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Welcome to Escape To The Country. | 0:00:02 | 0:00:03 | |
This magnificent castle behind me has, over the centuries, | 0:00:03 | 0:00:06 | |
played host to both medieval and Stuart kings, | 0:00:06 | 0:00:08 | |
but when its current owner bought it less than 40 years ago, | 0:00:08 | 0:00:11 | |
it was, in his words, a total wreck. | 0:00:11 | 0:00:14 | |
So, who might be persuaded to take on such an ambitious project | 0:00:14 | 0:00:18 | |
of restoration - and where? | 0:00:18 | 0:00:20 | |
Well, join me in just a moment and I'll tell you. | 0:00:20 | 0:00:22 | |
On today's show, two friends partner up | 0:00:40 | 0:00:42 | |
to help one of them fulfil a long-held country dream - | 0:00:42 | 0:00:45 | |
but bonding with the locals could prove tricky. | 0:00:45 | 0:00:49 | |
Somewhere to sit out and enjoy looking at those cows. | 0:00:49 | 0:00:52 | |
We've laid them on especially, Chris, | 0:00:52 | 0:00:54 | |
to help you try and overcome your cow phobia. | 0:00:54 | 0:00:57 | |
'And if the figures stack up, | 0:00:57 | 0:00:59 | |
'our properties are right on the money.' | 0:00:59 | 0:01:02 | |
I love it. | 0:01:02 | 0:01:03 | |
Can I have it? | 0:01:03 | 0:01:05 | |
Course you can! SHE LAUGHS | 0:01:05 | 0:01:06 | |
-If you can afford it! -How much? | 0:01:06 | 0:01:07 | |
How much is the question, isn't it? | 0:01:07 | 0:01:09 | |
Well, today we are in Northumberland, | 0:01:11 | 0:01:13 | |
and this is the very splendid backdrop of Chillingham Castle, | 0:01:13 | 0:01:17 | |
home to the Grey family since the 13th century - | 0:01:17 | 0:01:20 | |
a family, who, amongst other things, | 0:01:20 | 0:01:22 | |
gave us a very popular blend of tea. | 0:01:22 | 0:01:25 | |
Now, over the last 800 years or so, it's been lived in, fought over | 0:01:25 | 0:01:28 | |
and then finally left to rack and ruin | 0:01:28 | 0:01:31 | |
until its current owner, the very colourful Sir Humphry Wakefield, | 0:01:31 | 0:01:34 | |
bought it back in the early 1980s. | 0:01:34 | 0:01:37 | |
Now, later on in the show, | 0:01:37 | 0:01:38 | |
I'll be getting my own, very special guided tour | 0:01:38 | 0:01:41 | |
in the company of Sir Humphry himself, | 0:01:41 | 0:01:43 | |
finding out just what it takes to restore a building like this, | 0:01:43 | 0:01:46 | |
but also getting a little insight into what life is really like | 0:01:46 | 0:01:49 | |
in a very Englishman's castle. | 0:01:49 | 0:01:51 | |
Right at the head of England, | 0:01:53 | 0:01:55 | |
Northumberland is the country's crowning glory, | 0:01:55 | 0:01:57 | |
sharing County Durham and Cumbria's county borders, | 0:01:57 | 0:02:00 | |
with Scotland just the other side of its northern boundary. | 0:02:00 | 0:02:04 | |
And Northumberland's prime position, | 0:02:04 | 0:02:06 | |
sitting shoulder to shoulder with Scotland, | 0:02:06 | 0:02:08 | |
has greatly influenced the county's heritage and architecture. | 0:02:08 | 0:02:12 | |
At the mouth of the River Tweed, | 0:02:12 | 0:02:14 | |
the definitive border town of Berwick-upon-Tweed has changed hands | 0:02:14 | 0:02:17 | |
between the English and Scottish at least 13 times. | 0:02:17 | 0:02:22 | |
And the border wars which raged through the Middle Ages | 0:02:22 | 0:02:24 | |
have left the landscape with a rich assortment | 0:02:24 | 0:02:27 | |
of medieval fortifications, both ruinous and preserved. | 0:02:27 | 0:02:31 | |
Among the many castles | 0:02:31 | 0:02:32 | |
that litter Northumberland's beautiful coastline, | 0:02:32 | 0:02:35 | |
Bamburgh was a key stronghold in Anglo-Saxon Northumbria, | 0:02:35 | 0:02:39 | |
and the epic 1,900-year-old Hadrian's Wall | 0:02:39 | 0:02:41 | |
charges over 70 miles from the North to the Irish Sea, | 0:02:41 | 0:02:46 | |
cutting through the region's wild, dramatic and remote countryside. | 0:02:46 | 0:02:50 | |
With swathes of secluded beaches | 0:02:51 | 0:02:53 | |
and the UK's least-populated National Park, | 0:02:53 | 0:02:56 | |
it's small wonder that Northumberland | 0:02:56 | 0:02:58 | |
has been voted the most tranquil county in the country. | 0:02:58 | 0:03:01 | |
Well, for a county with some beautiful | 0:03:05 | 0:03:07 | |
rural and coastal locations, | 0:03:07 | 0:03:09 | |
Northumberland also represents pretty good value for money. | 0:03:09 | 0:03:12 | |
Currently, the average price of a detached property | 0:03:12 | 0:03:15 | |
is £223,000 here. | 0:03:15 | 0:03:17 | |
That's some 60,000 below the national figure. | 0:03:17 | 0:03:21 | |
But, for all of its celebrated coastline, | 0:03:21 | 0:03:23 | |
coastal properties are hard to find. | 0:03:23 | 0:03:26 | |
However, step inland and you are blessed with | 0:03:26 | 0:03:28 | |
not only beautiful countryside, | 0:03:28 | 0:03:31 | |
but also exceptional value for money. | 0:03:31 | 0:03:33 | |
But before we continue exploring this wonderful county, | 0:03:33 | 0:03:37 | |
we're heading a little further south in the country, | 0:03:37 | 0:03:39 | |
to the town of Conisbrough near Doncaster in South Yorkshire, | 0:03:39 | 0:03:43 | |
home to today's buyer, Chris, a retired lecturer, | 0:03:43 | 0:03:46 | |
and her best friend and neighbour, Linda, who works as a nurse. | 0:03:46 | 0:03:49 | |
I used to have the pub at the bottom of the road, The Castle Inn - | 0:03:49 | 0:03:52 | |
I was the landlady there - | 0:03:52 | 0:03:54 | |
and Linda used to come in. | 0:03:54 | 0:03:57 | |
I didn't really know her then, | 0:03:57 | 0:03:58 | |
but I heard that when I thought about moving here, | 0:03:58 | 0:04:01 | |
she was a bit worried, because she thought I was a bit stuck-up. | 0:04:01 | 0:04:05 | |
But, anyway, I moved in and we became good friends | 0:04:05 | 0:04:08 | |
-almost immediately, didn't we? -Yeah. | 0:04:08 | 0:04:10 | |
I realised she wasn't stuck-up after all. | 0:04:10 | 0:04:13 | |
And their friendship has seen them | 0:04:13 | 0:04:15 | |
through the good times as well as the bad. | 0:04:15 | 0:04:17 | |
My husband was alive when she first moved in, | 0:04:17 | 0:04:20 | |
and then my husband sadly passed away five years ago, | 0:04:20 | 0:04:24 | |
and Chris has been a real help to me, | 0:04:24 | 0:04:26 | |
she's really got me through it, been a really good friend. Haven't you? | 0:04:26 | 0:04:29 | |
Yeah, we've taken her out! | 0:04:29 | 0:04:31 | |
Living next-door to one another for 12 years, | 0:04:34 | 0:04:36 | |
Chris and Linda have developed a close bond, | 0:04:36 | 0:04:39 | |
and have even put a gate up between their gardens | 0:04:39 | 0:04:41 | |
so they can wander freely in and out of one another's properties. | 0:04:41 | 0:04:45 | |
Boundary-hopping may soon cease, | 0:04:45 | 0:04:47 | |
as Chris has recently put her three-bedroom detached home | 0:04:47 | 0:04:50 | |
on the market. | 0:04:50 | 0:04:51 | |
I've been very happy in this house, here, | 0:04:52 | 0:04:55 | |
but it's getting a bit big for me now, | 0:04:55 | 0:04:58 | |
so I'd like to move somewhere that's not so high-maintenance, | 0:04:58 | 0:05:04 | |
and is warmer, and so I wouldn't have to spend so much time | 0:05:04 | 0:05:09 | |
and so much money looking after it... | 0:05:09 | 0:05:11 | |
and also the traffic. | 0:05:11 | 0:05:13 | |
Although it's an unadopted road that I live on, | 0:05:13 | 0:05:16 | |
they use it as a short cut. | 0:05:16 | 0:05:18 | |
It does get very busy on that road at the top, | 0:05:18 | 0:05:20 | |
and we both...you do some part-time work, don't you? | 0:05:20 | 0:05:23 | |
And I walk up to work. | 0:05:23 | 0:05:24 | |
You know, the traffic, sometimes, the fumes and the dust, | 0:05:24 | 0:05:27 | |
you know, and you think, oh... | 0:05:27 | 0:05:29 | |
It does get you down a little bit. | 0:05:29 | 0:05:31 | |
A creative at heart, | 0:05:32 | 0:05:33 | |
Chris now wants to downsize and escape her urban surroundings | 0:05:33 | 0:05:37 | |
to find inspiration from the sea and countryside of the North East. | 0:05:37 | 0:05:41 | |
The area that I'd like to move to is the Northumberland coast, | 0:05:43 | 0:05:46 | |
because I had a friend who sadly died this year, | 0:05:46 | 0:05:50 | |
and I used to spend time with her. | 0:05:50 | 0:05:52 | |
She lived in a caravan on the beach | 0:05:52 | 0:05:54 | |
and we used to walk on these empty beaches. | 0:05:54 | 0:05:56 | |
It's so unspoilt and wild up there. | 0:05:56 | 0:06:00 | |
She found her artistic side up there - | 0:06:00 | 0:06:03 | |
and she's sort of inspiring me to want to go up there | 0:06:03 | 0:06:06 | |
and find my creative side, as well. | 0:06:06 | 0:06:09 | |
I WILL write that novel. | 0:06:10 | 0:06:12 | |
But at the moment, Chris's creativity isn't entirely passive, | 0:06:13 | 0:06:17 | |
as she turned her hand to an ambitious garden seat | 0:06:17 | 0:06:20 | |
dedicated to the memory of Linda's late husband. | 0:06:20 | 0:06:23 | |
I made a bench outside, | 0:06:23 | 0:06:25 | |
and I wanted it to be one like Gaudi did in Barcelona. | 0:06:25 | 0:06:29 | |
And I taught myself how to render, did all the tiling, | 0:06:29 | 0:06:33 | |
and we got it finished... | 0:06:33 | 0:06:35 | |
Well, that must have taken at least a year to do it. | 0:06:35 | 0:06:37 | |
Yeah, but I think it sort of... | 0:06:37 | 0:06:39 | |
It's the strongest bench in creativity, | 0:06:39 | 0:06:42 | |
that it has got foundations, we dug foundations, | 0:06:42 | 0:06:44 | |
it will never go anywhere. | 0:06:44 | 0:06:47 | |
-Everybody comments on it when they see it. -Yeah. | 0:06:47 | 0:06:49 | |
So, it's really unusual. | 0:06:49 | 0:06:51 | |
Another thing that I'd like to do, | 0:06:51 | 0:06:53 | |
if I got a place that had got a bit of a workshop, or a shed, even, | 0:06:53 | 0:06:56 | |
is to make things out of found objects, | 0:06:56 | 0:06:59 | |
like the driftwood and things that you find in abundance up there. | 0:06:59 | 0:07:02 | |
So, making things as well as writing. | 0:07:02 | 0:07:06 | |
And aside from artistic aspirations, | 0:07:06 | 0:07:08 | |
proximity to her family is also fuelling the decision to relocate. | 0:07:08 | 0:07:13 | |
I've got two sons. | 0:07:13 | 0:07:15 | |
The elder one lives in Austria and he's married an Austrian woman. | 0:07:15 | 0:07:19 | |
My younger son has married a Scottish girl, | 0:07:19 | 0:07:22 | |
and they've just moved up to Edinburgh, | 0:07:22 | 0:07:25 | |
so that's one of the reasons I'd like to move, | 0:07:25 | 0:07:27 | |
because I'd like to move somewhere closer to them. | 0:07:27 | 0:07:30 | |
So, with family to visit, things to make and books to write, | 0:07:30 | 0:07:33 | |
this Northumbrian move heralds not only a change of location, | 0:07:33 | 0:07:37 | |
but a complete change of lifestyle for both ladies. | 0:07:37 | 0:07:41 | |
I think this is an important move for me, | 0:07:43 | 0:07:45 | |
because it will probably be the last move that I make - | 0:07:45 | 0:07:48 | |
and yet I feel now, at the age of 64, | 0:07:48 | 0:07:51 | |
I'm still young enough and still active enough | 0:07:51 | 0:07:53 | |
to make that move and make new friends and find new interests. | 0:07:53 | 0:07:58 | |
You know, I'm going to miss her when she goes, | 0:07:58 | 0:08:00 | |
and we've got such a good friendship, | 0:08:00 | 0:08:01 | |
it's a shame, really, not to still be near her, | 0:08:01 | 0:08:04 | |
so, possibly, when I'm... I mean, I'm almost ready | 0:08:04 | 0:08:07 | |
for retiring myself, I might actually go and join her. | 0:08:07 | 0:08:10 | |
For the best chance of what Chris - or, indeed, Linda - is after, | 0:08:17 | 0:08:21 | |
our Northumberland property search will be focused | 0:08:21 | 0:08:23 | |
in attractive villages within the northern portion of the county, | 0:08:23 | 0:08:27 | |
pushing right up to the Scottish border | 0:08:27 | 0:08:29 | |
and out towards the eastern coast. | 0:08:29 | 0:08:32 | |
So, I'm meeting up with them in the county | 0:08:32 | 0:08:34 | |
to glean a better understanding of this impending move. | 0:08:34 | 0:08:37 | |
Well, Chris, Linda, welcome to Escape To The Country, | 0:08:38 | 0:08:41 | |
and welcome to Northumberland. | 0:08:41 | 0:08:42 | |
-Thank you. -So, you now think the time is right to make this move, | 0:08:42 | 0:08:45 | |
and you've brought Linda along | 0:08:45 | 0:08:46 | |
-as some sensible counsel in this move. -Yeah! | 0:08:46 | 0:08:50 | |
I think I just need to keep a check on her, really, | 0:08:50 | 0:08:52 | |
and make sure she makes the right choices. | 0:08:52 | 0:08:54 | |
This is a very jolly, very warm set up, isn't it? | 0:08:54 | 0:08:57 | |
Two old friends and neighbours escaping to the country, | 0:08:57 | 0:09:01 | |
-or helping you to escape, Chris. -Yeah, I'm going first! | 0:09:01 | 0:09:04 | |
I may follow very soon. | 0:09:04 | 0:09:06 | |
Linda, you are also keen on moving, | 0:09:06 | 0:09:08 | |
and this might also be a part of the world | 0:09:08 | 0:09:10 | |
that could appeal to you in the future? | 0:09:10 | 0:09:12 | |
Yeah, I'd love to live near the coast. | 0:09:12 | 0:09:14 | |
It's a bit quieter up here and the beaches are nice and quiet, | 0:09:14 | 0:09:17 | |
and it's just so lovely, so I might be tempted. | 0:09:17 | 0:09:20 | |
So, there may be some competition for these houses, Chris, | 0:09:20 | 0:09:22 | |
you may get gazumped by your neighbour! | 0:09:22 | 0:09:24 | |
And that will be the end of that friendship, won't it? | 0:09:24 | 0:09:26 | |
THEY LAUGH | 0:09:26 | 0:09:27 | |
So, give us a sense, Chris, of the kind of property that you are after. | 0:09:27 | 0:09:32 | |
Well, I like somewhere with character, | 0:09:32 | 0:09:35 | |
that's probably been something else, | 0:09:35 | 0:09:36 | |
you know, like an old schoolhouse or something. | 0:09:36 | 0:09:39 | |
How many bedrooms? Because obviously you're going to want | 0:09:39 | 0:09:41 | |
-friends and family to come and stay. -Two or three. -Mm-hm. | 0:09:41 | 0:09:43 | |
Because I've got two sons - and one lives in Edinburgh, | 0:09:43 | 0:09:46 | |
that's one of the reasons I want to move up, to be closer to him. | 0:09:46 | 0:09:48 | |
So, I need at least a spare room. | 0:09:48 | 0:09:51 | |
I'd like to have a view. | 0:09:51 | 0:09:52 | |
It doesn't have to be sea, but not far from the sea, | 0:09:52 | 0:09:55 | |
and I'd like somewhere with a kitchen I can sit in, | 0:09:55 | 0:09:58 | |
because I've not had that before. | 0:09:58 | 0:10:00 | |
A garden that I can sit in and hang the washing out, | 0:10:00 | 0:10:03 | |
that's important, as well. | 0:10:03 | 0:10:04 | |
Now, Linda, you know Chris better than I do. | 0:10:04 | 0:10:06 | |
How easy is it going to be to satisfy her needs, do you think? | 0:10:06 | 0:10:10 | |
I think it has to be something quirky for Chris. | 0:10:10 | 0:10:13 | |
She won't make do with just boring or mundane. | 0:10:13 | 0:10:16 | |
It has to have something unusual about it, | 0:10:16 | 0:10:18 | |
because she's a very quirky person, aren't you? | 0:10:18 | 0:10:20 | |
And in terms of the budget, then, Chris, | 0:10:20 | 0:10:22 | |
how much do think you're going to have to spend? | 0:10:22 | 0:10:24 | |
Well, I've only got 200,000, so that really is the maximum. | 0:10:24 | 0:10:28 | |
Well, this is a beautiful part of the world. | 0:10:28 | 0:10:30 | |
Why more people don't escape to the North East, I simply don't know. | 0:10:30 | 0:10:33 | |
-Don't tell them, though. -No! | 0:10:33 | 0:10:34 | |
It's a really hidden gem that offers you brilliant value for money | 0:10:34 | 0:10:38 | |
-and beautiful landscape. -Yeah. | 0:10:38 | 0:10:40 | |
We've got a really interesting range of properties to show you. | 0:10:40 | 0:10:43 | |
-We've got some beautiful weather. -Yeah! | 0:10:43 | 0:10:45 | |
-Shall we go? -Yep. -Come on, then. Follow me this way. -OK. | 0:10:45 | 0:10:47 | |
For a top budget of £200,000, | 0:10:50 | 0:10:53 | |
Chris is after a characterful property | 0:10:53 | 0:10:55 | |
with a kitchen/breakfast room and at least two bedrooms. | 0:10:55 | 0:10:59 | |
Ideally, she'd like a garden with a workshop | 0:10:59 | 0:11:01 | |
in which to get creative | 0:11:01 | 0:11:03 | |
and somewhere with an inspiring outlook... | 0:11:03 | 0:11:05 | |
and we've got a wonderful mix of homes to serve up - | 0:11:05 | 0:11:09 | |
but I won't be revealing the attached price tags | 0:11:09 | 0:11:12 | |
until they've had a good look around each one first. | 0:11:12 | 0:11:14 | |
Then, last on the property agenda is our Mystery House, | 0:11:14 | 0:11:18 | |
which could bring the coast, and my companions, | 0:11:18 | 0:11:20 | |
closer than they ever imagined. | 0:11:20 | 0:11:23 | |
Now, I gather you have a rather unique phobia, Chris, | 0:11:30 | 0:11:33 | |
of all things, about cows, is that right? | 0:11:33 | 0:11:35 | |
It's not a unique phobia. | 0:11:35 | 0:11:36 | |
They're actually very dangerous animals, | 0:11:36 | 0:11:38 | |
-and they trample people to death. -LINDA CHUCKLES | 0:11:38 | 0:11:41 | |
How many people do you think are killed a year by cows? | 0:11:41 | 0:11:44 | |
About 7,000. | 0:11:44 | 0:11:45 | |
THEY LAUGH | 0:11:45 | 0:11:46 | |
Did you just make that up?! | 0:11:46 | 0:11:48 | |
You did make it up, because I can tell you, it's five. | 0:11:48 | 0:11:51 | |
Five a year. | 0:11:51 | 0:11:53 | |
I was close, then(!) | 0:11:53 | 0:11:54 | |
Actually, double the number killed by horses - | 0:11:54 | 0:11:56 | |
-so, maybe there is something in your phobia. -Yeah. | 0:11:56 | 0:11:59 | |
I hope we see some cows today. I want to see what happens! | 0:11:59 | 0:12:01 | |
I've seen loads up here, actually. | 0:12:01 | 0:12:03 | |
It's a bit of a hazard when you're a rambler. | 0:12:03 | 0:12:06 | |
It is indeed. I mean, you certainly have to be careful, | 0:12:06 | 0:12:09 | |
particularly with dogs and young children, if you're walking through. | 0:12:09 | 0:12:12 | |
But again, it's one of those little elements of the Country Code, | 0:12:12 | 0:12:16 | |
I think, you just... Yeah, be sensible. | 0:12:16 | 0:12:19 | |
But, um, you do admire them, don't you? | 0:12:19 | 0:12:22 | |
They are lovely creatures. | 0:12:22 | 0:12:24 | |
From afar. | 0:12:24 | 0:12:26 | |
Our first destination is the village of Mindrum, | 0:12:29 | 0:12:32 | |
just 15 miles from the coast, | 0:12:32 | 0:12:34 | |
lying in the shadow of the Cheviot Hills, | 0:12:34 | 0:12:36 | |
at the northern fringes of the Northumberland National Park. | 0:12:36 | 0:12:39 | |
The village is just a 15-minute drive from Wooler, | 0:12:39 | 0:12:43 | |
which is a small town made of striking stone architecture, | 0:12:43 | 0:12:46 | |
that sits seamlessly against a scenic country backdrop. | 0:12:46 | 0:12:50 | |
Here, a variety of specialist shops and cafes can be found, | 0:12:50 | 0:12:54 | |
including a delicatessen, post office and even an art gallery, | 0:12:54 | 0:12:58 | |
which could be an outlet for creative Chris to explore. | 0:12:58 | 0:13:01 | |
So, although a pint of milk is some eight miles away | 0:13:01 | 0:13:05 | |
from the property back in Mindrum, | 0:13:05 | 0:13:06 | |
the remoteness might just be the ticket, as it couldn't be further | 0:13:06 | 0:13:10 | |
from the fumes and traffic our buyer wants to escape. | 0:13:10 | 0:13:13 | |
With just ten neighbouring houses, | 0:13:13 | 0:13:15 | |
this location is more cosy hamlet than busy village. | 0:13:15 | 0:13:19 | |
This is what I want you to look at, Chris. | 0:13:19 | 0:13:22 | |
-This one? Is it the whole row? -It's not the whole row, | 0:13:22 | 0:13:26 | |
-it is effectively half of it, though. -Wow! | 0:13:26 | 0:13:28 | |
What we've got for you is half a range | 0:13:28 | 0:13:31 | |
of former farm workers' cottages. | 0:13:31 | 0:13:33 | |
There were probably numerous cottages here, | 0:13:33 | 0:13:35 | |
but, effectively, they've combined several to give you... | 0:13:35 | 0:13:38 | |
well, as I say, half of that range, | 0:13:38 | 0:13:40 | |
so you've got one, two, three, four, five of those windows | 0:13:40 | 0:13:43 | |
and two chimney stacks. | 0:13:43 | 0:13:46 | |
-When were they built? -1830. | 0:13:46 | 0:13:48 | |
1830, so it's sort of long and thin, it's single-storey living, this. | 0:13:48 | 0:13:53 | |
Yeah, I think it's lovely so far. | 0:13:53 | 0:13:55 | |
Is this the sort of thing that you would go for? | 0:13:55 | 0:13:57 | |
Yeah, yeah, it's fantastic. | 0:13:57 | 0:13:59 | |
-Let's see what you think of the inside. -OK. -Can't wait. | 0:13:59 | 0:14:01 | |
With roots in the early 19th century, | 0:14:03 | 0:14:05 | |
this semidetached former estate cottage is built of sandstone | 0:14:05 | 0:14:09 | |
and painted white at the front, but left natural at the back, | 0:14:09 | 0:14:12 | |
which is where we find the entrance. | 0:14:12 | 0:14:14 | |
-A nice little area to sit outside. -Yes! | 0:14:14 | 0:14:18 | |
Come on in. | 0:14:18 | 0:14:20 | |
As a former farm worker's cottage, | 0:14:21 | 0:14:23 | |
this modest property is just one room deep, | 0:14:23 | 0:14:25 | |
but that does mean some rooms | 0:14:25 | 0:14:26 | |
benefit from aspects to the front and rear. | 0:14:26 | 0:14:29 | |
Running from left to right, there are four rooms in total, | 0:14:29 | 0:14:33 | |
plus a bathroom and our first stop inside is the kitchen. | 0:14:33 | 0:14:37 | |
Well, let's start in here, then, Chris. | 0:14:37 | 0:14:39 | |
That's lovely. | 0:14:39 | 0:14:41 | |
I said I wanted a kitchen that I could sit and eat in and here it is! | 0:14:41 | 0:14:44 | |
-Here it is! -With a lovely view. -Oh, the view is fabulous from there! | 0:14:44 | 0:14:49 | |
-Yeah, I like it. -Yeah, it's lovely. | 0:14:49 | 0:14:51 | |
The nature of a long, thin building | 0:14:51 | 0:14:53 | |
means the geography isn't traditional. | 0:14:53 | 0:14:56 | |
The family bathroom is right next to the kitchen, | 0:14:56 | 0:14:58 | |
but next we're taking a peek at the master bedroom to the far left. | 0:14:58 | 0:15:02 | |
It's a nice size - | 0:15:04 | 0:15:05 | |
just get out of bed, make a cup of tea, come back! | 0:15:05 | 0:15:08 | |
THEY LAUGH | 0:15:08 | 0:15:09 | |
This is a light, bright, dual-aspect room, | 0:15:09 | 0:15:12 | |
but bedroom two isn't bad either. | 0:15:12 | 0:15:14 | |
This is the other bedroom. It's quite a sweet little twin/double. | 0:15:14 | 0:15:19 | |
And then it leads on into here. | 0:15:19 | 0:15:21 | |
I think this has to be my favourite room here, actually. | 0:15:21 | 0:15:24 | |
-Oh, yeah, it's lovely. -It's gorgeous! | 0:15:24 | 0:15:27 | |
It's got such a nice, quirky feel to it as well. | 0:15:27 | 0:15:29 | |
Good, I'm glad you like it. | 0:15:29 | 0:15:31 | |
Well, that wraps up all the internal accommodation. | 0:15:31 | 0:15:35 | |
Outside at the back there's a gravel courtyard with a large timber store | 0:15:35 | 0:15:39 | |
but the rest of the lawned gardens | 0:15:39 | 0:15:41 | |
lie entirely to the front of the property, | 0:15:41 | 0:15:43 | |
which is where we're heading | 0:15:43 | 0:15:45 | |
to have a stab at how much it all might cost. | 0:15:45 | 0:15:48 | |
Look at that! | 0:15:50 | 0:15:51 | |
You know, we do get to see some fabulous landscapes | 0:15:53 | 0:15:56 | |
on Escape To The Country, | 0:15:56 | 0:15:58 | |
but these do take some beating. Look, the Cheviots up there, | 0:15:58 | 0:16:02 | |
-the most amazing light today. -It's wonderful. | 0:16:02 | 0:16:05 | |
And, of course, all of it surrounding | 0:16:05 | 0:16:07 | |
-a quite interesting first proposition. -Mm. | 0:16:07 | 0:16:10 | |
So, Linda, can you help Chris out | 0:16:10 | 0:16:13 | |
on estimating the value of this one? | 0:16:13 | 0:16:17 | |
Em...about 185? | 0:16:17 | 0:16:20 | |
185, yeah? Chris? | 0:16:20 | 0:16:22 | |
Well, I think because it's on the edge of the National Park, | 0:16:22 | 0:16:26 | |
that might put the price up a bit, | 0:16:26 | 0:16:27 | |
but it is only two bedrooms, so I'll say 180. | 0:16:27 | 0:16:30 | |
Well done. Absolutely spot-on. | 0:16:30 | 0:16:33 | |
180, offers in the region of. | 0:16:33 | 0:16:36 | |
So your £200,000 affords it comfortably, | 0:16:36 | 0:16:39 | |
with plenty left over to make any little adjustments inside, | 0:16:39 | 0:16:42 | |
but also in particular, I think, | 0:16:42 | 0:16:44 | |
for the addition of some sort of workshop space out the back. | 0:16:44 | 0:16:47 | |
Go and have a wander round. This is our first one. | 0:16:47 | 0:16:49 | |
See what you get for 180 | 0:16:49 | 0:16:51 | |
-and I will find you a little bit later. -OK. -Off you go. | 0:16:51 | 0:16:55 | |
£20,000 below budget, property number one... | 0:17:00 | 0:17:04 | |
The property is set in a tranquil, rural location | 0:17:12 | 0:17:15 | |
with views over the National Park. | 0:17:15 | 0:17:18 | |
When I walked into the house, the house had a lovely feeling to it, | 0:17:18 | 0:17:21 | |
I felt that I could live here, | 0:17:21 | 0:17:23 | |
it had a nice warm feeling to it in every room. | 0:17:23 | 0:17:26 | |
I think it's a good start. It is a lovely little house. | 0:17:26 | 0:17:30 | |
I just worry it's a little bit small and she has a lot of books | 0:17:30 | 0:17:33 | |
and I don't think she'd want to part with those, | 0:17:33 | 0:17:36 | |
so I think she might struggle to get the storage space here | 0:17:36 | 0:17:39 | |
that she needs for things like that. | 0:17:39 | 0:17:41 | |
I've got to think about the remoteness of the location. | 0:17:41 | 0:17:44 | |
Is it exactly what I want? | 0:17:44 | 0:17:47 | |
So it's given me a lot of food for thought. | 0:17:47 | 0:17:50 | |
You know, I've explored Northumberland | 0:17:50 | 0:17:52 | |
on many occasions throughout my life | 0:17:52 | 0:17:54 | |
and I have to confess the weather isn't always like this, | 0:17:54 | 0:17:57 | |
but when it is, where else would you want to be? | 0:17:57 | 0:18:00 | |
-It's glorious, isn't it? -Fantastic. | 0:18:00 | 0:18:02 | |
And I think it's showed off our first offering in a brilliant light, | 0:18:02 | 0:18:05 | |
in more ways than one, but we have got plenty more to show you. | 0:18:05 | 0:18:08 | |
-All set? -Yep. | 0:18:08 | 0:18:10 | |
-Might go over the border. How about that? -OK. -Wow. | 0:18:10 | 0:18:12 | |
The incentive for Christine's move to Northumberland | 0:18:22 | 0:18:25 | |
is the desire to get more artistic, drawing inspiration | 0:18:25 | 0:18:28 | |
from her new-found coast and country environment. | 0:18:28 | 0:18:31 | |
So we've arranged for Chris and Linda to meet Gerard van der Veen, | 0:18:31 | 0:18:34 | |
an artist originally from Holland | 0:18:34 | 0:18:36 | |
who takes reclaimed and salvaged natural materials from the county | 0:18:36 | 0:18:39 | |
and transforms them into home and garden features | 0:18:39 | 0:18:42 | |
to attract local wildlife. | 0:18:42 | 0:18:44 | |
-Hello! I'm Linda. -Hi, I'm Gerard. | 0:18:45 | 0:18:48 | |
-Hello, I'm Chris. -Hi. | 0:18:48 | 0:18:49 | |
Gerard, what do you do here? | 0:18:49 | 0:18:51 | |
I make all kinds of things for the environment. | 0:18:51 | 0:18:54 | |
I try to use old reclaimed slate | 0:18:54 | 0:18:56 | |
and make all kinds of products to enhance life in nature. | 0:18:56 | 0:18:59 | |
So, why slate? | 0:18:59 | 0:19:00 | |
It's a beautiful construction material to work with. | 0:19:00 | 0:19:03 | |
A lot of people think, you know, slate is slate. | 0:19:03 | 0:19:06 | |
No, it's not. You have from rock hard to butter soft. | 0:19:06 | 0:19:09 | |
So you really have to pick and choose the right piece of slate, | 0:19:09 | 0:19:11 | |
because from, say, ten pieces, I only use about two. | 0:19:11 | 0:19:14 | |
Oh, wow - what sort of things do you make? | 0:19:14 | 0:19:16 | |
I make a whole variety. | 0:19:16 | 0:19:17 | |
I make bird feeders, to bird tables, to birdhouses, nesting boxes. | 0:19:17 | 0:19:22 | |
I really want to enhance nature. | 0:19:22 | 0:19:23 | |
After a career in product design, | 0:19:26 | 0:19:28 | |
Gerard left the corporate world to set up his own enterprise, | 0:19:28 | 0:19:31 | |
creating products that are environmentally friendly. | 0:19:31 | 0:19:34 | |
Taking advantage of his proximity to the River Rede, | 0:19:35 | 0:19:38 | |
which meanders through the village of West Woodburn, where he lives, | 0:19:38 | 0:19:41 | |
he uses the water to clean, soak and cut the slate. | 0:19:41 | 0:19:45 | |
-Like this, yeah? -Yes, yes. | 0:19:45 | 0:19:47 | |
-Just top and bottom. That's it. -OK. | 0:19:47 | 0:19:51 | |
Just another hundred to go. | 0:19:51 | 0:19:52 | |
THEY LAUGH | 0:19:52 | 0:19:53 | |
Would you go back to city life, Gerard? | 0:19:54 | 0:19:56 | |
Um, not really, to be honest. | 0:19:56 | 0:19:58 | |
I fell in love with nature here, especially in Northumberland. | 0:19:58 | 0:20:02 | |
Its ruralness. | 0:20:02 | 0:20:03 | |
The main reason why I live very rural | 0:20:03 | 0:20:06 | |
is because you can shape your own life. | 0:20:06 | 0:20:08 | |
When you go back to the city, the city will shape your life, | 0:20:08 | 0:20:11 | |
and that's the reason why I'm here in Northumberland. | 0:20:11 | 0:20:14 | |
I'm into making things from found objects, | 0:20:14 | 0:20:17 | |
particularly driftwood I'm interested in, | 0:20:17 | 0:20:18 | |
and there's lots of it, isn't there, around here | 0:20:18 | 0:20:20 | |
-on the beaches of Northumberland? -Yes, yes. | 0:20:20 | 0:20:23 | |
Now that you mention wood, I use slate, but I also use wood. | 0:20:23 | 0:20:28 | |
I'm using that also in the studio. | 0:20:28 | 0:20:30 | |
If Linda is ready, we could go to the studio | 0:20:30 | 0:20:33 | |
and have a look at what I make from wood and slate. | 0:20:33 | 0:20:37 | |
OK, lovely. | 0:20:37 | 0:20:38 | |
All of Gerard's products are handmade in his workshop, | 0:20:38 | 0:20:41 | |
and he's showing Chris and Linda how to make one of his bestsellers | 0:20:41 | 0:20:44 | |
using reclaimed offcuts of slate from across the county - | 0:20:44 | 0:20:47 | |
mostly found or donated. | 0:20:47 | 0:20:49 | |
What are we making today? | 0:20:49 | 0:20:51 | |
Well, I was thinking of showing you my window feeder - | 0:20:51 | 0:20:53 | |
it's my most popular product. | 0:20:53 | 0:20:55 | |
The birds love it, but also people who buy it love it, | 0:20:55 | 0:20:57 | |
because you can see birds in very close proximity. | 0:20:57 | 0:21:00 | |
This is the bottom. You put it in position there, under a slope. | 0:21:00 | 0:21:03 | |
-The reason why I use a slope is the water will drain out. -Yeah. | 0:21:03 | 0:21:06 | |
So, when you put the food on, the food will never get mouldy, | 0:21:06 | 0:21:09 | |
and therefore they will eat everything you put there, | 0:21:09 | 0:21:12 | |
and so you won't attract vermin. | 0:21:12 | 0:21:14 | |
Using eco-friendly glue, two pre-cut angled slates are hinged together... | 0:21:16 | 0:21:20 | |
That doesn't seem a lot. | 0:21:20 | 0:21:22 | |
You don't really need very much. | 0:21:22 | 0:21:25 | |
..then joined to the base and left to set. | 0:21:25 | 0:21:27 | |
A bracket is then fashioned using salvaged copper wire... | 0:21:29 | 0:21:31 | |
..onto which a sucker is attached | 0:21:32 | 0:21:34 | |
so the feeder can be hung from a window. | 0:21:34 | 0:21:36 | |
Where do you get all the rest of your materials from? | 0:21:38 | 0:21:40 | |
Well, the slate is coming from all kinds of directions, to be honest. | 0:21:40 | 0:21:44 | |
A lot is donated, and I try to give it an extra life. | 0:21:44 | 0:21:47 | |
So after hanging 100 years on the roof, | 0:21:47 | 0:21:50 | |
I'm now trying to extend it by another, say, 25, even more, years. | 0:21:50 | 0:21:54 | |
Slate is a dark-grey metamorphic rock. | 0:21:55 | 0:21:58 | |
Essentially, it's compressed mud | 0:21:58 | 0:22:00 | |
that's been compacted and heated under extreme pressure | 0:22:00 | 0:22:03 | |
over millions of years. | 0:22:03 | 0:22:05 | |
-Finished? -Yeah. | 0:22:05 | 0:22:06 | |
So another three window feeders. | 0:22:06 | 0:22:08 | |
I would say take the window feeder with you, | 0:22:08 | 0:22:11 | |
-and that's a token from me. -Oh, thank you. | 0:22:11 | 0:22:12 | |
-Thank you, it's very kind of you. -Lovely memory of today. | 0:22:12 | 0:22:15 | |
-It's been brilliant. -Thank you. -You've been inspirational. | 0:22:15 | 0:22:17 | |
So, as we turn our attention back to the house hunt, | 0:22:17 | 0:22:21 | |
let's trust that the inspiring vision continues. | 0:22:21 | 0:22:24 | |
Now, your son in Edinburgh must be delighted | 0:22:28 | 0:22:30 | |
that you're going to move so much closer to him? | 0:22:30 | 0:22:32 | |
-LAUGHING: -Must be! | 0:22:32 | 0:22:33 | |
LAUGHING: Have you not told him yet?! | 0:22:33 | 0:22:36 | |
When I initially told them... When they moved to Edinburgh, | 0:22:36 | 0:22:38 | |
I said, "Oh, I could come up and live there!" | 0:22:38 | 0:22:41 | |
And my daughter-in-law laughed, which was not the response I wanted. | 0:22:41 | 0:22:44 | |
But since they've got used to the idea, they're quite keen, | 0:22:44 | 0:22:47 | |
-I think they'll like it. -I think it would be great, | 0:22:47 | 0:22:50 | |
and you've got so much to explore up here! | 0:22:50 | 0:22:53 | |
So many things to go and see and to inspire you | 0:22:53 | 0:22:57 | |
and help you realise your creative ambitions, | 0:22:57 | 0:23:01 | |
from the coastline, the castles, | 0:23:01 | 0:23:03 | |
Hadrian's Wall, Kielder, the National Park, | 0:23:03 | 0:23:07 | |
you know, there are so many things, I think, | 0:23:07 | 0:23:09 | |
that can really fulfil that ambition. | 0:23:09 | 0:23:12 | |
And we're not far from Edinburgh and Newcastle as well, | 0:23:12 | 0:23:16 | |
-if we want a bit of culture. -Absolutely. | 0:23:16 | 0:23:18 | |
Our property search is heading right up north and just out of the county | 0:23:20 | 0:23:24 | |
to the border village of Sprouston. | 0:23:24 | 0:23:26 | |
From here, the Scottish market town of Kelso | 0:23:26 | 0:23:29 | |
is the nearest place to pick up essentials and luxuries. | 0:23:29 | 0:23:31 | |
Situated on the banks of the River Tweed, | 0:23:33 | 0:23:35 | |
Kelso lies in a fertile valley | 0:23:35 | 0:23:37 | |
within ten miles of the English border. | 0:23:37 | 0:23:40 | |
At its centre is a cobbled square which is the largest in Scotland, | 0:23:40 | 0:23:43 | |
and whose Georgian town hall | 0:23:43 | 0:23:45 | |
is topped by a clock tower that chimes every quarter. | 0:23:45 | 0:23:49 | |
Another notable landmark | 0:23:49 | 0:23:50 | |
are the elegant remains of the Romanesque Kelso Abbey, | 0:23:50 | 0:23:54 | |
which was originally built in the 12th century. | 0:23:54 | 0:23:56 | |
It was once the largest and wealthiest abbey in the country. | 0:23:56 | 0:24:00 | |
The winding streets of the town host a vast range of shops and amenities, | 0:24:00 | 0:24:04 | |
eateries and accommodation. | 0:24:04 | 0:24:06 | |
These are all just a ten-minute drive | 0:24:07 | 0:24:10 | |
from the property I want to show Chris and Linda, | 0:24:10 | 0:24:13 | |
back in the rural outskirts of Sprouston. | 0:24:13 | 0:24:16 | |
Right then, Chris and Linda. Come over here. | 0:24:16 | 0:24:19 | |
-There we are. -That is beautiful. -Oh, that is really nice. | 0:24:21 | 0:24:24 | |
It's the end terrace, really, | 0:24:24 | 0:24:27 | |
in this interesting complex of former farm workers' cottages. | 0:24:27 | 0:24:30 | |
The look of the house with the porch and... | 0:24:30 | 0:24:33 | |
even those tiles on the roof, it just looks so welcoming. | 0:24:33 | 0:24:36 | |
It's just lovely. | 0:24:36 | 0:24:37 | |
The nice thing is, of course, | 0:24:37 | 0:24:39 | |
it being on the end, it does feel more like it is completely detached, | 0:24:39 | 0:24:43 | |
because your garden goes that way | 0:24:43 | 0:24:45 | |
and you've got those amazing views beyond | 0:24:45 | 0:24:48 | |
over towards England - because we have stepped over the border, | 0:24:48 | 0:24:52 | |
as you know. Only just. | 0:24:52 | 0:24:53 | |
About a mile or so. | 0:24:53 | 0:24:55 | |
You've also got access to a communal garden out here. | 0:24:55 | 0:24:59 | |
The garden, that sort of drew me in straightaway. | 0:24:59 | 0:25:01 | |
You can see already from here | 0:25:01 | 0:25:03 | |
there's all little nooks and crannies where you could sit, | 0:25:03 | 0:25:06 | |
and a summerhouse. | 0:25:06 | 0:25:07 | |
-Is this the sort of thing that might appeal? -Yes. This looks gorgeous. | 0:25:07 | 0:25:10 | |
Let's have a look. Come on! | 0:25:10 | 0:25:11 | |
Let's stop talking about it. Let's see what you think. | 0:25:11 | 0:25:14 | |
Built between 1890 and 1900, | 0:25:14 | 0:25:17 | |
at first sight this pretty end terrace seems | 0:25:17 | 0:25:19 | |
to deliver on the character Chris was after. | 0:25:19 | 0:25:22 | |
Recently refurbished inside, | 0:25:23 | 0:25:25 | |
I'm confident the interior design will also match up to expectations. | 0:25:25 | 0:25:30 | |
To the right of the entrance hall we find the main reception room. | 0:25:30 | 0:25:33 | |
All right, Linda. You're in charge of the door. | 0:25:33 | 0:25:35 | |
Come this way, Chris. | 0:25:35 | 0:25:37 | |
Let's start with the living room. | 0:25:37 | 0:25:39 | |
This delightful space features a wood-burning stove in the fireplace | 0:25:39 | 0:25:43 | |
and double doors out onto the garden. | 0:25:43 | 0:25:45 | |
-This is nice. -Yeah. | 0:25:47 | 0:25:49 | |
I feel like somebody like me lives here. | 0:25:49 | 0:25:51 | |
This first room is hitting the right mark for Chris, | 0:25:52 | 0:25:54 | |
so it's all very good so far. | 0:25:54 | 0:25:57 | |
What's more, we've also got a charming country kitchen. | 0:25:57 | 0:26:00 | |
-I love it. -Do you? | 0:26:02 | 0:26:03 | |
Yeah. | 0:26:03 | 0:26:05 | |
It looks like solid beech, is it? | 0:26:05 | 0:26:08 | |
Yeah, it is solid beech, yeah. | 0:26:08 | 0:26:10 | |
As well as rustic wooden worktops, | 0:26:10 | 0:26:12 | |
the kitchen also has enough space for a small table | 0:26:12 | 0:26:15 | |
and a great utility room beyond. | 0:26:15 | 0:26:17 | |
Also on the ground floor is the family bathroom, | 0:26:17 | 0:26:20 | |
fitted with a classic heritage three-piece suite. | 0:26:20 | 0:26:23 | |
Then the staircase winds up to the first floor, | 0:26:24 | 0:26:27 | |
where there are three bedrooms. | 0:26:27 | 0:26:28 | |
One is part-furnished and comes with a WC en suite. | 0:26:28 | 0:26:32 | |
Another is being used as an office/music room. | 0:26:32 | 0:26:36 | |
And this is the master. | 0:26:36 | 0:26:37 | |
It's absolutely gorgeous. | 0:26:39 | 0:26:41 | |
The master also comes with its own en-suite shower room | 0:26:43 | 0:26:45 | |
and a decorative cast-iron fireplace, | 0:26:45 | 0:26:48 | |
but the real highlight of the master, | 0:26:48 | 0:26:50 | |
and indeed the whole property, | 0:26:50 | 0:26:51 | |
has to be the large wooden balcony through the French doors. | 0:26:51 | 0:26:55 | |
Wow, look at this. | 0:26:56 | 0:26:58 | |
-Wow. -Amazing view, isn't it? | 0:26:58 | 0:27:00 | |
Yeah. I can see a little river. | 0:27:00 | 0:27:02 | |
Now, then. Here's the story. | 0:27:02 | 0:27:04 | |
That little bit of river you can see | 0:27:04 | 0:27:06 | |
is actually just a tiny part of the River Tweed, | 0:27:06 | 0:27:09 | |
and that's the border between England and Scotland. | 0:27:09 | 0:27:11 | |
So those houses you can see beyond it, | 0:27:11 | 0:27:13 | |
they're in England, and we're in Scotland. | 0:27:13 | 0:27:16 | |
-Right. -You couldn't be closer. | 0:27:16 | 0:27:17 | |
And I love this time of year. | 0:27:17 | 0:27:19 | |
I love seeing the harvest in and done | 0:27:19 | 0:27:21 | |
and these round bales strewn across the landscape. | 0:27:21 | 0:27:24 | |
-It's just a lovely entree into autumn. -Mm. | 0:27:24 | 0:27:29 | |
-And you wanted a view, didn't you? -Yeah. | 0:27:29 | 0:27:32 | |
This is a lovely view. | 0:27:32 | 0:27:33 | |
It's not a sea view, but it's not bad. | 0:27:33 | 0:27:36 | |
Somehow appropriate that my English son's married a Scottish girl. | 0:27:36 | 0:27:39 | |
-There you are. -And here I am. -Yeah, exactly - | 0:27:39 | 0:27:41 | |
the whole family's now in Scotland. | 0:27:41 | 0:27:43 | |
Potentially. Not to pre-empt anything, of course, Chris. | 0:27:43 | 0:27:46 | |
SHE LAUGHS | 0:27:46 | 0:27:48 | |
I love it. | 0:27:48 | 0:27:49 | |
Can I have it? | 0:27:49 | 0:27:50 | |
Course you can! SHE LAUGHS | 0:27:50 | 0:27:52 | |
-If you can afford it! -How much? | 0:27:52 | 0:27:54 | |
How much, is the question, isn't it? | 0:27:54 | 0:27:56 | |
-Mm. -Come on. Let's go down there. | 0:27:56 | 0:27:57 | |
Give you a closer look at the garden, | 0:27:57 | 0:27:59 | |
and talk about the price. | 0:27:59 | 0:28:01 | |
So, as well as those stunning panoramic views, | 0:28:01 | 0:28:03 | |
which the owner tells me deliver amazing sunrises, | 0:28:03 | 0:28:07 | |
the cottage also benefits from a large communal lawned area | 0:28:07 | 0:28:10 | |
and a landscaped private garden. | 0:28:10 | 0:28:12 | |
With al fresco seating areas, | 0:28:12 | 0:28:15 | |
a sheltered barbecue, | 0:28:15 | 0:28:17 | |
a water feature, mature trees | 0:28:17 | 0:28:21 | |
and colourful shrubs, the garden is a real oasis | 0:28:21 | 0:28:24 | |
and the tools to tend it can be stored in a useful brick outhouse. | 0:28:24 | 0:28:29 | |
What's more, there's even the requested workshop | 0:28:29 | 0:28:32 | |
in the form of a sage-green timber summerhouse. | 0:28:32 | 0:28:34 | |
Now, this, I'm thinking, would make a great writer's retreat. | 0:28:35 | 0:28:38 | |
Yeah, it's great. Writing and reading in there, it's wonderful. | 0:28:38 | 0:28:42 | |
Is this inspiring to you? | 0:28:42 | 0:28:44 | |
I just love it. The whole... Everything about it. | 0:28:44 | 0:28:46 | |
-Yeah? -Yeah, it's very you, this house, I think. -Yeah. | 0:28:46 | 0:28:50 | |
Let's get to the nitty-gritty, then, | 0:28:50 | 0:28:52 | |
because we haven't dealt with the price yet, Linda. | 0:28:52 | 0:28:56 | |
-Mm. -Go on, then. -I would say... | 0:28:56 | 0:28:59 | |
-195. -195. | 0:28:59 | 0:29:02 | |
-Just under budget. -Mm. | 0:29:02 | 0:29:04 | |
I think it's above my budget. | 0:29:04 | 0:29:05 | |
-Go on. -225. | 0:29:05 | 0:29:07 | |
225. | 0:29:07 | 0:29:09 | |
This is on the market for offers in excess... | 0:29:09 | 0:29:13 | |
of £192,500. | 0:29:13 | 0:29:18 | |
-So you weren't far off, Linda. -No! | 0:29:18 | 0:29:21 | |
It's certainly under budget. | 0:29:21 | 0:29:23 | |
It's a great property in a great, great spot. | 0:29:23 | 0:29:26 | |
I will seriously consider it. | 0:29:26 | 0:29:29 | |
Go on, then. Discuss it amongst yourselves, | 0:29:29 | 0:29:31 | |
-and I will come and find you a bit later on. -OK. | 0:29:31 | 0:29:34 | |
Comfortably under budget, | 0:29:39 | 0:29:41 | |
this Victorian cottage is packed full of charm and character. | 0:29:41 | 0:29:45 | |
It has three bedrooms that include a most impressive master suite | 0:29:45 | 0:29:48 | |
with commanding views from a private balcony. | 0:29:48 | 0:29:51 | |
Outside, the gardens offer plenty of scope | 0:29:51 | 0:29:54 | |
for Chris's creative ambitions. | 0:29:54 | 0:29:57 | |
Ah! Here you are. Enjoying your garden? | 0:29:58 | 0:30:02 | |
-I am. -Ah! -Just mind out, there. | 0:30:02 | 0:30:04 | |
-I can't see the view. -Pardon me! | 0:30:04 | 0:30:06 | |
Pardon me. Well, you haven't bought it yet. | 0:30:06 | 0:30:09 | |
-No. -Our search will continue tomorrow, but in the meantime | 0:30:09 | 0:30:11 | |
-I think we should go and enjoy a well-earned glass of wine. -Let's. | 0:30:11 | 0:30:14 | |
-Come on. -Sounds good. -Mine's red. -Oh, is it?! | 0:30:14 | 0:30:17 | |
We're in Northumberland, which is where Chris, | 0:30:26 | 0:30:28 | |
from a town near Doncaster in South Yorkshire, | 0:30:28 | 0:30:31 | |
wants to establish a new life in the country. | 0:30:31 | 0:30:34 | |
She's got £200,000 to spend | 0:30:34 | 0:30:36 | |
and has brought along her best friend and neighbour Linda to help. | 0:30:36 | 0:30:40 | |
We've still got two more property options to put forward, | 0:30:40 | 0:30:43 | |
and our ladies are lost for words | 0:30:43 | 0:30:45 | |
when it comes to the Mystery House. | 0:30:45 | 0:30:47 | |
How do we feel about this...notion? | 0:30:47 | 0:30:49 | |
This idea? | 0:30:49 | 0:30:50 | |
-There is a deathly silence! -I know! | 0:30:54 | 0:30:57 | |
And I visit one of the county's many fascinating castles... | 0:30:57 | 0:31:00 | |
Wow! | 0:31:00 | 0:31:01 | |
..to learn about its ancestors past and present | 0:31:01 | 0:31:04 | |
both inside and out. | 0:31:04 | 0:31:05 | |
I never thought I'd see prehistoric cattle in this number. | 0:31:05 | 0:31:08 | |
Not least in Northumberland. | 0:31:08 | 0:31:10 | |
I am loving this house search in Northumberland, | 0:31:13 | 0:31:16 | |
and the unique dynamic between Chris and Linda | 0:31:16 | 0:31:19 | |
is, if I'm honest, really intriguing - | 0:31:19 | 0:31:21 | |
because on the one hand we are trying to fulfil Chris's ambitions | 0:31:21 | 0:31:24 | |
to make a move to Northumberland, | 0:31:24 | 0:31:27 | |
but if Linda's hopes for the future are to be realised, too, well, | 0:31:27 | 0:31:30 | |
chances are she may not be far behind her - | 0:31:30 | 0:31:33 | |
and that is where our Mystery House comes in. | 0:31:33 | 0:31:35 | |
Now, on the one hand, of course, I would love to sell it to Chris, | 0:31:35 | 0:31:38 | |
but it's also got an interesting option for Linda, as well, | 0:31:38 | 0:31:41 | |
so could we be on the brink of pulling off a first | 0:31:41 | 0:31:44 | |
for Escape To The Country - selling not just one, but two properties? | 0:31:44 | 0:31:48 | |
However, before we get to the mystery proposition, | 0:31:48 | 0:31:51 | |
we have another house to see. | 0:31:51 | 0:31:52 | |
To get to it, we're going to hop back over the border | 0:31:54 | 0:31:56 | |
between England and Scotland | 0:31:56 | 0:31:58 | |
to the small rural Scottish village of Whitsome. | 0:31:58 | 0:32:01 | |
Just over three miles away from the house, | 0:32:02 | 0:32:04 | |
the English village of Norham is the closest place | 0:32:04 | 0:32:07 | |
to find a good selection of facilities, | 0:32:07 | 0:32:08 | |
from pubs and a convenience store to a baker's and a butcher's. | 0:32:08 | 0:32:12 | |
Featuring a green surrounded by terraced stone cottages, | 0:32:13 | 0:32:16 | |
Norham is one of the most northerly villages in England. | 0:32:16 | 0:32:19 | |
So much so that one end actually lies in Scotland. | 0:32:19 | 0:32:22 | |
The village sits in the shadow | 0:32:23 | 0:32:25 | |
of the towering 12th-century Norham Castle, | 0:32:25 | 0:32:27 | |
whose ruins were first captured on canvas by the painter JMW Turner | 0:32:27 | 0:32:31 | |
in 1797 and came to feature in many of his works. | 0:32:31 | 0:32:35 | |
So, following in the footsteps of one of the country's great masters, | 0:32:37 | 0:32:41 | |
the landscape here could provide the perfect backdrop | 0:32:41 | 0:32:43 | |
for our creative house hunter Chris. | 0:32:43 | 0:32:46 | |
If she can see past the bovine neighbours. | 0:32:46 | 0:32:49 | |
We talk about the peace and quiet of the countryside, but not here today. | 0:32:51 | 0:32:54 | |
As you can hear, the farmers around about | 0:32:54 | 0:32:57 | |
are busy sorting out their planting for winter crops and so on. | 0:32:57 | 0:33:00 | |
There's a bit of farming activity going on, | 0:33:00 | 0:33:02 | |
but of course, the countryside is a busy place. | 0:33:02 | 0:33:04 | |
All of this activity surrounds... that. | 0:33:04 | 0:33:07 | |
It's a lovely-looking house. Stone-built. | 0:33:07 | 0:33:10 | |
Here we are again in farm worker's cottage territory. | 0:33:10 | 0:33:12 | |
You can see this lovely Victorian terrace. | 0:33:12 | 0:33:16 | |
End property, again, so you've got lovely views. | 0:33:16 | 0:33:18 | |
Somewhere to sit out and enjoy looking at those cows. | 0:33:18 | 0:33:22 | |
Yes, now, the cows, we've laid them on especially, Chris, | 0:33:22 | 0:33:25 | |
to help you try and overcome your cow phobia. | 0:33:25 | 0:33:28 | |
-Thank you. -They're enjoying the sunshine, | 0:33:28 | 0:33:31 | |
they're not bothered by us, | 0:33:31 | 0:33:32 | |
so I'm hoping that in time you won't be bothered by them. | 0:33:32 | 0:33:34 | |
They're very close to the house, though. | 0:33:34 | 0:33:36 | |
The fence is all right, though, I've checked it. | 0:33:36 | 0:33:39 | |
Don't worry about it. | 0:33:39 | 0:33:40 | |
It also comes with this garden and that summerhouse. | 0:33:40 | 0:33:44 | |
I didn't notice that at first. | 0:33:44 | 0:33:46 | |
-That's nice. -Yeah. -That would be quite a useful studio for you. | 0:33:46 | 0:33:49 | |
-It would. -Linda, what's your first impression? | 0:33:49 | 0:33:51 | |
I don't think it's as pretty as the last house we saw, | 0:33:51 | 0:33:55 | |
but it is nice, yeah. Let's see what it looks like inside. | 0:33:55 | 0:33:58 | |
Right then, let's see what you think. | 0:33:58 | 0:34:00 | |
Although sensing a bit of trepidation outside, | 0:34:00 | 0:34:03 | |
this stone-built semidetached home | 0:34:03 | 0:34:05 | |
is definitely worth a closer inspection. | 0:34:05 | 0:34:08 | |
It's got a rather unusual layout, | 0:34:08 | 0:34:10 | |
so could deliver that quirky character | 0:34:10 | 0:34:12 | |
Chris was hoping for. | 0:34:12 | 0:34:13 | |
Down on the ground floor | 0:34:15 | 0:34:16 | |
is a double bedroom, a bathroom and an open-plan | 0:34:16 | 0:34:19 | |
kitchen, dining and living room | 0:34:19 | 0:34:21 | |
with a stone feature fireplace. | 0:34:21 | 0:34:23 | |
-That's lovely. -Oh, that is nice. | 0:34:24 | 0:34:26 | |
I've never had a kitchen this big before. | 0:34:26 | 0:34:28 | |
But what makes this one slightly curious | 0:34:28 | 0:34:30 | |
is that the main living room is not here, it's upstairs. | 0:34:30 | 0:34:34 | |
Just beyond the kitchen/living area, through a small hall, | 0:34:34 | 0:34:37 | |
lies the double bedroom and the main four-piece family bathroom, | 0:34:37 | 0:34:40 | |
which has two entrances... | 0:34:40 | 0:34:42 | |
..but in many ways this is a property of twos. | 0:34:43 | 0:34:47 | |
It's got two bedrooms, two bathrooms | 0:34:47 | 0:34:49 | |
and two living rooms, | 0:34:49 | 0:34:50 | |
the second one being up the stairs | 0:34:50 | 0:34:52 | |
on the first floor. | 0:34:52 | 0:34:53 | |
Have you ever tried upside-down living, as it were? | 0:34:54 | 0:34:58 | |
No. But somebody who lives at the bottom of my garden | 0:34:58 | 0:35:01 | |
has got an upside-down house. | 0:35:01 | 0:35:02 | |
And I've been to New Zealand. | 0:35:02 | 0:35:04 | |
There you are, then! | 0:35:04 | 0:35:06 | |
-What do you think? -That's really unusual, isn't it? | 0:35:06 | 0:35:09 | |
I was just expecting a landing, but it's the whole floor, | 0:35:09 | 0:35:12 | |
and I love the windows. | 0:35:12 | 0:35:13 | |
I'm already thinking that I'd have the bigger kitchen | 0:35:13 | 0:35:16 | |
and come and sit up here, | 0:35:16 | 0:35:17 | |
or maybe I'd have one room for music, one room for the TV. | 0:35:17 | 0:35:20 | |
-Nice idea. -Quirky. | 0:35:20 | 0:35:22 | |
It is quirky. Well, you said that Chris would like quirky. | 0:35:22 | 0:35:25 | |
Is this quirky enough, Chris? | 0:35:25 | 0:35:26 | |
It's quirky, yeah. | 0:35:26 | 0:35:27 | |
Up here, what could be Chris's master | 0:35:29 | 0:35:31 | |
is another spacious double bedroom. | 0:35:31 | 0:35:34 | |
Fitted wardrobes. I like the shape of it, again. | 0:35:34 | 0:35:37 | |
And finally for the internal tour is the shower room - | 0:35:38 | 0:35:41 | |
again, Jack and Jill in style, | 0:35:41 | 0:35:43 | |
so also acts as an en-suite to the master. | 0:35:43 | 0:35:45 | |
There you are. | 0:35:45 | 0:35:47 | |
Jack and Jill, what a great idea. | 0:35:47 | 0:35:49 | |
THEY CHUCKLE | 0:35:49 | 0:35:50 | |
I think it's fair to say that both ladies are suitably impressed | 0:35:52 | 0:35:56 | |
up to now - and the final piece of the puzzle | 0:35:56 | 0:35:58 | |
is what's on offer in terms of garden space. | 0:35:58 | 0:36:00 | |
That, and the all-important price. | 0:36:00 | 0:36:02 | |
This is the thing to consider now, of course, the garden. | 0:36:05 | 0:36:08 | |
We glimpsed it on our way in. | 0:36:08 | 0:36:10 | |
The main event here, really, | 0:36:10 | 0:36:11 | |
is that studio summerhouse, which I'm sure you'd make good use of. | 0:36:11 | 0:36:14 | |
Insulated, it's got power in it - | 0:36:14 | 0:36:16 | |
and, of course, behind it, those lovely views of the Cheviots. | 0:36:16 | 0:36:19 | |
Yeah, it's gorgeous. | 0:36:19 | 0:36:20 | |
I think it's a really simple proposition, | 0:36:20 | 0:36:22 | |
but I think it could work for you, that's what I really like about it - | 0:36:22 | 0:36:25 | |
and I think Linda's coming round to it, too. | 0:36:25 | 0:36:26 | |
-Yeah, I agree. I do think it would work for her, actually. -Yeah. | 0:36:26 | 0:36:29 | |
Well, let's get down to the numbers, shall we? | 0:36:29 | 0:36:32 | |
You've got £200,000 to spend. | 0:36:32 | 0:36:35 | |
We're just over the border in Scotland, so... | 0:36:36 | 0:36:39 | |
make me an offer on this one. | 0:36:39 | 0:36:40 | |
I think it's near the top of the budget. | 0:36:40 | 0:36:42 | |
I would say 195. | 0:36:42 | 0:36:44 | |
195. Linda? | 0:36:44 | 0:36:46 | |
I don't agree, actually. I think it's the lower end. | 0:36:46 | 0:36:49 | |
I think maybe even 175. | 0:36:49 | 0:36:51 | |
-Oh, do you? -Mm. | 0:36:51 | 0:36:53 | |
Well, I'm afraid you're both wrong - | 0:36:53 | 0:36:55 | |
but it's good news, | 0:36:55 | 0:36:56 | |
because this is on the market for offers in the region of... | 0:36:56 | 0:37:00 | |
£165,000. | 0:37:00 | 0:37:03 | |
Wow, I like it even more now! | 0:37:03 | 0:37:05 | |
I thought you might! | 0:37:05 | 0:37:06 | |
Right. It's not a big place, but we will give you a little more time | 0:37:07 | 0:37:10 | |
to have a run around and see what you think of it, get a feel of it, | 0:37:10 | 0:37:13 | |
because it is different, that whole upside-down thing. | 0:37:13 | 0:37:16 | |
Go and enjoy yourselves. | 0:37:16 | 0:37:17 | |
-OK. -OK. -And I will find you somewhere a little bit later on. | 0:37:17 | 0:37:21 | |
Brilliant. | 0:37:21 | 0:37:22 | |
You know, there's an old phrase which I rely upon every day - | 0:37:22 | 0:37:25 | |
less is more. | 0:37:25 | 0:37:26 | |
That's the way to get something simple, to get something efficient, | 0:37:26 | 0:37:29 | |
and to get something which ultimately just works, | 0:37:29 | 0:37:32 | |
and that's what I love about this property. | 0:37:32 | 0:37:34 | |
Less is more. | 0:37:34 | 0:37:35 | |
£35,000 below budget, | 0:37:38 | 0:37:40 | |
this Victorian semidetached upside-down cottage has a modern, | 0:37:40 | 0:37:44 | |
open-plan kitchen, living and dining room. | 0:37:44 | 0:37:47 | |
Two double bedrooms, two bathrooms, | 0:37:47 | 0:37:50 | |
as well as a substantial, fully-powered summerhouse - | 0:37:50 | 0:37:53 | |
and the property is situated in a peaceful, rural pocket | 0:37:53 | 0:37:56 | |
surrounded by farmland. | 0:37:56 | 0:37:58 | |
This house is probably more the sort of house that I was imagining | 0:38:00 | 0:38:04 | |
I would want to have. | 0:38:04 | 0:38:06 | |
Because of that old exterior, some history to it, | 0:38:06 | 0:38:11 | |
but all the mod cons inside. | 0:38:11 | 0:38:13 | |
I wouldn't have to do anything to it, and yet it would be so peaceful | 0:38:13 | 0:38:17 | |
and I've got extra space outside, | 0:38:17 | 0:38:20 | |
a small garden but also a summerhouse and somewhere to sit. | 0:38:20 | 0:38:24 | |
-Wow, it's big in here, isn't it? -It's lovely. | 0:38:24 | 0:38:27 | |
I can imagine actually not having the settee in here | 0:38:27 | 0:38:30 | |
-and have this as like a workshop. -Yeah, it's a lovely space. | 0:38:30 | 0:38:34 | |
This one is a good contender, I think, | 0:38:34 | 0:38:36 | |
because it's got the space she needs, the quirkiness she likes, | 0:38:36 | 0:38:40 | |
it's nice and quiet, lovely views. | 0:38:40 | 0:38:42 | |
I'm not sure about the cows. She didn't seem too worried today, | 0:38:42 | 0:38:47 | |
so it may cure her phobia, you never know! | 0:38:47 | 0:38:49 | |
Ah, I thought I might find you out here! | 0:38:49 | 0:38:53 | |
Very useful thing, isn't it? | 0:38:53 | 0:38:55 | |
-It's lovely. -Yeah. -It's perfect. | 0:38:55 | 0:38:57 | |
Already I'm having my studio workshop in here | 0:38:57 | 0:39:00 | |
to do my driftwood sculptures. | 0:39:00 | 0:39:02 | |
I thought you might. | 0:39:02 | 0:39:03 | |
-You see, it's all coming together beautifully. -Mm! | 0:39:03 | 0:39:06 | |
So, we have potentially another property | 0:39:06 | 0:39:09 | |
on your list of possibles, do we? | 0:39:09 | 0:39:11 | |
-Definitely. -But there is one more to see - our Mystery House - | 0:39:11 | 0:39:15 | |
and for that we're going to take a bit of a drive back over the border. | 0:39:15 | 0:39:19 | |
-Come on. -OK. | 0:39:19 | 0:39:21 | |
With miles of prime coast and acres of beautiful countryside, | 0:39:34 | 0:39:38 | |
control of Northumberland has been a source of conflict for centuries. | 0:39:38 | 0:39:42 | |
A legacy of this turbulent past | 0:39:42 | 0:39:44 | |
is found within the now peaceful walls of the county's castles. | 0:39:44 | 0:39:48 | |
I've come to visit Chillingham Castle, | 0:39:50 | 0:39:52 | |
home to Sir Humphry Wakefield. | 0:39:52 | 0:39:54 | |
The castle had lain derelict for some 50 years, | 0:39:54 | 0:39:58 | |
but Sir Humphry poured his heart and soul | 0:39:58 | 0:40:00 | |
into a formidable restoration project, | 0:40:00 | 0:40:02 | |
and now proudly opens the castle to the public. | 0:40:02 | 0:40:05 | |
-Sir Humphry. -Jules. -Very nice to see you, sir. | 0:40:08 | 0:40:11 | |
-Very good to see you. -And what a wonderful home you have. | 0:40:11 | 0:40:14 | |
I love it very much indeed. | 0:40:14 | 0:40:15 | |
It's a wonderful border castle | 0:40:15 | 0:40:16 | |
with all the strengths that you would expect, | 0:40:16 | 0:40:18 | |
and all the history's still here. | 0:40:18 | 0:40:20 | |
It's interesting to stand here and imagine | 0:40:20 | 0:40:22 | |
what this would have looked like when great retinues arrived | 0:40:22 | 0:40:25 | |
to use the castle and host events over the centuries. | 0:40:25 | 0:40:27 | |
Oh, many kings, and forces - assault forces - as well. | 0:40:27 | 0:40:32 | |
-It's seen a lot. -But it's been your home since the early 1980s, | 0:40:32 | 0:40:35 | |
when you set about, let's face it, a pretty ambitious project. | 0:40:35 | 0:40:39 | |
I'm fascinated to see just what you've done | 0:40:39 | 0:40:42 | |
and how you've gone about it. | 0:40:42 | 0:40:43 | |
Can you give me a very personal tour? | 0:40:43 | 0:40:45 | |
I will show it to you. | 0:40:45 | 0:40:47 | |
It's wonderful. | 0:40:47 | 0:40:49 | |
Chillingham became fully fortified in 1344, | 0:40:49 | 0:40:52 | |
and there have been very few structural additions since then, | 0:40:52 | 0:40:55 | |
apart from the elaborate galleries built in the Tudor period | 0:40:55 | 0:40:58 | |
which surround the central courtyard. | 0:40:58 | 0:41:00 | |
This is fabulous. | 0:41:02 | 0:41:03 | |
Wow. What was it like when you first discovered it? | 0:41:03 | 0:41:06 | |
When I came here it was a forest of trees. | 0:41:06 | 0:41:10 | |
Wherever you see a stone cracked, | 0:41:10 | 0:41:12 | |
there was a tree growing up. | 0:41:12 | 0:41:13 | |
It was just crying out for action. | 0:41:13 | 0:41:15 | |
The stones here, the paving stones here, | 0:41:15 | 0:41:18 | |
they were put in for the King's visit in 1603. | 0:41:18 | 0:41:22 | |
-Which king? -King James I of England, VI of Scotland. | 0:41:22 | 0:41:26 | |
But the family's ancestors must have been a bit downhearted | 0:41:26 | 0:41:29 | |
when they thought the King was coming, | 0:41:29 | 0:41:31 | |
because the amount of expense they'd have to go to to accommodate him. | 0:41:31 | 0:41:34 | |
They had cash. | 0:41:34 | 0:41:36 | |
They wanted him to stay. | 0:41:36 | 0:41:37 | |
They were on the up, and that was just the ticket. | 0:41:37 | 0:41:40 | |
-So it was a nice political move? -Very nice. | 0:41:40 | 0:41:42 | |
A very good, strong political move, yes. | 0:41:42 | 0:41:45 | |
-Come on, show me what you've done. -Come and have a look. | 0:41:45 | 0:41:49 | |
Many rooms have been returned to their opulent regal splendour | 0:41:49 | 0:41:53 | |
and are chock-full of curios | 0:41:53 | 0:41:55 | |
that present a wonderful mosaic of history and periods. | 0:41:55 | 0:41:59 | |
Sir Humphry has tackled dry rot, collapsed roofs, burst pipes, | 0:41:59 | 0:42:02 | |
birds and bats to bring the castle back to its former glory, | 0:42:02 | 0:42:06 | |
which really shines through in the King James I drawing room. | 0:42:06 | 0:42:10 | |
Wow. Well, this is another moment in time completely, isn't it? | 0:42:12 | 0:42:16 | |
It is. It's the same moment in time put in for the King. | 0:42:16 | 0:42:20 | |
Is that an Elizabethan ceiling? | 0:42:20 | 0:42:22 | |
Yes. 1500. | 0:42:22 | 0:42:23 | |
But for all the challenges of restoring the castle | 0:42:23 | 0:42:26 | |
and the responsibility of being the guardian of this building, | 0:42:26 | 0:42:31 | |
what is day-to-day life like for you in a castle like this? | 0:42:31 | 0:42:35 | |
Day-to-day life is absolutely wonderful, | 0:42:35 | 0:42:37 | |
and I love living here, | 0:42:37 | 0:42:40 | |
and feel very happy living here, | 0:42:40 | 0:42:42 | |
and feel the ghosts are happy with me. | 0:42:42 | 0:42:45 | |
Well, Sir Humphry, it's been a real treat. | 0:42:45 | 0:42:47 | |
I'm going to leave you in peace. Thank you very much indeed. | 0:42:47 | 0:42:50 | |
But there's so much more to see. | 0:42:50 | 0:42:52 | |
Come back many times and see all the other rooms, | 0:42:52 | 0:42:53 | |
because we've got lots of other rooms to show you. | 0:42:53 | 0:42:57 | |
There is so much more to see, | 0:42:57 | 0:42:59 | |
and I couldn't leave without exploring | 0:42:59 | 0:43:01 | |
some of the 360 acres here, | 0:43:01 | 0:43:03 | |
and, exclusively on the grounds of this estate, | 0:43:03 | 0:43:06 | |
another descendant, this time of potentially prehistoric pedigree, | 0:43:06 | 0:43:10 | |
is free to roam the grounds outside. | 0:43:10 | 0:43:13 | |
Park warden Ellie Crossley is taking me to see | 0:43:13 | 0:43:15 | |
the Chillingham wild cattle... from a very safe distance. | 0:43:15 | 0:43:19 | |
Ellie, I've come across many animals that are termed wild, | 0:43:19 | 0:43:22 | |
-but yours are the real thing, aren't they? -Yeah, absolutely. | 0:43:22 | 0:43:25 | |
They've been here for, potentially, 800 years | 0:43:25 | 0:43:28 | |
-and they've never been handled by humans. -And how careful | 0:43:28 | 0:43:31 | |
do we need to be in getting close to them to get a real understanding | 0:43:31 | 0:43:34 | |
of how they've managed to survive for so many centuries? | 0:43:34 | 0:43:37 | |
Each and every day, when I take people into the park, | 0:43:37 | 0:43:40 | |
I make my decision based on their mood and what sort of day it is. | 0:43:40 | 0:43:43 | |
Today it is quite warm and sunny, | 0:43:43 | 0:43:44 | |
so they're quite relaxed, so we can probably get a bit closer today. | 0:43:44 | 0:43:47 | |
I can see one just poking his head up through there. Is it a he? | 0:43:47 | 0:43:50 | |
-Yes, that is a bull. You see the horns that point forward? -Yes. | 0:43:50 | 0:43:53 | |
The cows have horns that go upwards and backwards slightly. | 0:43:53 | 0:43:56 | |
-How much closer can we get? -We can get a bit closer, yes. | 0:43:56 | 0:43:59 | |
Come on, let's have a look. | 0:43:59 | 0:44:01 | |
BULL MOOS | 0:44:01 | 0:44:04 | |
This rare-breed herd currently stands at just over 100 | 0:44:04 | 0:44:07 | |
and are believed to be the only survivors of the wild herds | 0:44:07 | 0:44:10 | |
that once roamed Britain's forests. | 0:44:10 | 0:44:13 | |
The cattle were held sacred by pre-Christian pagans, | 0:44:13 | 0:44:16 | |
who sacrificed them to their gods | 0:44:16 | 0:44:18 | |
and later in their history the wild cattle were used | 0:44:18 | 0:44:21 | |
both to defend the castle, as well as to feed its inhabitants. | 0:44:21 | 0:44:24 | |
The bull, there, looks absolutely beautiful, | 0:44:26 | 0:44:29 | |
and there is certainly something very prehistoric | 0:44:29 | 0:44:32 | |
about the outline of the head and the shoulders. | 0:44:32 | 0:44:34 | |
Yeah, and the way the dappled effect | 0:44:34 | 0:44:36 | |
makes him blend perfectly in with the woodland, as well. | 0:44:36 | 0:44:38 | |
But in terms of the way you manage them, | 0:44:38 | 0:44:40 | |
as I understand it, you don't interfere with them at all. | 0:44:40 | 0:44:43 | |
No vets, no calving. | 0:44:43 | 0:44:45 | |
You don't really even have to feed them. | 0:44:45 | 0:44:46 | |
No, I mean, it's literally just survival of the fittest out here. | 0:44:46 | 0:44:49 | |
That's how it's always been. | 0:44:49 | 0:44:50 | |
That's resulted in extremely strong, hardy animals | 0:44:50 | 0:44:53 | |
that can do very well without our help. | 0:44:53 | 0:44:55 | |
It's quite a thought to think that this small number of animals | 0:44:55 | 0:44:58 | |
that we're looking at now represents such a huge leap back in time. | 0:44:58 | 0:45:02 | |
And that's why it's really important to keep them here, | 0:45:02 | 0:45:05 | |
cos this shows such a vast difference between these animals | 0:45:05 | 0:45:08 | |
and what we've now created on our farms, | 0:45:08 | 0:45:10 | |
which are so incredibly different to these guys. | 0:45:10 | 0:45:13 | |
A dairy cow wouldn't survive five seconds out here. | 0:45:13 | 0:45:16 | |
On a farm, you have one bull who never has to compete for his females | 0:45:16 | 0:45:19 | |
a day in his life, basically. | 0:45:19 | 0:45:21 | |
Whereas here we have 50 bulls, | 0:45:21 | 0:45:22 | |
and they're all competing for the top spot | 0:45:22 | 0:45:24 | |
to be able to mate with the females. | 0:45:24 | 0:45:26 | |
It's absolutely amazing watching that. | 0:45:26 | 0:45:28 | |
Well, it's a wonderful sight, Ellie. | 0:45:28 | 0:45:29 | |
I never thought I'd see prehistoric cattle in this number. | 0:45:29 | 0:45:32 | |
Not least in Northumberland. But it's a real joy. | 0:45:32 | 0:45:35 | |
-Thank you very much. -You're very welcome. | 0:45:35 | 0:45:37 | |
What history these ancient cattle, | 0:45:38 | 0:45:40 | |
the castle walls and its reputed ghosts have experienced | 0:45:40 | 0:45:44 | |
over the centuries. | 0:45:44 | 0:45:46 | |
In an unbroken cycle since the 13th century, | 0:45:46 | 0:45:49 | |
the majestic Chillingham has proudly stood the test of time. | 0:45:49 | 0:45:52 | |
I'm back on the road with our house-hunter Chris, | 0:45:57 | 0:46:00 | |
along with her best mate Linda, | 0:46:00 | 0:46:02 | |
and we're all travelling to our final property destination. | 0:46:02 | 0:46:05 | |
The mystery proposition is in the hamlet of Guyzance, | 0:46:05 | 0:46:09 | |
in the heart of Northumberland proper - | 0:46:09 | 0:46:11 | |
and also our closest location to the coast. | 0:46:11 | 0:46:14 | |
Well, Linda and Chris, our property tour is nearly over, | 0:46:14 | 0:46:19 | |
we've just got one more to come, our Mystery House. | 0:46:19 | 0:46:23 | |
Any thoughts, Linda, as to what it might be? | 0:46:23 | 0:46:26 | |
I have no idea at all what you're going to get for her this time, | 0:46:26 | 0:46:30 | |
I just can't think what it might be at all. | 0:46:30 | 0:46:33 | |
Well, it might not just be for Chris. | 0:46:33 | 0:46:36 | |
-Ah! -It might involve something for you, Linda... -OK. | 0:46:36 | 0:46:39 | |
..as well, | 0:46:39 | 0:46:40 | |
and you may not have to fight over it. | 0:46:40 | 0:46:43 | |
-There's a riddle for you, Chris. -Mm. | 0:46:43 | 0:46:46 | |
Our ladies should be encouraged to know | 0:46:47 | 0:46:50 | |
that the Mystery House is just five miles from Warkworth, | 0:46:50 | 0:46:52 | |
a place they both know and love. | 0:46:52 | 0:46:55 | |
Just a mile from the beaches, and surrounded by the River Coquet, | 0:46:55 | 0:46:58 | |
Warkworth is an ancient village | 0:46:58 | 0:47:00 | |
whose steep roads are lined with attractive traditional buildings | 0:47:00 | 0:47:03 | |
housing an assortment of artisan shops, pubs, cafes and hotels. | 0:47:03 | 0:47:08 | |
Then, at the summit, stand the medieval ruins of Warkworth Castle, | 0:47:10 | 0:47:14 | |
which is where William Shakespeare set scenes from his play Henry IV. | 0:47:14 | 0:47:18 | |
A ten-minute drive away from the action, in the quiet of Guyzance, | 0:47:18 | 0:47:22 | |
is a 35-acre woodland | 0:47:22 | 0:47:23 | |
where, within a private development of 12 holiday cottages, | 0:47:23 | 0:47:27 | |
we find the last in our selection. | 0:47:27 | 0:47:29 | |
Right, then. | 0:47:32 | 0:47:34 | |
Mystery House time. | 0:47:34 | 0:47:35 | |
-Or Mystery Houses. -Mm! | 0:47:35 | 0:47:37 | |
Because within this complex of holiday cottages, | 0:47:37 | 0:47:41 | |
a good number of them are being sold off into private home ownership, | 0:47:41 | 0:47:45 | |
as it were, as more domestic homes. | 0:47:45 | 0:47:47 | |
-So we have a choice of properties to show you... -Oh! | 0:47:47 | 0:47:50 | |
..and we have two in particular that we'd like you to look at. | 0:47:50 | 0:47:54 | |
Which would mean, of course, Linda, | 0:47:54 | 0:47:55 | |
that you and Chris could continue to be neighbours. | 0:47:55 | 0:47:58 | |
How do we feel about this...notion, this idea? | 0:47:58 | 0:48:01 | |
-There is a deathly silence! -I know! | 0:48:06 | 0:48:08 | |
Well, initially, I don't like it. | 0:48:10 | 0:48:13 | |
It looks like a holiday cottage. | 0:48:13 | 0:48:15 | |
Exactly what it is. | 0:48:15 | 0:48:17 | |
However, as I say, many of them are now being sold off | 0:48:17 | 0:48:19 | |
-to become individual homes. -Mm. | 0:48:19 | 0:48:21 | |
I have the keys, here, to this one, | 0:48:21 | 0:48:24 | |
-which I'd like you to look at in particular... -Mm-hm. | 0:48:24 | 0:48:26 | |
..but I think, Chris, we'll show you one down here. | 0:48:26 | 0:48:30 | |
OK. | 0:48:30 | 0:48:31 | |
Although it appears that Chris has made up her mind already, | 0:48:33 | 0:48:37 | |
I've still got my fingers crossed | 0:48:37 | 0:48:38 | |
that she might like the exterior of the cottage we've chosen for her. | 0:48:38 | 0:48:42 | |
What do you think? | 0:48:42 | 0:48:44 | |
It sort of looks like a... glorified caravan site. | 0:48:44 | 0:48:47 | |
Given the robust but enchanting stone architecture | 0:48:48 | 0:48:51 | |
and the history that goes with it, to be fair, | 0:48:51 | 0:48:54 | |
I definitely wouldn't describe this development as a caravan park. | 0:48:54 | 0:48:58 | |
Come on, let's see what you think. | 0:48:58 | 0:49:00 | |
What we have to show Chris | 0:49:00 | 0:49:02 | |
is an end-of-terrace old farmer's cottage | 0:49:02 | 0:49:04 | |
with a neat garden that wraps around the back. | 0:49:04 | 0:49:07 | |
Recently renovated to a high-spec contemporary finish, | 0:49:07 | 0:49:11 | |
on the ground floor there's a kitchen, | 0:49:11 | 0:49:13 | |
a WC and a sitting room - | 0:49:13 | 0:49:14 | |
which is our first port of call. | 0:49:14 | 0:49:16 | |
It's a bit small and a bit modern-looking, I think. | 0:49:18 | 0:49:21 | |
Not much character inside. | 0:49:21 | 0:49:22 | |
Sadly, they haven't been persuaded. | 0:49:24 | 0:49:26 | |
Perhaps the kitchen might fare better. | 0:49:26 | 0:49:28 | |
It still feels modern and a bit plain. | 0:49:28 | 0:49:32 | |
Oh, dear. Chris? | 0:49:32 | 0:49:33 | |
I agree. It's just not working for me. | 0:49:33 | 0:49:35 | |
Still no takers from either of our ladies. | 0:49:37 | 0:49:40 | |
So this will be a whistle-stop tour. | 0:49:40 | 0:49:43 | |
Upstairs, a family bathroom serves two bedrooms - | 0:49:43 | 0:49:46 | |
one a double with exposed beams, the other slightly smaller. | 0:49:46 | 0:49:49 | |
On paper, the mystery property | 0:49:50 | 0:49:52 | |
seemed like an obvious plan to present - | 0:49:52 | 0:49:55 | |
two great friends, two great neighbours, | 0:49:55 | 0:49:57 | |
and here's the chance to continue living close by to one another - | 0:49:57 | 0:50:01 | |
but it's not to be. | 0:50:01 | 0:50:03 | |
So, next, we need to talk about the price, | 0:50:03 | 0:50:05 | |
which is normally the moment I look forward to - | 0:50:05 | 0:50:07 | |
but on this occasion I'm dreading it. | 0:50:07 | 0:50:09 | |
It does open up right around here. | 0:50:11 | 0:50:14 | |
Yes, it's a fair-sized garden, isn't it? | 0:50:14 | 0:50:16 | |
I can certainly see this bursting with life | 0:50:16 | 0:50:18 | |
with some clever planting and what have you. | 0:50:18 | 0:50:20 | |
I mean, yeah, you've got the neighbours around, | 0:50:20 | 0:50:22 | |
but it is what it is, it's an old farm complex. | 0:50:22 | 0:50:25 | |
But, again, this lovely architecture coming through. | 0:50:25 | 0:50:27 | |
Yes, a nice outside space. | 0:50:27 | 0:50:29 | |
Hurrah. We got a good thing. | 0:50:30 | 0:50:32 | |
We got one thing right with this one for you. | 0:50:32 | 0:50:35 | |
Humour me and make us an offer on our Mystery House. | 0:50:35 | 0:50:38 | |
I think, given the proximity to the sea, I'll say 150. | 0:50:38 | 0:50:43 | |
150. Linda? | 0:50:43 | 0:50:45 | |
I was thinking the same, actually. | 0:50:45 | 0:50:46 | |
I thought about 150,000. | 0:50:46 | 0:50:48 | |
So let's say you both agree on 150. | 0:50:48 | 0:50:51 | |
This is on at £175,000 - | 0:50:51 | 0:50:53 | |
because of its proximity to the sea | 0:50:53 | 0:50:55 | |
and all the things that you've identified, Chris, really. | 0:50:55 | 0:50:58 | |
Yeah. | 0:50:58 | 0:51:00 | |
Now, to be fair, I don't think you need to have another look inside | 0:51:00 | 0:51:03 | |
this one. However, I would appreciate it | 0:51:03 | 0:51:06 | |
if you would go and have a look at the first property we saw, Linda, | 0:51:06 | 0:51:10 | |
which I think might be of interest to you. | 0:51:10 | 0:51:12 | |
I'm still hoping! | 0:51:12 | 0:51:14 | |
You know where it is, it's round the corner, | 0:51:14 | 0:51:16 | |
and I will come and find you later on. | 0:51:16 | 0:51:17 | |
-We'll guess the price on that one, too. -OK. | 0:51:17 | 0:51:19 | |
Be interesting to see what you think. Off you go. | 0:51:19 | 0:51:22 | |
Well, there you have it. | 0:51:23 | 0:51:25 | |
Sometimes it goes really well, and sometimes it goes really badly. | 0:51:25 | 0:51:31 | |
And sometimes it feels like a real disaster. | 0:51:32 | 0:51:36 | |
Comfortably under budget, | 0:51:38 | 0:51:40 | |
the two-bedroom Mystery Home for Chris | 0:51:40 | 0:51:42 | |
is a stone cottage in a small private complex | 0:51:42 | 0:51:44 | |
of both residential and commercial properties. | 0:51:44 | 0:51:48 | |
Set within a 35-acre site and close to the coast, | 0:51:48 | 0:51:51 | |
the development has another lot for sale, | 0:51:51 | 0:51:53 | |
so could enable the two friends to stay as neighbours. | 0:51:53 | 0:51:57 | |
And the other property that we had earmarked for Linda | 0:51:57 | 0:52:00 | |
is just around the corner. | 0:52:00 | 0:52:02 | |
This is another semidetached two-bedroom potential home, | 0:52:02 | 0:52:06 | |
but with a slightly smaller internal footprint | 0:52:06 | 0:52:09 | |
and an open-plan kitchen and living area | 0:52:09 | 0:52:11 | |
that spreads throughout the entire ground floor. | 0:52:11 | 0:52:14 | |
Oh, to have been a fly on the wall | 0:52:14 | 0:52:16 | |
during their house tour of this one! | 0:52:16 | 0:52:18 | |
HE KNOCKS But we've got to go. | 0:52:18 | 0:52:20 | |
-How are we doing? -OK. | 0:52:20 | 0:52:22 | |
Out you come. Come on, Linda. | 0:52:22 | 0:52:24 | |
Now, I know what Chris thinks of next door | 0:52:26 | 0:52:28 | |
and what you thought of it. | 0:52:28 | 0:52:29 | |
This one is cheaper, but what do you think it's worth? | 0:52:29 | 0:52:33 | |
Hm, 145? | 0:52:33 | 0:52:35 | |
Try 165. Yeah, there's only ten grand in it. | 0:52:35 | 0:52:39 | |
-Has it sold itself? -No, it's too small. | 0:52:39 | 0:52:41 | |
It just feels the same as the other one. | 0:52:41 | 0:52:44 | |
However, ordinarily I might be crestfallen | 0:52:44 | 0:52:47 | |
and desperately disappointed - | 0:52:47 | 0:52:49 | |
but I think we've shown you some really good properties | 0:52:49 | 0:52:51 | |
this week, Chris, and maybe one or two of them | 0:52:51 | 0:52:54 | |
may provide an option for the future. | 0:52:54 | 0:52:56 | |
-Maybe. -Maybe. | 0:52:56 | 0:52:58 | |
Right, come on. Let's go and think about it. | 0:52:58 | 0:53:00 | |
When I last saw Linda and Chris, | 0:53:09 | 0:53:10 | |
I certainly got the sense that perhaps not all of our efforts | 0:53:10 | 0:53:14 | |
this week had been in vain. | 0:53:14 | 0:53:15 | |
There certainly seemed to be a little twinkle in Chris's eye - | 0:53:15 | 0:53:19 | |
but have we managed to find her a home for the future? | 0:53:19 | 0:53:22 | |
Well, let's go and ask her. | 0:53:22 | 0:53:23 | |
Well, how are we doing, then? | 0:53:30 | 0:53:32 | |
-Great, thank you. -Are you feeling refreshed? | 0:53:32 | 0:53:35 | |
-Yes. -Relaxed? | 0:53:35 | 0:53:37 | |
-Yes. -Relieved? | 0:53:37 | 0:53:38 | |
-Yes. -I thought you might be! | 0:53:38 | 0:53:40 | |
Hopefully it wasn't that bad, Chris. | 0:53:40 | 0:53:43 | |
-Goodness me, we've done some miles this week, haven't we? -We have! | 0:53:43 | 0:53:46 | |
And we've seen some fabulous scenery | 0:53:46 | 0:53:48 | |
and we've also been able to offer you, I think, | 0:53:48 | 0:53:50 | |
a really nice package of properties to tempt you with. | 0:53:50 | 0:53:55 | |
Are you still sure that this is the part of the world for you? | 0:53:55 | 0:53:57 | |
Definitely. | 0:53:57 | 0:53:58 | |
-So, where are we? -I like the property with the balcony... -Yeah. | 0:53:58 | 0:54:03 | |
..and the upside-down house. | 0:54:03 | 0:54:06 | |
Both of which happen to be... | 0:54:06 | 0:54:08 | |
in Scotland, albeit only just, | 0:54:08 | 0:54:12 | |
-but let's face it, the border is pretty porous really. -Yep. | 0:54:12 | 0:54:16 | |
Right, then. Two properties to choose from. | 0:54:16 | 0:54:20 | |
A property with a balcony near Kelso. | 0:54:20 | 0:54:22 | |
-What did you think of that, then? -It was beautiful. | 0:54:22 | 0:54:25 | |
I felt like somebody like me had lived in it. | 0:54:25 | 0:54:28 | |
-You said that when we got there. -I know. | 0:54:28 | 0:54:30 | |
And then I found out that it was an artist's house. | 0:54:30 | 0:54:32 | |
It was just beautiful. | 0:54:32 | 0:54:34 | |
It's obviously made quite an impression. | 0:54:34 | 0:54:36 | |
-Linda, what did you make of it? -It was just so stunning, | 0:54:36 | 0:54:39 | |
I just didn't imagine she could get anything like that for her money. | 0:54:39 | 0:54:42 | |
But then we took you to what we're now calling | 0:54:42 | 0:54:45 | |
the upside-down house, Chris - | 0:54:45 | 0:54:47 | |
and clearly that works for you as well. | 0:54:47 | 0:54:49 | |
At first when I saw it... | 0:54:49 | 0:54:51 | |
I mean, there was a field full of cows next to it to start with, | 0:54:51 | 0:54:54 | |
which put me off a little bit. | 0:54:54 | 0:54:55 | |
But, again, it was a beautiful house, | 0:54:55 | 0:54:57 | |
beautifully built, an old farmer's house, | 0:54:57 | 0:55:00 | |
but once you went inside, it was so modern, | 0:55:00 | 0:55:03 | |
and it would be a lovely house for people to come and stay, as well. | 0:55:03 | 0:55:07 | |
What have you concocted between you to try and resolve this dilemma? | 0:55:07 | 0:55:10 | |
The price of the upside-down house is appealing, | 0:55:10 | 0:55:16 | |
but I'm trying not to let that sway me absolutely | 0:55:16 | 0:55:19 | |
if I wanted the other one more, | 0:55:19 | 0:55:22 | |
and it is difficult to decide between the two, | 0:55:22 | 0:55:25 | |
so I'd have to come up and see them both again. | 0:55:25 | 0:55:29 | |
Probably bring my son and his wife with me. | 0:55:29 | 0:55:31 | |
I mean, we know you wanted to be nearer to your son. | 0:55:31 | 0:55:34 | |
He, of course, lives in Edinburgh. | 0:55:34 | 0:55:35 | |
So actually it might work out quite well. | 0:55:35 | 0:55:37 | |
Yeah - and I've always wanted to be Scottish as well. | 0:55:37 | 0:55:40 | |
So, I would be! | 0:55:40 | 0:55:41 | |
But for both of those properties you can look out and see England. | 0:55:43 | 0:55:45 | |
I mean, you couldn't be closer to the border. | 0:55:45 | 0:55:48 | |
-No. -So, Linda, you also have said throughout | 0:55:48 | 0:55:51 | |
that you also were considering following your neighbour | 0:55:51 | 0:55:55 | |
and moving up here. | 0:55:55 | 0:55:57 | |
-Would you do it? -I would, actually - | 0:55:57 | 0:55:59 | |
but I think I would have something nearer to the coast, | 0:55:59 | 0:56:02 | |
but I'd still be near enough to Chris to see her regularly. | 0:56:02 | 0:56:05 | |
So you won't be near neighbours. | 0:56:05 | 0:56:07 | |
You may indeed end up on either side of the border - | 0:56:07 | 0:56:11 | |
but clearly remaining the greatest of friends. | 0:56:11 | 0:56:14 | |
That is, I think, very obvious for anyone watching this. | 0:56:14 | 0:56:17 | |
So I wish you all the best, Chris, | 0:56:17 | 0:56:19 | |
in making what could be quite a difficult decision, | 0:56:19 | 0:56:22 | |
but one which I hope will give you everything you've been looking for. | 0:56:22 | 0:56:26 | |
-Thank you. -Thank you. | 0:56:26 | 0:56:28 | |
Well, Northumberland and its border with Scotland | 0:56:33 | 0:56:35 | |
has been hotly contested for centuries, | 0:56:35 | 0:56:38 | |
but it would seem we've left Chris with a contest all of her own - | 0:56:38 | 0:56:42 | |
to try and choose between two, I think, | 0:56:42 | 0:56:44 | |
pretty exceptional properties. | 0:56:44 | 0:56:46 | |
But unlike so many of the fierce battles | 0:56:46 | 0:56:48 | |
that have been fought up here over the years, | 0:56:48 | 0:56:51 | |
I do hope hers has a happy ending. | 0:56:51 | 0:56:53 | |
I'll see you next time. | 0:56:53 | 0:56:54 | |
A week after our visit, | 0:56:56 | 0:56:57 | |
Chris tried to make plans for a second viewing | 0:56:57 | 0:57:00 | |
at the upside-down house, | 0:57:00 | 0:57:01 | |
but, alas, someone else had already snapped it up. | 0:57:01 | 0:57:04 | |
So her search continues. | 0:57:04 | 0:57:06 | |
If you'd like to escape to the country | 0:57:06 | 0:57:08 | |
in England, Northern Ireland, Scotland or Wales | 0:57:08 | 0:57:11 | |
and would like our help, then please apply online at... | 0:57:11 | 0:57:14 |