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This ruinous chapel you can see behind me was once the beating heart | 0:00:02 | 0:00:04 | |
of the community, and was also used as a smuggler's den before it was | 0:00:04 | 0:00:07 | |
consumed by the ravages of time and the elements. | 0:00:07 | 0:00:11 | |
Any ideas where I am? | 0:00:11 | 0:00:12 | |
Well, it's not easy, this one, so I'll give you a small clue. | 0:00:12 | 0:00:15 | |
On a clear day, you get stunning sea views. | 0:00:15 | 0:00:18 | |
Find out more in just a moment. | 0:00:18 | 0:00:20 | |
Today, I'm with a fun-loving couple | 0:00:38 | 0:00:40 | |
who have their sights set on a coastal business venture, | 0:00:40 | 0:00:43 | |
but I'm hoping the enveloping sea mists won't cloud their judgment. | 0:00:43 | 0:00:47 | |
-We've picked the worst day to come. -Yeah! | 0:00:47 | 0:00:50 | |
You have beautiful views going that way. | 0:00:50 | 0:00:52 | |
We don't, do we? There's a power station over there. | 0:00:52 | 0:00:54 | |
Yes! Don't tell anyone! | 0:00:54 | 0:00:56 | |
Along the way, they also throw in | 0:00:56 | 0:00:58 | |
some unexpected property requirements. | 0:00:58 | 0:01:01 | |
Bigger party room, it's got a stage. | 0:01:01 | 0:01:04 | |
-Stage?! -Yeah... -What do you do at your parties? | 0:01:04 | 0:01:06 | |
-Didn't we say that, that we need a stage? -Just showing off. | 0:01:06 | 0:01:09 | |
Today, I'm on the Jurassic Coast | 0:01:12 | 0:01:15 | |
in the deserted Dorset hamlet of Stanton St Gabriel. | 0:01:15 | 0:01:18 | |
Nestled behind the cliffs in the shadow of Golden Cap over there, | 0:01:18 | 0:01:22 | |
literally hundreds of metres from the sea. | 0:01:22 | 0:01:25 | |
Now, it's the elevated coastal position | 0:01:25 | 0:01:28 | |
that led to this tiny hamlet's eventual demise. | 0:01:28 | 0:01:32 | |
Dating back as far as the 11th century, | 0:01:32 | 0:01:35 | |
and was later abandoned during the 1700s. | 0:01:35 | 0:01:39 | |
An old manor house, and these rather romantic ruins are all that remain, | 0:01:39 | 0:01:43 | |
although services are still sometimes held here, | 0:01:43 | 0:01:45 | |
and even the occasional wedding. | 0:01:45 | 0:01:48 | |
It's just one of many charming locations this glorious stretch | 0:01:48 | 0:01:52 | |
of coastline has to offer. | 0:01:52 | 0:01:56 | |
A 95 mile-long world heritage site, | 0:01:56 | 0:01:59 | |
the Jurassic Coast lies in England's southwest, | 0:01:59 | 0:02:01 | |
along the counties of Devon and Dorset. | 0:02:01 | 0:02:04 | |
The highest point on the Jurassic Coast is Golden Cap, | 0:02:06 | 0:02:09 | |
below which, the exposed, crumbling cliffs | 0:02:09 | 0:02:12 | |
reveal fossils that date back 185 million years. | 0:02:12 | 0:02:16 | |
The rich and varied landscape of the region includes chalk downs, | 0:02:18 | 0:02:21 | |
limestone ridges and low-lying valleys | 0:02:21 | 0:02:24 | |
dotted with charming rural villages. | 0:02:24 | 0:02:26 | |
These are filled with thatched cottages and traditional pubs, | 0:02:26 | 0:02:30 | |
which are linked by lanes lined with hedgerows, | 0:02:30 | 0:02:33 | |
a natural feature of this area. | 0:02:33 | 0:02:36 | |
The West Dorset village of Burton Bradstock | 0:02:36 | 0:02:38 | |
features thatched buildings dating back | 0:02:38 | 0:02:40 | |
to the 16th and 17th centuries. | 0:02:40 | 0:02:43 | |
The church of St Mary was built in the late 14th century, | 0:02:43 | 0:02:47 | |
but was extensively restored in 1897. | 0:02:47 | 0:02:50 | |
Further west along the coast, the port town of Lyme Regis | 0:02:50 | 0:02:53 | |
is nicknamed the Pearl of Dorset, | 0:02:53 | 0:02:55 | |
and is known for its distinctive harbour wall, known as the cob. | 0:02:55 | 0:02:58 | |
This provides a breakwater for the town, and enabled Lyme Regis | 0:03:00 | 0:03:03 | |
to develop as both a thriving fishing and shipbuilding centre. | 0:03:03 | 0:03:07 | |
This protected, fragile stretch of coast is both a place where the | 0:03:08 | 0:03:12 | |
earth's geological history harks back to the age of the dinosaurs | 0:03:12 | 0:03:15 | |
and where the traditions of country life still survive. | 0:03:15 | 0:03:19 | |
Life along a beautiful coastline like this, as you might expect, | 0:03:23 | 0:03:27 | |
well, it doesn't come cheap. | 0:03:27 | 0:03:28 | |
The average price of a detached house in East Devon and West Dorset | 0:03:28 | 0:03:32 | |
comes in at around £400,000. | 0:03:32 | 0:03:35 | |
That's nearly £70,000 above the national figure. | 0:03:35 | 0:03:39 | |
But then it's not surprising | 0:03:39 | 0:03:40 | |
when you consider this part of the world is | 0:03:40 | 0:03:42 | |
an absolute mecca for those seeking a slice of country life. | 0:03:42 | 0:03:46 | |
Plus, it's also popular with second home-owners | 0:03:46 | 0:03:49 | |
looking to cash in on the lucrative holiday rentals market. | 0:03:49 | 0:03:52 | |
So, the number one rule if you're looking to get as much as possible | 0:03:52 | 0:03:56 | |
for your budget is to steer clear of the coastline. | 0:03:56 | 0:03:59 | |
But that's something today's buyers, well, they'd rather not do. | 0:03:59 | 0:04:03 | |
Fundraiser Jacqui and graphic designer Richie have been married | 0:04:05 | 0:04:08 | |
for ten years. | 0:04:08 | 0:04:10 | |
Their relationship began in a whirlwind romance. | 0:04:10 | 0:04:14 | |
We met on my 27th birthday, at a pub in London. | 0:04:14 | 0:04:19 | |
Following that, we went on a blind date, pretty much, | 0:04:19 | 0:04:23 | |
-and that was it, wasn't it? -Yeah. | 0:04:23 | 0:04:25 | |
Kind of moved in with each other the day after. | 0:04:25 | 0:04:28 | |
They currently live with their cat, Squeaky, | 0:04:28 | 0:04:31 | |
in the Buckinghamshire commuter town of Great Missenden. | 0:04:31 | 0:04:34 | |
I grew up in Buckinghamshire, so I know the area quite well. | 0:04:34 | 0:04:37 | |
I think what we've realised now is, actually, we really want to go | 0:04:37 | 0:04:40 | |
and move into the proper countryside. | 0:04:40 | 0:04:42 | |
So we're looking to move to the Jurassic Coast, | 0:04:42 | 0:04:45 | |
and I know that's huge, and the area we've sort of narrowed it | 0:04:45 | 0:04:49 | |
down to, ideally, is sort of West Dorset, East Devon side. | 0:04:49 | 0:04:52 | |
The planned West Country move means Jacqui is leaving | 0:04:54 | 0:04:57 | |
her London-based job. | 0:04:57 | 0:04:59 | |
So, I currently work for the Duke of Edinburgh's Award, | 0:04:59 | 0:05:01 | |
and I guess I'm their chief fundraiser. | 0:05:01 | 0:05:04 | |
It's incredibly fulfilling. I love it. | 0:05:04 | 0:05:06 | |
I just felt it's time to do something for me. | 0:05:06 | 0:05:09 | |
The worst thing about my job now | 0:05:09 | 0:05:10 | |
is the amount of travelling I have to do. | 0:05:10 | 0:05:13 | |
It probably takes about three to four hours out of my day, most days. | 0:05:13 | 0:05:16 | |
But a new business opportunity beckons in Dorset. | 0:05:16 | 0:05:20 | |
When we move, plan A for me is to set up a glamping business. | 0:05:20 | 0:05:25 | |
We know lots of people that want to get out to the countryside, | 0:05:25 | 0:05:29 | |
but they just can't face proper camping, | 0:05:29 | 0:05:31 | |
and so, actually, we just thought, | 0:05:31 | 0:05:33 | |
"You know what, we'd love to do that. | 0:05:33 | 0:05:36 | |
"We'd love to set something up like that", | 0:05:36 | 0:05:38 | |
so it's got to be beautiful and picturesque and somewhere people | 0:05:38 | 0:05:41 | |
want to come back to on holiday | 0:05:41 | 0:05:42 | |
and feel that they've had a wilderness experience, | 0:05:42 | 0:05:45 | |
as much as anything else. | 0:05:45 | 0:05:47 | |
Richie has the freedom to work from anywhere | 0:05:47 | 0:05:49 | |
with good broadband internet. | 0:05:49 | 0:05:51 | |
Because I do graphic design, which is computer-based, | 0:05:51 | 0:05:54 | |
as long as I've got an internet connection, I can be anywhere, | 0:05:54 | 0:05:57 | |
so I can do two, three days from home, which means I'm more free | 0:05:57 | 0:06:00 | |
to live wherever I want. | 0:06:00 | 0:06:03 | |
The beautiful Jurassic Coast will allow a fresh start in the country, | 0:06:03 | 0:06:06 | |
a return to Jacqui's roots | 0:06:06 | 0:06:08 | |
and allow them to maintain links to London friends. | 0:06:08 | 0:06:12 | |
Well, I spent most of my childhood near sort of Lyme Regis area, | 0:06:12 | 0:06:17 | |
staying at my grandparents' house. So I know the area fairly well. | 0:06:17 | 0:06:20 | |
There's lots of other family members around there. | 0:06:20 | 0:06:22 | |
It's not too far for people to come. | 0:06:22 | 0:06:24 | |
It's not too far for us to get back to see people, either. | 0:06:24 | 0:06:27 | |
The couple plan to develop new hobbies in Dorset, and Richie wants | 0:06:27 | 0:06:30 | |
to put some practical family heirlooms to good use. | 0:06:30 | 0:06:34 | |
Things I'd definitely like to do more of, to play with | 0:06:34 | 0:06:37 | |
my grandad's old tools which I've inherited. He was a carpenter. | 0:06:37 | 0:06:40 | |
He's got lots of beautiful old wood-handled tools. | 0:06:40 | 0:06:43 | |
What I'll be making, I don't know. It could be anything. | 0:06:43 | 0:06:46 | |
Rocking horses, cuckoo clocks or perhaps just the odd bird box. | 0:06:46 | 0:06:49 | |
Jacqui and Richie ideally want to be in West Dorset, | 0:06:53 | 0:06:56 | |
close to the Jurassic Coast. | 0:06:56 | 0:06:58 | |
However, they're prepared to consider locations further inland | 0:06:58 | 0:07:01 | |
and also venture across the border into Devon. | 0:07:01 | 0:07:05 | |
I'm meeting our couple at the Dorset cliffs | 0:07:05 | 0:07:07 | |
to find out more about their move. | 0:07:07 | 0:07:09 | |
-Welcome, both of you, to the Jurassic Coast. -Thank you. | 0:07:09 | 0:07:11 | |
You both love it here, don't you? | 0:07:11 | 0:07:13 | |
-Absolutely love it. -Oh, yeah, absolutely love it. | 0:07:13 | 0:07:15 | |
-What's not to love? It's gorgeous, isn't it? -Exactly. | 0:07:15 | 0:07:17 | |
-We've come down a lot recently. -We've come down loads, | 0:07:17 | 0:07:19 | |
we got a camper van so we could come and explore more and decide | 0:07:19 | 0:07:22 | |
-exactly where we want to live. -But you want to be within striking distance... | 0:07:22 | 0:07:25 | |
-Within striking distance, yup. -West Dorset, really. | 0:07:25 | 0:07:27 | |
So, the West Dorset part of Jurassic Coast, rather than the East part. | 0:07:27 | 0:07:30 | |
Yeah. How close to the sea would you like to be? | 0:07:30 | 0:07:34 | |
-Well, not this close! -No! | 0:07:34 | 0:07:36 | |
But within 10, 15 miles is ideal. | 0:07:36 | 0:07:39 | |
-What are you going to do here? -Plan A is to give glamping a go. | 0:07:39 | 0:07:42 | |
-Just because I think I'll be quite good at it. -There's a market for it. | 0:07:42 | 0:07:45 | |
-Yep. -There is? -While there is, it might work. | 0:07:45 | 0:07:47 | |
It could be something else, though. | 0:07:47 | 0:07:49 | |
Have you been involved in hospitality before? | 0:07:49 | 0:07:51 | |
My parents are. | 0:07:51 | 0:07:52 | |
They bought some holiday cottages and run those. | 0:07:52 | 0:07:55 | |
-So, I've got a fair idea about the work involved. -Yeah. | 0:07:55 | 0:07:57 | |
I've got itchy feet, so I've got to have something to do, | 0:07:57 | 0:08:00 | |
I'm not coming down here to sort of | 0:08:00 | 0:08:02 | |
-sit around and drink gin. -Very busy person. | 0:08:02 | 0:08:04 | |
No, although there are attractions to that lifestyle, admittedly! | 0:08:04 | 0:08:08 | |
OK, well, let's talk about the house itself. | 0:08:08 | 0:08:11 | |
What are you looking for? | 0:08:11 | 0:08:12 | |
Basically, we're after something fairly compact, so three bedrooms. | 0:08:12 | 0:08:16 | |
-OK. -Has to look nice. I mean, it has to have potential, | 0:08:16 | 0:08:19 | |
so we're prepared to do a bit of work. | 0:08:19 | 0:08:21 | |
Happy to do heavy DIY renovation ourselves. | 0:08:21 | 0:08:25 | |
-The land is probably more important, in a way. -Setting. | 0:08:25 | 0:08:28 | |
And it's something you can't really articulate until you get there. | 0:08:28 | 0:08:31 | |
It's got to just look beautiful, because that's the whole experience | 0:08:31 | 0:08:35 | |
we want to have for our guests, so if it's some big, flat field | 0:08:35 | 0:08:38 | |
where there isn't a view or the view's a bit rubbish, | 0:08:38 | 0:08:41 | |
it's not going to work. | 0:08:41 | 0:08:42 | |
Have you got an idea of how much land you think you'd want? | 0:08:42 | 0:08:46 | |
Ideally, three acres plus. | 0:08:46 | 0:08:48 | |
OK, I've got an idea, then, in my mind, of the style, | 0:08:48 | 0:08:51 | |
the kind of thing you're looking for. Let's talk about price. | 0:08:51 | 0:08:54 | |
How much have you got to spend on this? | 0:08:54 | 0:08:57 | |
It's a pretty big move for you guys. | 0:08:57 | 0:08:58 | |
Yeah, so we've scraped everything together. | 0:08:58 | 0:09:02 | |
-Counted all the piggy banks? -We have, we have! | 0:09:02 | 0:09:04 | |
And somewhere in the 800,000 mark would be perfect. | 0:09:04 | 0:09:08 | |
-OK. -And within that, we'd like a little bit of scope if we were doing | 0:09:08 | 0:09:11 | |
-huge renovations... -All right, look, | 0:09:11 | 0:09:13 | |
we've got three very interesting properties, | 0:09:13 | 0:09:16 | |
very different in their own way, as well. | 0:09:16 | 0:09:18 | |
-Ready to go? -Definitely. -Yeah, absolutely. | 0:09:18 | 0:09:20 | |
With a maximum budget of £800,000, | 0:09:24 | 0:09:26 | |
Jacqui and Richie would like a detached property | 0:09:26 | 0:09:29 | |
with quirky charm | 0:09:29 | 0:09:30 | |
and at least three bedrooms. | 0:09:30 | 0:09:32 | |
They want around three acres of land for a business, | 0:09:32 | 0:09:35 | |
and the house should be close to the coast, | 0:09:35 | 0:09:37 | |
and to a village pub, | 0:09:37 | 0:09:38 | |
to draw in their prospective | 0:09:38 | 0:09:40 | |
holiday-makers. | 0:09:40 | 0:09:42 | |
We've selected a rich mix of properties which tally with | 0:09:42 | 0:09:45 | |
Richie and Jacqui's wish list. | 0:09:45 | 0:09:46 | |
I'll be asking them to guess the price of each one | 0:09:46 | 0:09:50 | |
before I reveal it. | 0:09:50 | 0:09:51 | |
Our final offering will be the mystery house. | 0:09:51 | 0:09:54 | |
It has potential for their business, | 0:09:54 | 0:09:56 | |
but with a difference - which might make a big splash. | 0:09:56 | 0:09:59 | |
Our property search begins in the Devon hamlet of Rawridge, | 0:10:04 | 0:10:07 | |
situated in the Otter Valley. | 0:10:07 | 0:10:09 | |
A mile away is the village of Upottery, | 0:10:11 | 0:10:13 | |
made up of impeccable thatched cottages | 0:10:13 | 0:10:16 | |
and set in the Blackdown Hills Area of Outstanding Natural Beauty. | 0:10:16 | 0:10:20 | |
Parts of the local Church of St Giles date from the 12th-century, | 0:10:21 | 0:10:25 | |
and I'm hoping that Richie and Jacqui will be pleased to discover | 0:10:25 | 0:10:27 | |
that the local pub is both a centre for the community | 0:10:27 | 0:10:31 | |
and serves local ales. | 0:10:31 | 0:10:33 | |
Back in Rawridge, the first property we've come to see | 0:10:33 | 0:10:36 | |
is in a lovely rural location. | 0:10:36 | 0:10:38 | |
Well, you'll notice we've come over the border into Devon. | 0:10:38 | 0:10:41 | |
-We are within that 15 mile to the coast, but only just. -Yep, just. | 0:10:41 | 0:10:45 | |
-And this is the house. -Looks massive. -It is substantial. | 0:10:45 | 0:10:48 | |
And really well done. | 0:10:48 | 0:10:50 | |
The barn itself dates back a couple of hundred years. | 0:10:50 | 0:10:53 | |
-All right. -OK. -That is the old farm, and it was split up. | 0:10:53 | 0:10:56 | |
-Yep. -That's included. | 0:10:56 | 0:10:58 | |
-I think you said you'd like the idea of a quirky property. -Mm. | 0:10:58 | 0:11:02 | |
-This is definitely quirky. -Yep. | 0:11:02 | 0:11:03 | |
-Want to go inside? -Yes, please. -Please. -Come with me. | 0:11:03 | 0:11:06 | |
This handsome barn conversion has happily prompted | 0:11:08 | 0:11:10 | |
initial positive reactions. | 0:11:10 | 0:11:12 | |
As we enter, hopefully, the ceiling height in places | 0:11:12 | 0:11:16 | |
won't hamper their enthusiasm. | 0:11:16 | 0:11:18 | |
Mind your heads. | 0:11:18 | 0:11:20 | |
Now, ducking your head might be a bit of a theme for you | 0:11:20 | 0:11:23 | |
in this house, Richie. | 0:11:23 | 0:11:24 | |
-The main event. -That's nice. -It's a really nicely done kitchen. | 0:11:26 | 0:11:30 | |
Nice, warm cosy feeling. Nice thick walls. | 0:11:30 | 0:11:33 | |
-Nice range. -That will be a feature. | 0:11:33 | 0:11:34 | |
If you've been outside in the fields to do whatever you do, | 0:11:34 | 0:11:37 | |
-it's constantly on. -Yeah. -Yeah?! | 0:11:37 | 0:11:40 | |
Assume the position, that's it, bum warmer! | 0:11:40 | 0:11:43 | |
-Yeah, it's lovely. -Great size, as well. Not too big. -Yup. | 0:11:43 | 0:11:45 | |
Pleasantly surprised with the extra ceiling height. | 0:11:45 | 0:11:48 | |
I mean, let's talk about that. | 0:11:48 | 0:11:49 | |
We've walked through the front door, | 0:11:49 | 0:11:51 | |
ducked to get from the front hallway, | 0:11:51 | 0:11:54 | |
-you've ducked twice. -That wouldn't necessarily put me off. | 0:11:54 | 0:11:57 | |
-Wouldn't it? -Depends on the rest of everything. -OK. | 0:11:57 | 0:12:00 | |
Should we keep looking through? | 0:12:00 | 0:12:02 | |
-Yeah, lovely, thank you. -Come with me. | 0:12:02 | 0:12:04 | |
I'm pleased the low beams won't necessarily | 0:12:04 | 0:12:06 | |
be a deal-breaker for Richie. | 0:12:06 | 0:12:08 | |
As we head back through, | 0:12:08 | 0:12:10 | |
a downstairs bathroom is off to the right. | 0:12:10 | 0:12:12 | |
And then we come to the main reception space. | 0:12:12 | 0:12:15 | |
Now, the living room is... I'd call it a snug, really. | 0:12:15 | 0:12:18 | |
Oh, right, yeah. It does feel a bit enclosed. | 0:12:18 | 0:12:21 | |
-Oh, I know what you mean... -But it is cosy. | 0:12:21 | 0:12:23 | |
-It's cosy in a good way, yeah. -It's got a fireplace. | 0:12:23 | 0:12:26 | |
Well, living in the country, you've got to have an open fire, | 0:12:26 | 0:12:29 | |
or at least a solid fuel burner, haven't you? | 0:12:29 | 0:12:31 | |
-Yeah, that's a beast, isn't it? -That's a big beefy one. | 0:12:31 | 0:12:33 | |
All right, now, through there, you've got a utility, really, a boot room. | 0:12:33 | 0:12:36 | |
-Right. -In order to get to the boot room you either come in through | 0:12:36 | 0:12:40 | |
the main house or you walk in round the back. | 0:12:40 | 0:12:41 | |
-I think maybe think about reconfiguration... -Mm. | 0:12:41 | 0:12:44 | |
-..or use it for something else. -Yeah. -But don't think of it | 0:12:44 | 0:12:46 | |
as an office, because I've got plans for that. | 0:12:46 | 0:12:49 | |
-Shall we go upstairs and look at the bedroom? -Please. | 0:12:49 | 0:12:51 | |
-Yes, please. -Come with me. | 0:12:51 | 0:12:53 | |
The downstairs seemed to be gaining overall approval. | 0:12:54 | 0:12:57 | |
Up on the first floor, two cosy, characterful guest bedrooms | 0:12:57 | 0:13:00 | |
lie under the eaves. One with an en-suite bathroom. | 0:13:00 | 0:13:03 | |
But there is another bathroom | 0:13:05 | 0:13:07 | |
immediately to the left of the stairway. | 0:13:07 | 0:13:09 | |
Beyond this, right at the far end of the corridor, | 0:13:09 | 0:13:12 | |
lies the master bedroom and en-suite shower. | 0:13:12 | 0:13:15 | |
Have either of you two ever been skiing before? | 0:13:18 | 0:13:20 | |
Oh, yeah, it's like a lodge. | 0:13:20 | 0:13:23 | |
-The quirk continues, in a good way. -Really cosy. | 0:13:23 | 0:13:25 | |
You can see the conversion here now, can't you? | 0:13:25 | 0:13:27 | |
-They've done a lovely job. -You like it, do you? -Yeah. | 0:13:27 | 0:13:30 | |
The quirky bits of this house are sort of ringing bells for you, | 0:13:30 | 0:13:33 | |
-aren't they? -Mm. -But, at the moment, there's been a lot of ducking. | 0:13:33 | 0:13:36 | |
A little bit too much ducking, probably, yeah. | 0:13:36 | 0:13:38 | |
Yeah, there's too much in this house for Richie. | 0:13:38 | 0:13:40 | |
I'm not sure yet whether this is the house for you, | 0:13:40 | 0:13:43 | |
-but maybe we won't know until we go outside, so come with me. -Yeah. | 0:13:43 | 0:13:46 | |
Though the bedrooms' low beams are a drawback, | 0:13:48 | 0:13:51 | |
I'm still hoping that what lies outside this property | 0:13:51 | 0:13:54 | |
could prove a selling point. | 0:13:54 | 0:13:56 | |
At the rear of the barn conversion, | 0:13:56 | 0:13:58 | |
there's a beautifully secluded patio and garden. | 0:13:58 | 0:14:02 | |
Outbuildings offer the chance for Jacqui and Richie | 0:14:02 | 0:14:04 | |
to build a workshop, and to have an office for their business. | 0:14:04 | 0:14:08 | |
It also comes with plenty of that all-important land, | 0:14:09 | 0:14:12 | |
and sits in a very attractive setting. | 0:14:12 | 0:14:15 | |
-Some great views here, aren't there? -Oh, yeah, lovely. | 0:14:15 | 0:14:17 | |
-Fantastic views, yeah. -Good vista. | 0:14:17 | 0:14:19 | |
So, you've got, all in all, | 0:14:19 | 0:14:22 | |
something approaching eight acres. | 0:14:22 | 0:14:24 | |
-Right. -That's good. -I was hoping you'd see the benefit | 0:14:25 | 0:14:27 | |
of, I mean, pitching your tent or what have you, coming out, | 0:14:27 | 0:14:30 | |
looking out at this beautiful view in the morning, | 0:14:30 | 0:14:32 | |
-I think, would be pretty special. -It is a nice spot. | 0:14:32 | 0:14:35 | |
How much do you think this house is on the market for? | 0:14:35 | 0:14:38 | |
I think it's | 0:14:39 | 0:14:41 | |
765,000. | 0:14:41 | 0:14:46 | |
That's very precise, isn't it?! He's shaking his head. | 0:14:46 | 0:14:48 | |
Too high, too high. I think it's closer to 695,000. | 0:14:48 | 0:14:52 | |
OK. | 0:14:52 | 0:14:53 | |
Heading in the right direction. | 0:14:53 | 0:14:55 | |
-Should have kept going. -Mm. | 0:14:55 | 0:14:57 | |
This house is on the market for £650,000. | 0:14:57 | 0:14:59 | |
-Wow. -Cool. -Yeah. -That's a good price for it. | 0:14:59 | 0:15:02 | |
-It is a good price. -Well, I'm pleased that you both guessed over. | 0:15:02 | 0:15:05 | |
Have a look around, refresh yourself of what you get here, and I'll catch | 0:15:05 | 0:15:08 | |
up with you in a moment. All right? | 0:15:08 | 0:15:10 | |
-Yep. -Lovely. Cheers! -See you in a bit. | 0:15:10 | 0:15:13 | |
Under budget by £150,000, | 0:15:13 | 0:15:15 | |
this two-storey barn conversion | 0:15:15 | 0:15:17 | |
provides a well-fitted kitchen and dining area, | 0:15:17 | 0:15:20 | |
a cosy sitting room, with wood burner, | 0:15:20 | 0:15:22 | |
and the three bedrooms Richie | 0:15:22 | 0:15:24 | |
and Jacqui asked for. | 0:15:24 | 0:15:26 | |
It comes with eight acres of land, | 0:15:26 | 0:15:28 | |
and the outbuildings offer space for offices and a workshop. | 0:15:28 | 0:15:31 | |
Oh, wow. This is nice, nice and bright. | 0:15:34 | 0:15:37 | |
Yeah, could use it for an office, maybe. | 0:15:37 | 0:15:39 | |
I think there's probably room in the house for an office, | 0:15:39 | 0:15:42 | |
and you could probably use this for, | 0:15:42 | 0:15:45 | |
-you know... -Messing around in. -Yeah. | 0:15:45 | 0:15:47 | |
I think this house is lovely. | 0:15:47 | 0:15:49 | |
A lot of great quirk to it. | 0:15:49 | 0:15:51 | |
And in terms of how it would work for us, | 0:15:51 | 0:15:53 | |
I think it would need to be a little more secluded. | 0:15:53 | 0:15:56 | |
We wouldn't necessarily need eight acres of land. | 0:15:58 | 0:16:00 | |
We could go sacrifice some of the land for a bit more seclusion, | 0:16:00 | 0:16:04 | |
if that meant we could be further in towards the coast. | 0:16:04 | 0:16:07 | |
I think it's a lovely house. | 0:16:07 | 0:16:08 | |
I love the thick walls and the exposed stone. | 0:16:08 | 0:16:11 | |
Unfortunately, some of the ceilings are a bit low, | 0:16:11 | 0:16:15 | |
especially for Richie, but even for me, | 0:16:15 | 0:16:17 | |
so I'm not sure if that's something we could really deal with, | 0:16:17 | 0:16:21 | |
day in, day out. | 0:16:21 | 0:16:22 | |
-Hi! -Hi, how many times did he bang his head? | 0:16:24 | 0:16:27 | |
-Ah, nil! -Nil? Oh, well done. | 0:16:27 | 0:16:29 | |
So, overall? Happy with everything you've seen so far? | 0:16:29 | 0:16:31 | |
-Yeah. -Yeah. Good first house. -Good start. | 0:16:31 | 0:16:35 | |
-Right, OK. -Yeah. -Sounds like, "Could do better." | 0:16:35 | 0:16:38 | |
-Let's see if we can. Come with me. -Great. | 0:16:38 | 0:16:40 | |
Dorset's dramatic coastline and stunning countryside has been | 0:16:45 | 0:16:49 | |
an inspiration to generations of artists and craftsmen. | 0:16:49 | 0:16:54 | |
Richie wants to put his grandfather's carpentry tools | 0:16:54 | 0:16:56 | |
to good use when he and Jacqui move to the area. | 0:16:56 | 0:16:59 | |
So, we've arranged for them both to meet master craftsman | 0:16:59 | 0:17:03 | |
David Saltmarsh, who specialises in bespoke handmade chairs. | 0:17:03 | 0:17:07 | |
So, David, this is a beautiful spot you've got. | 0:17:07 | 0:17:10 | |
What made you move here, and how long have you been here? | 0:17:10 | 0:17:13 | |
Well, we loved the area since we came down here, | 0:17:13 | 0:17:15 | |
and decided to move down. | 0:17:15 | 0:17:17 | |
We've been down here about 13 years now. | 0:17:17 | 0:17:20 | |
So, you working on any chairs at the moment we could have a look at? | 0:17:20 | 0:17:22 | |
Yeah, I'm always working on a chair, and I've got one nearly finished, | 0:17:22 | 0:17:25 | |
so maybe you can come and help me stick it together. | 0:17:25 | 0:17:28 | |
-Yes. -Cool, let's go. -Great. | 0:17:28 | 0:17:29 | |
So, I can see lots of lovely hand tools here. | 0:17:35 | 0:17:38 | |
Yeah, I use mainly hand tools, but I have a few power tools, | 0:17:38 | 0:17:42 | |
but we're completely off-grid, | 0:17:42 | 0:17:44 | |
so the power tools that I do use are powered by wind and the sun. | 0:17:44 | 0:17:47 | |
So, are there any techniques that you use to make the chairs | 0:17:47 | 0:17:50 | |
-that you could show us now? -Yeah, I can show you the shaving horse. | 0:17:50 | 0:17:54 | |
Yeah, great! | 0:17:54 | 0:17:56 | |
The woods David likes to work with are locally sourced ash or cherry. | 0:17:56 | 0:18:00 | |
The trees are felled in winter, and the timber is used whilst it's still | 0:18:00 | 0:18:03 | |
green, and contains moisture, making it easier to work with. | 0:18:03 | 0:18:07 | |
So, which part of the chair is this going to be? | 0:18:07 | 0:18:11 | |
This will probably be a leg. Do you want to have a go? Are you ready? | 0:18:11 | 0:18:14 | |
-Yeah, I'd love to. -You can have a go on this one. | 0:18:14 | 0:18:16 | |
-Right. -You're going to sit on here and clamp it with your feet. | 0:18:16 | 0:18:20 | |
And how hard do you need to pull it? | 0:18:20 | 0:18:22 | |
-You'll figure it out. -So, what angle? | 0:18:22 | 0:18:25 | |
-Flatter than that. -Like that? -Yeah, like that. | 0:18:25 | 0:18:27 | |
Like that. Yeah, there you go. | 0:18:27 | 0:18:29 | |
-Oh, it's hard. You can feel it getting flatter, can't you? -Yeah. | 0:18:29 | 0:18:33 | |
Am I a natural? | 0:18:37 | 0:18:39 | |
-Oh, definitely. -Oh, yeah! -Definitely! | 0:18:39 | 0:18:41 | |
I'm impressed, I'm impressed. | 0:18:41 | 0:18:42 | |
David makes Windsor chairs, | 0:18:43 | 0:18:45 | |
where a solid piece of wood is used as the seat, but the back and legs | 0:18:45 | 0:18:48 | |
are individually crafted lengths of timber. | 0:18:48 | 0:18:52 | |
After the wood has been shaved, | 0:18:53 | 0:18:54 | |
it's over to the pole lathe to refine and finesse his design. | 0:18:54 | 0:18:58 | |
This part of the process is now in Richie's hands. | 0:18:58 | 0:19:01 | |
That's it. It'll take a while to pick up but you'll get it. | 0:19:01 | 0:19:04 | |
-I feel kind of connected to it, because you... -Exactly, yeah. | 0:19:08 | 0:19:11 | |
-You're doing a whole movement. -Yeah, you got to get the rhythm right. | 0:19:11 | 0:19:14 | |
-Yeah, I don't know if I got the rhythm right but...! -You'll get it. | 0:19:14 | 0:19:17 | |
After crafting the individual chair pieces, | 0:19:20 | 0:19:23 | |
the moist wood needs to dry before it can be assembled. | 0:19:23 | 0:19:26 | |
So, we're going to put these spindles in - one, two and three. | 0:19:27 | 0:19:30 | |
-So, tap them in with this. -With this? -Yeah, tap them in. | 0:19:30 | 0:19:33 | |
The back and legs of the chair are secured to the seat | 0:19:34 | 0:19:37 | |
in drilled sockets. | 0:19:37 | 0:19:38 | |
-There. -It's like ribs. | 0:19:38 | 0:19:39 | |
And now we've got to line this up, and get them all on there. | 0:19:39 | 0:19:43 | |
So, point those, as we go down from the... That's it. | 0:19:43 | 0:19:46 | |
Get that one. Last one in. | 0:19:46 | 0:19:49 | |
Can you feel that creak? | 0:19:49 | 0:19:52 | |
-Wow. -Oh, yeah, that's a lovely chair. -There it is. | 0:19:54 | 0:19:58 | |
Been great to see all this in action. Been really inspired | 0:19:58 | 0:20:00 | |
-by this. -Yeah. -I'll probably come down and ask you for some more help | 0:20:00 | 0:20:03 | |
-when we've moved down here. -Oh, I'd love that. | 0:20:03 | 0:20:05 | |
-I'd love to see you both again. -Yeah. | 0:20:05 | 0:20:07 | |
You've been a great host, thank you so much. | 0:20:07 | 0:20:10 | |
After being inspired by David's impressive carpentry, | 0:20:10 | 0:20:13 | |
it's time to return to our house hunt, | 0:20:13 | 0:20:15 | |
where hopefully we can carve out a favourable outcome. | 0:20:15 | 0:20:18 | |
Our second property also lies within the Devon border, | 0:20:22 | 0:20:25 | |
in the village of Woodbury Salterton, | 0:20:25 | 0:20:28 | |
and closer to the coast. | 0:20:28 | 0:20:30 | |
Woodbury Salterton has a vibrant and close-knit community, | 0:20:30 | 0:20:33 | |
near to some of Devon's most beautiful countryside, | 0:20:33 | 0:20:36 | |
and it's home to a thatched 15th-century pub and a church, | 0:20:36 | 0:20:40 | |
both local meeting points. | 0:20:40 | 0:20:42 | |
-OK, then, house number two is everything in white. -Mm! | 0:20:43 | 0:20:48 | |
-Hey! -Wow, that is massive. -That's a wow, we got a wow. | 0:20:48 | 0:20:50 | |
What do we think of the style of this property? | 0:20:50 | 0:20:52 | |
Yeah, yeah, it looks sort of country cottage. | 0:20:52 | 0:20:55 | |
-It was knocked about and extended just prior to 2015. -Mm. | 0:20:55 | 0:20:58 | |
-So there's a bit of history attached to it. -Notice some nice new | 0:20:58 | 0:21:01 | |
-double-glazed wooden windows, which are good. -Yeah. | 0:21:01 | 0:21:03 | |
There's plenty to see and explore. | 0:21:03 | 0:21:05 | |
-The footpath's right on your doorstep. -Yep. | 0:21:05 | 0:21:07 | |
For guests and maybe you. | 0:21:07 | 0:21:08 | |
And you shouldn't be banging your head as much in this house. | 0:21:08 | 0:21:11 | |
-Good. -Shall we try? -Yeah! -Yeah. | 0:21:11 | 0:21:12 | |
Originally two separate cottages, | 0:21:14 | 0:21:16 | |
this extensive, beautifully converted property | 0:21:16 | 0:21:19 | |
seems to have caught Jacqui and Richie's attention. | 0:21:19 | 0:21:21 | |
From the front doorway, the living room is at the end of a spacious | 0:21:22 | 0:21:25 | |
entrance hall. | 0:21:25 | 0:21:28 | |
Let's start with the living room, | 0:21:28 | 0:21:30 | |
-because there's a bit of a flow to this house. -Oh, right. | 0:21:30 | 0:21:32 | |
-Workable space. -No fireplace. -Nice floor. | 0:21:32 | 0:21:35 | |
There is a working fire elsewhere in the house. | 0:21:35 | 0:21:38 | |
-Right. -Because this isn't your only living room. | 0:21:38 | 0:21:40 | |
-But you've got a dedicated living room at the far end. -Cool. | 0:21:40 | 0:21:44 | |
It'd be a good party room, it's got a stage. | 0:21:44 | 0:21:46 | |
-Yeah. -And that sort of stuff. -Stage?! | 0:21:46 | 0:21:49 | |
-What do you do at your parties?! -Didn't we say that, | 0:21:49 | 0:21:51 | |
-that we need a stage? -Just showing off. | 0:21:51 | 0:21:53 | |
I quite like it, because this is clearly the extension, | 0:21:53 | 0:21:56 | |
but they've managed to keep so much light thrown into this room, | 0:21:56 | 0:21:58 | |
-haven't they? -Yep. -Mm. -It's good. | 0:21:58 | 0:22:00 | |
Let me show you the kitchen. I rather like it. | 0:22:00 | 0:22:03 | |
I wondered whether it was around there. | 0:22:03 | 0:22:05 | |
You see what I mean about the flow? | 0:22:08 | 0:22:10 | |
-OK. -Oh, yeah, nice sort of hand built, isn't it? | 0:22:10 | 0:22:13 | |
-Yeah, it's quirky, isn't it? -Nice ceiling. -Good beams. | 0:22:13 | 0:22:15 | |
It's really nice, the way they've done it, | 0:22:15 | 0:22:18 | |
really sort of unique, isn't it? | 0:22:18 | 0:22:19 | |
I think so. So, let's have the tester, then. | 0:22:19 | 0:22:22 | |
-You're cooking... Oh, look, confident! -Ooh! | 0:22:22 | 0:22:24 | |
And I've got this early warning system of my hair. | 0:22:24 | 0:22:27 | |
-So, you're all right, then? -No problem. | 0:22:27 | 0:22:28 | |
Through there, you've got a downstairs wet room and loo. | 0:22:28 | 0:22:33 | |
OK, and then you can go up the spiral staircase, | 0:22:33 | 0:22:35 | |
which I think will be a good office cum craft room. | 0:22:35 | 0:22:40 | |
-Happy so far? -Yes. -Yeah, yeah, looks nice. | 0:22:40 | 0:22:42 | |
Let's scoot through this way, | 0:22:42 | 0:22:44 | |
and I'll take you upstairs to the bedrooms. Come with me. | 0:22:44 | 0:22:46 | |
It's great that they not only appreciate the high spec finish of | 0:22:48 | 0:22:51 | |
the living areas, but that Richie can easily walk tall | 0:22:51 | 0:22:54 | |
through all of them. | 0:22:54 | 0:22:55 | |
The first floor is reached from the main stairs in the hallway. | 0:22:55 | 0:22:59 | |
A bathroom with a charmingly old-fashioned feel includes | 0:22:59 | 0:23:02 | |
a freestanding bath. | 0:23:02 | 0:23:03 | |
The four bright bedrooms, all with wooden floorboards, and one with | 0:23:03 | 0:23:07 | |
en suite, are tastefully decorated | 0:23:07 | 0:23:09 | |
with a nautical theme and natural features. | 0:23:09 | 0:23:12 | |
But I'm going to show Jacqui and Richie what I think | 0:23:13 | 0:23:15 | |
could be the master. | 0:23:15 | 0:23:17 | |
-Just mind your step here, and your head, in particular, Richie. -OK. | 0:23:17 | 0:23:20 | |
Is this the master? | 0:23:23 | 0:23:25 | |
Well, it depends on what you want from a master bedroom. | 0:23:25 | 0:23:29 | |
The one at the end has views down over the hills, and is en suite. | 0:23:29 | 0:23:33 | |
-Right. -But I think this has a nicer outlook. | 0:23:33 | 0:23:36 | |
-Yeah, it's lovely. -I like the skylights, | 0:23:36 | 0:23:38 | |
I like the shape of the alcove there, and... | 0:23:38 | 0:23:41 | |
What's the feel you're getting from this house? | 0:23:41 | 0:23:43 | |
I haven't fallen in love with it... yet. | 0:23:43 | 0:23:46 | |
You were cooing more in the first house. | 0:23:46 | 0:23:49 | |
The other house had a bit more personality about it, | 0:23:49 | 0:23:52 | |
but you could put personality into this house. | 0:23:52 | 0:23:54 | |
You're absolutely spot-on. | 0:23:54 | 0:23:55 | |
It's up to someone to put a bit of atmosphere into the house. | 0:23:55 | 0:23:58 | |
-Yep. -That's the fun stuff. -A bit of you two. | 0:23:58 | 0:24:02 | |
I'm hoping Jacqui will reserve judgment, | 0:24:02 | 0:24:05 | |
as outside is a very generous proposition. | 0:24:05 | 0:24:07 | |
The property has two garages | 0:24:09 | 0:24:11 | |
and a landscaped rear garden, with spectacular views. | 0:24:11 | 0:24:15 | |
A timber summerhouse could be repurposed as a workshop. | 0:24:15 | 0:24:19 | |
What's more, the glamping business could be accommodated here, too. | 0:24:19 | 0:24:23 | |
In regards to land, | 0:24:23 | 0:24:26 | |
you get around four acres. | 0:24:26 | 0:24:28 | |
-Right. -Quieter than the first property? | 0:24:28 | 0:24:31 | |
-Much quieter. -Yes. -Yeah. -Way quieter. | 0:24:31 | 0:24:33 | |
-What are you thinking? -Well, I think this could work. | 0:24:33 | 0:24:37 | |
-As a whole package... -Uh-huh? | 0:24:37 | 0:24:40 | |
Not sure if I'm falling in love with it. | 0:24:40 | 0:24:42 | |
I know that's just a completely stupid thing to say. | 0:24:42 | 0:24:44 | |
I think you've got every right to want to fall in love with something. | 0:24:44 | 0:24:47 | |
How about guessing the price? | 0:24:47 | 0:24:49 | |
I've had a figure in my head. | 0:24:49 | 0:24:51 | |
-It's £725,000. -OK. | 0:24:51 | 0:24:54 | |
-Jacqui? -Well, I think it might be a bit more, | 0:24:54 | 0:24:57 | |
so I'm going to say | 0:24:57 | 0:24:59 | |
£750,000. | 0:24:59 | 0:25:01 | |
Good guess. | 0:25:01 | 0:25:03 | |
It's on the market | 0:25:03 | 0:25:05 | |
-for offers around £795,000. -Mm. -Mm. | 0:25:05 | 0:25:08 | |
Whilst we're here, I think you should have a look around | 0:25:08 | 0:25:10 | |
the property and the land, get a real feel for it, | 0:25:10 | 0:25:13 | |
refresh your minds, and I will catch up with you out the front in a bit. | 0:25:13 | 0:25:15 | |
-All right? -Lovely. -See you in a mo. -Thank you. | 0:25:15 | 0:25:18 | |
Priced at £795,000, | 0:25:20 | 0:25:23 | |
this sympathetically-converted property | 0:25:23 | 0:25:25 | |
rings in just under Richie and Jacqui's budget. | 0:25:25 | 0:25:28 | |
It provides two living areas that really make a design statement. | 0:25:28 | 0:25:32 | |
There's a bespoke, open-plan kitchen-diner, | 0:25:32 | 0:25:35 | |
and the four bedrooms offer plenty of space for guests. | 0:25:35 | 0:25:39 | |
What's more, the four acres of land are ripe for developing a potential | 0:25:39 | 0:25:42 | |
glamping business on. | 0:25:42 | 0:25:44 | |
Although the land itself is lovely and a good size, | 0:25:44 | 0:25:46 | |
there is a house that is directly overlooking it, | 0:25:46 | 0:25:50 | |
and the view, as well, although lovely, | 0:25:50 | 0:25:52 | |
isn't quite what I had in mind. | 0:25:52 | 0:25:54 | |
I was expecting it to be a bit more rural. | 0:25:54 | 0:25:57 | |
Positive things about this house are the layout. | 0:25:57 | 0:25:59 | |
I love the quirky layout. | 0:25:59 | 0:26:01 | |
I like the kitchen sort of social area, | 0:26:01 | 0:26:04 | |
lovely little windows | 0:26:04 | 0:26:06 | |
and, yeah, it's very tastefully done. | 0:26:06 | 0:26:08 | |
Right, then. Two properties down. | 0:26:10 | 0:26:12 | |
That's it for today. | 0:26:12 | 0:26:14 | |
Hopefully, something to talk about and consider over a pint or two | 0:26:14 | 0:26:17 | |
-this evening. -Great idea. -Absolutely, yeah. | 0:26:17 | 0:26:19 | |
I might even buy you one. | 0:26:19 | 0:26:21 | |
It's the second day of our house-hunting adventure | 0:26:33 | 0:26:35 | |
on the Jurassic Coast, | 0:26:35 | 0:26:37 | |
with Buckinghamshire couple Jacqui and Richie. | 0:26:37 | 0:26:39 | |
Armed with £800,000, | 0:26:39 | 0:26:41 | |
they're looking for a country property with personality and scale, | 0:26:41 | 0:26:45 | |
ideally near the sea, | 0:26:45 | 0:26:46 | |
where they can create a luxury camping business venture. | 0:26:46 | 0:26:50 | |
Coming up, our mystery house serves up an unexpected way | 0:26:50 | 0:26:53 | |
of opening doors to guests. | 0:26:53 | 0:26:55 | |
-It feels more like you want to be on holiday here. -Yeah. | 0:26:55 | 0:26:57 | |
Well, you want to use the beach, don't you?! You want to... | 0:26:57 | 0:27:00 | |
Basically, we're going to be on permanent holiday. | 0:27:00 | 0:27:02 | |
Well, someone is! | 0:27:02 | 0:27:03 | |
And I fulfil a lifelong ambition | 0:27:05 | 0:27:07 | |
in one of the country's oldest breweries. | 0:27:07 | 0:27:09 | |
This is one of my dreams, to be able to bathe in beer. | 0:27:10 | 0:27:13 | |
Well, I'm not entirely sure we've hit the nail on the head quite yet, | 0:27:14 | 0:27:17 | |
but that's what the mystery property is all about. | 0:27:17 | 0:27:19 | |
So far, well, I think we're struggling to find the balance | 0:27:19 | 0:27:22 | |
between getting the right house that also has this wonderful | 0:27:22 | 0:27:26 | |
glamping business potential. | 0:27:26 | 0:27:29 | |
But, for me, I think Jacqui really needs to fall in love with the house | 0:27:29 | 0:27:32 | |
itself, maybe at first sight. | 0:27:32 | 0:27:36 | |
But do they both really need this full-on glamping business | 0:27:36 | 0:27:39 | |
and all the compromises that come with it? | 0:27:39 | 0:27:41 | |
Maybe they're after a property that just gives them something else, | 0:27:41 | 0:27:44 | |
something to keep Jacqui's mind ticking over. | 0:27:44 | 0:27:47 | |
This house could have just that. | 0:27:47 | 0:27:49 | |
So, did you lie in bed last night thinking | 0:27:54 | 0:27:56 | |
what you might be seeing today? | 0:27:56 | 0:27:58 | |
It would be nice to see something a bit... | 0:27:58 | 0:28:01 | |
..a bit closer to West Dorset. | 0:28:01 | 0:28:02 | |
And I'm hoping that it might be a castle. | 0:28:02 | 0:28:05 | |
LAUGHTER | 0:28:05 | 0:28:06 | |
-Oh! -I think it might be... -Or a windmill! | 0:28:06 | 0:28:08 | |
I think it might be a bungalow. | 0:28:08 | 0:28:10 | |
But in a really amazing setting. | 0:28:10 | 0:28:13 | |
At the moment, | 0:28:13 | 0:28:14 | |
you're both way off. | 0:28:14 | 0:28:16 | |
THEY LAUGH | 0:28:16 | 0:28:18 | |
The mystery house is in the West Dorset village of Morcombelake, | 0:28:20 | 0:28:23 | |
our closest location to the coast. | 0:28:23 | 0:28:25 | |
Amenities include a farm shop, | 0:28:25 | 0:28:27 | |
post office and a church built in the early 1840s. | 0:28:27 | 0:28:32 | |
The village is also home to a factory famous for making the | 0:28:32 | 0:28:35 | |
Dorset knob biscuit, part of the county's culinary heritage. | 0:28:35 | 0:28:39 | |
In an elevated position above the village and the coast, | 0:28:39 | 0:28:42 | |
our mystery house is situated down a quiet country lane, | 0:28:42 | 0:28:45 | |
and offers Richie and Jacqui a completely different take | 0:28:45 | 0:28:48 | |
on how to furnish themselves with potential income. | 0:28:48 | 0:28:52 | |
-This is the mystery house. -Oh, wow. Yeah. -It's cute. | 0:28:52 | 0:28:54 | |
You're not just going to a thatched house, | 0:28:54 | 0:28:56 | |
you're also going to a converted coach house, as well. | 0:28:56 | 0:28:59 | |
-Oh, yeah, lovely. -That is the mystery element. | 0:28:59 | 0:29:02 | |
This is no glamping business. | 0:29:02 | 0:29:05 | |
-Our thoughts are a self-catering business. -Mm. | 0:29:05 | 0:29:09 | |
-Yeah, that's good. -OK? Could we live in a house like this? | 0:29:09 | 0:29:11 | |
He's lovely, | 0:29:11 | 0:29:13 | |
and it's a lovely little spot. | 0:29:13 | 0:29:16 | |
-Great spot. -Can I just say, we've picked the worst day to come here. | 0:29:16 | 0:29:20 | |
-Yeah! -You have beautiful views going that way. | 0:29:20 | 0:29:23 | |
-We don't, do we? -What? -There's a power station over there. | 0:29:23 | 0:29:25 | |
Yeah! Don't tell anyone! | 0:29:25 | 0:29:28 | |
-So, very intrigued to see inside. -Yeah. Good. -Very intrigued. | 0:29:28 | 0:29:30 | |
I'm intrigued to see if you're going to bang your head or not. | 0:29:30 | 0:29:33 | |
-Yeah! -Let's find out. Come with me. | 0:29:33 | 0:29:35 | |
Although the weather is misty, they seem to have an extremely | 0:29:36 | 0:29:40 | |
clear view on the mystery thatched cottage. | 0:29:40 | 0:29:42 | |
As we enter through the front door, | 0:29:42 | 0:29:44 | |
we find it opens onto a kitchen-diner. | 0:29:44 | 0:29:46 | |
Come on in. | 0:29:47 | 0:29:49 | |
-Yes, nice. -Cottagey. -It's nice. -Characterful. | 0:29:50 | 0:29:53 | |
-Cosy. -This house has lots of smaller rooms, if you like. | 0:29:53 | 0:29:57 | |
So, this is just the kitchen, kitchen-breakfast room, if you like. | 0:29:57 | 0:30:00 | |
More of a day area there, and a small snug next door. | 0:30:00 | 0:30:03 | |
-Very much cottage-esque proportions here. -Yeah. | 0:30:03 | 0:30:06 | |
-The size doesn't put me off...yet. -What do you think about this | 0:30:06 | 0:30:09 | |
kind of house? Is it something you would like to live in? | 0:30:09 | 0:30:11 | |
-Yeah, I would definitely consider it. -Let's keep looking around. | 0:30:11 | 0:30:14 | |
From the kitchen, a lovely light conservatory | 0:30:15 | 0:30:18 | |
runs down the side of the property, | 0:30:18 | 0:30:20 | |
allowing access to both the garden and the sitting room. | 0:30:20 | 0:30:23 | |
So, the snug has views. | 0:30:25 | 0:30:28 | |
-Quite a snug, isn't it? -Yeah. -Yeah, again, a bit of updating required, | 0:30:28 | 0:30:31 | |
-but... -19-sort-of-20s kind of vibe. | 0:30:31 | 0:30:34 | |
Get rid of everything that makes you think | 0:30:34 | 0:30:37 | |
that it's an older person's house and you've got a lovely space here. | 0:30:37 | 0:30:41 | |
-Mm. -Yeah. -You've got a nice flow, haven't you? | 0:30:41 | 0:30:43 | |
-You know, you've got the kitchen... -Yeah. -..into a day area, | 0:30:43 | 0:30:46 | |
bags of light there in that conservatory, | 0:30:46 | 0:30:49 | |
-and then coming into here. -Yeah, it's cute. -It's cute? | 0:30:49 | 0:30:52 | |
It's cute. You know, I think we need to see the whole package. | 0:30:52 | 0:30:55 | |
-OK. -To make judgment. -I'd normally take you to the bedrooms now, | 0:30:55 | 0:30:58 | |
but I know you're dying to see the holiday accommodation, | 0:30:58 | 0:31:00 | |
and it actually could be somewhere that Richie sleeps | 0:31:00 | 0:31:04 | |
when he's come home late from the pub anyway. Come with me. | 0:31:04 | 0:31:08 | |
Up on the first floor, there are three bedrooms in total. | 0:31:08 | 0:31:10 | |
Two doubles, along with an additional single, | 0:31:10 | 0:31:13 | |
set into the eaves. | 0:31:13 | 0:31:15 | |
Though none are en suite, they all make use of the family bathroom. | 0:31:15 | 0:31:19 | |
I'm sure they would definitely want to put their own stamp | 0:31:19 | 0:31:22 | |
on the interior of the mystery property. | 0:31:22 | 0:31:24 | |
In stark contrast, the business side of this package is ready to go. | 0:31:24 | 0:31:29 | |
The detached two-bedroom holiday cottage is converted from | 0:31:29 | 0:31:32 | |
a stable block and features underfloor heating. | 0:31:32 | 0:31:34 | |
Got a bit more space here, actually, than the main house. | 0:31:34 | 0:31:38 | |
-Oh, right. -This is cool! -Yeah, this is cute, isn't it? -Yeah. | 0:31:38 | 0:31:41 | |
Now, this has only recently received planning consent | 0:31:41 | 0:31:45 | |
to be a holiday cottage. You've got two bedrooms. | 0:31:45 | 0:31:48 | |
You've got a double and single. And a bathroom. | 0:31:48 | 0:31:52 | |
The great thing about this cottage, it's not part of the house. | 0:31:52 | 0:31:55 | |
-No. No, separate. -You're very self-contained here. | 0:31:55 | 0:31:58 | |
Yeah, it's lovely. You can totally see people | 0:31:58 | 0:32:00 | |
-having a happy holiday in here. -Yeah. | 0:32:00 | 0:32:02 | |
-It feels more like you want to be on holiday here. -Yeah. | 0:32:02 | 0:32:05 | |
You're a bike ride or a long walk to the nearest bit of coastline. | 0:32:05 | 0:32:08 | |
Seaside means holidays, doesn't it? | 0:32:08 | 0:32:10 | |
-Yep. -Yeah. -You want to use the beach, don't you? | 0:32:10 | 0:32:12 | |
-You want to use... -Basically, we're going to be on permanent holiday. | 0:32:12 | 0:32:15 | |
Well, someone is! | 0:32:15 | 0:32:17 | |
But, of course, proximity to the sea comes at a price, doesn't it? | 0:32:17 | 0:32:21 | |
-Oh. -Of course. -Come with me. | 0:32:21 | 0:32:22 | |
It remains to be seen if the mystery property will tempt them to reassess | 0:32:24 | 0:32:28 | |
their business aspirations. | 0:32:28 | 0:32:30 | |
On the opposite side of the lane is a large parking area | 0:32:30 | 0:32:33 | |
and a timber outbuilding that currently houses a workshop, | 0:32:33 | 0:32:36 | |
double garage and storage space. | 0:32:36 | 0:32:39 | |
Time to take in the half acre of garden. | 0:32:39 | 0:32:41 | |
-So, here we are, in the lovely garden. -Gorgeous garden. -Yeah. | 0:32:43 | 0:32:46 | |
-Really nice, isn't it? Mature? -Yeah. Lovely trees. | 0:32:46 | 0:32:49 | |
Very manageable looking. | 0:32:49 | 0:32:50 | |
I'm going to continue with this lie, there's great views here. | 0:32:50 | 0:32:53 | |
-Could be! -That building there... -Yup. -Mm. | 0:32:54 | 0:32:57 | |
..again, there's no guarantees, | 0:32:57 | 0:32:58 | |
you'd have to get planning consent, but look at it, | 0:32:58 | 0:33:00 | |
you've got a footprint of a fantastic basis | 0:33:00 | 0:33:02 | |
-for a holiday let there. -Definitely. -Yeah. It's lovely. | 0:33:02 | 0:33:05 | |
-A little summerhouse there. -I know. -I was thinking workshop. | 0:33:05 | 0:33:08 | |
You don't have the land for your camping. | 0:33:08 | 0:33:11 | |
-You've got the holiday let. -It's a different offer. | 0:33:11 | 0:33:13 | |
-But you do have a lovely garden. -Yeah. | 0:33:13 | 0:33:15 | |
-It's a lovely spot, as well. -Mm. -Yeah. It's great. | 0:33:15 | 0:33:18 | |
This is a typical mystery property, isn't it? | 0:33:18 | 0:33:21 | |
It's got you guessing. | 0:33:21 | 0:33:22 | |
All in all, as a package, it is fantastic. | 0:33:22 | 0:33:25 | |
So I have no idea how much it's worth, | 0:33:25 | 0:33:27 | |
-in case that was your next question. -Well, I was going that way! | 0:33:27 | 0:33:30 | |
-It was coming. -Yeah. | 0:33:30 | 0:33:32 | |
I'm going to guess at... | 0:33:32 | 0:33:34 | |
..£695,000. | 0:33:34 | 0:33:36 | |
-OK. -I'm going to say... | 0:33:36 | 0:33:39 | |
..740,000. | 0:33:39 | 0:33:44 | |
Not far off, Richie. | 0:33:44 | 0:33:46 | |
This mystery house is on the market for offers around £685,000. | 0:33:46 | 0:33:51 | |
-That's good. -That is good. | 0:33:51 | 0:33:52 | |
-It's a good price. -It's a great package, actually. | 0:33:52 | 0:33:54 | |
Because there's so much to look at, go and have the scoot around - | 0:33:54 | 0:33:57 | |
all the outbuildings, maybe go back inside the house, | 0:33:57 | 0:33:59 | |
and I'll catch you whenever you're done. All right? | 0:33:59 | 0:34:02 | |
-Lovely. -See you in a moment. -Great. -Cheers! | 0:34:02 | 0:34:04 | |
£115,000 under their budget, | 0:34:06 | 0:34:09 | |
our thatched mystery property | 0:34:09 | 0:34:10 | |
presents Jacqui and Richie with a different option | 0:34:10 | 0:34:13 | |
for their business, comprising a thatched three-bedroom home, | 0:34:13 | 0:34:16 | |
plus a separate two-bed holiday let. | 0:34:16 | 0:34:19 | |
Although it doesn't offer the acreage, | 0:34:20 | 0:34:22 | |
it's in an ideal coastal spot for those prospective guests. | 0:34:22 | 0:34:25 | |
It was a good mystery house | 0:34:28 | 0:34:29 | |
in that it showed something we probably wouldn't | 0:34:29 | 0:34:32 | |
have looked at online. However, there's a lot to it. | 0:34:32 | 0:34:35 | |
Although the house I'm still not sure about, | 0:34:35 | 0:34:37 | |
because I still feel, with my giant proportions, | 0:34:37 | 0:34:40 | |
a little bit constricted. | 0:34:40 | 0:34:41 | |
The rest of it is a good package. | 0:34:43 | 0:34:46 | |
So, yeah, overall, surprising, in a good way. | 0:34:46 | 0:34:50 | |
So, the mystery house is a bit on the poky side, | 0:34:50 | 0:34:54 | |
but that's balanced out and over-compensated for | 0:34:54 | 0:34:58 | |
by the fact it has a holiday cottage. | 0:34:58 | 0:35:00 | |
Really good mystery property and something, I think, | 0:35:00 | 0:35:03 | |
that will make us really think and perhaps even consider. | 0:35:03 | 0:35:07 | |
-Here they are. -Hello! -Grinning from ear to ear. | 0:35:07 | 0:35:10 | |
Now, tell me, | 0:35:10 | 0:35:12 | |
who gets dibs on that summerhouse? | 0:35:12 | 0:35:14 | |
-Me. -Me. -Oh. Well, maybe you can sort that out on the way | 0:35:14 | 0:35:17 | |
to somewhere where we can sit down and have a bit of a conflab | 0:35:17 | 0:35:19 | |
-and decide what you want do. -Let's do it. -Sounds good? -Yeah. | 0:35:19 | 0:35:22 | |
-Perfect. -Let's go. | 0:35:22 | 0:35:23 | |
For centuries, Dorset has been renowned for its beers, and more | 0:35:28 | 0:35:32 | |
than a dozen real ale breweries have opened up in Dorset | 0:35:32 | 0:35:35 | |
in the last decade alone. However, in Bridport, | 0:35:35 | 0:35:38 | |
Palmers Brewery can boast continuous production | 0:35:38 | 0:35:42 | |
for over two centuries. | 0:35:42 | 0:35:43 | |
To find out more about its enduring history, | 0:35:43 | 0:35:46 | |
I'm meeting John Palmer, | 0:35:46 | 0:35:47 | |
whose great-grandfather bought the brewery over 100 years ago. | 0:35:47 | 0:35:52 | |
-John, hello. -All right? -Great to meet you. | 0:35:52 | 0:35:54 | |
I understand you must be fourth generation? | 0:35:54 | 0:35:56 | |
-That's correct. -Walking here, it was like going back in time. | 0:35:56 | 0:36:00 | |
And, then, here, we're slap bang in the middle of a brewery in a town. | 0:36:00 | 0:36:03 | |
-You don't see that every day. -No, you don't. -Not any more, anyway. | 0:36:03 | 0:36:06 | |
No, we're a very scarce commodity these days. | 0:36:06 | 0:36:09 | |
The brewery began construction in 1794. | 0:36:11 | 0:36:15 | |
The late 19th century saw two brothers, John and Cleeves Palmer, | 0:36:15 | 0:36:19 | |
buy the site, and the family has run it ever since. | 0:36:19 | 0:36:22 | |
I always say that we hold this in trust for the next generation. | 0:36:23 | 0:36:27 | |
So, 200 years ago, | 0:36:27 | 0:36:28 | |
when your great-great-grandfather bought this brewery, | 0:36:28 | 0:36:31 | |
talk to me about what we would see right here. | 0:36:31 | 0:36:34 | |
Well, you would've seen horses and wooden barrels, | 0:36:34 | 0:36:37 | |
it would have felt remarkably similar. | 0:36:37 | 0:36:39 | |
The building has changed little in over 100 years, | 0:36:41 | 0:36:44 | |
and the 1879 waterwheel, which used to power the brewery, still turns. | 0:36:44 | 0:36:49 | |
When it was completed in 1796, | 0:36:49 | 0:36:51 | |
Palmers Brewery featured the latest technology. | 0:36:51 | 0:36:54 | |
These traditional methods remain today to ensure distinctive tastes | 0:36:55 | 0:36:59 | |
for the company's ales. | 0:36:59 | 0:37:01 | |
Darren Batten is Palmers' head brewer. | 0:37:03 | 0:37:06 | |
He's been working at the company for 25 years, and is going to give me | 0:37:06 | 0:37:10 | |
an insight into the time-honoured process. | 0:37:10 | 0:37:12 | |
-Darren, good to see you. -Hi. | 0:37:14 | 0:37:15 | |
I must say, looking around this place, | 0:37:15 | 0:37:18 | |
I've been to a few breweries in my time and you've got a real mix of... | 0:37:18 | 0:37:20 | |
..a juxtaposition, if you like, of old and new, haven't you? | 0:37:20 | 0:37:23 | |
Yeah, it's a traditional brewing process, so we do exactly what | 0:37:23 | 0:37:26 | |
a modern brewery would do, but we do it manually. | 0:37:26 | 0:37:28 | |
We have no computers doing it. We have to do it ourselves. | 0:37:28 | 0:37:31 | |
It all starts with this magnificent 1885 machine, | 0:37:31 | 0:37:35 | |
which is still used every day and is where each pint begins. | 0:37:35 | 0:37:39 | |
Grains of barley are crushed to expose their sugars | 0:37:39 | 0:37:42 | |
and then turn them into grist, | 0:37:42 | 0:37:44 | |
which is then transported by the conveyor belt to the grist case. | 0:37:44 | 0:37:50 | |
So, you're doing it yourselves here now, at the moment. | 0:37:50 | 0:37:53 | |
Let's talk through the process, because I can see things | 0:37:53 | 0:37:56 | |
-that look familiar. -This is the grist case. This is the mash tun. | 0:37:56 | 0:37:59 | |
This is the steels masher, so this is where we combine the grist | 0:37:59 | 0:38:02 | |
-with the water to start the brewing process. -Yeah. | 0:38:02 | 0:38:04 | |
You imagine this was 19th-century, mixed with... | 0:38:04 | 0:38:08 | |
This looks a bit newer. | 0:38:08 | 0:38:10 | |
This is a new piece. 1967, so this is the new mash tun. | 0:38:10 | 0:38:13 | |
Oh, it's a spring chicken at, what, 60-odd years old, is it?! | 0:38:13 | 0:38:16 | |
It's not that old. It's only 50. | 0:38:16 | 0:38:18 | |
After water is combined with the grist, it's collected | 0:38:18 | 0:38:21 | |
in the mash tun, where more water is added | 0:38:21 | 0:38:24 | |
and the starches in the grist gradually convert to sugars. | 0:38:24 | 0:38:27 | |
The liquid, now called wort, | 0:38:27 | 0:38:29 | |
then moves to copper tanks | 0:38:29 | 0:38:31 | |
known as brew kettles, where hops are added and the mixture is boiled. | 0:38:31 | 0:38:35 | |
So, think of that as a big tea strainer for hops. | 0:38:35 | 0:38:38 | |
I'm already getting a sense of this exciting operation. | 0:38:38 | 0:38:40 | |
-Can I see some more? -Yeah, definitely, yeah. Come with me. -Thank you. | 0:38:40 | 0:38:43 | |
After cooling, the wort is transferred to fermentation tanks. | 0:38:44 | 0:38:48 | |
These date back to the early 1900s. | 0:38:48 | 0:38:51 | |
So, this is the beer ready to have the yeast put into it. | 0:38:52 | 0:38:54 | |
-This is a new beer. -You've never brewed this before? | 0:38:54 | 0:38:57 | |
No, completely new brew. It's our seasonal out for spring, | 0:38:57 | 0:38:59 | |
-and it's the first-ever brew. -Do you make a small amount first? | 0:38:59 | 0:39:02 | |
Really, this is a small amount. | 0:39:02 | 0:39:03 | |
8,500 pints is the smallest I can brew. | 0:39:03 | 0:39:05 | |
So it's a case of brewing it and hoping it tastes good in a week's time. | 0:39:05 | 0:39:08 | |
I imagine this is the stuff, this is the yeast. | 0:39:08 | 0:39:10 | |
This is the yeast we've been using since 1976, 3,000 generations old, | 0:39:10 | 0:39:14 | |
so if we used a different yeast, | 0:39:14 | 0:39:15 | |
you wouldn't recognise the flavour of our beers. | 0:39:15 | 0:39:18 | |
It's in these large fermentation tanks | 0:39:18 | 0:39:19 | |
that the liquid starts to become clearly recognisable as beer. | 0:39:19 | 0:39:24 | |
This is one of my dreams, to be able to bathe in beer! | 0:39:24 | 0:39:27 | |
But you could do - there's so much of it. You've got an idea, | 0:39:27 | 0:39:30 | |
but you don't really know how it's going to taste, do you? | 0:39:30 | 0:39:33 | |
I really don't know until we actually taste it in a week's time. | 0:39:33 | 0:39:35 | |
But we've got some beer we've already made that you can taste. | 0:39:35 | 0:39:38 | |
Oh, good, good, good! Well, finish off, then, and I'll start | 0:39:38 | 0:39:40 | |
lathering up a bit of a taste for it! | 0:39:40 | 0:39:42 | |
After a week of fermentation, | 0:39:44 | 0:39:45 | |
the beer is casked and matured in the cellar. | 0:39:45 | 0:39:48 | |
Today, the brewery produces five distinctive ales. | 0:39:49 | 0:39:53 | |
This is our IPA, | 0:39:53 | 0:39:54 | |
which we've been brewing for 40, 50 years here at Palmers. | 0:39:54 | 0:39:58 | |
40, 50 years? Goodness me! | 0:39:58 | 0:40:00 | |
I tell you what, it doesn't taste too strong, | 0:40:04 | 0:40:07 | |
-got a nice malty taste to it as well, hasn't it? -Yeah. | 0:40:07 | 0:40:09 | |
4.2%, so a real English Palmers IPA. | 0:40:09 | 0:40:13 | |
Tempting as it is to stay and sample all these different ales, | 0:40:13 | 0:40:16 | |
it's time to catch up with our house buyers, to see whether | 0:40:16 | 0:40:20 | |
they've come to a final decision on what to do next. | 0:40:20 | 0:40:24 | |
Well, Richie and Jacqui reacted pretty well to the mystery house, | 0:40:24 | 0:40:29 | |
but, on reflection, I'm unsure whether it's a genuine contender or | 0:40:29 | 0:40:33 | |
perhaps it's just opened their eyes up to different kinds of property. | 0:40:33 | 0:40:37 | |
Let's find out. | 0:40:37 | 0:40:39 | |
So, let's talk about the properties. | 0:40:46 | 0:40:48 | |
What, if any, are up for consideration, then? | 0:40:48 | 0:40:51 | |
Out of the three, the favourite would have been the mystery house. | 0:40:51 | 0:40:54 | |
Now, the mystery property, it was, I suppose, furthest from the mark, | 0:40:54 | 0:40:57 | |
if you like, of what you said you were after, | 0:40:57 | 0:40:59 | |
but I felt like we almost got closest, as an option. | 0:40:59 | 0:41:03 | |
It seemed to have more scope. | 0:41:03 | 0:41:04 | |
The location was definitely the best of all. | 0:41:04 | 0:41:07 | |
I think that's really helped us to crystallise the fact that we want to | 0:41:07 | 0:41:10 | |
be at West Dorset and maybe slightly into East Devon. | 0:41:10 | 0:41:14 | |
You seem a lot happier in the Dorset end than you do in the Devon side. | 0:41:14 | 0:41:17 | |
-Definitely. -Yeah, I mean, part of the reason for that | 0:41:17 | 0:41:20 | |
is there's just an atmosphere, for me, | 0:41:20 | 0:41:23 | |
around West Dorset that's different. | 0:41:23 | 0:41:25 | |
So, let's move forward in your search. | 0:41:25 | 0:41:27 | |
Are you still hell-bent | 0:41:27 | 0:41:30 | |
on finding that house with that dreamy land? | 0:41:30 | 0:41:33 | |
Yeah, I'd still like to have some land. | 0:41:33 | 0:41:35 | |
I'm not sure we need even three acres. | 0:41:35 | 0:41:37 | |
Could be slightly less land, more towards where we're at. | 0:41:37 | 0:41:40 | |
What's the plan going forward? | 0:41:40 | 0:41:43 | |
So, we're going to just hit the estate agent's. | 0:41:43 | 0:41:46 | |
I'm just going to be on their case on a daily basis. | 0:41:46 | 0:41:49 | |
Lucky them! | 0:41:49 | 0:41:50 | |
But what about your living accommodation now? | 0:41:51 | 0:41:55 | |
Is your camper van going to be parked up in various spots around | 0:41:55 | 0:41:58 | |
-the south coast? -We're lucky enough that Jacqui's mum and dad have got | 0:41:58 | 0:42:01 | |
a place on Exmoor that we can stay at for a while. | 0:42:01 | 0:42:03 | |
You're ideally placed now, then. | 0:42:03 | 0:42:05 | |
You've got cash in the bank and you're going to be living nearby | 0:42:05 | 0:42:07 | |
and you know the area even better now. | 0:42:07 | 0:42:10 | |
Whatever you decide, do please let us know. | 0:42:10 | 0:42:13 | |
-Thank you very much. -Keep in touch. -Thank you. -Great. | 0:42:13 | 0:42:15 | |
Quite often, I meet couples whose budget doesn't necessarily | 0:42:21 | 0:42:24 | |
measure up to their aspirations. | 0:42:24 | 0:42:26 | |
But that's not the case with Jacqui and Richie. | 0:42:26 | 0:42:28 | |
I think this past couple of days has proved to them that they can afford | 0:42:28 | 0:42:32 | |
what they're after, | 0:42:32 | 0:42:33 | |
they will just have to bide their time and wait for the right property | 0:42:33 | 0:42:36 | |
to come on the market. | 0:42:36 | 0:42:38 | |
And in moving down towards Jacqui's parents, | 0:42:38 | 0:42:41 | |
I think that will put them in the ideal position to pounce on | 0:42:41 | 0:42:45 | |
the right kind of property as and when it comes up for sale. | 0:42:45 | 0:42:48 | |
I wish them both the very best of luck. | 0:42:48 | 0:42:51 | |
If you'd like to escape to the country in England, Scotland, | 0:42:53 | 0:42:56 | |
Wales or Northern Ireland, and would like our help, | 0:42:56 | 0:42:59 | |
you can apply online at... | 0:42:59 | 0:43:00 |