Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
TRAIN RUMBLES IN DISTANCE | 0:00:05 | 0:00:08 | |
Hello. Welcome to Gardeners' World. | 0:00:10 | 0:00:12 | |
Now, there's only one word to describe the garden | 0:00:12 | 0:00:16 | |
at this time of year, and that's lush. | 0:00:16 | 0:00:18 | |
With all the rain we've had and the mildness, | 0:00:18 | 0:00:21 | |
and even the occasional sunshine, | 0:00:21 | 0:00:23 | |
everything has grown hugely, and that lushness is lovely. | 0:00:23 | 0:00:27 | |
But...it's swamping a lot of things | 0:00:27 | 0:00:30 | |
and now it's time to start cutting back. | 0:00:30 | 0:00:33 | |
This weekend it's also Gardeners' World Live in Birmingham, and that's | 0:00:37 | 0:00:40 | |
a great opportunity to get ideas and find some wonderful plants. | 0:00:40 | 0:00:45 | |
In answer to some of your e-mails, Carol is looking for good | 0:00:45 | 0:00:48 | |
plant combinations that will work in difficult areas of the garden. | 0:00:48 | 0:00:53 | |
Eryngiums will cope with mountainside and seaside alike. | 0:00:53 | 0:00:57 | |
They've got spectacular flowers | 0:00:57 | 0:00:59 | |
and they really give a bit of drama to your dry, sunny situation. | 0:00:59 | 0:01:04 | |
Joe is looking at how different designers have taken the same brief | 0:01:04 | 0:01:08 | |
to produce very different show gardens. | 0:01:08 | 0:01:10 | |
It's about retailing and design, and it can make or break your garden. | 0:01:10 | 0:01:15 | |
And I've decided to abandon my asparagus | 0:01:15 | 0:01:18 | |
and replace it with brassica. | 0:01:18 | 0:01:21 | |
And as well as that bombshell, | 0:01:21 | 0:01:23 | |
I shall be planting up some large pots | 0:01:23 | 0:01:25 | |
to give me colour right through into winter. | 0:01:25 | 0:01:28 | |
First I need to thin out and cut back these Jewel Garden borders. | 0:01:39 | 0:01:44 | |
We want to keep the display going from April | 0:01:44 | 0:01:47 | |
right through into November, if it's a good autumn, | 0:01:47 | 0:01:50 | |
and that will involve introducing new plants. | 0:01:50 | 0:01:54 | |
And you've got to make space for that. | 0:01:54 | 0:01:56 | |
And also we've got a bit of a strange weed problem here. | 0:01:56 | 0:02:00 | |
This Allium 'Purple Sensation' has taken over | 0:02:00 | 0:02:04 | |
and is growing everywhere. | 0:02:04 | 0:02:05 | |
And I very often pull up about half of them to stop them seeding, | 0:02:05 | 0:02:10 | |
which is a kind of shame, because the seed heads can look lovely, | 0:02:10 | 0:02:15 | |
and alliums will seed prolifically. | 0:02:15 | 0:02:17 | |
Which, of course, for the first few years is fantastic, | 0:02:18 | 0:02:21 | |
because you're getting more plants, but you've got to be | 0:02:21 | 0:02:24 | |
very careful for what you wish, because it can become a problem. | 0:02:24 | 0:02:28 | |
And this year I'm actually going to dig out a lot of the bulbs. | 0:02:28 | 0:02:32 | |
Because they're just getting too dominant. | 0:02:32 | 0:02:35 | |
Can you see that? | 0:02:37 | 0:02:39 | |
You've got this orange stain | 0:02:39 | 0:02:41 | |
and it's terrible for staining your clothes. | 0:02:41 | 0:02:44 | |
So be careful. Really difficult to wash out. | 0:02:44 | 0:02:48 | |
And also I shall be cutting back this geranium. | 0:02:50 | 0:02:53 | |
The ratio of flowers to growth is diminishing | 0:02:53 | 0:02:58 | |
and not giving enough return. | 0:02:58 | 0:03:00 | |
So we get in there... | 0:03:00 | 0:03:02 | |
Cut that off. | 0:03:02 | 0:03:04 | |
When you're cutting back geraniums in particular, | 0:03:08 | 0:03:11 | |
but any herbaceous plant you want to regrow, and this | 0:03:11 | 0:03:14 | |
applies to the Oriental poppies in particular, cut back hard. | 0:03:14 | 0:03:18 | |
Go right to the ground. | 0:03:18 | 0:03:20 | |
That will let light and air in | 0:03:20 | 0:03:22 | |
and the regrowth will be nice and vigorous | 0:03:22 | 0:03:24 | |
and will come back surprisingly fast. | 0:03:24 | 0:03:27 | |
Now, if I get a fork... | 0:03:33 | 0:03:35 | |
..and gently tease into the ground - | 0:03:37 | 0:03:39 | |
not too vigorously, I'm not double digging it, | 0:03:39 | 0:03:42 | |
I'm just seeing if I can get some of the allium bulbs out. | 0:03:42 | 0:03:45 | |
These can dry and sit and be planted in September or even October | 0:03:47 | 0:03:52 | |
without any problem at all, in another part of the garden. | 0:03:52 | 0:03:55 | |
We cleared the other side of the path a day or two ago, | 0:03:57 | 0:04:01 | |
so that is now ready for planting. | 0:04:01 | 0:04:05 | |
When you're topping up a border, | 0:04:10 | 0:04:12 | |
you need to start with the big plants first. | 0:04:12 | 0:04:14 | |
So this is a Gladioli 'Plum Tart' | 0:04:14 | 0:04:17 | |
and the bulbs have been planted in a deep-water aquatic basket, | 0:04:17 | 0:04:21 | |
and the beauty of that is the roots can grow through the holes | 0:04:21 | 0:04:25 | |
into the ground and then, when winter comes, the whole thing | 0:04:25 | 0:04:29 | |
can be lifted and put into storage so that they won't get frosted. | 0:04:29 | 0:04:33 | |
Gladiola is relatively tender and I'm going to put that there, | 0:04:33 | 0:04:38 | |
because the flowers, which have got a lovely plum, | 0:04:38 | 0:04:42 | |
burgundy sort of colour, | 0:04:42 | 0:04:44 | |
will rise about that height, | 0:04:44 | 0:04:45 | |
so above the hedge, and they need to be fairly near the front. | 0:04:45 | 0:04:48 | |
This is Zinnia 'Scarlet Red'. | 0:04:48 | 0:04:50 | |
Zinnias will go on flowering | 0:04:50 | 0:04:53 | |
from July right into autumn, if you | 0:04:53 | 0:04:57 | |
keep deadheading them, and they like heat and plenty of sunshine. | 0:04:57 | 0:05:02 | |
So that can go in there. We can put them in groups. | 0:05:03 | 0:05:07 | |
Maybe groups of three. | 0:05:07 | 0:05:09 | |
You notice I'm not planting any. | 0:05:15 | 0:05:16 | |
I'm not going to plant anything until I'm certain that | 0:05:16 | 0:05:19 | |
it's in the right place in relationship to everything else. | 0:05:19 | 0:05:23 | |
This cosmos is 'Orange Cosmea'. | 0:05:25 | 0:05:27 | |
Lovely rich colour, a real essential Jewel Garden plant. | 0:05:27 | 0:05:32 | |
Now, there's no point in putting a plant like this, | 0:05:32 | 0:05:35 | |
which will only grow about two foot tall, | 0:05:35 | 0:05:38 | |
in the middle of the border. So the taller stuff in the middle | 0:05:38 | 0:05:41 | |
and then you add the smaller annuals in amongst them. | 0:05:41 | 0:05:44 | |
Now, this is all familiar stuff in the sense that these are plants | 0:05:44 | 0:05:48 | |
I've grown in these borders for years and years and I love them. | 0:05:48 | 0:05:52 | |
And I like just tweaking them | 0:05:52 | 0:05:54 | |
and altering them slightly with a few additions, but basically | 0:05:54 | 0:05:57 | |
it's the same idea every year, and none the worse for that. | 0:05:57 | 0:06:01 | |
However at Gardeners' World Live this year, | 0:06:01 | 0:06:04 | |
Joe is looking at the show gardens, | 0:06:04 | 0:06:07 | |
particularly at the hard landscaping, | 0:06:07 | 0:06:10 | |
to get fresh ideas and new inspiration. | 0:06:10 | 0:06:13 | |
Gardeners' World Live is a showcase for up-and-coming designers, | 0:06:22 | 0:06:26 | |
and from what I've seen so far they've certainly not let us down. | 0:06:26 | 0:06:29 | |
From the outlandish to the conventional, | 0:06:29 | 0:06:31 | |
there are design elements here for everyone, | 0:06:31 | 0:06:34 | |
and this year there's a particular group of gardens | 0:06:34 | 0:06:37 | |
that have really caught my eye. | 0:06:37 | 0:06:38 | |
These gardens form part of an ambitious project called | 0:06:40 | 0:06:43 | |
Metamorphosis - A Design Journey, | 0:06:43 | 0:06:46 | |
headed up by the highly acclaimed garden designer Roger Platts. | 0:06:46 | 0:06:50 | |
Roger often sits on the judging panel at Gardeners' World Live | 0:06:50 | 0:06:54 | |
but this year has set four emerging designers a unique challenge. | 0:06:54 | 0:06:58 | |
Roger, how does this competition work? | 0:07:00 | 0:07:03 | |
It's all about creating a show garden, for the first time | 0:07:03 | 0:07:06 | |
for these designers, | 0:07:06 | 0:07:08 | |
and with a limited range of materials. | 0:07:08 | 0:07:10 | |
They've all been given the same materials to work with. | 0:07:10 | 0:07:13 | |
So how did you choose which materials you were going to give them? | 0:07:13 | 0:07:17 | |
There's quite a lot of grey paving and grey walling here. | 0:07:17 | 0:07:20 | |
There is, and interestingly I suppose I'm a little bit known for | 0:07:20 | 0:07:23 | |
doing a more traditional style of gardens. | 0:07:23 | 0:07:25 | |
I wanted to give them materials which they could do something, | 0:07:25 | 0:07:29 | |
perhaps, a little more contemporary. | 0:07:29 | 0:07:30 | |
The interesting thing is, they've all done different things. | 0:07:30 | 0:07:33 | |
They've used the materials but used them in all different ways. | 0:07:33 | 0:07:36 | |
And every garden's got to have a water feature designed into it. | 0:07:36 | 0:07:39 | |
That's a bit mean, isn't it? | 0:07:39 | 0:07:41 | |
They're the hardest part of the garden to get right. | 0:07:41 | 0:07:44 | |
Maybe that's why I put it in. It was a bit mean of me. | 0:07:44 | 0:07:46 | |
And I think they've learnt a lot from that | 0:07:46 | 0:07:48 | |
and now in the wider world | 0:07:48 | 0:07:51 | |
they should we creating much better-quality water features. | 0:07:51 | 0:07:54 | |
So, it's a great opportunity for these designers, then? | 0:07:56 | 0:07:58 | |
It's been a wonderful opportunity to create a garden for show | 0:07:58 | 0:08:01 | |
and they've just thrown their heart and soul into it. | 0:08:01 | 0:08:03 | |
I think it's been a wonderful success. | 0:08:03 | 0:08:05 | |
MUSIC WITH A LATIN`AMERICAN FEEL | 0:08:05 | 0:08:07 | |
It's really interesting to see how designers have used pretty much | 0:08:13 | 0:08:16 | |
the same materials to create very different gardens. | 0:08:16 | 0:08:19 | |
This is a very formal space, drawing the eye right through the middle | 0:08:19 | 0:08:22 | |
towards the large water feature at the back, and I like | 0:08:22 | 0:08:24 | |
the sense of humour that the water's pouring into the buckets there. | 0:08:24 | 0:08:28 | |
As far as the paving material is concerned, | 0:08:28 | 0:08:31 | |
I'd like to see a little bit more contrast, maybe chop it all up, | 0:08:31 | 0:08:34 | |
create more interest, but I do like the vibrancy of the planting here. | 0:08:34 | 0:08:38 | |
RESTFUL ACOUSTIC GUITAR MUSIC | 0:08:40 | 0:08:42 | |
This garden has a very strong rectilinear design. | 0:08:47 | 0:08:51 | |
You can see the rectangles all interlocking in planned form, | 0:08:51 | 0:08:54 | |
but also I like the way that actually it steps up towards the back, | 0:08:54 | 0:08:58 | |
good use of levels, and that boundary really does enclose the space. | 0:08:58 | 0:09:02 | |
But one thing I just wish it had was more height in the planting | 0:09:02 | 0:09:06 | |
here in the foreground, because that would give a nice | 0:09:06 | 0:09:08 | |
sense of enclosure to the garden as a whole and from here increase | 0:09:08 | 0:09:12 | |
the depth of field and actually make it feel bigger than it really is. | 0:09:12 | 0:09:16 | |
MUSIC WITH WARMER POP TONE | 0:09:18 | 0:09:19 | |
Out of all the four gardens, | 0:09:23 | 0:09:24 | |
this one has put the whole garden on the diagonal, | 0:09:24 | 0:09:27 | |
drawing the eye over into the far corner, | 0:09:27 | 0:09:30 | |
and it gives a very different dynamic feel to the space as a whole. | 0:09:30 | 0:09:34 | |
And I also like the sempervivums planted in lines. | 0:09:34 | 0:09:37 | |
What they've done here is cut the clay pipes, | 0:09:37 | 0:09:40 | |
which are an ingredient which they have to use, | 0:09:40 | 0:09:43 | |
sunk them into the gravel and planted in there, | 0:09:43 | 0:09:45 | |
and that breaks up the line between the paving and the gravel itself, | 0:09:45 | 0:09:49 | |
and gets some plants into the middle of the space, too. | 0:09:49 | 0:09:52 | |
But I wish this garden had one more thing - | 0:09:52 | 0:09:55 | |
another purple hazel planted right here. | 0:09:55 | 0:09:57 | |
At the moment, there's two of them, the eye bounces between them. | 0:09:57 | 0:10:00 | |
With three, it'll create a lovely flow as it goes round and round. | 0:10:00 | 0:10:03 | |
PACIER SPANISH STYLE ROCK GUITAR | 0:10:06 | 0:10:08 | |
This is the garden that won the competition. | 0:10:14 | 0:10:16 | |
It's designed by Jo Jemmison, and she's done a fantastic job | 0:10:16 | 0:10:20 | |
for this design of this tiny 6m by 6m garden. | 0:10:20 | 0:10:23 | |
These spaces really are very small. | 0:10:23 | 0:10:26 | |
It starts off with this pathway which | 0:10:26 | 0:10:28 | |
already shows ingenuity and innovation to me, | 0:10:28 | 0:10:31 | |
because she just laid the paving slightly apart, | 0:10:31 | 0:10:34 | |
put a bit of gravel between the two. It's great for drainage | 0:10:34 | 0:10:37 | |
and also starts a lovely rhythm that runs through the garden, | 0:10:37 | 0:10:40 | |
all the way through this paving and then up through the wall. | 0:10:40 | 0:10:43 | |
Just by raking out the grout on a horizontal axis, | 0:10:43 | 0:10:46 | |
it gives a nice visual flow to the garden. | 0:10:46 | 0:10:49 | |
Then when you think about putting a wall in, | 0:10:49 | 0:10:51 | |
think about the height of them as well. | 0:10:51 | 0:10:54 | |
Here she's done a great job. | 0:10:54 | 0:10:55 | |
She's brought it up to perfect seating height | 0:10:55 | 0:10:57 | |
and it's got this really nice timber coping on the top | 0:10:57 | 0:11:00 | |
and I can't see how it's been fixed. No signs of any screws or anything. | 0:11:00 | 0:11:03 | |
Really nice attention to detail. | 0:11:03 | 0:11:05 | |
From here, I'm right next to the water feature, | 0:11:05 | 0:11:07 | |
which has been brought right up to eye level on the boundary. | 0:11:07 | 0:11:11 | |
I'm not just seeing a blank wall there. | 0:11:11 | 0:11:13 | |
What I really like about this is this garden feels as if it's in 3-D, | 0:11:13 | 0:11:17 | |
so she's created lots of different levels right up to the back here, | 0:11:17 | 0:11:21 | |
it tiers up, a real sense of volume as well, | 0:11:21 | 0:11:24 | |
and that's why this garden won it. | 0:11:24 | 0:11:26 | |
It just goes to show that hard landscaping isn't just about | 0:11:29 | 0:11:32 | |
paving, walling and boundaries. There's so much more to it than that, | 0:11:32 | 0:11:36 | |
and it's about detailing and design, | 0:11:36 | 0:11:38 | |
and it can make or break your garden. | 0:11:38 | 0:11:39 | |
BIRDSONG | 0:11:44 | 0:11:46 | |
Well, that is the last asparagus I shall cut from this bed. | 0:11:51 | 0:11:55 | |
I planted it April 2011, but then we had a horrible summer that year, | 0:11:55 | 0:12:02 | |
the asparagus didn't grow very well. | 0:12:02 | 0:12:04 | |
We've had the coldest spring last year, | 0:12:04 | 0:12:06 | |
and it just hasn't taken off and because asparagus lasts so long, | 0:12:06 | 0:12:10 | |
if it starts badly, it's unlikely to get better. | 0:12:10 | 0:12:13 | |
So I'm cutting my losses - I'm digging it up. | 0:12:13 | 0:12:17 | |
And next spring I'll make a new asparagus bed | 0:12:17 | 0:12:19 | |
in one of the raised beds, and the virtue of that is, | 0:12:19 | 0:12:22 | |
it'll have extra-good drainage. | 0:12:22 | 0:12:23 | |
I feel really bad about this. | 0:12:32 | 0:12:34 | |
I feel like I'm destroying something that might come good | 0:12:34 | 0:12:39 | |
but I know it's the right decision. | 0:12:39 | 0:12:41 | |
See, look - do you see how those roots are rotten? | 0:12:41 | 0:12:44 | |
They're all shredded. They look like they've been crushed. | 0:12:44 | 0:12:48 | |
And that's because they're too wet. | 0:12:48 | 0:12:51 | |
I think this is the right thing to do. | 0:12:59 | 0:13:02 | |
And next year, in a raised bed, | 0:13:02 | 0:13:04 | |
I'll really make sure the drainage is good | 0:13:04 | 0:13:07 | |
and it's not shaded at all. | 0:13:07 | 0:13:09 | |
But the ground is perfectly good for lots of other vegetables | 0:13:09 | 0:13:13 | |
and for the moment, I've got some brassicas | 0:13:13 | 0:13:16 | |
that will love this rich soil. | 0:13:16 | 0:13:18 | |
Root rock and a large cabbage | 0:13:24 | 0:13:27 | |
or purple sprouting broccoli can cause a lot of damage | 0:13:27 | 0:13:31 | |
so you want really firm roots and if the soil is firm, | 0:13:31 | 0:13:35 | |
they have to work their way in and it anchors them. | 0:13:35 | 0:13:39 | |
So always treat a brassica bed as though it was a lawn | 0:13:39 | 0:13:43 | |
and tread it over, like this, and then rake it lightly. | 0:13:43 | 0:13:46 | |
It's a little bit wet and sticky for this at the moment, | 0:13:46 | 0:13:50 | |
but we'll get away with it, I think. | 0:13:50 | 0:13:52 | |
Right, let's get them in the ground. | 0:13:54 | 0:13:57 | |
This is romanesco, | 0:14:03 | 0:14:05 | |
which I always think of as somewhere between broccoli and cauliflower, | 0:14:05 | 0:14:10 | |
with usually the pointed head, | 0:14:10 | 0:14:12 | |
and they can be bigger than purple sprouting broccoli | 0:14:12 | 0:14:15 | |
but smaller than a cauliflower | 0:14:15 | 0:14:18 | |
and the best way to eat them, I think, | 0:14:18 | 0:14:20 | |
is very similar to broccoli - I would lightly boil them, | 0:14:20 | 0:14:24 | |
heat up some garlic and some chilli in a pan with oil | 0:14:24 | 0:14:27 | |
and then toss the romanesco in that, and they're very good. | 0:14:27 | 0:14:31 | |
Dig a deep hole. Plant them nice and deep with some of the stem buried, | 0:14:32 | 0:14:38 | |
like that, and then really aggressively firm them in. | 0:14:38 | 0:14:43 | |
This is important. You won't damage the roots at all | 0:14:43 | 0:14:46 | |
and if they start life firm, | 0:14:46 | 0:14:49 | |
they will grow good and straight and they won't be damaged by wind. | 0:14:49 | 0:14:53 | |
Spacing wants to be about 18 inches. | 0:14:55 | 0:15:00 | |
I nowadays tend to plant closer than the books will tell you to do. | 0:15:00 | 0:15:06 | |
That's because I'd rather have more repeat pickings of smaller plants. | 0:15:06 | 0:15:11 | |
If you want a show plant or you've got masses of people to feed, | 0:15:11 | 0:15:15 | |
space it further apart - you'll get bigger plants. | 0:15:15 | 0:15:18 | |
In an effort to make the asparagus grow better, | 0:15:25 | 0:15:28 | |
I've been mulching this for the last few years | 0:15:28 | 0:15:30 | |
with an enormous amount of compost, | 0:15:30 | 0:15:33 | |
and brassicas love that. | 0:15:33 | 0:15:34 | |
So give them plenty of food. | 0:15:34 | 0:15:36 | |
This is the perfect moment to be planting out | 0:15:36 | 0:15:39 | |
all your winter brassica, | 0:15:39 | 0:15:41 | |
but even if you don't grow cabbages or romanesco, | 0:15:41 | 0:15:44 | |
here are some other jobs you can be getting on with this weekend. | 0:15:44 | 0:15:48 | |
At this time of year, | 0:15:53 | 0:15:55 | |
lily beetles are indulging their voracious appetites, | 0:15:55 | 0:15:58 | |
munching through your favourite lilies | 0:15:58 | 0:16:01 | |
and any members of the fritillary family. | 0:16:01 | 0:16:04 | |
They're bright-red, so easy to see, | 0:16:04 | 0:16:06 | |
but at the slightest sense of movement they drop off the plant | 0:16:06 | 0:16:10 | |
and lie on their backs and are almost impossible to find | 0:16:10 | 0:16:14 | |
on the ground. So creep up on them whilst they're otherwise engaged | 0:16:14 | 0:16:17 | |
and grab them and then dispose of them as you feel fit. | 0:16:17 | 0:16:22 | |
To keep your roses flowering as long possible, | 0:16:22 | 0:16:26 | |
it's important to deadhead them regularly. | 0:16:26 | 0:16:29 | |
Don't just pull the spent flowers off | 0:16:29 | 0:16:32 | |
but cut back to a side shoot, and this will promote fresh growth | 0:16:32 | 0:16:36 | |
with more flowers. | 0:16:36 | 0:16:38 | |
In a rainy year like this one, | 0:16:38 | 0:16:40 | |
it's quite common for roses to ball, | 0:16:40 | 0:16:42 | |
which means that the outer petals get wet | 0:16:42 | 0:16:45 | |
and then dry out slightly and trap the flower and stop it opening. | 0:16:45 | 0:16:49 | |
Gently tease it apart with your fingers | 0:16:49 | 0:16:53 | |
and often you can rescue the flower | 0:16:53 | 0:16:55 | |
and it will open in front of your eyes. | 0:16:55 | 0:16:59 | |
BLACKBIRD SINGS | 0:17:02 | 0:17:05 | |
Blackbirds have a habit of eating strawberries before they're ripe | 0:17:05 | 0:17:08 | |
and the only way to stop them is to put some netting up | 0:17:08 | 0:17:12 | |
so they can't get at through it. | 0:17:12 | 0:17:14 | |
It doesn't have to be a permanent structure - | 0:17:14 | 0:17:16 | |
some posts or canes with the netting stretched over it | 0:17:16 | 0:17:20 | |
will do the job properly, | 0:17:20 | 0:17:21 | |
but do make sure that the netting is stretched taught | 0:17:21 | 0:17:24 | |
otherwise the birds can get wrapped up | 0:17:24 | 0:17:27 | |
and tangled in loose shrouds. | 0:17:27 | 0:17:31 | |
Now, this is a group of plants that I never thought that I would grow, | 0:17:39 | 0:17:44 | |
and I set off to the Malvern Spring Festival | 0:17:44 | 0:17:48 | |
with no intention of buying carnivorous plants, | 0:17:48 | 0:17:51 | |
but saw them growing there and sort of fell in love with them. | 0:17:51 | 0:17:55 | |
I thought they were incredibly interesting and very practical | 0:17:55 | 0:17:58 | |
because they need no looking after at all. | 0:17:58 | 0:18:01 | |
All you have to do is stand them in some rainwater, | 0:18:01 | 0:18:04 | |
and they catch insects for me in the greenhouse, | 0:18:04 | 0:18:06 | |
so they're beautiful, they're fascinating and they're useful | 0:18:06 | 0:18:10 | |
and I never would have got them if I hadn't been to Malvern this spring. | 0:18:10 | 0:18:14 | |
And that, I think, is one of the delights of going to flower shows. | 0:18:14 | 0:18:18 | |
You set out with a shopping list of what you're likely to buy | 0:18:18 | 0:18:22 | |
and suddenly, you're hit over the head with something new, | 0:18:22 | 0:18:26 | |
something you'd never thought of. | 0:18:26 | 0:18:28 | |
Carol has gone to Gardeners' World Live | 0:18:32 | 0:18:35 | |
looking for planting combinations that would look great | 0:18:35 | 0:18:39 | |
in otherwise tricky areas of the garden. | 0:18:39 | 0:18:42 | |
Every week we get loads of letters and e-mails from people | 0:18:46 | 0:18:51 | |
who've got particularly problematic patches in their gardens. | 0:18:51 | 0:18:55 | |
Well, I want to find solutions to some of those problems | 0:18:55 | 0:18:59 | |
and where better to do it than at Gardeners' World Live? | 0:18:59 | 0:19:03 | |
The question we're asked more than any other is, | 0:19:13 | 0:19:16 | |
what can I grow in shade? | 0:19:16 | 0:19:18 | |
Now, Emma Truman's letter is typical. | 0:19:18 | 0:19:21 | |
She's got one border that's in dense shade. | 0:19:21 | 0:19:24 | |
What can she grow there? | 0:19:24 | 0:19:26 | |
Well, most of us have got shade in our gardens, | 0:19:26 | 0:19:28 | |
for at least part of the time. | 0:19:28 | 0:19:30 | |
Think of your own borders. | 0:19:30 | 0:19:31 | |
For part of the day they are plunged into shade. | 0:19:31 | 0:19:35 | |
Foxgloves are the archetypal solution for just that sort of a place. | 0:19:35 | 0:19:39 | |
That's where they put themselves in nature - they love to grow | 0:19:39 | 0:19:43 | |
in hedgerows on the edge of woodland so they are just ideal. | 0:19:43 | 0:19:47 | |
In spring, shade is never a problem, there are so many | 0:19:47 | 0:19:51 | |
springtime plants that love shady places. | 0:19:51 | 0:19:54 | |
But come the summer it's a bit more difficult. | 0:19:54 | 0:19:56 | |
Well, how about this for a solution? | 0:19:56 | 0:19:59 | |
This handsome... | 0:19:59 | 0:20:00 | |
..is perfect in a shady spot. | 0:20:02 | 0:20:04 | |
And if you want something even more exotic why not go for this... | 0:20:04 | 0:20:08 | |
But, if like Emma, you've got somewhere that's shady | 0:20:11 | 0:20:13 | |
all the day through then there are | 0:20:13 | 0:20:15 | |
still loads of solutions. | 0:20:15 | 0:20:17 | |
On the stand there's this glorious new... | 0:20:17 | 0:20:20 | |
..and it's ideal for anybody's shady spot. | 0:20:22 | 0:20:25 | |
Sometimes it's the soil itself that's seen as the problem. | 0:20:36 | 0:20:40 | |
And I suppose the most problematic kind of soil is seen as being | 0:20:40 | 0:20:43 | |
heavy clay. | 0:20:43 | 0:20:45 | |
I garden on clay myself and so does one of our viewers, | 0:20:45 | 0:20:49 | |
John Dickson, who's written to tell us about his new garden - | 0:20:49 | 0:20:53 | |
full of heavy clay. | 0:20:53 | 0:20:54 | |
Well, one famous garden that had heavy clay was Barnsdale, | 0:20:54 | 0:20:58 | |
home to Gardeners' World for many years and home of | 0:20:58 | 0:21:00 | |
Geoff Hamilton. | 0:21:00 | 0:21:02 | |
He had a marvellous success story there and his son, | 0:21:02 | 0:21:06 | |
Nick Hamilton, continues his legacy with spectacular results. | 0:21:06 | 0:21:10 | |
I reckon he's the bloke to talk to! | 0:21:10 | 0:21:12 | |
Nick, roses feature largely on your stand and they love clay, | 0:21:19 | 0:21:22 | |
don't they? | 0:21:22 | 0:21:24 | |
They do absolutely love it and certainly at Barnsdale on heavy clay | 0:21:24 | 0:21:27 | |
they do fantastically well there. | 0:21:27 | 0:21:29 | |
And when you see wild roses, invariably they are growing | 0:21:29 | 0:21:32 | |
in amongst grasses and other herbaceous plants so that's | 0:21:32 | 0:21:35 | |
ideal in the garden. Absolutely. They can grow all these | 0:21:35 | 0:21:39 | |
fantastic plants. Things like the achillea that we've got over there. | 0:21:39 | 0:21:43 | |
They flower all summer long and the potentilla just keeps going | 0:21:43 | 0:21:46 | |
and going and going, you can't ask for better than that. | 0:21:46 | 0:21:48 | |
They do, potentilla is the same family as roses, isn't it? | 0:21:48 | 0:21:51 | |
Exactly. It's lovely. Do you love clay? Given the choice | 0:21:51 | 0:21:54 | |
I would pick clay every day of the week. | 0:21:54 | 0:21:56 | |
Yeah, me too, thanks ever so much. | 0:21:56 | 0:21:58 | |
Sometimes a beautiful view comes with its own problems. | 0:22:07 | 0:22:12 | |
Gillian Edwards lives in Snowdonia and she's written to us | 0:22:12 | 0:22:16 | |
to ask what on earth she can grow in her windswept, exposed site, | 0:22:16 | 0:22:21 | |
very close to the sea. | 0:22:21 | 0:22:23 | |
Well, there's so many things, as long as you bear in mind that | 0:22:23 | 0:22:26 | |
you want plants that are specially adapted to that sort of situation. | 0:22:26 | 0:22:30 | |
On this stand there are loads of examples. | 0:22:30 | 0:22:33 | |
There's a little spurge here. | 0:22:33 | 0:22:35 | |
This is Euphorbia cyparissias. | 0:22:35 | 0:22:37 | |
Right now it makes this lovely sort of swinging thread right | 0:22:38 | 0:22:42 | |
through the stand. Later it will have bright, lime green flowers | 0:22:42 | 0:22:45 | |
that will bring in the insects from far and wide. | 0:22:45 | 0:22:48 | |
Marry it with something like this little white daisy... | 0:22:48 | 0:22:51 | |
Providing it's not soaking wet during the winter | 0:22:53 | 0:22:56 | |
then it will survive happily | 0:22:56 | 0:22:57 | |
and flower for months on end. | 0:22:57 | 0:23:00 | |
Something really spectacular, eryngiums will cope with | 0:23:00 | 0:23:04 | |
mountainside and seaside alike. | 0:23:04 | 0:23:06 | |
They've got spectacular flowers and they really give | 0:23:06 | 0:23:09 | |
a bit of drama to your dry, sunny situation. | 0:23:09 | 0:23:12 | |
Aren't we lucky in Britain? We garden in all sorts of conditions, | 0:23:22 | 0:23:26 | |
all sorts of different situations but providing we always | 0:23:26 | 0:23:30 | |
bear in mind one principle - choosing plants that are going | 0:23:30 | 0:23:34 | |
to love the sort of conditions that we can offer them, | 0:23:34 | 0:23:37 | |
we really can't go wrong. The moral of the story is - | 0:23:37 | 0:23:40 | |
go with the flow, choose the right plant for the right place. | 0:23:40 | 0:23:44 | |
BEES BUZZ | 0:23:52 | 0:23:54 | |
Now, the show goes on till Sunday night. In fact, | 0:23:57 | 0:24:00 | |
I'll be there all day Sunday, so you can come and see me, | 0:24:00 | 0:24:03 | |
and if you want any details about times and how to get there, | 0:24:03 | 0:24:06 | |
then you can go to our website and find all the information there. | 0:24:06 | 0:24:10 | |
Now, the big pots that I put in the four centres | 0:24:10 | 0:24:14 | |
of the Jewel Garden have done their stuff for this year. | 0:24:14 | 0:24:17 | |
They serve very well through winter and into spring, | 0:24:17 | 0:24:20 | |
and now they're dying back. I need to revamp them. | 0:24:20 | 0:24:23 | |
This is a good time to refresh all containers | 0:24:23 | 0:24:26 | |
to take you for the rest of the summer. | 0:24:26 | 0:24:28 | |
And big pots are quite tricky to plant up, | 0:24:28 | 0:24:30 | |
and the secret is to make a statement. | 0:24:30 | 0:24:34 | |
Really go for it, and to do that, | 0:24:34 | 0:24:36 | |
you need to choose plants that have the panache | 0:24:36 | 0:24:40 | |
to not only make one statement, | 0:24:40 | 0:24:42 | |
but to go on making it right through into autumn. | 0:24:42 | 0:24:47 | |
I do think that if you're using a large pot, | 0:24:47 | 0:24:50 | |
it should be based around a centrepiece | 0:24:50 | 0:24:52 | |
that is big and dramatic. It needs height, | 0:24:52 | 0:24:54 | |
ideally at least as high as the pot itself. | 0:24:54 | 0:24:57 | |
I'm using a canna called Wyoming. | 0:24:57 | 0:25:01 | |
And this has got really nice, chocolate-coloured | 0:25:01 | 0:25:04 | |
veined foliage, which will mix in with the background and also, | 0:25:04 | 0:25:10 | |
superb bright orange flowers. | 0:25:10 | 0:25:13 | |
Of course, I haven't bought this. | 0:25:14 | 0:25:16 | |
I've had this plant for years, kept it over winter, | 0:25:16 | 0:25:20 | |
and just grown it on in the greenhouse for the last month or so | 0:25:20 | 0:25:24 | |
and hardened it off, so it's ready to go outside. | 0:25:24 | 0:25:28 | |
And the idea is to recycle as much as possible. | 0:25:28 | 0:25:32 | |
So there is the centrepiece like that. | 0:25:32 | 0:25:35 | |
Cannas are hungry, thirsty plants - | 0:25:35 | 0:25:39 | |
you can't really overwater or overfeed them. | 0:25:39 | 0:25:42 | |
The biggest mistake is to let them get too dry. | 0:25:42 | 0:25:44 | |
Now, around the outside, I want to have some dahlias. | 0:25:44 | 0:25:48 | |
This is an orange dahlia called 'David Howard'. | 0:25:50 | 0:25:53 | |
It has a really lovely orange flower with just a touch of apricot to it. | 0:25:53 | 0:25:58 | |
There were go. Three 'David Howard'. | 0:26:00 | 0:26:02 | |
See, I already think that's starting to look good, | 0:26:04 | 0:26:07 | |
and of course, they're crammed in far too tight | 0:26:07 | 0:26:10 | |
in conventional spacing teams. But that doesn't matter. | 0:26:10 | 0:26:13 | |
We want to maximise the effect from this one pot. | 0:26:13 | 0:26:17 | |
If I'm happy with that, I'll take these out of the pot. | 0:26:17 | 0:26:21 | |
And these are plants that I've had for a number of years, | 0:26:21 | 0:26:25 | |
and there's no reason why I can't have them for quite a few more | 0:26:25 | 0:26:27 | |
years yet, and take cuttings from them to make new plants. | 0:26:27 | 0:26:31 | |
It's absolutely essential if you want a big, dramatic display | 0:26:36 | 0:26:40 | |
from a big container, to give it the nourishment it needs. | 0:26:40 | 0:26:43 | |
Lots of goodness. | 0:26:43 | 0:26:46 | |
Next step is to have something that will trail a little bit, | 0:26:46 | 0:26:50 | |
and I've got nasturtiums, and this is a trailing mix, grown from seed. | 0:26:50 | 0:26:55 | |
Now, the only thing that one has to worry about with nasturtiums | 0:26:55 | 0:26:59 | |
is that they get a little bit vigorous at the expense of flowers. | 0:26:59 | 0:27:02 | |
Traditionally, if you wanted nasturtiums to flower really well, | 0:27:04 | 0:27:07 | |
you potted them up into the sweepings of the potting shed floor, | 0:27:07 | 0:27:11 | |
i.e., practically dust. | 0:27:11 | 0:27:14 | |
This is going into a strong compost, | 0:27:14 | 0:27:15 | |
but because it's being shared by other, more vigorous plants, | 0:27:15 | 0:27:20 | |
it should restrict the growth of the nasturtium | 0:27:20 | 0:27:23 | |
enough to promote flowering. | 0:27:23 | 0:27:25 | |
And then there, right against the edge. | 0:27:32 | 0:27:35 | |
And the final element of the mix, which is a rich, red flower, | 0:27:35 | 0:27:40 | |
a dianthus, and this particular one is an unnamed variety, | 0:27:40 | 0:27:47 | |
bought from a petrol station. | 0:27:47 | 0:27:49 | |
And that red will add a little bit of richness to the base | 0:27:49 | 0:27:53 | |
to stop it getting too orange and chocolate. | 0:27:53 | 0:27:56 | |
And the last piece of advice I think I'd give is, | 0:28:09 | 0:28:12 | |
when you're planting up a big container, | 0:28:12 | 0:28:14 | |
it can feel like the choices are limitless. | 0:28:14 | 0:28:17 | |
Work out what you want and stick to it. | 0:28:17 | 0:28:19 | |
Don't try and chuck a bit of everything in, | 0:28:19 | 0:28:22 | |
and if it doesn't work, it doesn't matter. | 0:28:22 | 0:28:24 | |
Next time, you've learned something. | 0:28:24 | 0:28:26 | |
Now, talking of next time, that's it for this week, | 0:28:26 | 0:28:28 | |
but I'll see you back here at Longmeadow | 0:28:28 | 0:28:31 | |
at the same time next Friday. Till then, bye-bye. | 0:28:31 | 0:28:33 | |
BIRDSONG | 0:28:35 | 0:28:37 | |
What's the hardest thing about being a foster parent? | 0:29:07 | 0:29:08 | |
You're constantly trying to build the elusive trust. | 0:29:08 | 0:29:11 | |
It's like a big old question mark in your heart. | 0:29:11 | 0:29:14 | |
I just try and do the best I can for them while they're with me. | 0:29:14 | 0:29:17 | |
Join Lorraine Pascale as she looks at stories of fostering... | 0:29:17 | 0:29:20 | |
I wasn't happy at all, but now I am. ..including her own. | 0:29:20 | 0:29:23 | |
Nice to know finally where I came to the world. | 0:29:23 | 0:29:26 | |
To know that you've grown up and had such a successful life is lovely. | 0:29:26 | 0:29:30 |