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Welcome to Gardeners' World. | 0:00:02 | 0:00:03 | |
Quite a lot of us have had pretty miserable weather | 0:00:03 | 0:00:06 | |
so far this spring and summer. | 0:00:06 | 0:00:09 | |
But we've reached that peak of the year. | 0:00:09 | 0:00:12 | |
A couple of days ago, we had the longest day. | 0:00:12 | 0:00:14 | |
On Sunday, we've got Midsummer's Day. | 0:00:14 | 0:00:16 | |
Now is the point where we have most light. | 0:00:16 | 0:00:20 | |
And that's not just daylight to do jobs in, | 0:00:20 | 0:00:23 | |
it's light to look at things, | 0:00:23 | 0:00:25 | |
light for plants to soak up and be resplendent in. | 0:00:25 | 0:00:29 | |
So now is the time to make the most of it. | 0:00:29 | 0:00:32 | |
Carol is showing how any garden can grow trees and climbers | 0:00:32 | 0:00:36 | |
that will encourage a whole range of wildlife into our gardens. | 0:00:36 | 0:00:42 | |
Even in a short length, just the boundary between you | 0:00:42 | 0:00:45 | |
and next door, you can pack in all manner of species. | 0:00:45 | 0:00:49 | |
And Joe is picking up tips at Kelmarsh Hall in Northamptonshire, | 0:00:52 | 0:00:56 | |
a grand garden that has a particularly English informal elegance. | 0:00:56 | 0:01:02 | |
Look at this, this hedge has taken on a life of its own, | 0:01:02 | 0:01:05 | |
it's been let to grow all wonky and knobbly, | 0:01:05 | 0:01:09 | |
so it's become this wonderful piece of living architecture. | 0:01:09 | 0:01:13 | |
And I shall be doing a big changeover in the Jewel Garden, | 0:01:15 | 0:01:18 | |
cutting back and taking out the spring flowering plants | 0:01:18 | 0:01:21 | |
and adding in tender annuals and perennials. | 0:01:21 | 0:01:24 | |
I will also be harvesting my garlic too. | 0:01:24 | 0:01:26 | |
I think at this time of year, | 0:01:35 | 0:01:36 | |
definitely, my favourite flower is the rose. | 0:01:36 | 0:01:38 | |
There is no other plant that combines sumptuousness, | 0:01:38 | 0:01:43 | |
elegance, grace, voluptuousness, even, | 0:01:43 | 0:01:46 | |
all within one tightly furled pack of flower. | 0:01:46 | 0:01:50 | |
My favourite roses are the old roses, | 0:01:50 | 0:01:53 | |
the classic roses - including the gallicas, the centifolias, | 0:01:53 | 0:01:56 | |
the bourbons, the damasks, the mosses. | 0:01:56 | 0:01:59 | |
They really have everything you want from a rose, | 0:01:59 | 0:02:02 | |
all together in one quite tough shrub. | 0:02:02 | 0:02:05 | |
They are good, easy plants to grow. | 0:02:05 | 0:02:07 | |
But at this time of year, there can be a few problems. | 0:02:07 | 0:02:09 | |
Something you want to watch in a year like this, | 0:02:09 | 0:02:12 | |
which has been very wet, is balling. | 0:02:12 | 0:02:14 | |
You can see here, for example, this moss rose - | 0:02:14 | 0:02:17 | |
and you can see the moss on the rose that gives it its name - | 0:02:17 | 0:02:22 | |
is a good example, because we have got a nice, | 0:02:22 | 0:02:24 | |
fat bud waiting to open. Now, that's very wet. | 0:02:24 | 0:02:27 | |
And if the sun really blazed down today, | 0:02:27 | 0:02:31 | |
the outer layers dry out quicker than the inner layers | 0:02:31 | 0:02:34 | |
and they form a sort of cap. And that will stop it opening. | 0:02:34 | 0:02:37 | |
So you need to pull the outer layers off, | 0:02:37 | 0:02:39 | |
otherwise the whole bud just drops off. | 0:02:39 | 0:02:42 | |
The other thing that it's a good idea to do at this time of year, | 0:02:42 | 0:02:45 | |
as well as cutting flowers to take indoors - | 0:02:45 | 0:02:47 | |
I love doing that, once a week, go round, cut a basket full of roses | 0:02:47 | 0:02:50 | |
and just make little posies of them - is to deadhead. | 0:02:50 | 0:02:54 | |
This is 'Cardinal De Richelieu' | 0:02:54 | 0:02:55 | |
and it's very prone to looking scruffy when it's wet. | 0:02:55 | 0:02:58 | |
So what you have to do is just cut the flowers off. | 0:02:58 | 0:03:01 | |
Now, deadheading is not just pulling the petals off, that's not enough | 0:03:01 | 0:03:04 | |
because the seed will still form and that will take goodness. | 0:03:04 | 0:03:08 | |
Get a pair of secateurs and cut right into a bud. | 0:03:08 | 0:03:11 | |
There's another one there, that's going over, | 0:03:11 | 0:03:13 | |
that's just about had it. So cut right down to there. | 0:03:13 | 0:03:16 | |
That will form sideshoots so you'll get more flowering. | 0:03:16 | 0:03:20 | |
Most of these roses are not repeat flowering at all. | 0:03:20 | 0:03:23 | |
They flower from now until the middle of July. | 0:03:23 | 0:03:25 | |
But while they're doing it, they're just fantastic. | 0:03:25 | 0:03:28 | |
If you remember, I planted up these pots a few weeks ago. | 0:03:41 | 0:03:45 | |
And not only are they growing well, | 0:03:45 | 0:03:47 | |
but the dahlia's flowering in June. | 0:03:47 | 0:03:49 | |
That's 'Arabian Night'. Looking really good. | 0:03:49 | 0:03:52 | |
And the Cosmos atrosanguineus has got this fabulous, | 0:03:52 | 0:03:56 | |
rich colour, so it's looking really well. | 0:03:56 | 0:03:58 | |
I love the combination of the dark foliage of 'Bishop of Lander' | 0:03:58 | 0:04:03 | |
and the colour of the flower of the cosmos. | 0:04:03 | 0:04:05 | |
There is a risk that the nasturtium will be too dominant. | 0:04:05 | 0:04:08 | |
Nasturtiums in good soil grow very rampantly | 0:04:08 | 0:04:11 | |
but don't produce many flowers, so I might pull a few of those out, | 0:04:11 | 0:04:14 | |
otherwise the cosmos' bright lights in there will get swamped. | 0:04:14 | 0:04:17 | |
Talking of swamped, we've come to a point in the Jewel Garden | 0:04:17 | 0:04:20 | |
which is really a turning point in the year. | 0:04:20 | 0:04:23 | |
All the flowers that were so spectacular in May | 0:04:23 | 0:04:26 | |
and early June are now over. | 0:04:26 | 0:04:28 | |
You can see here, it looks fine. | 0:04:28 | 0:04:30 | |
It's got a kind of energy and vitality from its exuberance, | 0:04:30 | 0:04:33 | |
but it won't stay like that. Nothing ever does. | 0:04:33 | 0:04:36 | |
You've got to be planning ahead. | 0:04:36 | 0:04:38 | |
And if I left that, it would start to slump and fall and squash, | 0:04:38 | 0:04:42 | |
and you pay the price in as soon as two weeks. | 0:04:42 | 0:04:45 | |
So now is the time to make space, | 0:04:45 | 0:04:48 | |
take out the old plants that have done their stuff, | 0:04:48 | 0:04:50 | |
cut back where appropriate | 0:04:50 | 0:04:52 | |
and then start planting and planning for later on in summer. | 0:04:52 | 0:04:56 | |
So you can see here that there is a real mixed bag of plants, | 0:04:59 | 0:05:02 | |
which is what I like. | 0:05:02 | 0:05:04 | |
But look closely and they're looking quite scruffy, and these | 0:05:04 | 0:05:07 | |
wallflowers, all grown from seed last year, have done their stuff. | 0:05:07 | 0:05:10 | |
I'm going to pull that out. | 0:05:10 | 0:05:12 | |
Wallflowers are actually short lived perennials, | 0:05:12 | 0:05:14 | |
and they could be left. I could cut them right back | 0:05:14 | 0:05:16 | |
and they would grow and they would flower next year. | 0:05:16 | 0:05:19 | |
But they would not flower so well. | 0:05:19 | 0:05:21 | |
If I had left that in the ground and cut that back, like that, | 0:05:24 | 0:05:28 | |
so it was sticking up from the ground like that, | 0:05:28 | 0:05:30 | |
that would grow back, that is an option. | 0:05:30 | 0:05:33 | |
But I'm looking for space. | 0:05:33 | 0:05:36 | |
You can see how we've got Allium sphaerocephalon growing up here | 0:05:36 | 0:05:41 | |
and it's flopping everywhere. | 0:05:41 | 0:05:43 | |
And the aquilegias around it. The aquilegias, I can cut back. | 0:05:43 | 0:05:46 | |
I'm going to cut right back. | 0:05:46 | 0:05:47 | |
This is Geranium 'Ann Folkard' and I don't cut that back, | 0:05:52 | 0:05:57 | |
I want it to twine through. | 0:05:57 | 0:05:59 | |
I don't know if you can see the yellowy, lime coloured leaves, | 0:05:59 | 0:06:02 | |
and it's got a little magenta flower, | 0:06:02 | 0:06:04 | |
just about appearing about now. | 0:06:04 | 0:06:06 | |
And that will go right through summer. | 0:06:06 | 0:06:08 | |
And it's a wonderful plant for linking other plants. | 0:06:08 | 0:06:10 | |
It just works its way round. | 0:06:10 | 0:06:13 | |
Whereas other geraniums, | 0:06:13 | 0:06:14 | |
that have really been at their best in around mid-May, you can cut | 0:06:14 | 0:06:18 | |
back right to the ground and they will grow back and flower again. | 0:06:18 | 0:06:22 | |
Before I get too carried away, | 0:06:26 | 0:06:28 | |
I want to clear up the mess I've made and then take stock, | 0:06:28 | 0:06:31 | |
because there might be a few things that could do with cutting back, | 0:06:31 | 0:06:34 | |
another few things I might want to pull out, just to make more | 0:06:34 | 0:06:37 | |
room, but if I get too enthusiastic, I could undo good stuff. | 0:06:37 | 0:06:41 | |
For example, the Oriental poppies | 0:06:41 | 0:06:43 | |
should be cut right to the ground when they've finished flowering, | 0:06:43 | 0:06:46 | |
but I've got one or two buds on there, | 0:06:46 | 0:06:49 | |
so we'll leave that for the moment. | 0:06:49 | 0:06:51 | |
Having cleared away or cut back the set of plants I know | 0:07:06 | 0:07:09 | |
I want to remove, the next job is to support remaining plants, | 0:07:09 | 0:07:12 | |
so I can see clearly the available space to put new plants into. | 0:07:12 | 0:07:17 | |
Now, these are the plans that I've got set aside to fill the gaps | 0:07:21 | 0:07:25 | |
and the one uniting feature of them all is that they're all tender. | 0:07:25 | 0:07:28 | |
We've got salvias, tithonias, cannas, | 0:07:28 | 0:07:32 | |
cosmos and zinnias. You can buy all these from a garden centre, | 0:07:32 | 0:07:36 | |
and a range of other tender plants. In fact, we've raised all these, | 0:07:36 | 0:07:40 | |
so we've got seed, cutting, seed, division and seed. | 0:07:40 | 0:07:43 | |
And the tithonias were grown from seed too. | 0:07:43 | 0:07:48 | |
Tithonia is really good value, | 0:07:54 | 0:07:58 | |
for the intensity of the colour it gives out. | 0:07:58 | 0:08:00 | |
Bright orange sunflower. It's got a sort of velvety touch to its petals. | 0:08:00 | 0:08:05 | |
It will go on flowering from July, right through | 0:08:05 | 0:08:07 | |
until the first frost at the end of October. | 0:08:07 | 0:08:11 | |
So a good, hard-working plant and very dramatic. | 0:08:11 | 0:08:15 | |
And we use that orange to set off all the purples and the blue. | 0:08:15 | 0:08:19 | |
So when positioning it, you want to think where the purples | 0:08:19 | 0:08:22 | |
and blues are going to be to get the right effect. | 0:08:22 | 0:08:24 | |
So rather than plant them individually, | 0:08:24 | 0:08:26 | |
what I'm going to do is set them out, | 0:08:26 | 0:08:29 | |
but I won't actually plant them until everything is in position. | 0:08:29 | 0:08:33 | |
As well as tithonia, I'm putting in Cosmos 'Dazzler'. | 0:08:36 | 0:08:41 | |
Like all cosmos, it's easy to raise from seed | 0:08:41 | 0:08:44 | |
and as long as it has some sunshine, will grow in almost any soil | 0:08:44 | 0:08:47 | |
and give you an intense magenta colour right through into autumn. | 0:08:47 | 0:08:51 | |
I took lots of Salvia guaranitica cuttings. | 0:08:51 | 0:08:54 | |
These have an intense blue, almost purple flower which will | 0:08:54 | 0:08:59 | |
contrast vibrantly with the orange of the tithonia. | 0:08:59 | 0:09:04 | |
When you're happy with the position of your pots, | 0:09:04 | 0:09:08 | |
put them in the ground. Take your time, think about | 0:09:08 | 0:09:10 | |
how they're going to grow and how they move in | 0:09:10 | 0:09:13 | |
and adjust them accordingly. | 0:09:13 | 0:09:15 | |
And of course, the effect that you're after is a seamless web. | 0:09:15 | 0:09:18 | |
They should look as if they've just arrived at that point. | 0:09:18 | 0:09:21 | |
They won't look anything at all for a few weeks, | 0:09:21 | 0:09:23 | |
so give them a chance, but by the end of July, | 0:09:23 | 0:09:26 | |
they should be really kicking in with all their colour. | 0:09:26 | 0:09:29 | |
Now, what do you think of when you think of the RHS? | 0:09:31 | 0:09:33 | |
Probably Wisley, Chelsea Flower Show and the other flower shows. | 0:09:33 | 0:09:37 | |
But not that many people know about the partner gardens. | 0:09:37 | 0:09:40 | |
These are nearly 150 gardens around the country that, | 0:09:40 | 0:09:42 | |
if you're a member of the RHS, | 0:09:42 | 0:09:43 | |
you can go and visit when they're open and special times of the year. | 0:09:43 | 0:09:46 | |
Joe has been along to Northamptonshire to visit one of these partner gardens. | 0:09:46 | 0:09:50 | |
Kelmarsh Hall was built in the 18th century | 0:09:55 | 0:09:59 | |
and the estate is set in 3,500 acres of rolling Northamptonshire countryside. | 0:09:59 | 0:10:04 | |
Although at first it feels rather grand and formal, | 0:10:09 | 0:10:12 | |
the garden itself is the epitome of English country garden style. | 0:10:12 | 0:10:16 | |
The gardens at Kelmarsh were created in the 1930s | 0:10:21 | 0:10:23 | |
by the late Nancy Lancaster, | 0:10:23 | 0:10:25 | |
a doyenne of interior design whose signature style | 0:10:25 | 0:10:28 | |
was to create a house and garden that didn't look too new or too old, | 0:10:28 | 0:10:33 | |
but had a relaxing atmosphere that looked lived in. | 0:10:33 | 0:10:37 | |
To Nancy, the garden wasn't a monumental showpiece | 0:10:41 | 0:10:44 | |
but a beautiful, restful space. | 0:10:44 | 0:10:47 | |
So walking around it was a bit like putting your comfy slippers on and saying, "Aah!" | 0:10:47 | 0:10:54 | |
It's frightening when you think of the hours gardeners put in | 0:11:04 | 0:11:07 | |
up and down the country, getting their hedges as perfect as possible. | 0:11:07 | 0:11:11 | |
Well, why bother? I mean, look at this. | 0:11:11 | 0:11:14 | |
This hedge has taken on a life of its own. | 0:11:14 | 0:11:16 | |
It's been let to grow all wonky and knobbly. | 0:11:16 | 0:11:19 | |
It's had the lower branches pruned up | 0:11:19 | 0:11:21 | |
so it's become this wonderful piece of living architecture. | 0:11:21 | 0:11:24 | |
That's what adds the character to this garden. | 0:11:24 | 0:11:27 | |
I caught up with head gardener Esther McMillan to find out | 0:11:29 | 0:11:32 | |
how she achieves Nancy Lancaster's relaxed country style. | 0:11:32 | 0:11:35 | |
Well, it's supposed to be like a shabby chic, | 0:11:39 | 0:11:42 | |
so we try and tread a fine line between | 0:11:42 | 0:11:44 | |
some sort of dishevelled elegance and utterly shambolic. | 0:11:44 | 0:11:48 | |
But within quite a strict structure? | 0:11:48 | 0:11:50 | |
If you think about interior decorating, | 0:11:50 | 0:11:52 | |
you've got a very, very grand house - | 0:11:52 | 0:11:55 | |
very formal lines, symmetry, et cetera - | 0:11:55 | 0:11:57 | |
and then you've got soft furnishings, so you can translate that into gardening terms | 0:11:57 | 0:12:02 | |
with the herbaceous plantings as the soft furnishings | 0:12:02 | 0:12:05 | |
and your hedges as the formal structure. | 0:12:05 | 0:12:08 | |
Nancy Lancaster became queen of the "English country house" look | 0:12:08 | 0:12:12 | |
and, you know, her style of living went outdoors. | 0:12:12 | 0:12:15 | |
In this style of garden, you won't find razor-sharp hedges | 0:12:16 | 0:12:21 | |
and neatly preened plants. | 0:12:21 | 0:12:22 | |
Instead, nature is allowed to have the upper hand. | 0:12:22 | 0:12:25 | |
Well, just a little. | 0:12:25 | 0:12:27 | |
It's definitely a very romantic style | 0:12:30 | 0:12:32 | |
and it takes a lot of, sort of, passion to do it. | 0:12:32 | 0:12:36 | |
It's...probably harder than tidy gardening, ironically. | 0:12:36 | 0:12:40 | |
How do you keep this look going? | 0:12:43 | 0:12:45 | |
Letting things billow over, | 0:12:45 | 0:12:47 | |
so edging plants that tumble over the edge. | 0:12:47 | 0:12:50 | |
I think the phrase is, "Like old ladies' petticoats." | 0:12:50 | 0:12:54 | |
You need to stake things, like hidden corsetry, basically, | 0:12:54 | 0:12:58 | |
and create these little structures around clumps of plants | 0:12:58 | 0:13:03 | |
and using the natural materials helps. | 0:13:03 | 0:13:07 | |
So to create this seemingly effortless style, what does it take? | 0:13:15 | 0:13:18 | |
Well, you've got to start with formality and then you've got to put quite a lot of effort in, actually. | 0:13:18 | 0:13:24 | |
You've got to hoe your beds, | 0:13:24 | 0:13:25 | |
you've got to keep your edges of your paths nice and clean | 0:13:25 | 0:13:28 | |
and you've got to stake your plants, too. | 0:13:28 | 0:13:31 | |
But then you can let the plants rip. | 0:13:31 | 0:13:33 | |
You can let your roses just grow wild and your hedges go all knobbly. | 0:13:33 | 0:13:38 | |
After all, it's nice not to have to be perfect all the time. | 0:13:38 | 0:13:42 | |
Hello. You waiting for me? | 0:13:48 | 0:13:50 | |
Come on, then. | 0:13:50 | 0:13:52 | |
I've got some garlic here, which I planted in September. | 0:13:58 | 0:14:03 | |
It's a very early variety called Sprint. | 0:14:03 | 0:14:06 | |
Now, it might be ready, normally, by the end of June but normally, | 0:14:06 | 0:14:09 | |
I would look to harvest that | 0:14:09 | 0:14:11 | |
in mid-July. But, if you look closely, | 0:14:11 | 0:14:14 | |
you can see that the foliage is looking very yellow. | 0:14:14 | 0:14:17 | |
You can see these orange blotches on there - and that's rust. | 0:14:17 | 0:14:21 | |
That's leek rust. | 0:14:21 | 0:14:22 | |
You very often see it on the outside of leeks. | 0:14:22 | 0:14:25 | |
It's a fungus. | 0:14:25 | 0:14:26 | |
And it's been caused, or at least increased dramatically, | 0:14:26 | 0:14:29 | |
by this very wet weather we've had. | 0:14:29 | 0:14:31 | |
It's been warm and wet, | 0:14:31 | 0:14:33 | |
and that's lovely conditions for a fungus like that. | 0:14:33 | 0:14:36 | |
It's attacking the foliage. It shouldn't attack the bulbs but it'll affect the bulbs | 0:14:36 | 0:14:40 | |
because if there's no foliage, they can't get any bigger. | 0:14:40 | 0:14:43 | |
Whereas if the foliage was really green, | 0:14:43 | 0:14:45 | |
the bulbs would go on swelling for another few weeks. | 0:14:45 | 0:14:48 | |
So if your garlic's looking healthy, leave them, | 0:14:48 | 0:14:50 | |
but if you've got this, it's time to dig 'em up. | 0:14:50 | 0:14:53 | |
When you're harvesting garlic, always dig it up. | 0:14:55 | 0:14:58 | |
Don't pull it, because you don't want to damage the basal plate | 0:14:58 | 0:15:01 | |
where the roots attach to the bulb. | 0:15:01 | 0:15:03 | |
So if we take that out of the ground... See, it's not bad. | 0:15:03 | 0:15:06 | |
It hasn't got that sort of tautness that you get on mature garlic, but that'll be fine. | 0:15:06 | 0:15:11 | |
That's perfectly OK. What you have to do is dry it. | 0:15:11 | 0:15:15 | |
Dry it thoroughly and then store it. | 0:15:15 | 0:15:18 | |
The smaller ones, we'll eat fresh. | 0:15:18 | 0:15:21 | |
Fresh garlic is slightly milder, | 0:15:21 | 0:15:25 | |
sweeter and it's got a real taste to it - flavour, | 0:15:25 | 0:15:27 | |
rather than a sort of accent. | 0:15:27 | 0:15:29 | |
There's a very garlicky taste that we all recognise, but this is subtler and deeper. | 0:15:29 | 0:15:33 | |
And if you roast it and just eat the heads whole, | 0:15:33 | 0:15:37 | |
they're absolutely delicious - or you roast it with a chicken, say - | 0:15:37 | 0:15:41 | |
and it's perfect. | 0:15:41 | 0:15:42 | |
So don't feel you have to store it all. Garlic is a greedy plant. | 0:15:42 | 0:15:47 | |
It really does do well on rich, well-drained soil, | 0:15:47 | 0:15:51 | |
which is sometimes hard to combine those two. | 0:15:51 | 0:15:53 | |
But it really repays adding plenty of compost | 0:15:53 | 0:15:57 | |
to ground that's got garlic. | 0:15:57 | 0:15:59 | |
CUCKOO CHIRPS | 0:16:01 | 0:16:04 | |
Do you hear the cuckoo? | 0:16:06 | 0:16:08 | |
That's almost the last cuckoo of the year. | 0:16:08 | 0:16:11 | |
A few more weeks and then she'll be gone. Oh, there we are. Listen. | 0:16:11 | 0:16:15 | |
Well, I'm not that disappointed by that. I see it as a rescue mission. | 0:16:22 | 0:16:26 | |
We've salvaged a crop of garlic which will get eaten. | 0:16:26 | 0:16:28 | |
They just won't get stored very well. | 0:16:28 | 0:16:30 | |
We've got some more that should store better later. | 0:16:30 | 0:16:33 | |
Now, talking about storage and getting eaten, | 0:16:33 | 0:16:36 | |
there's a tradition in the Don household whereby we lift | 0:16:36 | 0:16:38 | |
the first new potatoes - whatever variety they are - | 0:16:38 | 0:16:41 | |
at the beginning of July, on July 8th, | 0:16:41 | 0:16:43 | |
because that's my birthday and it's like a little birthday treat to myself. | 0:16:43 | 0:16:47 | |
But this year, I'm doing a trial - I've got six different varieties | 0:16:47 | 0:16:50 | |
of new potatoes and I want to compare how they get on. | 0:16:50 | 0:16:53 | |
I'm going to leave that for another few weeks but I thought, | 0:16:53 | 0:16:55 | |
seeing as it's Midsummer, I'd have a little sneak preview. | 0:16:55 | 0:16:58 | |
Now, everybody loves rummaging around to see what potatoes they've got. | 0:17:03 | 0:17:06 | |
So if I just dig in under there and lift... | 0:17:06 | 0:17:09 | |
Oh, look. There are some. | 0:17:09 | 0:17:12 | |
There we go. | 0:17:12 | 0:17:13 | |
Now, this is a variety called Foremost. | 0:17:16 | 0:17:19 | |
There we go. Look at that. | 0:17:20 | 0:17:22 | |
They're not very big and they're a bit scabby | 0:17:23 | 0:17:25 | |
but they probably taste quite good, although there aren't many of them. | 0:17:25 | 0:17:28 | |
Now, one of the immutable laws of nature | 0:17:28 | 0:17:31 | |
is that however much you rummage around for potatoes, | 0:17:31 | 0:17:34 | |
you always miss one - usually quite a big one - | 0:17:34 | 0:17:36 | |
but you leave new potatoes in the soil until you need them. | 0:17:36 | 0:17:40 | |
They don't store at all well and when you lift them, | 0:17:40 | 0:17:43 | |
the sugars start to change to starches quite quickly. | 0:17:43 | 0:17:47 | |
So to get that lovely sweet taste, | 0:17:47 | 0:17:49 | |
dig them just an hour or so before you eat them - | 0:17:49 | 0:17:52 | |
minutes, even - and then you get a sweetness that you can't buy. | 0:17:52 | 0:17:57 | |
Maybe a little bit of garlic, a little bit of potato - | 0:17:59 | 0:18:02 | |
that'll be good. | 0:18:02 | 0:18:04 | |
As well as harvesting, | 0:18:15 | 0:18:16 | |
here are some other jobs to get on with this weekend. | 0:18:16 | 0:18:19 | |
# It don't mean a thing | 0:18:19 | 0:18:21 | |
# If it ain't got that swing... # | 0:18:21 | 0:18:25 | |
It's very common for broad beans, at this time of year, | 0:18:25 | 0:18:28 | |
to suddenly be smothered with blackfly. | 0:18:28 | 0:18:31 | |
This is not a disaster | 0:18:31 | 0:18:34 | |
because it will not affect the production of beans. | 0:18:34 | 0:18:36 | |
And the easiest way to deal with them is simply pinch out | 0:18:36 | 0:18:40 | |
the growing tips, which is what the blackfly are attracted to. | 0:18:40 | 0:18:44 | |
This will reduce the number of fly | 0:18:44 | 0:18:46 | |
and will even encourage the development of more bean pods. | 0:18:46 | 0:18:50 | |
# What good is melody? | 0:18:51 | 0:18:54 | |
# What good is music | 0:18:54 | 0:18:56 | |
# If it ain't possessing something sweet? # | 0:18:56 | 0:18:59 | |
If you've got grass growing up to a hedge or an edge of any kind, | 0:19:01 | 0:19:05 | |
it's very difficult to keep it clipped or mown neatly. | 0:19:05 | 0:19:09 | |
The answer is to create a gutter between the mown area and the edge. | 0:19:10 | 0:19:15 | |
Use a board or a line and cut a strip of grass away, | 0:19:16 | 0:19:20 | |
and then you can keep that clean and trimmed | 0:19:20 | 0:19:23 | |
and it makes mowing a lot easier. | 0:19:23 | 0:19:25 | |
# It don't mean a thing | 0:19:28 | 0:19:30 | |
# If it ain't got that swing... # | 0:19:30 | 0:19:33 | |
The June drop is when apples shed their excess fruit, | 0:19:33 | 0:19:37 | |
and it's an indicator that it's a good time to thin them. | 0:19:37 | 0:19:41 | |
Reduce each cluster of fruit | 0:19:41 | 0:19:43 | |
to just two healthy, well spaced apples, and that will ensure | 0:19:43 | 0:19:47 | |
that they are in best possible condition when you harvest them. | 0:19:47 | 0:19:51 | |
Now, these three wigwams of sweet peas are a little test I'm doing. | 0:19:56 | 0:20:00 | |
Nothing scientific - just out of interest, really. | 0:20:00 | 0:20:02 | |
They're all the same sweet pea. They're all Monty Don sweet peas. | 0:20:02 | 0:20:06 | |
And the ones at this end were sown in pots last October. | 0:20:06 | 0:20:11 | |
The ones in the middle were sown in pots in March. | 0:20:11 | 0:20:14 | |
And these ones were direct sown - I think it was the end of April, beginning of May. | 0:20:14 | 0:20:18 | |
And I just wanted to compare, A - how they grew, | 0:20:18 | 0:20:21 | |
and B - how many flowers they produce right across the year. | 0:20:21 | 0:20:24 | |
Well, you can see, for starters, | 0:20:24 | 0:20:26 | |
that the autumn-sown ones are twice the size | 0:20:26 | 0:20:29 | |
and producing flowers already. | 0:20:29 | 0:20:31 | |
They've just started and they're really getting into their stride. | 0:20:31 | 0:20:34 | |
Spring ones are looking quite healthy but it'll be a while before they flower | 0:20:34 | 0:20:37 | |
and the poor old direct sown ones haven't really got going yet. | 0:20:37 | 0:20:41 | |
So I think you can say that if you want to have sweet peas | 0:20:41 | 0:20:45 | |
to pick by midsummer, you'd better sow them in autumn. | 0:20:45 | 0:20:48 | |
However, that doesn't mean to say you'll get more sweet peas across the year. So we'll see. | 0:20:48 | 0:20:52 | |
Maybe the May ones will catch up by August and September. | 0:20:52 | 0:20:56 | |
Now, Carol is answering your dilemmas this week, | 0:20:56 | 0:20:59 | |
and she's had a letter from someone who loves trees and would like to include them in their garden, | 0:20:59 | 0:21:03 | |
not least because they attract so much wildlife. | 0:21:03 | 0:21:06 | |
But how do you do that in a normal-size garden? | 0:21:06 | 0:21:09 | |
Trees are the most important feature in my garden | 0:21:18 | 0:21:22 | |
and I'm not the only one who feels like that. | 0:21:22 | 0:21:25 | |
Dulcie Warren has written to us from Hampshire, saying that, | 0:21:25 | 0:21:29 | |
like me, she's got mature trees in the garden | 0:21:29 | 0:21:32 | |
but she's distressed about the amount of habitat and big trees | 0:21:32 | 0:21:36 | |
that are being cut down and destroyed, | 0:21:36 | 0:21:39 | |
and she wants to know what we can suggest - | 0:21:39 | 0:21:42 | |
especially for people with smaller gardens - | 0:21:42 | 0:21:45 | |
in the way of trees and shrubs | 0:21:45 | 0:21:47 | |
that are not only going to provide them with pleasure | 0:21:47 | 0:21:50 | |
but provide food, shelter for all those creatures with whom we share the garden. | 0:21:50 | 0:21:57 | |
If you're gardening in a smaller plot, | 0:21:59 | 0:22:00 | |
you might think you just haven't got the space to start planting forest trees. | 0:22:00 | 0:22:05 | |
But this bit of native hedge illustrates that, | 0:22:07 | 0:22:10 | |
in actual fact, even in a short length - | 0:22:10 | 0:22:13 | |
just the boundary between you and next door - | 0:22:13 | 0:22:16 | |
you can pack in all manner of species. | 0:22:16 | 0:22:19 | |
There's hazel here, sloe, field maple, and the beautiful oak. | 0:22:19 | 0:22:24 | |
It actually supports literally hundreds of invertebrates | 0:22:25 | 0:22:28 | |
and you can have one in your garden! | 0:22:28 | 0:22:31 | |
And hawthorn offers food and shelter for so many creatures, | 0:22:31 | 0:22:36 | |
and it makes a brilliant hedging plant. | 0:22:36 | 0:22:40 | |
It's thick and it's thorny - it's wonderful. But... | 0:22:40 | 0:22:45 | |
let it do its own thing | 0:22:45 | 0:22:46 | |
as a specimen tree in the middle of your garden | 0:22:46 | 0:22:50 | |
and it can become the focal point of the whole place. | 0:22:50 | 0:22:54 | |
If the hawthorn, Crataegus monogyna, | 0:23:05 | 0:23:08 | |
was a tree from a foreign land that was introduced, we'd all want one. | 0:23:08 | 0:23:14 | |
This tree lights up the countryside from the north of Scotland | 0:23:14 | 0:23:19 | |
right down into the south. Every May, the whole place | 0:23:19 | 0:23:24 | |
is iced with its beautiful blossom along the hedgerows. | 0:23:24 | 0:23:29 | |
And yet, we tend to take it for granted. | 0:23:29 | 0:23:32 | |
Not only does it offer you the most beautiful skeleton in the winter | 0:23:33 | 0:23:38 | |
but later on, its leaves are shiny and brilliant | 0:23:38 | 0:23:43 | |
and then they're followed by this glorious blossom. | 0:23:43 | 0:23:46 | |
We call it May where I come from! | 0:23:46 | 0:23:49 | |
And that blossom provides so much food - | 0:23:49 | 0:23:52 | |
pollen and nectar - for insects. | 0:23:52 | 0:23:55 | |
Those flowers are followed by a crop of bright red berries. | 0:23:55 | 0:24:00 | |
Those berries are feasted on by our blackbirds and thrushes | 0:24:00 | 0:24:03 | |
but they persist right the way through the winter | 0:24:03 | 0:24:06 | |
and flocks of redwings and fieldfares enjoy them en route to their final destination. | 0:24:06 | 0:24:12 | |
If you're going to go for just one tree, make it a hawthorn. | 0:24:12 | 0:24:16 | |
It's not just trees and shrubs that are important for bringing in the wildlife - | 0:24:28 | 0:24:32 | |
lots of climbing plants do exactly that, too. | 0:24:32 | 0:24:35 | |
And to that end, I'm going to plant this lovely honeysuckle. | 0:24:37 | 0:24:42 | |
This is Lonicera periclymenum, | 0:24:42 | 0:24:45 | |
a native honeysuckle, | 0:24:45 | 0:24:48 | |
and this is a cultivar of it. | 0:24:48 | 0:24:51 | |
It's called 'Graham Thomas', named after the great plantsman, | 0:24:51 | 0:24:55 | |
and it's got much paler flowers with none of the crimson within. | 0:24:55 | 0:24:58 | |
And that means you can see it even more | 0:24:58 | 0:25:02 | |
at the time when it's at its best, in the evening. | 0:25:02 | 0:25:05 | |
I'm going to put it behind this tree stump and all I've done, | 0:25:05 | 0:25:09 | |
really, is just to add a bit of leaf mould - | 0:25:09 | 0:25:14 | |
cos that's what the plant likes. | 0:25:14 | 0:25:16 | |
It loves deep, woodsy sort of soil. | 0:25:16 | 0:25:19 | |
A lot of people think that this is a plant which needs sunshine - | 0:25:19 | 0:25:24 | |
not a bit of it. | 0:25:24 | 0:25:26 | |
This plant is so accommodating. You can plant it out on a wall, | 0:25:26 | 0:25:30 | |
on a fence - wherever - as long as it got its roots | 0:25:30 | 0:25:33 | |
and a bit of shade and it's got that lovely stuff underneath. | 0:25:33 | 0:25:37 | |
I'm hoping this is going to find its way up into these trees. | 0:25:39 | 0:25:43 | |
It just twirls itself around, just gently climbing up into the canopy. | 0:25:43 | 0:25:49 | |
Whereas lots of our flowers and trees and shrubs | 0:25:49 | 0:25:52 | |
attract wildlife during the day, | 0:25:52 | 0:25:55 | |
this attracts all those things that we don't see in the night. | 0:25:55 | 0:26:00 | |
All those moths - there are many more species of moths | 0:26:00 | 0:26:03 | |
than there are butterflies in this country but we don't see them. | 0:26:03 | 0:26:07 | |
If you look at the individual flowers of this, | 0:26:07 | 0:26:10 | |
you'll see these great, long corolla tubes. | 0:26:10 | 0:26:14 | |
And so moths have a much longer proboscis than butterflies | 0:26:14 | 0:26:17 | |
so you can bet your sweet life | 0:26:17 | 0:26:20 | |
that that's exactly what this plant provides nectar for. | 0:26:20 | 0:26:24 | |
And it's at night, just as we're going to bed, | 0:26:24 | 0:26:28 | |
that this plant comes into its own, | 0:26:28 | 0:26:32 | |
belting out that perfume | 0:26:32 | 0:26:34 | |
and bringing in all those lovely, special creatures. | 0:26:34 | 0:26:37 | |
Well, thank you so much, Dulcie, for raising this very important issue. | 0:26:40 | 0:26:45 | |
There are more than 11 million gardens in this country | 0:26:46 | 0:26:49 | |
and if each of us, every time we go to put a plant in, | 0:26:49 | 0:26:53 | |
thinks not only how much we love that plant | 0:26:53 | 0:26:57 | |
but just how it's going to benefit wildlife, everyone wins. | 0:26:57 | 0:27:02 | |
These are the Zantedeschias I bought at Gardeners' World Live. | 0:27:29 | 0:27:32 | |
At the time, I knew it was a bit of a gamble - | 0:27:33 | 0:27:35 | |
it was a bit sort of out there and not my normal thing. | 0:27:35 | 0:27:38 | |
I also knew that they may not get a rapturous reception | 0:27:38 | 0:27:42 | |
when I brought them home. | 0:27:42 | 0:27:44 | |
And I wasn't wrong! | 0:27:44 | 0:27:46 | |
The reception committee was, er, muted, to put it politely. | 0:27:46 | 0:27:50 | |
However, I'm sticking to my guns - | 0:27:50 | 0:27:52 | |
I still think they have great possibilities. | 0:27:52 | 0:27:54 | |
I've agreed to not plant them in the border but pot them up. | 0:27:54 | 0:27:57 | |
I've got some nice terracotta pots and they won't hurt. | 0:27:57 | 0:27:59 | |
If I was going to plant them, | 0:27:59 | 0:28:02 | |
I was going to sink them in pots anyway so they're very movable. | 0:28:02 | 0:28:05 | |
The reason you sink them in pots is because they don't like root disturbance and they're tender. | 0:28:05 | 0:28:09 | |
So you've got to move them in autumn anyway, | 0:28:09 | 0:28:11 | |
because they're not frost hardy. | 0:28:11 | 0:28:14 | |
It's better to lift the whole pot and maybe plant it out of the border | 0:28:14 | 0:28:16 | |
in spring. As it is, they're going to stay in pots. | 0:28:16 | 0:28:19 | |
They'll be moved around, they'll find a home somewhere. | 0:28:19 | 0:28:22 | |
That's it for today's programme. | 0:28:24 | 0:28:26 | |
Now, we shan't be back, I'm afraid, for four weeks | 0:28:26 | 0:28:29 | |
because of various sporting activities. | 0:28:29 | 0:28:32 | |
But life will go on at Long Meadow. | 0:28:32 | 0:28:34 | |
We'll keep gardening - I hope you do, too - | 0:28:34 | 0:28:36 | |
and we'll meet again in a month's time. Till then, bye-bye. | 0:28:36 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:58 |