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This classical-looking temple was built in the mid-1700s, and is | 0:00:02 | 0:00:05 | |
dedicated to the Roman goddess of nature. | 0:00:05 | 0:00:07 | |
Find out who she was and where I am in just a moment. | 0:00:07 | 0:00:11 | |
SWEEPING ORCHESTRAL MUSIC PLAYS | 0:00:12 | 0:00:15 | |
Today's house-hunt sees us bright-eyed and bushy-tailed. | 0:00:29 | 0:00:33 | |
Everything so far is just bang on the button. | 0:00:33 | 0:00:38 | |
-Your eyes are actually shining as you look around. -Yeah. | 0:00:38 | 0:00:41 | |
But will any of our properties get today's buyers | 0:00:41 | 0:00:44 | |
to sign on the dotted line? | 0:00:44 | 0:00:46 | |
You're both smiling. LAUGHTER | 0:00:46 | 0:00:49 | |
-Quick! -Quick! Get the chequebook out! | 0:00:49 | 0:00:52 | |
I'm at the romantically-named Temple of Diana, | 0:00:55 | 0:00:57 | |
set in the Weston Park Estate in Shropshire. | 0:00:57 | 0:01:00 | |
Now, it was designed by 18th-century superstar architect James Payne, | 0:01:00 | 0:01:04 | |
whose work can be found in several country house estates, | 0:01:04 | 0:01:07 | |
including Chatsworth. | 0:01:07 | 0:01:09 | |
He designed this summerhouse for Sir Henry Bridgeman, to complement | 0:01:09 | 0:01:13 | |
the gardens, which were landscaped by Lancelot "Capability" Brown. | 0:01:13 | 0:01:17 | |
James Payne also worked on revisions to the house, and I'll be taking a | 0:01:17 | 0:01:20 | |
peek inside later but, for now, let's stay outside | 0:01:20 | 0:01:24 | |
and enjoy the beautiful countryside that this region has to offer. | 0:01:24 | 0:01:28 | |
The county of Shropshire is situated in England's West Midlands region, | 0:01:30 | 0:01:34 | |
and is bordered by Herefordshire. | 0:01:34 | 0:01:36 | |
The Shropshire Hills lay claim to being formed from the greatest | 0:01:37 | 0:01:41 | |
variety of rocks from different ages in the world. | 0:01:41 | 0:01:44 | |
200 years ago, pioneering geologists | 0:01:44 | 0:01:47 | |
Roderick Murchison and Charles Lapworth | 0:01:47 | 0:01:49 | |
made many important discoveries here. The names they gave to | 0:01:49 | 0:01:53 | |
local stones, such as Caradoc, Wenlock and Ludlow, | 0:01:53 | 0:01:57 | |
have been adopted worldwide for rocks of the same era. | 0:01:57 | 0:02:00 | |
Although relatively unpopulated, | 0:02:00 | 0:02:02 | |
the county is home to many pretty villages and historic towns. | 0:02:02 | 0:02:07 | |
Ludlow grew up around its Norman castle, built in 1086. | 0:02:07 | 0:02:12 | |
It became a prosperous wool centre, and many medieval timber-frame | 0:02:12 | 0:02:16 | |
buildings built on the back of this wealth still survive. | 0:02:16 | 0:02:19 | |
The history and beauty continues into neighbouring Herefordshire. | 0:02:20 | 0:02:24 | |
A deeply rural and sparsely-populated county, | 0:02:24 | 0:02:28 | |
there is a long history of farming here, and it's home to one of the | 0:02:28 | 0:02:31 | |
oldest pedigree beef cattle breeds. | 0:02:31 | 0:02:34 | |
So whether you're looking for a historic stopover or a more | 0:02:34 | 0:02:38 | |
permanent foundation, Shropshire and its neighbour Herefordshire | 0:02:38 | 0:02:42 | |
are fertile ground for a brief or a long-term country escape. | 0:02:42 | 0:02:46 | |
Although the average cost of a detached house in the UK stands at | 0:02:48 | 0:02:51 | |
£326,000, the good news is that, if you are buying a country home in | 0:02:51 | 0:02:56 | |
Shropshire or Herefordshire, | 0:02:56 | 0:02:57 | |
you can spend tens of thousands less than that. | 0:02:57 | 0:03:00 | |
Particularly if you want to go truly rural and head for the Welsh | 0:03:00 | 0:03:04 | |
borders. The historic towns do carry a premium - | 0:03:04 | 0:03:07 | |
they have cultural cache and are well-connected, | 0:03:07 | 0:03:10 | |
both driving forces in the move for today's buyers. | 0:03:10 | 0:03:14 | |
Our couple, Patrick and Claudine, | 0:03:16 | 0:03:18 | |
met over 15 years ago, on a ferry from | 0:03:18 | 0:03:21 | |
Portsmouth to St Malo, and Patrick's attempts at Franglais continue to be | 0:03:21 | 0:03:25 | |
a source of amusement. | 0:03:25 | 0:03:28 | |
He was trying to speak French to us, | 0:03:28 | 0:03:30 | |
-and he doesn't speak French very well. -LAUGHTER | 0:03:30 | 0:03:34 | |
-No, I'm trying to go... -HE MAKES VAGUELY FRENCH VOWEL SOUNDS | 0:03:34 | 0:03:37 | |
..as if they'd understand, and so it was quite fun. | 0:03:37 | 0:03:39 | |
They saw the funny side of it, actually. | 0:03:39 | 0:03:42 | |
We started to chat, and then, later on, we exchanged telephone numbers, | 0:03:42 | 0:03:45 | |
and the rest is history. | 0:03:45 | 0:03:47 | |
That history includes marriage and a joint move back to Claudine's | 0:03:49 | 0:03:53 | |
homeland of France, where they've been living in the Chateau Vue Alps | 0:03:53 | 0:03:57 | |
for the last 14 years. | 0:03:57 | 0:03:59 | |
Now retired, they both spent much of their working lives in England. | 0:03:59 | 0:04:03 | |
Irish-born Patrick was MD of his own telecoms business, and Claudine was | 0:04:03 | 0:04:08 | |
a PA, and they've decided the time is right to return. | 0:04:08 | 0:04:11 | |
We've been considering moving to England for the last three years. | 0:04:13 | 0:04:16 | |
Our house is really too big. | 0:04:16 | 0:04:19 | |
We live in the middle of the, of nowhere, it is very remote, | 0:04:19 | 0:04:23 | |
and it can be very, very hot in summer and very cold in winter. | 0:04:23 | 0:04:28 | |
England is beautiful because it is green, and I know it rains a lot, | 0:04:28 | 0:04:32 | |
but it's not... I like the rain. | 0:04:32 | 0:04:35 | |
Yeah, but it's going to be a challenge leaving France, because I | 0:04:35 | 0:04:38 | |
have immersed myself into the French culture. | 0:04:38 | 0:04:40 | |
But you will be able to speak English again, so... | 0:04:40 | 0:04:43 | |
But he was getting better in French. | 0:04:43 | 0:04:45 | |
You're getting good. | 0:04:45 | 0:04:48 | |
-Oh, thank you, Prof! -LAUGHTER | 0:04:48 | 0:04:50 | |
And when it comes to finding a home in England's green and pleasant | 0:04:50 | 0:04:53 | |
land, Claudine and Patrick have their eye on Shropshire. | 0:04:53 | 0:04:57 | |
We went to visit some friends and I completely fell in love with it, | 0:04:57 | 0:05:02 | |
because it's so green. | 0:05:02 | 0:05:04 | |
I'm going to enjoy to be able to walk into an English pub. | 0:05:04 | 0:05:07 | |
The ambience of an English pub is totally different to a cafe in | 0:05:07 | 0:05:10 | |
-France. -As well as visits to Shropshire pubs, the couple hope to | 0:05:10 | 0:05:14 | |
pursue their existing hobbies and find some new ones. | 0:05:14 | 0:05:18 | |
My hobbies are singing. Writing. I write a lot. | 0:05:18 | 0:05:23 | |
-And Nordic walking... -Which we do now, we would like to keep that up. | 0:05:23 | 0:05:28 | |
Cos England is perfect for Nordic walking, | 0:05:28 | 0:05:31 | |
and I would like to take up archery. | 0:05:31 | 0:05:33 | |
Well, we both would like to do that, because I quite... | 0:05:33 | 0:05:36 | |
I quite fancy that as well. | 0:05:36 | 0:05:38 | |
Joining them on the move will be their beloved dog Celtic. | 0:05:38 | 0:05:43 | |
But to make the dream a reality, | 0:05:43 | 0:05:45 | |
they have to find the right home, and they're setting the bar high. | 0:05:45 | 0:05:49 | |
It's hopefully a lifetime decision, | 0:05:49 | 0:05:52 | |
because we are hoping not to move any more | 0:05:52 | 0:05:54 | |
after that. | 0:05:54 | 0:05:56 | |
So it is not a wow factor that we need, it's a fall-in-love factor. | 0:05:56 | 0:06:00 | |
Patrick and Claudine are happy to be anywhere in Shropshire, | 0:06:04 | 0:06:08 | |
but they particularly like the market town of Ludlow, | 0:06:08 | 0:06:11 | |
and are after good transport links to Birmingham Airport. | 0:06:11 | 0:06:15 | |
Before I start showing them houses, | 0:06:15 | 0:06:17 | |
we're meeting in their chosen county to discuss what they are | 0:06:17 | 0:06:20 | |
hoping for from their new home. | 0:06:20 | 0:06:22 | |
Well, welcome to a very beautiful Shropshire. | 0:06:23 | 0:06:26 | |
I guess, I suppose I should say to you, welcome back to England. | 0:06:26 | 0:06:28 | |
-Yeah, yes. -LAUGHTER | 0:06:28 | 0:06:30 | |
It's time to close the door on the French chapter of your life... | 0:06:30 | 0:06:33 | |
-Yes. -..open a new one here in Shropshire. | 0:06:33 | 0:06:35 | |
So, what are we looking for? Tell me about the house that you both | 0:06:35 | 0:06:38 | |
-imagine living in. -Well, we are going to go very English. | 0:06:38 | 0:06:41 | |
A lovely old-English style. | 0:06:41 | 0:06:44 | |
Inglenook fireplace. | 0:06:44 | 0:06:46 | |
Big kitchen. | 0:06:46 | 0:06:49 | |
Country cottage, garden type. | 0:06:49 | 0:06:51 | |
A reasonably-sized garden. Not huge. | 0:06:51 | 0:06:54 | |
So long as it's big enough, we've got a dog. | 0:06:54 | 0:06:56 | |
-So you want full-on English country cottage... -Yes. -Every cliche... | 0:06:56 | 0:07:01 | |
-Nothing, nothing less. -Have you been in many cottages, Patrick? Cos you're... | 0:07:01 | 0:07:06 | |
-I know you're going to say my height. -It does cross my mind. LAUGHTER | 0:07:06 | 0:07:10 | |
Yes, the cottages... I understand where you're coming from. | 0:07:10 | 0:07:12 | |
OK. OK, well, we'll keep an open mind on that one for now. | 0:07:12 | 0:07:15 | |
Let's move on. Let's move on to the practicalities. | 0:07:15 | 0:07:17 | |
So, what about in terms of bedrooms, living space? | 0:07:17 | 0:07:19 | |
If we could have at least three bedrooms, and I need one room for | 0:07:19 | 0:07:25 | |
myself, because I write and I need | 0:07:25 | 0:07:28 | |
-peaceful and quiet when I write. -LAUGHTER | 0:07:28 | 0:07:30 | |
Would you be happy to do a bit of border-hopping, if you had to do? | 0:07:30 | 0:07:34 | |
Yeah, Herefordshire is quite beautiful. We wouldn't mind that. | 0:07:34 | 0:07:37 | |
So remind me of the budget that we are working with | 0:07:37 | 0:07:40 | |
-for the search. -Our budget is £400,000 to £450,000. | 0:07:40 | 0:07:44 | |
-Top. -We have some fantastic properties lined up to show you. | 0:07:44 | 0:07:47 | |
-Great. -So, shall we get started? -Yes. -Can't wait. -Absolutely. | 0:07:47 | 0:07:50 | |
So, for a maximum budget of £450,000, | 0:07:53 | 0:07:57 | |
Patrick and Claudine are looking for a classic cottage, | 0:07:57 | 0:08:00 | |
with period features and an English country garden. | 0:08:00 | 0:08:04 | |
They'd like at least three bedrooms and a writer's den for Claudine. | 0:08:04 | 0:08:08 | |
A conservatory would be a bonus, and they are happy to explore over the | 0:08:08 | 0:08:11 | |
border into Herefordshire. | 0:08:11 | 0:08:14 | |
We have a selection of wonderful homes to tempt them with, and after | 0:08:14 | 0:08:18 | |
each viewing, they'll be guessing the asking price before it's revealed. | 0:08:18 | 0:08:22 | |
The final property on the tour is our Mystery House, | 0:08:22 | 0:08:25 | |
and this one could test just how attached they are to their wish list. | 0:08:25 | 0:08:29 | |
Our house-hunt is taking us to the Shropshire hamlet of Pentre. | 0:08:36 | 0:08:40 | |
Four miles away, the small town of Clun has several shops and services, | 0:08:41 | 0:08:45 | |
including a couple of butchers, | 0:08:45 | 0:08:47 | |
post office facilities and a choice of pubs. | 0:08:47 | 0:08:51 | |
A 15th-century packhorse bridge crosses the river from which the | 0:08:51 | 0:08:54 | |
town takes its name. Back in Pentre, | 0:08:54 | 0:08:57 | |
the property we've come to see sits back from a quiet lane in the small | 0:08:57 | 0:09:00 | |
rural settlement. | 0:09:00 | 0:09:02 | |
Let's just settle here and take a look at this beautiful farmhouse | 0:09:04 | 0:09:08 | |
that I've brought you to see. | 0:09:08 | 0:09:10 | |
It's got lots of character and it's surrounded by a beautiful garden. | 0:09:10 | 0:09:14 | |
For me, obviously having been born in the country... | 0:09:14 | 0:09:16 | |
Straightaway, that's feeling familiar and like home... | 0:09:16 | 0:09:19 | |
-Exactly, yeah. -It's really beautiful. -Yeah, yeah. | 0:09:19 | 0:09:21 | |
You've got space, you've got lovely views, you've got countryside. | 0:09:21 | 0:09:24 | |
But your compromise is, | 0:09:24 | 0:09:26 | |
Ludlow is 14 miles away, and the villages are a few miles away. | 0:09:26 | 0:09:29 | |
-Yes. -Yes. -What do you think about that? | 0:09:29 | 0:09:31 | |
Let's not count anything out because of that. | 0:09:31 | 0:09:34 | |
-Shall we explore? -Oh, yes! -Why not? -Let's go. | 0:09:34 | 0:09:37 | |
Dating back to the 1700s, | 0:09:39 | 0:09:41 | |
this former farmhouse has recently been restored. | 0:09:41 | 0:09:44 | |
We are starting out through the porch entrance and into the first of | 0:09:44 | 0:09:48 | |
two charming, rustic reception rooms. | 0:09:48 | 0:09:51 | |
-So, let's start in here. -Oh! -Oh, right. -Yeah. | 0:09:52 | 0:09:56 | |
-Yes. -I really like this. -Yes. Look at the fireplace. | 0:09:56 | 0:10:00 | |
The fireplace is fantastic. | 0:10:00 | 0:10:02 | |
-It's huge. -This is one of two rooms off the main entrance hall, | 0:10:02 | 0:10:05 | |
so there's another one echoed on the other side, equally as big, | 0:10:05 | 0:10:08 | |
-as impressive, with another fireplace. -Oh, right. | 0:10:08 | 0:10:10 | |
And the thing I thought you would like is the ceiling height. | 0:10:10 | 0:10:13 | |
-Actually, you've got character... -HE CHUCKLES | 0:10:13 | 0:10:15 | |
Yeah, you've got character and height. | 0:10:15 | 0:10:17 | |
But everything is in keeping. | 0:10:17 | 0:10:19 | |
-In keeping, yes. -So it's been rewired, | 0:10:19 | 0:10:21 | |
it's had everything that you need doing to it, but it's not lost its appeal. | 0:10:21 | 0:10:24 | |
-It's a lovely home. -OK. -I like. | 0:10:24 | 0:10:26 | |
Leading off this room into the extended part, | 0:10:27 | 0:10:30 | |
we find a large kitchen breakfast room, | 0:10:30 | 0:10:33 | |
which I hope will make Claudine feel at home. | 0:10:33 | 0:10:37 | |
-It's got plenty of room, hasn't it? -Well, yes. -Spacious. | 0:10:37 | 0:10:40 | |
I actually think it has quite a French feel. | 0:10:41 | 0:10:43 | |
-Yeah. -Yes. -Yeah. -Do you feel that? -Yes, yes, I do as well. | 0:10:43 | 0:10:46 | |
And with the table, it looks, it looks French as well. | 0:10:46 | 0:10:49 | |
-You'd get your farmhouse table in here. -Yeah. -Yes. -No problem. | 0:10:49 | 0:10:53 | |
-OK, so that's a possibility. -Yeah, it's all good. | 0:10:53 | 0:10:55 | |
That's a good start. Let's take a look upstairs, because you can | 0:10:55 | 0:10:58 | |
really see the quality of the renovation work upstairs as well. | 0:10:58 | 0:11:01 | |
-There's some beautiful woodwork. -OK. | 0:11:01 | 0:11:03 | |
I'm pleased with those positive reactions to the character features | 0:11:05 | 0:11:09 | |
on the ground floor. Upstairs are two further levels, offering four | 0:11:09 | 0:11:13 | |
double bedrooms, including two guest bedrooms on the top floor, | 0:11:13 | 0:11:17 | |
which both feature exposed beams and eaves storage. | 0:11:17 | 0:11:21 | |
Then, on the first floor, the bathroom serves a further guest | 0:11:22 | 0:11:25 | |
double with exposed stone and timbers. | 0:11:25 | 0:11:27 | |
Which is a recurrent theme in the master. | 0:11:29 | 0:11:32 | |
-Oh, that's big. -It is big. -Yeah, spacious. | 0:11:32 | 0:11:36 | |
-Yes. -I really like it. | 0:11:36 | 0:11:38 | |
-Yeah, I do. -I really like it. | 0:11:38 | 0:11:41 | |
It's fantastic. I really like it, the inside. | 0:11:41 | 0:11:43 | |
I like a bed facing the window, because I like to watch outside. | 0:11:43 | 0:11:48 | |
-You could definitely do that. -Yeah, you can do that, yeah. | 0:11:48 | 0:11:51 | |
This definitely works for me. | 0:11:51 | 0:11:53 | |
OK, well, you've got a good feel for the inside of the house, | 0:11:53 | 0:11:56 | |
-so let's go and explore the garden. -OK. | 0:11:56 | 0:11:58 | |
Thank you. | 0:11:58 | 0:12:00 | |
The property is set in a third of an acre of south-facing garden, | 0:12:02 | 0:12:05 | |
a plot that offers large areas of lawn and several established trees. | 0:12:05 | 0:12:10 | |
It's enclosed by a dry-stone wall, and located in a very pretty valley. | 0:12:10 | 0:12:15 | |
-Very sheltered. -Yes. Yeah, very. -Very peaceful setting as well. | 0:12:15 | 0:12:19 | |
And you can just spot, just over there in the distance, the sheep. | 0:12:19 | 0:12:22 | |
-Oh, yes! -Down in the valley. LAUGHTER | 0:12:22 | 0:12:24 | |
-How rural can you get? -I really like it. | 0:12:24 | 0:12:27 | |
Let's turn our thoughts to the price, | 0:12:27 | 0:12:30 | |
and what you think this may be on the market for. | 0:12:30 | 0:12:34 | |
We really haven't got our finger on the button on the English market. | 0:12:34 | 0:12:37 | |
I'm going to go £435,000. | 0:12:37 | 0:12:40 | |
No, I would say that this is just on the budget. | 0:12:40 | 0:12:43 | |
-450. -It's on the market for... | 0:12:43 | 0:12:47 | |
£425,000. | 0:12:47 | 0:12:49 | |
Wow! That's good news. | 0:12:49 | 0:12:51 | |
-Yes. -That's good news. -Very good. -You're both smiling. | 0:12:51 | 0:12:54 | |
-Quick! -Quick, get the chequebook out! -LAUGHTER | 0:12:54 | 0:12:58 | |
-No, I know this is a really big move for both of you... -Yeah. | 0:12:59 | 0:13:02 | |
..so I'm glad that we've had such a great reaction, but go back inside, | 0:13:02 | 0:13:07 | |
-take another look around. -OK. -OK. -Come and find me when you're ready. | 0:13:07 | 0:13:11 | |
-Yes. -Will do. -OK. | 0:13:11 | 0:13:13 | |
£25,000 shy of their maximum budget, | 0:13:15 | 0:13:19 | |
this 18th-century farmhouse is packed with country character and | 0:13:19 | 0:13:23 | |
gives them a generous kitchen and two further reception rooms, | 0:13:23 | 0:13:27 | |
both with original fireplaces. | 0:13:27 | 0:13:29 | |
There's one more bedroom than they asked for, | 0:13:29 | 0:13:31 | |
as well as a mature south-facing garden. | 0:13:31 | 0:13:35 | |
I was very impressed as I walked in. | 0:13:35 | 0:13:37 | |
I thought, "This is a serious-looking farmhouse." | 0:13:37 | 0:13:41 | |
Everything about it had a good feel. | 0:13:41 | 0:13:43 | |
I was quite taken aback by the fireplaces. | 0:13:43 | 0:13:47 | |
So I could see myself living here, with a big, open inglenook fireplace | 0:13:47 | 0:13:51 | |
roaring, and a glass of wine. | 0:13:51 | 0:13:52 | |
I was surprised by the size of the garden, and it would be good for my | 0:13:52 | 0:13:56 | |
dog. He will be happy here. | 0:13:56 | 0:13:58 | |
We wanted somewhere within walking distance from shops, | 0:13:58 | 0:14:03 | |
and so we will have to think about that, because we want this to be our | 0:14:03 | 0:14:07 | |
last move and we don't want to regret it. | 0:14:07 | 0:14:10 | |
-So you're feeling positive? -Yes, I am. -Yeah. -Good. | 0:14:10 | 0:14:13 | |
I think that was a great end to a good day's house-hunting. | 0:14:13 | 0:14:16 | |
-It was fabulous. -Thank you, yes. -Come on. | 0:14:16 | 0:14:19 | |
Shropshire's 3,400 miles of public rights of way, | 0:14:27 | 0:14:30 | |
along with its beautiful network of waterways, | 0:14:30 | 0:14:33 | |
make it the perfect rural playground for outdoor enthusiasts. | 0:14:33 | 0:14:37 | |
In the mid-19th century, one Shropshire physician, | 0:14:37 | 0:14:40 | |
Dr William Penny Brookes, was so concerned about the lack of | 0:14:40 | 0:14:44 | |
opportunities for the working classes to enjoy physical activities | 0:14:44 | 0:14:48 | |
and the negative impact this had on their health that he decided to | 0:14:48 | 0:14:51 | |
create an event to inform and inspire the local townsfolk. | 0:14:51 | 0:14:56 | |
150 years later and his Wenlock Olympian Games have gone from | 0:14:56 | 0:15:00 | |
strength to strength, | 0:15:00 | 0:15:02 | |
attracting not just locals but competitors from all over the world. | 0:15:02 | 0:15:06 | |
As Claudine and Patrick are keen to pursue some active hobbies once they | 0:15:06 | 0:15:10 | |
move to the area, we're sending them to meet Mac Bardsley from the | 0:15:10 | 0:15:14 | |
Wenlock Olympian Society, | 0:15:14 | 0:15:16 | |
to find out about the significance of the event. | 0:15:16 | 0:15:18 | |
-Was it quite unique at the time? -Oh, yes, sure. There's no way anything like this was happening anywhere | 0:15:20 | 0:15:25 | |
else in the country. The idea that the working classes took part in | 0:15:25 | 0:15:28 | |
physical exercise and sport for leisure purposes was just totally | 0:15:28 | 0:15:33 | |
-unknown elsewhere. -And what does the Olympian Games mean to the people of | 0:15:33 | 0:15:38 | |
-Shropshire? -They generate a lot of interest. | 0:15:38 | 0:15:41 | |
Every year we have our Olympian Games, we have something like | 0:15:41 | 0:15:44 | |
23 different events. | 0:15:44 | 0:15:46 | |
Hundreds of people take part, young and old, | 0:15:46 | 0:15:50 | |
and it is really well attended. | 0:15:50 | 0:15:53 | |
What started as a local sporting competition went on to have global | 0:15:53 | 0:15:56 | |
significance when, in 1890, | 0:15:56 | 0:16:00 | |
the French aristocrat and educator Pierre de Coubertin was invited by | 0:16:00 | 0:16:04 | |
Dr Brookes to see the Wenlock Games for himself. | 0:16:04 | 0:16:08 | |
He was so impressed that, in 1896, he decided to organise his own | 0:16:08 | 0:16:13 | |
event, which became the modern Olympic Games. | 0:16:13 | 0:16:16 | |
And, of course, in 2012, | 0:16:16 | 0:16:19 | |
the mascot for the Olympic Games was called Wenlock. | 0:16:19 | 0:16:21 | |
-Remember the one with the single eye? -Oh, right. -Yeah. So that was why. -Oh, I didn't realise that. | 0:16:21 | 0:16:27 | |
Archery is one sport at the Wenlock Olympian Games, | 0:16:28 | 0:16:32 | |
with former competitors at Wenlock going on to compete and win medals | 0:16:32 | 0:16:36 | |
at the International Olympics. | 0:16:36 | 0:16:39 | |
It's an activity Patrick and Claudine are interested in taking | 0:16:39 | 0:16:42 | |
up, so they're getting a taster with the vice-chairman of a local club, | 0:16:42 | 0:16:46 | |
Jonathan Walton, from the Bowbrook Archers. | 0:16:46 | 0:16:50 | |
So, tell us a bit about your archery club. | 0:16:50 | 0:16:53 | |
Well, this is Bowbrook Archers, one of ten clubs in Shropshire, | 0:16:53 | 0:16:56 | |
so archery is very active here. | 0:16:56 | 0:16:58 | |
It's becoming a very popular sport, as in the Olympics, | 0:16:58 | 0:17:00 | |
Paralympics and so on. It's very much a community. | 0:17:00 | 0:17:03 | |
-Have you tried archery before? -No, never. -No. | 0:17:03 | 0:17:06 | |
Well, what a great opportunity. Let's go. Let's go and have a go. | 0:17:06 | 0:17:09 | |
-Exactly. -Yes, great. | 0:17:09 | 0:17:11 | |
Bows and arrows probably date back to the Stone Age, | 0:17:12 | 0:17:15 | |
when they were used for hunting. | 0:17:15 | 0:17:18 | |
By the Middle Ages, archery played a central role in European warfare. | 0:17:18 | 0:17:22 | |
But with the advent of firearms, | 0:17:22 | 0:17:24 | |
it moved to being a competitive pursuit for the upper classes. | 0:17:24 | 0:17:28 | |
However, the Wenlock Games made the sport accessible to a wider section | 0:17:28 | 0:17:32 | |
of Victorian society. | 0:17:32 | 0:17:34 | |
In the UK now, there are around 50,000 archers, | 0:17:35 | 0:17:38 | |
800 of whom are in Shropshire. | 0:17:38 | 0:17:40 | |
-I'm going to load the first arrow, OK? -Yeah. | 0:17:42 | 0:17:45 | |
So it sits on that little rest. | 0:17:45 | 0:17:47 | |
And it goes in between the two little metal rings. | 0:17:49 | 0:17:51 | |
Now, I want you to pull that back to the corner of your mouth... | 0:17:51 | 0:17:55 | |
and aim that at the middle of the target. | 0:17:55 | 0:17:57 | |
The most popular form of the sport is target archery, | 0:17:59 | 0:18:02 | |
where the aim is to get as close | 0:18:02 | 0:18:04 | |
to the yellow centre circle as possible. | 0:18:04 | 0:18:06 | |
-Yes! -LAUGHTER | 0:18:08 | 0:18:10 | |
-Where is it? -In the blue. | 0:18:10 | 0:18:12 | |
-Fantastic! -The target, or "boss", | 0:18:12 | 0:18:16 | |
is typically made from compressed foam or straw, | 0:18:16 | 0:18:19 | |
and that yellow centre is called "the gold". | 0:18:19 | 0:18:22 | |
-Whoa! -SHE LAUGHS | 0:18:22 | 0:18:25 | |
-Banzai! -First time lucky. -Fantastic! | 0:18:25 | 0:18:29 | |
Patrick and Claudine are holding the bows by what's known as | 0:18:29 | 0:18:32 | |
the pistol grip, whilst the bowstring rests against the | 0:18:32 | 0:18:35 | |
three fingers of the drawing hand, | 0:18:35 | 0:18:37 | |
firing the arrow when these are relaxed. | 0:18:37 | 0:18:39 | |
Well, I think that was amazing! | 0:18:42 | 0:18:44 | |
Really good, both of you, you did extremely well. | 0:18:44 | 0:18:47 | |
-We'd be very happy to see you back here... -We'd be more than happy to be here. | 0:18:47 | 0:18:50 | |
-Come and do a beginners' course... -Thank you very much. -..and enjoy it. | 0:18:50 | 0:18:54 | |
It certainly looks like Patrick and Claudine have struck gold when it | 0:18:55 | 0:18:58 | |
comes to finding a new hobby, but it remains to be seen | 0:18:58 | 0:19:02 | |
if we're on target with finding them their new country home. | 0:19:02 | 0:19:06 | |
We're in Shropshire, | 0:19:12 | 0:19:14 | |
helping Patrick and Claudine make the move from France to the British | 0:19:14 | 0:19:17 | |
countryside. We've already seen some great property for their budget | 0:19:17 | 0:19:22 | |
of £450,000, but there's more to see, including our Mystery House, | 0:19:22 | 0:19:27 | |
which could well lead to a breathtaking conversion. | 0:19:27 | 0:19:30 | |
The whole thing for me so far has, from the gate, blown me away. | 0:19:30 | 0:19:35 | |
And I discover the architectural vision of a leading lady in | 0:19:36 | 0:19:40 | |
Shropshire's history. | 0:19:40 | 0:19:42 | |
This is the original front of the house, | 0:19:42 | 0:19:45 | |
as it would have been envisioned by Lady Elizabeth Wilbraham in 1671. | 0:19:45 | 0:19:50 | |
So a lady with a bit of foresight to come up with this. | 0:19:50 | 0:19:52 | |
It's the second day of our house search, and I wonder how Claudine | 0:19:56 | 0:19:59 | |
and Patrick are feeling now they've had the evening to reflect. | 0:19:59 | 0:20:02 | |
I mean, moving to not just a different county but a different | 0:20:02 | 0:20:06 | |
country must be exciting, but also quite a daunting prospect. | 0:20:06 | 0:20:10 | |
We have a whole new day of house-hunting ahead, | 0:20:10 | 0:20:12 | |
and I have high hopes for our Mystery House, | 0:20:12 | 0:20:15 | |
which is going to test our couple on just how close to a community they | 0:20:15 | 0:20:19 | |
really want to be. | 0:20:19 | 0:20:21 | |
But before that, we are heading five miles from the Welsh border, to the | 0:20:26 | 0:20:30 | |
Herefordshire village of Lingen. Surrounded by wooded hills, | 0:20:30 | 0:20:34 | |
its name is thought to mean "place of sparkling water". | 0:20:34 | 0:20:38 | |
The village pub dates back to the 1700s, and the story goes that it's | 0:20:38 | 0:20:43 | |
named after an ill-fated ship, whose reclaimed timbers were used in its | 0:20:43 | 0:20:47 | |
construction. It's just a five-minute walk from here to the | 0:20:47 | 0:20:50 | |
location of our next house. | 0:20:50 | 0:20:53 | |
So here we go. How do you feel about pink? | 0:20:54 | 0:20:57 | |
-Oh, I like pink. -Yes. -LAUGHTER | 0:20:57 | 0:20:59 | |
I had you down as a pink man, Patrick. | 0:20:59 | 0:21:01 | |
-Actually, I really like the lawn... -Yes. -It's fantastic. | 0:21:01 | 0:21:05 | |
-Isn't it? -I'm optimistic. | 0:21:05 | 0:21:07 | |
Yeah. I love the way it flows in. | 0:21:07 | 0:21:10 | |
-It's inviting you in. -Well, let's go in. Let's go in, then, if that's what it's saying to you. | 0:21:10 | 0:21:14 | |
-Let's go and take a look. -Yes. -Absolutely. | 0:21:14 | 0:21:17 | |
A great first impression for this recently-renovated detached cottage | 0:21:19 | 0:21:22 | |
that dates back to the 1900s. | 0:21:22 | 0:21:25 | |
Going through the front porch, | 0:21:25 | 0:21:27 | |
the large entrance hall leads through to the kitchen-diner, | 0:21:27 | 0:21:30 | |
which offers the good proportions | 0:21:30 | 0:21:32 | |
Patrick and Claudine are looking for. | 0:21:32 | 0:21:36 | |
-Whoa! -Whoa! -LAUGHTER | 0:21:36 | 0:21:39 | |
It's very clean. It's modern, but it's got the oak floors. | 0:21:39 | 0:21:42 | |
-There is room for a nice, big table, as you can see. -Yeah. -And then what | 0:21:42 | 0:21:45 | |
-I really love is the triple aspect. -Yes. -Yeah, this is fantastic. | 0:21:45 | 0:21:49 | |
-I really like this. -I like a door leading outside in a kitchen. | 0:21:49 | 0:21:53 | |
Mm-hmm. And if you turn behind you, | 0:21:53 | 0:21:55 | |
-that's another thing I particularly like in a kitchen... -Yes! -LAUGHTER | 0:21:55 | 0:21:58 | |
-I love a log burner in a kitchen. -Come on, any more? | 0:21:58 | 0:22:01 | |
-It's cosy. Cosy. -Yes. -LAUGHTER | 0:22:01 | 0:22:03 | |
I mean, if you want the kitchen to be the heart of the home, | 0:22:03 | 0:22:06 | |
-this, for me, really feels like it in this house. -Yeah, yeah. | 0:22:06 | 0:22:08 | |
-It feels like you'd spend a lot of time in here. -Yes. -Yes. | 0:22:08 | 0:22:13 | |
-Yes. -I like it very much, yes. -That's a big thumbs-up. LAUGHTER | 0:22:13 | 0:22:17 | |
-Yes, this works. This works. -Yeah. -Good. This is great. | 0:22:17 | 0:22:20 | |
Well, let's try and keep this momentum going and | 0:22:20 | 0:22:22 | |
-explore some more. -OK. -Follow me. | 0:22:22 | 0:22:24 | |
Retracing our steps through the hall, | 0:22:27 | 0:22:30 | |
which is large enough for a reading area, | 0:22:30 | 0:22:32 | |
we reach the main sitting room, and I hope it measures up. | 0:22:32 | 0:22:35 | |
-What do you think? -It's a bit small for me. | 0:22:37 | 0:22:39 | |
Yeah, a little bit small, but it's not a deal-breaker, | 0:22:39 | 0:22:42 | |
and I like the windows, | 0:22:42 | 0:22:45 | |
and the door going out. It's bringing a lot of light in. | 0:22:45 | 0:22:48 | |
-You're not as convinced, are you? -No... -No, I can see you've got a bit of a sad face. -Yes. | 0:22:48 | 0:22:53 | |
It's perhaps lacking a focal feature in here, a fireplace... | 0:22:53 | 0:22:55 | |
-Yes, fireplace... -You could always take a few walls down and open it up. -Yeah. | 0:22:55 | 0:23:00 | |
The style and space in the sitting room are falling short for Claudine. | 0:23:00 | 0:23:04 | |
Off the entrance hall, | 0:23:04 | 0:23:06 | |
there's also a good cloakroom with room for the white goods. | 0:23:06 | 0:23:09 | |
Although opinions on the interior have been a little divided, | 0:23:09 | 0:23:12 | |
let's see if we can build on that positive response to the kitchen, | 0:23:12 | 0:23:15 | |
as we head upstairs to explore the three bedrooms. | 0:23:15 | 0:23:18 | |
At the front of the house, a large, | 0:23:20 | 0:23:22 | |
light-filled double enjoys views of the garden and the surrounding | 0:23:22 | 0:23:24 | |
countryside. | 0:23:24 | 0:23:27 | |
At the back, a smaller bedroom is currently used as an office and sits | 0:23:27 | 0:23:30 | |
beside a smart family bathroom. | 0:23:30 | 0:23:33 | |
Then we come to the third and largest room, the master en suite. | 0:23:33 | 0:23:38 | |
So, straight into a lovely, bright, airy master bedroom. | 0:23:38 | 0:23:41 | |
-Yeah. -Windows on two sides. There's a good-sized en suite... | 0:23:41 | 0:23:44 | |
-Oh, that's hitting the spot. -Very... Yeah. -But the views are lovely from up here. | 0:23:44 | 0:23:49 | |
-In bed, looking straight out. -Yes. -I'm taking in the view. | 0:23:49 | 0:23:51 | |
-I'm taking in the view at the moment. -LAUGHTER | 0:23:51 | 0:23:54 | |
No, this, this is really... | 0:23:54 | 0:23:56 | |
-It's a good size, en suite. Perfect. -Yes. The sun is coming in. | 0:23:56 | 0:24:01 | |
I like that. It's beautiful, yes. | 0:24:01 | 0:24:05 | |
Happily, upstairs lifted their spirits, especially Claudine's. | 0:24:05 | 0:24:08 | |
So let's see if that continues outside, | 0:24:08 | 0:24:11 | |
where the half-acre plot includes an oak-framed carport, | 0:24:11 | 0:24:14 | |
above which there's a room where Claudine might find inspiration | 0:24:14 | 0:24:18 | |
for her writing. | 0:24:18 | 0:24:19 | |
As well as an immaculate lawn, there's a sunken patio by a brook, | 0:24:19 | 0:24:23 | |
marking the garden's boundary. | 0:24:23 | 0:24:26 | |
It's such a pretty spot, isn't it? | 0:24:26 | 0:24:28 | |
-Oh, yes! -Yeah, lovely. -And this, I think, is the perfect spot to enjoy it from. -Yeah. -It's a suntrap. | 0:24:28 | 0:24:32 | |
And this is, I imagine, | 0:24:32 | 0:24:34 | |
-a great place just to sit and enjoy the sun and the views. -Yeah. | 0:24:34 | 0:24:37 | |
As Claudine said, it's a little suntrap, isn't it? | 0:24:37 | 0:24:39 | |
-Is that smiling? -Yes. -Yes! LAUGHTER | 0:24:39 | 0:24:42 | |
-Because you know what's coming up. -Yes. -Guess the price. -Yes. -Yes. | 0:24:42 | 0:24:45 | |
Claudine, what do you think? | 0:24:45 | 0:24:48 | |
Uh, I would say... | 0:24:48 | 0:24:51 | |
£435,000. | 0:24:51 | 0:24:53 | |
OK. | 0:24:53 | 0:24:55 | |
I'm going to go £440,000. | 0:24:55 | 0:24:57 | |
It's actually on for over your budget. | 0:24:57 | 0:25:00 | |
So it's on for £475,000. | 0:25:00 | 0:25:02 | |
However, we have spoken to the owner and he would consider an offer from | 0:25:02 | 0:25:05 | |
people in your position of £450,000. | 0:25:05 | 0:25:09 | |
Yeah. Yeah. Well, I'm not surprised. | 0:25:09 | 0:25:12 | |
The house is good. It's really good. | 0:25:12 | 0:25:14 | |
-Yes. -There's something about this that's getting the two of you, | 0:25:14 | 0:25:17 | |
-isn't there? -Yeah, yeah. -Yeah, yeah. -It's tearing at me! | 0:25:17 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:22 | |
So go and have another look around, | 0:25:22 | 0:25:24 | |
-see how you feel about it and come and find me. -Will do. -OK. -Absolutely. -Yes, thank you. | 0:25:24 | 0:25:28 | |
Although £25,000 over budget, | 0:25:30 | 0:25:33 | |
this renovated cottage is open to offers and has plenty of appealing | 0:25:33 | 0:25:37 | |
features. It gives them the large sociable kitchen they ask for, | 0:25:37 | 0:25:41 | |
as well as three bedrooms, including a dual-aspect master en suite. | 0:25:41 | 0:25:46 | |
The half-acre grounds are bordered by a brook, and the edge of village | 0:25:46 | 0:25:50 | |
location means the pub is within walking distance. | 0:25:50 | 0:25:52 | |
-Whoa, it's big! -Yeah. -Yeah. | 0:25:54 | 0:25:57 | |
Oh, yeah. Good size. | 0:25:57 | 0:26:00 | |
-Yeah. -I could use it as my little den. | 0:26:00 | 0:26:04 | |
-Your escape. -Yes. -SHE LAUGHS | 0:26:04 | 0:26:06 | |
-Fabulous. I like this. -Yes. | 0:26:06 | 0:26:09 | |
Well, I think the house is really, really pretty with the pink, which | 0:26:09 | 0:26:14 | |
looks like an English cottage, and I like the kitchen. | 0:26:14 | 0:26:18 | |
It's big and there is a table. | 0:26:18 | 0:26:20 | |
OK, there is an island, but it is a very practical island. | 0:26:20 | 0:26:24 | |
Very disappointed with the lounge. No fireplace, strangely enough. | 0:26:24 | 0:26:28 | |
That's one of the things I really wanted - fireplace in the lounge. | 0:26:28 | 0:26:31 | |
It really is spacious, open... | 0:26:31 | 0:26:35 | |
I love it. | 0:26:35 | 0:26:38 | |
I could see...having a walk round here with my dog as well. | 0:26:38 | 0:26:41 | |
Overall, I would be very tempted. | 0:26:41 | 0:26:44 | |
I was just sat here thinking, "It's a shame we can't walk to the pub." | 0:26:47 | 0:26:50 | |
-Yes. -But we can't... -We can't. -..because we've got more to see. | 0:26:50 | 0:26:53 | |
-Oh, OK. -OK. -LAUGHTER | 0:26:53 | 0:26:56 | |
Shropshire is full of beautiful buildings that chart the county's | 0:27:04 | 0:27:07 | |
architectural history. | 0:27:07 | 0:27:09 | |
But behind their walls, | 0:27:09 | 0:27:11 | |
the stories of those who built them offer an intriguing insight into the | 0:27:11 | 0:27:14 | |
past. | 0:27:14 | 0:27:16 | |
Weston Park House, on the Shropshire and Staffordshire border, was the | 0:27:16 | 0:27:20 | |
vision of an extraordinary woman - Lady Elizabeth Wilbraham. | 0:27:20 | 0:27:24 | |
Considered by some to be the first known female architect, | 0:27:24 | 0:27:27 | |
her social standing meant she employed male architects to execute | 0:27:27 | 0:27:30 | |
her cutting-edge ideas. | 0:27:30 | 0:27:32 | |
I'm meeting Andrea Webster from the charitable trust that now looks | 0:27:34 | 0:27:38 | |
after this impressive estate to find out more about the formidable woman | 0:27:38 | 0:27:42 | |
behind the facade. | 0:27:42 | 0:27:44 | |
I just don't know where to look, because you've got this incredible | 0:27:44 | 0:27:47 | |
view out there and then you've got the view of the house, | 0:27:47 | 0:27:50 | |
-which is just so elegant, isn't it? -It's quite beautiful, isn't it? | 0:27:50 | 0:27:52 | |
This is the original front of the house, | 0:27:52 | 0:27:55 | |
as it would have been envisioned by Lady Elizabeth Wilbraham in 1671. | 0:27:55 | 0:28:00 | |
So a lady with a bit of foresight to come up with this. | 0:28:00 | 0:28:02 | |
What was she like? | 0:28:02 | 0:28:04 | |
She was a very canny character, very ambitious, very ahead of her time. | 0:28:04 | 0:28:09 | |
This was very much her vision. | 0:28:09 | 0:28:10 | |
She instructed the architect William Taylor by using her own version of | 0:28:10 | 0:28:15 | |
-Palladio. -Born Elizabeth Mytton, | 0:28:15 | 0:28:18 | |
after marrying the heir to the Wilbraham baronetcy, she used her | 0:28:18 | 0:28:22 | |
extensive European honeymoon to educate herself in | 0:28:22 | 0:28:25 | |
architectural styles and practices, | 0:28:25 | 0:28:28 | |
meeting the creator of the Dutch baroque, | 0:28:28 | 0:28:30 | |
as well as studying the works of Palladio in Venice. | 0:28:30 | 0:28:33 | |
Inside the house, there is evidence of Elizabeth's architectural zeal. | 0:28:35 | 0:28:39 | |
And this is the book where it all began. | 0:28:41 | 0:28:43 | |
This is Lady Elizabeth Wilbraham's annotated copy of Palladio's first | 0:28:43 | 0:28:47 | |
book of architecture. So this is where she drew her inspiration | 0:28:47 | 0:28:52 | |
for the look of the house. | 0:28:52 | 0:28:55 | |
So this was showing her strength, and right down to designing it, | 0:28:55 | 0:28:58 | |
deciding what she wanted it to look like. | 0:28:58 | 0:29:01 | |
This is essentially her look book for how she then instructed the | 0:29:01 | 0:29:04 | |
-architect. -All these notes that she's written, | 0:29:04 | 0:29:07 | |
what are the notes all about? | 0:29:07 | 0:29:09 | |
She's talking about quantities of stone, where materials are going to | 0:29:09 | 0:29:13 | |
be sourced from, who they are sourced by, | 0:29:13 | 0:29:16 | |
how much she is going to pay, how much she is not going to pay, | 0:29:16 | 0:29:19 | |
when she wants everything delivered, | 0:29:19 | 0:29:22 | |
and how far it needs to travel, | 0:29:22 | 0:29:24 | |
and how much it's going to cost per mile. | 0:29:24 | 0:29:26 | |
Subsequent generations have added their mark to Elizabeth's legacy. | 0:29:28 | 0:29:33 | |
This 3,000-tome Victorian library was the work of the third Earl of | 0:29:33 | 0:29:37 | |
Bradford, when newly-made rail links to London brought many guests to the | 0:29:37 | 0:29:41 | |
house for fashionable parties. | 0:29:41 | 0:29:43 | |
Rooms like this were created to accommodate and no doubt impress his | 0:29:43 | 0:29:47 | |
influential social circle. | 0:29:47 | 0:29:50 | |
This would have been the dining room until the third Earl made his | 0:29:50 | 0:29:55 | |
-improvements upon the house. -But this is a fantastic room. | 0:29:55 | 0:29:58 | |
I mean, these books... The Victorians really did love their books, didn't they? | 0:29:58 | 0:30:02 | |
They certainly did love their books, yes. | 0:30:02 | 0:30:04 | |
They also loved their secret doors as well. | 0:30:04 | 0:30:06 | |
Why would they have had a dummy door? | 0:30:06 | 0:30:08 | |
It's all about symmetry and making sure that everything is seamless. | 0:30:08 | 0:30:11 | |
So you didn't want any gaps anywhere, | 0:30:11 | 0:30:13 | |
so you've got this completely book-lined room. | 0:30:13 | 0:30:16 | |
-Do you want to find it? -I'd love to find it. | 0:30:16 | 0:30:19 | |
What do we do, do we press the spine of a book or...? | 0:30:19 | 0:30:21 | |
-No? -Or you could press this button. | 0:30:21 | 0:30:23 | |
Ah-ha! | 0:30:25 | 0:30:27 | |
And you get out to the beautiful gardens. | 0:30:27 | 0:30:30 | |
How fabulous! | 0:30:30 | 0:30:31 | |
In the 18th century, the gardens were landscaped by | 0:30:31 | 0:30:35 | |
Lancelot "Capability" Brown, and included the addition | 0:30:35 | 0:30:38 | |
of the Temple of Diana, where musical performances | 0:30:38 | 0:30:42 | |
often took place amongst a menagerie of exotic birds. | 0:30:42 | 0:30:46 | |
At this time, the family had new-found wealth, | 0:30:46 | 0:30:49 | |
due to rents drawn from common land, | 0:30:49 | 0:30:51 | |
as well as the exploitation of minerals such as coal | 0:30:51 | 0:30:54 | |
on the household's sizeable land-holdings. | 0:30:54 | 0:30:57 | |
Some of that wealth was spent on alterations and many items | 0:30:57 | 0:31:01 | |
were added to the estate's collections, | 0:31:01 | 0:31:03 | |
including an impressive selection of Gobelin tapestries, | 0:31:03 | 0:31:07 | |
commissioned in Paris. | 0:31:07 | 0:31:09 | |
They're absolutely beautiful. | 0:31:09 | 0:31:11 | |
It is so hard to imagine, when you're here, | 0:31:11 | 0:31:14 | |
that these walls are covered with millions of individual stitches | 0:31:14 | 0:31:17 | |
creating these beautiful things. | 0:31:17 | 0:31:20 | |
They are quite, they are quite stunning. | 0:31:20 | 0:31:22 | |
They depict the love of the gods, | 0:31:22 | 0:31:24 | |
so you've got Venus coming out of her shell over there. | 0:31:24 | 0:31:27 | |
They were only one of six sets commissioned for country houses. | 0:31:27 | 0:31:32 | |
And I think what is quite remarkable in here is just still, you know, | 0:31:32 | 0:31:35 | |
the colours and how amazingly preserved they are. | 0:31:35 | 0:31:38 | |
They are in incredibly good condition. | 0:31:38 | 0:31:41 | |
The family made great efforts to conserve them, | 0:31:41 | 0:31:45 | |
in terms of light levels and humidity, which we continue today. | 0:31:45 | 0:31:48 | |
If walls could talk, | 0:31:48 | 0:31:50 | |
what a story these would be telling because each generation | 0:31:50 | 0:31:53 | |
does seem to have been adding its own mark. | 0:31:53 | 0:31:56 | |
Yes, leaving their own statement on the estate. | 0:31:56 | 0:31:58 | |
However, like many country estates, | 0:31:58 | 0:32:00 | |
Weston Park became unsustainable as a family home, and in the 1980s | 0:32:00 | 0:32:05 | |
was gifted to the nation by the seventh Earl. | 0:32:05 | 0:32:08 | |
It's now open to visitors on a seasonal basis, | 0:32:09 | 0:32:12 | |
including rooms like the next, | 0:32:12 | 0:32:14 | |
a rather fitting homage to this home's architectural visionary. | 0:32:14 | 0:32:18 | |
Wow! There's an awful lot of watchful female faces in this room. | 0:32:20 | 0:32:23 | |
They are looking, looking at you from all angles, aren't they? | 0:32:23 | 0:32:27 | |
Yeah, it has a very light, feminine feel in here. | 0:32:27 | 0:32:30 | |
It has. This room features the Lady Elizabeth Wilbraham herself | 0:32:30 | 0:32:34 | |
-over there on the far wall. -I mean, the real feeling I get in here, | 0:32:34 | 0:32:38 | |
and in particular, is that I could just sit down on that | 0:32:38 | 0:32:41 | |
magnificent sofa that looks so comfortable, and just relax in here. | 0:32:41 | 0:32:45 | |
This room has been very recently refurbished by the foundation, | 0:32:45 | 0:32:49 | |
so it's given it a little bit more of a relaxing feel to it. | 0:32:49 | 0:32:54 | |
Yeah, I mean, it's really lovely seeing actually Lady Elizabeth | 0:32:54 | 0:32:56 | |
up there sort of looking over us and, although her immediate family | 0:32:56 | 0:33:00 | |
-are not using it, other families are. -They are. | 0:33:00 | 0:33:02 | |
They are using it, enjoying it and making their own memories here. | 0:33:02 | 0:33:06 | |
From the 17th-century imagination of possibly the first female | 0:33:06 | 0:33:10 | |
architect to her modern-day legacy, | 0:33:10 | 0:33:12 | |
Weston Park has a very evocative story. | 0:33:12 | 0:33:16 | |
Let's hope our house search with Claudine and Patrick | 0:33:16 | 0:33:19 | |
inspires them to move to this beautiful area. | 0:33:19 | 0:33:22 | |
We'll be seeing the Mystery House, of course. | 0:33:27 | 0:33:29 | |
What do you think we're going to show you? Any ideas? | 0:33:29 | 0:33:32 | |
I think it's going to be modern | 0:33:32 | 0:33:35 | |
because we asked for a character property. | 0:33:35 | 0:33:38 | |
Well, you are definitely going to take us out of our comfort zone. | 0:33:38 | 0:33:41 | |
Maybe a barn conversion, | 0:33:41 | 0:33:43 | |
but something way off, | 0:33:43 | 0:33:45 | |
or you might even take us into an apartment. | 0:33:45 | 0:33:49 | |
Ah, OK. Some interesting ones there. | 0:33:49 | 0:33:53 | |
Well, all will be revealed and I'm certainly not going to tell you yet. | 0:33:53 | 0:33:55 | |
-No. -No. | 0:33:55 | 0:33:58 | |
Our mystery offering is in the Herefordshire hamlet of Hamnish. | 0:33:58 | 0:34:02 | |
A couple of miles away, the historic market town of Leominster | 0:34:03 | 0:34:06 | |
offers a good selection of facilities. | 0:34:06 | 0:34:09 | |
Once the source of Leominster wool, highly prized | 0:34:09 | 0:34:12 | |
all over Europe in the late Middle Ages, the town prospered, | 0:34:12 | 0:34:16 | |
and in the 18th century was also home to a large cotton mill. | 0:34:16 | 0:34:20 | |
Back in Hamnish, in peaceful country surroundings, | 0:34:20 | 0:34:24 | |
our mystery proposition is set to challenge our house-buyers | 0:34:24 | 0:34:27 | |
with attached neighbours, | 0:34:27 | 0:34:29 | |
despite its discreet and very secluded approach. | 0:34:29 | 0:34:32 | |
So, the Mystery House. | 0:34:32 | 0:34:34 | |
Ooh! | 0:34:34 | 0:34:36 | |
You have to get through this little secret garden to see it properly. | 0:34:36 | 0:34:40 | |
-So, come on. -Look at this! | 0:34:40 | 0:34:41 | |
-It's a barn conversion. -Yes. | 0:34:43 | 0:34:44 | |
I wasn't far wrong, was I? | 0:34:44 | 0:34:46 | |
It's one of nine properties in this development, | 0:34:46 | 0:34:49 | |
so it was originally a farm with outbuildings. | 0:34:49 | 0:34:52 | |
This was the old granary barn. | 0:34:52 | 0:34:54 | |
You are very close to your neighbours here. | 0:34:54 | 0:34:57 | |
You've got one right on either side. | 0:34:57 | 0:34:58 | |
-How do you feel about that? -I don't have a problem with it. | 0:34:58 | 0:35:01 | |
I have never lived in a terraced house, | 0:35:01 | 0:35:03 | |
but it doesn't look like a terraced house. | 0:35:03 | 0:35:05 | |
It's very private. The garden is very private. | 0:35:05 | 0:35:08 | |
That is the main thing. | 0:35:08 | 0:35:10 | |
-It's like a secret garden. -Yeah, yeah. It really is. | 0:35:10 | 0:35:14 | |
And it's got the great features that come with a barn conversion. | 0:35:14 | 0:35:16 | |
-You've got that lovely big window. -Yes. -That's what I've always loved about barn conversions. | 0:35:16 | 0:35:20 | |
-Light. -Plenty of light. | 0:35:20 | 0:35:22 | |
-Shall we go and see what's beyond the big window? -Yes, let's go. -Yes. | 0:35:22 | 0:35:26 | |
The secluded country character of this home has left Claudine | 0:35:28 | 0:35:32 | |
and Patrick unconcerned about the prospect of near-neighbours. | 0:35:32 | 0:35:36 | |
Converted around ten years ago, | 0:35:36 | 0:35:38 | |
many of the original features of the building, | 0:35:38 | 0:35:40 | |
like the diamond-shaped lattice-brick windows have been retained. | 0:35:40 | 0:35:44 | |
Inside, the rectangular footprint is split into two L-shaped spaces | 0:35:44 | 0:35:48 | |
on the ground floor, starting with an impressive kitchen-diner. | 0:35:48 | 0:35:52 | |
-And in this one you come straight into the kitchen. -Oh! -Oh, yes. | 0:35:53 | 0:35:59 | |
See the old windows here? | 0:35:59 | 0:36:01 | |
-That's a nice feature, isn't it? -It is. -Diamond. | 0:36:01 | 0:36:04 | |
-I like that, yeah. -Beautiful design. -Yeah. | 0:36:04 | 0:36:07 | |
Off to a good start, then. | 0:36:07 | 0:36:09 | |
Let's move through to the living space. | 0:36:09 | 0:36:11 | |
-There's something in there you're going to like. -OK. | 0:36:11 | 0:36:14 | |
So, we are going to pass through a little airing cupboard. | 0:36:16 | 0:36:18 | |
-Yeah. -You've got a downstairs bathroom in there. | 0:36:18 | 0:36:21 | |
-Ah. -Then... -Indeed. | 0:36:21 | 0:36:24 | |
-..the living room. -Ah! | 0:36:24 | 0:36:26 | |
I thought you might like that. | 0:36:26 | 0:36:28 | |
Guess what, this is an omen. | 0:36:28 | 0:36:30 | |
White lilies. Ever since we first met, | 0:36:30 | 0:36:33 | |
I've always given Claudine white lilies. | 0:36:33 | 0:36:35 | |
-That's so sweet. -Don't well up now. -It's me that's welling up. | 0:36:35 | 0:36:38 | |
The whole thing for me so far is from the gate, it's blown me away. | 0:36:38 | 0:36:43 | |
It's got that feeling about it for you. | 0:36:43 | 0:36:45 | |
Yeah. It's the first one that I've got it all from the beginning to inside. | 0:36:45 | 0:36:51 | |
Everything so far... | 0:36:51 | 0:36:53 | |
..is just bang on the button. | 0:36:53 | 0:36:56 | |
-Your eyes are actually shining as you look around. -Yeah. | 0:36:56 | 0:36:59 | |
-It's definitely... -Yeah. -..having an impact on you. | 0:36:59 | 0:37:01 | |
Let's go upstairs and let's hope that this continues cos, for me, | 0:37:01 | 0:37:05 | |
I think, if anything, the upstairs has even more wow-factor than down here. | 0:37:05 | 0:37:09 | |
Everything about this mystery property seems to be resonating with both of them. | 0:37:11 | 0:37:16 | |
Upstairs, the sympathetic style and finish continues, | 0:37:16 | 0:37:19 | |
with two large guest bedrooms, | 0:37:19 | 0:37:22 | |
both featuring exposed timber and floor-level windows. | 0:37:22 | 0:37:26 | |
And one of which is currently used as a study, | 0:37:26 | 0:37:28 | |
that could well make Claudine's writer's room. | 0:37:28 | 0:37:31 | |
The family bathroom really showcases that latticed brickwork feature. | 0:37:31 | 0:37:35 | |
Whilst the third bedroom is an impressive double en suite. | 0:37:35 | 0:37:39 | |
So, the master bedroom. | 0:37:41 | 0:37:43 | |
-Ooh! -Wow! | 0:37:43 | 0:37:46 | |
Once again, I'm, I'm really blown away. | 0:37:46 | 0:37:49 | |
-This is so beautiful. -Very much to our taste. | 0:37:49 | 0:37:52 | |
Behind the door here, there's an en suite as well. | 0:37:52 | 0:37:55 | |
-Wow! -And it's a good-sized bedroom. | 0:37:55 | 0:37:57 | |
You can fit some... These are big pieces of furniture. | 0:37:57 | 0:38:00 | |
-Oh, yes. -OK, well, that's a really positive reaction to the house, | 0:38:00 | 0:38:03 | |
so let's move outside. | 0:38:03 | 0:38:05 | |
There's quite a lot to talk about and I think you are going to like | 0:38:05 | 0:38:07 | |
-the area around here as well. -Okey-doke. Yes. | 0:38:07 | 0:38:10 | |
The interior design and layout of our Mystery House | 0:38:10 | 0:38:14 | |
is winning them over and this beautiful barn conversion | 0:38:14 | 0:38:17 | |
also comes with a good-sized private garden to the front | 0:38:17 | 0:38:20 | |
with mature shrubs and trees, along with a flagstone terrace. | 0:38:20 | 0:38:24 | |
To the rear, there are large communal grounds, | 0:38:25 | 0:38:28 | |
where beautiful lawns surround a feature stone cider press. | 0:38:28 | 0:38:32 | |
With those stunning views over the countryside towards Ludlow, | 0:38:32 | 0:38:36 | |
will they feel the mystery package is enticing enough to compromise on | 0:38:36 | 0:38:39 | |
that shared outside space and want to become part of this community? | 0:38:39 | 0:38:44 | |
With neighbours, it's not so isolated. | 0:38:44 | 0:38:47 | |
-Yeah? -And yet, it's very... | 0:38:48 | 0:38:51 | |
-It looks very private. -It does. -It's amazing. | 0:38:51 | 0:38:54 | |
Really, really, really is stunning. | 0:38:54 | 0:38:57 | |
Beautiful. And also, it's been tastefully decorated. | 0:38:57 | 0:39:00 | |
-Oh, yes. -OK, well, you know what's coming here. | 0:39:00 | 0:39:04 | |
It's time to guess the price. | 0:39:04 | 0:39:05 | |
It's so beautiful, so well done, I think it's over our budget. | 0:39:05 | 0:39:10 | |
-OK. -I think it's 460,000. | 0:39:10 | 0:39:15 | |
I'm going to take a bang and hope I'm right, | 0:39:15 | 0:39:18 | |
I'm going to say right on budget. | 0:39:18 | 0:39:20 | |
-£450,000? -£450,000. Yes. | 0:39:20 | 0:39:23 | |
-I'm very happy to tell you both that it is actually on for under your budget. -Oh! -Oh. | 0:39:23 | 0:39:28 | |
It's on for £425,000. | 0:39:28 | 0:39:30 | |
-That IS good news. -That is good news, yes. | 0:39:31 | 0:39:34 | |
Imagine yourself and your big pieces of French furniture in there. | 0:39:34 | 0:39:38 | |
-Yes. -Yes. -We already know where to put the mirror. | 0:39:38 | 0:39:41 | |
-That's a good sign. Go and do some more of that, please. -Thank you. | 0:39:41 | 0:39:44 | |
It's always such a brilliant sign, isn't it, | 0:39:44 | 0:39:47 | |
when people start to mentally think about where their own furniture | 0:39:47 | 0:39:50 | |
is going to go. To hear these two have been doing that, | 0:39:50 | 0:39:53 | |
that's brilliant news. | 0:39:53 | 0:39:54 | |
£25,000 below budget, | 0:39:56 | 0:39:58 | |
our Mystery House has so much | 0:39:58 | 0:40:00 | |
of the English country character | 0:40:00 | 0:40:02 | |
Patrick and Claudine are after. | 0:40:02 | 0:40:04 | |
There's a kitchen-diner, | 0:40:04 | 0:40:06 | |
plus a reception room, with feature fireplace, | 0:40:06 | 0:40:08 | |
and a total of three bedrooms, including a master en suite. | 0:40:08 | 0:40:12 | |
A lovely landscaped private garden | 0:40:12 | 0:40:14 | |
is complemented by extensive communal grounds, | 0:40:14 | 0:40:17 | |
from which there are far-reaching views. | 0:40:17 | 0:40:19 | |
As soon as I walked in through the gate, absolutely fantastic. | 0:40:21 | 0:40:25 | |
It's, it's absolutely... | 0:40:25 | 0:40:27 | |
So...merveilleux. | 0:40:28 | 0:40:30 | |
I cannot find the word in English. | 0:40:30 | 0:40:33 | |
The kitchen is spacious, | 0:40:33 | 0:40:36 | |
there is enough room for a table, and which leads into the lounge. | 0:40:36 | 0:40:41 | |
In every room, I was amazed. | 0:40:41 | 0:40:44 | |
I really love it. | 0:40:44 | 0:40:46 | |
It's beautiful. You've got a nice terraced area, you can sit, | 0:40:46 | 0:40:50 | |
and you've got the garden at the back. Everything works. | 0:40:50 | 0:40:53 | |
Everything works. This house is certainly drawing me towards it. | 0:40:53 | 0:40:57 | |
-Ah! -Ah! | 0:41:00 | 0:41:02 | |
I have a feeling we may have ended things on a positive note. | 0:41:02 | 0:41:05 | |
So it's time to go and have a chat now. | 0:41:05 | 0:41:08 | |
-OK? -Yes. -Yes. -Come on, come and spill the beans. -OK. | 0:41:08 | 0:41:11 | |
Well, it's the end of our house-hunt in this beautiful countryside, | 0:41:16 | 0:41:20 | |
so it's time to have a chat with our couple, | 0:41:20 | 0:41:22 | |
but I don't think it takes a detective to solve | 0:41:22 | 0:41:25 | |
the mystery of which house stood out for them. | 0:41:25 | 0:41:27 | |
-Well, here we are at the end of our search. -Yeah. | 0:41:33 | 0:41:36 | |
I'm quite intrigued to see what the two of you are going to say. | 0:41:36 | 0:41:39 | |
I thought the Mystery House was... | 0:41:39 | 0:41:41 | |
Oh, God, I don't know... | 0:41:41 | 0:41:44 | |
I was lost for words. | 0:41:44 | 0:41:46 | |
Even when we just opened the gate, when I saw the garden, | 0:41:46 | 0:41:50 | |
which was a lovely, pretty garden... | 0:41:50 | 0:41:53 | |
So I have to ask you, is there a "what next"? | 0:41:53 | 0:41:56 | |
Because I know this is the start of a really big adventure for you. | 0:41:56 | 0:41:58 | |
-Yes. -What are your thoughts now? | 0:41:58 | 0:42:00 | |
Well, we're going to go back and have another look to the Mystery House. | 0:42:00 | 0:42:04 | |
-Yes. -I'm absolutely thrilled. | 0:42:04 | 0:42:06 | |
We wish you so much luck and | 0:42:06 | 0:42:09 | |
we really hope that that does become your home here. And if it doesn't, | 0:42:09 | 0:42:13 | |
I know you're going to be happy wherever you end up. | 0:42:13 | 0:42:16 | |
We'd like to thank you. It's been a fantastic experience, hasn't it? | 0:42:16 | 0:42:19 | |
-Yes. Thank you very much. -Thanks again. -Thank you so much. | 0:42:19 | 0:42:22 | |
And all that remains to be said is bonne chance! | 0:42:22 | 0:42:26 | |
It's the end of our search | 0:42:36 | 0:42:38 | |
and I'm delighted that our Mystery House proved to be such a hit | 0:42:38 | 0:42:41 | |
that Claudine and Patrick are heading back for a second look. | 0:42:41 | 0:42:44 | |
I hope we've helped our international couple begin the next chapter | 0:42:44 | 0:42:48 | |
of their life together, in not just a new county but a new country. | 0:42:48 | 0:42:53 | |
Join me next time. | 0:42:53 | 0:42:55 | |
If you would like to escape to the country in Wales, Scotland, | 0:42:56 | 0:42:59 | |
England or Northern Ireland and need our help, you can apply online at... | 0:42:59 | 0:43:03 |