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Back in the 1950s, a local baker bought this castle for just £3,000. | 0:00:02 | 0:00:06 | |
Fast forward a couple of decades, | 0:00:06 | 0:00:08 | |
and rock bands like Black Sabbath were rehearsing and recording here. | 0:00:08 | 0:00:13 | |
Today, though, well, it's a picture of serenity, | 0:00:13 | 0:00:16 | |
but it has had a rocky history, and I'll tell you more about that | 0:00:16 | 0:00:20 | |
and, of course, where I am, in just a couple of moments. | 0:00:20 | 0:00:24 | |
On today's show, I'm presented with a downsizing dilemma. | 0:00:41 | 0:00:45 | |
-It looks quite big. -Yes. Well, it needs to be. | 0:00:45 | 0:00:47 | |
-Yeah, I know that. -I know you said you're downsizing, | 0:00:47 | 0:00:50 | |
but you've mentioned half an ark full of animals, and five humans. | 0:00:50 | 0:00:54 | |
Yeah, that's very true. | 0:00:54 | 0:00:56 | |
But with some property gems up my sleeve, | 0:00:56 | 0:00:58 | |
I'm confident we can find them a home with some added extras. | 0:00:58 | 0:01:02 | |
That is Aladdin's cave in there. | 0:01:02 | 0:01:04 | |
Maybe something to even play around with in the future. | 0:01:04 | 0:01:07 | |
-Yeah. -I'm already thinking that way. | 0:01:07 | 0:01:09 | |
-Yeah, yeah. -Don't worry, I'm there. -I thought you might be! | 0:01:09 | 0:01:11 | |
Come with me. | 0:01:11 | 0:01:13 | |
Today, I'm in the Forest of Dean, | 0:01:16 | 0:01:19 | |
and this is Clearwell Castle in Gloucestershire. | 0:01:19 | 0:01:22 | |
Built in the Gothic style, it dates back to the 1700s. | 0:01:22 | 0:01:25 | |
but it hasn't always looked this immaculate. | 0:01:25 | 0:01:28 | |
During the 20th century, it was gutted by fire, and only saved from | 0:01:28 | 0:01:32 | |
demolition by the son of a former gardener who actually worked here, | 0:01:32 | 0:01:36 | |
who then spent the rest of his life restoring it until his death | 0:01:36 | 0:01:40 | |
in the 1970s. | 0:01:40 | 0:01:42 | |
It was then that a recording studio built here in the basement of the | 0:01:42 | 0:01:45 | |
building attracted such rock royalty as Queen and Led Zeppelin, | 0:01:45 | 0:01:50 | |
who recorded their music here. | 0:01:50 | 0:01:52 | |
Today, it's Grade II-listed, and is one of many intriguing landmarks | 0:01:52 | 0:01:57 | |
that you'll find across the region. | 0:01:57 | 0:01:58 | |
Lying in the west of Gloucestershire, | 0:02:01 | 0:02:03 | |
the Royal Forest of Dean sits in a prime position | 0:02:03 | 0:02:06 | |
just west of the Cotswolds and the River Severn, | 0:02:06 | 0:02:08 | |
and sitting shoulder to shoulder with the Wye Valley. | 0:02:08 | 0:02:11 | |
Covering around 20% of the county's landscape, | 0:02:13 | 0:02:16 | |
the Royal Forest was originally a hunting reserve, | 0:02:16 | 0:02:18 | |
and became the first park in England to be designated | 0:02:18 | 0:02:21 | |
as a national forest in 1939. | 0:02:21 | 0:02:23 | |
At its heart, the striking magical dense woodland of Puzzlewood | 0:02:25 | 0:02:29 | |
is said to have been the inspiration behind JRR Tolkien's Middle Earth | 0:02:29 | 0:02:33 | |
in The Lord Of The Rings. | 0:02:33 | 0:02:34 | |
From meandering pathways and mazes to caves and river cruises, | 0:02:35 | 0:02:39 | |
the forest offers up a natural playground for outdoor activities. | 0:02:39 | 0:02:43 | |
Take a trip along the Wye from Symonds Yat, or ride on the | 0:02:43 | 0:02:47 | |
4.5 mile heritage railway from Park End down to Lydney Harbour. | 0:02:47 | 0:02:52 | |
Built in the 1800s, it was once one of the UK's principal sea links | 0:02:52 | 0:02:55 | |
for transporting iron and coal mined in the forest, | 0:02:55 | 0:02:59 | |
and today is a rare example of an unspoiled 19th-century harbour, | 0:02:59 | 0:03:04 | |
and the perfect place to soak up the surrounding scenery. | 0:03:04 | 0:03:07 | |
Sandwiched between the Cotswolds and the Wye Valley, you might expect | 0:03:09 | 0:03:12 | |
high property prices here in the Forest of Dean, | 0:03:12 | 0:03:14 | |
but this area actually offers really good value for money. | 0:03:14 | 0:03:17 | |
The average price of a detached home here | 0:03:17 | 0:03:20 | |
comes in at around £275,000, | 0:03:20 | 0:03:23 | |
a most welcome £50,000 below the figure for the whole of the UK. | 0:03:23 | 0:03:28 | |
Which is just as well, as today's buyers are looking to | 0:03:28 | 0:03:31 | |
move three generations of the family to their new country home. | 0:03:31 | 0:03:35 | |
Part-time health care assistant Sandra and recently retired | 0:03:37 | 0:03:40 | |
IT consultant Mike have been married nearly 24 years. | 0:03:40 | 0:03:44 | |
It was their work that first brought them together. | 0:03:44 | 0:03:46 | |
I was working on a contract in Purley, | 0:03:47 | 0:03:52 | |
and they decided I needed an admin assistant, | 0:03:52 | 0:03:55 | |
-so I came in one morning... -He was late. | 0:03:55 | 0:03:57 | |
I'll never forget that! | 0:03:59 | 0:04:01 | |
And there, sat by the side of my desk, | 0:04:01 | 0:04:03 | |
was this lovely young lady called Sandra. | 0:04:03 | 0:04:06 | |
Much of their early married life was spent on the move | 0:04:06 | 0:04:09 | |
due to Mike's contract work, | 0:04:09 | 0:04:10 | |
but once their three children were settled in school, | 0:04:10 | 0:04:13 | |
they decided to base themselves around East Grinstead near Gatwick, | 0:04:13 | 0:04:17 | |
to ease his commute. | 0:04:17 | 0:04:18 | |
With his work and travelling, it made we've travelled a lot, | 0:04:18 | 0:04:21 | |
which has been lovely. Children have sort of seen a lot of places. | 0:04:21 | 0:04:24 | |
You might think it's a wonderful thing working away all the time, | 0:04:24 | 0:04:28 | |
but after a while, it's like you miss home. | 0:04:28 | 0:04:30 | |
Sitting on a plane every Monday morning and then sitting on a plane | 0:04:30 | 0:04:34 | |
every Thursday or Friday night to come home, | 0:04:34 | 0:04:36 | |
it's a way of commuting, but it gets tiresome. | 0:04:36 | 0:04:39 | |
Their current home is a five bedroom three-storey house they had built | 0:04:41 | 0:04:44 | |
for them nine years ago. Opting for a self-build meant they could | 0:04:44 | 0:04:48 | |
achieve the space the family needed in a convenient location. | 0:04:48 | 0:04:52 | |
But now that Mike's work life no longer dictates their home life, | 0:04:52 | 0:04:55 | |
they've decided to swap runways for byways in a move to the countryside. | 0:04:55 | 0:04:59 | |
The West Country to me is... | 0:05:01 | 0:05:02 | |
Yeah, it's where I was brought up, it's where I spent my teenage years. | 0:05:02 | 0:05:06 | |
It's different. I suppose I've always had this pull | 0:05:06 | 0:05:09 | |
to go back there, and there's my opportunity. | 0:05:09 | 0:05:11 | |
And I hope my wife will be happy up there as well. | 0:05:12 | 0:05:14 | |
Although the move will be a downsize for Mike and Sandra, | 0:05:16 | 0:05:19 | |
they'll need room for their youngest daughter, | 0:05:19 | 0:05:21 | |
who's about to start university, | 0:05:21 | 0:05:23 | |
and space to create a more permanent base for eldest daughter | 0:05:23 | 0:05:25 | |
Rachel, and grandson Alfie. | 0:05:25 | 0:05:28 | |
My eldest, obviously with the grandson, is really wanting to move. | 0:05:28 | 0:05:32 | |
It's going to be her opportunity to basically, | 0:05:32 | 0:05:35 | |
hopefully, if we get what we want, have her own place, you know, | 0:05:35 | 0:05:38 | |
to be able to kind of move on in her life and have her independence. | 0:05:38 | 0:05:42 | |
I want to show my grandchild where I was a child so that he can say, | 0:05:42 | 0:05:45 | |
"Oh, grandad used to do this, grandad used to do that". | 0:05:45 | 0:05:48 | |
They hope this next house will be somewhere to enjoy some | 0:05:48 | 0:05:51 | |
all-important family time that in the past has been so rare, | 0:05:51 | 0:05:55 | |
and somewhere their pets will feel equally at home. | 0:05:55 | 0:06:00 | |
Well, I've got six dogs. | 0:06:00 | 0:06:01 | |
Anything could just be positive for them in a move, | 0:06:01 | 0:06:03 | |
cos they're going to have hopefully more space, and the chickens... | 0:06:03 | 0:06:07 | |
-well, they're yours. -Chickens don't care where they are | 0:06:07 | 0:06:10 | |
as long as they get fed. | 0:06:10 | 0:06:11 | |
And then it's just all the fish that we've got to take, isn't it? | 0:06:11 | 0:06:13 | |
Yeah, that's going to be a bit more of a move. | 0:06:13 | 0:06:15 | |
I think that all we've got to move, isn't it? | 0:06:15 | 0:06:17 | |
It'll take a bit of planning, but I think they'll be OK. | 0:06:17 | 0:06:19 | |
Well, this'll be our fifth move. We've lived in four houses | 0:06:19 | 0:06:22 | |
since we've been together, and each house, we've modified somewhat. | 0:06:22 | 0:06:25 | |
All the experience we've got, we can put all together and achieve | 0:06:25 | 0:06:27 | |
to get the house we've always wanted, and live the life. | 0:06:27 | 0:06:32 | |
-Hopefully. -Yeah. | 0:06:32 | 0:06:34 | |
For the first time in their married lives, Mike and Sandra are free | 0:06:38 | 0:06:42 | |
to live in a location not dictated by Mike's work, | 0:06:42 | 0:06:45 | |
so they're following their hearts to be Forest of Dean. | 0:06:45 | 0:06:48 | |
Time to find out how this next house will work for the three generations. | 0:06:49 | 0:06:53 | |
Welcome to the Forest of Dean. | 0:06:54 | 0:06:56 | |
Not a million miles away from where you're from, Mike. | 0:06:56 | 0:06:59 | |
True. Cheltenham is where I was brought up. | 0:06:59 | 0:07:01 | |
So that is what's pulling you back here, is it? | 0:07:01 | 0:07:03 | |
-It is, yes. -This is only half the journey, isn't it? | 0:07:03 | 0:07:05 | |
You've got to convince Sandra that this is a place where you're | 0:07:05 | 0:07:08 | |
going to find the right kind of house, | 0:07:08 | 0:07:09 | |
and you're looking for something quite different, aren't you, Sandra? | 0:07:09 | 0:07:12 | |
Yeah, quite unique, cos I suppose, not only do we want to downsize... | 0:07:12 | 0:07:15 | |
-Yeah. -...but we're bringing... | 0:07:15 | 0:07:17 | |
Well, we're still bringing all our children with us, | 0:07:17 | 0:07:19 | |
but specifically my eldest daughter and grandson, | 0:07:19 | 0:07:22 | |
to give them their independence, | 0:07:22 | 0:07:24 | |
so we're looking for something separate for them as well, so... | 0:07:24 | 0:07:27 | |
I mean, annexes, they've never been in more demand than they are now. | 0:07:27 | 0:07:30 | |
-Oh, right. -People looking after parents, | 0:07:30 | 0:07:32 | |
people in your position wanting... graduate children that can't afford | 0:07:32 | 0:07:35 | |
-to get on the ladder... -Yeah, yeah. | 0:07:35 | 0:07:37 | |
But there's less of them around. | 0:07:37 | 0:07:39 | |
So, it's a tricky time to be looking for a property of this ilk. | 0:07:39 | 0:07:42 | |
-Yeah. -Can you do...? Are you prepared to take on work | 0:07:42 | 0:07:44 | |
to maybe adapt a property towards your own specifications? | 0:07:44 | 0:07:47 | |
-Oh, definitely. -Very willing. | 0:07:47 | 0:07:49 | |
I mean, the house we're in at the moment, we had built. | 0:07:49 | 0:07:51 | |
Right. OK, so you're used to living on a building site. That's good. | 0:07:51 | 0:07:54 | |
-Yeah. -Yeah. -What's your ideal house? | 0:07:54 | 0:07:56 | |
Open spaces. A large open kitchen diner. | 0:07:56 | 0:07:59 | |
-OK. -Bungalow. -What about outside space? | 0:07:59 | 0:08:02 | |
Yes, I need some. I mean, I like the garden. | 0:08:02 | 0:08:04 | |
-Yeah, we do have a few dogs. -Yeah, we have a few dogs. -A few dogs? | 0:08:04 | 0:08:07 | |
-Yeah. -All right. Anything else? | 0:08:07 | 0:08:08 | |
-Chickens. -Here we go. Come on. | 0:08:08 | 0:08:11 | |
-And some fish. -Roll call for Noah's Ark! | 0:08:11 | 0:08:14 | |
Dogs, chickens, fish. | 0:08:14 | 0:08:15 | |
-Yes. -OK, so maybe an ability to dig out a pond or something like that. | 0:08:15 | 0:08:18 | |
I'd have to do that. I have a few koi carp. | 0:08:18 | 0:08:20 | |
-Will you? -They'd have to move with us. | 0:08:20 | 0:08:21 | |
Well, let's talk price, then. | 0:08:21 | 0:08:23 | |
What's the budget you've got set up for this? | 0:08:23 | 0:08:25 | |
We started off with... | 0:08:25 | 0:08:27 | |
All right, let's throw out 300,000, and then we could spend 150 to 175 | 0:08:27 | 0:08:31 | |
to do it up to exactly what we want. | 0:08:31 | 0:08:33 | |
Should you therefore find us the perfect property that we can | 0:08:33 | 0:08:36 | |
move into tomorrow, £475,000. | 0:08:36 | 0:08:40 | |
There's a lot of things to consider here. A lot of people. | 0:08:40 | 0:08:45 | |
But I'm going to focus on you and your daughter and grandson initially. | 0:08:45 | 0:08:48 | |
-Yeah, definitely. -And everybody else will just have to muck in. | 0:08:48 | 0:08:51 | |
-Yeah, they will. -That's what we've decided. | 0:08:51 | 0:08:53 | |
Good. All right. Let's get going, shall we? | 0:08:53 | 0:08:54 | |
-OK. -Yeah. | 0:08:54 | 0:08:56 | |
With a top budget of £475,000, | 0:08:56 | 0:08:59 | |
Sandra and Mike want a country property that can provide them | 0:08:59 | 0:09:02 | |
with two separate dwellings, | 0:09:02 | 0:09:04 | |
but are open-minded about style, and would consider a project. | 0:09:04 | 0:09:08 | |
All in all, they need at least four bedrooms, | 0:09:08 | 0:09:10 | |
and would like a large garden for their many pets, | 0:09:10 | 0:09:13 | |
ideally within a village that has a good primary school. | 0:09:13 | 0:09:16 | |
We've lined up three great properties for them to see, | 0:09:17 | 0:09:20 | |
all with the potential to suit each of the three generations. | 0:09:20 | 0:09:24 | |
They'll have to guess the price of each one before I reveal it, | 0:09:24 | 0:09:26 | |
and for our final property, | 0:09:26 | 0:09:28 | |
we've found a Mystery House that's certain to bring the family | 0:09:28 | 0:09:31 | |
even closer together. | 0:09:31 | 0:09:34 | |
But aside from the family focus, | 0:09:34 | 0:09:35 | |
I'm keen to find out what retirement has in store for Mike and Sandra. | 0:09:35 | 0:09:41 | |
What about things to do for yourselves? | 0:09:41 | 0:09:43 | |
New hobbies, new pastimes? | 0:09:43 | 0:09:45 | |
Well, new hobby, my father, when he retired, took up wood turning. | 0:09:45 | 0:09:49 | |
-Oh, really? -And he got the lathe and he's got all the chisels | 0:09:49 | 0:09:52 | |
and things like that, so I've inherited that. | 0:09:52 | 0:09:55 | |
Have you done much physical work like that before? | 0:09:55 | 0:09:58 | |
Nope. Never done any wood turning before at all. | 0:09:58 | 0:10:00 | |
You're less practical than your dad was. | 0:10:00 | 0:10:02 | |
No, my dad was very good with his hands. | 0:10:02 | 0:10:04 | |
-Your dad was a perfectionist. -Oh, that is absolutely brutal. | 0:10:04 | 0:10:08 | |
You just said that to a man! | 0:10:08 | 0:10:10 | |
I have to admit it, I have to admit that. | 0:10:10 | 0:10:12 | |
-Oh, do you? -I'm used to it, don't worry. | 0:10:12 | 0:10:14 | |
We're heading to Viney Hill, | 0:10:19 | 0:10:20 | |
a rural hamlet on the eastern fringes of the Forest of Dean, | 0:10:20 | 0:10:23 | |
just a five-minute drive from the banks of the River Severn. | 0:10:23 | 0:10:27 | |
Before seeing the house, we're stopping off in the village | 0:10:27 | 0:10:30 | |
to soak up the atmosphere. | 0:10:30 | 0:10:32 | |
I wanted to show you the fact that you are IN a village, | 0:10:32 | 0:10:35 | |
so you can see you've got chimney pots around you, | 0:10:35 | 0:10:37 | |
but also you've got a pub. You've got a church. | 0:10:37 | 0:10:40 | |
For the schooling, the next village along, Yorkley, | 0:10:40 | 0:10:43 | |
has a primary school and a pub, and a couple of shops as well. | 0:10:43 | 0:10:48 | |
-OK. -Let's have a bit of a mooch around, then we'll go to the house. | 0:10:48 | 0:10:51 | |
-How's that? -OK, great. -Yeah. -Lovely. | 0:10:51 | 0:10:54 | |
Despite being right in the heart of Viney Hill, | 0:10:54 | 0:10:56 | |
the house we're seeing enjoys a surprisingly secluded setting. | 0:10:56 | 0:11:00 | |
Well, the first property is an old quarryman's cottage. | 0:11:00 | 0:11:03 | |
-This place here. -Wow. | 0:11:03 | 0:11:04 | |
-Ooh, actually, I like that. -Yeah. That's unusual. | 0:11:05 | 0:11:09 | |
-Oh, there's a fish pond I can see over there. -There is indeed. | 0:11:09 | 0:11:11 | |
The sound of running water as you walk in, rather nice. | 0:11:11 | 0:11:14 | |
It looks amazing. I love that old pump as well. | 0:11:14 | 0:11:16 | |
Yeah. I like it. Got a lot of character. | 0:11:16 | 0:11:17 | |
Well, these are great first impressions. | 0:11:17 | 0:11:19 | |
-Should we go have a look inside? -Yes, please. -Come with me. -OK. | 0:11:19 | 0:11:22 | |
Inside, this property has a flexible layout, which I hope will appeal | 0:11:23 | 0:11:26 | |
to Mike and Sandra. The main entrance leads us into the kitchen. | 0:11:26 | 0:11:30 | |
Now, Sandra, you said you wanted a decent sized kitchen diner. | 0:11:30 | 0:11:34 | |
-Yeah. -You tell me. -This is a decent size. | 0:11:34 | 0:11:37 | |
-And it's very light. -I like the way it goes | 0:11:37 | 0:11:39 | |
-into the conservatory there. That's really nice. -Plenty big enough. | 0:11:39 | 0:11:43 | |
Now, this isn't really a kitchen diner as much as it's | 0:11:43 | 0:11:45 | |
a kitchen living room sort of thing, isn't it? | 0:11:45 | 0:11:47 | |
-Yeah. It is. -Would you keep it as that? | 0:11:47 | 0:11:50 | |
I probably would be tempted still to... | 0:11:50 | 0:11:53 | |
-Put a table down in there. -Casual dining space up the end, yeah. | 0:11:53 | 0:11:56 | |
-So far? -Lovely. -Very nice. -Yeah. Really nice. | 0:11:56 | 0:11:59 | |
-Let's look at the living room next. -OK. -Mind your head. | 0:11:59 | 0:12:02 | |
Just off the kitchen is a hallway leading to three reception rooms, | 0:12:03 | 0:12:07 | |
including a large bright living room, with French doors opening | 0:12:07 | 0:12:10 | |
onto the garden, and a wood burning stove. | 0:12:10 | 0:12:12 | |
OK, so the living room's a quirky shape. | 0:12:13 | 0:12:15 | |
Oh, wow. It's nice, though. | 0:12:15 | 0:12:17 | |
-It is, isn't it? -Yeah. It's a nice size, actually. | 0:12:17 | 0:12:20 | |
-Oh, is that a log fire? -Yep. -Oh, I like that. | 0:12:20 | 0:12:23 | |
-Wow. -A great bit of space here as well, though. -Yeah. | 0:12:23 | 0:12:26 | |
-It's getting better. -Good. Well, it started off pretty well. | 0:12:26 | 0:12:29 | |
-Yeah. -Now, I've got a couple of things you need to consider | 0:12:29 | 0:12:32 | |
whilst we're here, just so you know. | 0:12:32 | 0:12:33 | |
-OK. -Next door, there's a small... | 0:12:33 | 0:12:36 | |
They've got it laid out as a bedroom at the moment, a spare bedroom. | 0:12:36 | 0:12:39 | |
-OK. -And then to the other side of the staircase, this other hall | 0:12:39 | 0:12:42 | |
that we just walk through, there's another reception room... | 0:12:42 | 0:12:44 | |
-OK. -..with a door going to a shower room, and a back door | 0:12:44 | 0:12:47 | |
-and sort of vestibule area. -OK. | 0:12:47 | 0:12:49 | |
You could get a really nice one bedroom, | 0:12:49 | 0:12:51 | |
one kitchen accommodation there, if you wanted to. | 0:12:51 | 0:12:53 | |
-Yeah, OK. -Maybe your daughter could have her own living room, | 0:12:53 | 0:12:57 | |
her own bedroom and bathroom, and the grandson kips upstairs. | 0:12:57 | 0:13:01 | |
-I understand what you're saying. -OK. Yeah, this is nice. | 0:13:01 | 0:13:04 | |
-So far. -Excellent. | 0:13:04 | 0:13:05 | |
Well, let's go and take a look at the master bedroom. | 0:13:05 | 0:13:07 | |
-Just come with me here. -OK. | 0:13:07 | 0:13:09 | |
With a bit of reconfiguration, this house could make a great home | 0:13:11 | 0:13:14 | |
for Mike and Sandra, and give daughter Rachel | 0:13:14 | 0:13:17 | |
the separate space she needs. Upstairs are two further bedrooms, | 0:13:17 | 0:13:20 | |
including one for Alfie, and a family bathroom. | 0:13:20 | 0:13:23 | |
-OK. This is a good size. -This is yours, essentially. | 0:13:25 | 0:13:29 | |
-Yeah. -Yeah, it's big enough. | 0:13:29 | 0:13:30 | |
Quite nice. Got a bit of character and that. | 0:13:30 | 0:13:32 | |
I get a bit nervous when you walk into a room, Mike, | 0:13:32 | 0:13:35 | |
because you're talking, Sandra, you're talking about what | 0:13:35 | 0:13:38 | |
you're seeing, and I think, "Great, great, this all sounds good," | 0:13:38 | 0:13:41 | |
and Mike'll take a big breath, and I'm thinking, | 0:13:41 | 0:13:43 | |
"Oh, no, what's coming?" Then he says, "This is fine". | 0:13:43 | 0:13:46 | |
This is the difference between us. | 0:13:46 | 0:13:48 | |
Sandra is reactive, I think about it. | 0:13:48 | 0:13:50 | |
-Right, OK. -Then talk about it. | 0:13:50 | 0:13:52 | |
-Quite a good team. -We get there in the end. | 0:13:52 | 0:13:54 | |
OK, now outside, this house sits in an acre of a plot. | 0:13:54 | 0:13:59 | |
So there might be ways in which to find other areas to break out to, | 0:13:59 | 0:14:04 | |
or something that you might be able to construct in time. | 0:14:04 | 0:14:06 | |
-Should we go and take a peek? -Yeah. -Yes, please. -Great. | 0:14:06 | 0:14:08 | |
Outside, the attractive gardens are divided into a number of | 0:14:10 | 0:14:13 | |
different areas, and like inside, offer plenty of potential. | 0:14:13 | 0:14:16 | |
There's a patio area to the front with a pond for the fish, | 0:14:18 | 0:14:20 | |
and a number of outbuildings, including a sizeable stone workshop | 0:14:20 | 0:14:24 | |
that could be converted into living accommodation. | 0:14:24 | 0:14:27 | |
That's a double garage with power in it. | 0:14:27 | 0:14:30 | |
-Uh-huh. -This is the owner's workshop. | 0:14:30 | 0:14:32 | |
That is Aladdin's cave in there. | 0:14:32 | 0:14:34 | |
-Good, good, good. -These are buildings to bear in mind, | 0:14:34 | 0:14:37 | |
maybe something to even play around with in the future. | 0:14:37 | 0:14:40 | |
-Yeah. -I'm already thinking that way. | 0:14:40 | 0:14:42 | |
-Don't worry, I'm there. -I thought you might be! | 0:14:42 | 0:14:44 | |
Come with me. | 0:14:44 | 0:14:46 | |
What's not to love about this garden, eh? | 0:14:50 | 0:14:52 | |
-Lovely. -It's lovely. It's really lovely, isn't it? | 0:14:53 | 0:14:55 | |
-So many bits to it, it's great. -Yeah. | 0:14:55 | 0:14:57 | |
And we're getting a lot of sun here, which is good. | 0:14:57 | 0:14:59 | |
-Yeah. -You're not overlooked at all. | 0:14:59 | 0:15:01 | |
-I like that. -How much do you think this property is on the market for? | 0:15:01 | 0:15:06 | |
£395,000. | 0:15:07 | 0:15:09 | |
I'd go a bit higher. | 0:15:09 | 0:15:11 | |
£410,000. | 0:15:11 | 0:15:14 | |
This place is on the market for offers around £429,950. | 0:15:14 | 0:15:22 | |
-OK. -Yeah, OK. That's all right. | 0:15:22 | 0:15:25 | |
Yeah. Lots of character and potential here. | 0:15:25 | 0:15:28 | |
-Definitely. -It's a beautiful day. | 0:15:28 | 0:15:30 | |
Have a good look around, go back into the house, | 0:15:30 | 0:15:32 | |
start to configure the NEW home that your family might have here. | 0:15:32 | 0:15:36 | |
-Yes. -Yeah. -And then I'll meet you... | 0:15:36 | 0:15:38 | |
Well, hopefully I'll have found some sunny spot to sit down and relax. | 0:15:38 | 0:15:40 | |
There's a lot of sun around. | 0:15:40 | 0:15:42 | |
Don't worry, I'll find it. I'm good at that. | 0:15:42 | 0:15:44 | |
-See you in a mo. -Thank you. -Thank you. | 0:15:44 | 0:15:46 | |
Comfortably within budget, this quarryman's cottage | 0:15:49 | 0:15:51 | |
has three double bedrooms and three reception rooms | 0:15:51 | 0:15:54 | |
with a flexible layout, meaning daughter Rachel and grandson Alfie | 0:15:54 | 0:15:58 | |
could move straight in, | 0:15:58 | 0:16:00 | |
with the option of converting the outbuildings in the future. | 0:16:00 | 0:16:03 | |
There's plenty of outdoor space for the animals, | 0:16:03 | 0:16:05 | |
and it's in the centre of a village, with a primary school just nearby. | 0:16:05 | 0:16:10 | |
Oh, mind the step. | 0:16:10 | 0:16:12 | |
See, if we can get through there to where the garage is, | 0:16:12 | 0:16:15 | |
to somehow join it all together... | 0:16:15 | 0:16:18 | |
It would work as a separate annexe, wouldn't it? | 0:16:18 | 0:16:20 | |
A separate annexe, yeah. | 0:16:20 | 0:16:21 | |
I think this house is lovely. | 0:16:21 | 0:16:23 | |
I love the way it's in the village, but it's actually isolated. | 0:16:23 | 0:16:26 | |
You almost feel as though you're in the middle of nowhere, | 0:16:26 | 0:16:29 | |
but you're not. | 0:16:29 | 0:16:30 | |
The space and the plot, I absolutely love. | 0:16:30 | 0:16:33 | |
Kitchen - brilliant. | 0:16:33 | 0:16:35 | |
Just don't know whether we can jig it around enough to work for us. | 0:16:35 | 0:16:40 | |
Upstairs is smaller than what we're used to, | 0:16:40 | 0:16:42 | |
but I know I have to get used to that. | 0:16:42 | 0:16:44 | |
It's potential. I'm keeping my mind open at the moment. | 0:16:44 | 0:16:48 | |
So what do you think of the house? | 0:16:48 | 0:16:50 | |
-Yes. -Lovely. -Quirky, but nice. | 0:16:50 | 0:16:52 | |
-Excellent. -I like it. -Good start, then. | 0:16:52 | 0:16:54 | |
-Yeah. -Good start. -Yeah, it was a good start. | 0:16:54 | 0:16:56 | |
-Onward and upward. Come with me. -OK. | 0:16:56 | 0:16:58 | |
Growing up in the Forest of Dean, | 0:17:03 | 0:17:05 | |
Mike has fond memories of days spent canoeing, | 0:17:05 | 0:17:08 | |
camping, and exploring the vast woodlands. | 0:17:08 | 0:17:10 | |
By returning to his roots and bringing his family with him, | 0:17:11 | 0:17:14 | |
he hopes his grandson will be able to enjoy the kind of | 0:17:14 | 0:17:17 | |
carefree childhood he had. | 0:17:17 | 0:17:19 | |
But, now retired, he and Sandra also look forward to taking up | 0:17:20 | 0:17:23 | |
new pursuits. After being left a set of tools by his father, | 0:17:23 | 0:17:27 | |
Mike is keen to take up the ancient craft of wood turning. | 0:17:27 | 0:17:31 | |
So, whilst taking some time out to show Sandra the beauty of the | 0:17:31 | 0:17:34 | |
forest, we've arranged for them to meet Keith Fenton, | 0:17:34 | 0:17:37 | |
chairman of the Forest of Dean Woodturners, | 0:17:37 | 0:17:39 | |
who's lived in the area for 23 years. | 0:17:39 | 0:17:42 | |
What would you say is special about the Forest of Dean? | 0:17:43 | 0:17:46 | |
The whole area, I think, together. | 0:17:46 | 0:17:48 | |
It's partly the scenery, the wildlife. | 0:17:48 | 0:17:50 | |
You know, we've got wild boar roaming around, | 0:17:50 | 0:17:52 | |
which are a bit contentious. We've got sheep. | 0:17:52 | 0:17:55 | |
You know, I love the woodland anyway, | 0:17:55 | 0:17:57 | |
partly because of the wood for wood turning. | 0:17:57 | 0:18:00 | |
-How long have you been a wood turner? -Just over 50 years. | 0:18:00 | 0:18:03 | |
I started at school, and I've not really stopped since. | 0:18:03 | 0:18:06 | |
-Let me show you around the Forest of Dean. -Lovely. -Thank you, lovely. | 0:18:06 | 0:18:09 | |
-Follow me. -Thanks. | 0:18:09 | 0:18:11 | |
The Forest of Dean is home to around 20 million trees, | 0:18:11 | 0:18:14 | |
including oak, beech, ash, and holly. | 0:18:14 | 0:18:17 | |
Timber sourced from the forest has historically been used in the | 0:18:17 | 0:18:20 | |
building of Britain's Navy warships, including the Mary Rose, | 0:18:20 | 0:18:23 | |
Henry VIII's flagship which famously sank in 1545. | 0:18:23 | 0:18:28 | |
The practice of turning wood is thought to be | 0:18:28 | 0:18:30 | |
thousands of years old, with evidence of the technique | 0:18:30 | 0:18:34 | |
being used as far back as the sixth century BC. | 0:18:34 | 0:18:37 | |
The skill begins in selecting the right piece of wood. | 0:18:37 | 0:18:40 | |
These are pieces of work I've made. | 0:18:42 | 0:18:45 | |
So when you're looking at wood or a tree, | 0:18:45 | 0:18:47 | |
what are you looking at to give yourself some inspiration? | 0:18:47 | 0:18:50 | |
I'm looking for something unusual in the grain. | 0:18:50 | 0:18:52 | |
Something like a burr in that elm bowl there, | 0:18:52 | 0:18:56 | |
which is the grain pattern. | 0:18:56 | 0:18:58 | |
Keith, these are beautiful. What's the inspiration behind these? | 0:18:58 | 0:19:01 | |
It's the wood. They're made from spalted beech. | 0:19:01 | 0:19:04 | |
When you walk through the woods and you see a tree that's actually | 0:19:04 | 0:19:07 | |
come down, and it's got a bracket fungus growing out of it, | 0:19:07 | 0:19:11 | |
that's what's happening inside, so it's the onset of the rot. | 0:19:11 | 0:19:14 | |
If it continued, then you'd just end up with no wood at all. | 0:19:14 | 0:19:18 | |
But if you take it at that stage and try it, then the spalting stops, | 0:19:18 | 0:19:23 | |
the rot stops, and you're left with that effect in the wood. | 0:19:23 | 0:19:26 | |
-That's beautiful. -Beautiful. -When my father retired, he actually took up | 0:19:26 | 0:19:30 | |
wood turning. Now he's left me some chisels, and we've got a lathe, | 0:19:30 | 0:19:35 | |
and I'm very keen to actually take up wood turning myself. | 0:19:35 | 0:19:38 | |
-That's good. -Would you mind showing me? | 0:19:38 | 0:19:40 | |
Yeah. If we go from here to my workshop, | 0:19:40 | 0:19:42 | |
and I can talk you through the tools. | 0:19:42 | 0:19:44 | |
Great. Thank you. | 0:19:44 | 0:19:46 | |
Keith retired from his job in finance three years ago, | 0:19:46 | 0:19:49 | |
and now spends most of his time in his workshop | 0:19:49 | 0:19:52 | |
at his home in Longhope. | 0:19:52 | 0:19:54 | |
Today, he's in the process of turning a garden dibber | 0:19:54 | 0:19:56 | |
for planting bulbs and seeds. | 0:19:56 | 0:19:59 | |
We made this earlier, | 0:19:59 | 0:20:02 | |
and what we're going to do now is just cut some grooves in it. | 0:20:02 | 0:20:05 | |
For that, I'm going to use the corner of the skew, | 0:20:05 | 0:20:07 | |
so that when you're planting things with the dibber, | 0:20:07 | 0:20:09 | |
you can tell what depth you've got. | 0:20:09 | 0:20:11 | |
So if I do the first couple of cuts, and then you can carry on | 0:20:11 | 0:20:14 | |
and do the rest. And all you're doing is pushing it gently forward | 0:20:14 | 0:20:17 | |
like that, and the same with that one, | 0:20:17 | 0:20:21 | |
so that you're getting a bevel cut into the line. | 0:20:21 | 0:20:24 | |
-OK. -And 's it. | 0:20:24 | 0:20:27 | |
A skilled turner needs a set of just five or six simple tools to craft | 0:20:27 | 0:20:31 | |
a wide variety of objects, from furniture legs and spindles | 0:20:31 | 0:20:34 | |
to tool handles, knobs, or bowls. | 0:20:34 | 0:20:37 | |
After cutting the grooves for their depth markings, | 0:20:38 | 0:20:41 | |
the lines are burnt into the dibber with a copper wire | 0:20:41 | 0:20:44 | |
for extra definition. | 0:20:44 | 0:20:45 | |
And you'll see a little bit of smoke. That's it. There we are. | 0:20:45 | 0:20:48 | |
Keith works with naturally felled local hardwood like yew, oak, | 0:20:48 | 0:20:52 | |
and beech, which would otherwise be used as firewood. | 0:20:52 | 0:20:56 | |
Before removing the piece from the lathe, | 0:20:56 | 0:20:58 | |
he adds a coat of sanding sealer as base for waxing. | 0:20:58 | 0:21:01 | |
He then cuts the ends off the finished piece. | 0:21:01 | 0:21:03 | |
Now Mike's had a chance to try his hand at turning, | 0:21:06 | 0:21:08 | |
it looks like he might be following in his dad's footsteps, | 0:21:08 | 0:21:11 | |
and picking up those tools very soon. | 0:21:11 | 0:21:14 | |
Well, thank you, Keith. There was very kind of you. | 0:21:14 | 0:21:16 | |
-Good, I'm glad you enjoyed it. -That's really nice, thank you. | 0:21:16 | 0:21:19 | |
Which means I'd better get my skates on and find him and Sandra a house | 0:21:19 | 0:21:22 | |
with space for a new hobby, as well as the dogs, chickens, and the fish. | 0:21:22 | 0:21:27 | |
Our second property is in the village of Longhope, | 0:21:31 | 0:21:33 | |
in the northern part of the forest, near the Herefordshire border. | 0:21:33 | 0:21:37 | |
Its name, meaning long enclosed valley, | 0:21:37 | 0:21:39 | |
perfectly describes the village's aspect. | 0:21:39 | 0:21:42 | |
It's a mix of timber framed and stone character cottages, | 0:21:42 | 0:21:45 | |
a number of which are listed and are nestled in the valley, served by | 0:21:45 | 0:21:49 | |
a couple of shops, a village pub, and award-winning artisan bakery, | 0:21:49 | 0:21:54 | |
as well as an Ofsted-rated "good" primary school. | 0:21:54 | 0:21:57 | |
There's a lively community brought together once a year | 0:21:57 | 0:22:00 | |
by a popular village fete. | 0:22:00 | 0:22:02 | |
I'm hoping Mike and Sandra will feel right at home in house number two. | 0:22:02 | 0:22:07 | |
OK. So, in a lot of ways, | 0:22:07 | 0:22:08 | |
we're looking at the back of our second property, | 0:22:08 | 0:22:11 | |
because what lies beyond are sensational views. | 0:22:11 | 0:22:14 | |
It seems that way, doesn't it? | 0:22:14 | 0:22:16 | |
You can see through the trees there, yeah. | 0:22:16 | 0:22:18 | |
It's an old cottage, that's for sure. | 0:22:18 | 0:22:21 | |
-What's going through your mind, Sandra? -It looks quite big. | 0:22:21 | 0:22:24 | |
Yes. Well, it needs to be. | 0:22:24 | 0:22:25 | |
-Yeah, I know that. -I know you said you're downsizing, | 0:22:25 | 0:22:27 | |
but you've mentioned half an ark full of animals, and five humans. | 0:22:27 | 0:22:31 | |
Yeah, that's very true, OK. | 0:22:31 | 0:22:33 | |
I suppose it depends how it's configured inside, | 0:22:33 | 0:22:35 | |
so we'll reserve judgement. | 0:22:35 | 0:22:37 | |
-So, happy to go inside? -Yes, please. -Yeah, very. | 0:22:37 | 0:22:39 | |
-Mind your steps on the way down. -OK. Thank you. | 0:22:39 | 0:22:41 | |
Parts of the property date back to the late 1700s. | 0:22:43 | 0:22:46 | |
More recent additions have created a sizeable home, with a range of | 0:22:46 | 0:22:49 | |
reception areas that might offer the flexibility our couple are after. | 0:22:49 | 0:22:54 | |
Although it retains some cottage-like proportions, | 0:22:54 | 0:22:57 | |
I think it offers scope for reconfiguration and modernisation. | 0:22:57 | 0:23:01 | |
OK, let's start in the oldest part of the house. | 0:23:01 | 0:23:04 | |
Oh, that's good. Very cottage-y with the old beams, but still high enough | 0:23:04 | 0:23:07 | |
that I'm not banging my head, which is a good thing. | 0:23:07 | 0:23:09 | |
Now, as regards to the living room, | 0:23:09 | 0:23:12 | |
are you going to spend time as a family? | 0:23:12 | 0:23:14 | |
As, you know, four or five of you at one time, | 0:23:14 | 0:23:16 | |
or are you going to want your separate space? | 0:23:16 | 0:23:18 | |
-Both, I suppose. -Yeah, we tend to go off into one room, and Alfie | 0:23:18 | 0:23:22 | |
and Rachel will go off into another room until it's his bedtime, | 0:23:22 | 0:23:25 | |
-and then we mingle together a little bit. -Yeah. | 0:23:25 | 0:23:27 | |
Now, one thing this house does, and I think one thing you'd want to | 0:23:27 | 0:23:30 | |
make the most of if you moved here, is these amazing views. | 0:23:30 | 0:23:33 | |
-Well, you can see it through the window there, can't you? -Yeah. | 0:23:33 | 0:23:36 | |
-Definitely. -I mean, that's just a picture, isn't it? -Yeah. -It is. | 0:23:36 | 0:23:39 | |
-The views are stunning. -Let's keep looking through. Come with me. -Yeah. -Yep. -Lovely. | 0:23:39 | 0:23:42 | |
Also off the entrance hall is a study and good sized dining room, | 0:23:44 | 0:23:47 | |
leading onto a useful utility area and a separate kitchen | 0:23:47 | 0:23:50 | |
breakfast room in the newest part of the house. | 0:23:50 | 0:23:52 | |
That's not a bad size, actually. | 0:23:54 | 0:23:56 | |
I'm surprised you said that. I thought you'd want it a bit bigger. | 0:23:56 | 0:23:59 | |
-Really? -Yeah. -Well, no. It's not a bad size. | 0:23:59 | 0:24:01 | |
-You see these beams? -Yes. -I love it. | 0:24:01 | 0:24:04 | |
Some of these that you see underneath are stud petitions, | 0:24:04 | 0:24:07 | |
-not brick walls. -Oh, OK. -Oh. -Ah! | 0:24:07 | 0:24:09 | |
So there's opportunity to take... | 0:24:09 | 0:24:12 | |
-All right. -..the wall down from the living room, | 0:24:12 | 0:24:15 | |
go through the small office, and have a bigger room there. | 0:24:15 | 0:24:17 | |
Or through to here. This one is obviously brick. | 0:24:17 | 0:24:20 | |
-Yeah, yeah. -Yeah, yeah. -It's a modern extension. | 0:24:20 | 0:24:22 | |
-Oh, OK. -So you can open it up a bit. | 0:24:22 | 0:24:24 | |
You used to have an older kitchen. That is now a utility. | 0:24:24 | 0:24:27 | |
-So you have two kitchens. -Oh, OK. | 0:24:27 | 0:24:29 | |
-You have two living rooms. -Yeah. -You've got the conservatory there. | 0:24:29 | 0:24:34 | |
-Yeah, OK. -It's not completely separated. | 0:24:34 | 0:24:37 | |
-But it could be. -You at the moment are having to use your imagination. | 0:24:37 | 0:24:40 | |
-Yes. -Yes. See the options. | 0:24:40 | 0:24:42 | |
-Come with me. -OK. | 0:24:42 | 0:24:44 | |
Having built their current home from scratch, | 0:24:46 | 0:24:48 | |
I know Mike and Sandra have good vision when it comes to a property, | 0:24:48 | 0:24:51 | |
and this house would definitely give them lots to think about. | 0:24:51 | 0:24:55 | |
The upstairs adopts a more traditional layout, | 0:24:55 | 0:24:58 | |
with the four bedrooms leading off a central landing. | 0:24:58 | 0:25:01 | |
There's a double bedroom in the older part of the house, | 0:25:01 | 0:25:03 | |
followed by two smaller rooms, | 0:25:03 | 0:25:05 | |
one of which could work for grandson Alfie. | 0:25:05 | 0:25:08 | |
As well as a large family bathroom, the master also comes with its own | 0:25:08 | 0:25:12 | |
en suite, and a seating area to take in the views. | 0:25:12 | 0:25:15 | |
Now, the creaky floorboards stop when you come back into the new part | 0:25:17 | 0:25:21 | |
over the kitchen. | 0:25:21 | 0:25:23 | |
OK. Wow! OK. | 0:25:23 | 0:25:25 | |
-That's a lovely view. -And look at that view. -Yeah. | 0:25:25 | 0:25:28 | |
-En suite. -Oh, and an en suite. | 0:25:28 | 0:25:30 | |
Would you want the en suite, | 0:25:30 | 0:25:32 | |
or would you think your daughter would want it, Rachel? | 0:25:32 | 0:25:36 | |
-She might want it, but... -Oh, right! | 0:25:37 | 0:25:39 | |
Exactly. It's a decent-size en suite. | 0:25:39 | 0:25:41 | |
It's not a pokey en suite there. | 0:25:41 | 0:25:44 | |
It's just the thought of how we'd separate it to work for us, | 0:25:44 | 0:25:47 | |
-isn't it? -Separate it. | 0:25:47 | 0:25:48 | |
Will, that's where I think I'd stop you. | 0:25:48 | 0:25:50 | |
-All right. -I think this house works for you in the short term. | 0:25:50 | 0:25:53 | |
This property used to have planning consent for a completely separate | 0:25:53 | 0:25:57 | |
-two-bedroom dwelling in the garden. -Oh, OK. | 0:25:57 | 0:26:02 | |
-Oh! -Since lapsed. So let's go outside to be garden | 0:26:02 | 0:26:04 | |
and talk about that, shall we? | 0:26:04 | 0:26:06 | |
-Oh, yeah, definitely. -That's the long-term aim. | 0:26:06 | 0:26:08 | |
-Yep. -That's that what's going to keep him really busy. -Yep! | 0:26:08 | 0:26:11 | |
Outside, the house sits in a plot of just under a third of an acre. | 0:26:13 | 0:26:17 | |
There's a patio with existing feature pond for the fish, | 0:26:17 | 0:26:20 | |
a vegetable plot, and a lawned area, | 0:26:20 | 0:26:22 | |
the perfect spot to appreciate the property's elevated position. | 0:26:22 | 0:26:28 | |
Well, the views are spectacular. | 0:26:28 | 0:26:29 | |
-Yeah, they are stunning. -That is an amazing view. | 0:26:29 | 0:26:31 | |
Long, long way you can see, can't you? | 0:26:31 | 0:26:34 | |
As we came in, you saw a small part of land with a garage. | 0:26:34 | 0:26:37 | |
-Yes. -That is where planning permission was previously granted | 0:26:37 | 0:26:41 | |
-to build a two-bedroom house. -OK. | 0:26:41 | 0:26:44 | |
-That's promising. -That planning consent lapsed in 2014. | 0:26:45 | 0:26:49 | |
OK, but it was there, which is a plus point. | 0:26:49 | 0:26:51 | |
I think whatever you build there will always be an annexe | 0:26:51 | 0:26:54 | |
-to this house. -OK. -Which is what we want anyway. -Which is... | 0:26:54 | 0:26:57 | |
-Yeah, OK. -Exactly. -It's the imagination with this place, | 0:26:57 | 0:26:59 | |
isn't it? You've really got to think about it. | 0:26:59 | 0:27:01 | |
OK, then, time to guess the price, if you dare. | 0:27:01 | 0:27:04 | |
£385,000. | 0:27:04 | 0:27:07 | |
All right, then. Sandra? | 0:27:07 | 0:27:09 | |
415. | 0:27:09 | 0:27:11 | |
Not a bad guess, Mike. | 0:27:11 | 0:27:12 | |
-Oh, Mr Optimistic! -This place is on the market for offers | 0:27:13 | 0:27:17 | |
around £395,000. | 0:27:17 | 0:27:20 | |
-OK. -OK. -That gives us scope. | 0:27:20 | 0:27:23 | |
Mm. So have a look around the place, | 0:27:23 | 0:27:24 | |
inside and out, and I'll meet you whenever you're done. | 0:27:24 | 0:27:26 | |
-OK. -All right. -Thank you. -See you in a mo. -Thank you. -Thanks. | 0:27:26 | 0:27:30 | |
Coming in £80,000 under budget, | 0:27:30 | 0:27:33 | |
this extended four-bedroom character property has ample space to house | 0:27:33 | 0:27:37 | |
Mike and Sandra's family in the short term, | 0:27:37 | 0:27:39 | |
with the potential to create an annexe for Rachel and Alfie | 0:27:39 | 0:27:42 | |
further down the line. | 0:27:42 | 0:27:44 | |
Its elevated position means both the house and the garden | 0:27:44 | 0:27:47 | |
offers spectacular views of the surrounding countryside, | 0:27:47 | 0:27:50 | |
but still within just a mile of the village amenities. | 0:27:50 | 0:27:53 | |
This house is interesting. | 0:27:54 | 0:27:56 | |
There's lots of potential. | 0:27:56 | 0:27:59 | |
I'm not sure it's as favourable as the first, | 0:27:59 | 0:28:01 | |
but definitely lots to think about. | 0:28:01 | 0:28:04 | |
I mean, the view is spectacular. | 0:28:04 | 0:28:07 | |
The price is good, and it's well within our budget. | 0:28:07 | 0:28:10 | |
But even if we spent all that money, | 0:28:10 | 0:28:12 | |
I don't think we'd end up with what we wanted at the end. | 0:28:12 | 0:28:15 | |
-So, time to call it a day. -Yeah. -OK. -New day tomorrow. | 0:28:16 | 0:28:18 | |
Maybe a little drink on the way home. Shall we? | 0:28:18 | 0:28:20 | |
-Lovely. -Sure. Thank you. | 0:28:20 | 0:28:22 | |
It's day two in the Forest of Dean with Sandra and Mike, | 0:28:32 | 0:28:35 | |
who, with fond memories of his childhood spent in Gloucestershire, | 0:28:35 | 0:28:38 | |
is keen to move back, and bring his growing family with him. | 0:28:38 | 0:28:42 | |
With a budget of £475,000, | 0:28:42 | 0:28:45 | |
they're looking for a property with space for their daughter | 0:28:45 | 0:28:48 | |
and grandson, who'll be coming with them, | 0:28:48 | 0:28:49 | |
not to mention their menagerie of animals. | 0:28:49 | 0:28:52 | |
Still to come, I'm fishing for compliments at our Mystery House. | 0:28:53 | 0:28:57 | |
-I like it. -That's really nice, actually. | 0:28:57 | 0:28:59 | |
It looks REALLY nice, yeah. | 0:28:59 | 0:29:01 | |
I love the surprise in your voice. Thanks for the confidence, Mike! | 0:29:01 | 0:29:04 | |
-Sorry! -Unbelievable! | 0:29:04 | 0:29:06 | |
And I dig deep into the county's colourful past. | 0:29:06 | 0:29:09 | |
Oh, that's good, that's nice and soft. | 0:29:09 | 0:29:11 | |
I've got a little pot of gold. | 0:29:12 | 0:29:14 | |
Well, for me, I think it is house number one that is the property | 0:29:18 | 0:29:21 | |
to beat, which is exactly the task for today's Mystery House. | 0:29:21 | 0:29:24 | |
Now, the compromise with this property is that Mike and Sandra | 0:29:24 | 0:29:27 | |
will really need to get their heads around how they divvy up their | 0:29:27 | 0:29:30 | |
family accommodation. But if they're able to do that, | 0:29:30 | 0:29:34 | |
they'll be rewarded with a house that's pretty much brand-new, | 0:29:34 | 0:29:37 | |
with some features that I think Sandra in particular will enjoy. | 0:29:37 | 0:29:41 | |
Let's see how we go. | 0:29:41 | 0:29:43 | |
Our Mystery House takes us to Ruardean Woodside, | 0:29:45 | 0:29:48 | |
a mile from the main village of Ruardean. | 0:29:48 | 0:29:49 | |
Historically, the village was known for its iron and coal mining, | 0:29:51 | 0:29:54 | |
and was the birthplace of brothers James and William Horlick, | 0:29:54 | 0:29:57 | |
who created their famous hot malt drink here in the 1860s. | 0:29:57 | 0:30:01 | |
Today it's home to a primary school, | 0:30:03 | 0:30:05 | |
post office, and a shop where locals can pick up all their essentials. | 0:30:05 | 0:30:09 | |
Standing proud in a cluster of character properties, | 0:30:09 | 0:30:12 | |
I'm confident our Mystery House will make quite an impression. | 0:30:12 | 0:30:15 | |
Right, then. At the end of this drive is our mystery offering. | 0:30:17 | 0:30:21 | |
-Oh, wow. -I like it. -That's really nice, actually. | 0:30:21 | 0:30:23 | |
It looks REALLY nice, yeah. | 0:30:23 | 0:30:25 | |
I love the surprise in your voice. | 0:30:25 | 0:30:27 | |
Thanks for the confidence, Mike! | 0:30:27 | 0:30:29 | |
-Sorry! -Unbelievable! | 0:30:29 | 0:30:31 | |
Parts of this date back to the 1800s. | 0:30:31 | 0:30:35 | |
Now, as regards to attractive houses, | 0:30:35 | 0:30:37 | |
I think this could be the most attractive of all three. | 0:30:37 | 0:30:39 | |
-Oh, definitely. -It is. -Shall we take a look inside? | 0:30:39 | 0:30:42 | |
-Yes, please. -Yes, please. -Yeah. -Come on. | 0:30:42 | 0:30:45 | |
Although beautifully finished on the outside, the renovations to the | 0:30:45 | 0:30:48 | |
interior of our Mystery House are yet to be fully completed | 0:30:48 | 0:30:51 | |
by the current owner. | 0:30:51 | 0:30:53 | |
But, with plenty of renovation experience under their belts, | 0:30:53 | 0:30:55 | |
I'm sure Sandra and Mike will be able to see past | 0:30:55 | 0:30:58 | |
any works in progress. | 0:30:58 | 0:31:00 | |
Right, then. | 0:31:02 | 0:31:03 | |
Your first room in the old part of the house, late-19th-century part. | 0:31:03 | 0:31:07 | |
-Yeah. -Now, I think this is just your room. | 0:31:07 | 0:31:10 | |
-Yes. -Yes. -This is our "escape to" room. | 0:31:10 | 0:31:12 | |
-Another wood fire. -Yeah. -Lovely. That's very nice. It's cosy. | 0:31:12 | 0:31:16 | |
Do you have rooms like that at home? | 0:31:16 | 0:31:18 | |
A small room, because your house is big, isn't it? | 0:31:18 | 0:31:20 | |
-It is big. -So how do you adapt to this? | 0:31:20 | 0:31:22 | |
-No, we do have one room like this. -We do have a small room. | 0:31:22 | 0:31:24 | |
We've been kind of banished to it, while the bigger room is taken over. | 0:31:24 | 0:31:28 | |
To the toys and everything. | 0:31:28 | 0:31:30 | |
So, yeah, we have got used to a smaller room. | 0:31:30 | 0:31:32 | |
Good. Now, looking around, you can see there is a flow to this house. | 0:31:32 | 0:31:35 | |
Yeah. Let's walk through the dining room. | 0:31:35 | 0:31:38 | |
Now, when you pictured in your mind this big sort of day kitchen, | 0:31:46 | 0:31:50 | |
I think you were drawing this kitchen, weren't you? | 0:31:50 | 0:31:53 | |
-Yes. -Yes. -This is really nice. | 0:31:53 | 0:31:56 | |
Open. Spacious. And if you wanted to extend it even further, | 0:31:56 | 0:31:59 | |
you could put a little conservatory there. But... | 0:31:59 | 0:32:01 | |
You just feel the need to keep building, don't you? | 0:32:01 | 0:32:04 | |
I do feel the need, don't I? | 0:32:04 | 0:32:05 | |
The reason why we've brought you here, | 0:32:05 | 0:32:07 | |
the mystery to this house is you get this amazing house, | 0:32:07 | 0:32:12 | |
to my mind, the sort of property I thought you were after... | 0:32:12 | 0:32:15 | |
-Yeah. -..but the compromise is you're all living together. | 0:32:15 | 0:32:19 | |
-I understand. -Right, OK. -Got that. | 0:32:19 | 0:32:21 | |
I think the positive attributes of this house continue upstairs, | 0:32:21 | 0:32:24 | |
because of the privacy you'll all be able to have. | 0:32:24 | 0:32:27 | |
-Come with me and I'll show you. -Will do. -OK. | 0:32:27 | 0:32:31 | |
Mike and Sandra are clearly impressed by the modern style | 0:32:31 | 0:32:34 | |
and high-spec finish of this house, though the lack of a separate space | 0:32:34 | 0:32:37 | |
for Rachel and Alfie may be a sticking point. | 0:32:37 | 0:32:40 | |
However, upstairs, they would have four bedrooms, | 0:32:40 | 0:32:43 | |
all doubles, as well as four bathrooms, | 0:32:43 | 0:32:46 | |
so there wouldn't be any arguments here about who gets the en suite. | 0:32:46 | 0:32:50 | |
This is, I think, the biggest, and en suite. | 0:32:53 | 0:32:56 | |
-Oh. -Yeah. -There's the en suite there, OK. | 0:32:56 | 0:32:59 | |
You've got three en suites for the bedrooms. | 0:32:59 | 0:33:01 | |
-Wow. -Wow, OK. | 0:33:01 | 0:33:02 | |
-So that's a lot of privacy here. -Yes. -That is. | 0:33:02 | 0:33:05 | |
-Yeah, that is. -It's enough. -It's a good size. -I like it. | 0:33:05 | 0:33:07 | |
Could you get your head around all living under one roof? | 0:33:07 | 0:33:10 | |
Yeah, we thought that might have to happen anyway, | 0:33:10 | 0:33:13 | |
-so we're ready to think about that. -Yeah, yeah. | 0:33:13 | 0:33:17 | |
People make those big compromises only when they find the right house. | 0:33:17 | 0:33:22 | |
-Yes. -It's about the package, isn't it? | 0:33:22 | 0:33:24 | |
-It is. -Oh, yeah. Definitely. | 0:33:24 | 0:33:25 | |
Not just about an annexe in the garden. | 0:33:25 | 0:33:27 | |
-No. -No. -But I did see you looking at a pile of bricks in the garden. | 0:33:27 | 0:33:31 | |
-Shall we have a look? -I think we'd better. | 0:33:31 | 0:33:32 | |
Come on. Start thinking about price, though. | 0:33:32 | 0:33:35 | |
-Yes. -Oh, yeah. | 0:33:35 | 0:33:37 | |
Mystery Houses often present our buyers with a challenge, | 0:33:37 | 0:33:40 | |
and this one is no exception. | 0:33:40 | 0:33:42 | |
Outside, the garden isn't the largest, | 0:33:42 | 0:33:44 | |
but it's a blank canvas ready to be transformed, | 0:33:44 | 0:33:47 | |
and there's ample space for a pond, and for the dogs to run around. | 0:33:47 | 0:33:51 | |
There's no annexe, but there is a little outhouse, | 0:33:51 | 0:33:54 | |
which I suspect Mike already has designs on. | 0:33:54 | 0:33:57 | |
I'm not even going to talk about the lawn yet, | 0:33:57 | 0:33:59 | |
cos I imagine you want to talk about that. | 0:33:59 | 0:34:01 | |
-Yes! -There's not a whole lot of accommodation on offer there. | 0:34:01 | 0:34:04 | |
-Well... -There is a bit of power running up to that. | 0:34:04 | 0:34:06 | |
-I'll just put some water in, and a window. -Done! Tick! | 0:34:06 | 0:34:09 | |
Go on, then. Have a go at guessing the price. | 0:34:10 | 0:34:12 | |
-Who wants to go first? -I'm going to go for 445. | 0:34:12 | 0:34:17 | |
I'm going to go higher, 450. | 0:34:17 | 0:34:19 | |
The asking price for this Mystery House is... | 0:34:19 | 0:34:22 | |
..£425,000. | 0:34:23 | 0:34:26 | |
-Oh, OK. -Oh, OK. -Wow. | 0:34:26 | 0:34:27 | |
Something to consider, then, isn't it? | 0:34:28 | 0:34:30 | |
-Yes, it is. -Yeah! -It is. | 0:34:30 | 0:34:32 | |
-Go and have a look around. -OK. -Just work out whether or not... | 0:34:32 | 0:34:35 | |
..the benefits outweigh the cons. | 0:34:36 | 0:34:38 | |
-Sure. -I'll catch up with you whenever you're done. | 0:34:38 | 0:34:40 | |
-OK. -All right? -Thank you. -See you in a mo. | 0:34:40 | 0:34:43 | |
Renovated to a high standard and coming in well under budget, | 0:34:43 | 0:34:46 | |
our detached mystery cottage will give Mike and Sandra four bedrooms, | 0:34:46 | 0:34:50 | |
each with their own bathroom, as well as options for a separate | 0:34:50 | 0:34:53 | |
living area for Rachel and Alfie. | 0:34:53 | 0:34:56 | |
But whether they'd be happy all under the same roof, | 0:34:56 | 0:34:58 | |
and whether the generous interior makes up for the more limited space | 0:34:58 | 0:35:02 | |
outside is for them to decide. | 0:35:02 | 0:35:05 | |
I like the Mystery House. | 0:35:05 | 0:35:06 | |
It's modern, which, actually, I'm now realising I like more. | 0:35:06 | 0:35:11 | |
Just the size, I suppose, of the plot, is a compromise. | 0:35:11 | 0:35:16 | |
I'm not sure there's the space here to be able to put an annexe here. | 0:35:16 | 0:35:20 | |
I know my daughter. She wants her independence. | 0:35:20 | 0:35:23 | |
She wants to leave the house as messy as Alfie makes it | 0:35:23 | 0:35:25 | |
without having to worry about us. | 0:35:25 | 0:35:27 | |
If it was me and Sandra on our own, I'd be tempted. | 0:35:27 | 0:35:31 | |
But it's not. | 0:35:31 | 0:35:33 | |
You've got a slightly perturbed, confused look on your face. | 0:35:33 | 0:35:36 | |
That's cos I am perturbed and confused. | 0:35:36 | 0:35:38 | |
Yeah, sometimes Mystery Houses pose more questions than answers, | 0:35:38 | 0:35:41 | |
but are you glad that you came here? | 0:35:41 | 0:35:43 | |
-Oh, yes, very glad. -Oh, yeah, definitely. -Right. -Yeah, for sure. | 0:35:43 | 0:35:46 | |
Well, let's find you somewhere to have a bit of a natter, | 0:35:46 | 0:35:48 | |
-and then we'll catch up later on, yeah? -Yeah, great. Thanks. | 0:35:48 | 0:35:51 | |
Deep beneath the surface of the National Forest Park lie coal, | 0:35:57 | 0:36:00 | |
iron ore, and minerals, which have been mined for over 4,000 years. | 0:36:00 | 0:36:05 | |
Although the last of the major ore mines closed in 1945, | 0:36:05 | 0:36:09 | |
there are still just over 100 remaining free miners | 0:36:09 | 0:36:11 | |
who have centuries-old birthright in the Royal Forest, | 0:36:11 | 0:36:15 | |
30 of whom are still actively mining today. | 0:36:15 | 0:36:18 | |
I'm visiting Clearwell Caves near Coleford | 0:36:19 | 0:36:22 | |
to explore the ancient cabins known for their iron ore and ochre, | 0:36:22 | 0:36:25 | |
a high-value natural pigment in a rainbow of colours. | 0:36:25 | 0:36:28 | |
In 1968, Ray Wright bought the caves and reopened them to be public as a | 0:36:30 | 0:36:34 | |
mining museum, which now attracts around 50,000 visitors a year. | 0:36:34 | 0:36:39 | |
His son Jonathan has offered to take me underground. | 0:36:39 | 0:36:41 | |
-Jonathan. -Oh, hi. | 0:36:44 | 0:36:46 | |
I'm glad you're not further deeper. I was getting a bit lost there. | 0:36:46 | 0:36:49 | |
Thanks for seeing me today. Now, this mine itself - | 0:36:49 | 0:36:51 | |
how big is it? | 0:36:51 | 0:36:54 | |
Well, the mine covers 600 acres. | 0:36:54 | 0:36:56 | |
-That's massive. -And it's like a Swiss cheese. | 0:36:56 | 0:36:58 | |
It's just holes everywhere. | 0:36:58 | 0:37:00 | |
I understand this is an environment where free miners | 0:37:00 | 0:37:03 | |
have been involved. Explain to me what that is. | 0:37:03 | 0:37:05 | |
Yeah, if you're born locally and you're male, over 21, | 0:37:05 | 0:37:09 | |
and you've worked a year and a day in a mine, | 0:37:09 | 0:37:11 | |
then you can register as a free miner. | 0:37:11 | 0:37:13 | |
You can mine for coal, iron, or stone in the forest, | 0:37:13 | 0:37:19 | |
anywhere you like. | 0:37:19 | 0:37:21 | |
If you buy a house in the area, I'm afraid that it says on the deeds | 0:37:21 | 0:37:24 | |
that that's subject to the right to be undermined. | 0:37:24 | 0:37:27 | |
Really? Goodness me. | 0:37:27 | 0:37:29 | |
The ochre mined here is over 20 times more valuable than the | 0:37:30 | 0:37:33 | |
iron ore it's intermingled with, and much softer. | 0:37:33 | 0:37:36 | |
It almost looks like we're surrounded by parts of clay, | 0:37:37 | 0:37:40 | |
-and then you've got the rocky parts. -Yeah. | 0:37:40 | 0:37:43 | |
The best ochre is a mixture that is almost like butter. | 0:37:43 | 0:37:47 | |
-You can see it there. -Oh, that is, yeah! | 0:37:47 | 0:37:49 | |
-It's just lovely, yeah. -Can I have a go? | 0:37:49 | 0:37:50 | |
Yeah, if you'd like to give it a go. | 0:37:50 | 0:37:53 | |
Now, for 4,000 years, people have been mining this ochre. | 0:37:53 | 0:37:57 | |
How far and wide would this have travelled through trade | 0:37:57 | 0:38:00 | |
-and what have you? -Because it's something that can be traded | 0:38:00 | 0:38:04 | |
-almost like spices, really... -Yeah. -..they're high-value products. | 0:38:04 | 0:38:08 | |
They were taken all over Europe. And we have actually had | 0:38:08 | 0:38:13 | |
a researcher that said that this was used possibly by Michelangelo | 0:38:13 | 0:38:18 | |
in the Sistine Chapel. | 0:38:18 | 0:38:20 | |
-Really? -Yeah. Because there is a distinct red that's known as | 0:38:20 | 0:38:24 | |
terra rossa dingleterra, which is English Red Earth. | 0:38:24 | 0:38:28 | |
There are receipts in the Vatican that actually show that he bought it | 0:38:28 | 0:38:32 | |
from Bristol. And the only ochre mines working at the time that would | 0:38:32 | 0:38:36 | |
have produced that colour would have been the Forest of Dean iron mines. | 0:38:36 | 0:38:40 | |
That's not a leap of faith, you can draw pretty much a straight line | 0:38:40 | 0:38:43 | |
-from that, then, can't you, from those records? -Yeah. | 0:38:43 | 0:38:45 | |
Once mined, the yellow ochre needs to be washed or milled to | 0:38:45 | 0:38:48 | |
separate from the particles of iron ore. | 0:38:48 | 0:38:52 | |
You've got a little pot of gold. | 0:38:52 | 0:38:55 | |
From his workshop within the museum, Jonathan's going to show me | 0:38:55 | 0:38:58 | |
the basic process of transforming our findings into pure pigment | 0:38:58 | 0:39:01 | |
that has been used for paint and colouring for thousands of years. | 0:39:01 | 0:39:06 | |
So, our prized ochre. | 0:39:06 | 0:39:09 | |
What do we do with it? | 0:39:09 | 0:39:10 | |
Right. Do you want to pour it into the bucket? | 0:39:10 | 0:39:13 | |
-All of it? -Yep. -OK. | 0:39:13 | 0:39:14 | |
And then I stir it up. | 0:39:19 | 0:39:20 | |
-OK. -Like this. So that the colour rises away from the grit. | 0:39:20 | 0:39:25 | |
In a process known as flotation, Jonathan mixes the ochre | 0:39:25 | 0:39:29 | |
with the water until most of the colour has been absorbed | 0:39:29 | 0:39:32 | |
and floats in suspension. | 0:39:32 | 0:39:34 | |
The heavier lumps of limestone and iron ore drop to the bottom | 0:39:34 | 0:39:36 | |
of the bucket, and are discarded. | 0:39:36 | 0:39:39 | |
The mixture is left overnight, | 0:39:39 | 0:39:41 | |
gradually separating further to leave clean water | 0:39:41 | 0:39:44 | |
and a sludge of colours, which is then dried in trays. | 0:39:44 | 0:39:48 | |
It's absolutely... | 0:39:48 | 0:39:49 | |
It really is... It's almost chalky, isn't it? | 0:39:49 | 0:39:51 | |
Yeah, if you rub it on your skin now, you'll see the colour. | 0:39:51 | 0:39:54 | |
Oh, look at that. Oh, it's like a heavy make-up, isn't it? | 0:39:55 | 0:39:58 | |
Yeah, the ancient Britons used to use it as a war paint. | 0:39:58 | 0:40:00 | |
-Did they? -Yeah, and it's been used ever since, really, | 0:40:00 | 0:40:03 | |
as a pigment for make-ups and so on. | 0:40:03 | 0:40:06 | |
The spectrum of pigments comes from different areas or pockets of the | 0:40:06 | 0:40:10 | |
mine, ranging from yellow and brown to a rarer purple found much deeper, | 0:40:10 | 0:40:14 | |
and the distinctive red that the Forest of Dean mines are known for. | 0:40:14 | 0:40:18 | |
It's been absolutely fascinating. | 0:40:18 | 0:40:20 | |
Have you got somewhere I can wash my hands? | 0:40:20 | 0:40:22 | |
-Yes. Through here. -OK, lead the way. | 0:40:22 | 0:40:24 | |
With the mines producing around a tonne of ochre pigment a year, | 0:40:24 | 0:40:28 | |
hopefully it will continue to be used by great artists and adorn | 0:40:28 | 0:40:31 | |
the walls of some of the world's most iconic buildings and landmarks | 0:40:31 | 0:40:35 | |
for years to come. | 0:40:35 | 0:40:37 | |
Well, I think it's fair to say that the three properties we showed to | 0:40:40 | 0:40:43 | |
Mike and Sandra gave them some, but not all, of their requirements. | 0:40:43 | 0:40:47 | |
So after a bit of time to reflect, let's find out their thoughts, | 0:40:47 | 0:40:50 | |
but most importantly, where their priorities now lie. | 0:40:50 | 0:40:54 | |
-Well, you've got the cake. -Yeah. -Good. | 0:40:59 | 0:41:01 | |
Right, then. Three houses, done and dusted. | 0:41:03 | 0:41:05 | |
-How are you feeling? -Exhausted. | 0:41:05 | 0:41:08 | |
Well, you probably have a lot going through your minds, actually, | 0:41:08 | 0:41:10 | |
-haven't you? It's been tumultuous. -It has, actually. | 0:41:10 | 0:41:13 | |
-And educational, but, yes. -What have you learned, then? | 0:41:13 | 0:41:16 | |
We know it's more difficult to find now what we want | 0:41:16 | 0:41:19 | |
within our price range. | 0:41:19 | 0:41:21 | |
So which of the three properties is coming out on top, then? | 0:41:21 | 0:41:23 | |
I'm torn one between one and three. | 0:41:23 | 0:41:26 | |
-Right. That's interesting. -My favourite was the first house. | 0:41:26 | 0:41:29 | |
Just because of the size of the garden. | 0:41:29 | 0:41:30 | |
I could hide me chickens away, I could hide me fish away. | 0:41:30 | 0:41:33 | |
-YOU could hide away. -And I could hide away! | 0:41:33 | 0:41:35 | |
When we first saw it, we thought, "Wow, this could be good." | 0:41:35 | 0:41:39 | |
And I think if it was me and Sandra on our own... | 0:41:39 | 0:41:41 | |
-..I'd be really interested. -Mm. | 0:41:42 | 0:41:44 | |
-Yeah, definitely. -But that's not the object of the game. | 0:41:44 | 0:41:47 | |
No. It's not you two on your own. | 0:41:47 | 0:41:48 | |
And that is what has made this search so challenging. | 0:41:48 | 0:41:53 | |
-Yeah. -But I think you'll make it easier if you amend your criteria. | 0:41:53 | 0:41:57 | |
-Yeah. -So perhaps look for the smaller property. | 0:41:57 | 0:41:59 | |
I mean, initially we know we don't have to have all those requirements | 0:41:59 | 0:42:03 | |
to start with. That will probably be something to build towards... | 0:42:03 | 0:42:07 | |
The end must-haves, no, that stays the same. | 0:42:07 | 0:42:10 | |
The end goal is the same. | 0:42:10 | 0:42:12 | |
You're in a good place, I think. You've got the cash to spend. | 0:42:12 | 0:42:15 | |
-Yeah. -Estate agents like that. | 0:42:15 | 0:42:16 | |
And you know the villages and the towns that you like. | 0:42:16 | 0:42:18 | |
-Yes. -Definitely. Yeah. | 0:42:18 | 0:42:21 | |
I wish you the best of luck. I'd really love to find out | 0:42:21 | 0:42:24 | |
where and when you settle, so do please let us know. | 0:42:24 | 0:42:27 | |
-Yes, we will. -We certainly will. -Thank you. -All right. Good luck. | 0:42:27 | 0:42:29 | |
-Thanks very much. -Thank you. | 0:42:29 | 0:42:31 | |
It's not that the type of property that Mike and Sondra are after | 0:42:34 | 0:42:37 | |
is entirely unique, it's more that there are far less of them | 0:42:37 | 0:42:40 | |
on the market at any one moment of time, | 0:42:40 | 0:42:42 | |
and they're becoming increasingly popular. | 0:42:42 | 0:42:44 | |
What they need to do now is make sure they're able to act swiftly | 0:42:44 | 0:42:47 | |
as soon as the right kind of property comes on the market, | 0:42:47 | 0:42:50 | |
which will happen over the coming months - | 0:42:50 | 0:42:52 | |
they just need to be a bit patient. | 0:42:52 | 0:42:54 | |
I wish them and their family the very best of luck. | 0:42:54 | 0:42:57 | |
See you next time. | 0:42:57 | 0:42:59 | |
If you'd like to escape to the country in Wales, England, | 0:42:59 | 0:43:02 | |
Scotland, or Northern Ireland, and would like our help, | 0:43:02 | 0:43:06 | |
you can apply online. | 0:43:06 | 0:43:11 |