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Hello. Welcome to the RHS Malvern Spring Festival. | 0:00:34 | 0:00:39 | |
Now, for me, whatever the weather, | 0:00:39 | 0:00:41 | |
and it's certainly getting better by the hour, | 0:00:41 | 0:00:44 | |
Malvern is a celebration of spring. | 0:00:44 | 0:00:46 | |
It's a show that is packed with wonderful plants. | 0:00:46 | 0:00:50 | |
There are stimulating show gardens | 0:00:50 | 0:00:53 | |
and, of course, you can shop all day long. | 0:00:53 | 0:00:56 | |
We'll be taking you around the show | 0:00:56 | 0:00:58 | |
and also showing you behind the scenes. | 0:00:58 | 0:01:01 | |
I'll be seeking out some of the head-turners in the floral marquee | 0:01:03 | 0:01:07 | |
and hunting down some of the best plants that grace the stands. | 0:01:07 | 0:01:12 | |
And I'll be exploring the show gardens, and looking | 0:01:13 | 0:01:16 | |
at the unusual, yet achievable, design elements within them. | 0:01:16 | 0:01:19 | |
Malvern is my local show. | 0:01:22 | 0:01:24 | |
It's just down the road from Longmeadow. | 0:01:24 | 0:01:26 | |
And I've been coming here for years and every time, | 0:01:26 | 0:01:29 | |
I get the same thrill from the diversity of plants | 0:01:29 | 0:01:32 | |
that you find here. | 0:01:32 | 0:01:33 | |
They don't just cover spring in all its glory | 0:01:33 | 0:01:36 | |
but also take you into summer. | 0:01:36 | 0:01:38 | |
I've already been indulging in a spot of window shopping | 0:01:45 | 0:01:48 | |
for Longmeadow. | 0:01:48 | 0:01:50 | |
Yesterday I had a preview as the stands were going up | 0:01:50 | 0:01:53 | |
in the floral marquee. | 0:01:53 | 0:01:55 | |
Amongst all the incredible range of plants, | 0:01:55 | 0:01:57 | |
I was looking for something particular for my new greenhouse. | 0:01:57 | 0:02:02 | |
Over the winter at Longmeadow, | 0:02:03 | 0:02:05 | |
we stored a lot of tender flowering plants | 0:02:05 | 0:02:08 | |
in the top new wooden greenhouse | 0:02:08 | 0:02:10 | |
and it became a treat on a winter's day | 0:02:10 | 0:02:12 | |
to go in there and just bathe in the scent and colour. | 0:02:12 | 0:02:17 | |
Many of these have gone outside now that the weather has warmed up, | 0:02:17 | 0:02:20 | |
but I want to continue that theme of using the greenhouse | 0:02:20 | 0:02:24 | |
almost as a conservatory and look here at the show | 0:02:24 | 0:02:27 | |
for plants that need the protection | 0:02:27 | 0:02:29 | |
and will give me colour throughout the summer. | 0:02:29 | 0:02:32 | |
I really like this Streptocarpus 'White Butterfly'. | 0:02:41 | 0:02:45 | |
And yet I wasn't really convinced before | 0:02:45 | 0:02:47 | |
that I liked Streptocarpus at all. | 0:02:47 | 0:02:49 | |
But that's one of the great things about shows. | 0:02:49 | 0:02:51 | |
They broaden the possibilities. | 0:02:51 | 0:02:54 | |
You see a fabulously wide range of plants. | 0:02:54 | 0:02:57 | |
You know, looking at Black Panther, | 0:02:57 | 0:02:59 | |
I think I could include that in the greenhouse. | 0:02:59 | 0:03:02 | |
'Crystal Ice', you see, there's three. | 0:03:02 | 0:03:05 | |
I never thought I would have any before today. | 0:03:05 | 0:03:07 | |
One thing that I know I want is a climber. | 0:03:09 | 0:03:13 | |
Hello. That's beautiful. | 0:03:13 | 0:03:15 | |
-That's extraordinary. -Yes. | 0:03:15 | 0:03:17 | |
-How tender is it? -Quite tender. | 0:03:17 | 0:03:19 | |
-It's really best grown in the greenhouse. -Oh, well. That's good. | 0:03:19 | 0:03:22 | |
And its flowering season is how long? | 0:03:22 | 0:03:24 | |
Normally starts about this time of year if the weather is warm enough | 0:03:24 | 0:03:27 | |
and will go through quite well until the middle of September. | 0:03:27 | 0:03:30 | |
And its winter regime - do you keep it dry or do you water it? | 0:03:30 | 0:03:33 | |
Keep it very much on the dry side. Almost droughted. | 0:03:33 | 0:03:35 | |
And then when it starts to warm up in the spring and the light levels | 0:03:35 | 0:03:38 | |
improve, then start watering... increase the watering. | 0:03:38 | 0:03:41 | |
You are recreating the situation it would have in the wilds of Zimbabwe. | 0:03:41 | 0:03:45 | |
-Zimbabwe is where it comes from? -Yes, it's the national flower. | 0:03:45 | 0:03:48 | |
It's very nice. If I come back tomorrow night, can I pick up a plant? | 0:03:48 | 0:03:52 | |
-Of course you can. We'll have one here for you. -Brilliant. | 0:03:52 | 0:03:54 | |
-Look forward to it. -Thank you very much. | 0:03:54 | 0:03:56 | |
If I wanted to summon up memories of hot holidays, | 0:04:04 | 0:04:08 | |
I could do no better than to choose a bougainvillea for my greenhouse. | 0:04:08 | 0:04:14 | |
And certainly, set against a bright blue sky, they are fantastic. | 0:04:14 | 0:04:20 | |
I think against a grey Herefordshire sky, | 0:04:20 | 0:04:24 | |
they wouldn't work so well, so I'll probably pass on them. | 0:04:24 | 0:04:28 | |
However, if you are growing bougainvillea, | 0:04:28 | 0:04:31 | |
then here's a little tip. | 0:04:31 | 0:04:33 | |
Because when they get cold, they can drop all their foliage | 0:04:33 | 0:04:36 | |
and their bracts and look as though they have died. | 0:04:36 | 0:04:38 | |
But as long as they don't get too cold, don't discard the plant. | 0:04:38 | 0:04:42 | |
Because as they warm up, they'll regrow perfectly healthily. | 0:04:42 | 0:04:46 | |
Carnivorous plants are fascinating but I've never really grown them. | 0:04:55 | 0:04:59 | |
I do know, however, that this Drosera, | 0:04:59 | 0:05:03 | |
as well as being curiously fascinating to look at, | 0:05:03 | 0:05:08 | |
performs a very useful function in a greenhouse because it will | 0:05:08 | 0:05:12 | |
catch and consume things like whitefly that can be a pest. | 0:05:12 | 0:05:16 | |
A fly lands on it and then tries to get away | 0:05:16 | 0:05:19 | |
and you can see it's just... | 0:05:19 | 0:05:21 | |
Look at that. | 0:05:21 | 0:05:22 | |
And it'll gobble it up. | 0:05:22 | 0:05:25 | |
And I can see myself adding carnivorous plants as part of this new move. | 0:05:25 | 0:05:30 | |
What I want wanted to find in the show was a range of plants | 0:05:30 | 0:05:34 | |
that I haven't hitherto grown, | 0:05:34 | 0:05:36 | |
that can live permanently in the greenhouse, which will flower | 0:05:36 | 0:05:40 | |
and grow and perform in midsummer. | 0:05:40 | 0:05:43 | |
Therefore I am enlarging the whole range of possibilities of plants | 0:05:43 | 0:05:47 | |
that I've never really tried before. | 0:05:47 | 0:05:49 | |
There are not only new plants to discover, | 0:05:55 | 0:05:57 | |
but also once the show is open and all the gardens | 0:05:57 | 0:06:00 | |
are finished there are loads of new design ideas to explore. | 0:06:00 | 0:06:05 | |
One of the many good things about shows like Malvern is that | 0:06:13 | 0:06:15 | |
it gives younger designers | 0:06:15 | 0:06:17 | |
and designers with less experience the chance to cut their teeth. | 0:06:17 | 0:06:21 | |
One of the things that I particularly like about this | 0:06:21 | 0:06:25 | |
garden, called Shears And Chardonnay, is the split log wall | 0:06:25 | 0:06:29 | |
running round the back. | 0:06:29 | 0:06:31 | |
It doesn't matter how experienced you are. | 0:06:31 | 0:06:34 | |
To create any kind of show garden takes a huge amount of work | 0:06:34 | 0:06:39 | |
and a lot of skill. | 0:06:39 | 0:06:41 | |
A few weeks ago Joe met up with one of the designers to see | 0:06:41 | 0:06:45 | |
how their big idea was formed. | 0:06:45 | 0:06:47 | |
The beautiful picturesque Cotswolds | 0:06:49 | 0:06:51 | |
have inspired generations of artistic minds. | 0:06:51 | 0:06:54 | |
Laurie Lee, Gustav Holst and William Morris are just | 0:06:54 | 0:06:58 | |
a few who have created some of their finest works here. | 0:06:58 | 0:07:01 | |
The landscape is still working its magic today. | 0:07:03 | 0:07:06 | |
Mark Draper is a local contemporary garden designer who, when seeking | 0:07:06 | 0:07:11 | |
an idea for his Malvern garden this year, found it practically on his doorstep. | 0:07:11 | 0:07:16 | |
I do a lot of running in the Cotswolds and I was really | 0:07:18 | 0:07:23 | |
taken by the beauty of the natural wild flowers that you | 0:07:23 | 0:07:26 | |
see in the hedgerows. | 0:07:26 | 0:07:28 | |
That's my starting point this year. | 0:07:28 | 0:07:31 | |
Particularly with the cow parsley, I'm keen to use that. | 0:07:31 | 0:07:35 | |
It's lovely, very delicate in its form. | 0:07:35 | 0:07:38 | |
Feathery foliage, which is | 0:07:38 | 0:07:40 | |
great to soften the whole thing down really and give that sort of 3D | 0:07:40 | 0:07:45 | |
and bring it out from the lower canopy of the deadnettles and bluebells. | 0:07:45 | 0:07:49 | |
I'm going to try and get some of the red campion to give a bit | 0:07:49 | 0:07:52 | |
of ping, a bit of interest, and lift the colour palette. | 0:07:52 | 0:07:56 | |
Nature's got a lovely way of putting things together. It's beautiful. | 0:07:56 | 0:08:00 | |
Is this the sort of thing that you're going to create? | 0:08:00 | 0:08:03 | |
I didn't want to do the classic recreation of the hedgerow, | 0:08:03 | 0:08:05 | |
so this year I thought I'd try a different tangent | 0:08:05 | 0:08:07 | |
and come up with quite a modern contemporary feel to the | 0:08:07 | 0:08:11 | |
design itself, but then use wild flowers to create a soft | 0:08:11 | 0:08:15 | |
naturalistic type planting. | 0:08:15 | 0:08:18 | |
It's a real mesh between the two. | 0:08:18 | 0:08:19 | |
-This is your yard. This is where all the action is. -Yes. | 0:08:34 | 0:08:37 | |
How are you going to turn this concept into a garden? | 0:08:37 | 0:08:41 | |
The bottom end of the garden, this is a more naturalistic end. | 0:08:41 | 0:08:44 | |
I've got a little mown grass path running through which then | 0:08:44 | 0:08:48 | |
bleeds out into the wildflower meadow. | 0:08:48 | 0:08:50 | |
The middle are of the garden is where I'm going to start to | 0:08:50 | 0:08:53 | |
introduce the varieties and then from that it goes more garden-esque. | 0:08:53 | 0:08:57 | |
And you've got a nursery here. | 0:08:57 | 0:08:58 | |
-Have you got some of the plants that you're going to use? -Yes. | 0:08:58 | 0:09:01 | |
-You're growing them on? -Yes. -Shall we have a look? -Sure. | 0:09:01 | 0:09:03 | |
Fantastic. It must be great having a nursery on-site, to be able to | 0:09:03 | 0:09:07 | |
monitor all your plants and see if they're going to flower in time? | 0:09:07 | 0:09:11 | |
Yes, what you see here is hopefully going to get used in the garden. | 0:09:11 | 0:09:15 | |
This is a variety of cow parsley. We saw the native one in the hedgerow. | 0:09:15 | 0:09:19 | |
This is a garden variety. It's got the purple-like foliage. | 0:09:19 | 0:09:22 | |
Then we have Brunnera, "Jack Frost". | 0:09:22 | 0:09:25 | |
This one flowers very similar to the forget-me-not. | 0:09:25 | 0:09:29 | |
I've got the forget-me-not in the wild part of the garden. | 0:09:29 | 0:09:32 | |
This one can be used as a substitute, | 0:09:32 | 0:09:34 | |
rather than having the forget-me-not, which is short lived. | 0:09:34 | 0:09:37 | |
-What about the Angelica? That is a stunning plant. -Yes. | 0:09:37 | 0:09:42 | |
I've been nurturing it. | 0:09:42 | 0:09:43 | |
I have permission from my wife to dig them out of the garden | 0:09:43 | 0:09:47 | |
so I've got them in flower at the moment. | 0:09:47 | 0:09:49 | |
My only concern now is getting them to the showground in one piece. | 0:09:49 | 0:09:52 | |
-Drive carefully and slowly. -Yes. -Good luck. It's getting exciting. -It is. | 0:09:52 | 0:09:56 | |
-It's quite close now. -It is. Very close. | 0:09:56 | 0:09:58 | |
-Hey, this is looking good, isn't it? -It is. -This is fantastic. | 0:10:05 | 0:10:08 | |
-It's starting to look really nice now. -Yes. | 0:10:08 | 0:10:10 | |
-This is wildflower meadow turf. -Yes. | 0:10:10 | 0:10:13 | |
We've had it in here about six, seven weeks now. | 0:10:13 | 0:10:16 | |
It rolls out and there's not much to see straightaway. | 0:10:16 | 0:10:19 | |
There's three grass types. | 0:10:19 | 0:10:20 | |
There's about 20, 25 types of wildflower within it. | 0:10:20 | 0:10:23 | |
These meadow mats are the first plants to go to Mark's show garden. | 0:10:28 | 0:10:32 | |
They'll simply be laid like a carpet. | 0:10:32 | 0:10:34 | |
-Shall we go this way? -Here we go. | 0:10:34 | 0:10:36 | |
I seem to remember you did pretty well in your last show garden at Malvern. | 0:10:36 | 0:10:40 | |
Two Golds and two Best In Shows. | 0:10:40 | 0:10:42 | |
OK. | 0:10:42 | 0:10:44 | |
-So this year? -We're doing everything we can, so fingers crossed. | 0:10:44 | 0:10:46 | |
-The very best of luck. Better get these to the show. -Thank you. | 0:10:46 | 0:10:49 | |
And I'll see you there. | 0:10:49 | 0:10:51 | |
So two Golds, two Best In Shows. Has Mark got the hat-trick? Wow. | 0:11:07 | 0:11:12 | |
This looks fantastic, | 0:11:12 | 0:11:13 | |
this planting, this wildflower meadow with the red campion. | 0:11:13 | 0:11:17 | |
I'd like to think I played a part in that - loading onto the van. | 0:11:17 | 0:11:20 | |
-Mark. -Hi, Joe. -How are you doing? -Very good, thank you. | 0:11:20 | 0:11:23 | |
-The garden looks brilliant. -Thank you very much. -How did you do? | 0:11:23 | 0:11:26 | |
All right. Gold in Best In Show, so delighted. Good team effort. | 0:11:26 | 0:11:29 | |
That's the hat-trick in the bag? | 0:11:29 | 0:11:31 | |
It is, yeah. Three in a row. So, really, really pleased. | 0:11:31 | 0:11:33 | |
The whole concept came together, didn't it? | 0:11:33 | 0:11:35 | |
The idea of the wildflowers blending into more contemporary space. | 0:11:35 | 0:11:38 | |
Yeah, I've done what I wanted to do. | 0:11:38 | 0:11:40 | |
The wildflowers merging with cultivar species | 0:11:40 | 0:11:42 | |
into the more garden-esque planting. | 0:11:42 | 0:11:43 | |
It's really pulled together. | 0:11:43 | 0:11:45 | |
The whole thing's soft and flowing, so I'm delighted. | 0:11:45 | 0:11:49 | |
The plant quality is top notch, and the screens are really nice. | 0:11:49 | 0:11:53 | |
The Angelica looks good. | 0:11:53 | 0:11:54 | |
Yeah. They came up and flopped on me on the first day. | 0:11:54 | 0:11:57 | |
And then lots of water, they have perked up | 0:11:57 | 0:11:59 | |
and they look really great against the back wall. Delighted. | 0:11:59 | 0:12:02 | |
Are they getting plenty of rain now? | 0:12:02 | 0:12:04 | |
-Certainly are! -Congratulations, well done. -Thank you. | 0:12:04 | 0:12:07 | |
It is possible to bring a touch of show garden magic to your own garden. | 0:12:12 | 0:12:16 | |
There are ideas here for everyone. | 0:12:16 | 0:12:18 | |
A Fruity Story is the size of a small urban garden, | 0:12:36 | 0:12:39 | |
and it's got everything in it. | 0:12:39 | 0:12:41 | |
The seating area is at its core, and something that everyone wants. | 0:12:42 | 0:12:47 | |
What I particularly like about the design is that the planting | 0:12:47 | 0:12:51 | |
adds real depth, | 0:12:51 | 0:12:53 | |
incorporating a fabulous blend of ornamentals and edibles. | 0:12:53 | 0:12:57 | |
Salad leaves are used like bedding plants, bordering the path, | 0:12:57 | 0:13:00 | |
whereas fruit bushes act as the shrubs, | 0:13:00 | 0:13:03 | |
making it feel like somewhere to garden in | 0:13:03 | 0:13:05 | |
and not just an outdoor room. | 0:13:05 | 0:13:07 | |
The RHS love to see a lot of effort going into a garden. | 0:13:14 | 0:13:16 | |
They call it "endeavour," and on the judging sheet you get extra marks for it. | 0:13:16 | 0:13:20 | |
And this garden got a gold medal, unsurprisingly, | 0:13:20 | 0:13:23 | |
because it's an incredible amount of work. | 0:13:23 | 0:13:26 | |
It is based on a Balearic holiday home and it's a coastal garden. | 0:13:26 | 0:13:30 | |
So we see plants like Rosemaries and Callistemon that we are familiar with, | 0:13:30 | 0:13:35 | |
but then other plants like the Opuntias and Agaves | 0:13:35 | 0:13:38 | |
that wouldn't survive a British winter. | 0:13:38 | 0:13:41 | |
And this architectural palm holds this corner here and feels | 0:13:41 | 0:13:44 | |
like it's been planted forever, the way it's lying on its side, there. | 0:13:44 | 0:13:48 | |
The attention to detail is absolutely stunning, | 0:13:48 | 0:13:51 | |
and after all, this is a piece of theatre. | 0:13:51 | 0:13:53 | |
The garden looks great with the Malvern Hills behind. | 0:13:53 | 0:13:56 | |
It sits as if it's on an island, | 0:13:56 | 0:13:58 | |
and all this garden really needs is a bit of sunshine. | 0:13:58 | 0:14:02 | |
Joe, this garden doesn't read very easily. Talk me through it. | 0:14:20 | 0:14:25 | |
Well, it's meant to be awkward. It's meant to be an awkward journey, | 0:14:25 | 0:14:28 | |
which is why we've got this path | 0:14:28 | 0:14:29 | |
-with these steps that aren't really necessary. -Jolly awkward! | 0:14:29 | 0:14:33 | |
And really sort of strange heights and distances apart, as well, | 0:14:33 | 0:14:36 | |
because it's for Parkinson's, this garden, so it's meant to be frustrating. | 0:14:36 | 0:14:40 | |
So does it simulate the experience of having Parkinson's? | 0:14:40 | 0:14:43 | |
Yes, yes. And you're not quite sure the journey you are on, | 0:14:43 | 0:14:46 | |
and there are dead ends, and that sense of awkwardness, | 0:14:46 | 0:14:50 | |
and that's what it's all about, really. | 0:14:50 | 0:14:52 | |
And then you come to this wall, this green wall. | 0:14:52 | 0:14:55 | |
Which looks a bit like a hedge, a bit like a lawn on its edge, a wall. | 0:14:55 | 0:14:58 | |
-Yeah. But actually... -Yeah? -It's a door. | 0:14:58 | 0:15:01 | |
-Ah! -There is a doorway through here, and then behind it and other door, | 0:15:01 | 0:15:04 | |
so, again, that sense of frustration. | 0:15:04 | 0:15:06 | |
But as you come through here, | 0:15:08 | 0:15:11 | |
you're into a completely different space, | 0:15:11 | 0:15:14 | |
and you're into a squeeze space. | 0:15:14 | 0:15:15 | |
from a design point of view, I think it's really interesting, as well, | 0:15:15 | 0:15:19 | |
cos it draws the eye right down. | 0:15:19 | 0:15:20 | |
So, you know, it does play with squeezing space. | 0:15:20 | 0:15:24 | |
It's nice to have the height, isn't it? You can do this in a small garden. | 0:15:24 | 0:15:27 | |
You can get that sense of seclusion, and, as you say, vista. | 0:15:27 | 0:15:32 | |
-And there's another doorway. -Another way out. Yeah. | 0:15:32 | 0:15:35 | |
Through here to another door, | 0:15:35 | 0:15:38 | |
-a double door. -Yeah. -And into this space over here. | 0:15:38 | 0:15:42 | |
The whole thing is quite demanding and almost stressful, | 0:15:42 | 0:15:46 | |
which, I guess, is deliberate. | 0:15:46 | 0:15:48 | |
But, you know, I do like, at the end of that long alleyway, | 0:15:48 | 0:15:52 | |
as you say, squeezing the space, is a calm centre. | 0:15:52 | 0:15:57 | |
I love the planting of the Dryopteris ferns and the Hostas. | 0:15:57 | 0:16:00 | |
Very ordinary, nothing special, | 0:16:00 | 0:16:03 | |
but it's a sort of still point | 0:16:03 | 0:16:05 | |
in this confusing, deliberately so, garden, isn't it? | 0:16:05 | 0:16:08 | |
Yeah. I think it works on many levels, this garden. | 0:16:08 | 0:16:11 | |
Do come along to Malvern if you possibly can. | 0:16:17 | 0:16:20 | |
The show has got so much to see and to inspire your own garden. | 0:16:20 | 0:16:23 | |
But if you can't and you're going to be spending | 0:16:23 | 0:16:25 | |
the weekend in your garden, here are some jobs to be getting on with. | 0:16:25 | 0:16:29 | |
Sometimes there are just no shortcuts in gardening, | 0:16:31 | 0:16:34 | |
and now is a perfect time to do some hand weeding in your borders. | 0:16:34 | 0:16:38 | |
This means getting right down | 0:16:39 | 0:16:42 | |
and individually pulling out the weeds don't want. | 0:16:42 | 0:16:45 | |
If you're not sure whether it is | 0:16:45 | 0:16:47 | |
a little treasure that is going on to delight you or a weed, | 0:16:47 | 0:16:51 | |
leave them both and come back later. | 0:16:51 | 0:16:55 | |
And if this seems a little tedious, then just give into it. | 0:16:55 | 0:16:59 | |
And personally, I find it very therapeutic. | 0:16:59 | 0:17:02 | |
It's important to support peas before they get all tangled up. | 0:17:06 | 0:17:11 | |
Traditionally, brushwood has been used, | 0:17:11 | 0:17:13 | |
but any twiggy prunings will do the job. | 0:17:13 | 0:17:15 | |
And failing that, netting works well, | 0:17:15 | 0:17:19 | |
as long as you have plenty of material | 0:17:19 | 0:17:21 | |
for the growing tendrils to entwine | 0:17:21 | 0:17:24 | |
and therefore support themselves. | 0:17:24 | 0:17:26 | |
Although tulips and daffodils are fading fast, | 0:17:31 | 0:17:34 | |
it's important to leave the foliage and stems | 0:17:34 | 0:17:37 | |
to wither back naturally over the next few weeks. | 0:17:37 | 0:17:41 | |
Gradually, energy will flow back down into the bulb | 0:17:41 | 0:17:45 | |
to produce next year's flower. | 0:17:45 | 0:17:48 | |
However, it is a good idea to snap off the seed heads. | 0:17:48 | 0:17:51 | |
This will mean that none of that energy | 0:17:51 | 0:17:54 | |
will be wasted in producing seeds. | 0:17:54 | 0:17:56 | |
One of the most exciting things about coming to Malvern | 0:18:10 | 0:18:14 | |
is seeing plants that are here for the very first time. | 0:18:14 | 0:18:18 | |
Debutantes. And this Lunaria annua 'Chedglow' is a perfect example. | 0:18:18 | 0:18:25 | |
It's a gorgeous dark-leaved Honesty, with these deep purple leaves | 0:18:25 | 0:18:29 | |
and stems combined with | 0:18:29 | 0:18:31 | |
these glorious, rich purple flowers. | 0:18:31 | 0:18:34 | |
It couldn't be better. | 0:18:34 | 0:18:36 | |
The lovely people on the stand tell me that it seeds true, | 0:18:36 | 0:18:40 | |
and like all forms of Lunaria annua, | 0:18:40 | 0:18:42 | |
in its first year, it will make a rosette. | 0:18:42 | 0:18:46 | |
In its second, a flowering plant. | 0:18:46 | 0:18:48 | |
It's a true biennial. | 0:18:48 | 0:18:50 | |
But once you've taken your seeds, | 0:18:50 | 0:18:53 | |
don't take those seed heads off the plants. | 0:18:53 | 0:18:55 | |
Just leave them there. These glorious, glistening moons | 0:18:55 | 0:18:59 | |
will adorn your garden all through the winter. | 0:18:59 | 0:19:02 | |
If you love Geums, and I certainly do, | 0:19:10 | 0:19:13 | |
then this is the stand for you. | 0:19:13 | 0:19:15 | |
There are all manner of different hybrids gathered together here, | 0:19:15 | 0:19:19 | |
but there's one of them that really stand out from the rest, | 0:19:19 | 0:19:22 | |
and it's brand-new. | 0:19:22 | 0:19:24 | |
It's called Roger's Rebellion. | 0:19:24 | 0:19:25 | |
And what makes it so different is the fact that its flowers are large, | 0:19:25 | 0:19:30 | |
they're upward-facing, and they're very frilly around the edges. | 0:19:30 | 0:19:34 | |
It's got gorgeous tapestry colours. | 0:19:34 | 0:19:36 | |
This is a plant that loves moisture. | 0:19:36 | 0:19:38 | |
It would have coped really well with the floods this year. | 0:19:38 | 0:19:41 | |
It's not just good new plants that we celebrate at Malvern. | 0:19:49 | 0:19:53 | |
There are so many marvellous old varieties too, | 0:19:53 | 0:19:57 | |
and on this stand, which mainly consists of penstemons, | 0:19:57 | 0:20:00 | |
the two ladies who are in charge here are on the lookout | 0:20:00 | 0:20:04 | |
to reintroduce lots of the old varieties of penstemon | 0:20:04 | 0:20:08 | |
that have been lost to cultivation. | 0:20:08 | 0:20:11 | |
This one is one called Evelyn. She dates from the 1930s. | 0:20:11 | 0:20:15 | |
She's got these glorious fine leaves and small, dainty flowers, | 0:20:15 | 0:20:20 | |
and that's always the sign | 0:20:20 | 0:20:22 | |
that a penstemon is going to be really hardy. | 0:20:22 | 0:20:25 | |
Malvern is a great place to buy penstemons too, | 0:20:26 | 0:20:29 | |
and whether they're old varieties or new, | 0:20:29 | 0:20:31 | |
it's the ideal time to take cuttings. | 0:20:31 | 0:20:34 | |
They'll have rooted in a few weeks. | 0:20:34 | 0:20:35 | |
It takes months of careful work and dedication | 0:20:41 | 0:20:46 | |
to bring these plants to the peak of perfection. | 0:20:46 | 0:20:49 | |
But it's not just nursery people who've been busy. | 0:20:49 | 0:20:52 | |
One garden has timed their opening | 0:20:52 | 0:20:55 | |
to coincide with the Malvern Spring festival, | 0:20:55 | 0:20:58 | |
and this year, the bluebells have obliged. | 0:20:58 | 0:21:02 | |
I saw the house in 1967. I bought it on the spot. | 0:21:12 | 0:21:16 | |
Angela hadn't even seen it, and I have to say, it was probably... | 0:21:16 | 0:21:19 | |
I can't say the best, | 0:21:19 | 0:21:20 | |
but certainly the second best decision I've ever made. | 0:21:20 | 0:21:23 | |
I knew this area well, and I knew all the woods we look over, | 0:21:26 | 0:21:31 | |
and I just thought, "This is it." | 0:21:31 | 0:21:33 | |
I have to say, probably, | 0:21:34 | 0:21:36 | |
-we didn't really think we would still be here in 45 years. -No. | 0:21:36 | 0:21:39 | |
I wasn't a gardener, and my wife wasn't a gardener, | 0:21:46 | 0:21:49 | |
but she's been responsible for developing a garden ever since. | 0:21:49 | 0:21:53 | |
I just put a few trees in, thought, "That looks nice." | 0:21:54 | 0:21:57 | |
"I'll put more trees in." | 0:21:57 | 0:21:58 | |
And it just evolved. There's no grand plan. | 0:21:58 | 0:22:01 | |
The top part of the garden is what you might call the formal garden, | 0:22:03 | 0:22:07 | |
if this is a formal garden, | 0:22:07 | 0:22:09 | |
which is full of several colour-themed beds. | 0:22:09 | 0:22:12 | |
I like it to flow, my garden, if possible, | 0:22:13 | 0:22:15 | |
going on down into the wood, | 0:22:15 | 0:22:17 | |
getting less and less formal as it goes on. | 0:22:17 | 0:22:20 | |
I suppose ever since we've been here, my wife has changed enormously. | 0:22:23 | 0:22:27 | |
When she arrived, she was happy to sleep until lunchtime. | 0:22:27 | 0:22:31 | |
Now, she's up with the dawn, | 0:22:31 | 0:22:34 | |
and I frequently look out and see her in her nightie and bare feet, | 0:22:34 | 0:22:37 | |
walking around in the dew, | 0:22:37 | 0:22:40 | |
mumbling to herself, planning what she's going to plant in the borders. | 0:22:40 | 0:22:44 | |
It's early in the morning, in the spring, in June, | 0:22:44 | 0:22:47 | |
that I go out like that, | 0:22:47 | 0:22:48 | |
when the first roses come out down the bottom, the single roses, | 0:22:48 | 0:22:52 | |
and the ones with a wonderful scent. | 0:22:52 | 0:22:54 | |
The whole area is just under 30 acres, of which 20 is woodland. | 0:22:56 | 0:23:02 | |
We employed a man with a digger. | 0:23:02 | 0:23:04 | |
I'd put my stick on a great hazel, and up...he'd dig up this hazel | 0:23:04 | 0:23:08 | |
and, of course, where you did that, the next year, | 0:23:08 | 0:23:10 | |
there were all these wonderful bluebells, | 0:23:10 | 0:23:13 | |
and I think that, you know, | 0:23:13 | 0:23:14 | |
you didn't realise till you really cleared things | 0:23:14 | 0:23:17 | |
how wonderful the bluebells could be. | 0:23:17 | 0:23:19 | |
The bluebells have naturally increased, | 0:23:33 | 0:23:37 | |
but I do try and make other areas by collecting the seed, | 0:23:37 | 0:23:42 | |
and I go and throw that down in other places, which does work. | 0:23:42 | 0:23:46 | |
I think if you create the right situation, | 0:23:46 | 0:23:49 | |
that is what makes them increase. | 0:23:49 | 0:23:51 | |
You can't really do it by digging them up and putting them somewhere. | 0:23:51 | 0:23:54 | |
The bluebells are wonderful, | 0:24:00 | 0:24:02 | |
but they don't have that long a season, | 0:24:02 | 0:24:04 | |
so I planted all the trees that I like | 0:24:04 | 0:24:07 | |
and, of course, they enhance everything that you grow, | 0:24:07 | 0:24:10 | |
so it doesn't matter whether they're azaleas or rhododendrons. | 0:24:10 | 0:24:14 | |
The blue bluebells set off anything | 0:24:14 | 0:24:16 | |
that I think you can grow in the garden | 0:24:16 | 0:24:18 | |
and make the season last so much longer. | 0:24:18 | 0:24:21 | |
It's so exciting, | 0:24:23 | 0:24:24 | |
because they're really only there for two or three weeks. | 0:24:24 | 0:24:27 | |
I don't think anything can beat that carpet of flowers. | 0:24:27 | 0:24:30 | |
If you'd like to visit Angela and David's beautiful garden | 0:24:34 | 0:24:37 | |
and enjoy those gorgeous bluebells, they're open this weekend, | 0:24:37 | 0:24:42 | |
Saturday and Sunday afternoon, under the National Gardens Scheme. | 0:24:42 | 0:24:46 | |
Full details are on our website. | 0:24:46 | 0:24:49 | |
And it's only just a few miles away from the Showground. | 0:24:49 | 0:24:52 | |
The whole of the show is packed with plants. | 0:24:56 | 0:24:59 | |
And I'm on the lookout for stalwarts. | 0:25:00 | 0:25:03 | |
You know, the kind of thing that we all need in our gardens. | 0:25:03 | 0:25:07 | |
Plants that are really dependable. | 0:25:07 | 0:25:09 | |
And immediately, my eyes lighted | 0:25:09 | 0:25:11 | |
on this gorgeous polemonium. | 0:25:11 | 0:25:14 | |
I love that combination | 0:25:14 | 0:25:15 | |
of the blue flowers and the purple leaves, | 0:25:15 | 0:25:17 | |
and its wonderful scent. | 0:25:17 | 0:25:20 | |
Smells like new-mown hay. | 0:25:20 | 0:25:22 | |
It's the sort of plant that we all need. | 0:25:22 | 0:25:24 | |
Most of us have got shady corners, | 0:25:32 | 0:25:34 | |
and when you're looking for something | 0:25:34 | 0:25:36 | |
that's perfect for that sort of place | 0:25:36 | 0:25:38 | |
and will come up year after year, what better than a woodland plant? | 0:25:38 | 0:25:42 | |
And this is a beauty. | 0:25:42 | 0:25:45 | |
It's Anemone sylvestris, with its pure white flowers. | 0:25:45 | 0:25:48 | |
It's absolutely perfect. | 0:25:48 | 0:25:50 | |
Nearly all of us | 0:25:53 | 0:25:55 | |
have got different kinds of situations within our gardens. | 0:25:55 | 0:25:58 | |
Sometimes it's shade, might be an open border or, occasionally, | 0:25:58 | 0:26:02 | |
it's a hot, dry, sunny place, perhaps with poor soil. | 0:26:02 | 0:26:06 | |
I've got exactly that kind of place | 0:26:06 | 0:26:08 | |
at the end of a raised bed in my own garden, | 0:26:08 | 0:26:11 | |
and these Geranium cinereums are exactly the right sort of plants | 0:26:11 | 0:26:15 | |
for just that situation. | 0:26:15 | 0:26:17 | |
It's a high alpine, | 0:26:17 | 0:26:18 | |
and it'll put up with any amount of cold in the winter | 0:26:18 | 0:26:22 | |
and hot, baking sun in the summer. | 0:26:22 | 0:26:24 | |
We should be so lucky! | 0:26:24 | 0:26:26 | |
I love this particular colour. I've never seen anything like it before. | 0:26:26 | 0:26:31 | |
It's one called Melody, and I'm going to take three plants. | 0:26:31 | 0:26:35 | |
I love this thing. Hello. | 0:26:56 | 0:26:58 | |
-Fancy stumbling across you two on a beach like this! -Monty! | 0:26:58 | 0:27:01 | |
-Yeah, on a beach, on a day like this. -Oh, it's nice. It's good. | 0:27:01 | 0:27:05 | |
Now, tell me, what have you seen in particular that's caught your fancy? | 0:27:05 | 0:27:09 | |
Well, all sorts of new things, | 0:27:09 | 0:27:10 | |
cos there always are at Malvern, but this is my star of the show. | 0:27:10 | 0:27:14 | |
I think it's beautiful. | 0:27:14 | 0:27:16 | |
It's a little Geranium cinereum, and it's called Melody. | 0:27:16 | 0:27:19 | |
It's beautiful, isn't it? Amazing colour. | 0:27:19 | 0:27:21 | |
It took me ages to find a plant that would go with this bag! | 0:27:21 | 0:27:24 | |
THEY LAUGH | 0:27:24 | 0:27:26 | |
I was just so pleased to see Mark get Gold and Best in Show, | 0:27:26 | 0:27:29 | |
-so he's got a hat-trick now. Fantastic. -Very impressive. | 0:27:29 | 0:27:33 | |
Well, I saw lots of nice things. | 0:27:33 | 0:27:34 | |
I've really enjoyed this year's show, but for me, | 0:27:34 | 0:27:37 | |
the biggest thing was branching out and buying plants | 0:27:37 | 0:27:40 | |
that I've never grown before, | 0:27:40 | 0:27:42 | |
that's going to expand experience and range and colour, | 0:27:42 | 0:27:46 | |
so a new beginning. | 0:27:46 | 0:27:47 | |
-You got your wallet out, then, Monty? -Yes. And, in fact... | 0:27:47 | 0:27:50 | |
The serious point from that is, | 0:27:50 | 0:27:52 | |
is you can buy really exotic, interesting plants | 0:27:52 | 0:27:54 | |
and they're not that expensive. | 0:27:54 | 0:27:56 | |
Well, all the plants here are always reasonable, | 0:27:56 | 0:27:59 | |
and what's more, you always get such brilliant advice, don't you? | 0:27:59 | 0:28:02 | |
-I might have to get my wallet out, then. -I think you will. | 0:28:02 | 0:28:05 | |
Well, that's it from us at Malvern, but you can come along. | 0:28:05 | 0:28:09 | |
If you go to our website, you'll get the details of the opening time, | 0:28:09 | 0:28:12 | |
and it's open till Sunday night. | 0:28:12 | 0:28:14 | |
And we'll be back at our normal time next week. | 0:28:14 | 0:28:17 | |
So, till then, bye-bye. | 0:28:17 | 0:28:19 |