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Hello. Welcome to Gardeners' World. | 0:00:07 | 0:00:10 | |
And it's holiday time, it's high summer, | 0:00:10 | 0:00:13 | |
and tonight we've got a 60-minute programme to celebrate that fact. | 0:00:13 | 0:00:17 | |
Wherever you are, whatever you do, the best way of enjoying this time of year | 0:00:17 | 0:00:22 | |
is simply to get outside into the garden. | 0:00:22 | 0:00:25 | |
At this time of year, salvias are one of the stars of the garden | 0:00:29 | 0:00:32 | |
and with such a wide variety, there's bound to be one that catches your eye. | 0:00:33 | 0:00:37 | |
I like to think that I know my onions, but actually, | 0:00:39 | 0:00:42 | |
my crop has turned into a bit of a disaster. | 0:00:42 | 0:00:45 | |
Joe is heading off to Newby Hall | 0:00:45 | 0:00:48 | |
to marvel at one of the most amazing borders in Europe. | 0:00:48 | 0:00:52 | |
Each side is 140 metres long, | 0:00:54 | 0:00:56 | |
so in total we've got 280 metres of herbaceous planting. | 0:00:56 | 0:01:00 | |
Now that's a lot of plants. | 0:01:00 | 0:01:03 | |
We find out from the curator at RHS Wisley, | 0:01:03 | 0:01:07 | |
the perfect way to prune wisteria. | 0:01:07 | 0:01:10 | |
And Carol is at her home with ideas for freshening up our borders | 0:01:10 | 0:01:15 | |
to keep them looking fantastic for the rest of summer. | 0:01:15 | 0:01:19 | |
Then she's off to the big city to discover some hidden gardens | 0:01:19 | 0:01:23 | |
for you to visit, all just for the price of a travel card. | 0:01:23 | 0:01:27 | |
The whole thing is so carefully conceived, | 0:01:30 | 0:01:33 | |
and yet it's a place to lose yourself. | 0:01:33 | 0:01:36 | |
Now, the dry garden | 0:01:53 | 0:01:56 | |
is happily baking away in the summer sunshine, | 0:01:56 | 0:01:59 | |
and that's good for a lot of the plants that are here, | 0:01:59 | 0:02:02 | |
but none more so than bearded irises. | 0:02:02 | 0:02:04 | |
But, of course, they've done their thing, they're long gone. | 0:02:04 | 0:02:07 | |
You can see I've got a clump of them here | 0:02:07 | 0:02:10 | |
with these lovely glaucous leaves, | 0:02:10 | 0:02:12 | |
They are one of the most spectacular spring flowers. I love them. | 0:02:12 | 0:02:15 | |
I love their voluptuousness and the intensity of colour. | 0:02:15 | 0:02:19 | |
Where the rest of spring is slowly and charmingly | 0:02:19 | 0:02:23 | |
easing into the year, these just flower out with incredible passion. | 0:02:23 | 0:02:29 | |
But they're getting a bit congested | 0:02:29 | 0:02:32 | |
and now is a really good time to lift irises, divide them | 0:02:32 | 0:02:35 | |
and replant them, and that way, | 0:02:35 | 0:02:37 | |
they'll flower much better next year. | 0:02:37 | 0:02:40 | |
And this is very, very, stony, dry soil, | 0:02:40 | 0:02:45 | |
and they're completely happy in it. | 0:02:45 | 0:02:47 | |
So if you're planting bearded irises, | 0:02:47 | 0:02:49 | |
give them as much sunshine as you can and don't worry about rich soil. | 0:02:49 | 0:02:54 | |
Drainage is the key thing. Irises have a big rhizome | 0:02:54 | 0:02:59 | |
which stores the goodness but underneath that are the roots. | 0:02:59 | 0:03:03 | |
So when you lift them, | 0:03:03 | 0:03:05 | |
you want to make sure you don't damage the roots. | 0:03:05 | 0:03:08 | |
There we go. Right. | 0:03:08 | 0:03:10 | |
Let's pull that out. | 0:03:12 | 0:03:14 | |
Right. | 0:03:14 | 0:03:16 | |
There we go. | 0:03:16 | 0:03:17 | |
That's a good clump of irises. | 0:03:18 | 0:03:20 | |
We can break that up and make new plants. | 0:03:20 | 0:03:23 | |
People think of the rhizomes as the roots, they're not. | 0:03:23 | 0:03:26 | |
The roots are underneath. So if I get my knife... | 0:03:26 | 0:03:30 | |
Actually, this is coming off now in my hand. | 0:03:30 | 0:03:32 | |
Right. There's a good plant. | 0:03:32 | 0:03:35 | |
We can see it's got healthy leaves, it's young, | 0:03:35 | 0:03:39 | |
it's got good swollen rhizomes, | 0:03:39 | 0:03:42 | |
and then the roots underneath, coming down. | 0:03:42 | 0:03:45 | |
That's a nice new plant. | 0:03:45 | 0:03:46 | |
That clump has given me 13 separate plants. | 0:04:04 | 0:04:07 | |
Enough for three new vigorous groups, | 0:04:07 | 0:04:11 | |
or clumps, | 0:04:11 | 0:04:14 | |
but before that, I must find a space to put them. | 0:04:14 | 0:04:17 | |
Now, the dry garden is deliberately allowed to fill itself up | 0:04:17 | 0:04:20 | |
with self-seeded plants. | 0:04:20 | 0:04:22 | |
One of the side-effects of letting things seed themselves, | 0:04:22 | 0:04:25 | |
which we do willingly, is that occasionally something takes over | 0:04:25 | 0:04:29 | |
and dominates everything else, and this year, it's Honesty. | 0:04:29 | 0:04:32 | |
which is a lovely plant and I want it in this border, | 0:04:32 | 0:04:34 | |
but not quite to the extent that we've got it. | 0:04:34 | 0:04:38 | |
And this area here is perfect for putting in the iris, | 0:04:38 | 0:04:42 | |
and this is a really good time of year for editing your beds. | 0:04:42 | 0:04:46 | |
You can see the size, the shape and the colour of what you'd like them to be. | 0:04:46 | 0:04:50 | |
Actually, a lot of plants will move surprisingly easily. | 0:04:50 | 0:04:54 | |
Let's get a bucket. | 0:04:55 | 0:04:57 | |
I can move these, I don't need to throw them away, | 0:04:57 | 0:05:00 | |
I can just rehouse them. | 0:05:00 | 0:05:02 | |
There you go. | 0:05:03 | 0:05:05 | |
Put that in there. | 0:05:06 | 0:05:08 | |
And if you haven't got anywhere to put plants, of course, | 0:05:08 | 0:05:11 | |
you can give them to friends, | 0:05:11 | 0:05:13 | |
take them to a car-boot sale, give them to charity. | 0:05:13 | 0:05:16 | |
Don't just consign them to the compost heap automatically. | 0:05:16 | 0:05:21 | |
Right, that's given me a nice space | 0:05:21 | 0:05:23 | |
which I can immediately fill with my irises. | 0:05:23 | 0:05:27 | |
I want to position these so that this rhizome | 0:05:37 | 0:05:41 | |
gets as much sunshine as possible so they want to be facing that way. | 0:05:41 | 0:05:46 | |
There's south, so the sun will hit them all day. | 0:05:46 | 0:05:49 | |
And if I put that in there like that, | 0:05:49 | 0:05:51 | |
I'm just burying the roots but keeping the rhizome above ground... | 0:05:51 | 0:05:57 | |
..like that. | 0:05:58 | 0:06:00 | |
Now, one of the things that you'll notice if you do that, | 0:06:00 | 0:06:03 | |
there's hardly any anchorage at all | 0:06:03 | 0:06:06 | |
and the weight of the leaves is already leaning that back | 0:06:06 | 0:06:10 | |
so it's a good idea to cut the leaves back, right back like that. | 0:06:10 | 0:06:15 | |
That also means that these roots that have been ripped up | 0:06:15 | 0:06:19 | |
out of the ground, however carefully you've dug them, and are damaged, | 0:06:19 | 0:06:23 | |
have less to do and then you get that harmony of the leaves | 0:06:23 | 0:06:27 | |
feeding the rhizomes and the roots, and the roots feeding the leaves | 0:06:27 | 0:06:31 | |
and the plant will get its own balance. | 0:06:31 | 0:06:33 | |
Now, this is a job that is a good idea to get on with, | 0:06:51 | 0:06:55 | |
because you can do it as early as the beginning of July | 0:06:55 | 0:06:58 | |
and now we're getting into August, | 0:06:58 | 0:07:00 | |
it's something that if you get it in the ground, | 0:07:00 | 0:07:02 | |
it gives them a decent enough time | 0:07:02 | 0:07:05 | |
to develop new roots before winter comes. | 0:07:05 | 0:07:07 | |
The garden is pretty much as good as it's going to get | 0:07:24 | 0:07:27 | |
at this time of the year, and I think the most important thing to do is just enjoy it. | 0:07:27 | 0:07:31 | |
There's not a lot you can do to change things anyway | 0:07:32 | 0:07:35 | |
but what you can do is important, and I love that fingertip approach | 0:07:35 | 0:07:40 | |
that's necessary now, rather than the big hands-on stuff | 0:07:40 | 0:07:44 | |
that is appropriate at other times of the year. | 0:07:44 | 0:07:46 | |
And it's just that kind of gardening that Carol has been doing | 0:07:46 | 0:07:50 | |
down at Glebe Cottage. | 0:07:50 | 0:07:53 | |
It's at this time of year that the garden's at its peak, | 0:07:57 | 0:08:01 | |
everything's burgeoning, flowers are looking wonderful. | 0:08:01 | 0:08:06 | |
At the moment, this border's having a bit of a lull. | 0:08:06 | 0:08:09 | |
It's been magnificent with geraniums, | 0:08:09 | 0:08:12 | |
it's going to be again with all these asters | 0:08:12 | 0:08:15 | |
and phlox to take over, but at the moment, | 0:08:15 | 0:08:18 | |
the plant that your eye immediately goes to | 0:08:18 | 0:08:21 | |
is this veronicastrum. | 0:08:21 | 0:08:23 | |
It's magnificent. | 0:08:23 | 0:08:25 | |
But even its performance is being marred slightly | 0:08:25 | 0:08:29 | |
by the presence of all these Cirsium heads. | 0:08:29 | 0:08:32 | |
This has been beautiful, this big, crimson thistle, | 0:08:32 | 0:08:35 | |
but right now, it's rather tatty. | 0:08:35 | 0:08:38 | |
And people would say, "It's the thistle, | 0:08:38 | 0:08:41 | |
"why don't you leave the seed heads? | 0:08:41 | 0:08:43 | |
"The birds will come and feast on them." | 0:08:43 | 0:08:45 | |
But they won't, because there's no seed in there. | 0:08:45 | 0:08:47 | |
And what's more, on wet days, the whole thing | 0:08:47 | 0:08:50 | |
looks positively soggy. | 0:08:50 | 0:08:54 | |
So what I want to do is take these stems down, | 0:08:54 | 0:08:56 | |
right to the ground, there's no point faffing about, | 0:08:56 | 0:09:00 | |
taking bits off here and there, cos that stem has finished flowering | 0:09:00 | 0:09:03 | |
so if I take decisive action and cut it right back to the ground | 0:09:03 | 0:09:09 | |
and just get rid of it, that's going to mean | 0:09:09 | 0:09:12 | |
this plant will put all its energy into producing some new flower stems | 0:09:12 | 0:09:17 | |
which, with a bit of luck, should start to appear in September or so. | 0:09:17 | 0:09:23 | |
Also, you can shear the foliage if you want to as well, | 0:09:23 | 0:09:27 | |
but I think that just cutting these stems is all that's needed now. | 0:09:27 | 0:09:32 | |
And if you think that's drastic, | 0:09:32 | 0:09:35 | |
wait till you see what I am going to do to these poppies. | 0:09:35 | 0:09:39 | |
Now, these are oriental poppies | 0:09:39 | 0:09:41 | |
and they've been beautiful, great, big, opulent blooms. | 0:09:41 | 0:09:44 | |
But I'm not just going to cut those flower stems down, | 0:09:44 | 0:09:47 | |
I'm going to take my shears, | 0:09:47 | 0:09:51 | |
and I am going to shear the lot right to the ground, everything, | 0:09:51 | 0:09:56 | |
old foliage, tatty new foliage, | 0:09:56 | 0:10:00 | |
flower stems, everything, just... | 0:10:00 | 0:10:03 | |
..absolutely straight across there. | 0:10:06 | 0:10:09 | |
And within a matter of weeks, | 0:10:10 | 0:10:11 | |
this poppy's going to rise like a phoenix from the ground. | 0:10:11 | 0:10:16 | |
There'll be a whole brand new set of leaves, lovely fresh foliage, | 0:10:16 | 0:10:21 | |
which is going to fill this rather big gap. | 0:10:21 | 0:10:25 | |
'And that's quite a lot of herbage,' | 0:10:27 | 0:10:29 | |
but this is never going to look good. | 0:10:29 | 0:10:32 | |
'But this will. Some water, possibly a little bit of feed,' | 0:10:32 | 0:10:37 | |
and the whole thing will be as good as new. | 0:10:37 | 0:10:41 | |
Freshened up for the rest of the summer. | 0:10:41 | 0:10:44 | |
'Helping other plants maintain their performance needn't be so brutal. | 0:10:48 | 0:10:53 | |
'Many plants, especially those with a branching habit like Cosmos, | 0:10:53 | 0:10:58 | |
'or those who carry their blooms in trusses, like many roses, | 0:10:58 | 0:11:02 | |
'can make fresh displays for months. | 0:11:02 | 0:11:05 | |
'Dead-heading is all-important. | 0:11:07 | 0:11:09 | |
Removing spent flowers means plants devote all their energy into flower production. | 0:11:09 | 0:11:15 | |
'What's more, the fresh new flowers | 0:11:15 | 0:11:19 | |
'are unmarred by anything dead or dying.' | 0:11:19 | 0:11:21 | |
All over this yellow and blue garden, | 0:11:25 | 0:11:27 | |
I indulge myself in daylilies, and this latest one to open is Hyperion, | 0:11:27 | 0:11:33 | |
and I love the yellow ones, cos all of them have got a gorgeous scent, | 0:11:33 | 0:11:38 | |
but I don't need any tools for this at all. | 0:11:38 | 0:11:41 | |
Just to make these look pristine, | 0:11:41 | 0:11:43 | |
just break these dead flowers gently. | 0:11:43 | 0:11:48 | |
They almost sort of fall off. | 0:11:48 | 0:11:50 | |
And I don't want to nip into that flower head, | 0:11:50 | 0:11:52 | |
because I think that's ugly. | 0:11:52 | 0:11:54 | |
I think that structure there is just so beautiful | 0:11:54 | 0:11:57 | |
with these new buds coming on, too. | 0:11:57 | 0:12:00 | |
And this is part of it, really, where those spent flowers have been, | 0:12:00 | 0:12:03 | |
so I just go over the whole thing, | 0:12:03 | 0:12:06 | |
and it is the sort of job you need to do daily, | 0:12:06 | 0:12:09 | |
because they're what they say they are, | 0:12:09 | 0:12:12 | |
each flower only lasts for a day. | 0:12:12 | 0:12:15 | |
But to appreciate those green buds | 0:12:15 | 0:12:18 | |
and these big open lemon trumpets, | 0:12:18 | 0:12:21 | |
what a difference it makes just to clean these old flowers off. | 0:12:21 | 0:12:25 | |
Whilst you're on a garden housekeeping mission, | 0:12:26 | 0:12:29 | |
attending to a few little jobs can make a big difference. | 0:12:29 | 0:12:33 | |
'Trim off the brown flowers from Alchemilla mollis | 0:12:34 | 0:12:37 | |
'to leave the beautiful lime-green froth behind. | 0:12:37 | 0:12:40 | |
'If you don't want them to seed everywhere, | 0:12:40 | 0:12:42 | |
'then take the shears to them later when all the flowers have faded. | 0:12:42 | 0:12:47 | |
'Simply removing any dead stems freshens up the whole picture, | 0:12:47 | 0:12:52 | |
'and it gives up-and-coming plants a real opportunity to shine.' | 0:12:52 | 0:12:57 | |
These buds are looking a bit more spruced now. | 0:13:10 | 0:13:12 | |
There's still plenty to do, | 0:13:12 | 0:13:13 | |
but the Astrantia 'Roma' that were standing in pots all along this path, | 0:13:13 | 0:13:19 | |
I've decided to take out and replace it with this lovely little Viola cornuta 'Alba'. | 0:13:19 | 0:13:24 | |
It's a charming plant, this, and just from one plant, | 0:13:24 | 0:13:27 | |
I've managed to make loads of them. | 0:13:27 | 0:13:30 | |
And they'll go on flowering for ages and ages | 0:13:30 | 0:13:33 | |
and bring a real bit of sparkle to the border. | 0:13:33 | 0:13:36 | |
There's still so much happening here. | 0:13:36 | 0:13:38 | |
The Acanthus is just majestic at the moment, | 0:13:38 | 0:13:42 | |
but I think putting these little white Violas all along the path | 0:13:42 | 0:13:46 | |
is going to move this whole border into the next phase. | 0:13:46 | 0:13:50 | |
This is all destined for the compost heap. | 0:14:02 | 0:14:05 | |
And what you have is a typical mix of the sort of thing that any garden's going to get, | 0:14:06 | 0:14:11 | |
which is fairly dry material, | 0:14:11 | 0:14:15 | |
which is quite hard and almost woody, | 0:14:15 | 0:14:17 | |
and then leaves that are tough, mixed up with very, very wet grass. | 0:14:17 | 0:14:22 | |
Look at that, you can squeeze the moisture out of that. | 0:14:22 | 0:14:26 | |
Let me show you what the compost is like that we finish with here. | 0:14:26 | 0:14:30 | |
This is the final bay. | 0:14:32 | 0:14:34 | |
This heap has been made up from the compost | 0:14:34 | 0:14:36 | |
that we've accumulated since Easter. | 0:14:36 | 0:14:39 | |
And you can see that that's nice. | 0:14:39 | 0:14:42 | |
Good to handle. | 0:14:42 | 0:14:44 | |
So I want to turn this barrel-load in to that nice compost | 0:14:44 | 0:14:50 | |
as quickly as I can, | 0:14:50 | 0:14:52 | |
and the absolute central secret of making compost is to turn it. | 0:14:52 | 0:14:57 | |
I need to get in there and get dirty. | 0:14:57 | 0:15:01 | |
Quite important when you do this | 0:15:07 | 0:15:09 | |
just to let some air get into it to throw it up. | 0:15:09 | 0:15:12 | |
You can see the steam that's coming out, | 0:15:13 | 0:15:16 | |
and that heat, it's an incredible furnace of animal activity | 0:15:16 | 0:15:22 | |
converting dying life into this rich, vital material. | 0:15:22 | 0:15:28 | |
This garden absolutely depends on its fertility | 0:15:28 | 0:15:32 | |
and its health, on good compost. | 0:15:32 | 0:15:36 | |
I always feel that any gardener that finds the need to go to a gym | 0:15:41 | 0:15:48 | |
is probably not turning their compost enough, | 0:15:48 | 0:15:51 | |
because it's hard work! | 0:15:51 | 0:15:53 | |
Here you are, it didn't take long. | 0:16:01 | 0:16:04 | |
Nice little bit of exercise. | 0:16:04 | 0:16:06 | |
Now, if that looks like too much work, | 0:16:06 | 0:16:09 | |
and not worth the result, just bear two things in mind. | 0:16:09 | 0:16:12 | |
One, you don't have to do it on this scale. | 0:16:12 | 0:16:15 | |
You make it in a dustbin, just empty the dustbin out, | 0:16:15 | 0:16:17 | |
tip the dustbin over, and put it back in | 0:16:17 | 0:16:19 | |
and you're doing exactly the same as what I've done here. | 0:16:19 | 0:16:22 | |
And two, turning it dramatically speeds up the process. | 0:16:22 | 0:16:28 | |
You could have a lovely, rich, | 0:16:28 | 0:16:30 | |
sweet-smelling compost by the autumn. | 0:16:30 | 0:16:34 | |
That is the secret of making really good compost. | 0:16:34 | 0:16:37 | |
Onions, or at least the edible Allium family, | 0:16:59 | 0:17:02 | |
are amongst the oldest of all crops grown by man, | 0:17:02 | 0:17:04 | |
and certainly one of the most universal. | 0:17:04 | 0:17:06 | |
There's not a society in this world | 0:17:06 | 0:17:08 | |
that doesn't grow an onion if they can, | 0:17:08 | 0:17:10 | |
and they're pretty easy to grow. | 0:17:10 | 0:17:13 | |
And the ones that I've got here, which are shallots, garlics, onions, | 0:17:13 | 0:17:16 | |
are doing very well, but I want to plant out some more, | 0:17:16 | 0:17:19 | |
which are leeks. | 0:17:19 | 0:17:21 | |
And if you've got leeks, it's worth getting on with it, | 0:17:21 | 0:17:24 | |
because we're getting to the end of the leek-planting season. | 0:17:24 | 0:17:28 | |
So I'll prepare this piece of ground to put them in. | 0:17:28 | 0:17:32 | |
By the way, this rake has got a double front to it. | 0:17:32 | 0:17:36 | |
I've only had it this year, and it's very good. | 0:17:36 | 0:17:38 | |
It's called a hand hoe, and I can recommend it. | 0:17:38 | 0:17:40 | |
I've grown my leek seedlings in pots and in plugs, | 0:17:43 | 0:17:49 | |
although traditionally they were always grown on a seedbed outside | 0:17:49 | 0:17:53 | |
and you can do that very well. | 0:17:53 | 0:17:55 | |
This is a variety called Carentan, | 0:17:55 | 0:17:58 | |
and I'm going to plant these in the traditional method, | 0:17:58 | 0:18:02 | |
which is to use a dibber. | 0:18:02 | 0:18:05 | |
Just make a hole at about six inch spacing... | 0:18:05 | 0:18:09 | |
..along a line or a board. | 0:18:10 | 0:18:14 | |
Inevitably, the hole back-fills a little, | 0:18:17 | 0:18:20 | |
but that doesn't matter too much in the first instant. | 0:18:20 | 0:18:24 | |
You take your leek seedlings, | 0:18:27 | 0:18:30 | |
and you can see these have got good roots, | 0:18:30 | 0:18:32 | |
break them open, and put a seedling in each hole. | 0:18:32 | 0:18:37 | |
There you are. | 0:18:38 | 0:18:40 | |
Nice, good root system, healthy young plant. | 0:18:40 | 0:18:45 | |
But obviously a leek will grow to really quite a monstrous size, | 0:18:45 | 0:18:49 | |
though they don't have to to eat them. | 0:18:49 | 0:18:51 | |
When you put them in a hole, just pop them in, | 0:18:51 | 0:18:53 | |
swizzle them round, and leave them in, | 0:18:53 | 0:18:56 | |
don't backfill them. | 0:18:56 | 0:18:57 | |
This way is certainly the best technique | 0:18:57 | 0:19:01 | |
if you want nice big leaks... | 0:19:01 | 0:19:03 | |
..because they grow to expand out into the hole, | 0:19:04 | 0:19:06 | |
and because they're in a hole underground, they blanch them, | 0:19:06 | 0:19:09 | |
so you get a good white stem, which is sweeter. | 0:19:09 | 0:19:14 | |
And then, when you plant them, | 0:19:14 | 0:19:16 | |
instead of firming round and getting the soil up around the necks, | 0:19:16 | 0:19:20 | |
you simply water them in. | 0:19:20 | 0:19:22 | |
So much for the conventional method. | 0:19:36 | 0:19:37 | |
And I could fill the whole of this space with leeks like that. | 0:19:37 | 0:19:42 | |
But there's another way of growing them, | 0:19:42 | 0:19:44 | |
and I tend to use this method much more, | 0:19:44 | 0:19:46 | |
which is to grow them in root trainers, | 0:19:46 | 0:19:48 | |
or deep plugs, like this, | 0:19:48 | 0:19:51 | |
and then plant the whole caboodle out in one go. | 0:19:51 | 0:19:54 | |
Just make a hole, and pop it in. | 0:19:54 | 0:19:57 | |
And the reason for that is that nobody ever eats just one leek. | 0:19:57 | 0:20:01 | |
You dig up two, three, four, more, | 0:20:01 | 0:20:02 | |
so if you have a clump growing together, you dig up the clump. | 0:20:02 | 0:20:06 | |
And that's it. | 0:20:06 | 0:20:08 | |
Very easy, you just take what you need as you go along, | 0:20:08 | 0:20:10 | |
and these I plant with a trowel | 0:20:10 | 0:20:12 | |
and just pop them in the ground as normal. | 0:20:12 | 0:20:14 | |
Both techniques have their pros and cons. | 0:20:17 | 0:20:19 | |
Individual holes, you get a bigger leek. | 0:20:19 | 0:20:23 | |
If you plant them in groups, there's less handling. | 0:20:23 | 0:20:25 | |
They both taste just as good. | 0:20:25 | 0:20:27 | |
And they'll be ready to eat from autumn | 0:20:35 | 0:20:37 | |
right through the winter to next spring. | 0:20:37 | 0:20:39 | |
However, I've got other alliums that are ready to harvest now. | 0:20:39 | 0:20:42 | |
You know garlic is ready to harvest | 0:20:44 | 0:20:46 | |
when the leaves turn yellow, and also when it starts to seed. | 0:20:46 | 0:20:51 | |
You can see here that every stem is setting a flower bud. | 0:20:52 | 0:20:55 | |
You could cut those off if the leaves were perfectly green and flush, but they're not. | 0:20:55 | 0:21:00 | |
The signs are that whatever is on the ground won't get any better, | 0:21:00 | 0:21:04 | |
and to be honest, I don't know what this crop's going to be like. | 0:21:04 | 0:21:07 | |
But there's only one way of finding out - dig it up. | 0:21:07 | 0:21:09 | |
The key to harvesting garlic is to dig it, don't pull it. | 0:21:09 | 0:21:13 | |
If you pull it, you risk damaging the roots. | 0:21:15 | 0:21:18 | |
There we go. There's a bulb underground. | 0:21:20 | 0:21:25 | |
Two together. | 0:21:25 | 0:21:26 | |
I want to keep as many of those roots intact as possible | 0:21:26 | 0:21:29 | |
because if I break the place where they touch the bulb, | 0:21:29 | 0:21:33 | |
they won't store nearly so well. | 0:21:33 | 0:21:35 | |
Let's put that down. | 0:21:35 | 0:21:37 | |
They're not huge. | 0:21:40 | 0:21:42 | |
But the critical thing is that they've formed into separate cloves. | 0:21:44 | 0:21:49 | |
Sometimes you'll find that bulbs will be solid. | 0:21:49 | 0:21:53 | |
There'll be just one large clove. | 0:21:53 | 0:21:56 | |
Usually that's because they've gone in the ground too late. | 0:21:56 | 0:21:59 | |
They haven't had enough cold weather. | 0:21:59 | 0:22:02 | |
There's two there. | 0:22:02 | 0:22:04 | |
To store these, I want to dry them as thoroughly as possible. | 0:22:08 | 0:22:15 | |
Best place to dry garlic is in the soil where they're grown. | 0:22:15 | 0:22:19 | |
And if it's a really sunny week, that's the easiest way to do it. | 0:22:19 | 0:22:24 | |
But if there's any risk of rain, | 0:22:24 | 0:22:27 | |
it's worth bringing them in undercover. | 0:22:27 | 0:22:29 | |
If you've got a greenhouse, that's really good. | 0:22:29 | 0:22:33 | |
It makes the greenhouse smell beautifully garlicky. | 0:22:33 | 0:22:38 | |
Otherwise put them on racks indoors. | 0:22:38 | 0:22:40 | |
Shallots, onions - they're looking good. | 0:22:42 | 0:22:45 | |
They'll be ready in a few weeks. Garlic, very happy with. | 0:22:45 | 0:22:48 | |
Leeks in the ground, | 0:22:48 | 0:22:50 | |
so far everything rosy in the onion garden. | 0:22:50 | 0:22:53 | |
Except if you come down to the ornamental veg garden, | 0:22:53 | 0:22:56 | |
things are not looking so good. | 0:22:56 | 0:22:58 | |
These are the same onions grown at the same time, in the same way | 0:23:03 | 0:23:07 | |
as the ones in the top vegetable garden. | 0:23:07 | 0:23:10 | |
They're a complete disaster. | 0:23:10 | 0:23:13 | |
The problem is actually in the soil. This is onion white rot. | 0:23:13 | 0:23:20 | |
You can see that it completely inhibits the growth of the onions. | 0:23:20 | 0:23:23 | |
In fact, the onions themselves are perfectly edible | 0:23:23 | 0:23:27 | |
as long as they're firm. | 0:23:27 | 0:23:29 | |
Dig up some shallots, I'll just reach in, take these here. | 0:23:29 | 0:23:34 | |
They come out of the ground, the roots are completely rotted away. | 0:23:34 | 0:23:37 | |
There, you can see on that one it's very clear. | 0:23:37 | 0:23:40 | |
There's a white fungus. | 0:23:40 | 0:23:42 | |
That's at the base of the bulb, where the roots join the plate. | 0:23:42 | 0:23:46 | |
The roots rot, and because the roots rot, | 0:23:46 | 0:23:49 | |
the top growth rots back, dies back, | 0:23:49 | 0:23:52 | |
and therefore the bulb can't grow. | 0:23:52 | 0:23:54 | |
And if I cut that in two... | 0:23:54 | 0:23:56 | |
..without cutting my fingers off... | 0:23:56 | 0:23:59 | |
..you'll see that it's completely healthy. | 0:24:00 | 0:24:03 | |
You can eat that, no problem at all. Just cut out any of this fungus. | 0:24:03 | 0:24:07 | |
It won't do you any harm. It's clearly really bad news. | 0:24:07 | 0:24:11 | |
This is not good. | 0:24:11 | 0:24:12 | |
It means I can't grow garlic, onions, shallots or leeks | 0:24:12 | 0:24:16 | |
in the whole of this vegetable garden. | 0:24:16 | 0:24:19 | |
The good news is that alliums are the only plants to be affected. | 0:24:19 | 0:24:23 | |
So I can grow anything else in this plot. That's what I'll do. | 0:24:23 | 0:24:27 | |
I'll clear this, keep the bulbs that I can eat and use them up, | 0:24:27 | 0:24:30 | |
burn the rest of the material rather than compost it, | 0:24:30 | 0:24:34 | |
and plant it up and try and make the best of the bad situation. | 0:24:34 | 0:24:38 | |
So the first thing to do is just clear these away. | 0:24:41 | 0:24:43 | |
I've got two containers, | 0:24:44 | 0:24:46 | |
one for those onions and shallots that I can eat | 0:24:46 | 0:24:50 | |
and one for the rubbish. | 0:24:50 | 0:24:53 | |
Like that. | 0:24:53 | 0:24:54 | |
I need to keep this bed onion-free for at least five years. | 0:24:54 | 0:24:59 | |
But the good news is there are plenty of other things | 0:24:59 | 0:25:02 | |
I can plant straightaway in the bed - | 0:25:02 | 0:25:04 | |
kale, spring cabbage, | 0:25:04 | 0:25:07 | |
any of the lettuces or French beans will all go well. | 0:25:07 | 0:25:09 | |
I'll just freshen it up with a little compost before planting. | 0:25:09 | 0:25:13 | |
All these little bits and pieces I'll burn, | 0:25:19 | 0:25:22 | |
but we'll eat all those. | 0:25:22 | 0:25:24 | |
This kind of job is hardly glamorous, but it has to be done. | 0:25:24 | 0:25:27 | |
But Joe has got himself a really good gig this week. | 0:25:27 | 0:25:30 | |
He's visiting Newby Hall. | 0:25:30 | 0:25:32 | |
I know it's good because I've been there. | 0:25:32 | 0:25:34 | |
Something of a landmark here at Newby | 0:25:48 | 0:25:51 | |
are these huge herbaceous borders. | 0:25:51 | 0:25:53 | |
They're the longest in Europe. | 0:25:53 | 0:25:56 | |
Each side is 140 metres long, | 0:25:56 | 0:25:58 | |
so in total we've got 280 metres of herbaceous planting. | 0:25:58 | 0:26:03 | |
Now that's a lot of plants. | 0:26:03 | 0:26:05 | |
They were first laid out in the 1930s by Major Compton. | 0:26:06 | 0:26:10 | |
The formal hedges both enclose the long vista | 0:26:10 | 0:26:12 | |
and act as a windbreak to create the ideal conditions | 0:26:12 | 0:26:14 | |
for all these herbaceous plants to thrive. | 0:26:14 | 0:26:18 | |
This is a classic herbaceous border, | 0:26:27 | 0:26:29 | |
the way it's been planted in blocks, | 0:26:29 | 0:26:31 | |
all looking like the plants are holding each other up anyway. | 0:26:31 | 0:26:35 | |
But it's a very exciting plant combination, too. | 0:26:35 | 0:26:37 | |
We've got geranium patricia here spilling over the path, | 0:26:37 | 0:26:41 | |
this vertical accident of this loosestrife | 0:26:41 | 0:26:44 | |
spiking its way through there, | 0:26:44 | 0:26:46 | |
and then we move into the more sort of gold colours, the oranges, | 0:26:46 | 0:26:49 | |
day lily at the front, heleniums, and then tiering up | 0:26:49 | 0:26:52 | |
to the eupatorium at the back, which looks like it's holding itself up | 0:26:52 | 0:26:56 | |
but actually there's some very clever black netting | 0:26:56 | 0:26:59 | |
been staked all through the back of this border | 0:26:59 | 0:27:01 | |
where the taller plants have grown through it | 0:27:01 | 0:27:04 | |
and are now being supported. | 0:27:04 | 0:27:06 | |
And right now in late July they look particularly splendid, | 0:27:12 | 0:27:15 | |
pretty much as perfect as herbaceous borders can be. | 0:27:15 | 0:27:18 | |
Well, you'd think so anyway. But actually their days are numbered. | 0:27:18 | 0:27:23 | |
'Come this autumn, a major restoration project gets underway | 0:27:23 | 0:27:28 | |
'that will see these borders change dramatically.' | 0:27:28 | 0:27:31 | |
'Mark Jackson, head gardener, has been here for 20 years.' | 0:27:36 | 0:27:39 | |
Now, the big question not only on my lips | 0:27:39 | 0:27:42 | |
but surely on all the visitors to this garden is why? | 0:27:42 | 0:27:47 | |
Why do you want to rip up these beautiful borders | 0:27:47 | 0:27:49 | |
and start all over again? | 0:27:49 | 0:27:51 | |
They look amazing. | 0:27:51 | 0:27:52 | |
All borders need renovation | 0:27:52 | 0:27:53 | |
to some degree or other, lifting and dividing. | 0:27:53 | 0:27:57 | |
-Nothing stands still, obviously. -Exactly. | 0:27:57 | 0:28:01 | |
Many of the plants are at that stage | 0:28:01 | 0:28:03 | |
where there's quite a lot of work required. | 0:28:03 | 0:28:05 | |
There's also an aspirational side, if you like. | 0:28:05 | 0:28:08 | |
We believe we can make this border even better than it is now. | 0:28:08 | 0:28:13 | |
Also, there's the personal side. | 0:28:13 | 0:28:15 | |
This is a family home and we have a new generation. | 0:28:16 | 0:28:19 | |
-They want to stamp their mark? -They will do, yes. | 0:28:19 | 0:28:23 | |
How different are the new borders going to be to what we see here? | 0:28:23 | 0:28:26 | |
We want to bring | 0:28:26 | 0:28:27 | |
a slightly more modern feel to it without going too far. | 0:28:27 | 0:28:31 | |
There'll certainly be some colours that may disappear | 0:28:31 | 0:28:34 | |
to allow new introductions. | 0:28:34 | 0:28:36 | |
There's so many good plants out there. | 0:28:36 | 0:28:38 | |
Which ones? You can tell me. Which ones are going? | 0:28:38 | 0:28:41 | |
the geum Princess Juliana | 0:28:41 | 0:28:43 | |
is probably one that we're going to lose and we'll be moving. | 0:28:43 | 0:28:47 | |
Right, Princess Juliana is gone. Yeah, yeah, OK. No oranges. | 0:28:47 | 0:28:51 | |
The achillea filipendulina, | 0:28:51 | 0:28:53 | |
the gold plate, we'll probably take out as well. | 0:28:53 | 0:28:56 | |
OK, no oranges, no yellows. | 0:28:56 | 0:28:58 | |
We'll use yellows, but softer yellows. | 0:28:58 | 0:29:01 | |
Is there a naturalistic feel you're aiming for? | 0:29:01 | 0:29:03 | |
They're more sort of muted, more natural colours, nothing too garish. | 0:29:03 | 0:29:08 | |
I think it will soften to some degree. | 0:29:08 | 0:29:11 | |
The polemonium sonias bluebell, which is a Carol Klein plant... | 0:29:11 | 0:29:15 | |
-That's going to stay? -He's safe. | 0:29:15 | 0:29:17 | |
Carol, you're all right. | 0:29:17 | 0:29:19 | |
Yes, that is one of your favourites, the polemonium. | 0:29:19 | 0:29:22 | |
At the moment it's daunting, it is challenging. | 0:29:22 | 0:29:24 | |
I am a little apprehensive. | 0:29:24 | 0:29:26 | |
We're sticking our heads above a parapet, and if we get it wrong, | 0:29:26 | 0:29:29 | |
both the family and the visitors will let us know. | 0:29:29 | 0:29:32 | |
'Of course, gardeners are really just custodians of a piece of land | 0:29:40 | 0:29:43 | |
'for a certain amount of time. | 0:29:43 | 0:29:45 | |
'Those borders are going to take years | 0:29:45 | 0:29:47 | |
'to develop to look really mature.' | 0:29:47 | 0:29:49 | |
But in here there's a garden that changes year on year. | 0:29:49 | 0:29:53 | |
'Here at Newby Hall they call it the autumn garden. | 0:29:53 | 0:29:56 | |
'But right now it's a salvia collection that's stealing the show.' | 0:29:56 | 0:30:00 | |
So salvias are loving and protected micro-climate in this walled garden. | 0:30:06 | 0:30:11 | |
Loads of colour and loads more to come right through the autumn. | 0:30:11 | 0:30:15 | |
How many have you packed into this small space? | 0:30:15 | 0:30:17 | |
There are 40 varieties, 45 varieties of salvia. | 0:30:17 | 0:30:20 | |
There's been 1,000 plants planted in the garden this year. | 0:30:20 | 0:30:24 | |
And do you replant the garden every year? | 0:30:24 | 0:30:27 | |
We do it every year. | 0:30:27 | 0:30:29 | |
We can't run the risk of them not being hardy enough to come through the winter. | 0:30:29 | 0:30:33 | |
-So it's like a bedding scheme, really? -It is like a bedding scheme. | 0:30:33 | 0:30:37 | |
Do you come up with a plan? How do you go about planting it all out? | 0:30:37 | 0:30:41 | |
I don't come up with a plan, well, not on paper. I come up with a plan in my head. | 0:30:41 | 0:30:45 | |
You look at the colour associations. | 0:30:45 | 0:30:48 | |
I know what they look like, | 0:30:48 | 0:30:51 | |
I know how tall they're going to grow, | 0:30:51 | 0:30:53 | |
so it's all up here. It's all up here. | 0:30:53 | 0:30:56 | |
It certainly works because they do partner other very well, don't they? | 0:30:56 | 0:30:59 | |
They look really nice with variations in height and colour. | 0:30:59 | 0:31:03 | |
If you don't have all this space and you can't grow 45 different varieties of salvias, | 0:31:03 | 0:31:08 | |
which ones would you recommend, ones that you couldn't live without? Show me the good ones. | 0:31:08 | 0:31:13 | |
Wow. | 0:31:17 | 0:31:18 | |
This has got an incredible colour, hasn't it? So intense. | 0:31:18 | 0:31:21 | |
That's salvia microphylla, Cerro Potosi, | 0:31:21 | 0:31:24 | |
which is such a vibrant, vibrant pink. | 0:31:24 | 0:31:27 | |
It's a very good height as well, actually. | 0:31:27 | 0:31:29 | |
Yeah, it's a good height, good colour, one of my favourite. | 0:31:29 | 0:31:33 | |
It's got scented foliage. | 0:31:33 | 0:31:34 | |
-Yeah, it does. -Yeah, I like that. I suppose it's not to everybody's taste, but I like it. | 0:31:34 | 0:31:39 | |
You get used to it when you're working with them all the time. | 0:31:39 | 0:31:42 | |
Some really good blues, aren't there? | 0:31:48 | 0:31:51 | |
Yeah, we have got the salvia uliginosa which will grow up to five or six feet. | 0:31:51 | 0:31:55 | |
It's a really good back-of-the-border plant. | 0:31:55 | 0:31:57 | |
You can use it a bit like verbena bonariensis, where you can grow plants round and through it. | 0:31:57 | 0:32:02 | |
You can see through it. | 0:32:02 | 0:32:04 | |
-There's one called Newby Hall, isn't there? -Yes, just around this corner. | 0:32:10 | 0:32:15 | |
It's not such a bright red but it was bred by Jamie Compton. | 0:32:15 | 0:32:20 | |
-We feel we ought to grow it. -What's this blue one? -We're not quite sure. | 0:32:20 | 0:32:26 | |
-But it's too good a colour for us not to be growing it! -Fair enough. | 0:32:26 | 0:32:29 | |
-We'll figure out what it's called eventually. -Caught you out! | 0:32:29 | 0:32:32 | |
Yes, yes. | 0:32:32 | 0:32:35 | |
If you think you can name this mystery salvia, | 0:32:35 | 0:32:38 | |
the Newby Hall gardeners can be contacted via our website. | 0:32:38 | 0:32:42 | |
JAZZY FLUTE INTERLUDE | 0:32:46 | 0:32:48 | |
I'm clearing away poppies from these borders. Not all of them, | 0:32:55 | 0:33:01 | |
-because the poppy heads themselves are -so -architecturally beautiful | 0:33:01 | 0:33:06 | |
and I want to keep those into winter and then the birds will eat them and the seeds will drop | 0:33:06 | 0:33:11 | |
and that will stimulate new growth. Some I've marked. | 0:33:11 | 0:33:14 | |
I've marked that with a piece of string because the colours are particularly good | 0:33:14 | 0:33:18 | |
and we'll harvest those seeds. | 0:33:18 | 0:33:20 | |
But I want a bit of space, and by pulling them up, that's exactly what I get. | 0:33:20 | 0:33:24 | |
At first it looks a bit empty and chaotic, | 0:33:24 | 0:33:29 | |
but in any border, certainly in mid-summer, an empty space | 0:33:29 | 0:33:33 | |
is an opportunity for a new plant, particularly those that respond to warmth, | 0:33:33 | 0:33:37 | |
those that come from near the tropics. I've been raising them in the greenhouse on the cold frames. | 0:33:37 | 0:33:43 | |
Just as at Newby Hall, one of my favourites are salvias, a whole mass of them, | 0:33:43 | 0:33:49 | |
but a few of them work very well in the dual garden. | 0:33:49 | 0:33:52 | |
In fact, there's one I've had for ages that I want to show you. | 0:33:52 | 0:33:55 | |
I've treasured this Salvia guaranitica for over 15 years now. | 0:33:58 | 0:34:02 | |
I renew it by taking cuttings every summer. I know the thought of taking cuttings can put people off. | 0:34:02 | 0:34:08 | |
But in fact, it's incredibly easy. | 0:34:08 | 0:34:11 | |
With salvias, you're looking for side shoots. If you grow tomatoes | 0:34:12 | 0:34:15 | |
you're familiar with the side shoots that you remove. | 0:34:15 | 0:34:18 | |
You can see on this plant there's a side shoot. | 0:34:18 | 0:34:21 | |
Between the leaf and the stem, a shoot growing off | 0:34:21 | 0:34:25 | |
about 50-60 degrees. As long as it doesn't have a flower on the end | 0:34:25 | 0:34:30 | |
it will make a really good cutting. I'll just snip that off. | 0:34:30 | 0:34:34 | |
There. | 0:34:37 | 0:34:39 | |
Pop that straight in the bag. | 0:34:40 | 0:34:43 | |
The bag just conserves the moisture, stops it drying out too fast. | 0:34:43 | 0:34:47 | |
We'll take another one while we're about it. | 0:34:47 | 0:34:49 | |
Actually, I saw yet another one. I snip in at the base like that. | 0:34:56 | 0:35:00 | |
We'll put that in. This is a good time of year to take salvia cuttings. | 0:35:01 | 0:35:06 | |
In the next couple of months, because it'll be producing lots of side shoots, | 0:35:06 | 0:35:10 | |
they'll root easily, the plant will get established, you can then over winter it | 0:35:10 | 0:35:15 | |
and next spring you'll have good, strong plants ready to go in the garden after last frost. | 0:35:15 | 0:35:21 | |
Then you're away. That will produce more material and you'll never need to buy salvia again. | 0:35:21 | 0:35:26 | |
And you can have dozens of them. | 0:35:26 | 0:35:28 | |
The whole process is simple but there are a few things to remember. | 0:35:31 | 0:35:37 | |
First, use a compost that's very free-draining. I've got some mixed up here with lots of grit. | 0:35:37 | 0:35:43 | |
If in doubt at all, add more grit. | 0:35:44 | 0:35:48 | |
I'll just do one at a time. | 0:35:48 | 0:35:51 | |
If I left all those leaves on, they'd lose moisture quicker than they can develop roots to feed it back again. | 0:35:54 | 0:36:01 | |
So the first thing to do is take the leaves off. A sharp knife is very useful. | 0:36:01 | 0:36:05 | |
Cut that cleanly there and there. I'm going to leave two leaves, | 0:36:07 | 0:36:13 | |
and that's a good rule for all cuttings. | 0:36:13 | 0:36:17 | |
We've got two leaves like that. | 0:36:18 | 0:36:20 | |
These are nodes where the leaves join. | 0:36:20 | 0:36:23 | |
With salvias you can take inter-nodal cuttings, | 0:36:23 | 0:36:26 | |
which means cut them anywhere. | 0:36:26 | 0:36:27 | |
We're going to do a nice, clean cut, like that. | 0:36:27 | 0:36:30 | |
We've got a clean end. Cutting seems to take much more readily | 0:36:30 | 0:36:36 | |
if they go between the pot and soil rather than directly into the soil. | 0:36:36 | 0:36:40 | |
Just ease it in, don't force it. We don't want to damage the cut end | 0:36:40 | 0:36:43 | |
which is where the roots will come from. | 0:36:43 | 0:36:45 | |
Where we have leaves like that... | 0:36:47 | 0:36:50 | |
actually, those two big leaves could come off. | 0:36:50 | 0:36:53 | |
Got a clean end there. | 0:36:55 | 0:36:58 | |
Put that one in over here. | 0:36:58 | 0:37:00 | |
This is it. There's no magic. I'm not using years of experience or skill. | 0:37:07 | 0:37:11 | |
Anybody could do this. Take that off there. I think we'll lose that leaf. | 0:37:11 | 0:37:16 | |
And that leaf. We'll reduce the size of those. | 0:37:16 | 0:37:21 | |
If you think there's too much foliage, | 0:37:21 | 0:37:25 | |
cut that and that in half, and it will lose less moisture. That's all we're doing. | 0:37:25 | 0:37:30 | |
Cut that there. | 0:37:32 | 0:37:37 | |
Push that in. | 0:37:37 | 0:37:38 | |
Next, water it thoroughly and put it somewhere which isn't in direct sunlight, | 0:37:40 | 0:37:46 | |
because it might get too dry, but with sunshine. | 0:37:46 | 0:37:50 | |
Plenty of light but some protection to keep it fairly moist. | 0:37:50 | 0:37:54 | |
It doesn't mean soaking it with a watering can, | 0:37:54 | 0:37:56 | |
just that the air needs to be quite moist. Number of ways of doing that. | 0:37:56 | 0:38:00 | |
You can put a polythene bag around it. | 0:38:00 | 0:38:03 | |
The danger is you can have too much moisture and condensation. | 0:38:03 | 0:38:06 | |
But it's very useful if you're going away. Or you can mist it with a mister two or three times a day | 0:38:06 | 0:38:12 | |
and that will be adequate and will take. | 0:38:12 | 0:38:14 | |
As it is, I put all my cuttings in the greenhouse. | 0:38:14 | 0:38:17 | |
These cuttings that I took in spring will make a good show in this space. | 0:38:30 | 0:38:36 | |
Salvia guarnitica does like fairly rich, heavy soil. | 0:38:37 | 0:38:44 | |
Most salvias like good drainage. | 0:38:44 | 0:38:47 | |
As long as they get full sun there are very few soils they won't grow in. | 0:38:47 | 0:38:53 | |
If you plant in groups, odd numbers, tend to look more natural, | 0:38:55 | 0:39:00 | |
immediately you can use small plants to create a big impression. | 0:39:00 | 0:39:05 | |
And you can get a big impact in the border, | 0:39:05 | 0:39:08 | |
and if you've got plants, you can do it with 11 or 13, | 0:39:08 | 0:39:12 | |
and it's really dramatic. And it all comes from little cuttings. | 0:39:12 | 0:39:16 | |
As well as Salvia guarnitica, there are dozens of other beautiful salvias, | 0:39:18 | 0:39:23 | |
and here are a few you can grow at home. | 0:39:23 | 0:39:26 | |
Cambridge Blue is one of my favourites. | 0:39:27 | 0:39:29 | |
The flowers are an incredible colour | 0:39:29 | 0:39:31 | |
and it looks just as good in a pot or a border. | 0:39:31 | 0:39:36 | |
Indigo Spires is rather taller, reaching about four to five foot, | 0:39:37 | 0:39:41 | |
and will flower constantly from June to November. | 0:39:41 | 0:39:45 | |
Salvia oxyphora can take some tracking down, but it's worth the effort, | 0:39:49 | 0:39:54 | |
because its crimson, furry flowers are beautifully scented and irresistible for insects. | 0:39:54 | 0:40:00 | |
Still to come, Carol is visiting gardens in central London, | 0:40:04 | 0:40:08 | |
where she's found some real gems. And the best thing is that | 0:40:08 | 0:40:11 | |
they are all free. | 0:40:11 | 0:40:12 | |
And here at Longmeadow, | 0:40:12 | 0:40:14 | |
I'll be tasting my first tomato of the season. | 0:40:14 | 0:40:17 | |
I get a lot of letters, asking about pruning in general, | 0:40:29 | 0:40:33 | |
and a surprising amount of them | 0:40:33 | 0:40:35 | |
about pruning wisteria specifically. | 0:40:35 | 0:40:38 | |
I've got a batch of e-mails at the moment. | 0:40:38 | 0:40:41 | |
Wisteria always seems to cause problems in some form or other. | 0:40:41 | 0:40:46 | |
For example, Denise Sowden, | 0:40:46 | 0:40:48 | |
you've written and said that you have a white wisteria - at least, | 0:40:48 | 0:40:51 | |
you think it's going to be white - which you bought and has grown | 0:40:51 | 0:40:54 | |
perfectly well for the last four years, but it's never flowered. | 0:40:54 | 0:40:58 | |
So is there anything you can do to encourage it to flower? | 0:40:58 | 0:41:01 | |
Jim Nuttall, you've written saying you have an amethyst wisteria, | 0:41:01 | 0:41:05 | |
and it's flowered from day one. | 0:41:05 | 0:41:07 | |
The problem is, you don't know how to prune it. | 0:41:07 | 0:41:09 | |
So, we thought we'd go to RHS Wisley and find the best way | 0:41:09 | 0:41:14 | |
to prune wisteria to get maximum flowering, | 0:41:14 | 0:41:18 | |
and who better to tell us that | 0:41:18 | 0:41:20 | |
than the top man, the curator, Colin Crosbie. | 0:41:20 | 0:41:23 | |
Wisteria's one of the most wonderful | 0:41:26 | 0:41:30 | |
and beautiful of all-flowering climbers. | 0:41:30 | 0:41:34 | |
I love them because they've got masses of flowers | 0:41:34 | 0:41:37 | |
for a short period of time in the spring, | 0:41:37 | 0:41:39 | |
and then the scent is just to die for. | 0:41:39 | 0:41:42 | |
They're truly, truly magnificent. | 0:41:42 | 0:41:44 | |
Wisteria's a member of the pea family, | 0:41:48 | 0:41:51 | |
and they originate from Japan and China. | 0:41:51 | 0:41:54 | |
They grow really well in our gardens. | 0:41:54 | 0:41:57 | |
However, for some gardeners, they can be quite frustrating. | 0:41:57 | 0:42:01 | |
One of the most frequently-asked questions we have | 0:42:04 | 0:42:07 | |
in Wisley Garden is, how do you prune wisterias to encourage flowering? | 0:42:07 | 0:42:12 | |
It's actually very simple, and happens in two stages. | 0:42:12 | 0:42:16 | |
The first stage is the summer pruning to remove all these long, | 0:42:16 | 0:42:20 | |
vigorous growths that you see at the present moment. | 0:42:20 | 0:42:23 | |
What you have to do is actually count six buds | 0:42:23 | 0:42:26 | |
from where the old wood is, and that's where you make your cut. | 0:42:26 | 0:42:30 | |
It sounds very harsh, but it's not. Here I am, I'm counting six buds. | 0:42:30 | 0:42:35 | |
One, two, three, four, five, six. And then pruning. | 0:42:35 | 0:42:39 | |
This actually helps to encourage the flower-bud initiation. | 0:42:39 | 0:42:42 | |
This is a job that you might need to do two or three times during | 0:42:42 | 0:42:48 | |
the summer months, cos all the shoots that you've pruned, | 0:42:48 | 0:42:51 | |
they won't re-grow, but you might find other shoots that suddenly start growing. | 0:42:51 | 0:42:55 | |
So, two or three times during the summer, | 0:42:55 | 0:42:58 | |
whenever you see these long, leggy growths, | 0:42:58 | 0:43:01 | |
just give it a haircut, pruning back to the six buds. | 0:43:01 | 0:43:04 | |
With the pruning, I always start at the bottom | 0:43:23 | 0:43:25 | |
and work my way up to the top of the plant. | 0:43:25 | 0:43:28 | |
Once you've finished the summer pruning, | 0:43:31 | 0:43:33 | |
then the next stage of the pruning is to come back in late January, | 0:43:33 | 0:43:37 | |
early February time, and all these little spurs of branches that | 0:43:37 | 0:43:42 | |
you've pruned back to six buds, you then prune back to two buds. | 0:43:42 | 0:43:47 | |
So, in January, February time, you come back to two buds. | 0:43:47 | 0:43:52 | |
They'll be really fat and juicy, | 0:43:54 | 0:43:56 | |
and that's them swelling up as flower buds. | 0:43:56 | 0:43:59 | |
Most people are used to seeing wisterias | 0:44:11 | 0:44:14 | |
growing against walls and up houses. | 0:44:14 | 0:44:16 | |
However, in small gardens, you can train them up a wooden post, | 0:44:16 | 0:44:21 | |
and this gives you a standard wisteria. | 0:44:21 | 0:44:23 | |
Wonderful when it's covered in flowers, | 0:44:23 | 0:44:25 | |
and it's treated and pruned in exactly the same way. | 0:44:25 | 0:44:28 | |
Now, if you really want to encourage your wisteria to flower well, | 0:44:30 | 0:44:34 | |
you feed it with a high-potash fertiliser during the summer months, | 0:44:34 | 0:44:38 | |
cos this encourages flowers. | 0:44:38 | 0:44:40 | |
You don't want to use a nitrogen fertiliser, | 0:44:40 | 0:44:42 | |
cos this'll just give you lots of long, fleshy growth. | 0:44:42 | 0:44:45 | |
It's important when choosing a wisteria that you go for | 0:44:51 | 0:44:54 | |
a named plant which has been grafted. | 0:44:54 | 0:44:56 | |
The graft is very obvious at the bottom of the plant. | 0:44:56 | 0:45:00 | |
Sometimes you will still see | 0:45:00 | 0:45:02 | |
a little bit of the rubber tape round about it. | 0:45:02 | 0:45:04 | |
These are more likely to flower from a younger age in the garden. | 0:45:04 | 0:45:08 | |
Unnamed or seedling varieties of wisteria, | 0:45:08 | 0:45:11 | |
you could wait sometimes 20 years until they flower. | 0:45:11 | 0:45:15 | |
I confess, I've been itching to pick some of these tomatoes | 0:45:40 | 0:45:44 | |
over the last week, but I've left them | 0:45:44 | 0:45:47 | |
just so we can celebrate doing the first harvest. | 0:45:47 | 0:45:50 | |
They are ready. | 0:45:50 | 0:45:52 | |
These are part of the grafted tomatoes that I grew as a trial. | 0:45:52 | 0:45:56 | |
Planted these out. We've got some grafted | 0:45:56 | 0:45:58 | |
and some non-grafted from the same varieties, | 0:45:58 | 0:46:01 | |
so as well as seeing how they're growing, | 0:46:01 | 0:46:03 | |
I want to see how they taste, too. | 0:46:03 | 0:46:05 | |
This is a variety called Conchita. | 0:46:05 | 0:46:08 | |
This one here, which is grafted, and then this one, which is non-grafted. | 0:46:08 | 0:46:14 | |
Noticeably thinner, but the same sort of height, | 0:46:14 | 0:46:17 | |
and seems to have the same amount of fruit. | 0:46:17 | 0:46:19 | |
So superficially, there's no real noticeable difference | 0:46:19 | 0:46:22 | |
at this stage in the year between grafted and non-grafted. | 0:46:22 | 0:46:26 | |
But I suppose the important thing is to do the taste test. | 0:46:26 | 0:46:29 | |
So, if I pick one here from a grafted fruit, | 0:46:29 | 0:46:32 | |
and we've got a non-grafted in my right hand. | 0:46:32 | 0:46:35 | |
These are both Conchita. | 0:46:35 | 0:46:36 | |
To look at, you can see no difference whatsoever. | 0:46:36 | 0:46:39 | |
Let's have a bite into the grafted. | 0:46:41 | 0:46:42 | |
Mmm! Juicy. | 0:46:44 | 0:46:47 | |
The first thing I'd say is that a tomato eaten warm | 0:46:49 | 0:46:53 | |
in the greenhouse, straight off the vine, fantastic. | 0:46:53 | 0:46:57 | |
You should never chill tomatoes. That tastes really good. | 0:46:57 | 0:47:02 | |
OK, now the non-grafted. | 0:47:02 | 0:47:04 | |
That's ungrafted, and it's slightly less sweet, slightly more acidic. | 0:47:08 | 0:47:12 | |
Actually, it's got a little bit more flavour, | 0:47:12 | 0:47:15 | |
but a little bit more tartness with it. | 0:47:15 | 0:47:18 | |
Clearly, this is a matter of personal taste. | 0:47:18 | 0:47:20 | |
It could just be that the grafted one is a little bit further ahead. | 0:47:22 | 0:47:26 | |
Really, what you've got to consider is, | 0:47:26 | 0:47:29 | |
we paid 9.99 for three grafted plants. | 0:47:29 | 0:47:33 | |
9.99 will buy you three packets of seed, | 0:47:33 | 0:47:36 | |
which would give you a minimum of 30 plants. | 0:47:36 | 0:47:39 | |
I have to say, in my opinion, | 0:47:40 | 0:47:41 | |
there's not ten times the difference. | 0:47:41 | 0:47:43 | |
In other words, it's not worth it. | 0:47:43 | 0:47:45 | |
But it's lovely, they're both lovely. | 0:47:45 | 0:47:49 | |
Picking your own produce is always deeply satisfying. | 0:47:52 | 0:47:56 | |
These tomatoes, despite coming in every shape and size, | 0:47:56 | 0:47:59 | |
will taste delicious. | 0:47:59 | 0:48:01 | |
Whilst at this time of year there is so much to enjoy | 0:48:10 | 0:48:13 | |
in our own gardens, it's also the perfect time | 0:48:13 | 0:48:16 | |
to get out and visit others. | 0:48:16 | 0:48:18 | |
Carol has been doing just that. | 0:48:22 | 0:48:24 | |
She's chosen the unlikely destination of central London. | 0:48:24 | 0:48:28 | |
In London, the parks and gardens are a green refuge from the stress | 0:48:34 | 0:48:38 | |
and clamour of the city streets. | 0:48:38 | 0:48:41 | |
But for the keen gardener who wants to do more than find somewhere | 0:48:41 | 0:48:46 | |
to eat their sandwiches, where should they go? | 0:48:46 | 0:48:49 | |
First stop, Regent's Park. | 0:48:52 | 0:48:55 | |
These formal bedding schemes in Regent's Park really do | 0:49:00 | 0:49:04 | |
represent the pinnacle of this kind of art. | 0:49:04 | 0:49:08 | |
Even at the height of the popularity of such schemes | 0:49:08 | 0:49:11 | |
during the Victorian era, | 0:49:11 | 0:49:14 | |
these would have won accolade after accolade. | 0:49:14 | 0:49:18 | |
And do you know, whatever your taste in horticulture, | 0:49:18 | 0:49:21 | |
when you see something done with this amount of finesse | 0:49:21 | 0:49:26 | |
and magnificence, you just have to admit it's brilliant. | 0:49:26 | 0:49:31 | |
Also in Regent's Park is the garden of St John's Lodge, | 0:49:38 | 0:49:42 | |
sometimes known as the secret garden. | 0:49:42 | 0:49:46 | |
Obviously, I'm not going to tell you where it is, | 0:49:46 | 0:49:48 | |
but I'll give you a clue - head for the park's Inner Circle. | 0:49:48 | 0:49:52 | |
The house is private, but since 1994, | 0:49:52 | 0:49:55 | |
the garden's been open to the public. | 0:49:55 | 0:49:59 | |
It's laid out in line with the lodge and has all the elements | 0:49:59 | 0:50:03 | |
you'd associate with | 0:50:03 | 0:50:05 | |
a quintessential English formal garden. | 0:50:05 | 0:50:08 | |
Strong geometry contrasts with soft planting. | 0:50:08 | 0:50:11 | |
Clipped hedges, arches and paths lead the eye to benches and statues. | 0:50:11 | 0:50:18 | |
Over in Hyde Park, near to Knightsbridge tube station, | 0:50:18 | 0:50:21 | |
is one of the city's newest and most temporary gardens. | 0:50:21 | 0:50:27 | |
And it couldn't be more of a contrast. | 0:50:27 | 0:50:29 | |
This black monolith is the Serpentine Gallery's new Pavilion. | 0:50:29 | 0:50:34 | |
Designed by Swiss architect Peter Zumthor. | 0:50:35 | 0:50:38 | |
Inside, shielded by a corridor, is the courtyard. | 0:50:39 | 0:50:43 | |
And in the centre, a garden designed by the renowned Piet Oudolf. | 0:50:45 | 0:50:51 | |
In previous years, this Pavilion space has been | 0:50:52 | 0:50:56 | |
used as an opportunity | 0:50:56 | 0:50:57 | |
by architects to display their talents, to show what they can do. | 0:50:57 | 0:51:02 | |
But this year, it's a bit different. | 0:51:02 | 0:51:05 | |
It's very much a collaboration between the architect | 0:51:05 | 0:51:09 | |
and the gardener. | 0:51:09 | 0:51:11 | |
It's wonderfully successful. | 0:51:11 | 0:51:14 | |
As soon as you come in here, | 0:51:14 | 0:51:16 | |
this great black structure separates you from the outside world. | 0:51:16 | 0:51:21 | |
And the garden itself, it's such an entity. It's a painting. | 0:51:21 | 0:51:26 | |
The colour palette here is restrained, it's simple, | 0:51:26 | 0:51:31 | |
and the darkness of the whole structure is picked up | 0:51:31 | 0:51:35 | |
in the stems of the Eupatorium and these glorious monardas. | 0:51:35 | 0:51:39 | |
The whole thing is so carefully conceived, | 0:51:39 | 0:51:43 | |
and yet it's a place to lose yourself. | 0:51:43 | 0:51:47 | |
It's a different sort of reality. | 0:51:47 | 0:51:50 | |
If the Pavilion is as modern as can be, | 0:51:53 | 0:51:55 | |
my next destination positively oozes history. | 0:51:55 | 0:51:58 | |
A short walk from Monument tube | 0:52:00 | 0:52:02 | |
is the church of St Dunstan's-in-the-East. | 0:52:02 | 0:52:05 | |
It was bombed during the Blitz, with only the tower | 0:52:05 | 0:52:09 | |
and a few walls surviving. | 0:52:09 | 0:52:12 | |
In the 1960s, it was decided not to rebuild it, | 0:52:12 | 0:52:14 | |
but to open it as a garden. | 0:52:14 | 0:52:17 | |
Today, hydrangeas and ornamental vines clothe the walls, | 0:52:17 | 0:52:21 | |
while figs, ferns and magnolias grow around the nave. | 0:52:21 | 0:52:27 | |
The juxtaposition of growth and decay makes for | 0:52:27 | 0:52:30 | |
the most atmospheric of spaces. | 0:52:30 | 0:52:33 | |
Near Temple tube station is the Inner Temple, | 0:52:35 | 0:52:39 | |
where hundreds of barristers have their chambers. | 0:52:39 | 0:52:42 | |
Tucked in one corner is a very surprising courtyard. | 0:52:42 | 0:52:46 | |
In an enclosed space like this, what would you expect to find? | 0:52:49 | 0:52:53 | |
Formality, tradition, boxed balls, perhaps, and straight lines. | 0:52:53 | 0:52:58 | |
But not a bit of it. | 0:52:58 | 0:53:00 | |
Instead of that, you're greeted by this incredibly modern garden, | 0:53:00 | 0:53:04 | |
where a few simple plants are allowed to be themselves, | 0:53:04 | 0:53:08 | |
seed themselves and head for the sky. | 0:53:08 | 0:53:12 | |
It's a daring solution to challenges lots of city gardeners face. | 0:53:13 | 0:53:18 | |
Low rainfall, bright sun bouncing off the buildings and poor soil. | 0:53:18 | 0:53:23 | |
I love it. | 0:53:23 | 0:53:25 | |
But the main attraction at the Inner Temple is its three-acre garden. | 0:53:26 | 0:53:30 | |
Down on the lawn are some beautiful old trees. | 0:53:30 | 0:53:33 | |
London planes, mulberries, | 0:53:33 | 0:53:37 | |
and one of my favourites, this stunning chitalpa. | 0:53:37 | 0:53:42 | |
At the top of the garden are new borders, island beds, | 0:53:44 | 0:53:47 | |
brimming with annuals, | 0:53:47 | 0:53:49 | |
and some of the best you're likely to see anywhere. | 0:53:49 | 0:53:53 | |
The planting is soft, romantic, feminine, | 0:53:54 | 0:53:58 | |
and yet completely original. | 0:53:58 | 0:54:02 | |
It has this dreamlike quality, | 0:54:02 | 0:54:04 | |
in complete contrast to the solidity of the buildings that surround it. | 0:54:04 | 0:54:09 | |
And it's not just barristers who can enjoy this beautiful place. | 0:54:09 | 0:54:14 | |
It's you and me too. | 0:54:14 | 0:54:16 | |
If you're planning a visit to London, | 0:54:18 | 0:54:20 | |
the Inner Temple Gardens are open to the public weekdays only, | 0:54:20 | 0:54:24 | |
between 12 and three, but may be closed for special events. | 0:54:24 | 0:54:29 | |
Regent's Park and St Dunstan's are open all year, | 0:54:29 | 0:54:33 | |
though St Dunstan's is closed for three days over Christmas. | 0:54:33 | 0:54:38 | |
Finally, the Serpentine Pavilion will be in Hyde Park | 0:54:41 | 0:54:44 | |
until 16th October, and it's open every day from ten until six. | 0:54:44 | 0:54:51 | |
Here are some other gardens outside London that are also free. | 0:54:55 | 0:54:59 | |
The Royal Botanic Garden in Edinburgh is world renowned | 0:55:01 | 0:55:05 | |
for its vast collection of plants, | 0:55:05 | 0:55:07 | |
and with over 70 acres of garden to explore, | 0:55:07 | 0:55:09 | |
there is always something to see. | 0:55:09 | 0:55:11 | |
Sheffield Botanical Gardens are well worth a visit, too, | 0:55:11 | 0:55:15 | |
and their borders look amazing at this time of year. | 0:55:15 | 0:55:18 | |
And if you're on holiday down in Devon, | 0:55:18 | 0:55:20 | |
why not call in at the University of Exeter? | 0:55:20 | 0:55:23 | |
Streatham Campus is an unexpected treat. | 0:55:23 | 0:55:26 | |
For more details, go to our website. | 0:55:27 | 0:55:30 | |
Have a look at this. | 0:55:39 | 0:55:40 | |
You know how, often, when you buy parsley or any other herb in | 0:55:42 | 0:55:46 | |
a pot, if you look at it carefully, you'll see | 0:55:46 | 0:55:48 | |
it's lots of little seedlings, none of which are very big. | 0:55:48 | 0:55:51 | |
But if you grow it yourself, this is what it should be like. | 0:55:51 | 0:55:54 | |
It should be a big plant, and if you rummage in there, | 0:55:54 | 0:55:57 | |
you can see the individual plants are really quite substantial, | 0:55:57 | 0:56:01 | |
and they have a deep taproot. | 0:56:01 | 0:56:02 | |
It's a member of the carrot family, and it wants to be substantial. | 0:56:02 | 0:56:06 | |
The advantage of that is you can make lots of cuttings | 0:56:06 | 0:56:09 | |
and it grows back, it'll last for months and months. | 0:56:09 | 0:56:12 | |
And you can be generous with it. | 0:56:12 | 0:56:14 | |
You can take yourself a really... decent clump of parsley, and you can | 0:56:14 | 0:56:19 | |
make pesto with it, you can do all sorts, and it looks lovely. | 0:56:19 | 0:56:24 | |
Now is a really good time to sow parsley, and if you plant it | 0:56:24 | 0:56:28 | |
out in September, it will last all winter, into next spring. | 0:56:28 | 0:56:32 | |
And there are lots of other jobs | 0:56:34 | 0:56:36 | |
that we could be getting on with this weekend. | 0:56:36 | 0:56:38 | |
Now is the best time to make new strawberry plants from old. | 0:56:40 | 0:56:44 | |
They're throwing out runners very vigorously, | 0:56:44 | 0:56:47 | |
and if you follow the runner from the parent, | 0:56:47 | 0:56:50 | |
you come to a plantlet. | 0:56:50 | 0:56:51 | |
Peg this first plantlet down. | 0:56:52 | 0:56:55 | |
You can either do this over the soil or fill a pot with compost | 0:56:55 | 0:56:59 | |
and peg it onto the compost. | 0:56:59 | 0:57:00 | |
After about three weeks, this will have developed vigorous roots | 0:57:01 | 0:57:04 | |
of its own, and it can be cut free from the parent | 0:57:04 | 0:57:08 | |
and provide you with a new plant to replenish your stock. | 0:57:08 | 0:57:11 | |
With the warm, wet weather, weeds are growing really fast, | 0:57:13 | 0:57:17 | |
and to keep your paths clear, | 0:57:17 | 0:57:19 | |
you can use the traditional old knife method. | 0:57:19 | 0:57:23 | |
This is thorough, but time consuming. | 0:57:23 | 0:57:25 | |
Strimming has an instant effect, and is quicker, | 0:57:25 | 0:57:28 | |
but the weeds also return quickly. | 0:57:28 | 0:57:31 | |
Or there's my favourite method. Burning will kill the top growth, | 0:57:33 | 0:57:37 | |
weaken the roots | 0:57:37 | 0:57:38 | |
and keep the weeds at bay for a month or more. | 0:57:38 | 0:57:41 | |
Dahlias are starting to look magnificent, | 0:57:43 | 0:57:46 | |
but unfortunately, earwigs think they taste rather good, too. | 0:57:46 | 0:57:49 | |
The best way to deter them is to provide a resting place for | 0:57:49 | 0:57:53 | |
the earwigs during the day, because they're nocturnal. | 0:57:53 | 0:57:56 | |
If you set up an upside-down pot on a bamboo cane | 0:57:56 | 0:57:59 | |
and fill the pot with straw, the earwigs will go in at dawn | 0:57:59 | 0:58:02 | |
and you can come along and remove them, along with the straw, | 0:58:02 | 0:58:05 | |
and take them as far away from your dahlias as possible. | 0:58:05 | 0:58:08 | |
But don't kill them, cos they do a lot of good, | 0:58:08 | 0:58:11 | |
particularly eating aphids. | 0:58:11 | 0:58:12 | |
Hopefully, that'll prove irresistible to any passing earwigs. | 0:58:13 | 0:58:19 | |
And that's it for tonight's programme. | 0:58:19 | 0:58:21 | |
I'm afraid we shan't be back next week, | 0:58:21 | 0:58:23 | |
because it's the athletics, but join me here at Longmeadow | 0:58:23 | 0:58:27 | |
in two weeks' time at the normal hour of 8.30. | 0:58:27 | 0:58:30 | |
Until then, goodbye. | 0:58:30 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:41 | |
E-mail [email protected] | 0:58:41 | 0:58:44 |