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With her can-do attitude, | 0:00:02 | 0:00:03 | |
love of simple gardens and decades of experience, | 0:00:03 | 0:00:06 | |
Charlie Dimmock is one of Britain's best-loved gardeners. | 0:00:06 | 0:00:10 | |
Looking good, boys! | 0:00:10 | 0:00:12 | |
But the new kids on the gardening block are the Rich brothers. | 0:00:12 | 0:00:15 | |
We want to be the brothers | 0:00:15 | 0:00:17 | |
that change people's perceptions of gardens. | 0:00:17 | 0:00:19 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:19 | 0:00:22 | |
Oh, wow! That's amazing, isn't it? | 0:00:22 | 0:00:25 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:25 | 0:00:28 | |
Now, these two different generations of gardening | 0:00:30 | 0:00:32 | |
are going head-to-head. | 0:00:32 | 0:00:34 | |
I know they've got a gold medal, | 0:00:34 | 0:00:36 | |
but I can come up with a few ideas. | 0:00:36 | 0:00:38 | |
They're meeting frustrated garden owners across the country... | 0:00:38 | 0:00:42 | |
Not a lot going on, is there? | 0:00:42 | 0:00:44 | |
Not a lot. | 0:00:44 | 0:00:46 | |
I don't know what to do with it. | 0:00:46 | 0:00:47 | |
..and will each pitch them a design, based on their needs... | 0:00:47 | 0:00:49 | |
-You look confused. -Yeah, I am. | 0:00:49 | 0:00:51 | |
-Go for it. -..and budget. | 0:00:51 | 0:00:53 | |
Doesn't look like it could be our garden. | 0:00:53 | 0:00:55 | |
The winner... | 0:00:55 | 0:00:56 | |
Charlie! | 0:00:56 | 0:00:57 | |
-Awesome! -..brings their design to life... | 0:00:57 | 0:01:00 | |
Hold on, hold on! | 0:01:00 | 0:01:01 | |
Sweet, isn't it? | 0:01:01 | 0:01:03 | |
..and the loser has to help them build it. | 0:01:03 | 0:01:05 | |
Keep working, keep working, boy! | 0:01:05 | 0:01:07 | |
Whoa, whoa, whoa, whoa, easy. | 0:01:07 | 0:01:09 | |
This is what happens... | 0:01:09 | 0:01:11 | |
Just get on with it. | 0:01:11 | 0:01:12 | |
Some time today would be good! | 0:01:12 | 0:01:14 | |
..when different styles collide... | 0:01:14 | 0:01:16 | |
I think your brother's throwing the toys out of his pram. | 0:01:16 | 0:01:18 | |
Right, are we doing this? | 0:01:18 | 0:01:20 | |
..to turn garden dreams into reality. | 0:01:20 | 0:01:23 | |
-Wow! It's brilliant. -Oh, my goodness! | 0:01:23 | 0:01:26 | |
Wow! | 0:01:26 | 0:01:29 | |
-Look at that! -Oh, my God! | 0:01:29 | 0:01:31 | |
Wow! | 0:01:31 | 0:01:33 | |
It's time for Charlie and the Rich brothers | 0:01:39 | 0:01:41 | |
to find out which garden | 0:01:41 | 0:01:43 | |
they're going to be competing over today. | 0:01:43 | 0:01:46 | |
This is Tom and Heather from Derbyshire, | 0:01:46 | 0:01:48 | |
and they've just bought their house, | 0:01:48 | 0:01:50 | |
their first house together. | 0:01:50 | 0:01:51 | |
-They look quite young, don't they? -Quite young! | 0:01:51 | 0:01:53 | |
If YOU'RE saying it, they must be really young! | 0:01:53 | 0:01:56 | |
Tom and Heather bought their first home nearly two years ago, | 0:01:58 | 0:02:02 | |
and, as with many young homeowners, | 0:02:02 | 0:02:04 | |
they don't know where to start with their garden. | 0:02:04 | 0:02:08 | |
The garden, it's just really blank, I suppose. | 0:02:08 | 0:02:10 | |
There's a bit of a patio area, | 0:02:10 | 0:02:11 | |
but that's really the only bit of it that we've used. | 0:02:11 | 0:02:14 | |
Yeah, we haven't really got any plants that are alive | 0:02:14 | 0:02:16 | |
because I've killed them. | 0:02:16 | 0:02:18 | |
It's boring, and it's sloped, | 0:02:18 | 0:02:21 | |
and we just don't know what to do with it. | 0:02:21 | 0:02:23 | |
There is a big slope in the garden. | 0:02:23 | 0:02:25 | |
As you can see, it travels away from the house, | 0:02:25 | 0:02:27 | |
right down to the bottom of the garden. | 0:02:27 | 0:02:29 | |
Huge patio! | 0:02:29 | 0:02:30 | |
It's not really the biggest space. | 0:02:30 | 0:02:32 | |
I mean, you'd be squeezed just trying to fit in there. | 0:02:32 | 0:02:34 | |
Just two chairs and a table, but you couldn't actually sit at it. | 0:02:34 | 0:02:38 | |
No, just set it. | 0:02:38 | 0:02:39 | |
We'd really like a bigger seating area, | 0:02:41 | 0:02:43 | |
because, at the minute, it's so small, | 0:02:43 | 0:02:45 | |
we can't really do anything out there, | 0:02:45 | 0:02:46 | |
and we can't entertain people. | 0:02:46 | 0:02:48 | |
And because the garden's sloped, | 0:02:48 | 0:02:50 | |
you can't sit people on chairs out there | 0:02:50 | 0:02:51 | |
because they just topple over. | 0:02:51 | 0:02:53 | |
As well as needing a larger patio, | 0:02:55 | 0:02:57 | |
Heather has a very particular theme she'd like to see in the garden. | 0:02:57 | 0:03:01 | |
Really like the idea of quite a magical fairy-tale themed garden. | 0:03:02 | 0:03:07 | |
Maybe some fairy lights and a fire pit | 0:03:07 | 0:03:10 | |
that we can all sit around in the evening. | 0:03:10 | 0:03:13 | |
Budget's £3,500, | 0:03:13 | 0:03:16 | |
which is a decent amount of money, but it is quite a long garden. | 0:03:16 | 0:03:18 | |
There is a lot of space. | 0:03:18 | 0:03:20 | |
But I think it's quite important | 0:03:20 | 0:03:21 | |
to draw them down into the garden, somehow. | 0:03:21 | 0:03:23 | |
I think that's key, because, at the moment, | 0:03:23 | 0:03:25 | |
-it looks like that's not used at all. -Yeah. | 0:03:25 | 0:03:26 | |
It looks like they just sit at the top and look down the view. | 0:03:26 | 0:03:29 | |
Yeah. | 0:03:29 | 0:03:30 | |
With a fairy-tale theme and a £3,500 budget, | 0:03:31 | 0:03:34 | |
the designers head to Derbyshire | 0:03:34 | 0:03:37 | |
to see what they can conjure up | 0:03:37 | 0:03:38 | |
for Tom and Heather's sloped garden. | 0:03:38 | 0:03:40 | |
The garden definitely slopes. | 0:03:44 | 0:03:45 | |
They weren't wrong there. | 0:03:45 | 0:03:46 | |
And look at this thing - a bit narrow, isn't it? | 0:03:46 | 0:03:49 | |
But it takes you on a journey to the salubrious patio. | 0:03:49 | 0:03:52 | |
Please do seat yourself and enjoy. | 0:03:52 | 0:03:54 | |
Table for two, please. | 0:03:54 | 0:03:56 | |
No room for a third, unfortunately. | 0:03:56 | 0:03:59 | |
Well, where do you put the barbecue, then? | 0:03:59 | 0:04:01 | |
Well, just eat off it, in place of the table. | 0:04:01 | 0:04:04 | |
The trees at the bottom are nice, though. | 0:04:04 | 0:04:05 | |
Yeah, I think when they come into leaf, | 0:04:05 | 0:04:07 | |
they will actually create a nice backdrop. | 0:04:07 | 0:04:09 | |
They've got a good bit of character to them, haven't they, | 0:04:09 | 0:04:11 | |
-which is quite cool. -We need some sort of... | 0:04:11 | 0:04:14 | |
Inspiration. Shall we go inside? | 0:04:14 | 0:04:15 | |
-Yeah, I think so. -Hopefully, there'll be more to look at. | 0:04:15 | 0:04:18 | |
Well, hopefully, yeah, | 0:04:18 | 0:04:19 | |
because we're sort of slightly stymied here, aren't we? | 0:04:19 | 0:04:22 | |
While Charlie's left outside, | 0:04:23 | 0:04:26 | |
David and Harry see if there's more to discover inside. | 0:04:26 | 0:04:30 | |
I definitely wasn't expecting this. | 0:04:30 | 0:04:32 | |
Yeah, it's so different, isn't it? | 0:04:32 | 0:04:34 | |
Got the tartan and the colours. | 0:04:34 | 0:04:35 | |
It really transports you to a Highland cabin or something. | 0:04:35 | 0:04:38 | |
Yeah, like antlers and deer. | 0:04:38 | 0:04:39 | |
And they've got deer on the cushion. | 0:04:39 | 0:04:41 | |
But it's kind of got a Gothic kind of feeling as well, hasn't it? | 0:04:41 | 0:04:44 | |
It has, yeah, quite dark, in a way. | 0:04:44 | 0:04:45 | |
Definitely feeling it quite mystical. | 0:04:45 | 0:04:47 | |
A bit of mystery, a bit of fantasy maybe. | 0:04:47 | 0:04:49 | |
Oh, yeah. | 0:04:49 | 0:04:51 | |
Outside, Charlie meets Tom and Heather | 0:04:51 | 0:04:54 | |
to find out if they're on the same page of the spell book. | 0:04:54 | 0:04:57 | |
When you say magical theme, | 0:04:57 | 0:04:59 | |
do you mean a few fairy lights and maybe some cute plants, | 0:04:59 | 0:05:04 | |
or do you mean full-on theme? | 0:05:04 | 0:05:06 | |
Full-on theme. | 0:05:06 | 0:05:08 | |
-OK. -I love a theme. | 0:05:08 | 0:05:10 | |
For me, I've nothing against it, a bit of it, | 0:05:10 | 0:05:13 | |
but for me, perhaps, I would hold off little bit on full-on. | 0:05:13 | 0:05:16 | |
Make it a bit cool. | 0:05:16 | 0:05:18 | |
A little bit. | 0:05:18 | 0:05:19 | |
These are cool, aren't they? | 0:05:19 | 0:05:20 | |
You can really imagine that being like gnarled trees | 0:05:20 | 0:05:23 | |
or shrubs or something like that | 0:05:23 | 0:05:24 | |
would really bring that out, wouldn't it? | 0:05:24 | 0:05:26 | |
I think it might be quite nice if we can think about | 0:05:26 | 0:05:28 | |
putting some lighting or something into the garden. | 0:05:28 | 0:05:30 | |
That would add another dimension. That would be nice. | 0:05:30 | 0:05:32 | |
So, would you want to be getting rid of the slope? | 0:05:33 | 0:05:37 | |
Probably not, no. | 0:05:37 | 0:05:38 | |
It'd be quite nice to have it at different levels. | 0:05:38 | 0:05:40 | |
-Oh, OK. -Yeah. Like a tiered-type thing. | 0:05:40 | 0:05:43 | |
So I think we're thinking some sort of seating area, | 0:05:43 | 0:05:45 | |
making the most of the sun in the evening down at the bottom. | 0:05:45 | 0:05:48 | |
So we are saying definitely bigger patio, entertaining. | 0:05:48 | 0:05:53 | |
A full-on singing, dancing, magical, folklore fairy? | 0:05:53 | 0:05:59 | |
-Yes. -Maybe with a dark side. | 0:05:59 | 0:06:01 | |
So it's a bit cool when your mates come round to watch the football. | 0:06:01 | 0:06:04 | |
-Save a bit of face. -And an evening seating area. | 0:06:04 | 0:06:08 | |
Yes. Not asking for much, are we? | 0:06:08 | 0:06:10 | |
Charlie and the Rich brothers are going to need to summon | 0:06:11 | 0:06:13 | |
all their creative powers to transform this bare back garden | 0:06:13 | 0:06:17 | |
into a magical fairy wonderland. | 0:06:17 | 0:06:20 | |
So they get straight to their drawing boards. | 0:06:24 | 0:06:26 | |
They'll compete against each other | 0:06:26 | 0:06:28 | |
to come up with a design that will work | 0:06:28 | 0:06:30 | |
within Tom and Heather's budget. | 0:06:30 | 0:06:31 | |
The couple will have to choose a winner | 0:06:34 | 0:06:36 | |
and whoever loses will have to help to build the garden. | 0:06:36 | 0:06:39 | |
The £3,500 budget will be used to cover the cost of materials, | 0:06:42 | 0:06:46 | |
while the labour will be supplied by Charlie, | 0:06:46 | 0:06:48 | |
the Rich brothers and their team of landscapers. | 0:06:48 | 0:06:50 | |
It's time for the designers to pitch their ideas. | 0:06:56 | 0:06:59 | |
-Hello. -Hello. | 0:06:59 | 0:07:00 | |
Hey. OK. | 0:07:00 | 0:07:02 | |
Ready? This is our design. | 0:07:02 | 0:07:04 | |
So, we've learnt that you guys wanted to turn your garden | 0:07:09 | 0:07:11 | |
into this magical woodland, | 0:07:11 | 0:07:13 | |
and we've tried giving you that, but in a more natural, | 0:07:13 | 0:07:16 | |
slightly sympathetic way, | 0:07:16 | 0:07:17 | |
so almost a pixie essence of a British woodland. | 0:07:17 | 0:07:20 | |
So if you'd imagine you'd step out of your back door | 0:07:20 | 0:07:22 | |
on to this large deck, | 0:07:22 | 0:07:24 | |
which would be something like a larch, which would grey over time. | 0:07:24 | 0:07:26 | |
And it makes a big difference on having a tiny patio. | 0:07:26 | 0:07:29 | |
Yes. A bit. | 0:07:29 | 0:07:30 | |
So that would be a great space for entertaining, eating, barbecue, | 0:07:30 | 0:07:34 | |
just enjoying the weather, especially the morning sun, as well. | 0:07:34 | 0:07:37 | |
A strong start from the Rich brothers, | 0:07:38 | 0:07:41 | |
who have provided the larger entertaining space | 0:07:41 | 0:07:43 | |
that the couple asked for. | 0:07:43 | 0:07:45 | |
So, what does Charlie plan for the top of the garden? | 0:07:45 | 0:07:48 | |
So, welcome to... | 0:07:48 | 0:07:50 | |
..Tom and Heather's magical mystery garden. | 0:07:51 | 0:07:57 | |
I have gone with a staggered patio at the top | 0:07:57 | 0:08:01 | |
to give you a more traditional patio area | 0:08:01 | 0:08:04 | |
to entertain with your friends, | 0:08:04 | 0:08:07 | |
big enough space, and then you've still got lawn up on the top area, | 0:08:07 | 0:08:12 | |
but it's the journey down where you start getting | 0:08:12 | 0:08:15 | |
the mystical fairy feel, | 0:08:15 | 0:08:17 | |
so it's more like a path that used to be used | 0:08:17 | 0:08:21 | |
but it's been encroached back on by the plants of the wood. | 0:08:21 | 0:08:24 | |
Charlie's working her magic already, | 0:08:25 | 0:08:28 | |
with her larger patio and winding path. | 0:08:28 | 0:08:31 | |
What tricks do Harry and David have up their sleeve | 0:08:31 | 0:08:33 | |
to entice the couple down the garden? | 0:08:33 | 0:08:35 | |
From that deck, we've wanted to give you | 0:08:37 | 0:08:39 | |
this slightly more modern take on stepping stones. | 0:08:39 | 0:08:42 | |
So these would be like timber lintels | 0:08:42 | 0:08:45 | |
and it's kind of the concept | 0:08:45 | 0:08:46 | |
of the, almost, like, falling trees in a woodland. | 0:08:46 | 0:08:48 | |
-OK. -And you'd be able to walk on them and step across | 0:08:48 | 0:08:51 | |
and these would lead you down on to this lower terrace here. | 0:08:51 | 0:08:54 | |
This terrace is sunken into the bank, | 0:08:54 | 0:08:55 | |
which allowed us to retain it with some logs, | 0:08:55 | 0:08:58 | |
so that you can plant them up with ferns | 0:08:58 | 0:09:00 | |
and it has this very kind of magical feeling. | 0:09:00 | 0:09:02 | |
Then moving on from that, | 0:09:02 | 0:09:03 | |
we want to put a few logs down the bottom as well, | 0:09:03 | 0:09:05 | |
where we let the grass grow long, | 0:09:05 | 0:09:06 | |
and you don't have to worry about mowing around the trees. | 0:09:06 | 0:09:09 | |
Definitely helpful. | 0:09:09 | 0:09:10 | |
The brothers have cleverly introduced a terrace | 0:09:12 | 0:09:15 | |
in the form of a sunken seating area, | 0:09:15 | 0:09:17 | |
accessed by a woodland log walkway. | 0:09:17 | 0:09:20 | |
They're keeping the fairy-tale theme subtle, which will suit Tom, | 0:09:20 | 0:09:24 | |
whereas Charlie's trying to impress Heather. | 0:09:24 | 0:09:27 | |
On the way down, you'll notice odd things | 0:09:27 | 0:09:31 | |
and they're either going to be bits of driftwood | 0:09:31 | 0:09:34 | |
or there're going to be stacks of stones or pebbles | 0:09:34 | 0:09:37 | |
so that will add interest wherever you look, | 0:09:37 | 0:09:40 | |
so it sort of draws you down into this lower area, that's scooped out, | 0:09:40 | 0:09:46 | |
so we'll make that area flatter, | 0:09:46 | 0:09:49 | |
and then we have a retaining wall, | 0:09:49 | 0:09:51 | |
and I have what I would call a dew pond, | 0:09:51 | 0:09:54 | |
so it's just a pool of water | 0:09:54 | 0:09:56 | |
that's going to reflect the moon | 0:09:56 | 0:09:57 | |
and it will have a little spout of water | 0:09:57 | 0:10:00 | |
that just drops into it, so it will be a gentle trickle. | 0:10:00 | 0:10:03 | |
Charlie has also gone for a sunken seating area | 0:10:05 | 0:10:07 | |
at the bottom of the garden, | 0:10:07 | 0:10:09 | |
but she's surrounded hers with quirky features, | 0:10:09 | 0:10:12 | |
which could be too much for Tom. | 0:10:12 | 0:10:15 | |
It's still all to play for, | 0:10:15 | 0:10:17 | |
as the designers reveal their plans for the planting. | 0:10:17 | 0:10:19 | |
With the shrubs and trees, | 0:10:19 | 0:10:22 | |
we've got things like contorted hazel and witch hazel | 0:10:22 | 0:10:25 | |
and mountain ash | 0:10:25 | 0:10:26 | |
and all these are quite kind of fantasy-based. | 0:10:26 | 0:10:29 | |
So it's going to give this lovely kind of gnarled look, | 0:10:29 | 0:10:32 | |
but it's blocking views off, | 0:10:32 | 0:10:33 | |
so it doesn't reveal the garden all at once, | 0:10:33 | 0:10:35 | |
but give you these lovely pockets | 0:10:35 | 0:10:37 | |
that you can explore and relax in | 0:10:37 | 0:10:38 | |
without feeling like everyone's watching you. | 0:10:38 | 0:10:40 | |
And then, what we'd like to do is introduce perennial planting, | 0:10:40 | 0:10:43 | |
but we'd choose things that flowered predominantly white, | 0:10:43 | 0:10:46 | |
and what they'll do, later on in the evening, | 0:10:46 | 0:10:48 | |
when the light dies down and the moon rises, | 0:10:48 | 0:10:50 | |
they'll illuminate, and along with some fairy lights | 0:10:50 | 0:10:53 | |
that can go up between the trees, | 0:10:53 | 0:10:54 | |
that will just make like a really magical, | 0:10:54 | 0:10:56 | |
-gorgeous backdrop. -Yes. | 0:10:56 | 0:10:58 | |
The plants that I want to use down this area | 0:11:00 | 0:11:03 | |
are ones that have got a folklore to them, | 0:11:03 | 0:11:07 | |
so lots of ferns and elderflower. | 0:11:07 | 0:11:09 | |
But I'm using the black lace, so it's got very dark foliage, | 0:11:09 | 0:11:13 | |
which gives it a bit of a spooky feel, Tom, | 0:11:13 | 0:11:16 | |
and then to sort of butch it up a little bit, | 0:11:16 | 0:11:19 | |
we've got insectivorous plants. | 0:11:19 | 0:11:21 | |
So they're quite odd and weird to look at, | 0:11:21 | 0:11:24 | |
and then through the thick planting here, these are hazel branches, | 0:11:24 | 0:11:30 | |
tied together to give you an archway | 0:11:30 | 0:11:32 | |
where you might have to slightly bend to get through it, | 0:11:32 | 0:11:35 | |
so it makes it a mysterious way to get into your seating area... | 0:11:35 | 0:11:40 | |
..and there was silence! | 0:11:42 | 0:11:44 | |
THEY LAUGH | 0:11:44 | 0:11:46 | |
-It sounds great! -It does. | 0:11:46 | 0:11:47 | |
-Thank you. -Thank you. | 0:11:47 | 0:11:49 | |
That's it. Time's up. | 0:11:49 | 0:11:51 | |
See you in a bit. | 0:11:51 | 0:11:53 | |
Tom and Heather are giving little away as to which design they prefer. | 0:11:53 | 0:11:56 | |
So all Charlie and the Rich brothers can do now is wait. | 0:11:56 | 0:12:00 | |
I really like these logs, | 0:12:01 | 0:12:03 | |
and the path through the twisty trees and the fairy lights, | 0:12:03 | 0:12:06 | |
and I really like the wood decking. | 0:12:06 | 0:12:09 | |
How did you get on with the whole magical fairy theme then? | 0:12:09 | 0:12:12 | |
Well, we didn't go too airy-fairy, we went kind of... | 0:12:12 | 0:12:15 | |
-Gnarled and rugged. -Well, I sort of went airy-fairy, | 0:12:15 | 0:12:19 | |
but then with a dark twist. | 0:12:19 | 0:12:21 | |
This is literally your favourite brief, I think. | 0:12:21 | 0:12:23 | |
Yay, it's right up my street. | 0:12:23 | 0:12:26 | |
-Hope we win it. -Yeah! | 0:12:26 | 0:12:28 | |
-It's so different. -Yeah. -I love the way the path... | 0:12:28 | 0:12:30 | |
..winds down. | 0:12:31 | 0:12:32 | |
And then there's this second path to go through | 0:12:32 | 0:12:35 | |
into the sort of seating area at the bottom. | 0:12:35 | 0:12:37 | |
Seating down there? | 0:12:37 | 0:12:38 | |
-Yes. -Yeah, yeah, absolutely. | 0:12:38 | 0:12:40 | |
Dug it into the bank, retained it with some logs, | 0:12:40 | 0:12:42 | |
we can aim to plant ferns and things like that. | 0:12:42 | 0:12:44 | |
-Yeah. -Snap! -Is that what you did exactly? | 0:12:44 | 0:12:47 | |
Mm-hm. Then, to butch it up, insectivorous plants. | 0:12:47 | 0:12:50 | |
Right. | 0:12:50 | 0:12:51 | |
-Wow! -Wow! Stunned into silence. | 0:12:51 | 0:12:54 | |
The magic worked, the boys are quiet! | 0:12:54 | 0:12:56 | |
THEY LAUGH | 0:12:56 | 0:12:58 | |
It's not a case of which do we like and which don't we like, it's... | 0:12:58 | 0:13:01 | |
-I like them both. -How do we pick one that we like marginally more? | 0:13:01 | 0:13:04 | |
They can only choose one. | 0:13:06 | 0:13:08 | |
So, will it be the Rich brothers' enchanted woodland, | 0:13:08 | 0:13:10 | |
with sunken seating area, fallen tree steps, | 0:13:10 | 0:13:13 | |
twisted hazels and large deck? | 0:13:13 | 0:13:15 | |
Or Charlie's full-on fairy theme | 0:13:17 | 0:13:19 | |
with stone stacks, dew pond, winding pathways and insect-eating plants? | 0:13:19 | 0:13:24 | |
It's time to find out. | 0:13:28 | 0:13:29 | |
-Hello. -Hello. | 0:13:31 | 0:13:33 | |
-OK. -We've made our decision. | 0:13:37 | 0:13:39 | |
We have, and the one we've chosen is Charlie's. | 0:13:39 | 0:13:42 | |
Charlie's! | 0:13:42 | 0:13:44 | |
I would have been so upset if you hadn't chosen mine. | 0:13:44 | 0:13:47 | |
-It was horrible. -It was so tough. | 0:13:47 | 0:13:49 | |
It was so hard! | 0:13:49 | 0:13:50 | |
-DAVID: -Good, good to hear that. | 0:13:50 | 0:13:52 | |
It was by a whisker. | 0:13:52 | 0:13:54 | |
-What was the whisker? -I think it was the water. | 0:13:54 | 0:13:58 | |
-OK. -I think the water feature. | 0:13:58 | 0:14:00 | |
Yeah. And I think it's... I'm just so excited. | 0:14:00 | 0:14:03 | |
I think it's going to be amazing. | 0:14:03 | 0:14:05 | |
So Charlie has charmed her way to a win, | 0:14:05 | 0:14:08 | |
but the brothers look less than impressed. | 0:14:08 | 0:14:11 | |
They know they'll be at Charlie's beck and call | 0:14:11 | 0:14:13 | |
in this magical garden makeover. | 0:14:13 | 0:14:15 | |
It's a new and rather wet day in Derbyshire | 0:14:21 | 0:14:24 | |
and Charlie has sent the landscaping team on ahead to get started. | 0:14:24 | 0:14:28 | |
Project manager Guy brings the team up to speed. | 0:14:28 | 0:14:31 | |
The big thing here is the level, isn't it? | 0:14:31 | 0:14:33 | |
There's a big drop away down to the bottom. | 0:14:33 | 0:14:35 | |
It is a big drop, yeah. | 0:14:35 | 0:14:36 | |
We've got to cut into the slope down here | 0:14:36 | 0:14:38 | |
and put some of that soil up here | 0:14:38 | 0:14:40 | |
-to level out where the terrace is up at the top. -Yeah. | 0:14:40 | 0:14:43 | |
Quite a bit of earth to come out, then? | 0:14:43 | 0:14:44 | |
Yeah, there is. | 0:14:44 | 0:14:45 | |
I think we need to get the digger in, then. | 0:14:45 | 0:14:47 | |
I think we better get cracking. | 0:14:47 | 0:14:48 | |
And we need to get those waterproofs off. | 0:14:48 | 0:14:51 | |
Head landscaper Andy wastes no time | 0:14:53 | 0:14:55 | |
in clearing the slabs and turf | 0:14:55 | 0:14:57 | |
from the top section of the garden. | 0:14:57 | 0:14:59 | |
The old slabs are broken up to use as a base layer | 0:15:01 | 0:15:04 | |
for the new, larger patio. | 0:15:04 | 0:15:05 | |
And Lee takes control of the digger | 0:15:08 | 0:15:10 | |
to start excavating the sunken area | 0:15:10 | 0:15:12 | |
at the bottom of the garden. | 0:15:12 | 0:15:14 | |
The soil is then used to build up | 0:15:14 | 0:15:16 | |
and level the top section for the patio. | 0:15:16 | 0:15:19 | |
Is that wet enough for you there now? | 0:15:19 | 0:15:21 | |
A bit more? | 0:15:21 | 0:15:23 | |
Yeah, a tiny bit more. | 0:15:23 | 0:15:25 | |
With the rain easing up, | 0:15:25 | 0:15:27 | |
Andy's going great guns and has already started to lay the patio, | 0:15:27 | 0:15:31 | |
putting the slabs down in a random pattern | 0:15:31 | 0:15:33 | |
to give a higgledy-piggledy look. | 0:15:33 | 0:15:35 | |
In what appears to be a game of digger musical chairs, | 0:15:39 | 0:15:42 | |
Steve is now at the helm, clearing the turf for the winding path. | 0:15:42 | 0:15:45 | |
Right, so we're making good progress down here. | 0:15:48 | 0:15:51 | |
We've cut into the slope, | 0:15:51 | 0:15:52 | |
and this is going to be our little magical seating area | 0:15:52 | 0:15:55 | |
under the canopy of the trees. | 0:15:55 | 0:15:57 | |
Good news is the soil's looking all right. | 0:15:57 | 0:16:00 | |
So I think that's going to be great for the planting, | 0:16:00 | 0:16:02 | |
so, yeah, we're getting there. | 0:16:02 | 0:16:05 | |
With the patio laid, | 0:16:09 | 0:16:10 | |
the team turns its attention to the retaining wall for the sunken area. | 0:16:10 | 0:16:14 | |
-I'll get me chainsaw out. -I'll get them marked for you. | 0:16:14 | 0:16:16 | |
Yeah. You mark them... | 0:16:16 | 0:16:18 | |
And then we'll get someone to mix some concrete for us. | 0:16:18 | 0:16:20 | |
Right. OK. | 0:16:20 | 0:16:21 | |
Yeah. I take the hint! | 0:16:22 | 0:16:24 | |
Charlie has chosen to use wooden sleepers, | 0:16:27 | 0:16:29 | |
which are strong enough to hold back the soil | 0:16:29 | 0:16:32 | |
and stop the rest of the slope collapsing. | 0:16:32 | 0:16:34 | |
And she's designed the retaining wall | 0:16:36 | 0:16:38 | |
to have an arched top edge | 0:16:38 | 0:16:39 | |
to reflect the curved shape of the sunken area. | 0:16:39 | 0:16:41 | |
The garden transformation is well under way | 0:16:46 | 0:16:48 | |
as Charlie and her two helper elves arrive on site. | 0:16:48 | 0:16:52 | |
I'm excited about this garden. | 0:16:54 | 0:16:56 | |
It's right up my street. | 0:16:56 | 0:16:57 | |
I love a theme. I love a theme! | 0:16:57 | 0:16:59 | |
So I want you guys to get quite creative. | 0:16:59 | 0:17:02 | |
I want you to make some good-luck stone stacks. | 0:17:02 | 0:17:05 | |
And then I'm doing the pond, so lots of fiddly things to do. | 0:17:05 | 0:17:10 | |
-Blimey! -So we'd better get on, | 0:17:10 | 0:17:12 | |
because I don't want you away with the fairies. | 0:17:12 | 0:17:14 | |
Lots of work to do. Lots of work to do. | 0:17:14 | 0:17:16 | |
In the garden, Andy, Lee and Steve | 0:17:18 | 0:17:20 | |
are putting the finishing touches to the patio, | 0:17:20 | 0:17:23 | |
ready for inspection by the boss. | 0:17:23 | 0:17:25 | |
The landscape team have done a fabulous job here. | 0:17:29 | 0:17:31 | |
I mean, you can actually get a table and chairs on the patio now | 0:17:31 | 0:17:35 | |
and then we're going to screen this ugly step with a beech hedge, | 0:17:35 | 0:17:38 | |
and the path leads you down the garden | 0:17:38 | 0:17:42 | |
to where all the fairies are | 0:17:42 | 0:17:44 | |
and the mystical bit of the garden, | 0:17:44 | 0:17:46 | |
right down here. | 0:17:46 | 0:17:47 | |
I have to say, this is already my favourite bit of the garden. | 0:17:48 | 0:17:52 | |
A dingly dell at the bottom, | 0:17:52 | 0:17:54 | |
and you don't know what's down here | 0:17:54 | 0:17:56 | |
and this is going to be our dew pond | 0:17:56 | 0:17:59 | |
which is deep enough that if frogs come and breed in here, | 0:17:59 | 0:18:03 | |
they won't get sort of frosted or anything like that. | 0:18:03 | 0:18:06 | |
So it's about 15, 18 inches deep. | 0:18:06 | 0:18:09 | |
And then the boys are going to be putting their stone step there - | 0:18:09 | 0:18:13 | |
the first one, and then I think one over there | 0:18:13 | 0:18:16 | |
and I think they're out there practising at the moment, | 0:18:16 | 0:18:18 | |
making a lot of noise. | 0:18:18 | 0:18:20 | |
Harry and David are responsible for the racket. | 0:18:23 | 0:18:26 | |
They're doing a trial run of Charlie's stone towers | 0:18:26 | 0:18:28 | |
at the front of the house. | 0:18:28 | 0:18:30 | |
In folklore, balancing stones on top of one another | 0:18:30 | 0:18:33 | |
is supposed to bring good luck. | 0:18:33 | 0:18:34 | |
The taller the tower, the more luck you'll have. | 0:18:34 | 0:18:38 | |
But rather than balance them, | 0:18:38 | 0:18:40 | |
Charlie wants a more safe and secure stack, | 0:18:40 | 0:18:42 | |
which is why the brothers are testing out their method | 0:18:42 | 0:18:44 | |
before repositioning the stacks in the garden. | 0:18:44 | 0:18:47 | |
Charlie wanted to introduce a sculptural element | 0:18:50 | 0:18:52 | |
within the garden, | 0:18:52 | 0:18:53 | |
and she wanted us to create these stone stacks, | 0:18:53 | 0:18:56 | |
and as you can see from the plan, | 0:18:56 | 0:18:57 | |
they almost look like they're leaning. | 0:18:57 | 0:18:59 | |
That's really going to capture that kind of mystical feeling | 0:18:59 | 0:19:01 | |
at the end of the garden. | 0:19:01 | 0:19:02 | |
It's quite a simple sculptural element to make, as well. | 0:19:02 | 0:19:05 | |
So we've got a 16mm stainless steel rod in the centre | 0:19:05 | 0:19:08 | |
and then offsetting the holes in the stone. | 0:19:08 | 0:19:10 | |
So starting in the middle, | 0:19:10 | 0:19:11 | |
so it's central and then offsetting it to the end, | 0:19:11 | 0:19:13 | |
that shifts the stone out, | 0:19:13 | 0:19:15 | |
bringing it back the way and that's what's going to create the movement. | 0:19:15 | 0:19:18 | |
And what we're using is just using this power drill here. | 0:19:18 | 0:19:20 | |
We're using a 25mm drill bit | 0:19:20 | 0:19:22 | |
so it's slightly larger than the rod, | 0:19:22 | 0:19:24 | |
so it makes it easy to squat over. | 0:19:24 | 0:19:26 | |
But because we're drilling into sandstone, | 0:19:26 | 0:19:28 | |
you don't want to press too hard | 0:19:28 | 0:19:29 | |
because what that's going to do is start splitting it into layers. | 0:19:29 | 0:19:32 | |
So let the weight of the drill do it. | 0:19:32 | 0:19:34 | |
Take your time and create a nice clean hole. | 0:19:34 | 0:19:36 | |
Back in the garden, Charlie has lined the pond area with sand | 0:19:40 | 0:19:44 | |
and is trying to impress local lad, Lee, | 0:19:44 | 0:19:46 | |
with her version of the regional dialect. | 0:19:46 | 0:19:49 | |
Right then, Lee, I think it's time for that there liner. | 0:19:49 | 0:19:53 | |
-That there liner. -That there liner. | 0:19:53 | 0:19:54 | |
That's me Derbyshire, that is. | 0:19:54 | 0:19:56 | |
Is it? | 0:19:56 | 0:19:57 | |
Ha-ha! | 0:19:57 | 0:19:58 | |
So, we've got the hose in | 0:20:00 | 0:20:02 | |
and then we've got a battery-cum-solar-powered pump | 0:20:02 | 0:20:06 | |
and we're going to put the solar panel in the flowerbed, | 0:20:06 | 0:20:09 | |
because that's probably the brightest, | 0:20:09 | 0:20:10 | |
most open part of the garden. | 0:20:10 | 0:20:12 | |
But if there's not a lot of sun, you can take the battery out, | 0:20:12 | 0:20:15 | |
charge it up for a couple of hours, and then it will run | 0:20:15 | 0:20:17 | |
for seven, eight hours nonstop, if you want it to. | 0:20:17 | 0:20:20 | |
And it's all housed in this weather-proof box. | 0:20:20 | 0:20:23 | |
Makes life really easy. | 0:20:23 | 0:20:25 | |
No electricians. | 0:20:25 | 0:20:28 | |
Makes it a bit cheaper as well. | 0:20:28 | 0:20:29 | |
The Rich brothers are happy with their stone stacking technique | 0:20:33 | 0:20:36 | |
and are now ready to recreate them in the garden. | 0:20:36 | 0:20:38 | |
-Sorry, Lee. -That's all right, mate. -Not on purpose! | 0:20:40 | 0:20:43 | |
-It's fairy dust! -It is, yeah. | 0:20:43 | 0:20:45 | |
They're cementing in large stones to give the stacks a firm base... | 0:20:46 | 0:20:49 | |
I'd say a few more. | 0:20:56 | 0:20:58 | |
..with the steel rods driven into the ground through the middle. | 0:20:58 | 0:21:01 | |
OK, go with that. Let's check with the boss. | 0:21:02 | 0:21:04 | |
Lower. | 0:21:04 | 0:21:05 | |
Sculptures are a fantastic way to enhance a garden. | 0:21:08 | 0:21:12 | |
They provide year-round structure and interest | 0:21:13 | 0:21:16 | |
and when chosen and placed with care, | 0:21:16 | 0:21:18 | |
the garden itself can be the ideal backdrop for displaying | 0:21:18 | 0:21:21 | |
these architectural focal points to their fullest. | 0:21:21 | 0:21:24 | |
You could even create your own open-air gallery. | 0:21:25 | 0:21:28 | |
Michael Pearson has done exactly that at his bed and breakfast, | 0:21:30 | 0:21:34 | |
Austwick Hall, in the Yorkshire Dales. | 0:21:34 | 0:21:36 | |
We've always been art lovers | 0:21:37 | 0:21:39 | |
and once we'd bought the first sculpture, | 0:21:39 | 0:21:43 | |
we got hooked. | 0:21:43 | 0:21:44 | |
And then another came along, and before you know it, | 0:21:44 | 0:21:48 | |
you've gathered a collection together. | 0:21:48 | 0:21:50 | |
Formal pieces will naturally sit well in formal gardens, | 0:21:52 | 0:21:56 | |
but in country or woodland gardens, | 0:21:56 | 0:21:58 | |
you can afford to be a little wilder. | 0:21:58 | 0:22:00 | |
Here's our stag, sitting in amongst the trees like a real deer. | 0:22:01 | 0:22:06 | |
It's deliberately well hidden, so that, suddenly, you see it, | 0:22:07 | 0:22:11 | |
so it's quite a surprise. | 0:22:11 | 0:22:13 | |
And to actually go up to the piece of sculpture and feel it, | 0:22:13 | 0:22:17 | |
because sculpture isn't just about what it looks like, | 0:22:17 | 0:22:21 | |
it's the texture and the feel of the metal. | 0:22:21 | 0:22:24 | |
Surprising guests with a hidden artwork can add fun and intrigue. | 0:22:27 | 0:22:31 | |
But if you want one to take centre stage, | 0:22:31 | 0:22:34 | |
you can put it on a boundary line, | 0:22:34 | 0:22:36 | |
in the middle of a space, or at the side of a path. | 0:22:36 | 0:22:38 | |
And if you really want to add drama, think about framing your piece. | 0:22:38 | 0:22:42 | |
So, we've got this winding path | 0:22:43 | 0:22:46 | |
going up through this tunnel of laurel | 0:22:46 | 0:22:49 | |
and just framed at the end is The Head, by Sally Grant. | 0:22:49 | 0:22:54 | |
The placing was quite deliberate, | 0:22:54 | 0:22:56 | |
but the steps and the tunnel were already there, | 0:22:56 | 0:22:59 | |
so it's really a matter of finding the right place for the sculpture, | 0:22:59 | 0:23:04 | |
rather than us creating the environment round it. | 0:23:04 | 0:23:07 | |
As the artwork will be open to the elements, | 0:23:10 | 0:23:12 | |
think about how the weather might affect it. | 0:23:12 | 0:23:15 | |
Moss and lichen will often grow on stone and cement sculptures, | 0:23:15 | 0:23:18 | |
especially in damp conditions. | 0:23:18 | 0:23:20 | |
But sometimes it's the day-to-day changes | 0:23:20 | 0:23:22 | |
that can give the most striking effects. | 0:23:22 | 0:23:25 | |
This piece glistens after rain and becomes shiny | 0:23:25 | 0:23:31 | |
and in full sun, it can sparkle. | 0:23:31 | 0:23:35 | |
If statues and artworks don't appeal to you, | 0:23:36 | 0:23:39 | |
there are many other things you can use as a focal point, | 0:23:39 | 0:23:42 | |
from dramatic moon gates to benches and urns. | 0:23:42 | 0:23:45 | |
Even structural planting can draw the eye and give it a place to rest. | 0:23:45 | 0:23:49 | |
Michael has some advice if you want to include | 0:23:51 | 0:23:53 | |
sculptures or focal points in your garden. | 0:23:53 | 0:23:56 | |
The first point is to have a focal point | 0:23:57 | 0:24:01 | |
in proportion to the surroundings. | 0:24:01 | 0:24:04 | |
It's no good having a small sculpture | 0:24:04 | 0:24:06 | |
if it's going to appear small and insignificant. | 0:24:06 | 0:24:10 | |
And if you have too many pieces in one area, | 0:24:10 | 0:24:14 | |
they distract your eye. They detract, also, from each other. | 0:24:14 | 0:24:19 | |
You really need to give every piece its full worth. | 0:24:19 | 0:24:23 | |
Back in Tom and Heather's garden, | 0:24:29 | 0:24:31 | |
the landscapers have knocked up a simple bench out of | 0:24:31 | 0:24:34 | |
leftover sleepers, which will add | 0:24:34 | 0:24:36 | |
another focal point in the sunken area. | 0:24:36 | 0:24:38 | |
And David is the first one of the brothers to finish his stack. | 0:24:38 | 0:24:43 | |
Last stone. | 0:24:43 | 0:24:44 | |
-Doesn't that look good? How does that look from there? -Really good, that is, for me. | 0:24:46 | 0:24:50 | |
-Far better than your brother's. -Yeah, I agree. | 0:24:50 | 0:24:52 | |
Sorry, Harry! | 0:24:52 | 0:24:53 | |
In her design, Charlie's included two pathways down | 0:24:56 | 0:24:59 | |
to the lower seating area. | 0:24:59 | 0:25:01 | |
The main winding path and a second, more mysterious walkway, | 0:25:01 | 0:25:05 | |
with log steps, which Andy is starting to lay. | 0:25:05 | 0:25:08 | |
No! I don't want it evenly curved. | 0:25:10 | 0:25:13 | |
I want it to sort of go err, and then err-err. | 0:25:13 | 0:25:15 | |
-Higgledy-piggledy? -Yeah, higgledy-piggledy. | 0:25:15 | 0:25:17 | |
A bit coming home from t'pub? | 0:25:17 | 0:25:19 | |
I would even wouldn't mind if you didn't use a level or your eye. | 0:25:19 | 0:25:23 | |
All the timbers are bent. | 0:25:25 | 0:25:27 | |
You try and get a landscaper to put something in like that, | 0:25:27 | 0:25:30 | |
they don't like it. It goes against their natural grain. | 0:25:30 | 0:25:33 | |
Charlie is working with slightly smaller bits of wood, | 0:25:36 | 0:25:39 | |
making a bundle of hazel twigs to section off part of the pond area. | 0:25:39 | 0:25:43 | |
So, they use these when they're retaining river banks. | 0:25:44 | 0:25:48 | |
Much, much bigger. I'm going to use it to retain the soil for my | 0:25:49 | 0:25:54 | |
insectivorous plants. | 0:25:54 | 0:25:56 | |
They're called faggots. | 0:25:56 | 0:25:57 | |
Excuse me, they've gone all a bit level all of a sudden. | 0:26:02 | 0:26:04 | |
Haven't they? | 0:26:06 | 0:26:07 | |
-That do? -That's it. Leave it like that, with the kicky-up bit. | 0:26:09 | 0:26:12 | |
-I can't. -You can't. You can't! | 0:26:12 | 0:26:14 | |
I can't, health and safety. | 0:26:14 | 0:26:16 | |
Oh, shut up! | 0:26:16 | 0:26:18 | |
I'll allow that. | 0:26:18 | 0:26:19 | |
You'll allow that. Thanks! | 0:26:19 | 0:26:21 | |
That's it then. Let's peg them at that. | 0:26:21 | 0:26:23 | |
With the position of the logs sort-of agreed upon, | 0:26:26 | 0:26:28 | |
they're attaching the stakes to keep them from moving. | 0:26:28 | 0:26:31 | |
And Charlie starts getting some greenery in | 0:26:34 | 0:26:36 | |
around her water feature. | 0:26:36 | 0:26:38 | |
When it comes to the edge of a pond, | 0:26:39 | 0:26:41 | |
it's always a bit fiddly and there's lots of different ways. | 0:26:41 | 0:26:44 | |
You could pave it. But I want this to look really quite natural. | 0:26:44 | 0:26:48 | |
So I'm going to use the turf | 0:26:48 | 0:26:50 | |
and then lay it on the liner and, OK, | 0:26:50 | 0:26:53 | |
the turf won't really grow that well, | 0:26:53 | 0:26:55 | |
but the great thing about it, it'll be moist, | 0:26:55 | 0:26:57 | |
because of the water from the pond and things will self-seed in it. | 0:26:57 | 0:27:01 | |
Things like lady's smock, fern. | 0:27:01 | 0:27:04 | |
So it will naturally turn into a natural bog. | 0:27:04 | 0:27:08 | |
And it gives a really lovely, woodlandy, dewy pond effect. | 0:27:08 | 0:27:14 | |
At the front of the house, | 0:27:20 | 0:27:21 | |
Harry and David have moved on to their next task. | 0:27:21 | 0:27:24 | |
Charlie wanted us to bring a new lease of life to Tom and Heather's | 0:27:25 | 0:27:28 | |
garden table, so what we're going to do is introduce some plants into it | 0:27:28 | 0:27:31 | |
and that's really going to help it tie into | 0:27:31 | 0:27:33 | |
that magical theme of the garden. | 0:27:33 | 0:27:34 | |
It's quite a simple construction. | 0:27:35 | 0:27:37 | |
All we're going to do is remove part of these three panels in the table. | 0:27:37 | 0:27:40 | |
We've then got this water container that we've cut down, | 0:27:40 | 0:27:44 | |
which is going to have the plants inside, | 0:27:44 | 0:27:46 | |
and then these are going to fit inside this bit of framework, | 0:27:46 | 0:27:50 | |
which then fits inside the table, when we remove these slats. | 0:27:50 | 0:27:53 | |
This cheap and simple idea goes to show | 0:27:57 | 0:27:59 | |
that you don't need to buy expensive plant pots. | 0:27:59 | 0:28:02 | |
Pretty much any container can be used to grow plants in, | 0:28:02 | 0:28:05 | |
as long as you make drainage holes at the bottom. | 0:28:05 | 0:28:07 | |
The table isn't the only bit of wood getting a new lease of life. | 0:28:11 | 0:28:15 | |
In the middle of the garden, | 0:28:15 | 0:28:16 | |
Charlie's included another fantasy-themed focal point, | 0:28:16 | 0:28:19 | |
and she's chosen to use old tree stumps. | 0:28:19 | 0:28:22 | |
Lee is drilling a hole into one of them, | 0:28:24 | 0:28:26 | |
so that it can be mounted on top of the pole. | 0:28:26 | 0:28:28 | |
-Can you guide it in? -Yeah. Well, I can, but... | 0:28:32 | 0:28:35 | |
-To me. To me. There you go. And down. -Mega. | 0:28:35 | 0:28:39 | |
-Look at that! -You see, to me it looks like a... | 0:28:39 | 0:28:41 | |
Is it a stegosaurus? ..from here? | 0:28:41 | 0:28:43 | |
It's an -osaurus of some description. | 0:28:43 | 0:28:46 | |
Looks like a rhinoceros from here. | 0:28:46 | 0:28:48 | |
-It does. -It does look like a rhino from here. | 0:28:48 | 0:28:50 | |
It's a beautiful bit of wood, isn't it? | 0:28:50 | 0:28:53 | |
With the garden sculptures in place, the shrubs start to come in. | 0:28:53 | 0:28:56 | |
Ah, that's spiky! Didn't warn me of that one, did you? | 0:28:59 | 0:29:02 | |
It's hawthorn. I said it had thorns on it. | 0:29:02 | 0:29:05 | |
-Big ones. -I weren't listening. | 0:29:05 | 0:29:07 | |
-That'll teach you! -So, I've got this spare bit of lead. | 0:29:07 | 0:29:10 | |
I'm thinking I want it to sort of sit underneath the pipe so, | 0:29:10 | 0:29:14 | |
if we cut that off flat and then nicely shape | 0:29:14 | 0:29:18 | |
with some veins along it and then the water can just, da-da-da, | 0:29:18 | 0:29:22 | |
drip off the end. | 0:29:22 | 0:29:23 | |
-Yeah? -I can do that. -Right. -Lovely, thank you. | 0:29:23 | 0:29:25 | |
Whilst Lee gets creative with lead, | 0:29:28 | 0:29:31 | |
Charlie prepares the pond area for the insect-eating plants, | 0:29:31 | 0:29:34 | |
which she included to give the garden a darker twist for Tom. | 0:29:34 | 0:29:37 | |
Look, isn't that elegant? | 0:29:39 | 0:29:41 | |
Just gorgeous. | 0:29:41 | 0:29:43 | |
That's Sarracenia flava. | 0:29:43 | 0:29:45 | |
It's got sort of little caps to them. | 0:29:45 | 0:29:48 | |
And then we've got Sarracenia purpurea. | 0:29:48 | 0:29:51 | |
So look at that - how amazing is that flower? | 0:29:51 | 0:29:53 | |
I just love it. Really wacky. | 0:29:53 | 0:29:56 | |
So, you've got these pitchers that trap insects. | 0:29:56 | 0:29:59 | |
And what happens is, you get midges and things go down in. | 0:29:59 | 0:30:02 | |
They get attracted by the scent that's at the bottom of the pitcher, | 0:30:02 | 0:30:06 | |
but they can't get back out, because all the hairs point downwards, | 0:30:06 | 0:30:09 | |
so they get trapped in there and then the plant just digests them. | 0:30:09 | 0:30:13 | |
Lovely! | 0:30:13 | 0:30:15 | |
Sarracenias are native to North America, | 0:30:17 | 0:30:19 | |
but, given the right conditions, will do well in the UK. | 0:30:19 | 0:30:23 | |
They should be planted in peat or special nutrient-free compost, | 0:30:23 | 0:30:27 | |
and they like boggy conditions, so must be kept moist. | 0:30:27 | 0:30:30 | |
But they won't tolerate lime, | 0:30:30 | 0:30:32 | |
so in hard-water areas, boil and cool your tap water before watering. | 0:30:32 | 0:30:36 | |
I've grown Sarracenias for about three years now | 0:30:37 | 0:30:41 | |
and they've gone down quite happily to minus seven. | 0:30:41 | 0:30:46 | |
So you don't need to worry about that. | 0:30:46 | 0:30:49 | |
And I use rain water from my rain butt, | 0:30:49 | 0:30:51 | |
which is probably the best type of water. | 0:30:51 | 0:30:54 | |
And what happens over the winter, you might find that | 0:30:55 | 0:30:57 | |
a few of the pitchers die off and look tatty, | 0:30:57 | 0:30:59 | |
but then they reshoot in the spring. | 0:30:59 | 0:31:02 | |
You just trim off the old pitchers. | 0:31:02 | 0:31:05 | |
Look at that! | 0:31:05 | 0:31:06 | |
These aren't the only carnivorous plants | 0:31:09 | 0:31:11 | |
Charlie's included in the garden. | 0:31:11 | 0:31:13 | |
She's also given some to the Rich brothers for the table. | 0:31:13 | 0:31:17 | |
You've got the Venus fly trap. The Venus fly trap is definitely | 0:31:17 | 0:31:19 | |
one of the most famous carnivorous plants. | 0:31:19 | 0:31:21 | |
Insects trigger the hairs in the trap. | 0:31:21 | 0:31:23 | |
That closes and then it digests the insect. | 0:31:23 | 0:31:25 | |
And these guys are quite small, so they'll probably just catch | 0:31:25 | 0:31:28 | |
a few little small flies, things like that. | 0:31:28 | 0:31:30 | |
But they can grow big enough to get bluebottle flies | 0:31:30 | 0:31:32 | |
and even wasps in the summer. | 0:31:32 | 0:31:34 | |
And feeding them things like ham or cat food | 0:31:34 | 0:31:37 | |
is a bit of an urban myth. | 0:31:37 | 0:31:38 | |
Don't do that, because that will result in it rotting and dying back. | 0:31:38 | 0:31:41 | |
It's also quite tempting to poke Venus fly traps to make them close, | 0:31:43 | 0:31:47 | |
but this uses up valuable energy | 0:31:47 | 0:31:49 | |
which can weaken and damage the plant. | 0:31:49 | 0:31:51 | |
Each trap will only catch around three flies before it dies off. | 0:31:53 | 0:31:56 | |
But in a healthy plant, new traps will then grow. | 0:31:56 | 0:31:59 | |
This is the sundew plant. | 0:32:01 | 0:32:02 | |
And they have these tentacle-like leaves, with fine, red hairs | 0:32:02 | 0:32:05 | |
which creates this sticky substance, which looks like dew drops. | 0:32:05 | 0:32:10 | |
It's got quite a sweet smell, | 0:32:10 | 0:32:12 | |
and the insect will land on these leaves and get stuck. | 0:32:12 | 0:32:15 | |
And the more it kind of struggles around, the more it gets stuck, | 0:32:15 | 0:32:19 | |
so it's an ingenious plant and it looks amazing. | 0:32:19 | 0:32:22 | |
Just like the Sarracenias Charlie's planted, | 0:32:25 | 0:32:27 | |
these ones also need a peat compost and lime-free water. | 0:32:27 | 0:32:31 | |
But beware, the Venus fly trap and sundew are not winter-hardy | 0:32:31 | 0:32:35 | |
in the British climate. | 0:32:35 | 0:32:38 | |
Because this is a removable planter, | 0:32:38 | 0:32:40 | |
it means, in the summer months, you can have it outside, | 0:32:40 | 0:32:42 | |
it can catch a really nice variety of insects. | 0:32:42 | 0:32:45 | |
But then, when it starts getting colder in the winter, | 0:32:45 | 0:32:47 | |
you can take it out, put it inside the house, | 0:32:47 | 0:32:49 | |
put it on a light windowsill, nice bit of warmth | 0:32:49 | 0:32:52 | |
and then you can keep it growing all throughout the year | 0:32:52 | 0:32:54 | |
and bring it back out next summer. | 0:32:54 | 0:32:56 | |
Things are really moving on in the garden. | 0:33:02 | 0:33:04 | |
Steve is using limestone aggregate as a mulch | 0:33:06 | 0:33:09 | |
around the tree stump focal point. | 0:33:09 | 0:33:12 | |
Its light colour will contrast with the planting and the wood | 0:33:12 | 0:33:14 | |
to make the feature stand out. | 0:33:14 | 0:33:16 | |
And Charlie has made the budget stretch to a fire bowl, | 0:33:16 | 0:33:19 | |
so the garden will be usable in the evening. | 0:33:19 | 0:33:22 | |
The pond pump is now functioning | 0:33:28 | 0:33:30 | |
and the lead leaf detail is attached to hide the pipe work. | 0:33:30 | 0:33:33 | |
Quite like that. Quite like that. | 0:33:36 | 0:33:38 | |
The original grass was destroyed by the digger, | 0:33:42 | 0:33:45 | |
so Andy is laying new turf on both sides of the path. | 0:33:45 | 0:33:48 | |
And the moment David sets foot back in the garden, | 0:33:49 | 0:33:52 | |
Charlie finds him more work. | 0:33:52 | 0:33:54 | |
I have another little chore for you. | 0:33:54 | 0:33:56 | |
Oh, gosh! OK. | 0:33:56 | 0:33:58 | |
Your hazel arches. | 0:33:58 | 0:34:00 | |
Yeah. | 0:34:00 | 0:34:02 | |
-That's the one. -Perfect in this rain, actually, underneath that. | 0:34:02 | 0:34:05 | |
-Nice, no problem. -This is good planting weather. | 0:34:05 | 0:34:09 | |
It's good for the plants. Turns the whole place to a quagmire. | 0:34:09 | 0:34:12 | |
Rain or no rain, work must go on. | 0:34:17 | 0:34:19 | |
So we're just making a tunnel out of these hazel poles. | 0:34:20 | 0:34:23 | |
We're going to put a bunch of three on each side, leading round. | 0:34:23 | 0:34:27 | |
Bend them over, tie them. | 0:34:27 | 0:34:29 | |
That will create that tunnel that you wander down through. | 0:34:29 | 0:34:32 | |
What's going to happen is, it's going to be a lot taller arch here | 0:34:32 | 0:34:35 | |
and a lot lower arch at the bottom, | 0:34:35 | 0:34:36 | |
so you really have to crouch down to get in. | 0:34:36 | 0:34:38 | |
It's just going to be a little bit of fun, | 0:34:38 | 0:34:40 | |
a nice little secondary route in the garden. | 0:34:40 | 0:34:42 | |
Hazel is great for arches, | 0:34:43 | 0:34:45 | |
fencing and even rustic-looking bean poles, | 0:34:45 | 0:34:47 | |
because its branches are straight, strong and flexible. | 0:34:47 | 0:34:51 | |
Meanwhile, Charlie has turned her attention | 0:34:53 | 0:34:55 | |
to adding some fairy-themed foliage. | 0:34:55 | 0:34:58 | |
So, I wanted to use plants that Tom and Heather could look after | 0:34:58 | 0:35:01 | |
easily, but also that had some sort of folklore history to them. | 0:35:01 | 0:35:07 | |
This is elderflower. | 0:35:08 | 0:35:10 | |
It's the black lace variety, | 0:35:10 | 0:35:12 | |
so it's a more ornamental variety of what you see growing wild. | 0:35:12 | 0:35:16 | |
It has these gorgeous, big, flat flowers that you see, | 0:35:16 | 0:35:20 | |
that are just coming here | 0:35:20 | 0:35:22 | |
and they're sort of a white with a tint of pink, | 0:35:22 | 0:35:25 | |
and you can make elderflower wine out of them. | 0:35:25 | 0:35:28 | |
But it's got some fantastic stories to it. | 0:35:28 | 0:35:31 | |
For a start, you would never cut them down, | 0:35:31 | 0:35:33 | |
or if you did you'd have to ask, | 0:35:33 | 0:35:35 | |
because the fairies live in elderflower. | 0:35:35 | 0:35:38 | |
And the other story about it is the stems are hollow | 0:35:38 | 0:35:42 | |
and they'll supposedly take away any bad vibes | 0:35:42 | 0:35:45 | |
that are in the garden. | 0:35:45 | 0:35:47 | |
The limestone aggregate is also being used | 0:35:55 | 0:35:57 | |
to surface the sunken seating area and the path. | 0:35:57 | 0:36:00 | |
But in these cases, it's compacted down | 0:36:00 | 0:36:02 | |
to make it better for walking on. | 0:36:02 | 0:36:04 | |
Then a scattering of gravel gives it more of a woodland path feel. | 0:36:08 | 0:36:12 | |
Alchemilla mollis - a favourite of mine. | 0:36:14 | 0:36:16 | |
Has these lovely, lime-green, frothy flowers | 0:36:16 | 0:36:20 | |
and these soft, green leaves. | 0:36:20 | 0:36:22 | |
But the sort of mythology behind it | 0:36:22 | 0:36:25 | |
is it's called Alchemilla after alchemy. | 0:36:25 | 0:36:28 | |
Because when the beads of water sit on the leaf, | 0:36:28 | 0:36:32 | |
they thought they could grind the leaves up | 0:36:32 | 0:36:35 | |
and get silver and gold out of them. | 0:36:35 | 0:36:38 | |
And when they discovered they couldn't do that, | 0:36:38 | 0:36:40 | |
they then used to collect the water droplets and use it in medicines, | 0:36:40 | 0:36:45 | |
herbal treatments and things like that. | 0:36:45 | 0:36:48 | |
Nice, easy plant to grow and it will really soften this pathway. | 0:36:48 | 0:36:53 | |
Then we've got foxgloves. | 0:36:53 | 0:36:55 | |
So, these foxgloves here are one of favourites of fairies | 0:36:55 | 0:36:59 | |
and they quite like living in them, apparently. | 0:36:59 | 0:37:02 | |
And you know when you see a foxglove and it's sort of lent to one side? | 0:37:02 | 0:37:06 | |
That's because the fairies have gone past | 0:37:06 | 0:37:08 | |
and they've bowed their heads in deference to the fairies. | 0:37:08 | 0:37:12 | |
I'm planting camomile here on the first step, and that's because it's | 0:37:23 | 0:37:26 | |
a great alternative to lawn, because when you walk over it, you're going | 0:37:26 | 0:37:29 | |
to get that lovely, beautiful, sweet smell it produces. | 0:37:29 | 0:37:31 | |
And what it's supposed to do is soothe the spirit | 0:37:31 | 0:37:34 | |
and also act as a magnet and draw the spirits into the garden. | 0:37:34 | 0:37:38 | |
Flower fairies love the flowers that it produces as well. | 0:37:38 | 0:37:41 | |
This is the Polypodium vulgare fern and it's a native to Britain, | 0:37:43 | 0:37:47 | |
which means it's a very versatile fern and it can put up with a wide | 0:37:47 | 0:37:51 | |
variety of conditions, from moist to damp to dry, | 0:37:51 | 0:37:54 | |
as long as it has a bit of shade. | 0:37:54 | 0:37:57 | |
Here, we're using it to create these undefined edges | 0:37:57 | 0:37:59 | |
that leads down to Charlie's, like, kind of woodland section. | 0:37:59 | 0:38:02 | |
Ferns also appear in folklore. | 0:38:03 | 0:38:05 | |
It's said that anyone who sees a mythical fern flower | 0:38:05 | 0:38:08 | |
will be guaranteed a happy and rich life. | 0:38:08 | 0:38:11 | |
The race is now on to get the plants in the ground | 0:38:16 | 0:38:18 | |
and the garden finished. | 0:38:18 | 0:38:21 | |
-Pop it in that gap, Dave. -Yeah. | 0:38:21 | 0:38:23 | |
The Rich brothers are adding colourful perennials to the border | 0:38:26 | 0:38:29 | |
by the patio, and Charlie is putting the finishing touches | 0:38:29 | 0:38:32 | |
to the tree stumps. | 0:38:32 | 0:38:33 | |
So these are just little globes of glass | 0:38:34 | 0:38:36 | |
and I've put a little bit of soil in the bottom and some moss. | 0:38:36 | 0:38:40 | |
I'm going to put some water in there, so it'll stay green. | 0:38:40 | 0:38:43 | |
And even if it dries out, the amazing thing is, | 0:38:43 | 0:38:45 | |
if you put a bit more water in there, it'll regenerate again. | 0:38:45 | 0:38:48 | |
So I think maybe one coming off there. | 0:38:48 | 0:38:52 | |
Yeah. Like that. | 0:38:52 | 0:38:53 | |
See that spider there? | 0:38:53 | 0:38:55 | |
-He's gone into it already, look. -No! | 0:38:55 | 0:38:58 | |
Look at that. That is brilliant. | 0:38:59 | 0:39:01 | |
He's a happy spider. | 0:39:01 | 0:39:02 | |
And the spider won't be lonely, as Charlie has some other, | 0:39:05 | 0:39:08 | |
less lively, insects for the other globes. | 0:39:08 | 0:39:11 | |
And as the last plants go in the ground | 0:39:21 | 0:39:24 | |
and everything is given a good hosing down, | 0:39:24 | 0:39:26 | |
the garden is complete. | 0:39:26 | 0:39:27 | |
Before Tom and Heather called in the Garden Rescue team, | 0:39:33 | 0:39:37 | |
their boring, bare, sloping garden was in dire need of some TLC. | 0:39:37 | 0:39:41 | |
But now, with a fairy-tale £3,500 makeover, | 0:39:46 | 0:39:49 | |
it has been completely transformed. | 0:39:49 | 0:39:52 | |
Tom and Heather will now be able to entertain guests | 0:39:55 | 0:39:58 | |
on their £600 extended patio. | 0:39:58 | 0:40:00 | |
The higgledy-piggledy paving continues down the enchanted garden | 0:40:04 | 0:40:07 | |
and past an array of focal points, | 0:40:07 | 0:40:09 | |
including artistically placed tree stumps at £75. | 0:40:09 | 0:40:13 | |
And those lucky stone steps are £200. | 0:40:15 | 0:40:18 | |
The sunken seating area at the bottom of the garden | 0:40:21 | 0:40:23 | |
gives the couple a place to retreat. | 0:40:23 | 0:40:26 | |
The striking dew pond cost a total of £180... | 0:40:26 | 0:40:29 | |
..and has given a dramatic touch | 0:40:30 | 0:40:33 | |
with insect-eating Sarracenias at £25. | 0:40:33 | 0:40:36 | |
Charlie's really brought this garden to life | 0:40:37 | 0:40:41 | |
with £1,250 of fairy-friendly planting | 0:40:41 | 0:40:44 | |
including ferns, black lace elderflower and lupines. | 0:40:44 | 0:40:47 | |
It's time to see if Charlie has delivered the magical, | 0:40:51 | 0:40:53 | |
fairy-themed garden that Tom and Heather have been dreaming about. | 0:40:53 | 0:40:57 | |
Here we go. | 0:40:58 | 0:40:59 | |
OK, you can open your eyes. | 0:41:04 | 0:41:06 | |
Oh, my God! | 0:41:08 | 0:41:09 | |
It's beautiful! | 0:41:10 | 0:41:12 | |
-You're speechless! -Yeah! | 0:41:12 | 0:41:13 | |
Oh, wow! | 0:41:13 | 0:41:15 | |
-That's a good reaction, isn't it? -Yes. | 0:41:15 | 0:41:17 | |
So, your patio's a little bigger. | 0:41:17 | 0:41:19 | |
A little bit bigger, yeah, just a little bit. | 0:41:19 | 0:41:21 | |
Table fits on there nicely. | 0:41:21 | 0:41:24 | |
-Oh, it's lovely. -Won't topple off the chairs any more. -No! | 0:41:24 | 0:41:27 | |
Come and explore your meandering path. | 0:41:27 | 0:41:29 | |
So, this is just a really floral, | 0:41:32 | 0:41:34 | |
-very pretty-pretty, girlie flowerbed here. -Yes! | 0:41:34 | 0:41:38 | |
-Yep. -With lilacs and lupines. | 0:41:38 | 0:41:41 | |
Lots of very soft colours. | 0:41:41 | 0:41:43 | |
But I got the boys to man up the table, | 0:41:43 | 0:41:46 | |
so you've got some Venus fly traps, | 0:41:46 | 0:41:49 | |
-so they'll catch all the midges and flies. -That's good. | 0:41:49 | 0:41:52 | |
Oh, look at that, loving the little carnivorous plants as well. | 0:41:52 | 0:41:54 | |
-Yeah. I'm quite proud of that table. -I like it. | 0:41:54 | 0:41:57 | |
So, if you wander on down. | 0:41:57 | 0:41:59 | |
-Oh, the fire! -That's awesome. | 0:41:59 | 0:42:02 | |
The wood's beautiful. I love it. | 0:42:02 | 0:42:04 | |
And then we've got our stone stacks there. | 0:42:04 | 0:42:08 | |
-Oh, wow! -THEY LAUGH | 0:42:08 | 0:42:10 | |
It's lovely! | 0:42:10 | 0:42:12 | |
So, wander on down to this... | 0:42:12 | 0:42:14 | |
-A water feature. -Yeah! | 0:42:15 | 0:42:17 | |
So, we've got your lovely insectivorous plants there. | 0:42:17 | 0:42:21 | |
And then you've got your little trickle of water, | 0:42:21 | 0:42:24 | |
so it's quite nice, and we even put you a little bench in there. | 0:42:24 | 0:42:27 | |
Oh, wow! Yes. I didn't notice that. | 0:42:27 | 0:42:29 | |
So you don't have to bring | 0:42:29 | 0:42:31 | |
your chairs all the way down here all the time. | 0:42:31 | 0:42:34 | |
Yeah, I mean, that is such a cool little area down there. | 0:42:34 | 0:42:36 | |
Having the carnivorous plants, the water feature. | 0:42:36 | 0:42:39 | |
Really tranquil little spot. | 0:42:39 | 0:42:40 | |
It's so lovely down here. It's like a secret escape. | 0:42:40 | 0:42:45 | |
Yeah. It looks completely different to how it looks from standing up | 0:42:45 | 0:42:48 | |
by the house. It's like we've got two gardens, I suppose. | 0:42:48 | 0:42:51 | |
So, do you think, design-wise, we got it right? | 0:42:51 | 0:42:55 | |
Definitely. And more, actually. | 0:42:56 | 0:42:58 | |
-I couldn't have pictured it like this. -No. | 0:42:58 | 0:43:02 | |
I mean, it's just...it's... | 0:43:02 | 0:43:03 | |
It's perfect. | 0:43:03 | 0:43:04 | |
So, after the fairy dust has settled, | 0:43:06 | 0:43:09 | |
are Tom and Heather still spellbound by their new garden? | 0:43:09 | 0:43:14 | |
I think it was just such a boring garden before. | 0:43:14 | 0:43:16 | |
It had no personality. It had no style. | 0:43:16 | 0:43:19 | |
And it didn't suit us, did it, at all? | 0:43:19 | 0:43:21 | |
And now it's magical and beautiful | 0:43:21 | 0:43:24 | |
and it's exactly what I wanted. | 0:43:24 | 0:43:27 | |
And just the timescale as well. | 0:43:27 | 0:43:29 | |
The weather's not been great and to have achieved this | 0:43:29 | 0:43:31 | |
-in such a short time, it's... -It's beautiful. | 0:43:31 | 0:43:33 | |
Couldn't have asked for anything more. | 0:43:33 | 0:43:35 |