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The escarpment beneath my feet is so important it even has its own geological era named after it. | 0:00:02 | 0:00:06 | |
Find out what it is and which county is home to these stunning views in | 0:00:06 | 0:00:11 | |
just a moment. | 0:00:11 | 0:00:12 | |
On today's show, a couple return to their roots after 14 years abroad. | 0:00:29 | 0:00:34 | |
They might be novice house-hunters, | 0:00:34 | 0:00:36 | |
but they've a clear vision of what they're looking for... | 0:00:36 | 0:00:39 | |
Well, it's kind of exactly what I described. | 0:00:39 | 0:00:42 | |
Good. Good, good, good. | 0:00:42 | 0:00:44 | |
..and it seems like the houses deliver. | 0:00:44 | 0:00:46 | |
-Perfect. -Sorry, I keep saying that, don't I? | 0:00:46 | 0:00:48 | |
Well, you know, if you keep saying perfect, | 0:00:48 | 0:00:50 | |
-I'm going to make you buy a house! -I know, I've got that feeling. | 0:00:50 | 0:00:53 | |
Today, I'm in Shropshire, right on top of Wenlock Edge, | 0:00:55 | 0:00:59 | |
which is one of the most important geological sites in the world. | 0:00:59 | 0:01:03 | |
Now, the limestone bedrock beneath my feet lends its name to a period | 0:01:03 | 0:01:07 | |
of time known as the Wenlock era, which occurred some 430 million years ago. | 0:01:07 | 0:01:13 | |
Now, way back then, of course, the world took on a different shape. | 0:01:13 | 0:01:17 | |
Shropshire itself would have been below the equator, | 0:01:17 | 0:01:19 | |
so we may have had slightly better weather, | 0:01:19 | 0:01:21 | |
but unfortunately you would also be stood underwater, | 0:01:21 | 0:01:25 | |
which explains that if you're lucky enough to go walking around here, | 0:01:25 | 0:01:28 | |
you can uncover all kinds of fossils and even bits of coral. | 0:01:28 | 0:01:31 | |
Landlocked Shropshire is one of England's largest counties and sits | 0:01:34 | 0:01:38 | |
between the West Midlands and Wales. | 0:01:38 | 0:01:40 | |
It's also one of the most rural, | 0:01:40 | 0:01:42 | |
covering an area of roughly 1,300 square miles of rolling countryside | 0:01:42 | 0:01:47 | |
and wooded valleys, offering countless opportunities for visiting walkers | 0:01:47 | 0:01:51 | |
and hikers. There's the 177 mile Offa's Dyke Trail, | 0:01:51 | 0:01:56 | |
which rises and falls across the Shropshire Hills on its route up the | 0:01:56 | 0:02:00 | |
Wye Valley, along with circular walks around Shropshire's charming historic | 0:02:00 | 0:02:03 | |
villages and market towns such as Much Wenlock. | 0:02:03 | 0:02:08 | |
This was the birthplace of William Penny Brookes, who, in 1850, | 0:02:08 | 0:02:12 | |
founded the Wenlock Olympian Games | 0:02:12 | 0:02:15 | |
and after going on to campaign for the revival of the ancient Greek games, | 0:02:15 | 0:02:19 | |
was dubbed the inspiration for the modern Olympic movement. | 0:02:19 | 0:02:23 | |
The historic architecture in the beautifully preserved market town of | 0:02:23 | 0:02:26 | |
Ludlow spans the centuries. | 0:02:26 | 0:02:28 | |
It's home to over 500 listed buildings, | 0:02:29 | 0:02:32 | |
as well as the former Royal castle, | 0:02:32 | 0:02:34 | |
which fell into ruin after being abandoned in 1689. | 0:02:34 | 0:02:39 | |
The town also has a reputation as a gastronomic hub, | 0:02:39 | 0:02:42 | |
making it the perfect place to hang up your walking boots and refuel with | 0:02:42 | 0:02:46 | |
some local fare before continuing to explore | 0:02:46 | 0:02:49 | |
this magnificent varied county. | 0:02:49 | 0:02:52 | |
As well as a rich industrial past and spectacular countryside, | 0:02:54 | 0:02:57 | |
Shropshire gives you good transport links to the rest of the UK. | 0:02:57 | 0:03:01 | |
But it also offers great value for money when you consider the average | 0:03:01 | 0:03:04 | |
price of a detached house in this county comes in at around £280,000, | 0:03:04 | 0:03:09 | |
which is around 15% below the national figure. | 0:03:09 | 0:03:13 | |
And if you keep travelling further west towards the Welsh borders, | 0:03:13 | 0:03:16 | |
you'll get even more for your money. | 0:03:16 | 0:03:18 | |
And today's buyers, well, | 0:03:18 | 0:03:19 | |
they certainly think it's worth going the distance in order to get | 0:03:19 | 0:03:22 | |
the right kind of home in this beautiful part of the world. | 0:03:22 | 0:03:26 | |
Let's meet them. | 0:03:26 | 0:03:27 | |
Paddy and Phaedra met nine years ago on a French language course whilst | 0:03:29 | 0:03:32 | |
working for the British Army. | 0:03:32 | 0:03:34 | |
They dated long-distance between their bases in Belgium and Holland before | 0:03:34 | 0:03:38 | |
getting married four years later. | 0:03:38 | 0:03:40 | |
Since then, their careers have kept them on the move, | 0:03:40 | 0:03:43 | |
living in Germany before their current base in Holland. | 0:03:43 | 0:03:47 | |
I'm in the military, I'm a Royal Engineer. | 0:03:47 | 0:03:49 | |
To be honest, it's fantastic, | 0:03:49 | 0:03:51 | |
the Netherlands is a great country to live in, | 0:03:51 | 0:03:54 | |
very easy, the Dutch all speak very good English. | 0:03:54 | 0:03:57 | |
It is absolutely idyllic, lovely. | 0:03:57 | 0:03:59 | |
The only thing that is missing is the family and our friends. | 0:03:59 | 0:04:03 | |
Phaedra retired from the Army two years ago and is now full-time | 0:04:03 | 0:04:06 | |
parenting their four-year-old daughter, Lilith. | 0:04:06 | 0:04:09 | |
Lilith's life is great at the moment, for a four-year-old, | 0:04:09 | 0:04:12 | |
she has me staying at home with her, | 0:04:12 | 0:04:15 | |
and she goes to a fantastic preschool set in an international school. | 0:04:15 | 0:04:19 | |
She can recognise four different languages, | 0:04:19 | 0:04:23 | |
Holland is incredibly child-friendly, so, you know, push-biking, | 0:04:23 | 0:04:28 | |
trips to the country, | 0:04:28 | 0:04:29 | |
it's all pretty good, I think. | 0:04:30 | 0:04:33 | |
Although they've loved the Dutch way of life, as Lilith nears school-age, | 0:04:33 | 0:04:37 | |
their thoughts have turned to settling somewhere more permanently. | 0:04:37 | 0:04:40 | |
For Paddy and Phaedra, it's an opportunity | 0:04:40 | 0:04:43 | |
to move home after 14 years abroad. | 0:04:43 | 0:04:46 | |
We really want to move to Shropshire, | 0:04:46 | 0:04:48 | |
and the reason we've chosen Shropshire is because most of our relatives | 0:04:48 | 0:04:52 | |
live in the radius of Shropshire, so my dad lives in North Wales, | 0:04:52 | 0:04:56 | |
my auntie and cousins live in Mid Wales, | 0:04:56 | 0:04:59 | |
and we've got friends in Bridgnorth and Shrewsbury, | 0:04:59 | 0:05:02 | |
and that's why we've chosen that area. | 0:05:02 | 0:05:05 | |
They're drawn to Shropshire's accessible countryside and proximity to the | 0:05:05 | 0:05:09 | |
Welsh mountains, | 0:05:09 | 0:05:10 | |
where they could continue to adopt the outdoors lifestyle they're | 0:05:10 | 0:05:13 | |
-accustomed to. -We love to be outside, don't we? | 0:05:13 | 0:05:17 | |
And walking, mountain biking, road biking. | 0:05:17 | 0:05:21 | |
We think Lilith enjoys the outdoors, she clearly has up to now, I mean, | 0:05:21 | 0:05:25 | |
as she gets older, she might have an opinion... | 0:05:25 | 0:05:27 | |
She doesn't have a lot of choice at this point. | 0:05:27 | 0:05:29 | |
But at the moment, if we can instil a love of the countryside in her as | 0:05:29 | 0:05:32 | |
well, then perhaps she can carry that on into later life. | 0:05:32 | 0:05:36 | |
This next home will be their first property purchased together - | 0:05:36 | 0:05:39 | |
a long-awaited family home for the future. | 0:05:39 | 0:05:42 | |
Moving to Shropshire will also give them the chance to re-establish | 0:05:42 | 0:05:45 | |
relationships with family and build friendships old and new. | 0:05:45 | 0:05:50 | |
I enjoy the community life, village community life, you know, bake sales, | 0:05:50 | 0:05:55 | |
getting involved with the school. | 0:05:55 | 0:05:57 | |
I think it will be lovely for Lilith to build her ties with her family | 0:05:57 | 0:06:01 | |
and our friends and just kind of plant roots in so many different ways, | 0:06:01 | 0:06:06 | |
roots for Lilith, roots of a tree, | 0:06:06 | 0:06:08 | |
we can plant an apple tree and watch it grow, you know? | 0:06:08 | 0:06:11 | |
With Phaedra's father in Newtown, just across the Welsh border, | 0:06:15 | 0:06:18 | |
and friends in Shrewsbury, | 0:06:18 | 0:06:19 | |
they would like to focus their search on the area between the two, | 0:06:19 | 0:06:23 | |
and with good road links for Paddy. | 0:06:23 | 0:06:25 | |
The village of Church Stretton would be their ideal location. | 0:06:25 | 0:06:29 | |
All I need now is their property wish list. | 0:06:29 | 0:06:33 | |
So here we are, the big move - welcome to Shropshire. | 0:06:33 | 0:06:35 | |
-Good to be here? -Yeah, good. -Very good. -Good to be back in the UK? | 0:06:35 | 0:06:38 | |
-Lovely. -Marvellous. | 0:06:38 | 0:06:40 | |
You go away, you work away quite a lot, you're back and forth, | 0:06:40 | 0:06:43 | |
back and forth, but also I'm sure you're sick of living on bases and | 0:06:43 | 0:06:49 | |
moving around. You probably want to build a home as part of a community. | 0:06:49 | 0:06:52 | |
Yes, that's right, and in the military we have a really tight-knit community, | 0:06:52 | 0:06:55 | |
we all support each other, and that's going to be a hard loss for us. | 0:06:55 | 0:06:59 | |
-Yeah. -Now I'm looking to be able to replace that in a small village or town | 0:06:59 | 0:07:02 | |
where people know us and we know them. | 0:07:02 | 0:07:04 | |
So let's talk about what you need from the house. | 0:07:04 | 0:07:06 | |
Well, critical for Paddy is a garage and workshop. | 0:07:06 | 0:07:08 | |
-Why so, Paddy? -Uh... | 0:07:08 | 0:07:10 | |
Well, I ride motorcycles, and I like working with my hands, | 0:07:10 | 0:07:14 | |
so I'd love to have a workshop where we could tinker with motorbikes, | 0:07:14 | 0:07:18 | |
push bikes, you know, just stuff, lawn mowers! | 0:07:18 | 0:07:21 | |
Yeah. What about gardening? | 0:07:21 | 0:07:24 | |
-What about a bit of outside space? I mean, your daughter... -That's my bag. -Is it? -That's my bag. | 0:07:24 | 0:07:28 | |
For me, the garden is the critical space. | 0:07:28 | 0:07:30 | |
I need my place to escape, | 0:07:30 | 0:07:32 | |
where I can plant my nature pond and have a few trees and watch my apples | 0:07:32 | 0:07:38 | |
grow, maybe have some chickens. | 0:07:38 | 0:07:39 | |
Lilith wants a goat, happy with that. | 0:07:39 | 0:07:41 | |
All right, that's a decent sized garden, then. | 0:07:41 | 0:07:43 | |
-All right? -Yeah. -Let's talk about the house. | 0:07:43 | 0:07:46 | |
We're looking at, you know, no less than three bedrooms. | 0:07:46 | 0:07:50 | |
I've really got my heart set on a kitchen that can be multifunctional. | 0:07:50 | 0:07:53 | |
When Lilith comes home from school, | 0:07:53 | 0:07:55 | |
I want us all to be able to go in the kitchen, | 0:07:55 | 0:07:56 | |
I want there to be a two-seater sofa, somewhere that we can sit to eat, | 0:07:56 | 0:08:00 | |
and a decent kitchen where I can cook - all in the same room. | 0:08:00 | 0:08:04 | |
-Right. -So that's kind of the dream that I've got in my mind. | 0:08:04 | 0:08:07 | |
One of the drawbacks of military accommodation is that you cannot put your | 0:08:07 | 0:08:11 | |
mark on it, so we would like a property where we can, you know, | 0:08:11 | 0:08:15 | |
we can make it ours. | 0:08:15 | 0:08:16 | |
Style of house? | 0:08:16 | 0:08:18 | |
Kerb-side appeal is important to us, but we've got lots of different... | 0:08:18 | 0:08:22 | |
We like lots of different styles of houses. | 0:08:22 | 0:08:24 | |
Character doesn't have to be 200 years old, | 0:08:24 | 0:08:26 | |
it just has to offer something to the eye and provide the home with a bit | 0:08:26 | 0:08:31 | |
-of atmosphere. -Yeah. -Correct. | 0:08:31 | 0:08:32 | |
OK. | 0:08:32 | 0:08:33 | |
Let's talk turkey - how much money have you got to spend on this home of yours? | 0:08:33 | 0:08:38 | |
The upper limit is £475,000. | 0:08:38 | 0:08:42 | |
OK, the upper limit, that means ready to move into, nothing to do to it. | 0:08:42 | 0:08:46 | |
-Yep. -Correct. -We've got three great houses for you. | 0:08:46 | 0:08:49 | |
This way. | 0:08:49 | 0:08:50 | |
For their £475,000 budget, | 0:08:52 | 0:08:55 | |
Paddy and Phaedra are looking for a detached property | 0:08:55 | 0:08:57 | |
with at least three bedrooms and a large family kitchen. | 0:08:57 | 0:09:00 | |
They'd like a garden with space for a vegetable plot and some chickens, | 0:09:00 | 0:09:04 | |
as well as a workshop for Paddy. | 0:09:04 | 0:09:06 | |
They also want to be in a community, so are after a village location with | 0:09:06 | 0:09:10 | |
good schools nearby. | 0:09:10 | 0:09:12 | |
We've lined up three characterful properties ready for them to view. | 0:09:12 | 0:09:16 | |
Before they find out the price of each one, | 0:09:16 | 0:09:18 | |
I'll be asking them to take a guess at the end of the tour. | 0:09:18 | 0:09:22 | |
Our final property is the Mystery House, | 0:09:22 | 0:09:24 | |
which has some unconventional space but with plenty of room to grow. | 0:09:24 | 0:09:27 | |
Now, Paddy, you like your bicycles, you like your motorbikes - | 0:09:31 | 0:09:34 | |
this is heaven for you, isn't it? | 0:09:34 | 0:09:37 | |
It is, it's fantastic, isn't it? | 0:09:37 | 0:09:39 | |
I'm looking forward to taking Lilith over some of these hills. | 0:09:39 | 0:09:43 | |
There is, genuinely, when the sun is shining, | 0:09:43 | 0:09:46 | |
there's nothing like being back in the UK. | 0:09:46 | 0:09:48 | |
It is the most beautiful country that we've ever lived in, isn't it? | 0:09:48 | 0:09:51 | |
Yeah, definitely. | 0:09:51 | 0:09:52 | |
And that says something, cos you guys have lived everywhere, haven't you? | 0:09:52 | 0:09:55 | |
-Yeah, we have. -We have, yeah. | 0:09:55 | 0:09:57 | |
We're starting our Shropshire house-hunt in Church Stretton, | 0:09:59 | 0:10:03 | |
Paddy and Phaedra's favourite area, and it's easy to see why. | 0:10:03 | 0:10:08 | |
Declared a market town by King John in 1214, | 0:10:08 | 0:10:11 | |
it still hosts a weekly market and offers a range of small independent | 0:10:11 | 0:10:15 | |
shops and eateries housed in a mix of black-and-white Tudor buildings | 0:10:15 | 0:10:19 | |
and Georgian town houses. | 0:10:19 | 0:10:21 | |
There is a well-regarded primary school, | 0:10:21 | 0:10:23 | |
and it's perfectly positioned within the Shropshire Hills, | 0:10:23 | 0:10:26 | |
just a stone's throw from the English-Welsh border. | 0:10:26 | 0:10:29 | |
It makes an excellent starting point for outdoor activities like hiking | 0:10:30 | 0:10:34 | |
or mountain biking. All right, then, house number one | 0:10:34 | 0:10:39 | |
is this fella here. | 0:10:40 | 0:10:42 | |
-Wow. -"Wow", that sounds good! | 0:10:42 | 0:10:44 | |
I mean, it looks in good order. | 0:10:44 | 0:10:45 | |
-Mm-hm. -I like the windows, I like the doors. | 0:10:45 | 0:10:48 | |
-No, it looks tidy. -It's got a bit of character. | 0:10:48 | 0:10:50 | |
Any question marks? | 0:10:50 | 0:10:51 | |
Yeah, I'd quite like a front garden. | 0:10:51 | 0:10:54 | |
You've got a bit of slate! | 0:10:54 | 0:10:55 | |
-Uh-huh, yeah. -Right, you like a front garden. -Yeah, it's Welsh slate as well, which is great. | 0:10:55 | 0:10:58 | |
-Off-street car parking... -I'm not finding the garage. | 0:10:58 | 0:11:01 | |
Because I've not showed it to you yet. | 0:11:01 | 0:11:03 | |
OK, good. | 0:11:03 | 0:11:04 | |
Ye of little faith, come inside, come with me! | 0:11:04 | 0:11:07 | |
These two certainly know what they're looking for, | 0:11:07 | 0:11:10 | |
and I think this detached property, | 0:11:10 | 0:11:12 | |
originally a pair of workers' cottages, has a lot to offer them. | 0:11:12 | 0:11:15 | |
Parts of it date back 400 years, | 0:11:15 | 0:11:18 | |
but others have been extended and reconfigured in the last 50. | 0:11:18 | 0:11:22 | |
Let's start with this living room. | 0:11:22 | 0:11:24 | |
You can see it's an empty house, it's been a rental. | 0:11:24 | 0:11:26 | |
This is where you plan to come after your daughter Lilith has done her | 0:11:26 | 0:11:29 | |
homework, you've had your evening meal, you do like to sort of repair to your living room. | 0:11:29 | 0:11:33 | |
So you tell me! | 0:11:33 | 0:11:34 | |
It's lovely. And I love the dual aspect as well, it's really nice. | 0:11:34 | 0:11:38 | |
Look at that view. Unbelievable! | 0:11:38 | 0:11:39 | |
-Super, isn't it? -We picked the right time of year to look at the view, to be fair. | 0:11:39 | 0:11:42 | |
It's beautiful. And I really like the sort of split fireplace as well, | 0:11:42 | 0:11:45 | |
that is nice. Wood burner. You want a wood burner, don't you? | 0:11:45 | 0:11:48 | |
I do, and it goes all the way through, which is cool. | 0:11:48 | 0:11:50 | |
-Yeah, it's clever. -I've just noticed that. I thought it was a mirror at the back, | 0:11:50 | 0:11:53 | |
but it actually goes all the way through. | 0:11:53 | 0:11:55 | |
Now, obviously, you're going to want to redecorate anywhere. | 0:11:55 | 0:11:57 | |
Yeah, but to be honest it's neutral, so it's an easy palette to change, | 0:11:57 | 0:12:01 | |
-isn't it? -Great, OK. | 0:12:01 | 0:12:02 | |
Kitchen, though, is the most important room inside the house. | 0:12:02 | 0:12:06 | |
-Fingers crossed, come with me. -Roger. | 0:12:06 | 0:12:09 | |
It's kind of good to see a property sometimes without any furniture in it, | 0:12:11 | 0:12:14 | |
because you'll know just | 0:12:14 | 0:12:17 | |
how you can make it work. | 0:12:17 | 0:12:18 | |
It's not huge. | 0:12:18 | 0:12:19 | |
No, it's not, but we have a small kitchen right now, | 0:12:19 | 0:12:22 | |
and we can work with a small kitchen | 0:12:22 | 0:12:23 | |
as long as you've got counter surface, | 0:12:23 | 0:12:25 | |
which there is enough counter surface, I think, | 0:12:25 | 0:12:28 | |
and you can have a sofa down here. | 0:12:28 | 0:12:30 | |
And yeah, it's fantastic. | 0:12:30 | 0:12:32 | |
Now, upstairs, a few bedrooms to choose from, let me show you. | 0:12:32 | 0:12:37 | |
Positive reactions to the space on offer so far. | 0:12:38 | 0:12:41 | |
Just off the kitchen is a handy utility room with built-in units, | 0:12:41 | 0:12:44 | |
and there's also a modern downstairs shower room. | 0:12:44 | 0:12:47 | |
An oak staircase leads past a bright half landing with floor-to-ceiling | 0:12:49 | 0:12:53 | |
windows to the upstairs, where the theme continues. | 0:12:53 | 0:12:56 | |
At the back of the house is a spacious dual-aspect bedroom, | 0:12:56 | 0:12:59 | |
which could be theirs, | 0:12:59 | 0:13:01 | |
followed by two other bright doubles and a separate shower room. | 0:13:01 | 0:13:06 | |
We're exploring another option for a master bedroom at the front of the | 0:13:06 | 0:13:09 | |
house. And you get a family sized bathroom as part of the master suite, | 0:13:09 | 0:13:13 | |
separate bath and shower and loo, so it's big. | 0:13:13 | 0:13:16 | |
It's nice and light, isn't it? | 0:13:16 | 0:13:17 | |
-Great for Lilith. -It's suck it and see, isn't it? | 0:13:17 | 0:13:19 | |
-No, absolutely. -Just cos it's en suite doesn't mean | 0:13:19 | 0:13:21 | |
-you have to use it as your master bedroom, does it? -No. | 0:13:21 | 0:13:24 | |
Yeah, when she's older, that's a very good point, | 0:13:24 | 0:13:27 | |
she can have her own space, her own bathroom. | 0:13:27 | 0:13:30 | |
Teenage girl - mess! | 0:13:30 | 0:13:33 | |
Let's go and have a look at the garden, | 0:13:33 | 0:13:34 | |
cos I imagine that's kind of make or break now, isn't it? | 0:13:34 | 0:13:37 | |
Yes, it is. | 0:13:37 | 0:13:39 | |
Moving every couple of years, | 0:13:39 | 0:13:41 | |
this couple are used to making a house work for them, | 0:13:41 | 0:13:43 | |
which bodes well for our search. | 0:13:43 | 0:13:46 | |
Outside, Paddy would have his garage or workshop space alongside the house, | 0:13:46 | 0:13:50 | |
where the steps lead up to the tiered garden. | 0:13:50 | 0:13:52 | |
There's a paved terrace with raised beds and a second level with a small | 0:13:54 | 0:13:58 | |
pond and entertaining area. | 0:13:58 | 0:14:00 | |
It's up here that we really see the benefit of this property's hillside | 0:14:00 | 0:14:03 | |
setting, as the garden's elevated position | 0:14:03 | 0:14:06 | |
makes the most of the fantastic views. | 0:14:06 | 0:14:10 | |
Look at that! | 0:14:10 | 0:14:11 | |
-Wow, it's lovely up here, isn't it? -Isn't it?! | 0:14:11 | 0:14:14 | |
But it's where these views are as well, | 0:14:14 | 0:14:15 | |
you seem to be getting the best of both worlds, aren't you? | 0:14:15 | 0:14:18 | |
-Well, it's perfect, isn't it? -Because it's what, | 0:14:18 | 0:14:20 | |
a mile and half outside of Church Stretton? | 0:14:20 | 0:14:22 | |
-You couldn't wish for a better location. -So how much would you pay... | 0:14:22 | 0:14:25 | |
-Oh, gosh. -For this perfect location and this house? | 0:14:25 | 0:14:28 | |
I reckon it's about 425. | 0:14:28 | 0:14:30 | |
I don't think it's as much as that. | 0:14:30 | 0:14:32 | |
I would say £380,000? | 0:14:32 | 0:14:38 | |
This home is on the market for £475,000. | 0:14:38 | 0:14:44 | |
-Wow. OK. -Right at the top of your budget. | 0:14:44 | 0:14:46 | |
It doesn't need any work doing to it. It's only cosmetic. | 0:14:46 | 0:14:49 | |
I think you should have a bit of time here, | 0:14:49 | 0:14:51 | |
start to think about what life would be like here as a family. | 0:14:51 | 0:14:54 | |
Go and have a look around and I will catch you later on. See you in a mo. | 0:14:54 | 0:14:58 | |
-Lovely. -After you, sweetheart. | 0:14:58 | 0:14:59 | |
Bang on budget, these converted workers cottages make a characterful | 0:15:00 | 0:15:04 | |
four-bedroom home with a large kitchen, | 0:15:04 | 0:15:07 | |
a workshop for Paddy and a garden with ready-made | 0:15:07 | 0:15:10 | |
raised beds and a pond. | 0:15:10 | 0:15:12 | |
A big plus is that it's just a mile and a half from Church Stretton. | 0:15:12 | 0:15:16 | |
The fact that we've got raised beds already is great but I think I would | 0:15:16 | 0:15:21 | |
probably put all of this to turf and then have a nice, big lawned area. | 0:15:21 | 0:15:25 | |
And you do like mowing the lawn, don't you? | 0:15:25 | 0:15:27 | |
It's square, which means the lines would be good, | 0:15:27 | 0:15:30 | |
I've got no worries about mowing this lawn. | 0:15:30 | 0:15:32 | |
I really like the kitchen area and that it opens into the little snug, | 0:15:32 | 0:15:37 | |
I think that would be a really warm family environment. | 0:15:37 | 0:15:40 | |
The garden, it's not my perfect garden but with a little bit of change | 0:15:40 | 0:15:44 | |
-it could work. -I like the fact it's quirky, it's set into the hill, | 0:15:44 | 0:15:48 | |
it's on a number of levels, | 0:15:48 | 0:15:50 | |
but those levels have been really well thought out and you also get the | 0:15:50 | 0:15:54 | |
benefits of the view across the valley. | 0:15:54 | 0:15:56 | |
Ultimately there might need to be a compromise because we need to live in | 0:15:56 | 0:15:59 | |
the location that's important to us and this is the perfect location. | 0:15:59 | 0:16:03 | |
There is a lot of positives here but it would be a lovely place to live. | 0:16:03 | 0:16:07 | |
How did you get on? | 0:16:07 | 0:16:08 | |
Great, really good. | 0:16:08 | 0:16:10 | |
Thank you. I think it's a good first start, | 0:16:10 | 0:16:12 | |
hopefully something to think about. | 0:16:12 | 0:16:13 | |
-Onto the next one? -Let's go. | 0:16:13 | 0:16:15 | |
As Phaedra and Paddy want to adopt a more self-sufficient lifestyle when they | 0:16:22 | 0:16:26 | |
move to Shropshire, it seemed fitting for them to visit the Sunnycroft Estate, | 0:16:26 | 0:16:30 | |
a rare example of a late 19th-century suburban villa and mini estate on | 0:16:30 | 0:16:36 | |
the outskirts of Wellington. | 0:16:36 | 0:16:38 | |
Approached via an avenue of Wellingtonia trees, this former family home has | 0:16:38 | 0:16:42 | |
been preserved and managed by the National Trust since 1997. | 0:16:42 | 0:16:47 | |
Phaedra and Paddy are meeting conservation manager Catherine Turnbull. | 0:16:47 | 0:16:51 | |
It's a beautiful house you've got here, isn't it? | 0:16:51 | 0:16:55 | |
Sunnycroft is an amazing little property. The house was a late Victorian, | 0:16:55 | 0:16:58 | |
early Edwardian house that really copies what the landed gentry would have, | 0:16:58 | 0:17:03 | |
so it's a complete mini estate. | 0:17:03 | 0:17:05 | |
If you think about it, in the industrial time when there was more wealth | 0:17:05 | 0:17:09 | |
and people were becoming brewers, lawyers, doctors and so on in the town, | 0:17:09 | 0:17:13 | |
they wanted to live in the countryside so they would kind of edge out onto | 0:17:13 | 0:17:17 | |
the suburban edges. | 0:17:17 | 0:17:18 | |
So they built themselves a manor house. | 0:17:18 | 0:17:21 | |
-They certainly have. -That's great, isn't it? | 0:17:21 | 0:17:23 | |
Many of the Victorian and Edwardian middle classes aspired to be a class | 0:17:23 | 0:17:27 | |
above themselves. | 0:17:27 | 0:17:29 | |
By taking elements of a stately home, | 0:17:29 | 0:17:31 | |
replicating them on a smaller suburban plot, | 0:17:31 | 0:17:33 | |
they created their own country landscape. | 0:17:33 | 0:17:37 | |
It's a beautiful looking house. | 0:17:37 | 0:17:39 | |
Was it built in one go or has it been developed over time? | 0:17:39 | 0:17:42 | |
The first family actually built the house in the 1880s and then about 20 | 0:17:42 | 0:17:48 | |
years later there was a significant extension mainly to do with | 0:17:48 | 0:17:51 | |
entertaining and rising status within the community. | 0:17:51 | 0:17:55 | |
When the house was extended Sunnycroft's gardens were also developed, creating | 0:17:55 | 0:17:59 | |
defined areas mimicking that of a self-sufficient estate. | 0:17:59 | 0:18:03 | |
From the front veranda and croquet lawn for entertaining, to the essential | 0:18:03 | 0:18:07 | |
potting shed out the back with an extensive vegetable plot and | 0:18:07 | 0:18:10 | |
smallholding. Paddy and Phaedra are helping volunteer Glennis Quilliam tidy the beds in the | 0:18:10 | 0:18:16 | |
rose garden. | 0:18:16 | 0:18:18 | |
Glennis, the gardens look very original, are they authentic to the actual building? | 0:18:19 | 0:18:24 | |
Absolutely, that's part of the policy, | 0:18:24 | 0:18:25 | |
that it retains its initial layout and the feeling of it. | 0:18:25 | 0:18:32 | |
It's important to sort of preserve that level of history. | 0:18:32 | 0:18:35 | |
What's one of the biggest challenges then in maintaining these gardens? | 0:18:35 | 0:18:39 | |
This time of the year are the leaves. | 0:18:39 | 0:18:40 | |
You can see how many trees we've got. | 0:18:40 | 0:18:42 | |
The whole of the pathways are covered and over the last year there is | 0:18:42 | 0:18:45 | |
quite a lot of hedges and growth that has got out of sync with what it was like. | 0:18:45 | 0:18:53 | |
-Bringing it back to how it used to be? -Yeah, so there were photographs we found of the heights | 0:18:53 | 0:18:57 | |
of hedges etc, so those were cut back so again it's gone back to how it was. | 0:18:57 | 0:19:01 | |
-It's quite precise, then. -Yes, it's important. | 0:19:01 | 0:19:03 | |
Very authentic. Original height hedges. | 0:19:03 | 0:19:05 | |
It's really important to do that. | 0:19:05 | 0:19:07 | |
With a total plot of five and a half acres, | 0:19:07 | 0:19:10 | |
maintaining the gardens is down to the hard work of a team of around ten | 0:19:10 | 0:19:13 | |
volunteers, led by head gardener Joel Richards who is currently collecting | 0:19:13 | 0:19:18 | |
apples in the orchard. | 0:19:18 | 0:19:19 | |
Traditionally, Sunnycroft's apples would be pressed on site and the juice served to | 0:19:20 | 0:19:24 | |
guests sitting under the veranda overlooking the games on the lawn. | 0:19:24 | 0:19:28 | |
Today, visitors are actively encouraged to partake and enjoy the produce | 0:19:28 | 0:19:32 | |
-from the estate. -Right, turn the handle, yes? -Yeah. | 0:19:32 | 0:19:35 | |
There you go. | 0:19:35 | 0:19:37 | |
Any apples surplus to house requirements would have been sold locally at the | 0:19:37 | 0:19:41 | |
-market. -Just tighten this down. | 0:19:41 | 0:19:44 | |
And see if we can get a... | 0:19:44 | 0:19:46 | |
-Cup of juice. -Press. -Yeah. | 0:19:46 | 0:19:49 | |
-Wow, fresh apple juice. -I was going to say, looking forward to this. | 0:19:50 | 0:19:53 | |
Look at that. | 0:19:55 | 0:19:57 | |
There you go. | 0:19:59 | 0:20:00 | |
-Wow, that is really good. -Thanks. | 0:20:02 | 0:20:04 | |
-It is nice. -Oh, that's lovely. | 0:20:04 | 0:20:06 | |
Mm. | 0:20:06 | 0:20:07 | |
It looks like Phaedra and Paddy definitely have a taste for the | 0:20:08 | 0:20:11 | |
self-sufficient way of life, | 0:20:11 | 0:20:13 | |
hopefully their visit to Sunnycroft has provided inspiration for when they start | 0:20:13 | 0:20:16 | |
growing their own in their new garden here in Shropshire. | 0:20:16 | 0:20:20 | |
Mindful that outdoor space is a priority, our next property takes | 0:20:26 | 0:20:30 | |
Paddy and Phaedra a little out of their comfort zone. | 0:20:30 | 0:20:34 | |
Ditton Priors is 14 miles away from Church Stretton. | 0:20:34 | 0:20:37 | |
The village has a remote feel but is well served with a local shop, | 0:20:37 | 0:20:41 | |
butchers and a pub housed in a former vicarage dating back to the 18th century. | 0:20:41 | 0:20:46 | |
At its heart the 1100-year-old church retains architectural | 0:20:46 | 0:20:50 | |
features from the Norman period through to the Victorian era along with | 0:20:50 | 0:20:54 | |
14th century roof timbers. | 0:20:54 | 0:20:56 | |
Just two miles away, Brown Clee Hill is Shropshire's highest point and overlooks Ditton Priors from | 0:20:56 | 0:21:02 | |
a height of 540 metres. | 0:21:02 | 0:21:04 | |
The house we are seeing is right on the edge of the village. | 0:21:05 | 0:21:10 | |
-Right, now then, property number two, good-looking, right? -Very pretty. -Very pretty, yeah. | 0:21:10 | 0:21:16 | |
According to the owner, they thought... She thinks it dates back to around 1850, it looks that way. | 0:21:16 | 0:21:20 | |
Off-street car parking is here. | 0:21:20 | 0:21:22 | |
No garage for you as yet. | 0:21:22 | 0:21:24 | |
-Plenty of room, though. -Plenty of room to build one. | 0:21:24 | 0:21:27 | |
-What do you think? -Lovely. -It looks beautiful. | 0:21:27 | 0:21:30 | |
-Let's see what you think of it inside, shall we? -Of course, yeah. | 0:21:30 | 0:21:32 | |
This traditional detached stone cottage has been added to and altered over | 0:21:32 | 0:21:36 | |
the years to bring it into the 21st century | 0:21:36 | 0:21:39 | |
but has retained its character and charm. | 0:21:39 | 0:21:42 | |
We are starting our tour at the back of the property in the newest part | 0:21:42 | 0:21:45 | |
where we find what I would imagine would be the hub of the house. | 0:21:45 | 0:21:48 | |
OK. So a different kind of kitchen, | 0:21:50 | 0:21:53 | |
but I think perhaps more suitable maybe than the first place. | 0:21:53 | 0:21:56 | |
It's kind of exactly what I described. | 0:21:56 | 0:21:59 | |
-Good, good, good. -Sofa, dining room, lovely kitchen. | 0:21:59 | 0:22:03 | |
-Perfect. -A day room, isn't it? | 0:22:03 | 0:22:05 | |
-Perfect. -Yes. | 0:22:05 | 0:22:06 | |
-Perfect. -Nice and simple. -Spot-on. | 0:22:06 | 0:22:08 | |
-Keeping in character, it's nice. -Wouldn't even change the knobs on the cupboards. | 0:22:08 | 0:22:12 | |
OK, well, this bit of the house is sorted. | 0:22:12 | 0:22:14 | |
Let's see what you think of the rest of it. Thank you, sir. | 0:22:14 | 0:22:17 | |
Knowing that kitchen space is top of her list, I'm glad it's to Phaedra's taste. | 0:22:18 | 0:22:23 | |
Also at the back of the property is a useful boot room leading to the | 0:22:23 | 0:22:26 | |
garden. But we'll head to the original part of the property to explore the | 0:22:26 | 0:22:30 | |
main sitting room. | 0:22:30 | 0:22:31 | |
Right, then. Well, you said to me you wanted a bit more of a snug. | 0:22:32 | 0:22:35 | |
Wow, yeah, that's snug, isn't it? | 0:22:35 | 0:22:37 | |
That's lovely. Look at that. | 0:22:37 | 0:22:38 | |
That really is lovely. Even the beams painted white, | 0:22:38 | 0:22:41 | |
is exactly what I would do with them. | 0:22:41 | 0:22:42 | |
I'm not into dark beams at all, that's beautiful, really lovely. | 0:22:42 | 0:22:46 | |
-Do you actually live here already? -Yes. How did you know? | 0:22:46 | 0:22:48 | |
Designed it all myself. | 0:22:49 | 0:22:51 | |
Now, one particular element of this property where it has an advantage maybe | 0:22:51 | 0:22:55 | |
over the first house, is bedroom four is on the ground floor. | 0:22:55 | 0:22:59 | |
-Across that hallway. -Right. | 0:22:59 | 0:23:02 | |
And it also has a door going through to its very own en suite, | 0:23:02 | 0:23:05 | |
loo and shower and basin. | 0:23:05 | 0:23:07 | |
-That's nice. -That would be a nice touch. | 0:23:07 | 0:23:09 | |
I mean, we've already talked about parents staying. | 0:23:09 | 0:23:12 | |
-Yeah. -Struggling with stairs. | 0:23:12 | 0:23:14 | |
So far on the ground floor, pretty good. | 0:23:14 | 0:23:17 | |
Let me take you up one of the two staircases. | 0:23:17 | 0:23:20 | |
-Oh, lovely. -Right. -Thank you, sir. | 0:23:20 | 0:23:23 | |
The staircase at the front of the house leads to an upstairs landing with | 0:23:24 | 0:23:28 | |
access to two of the bedrooms. | 0:23:28 | 0:23:29 | |
Both are bright doubles, | 0:23:30 | 0:23:32 | |
one with a feature fire place, | 0:23:32 | 0:23:33 | |
as well as a recently re-fitted family bathroom. | 0:23:33 | 0:23:37 | |
But we're heading up a second set of stairs to the rear of the property | 0:23:37 | 0:23:40 | |
to take a look at the largest of the bedrooms. | 0:23:40 | 0:23:44 | |
Now, this set of stairs leads to the master suite. | 0:23:44 | 0:23:48 | |
Good size en suite there. | 0:23:48 | 0:23:50 | |
A bit of storage. And then this bedroom, it's an absolute treat. | 0:23:50 | 0:23:54 | |
-Twin aspect. -That's lovely and bright, isn't it? | 0:23:54 | 0:23:57 | |
-Yeah. -Goodness! | 0:23:57 | 0:23:58 | |
Although I'm not sure you're going to get to use this, | 0:23:58 | 0:24:01 | |
are you? | 0:24:01 | 0:24:02 | |
Because you're separated from the other bedrooms here and you've got a | 0:24:02 | 0:24:05 | |
-four-year-old daughter. -Right. | 0:24:05 | 0:24:07 | |
-OK. -So, | 0:24:07 | 0:24:09 | |
would you want to be more accessible to your daughter at the moment? | 0:24:09 | 0:24:12 | |
Yeah. You can't knock through or anything? | 0:24:12 | 0:24:14 | |
-If you knock through, you'd knock through that way... -To the second staircase. | 0:24:14 | 0:24:17 | |
..and then you'd lose the other set of stairs, which isn't a problem, | 0:24:17 | 0:24:20 | |
it would just be a bit more engineering, that's all. | 0:24:20 | 0:24:22 | |
-Something to think about, isn't it? -No. Absolutely. -OK. | 0:24:22 | 0:24:25 | |
Let's keep looking round. Maybe start thinking about price. | 0:24:25 | 0:24:28 | |
OK. | 0:24:28 | 0:24:30 | |
Outside, the property sits on a substantial quarter acre plot. | 0:24:30 | 0:24:34 | |
There's a large level lawn for Lilith to run around and plenty of space | 0:24:34 | 0:24:37 | |
for chickens to roam. | 0:24:37 | 0:24:39 | |
For entertaining, there's a patio area just off the kitchen | 0:24:39 | 0:24:43 | |
and a brand-new summer house, complete with built-in bar, | 0:24:43 | 0:24:46 | |
which also doubles as a games room. | 0:24:46 | 0:24:48 | |
-Perfect. -Perfect. -Sorry, I keep saying that, don't I? | 0:24:50 | 0:24:53 | |
-You know, you keep saying "perfect," I'm going to make you buy a house. -I know! I've got quite a feeling. | 0:24:53 | 0:24:57 | |
-What do you think, Paddy? -Well, clearly no garage at the moment. | 0:24:57 | 0:25:01 | |
-Correct. -But there is enough space, I think, | 0:25:01 | 0:25:05 | |
certainly to build a single garage. | 0:25:05 | 0:25:09 | |
If not, you'll be wheeling your bikes in there. | 0:25:09 | 0:25:11 | |
I was going to say, otherwise I just put a ramp up that step. | 0:25:11 | 0:25:13 | |
Now, you've got to try and put a price on this particular property. | 0:25:13 | 0:25:17 | |
Who's going first? | 0:25:17 | 0:25:19 | |
You can go first this time. | 0:25:19 | 0:25:20 | |
Go on, then. | 0:25:20 | 0:25:21 | |
Clearly, I was rubbish the first time. | 0:25:21 | 0:25:23 | |
-So, we'll go for £425,000. -OK. | 0:25:23 | 0:25:29 | |
£445,000. | 0:25:31 | 0:25:32 | |
Right. | 0:25:32 | 0:25:33 | |
Good. This house is on the market for offers in excess of £425,000. | 0:25:34 | 0:25:40 | |
-Right. -Have a whistle around here first, though. | 0:25:40 | 0:25:43 | |
All right? See you in a bit. | 0:25:43 | 0:25:45 | |
Comfortably within budget, | 0:25:46 | 0:25:48 | |
this stone cottage has been sympathetically converted | 0:25:48 | 0:25:51 | |
to create a balance | 0:25:51 | 0:25:52 | |
of bright, modern living spaces, and attractive character features. | 0:25:52 | 0:25:56 | |
It has four bedrooms, | 0:25:56 | 0:25:58 | |
the kitchen of Phaedra's dreams and a large garden. | 0:25:58 | 0:26:02 | |
It's in a village they're not familiar with, | 0:26:02 | 0:26:03 | |
but offers them more space for their money. | 0:26:03 | 0:26:06 | |
Oh, wow! Look at that, triple aspect. | 0:26:08 | 0:26:11 | |
That's fantastic, isn't it? | 0:26:11 | 0:26:13 | |
Gosh! I walked into the kitchen and looked around and I was like, yes, | 0:26:13 | 0:26:18 | |
this is my kitchen. This is the kitchen I would build if I was to build a | 0:26:18 | 0:26:21 | |
kitchen. The living room's lovely and snug. | 0:26:21 | 0:26:24 | |
It's me and Paddy to a T, it's exactly what we were looking for. | 0:26:24 | 0:26:28 | |
I do like the styling. I mean it has got character in spades, without a doubt. | 0:26:28 | 0:26:32 | |
I think Phaedra and Lilith will be very happy living here. | 0:26:32 | 0:26:34 | |
It's very hard to find any fault with it, | 0:26:34 | 0:26:38 | |
apart from the fact that it's not in Church Stretton, | 0:26:38 | 0:26:40 | |
but that may not be quite so important to me as it is to Phaedra. | 0:26:40 | 0:26:44 | |
What we need to decide, and to be honest it's what I need to decide, | 0:26:44 | 0:26:47 | |
because Paddy's away such a lot of the time, is where I'm going to | 0:26:47 | 0:26:50 | |
compromise, whether it will be the location or the property. | 0:26:50 | 0:26:53 | |
-So, all done inside? -Yes. | 0:26:55 | 0:26:57 | |
-Yes, thank you. -Brilliant. | 0:26:57 | 0:26:58 | |
Not tempted to just have a couple in that bar? | 0:26:58 | 0:27:00 | |
-If you're offering? -No. | 0:27:00 | 0:27:02 | |
-I think I'll find a pub for that. Let's go. -OK. | 0:27:02 | 0:27:04 | |
It's the second day of our Shropshire property search with Phaedra and Paddy, | 0:27:15 | 0:27:19 | |
who, after more than a decade abroad, are returning to their roots to be | 0:27:19 | 0:27:22 | |
near family. So far they've seen two great properties for their £475,000 budget. | 0:27:22 | 0:27:29 | |
But still to come, | 0:27:29 | 0:27:30 | |
our Mystery House throws a spanner in the works... | 0:27:30 | 0:27:33 | |
I can feel the wheels grinding to a slight halt here. | 0:27:33 | 0:27:37 | |
For me, I wouldn't say that is the case. | 0:27:38 | 0:27:40 | |
Good. I've always liked you, Paddy. | 0:27:40 | 0:27:42 | |
..and it's out of the frying pan and into the fire. | 0:27:42 | 0:27:45 | |
Goodness me, it melts quick, doesn't it? | 0:27:45 | 0:27:47 | |
Yes. Come back a bit. | 0:27:47 | 0:27:48 | |
Keep your rod in. | 0:27:48 | 0:27:50 | |
As I found out how these bespoke bicycles are built to last. | 0:27:50 | 0:27:54 | |
Now, today we're off to see the Mystery House, which is always fun, | 0:27:59 | 0:28:02 | |
but often represents a challenge to our buyers and today is no different. | 0:28:02 | 0:28:06 | |
They'll have to think laterally, | 0:28:06 | 0:28:08 | |
not only about the location of the property, but also the lay of the land. | 0:28:08 | 0:28:13 | |
Let's see how we go. | 0:28:13 | 0:28:14 | |
The furthest north of all of our properties, our Mystery House | 0:28:16 | 0:28:19 | |
takes us to the village of Grinshill, | 0:28:19 | 0:28:20 | |
seven miles from the county town of Shrewsbury. | 0:28:20 | 0:28:23 | |
Set beneath the wooded slopes of Grinshill, | 0:28:24 | 0:28:27 | |
the conservation village by the same name is home to a highly-regarded | 0:28:27 | 0:28:30 | |
Grade II listed family-run inn, with an acclaimed restaurant. | 0:28:30 | 0:28:35 | |
Scattered across the village are a number of distinctive red brick | 0:28:35 | 0:28:38 | |
buildings, constructed from local Grinshill sandstone. | 0:28:38 | 0:28:41 | |
Known for its durability, | 0:28:43 | 0:28:45 | |
it's been used to build a number of notable buildings across Britain, | 0:28:45 | 0:28:48 | |
including Chequers, the Prime Minister's residence in Buckinghamshire, | 0:28:48 | 0:28:52 | |
as well as our Mystery House, just around the corner. | 0:28:52 | 0:28:55 | |
Right, then. Our Mystery House. | 0:28:57 | 0:28:59 | |
This is something a bit different for you. | 0:28:59 | 0:29:01 | |
-Isn't it? -It's semidetached, which is kind of part of the mystery. | 0:29:01 | 0:29:04 | |
-First impressions? -Beautiful, isn't it? It's proper chocolate box. | 0:29:04 | 0:29:07 | |
Yeah, I think it is, isn't it? | 0:29:07 | 0:29:08 | |
Really lovely. A beautiful location. | 0:29:08 | 0:29:11 | |
The properties that you see are all built out of this local stone. | 0:29:11 | 0:29:14 | |
There's still an active quarry nearby. | 0:29:14 | 0:29:17 | |
-Sandstone. -Oddly enough, | 0:29:17 | 0:29:18 | |
it's actually a barn conversion it looks nothing like a converted barn | 0:29:18 | 0:29:21 | |
because they levelled it and used the stones, | 0:29:21 | 0:29:23 | |
they refurbished the stones and spun them around to face out this way and | 0:29:23 | 0:29:27 | |
then rebuilt them as houses. | 0:29:27 | 0:29:29 | |
Right. They've done a fantastic job. | 0:29:29 | 0:29:31 | |
-It looks in good order again. -Do you want to go inside? -Yes. -We'd love to. | 0:29:31 | 0:29:34 | |
Good, good. Come with me. | 0:29:34 | 0:29:36 | |
Converted 35 years ago, | 0:29:36 | 0:29:38 | |
our Mystery House is the only attached property I've shown Paddy and Phaedra | 0:29:38 | 0:29:42 | |
and it's effectively a brand-new old property, | 0:29:42 | 0:29:45 | |
delivering some impressive living spaces. | 0:29:45 | 0:29:47 | |
OK, small vestibule, straight into our kitchen-diner. | 0:29:50 | 0:29:54 | |
-Wow. -Mm! -That's huge. | 0:29:54 | 0:29:57 | |
That is more cupboards than you'd ever need in your lifetime, isn't it? | 0:29:57 | 0:30:00 | |
-Yeah, I think so. -I'm sure we'll fill them, honey. | 0:30:00 | 0:30:04 | |
I'd probably lose that little bit of sticky out breakfast counter. | 0:30:04 | 0:30:08 | |
Would you not be tempted to lose all that kitchen stuff? | 0:30:08 | 0:30:11 | |
You've got loads of cupboard here, loads of cupboard there. | 0:30:11 | 0:30:13 | |
Yeah, yeah. That was the first thing I thought, actually. | 0:30:13 | 0:30:16 | |
You don't need any of that. | 0:30:16 | 0:30:17 | |
Then you could have a nice corner sofa or something there. | 0:30:17 | 0:30:21 | |
-Yeah. -Let's keep looking through. | 0:30:21 | 0:30:22 | |
Come with me. | 0:30:22 | 0:30:25 | |
The use of reclaimed materials has given this property masses of | 0:30:25 | 0:30:28 | |
character, but with all the practicalities of a modern home. | 0:30:28 | 0:30:31 | |
Also on the ground floor is a study, or possible playroom for Lilith, | 0:30:32 | 0:30:36 | |
a well presented double bedroom and bathroom, | 0:30:36 | 0:30:39 | |
and a large family sitting room, | 0:30:40 | 0:30:41 | |
complete with exposed brick fireplace and wood-burning stove. | 0:30:41 | 0:30:45 | |
That really is amazing. | 0:30:46 | 0:30:47 | |
-That's really special. -Puts out some heat, that big burner, doesn't it? | 0:30:47 | 0:30:51 | |
-Yeah. I know you like wood burners as well. -I do, yeah. -I love the space. | 0:30:51 | 0:30:54 | |
The floor, I do like solid floors downstairs. | 0:30:54 | 0:30:58 | |
When people have already done a house in the same style you think | 0:30:58 | 0:31:00 | |
you would do it, it makes it an awful lot easier to see how you would live in it. | 0:31:00 | 0:31:04 | |
Yeah. Shall I show you something upstairs? | 0:31:04 | 0:31:05 | |
Yes, please. | 0:31:05 | 0:31:07 | |
Although properties can always be adapted, | 0:31:09 | 0:31:11 | |
the fact that Phaedra openly likes the interior decor of this one is an | 0:31:11 | 0:31:14 | |
extremely positive sign. | 0:31:14 | 0:31:17 | |
Upstairs, there are two further large double bedrooms and one smaller but | 0:31:17 | 0:31:21 | |
perfectly formed, sharing the use of a separate shower room. | 0:31:21 | 0:31:24 | |
Up on this level we've got three double bedrooms. | 0:31:26 | 0:31:29 | |
Decent sizes as well. | 0:31:29 | 0:31:31 | |
-Yeah? -No wardrobes? | 0:31:31 | 0:31:33 | |
Well, that's because you've got a wardrobe there, a walk-in wardrobe. | 0:31:33 | 0:31:37 | |
I know you like the idea of a project, but this is bang, it's done. | 0:31:37 | 0:31:41 | |
Is that attractive to you or do you want to put your own stamp on somewhere? | 0:31:41 | 0:31:44 | |
No, it's lovely, isn't it? | 0:31:44 | 0:31:45 | |
It's clean and tidy. | 0:31:45 | 0:31:47 | |
I think we could always put our mark on it eventually. | 0:31:47 | 0:31:49 | |
But to not have to do it straightaway is always a bonus. | 0:31:49 | 0:31:55 | |
So, could you live in this house so far? | 0:31:55 | 0:31:57 | |
Yes, definitely. | 0:31:57 | 0:31:59 | |
Granted, it's attached, but there is space in abundance inside. | 0:31:59 | 0:32:03 | |
But as we head outside, | 0:32:03 | 0:32:05 | |
one of the challenges of our Mystery House comes into play. | 0:32:05 | 0:32:08 | |
There's a double garage for Paddy and a lawned garden to the front. | 0:32:08 | 0:32:12 | |
A gravel path leads from the back door to a plot at the rear, | 0:32:12 | 0:32:15 | |
where there's an enclosed vegetable garden. | 0:32:15 | 0:32:18 | |
I was worried that this chat about you wanting to grow vegetables, | 0:32:20 | 0:32:25 | |
it was going to turn into some sort of fluffy garden. | 0:32:25 | 0:32:27 | |
So I've managed to find you something that is just a work area. | 0:32:27 | 0:32:31 | |
Yeah, see that. | 0:32:31 | 0:32:32 | |
In true Mystery House style, it's unconventional space. | 0:32:34 | 0:32:37 | |
Yeah. It's just not a very big space. | 0:32:37 | 0:32:40 | |
I can feel the wheels grinding to a slight halt here. | 0:32:40 | 0:32:44 | |
For me, I wouldn't say that is the case. | 0:32:44 | 0:32:46 | |
Good. I've always liked you, Paddy. | 0:32:46 | 0:32:48 | |
Because there is clearly some space here which hasn't been utilised for | 0:32:48 | 0:32:53 | |
a long time. | 0:32:53 | 0:32:55 | |
If we are in a position to do a deal for that space as well, | 0:32:55 | 0:32:59 | |
then all of a sudden this is magnificent. | 0:32:59 | 0:33:03 | |
-Now we are thinking laterally, aren't we? -Yep. | 0:33:03 | 0:33:05 | |
Taking stock of the internal proportions of this Mystery House, | 0:33:06 | 0:33:10 | |
we are heading round to the front to take a view on what the price could | 0:33:10 | 0:33:13 | |
be. Well, how much do you think this Mystery House is on the market for? | 0:33:13 | 0:33:18 | |
I think it's probably around top budget. | 0:33:18 | 0:33:20 | |
But I'm going to be a little bit optimistic. | 0:33:20 | 0:33:23 | |
About 455. | 0:33:23 | 0:33:26 | |
-Paddy? -I would say £430,000. | 0:33:26 | 0:33:31 | |
The asking price for this house is offers in the region | 0:33:31 | 0:33:34 | |
of £375,000. | 0:33:35 | 0:33:38 | |
Well, we'll have to get the estate agent's number. | 0:33:38 | 0:33:41 | |
-Really? -And I need to knock on the door of a neighbour. | 0:33:41 | 0:33:45 | |
-Good. Interesting. -That is a result. | 0:33:45 | 0:33:48 | |
£100,000 under budget, | 0:33:48 | 0:33:50 | |
this Mystery House is the cheapest of our three properties, | 0:33:50 | 0:33:53 | |
but has four double bedrooms and a large family kitchen and workshop space | 0:33:53 | 0:33:58 | |
that Paddy and Phaedra asked for. | 0:33:58 | 0:34:00 | |
It's in a quiet village with a good primary school nearby. | 0:34:00 | 0:34:04 | |
The unconventional garden space could be an issue, | 0:34:04 | 0:34:07 | |
but the fact that they are willing to explore options to extend the | 0:34:07 | 0:34:10 | |
plot means it might still be in the running. | 0:34:10 | 0:34:13 | |
-That's pretty, isn't it? -It is. | 0:34:16 | 0:34:17 | |
Plenty of wardrobes in this one. | 0:34:17 | 0:34:19 | |
These are mine. You can have the other. | 0:34:20 | 0:34:22 | |
Well, clearly. I'll have a drawer somewhere, that's fine. | 0:34:22 | 0:34:26 | |
It's absolutely the perfect sized home for us as a family. | 0:34:26 | 0:34:30 | |
It envelops itself around us and it feels exactly where we would want to be. | 0:34:30 | 0:34:34 | |
We could move in tomorrow and the house would be fine. | 0:34:34 | 0:34:37 | |
It's got the large kitchen, | 0:34:37 | 0:34:38 | |
we also have enough rooms downstairs so Lilith can have her own playroom. | 0:34:38 | 0:34:43 | |
The main doubt is the garden. | 0:34:43 | 0:34:45 | |
For me, it's kind of essential we have a patch of grass at the back of the | 0:34:45 | 0:34:49 | |
house where I can see Lilith playing and that the garden is attached to | 0:34:49 | 0:34:54 | |
-the house. -How are you getting on? | 0:34:54 | 0:34:56 | |
Are you starting to muddle things through in your mind? | 0:34:56 | 0:34:58 | |
-Definitely. Yep. -OK, let's find you somewhere to sit down and chat things through, | 0:34:58 | 0:35:01 | |
and then we'll meet up and have a discussion after that, yeah? | 0:35:01 | 0:35:04 | |
-Great. -Fantastic. | 0:35:04 | 0:35:05 | |
Shropshire is historically renowned for its iron production. | 0:35:10 | 0:35:14 | |
It was in the village of Coalbrookdale, | 0:35:14 | 0:35:16 | |
within the world-renowned Ironbridge Gorge World Heritage Site, | 0:35:16 | 0:35:19 | |
along the Severn Valley, where in the early 18th century, | 0:35:19 | 0:35:22 | |
Abraham Derby perfected the technique of using coal to smelt iron. | 0:35:22 | 0:35:27 | |
This began the tradition of iron making in the area, | 0:35:27 | 0:35:30 | |
dubbing it the birthplace of the Industrial Revolution. | 0:35:30 | 0:35:33 | |
It was his grandson who built the world's first arch bridge, | 0:35:33 | 0:35:37 | |
constructed of cast iron, across the River Severn in 1779. | 0:35:37 | 0:35:41 | |
I've come to the area to find out about an altogether more modern industry | 0:35:43 | 0:35:46 | |
and one of particular interest to me. | 0:35:46 | 0:35:49 | |
Peter Bird and his business partner, Robert Wade, | 0:35:49 | 0:35:51 | |
have been handbuilding bespoke steel bicycle frames from their workshop | 0:35:51 | 0:35:54 | |
in Coalport for over 30 years. | 0:35:54 | 0:35:57 | |
Peter. Great to meet you. | 0:36:00 | 0:36:01 | |
Thank you so much for meeting me today. | 0:36:01 | 0:36:03 | |
Boy in a sweet shop? | 0:36:03 | 0:36:05 | |
Indeed. | 0:36:05 | 0:36:06 | |
One of the best sweet shops. | 0:36:06 | 0:36:08 | |
These are all handmade, all bespoke made? | 0:36:08 | 0:36:10 | |
All handmade in the Ironbridge Gorge. | 0:36:10 | 0:36:12 | |
They are bespoke in the true sense of the word here, aren't they, | 0:36:12 | 0:36:15 | |
I mean, everything you can change, you can alter by the looks of it? | 0:36:15 | 0:36:20 | |
Yeah, 60% of your bike should be a fit. | 0:36:20 | 0:36:22 | |
We are building the frame to you, | 0:36:22 | 0:36:25 | |
rather than you playing with bits to get you to fit the bike. | 0:36:25 | 0:36:27 | |
You're placed on this sizer. | 0:36:27 | 0:36:29 | |
And this sizer means everything moves. | 0:36:29 | 0:36:31 | |
We have crank change lengths here, we have angles of change on the seats. | 0:36:31 | 0:36:36 | |
That would be proportionate to where the pedals are, reach and height. | 0:36:36 | 0:36:39 | |
You'll see the handle at the end which allows us to balance you on the | 0:36:39 | 0:36:43 | |
bike at the end. By winding you in and out, | 0:36:43 | 0:36:45 | |
we're actually moving your body weight. | 0:36:45 | 0:36:47 | |
Very fine tuning. | 0:36:47 | 0:36:48 | |
But that fine tuning can be as small as five millimetres, | 0:36:48 | 0:36:51 | |
but it's enough for you to feel it. | 0:36:51 | 0:36:53 | |
Over 100 or so miles, though, | 0:36:53 | 0:36:55 | |
those couple of millimetres feel like metres in the end, don't they? | 0:36:55 | 0:37:00 | |
This is artisan level craftsmanship. | 0:37:00 | 0:37:03 | |
Unlike the mass-produced bicycle market, | 0:37:03 | 0:37:05 | |
so much work goes into each handmade frame, they make only 10-12 a year. | 0:37:05 | 0:37:11 | |
Peter's invited me into the workshop to show me the brazing process used | 0:37:11 | 0:37:15 | |
to join the steel frame. | 0:37:15 | 0:37:17 | |
We're going to get you to braze a fork up. | 0:37:17 | 0:37:19 | |
There's a fork blade. | 0:37:19 | 0:37:21 | |
-It's already shaped. -Yes. -And we're going to attach the road end | 0:37:21 | 0:37:26 | |
into there. | 0:37:26 | 0:37:29 | |
And we're going to braze that together. | 0:37:29 | 0:37:30 | |
-I imagine I'll put these on, shall I? -We need to put those on. -First, | 0:37:30 | 0:37:33 | |
Peter adds a flux solution to cleanse and to aid the flow of brass during | 0:37:33 | 0:37:37 | |
-heating. -We'll tap that. | 0:37:37 | 0:37:39 | |
It has to be an interference fit, so that's what we're doing here. | 0:37:39 | 0:37:43 | |
Then we're actually going to | 0:37:43 | 0:37:46 | |
put it into the vice, in that position. | 0:37:47 | 0:37:50 | |
So, I'll light up the torch. | 0:37:50 | 0:37:52 | |
Unlike welding, which is a faster, | 0:37:52 | 0:37:54 | |
cheaper and therefore more commonly used technique, | 0:37:54 | 0:37:57 | |
brazing involves melting a bronze or silver rod into the metal, | 0:37:57 | 0:38:01 | |
acting as a filler to join the two pieces. | 0:38:01 | 0:38:03 | |
It's a more labour-intensive process, | 0:38:03 | 0:38:05 | |
but creates a neater joint that's just as strong. | 0:38:05 | 0:38:09 | |
You can see it's like fluid. | 0:38:09 | 0:38:11 | |
It's like water. What's happening is the brass is going inside, | 0:38:11 | 0:38:14 | |
-into the plug. -It's leaking in there, and then | 0:38:14 | 0:38:16 | |
as it gets into the part of the steel that's cold, like candle wax, | 0:38:16 | 0:38:19 | |
-it'll solidify. -That's exactly it. | 0:38:19 | 0:38:21 | |
That's exactly the process. | 0:38:21 | 0:38:23 | |
There we go. So we just move round to the other side, | 0:38:23 | 0:38:25 | |
just to finish off this. | 0:38:25 | 0:38:27 | |
Then I'll give you the torch to hold. | 0:38:27 | 0:38:30 | |
Thank you, sir. | 0:38:30 | 0:38:31 | |
By choosing to use steel, | 0:38:32 | 0:38:33 | |
Peter's frames deliver a balance of efficient ride output and shock | 0:38:33 | 0:38:37 | |
absorption, making them perfect for Britain's bumpy roads. | 0:38:37 | 0:38:42 | |
Goodness me, it melts quick, doesn't it? | 0:38:42 | 0:38:44 | |
Come back a bit. Keep your rod in. | 0:38:44 | 0:38:46 | |
For those wanting to learn the process, | 0:38:46 | 0:38:48 | |
Peter runs five-day courses where enthusiasts can build their own bespoke | 0:38:48 | 0:38:52 | |
-frame. -You are done, sir. | 0:38:52 | 0:38:54 | |
Am I done? Right, OK. | 0:38:54 | 0:38:56 | |
Unfortunately, I don't have five days, | 0:38:56 | 0:38:58 | |
but I do have five minutes for a test run. | 0:38:58 | 0:39:01 | |
Wheel out the beauty. | 0:39:01 | 0:39:03 | |
Take it for a spin, Jonnie | 0:39:05 | 0:39:07 | |
and enjoy that ride. | 0:39:07 | 0:39:08 | |
They might have been building bikes for 30 odd years, | 0:39:11 | 0:39:13 | |
but these guys are up-to-date with modern technology. | 0:39:13 | 0:39:16 | |
One of their most recent bikes has built-in Wi-Fi, | 0:39:16 | 0:39:19 | |
meaning you can change gear at the touch of a button without the need for | 0:39:19 | 0:39:23 | |
any cables. I'll tell you one thing, my bike has got a gel seat | 0:39:23 | 0:39:29 | |
and this feels infinitely more comfortable. | 0:39:29 | 0:39:33 | |
That is obviously down to the frame. Yeah. I've got to say, | 0:39:33 | 0:39:36 | |
it's been fascinating learning more about what you do here, | 0:39:36 | 0:39:39 | |
just seeing how a bespoke bike is made, | 0:39:39 | 0:39:41 | |
but also seeing just how you utilise this fantastic metal. | 0:39:41 | 0:39:45 | |
Before I go, can I have another try? Do you mind? | 0:39:45 | 0:39:47 | |
-Yeah, of course you can. -Thank you very much. -No problem. | 0:39:47 | 0:39:50 | |
Might take it on a bit of a longer route, if you don't mind. | 0:39:50 | 0:39:53 | |
Deserves a better ride, doesn't it? | 0:39:53 | 0:39:56 | |
It's fantastic to see that within the bones of these old industrial | 0:39:56 | 0:39:59 | |
buildings local trades continue to manufacture long-lasting products, | 0:39:59 | 0:40:04 | |
preserving the region's rich industrial heritage, | 0:40:04 | 0:40:07 | |
whilst moving with the times. | 0:40:07 | 0:40:09 | |
Time to get myself in gear and meet up with our buyers at the end of their | 0:40:09 | 0:40:13 | |
property finding journey. | 0:40:13 | 0:40:15 | |
I think we saw great reactions from Phaedra and Paddy in all three houses. | 0:40:18 | 0:40:22 | |
But for them, at least, | 0:40:22 | 0:40:24 | |
each one of those properties had its own compromise. | 0:40:24 | 0:40:27 | |
So, as it is, I'm not really sure where we stand. | 0:40:27 | 0:40:30 | |
So let's find out. | 0:40:30 | 0:40:31 | |
Now then, how we doing? | 0:40:36 | 0:40:38 | |
-Good. -Good? -Thank you, yeah. | 0:40:38 | 0:40:40 | |
You've had good reactions in all three of the houses, you really have. | 0:40:40 | 0:40:44 | |
There have been facets that I think have challenged you. | 0:40:44 | 0:40:48 | |
First house, with the terraced garden, but near... | 0:40:48 | 0:40:51 | |
well, as close to Church Stretton as you can get without being | 0:40:53 | 0:40:55 | |
in Church Stretton. The second house, well, | 0:40:55 | 0:40:58 | |
it was a great house and garden but you felt it was maybe a challenge with the | 0:40:58 | 0:41:01 | |
location. The Mystery House, I suppose the layout of the property. | 0:41:01 | 0:41:06 | |
-Have you got a favourite house? -We have definitely, the Mystery House. | 0:41:06 | 0:41:09 | |
Definitely Mystery House? Why? | 0:41:09 | 0:41:11 | |
Because it was perfect. | 0:41:11 | 0:41:13 | |
And even the location is... | 0:41:13 | 0:41:15 | |
You took us out of our comfort zone and you brought us to the other side | 0:41:15 | 0:41:18 | |
of Shrewsbury. | 0:41:18 | 0:41:20 | |
But we're still by a main trunk road, we're by a train station, | 0:41:20 | 0:41:23 | |
we're in a lovely little village with a nice pub, | 0:41:23 | 0:41:25 | |
near another village with a good school. | 0:41:25 | 0:41:27 | |
So, you know, you still tick the boxes even though we are away from | 0:41:27 | 0:41:30 | |
-Church Stretton. -It's clearly been made by very talented artisans. | 0:41:30 | 0:41:37 | |
It has all the benefits, all the character of an old house, | 0:41:37 | 0:41:39 | |
but it is bang up-to-date. | 0:41:39 | 0:41:41 | |
Everything is level and upright. | 0:41:41 | 0:41:43 | |
It had everything that we needed. | 0:41:43 | 0:41:45 | |
If we can get that bit of garden, then we will definitely make an offer. | 0:41:45 | 0:41:50 | |
If you get to approach the neighbour and try and buy that part of the land | 0:41:50 | 0:41:56 | |
-and they say no... -What do we do? | 0:41:56 | 0:41:59 | |
The Mystery House is then out of the game. | 0:41:59 | 0:42:01 | |
-Then what? -Well, we will keep looking in Church Stretton. | 0:42:02 | 0:42:06 | |
Yeah, I think that's your fallback plan. | 0:42:06 | 0:42:08 | |
-Definitely. -Well, I wish you the best of luck. | 0:42:08 | 0:42:10 | |
You found your favourite area, which is Church Stretton. But you've also, through the Mystery House, | 0:42:10 | 0:42:15 | |
you've found another area you can compare and contrast with. | 0:42:15 | 0:42:17 | |
Keep your eye on the market and see where it goes. | 0:42:17 | 0:42:19 | |
-Thank you for your help. -Good luck. -Thank you. -Thank you. | 0:42:19 | 0:42:22 | |
Well, we came pretty close with that Mystery House. | 0:42:25 | 0:42:28 | |
Although I do think it's a bit of a long shot to try and buy a bit of that | 0:42:28 | 0:42:32 | |
neighbour's garden. | 0:42:32 | 0:42:33 | |
I think it's much more likely that we see Phaedra and Paddy buying a house | 0:42:33 | 0:42:37 | |
either in or very close to Church Stretton. | 0:42:37 | 0:42:40 | |
That's clearly a town they both know and love. | 0:42:40 | 0:42:43 | |
But, either way, I wish them both the very best of luck and look forward | 0:42:43 | 0:42:47 | |
to finding out what happens next. | 0:42:47 | 0:42:49 | |
See you next time. | 0:42:49 | 0:42:50 | |
Paddy and Phaedra have made inquiries into purchasing extra neighbouring | 0:42:52 | 0:42:56 | |
land. In the meantime, their search continues. | 0:42:56 | 0:43:01 | |
If you would like to escape to the country in England, Scotland, | 0:43:01 | 0:43:04 | |
Northern Ireland or Wales and need our help, you can apply online at... | 0:43:04 | 0:43:08 |