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Welcome to Escape To The Country and this, | 0:00:02 | 0:00:04 | |
a quintessential view of the English landscape, | 0:00:04 | 0:00:06 | |
a beautiful village church overlooking its churchyard. | 0:00:06 | 0:00:09 | |
Now, this one is 800 years old. | 0:00:09 | 0:00:11 | |
Not in itself remarkable, but old enough nonetheless. | 0:00:11 | 0:00:15 | |
But its age is nothing in comparison to this beautiful yew tree which it | 0:00:15 | 0:00:20 | |
overlooks. So, how old do you think it is, and where are we? | 0:00:20 | 0:00:24 | |
Well, join me in just a moment and I'll tell you. | 0:00:24 | 0:00:26 | |
Today it's close family ties drawing a loving couple towards | 0:00:44 | 0:00:48 | |
the great British countryside and there are plenty of surprises | 0:00:48 | 0:00:51 | |
along the way. | 0:00:51 | 0:00:53 | |
-Ooh. -Now, this wasn't what you were expecting, was it? | 0:00:53 | 0:00:55 | |
-No. -No. | 0:00:55 | 0:00:57 | |
Some more welcome than others. | 0:00:57 | 0:01:00 | |
And I'd be your neighbour. | 0:01:00 | 0:01:01 | |
Upsides, downsides. | 0:01:01 | 0:01:03 | |
So, that's already put a hole in it, hasn't it? | 0:01:03 | 0:01:06 | |
You're never going to buy it! | 0:01:06 | 0:01:07 | |
Well, today we are in Herefordshire, | 0:01:10 | 0:01:12 | |
and this is the church of St Bartholomew in Much Marcle. | 0:01:12 | 0:01:16 | |
It was built about 1220, and has been serving the village ever since. | 0:01:16 | 0:01:20 | |
But its age is nothing in comparison to this beautiful yew tree which has | 0:01:20 | 0:01:25 | |
been here an awful lot longer. | 0:01:25 | 0:01:27 | |
Just how long? Well, get this. | 0:01:27 | 0:01:28 | |
They've just dated it to some 1,500 years old. | 0:01:28 | 0:01:33 | |
Nearly twice as old as the church itself. | 0:01:33 | 0:01:36 | |
That makes it one of the oldest living trees in England, | 0:01:36 | 0:01:40 | |
and with a whopping circumference of some ten metres, | 0:01:40 | 0:01:43 | |
also one of the largest. | 0:01:43 | 0:01:45 | |
The county of Herefordshire shares a border with Wales to the West | 0:01:49 | 0:01:52 | |
and three other English counties to the east. | 0:01:52 | 0:01:55 | |
The region is one of the most rural and sparsely populated in England, | 0:01:56 | 0:02:00 | |
with the River Wye gracefully winding through it. | 0:02:00 | 0:02:03 | |
The terrain here is largely given over to agriculture, | 0:02:03 | 0:02:06 | |
and is well-known for its fruit and cider production. | 0:02:06 | 0:02:10 | |
In the county town of Hereford, | 0:02:10 | 0:02:12 | |
the magnificent Grade I listed | 0:02:12 | 0:02:14 | |
cathedral is around a thousand years old. | 0:02:14 | 0:02:17 | |
Prior to that, it also lays claim to being the burial site of | 0:02:17 | 0:02:21 | |
King Ethelbert in the late eighth century. | 0:02:21 | 0:02:23 | |
Pilgrims flocked to see his relics, | 0:02:23 | 0:02:25 | |
and he was subsequently made a saint. | 0:02:25 | 0:02:28 | |
Another historic highlight of the county's architecture are the | 0:02:29 | 0:02:32 | |
distinctive timber-framed buildings. | 0:02:32 | 0:02:34 | |
Some particularly handsome examples | 0:02:34 | 0:02:36 | |
survive in the attractive village of Pembridge, | 0:02:36 | 0:02:39 | |
part of the North Herefordshire's Black And White Village Trail. | 0:02:39 | 0:02:42 | |
Another landmark here is the | 0:02:42 | 0:02:44 | |
medieval St Mary's Church with its | 0:02:44 | 0:02:46 | |
unusual detached belltower. | 0:02:46 | 0:02:48 | |
So, with its fine country scenery and rich architectural heritage, | 0:02:48 | 0:02:52 | |
Herefordshire possesses a wonderful charm for prospective escapees. | 0:02:52 | 0:02:57 | |
Well, you know, I have long been a fan of Herefordshire. | 0:03:01 | 0:03:03 | |
So much so, in fact, that for the last five years or so, | 0:03:03 | 0:03:06 | |
it's been my home, too. | 0:03:06 | 0:03:07 | |
So if you fancy life here on the borders, | 0:03:07 | 0:03:10 | |
well, here are some useful facts and | 0:03:10 | 0:03:12 | |
figures that can help you on your way. | 0:03:12 | 0:03:14 | |
Currently the average price of a detached property here is | 0:03:14 | 0:03:18 | |
just north of £310,000. That's some | 0:03:18 | 0:03:21 | |
£10,000 below the figure for the UK as a whole. | 0:03:21 | 0:03:25 | |
But if you want your money to go that little bit further, well, | 0:03:25 | 0:03:28 | |
my advice is to head over towards the border with Wales. | 0:03:28 | 0:03:31 | |
Basically, the further west you go, well, the cheaper it is. | 0:03:31 | 0:03:35 | |
But there is no getting away from the fact this is a beautiful county | 0:03:35 | 0:03:38 | |
full of culture and a real sense of identity. | 0:03:38 | 0:03:41 | |
Just the sort of things, of course, | 0:03:41 | 0:03:43 | |
that today's buyers are looking for, too. | 0:03:43 | 0:03:46 | |
Charity worker Diana and her | 0:03:47 | 0:03:49 | |
business consultant husband Jules met as | 0:03:49 | 0:03:51 | |
students, and over four decades later, they couldn't be closer. | 0:03:51 | 0:03:55 | |
She's a wonderful mother, wonderful friend, | 0:03:56 | 0:03:59 | |
best wife one could ever have. | 0:03:59 | 0:04:01 | |
He's lovely. | 0:04:01 | 0:04:03 | |
We met a long time ago, so we've been together a long time. | 0:04:03 | 0:04:07 | |
He's always been there and always supported the whole family. | 0:04:07 | 0:04:12 | |
But when their paths first crossed, | 0:04:12 | 0:04:13 | |
it wasn't in the most conventional of circumstances. | 0:04:13 | 0:04:17 | |
It was at a pyjama party at Leicester Polytechnic in 1974. | 0:04:17 | 0:04:23 | |
And it took a fair while, but three years later, we were engaged. | 0:04:23 | 0:04:28 | |
Five years later, we were married. | 0:04:28 | 0:04:31 | |
When Jules got a job in his hometown of Birmingham in 1976, | 0:04:31 | 0:04:35 | |
Diana moved to be with him, and they've been there ever since. | 0:04:35 | 0:04:38 | |
I'm a Brummie. | 0:04:38 | 0:04:40 | |
No, I've been here all my life. | 0:04:40 | 0:04:42 | |
It's been a good city. It's been a great city. | 0:04:42 | 0:04:45 | |
But there's a lot going on now. | 0:04:45 | 0:04:47 | |
It's grown. It's a lot busier. | 0:04:47 | 0:04:50 | |
It's a young person's city now. | 0:04:50 | 0:04:51 | |
Just ready to move on now. | 0:04:51 | 0:04:53 | |
The couple have lived in their Edwardian home for over 30 years. | 0:04:53 | 0:04:57 | |
Their two sons and daughter have left home, but when they move, | 0:04:57 | 0:05:00 | |
they want to be close to their eldest, Ellie. | 0:05:00 | 0:05:02 | |
Our daughter's disabled, | 0:05:04 | 0:05:06 | |
and she's recently moved to Hereford | 0:05:06 | 0:05:08 | |
to live in a residential centre there, | 0:05:08 | 0:05:11 | |
which is a fantastic place. | 0:05:11 | 0:05:13 | |
And we're too far away from her, | 0:05:13 | 0:05:15 | |
so we need to be closer so that we can see her more frequently. | 0:05:15 | 0:05:19 | |
As well as spending more quality time with Ellie, | 0:05:19 | 0:05:22 | |
they are also looking forward to having more time to enjoy some of | 0:05:22 | 0:05:24 | |
their many passions. | 0:05:24 | 0:05:27 | |
I love astronomy. In the | 0:05:27 | 0:05:28 | |
countryside - no light pollution, big skies, | 0:05:28 | 0:05:32 | |
good views. That's the sort of thing that we're looking forward to. | 0:05:32 | 0:05:35 | |
My hobbies have always been sort of knitting, sewing, a bit creative. | 0:05:35 | 0:05:40 | |
I'd like to be an artist, but I'm not. | 0:05:40 | 0:05:42 | |
But there's one rather decadent | 0:05:44 | 0:05:46 | |
activity that Diana and Jules both like. | 0:05:46 | 0:05:48 | |
Hot tub came from a holiday we had last year, | 0:05:49 | 0:05:52 | |
where we spent most of the time, | 0:05:52 | 0:05:54 | |
actually, in the hot tub in Cornwall, | 0:05:54 | 0:05:57 | |
which was brilliant. We thought, "You know what? | 0:05:57 | 0:05:59 | |
"For our anniversary, let's literally splash out." | 0:05:59 | 0:06:02 | |
-Treat ourselves. Splash out! -Splash out. | 0:06:02 | 0:06:04 | |
So, with hopes riding high, | 0:06:04 | 0:06:06 | |
Diana and Jules are now looking forward to their new life in | 0:06:06 | 0:06:09 | |
Herefordshire. | 0:06:09 | 0:06:10 | |
You've got hills. You've got open skies. | 0:06:10 | 0:06:13 | |
-It's a different pace of life there. -A different pace, you know. | 0:06:13 | 0:06:16 | |
You just look across at the River Wye | 0:06:16 | 0:06:18 | |
and you just see it flowing gently | 0:06:18 | 0:06:19 | |
past and you think, "I'll have some of that." | 0:06:19 | 0:06:21 | |
We're 60 now, so it's time to sort of wind down. | 0:06:21 | 0:06:25 | |
Ellie has actually decided our move, so rather than going to the seaside, | 0:06:25 | 0:06:30 | |
we are going to Hereford. Because that's where she is and that's where | 0:06:30 | 0:06:33 | |
she's happy, so we'll happy there as well. | 0:06:33 | 0:06:35 | |
Diana and Jules want to be within half an hour's drive | 0:06:39 | 0:06:42 | |
of their daughter Ellie in Hereford, | 0:06:42 | 0:06:44 | |
so that's where we're focusing the search. | 0:06:44 | 0:06:46 | |
But before we hit the road and begin our Herefordshire house hunt, | 0:06:46 | 0:06:49 | |
we're catching up in the county so I can be sure I know exactly what | 0:06:49 | 0:06:53 | |
it is they're after. Well, Diana and... | 0:06:53 | 0:06:55 | |
-Well, Jules. -Hello, Jules. | 0:06:55 | 0:06:57 | |
-Nice to see you, sir. -Nice to see you, Jules. | 0:06:57 | 0:06:59 | |
Welcome to Herefordshire. | 0:06:59 | 0:07:01 | |
-Thank you. -Now, in terms of the property that you're looking for, | 0:07:01 | 0:07:04 | |
obviously we do need to cater for | 0:07:04 | 0:07:06 | |
Ellie's very specific needs, don't we? | 0:07:06 | 0:07:09 | |
So what sort of property would work for you? | 0:07:09 | 0:07:12 | |
We do need room for the boys to come and stay, | 0:07:12 | 0:07:14 | |
and Ellie to come and stay, | 0:07:14 | 0:07:15 | |
so we're looking for three bedrooms. | 0:07:15 | 0:07:18 | |
We need a downstairs bedroom and a | 0:07:18 | 0:07:20 | |
wet room for Ellie to come and stay... | 0:07:20 | 0:07:22 | |
-Or potential to convert. -..or potential to convert. | 0:07:22 | 0:07:24 | |
-Yeah. -But we'd also, as we come into retirement, | 0:07:24 | 0:07:27 | |
looking for some income potential as well, | 0:07:27 | 0:07:29 | |
so potentially we could let out that room | 0:07:29 | 0:07:32 | |
or have an annexe attached where we could have a retirement income. | 0:07:32 | 0:07:36 | |
What do you want in terms of your social space? | 0:07:36 | 0:07:39 | |
Garden. We like a garden. | 0:07:39 | 0:07:41 | |
Don't want a huge garden, but we like garden. | 0:07:41 | 0:07:45 | |
Our little pleasure is a hot tub, so we've got to have space for hot tub. | 0:07:45 | 0:07:49 | |
Table tennis table. | 0:07:49 | 0:07:51 | |
Her pleasure is beating me at table tennis, | 0:07:51 | 0:07:53 | |
so she needs a table tennis table, so, yeah, that's her little thrill. | 0:07:53 | 0:07:57 | |
So, we're looking for a house of fun, aren't we, really? | 0:07:57 | 0:07:59 | |
A hot tub, somewhere for table tennis. | 0:07:59 | 0:08:01 | |
Everyone can come and visit. | 0:08:01 | 0:08:03 | |
Brilliant. The one thing you haven't talked about, really, | 0:08:03 | 0:08:05 | |
is sort of reception rooms and kitchen. | 0:08:05 | 0:08:08 | |
I mean, most people want something big and open plan. | 0:08:08 | 0:08:10 | |
-Is that you? -I'd rather have individual rooms. | 0:08:10 | 0:08:13 | |
But I don't want small rooms. | 0:08:13 | 0:08:15 | |
-He's quite tall. -Yeah. | 0:08:15 | 0:08:16 | |
Traditional high ceilings, big rooms type places, | 0:08:16 | 0:08:20 | |
so I can sort of stretch out a bit. | 0:08:20 | 0:08:22 | |
Are we looking for something brand-new? | 0:08:22 | 0:08:24 | |
-Preferably not. -Not usually, no. | 0:08:24 | 0:08:25 | |
Prefer the older, traditional style. A bit more character. | 0:08:25 | 0:08:29 | |
So, traditional but with space. | 0:08:29 | 0:08:30 | |
-Yeah. -Please. -But what about sort of exact situation? | 0:08:30 | 0:08:33 | |
We'd love to be isolated, but we are getting older, | 0:08:33 | 0:08:36 | |
so we need to be able to get out | 0:08:36 | 0:08:38 | |
easily to get our pint of milk, or... | 0:08:38 | 0:08:40 | |
It'd be nice to be able to walk to the pub, | 0:08:40 | 0:08:41 | |
but it'd be nice to be part of the community as well. | 0:08:41 | 0:08:43 | |
So how much is this move, centred on | 0:08:43 | 0:08:45 | |
Ellie's needs, going to set you back? | 0:08:45 | 0:08:47 | |
What's the budget, then? | 0:08:47 | 0:08:49 | |
We can go up to £500,000. | 0:08:49 | 0:08:51 | |
Well, I think we've got some very interesting properties to show you. | 0:08:51 | 0:08:54 | |
Let's go house-hunting. Come on, then. | 0:08:54 | 0:08:56 | |
Spend your half a million. | 0:08:56 | 0:08:57 | |
You put it like that, it disappears quite quickly, doesn't it? | 0:08:57 | 0:09:00 | |
-Sounds good, that. -Yes, it does! | 0:09:00 | 0:09:01 | |
For their top budget of £500,000, | 0:09:03 | 0:09:05 | |
Diana and Jules are hoping for a traditional home with space and high | 0:09:05 | 0:09:09 | |
ceilings. They prefer separate reception rooms to open-plan. | 0:09:09 | 0:09:13 | |
They need three bedrooms, with a ground floor annexe, | 0:09:13 | 0:09:16 | |
or the potential to create one for daughter Ellie. | 0:09:16 | 0:09:19 | |
They're also after a decent-sized garden | 0:09:19 | 0:09:21 | |
with space for a vegetable patch, | 0:09:21 | 0:09:23 | |
and location wise, they want to be close to Hereford. | 0:09:23 | 0:09:26 | |
We've lined up a wide selection of country homes for Diana and Jules to | 0:09:26 | 0:09:31 | |
view, but only after they've | 0:09:31 | 0:09:32 | |
completed each tour will the price be | 0:09:32 | 0:09:34 | |
revealed to them. Finally, | 0:09:34 | 0:09:37 | |
our mystery house will require them | 0:09:37 | 0:09:39 | |
both to size up something altogether different. | 0:09:39 | 0:09:42 | |
As we travel to our first house, | 0:09:45 | 0:09:47 | |
it's clear that this move will benefit them as parents. | 0:09:47 | 0:09:50 | |
Now, Diana, I'm just trying to | 0:09:50 | 0:09:52 | |
envisage the sort of amenities that Ellie's | 0:09:52 | 0:09:55 | |
going to need in your new home. | 0:09:55 | 0:09:57 | |
Do we need, you know, specific wheelchair access, for example? | 0:09:57 | 0:10:01 | |
On occasions, yes, we do need... She is in a wheelchair, | 0:10:02 | 0:10:05 | |
so we'd need to have obviously access to the house. | 0:10:05 | 0:10:08 | |
The door needs to be accessible with a wheelchair, | 0:10:08 | 0:10:10 | |
and space in the rooms and the halls | 0:10:10 | 0:10:12 | |
for turning the wheelchair when needed. | 0:10:12 | 0:10:14 | |
For you two, having the chance to be | 0:10:14 | 0:10:17 | |
once again so much closer to Ellie in her new home | 0:10:17 | 0:10:22 | |
must be a great relief, Jules? | 0:10:22 | 0:10:24 | |
Absolutely. Absolutely. | 0:10:24 | 0:10:26 | |
Having her close to hand rather than hoiking down the M5, | 0:10:26 | 0:10:31 | |
that would be a big comfort to us. | 0:10:31 | 0:10:33 | |
It's being able to do the quality things with her, | 0:10:33 | 0:10:35 | |
to take her out and to have some fun with her. | 0:10:35 | 0:10:37 | |
We can just say, "Let's pop and see Ellie tonight," | 0:10:37 | 0:10:40 | |
which will be much nicer. | 0:10:40 | 0:10:41 | |
We're travelling to the small village of Preston Wynne, | 0:10:43 | 0:10:46 | |
just over a 20-minute drive from Ellie in Hereford. | 0:10:46 | 0:10:49 | |
Three miles away, the pretty village | 0:10:49 | 0:10:51 | |
of Withington provides the essentials at the local shop. | 0:10:51 | 0:10:55 | |
Also here is a memorial commemorating soldiers who fought in | 0:10:55 | 0:10:58 | |
the First World War. The churchyard of St Peter's Church is also the | 0:10:58 | 0:11:02 | |
resting place for Commonwealth War graves. | 0:11:02 | 0:11:05 | |
On the edge of the village, | 0:11:05 | 0:11:06 | |
the local pub is just a few minutes' drive from our first offering. | 0:11:06 | 0:11:10 | |
Right, come on in, | 0:11:12 | 0:11:13 | |
because I think as a place to start, this is really good. | 0:11:13 | 0:11:17 | |
To the right, recently renovated, | 0:11:17 | 0:11:19 | |
really nice and recently extended old Victorian farm worker's cottage. | 0:11:19 | 0:11:24 | |
And then here, separate annexe. | 0:11:24 | 0:11:28 | |
Oh, this looks nice. | 0:11:28 | 0:11:29 | |
I can see a vegetable plot there. | 0:11:29 | 0:11:31 | |
You've got a veg patch here. | 0:11:31 | 0:11:33 | |
-No big trees. -No big trees. | 0:11:33 | 0:11:35 | |
Well, apart from the one that's in your back garden | 0:11:35 | 0:11:38 | |
which dominates the 1.3 acres this comes with. | 0:11:38 | 0:11:41 | |
Wow. I think it looks like more than we can afford. | 0:11:41 | 0:11:44 | |
Do you think so? Well, let's see how much you like it first, | 0:11:44 | 0:11:47 | |
and then we'll talk about how much it's going to cost you. | 0:11:47 | 0:11:49 | |
-Yeah, hmm, right. -Come on. | 0:11:49 | 0:11:51 | |
This extended period cottage dates back to the 1850s. | 0:11:51 | 0:11:55 | |
Built from local Hereford brick, it's topped with a smart slate roof. | 0:11:55 | 0:12:00 | |
It's clear this property has benefited from a lot of TLC. | 0:12:00 | 0:12:04 | |
It's been in the same family for over 100 years. | 0:12:04 | 0:12:07 | |
We're going into the main part to explore the kitchen. | 0:12:07 | 0:12:09 | |
OK. There we are, madam. | 0:12:11 | 0:12:13 | |
-What you think? -Oh, very nice. | 0:12:13 | 0:12:16 | |
It's got loads of space, and this link, | 0:12:16 | 0:12:18 | |
this clever structure that joins | 0:12:18 | 0:12:20 | |
what was the old cider barn to the rest | 0:12:20 | 0:12:22 | |
of the property, I think offers Ellie the sort of space... | 0:12:22 | 0:12:25 | |
Lots of space to get a wheelchair in. | 0:12:25 | 0:12:27 | |
-Yeah. -Look at your face. | 0:12:27 | 0:12:30 | |
-This is lovely. -It's very good so far. | 0:12:30 | 0:12:33 | |
You've got a big burner to operate a wok on, as well, | 0:12:33 | 0:12:36 | |
so the range-y type cooker will do nicely, thank you. | 0:12:36 | 0:12:39 | |
And you don't really need to pick up a paintbrush, do you? Come this way. | 0:12:39 | 0:12:42 | |
No, it's all done. | 0:12:42 | 0:12:45 | |
Just off the kitchen is a potential breakfast area, | 0:12:45 | 0:12:47 | |
currently being used for storage, along with a utility room. | 0:12:47 | 0:12:51 | |
Next door, there's a dedicated dining room leading into a bright | 0:12:51 | 0:12:55 | |
conservatory beyond that, | 0:12:55 | 0:12:56 | |
delivering the separate living spaces Diana asked for. | 0:12:56 | 0:13:00 | |
So, nice dining space next door, | 0:13:01 | 0:13:03 | |
and then this is the most recently renovated part of this property. | 0:13:03 | 0:13:07 | |
First impressions - it looked quite small, but actually, | 0:13:07 | 0:13:10 | |
you've got two sofas in here. | 0:13:10 | 0:13:11 | |
-Nice. -I'm liking, I'm liking this. | 0:13:11 | 0:13:13 | |
I think this is a really, really good fit. | 0:13:13 | 0:13:16 | |
-It is. -Let's... Let's continue our tour. | 0:13:16 | 0:13:18 | |
-By all means. -Follow me, Jules. | 0:13:18 | 0:13:20 | |
We're moving upstairs to the sleeping quarters, | 0:13:20 | 0:13:23 | |
where there are four bedrooms | 0:13:23 | 0:13:25 | |
serviced by a family bath and shower room. | 0:13:25 | 0:13:27 | |
Facing the front of the property, | 0:13:27 | 0:13:29 | |
there's a cosy double and another slightly larger one. | 0:13:29 | 0:13:32 | |
The third is a snug-sized single, | 0:13:32 | 0:13:34 | |
but we're going to explore the most substantial on offer, | 0:13:34 | 0:13:37 | |
which they would use as theirs. | 0:13:37 | 0:13:40 | |
And then finally, you've got this room, which is the master, | 0:13:41 | 0:13:45 | |
for obvious reasons, really. It's the biggest of the lot. | 0:13:45 | 0:13:48 | |
You've got a sort of dressing area there, | 0:13:48 | 0:13:49 | |
and a little shower en suite round the corner. | 0:13:49 | 0:13:51 | |
-High ceilings, Jules. -Yes. I still... | 0:13:51 | 0:13:54 | |
As bedrooms go, this has the highest ceilings of the lot. | 0:13:56 | 0:13:58 | |
I mean, you've got the four bedrooms here, | 0:13:58 | 0:14:00 | |
but I think the annexe is the real issue with this one, | 0:14:00 | 0:14:05 | |
because I think it's all about Ellie, | 0:14:05 | 0:14:07 | |
and the annexe is what's going to make this house work for her. | 0:14:07 | 0:14:10 | |
-OK. -Let's go and have a look at that. | 0:14:10 | 0:14:12 | |
-Let's go and have a look. -After you, mate. | 0:14:12 | 0:14:14 | |
The annexe is a barn converted eight years ago, | 0:14:14 | 0:14:17 | |
and has been cleverly joined to the house by a closed walkway. | 0:14:17 | 0:14:21 | |
So, what do you think Ellie would make of this? | 0:14:21 | 0:14:24 | |
-Wow. -Come on in. | 0:14:24 | 0:14:26 | |
-Lots of space. -That is rather good. | 0:14:26 | 0:14:28 | |
-Isn't it? -Yeah. | 0:14:28 | 0:14:30 | |
The spiral goes up to a very simple kind of mezzanine. I'm thinking, | 0:14:30 | 0:14:34 | |
you know, for when the boys come to stay. | 0:14:34 | 0:14:37 | |
Obviously you've got this very new kind of kitchen area here. | 0:14:37 | 0:14:41 | |
Behind it is the downstairs shower room. | 0:14:41 | 0:14:43 | |
And then this space, which I'm thinking - bedroom. | 0:14:43 | 0:14:46 | |
-Yes. -Not bad for a first one, actually. | 0:14:46 | 0:14:49 | |
Yeah, not bad at all. | 0:14:49 | 0:14:51 | |
Not bad, not bad. | 0:14:51 | 0:14:52 | |
So, let's go and talk about how much it's on the market for, shall we? | 0:14:52 | 0:14:55 | |
-Yes. -Let's go outside. | 0:14:55 | 0:14:57 | |
Well, they do seem impressed by the layout and space inside. | 0:15:00 | 0:15:04 | |
Outside, the garden includes a number of defined areas, | 0:15:04 | 0:15:07 | |
from the vegetable plot to the front, | 0:15:07 | 0:15:10 | |
to a chicken house and orchard to the rear. | 0:15:10 | 0:15:13 | |
So, there's this beautiful tree that | 0:15:13 | 0:15:15 | |
I was referring to when we first arrived. | 0:15:15 | 0:15:17 | |
-Bags of room for the hot tub, I think. -Yes. -Yes. | 0:15:17 | 0:15:20 | |
A few spaces. | 0:15:20 | 0:15:22 | |
So, we now need to think about how | 0:15:22 | 0:15:24 | |
much this is going to be on the market for. | 0:15:24 | 0:15:27 | |
I thought it looked more than we could afford, | 0:15:27 | 0:15:30 | |
so it's got to be top of the budget. | 0:15:30 | 0:15:31 | |
-500,000. -£500,000, yes, that's fair enough. | 0:15:31 | 0:15:35 | |
I tend to agree with her, but I hope it's about 485. | 0:15:35 | 0:15:38 | |
You hope it's 485. | 0:15:38 | 0:15:42 | |
Your instincts are absolutely right. | 0:15:42 | 0:15:43 | |
This is £499,995, so I am pleased | 0:15:43 | 0:15:48 | |
to say it is technically under budget. | 0:15:48 | 0:15:51 | |
-It's fab. -It's absolutely stunning. | 0:15:51 | 0:15:53 | |
I think you should go and have a look around, | 0:15:53 | 0:15:55 | |
and I will catch up with you a little bit later. | 0:15:55 | 0:15:57 | |
-Off you go. -Smashing, thank you. -Fabulous, thank you. | 0:15:57 | 0:16:00 | |
This extended mid-19th-century cottage is just | 0:16:00 | 0:16:03 | |
a whisker under budget, | 0:16:03 | 0:16:04 | |
but does meet all of Diana and Jules' requirements. | 0:16:04 | 0:16:07 | |
It's traditional, without low ceilings. | 0:16:07 | 0:16:10 | |
It has four bedrooms, | 0:16:10 | 0:16:11 | |
separate reception rooms and a self-contained annexe. | 0:16:11 | 0:16:15 | |
What's more, it's less than half an hour away from their daughter Ellie. | 0:16:15 | 0:16:18 | |
I'm really surprised by it. | 0:16:19 | 0:16:21 | |
I'm impressed by it. | 0:16:21 | 0:16:22 | |
It's, um... | 0:16:22 | 0:16:24 | |
It looked quite small from outside, and when we got in, | 0:16:24 | 0:16:27 | |
it was so spacious downstairs, lots of room. | 0:16:27 | 0:16:30 | |
Outside is absolutely fabulous. | 0:16:30 | 0:16:32 | |
I love the garden, love the orchard. | 0:16:32 | 0:16:34 | |
The only small thing is the bedrooms. Literally the small thing. | 0:16:34 | 0:16:38 | |
They are smaller than I would like, but whatever house you go to, | 0:16:38 | 0:16:41 | |
there's going to be a compromise. | 0:16:41 | 0:16:43 | |
Absolutely stunning. It's got | 0:16:43 | 0:16:44 | |
everything we need without the need to do | 0:16:44 | 0:16:46 | |
anything to tidy it up or any extra work. | 0:16:46 | 0:16:50 | |
It's a bit close to our budget, | 0:16:50 | 0:16:52 | |
but on that basis, because there's no work, quite happy with it. | 0:16:52 | 0:16:56 | |
That was a cracking start. | 0:16:57 | 0:17:00 | |
Yes. Really good. | 0:17:00 | 0:17:01 | |
-Very good. -Our other two properties have got a lot to beat, I suspect. | 0:17:01 | 0:17:05 | |
-No pressure. -Well, it's always there! | 0:17:05 | 0:17:08 | |
When they've settled into their new country life, | 0:17:14 | 0:17:17 | |
Diana and Jules are planning to put their green fingers to good use | 0:17:17 | 0:17:21 | |
and grow their own produce. | 0:17:21 | 0:17:22 | |
They may well decide to introduce herbs to their kitchen garden. | 0:17:22 | 0:17:26 | |
But they have far more uses than just adding some flavour to cooking. | 0:17:26 | 0:17:29 | |
Paul Richards has developed an | 0:17:30 | 0:17:32 | |
alternative purpose for the herbs he's been | 0:17:32 | 0:17:34 | |
growing on his organic five acre farm for over 30 years. | 0:17:34 | 0:17:37 | |
At any one time, | 0:17:38 | 0:17:40 | |
there is a colourful array of over 20 different flowers in bloom, all, | 0:17:40 | 0:17:44 | |
he believes, rich in powerful nutrients. | 0:17:44 | 0:17:47 | |
Tell us about the history here. | 0:17:48 | 0:17:50 | |
My father and my uncle used to take me out on walks and show me various | 0:17:50 | 0:17:54 | |
birds and plants and so on. | 0:17:54 | 0:17:55 | |
I actually got really interested in the plants, | 0:17:55 | 0:17:58 | |
and I found that there are also lots | 0:17:58 | 0:18:00 | |
of interesting uses for these plants, | 0:18:00 | 0:18:02 | |
and that is something that has kind of sown the seed in me, | 0:18:02 | 0:18:04 | |
and I then went on to do botany at university. | 0:18:04 | 0:18:08 | |
Then, eventually, I managed to find some land here in Herefordshire, | 0:18:08 | 0:18:11 | |
and got going. | 0:18:11 | 0:18:14 | |
Paul started his herb pharmacy just outside Eardisley ten years ago. | 0:18:14 | 0:18:19 | |
What makes it so good for growing the plants here? | 0:18:19 | 0:18:22 | |
The soils are very rich. | 0:18:22 | 0:18:23 | |
They're nice, red Herefordshire soils, | 0:18:23 | 0:18:26 | |
and it's also a really nice place to be. | 0:18:26 | 0:18:28 | |
-It's beautiful. Beautiful. -So, what's this in front of you? | 0:18:28 | 0:18:31 | |
It looks a bit like an evening primrose. | 0:18:31 | 0:18:32 | |
-It's not, is it? -It does a bit, and the colour is almost identical, | 0:18:32 | 0:18:36 | |
but it is from a different family. | 0:18:36 | 0:18:38 | |
This is what the gardeners know as Verbascum, | 0:18:38 | 0:18:41 | |
or mullein, as we call it. | 0:18:41 | 0:18:43 | |
These flowers we pick individually, | 0:18:43 | 0:18:45 | |
and they are actually quite an interesting herb. | 0:18:45 | 0:18:48 | |
It's got anti-inflammatory, it's got emollient, | 0:18:48 | 0:18:52 | |
and also it is reputed to help with the elasticity of the skin, so, | 0:18:52 | 0:18:57 | |
-fine lines. -Youth and beauty. | 0:18:57 | 0:18:59 | |
-Yeah, that's it. -Yeah. | 0:18:59 | 0:19:01 | |
We need some of that. | 0:19:01 | 0:19:02 | |
Diana and Jules are helping Paul to pick some of the | 0:19:02 | 0:19:04 | |
vibrant yellow flowers, | 0:19:04 | 0:19:06 | |
which will be one of the key | 0:19:06 | 0:19:07 | |
ingredients in a facial balm they'll be learning | 0:19:07 | 0:19:10 | |
-how to make later. -Do you do this all by hand, | 0:19:10 | 0:19:13 | |
or do you use any machinery to pick them? | 0:19:13 | 0:19:15 | |
We do all this by hand. | 0:19:15 | 0:19:17 | |
Having picked these potent fresh flowers, | 0:19:17 | 0:19:19 | |
it's off to the drying shed to see how Paul preps and processes the | 0:19:19 | 0:19:23 | |
-blooms. -These are what they look like when they're dried. | 0:19:23 | 0:19:26 | |
-How long does that take? -It takes about 48 hours for most herbs. | 0:19:26 | 0:19:31 | |
So, then, how do you extract them? | 0:19:31 | 0:19:33 | |
Yes, so we've got to try and get the properties of these herbs into our | 0:19:33 | 0:19:36 | |
skin care products, so we mainly use oil to extract. | 0:19:36 | 0:19:40 | |
So, for instance, with these | 0:19:40 | 0:19:42 | |
mullein, if we fill up a container with them - | 0:19:42 | 0:19:45 | |
in quite tight, there, like that. | 0:19:45 | 0:19:48 | |
And then, gently, we pour in sunflower oil. | 0:19:48 | 0:19:51 | |
This is a high oleic sunflower oil. | 0:19:51 | 0:19:53 | |
So, then you close it down there, | 0:19:53 | 0:19:55 | |
then that goes in something like the airing cupboard, | 0:19:55 | 0:19:58 | |
-if you are doing it at home... -Yeah. | 0:19:58 | 0:19:59 | |
..to keep it warm, for about three weeks, | 0:19:59 | 0:20:01 | |
and you shake it every day to keep it agitated. | 0:20:01 | 0:20:05 | |
And then it is strained out, and it is ready to use | 0:20:05 | 0:20:09 | |
in the balm. | 0:20:09 | 0:20:10 | |
Showing them how to create the natural balm is | 0:20:10 | 0:20:14 | |
deputy production manager Orla Henning. | 0:20:14 | 0:20:16 | |
A variety of herbs have been steeped in oils, | 0:20:18 | 0:20:20 | |
which will be mixed together. | 0:20:20 | 0:20:22 | |
First in, we can put the marshmallow and jojoba. | 0:20:22 | 0:20:25 | |
Would you like to pour that into this jug? | 0:20:25 | 0:20:27 | |
-Yeah. -Marshmallow root extract is believed to soothe delicate skin. | 0:20:27 | 0:20:32 | |
Next up, we've got the marshmallow and sunflower. | 0:20:32 | 0:20:35 | |
So, why the two different mixtures with marshmallow? | 0:20:35 | 0:20:37 | |
This one's sunflower. | 0:20:37 | 0:20:39 | |
So, sunflower is our main base oil, whereas the jojoba, it's lot richer, | 0:20:39 | 0:20:45 | |
so we like to use a mixture of both of them. | 0:20:45 | 0:20:47 | |
Next, it's the calendula. | 0:20:47 | 0:20:49 | |
That one is the anti-inflammatory. | 0:20:49 | 0:20:51 | |
The mullein in sunflower oil is then added. | 0:20:51 | 0:20:54 | |
It's the active ingredient in this rejuvenating balm. | 0:20:54 | 0:20:57 | |
And, lastly, in goes some beeswax. | 0:20:57 | 0:21:00 | |
And that's for the texture, is it? | 0:21:00 | 0:21:02 | |
That's right. That will set it into a solid state. | 0:21:02 | 0:21:06 | |
Here we are, all of our ingredients. | 0:21:06 | 0:21:08 | |
We will pop this on the heat to get up to just over 80 degrees. | 0:21:08 | 0:21:11 | |
After around an hour and a half, the ingredients are pasteurised. | 0:21:11 | 0:21:15 | |
I'll just add the essential oils. | 0:21:15 | 0:21:16 | |
We add these at the very end so that they don't get too cooked. | 0:21:16 | 0:21:19 | |
It will make it smell nice. | 0:21:21 | 0:21:22 | |
The liquid balm is then poured into warm jars, where it's left to set. | 0:21:23 | 0:21:27 | |
I think yours is better than mine. | 0:21:27 | 0:21:29 | |
Of course it is! | 0:21:29 | 0:21:31 | |
-You have both done really well. -Of course it is! | 0:21:31 | 0:21:34 | |
This is setting really quickly. | 0:21:34 | 0:21:35 | |
How long do you leave these to set for? | 0:21:35 | 0:21:37 | |
We normally leave them to set, depending on the size of jar, | 0:21:37 | 0:21:40 | |
for between half an hour to an hour. | 0:21:40 | 0:21:43 | |
OK. And when can you use it? | 0:21:43 | 0:21:45 | |
We can use it right now if you like. | 0:21:45 | 0:21:47 | |
-OK. -OK. -We've got some that have already set. | 0:21:47 | 0:21:48 | |
-Help yourself. -Right, thank you. | 0:21:48 | 0:21:50 | |
Oh, it is quite solid. | 0:21:53 | 0:21:54 | |
That just softens up straight away, doesn't it? | 0:21:54 | 0:21:58 | |
-Give it a smell. -Mm. | 0:21:58 | 0:22:00 | |
A lot of people get a little bit put off because it's a balm, | 0:22:00 | 0:22:03 | |
but actually, it's more moisturising than a lot of creams, | 0:22:03 | 0:22:06 | |
and it will go into the skin quicker. | 0:22:06 | 0:22:08 | |
Well, thank you so much. | 0:22:08 | 0:22:10 | |
This is really good to see how this balm has been made. | 0:22:10 | 0:22:12 | |
Thank you very much. It's been brilliant. | 0:22:12 | 0:22:14 | |
Absolute pleasure. | 0:22:14 | 0:22:15 | |
We're continuing our property search in the village of Madley, | 0:22:21 | 0:22:24 | |
which is under a 20-minute drive from Hereford. | 0:22:24 | 0:22:28 | |
The attractive stone parish church has been a landmark here for around | 0:22:28 | 0:22:31 | |
1,500 years. | 0:22:31 | 0:22:33 | |
The oldest part is the window and arch over the main door, | 0:22:34 | 0:22:37 | |
which is Norman. | 0:22:37 | 0:22:38 | |
Today, the village is well served by | 0:22:38 | 0:22:40 | |
a handful of shops and a couple of local pubs. | 0:22:40 | 0:22:43 | |
And on the outskirts of the village, we reach our second property. | 0:22:43 | 0:22:47 | |
What do you think? | 0:22:47 | 0:22:49 | |
It's different to the last one. | 0:22:49 | 0:22:50 | |
-Very different to the last one. -Very different to the last one! | 0:22:50 | 0:22:53 | |
-Yeah. -The obvious thing, of course, is that it is single-storey living, | 0:22:53 | 0:22:56 | |
this. Yeah. I'm not going to call it a bungalow because it's vast. | 0:22:56 | 0:22:59 | |
-OK. -OK, that's promising. | 0:22:59 | 0:23:01 | |
If I tell you there are some 20 rooms here, | 0:23:01 | 0:23:04 | |
not including the garage... | 0:23:04 | 0:23:06 | |
Wow... | 0:23:06 | 0:23:07 | |
But the fact that it's all on one level, I think, | 0:23:07 | 0:23:10 | |
makes it quite an interesting | 0:23:10 | 0:23:11 | |
proposition for what you need to sort out | 0:23:11 | 0:23:13 | |
for Ellie. Yeah. And I'd be your neighbour. | 0:23:13 | 0:23:16 | |
Upsides, downsides! | 0:23:16 | 0:23:19 | |
So, that's already put a hole in it, hasn't it? | 0:23:19 | 0:23:21 | |
You're never going to buy it! | 0:23:21 | 0:23:23 | |
-But let's see what you think of it. -OK. | 0:23:23 | 0:23:25 | |
Two people called Jules in the same village. | 0:23:25 | 0:23:28 | |
This rather unusual yet extensive property was built in the mid '60s, | 0:23:29 | 0:23:34 | |
but has more recently been updated, | 0:23:34 | 0:23:36 | |
and the neutral exterior is hiding a rather more vibrant interior. | 0:23:36 | 0:23:41 | |
There. | 0:23:41 | 0:23:43 | |
-Ooh. -Now, this wasn't what you were expecting, was it? | 0:23:43 | 0:23:45 | |
-No. -No. | 0:23:45 | 0:23:47 | |
No, this is a lovely space. | 0:23:47 | 0:23:49 | |
-Yeah? -Yeah. -This is | 0:23:49 | 0:23:51 | |
intriguing. There's lots of light coming in here, which is good. | 0:23:51 | 0:23:55 | |
It's nice and quiet. | 0:23:55 | 0:23:56 | |
-Yeah. -I just love the space. | 0:23:56 | 0:23:58 | |
I think it's fantastic. | 0:23:58 | 0:24:00 | |
Like you said, the light coming through is lovely. | 0:24:00 | 0:24:02 | |
And then this all opens up through | 0:24:02 | 0:24:04 | |
here to give you this sort of L-shaped | 0:24:04 | 0:24:06 | |
arrangement to your living space. | 0:24:06 | 0:24:08 | |
Something of a sort of dining area, I suppose, | 0:24:08 | 0:24:10 | |
with the hatch through to the kitchen. | 0:24:10 | 0:24:13 | |
Lovely. | 0:24:13 | 0:24:15 | |
Let's have a quick look at the kitchen while we're here. | 0:24:15 | 0:24:18 | |
Now, given the scale of this place, | 0:24:20 | 0:24:22 | |
the kitchen actually is surprisingly small, | 0:24:22 | 0:24:24 | |
but given the amount of rooms that, you know, surround it, | 0:24:24 | 0:24:29 | |
it doesn't bother me, to be perfectly honest. | 0:24:29 | 0:24:32 | |
No, there's plenty of work space, | 0:24:32 | 0:24:33 | |
which is the main thing in the kitchen, | 0:24:33 | 0:24:35 | |
and quite a bit of storage. | 0:24:35 | 0:24:36 | |
There's a big smile from your wife here. | 0:24:36 | 0:24:38 | |
-I like it. -I think she's liking it. | 0:24:38 | 0:24:40 | |
-I like it! -I'm just seeing work. | 0:24:40 | 0:24:42 | |
That's fine. | 0:24:44 | 0:24:46 | |
It's a project! You'll love it! | 0:24:46 | 0:24:48 | |
Well, there's plenty more for Diana | 0:24:49 | 0:24:51 | |
to love as we move through the living areas. | 0:24:51 | 0:24:53 | |
The property is laid out in sections, | 0:24:53 | 0:24:55 | |
with the kitchen situated over in one wing. | 0:24:55 | 0:24:58 | |
Fanning out from it is a utility and cloakroom, | 0:24:58 | 0:25:01 | |
as well as a raft of rooms they really could make their own, | 0:25:01 | 0:25:05 | |
including a spacious library and a bright study, along with a bathroom. | 0:25:05 | 0:25:10 | |
So, having made sense of the living spaces, | 0:25:12 | 0:25:14 | |
we're heading over to the four | 0:25:14 | 0:25:16 | |
bedrooms that occupy two separate wings. | 0:25:16 | 0:25:19 | |
Another room to do with what you like. | 0:25:21 | 0:25:25 | |
But it leads us on to this suite of rooms, | 0:25:25 | 0:25:28 | |
and I'm thinking this might work really nicely for Ellie, | 0:25:28 | 0:25:31 | |
because you've got two of the five bathrooms over there. | 0:25:31 | 0:25:35 | |
One is a separate bathroom. The other one is the shower room. | 0:25:35 | 0:25:38 | |
You've got another bedroom behind there. | 0:25:38 | 0:25:40 | |
So, if you forego the idea that this | 0:25:40 | 0:25:42 | |
contains a bed and you put the bed next door, | 0:25:42 | 0:25:45 | |
this would be her sort of living space. | 0:25:45 | 0:25:47 | |
-Oh, OK. -And, of course, when the boys come to stay, | 0:25:47 | 0:25:51 | |
they'd have the run of it as well. | 0:25:51 | 0:25:52 | |
Master bedroom there? | 0:25:52 | 0:25:54 | |
Yeah, the master bedroom, as is, is behind that wall there. | 0:25:54 | 0:25:56 | |
-Yeah? -Yeah. Got some ideas. -Will it work? | 0:25:56 | 0:25:58 | |
-Lots of ideas. -Yeah, I mean, I'm just chucking them out there, | 0:25:58 | 0:26:01 | |
-but you've got to make sense of it all. -Yeah. Yeah, yeah. | 0:26:01 | 0:26:03 | |
I think this could work. | 0:26:03 | 0:26:05 | |
I do think now is probably the time to step outside into that lovely | 0:26:05 | 0:26:09 | |
afternoon sunshine and start thinking about the price. | 0:26:09 | 0:26:12 | |
So, come with me. | 0:26:12 | 0:26:14 | |
-OK. -Thank you. | 0:26:14 | 0:26:15 | |
Outside also delivers generously. | 0:26:16 | 0:26:19 | |
There is a garage-cum-workshop, a pleasant patio, | 0:26:19 | 0:26:23 | |
and the garden stretches to almost an acre, | 0:26:23 | 0:26:25 | |
which includes a vegetable patch, a shed and a summer house. | 0:26:25 | 0:26:30 | |
Now, to be honest, I think from here, | 0:26:30 | 0:26:33 | |
you do actually get the best view of it, | 0:26:33 | 0:26:35 | |
because you can begin to see how it all fits together. | 0:26:35 | 0:26:39 | |
Look at your face. This is good, isn't it? | 0:26:39 | 0:26:40 | |
-It's all good. -I can see you're leading the charge, here, you know, | 0:26:40 | 0:26:44 | |
between you, Diana, on this one. | 0:26:44 | 0:26:46 | |
-Look, he's worn out. -Jules can manage the garden. | 0:26:46 | 0:26:50 | |
-OK... -Please make her stop. | 0:26:50 | 0:26:52 | |
Let's talk about the price of this one, then. | 0:26:52 | 0:26:54 | |
There's still stuff to be done for us. | 0:26:54 | 0:26:57 | |
-Round about 425. -425. | 0:26:57 | 0:26:59 | |
I'm thinking 440, 450. | 0:27:00 | 0:27:03 | |
OK. This is on the market for | 0:27:03 | 0:27:06 | |
£450,000. | 0:27:06 | 0:27:09 | |
-I win. -Yes, you did, you did. | 0:27:09 | 0:27:12 | |
Go and explore it. | 0:27:12 | 0:27:14 | |
-Thank you. -And once you've figured it out, come and tell me, | 0:27:14 | 0:27:17 | |
because I have no idea how it all fits together. | 0:27:17 | 0:27:19 | |
If we're not back in half an hour, send out a search party. | 0:27:19 | 0:27:21 | |
Yeah, I will. You will probably get lost. | 0:27:21 | 0:27:23 | |
This detached single-storey property already goes a long way to meeting | 0:27:26 | 0:27:30 | |
Diana and Jules's family needs, | 0:27:30 | 0:27:32 | |
and would also leave £50,000 change in their pockets. | 0:27:32 | 0:27:36 | |
It's got four bedrooms, including good options for Ellie, | 0:27:36 | 0:27:39 | |
a variety of other living rooms, and a garden | 0:27:39 | 0:27:42 | |
that is large but manageable. | 0:27:42 | 0:27:43 | |
Plus, it's less than a 20-minute drive to Hereford. | 0:27:43 | 0:27:47 | |
This is a lovely room, isn't it? | 0:27:50 | 0:27:52 | |
-Yeah. -Great space. | 0:27:52 | 0:27:54 | |
What you think of this house? | 0:27:54 | 0:27:55 | |
It's bonkers and great in equal measure. | 0:27:55 | 0:27:59 | |
It's got a lot of potential. | 0:27:59 | 0:28:00 | |
Huge potential. I love all the separate spaces in the house, | 0:28:00 | 0:28:05 | |
and obviously space for Ellie. | 0:28:05 | 0:28:07 | |
-Space for Ellie. -There's lots of space for Ellie. | 0:28:07 | 0:28:09 | |
Lots of options for space for Ellie. | 0:28:09 | 0:28:11 | |
And also, possibly, income potential as well. | 0:28:11 | 0:28:13 | |
Yeah. | 0:28:13 | 0:28:15 | |
Our work is pretty much done, guys, you'll be pleased to know. | 0:28:15 | 0:28:18 | |
Which means, as it's | 0:28:18 | 0:28:22 | |
apple harvest time, we should probably go and try some cider. | 0:28:22 | 0:28:25 | |
-Yay. -Really? -Yeah, we really... | 0:28:25 | 0:28:27 | |
-Must we? -Yeah, come on. -Oh, dear. | 0:28:27 | 0:28:30 | |
It's day two of our Herefordshire house hunt, | 0:28:39 | 0:28:42 | |
searching out the perfect country | 0:28:42 | 0:28:44 | |
pad for Diana and Jules to call home. | 0:28:44 | 0:28:46 | |
They've got £500,000 to spend on a property suitable for not only them | 0:28:46 | 0:28:51 | |
but also visiting family. | 0:28:51 | 0:28:53 | |
Coming up, we've still got a lesson | 0:28:53 | 0:28:55 | |
or two to learn with our mystery house... | 0:28:55 | 0:28:57 | |
It's not a bad view, is it, really? | 0:28:57 | 0:28:59 | |
-Very nice. -I could take that. | 0:28:59 | 0:29:02 | |
And watch the seasons go by. | 0:29:02 | 0:29:04 | |
..and I'll be rolling up my sleeves | 0:29:04 | 0:29:06 | |
and getting to work on an accessory for | 0:29:06 | 0:29:08 | |
my own Herefordshire home. | 0:29:08 | 0:29:09 | |
That's a good effort. | 0:29:10 | 0:29:13 | |
I think there's a... You can tell who's done it before, can't you? | 0:29:13 | 0:29:16 | |
Well, so far this week our house | 0:29:21 | 0:29:23 | |
search is proving to be as challenging as | 0:29:23 | 0:29:25 | |
it is rewarding. Trying to find a home, of course, | 0:29:25 | 0:29:28 | |
not just for Jules and Diana, | 0:29:28 | 0:29:29 | |
but also one that can meet the very | 0:29:29 | 0:29:31 | |
specific needs of their daughter Ellie. | 0:29:31 | 0:29:34 | |
Well, as we head into our final day, | 0:29:34 | 0:29:36 | |
we are, of course, halfway through. | 0:29:36 | 0:29:37 | |
We've seen two, we've got one more to come, | 0:29:37 | 0:29:40 | |
so what possibly could our mystery house provide them that our first | 0:29:40 | 0:29:44 | |
two properties haven't? | 0:29:44 | 0:29:45 | |
Well, it's very simple. Two words - splendid isolation. | 0:29:45 | 0:29:49 | |
Our mystery journey takes us to the hamlet of Brinsop, | 0:29:51 | 0:29:54 | |
just 20 minutes drive from Hereford. | 0:29:54 | 0:29:56 | |
It's a rural setting, | 0:29:57 | 0:29:59 | |
but St George's church here | 0:29:59 | 0:30:00 | |
contains some exceptional Norman carvings, | 0:30:00 | 0:30:02 | |
and is thought to be where the legend of | 0:30:02 | 0:30:05 | |
St George and the dragon hails from. | 0:30:05 | 0:30:07 | |
The 19th-century saw poet William Wordsworth | 0:30:07 | 0:30:10 | |
visit the area on many occasions. | 0:30:10 | 0:30:12 | |
And just a stone's throw away is our final offering. | 0:30:13 | 0:30:16 | |
The mystery house, | 0:30:16 | 0:30:18 | |
a perfect example of how wonderful things come in small packages. | 0:30:18 | 0:30:22 | |
Right, then. The wait is over. | 0:30:24 | 0:30:26 | |
At last, I can show you our mystery house. | 0:30:26 | 0:30:29 | |
There it is. What do you think? | 0:30:29 | 0:30:31 | |
-It's very pretty. -It's very pretty. | 0:30:31 | 0:30:33 | |
You may be forgiven for thinking you are in the middle of nowhere, | 0:30:33 | 0:30:36 | |
because look at where we are. It's the most gorgeous setting. | 0:30:36 | 0:30:39 | |
-Fabulous. -The one thing we need | 0:30:39 | 0:30:40 | |
to sort of think about is whether or not | 0:30:40 | 0:30:43 | |
you'd be interested in converting that detached garage there | 0:30:43 | 0:30:47 | |
for a more bespoke solution to | 0:30:47 | 0:30:49 | |
Ellie's needs when she comes to stay. | 0:30:49 | 0:30:51 | |
-Yeah. -The only other thing to point | 0:30:53 | 0:30:54 | |
out is that once upon a time it was an | 0:30:54 | 0:30:56 | |
old schoolhouse, believe it or not. | 0:30:56 | 0:30:58 | |
-Oh, really? -It's not the biggest we've shown | 0:30:58 | 0:31:00 | |
you, but it's absolutely 100% done, | 0:31:00 | 0:31:03 | |
raring to go. Yeah? | 0:31:03 | 0:31:04 | |
-Yeah. -Yeah. | 0:31:04 | 0:31:05 | |
-Come on, let's see what you think. -Let's go. | 0:31:05 | 0:31:08 | |
Our mystery schoolhouse dates back to the 1860s, | 0:31:08 | 0:31:12 | |
and with age comes character, which we're just about to take in. | 0:31:12 | 0:31:16 | |
We're heading inside and going straight into the sitting-room. | 0:31:16 | 0:31:20 | |
Come on in. There, what do you reckon? | 0:31:20 | 0:31:22 | |
-Very nice. -It's nice. | 0:31:22 | 0:31:24 | |
It's a bit small. I don't know, is it small? | 0:31:24 | 0:31:26 | |
It's certainly big enough for me. | 0:31:26 | 0:31:28 | |
I don't have to touch the ceiling. | 0:31:28 | 0:31:30 | |
-Yeah. -I can stretch out a little bit. | 0:31:30 | 0:31:32 | |
So, yeah, that's good. It is nice. | 0:31:32 | 0:31:34 | |
-Yeah. -It's not the only reception area. | 0:31:34 | 0:31:36 | |
You can probably just get a | 0:31:36 | 0:31:37 | |
glimpse of what's going on through there. | 0:31:37 | 0:31:39 | |
That lovely oak-framed garden room. | 0:31:39 | 0:31:41 | |
And it's done, there's nothing to do. | 0:31:41 | 0:31:43 | |
-That's true. -There's nothing to do. Come through here. | 0:31:43 | 0:31:47 | |
Beyond the sitting-room | 0:31:47 | 0:31:48 | |
with doors to the garden is the dining room, | 0:31:48 | 0:31:50 | |
which adjoins the impressive kitchen and utility space. | 0:31:50 | 0:31:54 | |
This is my favourite colour. | 0:31:54 | 0:31:56 | |
-You like it? -I do like it. | 0:31:56 | 0:31:57 | |
-Yeah. -The sort of classic duck egg. | 0:31:57 | 0:31:59 | |
Now, the other thing to point out | 0:31:59 | 0:32:01 | |
about this arrangement is that next door | 0:32:01 | 0:32:03 | |
we've got a downstairs shower room. | 0:32:03 | 0:32:04 | |
-Good. -OK? So, if you did do something in the garage for Ellie | 0:32:04 | 0:32:09 | |
and combine the two buildings, | 0:32:09 | 0:32:11 | |
you've already got the possibility of a wet room downstairs for her. | 0:32:11 | 0:32:15 | |
-OK. -I'm liking this... | 0:32:15 | 0:32:17 | |
Probably more so than she is. | 0:32:17 | 0:32:20 | |
I love the kitchen. It is smaller. | 0:32:20 | 0:32:23 | |
-Yeah. -But I like it. | 0:32:23 | 0:32:24 | |
Let's continue, then. Come on. | 0:32:24 | 0:32:26 | |
Let's continue. | 0:32:26 | 0:32:27 | |
Jules clearly loves the impeccable finish in this house, | 0:32:28 | 0:32:31 | |
which means there's nothing left for him to do. | 0:32:31 | 0:32:34 | |
So, let's see if the theme continues upstairs, | 0:32:34 | 0:32:37 | |
where there's a white-tiled family bathroom and three double bedrooms. | 0:32:37 | 0:32:41 | |
There is one to the front, complete with feature beams and fireplace, | 0:32:41 | 0:32:45 | |
another which is equally well presented, and lastly, | 0:32:45 | 0:32:48 | |
there's the master to see. | 0:32:48 | 0:32:50 | |
That's fab. That's beautiful. | 0:32:50 | 0:32:52 | |
And you've got this storage up here. | 0:32:52 | 0:32:54 | |
This is rather sweet, the ladder that comes with it. | 0:32:54 | 0:32:56 | |
Yeah, very cleverly thought through. | 0:32:56 | 0:32:59 | |
And that fabulous window that just brings that beautiful view right in. | 0:32:59 | 0:33:04 | |
So, let's go out to the garden and | 0:33:04 | 0:33:05 | |
give a bit more thought to how we might | 0:33:05 | 0:33:08 | |
connect this building with the garage... | 0:33:08 | 0:33:11 | |
-Yeah. -Yeah. -..you know, for Ellie. | 0:33:11 | 0:33:12 | |
Yeah. | 0:33:12 | 0:33:13 | |
With the right planning in place, | 0:33:16 | 0:33:17 | |
the garage could offer accommodation options over two floors. | 0:33:17 | 0:33:21 | |
Outside, the mature gardens enjoy | 0:33:22 | 0:33:24 | |
spectacular views to the Brecon Beacons, | 0:33:24 | 0:33:26 | |
with a decked area, a perfect space for relaxing. | 0:33:26 | 0:33:29 | |
It's not a bad view, is it, really? | 0:33:29 | 0:33:32 | |
-Very nice. -I could take that. | 0:33:32 | 0:33:34 | |
-Very nice. -And watch the seasons go by. | 0:33:34 | 0:33:36 | |
It's lovely, isn't it? But what I | 0:33:36 | 0:33:38 | |
want us to really try and make sense of | 0:33:38 | 0:33:40 | |
is how we connect these two buildings. | 0:33:40 | 0:33:41 | |
You can see this lovely oak-framed garden room here, | 0:33:41 | 0:33:45 | |
so I'd be interested to talk to the planners and see whether or not we | 0:33:45 | 0:33:48 | |
could extend that right across to meet the garage. | 0:33:48 | 0:33:51 | |
That would give access for Ellie, then, | 0:33:51 | 0:33:53 | |
-so she'd still be part of the house. -Absolutely. Yeah. | 0:33:53 | 0:33:56 | |
How much do you think this, as it currently stands, | 0:33:56 | 0:33:59 | |
is going to set you back? | 0:33:59 | 0:34:00 | |
I'm going to go for 420. | 0:34:00 | 0:34:02 | |
I'm going to go a little bit lower, about 410-ish. | 0:34:02 | 0:34:05 | |
410-ish? | 0:34:05 | 0:34:07 | |
Because of its size? | 0:34:07 | 0:34:08 | |
-Yeah? -Mm-hmm. | 0:34:08 | 0:34:10 | |
Well, it's on the market for £435,000. | 0:34:10 | 0:34:16 | |
-Right. -So, it's doable. | 0:34:16 | 0:34:18 | |
-It is. -The question is - do you want to do it? | 0:34:18 | 0:34:20 | |
So, I'm going to give you a bit of time here to wander around this one. | 0:34:20 | 0:34:23 | |
-Off you go. -Cheers. | 0:34:23 | 0:34:24 | |
And I'll come and find you a little | 0:34:24 | 0:34:26 | |
bit later on, after our mystery house, | 0:34:26 | 0:34:28 | |
I hope, has worked one final bit of magic. | 0:34:28 | 0:34:32 | |
Under budget, our immaculate mystery schoolhouse may not have the huge | 0:34:34 | 0:34:38 | |
proportions they were after, | 0:34:38 | 0:34:40 | |
but it has character and bags of potential. | 0:34:40 | 0:34:43 | |
There are three bedrooms, separate living spaces, | 0:34:43 | 0:34:46 | |
and an annexe ready and waiting to be transformed. | 0:34:46 | 0:34:49 | |
Plus, it's just a 20-minute drive to visit Ellie. | 0:34:49 | 0:34:52 | |
This is a really tough one because it's a beautiful house. | 0:34:52 | 0:34:57 | |
Loads of character. | 0:34:57 | 0:34:59 | |
I don't know whether we would fit in it. | 0:34:59 | 0:35:01 | |
And then there's the extension for Ellie as well. | 0:35:01 | 0:35:03 | |
It's beautiful. The location is perfect. | 0:35:03 | 0:35:05 | |
So I'm looking around how could it work, | 0:35:05 | 0:35:07 | |
but I'm not sure if it will for us. | 0:35:07 | 0:35:09 | |
I think this house is absolutely fabulous. | 0:35:09 | 0:35:11 | |
Sadly, I don't see it necessarily being for us. | 0:35:11 | 0:35:15 | |
For our particular needs, | 0:35:15 | 0:35:17 | |
the change that we'd have to do to | 0:35:17 | 0:35:19 | |
the back of the house to get something | 0:35:19 | 0:35:21 | |
in for Ellie might be just that little bit too far. | 0:35:21 | 0:35:25 | |
We've really spoilt you for choice this week, haven't we? | 0:35:25 | 0:35:28 | |
-No pressure. -No, well, the pressure's all on you... -OK. | 0:35:30 | 0:35:33 | |
..I've done my bit. | 0:35:33 | 0:35:34 | |
It's up to you to try and make your minds up. | 0:35:34 | 0:35:37 | |
-Come on, let's go. -Magical. Thank you. | 0:35:37 | 0:35:39 | |
Well-known for its historic | 0:35:44 | 0:35:46 | |
architecture and abundance of cider orchards, | 0:35:46 | 0:35:49 | |
Herefordshire is also home to makers | 0:35:49 | 0:35:51 | |
reviving many traditional craft skills. | 0:35:51 | 0:35:54 | |
In the south-west of the county, on Garway Hill, | 0:35:55 | 0:35:58 | |
Aaron Heath has switched from farming to blacksmithing, | 0:35:58 | 0:36:01 | |
and has a forge creating a range of beautifully-made items and artworks. | 0:36:01 | 0:36:06 | |
-Hi, Aaron, nice to meet you. -Nice to meet you. | 0:36:07 | 0:36:09 | |
You know, we talk about blacksmithing... | 0:36:09 | 0:36:11 | |
I mean, you've taken what is a very | 0:36:11 | 0:36:13 | |
traditional craft into the 21st century, | 0:36:13 | 0:36:16 | |
looking at some of the shapes and | 0:36:16 | 0:36:18 | |
the forms that you make around here. | 0:36:18 | 0:36:21 | |
What we do, we try and do a lot of traditional work, | 0:36:21 | 0:36:24 | |
but then it's also gone on into | 0:36:24 | 0:36:27 | |
other areas where we do an awful lot of teaching now. | 0:36:27 | 0:36:31 | |
And then we also do some of the more modern twists on the traditional | 0:36:31 | 0:36:36 | |
element of the business. | 0:36:36 | 0:36:38 | |
As well as creating these elaborate pieces, | 0:36:38 | 0:36:40 | |
Aaron and his team also skilfully replicate heritage ironwork, | 0:36:40 | 0:36:45 | |
which has included commissions for Hereford Cathedral and conservation | 0:36:45 | 0:36:48 | |
-agencies. -A large percentage of our work is doing work for English | 0:36:48 | 0:36:54 | |
Heritage and Cadw, doing architectural hinges and latches, | 0:36:54 | 0:37:00 | |
down to anything that needs repairing, | 0:37:00 | 0:37:02 | |
whether it be a church or a manor house. | 0:37:02 | 0:37:05 | |
I'd love to see how you go about | 0:37:05 | 0:37:06 | |
replicating some of these items from the past. | 0:37:06 | 0:37:09 | |
-OK. -Let's have a look, then. | 0:37:09 | 0:37:11 | |
The forge is a family business, | 0:37:12 | 0:37:14 | |
and working with Aaron and his wife is a team of six blacksmiths. | 0:37:14 | 0:37:17 | |
Oh, this is lovely, mate. | 0:37:20 | 0:37:21 | |
I presume this is just some of the | 0:37:21 | 0:37:23 | |
range of items that you've had to make | 0:37:23 | 0:37:25 | |
-over the years? -Yes, of course. | 0:37:25 | 0:37:27 | |
This is just a few examples. | 0:37:27 | 0:37:28 | |
I could take all of this home, to be perfectly honest with you. | 0:37:28 | 0:37:31 | |
I've got uses for all of it, however, | 0:37:31 | 0:37:32 | |
there is one thing I do need, | 0:37:32 | 0:37:34 | |
and it's something, actually, like that, with these very flat ends. | 0:37:34 | 0:37:38 | |
I've got one on one side of a door, but not on the other. | 0:37:38 | 0:37:41 | |
OK, I'm sure we can help you with that. | 0:37:41 | 0:37:43 | |
Aaron has taken on the challenge of helping me make a door handle, | 0:37:43 | 0:37:47 | |
so I can have a matching pair at home. | 0:37:47 | 0:37:50 | |
We've got one on the go here. | 0:37:50 | 0:37:51 | |
-Oh, look at that. Red hot. -So, this, I've formed as a blank. | 0:37:51 | 0:37:54 | |
We've got the bean end here, which we need to splat out, | 0:37:54 | 0:37:57 | |
give it some more width. | 0:37:57 | 0:37:58 | |
You're going to splat it out? | 0:37:58 | 0:38:00 | |
-That's right. -What sort of | 0:38:00 | 0:38:01 | |
temperature are you heating it to there? | 0:38:01 | 0:38:03 | |
It's about 1,300 degrees. | 0:38:03 | 0:38:06 | |
I'm looking to be working at yellow, | 0:38:06 | 0:38:08 | |
because the steel doesn't stay hot for long. | 0:38:08 | 0:38:10 | |
-There we are. -Let's have a go. | 0:38:10 | 0:38:11 | |
Wow, you've absolutely got every last ounce of heat out of that, | 0:38:18 | 0:38:21 | |
haven't you? | 0:38:21 | 0:38:23 | |
Yes, we've increased the size of that considerably. | 0:38:23 | 0:38:26 | |
-So, would you like to have a go? -I would, absolutely, yes. | 0:38:26 | 0:38:28 | |
That's it. Go for it. | 0:38:30 | 0:38:33 | |
An even splat. | 0:38:33 | 0:38:35 | |
An even splat, we're looking for. | 0:38:35 | 0:38:37 | |
That's it. | 0:38:39 | 0:38:40 | |
That's a good effort. | 0:38:40 | 0:38:42 | |
I think there's a... You can tell who's done it before, can't you? | 0:38:42 | 0:38:45 | |
Right, the next stage is called swaging | 0:38:46 | 0:38:48 | |
and we're going to put a curve over the width of the handle. | 0:38:48 | 0:38:52 | |
Swaging, yeah, that lovely sort of arc you've got there. | 0:38:52 | 0:38:54 | |
Yeah, which just makes it more comfortable in your hand. | 0:38:54 | 0:38:57 | |
This is called a swage. | 0:38:57 | 0:38:59 | |
It goes in the hardy hole in the anvil. | 0:38:59 | 0:39:01 | |
The swage allows me to hammer a | 0:39:01 | 0:39:03 | |
groove into the back of my new handle. | 0:39:03 | 0:39:06 | |
Hold it nice and centrally. | 0:39:06 | 0:39:07 | |
This requires all my effort and | 0:39:10 | 0:39:12 | |
concentration, but if Aaron was making it, | 0:39:12 | 0:39:14 | |
he'd do it in ten minutes. | 0:39:14 | 0:39:16 | |
Uh-oh. | 0:39:17 | 0:39:18 | |
If we take another heat again... | 0:39:18 | 0:39:20 | |
Right. | 0:39:20 | 0:39:22 | |
There's a lot to learn, isn't there? | 0:39:22 | 0:39:24 | |
The metal is steel, | 0:39:25 | 0:39:26 | |
and once it cools it needs to be heated again and again to make it | 0:39:26 | 0:39:29 | |
malleable to shape. | 0:39:29 | 0:39:31 | |
Once red hot, it goes into the vice, | 0:39:31 | 0:39:33 | |
where the curve can at last be added. | 0:39:33 | 0:39:35 | |
And I'll hold it here. | 0:39:36 | 0:39:37 | |
If you could hammer into there, please. | 0:39:37 | 0:39:39 | |
-Right in at the bottom? -That's right. | 0:39:39 | 0:39:41 | |
Ah, you really get that sharp angle. | 0:39:44 | 0:39:47 | |
That's right. And then if you can put a bit more curve in there now. | 0:39:47 | 0:39:51 | |
-Brilliant! -There we go. | 0:39:52 | 0:39:54 | |
So now we've got to form it around the mandrel. | 0:39:54 | 0:39:57 | |
This is a clever little device, isn't it? | 0:39:57 | 0:40:00 | |
-Yes. -A few more knocks into shape... | 0:40:00 | 0:40:03 | |
-Yeah? -Excellent. -It's almost there, isn't it? -Almost there. | 0:40:03 | 0:40:06 | |
So, a few finishing touches from the | 0:40:06 | 0:40:07 | |
expert and my handle might actually look | 0:40:07 | 0:40:10 | |
like it's supposed to! | 0:40:10 | 0:40:11 | |
Cool it off. | 0:40:11 | 0:40:13 | |
Fabulous. A period handle that really does match | 0:40:15 | 0:40:19 | |
the one I've already got on the door. Fabulous. | 0:40:19 | 0:40:22 | |
Cheers, mate. | 0:40:22 | 0:40:24 | |
So, let's forge ahead and see if Diana and Jules have come to a firm | 0:40:24 | 0:40:28 | |
decision about any of our properties. | 0:40:28 | 0:40:30 | |
Well, Jules and Diana wouldn't be the first buyers I've met who've | 0:40:33 | 0:40:36 | |
actually complained about being | 0:40:36 | 0:40:38 | |
spoiled for choice, but in my experience, | 0:40:38 | 0:40:41 | |
that can only be a good thing. | 0:40:41 | 0:40:42 | |
But, of course, they can choose only one. | 0:40:42 | 0:40:45 | |
So, which one of our properties are they likely to go for? | 0:40:45 | 0:40:48 | |
Well, to be perfectly honest, I really don't know. | 0:40:48 | 0:40:51 | |
So, what's it to be, then, | 0:40:56 | 0:40:58 | |
if indeed any of our properties are likely to suit? | 0:40:58 | 0:41:03 | |
They've been fascinating properties, all of them. | 0:41:03 | 0:41:06 | |
Erm, it's trying to make what will work for us. | 0:41:06 | 0:41:08 | |
We liked all of them. | 0:41:08 | 0:41:10 | |
Yeah, they were all brilliant, | 0:41:10 | 0:41:13 | |
but the one that was bonkers, big and rambling, a bit like me... | 0:41:13 | 0:41:18 | |
It's the second one for us. | 0:41:18 | 0:41:20 | |
-Yeah? -It was great. | 0:41:20 | 0:41:22 | |
And what do you think Ellie will make of it? | 0:41:22 | 0:41:26 | |
I think she would love it, actually. | 0:41:26 | 0:41:28 | |
She loves... She loves walking, so walking around there, | 0:41:28 | 0:41:30 | |
there's loads of things to look around and see, | 0:41:30 | 0:41:33 | |
but the garden she'd love, | 0:41:33 | 0:41:34 | |
because the garden is as rambling as the house. | 0:41:34 | 0:41:37 | |
There's lots of different areas and she'd love that. | 0:41:37 | 0:41:40 | |
Yeah. If you do buy property number two, | 0:41:40 | 0:41:43 | |
we can virtually wave at each other from our gardens! | 0:41:43 | 0:41:47 | |
Jules! Jules! | 0:41:47 | 0:41:49 | |
Guys, thank you very much, it's been a lot of fun. | 0:41:49 | 0:41:52 | |
You're obviously going to go back and have another look, I suppose. | 0:41:52 | 0:41:55 | |
-Yes. -Will you take Ellie with you? | 0:41:55 | 0:41:56 | |
-Very much so. -Yeah. -Yeah, yeah. | 0:41:56 | 0:41:58 | |
Good. Well, let us know how you get on, and I dare say... | 0:41:58 | 0:42:03 | |
Well, friends and neighbours will | 0:42:03 | 0:42:05 | |
tell me before even I know if you've bought it. | 0:42:05 | 0:42:08 | |
But I look forward to hearing how you've got on. | 0:42:08 | 0:42:10 | |
-Aww. Yeah, we'd love to have it. -Thank you so much indeed. | 0:42:10 | 0:42:13 | |
Well, this certainly has been a | 0:42:15 | 0:42:16 | |
house search with a difference because | 0:42:16 | 0:42:18 | |
of one fundamental element that we have not sought to compromise on, | 0:42:18 | 0:42:23 | |
and that is Diana and Jules's wish to find a home that is absolutely | 0:42:23 | 0:42:27 | |
perfect for their daughter, Ellie. | 0:42:27 | 0:42:30 | |
The journey that's brought this | 0:42:30 | 0:42:31 | |
family here to Herefordshire has had many | 0:42:31 | 0:42:34 | |
twists and turns over the years, | 0:42:34 | 0:42:35 | |
and I suspect it has not been entirely easy, | 0:42:35 | 0:42:39 | |
but hopefully that is a journey that is now coming to an end - | 0:42:39 | 0:42:42 | |
an end that in itself marks the | 0:42:42 | 0:42:44 | |
start of a new life here in the Borders. | 0:42:44 | 0:42:47 | |
Take it from me, I can certainly recommend it. | 0:42:47 | 0:42:50 | |
I'll see you next time. | 0:42:50 | 0:42:52 | |
If you'd like to escape to the country | 0:42:52 | 0:42:54 | |
in Northern Ireland, Scotland, | 0:42:54 | 0:42:55 | |
Wales or England and need our help, you can apply online at... | 0:42:55 | 0:42:59 |