:01:02 | 0:01:05 | |
where the Reverend Henry Francis Lyte was the vicar. | 0:01:05 | 0:01:08 | |
Tragically, he contracted tuberculosis | 0:01:08 | 0:01:10 | |
and had just a few weeks left to live | 0:01:10 | 0:01:12 | |
when he wrote the evocative words to Abide With Me, | 0:01:12 | 0:01:16 | |
a hymn that's gone on to be sung at every FA Cup final since 1927. | 0:01:16 | 0:01:21 | |
His legacy is the creation of a beloved British sporting anthem, | 0:01:21 | 0:01:25 | |
and every evening, here in Brixham, | 0:01:25 | 0:01:27 | |
the streets echo to the sound of church bells | 0:01:27 | 0:01:30 | |
ringing out that famous tune. | 0:01:30 | 0:01:32 | |
The county of Devon is located in the area of England | 0:01:32 | 0:01:36 | |
known as the West Country, | 0:01:36 | 0:01:38 | |
with Cornwall to one side and Somerset and Dorset to the other. | 0:01:38 | 0:01:42 | |
It features two striking coastlines. | 0:01:42 | 0:01:45 | |
The northern one faces out to the Bristol Channel, | 0:01:45 | 0:01:47 | |
whilst the southern one includes a large section of the Jurassic Coast, | 0:01:47 | 0:01:52 | |
England's first Natural World Heritage site. | 0:01:52 | 0:01:55 | |
The cliffs here are a 250-million-year walk through time, | 0:01:55 | 0:02:00 | |
with some of the oldest and most recent rock formations | 0:02:00 | 0:02:04 | |
both located in the county. | 0:02:04 | 0:02:06 | |
Inland, Dartmoor National Park combines broad expanses | 0:02:06 | 0:02:11 | |
of open moorland and densely wooded or gorse-scattered hills. | 0:02:11 | 0:02:15 | |
Dartmoor's deep valleys are home to atmospheric villages | 0:02:15 | 0:02:19 | |
and small towns like Chagford. | 0:02:19 | 0:02:21 | |
Known for its well-preserved 15th and 16th-century buildings, | 0:02:21 | 0:02:26 | |
including an impressive octagonal market house, | 0:02:26 | 0:02:29 | |
legend has it that a wedding day tragedy in the local church | 0:02:29 | 0:02:33 | |
inspired the 19th-century historical novel Lorna Doone. | 0:02:33 | 0:02:38 | |
Dartmoor is also where the two sources of the River Dart combine. | 0:02:38 | 0:02:42 | |
Thought to be named from the Celtic "river where the oak trees grow", | 0:02:42 | 0:02:46 | |
it's a description of the waterway that remains true to this day. | 0:02:46 | 0:02:49 | |
Journeying south, the Dart meanders through the market town of Totnes. | 0:02:51 | 0:02:56 | |
Claimed to have more listed buildings per capita | 0:02:56 | 0:02:58 | |
than any other town in Britain, | 0:02:58 | 0:03:00 | |
it's also become something of a centre for arts and crafts. | 0:03:00 | 0:03:04 | |
So, with its unique coastlines, extraordinary landscapes | 0:03:04 | 0:03:09 | |
and historic towns and villages, | 0:03:09 | 0:03:11 | |
Devon is a county that provides a captivating mixture | 0:03:11 | 0:03:15 | |
for both a temporary or more permanent country escape. | 0:03:15 | 0:03:18 | |
With so much on offer, it's no surprise that here in Devon, | 0:03:19 | 0:03:23 | |
the average price of a detached house | 0:03:23 | 0:03:25 | |
is £20,000 above the national figure, at almost £310,000. | 0:03:25 | 0:03:31 | |
And in hotspots like Dartmouth on the River Dart, | 0:03:31 | 0:03:34 | |
that can quickly rise. | 0:03:34 | 0:03:35 | |
So if you want your money to stretch further, | 0:03:35 | 0:03:38 | |
it's worth coming north of the A38, | 0:03:38 | 0:03:39 | |
away from the coast, to towns like Buckfastleigh and Ivybridge. | 0:03:39 | 0:03:43 | |
But what about today's house-hunters? What are they after? | 0:03:43 | 0:03:46 | |
Let's find out a little bit more about them. | 0:03:46 | 0:03:49 | |
Professional storyteller Janet | 0:03:49 | 0:03:51 | |
and her retired systems engineer husband Jeff | 0:03:51 | 0:03:54 | |
met 25 years ago over their love of classical music. | 0:03:54 | 0:03:59 | |
We went to the same event and we saw each other and... | 0:03:59 | 0:04:03 | |
lo, and behold! | 0:04:03 | 0:04:04 | |
He sat next to me in the Proms, | 0:04:06 | 0:04:09 | |
and then afterwards, we went for a drink. | 0:04:09 | 0:04:12 | |
True love blossomed and they never looked back. | 0:04:12 | 0:04:15 | |
So we got married in '94. | 0:04:15 | 0:04:17 | |
-Yeah, so it's 21 years. -Yeah. | 0:04:17 | 0:04:19 | |
The things she gets me into... | 0:04:19 | 0:04:21 | |
You never know what's going to happen next week. | 0:04:22 | 0:04:25 | |
Jeff is a man who takes his time to think about things. | 0:04:25 | 0:04:28 | |
Erm... And he doesn't rush into things | 0:04:28 | 0:04:31 | |
and I have to say, I do get him into some scrapes. | 0:04:31 | 0:04:35 | |
Certainly, some extraordinary experiences. | 0:04:35 | 0:04:39 | |
But, you know, that's what life's about. | 0:04:39 | 0:04:41 | |
They have lived together in their four-bedroom bungalow | 0:04:42 | 0:04:45 | |
in Ewell in Surrey for 23 years, | 0:04:45 | 0:04:48 | |
but it's been home to Jeff for even longer. | 0:04:48 | 0:04:50 | |
I bought this bungalow with my brother over 30 years ago. | 0:04:50 | 0:04:56 | |
-And then... -Ha-ha! -..Janet came into my life. | 0:04:56 | 0:04:59 | |
And we fitted our lifestyle around it. | 0:04:59 | 0:05:05 | |
I'm afraid so. | 0:05:05 | 0:05:06 | |
It's a very nice cul-de-sac, nice neighbours. | 0:05:06 | 0:05:10 | |
But... | 0:05:11 | 0:05:12 | |
It's off a dual carriageway, | 0:05:12 | 0:05:15 | |
and we're just 400 yards from the boundary with Greater London. | 0:05:15 | 0:05:21 | |
Unfortunately, Janet has faced health problems over the years | 0:05:21 | 0:05:25 | |
and living so close to the big smoke often makes matters worse. | 0:05:25 | 0:05:30 | |
The hope is that a move to the country, | 0:05:30 | 0:05:32 | |
with access to fresh sea air, will provide something of a tonic. | 0:05:32 | 0:05:36 | |
So we want to look to going to the country or by the seaside... | 0:05:37 | 0:05:40 | |
-Yes. -..because the air will be cleaner. | 0:05:40 | 0:05:43 | |
So part of it is a health reason. | 0:05:43 | 0:05:45 | |
And after a trial run, they know just where they'd love to be. | 0:05:45 | 0:05:50 | |
We plan to move to Devon... | 0:05:50 | 0:05:51 | |
..focus somewhere around Sidmouth. | 0:05:53 | 0:05:55 | |
We have a flat in Sidmouth which we've been using | 0:05:55 | 0:05:58 | |
for the past four years as kind of a transition flat. | 0:05:58 | 0:06:00 | |
Get to know the area and get to know people. | 0:06:00 | 0:06:03 | |
I know Sidmouth very well. I've been going there since 1976. | 0:06:03 | 0:06:10 | |
I love the countryside, I love walking in the countryside. | 0:06:10 | 0:06:13 | |
I like doing activities. | 0:06:13 | 0:06:16 | |
You know, I used to be an orienteer, | 0:06:17 | 0:06:19 | |
so I'm not running through the country. | 0:06:19 | 0:06:21 | |
But past that now, but I loved it. | 0:06:21 | 0:06:25 | |
They won't be relocating alone. | 0:06:25 | 0:06:28 | |
Janet's love of a good read | 0:06:28 | 0:06:30 | |
means that they'll have plenty of company | 0:06:30 | 0:06:32 | |
in the form of a rather large amount of reading material. | 0:06:32 | 0:06:36 | |
At my peak, I had 3,000 books | 0:06:36 | 0:06:38 | |
which went into the library and into the dining room and... | 0:06:38 | 0:06:43 | |
We kept the living room, didn't we, free of books? | 0:06:43 | 0:06:46 | |
-Well, I've been packing my books since last November. -Yes. | 0:06:46 | 0:06:50 | |
And that's why we've got 160-odd boxes in the garage at the moment. | 0:06:50 | 0:06:54 | |
Yes, that's true! | 0:06:54 | 0:06:56 | |
And that doesn't include the thousands I've given away. | 0:06:56 | 0:07:01 | |
Janet is planning to continue her storytelling after the move, | 0:07:01 | 0:07:05 | |
something which first arose from her background as a social worker. | 0:07:05 | 0:07:09 | |
As well as telling stories as pure performance, she also uses | 0:07:09 | 0:07:13 | |
storytelling as a therapeutic tool for both adults and children. | 0:07:13 | 0:07:17 | |
And Jeff will have plenty to keep him busy too. | 0:07:17 | 0:07:21 | |
I have three main interests, | 0:07:21 | 0:07:24 | |
one of which is photography, | 0:07:24 | 0:07:27 | |
the other is golf | 0:07:27 | 0:07:29 | |
and the third is volunteering. | 0:07:29 | 0:07:32 | |
I've been volunteering with the Epsom Riding for the Disabled group | 0:07:32 | 0:07:36 | |
now for 15 years, | 0:07:36 | 0:07:37 | |
and I'm hoping to explore the opportunities | 0:07:37 | 0:07:40 | |
wherever it is we end up | 0:07:40 | 0:07:43 | |
for the local Riding for the Disabled. | 0:07:43 | 0:07:45 | |
With their bungalow already sold, | 0:07:45 | 0:07:47 | |
it's time to get the ball rolling on their property search. | 0:07:47 | 0:07:51 | |
So they'll shortly be moving to their flat in Sidmouth | 0:07:51 | 0:07:54 | |
while they wait for their Devonshire dream home to come along. | 0:07:54 | 0:07:58 | |
I'm really looking forward to moving down to Devon. | 0:07:58 | 0:08:00 | |
I want to be able to walk out of my front door and be in country, | 0:08:00 | 0:08:04 | |
breathing in the fresh air, but also being able to enjoy seeing nature. | 0:08:04 | 0:08:09 | |
I've only ever lived in two houses, | 0:08:09 | 0:08:12 | |
one I was born in and this one, | 0:08:12 | 0:08:15 | |
but we're moving on to new adventures in Devon. | 0:08:15 | 0:08:19 | |
Janet and Jeff have asked us to concentrate our search | 0:08:21 | 0:08:25 | |
in South Devon, between Plymouth and Exmouth, | 0:08:25 | 0:08:27 | |
an area to the west of their flat in Sidmouth. | 0:08:27 | 0:08:30 | |
'And before we begin the story of their house-hunt, | 0:08:30 | 0:08:33 | |
'I'm meeting them in Devon to make sure I'm absolutely clear | 0:08:33 | 0:08:36 | |
'about what it is they are looking for.' | 0:08:36 | 0:08:39 | |
Well, Janet, Jeff, welcome to Devon. | 0:08:39 | 0:08:41 | |
-Thank you. -So what kind of thing are you searching for? | 0:08:41 | 0:08:44 | |
A minimum of four bedrooms, | 0:08:44 | 0:08:46 | |
and make sure that both Janet and I have a place to work, | 0:08:46 | 0:08:52 | |
a nice study area. | 0:08:52 | 0:08:53 | |
So, two studies, a home for the books and lots of bedrooms. | 0:08:53 | 0:08:56 | |
This is just for the two of you? | 0:08:56 | 0:08:58 | |
Well, we've got lots of family we want to come and visit, | 0:08:58 | 0:09:01 | |
and friends to visit, | 0:09:01 | 0:09:02 | |
but I also like running workshops with storytellers. | 0:09:02 | 0:09:05 | |
Is there anything you're not looking for? | 0:09:05 | 0:09:07 | |
I'd prefer not to have thatch. | 0:09:07 | 0:09:10 | |
OK. And what are the must haves? | 0:09:10 | 0:09:12 | |
Well, for me, it'd be nice to have a bungalow, | 0:09:12 | 0:09:16 | |
but we are open to looking at two-storey. | 0:09:16 | 0:09:19 | |
But for me, there needs to be the possibility | 0:09:19 | 0:09:21 | |
of having a bedroom on the ground floor. | 0:09:21 | 0:09:23 | |
I have a bad back and sometimes | 0:09:23 | 0:09:24 | |
it's very difficult to walk upstairs. | 0:09:24 | 0:09:27 | |
And what about the garden, what would you like to see? | 0:09:27 | 0:09:29 | |
-A lot of space, or...? -Not too much. | 0:09:29 | 0:09:32 | |
But Janet wants people to be able to camp in the garden | 0:09:32 | 0:09:36 | |
in case we're putting people up. | 0:09:36 | 0:09:38 | |
-OK. -So a place for tents. | 0:09:38 | 0:09:41 | |
So, no garden for you, as in to enjoy, | 0:09:41 | 0:09:44 | |
-but somewhere that...? -Low-maintenance. -OK. | 0:09:44 | 0:09:47 | |
I love gardens, I love doing a bit of work. | 0:09:47 | 0:09:49 | |
The garden's always been Jeff's domain and, you know, | 0:09:49 | 0:09:52 | |
what ever he wants, Jeff can have. | 0:09:52 | 0:09:53 | |
And what about the key things in the area? | 0:09:53 | 0:09:55 | |
What are you looking for there? | 0:09:55 | 0:09:57 | |
We're certainly looking for a local community | 0:09:57 | 0:09:59 | |
where we can get involved with activities, | 0:09:59 | 0:10:02 | |
So with, you know, arts and crafts. | 0:10:02 | 0:10:04 | |
We like being with people and, you know, | 0:10:04 | 0:10:06 | |
we like popping in and out of each other's houses. | 0:10:06 | 0:10:09 | |
I've always had the opportunity to do that, or where I haven't, | 0:10:09 | 0:10:12 | |
I've sort of helped develop a kind of community. | 0:10:12 | 0:10:15 | |
You know, that's what I want to be, part of the community. | 0:10:15 | 0:10:17 | |
And I think it needs to be fairly flat. | 0:10:17 | 0:10:21 | |
Yes, because when I say, again, when my back is bad, | 0:10:21 | 0:10:23 | |
I really can't cope with any kind of slope. | 0:10:23 | 0:10:26 | |
But also that's close to local amenities, like a pub, | 0:10:26 | 0:10:29 | |
a little shop, a post office, so that we can walk down there | 0:10:29 | 0:10:32 | |
without having to get in the car and drive somewhere else. | 0:10:32 | 0:10:35 | |
Just remind me of the budget that we're working with? | 0:10:35 | 0:10:37 | |
£750,000 maximum. | 0:10:37 | 0:10:39 | |
And that is if it's a perfect house. | 0:10:39 | 0:10:42 | |
Well, I know we have some fantastic properties for you to see, | 0:10:42 | 0:10:45 | |
-let's get searching. -Thank you. -Good, let's go. | 0:10:45 | 0:10:48 | |
For their budget of £750,000, | 0:10:49 | 0:10:52 | |
Janet and Jeff are looking for a home that's either a bungalow | 0:10:52 | 0:10:56 | |
or allows for single-storey living, if needs be. | 0:10:56 | 0:10:59 | |
They need space for Janet's library of books, | 0:10:59 | 0:11:02 | |
and they'd each like a study, as well as at least four bedrooms. | 0:11:02 | 0:11:05 | |
Outside, they want a garden that's manageable, | 0:11:05 | 0:11:08 | |
but has room for camping. | 0:11:08 | 0:11:10 | |
And location-wise, they'd ideally want to be somewhere that's flat. | 0:11:10 | 0:11:14 | |
They'd also like to be close to amenities | 0:11:14 | 0:11:16 | |
with an opportunity to be part of the local community. | 0:11:16 | 0:11:19 | |
We've chosen a selection | 0:11:19 | 0:11:20 | |
of interesting and contrasting properties | 0:11:20 | 0:11:23 | |
for Janet and Jeff to view, | 0:11:23 | 0:11:24 | |
but they'll only find out the price of each one after they've toured it. | 0:11:24 | 0:11:29 | |
The final visit will be to the Mystery House, | 0:11:29 | 0:11:31 | |
which might leave them thinking they're seeing double, | 0:11:31 | 0:11:34 | |
but it should guarantee each and every one of Janet's books a home. | 0:11:34 | 0:11:39 | |
So, it's a big decision, buying a property. | 0:11:46 | 0:11:48 | |
Who usually makes the decisions? | 0:11:48 | 0:11:50 | |
-Well, we do it together, really. -Exactly. | 0:11:50 | 0:11:52 | |
When we bought the flat, we looked at four properties in a weekend. | 0:11:52 | 0:11:56 | |
And the fourth property was the flat that we saw and, you know, | 0:11:56 | 0:12:00 | |
within a couple of hours, we decided that was the one we wanted to buy. | 0:12:00 | 0:12:04 | |
So when it's the right property, we will both know. | 0:12:04 | 0:12:07 | |
So when you're sure, Jeff, that decision's instant? | 0:12:07 | 0:12:11 | |
Yes. Oh, yes. I can make quick decisions. | 0:12:11 | 0:12:15 | |
-Might be few and far between... -LAUGHTER | 0:12:15 | 0:12:18 | |
We're kicking off our house-hunt in the hamlet of Batson, | 0:12:23 | 0:12:27 | |
just a ten-minute walk from the seaside town of Salcombe | 0:12:27 | 0:12:29 | |
and within the South Devon Area of Outstanding Natural Beauty. | 0:12:29 | 0:12:34 | |
Sitting on the Kingsbridge Estuary which flows to the English Channel, | 0:12:34 | 0:12:38 | |
Salcombe is fortunate to have a year-round mild climate. | 0:12:38 | 0:12:42 | |
Its history goes hand-in-hand with the sea - fishing, | 0:12:42 | 0:12:45 | |
seafaring and shipbuilding have all played a part here. | 0:12:45 | 0:12:50 | |
The town also saw the less honest careers of smuggling and piracy | 0:12:50 | 0:12:54 | |
in days gone by, which meant homes weren't built close to the water, | 0:12:54 | 0:12:58 | |
but further inland. | 0:12:58 | 0:13:00 | |
Winding lanes are brimming with artisan shops | 0:13:00 | 0:13:03 | |
alongside bars and restaurants serving local produce. | 0:13:03 | 0:13:07 | |
Just ten minutes away from this pretty resort is our first house. | 0:13:07 | 0:13:11 | |
So, first impressions, what do you think? | 0:13:12 | 0:13:15 | |
Well, love the outlook. I'm just worrying about the steps down. | 0:13:15 | 0:13:19 | |
It looks quite steep from here. | 0:13:19 | 0:13:20 | |
They're actually quite shallow, the steps. | 0:13:20 | 0:13:22 | |
Looks low-maintenance. It's very great. Lovely. | 0:13:22 | 0:13:25 | |
-I love the stone. -That's cob stone. | 0:13:25 | 0:13:27 | |
-Local cob stone that they've built with. -Yeah. | 0:13:27 | 0:13:30 | |
It has been refurbed. | 0:13:30 | 0:13:31 | |
Built in the '50s originally, | 0:13:31 | 0:13:32 | |
and the current owners literally refurbished everything. | 0:13:32 | 0:13:35 | |
New wiring, plumbing, the roofs been done ten years ago, | 0:13:35 | 0:13:39 | |
-so a really low-maintenance property to take on. -Sounds good to me! | 0:13:39 | 0:13:42 | |
-And these gorgeous views, too. -Yes. -Absolutely glorious. | 0:13:42 | 0:13:45 | |
And, Jeff... Thatch next door. | 0:13:45 | 0:13:47 | |
-I've avoided that for you. -Thank you very much. | 0:13:47 | 0:13:50 | |
And you've also got the garage space up here as well. | 0:13:51 | 0:13:53 | |
Room for a couple of thousand books perhaps? | 0:13:53 | 0:13:55 | |
You could convert that. That could be an option. | 0:13:55 | 0:13:58 | |
-Excited to see inside? -Yes, please. | 0:13:58 | 0:14:00 | |
-Shall we go in, then? -Yes. -Sounds good. | 0:14:00 | 0:14:02 | |
This 63-year-old property was renovated from derelict | 0:14:02 | 0:14:06 | |
by the current owners who bought it nine years ago. | 0:14:06 | 0:14:09 | |
A few steps lead us down to the front door. | 0:14:09 | 0:14:12 | |
Come this way. | 0:14:12 | 0:14:13 | |
So, into the main living space. | 0:14:15 | 0:14:17 | |
-Oh, nice, big room. -It certainly is, very nice. | 0:14:17 | 0:14:21 | |
It's a nice, big space. | 0:14:21 | 0:14:23 | |
And certainly nice and bright. | 0:14:23 | 0:14:24 | |
The dining area there, so that's very pleasant. | 0:14:24 | 0:14:27 | |
And the log burner? | 0:14:27 | 0:14:28 | |
For a nice evening, can you imagine yourself cosy on that sofa? | 0:14:28 | 0:14:31 | |
-Roasty-toasty. -Yes. | 0:14:31 | 0:14:34 | |
-And plenty of space for me to hang my pictures up. -Yes. | 0:14:34 | 0:14:37 | |
-All your lovely photography. -That's right. -OK, great. | 0:14:37 | 0:14:40 | |
-Shall we explore some more? -Yes. -Sounds good. | 0:14:40 | 0:14:42 | |
-All right, let's head for the kitchen. -Excellent. | 0:14:42 | 0:14:44 | |
The kitchen is directly behind the living room | 0:14:44 | 0:14:46 | |
at the back of the house. | 0:14:46 | 0:14:48 | |
First thing you notice as you walk in here, | 0:14:48 | 0:14:50 | |
look at that view out there! | 0:14:50 | 0:14:52 | |
It is sumptuous, isn't it? | 0:14:52 | 0:14:54 | |
Got lots of space, but it's not too big, | 0:14:54 | 0:14:56 | |
-so just the kind of size of kitchen... -Space for a table. | 0:14:56 | 0:14:58 | |
That's very good. | 0:14:58 | 0:14:59 | |
-You would have space for guests here. -That's right. | 0:14:59 | 0:15:01 | |
And that breakfast space could extend out onto the terrace as well. | 0:15:01 | 0:15:04 | |
Exactly, exactly, and that would be lovely. | 0:15:04 | 0:15:06 | |
-It is a heavenly sun trap in the morning. -It is beautiful. | 0:15:06 | 0:15:09 | |
Well, positive reactions so far. | 0:15:09 | 0:15:12 | |
Now, this may be a two-storey property, but it does offer Janet | 0:15:12 | 0:15:15 | |
the option of living downstairs if she needs to in the future. | 0:15:15 | 0:15:18 | |
There are four bedrooms here with three of them | 0:15:19 | 0:15:22 | |
on the ground floor served by a fully tiled family bathroom. | 0:15:22 | 0:15:26 | |
There's a large double at the back with glorious views to the garden, | 0:15:26 | 0:15:30 | |
plus an en-suite shower room. | 0:15:30 | 0:15:32 | |
Next door is a smaller double in use as a twin and, | 0:15:32 | 0:15:36 | |
at the front of the house, is a room currently used as a study. | 0:15:36 | 0:15:40 | |
But we're heading upstairs | 0:15:40 | 0:15:42 | |
where a beautifully light-filled landing leads us straight | 0:15:42 | 0:15:44 | |
into the master suite, the only room on the first floor. | 0:15:44 | 0:15:49 | |
-You've got the beautiful aspect out the windows. -Yes. | 0:15:50 | 0:15:54 | |
-Gorgeous view to wake up to in the morning. -Beautiful. | 0:15:54 | 0:15:57 | |
Fabulous en suite and then you also have a walk-in wardrobe over there. | 0:15:57 | 0:16:00 | |
-Not walk-in! -Yes. -A walk-in wardrobe. | 0:16:00 | 0:16:04 | |
Which, again, storage, more book space perhaps | 0:16:04 | 0:16:06 | |
-or photographic equipment... -Book space? Book space? | 0:16:06 | 0:16:09 | |
-No, not book space in the bedrooms, please! -All right. | 0:16:09 | 0:16:13 | |
-What do you think? -I think it's great. | 0:16:13 | 0:16:16 | |
It's lovely. | 0:16:16 | 0:16:17 | |
I would be a little concerned that it is above the kitchen | 0:16:17 | 0:16:20 | |
and any cooking smells might just permeate | 0:16:20 | 0:16:23 | |
because there is no door here. | 0:16:23 | 0:16:24 | |
-Well, you could easily put a door in at the bottom. -Yes. | 0:16:24 | 0:16:27 | |
And then actually, it could be... You were talking about having guests | 0:16:27 | 0:16:30 | |
to stay or running the workshops, | 0:16:30 | 0:16:31 | |
-this could be a closed off guest space. -Yes. | 0:16:31 | 0:16:35 | |
-That would work perfectly like that, yes. -Yes. | 0:16:35 | 0:16:38 | |
This house certainly offers Janet and Jeff | 0:16:38 | 0:16:41 | |
the flexibility they require and the outside space provides the same. | 0:16:41 | 0:16:45 | |
There's the garage we saw earlier, | 0:16:45 | 0:16:47 | |
adding another room to the property next to the utility room. | 0:16:47 | 0:16:51 | |
The garden consists of a large, flat terrace, ideal for Janet | 0:16:51 | 0:16:54 | |
and a beautifully sheltered lawn with magnificent views | 0:16:54 | 0:16:59 | |
and enough level land for camping visitors. | 0:16:59 | 0:17:01 | |
What do you think of that view? | 0:17:01 | 0:17:04 | |
Absolutely fantastic. | 0:17:04 | 0:17:06 | |
It's a beautiful view. | 0:17:06 | 0:17:07 | |
SHE LAUGHS | 0:17:07 | 0:17:08 | |
I feel a "but" there, Janet. | 0:17:08 | 0:17:11 | |
But I'd be spending most of my time up here. | 0:17:11 | 0:17:14 | |
I don't think I'd be able to get down there and get back up. | 0:17:14 | 0:17:17 | |
I think even with that slope, on my good days, | 0:17:17 | 0:17:20 | |
I would still find that a challenge. | 0:17:20 | 0:17:22 | |
I think this terraced space would be fine. | 0:17:22 | 0:17:25 | |
Summer barbecues with the family, | 0:17:25 | 0:17:27 | |
autumn evenings looking at that gorgeous view. | 0:17:27 | 0:17:29 | |
Yes, and that is a gorgeous view. | 0:17:29 | 0:17:31 | |
That is not to be disputed. | 0:17:31 | 0:17:34 | |
So, you've had an explore, you've seen these lovely gardens... | 0:17:34 | 0:17:37 | |
What do you think this house is on the market for? | 0:17:37 | 0:17:39 | |
That's certainly a difficult question. | 0:17:39 | 0:17:42 | |
I would guess at £740,000. | 0:17:42 | 0:17:47 | |
OK, Janet? | 0:17:47 | 0:17:49 | |
I think it will be slightly over budget, so I would think £760,000. | 0:17:49 | 0:17:54 | |
OK, well, you're both sort of almost there. | 0:17:54 | 0:17:56 | |
It's actually on at 750. | 0:17:56 | 0:17:58 | |
£750,000, so the top of your budget. | 0:17:58 | 0:18:02 | |
But I did have a chat with the owner earlier | 0:18:02 | 0:18:04 | |
-and he is open to offers. -OK. -Well, listen, | 0:18:04 | 0:18:08 | |
I'll let you to have a peruse around the rest of the house again. | 0:18:08 | 0:18:11 | |
-OK. -And just take it all in. -Yeah. | 0:18:11 | 0:18:13 | |
And we'll catch up afterwards. | 0:18:13 | 0:18:15 | |
-Thank you. -OK, cheers. | 0:18:15 | 0:18:16 | |
This beautifully refurbished detached house has come in | 0:18:18 | 0:18:21 | |
right at the top of Janet and Jeff's budget, | 0:18:21 | 0:18:24 | |
but there's always the possibility of striking a deal. | 0:18:24 | 0:18:27 | |
The rooms are spacious and there's a choice of single-storey living, | 0:18:27 | 0:18:31 | |
plus there are just the number of bedrooms they need | 0:18:31 | 0:18:33 | |
with the option of having a study each. | 0:18:33 | 0:18:36 | |
What's more, the garage could be a home for Janet's library of books. | 0:18:36 | 0:18:40 | |
Outside, there's a large patio with fabulous views across the garden | 0:18:41 | 0:18:44 | |
and the house's position is ideal, | 0:18:44 | 0:18:47 | |
just a walk away from amenities and the sea. | 0:18:47 | 0:18:50 | |
Ah, so this is the other room that could be used as the master bedroom. | 0:18:52 | 0:18:55 | |
-Yes. -Quite a good size. | 0:18:55 | 0:18:57 | |
And the en suite through there. | 0:18:57 | 0:18:59 | |
-It's really nice. -Very nice. | 0:18:59 | 0:19:01 | |
I like it, it's a very nice house. | 0:19:01 | 0:19:03 | |
The decoration is perfect. | 0:19:03 | 0:19:05 | |
The layout should work for us. | 0:19:05 | 0:19:08 | |
Little concerned about the space for Janet's books. | 0:19:08 | 0:19:11 | |
So we might need to modify the garage, | 0:19:11 | 0:19:14 | |
but other than that, I think the house is fine. | 0:19:14 | 0:19:17 | |
I think it's a lovely house. | 0:19:17 | 0:19:19 | |
It's very nicely decorated, the kitchen is perfect. | 0:19:19 | 0:19:22 | |
This lounge is very, very nice. | 0:19:22 | 0:19:24 | |
I think the difficulty for me is I probably want more room | 0:19:24 | 0:19:27 | |
and the reality is that the steps from outside down | 0:19:27 | 0:19:31 | |
I would find very difficult. | 0:19:31 | 0:19:33 | |
So love the house, wish that it was on a flat place. Which is sad, | 0:19:33 | 0:19:38 | |
because it has a lot of features that are really working for me. | 0:19:38 | 0:19:40 | |
-Hi. -Hi, so you've had a good look round. | 0:19:42 | 0:19:44 | |
-Certainly have. -Yes, thank you. | 0:19:44 | 0:19:45 | |
-Lots to think about. -Yes. | 0:19:45 | 0:19:47 | |
-OK, let's make a move. -Thank you. -Thanks very much. | 0:19:47 | 0:19:50 | |
Devon's rich pasture land and moderate climate | 0:19:54 | 0:19:57 | |
means a good variety of crops flourish here, | 0:19:57 | 0:20:00 | |
but one of the oldest crops known to man, | 0:20:00 | 0:20:03 | |
dating back some 30,000 years, | 0:20:03 | 0:20:05 | |
has all but died out in the county, | 0:20:05 | 0:20:07 | |
and it's called flax. | 0:20:07 | 0:20:09 | |
Perhaps known more nowadays for the linseed it produces, | 0:20:09 | 0:20:12 | |
its fibres are also traditionally used to make linen. | 0:20:12 | 0:20:17 | |
Susie Gillespie is a textile designer | 0:20:17 | 0:20:19 | |
based just outside Totnes | 0:20:19 | 0:20:21 | |
who uses the environment around her for inspiration. | 0:20:21 | 0:20:25 | |
She marries age-old techniques | 0:20:25 | 0:20:27 | |
with her own creative, modern-day vision | 0:20:27 | 0:20:29 | |
and produces unique creations from linen, | 0:20:29 | 0:20:32 | |
made entirely from scratch. | 0:20:32 | 0:20:34 | |
She also runs courses in linen spinning and creative weaving. | 0:20:34 | 0:20:39 | |
Today, Janet and Jeff have come to meet her at her home studio | 0:20:39 | 0:20:43 | |
to learn how it's done. | 0:20:43 | 0:20:45 | |
Now we know Janet loves to spin a yarn, and so does Susie. | 0:20:45 | 0:20:48 | |
I'm a weaver and I process my own flax. | 0:20:50 | 0:20:53 | |
I've always used linen, | 0:20:53 | 0:20:55 | |
so I thought it would be nice to try and make my own. | 0:20:55 | 0:20:58 | |
So I've started growing it in the fields and processing it | 0:20:58 | 0:21:03 | |
to use for my work. | 0:21:03 | 0:21:04 | |
I use textiles and materials in some of my storytelling | 0:21:04 | 0:21:08 | |
with my work with people who have profound | 0:21:08 | 0:21:10 | |
and multiple learning disabilities, | 0:21:10 | 0:21:11 | |
because it helps them to have a tangible basis for learning a story, | 0:21:11 | 0:21:15 | |
or feeling a story. | 0:21:15 | 0:21:17 | |
At the moment, I buy lots of my materials from shops, | 0:21:17 | 0:21:19 | |
but the idea of maybe being able to create my own textures, | 0:21:19 | 0:21:23 | |
I think that's quite exciting. | 0:21:23 | 0:21:24 | |
Susie works with home-grown flax, | 0:21:24 | 0:21:26 | |
planted in the orchards surrounding her studio | 0:21:26 | 0:21:29 | |
which she harvests by hand, pulling it up roots and all. | 0:21:29 | 0:21:33 | |
Once it's dry, the first stage is to remove the seed heads | 0:21:34 | 0:21:37 | |
using a large metal comb. | 0:21:37 | 0:21:39 | |
The flax is then submerged in water before it's dried again. | 0:21:39 | 0:21:43 | |
This is the flax that I've pulled up and wetted | 0:21:44 | 0:21:48 | |
for a couple of weeks in a bath of water. | 0:21:48 | 0:21:51 | |
-And that just loosens off the fibres from the woody core. -Oh, yeah. | 0:21:51 | 0:21:56 | |
And the fibres are what we need for the spinning to make the yarn. | 0:21:56 | 0:22:01 | |
But if I just show you how I do it with the flax breaker. | 0:22:01 | 0:22:05 | |
It's an amazing tool. | 0:22:06 | 0:22:09 | |
The design was taken from an old-fashioned flax breaker. | 0:22:09 | 0:22:15 | |
It's essentially the same process that has been used | 0:22:15 | 0:22:17 | |
for thousands of years. | 0:22:17 | 0:22:19 | |
The flax is crimped, which reveals the inner fibres. | 0:22:19 | 0:22:22 | |
-You keep working at it. -Yes, I can see how that's turning into... | 0:22:22 | 0:22:25 | |
-The fibres are coming out. -..the fibres, wow. | 0:22:25 | 0:22:27 | |
That's very interesting. | 0:22:27 | 0:22:29 | |
If Janet's serious about making her own yarn, | 0:22:29 | 0:22:32 | |
then she better have a go herself. | 0:22:32 | 0:22:34 | |
You take the handle. | 0:22:34 | 0:22:36 | |
OK. | 0:22:36 | 0:22:37 | |
It's changing, it really is changing, isn't it? | 0:22:40 | 0:22:43 | |
That's probably ready now, I can show you the next step. | 0:22:44 | 0:22:47 | |
OK. | 0:22:47 | 0:22:49 | |
This is called a hackle. | 0:22:49 | 0:22:50 | |
It's really just to comb the flax through. | 0:22:50 | 0:22:54 | |
It's almost like a ponytail, isn't it? | 0:22:54 | 0:22:56 | |
Yeah, that's where you get the phrase, "flaxen haired maiden" from. | 0:22:56 | 0:23:01 | |
-Oh, really? -Yeah. | 0:23:01 | 0:23:02 | |
I tell many stories about flaxen haired maidens. And now I know. | 0:23:02 | 0:23:08 | |
The next stage is for the flax to be spun into yarn | 0:23:08 | 0:23:11 | |
using a spinning wheel before it's woven into fabric. | 0:23:11 | 0:23:14 | |
The golden yarn can be dyed a rainbow of colours. | 0:23:14 | 0:23:18 | |
Susie creates all kinds of products from her linen, | 0:23:18 | 0:23:20 | |
including cushions, artwork and table runners. | 0:23:20 | 0:23:25 | |
So this is the yarn that's been spun? | 0:23:25 | 0:23:27 | |
Yeah, so it's ready now to start weaving. | 0:23:27 | 0:23:29 | |
So with the weaving, you use your feet to press the pedals. | 0:23:29 | 0:23:34 | |
And we use the two outside pedals to make the alternate shafts come up. | 0:23:34 | 0:23:39 | |
These are the shafts. | 0:23:39 | 0:23:40 | |
So if you press one pedal down, and you put the shuttle across... | 0:23:40 | 0:23:46 | |
..and you use the beater to beat the thread in place. | 0:23:48 | 0:23:53 | |
And then you take your foot off the pedal, | 0:23:53 | 0:23:55 | |
then put the other foot on and change it to the other side. | 0:23:55 | 0:24:00 | |
So I guess it's a lot different from machines in the factory, | 0:24:01 | 0:24:04 | |
where they produce perfect stuff every time. | 0:24:04 | 0:24:07 | |
Yeah. Well, I think by doing it by hand, | 0:24:07 | 0:24:11 | |
you are able to put in elements that you like | 0:24:11 | 0:24:14 | |
and then sometimes, if it goes a bit wrong, | 0:24:14 | 0:24:16 | |
it just adds to the creativity, you know, the human error adds to it. | 0:24:16 | 0:24:22 | |
Now Janet and Jeff are getting the chance | 0:24:22 | 0:24:25 | |
to put their stamp on a weave. | 0:24:25 | 0:24:27 | |
Yay. And to the other one. | 0:24:29 | 0:24:33 | |
And then we are whacking this one through. Over. | 0:24:33 | 0:24:35 | |
That's it. | 0:24:35 | 0:24:37 | |
OK, go. | 0:24:37 | 0:24:38 | |
OK. | 0:24:40 | 0:24:42 | |
Can I see what you've done? Really nice. | 0:24:42 | 0:24:44 | |
It's been a lovely day. Learnt a lot. | 0:24:44 | 0:24:47 | |
Thanks for coming. Good luck with your house-hunting. | 0:24:47 | 0:24:50 | |
-Thank you. -Thank you. | 0:24:50 | 0:24:52 | |
Now our pair have learned how to spin yarn, | 0:24:52 | 0:24:54 | |
it's back to the hunt for a new home, | 0:24:54 | 0:24:57 | |
to give their story a happy ending. | 0:24:57 | 0:24:59 | |
We're on our way to the village of Diptford | 0:25:02 | 0:25:05 | |
in the foothills of Dartmoor. | 0:25:05 | 0:25:06 | |
The rural village is located in the South Devon Area | 0:25:06 | 0:25:09 | |
of Outstanding Natural Beauty, | 0:25:09 | 0:25:11 | |
overlooking the River Avon and surrounded | 0:25:11 | 0:25:14 | |
by stunning Devonshire scenery. | 0:25:14 | 0:25:16 | |
There's a post office here as well in a parish hall, | 0:25:16 | 0:25:19 | |
which, curiously, doubles up as the Diptford Arms pub four times a year. | 0:25:19 | 0:25:23 | |
There's also the attractive 13th-century St Mary's Church, | 0:25:23 | 0:25:28 | |
whose spire towers over the village. | 0:25:28 | 0:25:30 | |
Three miles away is the larger village of Avonwick, | 0:25:30 | 0:25:33 | |
where there's a traditional pub and a garage as well as a shop. | 0:25:33 | 0:25:37 | |
An eight-minute drive takes us back to tranquil Diptford, | 0:25:37 | 0:25:40 | |
where we find this remodelled bungalow. | 0:25:40 | 0:25:43 | |
Oh! This looks interesting. | 0:25:43 | 0:25:45 | |
Very interesting. It's a bungalow! | 0:25:45 | 0:25:48 | |
A beautiful, very spacious bungalow. | 0:25:48 | 0:25:50 | |
-Yes, it is. -It seems to go on for ages. | 0:25:50 | 0:25:53 | |
Wow. And a double garage over there, Jeff. | 0:25:53 | 0:25:55 | |
Yes. And plenty of parking, which is good. | 0:25:55 | 0:25:58 | |
Yes. There's a little village in every direction. | 0:25:58 | 0:26:01 | |
We're actually on the boundary | 0:26:01 | 0:26:02 | |
of the Area of Outstanding Natural Beauty. | 0:26:02 | 0:26:05 | |
-Yeah. -You've got two farmers living either side. | 0:26:05 | 0:26:08 | |
-OK. -There's so much more to tell you. | 0:26:08 | 0:26:09 | |
-Yes. -Shall we get in? | 0:26:09 | 0:26:11 | |
Let's go. | 0:26:11 | 0:26:13 | |
This wonderfully located property is perfect for Janet, | 0:26:13 | 0:26:16 | |
offering her single-storey living. | 0:26:16 | 0:26:18 | |
There's a pretty garden to the front | 0:26:18 | 0:26:20 | |
and we're entering straight from the terrace | 0:26:20 | 0:26:22 | |
into a beautifully bright kitchen. | 0:26:22 | 0:26:25 | |
So you've got the triple-aspect kitchen. | 0:26:25 | 0:26:26 | |
This was the new part of the bungalow | 0:26:26 | 0:26:28 | |
that was built four or five years ago. | 0:26:28 | 0:26:30 | |
-OK. -Beautiful high ceilings | 0:26:30 | 0:26:32 | |
and a wonderful look into your back garden, | 0:26:32 | 0:26:35 | |
as you wash up of an evening. | 0:26:35 | 0:26:37 | |
And then that open-plan into your living area. | 0:26:37 | 0:26:40 | |
-Right. -Is this somewhere you could have a morning cup of coffee? | 0:26:40 | 0:26:45 | |
Well, probably nip out there. | 0:26:45 | 0:26:48 | |
Well, your garden door, literally, there's not even a step | 0:26:48 | 0:26:50 | |
into the garden. I know you just want that lovely flat aspect | 0:26:50 | 0:26:54 | |
-into the garden. -Yeah. -We'll soon have the table and chairs out there. | 0:26:54 | 0:26:58 | |
I like this - forward planning already! | 0:26:58 | 0:27:00 | |
Shall we do a little exploring? | 0:27:00 | 0:27:02 | |
-Yes. -Plenty more surprises with this particular house. | 0:27:02 | 0:27:05 | |
Come this way, come this way. | 0:27:05 | 0:27:07 | |
The sitting room leads to a hallway, off which are four bedrooms. | 0:27:07 | 0:27:11 | |
We're heading to one at the back of the house. | 0:27:11 | 0:27:13 | |
Now, I wanted to show you this bedroom, | 0:27:16 | 0:27:18 | |
because it's one of the master bedrooms, | 0:27:18 | 0:27:21 | |
but this particular one's got an en suite, | 0:27:21 | 0:27:23 | |
-which I know you were wanting. -Yes, yes. | 0:27:23 | 0:27:27 | |
And then views out into your garden. | 0:27:27 | 0:27:30 | |
-Very nice. -It's a good size. Plenty of room. | 0:27:30 | 0:27:34 | |
There's a lot of space in this house, | 0:27:34 | 0:27:35 | |
and I know you were really after that. | 0:27:35 | 0:27:37 | |
We need a home for your books. | 0:27:37 | 0:27:38 | |
-Yes. -Shall we see if we can find one in this particular house? | 0:27:38 | 0:27:41 | |
-Yes! -I think we may have just the thing. | 0:27:41 | 0:27:44 | |
-Oh, excellent. -Sounds good. | 0:27:44 | 0:27:45 | |
All right, I shall lead the way, follow me. | 0:27:45 | 0:27:49 | |
Opposite the bedroom is a family bathroom with a separate shower, | 0:27:49 | 0:27:53 | |
and along the hallway are the other three bedrooms. | 0:27:53 | 0:27:56 | |
There's a bright double with doors to the terrace at the front, | 0:27:56 | 0:27:59 | |
a smaller double at the back, | 0:27:59 | 0:28:02 | |
and next to that, a room currently used for storage, | 0:28:02 | 0:28:05 | |
then a door at the far end of the bungalow conceals the last room. | 0:28:05 | 0:28:10 | |
-OK. -Oh, my goodness. -Good grief. | 0:28:10 | 0:28:12 | |
-It's another kitchen. -It's a second kitchen. | 0:28:12 | 0:28:15 | |
What a beautiful room. | 0:28:15 | 0:28:16 | |
You've got a gorgeous decked area out here. | 0:28:16 | 0:28:18 | |
-Yes. -And the reason we have a second kitchen in this house | 0:28:18 | 0:28:23 | |
is the house is actually owned by two friends, | 0:28:23 | 0:28:26 | |
who live in separate parts of the property. | 0:28:26 | 0:28:28 | |
-Oh, right. -But I thought this would be perfect for you. | 0:28:28 | 0:28:31 | |
You can have guests stay in this half of the house | 0:28:31 | 0:28:33 | |
or you could run your writing workshops or storytelling workshops. | 0:28:33 | 0:28:38 | |
I think it would work very well as a workshop area space. | 0:28:38 | 0:28:41 | |
Yes, it offers a whole heap of opportunities. | 0:28:41 | 0:28:44 | |
It has that nice feel about it, | 0:28:44 | 0:28:46 | |
it's really quite nice and welcoming and just sort of... | 0:28:46 | 0:28:48 | |
-Yes. -It's got a cosy feel, hasn't it? | 0:28:48 | 0:28:50 | |
Yes, that's the very word I was looking for. Cosy. | 0:28:50 | 0:28:53 | |
This property has already revealed one surprise to Janet and Jeff, | 0:28:53 | 0:28:58 | |
but there's another one, as we head outside. | 0:28:58 | 0:29:01 | |
The garden is well laid out with mature trees, shrubs and flowers, | 0:29:01 | 0:29:06 | |
and there's even a pond and a small area of woodland. | 0:29:06 | 0:29:09 | |
The compact kitchen garden has far-reaching views | 0:29:09 | 0:29:12 | |
across neighbouring fields, | 0:29:12 | 0:29:14 | |
adding up to around three-quarters of an acre. | 0:29:14 | 0:29:16 | |
There's room for tents too, but that's not all. | 0:29:16 | 0:29:21 | |
-Ah. -Is that a good "ah"? | 0:29:21 | 0:29:24 | |
-Ah! Ah. -You're already liking what you see? | 0:29:24 | 0:29:27 | |
-Ah! -Your beautiful writer's retreat, here. | 0:29:27 | 0:29:30 | |
-Yes. -That looks good. | 0:29:30 | 0:29:32 | |
Two rooms, one's used as a bedroom at the moment. | 0:29:32 | 0:29:35 | |
-Yes. -So you could have guests staying. | 0:29:35 | 0:29:38 | |
The other is actually used by the current owners for artist workshops. | 0:29:38 | 0:29:41 | |
-Right. -What do you feel when you see that? | 0:29:41 | 0:29:44 | |
Well, I have to say I feel very excited. | 0:29:44 | 0:29:46 | |
-Very interesting. -So you've got your writer's retreat | 0:29:46 | 0:29:49 | |
as well as your bungalow. | 0:29:49 | 0:29:51 | |
What do you think the value of this property is? | 0:29:51 | 0:29:53 | |
Well, I think it's got most of the things that we really want. | 0:29:53 | 0:29:57 | |
I reckon it must be around about £720,000. | 0:29:57 | 0:30:01 | |
I think it's about £740,000. | 0:30:01 | 0:30:05 | |
OK. This house is on the market | 0:30:05 | 0:30:08 | |
for £649,000. | 0:30:08 | 0:30:12 | |
-Oh, very interesting. -That sounds very interesting, yes. | 0:30:12 | 0:30:16 | |
-Do you want to explore your writer's retreat? -Yes, please! | 0:30:16 | 0:30:19 | |
-Get in there, go on. -Thank you. | 0:30:19 | 0:30:21 | |
This detached bungalow has a price tag | 0:30:21 | 0:30:24 | |
a generous £101,000 below our buyers' budget. | 0:30:24 | 0:30:29 | |
The kitchen/diner is bright and spacious | 0:30:29 | 0:30:31 | |
and the separate self-contained living area and kitchen | 0:30:31 | 0:30:34 | |
open up all sorts of possibilities for Janet's workshops. | 0:30:34 | 0:30:38 | |
Four bedrooms allow Jeff to have his own space, too. | 0:30:38 | 0:30:41 | |
The garden and its views are magnificent, | 0:30:41 | 0:30:44 | |
and the writer's retreat is an unexpected bonus for Janet, | 0:30:44 | 0:30:47 | |
who could house some of her book collection here. | 0:30:47 | 0:30:52 | |
Oh, yes. There's plenty of room here. | 0:30:52 | 0:30:54 | |
For your big worktable. | 0:30:54 | 0:30:56 | |
Yep. And there's the room next door. | 0:30:56 | 0:30:58 | |
Yes. I was eyeing that up for my photography room. | 0:30:58 | 0:31:02 | |
-Well, yes, actually, that's a very good idea, isn't it? -Mm. | 0:31:02 | 0:31:05 | |
Well, the house here, it seems to meet all the requirements. | 0:31:05 | 0:31:08 | |
There's plenty of nice rooms, a few adaptations we will need to do. | 0:31:08 | 0:31:13 | |
It looks great. | 0:31:13 | 0:31:14 | |
And there's a greater outside space for Janet's library | 0:31:14 | 0:31:18 | |
and my photography workshop. | 0:31:18 | 0:31:19 | |
I think this house is very interesting. | 0:31:19 | 0:31:22 | |
It has lots of rooms, lots of opportunity for developing things. | 0:31:22 | 0:31:25 | |
I think it really is a real contender, | 0:31:25 | 0:31:28 | |
and I think this whole place is inspirational | 0:31:28 | 0:31:31 | |
and I would look forward to being able to do some writing here. | 0:31:31 | 0:31:35 | |
Have we potentially found a home for your library, Janet? | 0:31:36 | 0:31:40 | |
Well, there's certainly the space for it. | 0:31:40 | 0:31:41 | |
OK, lots of smiles. | 0:31:41 | 0:31:44 | |
Absolutely, lots to think about. | 0:31:44 | 0:31:45 | |
-Let's keep going. -OK. -Good. | 0:31:45 | 0:31:47 | |
Morning has broken on the next leg of our trip around South Devon, | 0:31:58 | 0:32:02 | |
searching for a country home for Janet and Jeff from Ewell in Surrey. | 0:32:02 | 0:32:06 | |
And armed with a budget of £750,000, | 0:32:06 | 0:32:10 | |
our brief is to find a property that allows for ground-floor living. | 0:32:10 | 0:32:13 | |
We've still got a mystery house with a rather big bonus. | 0:32:13 | 0:32:17 | |
Now that would be a great place to have a glass of something lovely | 0:32:17 | 0:32:20 | |
in the evening, on that patio space there. | 0:32:20 | 0:32:22 | |
Or first thing in the morning. | 0:32:22 | 0:32:23 | |
Oh, first thing in the morning! I like your style. | 0:32:23 | 0:32:26 | |
And I will be working out whodunnit | 0:32:26 | 0:32:28 | |
when I visit a world-famous crime writer's | 0:32:28 | 0:32:31 | |
rather magnificent Devonshire home. | 0:32:31 | 0:32:33 | |
Any details in this room that are in her books? | 0:32:33 | 0:32:35 | |
Absolutely. In Dead Man's Folly, Poirot was sitting here, | 0:32:35 | 0:32:39 | |
Mrs Stubbs would be sitting here | 0:32:39 | 0:32:40 | |
looking at her emerald ring with her arms stretched out. | 0:32:40 | 0:32:44 | |
Today is day two of our property search, | 0:32:45 | 0:32:48 | |
and later on I'll be showing our lovely couple their mystery house, | 0:32:48 | 0:32:52 | |
or should I say houses? | 0:32:52 | 0:32:54 | |
But first to a rather grand and very imposing property. | 0:32:54 | 0:32:58 | |
For our next visit, we are heading just outside | 0:33:02 | 0:33:04 | |
the village of Stoke Gabriel, | 0:33:04 | 0:33:05 | |
which is situated on a creek of the historic River Dart. | 0:33:05 | 0:33:09 | |
The unspoiled village has a good selection of shops, | 0:33:09 | 0:33:12 | |
alongside places to eat and drink. | 0:33:12 | 0:33:15 | |
Its narrow lanes roll down to the river, | 0:33:15 | 0:33:18 | |
where Dart salmon has long been fished. | 0:33:18 | 0:33:21 | |
The quay is a draw here, where pretty pastel-coloured houses | 0:33:21 | 0:33:25 | |
peeping out from the wooded hillsides | 0:33:25 | 0:33:27 | |
form a beautiful backdrop. | 0:33:27 | 0:33:29 | |
There's also a medieval church, | 0:33:29 | 0:33:31 | |
its bell tower standing tall since the 13th century. | 0:33:31 | 0:33:34 | |
Just a six-minute drive away | 0:33:35 | 0:33:37 | |
is the rather handsome property we've come to see. | 0:33:37 | 0:33:41 | |
What I'm liking is the big, big smiles that I'm seeing already. | 0:33:43 | 0:33:47 | |
-It looks great. -Yes. | 0:33:49 | 0:33:51 | |
It is full of character. | 0:33:51 | 0:33:53 | |
I love the doorway. | 0:33:53 | 0:33:54 | |
The doorway is just so inviting, it's so much a story house. | 0:33:54 | 0:33:57 | |
It's got a history. There must be a story there somewhere. | 0:33:57 | 0:34:00 | |
It has a great history. | 0:34:00 | 0:34:02 | |
Late Georgian, Grade II listed, | 0:34:02 | 0:34:05 | |
restored just four years ago through the entire house. | 0:34:05 | 0:34:09 | |
So there is so little work to do inside. | 0:34:09 | 0:34:12 | |
We certainly weren't asking for period, | 0:34:12 | 0:34:14 | |
but this may be an exception. | 0:34:14 | 0:34:17 | |
-Let's go in. -All right, you can't wait, can you? | 0:34:17 | 0:34:20 | |
Come on, let's do it. | 0:34:20 | 0:34:22 | |
This impressive double-fronted property | 0:34:22 | 0:34:24 | |
was built around 1820 as a farmhouse. | 0:34:24 | 0:34:27 | |
The current owners have spent a year transforming the property | 0:34:27 | 0:34:31 | |
into the home we are about to explore. | 0:34:31 | 0:34:33 | |
It is attached on either side to former farm buildings, | 0:34:33 | 0:34:36 | |
which are now separate residences. | 0:34:36 | 0:34:38 | |
As we cross the threshold, | 0:34:41 | 0:34:42 | |
a grand entrance hall passes a sweeping stairway, | 0:34:42 | 0:34:45 | |
which leads to a rather majestic sitting room. | 0:34:45 | 0:34:49 | |
Beautiful cornicing in keeping with a Georgian property, ceiling rose. | 0:34:49 | 0:34:54 | |
The original sash windows from the farmhouse. | 0:34:54 | 0:34:57 | |
And the original shutters as well. | 0:34:57 | 0:34:59 | |
It's a good-sized room, isn't it? | 0:34:59 | 0:35:01 | |
Yes, I could see myself here. | 0:35:01 | 0:35:03 | |
It's certainly got a nice, warm feel to it. | 0:35:03 | 0:35:06 | |
-There is another beautiful living room of this size. -Right. | 0:35:06 | 0:35:09 | |
And I thought that could make a perfect downstairs bedroom. | 0:35:09 | 0:35:11 | |
-Again, it's gorgeous views onto the garden. -Yes. | 0:35:11 | 0:35:14 | |
And behind us is a cloakroom, and utility room, | 0:35:14 | 0:35:17 | |
along this stretch of wall, | 0:35:17 | 0:35:18 | |
which is already plumbed in | 0:35:18 | 0:35:20 | |
and you can look at adding a shower in there, | 0:35:20 | 0:35:22 | |
and then you have that perfect downstairs bathroom, | 0:35:22 | 0:35:25 | |
-so you could investigate that as an option. -Yes. | 0:35:25 | 0:35:28 | |
This house may be a period property, | 0:35:28 | 0:35:30 | |
but its fine proportions and excellent flow | 0:35:30 | 0:35:33 | |
could provide an appealing option for Janet and Jeff. | 0:35:33 | 0:35:36 | |
And at the back of the property | 0:35:36 | 0:35:37 | |
is a fantastic farmhouse-style kitchen/diner | 0:35:37 | 0:35:40 | |
with access to the garden and adjacent parking spaces. | 0:35:40 | 0:35:44 | |
Oh, my word. Oh, look at the flagstones. | 0:35:45 | 0:35:49 | |
The original farmhouse floor. | 0:35:49 | 0:35:51 | |
A kitchen that has been restored so lovingly, | 0:35:51 | 0:35:56 | |
and you have your range. | 0:35:56 | 0:35:59 | |
You've got your dining space behind you. | 0:35:59 | 0:36:01 | |
-It's very nice. -I do like the fact that they do run into each other, | 0:36:01 | 0:36:04 | |
and it's a different character from the kitchen. | 0:36:04 | 0:36:06 | |
They are separately defined spaces. | 0:36:06 | 0:36:09 | |
And then in this wonderful old farmhouse kitchen, | 0:36:09 | 0:36:12 | |
running the entire length of the kitchen and dining area, | 0:36:12 | 0:36:15 | |
you have a basement room. | 0:36:15 | 0:36:17 | |
So for guests, friends, family coming to stay, | 0:36:17 | 0:36:20 | |
it also has a little bathroom downstairs, too. | 0:36:20 | 0:36:23 | |
More places, either for storage, and a wonderful library, | 0:36:23 | 0:36:26 | |
or just a lovely place for guests to visit. | 0:36:26 | 0:36:28 | |
So lots of living space on the ground floor for you. | 0:36:28 | 0:36:32 | |
Shall we take a look upstairs? | 0:36:32 | 0:36:33 | |
-Yes, please. -OK. | 0:36:33 | 0:36:34 | |
The winding stairway leads to the first floor, | 0:36:37 | 0:36:40 | |
passing a wonderful picture window with views to the garden. | 0:36:40 | 0:36:44 | |
Up on this floor, off a large landing, | 0:36:44 | 0:36:45 | |
there's a bright, tiled family bathroom and four bedrooms. | 0:36:45 | 0:36:49 | |
A spacious twin room lies at the back of the house, | 0:36:49 | 0:36:52 | |
a double at the front with a pretty feature fireplace. | 0:36:52 | 0:36:55 | |
And next door there's a smaller room used as a study. | 0:36:55 | 0:36:59 | |
But we are on our way to the largest and most impressive | 0:36:59 | 0:37:01 | |
of the four bedrooms, the master suite. | 0:37:01 | 0:37:04 | |
It's lovely and big. | 0:37:04 | 0:37:06 | |
-Lovely, big space. -And I love the fireplace. | 0:37:06 | 0:37:10 | |
It's a beautiful-size room. | 0:37:10 | 0:37:11 | |
Off this bedroom, you have an en suite, as well. | 0:37:11 | 0:37:15 | |
Double sinks, and a lovely walk-in wardrobe. | 0:37:15 | 0:37:19 | |
So you don't need wardrobes in here. | 0:37:19 | 0:37:21 | |
No, you don't. Shall we keep taking a look? | 0:37:21 | 0:37:23 | |
-Yes, please. -Let's explore those gardens. | 0:37:23 | 0:37:25 | |
Maybe now is the time to start thinking about | 0:37:25 | 0:37:28 | |
how much a house like this might be worth. | 0:37:28 | 0:37:30 | |
Yes. | 0:37:30 | 0:37:31 | |
-You don't want to leave, do you? -No. | 0:37:31 | 0:37:33 | |
Right, come and tell me where you're going to move everything into. | 0:37:34 | 0:37:37 | |
OK. | 0:37:37 | 0:37:39 | |
Outside, there's a large garage, providing additional storage space, | 0:37:39 | 0:37:43 | |
and there's also a workshop. | 0:37:43 | 0:37:45 | |
We're heading to the grounds, which lie to the front of the house. | 0:37:45 | 0:37:48 | |
The exceptional walled garden is filled with bursts of colour. | 0:37:48 | 0:37:52 | |
There's also an immaculately manicured lawn | 0:37:52 | 0:37:55 | |
surrounded by mature shrubs and trees. | 0:37:55 | 0:37:57 | |
And beyond, in a further area of garden, | 0:37:57 | 0:37:59 | |
an idyllic summerhouse in which to soak up the tranquil surroundings. | 0:37:59 | 0:38:04 | |
That is quite a view of the property, isn't it? | 0:38:07 | 0:38:10 | |
It's wonderful. | 0:38:10 | 0:38:11 | |
And this land goes right up into that lovely viewing bench up there. | 0:38:11 | 0:38:15 | |
And not too difficult to maintain. | 0:38:15 | 0:38:17 | |
Mainly lawn in this area. | 0:38:17 | 0:38:20 | |
-You are wondering about the price, I'm sure. -Yes. | 0:38:20 | 0:38:23 | |
What do you think this property is on the market for? | 0:38:23 | 0:38:26 | |
I think about £690,000. | 0:38:26 | 0:38:29 | |
I shall go a bit higher than that. | 0:38:29 | 0:38:32 | |
I think about £730,000. | 0:38:32 | 0:38:36 | |
I have to say, Janet, you are closer. | 0:38:36 | 0:38:38 | |
This property is on the market... | 0:38:38 | 0:38:41 | |
for £695,000. | 0:38:41 | 0:38:46 | |
Yes. I think it's a very nice amount, and it's a nice property. | 0:38:46 | 0:38:50 | |
I get the sense you're itching to explore some more. | 0:38:50 | 0:38:53 | |
I'm going to send you off. I shall enjoy this gorgeous view. | 0:38:53 | 0:38:56 | |
This wonderful Georgian home is priced at £55,000 | 0:38:57 | 0:39:01 | |
under Janet and Jeff's budget. | 0:39:01 | 0:39:03 | |
And with all its character and space, | 0:39:03 | 0:39:06 | |
it's given them plenty to think about. | 0:39:06 | 0:39:08 | |
It's got the farmhouse kitchen Janet was dreaming of | 0:39:08 | 0:39:11 | |
and four good-sized bedrooms. | 0:39:11 | 0:39:14 | |
Outside, the garden is not only beautiful, | 0:39:14 | 0:39:17 | |
but also provides workspace options for both Janet and Jeff. | 0:39:17 | 0:39:21 | |
-Oh! -Oh, look at this! -What a great space. | 0:39:21 | 0:39:24 | |
-What room there is! -Yes. | 0:39:24 | 0:39:26 | |
Oh, definitely library space. | 0:39:26 | 0:39:29 | |
Oh, I think so. I think we might be able to fit all your books in here. | 0:39:29 | 0:39:33 | |
I really like this house. | 0:39:33 | 0:39:35 | |
As we approached it down the path, it was immediately a story house. | 0:39:35 | 0:39:39 | |
It has a story of its own, | 0:39:39 | 0:39:41 | |
but it looks like the typical sort of storybook house. | 0:39:41 | 0:39:44 | |
I love the house. I love this symmetry as you approach the house. | 0:39:44 | 0:39:48 | |
I love the size of the rooms. | 0:39:48 | 0:39:50 | |
Nice, tall ceilings. | 0:39:50 | 0:39:51 | |
Georgian windows, beautiful lights. | 0:39:51 | 0:39:54 | |
The garden is very nice. | 0:39:54 | 0:39:56 | |
Beautiful views from up there, particularly of the summerhouse. | 0:39:56 | 0:39:59 | |
Very nice views across the valley to the local hills. | 0:39:59 | 0:40:02 | |
We had hoped for a bungalow | 0:40:02 | 0:40:03 | |
because obviously then it's living on the flat for everything. | 0:40:03 | 0:40:06 | |
But this being a two-storey house, the main living we could do | 0:40:06 | 0:40:10 | |
on the ground floor | 0:40:10 | 0:40:11 | |
and having that other living room as a potential bedroom, | 0:40:11 | 0:40:15 | |
so that at the point | 0:40:15 | 0:40:16 | |
when I need to use downstairs as a bedroom, we can do. | 0:40:16 | 0:40:19 | |
So, have you seen enough? | 0:40:21 | 0:40:23 | |
-Yes. -We certainly had a good hunt around. | 0:40:23 | 0:40:25 | |
All pretty positive? | 0:40:25 | 0:40:27 | |
-Yes. -I think it's really good, very interesting. | 0:40:27 | 0:40:29 | |
And we still have that mystery house to see. | 0:40:29 | 0:40:32 | |
The mystery house. | 0:40:32 | 0:40:33 | |
Come on. | 0:40:33 | 0:40:34 | |
It's not just Janet who's drawn to seek inspiration | 0:40:40 | 0:40:43 | |
from Devon's beautiful landscape. | 0:40:43 | 0:40:45 | |
Many creatives past and present have links to the county, | 0:40:45 | 0:40:49 | |
including Charles Dickens, Thomas Hardy and Jane Austen. | 0:40:49 | 0:40:53 | |
But one novelist is synonymous with the south of the region, | 0:40:53 | 0:40:57 | |
and that's crime writer Agatha Christie. | 0:40:57 | 0:41:00 | |
Born in Torquay, she bought Greenway House near Brixham in 1938 | 0:41:00 | 0:41:04 | |
as a holiday retreat, | 0:41:04 | 0:41:06 | |
a Georgian property with a Grade II-star listing. | 0:41:06 | 0:41:09 | |
It sits on the banks of the River Dart, | 0:41:09 | 0:41:11 | |
and Christie dubbed it, "The loveliest place in the world." | 0:41:11 | 0:41:15 | |
In the year 2000, Christie's daughter gave Greenway | 0:41:15 | 0:41:18 | |
to the National Trust and the property now welcomes | 0:41:18 | 0:41:21 | |
over 100,000 visitors a year, plus overnight guests. | 0:41:21 | 0:41:25 | |
I've come to meet house and collections manager Elaine Ward | 0:41:25 | 0:41:29 | |
to find out more about the very private writer | 0:41:29 | 0:41:32 | |
and her holiday hideaway, where she was known by her married name. | 0:41:32 | 0:41:37 | |
She used to come here and escape from being Agatha Christie. | 0:41:37 | 0:41:40 | |
She was Mrs Mallowan while she was here, she was part of the community, | 0:41:40 | 0:41:43 | |
the school, children used to come in, | 0:41:43 | 0:41:45 | |
gardeners here, the community. | 0:41:45 | 0:41:47 | |
This is where she came to relax. | 0:41:47 | 0:41:49 | |
So would we find the house in any of her books? | 0:41:49 | 0:41:51 | |
We know it as Greenway, but many Agatha Christie fans | 0:41:51 | 0:41:54 | |
will know it as Naase House in Dead Man's Folly. | 0:41:54 | 0:41:56 | |
This is where the garden fete was happening, | 0:41:56 | 0:41:58 | |
and also where the murder victim was found in the boathouse | 0:41:58 | 0:42:01 | |
there down in the garden. | 0:42:01 | 0:42:02 | |
So when you read Dead Man's Folly, | 0:42:02 | 0:42:04 | |
and you're walking through the garden, walking through the house, | 0:42:04 | 0:42:07 | |
you can see the story come alive. | 0:42:07 | 0:42:09 | |
And was this always her holiday home until she passed away? | 0:42:09 | 0:42:13 | |
She did own this house until she passed away. | 0:42:13 | 0:42:15 | |
Obviously, subsequently, her daughter | 0:42:15 | 0:42:17 | |
and her son-in-law, Anthony, took over this house, | 0:42:17 | 0:42:19 | |
but she had this house until she passed away in 1976. | 0:42:19 | 0:42:22 | |
Now the National Trust have taken over | 0:42:22 | 0:42:24 | |
and we're keeping it in the spirit of Agatha Christie, | 0:42:24 | 0:42:26 | |
as if she has just walked out into the garden. | 0:42:26 | 0:42:28 | |
Well, not only is it an incredibly impressive house, | 0:42:31 | 0:42:33 | |
I can understand why Agatha Christie would have loved this view so much. | 0:42:33 | 0:42:37 | |
-Absolutely. -It is stunning. | 0:42:37 | 0:42:39 | |
Greenway was built in the late 1700s. | 0:42:41 | 0:42:44 | |
Agatha Christie had admired the striking property | 0:42:44 | 0:42:46 | |
since she was a little girl. | 0:42:46 | 0:42:48 | |
So when, as an adult, she saw it was up for sale, | 0:42:48 | 0:42:50 | |
she knew it was her dream house. | 0:42:50 | 0:42:53 | |
Today, its interior is just as it was in the 1950s. | 0:42:53 | 0:42:57 | |
This is such a large room, | 0:42:57 | 0:42:59 | |
and yet there's a sense of a really cosy atmosphere here. | 0:42:59 | 0:43:03 | |
What would Agatha have used this room for? | 0:43:03 | 0:43:05 | |
This is her drawing room. | 0:43:05 | 0:43:06 | |
And they used to spend time in here relaxing with the family, | 0:43:06 | 0:43:09 | |
mainly this area here is where they used to read her scripts. | 0:43:09 | 0:43:13 | |
She used to sit here with her family reading the stories, | 0:43:13 | 0:43:15 | |
reading the chapters. | 0:43:15 | 0:43:17 | |
So she would actually sit here reading to her family? | 0:43:17 | 0:43:19 | |
-Yes. -Sort of testing out the stories? | 0:43:19 | 0:43:21 | |
-Yes, she would. -And are there any details in this room | 0:43:21 | 0:43:23 | |
that are in her books? | 0:43:23 | 0:43:24 | |
Absolutely. Again, Dead Man's Folly. Poirot was sitting here. | 0:43:24 | 0:43:28 | |
They would come through the doorway here, | 0:43:28 | 0:43:30 | |
and then one of the characters | 0:43:30 | 0:43:31 | |
were leaving out through the French window over here. | 0:43:31 | 0:43:33 | |
Also Mrs Stubbs would be sitting here, | 0:43:33 | 0:43:36 | |
looking at her emerald ring with her arms stretched out, | 0:43:36 | 0:43:39 | |
so you can just imagine her sitting here whilst she's looking at this. | 0:43:39 | 0:43:42 | |
Are these actually the sofas that Agatha actually sat on, | 0:43:42 | 0:43:45 | |
or have you just replicated everything? | 0:43:45 | 0:43:47 | |
No, everything that is here | 0:43:47 | 0:43:48 | |
actually belonged to Agatha Christie and her family. | 0:43:48 | 0:43:50 | |
For instance, that's a desk she used to write at whilst she was here, | 0:43:50 | 0:43:53 | |
drafting out plotlines, notebooks, that sort of thing. | 0:43:53 | 0:43:57 | |
What in this room would I find in her books? | 0:43:57 | 0:43:59 | |
Well, the small figurines over here that you can see, | 0:43:59 | 0:44:02 | |
there's a little one called Harlequin. | 0:44:02 | 0:44:04 | |
And most of the fans and readers of Agatha Christie would know | 0:44:04 | 0:44:08 | |
The Mysteries of Harley Quin, was a gentleman in her books, | 0:44:08 | 0:44:10 | |
so it's a play on the name of the harlequin figurine, | 0:44:10 | 0:44:13 | |
to make out a name of Mr Harley Quin. | 0:44:13 | 0:44:15 | |
So not only was this a getaway for her, | 0:44:15 | 0:44:18 | |
-it was inspiration for Agatha? -Absolutely. | 0:44:18 | 0:44:20 | |
This room is furnished from Christie's childhood home | 0:44:20 | 0:44:24 | |
and the trinkets are collections from five generations of her family. | 0:44:24 | 0:44:29 | |
The house certainly has a romantic feel about it, | 0:44:29 | 0:44:31 | |
when you imagine one of the world's greatest crime authors relaxing here | 0:44:31 | 0:44:35 | |
and soaking up the peaceful atmosphere, | 0:44:35 | 0:44:38 | |
but there were times it wasn't quite as serene. | 0:44:38 | 0:44:41 | |
Not long after Agatha Christie bought the house | 0:44:41 | 0:44:44 | |
obviously World War II happened. | 0:44:44 | 0:44:45 | |
During that time, this house was requisitioned | 0:44:45 | 0:44:48 | |
for the American Coastguard and they used what we see as the library now | 0:44:48 | 0:44:52 | |
-as their officers' mess. -So did she move out during that time... | 0:44:52 | 0:44:54 | |
-She did. -..or was she here making tea and coffee? | 0:44:54 | 0:44:56 | |
No, she moved out during that time. | 0:44:56 | 0:44:58 | |
They were here, they took over the house, they used to have the ships | 0:44:58 | 0:45:01 | |
coming up and down the River Dart getting ready for D-Day | 0:45:01 | 0:45:04 | |
and going over to Slapton Sands. | 0:45:04 | 0:45:06 | |
So she allowed them to move into the house | 0:45:06 | 0:45:08 | |
-and use it as a base? -Absolutely. | 0:45:08 | 0:45:11 | |
This house is truly fascinating, | 0:45:11 | 0:45:14 | |
a shrine to the revered writer, | 0:45:14 | 0:45:16 | |
and you can feel her spirit all around. | 0:45:16 | 0:45:19 | |
But outside in the grounds, her presence is felt, too. | 0:45:19 | 0:45:22 | |
There are 272 acres here, which roll down to the river, | 0:45:22 | 0:45:27 | |
where, by the water's edge, is the boathouse | 0:45:27 | 0:45:29 | |
Christie and her family used to relax in, | 0:45:29 | 0:45:32 | |
hold barbecues, swim and, of course, keep a small boat. | 0:45:32 | 0:45:37 | |
It was yet another location featured in her novel Dead Man's Folly, | 0:45:37 | 0:45:41 | |
where one of her characters met an untimely death. | 0:45:41 | 0:45:45 | |
Well, this is a little different from the main house. | 0:45:47 | 0:45:49 | |
What's going on here? | 0:45:49 | 0:45:51 | |
As you can see, it's in a bit of a dilapidated state, | 0:45:51 | 0:45:53 | |
so we are doing a building restoration here. | 0:45:53 | 0:45:55 | |
Sadly, we've got... | 0:45:55 | 0:45:56 | |
..plaster coming off the walls here. | 0:45:58 | 0:46:00 | |
So is anything here as it would have been in Agatha's time? | 0:46:00 | 0:46:04 | |
What you see in the building, you've got the fireplace there, | 0:46:04 | 0:46:07 | |
that was here, obviously, when Agatha was here. | 0:46:07 | 0:46:09 | |
-You've got some of the furniture. -Oh, this is hers? -Yeah, absolutely. | 0:46:09 | 0:46:12 | |
This is her chair. This is where she used to sit and do some reading. | 0:46:12 | 0:46:16 | |
So what are the unique challenges of renovating a property like this? | 0:46:16 | 0:46:19 | |
Well, the boathouse gives us an initial challenge straightaway. | 0:46:19 | 0:46:22 | |
We are right on the River Dart here, | 0:46:22 | 0:46:24 | |
so with the environment, we have to put new lime plaster on the walls. | 0:46:24 | 0:46:28 | |
We have to make sure that it's clean and dry | 0:46:28 | 0:46:30 | |
and very warm to make sure that that plaster dries significantly, | 0:46:30 | 0:46:33 | |
otherwise it all has to be taken off and started again. | 0:46:33 | 0:46:36 | |
So it's a lot of research involved | 0:46:36 | 0:46:38 | |
to make sure we use the correct materials. | 0:46:38 | 0:46:40 | |
How long will it take before we can walk in here | 0:46:40 | 0:46:42 | |
and see it as Agatha would have done? | 0:46:42 | 0:46:44 | |
It could take up to two or three years | 0:46:44 | 0:46:45 | |
because we've got different phases of what needs to happen. | 0:46:45 | 0:46:48 | |
Currently we're working on phase one, which is outside. | 0:46:48 | 0:46:51 | |
Phase two, we'll then start looking inside in this part of the building. | 0:46:51 | 0:46:54 | |
Phase three, we'll start looking at the plunge pool underneath. | 0:46:54 | 0:46:57 | |
We have one of those downstairs | 0:46:57 | 0:46:58 | |
and it would be great to get that working again. | 0:46:58 | 0:47:00 | |
Elaine, thank you so much for taking the time | 0:47:00 | 0:47:02 | |
to let us come and explore. | 0:47:02 | 0:47:04 | |
I know there's lots of work to be done, so I will let you get on. | 0:47:04 | 0:47:07 | |
Thank you very much. | 0:47:07 | 0:47:08 | |
From one fabulous Devon pad to another, | 0:47:10 | 0:47:13 | |
but we've got to wait a little while | 0:47:13 | 0:47:15 | |
to get to the bottom of our thriller today. | 0:47:15 | 0:47:18 | |
Mystery house. | 0:47:24 | 0:47:26 | |
What are you thinking we might show you? | 0:47:26 | 0:47:28 | |
I think it's going to be a modern farm conversion. | 0:47:28 | 0:47:31 | |
-Open-plan. -With a thatched roof? | 0:47:33 | 0:47:35 | |
Possibly not. | 0:47:37 | 0:47:38 | |
Well, you never know. | 0:47:39 | 0:47:41 | |
For our last property, | 0:47:44 | 0:47:45 | |
we're travelling to the village of Bigbury-on-Sea, | 0:47:45 | 0:47:47 | |
also located in the South Devon Area of Outstanding Natural Beauty. | 0:47:47 | 0:47:52 | |
Local amenities include a shop and a 16th-century pub and restaurant. | 0:47:52 | 0:47:57 | |
Just under six miles north | 0:47:57 | 0:47:59 | |
is the historic market town of Modbury, where a wider selection | 0:47:59 | 0:48:02 | |
of independent shops and eateries can be found, | 0:48:02 | 0:48:05 | |
including an attractive 14th-century coaching inn. | 0:48:05 | 0:48:09 | |
A quarter-of-an-hour's drive takes us back to Bigbury-on-Sea | 0:48:09 | 0:48:12 | |
and our mystery property, | 0:48:12 | 0:48:15 | |
which is located behind a sweeping circular drive. | 0:48:15 | 0:48:18 | |
Just 200 metres from the sea, | 0:48:18 | 0:48:20 | |
it boasts a bird's-eye view of Burgh Island, | 0:48:20 | 0:48:23 | |
a tidal island reached by foot at low tide | 0:48:23 | 0:48:26 | |
and a sea tractor when the tide is high. | 0:48:26 | 0:48:28 | |
It provided literary inspiration to Agatha Christie | 0:48:28 | 0:48:32 | |
and also attracted Noel Coward to its Art Deco hotel in the 1930s. | 0:48:32 | 0:48:37 | |
So here we are, our mystery house. | 0:48:37 | 0:48:41 | |
-First impressions? -It's a bungalow. | 0:48:41 | 0:48:43 | |
-Which is what you are after. -Yay. | 0:48:43 | 0:48:45 | |
And it looks very big, it seems to go a long way back. | 0:48:45 | 0:48:48 | |
-Yes. -It does. | 0:48:48 | 0:48:50 | |
Any idea why it's our mystery house? | 0:48:50 | 0:48:53 | |
Not yet. | 0:48:53 | 0:48:55 | |
This particular house is our mystery house because it is two houses. | 0:48:55 | 0:48:59 | |
-Two? -Two houses? -Two houses. | 0:48:59 | 0:49:02 | |
So you have the main house here. And then the other house... | 0:49:02 | 0:49:06 | |
You know you were talking about your writing groups, | 0:49:06 | 0:49:08 | |
friends and family coming to stay? You could run it as a going concern, | 0:49:08 | 0:49:11 | |
which is what the current owners do. | 0:49:11 | 0:49:13 | |
They rent out this section of the house | 0:49:13 | 0:49:15 | |
and live in the annexe at the back. | 0:49:15 | 0:49:17 | |
-Oh. -What do you think of the idea of the two properties in one? | 0:49:17 | 0:49:21 | |
I think it's got potential. | 0:49:21 | 0:49:23 | |
-Should we see inside? Come on, let's do it. -Yes, please. | 0:49:23 | 0:49:26 | |
This wonderfully located bungalow was originally built in the 1960s | 0:49:26 | 0:49:30 | |
but was extended five years ago to create a self-contained annexe. | 0:49:30 | 0:49:36 | |
We are entering via a hallway into the original part of the property, | 0:49:36 | 0:49:39 | |
currently rented out for holidays by the present owners. | 0:49:39 | 0:49:42 | |
So nice, big hall space. | 0:49:44 | 0:49:46 | |
Already a couple of bookshelves up. Maybe room for more. | 0:49:46 | 0:49:50 | |
-And then a lovely, big living area for you. -Oh, yes. | 0:49:50 | 0:49:53 | |
It's a nice, big space. | 0:49:53 | 0:49:55 | |
-It's ideal. -With those lovely views of Burgh Island. | 0:49:55 | 0:49:58 | |
-Oh, yes. -Yes. Beautiful. | 0:49:58 | 0:50:00 | |
Now that would be a great place to have a glass of something | 0:50:00 | 0:50:02 | |
lovely in the evening, on that patio space there. | 0:50:02 | 0:50:04 | |
Or first thing in the morning. | 0:50:04 | 0:50:06 | |
Oh, first thing in the morning! I like your style. | 0:50:06 | 0:50:09 | |
Our welcoming mystery house | 0:50:09 | 0:50:11 | |
has already got Jeff's imagination working. | 0:50:11 | 0:50:13 | |
Just behind us is a dining room area, | 0:50:13 | 0:50:15 | |
off which is a beautifully finished kitchen | 0:50:15 | 0:50:17 | |
with access to a small courtyard garden. | 0:50:17 | 0:50:20 | |
And there's a utility room next door. | 0:50:20 | 0:50:22 | |
Then, behind the kitchen is a nautically themed family bathroom, | 0:50:22 | 0:50:26 | |
serving three double bedrooms. | 0:50:26 | 0:50:28 | |
There's one with doors to the courtyard | 0:50:28 | 0:50:30 | |
and a smart shower room. | 0:50:30 | 0:50:32 | |
Next door is a twin, | 0:50:32 | 0:50:34 | |
and another double is lucky enough | 0:50:34 | 0:50:36 | |
to have views across to Burgh Island. | 0:50:36 | 0:50:38 | |
That's the main bungalow, | 0:50:38 | 0:50:40 | |
and next door is the adjoining annexe the current owners call home. | 0:50:40 | 0:50:43 | |
It's just the other side of the courtyard. | 0:50:43 | 0:50:46 | |
We are starting from the open-plan kitchen and living room, | 0:50:46 | 0:50:49 | |
which takes up half of the property. | 0:50:49 | 0:50:52 | |
It's very nice. | 0:50:52 | 0:50:53 | |
Certainly nice. | 0:50:53 | 0:50:55 | |
You could use this as maybe your writer's retreat | 0:50:55 | 0:50:57 | |
and then have the main part of the property to yourselves. | 0:50:57 | 0:51:00 | |
There is also a little office outside, | 0:51:00 | 0:51:03 | |
which is a converted garage, which could be your man cave, Jeff, | 0:51:03 | 0:51:07 | |
if you wanted. | 0:51:07 | 0:51:08 | |
So, our mystery house does have lots of options for you. | 0:51:08 | 0:51:11 | |
-Yes. -Should we go and see the master bedroom? -Yes, let's. | 0:51:11 | 0:51:14 | |
The sleeping quarters just next door | 0:51:14 | 0:51:16 | |
take up the other half of the annexe. | 0:51:16 | 0:51:18 | |
So big, big room. | 0:51:18 | 0:51:20 | |
Lovely cupboard space for both of you. | 0:51:20 | 0:51:22 | |
You've got full built-in wardrobes there. | 0:51:22 | 0:51:25 | |
Very large bathroom. Lovely walk-in shower. | 0:51:25 | 0:51:29 | |
So a nice, big space for you in the annexe. | 0:51:29 | 0:51:31 | |
Certainly, it's a beautiful master bedroom. | 0:51:31 | 0:51:34 | |
And what about that view into the garden? | 0:51:34 | 0:51:36 | |
-Yes. -Nice to wake up to that. | 0:51:36 | 0:51:38 | |
When you are in bed, you can see all the way up the hill. | 0:51:38 | 0:51:41 | |
Now you've had a look, should we head out into that garden? | 0:51:41 | 0:51:44 | |
-Yes, please. -OK, come on. | 0:51:44 | 0:51:46 | |
The main bungalow benefits from wonderful sea views. | 0:51:46 | 0:51:50 | |
Behind the annexe is a stunning and expansive garden | 0:51:50 | 0:51:53 | |
surrounded by fields and hilly countryside. | 0:51:53 | 0:51:56 | |
The grounds are well kept with beautiful flowerbeds, | 0:51:56 | 0:51:59 | |
mature trees, a kitchen garden and a greenhouse. | 0:51:59 | 0:52:03 | |
There's also lapsed planning permission for a double garage, | 0:52:03 | 0:52:06 | |
which could become Janet's longed-for library. | 0:52:06 | 0:52:09 | |
It's worth coming up this tiered garden | 0:52:09 | 0:52:11 | |
to catch that view of Burgh Island and the ocean. | 0:52:11 | 0:52:16 | |
Just marvellous. | 0:52:16 | 0:52:17 | |
I think it's easy maintenance, just the right size. | 0:52:17 | 0:52:21 | |
So, easy to look after, even I might cut this grass. | 0:52:21 | 0:52:25 | |
-So it would work for you? -It certainly would. | 0:52:25 | 0:52:28 | |
You've seen the garden, the house. Now down to the price. | 0:52:28 | 0:52:31 | |
Oh, the difficult bit. | 0:52:31 | 0:52:33 | |
What do you think our mystery house is on the market for? | 0:52:33 | 0:52:35 | |
I'm going, optimistically, at £720,000. | 0:52:35 | 0:52:41 | |
OK. Janet? | 0:52:41 | 0:52:43 | |
I would think around about £680,000. | 0:52:43 | 0:52:46 | |
Take each of those offers, come halfway. | 0:52:46 | 0:52:49 | |
700,000. | 0:52:49 | 0:52:50 | |
-Right. -Offers in excess of 700,000. | 0:52:50 | 0:52:53 | |
So you're both 20 out. | 0:52:53 | 0:52:54 | |
-Yes. -Would you like to take another look at the house? | 0:52:54 | 0:52:56 | |
-Yes. -Yes, please. -You do that. | 0:52:56 | 0:52:57 | |
I'm going to take in the view a little bit longer. | 0:52:57 | 0:52:59 | |
-Enjoy. -Thank you. | 0:52:59 | 0:53:01 | |
This mystery property, with its bonus annexe, | 0:53:02 | 0:53:04 | |
could leave Janet and Jeff with £50,000 in the kitty | 0:53:04 | 0:53:08 | |
if they decide to make it theirs. | 0:53:08 | 0:53:10 | |
It offers Janet accessible single-level living | 0:53:10 | 0:53:14 | |
in a spacious home with more options than they could have dreamed of | 0:53:14 | 0:53:17 | |
for housing Janet's library, | 0:53:17 | 0:53:19 | |
as well as welcoming guests and holding workshops. | 0:53:19 | 0:53:22 | |
And Jeff would have a photography room for himself. | 0:53:22 | 0:53:26 | |
Outside, the garden is perfect for our pair | 0:53:26 | 0:53:28 | |
and comes complete with spectacular views | 0:53:28 | 0:53:31 | |
that are sure to inspire some of Janet's storytelling. | 0:53:31 | 0:53:34 | |
Plus, it's close to amenities. | 0:53:34 | 0:53:37 | |
Mystery house, it is very interesting. | 0:53:39 | 0:53:42 | |
Being divided as two, it gives great potential in dividing up | 0:53:42 | 0:53:47 | |
in the way that we want to use it. | 0:53:47 | 0:53:49 | |
Garden - just a nice size. | 0:53:49 | 0:53:52 | |
Just big enough for me to play around in and cut the grass, | 0:53:52 | 0:53:56 | |
not too big that it becomes too much of a chore. | 0:53:56 | 0:53:59 | |
I found the mystery house intriguing | 0:53:59 | 0:54:01 | |
and I can see the possibility of living here. | 0:54:01 | 0:54:03 | |
I can see how you might use it, how we might set it out. | 0:54:03 | 0:54:06 | |
But I think, for me, I'd need to know more about the area | 0:54:06 | 0:54:09 | |
before I could say, "Yes, definitely a contender." | 0:54:09 | 0:54:12 | |
-You've had a good look round the mystery house? -Certainly have. | 0:54:12 | 0:54:14 | |
-You've seen all the properties now. -Yes. -Yes. -Lots to think about. | 0:54:14 | 0:54:19 | |
-Lots to think about. -Shall we find somewhere to have a coffee | 0:54:19 | 0:54:21 | |
-and a chat? -Yes, please. -Let's do that, come on. | 0:54:21 | 0:54:24 | |
Right, it's time to catch up with Janet and Jeff | 0:54:27 | 0:54:30 | |
and find out what their next step is going to be, | 0:54:30 | 0:54:33 | |
and, I have to admit, even at the end of our search, | 0:54:33 | 0:54:35 | |
I'm not 100% sure in which direction they're heading. | 0:54:35 | 0:54:40 | |
Janet, Jeff, do we have a frontrunner | 0:54:43 | 0:54:45 | |
from all the properties we've seen? | 0:54:45 | 0:54:47 | |
Well, I think there are two which sort of spoke to us more. | 0:54:47 | 0:54:52 | |
That was the Georgian house and the mystery house. | 0:54:52 | 0:54:55 | |
And what was it particularly about those two that you loved? | 0:54:55 | 0:54:58 | |
I think in terms of the Georgian house, | 0:54:58 | 0:55:00 | |
the size, the great rooms and the garden. | 0:55:00 | 0:55:05 | |
In terms of the mystery, what a view! | 0:55:05 | 0:55:09 | |
And, again, accommodation | 0:55:09 | 0:55:11 | |
which could be tailored to our requirements. | 0:55:11 | 0:55:15 | |
I'm a little bit surprised you went for the Georgian one so much, | 0:55:15 | 0:55:18 | |
because it was a bit of a gamble to show it to you. | 0:55:18 | 0:55:20 | |
It wasn't a bungalow | 0:55:20 | 0:55:21 | |
and it had period features which you hadn't asked for. | 0:55:21 | 0:55:24 | |
We'd been focusing on the bungalow | 0:55:24 | 0:55:26 | |
because we'd been focusing on flat living and, yes, | 0:55:26 | 0:55:29 | |
you have actually offered us | 0:55:29 | 0:55:31 | |
a Georgian house with features on three levels, | 0:55:31 | 0:55:34 | |
but it is possible just to live on the one level | 0:55:34 | 0:55:38 | |
and so that does give me one-level living if I need it | 0:55:38 | 0:55:42 | |
and with character and with that beautiful garden. | 0:55:42 | 0:55:45 | |
So what might be the next step now for you? | 0:55:45 | 0:55:48 | |
We're interested in both properties, | 0:55:48 | 0:55:51 | |
so part of what we aim to do | 0:55:51 | 0:55:53 | |
is to go back, have a look round the areas, | 0:55:53 | 0:55:55 | |
find out more details about the kinds of things that go on. | 0:55:55 | 0:55:59 | |
-So we have two great houses... -Mm-hm. | 0:55:59 | 0:56:00 | |
Which of those properties is speaking to your heart | 0:56:00 | 0:56:03 | |
and which one is speaking to your head? | 0:56:03 | 0:56:05 | |
Um, to my heart, it's the Georgian house. | 0:56:05 | 0:56:09 | |
Um, to my head, because it's much more practical, | 0:56:09 | 0:56:12 | |
it's the mystery house. | 0:56:12 | 0:56:14 | |
-And Jeff, is that the same for you? -I think it's the same for me. | 0:56:14 | 0:56:17 | |
And will you go back for a second viewing on either of the properties? | 0:56:17 | 0:56:21 | |
I think that's really subject to, you know, testing out the area, | 0:56:21 | 0:56:24 | |
finding out more about the area, what the local facilities are. | 0:56:24 | 0:56:28 | |
Well, I wish you all the best of luck with your continued search, | 0:56:28 | 0:56:31 | |
and I look forward to coming and exploring, | 0:56:31 | 0:56:32 | |
perhaps borrowing a book from your library very soon! | 0:56:32 | 0:56:35 | |
You'll be very welcome. | 0:56:35 | 0:56:36 | |
Perhaps you'll join Janet at one of her workshops there. | 0:56:36 | 0:56:39 | |
-I'm in, I'm in. Sign me up now! -Come and tell a story. | 0:56:39 | 0:56:41 | |
So we're at the end of a successful few days house-hunting | 0:56:47 | 0:56:50 | |
here in Devon. | 0:56:50 | 0:56:51 | |
I'm really pleased that we've managed to find Janet and Jeff | 0:56:51 | 0:56:53 | |
two properties that they really liked. | 0:56:53 | 0:56:56 | |
It just remains to be seen, in this particular tale, | 0:56:56 | 0:56:58 | |
whether it's their heads or their hearts that will win out. | 0:56:58 | 0:57:01 | |
See you next time on Escape To The Country. | 0:57:01 | 0:57:05 | |
After a lot of thought, Janet and Jeff have decided | 0:57:05 | 0:57:08 | |
to narrow their search to be closer to Sidmouth, but their eyes are now | 0:57:08 | 0:57:12 | |
open to the possibility of living in a home with more than one level. | 0:57:12 | 0:57:16 | |
If you would like to escape to the country | 0:57:16 | 0:57:18 | |
in Northern Ireland, Scotland, Wales or England, and need our help, | 0:57:18 | 0:57:22 | |
then apply online at... | 0:57:22 | 0:57:24 |