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With her can-do attitude, love of simple gardens | 0:00:02 | 0:00:05 | |
and decades of experience... | 0:00:05 | 0:00:07 | |
Hello! | 0:00:07 | 0:00:08 | |
..Charlie Dimmock is one of Britain's best-loved gardeners... | 0:00:08 | 0:00:11 | |
Looking good, boys. | 0:00:11 | 0:00:13 | |
..but the new kids on the gardening block are the Rich brothers. | 0:00:13 | 0:00:16 | |
We want to be the brothers | 0:00:16 | 0:00:18 | |
that change people's perceptions of gardens. | 0:00:18 | 0:00:20 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:20 | 0:00:23 | |
Oh, good turn. Amazing, isn't it? | 0:00:23 | 0:00:25 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:25 | 0:00:30 | |
Now these two different generations of gardening are going head-to-head. | 0:00:30 | 0:00:35 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:35 | 0:00:39 | |
They're meeting frustrated garden owners across the country... | 0:00:39 | 0:00:43 | |
The photos made it look tiny. | 0:00:43 | 0:00:45 | |
It is, isn't it? I'm sure you've seen larger. | 0:00:45 | 0:00:47 | |
I don't know what to do with it. | 0:00:47 | 0:00:49 | |
..and will each pitch them a design based on their needs... | 0:00:49 | 0:00:52 | |
Wow! ..and budget. | 0:00:52 | 0:00:54 | |
That looks really exciting. | 0:00:54 | 0:00:55 | |
It doesn't look like it could be our garden. | 0:00:55 | 0:00:57 | |
The winner... Ta-da! | 0:00:57 | 0:00:59 | |
ALL: Whoo! ..brings their design to life... | 0:00:59 | 0:01:02 | |
Hold on, hold on! Sweet as a nut. | 0:01:02 | 0:01:05 | |
..and the loser has to help them build it. | 0:01:05 | 0:01:08 | |
Oh, I'm getting irritated now. We're sort of faffing around. | 0:01:08 | 0:01:11 | |
This is what happens... | 0:01:11 | 0:01:12 | |
Does he ever get irritating? All the time. | 0:01:12 | 0:01:15 | |
..when different styles collide... | 0:01:15 | 0:01:17 | |
Who chose these? One, two, three. | 0:01:17 | 0:01:19 | |
This looks like your design. Yeah! | 0:01:20 | 0:01:23 | |
..to turn garden dreams into reality. | 0:01:23 | 0:01:26 | |
Wow. Open your eyes. | 0:01:26 | 0:01:28 | |
Wow! It's amazing. | 0:01:28 | 0:01:32 | |
It's beautiful. | 0:01:32 | 0:01:33 | |
Today, Charlie and the Rich brothers are competing over a garden | 0:01:39 | 0:01:42 | |
that has to work for two different generations. | 0:01:42 | 0:01:45 | |
So, this is a really lovely story. | 0:01:45 | 0:01:48 | |
It's the family home and garden. | 0:01:48 | 0:01:50 | |
Jackie grew up there, but Jackie and Neil had gone away, | 0:01:50 | 0:01:54 | |
have come back now to live with dad Mervyn... | 0:01:54 | 0:01:58 | |
Nice. | 0:01:58 | 0:01:59 | |
..and they've bought the house off him | 0:01:59 | 0:02:01 | |
to look after him in his old age. Nice. | 0:02:01 | 0:02:04 | |
Yeah, this is where I actually grew up, | 0:02:04 | 0:02:06 | |
I got married from here... | 0:02:06 | 0:02:08 | |
..and it's always... I've always been very sentimental about it. | 0:02:09 | 0:02:14 | |
Once they decided to move back in with 88-year-old dad Mervyn, | 0:02:14 | 0:02:19 | |
Jackie and Neil sent the builders in for several months | 0:02:19 | 0:02:21 | |
to give the house a much-needed face-lift. | 0:02:21 | 0:02:24 | |
Now that the house renovation is almost complete, | 0:02:26 | 0:02:29 | |
the garden is starting to look rather dated by comparison. | 0:02:29 | 0:02:33 | |
Although there's lots of memories, it looks a bit boring. | 0:02:33 | 0:02:36 | |
She wants something that says, | 0:02:36 | 0:02:38 | |
"Come and sit in me. Isn't this lovely space?" | 0:02:38 | 0:02:41 | |
Is the garden for Mervyn, as well? Yeah, Mervyn loves the garden, | 0:02:41 | 0:02:45 | |
so we've got to think about the three of them. | 0:02:45 | 0:02:47 | |
It's not just... Not just those two. ..Jackie and Neil. | 0:02:47 | 0:02:50 | |
Jackie's dad Mervyn has lived here for more than 40 years. | 0:02:50 | 0:02:55 | |
I used to love the garden cos I was into the birds, as well. | 0:02:55 | 0:02:59 | |
I had tame blackbirds come and sit by the side of me. | 0:02:59 | 0:03:03 | |
Actually, he's still around here now. | 0:03:03 | 0:03:06 | |
I know it's him cos he's got a white spot on his side. | 0:03:06 | 0:03:09 | |
It'd be nice to have somewhere for Dad to be able to come out | 0:03:09 | 0:03:12 | |
and sit down and relax. | 0:03:12 | 0:03:14 | |
Unfortunately, right now, the garden doesn't suit anyone's needs. | 0:03:14 | 0:03:19 | |
Apart from a treasured magnolia tree, | 0:03:19 | 0:03:22 | |
it's become a collection point for leftover building materials, | 0:03:22 | 0:03:25 | |
and Jackie's eclectic mix of garden ornaments. | 0:03:25 | 0:03:30 | |
There is a lot of clutter. Yeah. | 0:03:30 | 0:03:33 | |
And when you've got nice features like this magnolia tree, | 0:03:33 | 0:03:36 | |
you don't need to do too much, do you? | 0:03:36 | 0:03:39 | |
The work on the house | 0:03:39 | 0:03:41 | |
has left a serious dent in Neil and Jackie's finances, | 0:03:41 | 0:03:44 | |
so they only have a limited budget for the garden. | 0:03:44 | 0:03:47 | |
Do you want the really good news? Oh, is it budget? | 0:03:47 | 0:03:49 | |
THEY LAUGH How did you know I was going there? | 0:03:49 | 0:03:53 | |
It's not vast... OK. ..but you've got a good structure. | 0:03:53 | 0:03:57 | |
Am I selling this to you? Yeah. Yeah. OK! | 0:03:57 | 0:04:01 | |
?2,000. | 0:04:01 | 0:04:02 | |
OK. That's not too bad. | 0:04:02 | 0:04:04 | |
I think, for them, it's got to be, you know, | 0:04:04 | 0:04:07 | |
that there's light at the end of the tunnel. | 0:04:07 | 0:04:10 | |
We've had the builders up to here, we want our garden back. Yeah. | 0:04:10 | 0:04:15 | |
So, that's the challenge. | 0:04:15 | 0:04:17 | |
Now it's time for Charlie and the boys to battle it out | 0:04:17 | 0:04:20 | |
for the right to make over the garden. | 0:04:20 | 0:04:22 | |
They both have to come up with a design | 0:04:24 | 0:04:26 | |
that they hope will deliver the perfect garden | 0:04:26 | 0:04:29 | |
for Jackie, Neil and Mervyn. | 0:04:29 | 0:04:30 | |
The family will then choose a winner, | 0:04:32 | 0:04:34 | |
and the losing designer has to swallow their pride | 0:04:34 | 0:04:36 | |
and muck in to help build it. | 0:04:36 | 0:04:39 | |
Now Charlie and the boys are heading to Herefordshire | 0:04:39 | 0:04:43 | |
to unveil their finished designs. | 0:04:43 | 0:04:46 | |
It's time for the pitch. | 0:04:48 | 0:04:50 | |
Charlie appreciates how big a role | 0:04:50 | 0:04:52 | |
this garden has played in Jackie's life... | 0:04:52 | 0:04:55 | |
Oh! | 0:04:55 | 0:04:56 | |
Keep calm! Keep calm! THEY LAUGH | 0:04:56 | 0:04:59 | |
..but the boys suspect the remodelled house | 0:04:59 | 0:05:02 | |
reflects their desire to look to the future. | 0:05:02 | 0:05:05 | |
So, we wanted to create individual rooms | 0:05:05 | 0:05:07 | |
and maybe create that journey between them, as well. | 0:05:07 | 0:05:10 | |
So, to give the garden a purpose, you have to travel round it. | 0:05:10 | 0:05:13 | |
And we wanted to reflect the interior, so keep it quite modern, | 0:05:13 | 0:05:16 | |
quite contemporary, a little bit quirky, in a way. | 0:05:16 | 0:05:19 | |
And one of the ways we've done that is through the paving line. | 0:05:19 | 0:05:22 | |
Oh, wow. Yes! | 0:05:22 | 0:05:23 | |
So, your magnolia, | 0:05:23 | 0:05:26 | |
I wanted to highlight that focal point even more. | 0:05:26 | 0:05:30 | |
So, I've put a lovely seat - | 0:05:30 | 0:05:33 | |
circular seat - underneath it, | 0:05:33 | 0:05:35 | |
and then I was going to use your leftover paviours | 0:05:35 | 0:05:38 | |
to pave under there, | 0:05:38 | 0:05:39 | |
to tie your patio area in with underneath the seating. | 0:05:39 | 0:05:44 | |
So, picking up on the timber theme, | 0:05:44 | 0:05:47 | |
I'm going to have some upright organ pipe posts, | 0:05:47 | 0:05:50 | |
and they're going to be dotted around in the borders | 0:05:50 | 0:05:54 | |
to give some height and structure there. Brilliant. | 0:05:54 | 0:05:58 | |
What we wanted to do was bring the planting | 0:05:58 | 0:06:00 | |
so it kind of hugs the paving. Yeah. | 0:06:00 | 0:06:02 | |
So, you know, you've got nature coming up to you. | 0:06:02 | 0:06:04 | |
So, it's a nice way of softening this quite contemporary feel. | 0:06:04 | 0:06:07 | |
And in the evening, the sun comes round to there. | 0:06:07 | 0:06:09 | |
Yeah. It'll be a really special spot, yeah. | 0:06:09 | 0:06:12 | |
The Rich brothers have gambled on spending all the budget in one area, | 0:06:12 | 0:06:16 | |
which means they can invest in some feature plants. | 0:06:16 | 0:06:19 | |
We've focused on giving you a specimen acer tree, | 0:06:19 | 0:06:22 | |
and then two cornus shrubs. | 0:06:22 | 0:06:24 | |
What's so good about these two cornus shrubs is going to give... | 0:06:24 | 0:06:27 | |
It's got berries, so, again, it's going to attract birds | 0:06:27 | 0:06:29 | |
into that little space | 0:06:29 | 0:06:30 | |
and it's going to be a very natural little haven. | 0:06:30 | 0:06:33 | |
Dad would like that, as well. He'd love it. Yeah, definitely. | 0:06:33 | 0:06:37 | |
But Charlie has redesigned the whole garden... | 0:06:37 | 0:06:40 | |
You've got lovely planting here, | 0:06:42 | 0:06:44 | |
but I wanted to sort of really glam it up | 0:06:44 | 0:06:48 | |
by using things like iris, agapanthus, alliums. | 0:06:48 | 0:06:53 | |
..and she's about to reveal her trump card. | 0:06:53 | 0:06:56 | |
And with all your lovely bits and bobs... | 0:06:56 | 0:07:00 | |
Junk. Not junk, or tat! | 0:07:00 | 0:07:03 | |
We can use those to create focal points around the garden. | 0:07:03 | 0:07:06 | |
It looks really good. It's lovely. It's covered everything. | 0:07:06 | 0:07:09 | |
Yeah? I think so. | 0:07:09 | 0:07:11 | |
The pitch is over. | 0:07:12 | 0:07:14 | |
Now it's up to Jackie and Neil. | 0:07:14 | 0:07:17 | |
I would never even have thought of doing something like that. | 0:07:17 | 0:07:19 | |
Only one of the designs can win, | 0:07:19 | 0:07:22 | |
so will Jackie and Neil plump for | 0:07:22 | 0:07:23 | |
the Rich brothers' private seating area, | 0:07:23 | 0:07:26 | |
statement trees and elegant patio | 0:07:26 | 0:07:29 | |
or Charlie's complete garden upgrade | 0:07:29 | 0:07:32 | |
with a circular seat around Jackie's beloved magnolia tree? | 0:07:32 | 0:07:36 | |
I like them both. | 0:07:36 | 0:07:38 | |
It's decision time. | 0:07:39 | 0:07:41 | |
Hello. Hi, guys. | 0:07:41 | 0:07:43 | |
Hey. | 0:07:43 | 0:07:44 | |
So, it was genuinely really, really difficult, | 0:07:44 | 0:07:48 | |
but the one we've chosen is... | 0:07:48 | 0:07:51 | |
THEY CHEER | 0:07:51 | 0:07:53 | |
Awesome! Way to go! Nice. Amazing! | 0:07:53 | 0:07:56 | |
So, what swung it for you? | 0:07:56 | 0:07:59 | |
In fairness, your design did everything we wanted, | 0:07:59 | 0:08:02 | |
but this one was probably something | 0:08:02 | 0:08:03 | |
we would never have done for ourselves, so we thought | 0:08:03 | 0:08:06 | |
we'd push our boundaries... Wouldn't have thought about it. | 0:08:06 | 0:08:08 | |
..and maybe make the decision to try something different. | 0:08:08 | 0:08:11 | |
Well, there you go! | 0:08:11 | 0:08:13 | |
Sorry, Charlie. | 0:08:13 | 0:08:15 | |
Oh, I have no problems with that at all! | 0:08:15 | 0:08:19 | |
So, the boys' bold design has won, | 0:08:20 | 0:08:23 | |
and what's more, Charlie now has to follow their orders | 0:08:23 | 0:08:25 | |
as all three of them work together | 0:08:25 | 0:08:27 | |
to build Jackie and Neil's dream garden. | 0:08:27 | 0:08:30 | |
It's day one of the build. | 0:08:32 | 0:08:34 | |
The Rich brothers are off-site, | 0:08:34 | 0:08:36 | |
pulling together their planting plans... | 0:08:36 | 0:08:38 | |
..and have left the landscaping team to start prepping the site. | 0:08:40 | 0:08:43 | |
In the Rich brothers' design, the seating area has a fractured style, | 0:08:48 | 0:08:52 | |
where the planting is interspersed with paviours, | 0:08:52 | 0:08:55 | |
and it requires meticulous planning. | 0:08:55 | 0:08:58 | |
With a ?2,000 budget, | 0:08:58 | 0:09:00 | |
the brothers have asked the team to keep an eye on anything | 0:09:00 | 0:09:03 | |
that can be reused from the old garden... | 0:09:03 | 0:09:06 | |
This turf's coming out nice, | 0:09:06 | 0:09:08 | |
so I think we should save as much as we can. | 0:09:08 | 0:09:11 | |
..although the budget has stretched to brand-new, contemporary paving. | 0:09:11 | 0:09:15 | |
Now, Charlie and the Rich brothers have arrived out front | 0:09:17 | 0:09:20 | |
and are planning their next move. | 0:09:20 | 0:09:23 | |
So, this garden is not the biggest budget... No. | 0:09:23 | 0:09:26 | |
..but I definitely think... | 0:09:26 | 0:09:28 | |
It's a little section of the garden, | 0:09:28 | 0:09:30 | |
but I think it's going to be really fun. | 0:09:30 | 0:09:31 | |
I think it comes down to, being a slightly smaller budget, | 0:09:31 | 0:09:34 | |
we need to give them as much as we can. | 0:09:34 | 0:09:36 | |
One of the things I was thinking about, | 0:09:36 | 0:09:38 | |
cos we're getting rid of some of that turf and soil | 0:09:38 | 0:09:40 | |
for the slabbing and the planting, | 0:09:40 | 0:09:41 | |
there's going to be quite a lot of stuff left over. | 0:09:41 | 0:09:44 | |
The boys want to focus on the seating area, | 0:09:44 | 0:09:46 | |
and have tasked Charlie with finding a home for Jackie's collection. | 0:09:46 | 0:09:50 | |
So, I think reusing some of that quirkiness that we love... | 0:09:50 | 0:09:52 | |
She's got some really lovely things - | 0:09:52 | 0:09:54 | |
one or two things I would like to just move aside - | 0:09:54 | 0:09:57 | |
but there some really lovely things she's got. | 0:09:57 | 0:09:59 | |
You do love your quirk. I do. I like all my knick-knacks. | 0:09:59 | 0:10:03 | |
So, I can do what ever I want with the ornaments | 0:10:03 | 0:10:05 | |
and put them wherever I want? | 0:10:05 | 0:10:06 | |
You do what ever you want with those quirky bits, it's fine. | 0:10:06 | 0:10:09 | |
Just not in our little area. | 0:10:09 | 0:10:11 | |
With all these quirky features, | 0:10:11 | 0:10:13 | |
let's hope there's room for the plants. | 0:10:13 | 0:10:16 | |
The boys have invested over half of the two grand budget | 0:10:16 | 0:10:19 | |
on trees, shrubs and perennials to bring the seating area to life. | 0:10:19 | 0:10:23 | |
We've got a nice array of plants here, haven't we? | 0:10:23 | 0:10:26 | |
A very natural kind of feeling. Beautiful, really nice. | 0:10:26 | 0:10:28 | |
All the foliage complements each other. | 0:10:28 | 0:10:30 | |
Look at this! I think acer's beautiful, isn't it? | 0:10:30 | 0:10:32 | |
But there's a lot of landscaping to finish before any of them can go in. | 0:10:32 | 0:10:36 | |
Meanwhile, Charlie's in amongst Jackie's knick-knacks. | 0:10:39 | 0:10:43 | |
Jackie and Neil have got all sorts around here. | 0:10:43 | 0:10:46 | |
Lots of bits and bobs. | 0:10:46 | 0:10:48 | |
These could be handy for the other end of the garden. | 0:10:48 | 0:10:51 | |
Bit of Zen. THEY CHIME | 0:10:51 | 0:10:54 | |
Oh, look at these, look at these! | 0:10:56 | 0:10:58 | |
Ooh! | 0:10:58 | 0:10:59 | |
I like that. | 0:10:59 | 0:11:01 | |
Cor, that's fab, isn't it? Three of them. | 0:11:03 | 0:11:06 | |
Over in the seating area, Harry's straight onto the patio. | 0:11:08 | 0:11:12 | |
It's a really good tip to clean the underbelly of the paving slab | 0:11:12 | 0:11:15 | |
before laying it. It's great for two reasons. | 0:11:15 | 0:11:18 | |
First, it gets rid of all the cutting dust and dirt, | 0:11:18 | 0:11:20 | |
and second, it really allows it to bond with the mortar. | 0:11:20 | 0:11:23 | |
I'd say that paving really highlights that twisted willow. | 0:11:25 | 0:11:29 | |
Suddenly, it's gone, "Bing!" | 0:11:29 | 0:11:31 | |
David's working on the garden's big recycling project. | 0:11:33 | 0:11:36 | |
He's had an idea on how to use the turf from the patio area. | 0:11:36 | 0:11:40 | |
He's arranging it in an arc around the magnolia tree, | 0:11:41 | 0:11:45 | |
and once covered with more turf, | 0:11:45 | 0:11:47 | |
it'll become a natural-looking seating area. | 0:11:47 | 0:11:49 | |
It's surprising the amount of turf we will need. | 0:11:51 | 0:11:54 | |
Don't forget we need it down there, as well. Yeah. | 0:11:54 | 0:11:56 | |
Now the patio's finished, | 0:11:56 | 0:11:58 | |
Harry's also letting his creative side run wild | 0:11:58 | 0:12:01 | |
with some garden sculpture, | 0:12:01 | 0:12:03 | |
and he's hoping to convince Neil and Jackie to go for the idea. | 0:12:03 | 0:12:08 | |
I don't like to ask. | 0:12:08 | 0:12:10 | |
It does look a little bit mad at the moment. | 0:12:10 | 0:12:12 | |
We've come up with a little idea of using these steel rods | 0:12:12 | 0:12:15 | |
and looking at the twisted willow there, | 0:12:15 | 0:12:17 | |
you can see how everything is quite organic in shape. Yeah. | 0:12:17 | 0:12:20 | |
And this is quite malleable. | 0:12:20 | 0:12:21 | |
We can bend this and create these kind of lovely serpentine curves. | 0:12:21 | 0:12:24 | |
Then the other idea is to grow some clematis up there. | 0:12:24 | 0:12:28 | |
I really like it because it's different, it's a little bit odd. | 0:12:28 | 0:12:32 | |
But with something growing through, I think it will look great. | 0:12:32 | 0:12:35 | |
Yeah, brilliant. Great. | 0:12:35 | 0:12:36 | |
Right from the conservatory, as well, it's brilliant. | 0:12:36 | 0:12:39 | |
Phew! I thought it might have been too far for you. | 0:12:39 | 0:12:41 | |
Never too far, is it? No, no, no. Not with quirky. | 0:12:41 | 0:12:44 | |
We've got more quirky stuff, don't worry. | 0:12:44 | 0:12:47 | |
Steel is a very pliable metal | 0:12:47 | 0:12:50 | |
so it's easy to manipulate and, at less than ?2 for each rod, | 0:12:50 | 0:12:54 | |
it's a dirt cheap way to add structure to the garden. | 0:12:54 | 0:12:57 | |
So, at the moment, this is just kind of going to nowhere, | 0:12:59 | 0:13:01 | |
but what we want to do is to put the acer in this bed so that it gives it | 0:13:01 | 0:13:05 | |
a kind of bookend, so you won't see these sharp edges. | 0:13:05 | 0:13:09 | |
It'll kind of disperse into the tree and, hopefully, soften it. | 0:13:09 | 0:13:14 | |
One of the challenges with the new garden | 0:13:14 | 0:13:16 | |
is to make it work with the family's newly extended house. | 0:13:16 | 0:13:20 | |
A patio now runs the length of the property. | 0:13:20 | 0:13:23 | |
So, to soften part of it, the boys have designed | 0:13:23 | 0:13:26 | |
a long flowerbed and they want Charlie to take care of it. | 0:13:26 | 0:13:30 | |
So, this is my bit of the garden, is it? | 0:13:30 | 0:13:32 | |
Yeah, this is your part of the garden, your planting bed. | 0:13:32 | 0:13:34 | |
What we wanted to do is to kind of blend this lawn area into | 0:13:34 | 0:13:37 | |
the existing patio, which will kind of have a nice relationship | 0:13:37 | 0:13:40 | |
with the rest of the garden when it's planted up, | 0:13:40 | 0:13:42 | |
have a nice view from the kitchen. | 0:13:42 | 0:13:44 | |
So, it's just going to make the most of what is kind of | 0:13:44 | 0:13:47 | |
an unfinished little space of the garden. | 0:13:47 | 0:13:49 | |
While Charlie gets to work on the flowerbed, | 0:13:50 | 0:13:53 | |
the boys are bringing in the statement acer. | 0:13:53 | 0:13:56 | |
To offset the existing magnolia tree, the boys are using shrubs | 0:13:58 | 0:14:02 | |
and trees to make the seating area feel secluded and private. | 0:14:02 | 0:14:06 | |
It needs to straighten up a little bit. | 0:14:06 | 0:14:08 | |
Full-size acers like this one can cost hundreds of pounds. | 0:14:08 | 0:14:12 | |
You can buy them at a fraction of the size for around ?20, | 0:14:12 | 0:14:15 | |
but they only grow 12 inches a year, | 0:14:15 | 0:14:18 | |
so it's a long wait to get something like this. | 0:14:18 | 0:14:21 | |
Oh, that looks nice from here. That branch is perfect, isn't it? | 0:14:21 | 0:14:24 | |
Yeah. That kind of links them both, doesn't it? It does, yeah. | 0:14:24 | 0:14:27 | |
To complement the acer, | 0:14:27 | 0:14:29 | |
the boys are adding two more small trees. | 0:14:29 | 0:14:32 | |
We've got two dogwoods and these are quite dappled | 0:14:32 | 0:14:35 | |
and they'll act as that really lovely natural screening. | 0:14:35 | 0:14:38 | |
Shall we get it out and put it in? Let's try it. | 0:14:38 | 0:14:40 | |
Ready? I'll hold it and you pull. | 0:14:40 | 0:14:42 | |
Good work, boss. | 0:14:43 | 0:14:45 | |
Good strength. It's light. | 0:14:45 | 0:14:47 | |
Beautiful. Yeah. | 0:14:49 | 0:14:51 | |
And these are going to look great, aren't they? | 0:14:51 | 0:14:53 | |
The dogwood, or cornus, can grow more than ten feet tall, | 0:14:53 | 0:14:57 | |
so will balance out the acer on the other side of the patio. | 0:14:57 | 0:15:01 | |
But whilst the boys' backs are turned, | 0:15:01 | 0:15:04 | |
something strange is emerging from Charlie's flowerbed. | 0:15:04 | 0:15:08 | |
Like that. | 0:15:08 | 0:15:10 | |
Like that. For a bit of organ piping. | 0:15:10 | 0:15:12 | |
And then that's going to be a birdbath. | 0:15:12 | 0:15:15 | |
So, Merv can clean it really easily. | 0:15:15 | 0:15:17 | |
So, we've got a bit to go on top there. | 0:15:17 | 0:15:19 | |
And then we've got a bit of a water feature here, | 0:15:19 | 0:15:21 | |
which I'm going to plant up with an arum lily | 0:15:21 | 0:15:23 | |
and put a hosta draped over the side, | 0:15:23 | 0:15:26 | |
so it should look really sweet. | 0:15:26 | 0:15:28 | |
I do love this timber. | 0:15:28 | 0:15:31 | |
The first trees may have gone in, but there's still a lot to do | 0:15:31 | 0:15:35 | |
and the turf seat is yet to be finished. | 0:15:35 | 0:15:37 | |
Oh. Good for some, isn't it? | 0:15:37 | 0:15:39 | |
At least Charlie's not lying back on this. | 0:15:39 | 0:15:42 | |
I tell you what, done a good job here. | 0:15:42 | 0:15:44 | |
Well, it seems like it. | 0:15:44 | 0:15:45 | |
It's like a little drop-down chair. | 0:15:45 | 0:15:48 | |
On that note, don't go back. | 0:15:48 | 0:15:49 | |
Flipping hell. Charlie, Dave's lying back again. | 0:15:49 | 0:15:52 | |
I want to stargaze. It's not quite dark. | 0:15:52 | 0:15:55 | |
By the time we've finished this garden, it WILL be dark, so get on. | 0:15:55 | 0:15:59 | |
It may be a long way off, but the ultimate aim of the boys' design | 0:16:02 | 0:16:06 | |
is to create a private outdoor room | 0:16:06 | 0:16:08 | |
that's separate to the rest of the garden. | 0:16:08 | 0:16:11 | |
Turning a plot into a series of rooms enables the garden owner | 0:16:11 | 0:16:15 | |
to create different spaces with their own purpose and mood. | 0:16:15 | 0:16:18 | |
One of the best examples of this is York Gate, | 0:16:22 | 0:16:26 | |
a one-acre garden in Leeds that was built after the war. | 0:16:26 | 0:16:29 | |
Here, yew and beech hedges separate the space into smaller gardens. | 0:16:30 | 0:16:35 | |
The garden itself, because of the use of rooms, | 0:16:36 | 0:16:39 | |
has many different themes within it. | 0:16:39 | 0:16:41 | |
We have a white and silver garden, a kitchen garden. | 0:16:41 | 0:16:45 | |
Behind me, we have the canal borders with some very distinctive topiary. | 0:16:45 | 0:16:50 | |
We also have a small woodland garden | 0:16:50 | 0:16:52 | |
and even a miniature pinetum as well, | 0:16:52 | 0:16:55 | |
so you can see you can fit a lot into a small space. | 0:16:55 | 0:16:58 | |
We've got 14 different compartments, | 0:16:58 | 0:17:00 | |
each with their own flavour. | 0:17:00 | 0:17:02 | |
The way that the rooms are set out is that they | 0:17:02 | 0:17:05 | |
flow into one another, so different vistas and focal points are captured | 0:17:05 | 0:17:10 | |
as you walk around the garden. | 0:17:10 | 0:17:12 | |
You have a great sense of being enclosed within the space, | 0:17:12 | 0:17:15 | |
but it's not too claustrophobic. | 0:17:15 | 0:17:17 | |
A good example of a small but effective garden room | 0:17:18 | 0:17:21 | |
is the fern walk. | 0:17:21 | 0:17:23 | |
So, early in the season, you have lots of erythroniums, | 0:17:23 | 0:17:26 | |
dog tooth violets and then that's followed by | 0:17:26 | 0:17:29 | |
all the lush fern foliage. | 0:17:29 | 0:17:31 | |
As you walk around the garden, | 0:17:32 | 0:17:34 | |
you catch glimpses of the adjoining rooms | 0:17:34 | 0:17:37 | |
to the room you're currently in, and it gives a great sense | 0:17:37 | 0:17:40 | |
of journey through the space | 0:17:40 | 0:17:41 | |
so you can say, "Oh, what's over there?" | 0:17:41 | 0:17:43 | |
With the different garden rooms, | 0:17:43 | 0:17:45 | |
each have their own distinctive feel, | 0:17:45 | 0:17:47 | |
but that means they've got their own distinctive collection of plants, | 0:17:47 | 0:17:51 | |
so the variety is really quite immense. | 0:17:51 | 0:17:54 | |
Back in Hereford, with the statement trees in, | 0:17:58 | 0:18:01 | |
the boys are keen to start planting up their own outdoor room. | 0:18:01 | 0:18:05 | |
But first, the top layer of the new turf seat needs to go on. | 0:18:06 | 0:18:11 | |
Just laying on the new turf now on the mound. | 0:18:11 | 0:18:13 | |
It's quite tricky cos it's a curve, so you have to keep altering it | 0:18:13 | 0:18:16 | |
and then filling in the triangles. | 0:18:16 | 0:18:18 | |
But as long as you've got a sturdy knife with you, a good, sharp edge, | 0:18:18 | 0:18:21 | |
you know, a little bit rough, | 0:18:21 | 0:18:22 | |
then all you do is you just fold one under the other, | 0:18:22 | 0:18:26 | |
cut down the line, and then they pair up really nicely. | 0:18:26 | 0:18:30 | |
When laying new turf, it's really important | 0:18:30 | 0:18:32 | |
to keep it watered to start with. | 0:18:32 | 0:18:34 | |
It's very prone to drying out, especially at the edges, | 0:18:34 | 0:18:37 | |
so as long as you keep it watered until it starts rooting | 0:18:37 | 0:18:39 | |
then it should be fine. | 0:18:39 | 0:18:41 | |
With this, definitely won't be able to get a mower up it | 0:18:41 | 0:18:43 | |
if you want to get a clean cut, | 0:18:43 | 0:18:45 | |
so I'd recommend maybe just some shears, something like that. | 0:18:45 | 0:18:47 | |
It's quite nice to leave it a little bit shaggy, little bit long | 0:18:47 | 0:18:50 | |
cos if you're lying back in it, it'll be a lot more cosy. | 0:18:50 | 0:18:54 | |
The brothers have given Charlie free rein | 0:18:54 | 0:18:56 | |
to create some new, quirky features for Jackie, | 0:18:56 | 0:18:59 | |
but I'm not sure what they'll make of this one. | 0:18:59 | 0:19:02 | |
Right then, Lee... CHARLIE GIGGLES | 0:19:02 | 0:19:05 | |
Hmm! This may or may not work, hey? | 0:19:05 | 0:19:09 | |
What I'm thinking is cutting the top off the head. | 0:19:09 | 0:19:13 | |
If it works, it's going to look fantastic, | 0:19:13 | 0:19:17 | |
or it'll be going straight into the skip. | 0:19:17 | 0:19:20 | |
OK? All right, then. | 0:19:20 | 0:19:22 | |
Up for a challenge, you know that. | 0:19:22 | 0:19:24 | |
This is one of the wackiest things yet. | 0:19:24 | 0:19:27 | |
But we'll give it a go. They'll be putting it in the skip. | 0:19:27 | 0:19:30 | |
CHARLIE LAUGHS | 0:19:32 | 0:19:35 | |
It's all right, don't worry! Bye! What did I hear? Nothing. | 0:19:35 | 0:19:39 | |
All right. Nothing. What's that behind you there? | 0:19:39 | 0:19:42 | |
Nothing. What's that? Sorry? | 0:19:42 | 0:19:44 | |
While Lee decapitates Charlie's mannequin, | 0:19:48 | 0:19:51 | |
the boys have moved on to planting between the slabs. | 0:19:51 | 0:19:54 | |
They've been laid in a staggered fashion so they can be interplanted | 0:19:57 | 0:20:00 | |
with perennials and grasses that will grow over the edges | 0:20:00 | 0:20:03 | |
and add to the intimate feel of the space. | 0:20:03 | 0:20:06 | |
Next door, Charlie's mannequin is ready for a new hairstyle. | 0:20:10 | 0:20:14 | |
I'm going to plant it up with some carex. | 0:20:14 | 0:20:16 | |
This is Frosted Curls, a bit like curly hair. | 0:20:16 | 0:20:19 | |
And then some sempervivums, or houseleeks. | 0:20:19 | 0:20:22 | |
These were called houseleeks because they used to use them | 0:20:22 | 0:20:25 | |
to plug up the holes in the roof, hence "house leaks". | 0:20:25 | 0:20:28 | |
Or they are also known as hens and chickens. | 0:20:28 | 0:20:32 | |
These are your hens and these are the baby chickens. | 0:20:32 | 0:20:35 | |
And they're really easy to propagate from, | 0:20:35 | 0:20:37 | |
so all these bits, or chickens, that have fallen off, | 0:20:37 | 0:20:40 | |
I'm going to make into cuttings | 0:20:40 | 0:20:42 | |
that I'm going to put in the top over here, | 0:20:42 | 0:20:45 | |
like so. Won't that look cute? | 0:20:45 | 0:20:48 | |
Don't know whether this will look cute. | 0:20:48 | 0:20:51 | |
I think the hair first. It's a bit... | 0:20:51 | 0:20:54 | |
Does that look like bed hair? | 0:21:00 | 0:21:02 | |
A bit like... Argh! | 0:21:02 | 0:21:03 | |
CHARLIE WHISPERS INDISTINCTLY | 0:21:03 | 0:21:05 | |
What does that look like, then, Lee? | 0:21:07 | 0:21:10 | |
Very good. Like she's got a fascinator on. | 0:21:10 | 0:21:12 | |
What are we going to call it? Bob? | 0:21:12 | 0:21:15 | |
Bob. Bob. | 0:21:15 | 0:21:16 | |
These gaps in the paving are looking quite harsh at the moment, | 0:21:17 | 0:21:20 | |
so what we're going to do, we're going to use Alchemilla mollis | 0:21:20 | 0:21:23 | |
to really soften those edges. | 0:21:23 | 0:21:25 | |
It's a great plant, really hardy, and it self-seeds freely, | 0:21:25 | 0:21:29 | |
so it's great for filling up space. | 0:21:29 | 0:21:31 | |
Has a lovely yellow flower in the summer | 0:21:31 | 0:21:33 | |
and that's what helps itself seed, but if you cut that off | 0:21:33 | 0:21:36 | |
then you'll help reduce its spread. | 0:21:36 | 0:21:38 | |
Alchemilla really is bombproof. | 0:21:38 | 0:21:41 | |
It puts up with most soil conditions, | 0:21:41 | 0:21:43 | |
very happy in sun or shade. | 0:21:43 | 0:21:44 | |
And also, a nice little tip - if you cut it back in August, then | 0:21:44 | 0:21:47 | |
these new, green shoots and leaves come out and it keeps on going. | 0:21:47 | 0:21:51 | |
An interesting fact where the name alchemilla comes from | 0:21:54 | 0:21:59 | |
is it originates from the word alchemy, | 0:21:59 | 0:22:02 | |
and that's due to the fact that | 0:22:02 | 0:22:04 | |
if you get water droplets on the leaves | 0:22:04 | 0:22:08 | |
then they rest as little spherical balls, | 0:22:08 | 0:22:11 | |
kind of like mercury or quicksilver | 0:22:11 | 0:22:13 | |
and this was thought to have healing or magic properties. | 0:22:13 | 0:22:16 | |
CHARLIE GROANS | 0:22:16 | 0:22:18 | |
It's time for Bob to find a home in the garden. | 0:22:18 | 0:22:23 | |
CHARLIE LAUGHS | 0:22:23 | 0:22:25 | |
Dun-dun-DUN! | 0:22:25 | 0:22:27 | |
So, we've nicknamed it Bob. | 0:22:27 | 0:22:28 | |
Yeah. And where would you like Bob to be positioned? | 0:22:28 | 0:22:33 | |
Centre stage. Right in the middle. | 0:22:33 | 0:22:34 | |
Right in the middle. I think you did a great job. | 0:22:34 | 0:22:37 | |
It looks like it's got a fringe coming down. | 0:22:37 | 0:22:39 | |
Off the catwalk in Milan. | 0:22:39 | 0:22:41 | |
Yeah. It's a fascinator. | 0:22:41 | 0:22:43 | |
That'll become the new thing now for fashion. | 0:22:43 | 0:22:46 | |
Macabre. | 0:22:46 | 0:22:47 | |
So, do you really want it down there? | 0:22:47 | 0:22:49 | |
No. I think we'll leave it out for now. See? Leave it out for now. | 0:22:49 | 0:22:53 | |
I do like it. I think you did a great... | 0:22:53 | 0:22:55 | |
You couldn't actually have done any better with that. | 0:22:55 | 0:22:57 | |
Just have the head and I'm all over that. | 0:22:57 | 0:22:59 | |
You want me to plant it that deep in the ground. | 0:22:59 | 0:23:02 | |
Up to the neck. The neck will be fine. | 0:23:02 | 0:23:05 | |
But Charlie's determined to convince the boys. | 0:23:05 | 0:23:08 | |
And I think she's got to be side on. | 0:23:08 | 0:23:10 | |
Bob's sort of doing that. Nice. I like that. Come hither. | 0:23:10 | 0:23:14 | |
Poor lady. She's got a muddy face, hasn't she? | 0:23:14 | 0:23:16 | |
A less divisive feature is the turf mound, which is just about done. | 0:23:19 | 0:23:25 | |
Finally, I'm just giving this turf a good bashing. | 0:23:25 | 0:23:27 | |
That's just to make sure | 0:23:27 | 0:23:28 | |
that the roots make contact with the soil beneath. | 0:23:28 | 0:23:30 | |
The boys have focused more than half of the two-grand budget | 0:23:32 | 0:23:36 | |
on planting for the seating area and Charlie's bed by the extension, | 0:23:36 | 0:23:40 | |
and it's now heads down to get them filled. | 0:23:40 | 0:23:44 | |
What we've tried to do with this planting scheme is to create | 0:23:44 | 0:23:46 | |
a very naturalistic character. | 0:23:46 | 0:23:47 | |
Not one plant stands out from the rest, | 0:23:47 | 0:23:50 | |
but instead, they all kind of fuse together | 0:23:50 | 0:23:52 | |
in a very understated, simple way. | 0:23:52 | 0:23:55 | |
Harry and David are employing a muted colour scheme, | 0:23:55 | 0:23:58 | |
blending vibrant cirsium | 0:23:58 | 0:24:00 | |
with tall, flowing penstemons | 0:24:00 | 0:24:03 | |
and the elegant pink skyrocket, the tiarella, | 0:24:03 | 0:24:06 | |
to give the garden the calming, soothing feel that Jackie, | 0:24:06 | 0:24:10 | |
Neil and Mervyn are all looking for. | 0:24:10 | 0:24:12 | |
What's really lovely about this space is that you've got | 0:24:12 | 0:24:15 | |
the magnolia, you've got the holly, you've got the twisted willow | 0:24:15 | 0:24:18 | |
and then it drops down to the dogwood and the acer | 0:24:18 | 0:24:20 | |
and that really does create this lovely, dappled space, | 0:24:20 | 0:24:22 | |
so when you're sitting in here, it feels very relaxed. | 0:24:22 | 0:24:25 | |
This garden has been the product of hard work and lots of imagination, | 0:24:28 | 0:24:33 | |
a blend of art, recycling and ingenious design | 0:24:33 | 0:24:38 | |
and, as the last of the plants and knick-knacks go in, it's done. | 0:24:38 | 0:24:44 | |
Just a few days ago, | 0:24:48 | 0:24:50 | |
Neil, Jackie and Mervyn's garden was stuck in the past. | 0:24:50 | 0:24:53 | |
Although it held precious memories for the family, | 0:24:55 | 0:24:58 | |
they wanted something that looked to the future. | 0:24:58 | 0:25:01 | |
Now, thanks to the boys' design, | 0:25:03 | 0:25:06 | |
it's the perfect garden for their new life together. | 0:25:06 | 0:25:09 | |
To make the two-grand budget work, | 0:25:10 | 0:25:13 | |
the boys have focused the money on the key area of the garden | 0:25:13 | 0:25:16 | |
that Jackie and Neil wanted to change. | 0:25:16 | 0:25:19 | |
At its heart is a new secluded seating area | 0:25:19 | 0:25:23 | |
based around the boys' staggered patio. | 0:25:23 | 0:25:25 | |
Coming in at just short of ?500, | 0:25:27 | 0:25:30 | |
it's been interplanted with subtle shades | 0:25:30 | 0:25:32 | |
that will grow and spill over the edges. | 0:25:32 | 0:25:34 | |
The boys spent more than half the budget on new trees, | 0:25:36 | 0:25:39 | |
shrubs and perennials to add privacy. | 0:25:39 | 0:25:41 | |
And Harry spent just ?50 | 0:25:43 | 0:25:45 | |
creating a home-made steel sculpture | 0:25:45 | 0:25:48 | |
that echoes the lines of the willow tree. | 0:25:48 | 0:25:51 | |
To add interest to the lawn, | 0:25:51 | 0:25:53 | |
Dave has added a new, low-budget feature, | 0:25:53 | 0:25:56 | |
a recycled turf seat to highlight the magnolia tree. | 0:25:56 | 0:26:00 | |
And, thanks to Charlie, | 0:26:01 | 0:26:03 | |
Jackie's love for the unusual is still a big part of the garden, | 0:26:03 | 0:26:07 | |
in the shape of a new birdbath, | 0:26:07 | 0:26:10 | |
and Bob the mannequin. | 0:26:10 | 0:26:12 | |
But the true test of success lies with Jackie and Neil. | 0:26:15 | 0:26:19 | |
Are you guys excited? | 0:26:19 | 0:26:21 | |
Yes. Very, actually, yes. And nervous. | 0:26:21 | 0:26:24 | |
Right. Three, two, one, open your eyes. | 0:26:24 | 0:26:27 | |
Oh, hey... | 0:26:28 | 0:26:29 | |
Oh, look at this. That's lovely. | 0:26:29 | 0:26:32 | |
That looks really good, doesn't it? Yeah. That's Charlie's little area. | 0:26:32 | 0:26:36 | |
There's a bit of quirk there. | 0:26:36 | 0:26:38 | |
Smiling. Smiling. Smiling's good. | 0:26:38 | 0:26:41 | |
You did mention that we couldn't out-quirk you... | 0:26:41 | 0:26:44 | |
and we had a go. THEY LAUGH | 0:26:44 | 0:26:47 | |
How strange is that? | 0:26:47 | 0:26:48 | |
That is really good. Have we out-quirked you? | 0:26:51 | 0:26:54 | |
I love it. That's brilliant. | 0:26:54 | 0:26:56 | |
Jackie likes it. | 0:26:56 | 0:26:57 | |
Neil looks a little perplexed, but he is smiling. | 0:26:57 | 0:27:01 | |
Well, my best bit in the garden. | 0:27:01 | 0:27:03 | |
You're meant to be able to lie back on this. | 0:27:03 | 0:27:05 | |
They've done it so you can do a bit of stargazing. Look at that. | 0:27:05 | 0:27:08 | |
Different heights, as well. | 0:27:08 | 0:27:10 | |
I did catch him sleeping on this earlier. | 0:27:10 | 0:27:11 | |
I was. I had a little nap. It definitely has been tested. | 0:27:11 | 0:27:14 | |
JACKIE: I'm not going to test it now because I won't get back up. | 0:27:14 | 0:27:18 | |
What do you think about the slabbing? Oh, it's amazing. | 0:27:18 | 0:27:21 | |
I'm not sure anybody was going to be allowed to walk on this. | 0:27:21 | 0:27:23 | |
You're fine to walk on it. Thank you. | 0:27:23 | 0:27:26 | |
What do you think of the acer? | 0:27:26 | 0:27:27 | |
It's stunning. That is beautiful. | 0:27:27 | 0:27:30 | |
That is a big tree, isn't it? | 0:27:30 | 0:27:32 | |
I think it's great the way the boys have kept | 0:27:32 | 0:27:35 | |
a lot of things that remind Jackie of growing up here. | 0:27:35 | 0:27:39 | |
What do you think of the sculpture? | 0:27:39 | 0:27:41 | |
It's amazing. | 0:27:41 | 0:27:43 | |
Get the plants growing along it, it'll be great. Yeah. | 0:27:43 | 0:27:46 | |
It'll definitely soften over time. | 0:27:46 | 0:27:48 | |
The way it moves in the wind, we quite like. | 0:27:48 | 0:27:51 | |
The wire sculpture is very subtle. | 0:27:51 | 0:27:54 | |
You sort of see it, but you don't sort of see it. | 0:27:54 | 0:27:57 | |
It's very clever. | 0:27:57 | 0:27:59 | |
So, you grew up in this garden and it's changed now since then. | 0:27:59 | 0:28:03 | |
How do you feel about that? A bit emotional about it, actually. | 0:28:03 | 0:28:08 | |
Yeah. Mum would have loved this. | 0:28:08 | 0:28:10 | |
It's just absolutely lovely. | 0:28:10 | 0:28:12 | |
Thank you very much. | 0:28:12 | 0:28:13 | |
It's happy tears. It really is. | 0:28:13 | 0:28:16 | |
THEY CHEER | 0:28:16 | 0:28:19 | |
And it looks like dad Mervyn is a fan, too. | 0:28:19 | 0:28:23 | |
It's something that goes with the house now, doesn't it? | 0:28:23 | 0:28:26 | |
Yeah. You know, it's in keeping with the house. | 0:28:26 | 0:28:28 | |
They've done a fantastic job. | 0:28:28 | 0:28:29 | |
We couldn't have done something like this. We couldn't have dreamt it. | 0:28:29 | 0:28:32 |